Veli-Matti Puumala: Rope

Veli-­Matti Puumala

Rope

for Orchestra 2010-­12

Commissioned by the Finnish Broadcasting Company written for the Finnish Radio Symphony Orchestra Dedicated to Hannu Lintu

Instrumentation 3 Flutes (1st also Bass Flute, 2nd also Alto Flute in G, 3rd also Piccolo) 2 Oboes Corno Inglese 2 Clarinets (2nd also Piccolo Clarinet in Eb) Bass Clarinet in Bb 2 Bassoons Contrabassoon (also 3rd Bassoon) 4 Horns in F 3 Trumpets in C 3 Trombones Tuba Timpani 3 Percussionists Piano Harp 14 I Violins 12 II Violins 10 Violas 8 Cellos 6 Double basses List of percussions

Perc 1 Vibrafono 3 Almglocken (a, g#1, c2) 5 Thai Gongs (Bb1, f#, g#, a#) Piatto Sospeso (large) Tam Tam (large) Snare drum Gran cassa

The Score is in C

Perc 2

Xilofono Tubular Bells 4 Almglocken (b, c1, eb1, bb1) 6 Thai Gongs (E, G, B, g, b, eb1) 2 Metal blocks Piatto sospeso (small) Tam Tam (small) Guiro 2 Wood blocks Sandpaper blocks

Perc 3

Marimba Crotales 4 Almglocken (a#, g1, a1, b1) 5 Thai Gongs (B1, A, c, eb , a) Piatto sospeso (large) Chinese Cymbal Tam Tam (medium) 2 Wood blocks 2 Bongos 2 flat Styrofoam discs

Instruction and explanation of signs and special symbols For all instruments

Bb B µ ˜

Following quartertone accidentals are used in this piece: All the accidentals (both normal and quartertone) apply throughout the whole measure in the same octave. In one section (m. 180-209) of the piece also flatten or raise the pitch about 1/6 of a tone. The most important voices are marked with symbols

œ

K and k accidentals are used. They

H(Hauptstimme) and N(Nebenstimme) and their ending with sign # . œ

Stemless notehead (both inside normal measures and senza misura -measures) means a non fixed lenght of a note. Sometimes the lenght of a note is marked with a thick line after the note , which shows its lenght in relation to other instruments.

P

Mute symbol

”f ”

Dynamics in quotation marks (at toneless passages) indicate intesity of the performance manner and not the resulting absolute volume of the action.

˜

diminuendo al niente

For winds

ê –

j M œ j >œ j ¿ j ¬

Slap tongue sign for clarinets Toneless blowing (for flutes, clarinets and trumpets with clef) For Flutes: blow directly into the tube with narrow mouth opening. For clarinets: blow from a short distance of the mouthpiece. For trumpets: blow without direct lip contact with the mouthpiece. (The notated tones are always to be played as indicated) Sometimes toneless sounds are to be played with reinforcing consonants, which are marked above the notes.

–

Toneless blowing (for oboes, bassoons, horns and trombones without clef. The noise coloration is relative according to the placement of the note at the stave. Sometimes toneless sounds are to be played with reinforcing consonants, which are marked above the notes. Multiphonic (oboe, clarinet and bassoon; free choice of fingering, desired and prominent high or low pitch is marked) Tongue ram (for flute) Key slaps (for flute) (Reinforce the effect with tongue action) Strike the mouthpiece with the flat of the hand (for trumpets, trombones and tuba). (If possible, prepare the mouthpiece before positioning with a thin strip of paper, in order to prevent the mouthpiece from blocking.)

For strings Bridge clef schematically reproduces the front of the instrument between tailpiece and the middle of the fingerboard. It does not indicate certain pitch to be performed, but the position on the instrument where the action is to be performed. Bridge clef shows the approximate positions of the bow movement. I II III IV

String clef does not indicate pitches, but the strings on which to play below bridge, between the bridge and the tailpiece. “Tailpiece clef” shows music to be played on the tailpiece (for celli and double basses).

sssss

Pressed bowing at the frog, maximal bow pressure with extremely restrained bowing. Dry, sharply perforated rattling. Occasionally with fist grip of the bow. In some cases the contact point of the bow on the string is marked with a small notehead above the stave or directly on the stave.

! ss sssss P

Vertical shifts of the pressed bowing. No normal up or down bow. The direction of the bow movement is marked with a small arrow connected to stem (arrow up = bow movement towards bridge, arrow down = towards fingerboard).

j Z ¬ P

Legno battuto A lightly tossed stroke or "jab" of the wood of the bow. The contact point of the wood of the bow is indicated as a pitch. The pitch is to be understood as an approximate value. Left hand covers gently all the strings. (The string to be played is indicated conventionally with a roman numeral.)

j Z ¬ P –

Legno saltando Dense shake of the bow after striking the string(s). The bow glides (gliss.) towards the bridge. The contact point of the wood of the bow is indicated as a pitch. The pitch is to be understood as an approximate value. No bowing. Left hand covers gently all the strings. (The string to be played is indicated conventionally with a roman numeral.) Above the bridge

P

™–§ P j ¬ P pizz.

Arco balzando a bouncing of the bow on the string. Strike the bow sharply against the string. Avoid up- or down-bow motion, only downward motion. Result should be as a dull, dry bouncing noise. Left hand mutes all the strings.

Bartók pizzicato with completely choked strings that is plucked. Only the rebound of the string on the wood of the fingerboard should be heard.

d

The mute sign P indicates when the other strings should be muted. pizz. credit card (for cellos, basses and piano)

Rope Ia A q = 60 Hµ œ

1

Fl.

2

3

Ob.

2

C. ingl.

(in Si b)

µœ µ œ µ œ bœ Bœ

& 44 ƒ œ H & 44 ƒ #œ H & 44 ƒ 4 & 4 ‰.

bœ

bœ

#œ

œ

œ

& 44 ‰ . & 44

without mouthpiece

& 44

without mouthpiece

2

Cl. basso

? 44 ‰ .

1

? 44 ‰ .

Fg. 2 Cfg.

2 Cor. (in Fa)

3, 4

1 Tr.

(in Do)

2, 3

Timp.

? 44 ‰ .

? 44 B œ

Perc. 3

œ æ

ƒ

œ æ

ƒ

œ

∑

˙. ˙.

œ

˙.

œ

™ pizz. # œœ B 44 J Ï div. 6. 7. pizz. œ B 44 J Ï 8. - 10. pizz. B 44 B œj Ï pizz. Bœ ? 2.44 J Ï 4. 6. 8. pizz. ? 44 B œ J Ï & 44 ‰ .

1. - 5.

≈⋲

‰

≈⋲

58 Œ

‰

≈⋲

58 Œ

‰

∑

58 Œ

Œ

Ó

∑

58

≈⋲

Œ

Ó

∑

&

≈⋲

Œ

Ó

∑

&

œ

œ œ œ

π µ˙.

œ

π #˙.

# >œœ ƒ

>

B œœ > ƒ

3

>

>

>

3 3

‰

>

œ

> µ œ>œ

>

>

p # >œ œ p # >œœ p

58 Œ 58 Œ 58 Œ

œ

π >

∑ ‰ ‰

‰ ‰

≈⋲

58 Œ

‰

≈⋲

58 Œ

‰

≈⋲

58 Œ

‰

≈⋲

58 Œ

‰

≈⋲

58 Œ

‰

≈⋲

58 Œ

‰

‰

Œ

Ó

∑

58 Œ

‰

‰

Œ

Ó

∑

4. without bow until measure 69 6. 8. without bow until measure 67

œ ˙. R π 5. sul pont. #œ ˙. R π 7. sul pont. r œ ˙. π 3. sul pont.

‰

58 Œ

œ œ

Œ

Ó

∑

&

Œ

Ó

∑

&

1.-3. without bow until measure 56

4. without bow until measure 47 5. 6. without bow until measure 67

‰

œ

58 Œ

Copyright © 2012 Fennica Gehrman Oy, Helsinki

‰ ‰

58 Œ

‰

58 Œ

‰

58 Œ

‰

58 Œ

‰

∑

∑

∑

∑

slap tongue without mouthpiece K 24 rK ≈⋲ . ≈⋲ ‰ ≈⋲ b êr ® B ê µê > #ê ƒ slap tongue without mouthpiece 24 Kr ≈⋲ . ‰ ® Kr ≈⋲ ≈⋲ µ êKr ® µê µ >ê ƒ 24 ∑

64

∑

64

∑

64

∑

∑

64

∑

∑

24

∑

∑

64

24

∑

∑

64

œ J

≈⋲

‰

∑

≈⋲

‰

∑

24

∑

∑

64

≈⋲

‰

∑

24

∑

∑

≈⋲

‰

∑

24

64

∑

∑

64

∑

24

∑

∑

64

∑

∑

∑

∑

œ J

œ

œ J

œ

œ J

œ R π œ R π œ R π œ R π œ R π œ R π œ R π

∑ œ

œ J

œ

œ J

œ

œ J

œ

œ J œ J

24

∑

œ J

œ J

24

œ

Xil.

24 24 q = 46 {e = 92}

24 Œ 24 Œ 24 Œ 24 Œ

œ

24 Œ

œ

24 Œ

œ

24 Œ

1.

# # Oœ

Oœ

µ µ Oœ

Oœ

(ord.)

∏

(ord.)

3.

∏ (ord.) 5. O #œ ∏ (ord.) 7. O œ ∏ Oœ ∏

9. (ord.)

11. (ord.)

œO ∏

13. (ord.)

∑

‰

∑

‰

∑

™ # œœ R ≈⋲ ƒP 6. 7. [ # œ œ R ≈⋲ ƒP 8. - 10. [ # œ œ R ≈⋲ ƒP µœ R ≈⋲ ƒP µœ R ≈⋲ ƒP ≈⋲ b œ R π ≈⋲ b œ R π ≈⋲ b œ R π 4. - 6.

64

µœ R π µœ R π œ R π µœ R π

1. - 5.

1. - 3.

64

∑

‰

58 Œ

∑

64

∑

∑

Ó

∑

‰

58

Œ

œ

∑

∑

∑

∑

‰

∑

64

‰

‰

‰

24 24

∑

∑

58

58 Œ

∑

œ

∑

∑

∑

∑

24

24

64

24

‰

Ó

∑

(breve)

∑

∑

3

Œ

œ J

œ

∑

∑

∑

‰

œ J

24

∑

24

58

5.-8. without bow until measure 69

p

Senza misura

∑

∑

‰

µœ

q = 46 {e = 92}

µ µ œO ∏ ∑

‰

Ó

2. without bow until measure 63

≈⋲

58 Œ

Œ

(breve)

r # œœ ‰ ƒ bœ P Crot. œ ≈⋲ R ‰ ƒ P ≈⋲

3

3

œ R π #œ R π

r œ > ƒ r µ >œœ ƒ >œ R ƒ # # œ>œ R ƒ

‰

1.-4. without bow until measure 63

& 44 ‰ .

pizz.

‰

Ó

& 44 ‰ .

1. - 3. ? 44 B œJ Ï 4. - 6. pizz. ? 44 j #œ Ï

58 Œ

Œ

14. sul pont.

B B >œœ ƒ

≈⋲

‰

Senza misura

p

‰

‰

œ

œ

58 Œ

58 Œ

12. sul pont.

3

∑

∑

10. sul pont.

& 44 ‰

58

œ

J ,

J,

#œ

≈⋲

∑

58 Œ

#œ

≈⋲

∑

Ó

π. ˙

p

‰

Œ

8. sul pont.

3

‰

‰

π #˙.

œ #œ #œ

‰

√ ˙.

œ #œ

J,

œ #œ

58 Œ

& 44 Œ

& 44 ‰

œ #œ µœ

œ

∑

π √ 6. sul pont. b ˙ .

3

œ

œ #œ µœ

58

œ

˙.

œ Bœ

∑

œ

π √ 4. sul pont. µ ˙ .

div. a 6

58 Œ

œ

Ó

2. sul pont.

& 44 Œ

58 ƒ 58 Œ

œ

∑

hard mallets gliss. on resonance tubes

& 44 Œ

58 ƒœ

Œ

f

& 44 Œ

Cb.

π

ƒ

‰

& 44 Œ

Vc.

π

58 ƒ# œ

Ͼ

∑

& 44 Œ

Vle

π

Ͼ

œ µœ # œ µœ #œ #œ

Ó

& 44 Œ

Vl. II

˙.

œ æ

#œ

œ æ

œ

˙.

gliss.

œ. ã 44 J ƒ Mar. œ. ã 44 J ƒ

& 44 ‰

r Bœ π r Bœ π

œ

œ

œ bœ

Œ

q = 60

Vl. I

#œ #œ

œ

œ #œ

(breve)

‰

poco Guiro hard mallets

2

µœ

r Bœ π Bœ R π Bœ R π r #œ π

? 44 ‰ .

jbend & 44 B œæ f 3. 4. j bend 4 & 4 œæ Bœ f œ #œ 4 & 4 µœ f 33 2. 3. & 44 #B œœ œ B œ µ # œœ f

œ

µœ #œ µœ

1 Cl.

µœ

œ

Senza misura

œ B œ B œ Bœ

VELI-MATTI PUUMALA (2010-12)

r ≈⋲ µœ ƒP r # œ ≈⋲ ƒP

œ J

œ

œ J

œ

œ J

‰

∑

‰

∑

64

64 64

Oœ

64

Oœ

64 64

œO

64 ∑

64

∑

∑

24

64

∑

∑

64

24

∑

∑

64

∑

∑

24

∑

∑

64

24

∑

∑

64

∑

∑

∑

∑

24

∑

∑

64

24

∑

∑

64

24

∑

∑

64

∑

∑

24

24 24

œ

64

64

Oœ

œO

64

24

64

64 64

64

q = 60

1

Fl.

2

3

Ob.

(in Si b)

Cor.

