PING-HAN
WU
2015-2018
Theatre Lighting Design
Lighting is a way that not just holding a show but having a talk. To performer To audience To ourself
Wu, Ping-Han Born in 1996, Tainan Taiwan Current senior student at National Sun Yat-Sen University Department of Theatre Arts Specialized in Theatre Lighting Design
As a Lighting Designer 2018 A Woman Of No Importance Director:LIN, YI-CHENG Location:Dadong Art Center
2018 Wedding Memories Director:LI, ZHONG-WEI Location:Dadong Art Center
2018 I Can't Figure It Out
Director:LIN, JIA-YU Location:219 Experiental Theater
2017 Love of The Ocean
Director:LIN, YI-CHENG Location:Kaohsiung Cultural Center Jhih-Shan Hall
2017 WSDC World Reading Tour in Kaohsiung The Startled Bird
2016 Ten of Dreams
Director:CHANG, SHAN-CHUN Location:219 Experiental Theater
2016 No Comment
Director:NIU, ZHEN-WEI Location:Garden Creative Place
2016 Vacation In Kaohsiung
Director:LIN, YI-CHENG Location:Kaohsiung Cultural Center Jhih-De Hall
2015 Original Intention
Director:LIN, YI-CHENG Location:219 Experiental Theater
As a Master Electrician and Programmer
Director:YANG, SHIH-PING Location:Koahsiung Main Library Theater
2018 Ocean Designer:CHEN, YEN-TING
2017 The Very Thought of You
2018 The Mousetrap Designer:SHOA, CHIH-HUNG
Director:CHEN, GUAN-WEI Location:Black Olive Leaf Theater
2017 Dear God
Director:NIU, ZHEN-WEI Location:Face Creative Place
2017 Le Bourgeois Gentilhomme Designer:LIN, YAN-SHENG 2017 Playing House Designer:WANG, YONG-RU
Content
01
Wedding Memories
02
A Woman of No Importance
03
Love of The Ocean
04
Ten of Dreams
05 06
I Can't Figure It out
Dear God
07
Photography
01 Wedding Memories
ABOUT
ABOUT
THE PLAY
LIGHTING DESIGN
Lee Xiu-Guo accidentally found a household certificate and began to recall his past and deceased mother. Through his vague memories, he began to think about where he came from and started his journey of root seeking. Through his sister and father's dictation, he began to put together his memories about his mother in his mind and also found a touching story of his mother's past. It was a troublous times in China because of a civil war between the Kuomintang and the Communist Party. His mother had a little sister, Cui Yu. Cui Yu fell in love with a storyteller, Ai Ming, and they decided to run away. So XiuGuo's mother had to replace Cui Yu to be married to a cobbler, Lee, who has kind to her family. But the days of stability were soon over. The rise of the Communist Party made the society nervous at that time. Many years passed, Cui Yu and Ai Ming joined the Communist Party. And they returned to there hometown and denounced Cui Yu's mother. Eventually, Cui Yu's mother died. After that Xiu-Guo's mother and Lee escaped to Taiwan and lived in a stable life for years. One day, Ai Ming appeared and told Xiu-Guo's mother of Cui Yu's death. And this sadness finally made Xiu-Guo's mother died in sorrow. After heard of this story, Xiu-Guo finally completed his memories about his mother and her past. In the last scene, Xiu-Guo's father, Lee told everyone about his love for XiuGuo's mother. And it made Xiu-Guo find out of where he came from and where he belonged.
It was my first lighting design experience in a grand theater instead of an experimental theater. So the usage and idea of lighting was different for me. Therefore, I chose to use some Moving Lights and LED Lights this time in order to make my usage more diverse. Most events and places of this play was real. As a result, I did lost of research about weathers, colors and ambiences of that times. In terms of the time and ambience, I always defined my main light and auxiliary light first in each different scene. Then the angle, color and intensity. In order to make the color of scenes rich and to fill light, I chose to use Robe LED 1200 wash beam overhead and Acme XP-20R on the truss above the orchestra pit. In use of the cyclorama, I chose to use ETC LED CYC and three different color of clouds in order to let the cyclorama more changeable along with scenes. I had been kept working on evoking people's emotions by my lighting. It was definitely a fresh experience for me in lighting design. I learned a lot of possibilities of lighting and also kept reminding myself that there is still lots of thing to learn.
KEY
CH NO. UNIT NO. ROTATER GOBO COLOR NO.
97
26 ETC
19 ETC
36 ETC
8" FRESNEL 2KW
50 ETC
PAR64(M)1KW
3
ROBE 1000BEAM
L161
I
IRIS
1750 1700 1650
#58
1600
#57 #56 空桿 #55 #54 RP
1550
#53 空桿
#54 RP
#52 電動升降 1500 1450 L119 L161 NC L180 1
2
3
L119 L161 NC L180
4
1
2
3
L119 L161 NC L180
4
1
2
3
L119 L161 NC L180
4
1
2
3
L119 L161 NC L180
4
1
2
3
L119 L161 NC L180
4
1
2
3
1400
L119 L161 NC L180
4
1
2
3
4
1350
#51 背黑幕 #50 空桿 #49 空桿 #48 空桿 #47 空桿 #46 5E
#46 5E
#45 翼幕#7 #44 沿幕#5
#45 翼幕#7 #44 沿幕#5
#43 空桿
#43 空桿
1300
15
17
15
17
16
18
16
10
5
18
5
281
10
6
11
6
11 282
7
12
7
12
7
12
8
283
13
8
13
9
14
9
1250
14
19
21
19
21
20
22
20
22
L200
117
L161L103
NC
L161
114
L156
111
L161L103
L200
117
L161L103
NC
L161
114
L161L103 L161L103 L156
111
L200
118
NC
L161
115
L161L103
L161L103 L161L103 L161
L200
