Colour Imago: Paradigms of Colour

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Hans Hollein, Retti Candle Shop, Vienna, Austria, 1966

CÖLOR I MAG O Paradigms of Colour By Giacomo Pala In architecture, the question of colour has almost al way s been conceived and interpreted through dualisms. Colour often is the misfit in ideological oppositions: abstraction vs. figuration, appearance vs. reality, content vs. aesthetic, primary vs. secondary qualities of a space. Furthermore, even though these oppositions are inscribed in precise epistemological patterns and

ideological backgrounds, they also refer to a similar metaphysical frame: the distinction of content from appearance, and form from aesthetics; as if these were diametrically opposed realities. This is probably because “colour” is difficult to situate both within the act of designing, and in the formal discourse of architecture: in both of these practices, “materials” and “composition” tend to prevail


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