œ œ œ #œ #œ œ #œ

œæ œ

simile

simile

bœ

44

‰

44

‰

44

‰

ƒ bœ ƒ

œ

ƒ

œ

œ bœ

bœ

œ

œ

accel. b œ B œ µœ œ œ œ œ µœ bœ œ œ œ

Bœ

œ

Bœ #œ bœ nœ Bœ

œ

#œ #œ

µœ

Senza misura

J, œ

(lunga)

B

24

∑

J,

q = 46 {e = 92}

∑

38

∑

34

∑

48

∑

24

∑

38

∑

34

∑

48

∑

24

∑

38

∑

34

∑

48

∑

∑

24

∑

38 ‰

∑

48

œ

œ

µœ

œ

#œ

B œ µœ

Bœ œ

J,

B œ b œ µœ B œ µœ B œ œ

Nsolo3

J 3 ≈⋲ r ≈⋲ 34 æ B œ # œ µ œ fl p f 34 ∑

1

& 64

∑

44

1

& 64

∑

44

∑

∑

24

∑

38

2

& 64

∑

44

∑

∑

24

∑

38

1

& 64

∑

44

∑

∑

24

∑

2

& 64

∑

24

∑

Nsolo + + + +J 38 ≈⋲ 3 j j3≈⋲ 3 ≈⋲ µ œæ >œæ œæ # œæ f p 38 ∑

3, 4

& 64

∑

24

∑

38

1

& 64

∑

24

∑

2, 3

& 64

∑

24

∑

1

64

∑

Cl.

(in Fa)

7 Hµ œ B œ µ œ œ n œ B œ b œ B œ œ B œ B œ B œ Bœ Bœ œ œ bœ & 64 P HB œ # œ œ œ B œ # œ n œ œ µ œ B œ Bœ µœ œ µœ œ µœ & 64 P Hµ œ B œ # œ # œ œ µ œ Bœ œ œ œ bœ œ & 64 æ P

Tr.

(in Do)

44 B œæj ‰ ƒ j 44 n œæ ‰ Bœ ƒ 44 # œ # œ b œ ‰ ƒ 33 44 # œ œ µ œ ‰ µ œB œ œ ƒ

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

44

+ r œ p + r Bµ œœ p r µœ p r Bœ Bœ p

∑

∑

emphasize dynamics possibly with plunger

toneless 24 ‰ ‰ –R 3

emphasize dynamics possibly with plunger

Œ

∑

34 Œ

Œ

38

∑

34 Œ

Œ

38

∑

34 Œ

Œ

‰

34 ‰ .

‰

34 ‰ .

– ¬ R ”ƒ ”

‰ ‰ r 48 Bœ f 3 ‰ ‰ r 48 B B œœ f 3 ‰ ‰ r 48 #œ f 3 ‰ ‰ r 48 µ # œœ f 48

‰

34 ‰ .

‰

34 ‰ .

38 R ≈⋲ ‰ ”ƒ ” 38 ≈⋲ ‰ R

44

∑

∑

3

64

∑

44

∑

∑

Tuba

64

∑

44

∑

∑

24

? 64

∑

44

∑

24

∑

38

∑

2

& 64

∑

44

24

∑

38

3

& 64

∑

44

24

∑

38

Timp.

Perc.

q = 60

Vl. I

Vl. II

Vle

Cb.

µœ J f

gliss.

Œ

Ó b œ. R ƒP Crot. œ f

∑

Tub. bell

∑

accel.

B B œO

, P

1.

& 64

∑

44

∑

& 64

∑

44

∑

& 64

∑

44

∑

& 64

∑

44

∑

& 64

∑

44

∑

& 64

∑

44

∑

& 64

∑

44

∑

& 64

∑

44

∑

& 64

∑

44

& 64

∑

& 64

π 3. µB Oœ

24

p

π 5. Oœ

p

π

B B Oœ π 7.

µ µ Oœ π 9.

p p

# # œO π

11.

13.

# # œO π

q = 46 {e = 92}

– ¬ R

”ƒ ”

3

48

r – ¬ ”ƒ ” r – ¬ ”ƒ ”

48

34

∑

48

∑

34

∑

48

∑

34

∑

48

48

∑

38

∑

34

∑

48

24

∑

38

∑

34

∑

48

24

∑

38

∑

34

∑

48

24

∑

38

∑

34

∑

48

24

∑

38

∑

34

∑

48

24

∑

38

∑

34

∑

48

24

∑

38

∑

34

∑

48

34

∑

48

34

∑

48

Toneless bowing (quiet hissing sound, no squeaks) Bowing directly on the bridge while lightly covering the strings. (Eventually the bow can be drawn obliquely)

34

∑

48

–≤ ≥– .. 24 P”f≤ ” ≠ 24 P

38

–≤ .

,

∑

1. - 6.

∑

∑

7. - 12.

44

∑

∑

∑

44

∑

∑

24

∑

38

∑

34

∑

48

& 64

∑

44

∑

∑

24

∑

38

∑

34

∑

48

& 64

∑

44

∑

∑

24

∑

38

∑

34

∑

48

44

∑

1. - 5.

24

∑

ss Pressed bowing At the frog, maximal bow pressure with extremely

48

44

∑

6. - 10.

24

∑

B 64 Ó .

Œ

B 64 Ó .

Œ

? 64 Vc.

‰

48

34 Œ

∑

24

Œ

48

64

emphasize dynamics possibly with plunger

48

∑

> ≈⋲ – .. ”ƒ ” toneless Œ ‰ –j 38 r ≈⋲ ‰ ”ƒ ” toneless 38 r ≈⋲ ‰ ‰ –. > ”ƒ ” toneless

Œ

34

2

Tbn.

24

∑

® ‰ Œ Bê ƒ µê 34 ≈⋲ ≈⋲ Œ µê # ê ƒ

∑

? 64 Ó .

Œ

? 64 Ó .

Œ

& 64

∑

™ # # œœ ‰. R Ï 6. 7. 8. - 10. œ Œ ‰ . B œR Ï Œ

1. - 5.

44

2. B œ ‰ . R 44 Ï 4. 6. 8. B œ Œ ‰ . R 44 Ï

Œ

44

∑

j µœ f unis. j #œ f

j µœ f

∑

(unis.)

∑

j µœ f

(unis.)

?

∑

2

unis. j #œ f

∑

38

”ƒ ”

,

.

”ƒ ”

P

Bridge clef schematically reproduces the front of the instrument between tailpiece and the middle of the fingerboard. 1. It does not indicate certain pitch to be performed, but the position on the instrument where the action is to be performed. Bridge clef shows the approximate positions of the bow movement.

restrained bowing. Dry, sharply perforated rattling. The two contact points of the bow are indicated with a small notehead in parenthesis above the stave. Vertical movement Z starting from the middle of the fingerboard and moving further towards the nut. Left hand covers gently all the strings . Sound during vertical movement should be kind of buzzing.

solo II 3 III [ ? œ ] [? œ ]

24

∑

38 s ss ‰ Zs P 3 f ƒ 38

3 3 r s. s. s. ≈⋲ 4 f 34 ∑

24

∑

24

∑

38

∑

24

∑

38

∑

48

∑

48

∑

48

34

∑

48

34

∑

48

q = 60

1

Fl.

Ob.

(in Si b)

2

(in Fa)

Hœ

& 48 ‰

œ

œ µœ

Hœ

œ

J ,

œ Bœ #œ Bœ

Hœ

B œ µœ µœ

Bœ

#œ

38

∑

#œ #œ

38

∑

38

∑

38

∑

ƒ J ,

œ

ƒ

#œ

J,

3

& 48 ‰ .

1

& 48

∑

1

& 48

∑

38

2

& 48

∑

1

& 48

∑

2

& 48 ‰

‰

‰

3, 4

& 48 ‰

‰

‰

1

& 48 ‰

‰

‰

2

& 48 ‰

‰

‰

1

48

Cl.

Cor.

13 & 48 ≈⋲

Tr.

(in Do)

∑

#œ

ƒ

24

. B œ. œ B œ. œ. . . µœ # œ

q = 46 {e = 92}

Senza misura

J r # œ.

(lunga)

‰.

7 ƒ. H œ œ. µ œ. # œ. B œ. œ. . rJ 24 #œ µœ . 7 ƒ œ. . B œ . H B œ. œ # œ. µ œ. J 24 ≈⋲ Œ 7 ƒ

28

∑

48

∑

∑

28

∑

48

∑

∑

∑

28

∑

48

∑

∑

∑

∑

‰.

24

∑

∑

28

48

∑

∑

24

∑

∑

∑

38

∑

24

∑

∑

38

∑

24

28 r ≈⋲ ® ® 48 µê ê > P f µê 28 r ≈⋲ 48 ≈⋲ # >ê nê P µê f

∑

∑

28

∑

48

∑

r ≈⋲ 38 µœ ƒ+ 3 ≈⋲ r ≈⋲ 38 # œ # œ ƒ 3 ≈⋲ r ≈⋲ 38 µœ ƒ 3 ≈⋲ r ≈⋲ 38 nœ ƒ

∑

24 Œ

∑

28

∑

48

∑

∑

24 Œ

∑

28

∑

48

∑

∑

24 Œ

∑

28

∑

48

∑

24 Œ

∑

28

∑

48

∑

24

∑

28

∑

48 ‰

≈⋲

2.

Hœ.

+ 3

38

+ 3 r ≈⋲ ‰ œ ƒ+ 3 ≈⋲ r ≈⋲ ‰ œ ƒ ≈⋲

a2

≈⋲ 2. 3.

∑

r ≈⋲ ‰ µœ ƒ 3 ≈⋲ r ≈⋲ ‰ µ# œœ ƒ 3

‰

≈⋲

‰

≈⋲ .

‰

64 64

Nsolo J j r ≈⋲ r ≈⋲ ‰ n œæ œ µ >œ f p f ∑

∑

64

+ Nsolo + +J r ≈⋲ ær ≈⋲ r ≈⋲ ‰ µœ œ œ p f π ? ‰ ‰ ‰ ® ?

rK # >œ a2 f ® rK # >œ f n >œ ® RÔ f B # >œœ ® RÔ f

‰

‰

∑

‰

‰

‰

∑

‰

‰

‰

≈⋲ –J

‰

‰

‰

‰

‰

‰

‰

‰

‰

‰

‰

≈⋲

3

”f ”

> ≈⋲ –J 3 ”ƒ ” > ≈⋲ – J 3 ”ƒ ” > ≈⋲ – J 3 ”ƒ ” 3 ≈⋲ –j > ”ƒ ”

∑

38

∑

24

∑

∑

28

∑

3

48

∑

38

∑

24

∑

∑

28

∑

Tuba

48

∑

38

∑

24

∑

∑

28

∑

48 >¬ ”f ”p

r 3 µœ 8 ƒP

∑

24

∑

∑

28

∑

48

∑

∑

28

∑

48

∑

&

‰

‰

‰

≈⋲ .

∑

28

∑

48

∑

&

‰

‰

‰

≈⋲ .

2 Perc. 3

? 48 ‰

‰

& 48

∑

& 48

∑

q = 60

Vl. I

Vl. II

38

∑

ã

24 ‰

‰

38

∑

ã

24 ‰

‰

œ Œ R f Wood block (high) œ Œ R f Metal block (high)

3

3

38

∑

24 Œ

‰

& 48

∑

38

∑

24 Œ

‰

& 48

∑

38

∑

24 Œ

‰

& 48

∑

38

∑

24 Œ

‰

& 48

∑

38

∑

24 Œ

‰

& 48

∑

38

∑

24 Œ

‰

& 48

∑

38

∑

24 Œ

‰

48

∑

1. 2.

48

∑

3. 4.

& 48

∑

5. 6.

& 48

∑

7. 8.

& 48

∑

9. 10.

& 48

∑

11. 12.

B 48 j µ >œ ƒ 6. - 10. B 48 # œj > ƒ

‰

‰

‰

‰

? 48 j µ >œ ƒ 4. 6. 8. ? 48 j # >œ ƒ ? 48 œj > ƒ

‰

‰

‰

‰

‰

‰

2.

Cb.

3

∑

48

Vc.

‰

& 48

1. - 5.

Vle

‰

∑

µœ J ƒ j #œ ƒ

µœ J ƒ j µœ ƒ j bœ ƒ

j œ

&

œ

64

28

∑

48

∑

∑

64

28

∑

48

∑

∑

64

28

∑

48

∑

∑

64

28

∑

48

∑

∑

64

28

24

∑

∑ ‰ ‰

24 Œ

div. j b n œœ F

rK 6 œ 4 ÏP Crot.

∑

∑

∑

Kr B œ. ® 64 ƒ P Xil. Kr 6 œœ 4 Ï P

∑

∑

38

64

48

24

24 Œ

‰

∑

∑

∑

64

28

28

38

‰

64

∑

j µœ F #œ J F

64

∑

∑

24 Œ

‰

∑

24

∑

64

48

48

38

64

∑

∑

∑

≈⋲

28

28

µœ J F j µœ F

64

64

∑

24 Œ

≈⋲

∑

∑

24

64

∑

∑

24

f

œ

≈⋲

48

48

∑

fj #œ

O

o

p

64

∑

∑

38

fj #œ

œO

p

o

”f ”

≈⋲

28

∑

24 Œ

œ

œO

∑

∑

fj

œO

o

p

24

38

œ

œO

∑

∑

fj

œO

∑

38 #œ f 38 µœ f 38 nœ f 38 µœ f 38 #œ f 38

j œ π j œ π j œ π j œ π j œ π

j B B œO ∏ IV 11. j O ∏ 13. # œ J ∏ 9.

q = 46 {e = 92}

1. - 12. – 28 Pp 28

j 24 œ π fj

3 & 8 µœ f

j œO ∏ 3. j µBœO ∏ 5. j n b œO ∏ 7. j B B œO ∏ 1.

–

64

‰

48

Timp.

64

∑

‰

48 >¬ ”f ”p 48 ‰ ‰

64

3

2

Tbn.