NC
L161
112
118
L161L103
L200
115
112
L161L103
L161L103
L161 L174 L161L174 L161L174 L161L174
#41 空桿
#40 4E
#40 4E
1150
#39 反響板#4
#39 反響板#4
1100
#38 #37 #36 #35
#38 #37 #36 #35
1050
L161
NC
L200
L161
NC
119
116
113
119
116
1000
113
950 900 65 NC
2.511 511
77
87
L201
NC
L205 L161
93 L243
66
NC
78
87
93
L201
NC
L243
253 256
HZ-500
43
31
32
50
L161
NC
NC
44
299
299
L134 L103 L161 L103
104
33
51
34
45
NC
L134
NC
L161
105
96 L243
90
84 L201
NC
72
96 L243
NC
90
83 L201
NC
71 NC
750
2.386
650 600 550
300
L205 L161
300
500 450
252 255 63 NC
Z-1500
39
27
L161
NC
L205L161
75
86
92
64
76
86
92
L201
NC
L243
NC
L201
NC
L243 251 254
61
73
85
91
62
74
85
46
40
2.201 L134
L161
28
L201
NC
L243
NC
L201
NC
L243
L205
NC L134
23
56
58
NC
36
24
三合院 三合院
NC
47
102
L205
48
29
L134
2.237
41
49
NC L161
103
30
L134 2.275
42
L161
NC
95 L243
89
82
70
95
89
81
NC
L201
NC
L243
NC
L201
L161
NC
57
59
NCL161 L161
25
37
26
L161 L161
38
94
88
80
68
94
88
79
NC
Z-1500
L161
NC
L161
NC
NC 261
261
L161
262 262
NC
263 263
L161
L243
NC
L201
NC
L243
L201
NC
#30 翼幕#5
#29 反響板#3
#29 反響板#3
#28 3E
#28 3E
#27 空桿 #26 沿幕#3
#27 招牌 #26 沿幕#3
#25 空桿
#25 空桿
#24 #23 #22 #21 #20 #19 #18 #17
#24 #23 #22 #21 #20 #19 #18 #17
空桿 空桿 翼幕#4 沿幕#2 空桿 空桿 空桿 空桿
空桿 空桿 翼幕#4 沿幕#2 空桿 右樹林 招牌 右樹林
#16 反響板#2
#16 反響板#2
#15 翼幕#3 #14 空桿 #13 空桿
#15 翼幕#3 #14 空桿 #13 空桿
#12 2E
#12 2E
250
#11 #10 #9 #8 #7
#11 #10 #9 #8 #7
200
#6 反響板#1
350
67
150
三合院 三合院
L161 NC
#30 翼幕#5
400
69
300
35
91
101
#34 #33 #32 #31
翼幕#6 沿幕#4 空桿 左樹林 左樹林 招牌 空桿 空桿
800
106
2.349
#34 #33 #32 #31
翼幕#6 沿幕#4 空桿 空桿 銀幕 空桿 空桿 空桿
850
700
2.312
#42 空桿
#41 空桿 1200
L156 L103L156 L103 L156 L103 L156 L103
#42 空桿
NC
100 50
空桿 翼幕#2 沿幕#1 空桿 空桿
黑紗 翼幕#2 沿幕#1 空桿 三合院
#5 翼幕#1
#5 翼幕#1
#4 1E
#4 1E
#3 對開大幕
#3 對開大幕
#2 眉幕
#2 眉幕
原吊桿 List
演出吊桿
0cm 800
900 850
700 750
600 650
500 550
400 450
200
300 350
250
100 150
200
100 50
0cm
Ｃ L
50
150
250
500
400
300 350
450
600 550
700 650
800 750
900 850
KEY
ETC19
ETC 10
ETC36
ETC26 191
192
2.001
2.016
ETC ZOOM
PAR64(W)1KW
LED CYC
193
194
195
196
197
198
199
2.031
2.046
2.061
2.076
2.091
2.106
2.121
ACME XP-20R
184 中華商場 LED SOURCE
176
180
174
172
L156
NC
NC
NC
125 L156 128 L103
L134
L161
160
L103
L103
NC
152
L201 L205
144
L134
143
L134
L134
148
L134
147
175
L201 L205
NC
L161
156
NC
173
138
164
L174
163
L174
134
L161
183 中華商場
NC
LED SOURCE
124 L156 127 L103
L134
L161
159
NC
151
L201 L205
L201 L205
L161
155
NC
137
133
L161
182 中華商場
B O X
R i g h t
勞軍
166
LED SOURCE
S t a g e
123 L156 126 L103 L161
L205
L201
122 L156 140 L161
L205
L201 L205
142
L134
L134
146
L201 L205
L161
154
NC
162
L174
136
132
L161
NC
NC
157
L161 NC
149
L134 L201 L205
NC L205
141 L205
L134
L134
145
L201 L205
L161
153
NC
161
204
勞軍 167 L174
135
L205
131
L161
NC
三合院
L205
NC
爆炸
爆炸
170
215
三合院 三合院
214
L200
U P P E R
L200
208
L101
L174
171
2 F
L205
207
169
L O W E R
S t a g e
L161
L161
三合院 三合院
NC
三合院
L200
150
L e f t
203 165
121 L156 139 L161
3 F
NC
B O X
勞軍
168
206
205
213
NC
L134
L161
158
勞軍
LED SOURCE
202
201
NC
181
L161
中華商場
2 F
NC
3 F
216 L200
U P P E R 211
212
210
209
SIDE LIGHT
107
900
400 850
650
750
NC
550
NC
L201
300
450
2.431
350
L201
NC
三合院
三合院 L201
NC
NC
108
100
250
L201
三合院 L201
L201
150
三合院 NC
NC
L201
NC
2.465
100 0cm
50
NC
50
NC
NC
NC
L201
400
300
900
350
250
150
L201
TRUSS
L201
550
450
NC
NC
L201
L201
650
NC
750
NC
C A T # 1 250
250
CURTAIN WARM
221
L201
221
226
226 241
L201
NC
NC
222
222
227
242
241
242
L201
L201
NC
223
227
NC
L201
228
228
NC
NC
223
L201
229
NC
229
NC
224
L201
224
L201
230
NC
230
NC
225
L201
225
250
250
CURTAIN WARM
L201
C A T # 2 231
231
236
236
232
232
237
237
233
238
238
CL
233
239
239
234
234
240
240
235
235
850
LIGHTING MAGIC SHEET page 1
CYC
L119
L161
1
2
BACK LIGHT NC
5
L180
3
6
7
L161
8
9
4 L103
10
11
12
13
14
TOP LIGHT
NC
31
32
33 34
27
28
29 30
23
24 H.C
43
TOP LIGHT
L161
44
L134
45
39
40 41
42
35
36
38
H.C
NC
16
37
19
46
47
H.C
L201
20
L103
18
21
TOP LIGHT
56
L161
57
58 59
H.C
L243 GOBO
65
66
72
71
77
78
84
83
87
90
93
96
63
64
70
69 75
76
82
81
86
89
92
95
61
62
68
67 73
74
80
79
85
88
91
94
172
L205 171
173
176
184 183
L205
L156 城牆
175
180
174
BOX L200
BOX L161 201 202
48 49
NC GOBO
170
中華商場
母親
NC
169
22
三合院
SIDE 最後一道
NC
L174
NC
50 51
25 26
L161
17
191 192 193 194 195 196 197 198 199 TOP LIGHT
DIAGNAL L156
15
GROUND ROW LED CYC
page 2
SIDE 第一道
203 204
209 210
182 181
BOX
211 212
三合院
L201
NC
F.O.H
三合院
213 214
BOX L174
爆炸
215 216
L102
BOX L205 205 206
207 208
F.O.H
L201
F.O.H
NC
L201
221 222 223 224 225 226 227 228 229 230
F.O.H
241
250
NC
242 1000 WASH BEAM 104
105 106
101
102 103
GOBO
114
112
113
115
LADDER 左舞台
L103 128
L174 138
124
127
137
133
126
136
132
135
131
117 SIDE MID
118
123
116 L156
L200
108
SIDE LOWER L134
111
LADDER 右舞台 L156 125
L161
ACME XP-20R 107
NC
雲
119
L205 L201
L161
三合院
122
三合院
140
三合院
121
三合院
139
SIDE HIGH
NC L161
SIDE
L161
134
勞軍
148
152
156
160
164
143
147
151
155
159
163
166
168
142
146
150
154
158
162
165
167
145
149
153
157
161
L205
L201
F.O.H
NC
231 232 233 234 235 236 237 238 239 240
城牆
招牌
144
141
F.O.H
L205
253 252
L161
256 255
251
254
L161
262
序、尾 門
NC
261
L161
263
299
序、尾 GOBO 300
HZ-500 511 HOUSE LIGHT 501
Zhong Hua market in 19th century.
Wall outside the village.
The civil war between the Kuomintang and the Communist Party
Sun shines into the hallway which becomes my inspiration. So I cut LED Leko into rectangle shape in order to pretend it as the light shines into.
Every dancer holds a porcelain piece in order to symbolize a broken part of Xiu-Guo's memories. In this prologue dance, I want to create a mysterious ambience so I use deep blue as main color on my cyclorama. And I use a warm color sidelight as my main light in order to highlight the body movement of dancers.
A complete procelain symbolizes Xiu-Guo's complete memories.
Xiu-Guo's mother and sister in the livingroom.
I choose the top light as my main light inside the house.
Xiu-Guo in his childhood and his sister.
A young couple Cui Yu and Ai Ming.
In this scene, I use the diagonal as my main light. And I also use a warm color light from the wall inside to pretend the light comes from there village.
Cui Yu and Ai Ming plan to run away at night.
Cui Yu and Ai Ming join the Communist Party.
I also use lots of color symbol in some scenes and my cyclorama.
Cui Yu's mother is being denounced.
In this scene, I use deep red to symbolize that the ambience is very nervous and in danger.
Civil war between the Kuomintang and the Communist Party.
I make some effects with the sidelight and cyclorama light in order to pretend the gunfire and bomb light.
Xiu-Guo's mother and Lee plan to escape to Taiwan.
There stable life in Taiwan.
I also use the top light as my main light inside the house. And in order to make a difference between outdoor and indoor, I use a cold color from the door outside to pretend it as the moonlight.
Ai Ming tells Xiu-Guo's mother of Cui Yu's death.
Purple color offten symolizes good luck in chinese tradition. So I also add this element on my cyclorama in this marriage scene.
In Xiu-Guo's memory, he asks younger Xiu-Guo to recall his memory about his mother.
Lee tells everyone about his love for Xiu-Guo's mother.
Xiu-Guo's mother died in sorrow.
I use a strong light behind the door in order to make a visual effect that Xiu-Guo's mother walks into Xiu-Guo's memories.
Xiu-Guo completes his memory about his mother.
Eventually, Xiu-Guo finds out where he came from and where he belonged.
I use a clean spot to let audience focus on them.
02 a woman of no importance
ABOUT
ABOUT
THE PLAY
LIGHTING DESIGN
In the garden of the Hunstanton estate, Lady Caroline Pontefract was patronizing Hester Worsley, a wealthy young American visiting England for the first time. As Hester revealed her admiration of Gerald Arbuthnot, he enterd and told Lady Hunstanton that he had been made as Lord Illingworth's secretary. Lady Hunstanton was pleased for Gerald and invited his mother, Mrs. Arbuthnot came to the Hunstanton estate. A witty and powerful man, Lord Illingworth flirted with Mrs. Allonby and accepted her challenge to make Hester fall in love with him. However, Lord Illingworth was shocked when he saw Gerald's mother, Mrs. Arbuthnot. Because she was Lord Illingworth's ex-lover. But when they were young, Lord Illingworth refused to marry her when she got pregnant with Gerald. Gerald found out that his mother obviously disliked Lord Illingworth and his job offer, but she refused to explain the reasons why. Knowing that her son was in love with Hester, but also knowing Hester's view on the sin of an unmarried mother, Mrs. Arbuthnot decided to tell Gerald the story of Lord Illingworth. After that, Hester suddenly rushed to tell Gerald that Lord Illingworth tried to kiss her. Gerald was very angry and tried to kill Lord Illingworth until Mrs. Arbuthnot declared that Lord Illingworth was his father. In the next day, Gerald still in shock but wrote a letter to Lord Illingworth, asking him to marry his mother and refuse his offer job. However, Mrs. Arbuthnot told Gerald that she would not be married to Lord Illingworth. Hester heard of their conversation and supported Mrs. Arbuthnot's decision. And she also implied her love for Gerald. When Lord Illingworth arrived and tried to marry Mrs. Arbuthnot and accepted Gerald as his son. But Mrs. Arbuthnot refused and told him never show up again.
This time, I tried to create a non-realistic style on my cyclorama instead of a realistic style. It was really a big challenge for me. In terms of the time and ambience, I did lots of research on the color's mix and color's symbol. I used ETC LED CYC to let my color selection rich and also made the chromaticity of scenes increased. I also tried some deep color front lights on 2F auditorium in order to fill color this time. In the first scene, the time axis of the scene was long, so I tried to make a slow movement of lighting along with the time. In order to make out the movement I wanted, I chose to use two different colors of my diagonal and some Moving Lights. I put the Gobo of the leaf on Moving Lights and let them slowly change of the position, color and intensity along with the play. For the indoor scenes, it was a fresh experience for me on my usage of the front light and the adjustment of the color temperature. Because the acting area was nearly out of the downstage so it forced the front to become my main light. It was another good experience for me to learn this time. And I also did lots of bold shots and received many feedbacks.
KEY
97
26 ETC
19 ETC
36 ETC
6" FRESNEL 1KW
8" FRESNEL 2KW
50 ETC
PAR64(M)1KW
ACME XP-20R(M3)
ROBE 1000BEAM(M3)
LED CYC
3
L161
CH NO. UNIT NO. ROTATER GOBO COLOR NO.