HB œ˜ æRÔ 64 π

48

≠

∑

”f ”

&

64

∑

64

∑

∑

64

48

∑

∑

64

∑

48

∑

∑

64

28

∑

48

∑

∑

64

∑

28

∑

48

∑

&

‰

‰

‰

∑

28

∑

48

∑

&

‰

‰

‰

∑

28

∑

48

∑

‰

∑

28

∑

48

∑

‰

∑

28

∑

48

∑

‰

‰

∑

28

∑

48

∑

‰

3

1.

III

N?solo [ œ] ≈⋲ sssss ‰ J P 3f ‰ ‰

?

œ R fP #œ R fP

µ œJ R ≈⋲ ‰ F

≈⋲

64

≈⋲

64 64

‰

(unis.)

≈⋲

64

‰

‰

r #œ fP

(unis.)

≈⋲

64

‰

‰

unis.

≈⋲

64

r #œ fP

r Bœ fP

q = 60

1

Fl.

2

˜ 20 œ . B œ˜ æ & 64 æ Hn œ˜ 6 & 4 ‰ æ π

3

3

& 64 Œ

1

& 64

2

& 64

C. ingl.

œ˜ B œ˜ . æ æ

Hn ˙˜ æ π

3

˜ ˜ œ˜ œ . œ œ˜ æ æ æ æ n œ˜ ‰ æ

3

˜ ˜ ˜ œ˜ . œ œ œ æ æ æ æ

œ˜ B œ˜ œ˜ æ æ æJ Œ 3

Œ

,

C

44ˆ81 ƒ# œ

Œ

Œ

Œ

Œ

Œ

œ #œ

44ˆ81 ƒœ 44ˆ81 ƒ

œ

œ œ

œ

œ

œ

œ #œ µœ #œ nœ

œ #œ µœ #œ µœ

œ

œ

œ #œ

œ µœ

œ œ

nœ µœ

œ

œ #œ nœ #œ # œ µœ # œ µœ œ #œ µœ #œ

#œ

nœ

œ

Bœ

nœ #œ

,

µœ # œ µœ # œ œ #œ

q = 56

44

,

n œ µœ # œ µœ µœ

44

,

44

#œ nœ

µœ Bœ #œ nœ #œ

ƒ œ

44

∑

44ˆ81

∑

& 64

∑

44ˆ81

∑

44 #w ∏

1

& 64

∑

44ˆ81

2

& 64

∑

Cl.

44ˆ81

∑

2

? 64

∑

44ˆ81

∑

44 B w ∏

Cfg.

? 64

∑

44ˆ81

∑

1

& 64

∑

44ˆ81

∑

44ˆ81 r bend‰ . # >œæ ƒr bend 4 1 ‰. & 4ˆ8 µ œæ œ> ƒ > µ 44ˆ81 œ µ œ n œ ‰ ƒ 3

2

? 64

∑

3, 4

? 64

∑

1

& 64

∑

2, 3

& 64

∑

1, 2

64

∑

44ˆ81 n œ µ œ ‰ # œ œ # œœ > ƒ 44ˆ81

3

64

∑

Tuba

64

∑ Œ

2

ã 64 Œ

Œ

Œ

3

ã 64 Œ

Œ

Œ

Perc.

q = 60

Vl. I

Vl. II

Vle

Vc.

Cb.

&

¡

3

Œ

Œ

Œ

Œ

Guiro

œ ƒ

≈⋲ œj . ƒ

Œ

‰

Œ

Œ

Œ

‰

Œ

Œ

Œ

‰

Œ

Œ

Œ

‰

44ˆ81

Œ

Œ

Œ

58

Œ

Œ

Œ

58

∑

58

44ˆ81

∑

44

∑

58

44ˆ81

∑

44

∑

58

∑

58

& 64

∑

44ˆ81 Œ

& 64

∑

44ˆ81 Œ

∑

58

44

∑

& 64

Œ

∑

44ˆ81 Œ

1. - 3.

Œ

44ˆ81

& 64

∑

Œ

58

44ˆ81 Œ

? 64

58

∑

∑

4. 6. 8.

Œ

44

& 64

∑

Œ

∑

44ˆ81 Œ

? 64

3

Œ

58

∑

2.

r 44 æ bend‰ . # >œ ƒr 44 µ œæ bend‰ . # >œ ƒ µ 44 >œ µ œ n œ ‰ ƒ 3

58

∑

∑

& 64

∑

44

Œ

58

muta in Fagotto

44

44ˆ81 Œ

? 64

58

∑

∑

6. - 10.

58

44ˆ81

& 64

∑

58

w ∏

58

44ˆ81

& 64

58

∑

∑

∑

58

58

∑

& 64

& 64

ƒ

,

58

44 Bw ∏ 44 Bw ∏

Œ

Mar. gliss. on resonance tubes

1. - 5.

∑

44 µ œ n œ # œ # œ œœ ‰ > ƒ 44

3

‰ ≈⋲ ¬ ¬ ¬ ¬ ‰ ¬ 3 "Shell attacks" of the timpano. Try to find different "pitches" poco f Œ

p

œ æ

58

∑

Œ

œ #œ Bœ

∑

? 64

64 Œ

œ

58

44

1

Timp.

œ #œ

Bœ

ƒ

,

58

∑

44

Tbn.

p

œ æ

ƒ

,

44ˆ81

∑

Tr.

œ Bœ

œ

p

œ æ

58

44ˆ81

(in Do)

œ bœ bœ

œ µœ Bœ µœ

∑

∑

Cor.

nœ #œ

Bœ nœ

œ

∑

? 64

(in Fa)

œ

œ

44 #w ∏ 44

Cl. basso

Fg.

œ #œ

ƒ

∑

∑

œ µœ #œ nœ nœ #œ

ƒ

44ˆ81

Ob.

(in Si b)

œ˜ æ

µœ 44ˆ81 J Ï 44ˆ81 µ œ J Ï µœ 44ˆ81 J Ï 44ˆ81 œJ Ï

44ˆ81 œj [# œ Ï div. 4. - 6. ? 4ˆ 1 j 4 8 [ # œœ Ï

q = 56

∑ µ >œ J ƒp 3. 4. > µœ J ƒp 5. 6. > nœ J ƒp 7. 8. j µœ > ƒp

3

> J

J

3

> J

J

1. 2. 3

3

3 3

9. 10.

j #œ > 11. 12. ƒp 3 j œ > ƒp 3

3

> J

3

> J

3

3

> J

j >

J J J

j

> 3

> 3

>

> > >

3

3

3

>

>

3

3

>

> 3

3 3

>

> 3

‰

Œ

Œ

Œ

‰

Œ

Œ

Œ

‰

Œ

Œ

Œ

‰

Œ

Œ

Œ

‰

Œ

Œ

Œ

‰

Œ

Œ

Œ

4

3

µ >œ œ J J f >œ œ J J f> œ œ J J

f µ >œ œ J J f >œ œ J J

f µ >œ œ J J f

44

3

≈⋲ 44

‰

3

≈⋲ 44

‰

3

≈⋲ 44

3

≈⋲ 44

‰

3

≈⋲ 44

‰

3

≈⋲ 44

‰

µœ ≈⋲ R Ï µ ≈⋲ œR Ï #œ (unis.) [ # œ ≈⋲ R Ï #œ (unis.) [ # œ ≈⋲ R Ï

≈⋲ [ n # œœr Ï ≈⋲ [ # # œœr Ï

44

‰

µ >œ 3

3

3

3 3

3

ƒp >œ ƒp

µ >œ

ƒp >œ ƒp

# >œ ƒp #œ > ƒp

J J J J J

j

> 3

>

>

3

>

> 3

>

> 3

>

> 3 3

>

> 3

3

3

3

3

>

>

3

∑

J

> J > J > J > J > J

B >œ . f3 B >œ . f µ >œ . 3

f>3 nœ. f>. œ 3

f3 µ >œ . f

3

‰

58

‰

58

‰

58

‰

58

‰

58

‰

58 58

44

∑

58

44

∑

58

44

∑

58

44

∑

58

44

∑

58

q = 46 {e = 92}

1

Fl.

2

3

1 Ob. 2

> 23 µ œ œ œ. œ. œ. >œ & 58 5 poco Í f & 58 # œ # œ œ œ f> œ 5 œ. µ œ. & 8 3 p & 58 & 58

µœ p

œ

œ

œ

œ µœ

3

#œ

µœ.

œ æJ

æ ƒ π

µœ œ œ œ µœ µœ œ µœ œ æ 3 5 f f π œ œ >œ . œ n œ. œ µ œ œ. µ œ. . # œ. . > 3 f p 5 f ∑

œ > # œ.

˙ 34 æ

3

>œ

œ.

Ͼ

π

58

Œ

34 ˙ æ

Œ

34 ˙ æ

Œ

B œ µ œ. n œ œ. B œ n œ µ œ. B œ. µ œ. p

58 #œ. ƒ œ 58 π

5

r œ. œ. œ #œ. œ œ œ >œ œ µœ 3

5

58

f

nœ

µœ

µ >œ

3

µœ

nœ

3 f œ. B œ.

#œ

œ µœ

µœ æJ fπ

œ æ œ 5 f 5 ƒp p >œ œ ƒ µ œ n œ œ µœ µœ ® #œ œ ® #œ 5 ƒ ƒ p f ∑ ®

µœ n œ ®

µœ

5

œ

œ. 24 æ

‰

78

24 Ͼ.

‰

78

‰

78

24 œ . æ fπ 24

∑

78

34

∑

∑

34

∑

58

∑

24

∑

78

C. ingl.

& 58

∑

34

∑

58

∑

24

∑

78

1

& 58

∑

34

∑

58

∑

24

∑

78

∑

34

∑

58

∑

24

∑

78

(in Si b)

Cl.

2

& 58

Cl. basso

? 58

∑

34

∑

58

∑

24

∑

78

1

? 58

∑

34

∑

58

∑

24

∑

78

2

? 58

∑

34

∑

58

∑

24

∑

78

3

? 58

∑

34

∑

58

∑

24

∑

78

1

& 58

∑

34

∑

58

∑

24

∑

78

2

& 58

∑

34

∑

58

∑

24

∑

78

3

& 58

∑

34

∑

58

∑

24

∑

78

1

& 58

∑

34

∑

58

∑

24

∑

78

2

& 58

∑

34

∑

58

∑

24

∑

78

1, 2

58

∑

34

∑

58

∑

24

∑

78

3

58

∑

34

∑

58

∑

24

∑

78

Tuba

58

∑

34

∑

58

∑

24

∑

78

Timp.

58

∑

34

∑

58

∑

24

∑

78

2

ã 58

∑

34

∑

58

∑

24

∑

78

3

ã 58

∑

34

∑

58

∑

24

∑

78

∑

34

∑

58

∑

24

∑

78

∑

34

Fg.

Cor. (in Fa)

Tr. (in Do)

Tbn.

Perc.

q = 46 {e = 92}

Vl. I

& 58 & 58 & 58

Vl. II

Vle

Vc.

Cb.

∑

& 58

∑

& 58

∑

µ >œ

1. 2.

f

34 µ >œ f 5. 6. 34 n >œ f 3. 4.

34 # >œ f

7. 8.

& 58

∑

& 58

∑

& 58

∑

34 9. 10. # >œ f 34 11. 12. >œ f 34

& 58

∑

34

? 58

∑

? 58

> 3

> 3

3

3

> J

> 3

>

> 3

>

p >.

3

> J > J

>

>.

> J

>

p >.

3

p >.

3

p > .

3

j

p3 > .

j

p

3

B >œ f B >œ f µ >œ f µ >œ

58 ‰

‰

58 ‰

‰

‰

‰

‰

≈⋲ ≈⋲

58 ‰

‰

‰

‰

≈⋲

58 ‰

‰

‰

‰

≈⋲

‰

‰

‰

≈⋲

‰

‰

‰

≈⋲

f µ >œ 58 ‰ f n >œ 58 ‰ f

‰

58

∑

∑

58

34

∑

∑

34

? 58

∑

? 58

∑

3

3

3

3

3

3

µ >œ J f µ >œ J f > µœ J f > nœ J f

j >œ f j œ > f

3

24 J

3

24 J

3

24 J

3

24 J 24 j

>

>

p >

>

p >

>

>

p >

>

>

>

>

>

> p

>

>

24 J

> >

3

p p

3

78 78 78 78 78 78

24

∑

78

∑

24

∑

78

58

∑

24

∑

78

∑

58

∑

24

∑

78

34

∑

58

∑

24

∑

78

34

∑

58

∑

24

∑

78

∑

5

1

Fl.

2

3

#œ µœ . 27 µ œ ˜ œ œ. µ œ œ µ œ ˜ œ µ œ n œ B œ µœ µœ œ > µ œ ≈⋲ & 78 5 3 3 p 5 3 f 3 µœ æ æ æ æ æ µ œæ ® n œ œ ® ® µœ & 78 œ œ œ µ œ œ > µœ n œ > f ƒ ƒ >œ >œ . . œ œ œ œ œ >œ µœ µœ . µ œ. µ œ. n œ µ œ 7 µ œ ≈⋲ . . & 8 œ . 5 5:3 7 f f p p f f

µœ œ æ π

œ ≈⋲

# œæ. π > f > µ œ. µ œ œ B œ œ œ œ œ µ œ 5

ƒ

œ#. 24 æ

π

. ® µæœ R π

ƒ

24 æ# œ.

ƒ

# 24 œ . æ

ƒ

, ‰

q = 46 {e = 92}

Senza misura

q = 60

D

(lunga)

∑

∑

24

accel.

∑

∑

64

, ‰

∑

∑

24

∑

∑

64

, ‰

∑

∑

24

∑

∑

64

∑

64

∑

64

J Ÿ~~~ 3 r ‰ ‰ b œ b œ œ( ) œ œ f f p ∑

Ob.