1750 1700 1650
#58
1600
#57 #56 空桿 #55 #54 RP #53 空桿
1550
#52 電動升降 1500 1
2 2.409
2.406
21
N.C
37
47
38
48
3
4
2.412
2.415
5
6
41
2.418
2.421
407
42
7
43
2.424
1450
165
L202
21
22
22
23
24
24
25
L134
25
L134 2.163
L134
1400
90 N.C
L156
N.C
L156
L103
199
L103
L103
191
L103
L103
L103
L103
L161
L103
L103 L156 L135 L156 L156 L135 L156 L156 L135 L156
51
61
31
52
62
32
53
63
1350
33
#51 #50 #49 #48 #47 #46
背黑幕 空桿 空桿 空桿 空桿 5E
#45 翼幕#7 #44 沿幕#5
1300
39 501
49
40
50
26
26
171
L103
L103
27
172
27 173
28
29
29
30
30
L103
L103
L103
L103
54
64
44
55
65
45
56
66
2.510
2.511
HZ-500
N.C
L156
N.C
L156
L103
L161
L161
L103
L161
419
L103 L156 L135 L134 L156 L135 L134
34
L185
36
108
502
HZ-500
L156 L135 L134
35
1250
#43 空桿 #42 空桿 #41 空桿
1200
#40 4E
1150
#39 反響板#4
1100
#38 #37 #36 #35 #34 #33 #32 #31 #30
46
108 1050
415
2.391
416
151
N.C
2.331
L156
164
417
L205
2.346
N.C
L156
1000 950
N.C
2.361
79
N.C
L156
418
152
2.376
900 404
125
103
107
126
103
174
107
405
109
182
110
106
132
113
106
406
131
113
翼幕#6 沿幕#4 空桿 空桿 銀幕 空桿 空桿 空桿 翼幕#5
#29 反響板#3
850 #28 3E
N.C
2.082
N.C
N.C
N.C
N.C
N.C
L161
L156 屋子 L135 屋子
2.109
N.C
N.C
N.C
L180
N.C
N.C
2.136
L180
800 750
2.470
2.474
451
2.478
452
2.482
453
700 650
454
600 550 500 401
411
412
402
413
414
403 450
123
102
2.001
N.C
124 N.C
102 N.C
L119
L205
B.D
B.D
101
122
2.271
N.C
101
N.C
L205
L200
B.D
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2.028 L119 L205
2.286 N.C
B.D
N.C
2.301 L200
L119
L205 L201
B.D
B.D
B.D
B.D
75
86
L201 L205
141
76
95
L200 142
L119
166
L205
L119
87
L200
77
N.C
167
L200
96
L119
88
144
L205
L201
161 71
78
B.D
L201
N.C
2.316
181
146
L201
B.D N.C
L119
L201
N.C
85
121
145
81
91
N.C
82
92
175
93
83
L200
L119
B.D
B.D
94
N.C
112 L180
2.055
129
105
N.C
L205 L201
143
84
104
128
111
350
L180
104
127
#24 #23 #22 #21 #20 #19 #18 #17
空桿 空桿 翼幕#4 沿幕#2 空桿 空桿 空桿 空桿
#16 反響板#2 #15 翼幕#3 #14 空桿 #13 空桿
400
112
N.C
111
#12 2E
250
#11 #10 #9 #8 #7
200
#6 反響板#1
300
150
空桿 翼幕#2 沿幕#1 空桿 空桿
#5 翼幕#1 #4 1E
L201
73
130
L185
163
L201
72
105
#27 空桿 #26 沿幕#3 #25 空桿
74
N.C
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L180
N.C
N.C
L180
100
#3 對開大幕
162 50
#2 眉幕
0cm 800
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Ｃ L
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原吊桿 List
演出吊桿
I
IRIS
KEY
ETC19
ETC 10
ETC36
ETC14
ETC ZOOM
90 301
L161
302
L161
303
L161
301
L161
302
L161
303
L161
11
12
2.427
90 13
461
2.430
LED PAR
LED CYC
90
14
2.433
15
2.436
PAR64(N)1KW
462
463
2.439
ACME XP-20R
PAR64(M)1KW
LED STRIP
90 16
17
2.442
2.445
464
18
19
2.448
2.451
230
L161
306
L161
311
N.C
312
N.C
311
N.C
312
N.C
313
L161
305
225
L156
305
313
L156
306 L161
314
314 214
N.C
229
218 N.C L156
N.C
204 213
224 L156
208
L156
N.C
217 N.C
N.C
216 N.C
228 L156
223 L156
207
203
N.C
212
L156
227 L156
222 L156
BOX Right Stage
BOX Left Stage
206
N.C
226
215 N.C
L156
221 L156
233
232
231 N.C
N.C
UPPER 201
LOWER
N.C
N.C
205
L156
234
2F
N.C
N.C
183
236
235 L200
237
L200
SIDE LIGHT 2.454
2.458
2.462
2.466
238
L200
L200
240
239
3F
L161
L161
L161
211
2F
L156
N.C
202 L161
L134
431
L134
241
432
L134
433
434
244
243
245
421
422
423
424
425
2.486
2.486
2.486
2.486
2.486
408
409
2.190
900 850
2F AUDIENCE R Stage
3F
242 L134
650
750
N.C
N.C
300
450
350
2.217
100 250
150
100
0cm
50
50
2.244
400
300 350
250
150
550
450
L085
L134
L134
L180
L180
14
295
14
L180
L180
2F AUDIENCE L Stage
299
296 L134
L134
L085
L085
300
291 292 287 288 283 284
900
400 650
N.C N.C
14
281 282 285 286 289 290
750
850
750
N.C
N.C
294
850
900 650
N.C
L085
TRUSS
410
293 14
298 297
400 550
N.C
246
550 L201
300
450
350
L201
NC
L201
NC
100 250
100
150
L201
NC
NC
0cm
50 L161
L201
L161
NC
50 L161
NC
L201
L161
400
300
NC
NC
L201
900
350
250
150
L201
550
450 NC
NC
L201
650
750
L201
CAT#1 251
251
256
256
252
252
257
253
257 271
L200
L200
261
261
NC
NC
L200
L200
NC
266
262
262
267
NC
L200
253
258
258 271
271
NC
NC
259
259
254
254
260
260
255
255
271
L200
NC
NC
L200
L200
NC
269
264
264
270
NC
L200
L200
270
265
265
CAT#2 266
267
263
268
268
CL
263
269
850
page 1
BACK LIGHT
LED CYC 1
3
2
4
21 5
6
12
13
TOP LIGHT
14
15
16
24
25
L103
26
17
18
27
28
29
TOP LIGHT
L119
N.C
76
39 40
34 35 36
30
L200
71
72
78 73
85 74
86
81
82
83 84
91
95
96
92
93 94
HOUSE GOBO
47 48
41
49 50
44 45 46
164
L156 109
L135 110
42 43
DIAGNAL GOBO
L156
52 53
L135
61
S.2 SPECIAL
32 33
54 55 56
87 88
page 2
S.1
L134
51
77
L156
31
79 75
DIAGNAL
37 38
L156
19
TOP LIGHT
L205
23
7
GROUND ROW LED CYC 11
22
L103
62 63
161 162 163
FRONT
S.3 OUTSIDE
L185 L201
171
WINDOW L161
N.C
165
L161
172
L161
231 232
BOX L200 233 234
BOX N.C
239 240
N.C
237 238
F.O.H
L201
243 244
PRETENT N.C
PRETENT SIDE N.C
182
175
L185
183
S.2 壁燈
241 242
BOX L134
235 236
173
DOOR
174
181
WINDOW L161
PRETENT
166 167
BOX L161
S.4 SPECIAL
701 702
703 704
S.3 走道
S.3 壁燈 245 246
705
707
706
64 65 66 H.C
H.C
NC
H.C
L201
151
152
125
126
132
131
145
146
123
124
130
129 141
142
144
121
122
128
127
107
1000 WASH BEAM
雲 GOBO
419 415
416
417
418
411
412
413
414
ACME XP-20R
L161
143
NC
301 305
311
302 306
312
303
313 314
LED PAR
WALL
H.C
NC GOBO
L180 GOBO
401 402 403 408 409 410
F.O.H
L161
103
106
123
102
105
112
101
104
111 LADDER 左舞台
LADDER 右舞台 N.C
N.C GOBO
L156 GOBO L156
214 218
204
208
228 224
213 217
203
207
227 223
212 216
202
206
226 222
211
201
205
225 221
215
R.P
WINDOW
MOON
LED STRIP
LED PAR SIDE
L202
251 252 253 254 255 256 257 258 259 260
431
432
433
434
199
191 FOREST
271
N.C
F.O.H
L200
F.O.H
NC
261 262 263 264 265 266 267 268 269 270
2F AUDIENCE
2F AUDIENCE
281 282 283 284
2F AUDIENCE
L134
285 286 287 288
HZ-500
L180
289 290291 292
421 422 423 424 425
452 453 454
N.C
461 462 463 464
L085
451
NC
108
407 404 405 406
F.O.H
GOBO N.C
293 294 295 296
501 WALL GOBO N.C
297 298 299 300
502
I try to find a way of changing realistic cyclorama into non-realistic. So I start with the research of the main light's colors and layered colors
There have different layers of colors during sunset.