1

& 78

∑

24

∑

∑

∑

(in Si b)

1

& 78

∑

24

∑

∑

∑

Nsolo 7 24 ≈⋲ æœ ‰ f 24

? 78

∑

24

∑

∑

∑

24

∑

∑

64

1

? 78

∑

24

∑

∑

∑

24

∑

∑

64

1

& 78

∑

24

∑

∑

∑

∑

64

2

& 78

∑

24

∑

Œ

∑

64

3, 4

& 78

∑

24

∑

Œ

& 78

∑

24

∑

con sord. (harmon)

1

& 78

∑

24

∑

2. con sord. (straight)

2, 3

1

78

∑

24

∑

2

78

∑

24

3

78

∑

Tuba

78

Cl.

Cl. basso

Fg.

‰.

∑

+ + Nsolo 24 ‰ 7 ‰ œæ œ œ œ π f p œ. . 24 ∑

‰.

∑

24

∑

∑

64

‰.

∑

24

∑

∑

64

‰.

∑

24

∑

∑

64

∑

∑

24

∑

Œ

∑

∑

∑

24

∑

Œ

24

∑

∑

∑

24

∑

Œ

∑

24

∑

∑

∑

24

∑

Œ

Timp.

78

∑

24

∑

∑

24

∑

∑

64

2

ã 78

∑

24

∑

∑

24

∑

∑

64

3

ã 78

∑

24

∑

∑

24

∑

∑

64

Cor.

(in Fa)

Tr.

(in Do)

Tbn.

Perc.

Vl. I

& 78

∑

24

∑

& 78

∑

24

∑

& 78

∑

24

∑

& 78

∑

24

∑

& 78

∑

24

∑

& 78

∑

24

∑

& 78

µ >œ R & 78 f > (3. 4.) µ œ & 78 R f > (5. 6.) B œ 7 & 8 R f> (7. 8.) œ & 78 R f (9. 10.) µ > œ & 78 R f (11. 12.) µ >œ 7 & 8 R f (1. 2.)

Vl. II

Vle

Vc.

Cb.

∑ ≈⋲

Ó.

≈⋲

Ó.

≈⋲

24

Ó.

≈⋲

Ó.

≈⋲

Ó.

∑ µ >œ

f 24 µ >œ f 24 µ >œ f 24 µ >œ

Ó.

≈⋲

24

& 78

∑

f 24 # >œ f 24 >œ f 24

& 78

∑

24

? 78

> > J 3 p > > J 3 p > > J 3 p > > J 3 p 3 > > J p 3 j> > p

r œ poco f r bœ œ poco f bœ R poco f µ µ œœ R poco f

Œ Œ

3. con sord. (cup)

j œ Œ f P Guiro Metal block œ œ ‰ R ‰. 3 ƒ Mar. ƒ Wood block gliss. on resonance tubes j ≈⋲ œR ‰ . œ. ƒ Ï ?

Œ

3

(normal)

q = 60

# # O˙ π 3. n O n˙

Oœ

µ µ O˙ π 7. B B O˙

Oœ

1.

5.

Oœ

π 9. µ µ ˙O π

œO

11.

µ µ ˙O π 13. > > B >œ

œO

µ µ ˙O jπ

> ƒj > > µœ œ 3

> > > Bœ 3

> > > µœ 3

ƒ

j œ

ƒ

j œ

> ƒj > > µœ œ 3

> > µ >œ 3

3

∑ ∑

ƒ

j œ

ƒ

∑

B

∑

B

∑

24

∑

∑

? 78

∑

24

∑

∑

? 78

∑

24

∑

∑

6

(Plunger)

accel.

ss. Z sssssssssssssssssssss p ss Pressed bowing At the frog, maximal bow pressure with extremely ∑ Vertical movement Z starting from restrained bowing.

II 2. 4. 6. 8. 10. 12. 14. III

Ï Ï f

π

Ï

24 ‰ P 24

the edge of the fingerboard and ending in to the middle of the fingerboard. No normal bowing. Left hand covers gently all the strings . Sound should be kind of buzzing.

24

∑

P

∑

&

64 64 64 64

64

∑

64

∑

64

24

∑

∑

64

24

∑

∑

64

24

∑

∑

24

64

∑

∑

∑

24

∑

∑

24

∑

µœ

∑

24

∑

µœ

∑

24

∑

∑

24

∑

∑

24

∑

f

p

f

p

Ï Ï Ï

œO

œ

>– R ”ƒ ” (Plunger) > – ‰. R ”ƒ ” (Plunger) > ‰. – R ”ƒ ” r ‰. >– ”ƒ ” ‰.

q = 46 {e = 92}

Oœ

π

+J ≈⋲ œ ≈⋲ f

3

f

Ï

r œ 24 ƒ 6. - 10. (unis.) r œ 24 ƒ 1. - 5. (unis.)

∑

II III

P

24IV ‰ .

r 2 Œ Bœ 4 ƒ unis. r 2 #œ 4 ƒ

2. 4. 6. 8.

1. solo tasto #œ [? œ

N

3. 5. 7.

œ]

bœ

fπ 3 fπ fπ

œ J

3

œ J

3

œ J

≈⋲

64

≈⋲

64

≈⋲

64

≈⋲ ƒ µ œ ≈⋲ ƒ r œ ≈⋲ f P

64

ƒ Bœ ƒ #œ

∑ ∑

Œ

3

Œ

64

ƒ Bœ

j œ œ fπ Œ ‰

∑

≈⋲

ƒ µœ

3 j #œ œ fπ 3 j nœ œ fπ

s s ‰ ssssss s s ≈⋲ . 7 3 ƒ ƒ III ss sssssss Œ sssss? Z s p P

µœ

‰ ∑

64

r œ ≈⋲ f P

r œ ≈⋲ B œ 2. f P ‰ B œr ≈⋲ f P ‰

4. 6. 8. div.

64 64 64 ?

64 64 64

1

Fl.

2

3

33 & 64

∑

& 64

∑

∑

∑

? 64

∑

38

1

? 64

∑

38

1

& 64

∑

3

& 64

∑

solo N+ 38 r ‰ . œæ π

1

& 64

2

& 64

1

(in Si b)

1

& 64

Cl. basso

Cor. (in Fa)

Tr.

(in Do)

œ

œ

5 π H 24 µœ . µœ œ œ.

24

π

B œ #œ nœ

f >œ

bœ 3

3

œ

#œ

bœ B œ

f

7

∑

f

‰ ‰ ‰

√ bœ bœ nœ 3 #œ Bœ #œ œ 58 B œ µœ µœ ‰ 7:6 π ƒ √ œ bœ #œ #œ œ Bœ B œ 58 µ œ µ œ œ ≈⋲ ‰ 8:6 π ƒ #œ œ Bœ Bœ µœ b œ µœ œ µœ j 58 ‰ œ 3 3 3 π ƒ

√> #œ œ bœ #œ œ œ µœ µ œ B œ ≈⋲ 48 ‰ 3 3 ƒ π ƒ p √n >œ œ B œ 48 Bœ #œ µœ µ œ ≈⋲ n œ ≈⋲ ‰ ƒ 10:6 p π ƒ √> µœ Bœ œ µœ # œ 48 œ Bœ µœ ® µœ ® ‰

58

∑

48

ƒ

p

3

π

24

∑

58

∑

48

∑

∑

24

∑

58

∑

48

∑

∑

24

∑

58

∑

48

∑

24

∑

58

∑

48

∑

24

∑

58

∑

48

∑

+J r # œæ ≈⋲ f

∑

38

∑

24

∑

58

∑

48

∑

∑

38

∑

24

∑

58

∑

48

∑

38

∑

24

∑

58

∑

48

∑

38

∑

24

∑

58

∑

48

∑

38

∑

24

∑

58

∑

48

∑

‰ –j 38 > ”f ”

∑

24

∑

58

∑

48

∑

Ó

Œ

64

Œ

Ó

Œ

3

64

Œ

Ó

Œ

Tuba

64

Œ

Ó

Œ

>tf ‰ –J ”f ” >tf ‰ –J ”f ” >tf ‰ – J ”f ” tf

? 64

∑

38

∑

24

∑

58

∑

48

∑

2

& 64

∑

38

∑

24

∑

58

∑

48

∑

3

& 64

∑

38

∑

24

∑

58

∑

48

∑

‰

38

∑

24

∑

58

∑

48

∑

‰

38

∑

24

∑

58

∑

48

∑

‰

∑

24

∑

58

∑

48

∑

O˙ ....

38

‰

38

∑

24

∑

58

∑

48

∑

˙O ....

‰

38

∑

24

∑

58

∑

48

∑

˙O ....

‰

38

∑

24

∑

58

∑

48

∑

‰

38

∑

24

∑

58

∑

48

∑

38

∑

24 Œ

& 64

∑

38

∑

24 Œ

& 64

∑

38

∑

24 Œ

& 64

∑

38

∑

24 Œ

& 64

∑

38

∑

24 Œ

Timp.

Perc.

& 64 Π& 64 Π& 64 ΠVl. I

& 64 Π& 64 Π& 64 Π& 64 Π& 64

Vl. II

& 64 Vle

Vc.

B 64

O˙ ....

µ µ Oœ ∏ 7. B B Oœ

O˙ ....

5.

∏

∏ 9. µ µ œO ∏ 11.

B B œO ∏

13.

µ µ œO ∏

O˙ ....

p p

˙O ....

38

∑ ∑

B 64

&

∑

&

? 64

∑

? 64

∑

? 64

∑

? 64 Cb.

Oœ ∏ 3. # O # œ 1.

∑

1.

38 ‰

∑ ‰

µ >œ R 3 f > 6. - 10. b œ R ‰ ‰

1. - 5.

38 ‰ ‰ solo Nn tasto J ‰ sss n ss 38 ‰ 38 ‰

‰

38 ‰

‰

38 ‰

‰

‰

3

2.

24 Œ

24 P 24 P f 24 µ >œ P R 2 4

4. 6. 8. > f ≈⋲ œ ≈⋲ 24 R ƒ 33 P ≈⋲ r ≈⋲ 24 µ >œ ƒ P 3

# >œ . J ≈⋲ f B >œ . 3. 4. J ≈⋲ f > 5. 6. B œ . J ≈⋲ f > 7. 8. # œ . J ≈⋲ f 9. 10. µ > œ. ≈⋲ J f 11. 12. µ > œ. ≈⋲ J f 1. 2.

∑

58 µ œR p 58 µ œR p

58 µ œ R p 58 r œ p 58 r nœ p 58 r Bœ p 58

≈⋲

‰

‰

≈⋲

≈⋲

‰

‰

≈⋲

≈⋲

‰

‰

≈⋲

≈⋲

‰

‰

≈⋲

≈⋲

‰

‰

≈⋲

≈⋲

‰

‰

≈⋲ ∑

B œ. J π µœ . J π

48 48

µœ . J π j œ. π

48

j œ. π

48

j Bœ . π

48 48 48

b >œ R ƒ >œ

R ƒ b >œ R ƒ >œ R ƒ b >œ R ƒ µ >œ R ƒ

∑ ≈⋲

‰

≈⋲

≈⋲

‰

≈⋲

≈⋲

‰

≈⋲

≈⋲

‰

≈⋲

≈⋲

‰

≈⋲

≈⋲

‰

≈⋲ ∑

∑

58

∑

48

∑

∑

58

∑

48

∑

∑

58

∑

58

∑

58

∑ ∑

7

∑

48

∑

48

∑

48

ƒ

∑

∑

Œ

2

3

3

µœ

n œ # œ µ >œ # >œ

œ #œ #œ

38

64

1

Tbn.

38

∑

Ob.

Fg.

∑

π

Nsolo 7:4 J 38 ≈⋲ æ æ ≈⋲ #œ ‰ œ œ f pfl 38 ∑

& 64

Cl.

38

24 H œ

38

∑

& 64

∑

24 Hµ œ µ œ n œ

∑

B œ. J f #œ. J f œ. J f

µœ. J f

µœ. J f j œ. f

Fl.

2

3

1 Ob.

&

p

bœ ® Bœ Bœ ® ≈⋲

b œ"

9:8

∑

" B œ" ® µ œ ® µ œ" J ƒ

5:6

‰

ƒ # œ" J ƒ

48

∑ ..

U Œ

48

∑ ..

8 4

∑ ..

8 4

Œ

Œ

2

&

∑

48

Œ

Œ

C. ingl.

&

∑

8 4

Œ

Œ

1

&

∑

8 4

∑ ..

2

&

∑

48

∑ ..

(in Si b)

Cl.

Cl. basso

?

∑

48

Œ

1

?

∑

48

Œ

2

?

∑

48

Œ

?

∑

8 4

Œ

∑

48

∑ ..

Fg.

3

1

& ‰

‰

‰

‰

3, 4

& ‰

‰

‰

‰

& ‰

‰

‰

(harmon)

1

& ‰

‰

‰

(straight)

2

Cor.

&

(in Fa)

Tr. (in Do)

2, 3

(cup)

3 3

‰

3

‰

3

+ µœ R ç + r µœ Bœ ç bœ R

3

&

∑

&

∑

Pfte

Arpa

ç B B œœ R 48 ç 8 4

Vl. I

& & & & &

Vle

Vc.

Cb.

µœ ≈⋲ R π (3. 4.) µœ ≈⋲ R π (5. 6.) nœ ≈⋲ R π r(7. 8.)≈⋲ œ π r(9. 10.)≈⋲ œ π r(11. 12.) ≈⋲ œ π

(1. 2.)

8 4 48 8 4 Œ

‰

Œ

‰

Œ

‰

Œ

‰

Œ

‰

Œ

∑

?

∑

?

∑

?

∑

, U Œ

œ RÔ π

œ.

œ

œ

poco

π

f

∑

78

2 4

∑

5 8

∑

7 8

2 4

∑

5 8

∑

‰ œ œ f π ∑ 3

µ œ Bœ p

Œ.