I also use lots of the leaf Gobo to create an ambience that this place seems to be surrunded by woods.
It is the pre-act before the annoucement.
The maids are decorating for the upcoming party.
I cut Leko into rectangle shape from offstage in order to pretend that it is the way where the sunlight comes out. And I also make a layered color from the left to the right.
Gerald is telling Lady Hunstanton that he has been made as Lord Illingworth's secretary.
Hester Worsley admires Gerald Arbuthnot.
Along with the music, the maid in front of the door is singing for their love. I choose to use the romantic purple and a spot in order to let audience to notice that there has somthing unique between them.
Something starts happening between these youngs.
People in the upper class always has ridiculous talks.
Mrs. Allonby and Lady Stufield often tease about mans.
Hester Worsley overhears their conversation.
I use a Gobo on the cyclorama to make a symbol as diverse values between the people in upper class and Hester Worsley.
Hester Worsley disagrees with their points and decides to fight back.
Mrs. Arbuthnot visits the Hunstanton estate.
Mrs. Arbuthnot meets Lord Illingworth and tries to convince Gerald to give up the job offer from Lord Illingworth.
Lord Illingworth is having his conversation.
Lord Illingworth is trying to imply Gerald that he is his father, in fact, and keeps convincing him to accept his offer.
I cut a Leko into rectangle on the wall in order to pretend it as the moonlight shines in.
Gerald doesn't understand why his mother refuses to let him accept the job.
Mrs. Arbuthnot decides to tell Gerald about Lord Illingworth's story.
Along with a sadness music and a projection cue. I choose to use a spot and a follow on Mrs. Arbuthnot while she is telling the story. In order to make a focus on them.
However, after heard of the story, Gerald still chooses to trust in Lord Illingworth.
Hester suddenly rushes in and tells Gerald that Lord Illingworth tried to kiss her. Gerald is very angr y and tr ying to kill Lord Illingworth.
Mrs. Arbuthnot declares that Lord Illingworth is his father, in fact.
Along with the music, I use a spot light on them before the curtain closed in the end of this scene.
In the next day, Gerald still in shock but writes a letter to his father, asking him to marry his mother.
Needless to say that Mrs. Arbuthnot refues to be married to Lord Illingworth.
Gerald tries to ask for his mother's forgiveness.
Hester hears of their conversation and supports Mrs. Arbuthnot's decision.
Hester tells Gerald her love for him.
I also use Moving Lights to add some gobo on the wall in order to make some mottles on it.
Lord Illingworth arrives and tries to marry Mrs. Arbuthnot and accepts Gerald as his son.
Mrs. Arbuthnot refuses every suggestions from Lord Illingworth and asks him never show up again.
03 LOVE OF THE OCEAN
ABOUT
ABOUT
THE PLAY
LIGHTING DESIGN
In the beginning of the play, Hui Fen went back to her mother's hometown in order to meet her grandfather and tell him of her mother's death. But she also found out a story about her mother's past and the reason why she left her hometown and never came back. Hui Fen's mother A Xia was born in a village nearby the ocean and her family had been a fishing village for generations to live. So she had to help her family for fishing since she was young. But it was not the life that she wanted to live. However, she wanted to live her life in the urban city instead of a fishing village. She had a close friend of childhood, A Xiong, who was also born in a fishing village and liked A Xia very much. Although he didn't dislike the life that he lived on now, he also hoped A Xia could live the life that she wanted. After years, they grew up and fell in love with each other. Until one day, A Xiong went fishing but died in an accident. Sadness struck at A Xia, she tried to drown herself into ocean but eventually failed. After that, she found out that she got pregnant with Hui Fen. She started to worry about her children would face to the destiny just like her, living in a life that they don't want. Then, she met A Lai, who was a foreign bride. She encouraged A Xia that the destiny is not destined. So A Xia decided to leave her hometown to live a new life. Hui Fen told her grandfather, Yong Fa, her mother always missed her family after she left. Yong Fa was very regretful and told Hui Fen to live the life she wanted.
It was my first experience to do a musical. I did lots of research on every song's content and ambience. Because every song in this play had a story to tell so I put these songs into different categories by the melody and story. Then, I tried to find some symbols in these songs to be my inspirations of each scene. It became a challenge for me to make some visual effects that had to match each song's melody and ambience. For example, I used Moving Lights to make a sea ripple effect in order to match the ambience of the ocean. And I also used Moving Light's Gobo and effect to make a water ripple effect. Because I do love the musicals personally so I felt very excited and also learned a lot this time.
86
85
N.C
199
56
91 92 93 94 57
6
L156
L156
L156 2.045 L165
52
91 92 93 94 63
53
7
L165 2.054
L165
L119 面紗
53
91 92 93 94 54
8
54
L165 2.063 L165
91 92 93 94 9
L165
91 92 93 94
55 10 66
55
2.072 L165
L165 2.081
L161 窗戶
58
91 92 93 94
58
L161 L161
59
L161
59
L161
L205
L205
+160cm
83 35
L161
29
+100cm
L243
77
21 L201
35 N.C
30
L243
42
1
L201 2.001
22 N.C
N.C
14
2.381
N.C
N.C
60
43
2 2.009
N.C
N.C N.C 面紗
61 60
15
3 2.018
44
2.408
N.C
L161 面紗
16
45 4 N.C
62
2.027
2.435
23 46 5 N.C
N.C
2.036
31
36
L201
L243
24 N.C
32 L201
90
84
36
L161
L243
78 N.C
73
74
L200
33
25
17
L243 L201
33
N.C
26
L243
L201
87
L161 N.C
11
18
47 37
N.C
2.301
12
N.C 民宿 L161 N.C
64 48 38
2.327
49
13
N.C 4-5床 L161 N.C
N.C
L161
39
L200 L161 N.C
65 50 40
2.354
N.C
51 41
19
L201
27
L243
34
N.C
20
L201
28
L243
34
88 L205
L205
+160cm
81
82 L161
L161
+100cm
750
75 800
N.C
650 700
550 600
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350
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400
250 300
150 200
50
0
100
50
150
0
100
350
250 300
200
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550 600
500
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76 800
N.C
71
72 L200
L200
101
L200
132 136
105
102
102
106
106
103
103
107
107
104
104
L200 NC
L161
135 NC
105
NC
131
L200
101
L161 L201
139
L201
NC
L201
NC
L201
NC
NC
L201
L201
NC
NC
L201
L201
133 L200
137 NC
141
111
140
NC
KEY
112
NC
113
150
NC
114
NC
150
115
116
NC
NC
ETC 750W Source4 26° ETC 750W Source4 36° ETC 750W 15°~30° 6" Fresnel 1KW JOLLY 1000 PC 1.2KW LED RGBW PAR 45°
HZ-500
HZ-500
150
117
118
NC
NC
150
119
120
NC
NC
142
NOTE: LED PAR 從2.001開始 外加DIMMER從101開始編 霧機 Address 2.511 三桿訊號跟電源皆由左舞台下 LED.1000皆吃電盤 電腦燈 LED PAR 外加DIMMER接ISOLATOR(接2PORT)
TYPICAL 12
CH NO.
UNIT NO.
GOBO L201
ROTATER
I
IRIS
COLOR NO.
134 138
L161
L161
+160cm
89
52
57
56 L156
91 92 93 94
+160cm
2.511
+100cm
91 92 93 94
HZ-500
+100cm
+120cm
79 N.C
+120cm
L161
80
L161
大 海 的 女 兒
LIGHTING MAGIC SHEET
LED PAR
H.C
JOLLY 1000
H.C
N.C
GOBO L243
21 22
23 24 19 20
35
36
33
34
6
7
8
9
10
14
15
16
17 18
1
2
3
4
5
11
12
13
29 30
31 32
25 26
27 28
L201
BACK L165
2S TOP N.C
DIAGONAL
SP
面紗下的容顏
42 43 44 45 46
1S TOP N.C 37 38 39 40 41
63 52
53
54
55
L119
58 59
56 57
GOBO
1S TOP L161
60
60
N.C
L161
61
62
47 48 49 50 51
SP 民宿桌子
4-5床
64
65 GOBO 窗戶
Side Light
L200
73
74
71
72
66
Side Light
L205
89
90
87
88
F.O.H
L201
101 102 103 104
F.O.H
CYC 91
F.O.H
Side Light
N.C
93
NC
94
80
85
86
77
78
83
84
75
76
81
82
111 112 113 114 115 116 117 118 119 120
BOX L
L200 NC L161
L200 NC
L161
131 135 139
133 137
141
132 136 140
134 138
142
Smoking Motion & Other
105 106 107
CAT＃2
L161
79
BOX R 92
Side Light
199 FOLLOW 199 HZ-400
200 House Light
The sea ripple and water ripple are my inspiration in order to match the concept of the ocean in this play.
I use the Moving Light to make a visual effect of the sea ripple.
Hui Fen sings a song about her mother's sorrow.
I choose a deep blue with LED Pars in order to symbolize her mother's sad emotions. And I add the sea ripple to symbolize that her moher can not be apart wih the ocean in her life.
Hui Fen sings a song about the life in the fishing village.
Warm and cold colors create a strong contrast between Hui Fen and her grandfather, Yong Fa.
A fishing village life.
A Xia and A Xiong in their childhood.
I use a strong diagonal light as my main light in order to pretend it is the way that the sunlight comes.
Yong Fa and his wife.
It calls Taiwanese Beach Seine which is also a way of fishing.
This song adds some dancing elements in order to express its meanings of fishing works. So I use the sidelight as my main light to hightlight dancer's body and choose a warm color to match the time during sunset.
This dance has different understandings. The dancer can be regarded as fishes , fishing mans or the water in the ocean. But I choose to pretend they as the water in the ocean. Under this concept, I use the sea ripple effect to create an ocean atmosphere and use a cold color sidelight to pretend it as the monnlight shines on the surface of the ocean.
A Xiong is telling A Xia that he dreams to become the greatest fishing man. Therefore, I try to ceate a playful ambience.
A Xiong and A Xia fall in love with each other.
A Lai is a foreign bride and has no friend in Taiwan so she often feels helpless and alone. Therefore, I use the water ripple to symbolize her emotions.
She sings a song about her fear and helpless.
A Xia sings a song for her miserable destiny.
A Xiong died in an accident and the sadness strikes at A Xia
She tries to drown herself into the ocean.
A Lai encourages A Xia to stay strong and tells her that the destiny is not destined.
In the final dance, I use all the non-traditional lights, including Moving Lights and LED Pars to create a happy ambience.
04 TEN OF DREAMS The seventh DTA Winter Production Festival Best Lighting Designer of the year, 2016
ABOUT
ABOUT
THE PLAY
LIGHTING DESIGN
The first dream, a woman asked her lover to wait her for a hundred years on her deathbed. She promised that she would came back to him after a hundred years. However, the man waited day and night before her grave, suddenly he realized that a hundred years had passed but nothing happened. The second dream, a monk laughed at a warrior that he could never understand Zen. The warrior bet that he could make it before midnight but he failed eventually. The third dream, which is a story about causality. A father carried his son in a forest. Suddenly, his son asked him still remembered this forest or not. Because in the preexistence, the father killed his son in this forest. The fourth dream, a boy was abducted by an old man and disappeared eventually. The fifth dream, a defeated and captured warrior asked for a last sight of his lover before he died. A general promised to wait until sunset. The sixth dream, a famous graver Yun Qing craved a statue of the king in front of the Huguo Temple in Meiji era. One of onlookers tried to imitate him but failed eventually. The seventh dream, a man woke up on a ship. Not knowing why he was here and could not bear of being alone, Eventually, he drowned himself into the ocean to release himself out. The eighth dream, a man went to a barber to get a haircut. He met a strange hairdresser and saw some strange pictures in the mirror. The ninth dream, a mother took her child to a shrine to prey for her lost husband. The tenth dream, Zhung Taro loved beautiful woman. One day, he helped a beautiful woman to take her fruit basket home. Suddenly, many strange things happened.
This was a play that describing dreams. Each dream had it own story but had no connection with each other. Some of them may had their meanings, some were not. My original idea was that I wanted to create the magic ambience and the sense of beauty for each dream. I had focused on the interaction of the light and shadow this time. I was thinking that not only the intensity and color, the shadow is also an important element that can be seen in lighting. So I did lots of research in the shadow this time in order to match the shadow with the light in my work and create a different level of the visibility and beauty. It also made me see more possibility of lighting this time.