5 8 58 5 8

∑

24

∑

58

∑

24

∑

58

∑

7 8 r ‰. fê 78 r ‰ . fê 78

24

∑

58

∑

24

∑

58

2 4

∑

Nsolo J + 3 24 ‰ 3 j ‰ ≈⋲ j ‰ æ Bœ . œ π f 2 ∑ 4

U Œ

58

solo N flatterz. 3

5 8

Œ

58

Œ ∑

58

78

∑

58

∑

78

∑

58

5 8

∑

7 8

∑

5 8

58

∑

78 Œ

5 8

∑

7 8

‰

N solo +j r µ œ B œæ

π ∑

+J Ͼ.

ƒ

58 5 8

∑

58

∑

78

∑

58

∑ ..

U Œ

2 4

∑

7 8

∑

5 8

U Œ U Œ ‰

bœ.

œ

out of tempo

ß œ. π ° π œ. Œ

Œ

Œ

Œ

Œ

≈⋲

out of tempo

Œ

œ ß

œ

b b Oœ

π ‰

3. 5. 7.

Œ

Œ

µ µ Oœ

π

9. 11. 13.

∑ ..

5

3

5

µ µ Oœ .. π

>O œ

œ

ß

Œ

Œ

Œ

Œ

√# œ

>œ J Oœ .. Oœ

œ

# œœ

ß

#œ.

œ. π œ

œO ..

3

5

*

œ π

Œ

Œ

Œ

Œ œ

Œ

Œ

#œ.

ß

#œ.

ß

,

bœ.

œ π

ß

bœ

bœ J

bœ

œ.

œ

œ.

œ π

œ.

π

bœ

π

‰

out of tempo

(in tempo)

π

j œO Oœ >O œ J

Oœ

5

œ

œ.

Oœ

œ. π œ

Oœ ..

l.v.

nœ ß

3

5

Oœ

5

‰.

Œ

Œ

Œ

Œ

Œ

Œ

‰.

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

8

58

∑

78

∑

58

∑

58

∑

78

∑

58

2 4

∑

5 8

∑

7 8

∑

5 8

2 4

∑

5 8

∑

7 8

∑

5 8

2 4

∑

5 8

∑

7 8

∑

5 8

5 8

∑

7 8

∑

5 8

24

∑

58

∑

78

∑

58

q = 46 {e = 92} œ œ Ucolla parte J J Oœ 2 ∑ 4

5 8

∑

7 8

∑

5 8

24

∑

58

∑

78

∑

58

2 4

∑

5 8

∑

7 8

∑

5 8

24

∑

58 ΠP 5 8

UO œ

colla parte

2 4

Œ

Œ

U Œ

∑

58

∑

∑

24

∑

58

∑

24

∑

58

∑

2 4

1.

∑

58

∑

24

J. ssssssssss s p ∑

1. - 12.

5 8

∑

24

U Œ

U Œ

∑

2 4

U Œ

U Œ

∑ ..

58

∑

U Œ

∑ ..

∑

2 4

U Œ

∑ ..

78

58

U Œ

Œ

24

58

∑

UO œ colla parte

∑ ..

Œ

∑

∑

78

U Œ

Œ

24

3

∑ ..

Œ

∑

78

∑

U Œ

Œ

24

(Plunger) a 2

58

U Œ

Œ

∑

(Plunger)

∑

,

Oœ ..

24

tf >tf– 5 >– ‰ >–R ‰ . R ≈⋲ 8 3 ”ƒ ” ”f ” >. 58 >– ”f ” ”ƒ ” 58 – ≈⋲ ‰ . >– ‰ J 5 5 ”f ” ”ƒ ”

24

*

>œ

Oœ

(damp Piatto and Tam Tam)

,

∑ ..

#œ 84 R ç# œ 8 R 4 ç unis.

rJ r 2 ‰ B æ æ ‰. œ œ œ' 4 œ' ƒ P p 24 ∑

24

µœ ‰. 48 R ç 3. 5. 7. unis. Usul pont. 8 &4 W assai P Bœ 8 ‰. &4 R ç &

7 ‰ 8

Nsolo

3

U Œ

Œ

48

2. 4. 6. 8.

∑

‰

∑ ..

(in tempo)

48

?

5 8

‰

58

Œ

48

6. - 10.

5 8

∑

(in tempo) 1.

48

∑

∑

78

Œ

8 4

&

&

7 8

∑

°

8 4

1. - 5.

∑

58

Œ

48

∑

5 8

∑

q = 56

‰

∑

24

‰

8 4

48

∑

2 4

U Œ

. 8Xil. # œœ 4 ® RÔ ‰ . 眜. 8Crot.® # œR ‰ . 4 Ô ç

∑

&

f

U Œ

58

48

&

&

Bœ.

58

∑

Piatto (large) Tam Tam (large)

8 4

&

Vl. II

48

∑

∑

œ.

µœ œ π

∑

78

Vibr. soft mallets

48

∑

‰

Fg. 3 out of tempo

78

∑ ..

∑

&

Œ

∑

48

?

?

Œ

58

∑

∑ ..

∑

π

œ Bœ œ RÔ œ

∑

58

48

&

≈⋲

Œ

24

∑

∑

2

œ

out of tempo

‰

Œ

U Œ

24

Tuba

Perc.

Œ

58

U Œ

Bœ , RÔ ß µœ out of tempo B œ œ œ. J ≈⋲ f p

œ.

œ

µœ

∑

U Œ

∑ ..

∑

‰

˙ π

µœ B œ

78

∑ ..

48

ã

out of tempo

π

f

Kr µ ˙ Bœ ßπ

œ .. π

µœ

µ œ . µ œ . ≈⋲

Œ

∑

48

∑

1

out of tempo

œ.

µœ . µœ µœ J π

µœ f

out of tempo

Œ

Œ

58

U Œ

2, 3

∑

Œ

∑

∑ ..

∑

&

Œ

24

8 4

1 Tbn.

‰

Œ

q = 46 {e = 92}

∑

tasto estremo

> ‰ B >œ ns> sssssss .. Nnss 2 4

24

solo tasto

f

3

∑

ƒ

IV

5 8 58 ΠP 58

∑ 3

j . J JR ‰ ƒ ∑

sss sss ss

1

38 B œ µ œ ≈⋲ œ & µ œ ≈⋲ 3 π 3 . B œ. b œ . µ œ. . œ ® ® µ œ. & µœ π µœ . œ . ® œ. œ. & œ œ

E "# œ " œ" J q = 56 #œ

24

∑

58

∑

24

∑

58

∑

ssss7ss 8

≠

7 8

p

5 8 5 8

∑

78

58

∑

78

58

∑

78

78 ≈⋲ 3r ≈⋲ ‰ #œ p

58

∑

7 8

78 ≈⋲ B œR ≈⋲ ‰ p3 7 ≈⋲ 3r ≈⋲ ‰ 8 Bœ p ord. µB œœ R ‰ ? 78 ‰ . p ? 7 ≈⋲ œ ≈⋲ ‰ 8 R p3 78

.

58

∑ Œ

Œ.

Œ

Œ.

œœ ..

s s œœ J J ‰ f Œ. sul pont.

Œ

5 8 ord.

‰

58 58 58

∑ Œ

58

Œ.

58

Fl. 1–3

1 Ob. 2

accel.

43 & 58 5 æ & 8 µœ R f 5 & 8

(lunga)

∑

Ͼ

æ B œæ # œ Bœ # œ æ

‰.

æ

,

æ æ æ æ æ æ æ æ æ œ Bœ Bœ # œ Bœ # œ n œ B œ œ≈⋲ Œ

R ƒ

J # Ͼ

∑

,

∑

∑

∑

Senza misura

q = 60

Senza misura

(lunga)

58

∑

34

5 Nsolo 8 µ œr. gl. n œ ® ‰ sÏz

Œ.

3 ‰ 3 4 nœ π

58

∑

1

∑ œ.

34

œœ µ œ

f

Œ

Bœ #œ

∑

2

3

4

5

J,

Bœ œ Bœ .

64

6

a3

# œæ ∏

6 4

∑

π

,

,

,

,

,

,

,

,

œ J π ,

œ Bœ n œ Bœ n œ RÔ f π

out of tempo

64 out of tempo

C. ingl.

5 & 8

∑

∑

5 8

∑

3 4

∑

1

& 58

∑

∑

58

∑

34

∑

∑

2

& 58

∑

∑

58

∑

34

∑

∑

64

Cl. basso

? 58

∑

∑

58

∑

34

∑

∑

64

1

? 58

∑

∑

58

∑

34

∑

2

? 58

∑

∑

58

∑

34

∑

3

? 5 8

∑

5 8

∑

3 4

∑

& 58 ‰

Nsolo

1

Œ.

34 Œ

2

& 58

∑

34

∑

3, 4

5 & 8

∑

5 8

∑

3 4

∑

? 58

∑

58

∑

34

∑

5 & 8

∑

5 8

∑

3 4

∑

(in Si b)

Cl.

Fg.

Cor. (in Fa)

Timp.

Perc.

1

Pfte

Arpa

# œæ µ æ æ æ æ J œ µœ œ nœ 7

ƒ

‰

æ

œ

∑

∑ æ

œ

Œ

∑ ∑ r œ f P

∑

58

∑

34

∑

? 58

∑

∑

58

∑

34

∑

∑

∑

58

∑

34

∑

∑

∑

58

∑

34

∑

& 58 ? 58

5 & 8

∑

1.

5 & 8

∑

3.

5 & 8

∑

5.

& 58

∑

7.

5 & 8

∑

9. 11. 13.

& 58

∑

& 58

∑

58 P

Vle

Vc.

Cb.

.

q = 60

œO

∏ µ µ Oœ ∏

µ µ Oœ ∏

# # œO ∏ Oœ ∏

p o

f f

o p

∑

p

∑ ∑

& 58

∑

∑

5 & 8

∑

∑

& 58

∑

∑

5 & 8

∑

∑

& 58

∑

∑

5 & 8

∑

1. - 5.

& 58

∑

6. - 10.

? 5 8

∑

? 58

∑

& 58

∑

& 58

∑

? 58

∑

r µœ ƒ r #œ ƒ The String clef does not indicate pitches, but the strings on which one is to play below bridge, between the bridge and tailpiece. Near the tailpipece, dry, perforated rattling. (3rd and 4th string here)

∑

r œ ƒ

(2. 4. 6. 8.)

?

µœ R ƒ

&

∑

œ. f

˙ π

fπ

œ J

out of tempo

+J j Ͼ p

µœ

œ

,

µœ # œ

nœ

π

∑

‰

{

‰

œ

bœ

œ ßπ

‰

2. (sul pont.)

{œ

œ

π °

œ

#œ.

}

{

œ

œ µœ f

nœ.

#œ. p

,

nœ π

64

,

muta in Contrafagotto

6 4 64

∑

64

∑

6 4

∑

64

ß b œ œ ´´´´´´´´´´´´´´´´´´´´´´´´´´´ . ß * quasi improvvisando, same pitches, similar rhythms but in different order change the place of the accent (ß) ´´´´´´´´´´´´´´´´´´´´´´´´´´´´ œ.

bœ.

64

, nœ

64

quasi improvvisando, same pitches, similar rhythms but in different order change the place of the accent ( )

}

6 4 64 64

∑

ß 64 } ´´´´´´´´´´´´´´´´´´´´´´´´´´ œ quasi improvvisando, same pitches, similar rhythms but in different order change the place of the accent ( )

bœ œ

64

∑

√œ

3 4

∑

5 8

∑

3 4

∑

5 8

∑

3 4

∑

58

∑

34

∑

5 8

∑

3 4

∑

10. (sul pont.)

58

∑

34

∑

12. (sul pont.)

58

∑

34

∑

14. (sul pont.)

‰

34

∑

∑

64

‰

34

∑

∑

64

‰

3 4

∑

∑

6 4

‰

34

∑

∑

64

‰

3 4

∑

∑

6 4

‰

34

∑

∑

64

3 4

∑

∑

6 4

34

∑

∑

64

nœ

arco ord. 1. 2.

58 ≈⋲

∏ arco ord. 3. 4. B œ 58 ≈⋲ ∏ arco ord. 5 5.≈⋲ 6. œ 8 ∏

arco ord.

5 9.≈⋲ 10. µ œ 8 ∏ arco ord.

12. 58 11. ≈⋲ b œ ∏

œ > Bœ ‰ 3 ƒ œ > µœ ‰ 3 ƒ œ > bœ ‰ 3 ƒ 3 œ ‰ # >œ ƒ 3 œ ‰ # >œ ƒ œ

3

5 8

∑

58

∑

Nsolo

j 5 ssssssssss ‰ 8 ssssssssss P ƒ 58

I II III IV

4th double bass tunes IV string down to quarter tone high A, if possible

,

µ œ. nœ.

out of tempo

6 4

∑

arco ord. 7. 8.

∑

,

f

5 8

58 ≈⋲ B œ ∏

(1.)

,

,out of tempo , #œ

‰

∑

(1. - 12.)

Vl. II

∑

Œ

& 58

accel.

Vl. I

3 58 ‰ æ æ æ œ œ œ ƒ 58

∑

,

#œ Bœ œ œ œ f π

‰ ∑

B >œ ƒ

‰

j

sssss J ≥ s> sss3ssJs s s s Œ s s s.s J 4 Ï Pf 34

π 6. √ (sul pont.) b œ

P

π

nœ

8. (sul pont.)

∑

∑

34

∑

58

∑

34

∑

58

∑

34

∑

6 4

o

6 4

o

P

64

π

6 4

#œ π µœ π nœ π

P

?

# œœ œ ∏

∑

(µ) œ p

?

6 4 64 64

∑ arco 4. low A+ needed, don't play one octave higher

64

π

∑

div. (sul pont.) 3. 5. 7.