ETC36
ETC26
ETC19
Fresnel
PAR64(W)L
PAR64(W)S
LED
123
ETC50
CYC 500W
LED PAR
煙機 L201
N.C.
33
L203
34
L203
37
L205
38
L205
CH NO. GOBO OR IRIS COLOR NO.
四顆蛇燈並在一起迴路 號碼100 煙機迴路號碼200 有一組共用迴路，多加 留意 側燈、地燈位置之後再 訂(先大概位置) 燈線要理好 LED DIMMER NUMBER 從101開始 煙機為200
55
SIDE LIGHT
59 60 58 68
52
29
L119 67 45
44 64 6
LED
L205L201L205 51 57
L201
5
12
L201
20
L075
L201
LED
L205 L201
L205
46
64
L201
16
L161
30
L119
24
52
L205L174 L174 L102 L161
28 11
L201
L105 N.C.
燈具使用量
49 15 LED
4
L201
14
L205
3
L201
2
L201
13
L205
1
L201
53
L201
L201
50
65
56
L201 L161
L201 L161 L161
42 61 L119
62 41 63
31
跟場七地排燈共用 迴路
L201 L161 L161 62
L201 56
26 9 8 17
L075
L119
L119
10
L201 L201
L205
27
18
L075
51
L201 L161
47
LED
21
L205 L105 66 66 L201 L115 L115 N.C.
43
現有量 使用量
19
L075
LED
22
57
L205
LED
23
LED
NC
LED
KEY
25 7
L161 53
ETC 750W 50° ETC 750W 36° ETC 750W 26° ETC 750W 19° Par 1000W Wide Fresnel 500W CYC 1000W
23 14 10 8 24,11 8 12
61 48 L119 32
L205
54
35
L203
39
L205
SIDE LIGHT 36 40
L203 L205
<夢十夜> 導演:張善淳 舞監:陳偉勤 燈光設計:吳炳翰 燈光助理:劉子瑄、吳威霆、劉宜蓁、陳立婷、楊榮
祥 地點:中山大學219實驗劇場
L205、L075 CYC
L201 WASH
LED COLOR WASH
6
12
5
11
16
20
24
28
4
10
15
19
23
27
14
18
22
26
13
17
21
25
3
9
2
8
1
7
L203 SIDE LIGHT
L205 SIDE LIGHT
45
DREAM 2 SPECIAL 51
100
47
蛇燈
51
DREAM 4 WATER LIGHT
42
DREAM 3 SPECIAL 52
52
53
53
56 61 62 63 62 61
41
50 L201
L205
48
DOWN STAGE FACE LIGHT
PROJECTION LIGHT
54
DREAM 5 SPECIAL
DREAM 6 GOBE L102 L174 58 68
DREAM 7 L205 L174 59 60
57
DREAM 7 BACK AND SHIN BASE
56
32
55
57 56
31
49
40
39
36
30
46
38 43
35
29
DREAM 1 SPECIAL
L201 SQURE LIGHT 44
37
34
33
L119 SIDE LIGHT PAR
DREAM 8 64 L205
64 L205
66 L115
66 L115 65 L205
DREAM 9 SPECIAL 67
蛇燈 100
煙機 200
The first dream, a man is waiting before his lover's grave.
I use a clean focus and sidelight to make a beautiful scene.
The woman promise that she will come back.
I use the sidelight as my main light to highlight the woman's body.
One hundred years has passed but nothing happen.
The second dream, a warrior is trying to understand Zen.
I use two clean focus on them in order to create a balenced contrast on there shodow.
The third dream, the father carries his son in a forest.
I use a light green as my main color to create a weird ambience and a cold color main light to pretend as moonlight in this scene.
I use a back light to make a silouette behind and also use a deep blue on shin base in order to create a mysterious ambience.
The father sees there preexistence.
The fourth dream, a warrior is asking to see his lover for a last time.
Cold and warm colors create a strong contrast between this warrior and his lover.
The seventh dream, a man wakes up on a ship but not knowing the reason why.
I cut Leko into a rectangle shape in order to symbolize a ship shape. And this clean light also brings me a beautiful shadow effect.
The eighth dream, a man goes into a strange barber and sees many weird things.
The ninth dream, a mother takes her child to a shrine to prey.
I cut many rectangles surrounding in order to symbolize that this mother has fallen into her fear and anxiety of losing her husband.
The tenth dream, Zhong Taro is a fruit seller. And he loves beautiful woman.
He is surrounded by pigs.
I use the deep blue shin base and the sidelight as my main light in order to create a weird ambience
05 I CAN'T FIGURE IT OUT
ABOUT
ABOUT
THE PLAY
LIGHTING DESIGN
At the beginning of the play, Sui Wen-Bin, who committed suicide by jumping off the building was sent to the hospital for an emergency surgery. During his coma, two people appeared in his brain who claimed to be Hippocampus and was in charge with his brain. Sui Wen-Bin certainly didn't believe it until they took him back to the memory of the day he divorced his wife. He was shocked but quickly calmed down after that. He started to recall some parts of his life before slowly. Some of them made him feel regretful, some of them made him feel happy and wanted to live again. It gradually made Sui Wen-Bin realize that he had done many wrongs in his life before. After that, no matter how many efforts he had done for change, he still couldn't change anything to his real life. He started to regret his decision of suicide. Eventually, he reviewed his memories silently until his memories was drained.
The play happened in a human's brain. In terms of the human's brain often contained and mixed with many things, I chose to use many rich colors and patterns as symbols in this work. And because the human's brain barely rested so I added some floating elements in scenes. Besides, things in our brain always changed quickly so the time of lighting cue also took a important part. And due to the LED Par and LED Strip, the choice of colors for me became more diverse. It also made me learn a lot of the possibility of colors.
ETC36
ETC26
ETC19
Fresnel
PAR64(W)L
PAR64(W)S
LED
123
ETC50
CYC 500W
I MOVE575 220V
LED PAR
STRIP
LED PAR 45 L201
101
101
L201
102
L201
L201
102
103
L201
L201
104
L201
104
L201
105
105
L201
L201
111 112
L205
113 114
L205
L205
L200
115 116
CH NO. GOBO OR IRIS COLOR NO.