64

π

P

Œ

58

9

6 4

π 4. √ (sul pont.) µ œ

64 64

q = 69

Fl. 1–3

1 Ob. 2

C. ingl.

N ‰ solo > µ & 64 ≈⋲ œœrµœ # œ œ ƒ remove reed 6 & 4 & 64

Cl. basso

? 64

1

? 64

Fg. 2

1 Cor. (in Fa)

2

rall.

48 & 64 # w .

? 64

œ Bœ

44

Ó œ # œJ

remove reed

remove reed

∑

∑

44

∑

∑

44

∑

N solo 5 3 J 6 Œ & 4 #œ œ œ µ œ. œ œ > ƒ & 64

∑

44

∑

Œ

Œ

Œ

Œ

44

∑

1

64

∑

∑

Tuba

Timp.

1

Perc.

2

3

∑

? 64

∑

ã 64

∑

& 64

∑

& 64

∑

& 64

∑

& 64

∑

& 64

Vle

ã

Œ

Œ

Œ

toneless

a3

44

∑ ∑ ∑

2 Wood Blocks

∑

2 Bongos

44 44 44 44

∑ ∑

Œ

Œ

∑

Œ

Œ

∑

Œ

Œ

∑

Œ

Œ

Œ

Œ

∑

44

∑

& 64

∑

44

∑

con sord. 2.

& 64

∑

44

∑

con sord. 3.

& 64

∑

44

∑

con sord. 4.

& 64

∑

44

∑

con sord. 5.

& 64

∑

44

∑

con sord. 6. - 12.

& 64

∑

44

∑

& 64

∑

44

∑

B 64

∑

44

B 64

∑

44

? 64 ? 64

r œœ ‰ . Œ p œ œ ‰. Œ P> > Œ

& 64

? 64

œ ‰. Œ R ∏ P

Œ

con sord. 1.

1.

Œ

toneless

Œ

3

√ H B œ .. ®J π H√B œ .. ®J π H√µ œ .. ®J π H B œ .. ®J π H # œ .. ®J π H # œ .. ®J π unis. # œ [ œ . R ‰ ç

˙

78 ≠ ..

ã

24

”f ”

78 ≠ .. 78 ≠ ..

≠

78 Œ

≠

toneless

”f ”

‰ 24

”f ”

∑

∑

&

24

∑

44

78

∑

24

78

∑

24

78

∑

24

78

∑

24

78

∑

24

78 ‰ ≠ .. ≠ p 78 ∑

f

∑ leave the bow on the string leave the bow on the string leave the bow on the string leave the bow on the string leave the bow on the string

leave the bow on the string

24 24 24 24 24 24 24 24 24

3

24

3

∑

24

∑

24

3

∑

24

3

∑

24

78

∑

24

∑

78

∑

24

∑

∑

78

∑

24

∑

∑

78

∑

24

∑

78

∑

24

the bow œ leave on the string J Œ 78 the bow œ leave on the string J Œ 78

œ on the string J Œ 78

leave the bow

the bow œ leave on the string J Œ 78 3

the bow œ leave on the string J Œ 78

G.P.

∑

G.P.

∑

Œ

Ó

78

∑

24

Œ

Ó

78

∑

24

Œ

Ó

78

∑

24

Œ

Ó

78

∑

24

Œ

Œ

Œ

Œ

Œ

Œ

34 34

‰ . b œR 34 o tone

put reed back

∑

put reed back

∑

∑

r 3 nœ 4 o ?3 4

∑

∑

34

∑

∑

44

?

‰.

tone

34

∑

44

∑

∑

34

∑

44

∑

∑

34

∑

44 Œ

G.P.

G.P.

G.P.

Œ

Œ

∑

44 Œ

Œ

Œ

∑

44 Œ

Œ

Œ

Œ

Œ

G.P.

G.P.

∑

44 Œ

∑

44

G.P.

G.P.

∑

leave the sticks on bars, hold still G.P. (remove sticks)

Vibr. friction sticks

H1. B B Oœ ˙O .... 78 Œ Ø H 2. ord.B B O œ 78 O˙ .... Œ Ø H 3. µ O 78 O˙ .... Œ µœ Ø H 4. ord. 78 O .. Œ BO Bœ ˙ .. H 5. Ø 78 Œ #O # œ ˙O .... H 6.ord.7. Ø 78 Œ #O # œ ˙O .... Ø œ leave the bow on the string J Œ 78

10

∑

44

∑

≥ N µ >œ >œ >œ > > > J IV ≤ RÔ œ. .. ! ! ss44ss ssssssss ssssssss sssss sssss ≈⋲ œ œ. . ss ! ss ss ! ss Lssssssssssss P ƒ ƒ ƒ 2. 4. µ(unis.) œ p (unmuted 44 R ‰. (muted) ∑ strings) ∑ ç (unis.) 6. 8. µ œ 44 R ‰. ∑ ∑ ç (pizz.) nœ (unis.) 1. - 3. 44 R ‰. ∑ ∑ ç nœ (unis.) 4. - 6. 44 R ‰. ∑ ∑ ç

put reed back

∑

24

∑

78

Ó

&

hold still G.P.

24

Œ

∑

44

∑

B

∑

44

∑

3

1. - 10.

put reed back

∑

hold still G.P.

∑

˙

34

‰ 24

78

˙

∑

44

∑

˙

∑

∑

24

˙

44

hold still G.P.

24

˙

∑

G.P.

24

∑

Ó

34

44

78

Ó

∑

∑

∑

&

∑

hold still G.P.

”f ”

toneless

78

∑

44

24

”f ”

78

Ó

∑

G.P.

hold still G.P.

7 ã8 Œ

∑

Calmo

44

3

Œ

– J p – J p j – p

r ‰. Œ Ó µœ p+ 3. r Ó #œ ‰. Œ 4. œ ( ˜ )p 2. 3. via sord. r ‰. Œ Ó nœ ∏ ∑

q = 60

∑

solo

Œ

”ƒ ” ”ƒ ”

Œ

3

5

44

? 64

Cb.

toneless

∑

? 64 ‰ .. Vc.

Œ

rall.

& 64

Vl. II

44

∑

q = 69

Vl. I

44

∑

ã 64

Œ

Œ

”ƒ ”tf 44 ‰ . 5 j ‰5 – ¬ >– ”f ” 5 44 Œ ‰ ‰ –r ¬ ”f ”

44

∑

ã 64

Œ

(Plunger) ‰ tk– Ó 44 – 5 ”ƒ ” ”ƒ ” tf (Plunger) 44 ≈⋲ >– ‰ – ¬ 5

64

ã

∑

∑

3

24

∑

& 64

(Plunger)

∑

∑

Tr. 1–3

64

78

44

∑

∑

∑

∑

44

64

24

∑

∑

2

∑

44

& 64

Tbn.

78

∑

3, 4

(in Do)

∑

∑

44

∑

q = 60

∑

44

∑

remove reed

∑

44

Ó.

F

Fl. 2 muta in Flauto contra-alto

Ib Calmo

∑ ∑

G.P.

44 44

∑

44

∑

44 Œ

G.P.

G.P.

∑

G.P.

∑

G.P.

∑

G.P.

∑

G.P.

44 Œ 44 Œ

Œ

(

Œ

(

Œ

44 Œ

Œ

44 Œ

Œ

∑

44 Œ

∑

44 Œ

∑

44 Œ

∑

44 Œ

∑

44 Œ

(

∑

44 Œ

Œ

∑

44 Œ

G.P.

G.P.

G.P.

G.P.

G.P.

G.P.

G.P.

∑

G.P.

∑

G.P.

∑

G.P.

∑

G.P.

∑

G.P.

∑

G.P.

∑

G.P.

∑

G.P.

∑

G.P.

Π(

(

Hsempre) ‰

p

3

3 bœ 44 ‰ µ œ # œ ≈⋲ ‰ œ f p3 # œ µœ 44 Œ F3 p 5 44 ‰ . œ ‰ œ µœ J P f bœ 44 ‰ ‰ µœ ‰

P

5

f

34

∑

34

34

Oœ .. ≈⋲ Œ J

34

Hsempre) 1. µ O Œ µœ

O˙ ˙O ˙O ˙O ˙O ˙O

ã

34

34

j ≈⋲ Œ œO .. j . œO . ≈⋲ Œ

34 34

j ≈⋲ Œ . œO . j ≈⋲ Œ œO ..

34

j ≈⋲ Œ œO ..

34

∑

34

œ

œ RÔ ‰ ..

œ

œ RÔ ‰ ..

∑

œ

rK œ ‰ ..

34

∑

34

∑

34

∑

34

∑

34

Ó

∑

34

Ó

∑

34

Ó

∑

34

Ó

∑

34

œ

Bœ œ RÔ

Bœ

5

34

∑

3

4 7. - 10. B œ &4 Œ F 44

34

∑

Hsempre)

Bœ 44 ‰ µ œ b œ ≈⋲ ‰ f #œ 3 3. 4. p 5 B 44 ‰ . ‰ œ µ œJ #œ P f Bœ 5. 6. 44 ‰ ‰ ‰ P µœ f

34

∑

Hsempre) r ‰ ® #œ . œ

1. 2.

”ƒ ”

Hsempre) 2. Œ n n œO ( Hsempre) 3. Œ B B œO ( Hsempre) 4. Œ B B œO ( Hsempre) 5. Œ n n œO ( Hsempre) 6. 7. Œ n n œO

Hsempre) ‰ ..

¬

34

∑

Hsempre) j ‰ Bœ

(

¬

. ≈⋲ Œ J ”f ” . ≈⋲ Œ J ”f ” . ≈⋲ Œ J ”f ” ∑

∑

3

(

¬

∑

n œ .. ® J

Hsempre) (

µœ

– p – p – p t k t k – – – – ‰

∑

rK œ ≈⋲ .

œ RÔ ‰ .. œ ‰ .. RÔ

∑

?

34

Ó

∑

34

Ó

∑

34

Ó

∑

34

Ó

∑

34

55 & 43

Œ

Fl. c-a.

& 34

Œ

3

& 34

Œ

1

& 34

1

Ob. 2

C. ingl.

1 (in Si b)

Cl.

2

1

? 34

2

Cfg.

Cor.

(in Fa)

Tr. (in Do)

almost toneless

¾

∑

83

∑

24 Œ

‰.

rK ‰ .. æ

∑

∑

38

∑

24 Œ

‰.

∑

∑

38

∑

24 Œ

‰.

38

∑

24

∑

∑

38

∑

24

∑

163

∑

163

Kr ‰ .. æ

¾ ¾

∑

Œ

‰.

Œ

Œ

∑

∑

∑

38

∑

24

Œ

®

∑

∑

∑

38

∑

24 Œ

Œ

Œ

≈⋲

∑

∑

∑

38

∑

24 Œ

‰

‰.

Œ

Œ

‰.

Œ

remove reed

‰.

Œ Œ π

remove reed

slap

ê p

≈⋲

# ê ≈⋲

slap 3

≈⋲

bê p

ê

ê ≈⋲

Œ

∑

remove reed

Œ

∑

Œ

∑

ã

∑

∑

3, 4

& 34

∑

∑

?

& 34

∑

∑

(harmon)

1

3 & 4

∑

& 34

∑

Pfte

Arpa

Vl. I

? 34

–. J

ã 43

ã 34

≈⋲

f

& 34

® ƒ^ n œœ & 34 b œR Ô

≈⋲ B œr ≈⋲ P 3 r ≈⋲ B B œœ ≈⋲ P ≈⋲ B œ

π (senza sord.) rK ‰ .. ¬ f 3

–

–

– J

–

≠.

3

–

–

38

– J

–

38 – .

ΠP

∑ ∑

∑

38

∑

24

∑

163

∑

∑

83

∑

24

∑

163

38

∑

24

∑

163

∑

38

∑

24

∑

163

+ B œæ π

+ Kr œæ ‰ .. ƒ

Œ

Œ

‰

Œ

Œ

∑

∑

œ. J

24

∑

œ

38

163

Œ

∑

38

∑

24

∑

163

Œ

∑

3 8

∑

2 4

∑

3 16

∑

38

∑

24

∑

163

∑

38

∑

24

∑

163

∑

83

∑

24

∑

163

Œ

∑

38

∑

24

∑

163

Œ

∑

38

∑

24

∑

163

≈⋲

‰ P

38

∑

24

∑

163

∑

∑

∑

38

∑

24

∑

163

∑

∑

∑

38

∑

24

∑

163

∑

38

∑

∑

38

∑

O˙

∑

38

∑

˙O

∑

38

∑

˙O

∑

38

∑

∑

38

∑

LO

∑

38

∑

let rattle

P 1.

Oœ

O˙

Ø 2. b O b µ œO µœ 3. Ø

Oœ RÔ rK œOO œ RÔ Kr œOO œ RÔ

˙OO ˙

µ µn œOO nœ 5. Ø 6. 7.

˙OO ˙

4.

‰ ..

leave the bow on the string

‰ ..

leave the bow on the string

‰ ..

leave the bow on the string

Kr ‰ .. O

1.

‰ ‰

Oœ J π ‰

‰

3.

3

Œ

2. 3

µ µ Oœ R

π

B B Oœ

π

3

O˙

j # # œO π

4.

O˙

Œ

via sord.

Œ

Œ

∑

Œ

Œ

Œ

∑

Œ

∑

Œ

Œ

∑

Œ

Œ

∑

Œ

Œ

∑

Œ

Œ

via sord.

via sord.

O

leave the bow on the string

IV O Ø Œ

π 3. √ 4. µ µ ˙˙ & 34 π 5. ˙ 3 & 4 π 6. - 12. IV ˙ 3 & 4 π

∑

œœ leave the bow on the string RÔ ‰ .. leave the bow œœ on the string RÔ ‰ ..

œ RÔ ‰ .. œ RÔ ‰ ..

B 34

∑

leave the bow on the string

leave the bow on the string

&

Œ

Œ

1. - 10.

B 34

∑

∑

B 34

∑

& 34

∑

ƒ

® œj .. P

∑

& 34

7.

Œ P j œ

∑

Œ

ƒ P

∑

∑

2.

con sord. (s.p.)

œ. J P

Œ

Œ

Œ

? 34 5. j b œœ ..

ΠP

œ

Œ

& 34

P

∑

163

Œ

con sord. 3. (s.p.)

163

∑

Œ

? 34 ¡ b œœ .. J

163

24

& 34

ƒ

163

∑

Œ

P ≈⋲

r

38

Œ

con sord. 12. - 14. sul pont.

– J

bê f

∑

& 34

P ≈⋲

3

Œ

Piatto (large) medium mallet

∑

163

j

‰

Piatto (small) medium mallet

≈⋲

163

∑

Œ

#œ P

24 ≠

3

ê

163

∑

Œ

ƒ

3

j –

3

‰

163

∑

Œ

ƒ

≈⋲

24

– J

3

–

3

163

Œ

& 34

con sord. 9. - 11. sul pont.

Kr ¬ f

3

r B –æ π r B –æ π r µ –æ π

Œ

nZ ˙

P ≈⋲

(senza sord.)

∑

rattling effect obtained by depressing the pedal

j b œœ . . J f

‰ ..

Œ

∑

RÔ ‰ . Ï ‰ ..

œœ & 34 b œR Ô Ï ? 34 ≈⋲

Œ

∑

√^ b œœ

j & 34 # œ . 1. √ b ˙˙

Cb.

Œ

Tam Tam (large) scrape with wood stick

ã 34

? 34

p

3

∑

∑

j & 34 B œ .

Vc.

–.

–.

∑

Strike the mouthpiece with the flat of the hand

B œ. & 34 J

Vle

–. p toneless ≠.

Strike the mouthpiece with the flat of the hand

con sord. 8. sul pont.

Vl. II

–.

toneless

∑

& 34

3

Œ

∑

2

2

Œ

∑

∑

1

‰

Œ

∑

Timp.

#œ æJ ƒ

Œ

1

2

œ æR f

‰.

Œ

‰.

Œ

r œ f ? 34 toner # œ. f Cfg. ? 43 µœ poco f

∑

remove reed

remove reed

œ R f

rK ‰ .. æ

& 34

3

Perc.

tone

& 34 ? 34

®

∑

B œ. & 34 R f tone 3 & 4 µ œr . f 3 & 4 Œ

Cl. basso

Fg.

j µ –æ .. Ø Fl. contra-alto almost toneless Œ ® æj .. µ– Ø almost toneless Œ ® æj .. µ– Ø Œ

≈⋲

via sord.

Œ

Œ

≈⋲

via sord.

Œ

Œ

&

Œ

Œ

Œ

? 34

∑

Œ

? 34

∑

&

Œ

5

j œO .. π

5.

5

5

j # # œO π 7. 6.

r nO π

˙O √ µ œœ ˙˙ .. R ‰. Ø √ Bœ ˙. #œ ˙. ‰. R Ø 5. r œ 6. œ ˙˙ .. ‰. R Ø #œ ˙. 7. - 12. R ‰. Ø

unis.

∑

38

œœ ..

œ. 38 œ . œ. 38 œ . œ. 38 ∑

B

38 ‰

∑

38 ‰

≈⋲ .

∑

∑

∑

38 ‰

‰

∑

∑

∑

38 ‰

‰

unis. 2. 4. 6. 8. pizz. sempre

>œ R ‰. π P

Kr ‰ .. Œ µ µ œœ 2. ∏ con sord. 4. arco Œ Kr ‰ .. ∏ µœ (pizz.) 3. 5. 6. # > œ R ‰. Œ π P con sord. 1.

arco

Œ

Œ

I

II III IV

∑ ‰ ‰

3

3

P

‰.

ssssssssssssss sssssssssssss ‰ R J Ï

1. (arco)

B

œœ ∏

˙˙

˙˙ ..

38 œœ ..

µœ ∏

˙

˙.

œ.

∑

11

38 ∑

?

38 ‰

Bœ

6.

P B ® Bb œ œ

7. - 10.

(pizz.) 2. 4. 6. 8.

‰

œ p

≈⋲ µ œ # œ p 3

&

Bœ Bœp

P

∑

38 ‰

∑

≈⋲

® Bb œ

38

Ó

≈⋲

1. - 3.

Bœ R F

œ

3

Bœ

F

≈⋲

163 163 163 163 163 163

24

∑

163

24

∑

163

∑

163

24 24

&

24 24

#œ

not in rhythmic unison

f , , ,,

24 Π&

163

∑

&

p

163

24

24

Bœ rK Bb œ bœ F p 4. 5. Bœ rK Bb œ bœ F p

≈⋲ .

∑

∑

∑

>œ R ‰. π P

‰

µO 24 µ ˙ π µ ˙O µ 24 π µ ˙O µ 24 π µ ˙O µ 24 π b b ˙O 24 π b b O˙ 24 π b b O˙ 24 π

24

nœ

#œ

f

#œ

f

,, ,

24 ˙˙

,

œ

,

œ

,

not in rhythmic unison

π

π

,

µœ

f

π

f

µœ

π

,

163

,

œ

163

sss sssssss 3 ! sssssss s s s s s 16 s ss Ï P , 163 1.

not in rhythmic unison

œ

163

,

µœ

not in rhythmic unison

163

,

µœ

not in rhythmic unison

œ

,

œ

#œ

π

163

24

∑

163

24

∑

163

1

Fl. c-a.

3

1 Ob. 2

C. ingl.

1 (in Si b)

Cl.

2

Cl. basso

1 Fg. 2

Cfg.

1 Cor.

(in Fa)

3

1 Tr. (in Do)

2

1

Tbn.

2

3

Tuba

61 & 163 æj .

44

& 163 æj .

44

& 163 æj .

44

& 163

& 163 & 163 & 163

B >ê ƒ

? 163 œ . . 163 –J

∑

44

fê

44

44 ∑

? 163

∑

44

∑

44

& 163

∑

44

44

& 163

∑

163

∑

163

∑

163

∑

163

44 (Plunger)

(Plunger)

(1.)

(2.)

Oœ .. & 163 J (5.) Oœ .. 3 & 16 J (6.) Oœ .. 3 & 16 J (4.)

Bê µê

≈⋲

assai

µê

‰

put mouthpiece on

Œ

Ó

Œ

Ó

œ.

œ.

ã

Œ

ã

Œ

œ

œ

œ

≠.

Œ

∑

44

ã

Œ

‰

Œ

‰

Œ

‰

poco

∑

&

out of tempo k

t

t

– ‰ ”ƒ ”

k

k

k

– ≈⋲

– ® – ≈⋲

t

– ‰

–

, t k t k t k – ® – – – – – ”ƒ ” t k t . ‰ ≈⋲ – – – ‰.

? k

– ‰

?

∑

Œ

Ø b b wO

wO Ø

µ µ Oœ

Oœ

b b Oœ

Oœ

Oœ

Oœ

# Oœ

Oœ

B B Oœ

œO

# # œO

œO

œO

∑

Œ

& 163

∑

44

∑

Œ

& 163

∑

44

∑

Œ

& 163

∑

44

∑

Œ

& 163

∑

44

∑

Œ

& 163

∑

∑

44

> > > >

Œ

Ó

Œ

‰.

Œ

Ó

Œ

‰.

Œ

Ó

Œ

‰.

Œ

Ó

Œ

‰.

Œ

Ó

Œ

‰.

Œ

Ó

Œ

44

∑

& 163

∑

44

∑

163

∑

44

∑

& 163

∑

44

∑

? 163 j µœ . ∏ 3. arco ? 163 j Bœ . ∏ ? 163

44

2.

44 ∑

44

˙

˙

1. - 5.

œ R F

(pizz.) 6. - 10.

P

3

Ó

‰.

Œ

∑

(pizz.)

µœ R F µœ R F

‰

Ó ∑

”ƒ ”

put the reed back

Ó

toneless

3

>– ”ƒ ” +

3

µœ π + 3 #œ π

∑

#œ

p tk , – ”Ï ”

+ œ + œ

3

∑

44

34

∑

48

∑

44

34

∑

48

∑

48

∑

44

34

∑

48

∑

44

∑

48

∑

44

34

∑

48

∑

44

34

∑

48

∑

44

34

∑

48

∑

44

34

L

34

Œ

Œ

‰. ‰.

Œ

48 ‰

∑ con sord. (straight)

Œ

3

∑

Bœ J π µœ J

3

œ æ

‰

Œ

‰

Œ

Œ

(harmon)

‰

48 œ . J

P

‰

≈⋲

Œ

+œ J p

44 44

poco

44

48

∑

44

48

∑

44

48

∑

44

44

∑

34

∑

48

∑ ∑

44

‰

Ó

34

∑

48

‰

Ó

34

∑

48 ‰

‰

Ó

34

∑

48

∑

‰

Ó

34

∑

48

∑

44

‰

Ó

34

∑

48

∑

44

‰

Ó

34

∑

48

∑

44

‰

Ó

34

ord.

3

>

Ó

Ó

II ≤ (arco) ! sss .ssssssssss ! ss !ssssssssssssss ssssssssss ! Pf II ≤ (arco) s ! sss .sssssssssss ! !ssssssssssssss ssssssssss ! Pf II ≤ (arco) s ! . ssssssssss ssss ! !ssssssssssssss ssssssssss ! Pf

Œ

+ 48 j Ͼ + 48 j Ͼ

L

34 Œ

44

∑

34

34

48

∑

∑

gliss.

44

∑

34 Œ

&

34

34 ˙æ.

∑

œ p

48

34 ˙æ.

3

3

∑

∑

Ó

(pizz.) 4. - 6. 4th double bass tunes IV back to C

12

+ Ͼ + Ͼ

44

∑

34

34

≤ ssss ‰ sssssssss ! !J ! sss !sssssssss sssssssssssssss f

Œ

(pizz.)

µœ J f µœ J f µœ J f µœ J f µœ J f µœ J f µœ J f

H 8.

1. - 3. III (arco)

Ó

via sord.

∑

‰

‰.

Ó

7. 8.

via sord.

Œ

put reed back

44

∑

48

∑

> 34

> J

# >œ > > 3 > H 9. ord.3 f 3 > > 3 J ‰ 4 # >œ > > 3 H 10. ord.3 f 3 > µ >œ 34 > ‰ J # >œ > > 3 p f ord. H11. 3 3 > >œ 34 B >œ ‰ J # >œ > > 3 p H12. ord.3 f 3 34 µ œ 3 œj ‰ µœ # >œ > > > > p> H13. ord.3 f 3 3 34 j ‰ µ >œ µ >œ œ # >œ >œ > > p H14. ord.3 f 3 3 34 ‰ j # >œ œ œ œ # >œ œ > > > > p f 3 senza sord. > 3 34 > ‰ µœ J > > > > 3 f senza sord. 3 3 > 34 > ‰ µœ J > > > > 3 f senza sord. 3 3 3 j 34 ‰ µœ > > > > > > f senza sord. 3 3 3 j 34 ‰ > > # >œ > > > f senza sord. 3 3 3 34 j ‰ # >œ > > > > > f senza sord. 3 3 3 34 ‰ j > # >œ > > > > p 1. - 4. f arco ≤ 3 . sssssss 34 ssss ! ‰. Œ IV !j ! ssssssssssssssss ! ! ssss sssssssssssssss f P 34 ∑

r œ ‰. nœ R F Œ

5. 6.

via sord.

˙

µœ R F

(pizz.)

∑

∑

44

Œ

‰.

& 163

1. ? 163 B œJ . ∏

Œ

∑

44 r # >œ F 44 r œ F> 44

R

‰.

48

∑

34

Œ

> toneless put the reed back – Ó

Più animato

44

>

‰

Oœ

∑

>

‰

‰

µ µOw

44 B >œ R F 44 >œ R F > 44 B œ R F 44 œr F>

µ– >

”ƒ ”

con sord. (straight) (tone)

Œ

& 163

Hsempre)

‰

3

,

44

(

”ƒ ”

∑ ∑

R

–

3

∑

unis.

‰

Œ

& 163

1. 2. 4:3 & 163 > B œ > π > unis. 3. 4. ( Hsempre) 4:3 3 & 16 > > π B >œ 5. 6. unis. ( Hsempre) 4:3 & 163 > > π B >œ 7. 8. ( Hsempre) 4:3 3 & 16 > > π B >œ 9. 10. ( Hsempre) 4:3 3 & 16 > > π B >œ 11. 12. ( Hsempre) 4:3 & 163 > > π B >œ ∑ & 163

3

3

ã

Œ

k

–

toneless

”ƒ ” toneless

‰

r ‰. ”ƒ ” Ó

‰

Œ

∑

out of tempo t k t

∑

Œ

Œ

+ ˙æ.

#–

∑

44 # # wO Ø

Oœ .. & 163 J

3

muta in Clarinetto piccolo in E b

put mouthpiece on

Bœ.

‰

M J

44 B B wO Ø

(7.)

Cb.

œ

M

Ø O 44 w Ø O 44 # w Ø

Oœ .. & 163 J

Vc.

44

44

(3.)

Vle

≈⋲

– – – – ® – ≈⋲ . ”ƒ ” (Plunger) out of tempo t 44 ( ‰ ) – ≈⋲ .

44

œO .. & 163 J

Vl. II

44

44

∑

Oœ .. & 163 J

Vl. I

3

44

+ & 163 æj Bœ . π ? 163

˙

M (Multiphonic, free choice of fingering. J Desirable and prominent high pitch ∏ marked) ∑

bê 44 fœ .

B œ.