L200
L200
L205 L200
117 118
151
152
153
154
501 GROUND
2.201
2.206
2.211
N.C L161
L161 N.C
N.C
17
L201
201
2.401
12 18
N.C L201
12 18
N.C L201
13
N.C L156
2
L161
7
3
L161
N.C
8
N.C L161
圓 N.C
31
4
N.C 41
圓 32
21
L156
柵欄
柵欄
21
L156 N.C 樹葉
樹葉
22
6
N.C
42
N.C
9
N.C L161
35
90
N.C
5
10
N.C L161 36
星星
星星
49
L174
49
N.C
N.C
L174
33
14
N.C
14
L201
19
2.417
202 15 20
N.C L201
15
43
34
柵欄
N.C 47
51
55
2.025
52
2.007
56
2.033
53
2.013
57
2.041
54
2.019
70 66
L161 N.C
64
N.C
72
L161 N.C
163
2.101
2.119
164
20 16 44 柵欄 樹葉
樹葉
N.C
22
2.001
19
N.C L201
N.C
圓
圓
N.C L201
N.C
46
L156 N.C 45 N.C
LED
67
11
1
LED
71
N.C
N.C L201
LED
62
17
LED
NC
11
N.C
511
LED
L161 N.C
65
2.113
511
LED
69
63
LED
161
N.C
N.C
2.107
162
61
2.217
LED
KEY
48
N.C N.C
68
燈具使用量 ETC 750W 50° ETC 750W 36° ETC 750W 26° ETC 750W 19° Par 1000W Wide Fresnel 500W CYC 1000W
現有量 使用量 23 14 10 8 24,11 8 12
<目前想不到> 導演:林家瑜 舞監:潘羽萍 燈光設計:吳炳翰 燈光助理:柯雅云、張紘毅、葉映萱、陶曉慧 地點:中山大學219實驗劇場
N.C WASH
N.C
1
11
14
12
15
13
16
2
3
4
5
7 10
49
54
53
LED PAR BACK 45度 55
56
57
I-MOVE 575 202
201
L161 GROUND 501
N.C GROUND PAR 511
GOBO 柵欄
22
N.C SPECIAL CIRCLE
17
19
18
20
41
61
34
N.C SIDE LIGHT 65
67
66
68
L161 SIDE LIGHT 69 70
45
71 72
44
43
46
47
48
L201 FRONT HOUSE
63 64
42
GOBO 樹葉
32
N.C SIDE LIGHT 62
LED PAR BACK 38度 52
36
33
GOBO 星星
51
35
31
8
9
N.C SPECIAL
21
L201 H.C
L161 WASH 6
L156 DIAGONAL
H.C
LED STRIPE
101 102 103 104 105
L205 BOX LIGHT 111 112
113 114
151
117 118
153
154
LED PAR B.BACK
L200 BOX LIGHT 115 116
152
162 161
163 164
There are the hippocampuses in Sui Wen-Bin's brain.
They control Sui Wen-Bin's brain.
I use colors and patterns to make this scene rich.
The hippocampuses take Sui Wen-Bin back to the memory of the day he divorced with his wife.
Sui Wen-Bin starts to recall some parts of his life before.
In terms of each memory has its ambience and emotion, I use different colors and patterns to symbolize them.
The hippocampuses are very naughty.
In order to symbolize that human's brain always in operation, I use Acme I-Move575 Moving Lights with Gobos to make an effect, letting them slowly float in this scene.
Because most of people's face are vague in Sui Wen-Bin's memories, the hippocampuses sometimes have to act those characters.
Sui Wen-Bin recalls of a swimming competition.
I use all non-tradition lights, including Moving Lights, LED Pars and LED Strips to create an ambience of a pool.
Sui Wen-Bin is trying to remember an important memory that he almost forgot before.
Sui Wen-Bin recalls a memory of he was having a interview.
Sui Wen-Bin recalls a memory of he was on a train and seemed to heading to somewhere.
Sui Wen-Bin realizes that he had done many wrongs and starts to regret.
No matter how many efforts he has done, there is still nothing change in his real life.
I use some leaf Gobos behind in order to make a symbol as grains of his brain.
After all, he chooses to review his memories silently until his memories was drained.
''God owns people, we own you.'' by the hippocampuses
06 DEAR GOD
ABOUT
ABOUT
THE PLAY
LIGHTING DESIGN
A police officer visited an alcoholic man and told him stop harassing stranger by making phone calls. The man said that he just wanted to find her daughter who ran a way from home. But the police hesitated to tell the man of the truth about his daughter's death. A few days ago, the daughter ran a way from home because she couldn't stand of her father's alcoholism and frustration after her mother's death. She ran to a male net friend's house for overnight. But she didn't know that her net friend was actually a murderer. The girl gradually dropped the murderer's guard in his heart after their conversation. They started sharing their story of their past and it made the murderer gradually regretted with his wrongs. With a thought of suicide, he took out a rope. But the girl was shocked and thought of he was going to kill her. She ran out of the house in scare. After a while, the police officer found this murderer and told him the girl's body was found nearby here. The police officer suspected him and arrested him immediately. However, the murderer was released eventually because there had no enough evidence. And the police officer went to him for a quarrel but killed him by an accident. Knowing the news of his daughter's death, the father was very sad and depressed. One day, he went into his daughter's room and tried to find some comfort in it. He turned up her computer and started playing his daughter's favorite game. Suddenly, he received a message from his daughter by his surprise. She told him to live well and not to blame himself anymore. After read the message , the father felt comforted and burst in tears.
It was definitely an unusual and fresh experience for me this time. Because this venue was an ordinary house instead of a theater. And all of my lighting fixtures were non-theatrical lights, including little flame lights, little cup lights and Christmas strings. Although the environment and tool were limited, I didn't want to simply light the stage up. I tried to imitate the light of our daily life by using those lighting fixtures I had. I also used some colors and different angles to create some non-realistic ambiences. It was an interesting lighting design experience for me absolutely.
Those are little cup lights and the power cable I used.
I also use Christmas strings and little flame lights.
This is a little dimmer which c a n b e u s e d to c o n t ro l of intensity.
This is my hand made console. I use lots of little dimmers, power cables and power strings.
And this how we set up lighting fixtures.
A police officer visits an alcoholic man.
I use a cold color flame light outside the wndow in order to pretend the moonlight shines in. And I choose the top light as my main light indoor. I use a warm color to create a contrast between outdoor and indoor.
I use a cold color cup light to pretend the moonlight.
The girl goes to a male net friend's house for overnight.
Their view after they took drugs.
I try to use Christmas lights and little cup lights to create an ambience of universe.
They are A, B and C which are also drug addicts.
They always image some ridiculous things in there head.
They are on the top of a building and trying to jumo off.
They are washing their foots in the galaxy.
I use cup lights as the footlight in a lower level to pretend the light comes from street. And I also use a deep blue behind in order to create a mysterious ambience.
I also use the footlight but in a higher level in order to pretend the light comes from the galaxy.
They are planning something interesting.
I use a yellow color behind as my main color with some strange green color overhead in order to create a weird and playful ambience.
The father is having a conversation with the murderer in an interrogation room.
The police has his own justice so he goes to find the murderer for a quarrel.
The father tries to find some comfort after his daughter's death.
Suddenly, he receives a message from his daughter by his surprise.
His daughter asks him to live well and not to blame himself anymore.
People in this world always try to find their comfort, by drugs, by religions, by their family or by themselves.
Everybody has their comforts eventually.
06 photography
Tainan 2017
New Taipei 2017
Taipei 2017
Taipei 2018
Tokyo 2018
Tokyo 2018
Tainan 2018
Chiayi 2017
Chiayi 2017
Tokyo 2018
Tokyo 2018
Chiayi 2017
Tokyo 2018
Koashiung 2016
Taipei 2017