? 163

œ

‰

∑ ≈⋲

‰

muta in Piccolo

44

∑ ≈⋲

Œ

¬æ Ø

44

∑

43

∑

¬æ Ø

¬æ Ø 44 Œ

∑

& 163

II a G Più animato

œ

3

3

œ

3

œ

3

3

œ

∑ > Bœ

œ

>œ

œ

p> œ

p >œ

3

3

œ

>

3

> œ

3

3

œ

œ >

œ

3

œ >

œ

3

œ > >

œ

>

3

3

3

œ >

>œ

œ > >

3

3

3

>

> >

48

> 3

3

48

> >

48

>

3

> 3

>

> 3

> 3

>

>œ

>œ

œ 3 B >œ

>œ

3

>œ

>œ

3 B >œ

>œ

3

>œ

>œ

>

B >œ

3

>œ

>œ

>

> B 3>œ

>œ

>

>

3

3

3

> >

3

>

3

48

3

48

3

48

3

48

3

> >

48

48 ‰

∑

> > >

> B >œ µœ > p

3

48 3 œ µ >œ

µ >œ p

∑

œ B >œ

48

3

3

Œ

48

>

>

3

48

3

> > f

48

>

3

3

48

>

3

3

48

>œ

3

>

3

3

> >

>

>

>

3

3 B >œ

3

> 3

>

>

3

>

œ

>

3

3

3

3

3

>

3

3

3

3

3

Œ

> œ

>œ

>

3

œ

3

>œ

‰

>œ

> B >œ

3

>

>

3

>

>

>

>œ

3

3

p >œ

3

µ >œ p >œ

3

>œ

p

3

œ >

œ >

3

œ >

>œ

>œ

3

>œ

∑

‰

44

2. √ > sul pont. œ ‰ ≈⋲ R f

44

44

>œ J f >œ J fœ J f >œ J f >œ J f >œ J f B >œ J f >œ J p >œ J f >œ J f >œ J f j œ > f j >œ f

44 44 44 44 44 44 44 44 44 44 44 44 44

√> œ 2. sul pont. ‰ ≈⋲ R f

48 ∑ ¬ Bartok pizzicato with completely choked string that is

44

&

44 44

34

∑

34

∑

34

∑

48

∑

34

∑

48

∑

34

∑

48

∑

44

34

∑

48

∑

44

34

∑

48

∑

44

P

plucked (here c). Only the rebound of the string on the wood of the fingerboard should be heard.The mute sign indicates when the other resonating strings should be muted.

?

48 ‰

‰

‰

≈⋲

B

44

r 44 ¬ PÎ 44 pizz.

?

44

1

∑

tongue ram

Fl. c-a.

& 44

∑

®

Picc.

& 44

∑

‰

Ob.

1

C. ingl.

(in Mi b)

Cl. picc.

Cl. basso

1 Fg.

& 44

∑

‰

44

∑

‰

& 44

∑

‰

? 44 44

∑

Cfg.

44

∑

1

& 44

∑

3

1 Tr. (in Do)

3

2 Tbn. 3

Tuba

1 Perc. 2

Pfte

& 44 & 44

Lœ

Œ

ã 44

∑

& 44 # >œ

√> µ œ.

2. 4. a 2 toneless

p

3

ã

3

tone

–. J p

toneless

Tam Tam metal stick

≈⋲

‰

‰

(

∑

‰

(

∑

‰

& 44

∑

‰

(

& 44

∑

‰

(

p

‰

‰.

Hsempre) 1. ord.µIVœ ‰ R 3

p

B œ.

p

B œ.

3

B œ.

3

Hsempre) 2. ord.µIVœ ‰ R 3

Hsempre) 3. µIVœ ‰ R p ( Hsempre) 4. µIV œ 3

‰

3

‰

3

Hsempre) 5. Hsempre) 6. ‰

Hsempre) 7.

3

R p IV µœ R p IV µœ R p IV µœ R p

B œ.

B œ.

B œ.

& 44

∑

& 44

∑

& 44

∑

& 44

∑

Œ

‰

‰

& 44

∑

Œ

‰

‰

& 44

∑

Œ

‰

‰

& 44

∑

Œ

‰

‰

& 44

∑

Œ

‰

‰

7. - 10.

‰

(

‰

Œ

B

3

Œ

?

Ó ∑

44

∑

? 44

∑

gl.

‰

78

πµœ

gl.

87

‰

3

>œ

7. - 10. arco

Bœ

Œ

3

3

3

3

P

#œ R ƒ

c.l.b.

‰.

Œ

3

3

Œ

≈⋲

œ ® RÔ ƒ

c.l.b.

Œ

B œ n œ µœ Bœ æ æ æ æ 6 f

≈⋲

‰

‰

‰

P

≈⋲

µ B œœ æJ f

5. 6. arco div.

≈⋲

3

>

3

3

>

>œ

3

3

>

3

3

3

>

3

>

>œ p

(tasto --> sul pont.)

>

3

3

œ

> >

>

> >

œ

3

3

3

>

>

3

3

>

3

>

n >œ p 3 >œ

3

3

œ

3

œ

> B >œ p >œ >œ

3

3

3

3

3

3

>

3

>

3

>

3

>

3

> >

3

> > > >

3

3

P

≈⋲

> >

3

3

3

3

> 3

3

3

muting stop for 1. 2. µ O 1. - 4. I (arco) 3B O II

(O) ( #O )

Bœ µœ Bœ µœ

>

>

B

3

3

3

> > >

> π > π > π

3

> π

3

> π > π

j B¬ ”ƒ ”

3

13

‰

‰

Π(slap)

3

3

‰ ?

tone

‰

‰

Œ.

ã

Strike the mouthpiece with the flat of the hand (If possible, prepare the mouthpiece before positioning with a thin strip of paper in order to prevent the mouthpiece from blocking.)

3

3

>

>

>

>

µ >œ

>

µ >œ

>

78

3

78

3

78

Bœ p>

3

p >œ

p

>œ

>œ

>œ

3

>œ

>œ

>

>œ

p >œ

3

78

3

>œ

3

œ >

œ >

œ >

>

B >œ

>œ

>œ

>œ

>

œ

n >œ

>œ

>œ

>œ

>

3

3

œ

B >œ

87 Œ

>œ

3

3

3

>œ

>œ > µO 8. µ œ J ‰ p 9. arco ord. j ‰ # # œO p ‰

78

>

>

>

>

>

>

>

>

3

78

3

78

3

78

?

>

78

> >

>

78 Π1.

>

>

>

>

>

>

>

>

>

n >œ f

3

on the bridge (strings damped)

5

Œ –

–

–

–

–

–

3

”ƒ ”

3

– –

>œ

>œ

>œ

>f

>œ

>

>

>

5

>

5

>

µ >œ f

Bœ > f

>œ

œ p>

œ p>

5

5

>œ

5

5

– J – J Œ.

164

+

Œ.

164

r Bœ π ∑

3

nœ J

Œ

”ƒ ”

‰

q = 46 {e = 92} 3

f µ >œ

164

∑

164

Œ. ?

µ >œ f

Œ

∑ –

–

–

5

164

∑

164

∑

164

∑

164

Π(

164 Bœ

‰

∑

ƒ Bœ

µ>œ œ n œ # œ 164

ƒ

H

ƒ

unis. sempre) 11. - 14. arco

164

‰

∑

œ œ Bœ 4 # œ 16 > ƒ 164

‰

∑

164

≈⋲

∑

164

≈⋲

∑

164

‰

Œ

≈⋲ ≈⋲

‰

Œ

1. 2. ord.

3. 4. (ord.)

‰

>

>

>

>

>

> 5

> > > > 5

> B >œ

>

f µ >œ

>

>

>

f n >œ

>

>

>

µ >œ f

>

>

n >œ >œ > ∏

Œ

Œ

Œ

Œ

Œ

Œ

3. - 5. arco

Œ

Œ

6. - 10. arco

Œ

Œ

Œ

Œ

3. 4.

Œ

Œ

5. - 8. arco

Œ

Œ

‰

(ord.)

‰

(ord.)

‰ ‰

sul pont.

3

f µ >œ 3

3

3

3

3

3

>

3

3

3

>

>

>œ

∏ 5

# >œ >œ > ∏

5

>

µ >œ >œ > ∏ >œ

5

>œ

5

>œ

B

µœ • 5. - 8. pizz. gg B œ gg R ‰ Œ 3 – ƒ 1. 2. sul pont. B œ ggg µ œ ] Œ ?‰ RÔ 5 ƒ œ 4. - 6. pizz. g B œ gg R ] ?‰ Œ 3 ƒ Œ

ssssssssssssssssssss J R ‰. Ï

Œ

Œ

Œ

164

µœ 164 >œ > œ B œ œ ƒ 164 >œ B >œ B >œ œ B œ œ ƒ >œ

164 B œ œ Bœ œ >œ ƒ> µ œ b œ µ œ œ 164 > ƒ ord. arco

1. 2. sul pont. (arco)

µ œ b œ µ œ œ 164 > ƒ Bœ œ Bœ 164 > µœ ƒ

œ Bœ bœ Bœ > ƒ ord. arco œ Bœ bœ Bœ > ƒ

164 164

µ œ œ B œ B œ 164 > ƒ ‰

∑ ã

164

>œ

∑

Œ

164

B œ # œ µœ œ ∏ ƒ> >œ >œ B œ # œ µœ > œ ƒ ∏ >œ >œ µœ # œ µœ > œ ƒ

>

‰

ƒ

f n >œ

>

>

‰

®

3

3

164

1. sul pont. 2. ord.

f n >œ

(ord.)

ggg B µ œœ ggg œ R

∑

>

(ord.)

1. 2.

(

>

‰

B ≈⋲

Œ

>

“Tailpiece clef” Play on the tailpiece.

Œ

µ>œ œ n œ # œ 164

sul pont.

unis. Hsempre) 7. - 10. arco B >œ µ œ 4 Bœ # œ 16

on tailpiece, pressed

‰

164

Œ.

. ∏

unis. ord.

‰

164

. ∏

3

164

‰

Œ.

Œ

unis. ord.

‰

‰.

∑

–

>œ J f

164

∑

5

Œ. J

–

Œ.

œ p

étouffee

164

Œ µœ

toneless 3

Œ

f g #œ ggg œ gg µ œR ƒ g #œ pizz. gg œ ≈⋲ ggg µ œR ƒ #œ 10. - 14. pizz. ggg œ ggg µ œ ‰ R ƒ > sul µœ µ œ pont. ≈⋲ ggg B œ g R f >2. ƒ µ >œ œœ ‰ 3. 4. f >œ >œ ‰ p

œ œ >œ >œ p> > on the bridge (strings damped) – – – –

–

3. - 6.

pizz.

>œ

Œ –

1. 2.

≈⋲

Œ

3

>œ

>œ

”ƒ ”

”ƒ ”

2. on the bridge (strings damped)

5

>œ

œ >

”ƒ ”

on the bridge (strings damped)

Œ j œ Ï –

>œ

5

>œ

œ >

B >œ f

>

on the bridge

>

>

>

bœ

>œ

5

>

>

Œ

3

>œ

5

f5 >

>

3

Œ

≈⋲

5 3

>

>

5

>

>

>

>

3

f> œ

3

3

78

f >œ

≈⋲

f >

>

>

3

>

f >œ

gg # œœ ≈⋲ ggg µ œ ‰ ƒ #sulœ pont. gg œ ≈⋲ ggg µ œ ‰ >œ ƒ>œ ‰ sul pont.

j œO ..

Œ

>

>œ

Oœ .. J

3

3

>

>

3

78 œ

3

‰

164

164

œ p

p

164

‰

Œ.

Π3

164

Œ.

Œ

µœ

164 &

5

3

∑

∑

78 ΠP

r ‰. œ. f œ. ‰ . R 3 f + 3

‰ ‰

œ J

µœ p

164

‰

≈⋲ # œæ π Œ.

Œ

bê ”ƒ ”

164

œ˜ J f

œ æ

œ æ3 π

∑

Œ.

‰

Œ

78 Œ 3. (strings damped) ”ƒ ” 3 P arco 4. unis. sul pont. 78 Œ µœ œ Œ J J 3 3 Ï

Ó

Œ

‰

∑

7. 8. sul pont.

∑

Œ

∑

78

78 ‰

ssssssssss r sssssssssJ sssssssss J J ssssss sssssssssssssss ƒ ∑

‰

∑

sssssss r !j 78 !sss ! sssssssssssssssssssss ‰ ssssssssssss !ssssss 3 f 7 &8 Œ

arco III IV

Œ

∑

Bœ 3

87 Œ

∑

Œ

Œ.

sssssssss r ! 7 ssssssssssssssssss sss ! ‰ ssssssssssssssssss 8 ! !ssssss 3 p f 87

1. - 3. arco II III

‰

∑

78 Œ

Œ

Œ.

Œ

∑

78

Œ

∑

78

78

π

164

∑

µ– ”ƒ ” Œ

almost toneless

Œ.

Œ

78 Œ

∑

‰ P Ó

>

>

3

3

>

3

>

Œ

ord. 6. - 8. arco

nœ

78

3

1.

j Bœ f

3

‰

3

78 Œ

>

œ R

f

∑

78

?

‰

(ossia: no tempo change)

Œ.

Œ

Ó

r f B >œ 2. - 4. ≈⋲ r f B >œ 5. 6. ≈⋲ r f B >œ 7. 8. ≈⋲ r f B >œ 9. 10. ≈⋲ r f B >œ 11. 12. ≈⋲ r f B >œ

3

œ

B f

∑

78

>œ

≈⋲

‰

3

tone

>œ

3

p

5

5

∑

78

3

p

bend

78

78

>œ

3

#œ œ 5œ œ œ

∑

Ó

œ >

3

œ J

3

Œ

œ >

3

œ R œ

78

78

j œ

3

gl.

3

B œ.

‰

∑ 1. - 3. pizz.

œ

78 Ͼ

∑

3

Œ

78

∑ 1. - 3.

∑

? 44 r ‰ . ¬ P Î 44

œ p

r Ͼ p

Ó

Ó ∑

? 44

r Bœ π

3

.

p

& 44

3

‰

>œ œ f 3 ∑r Dense shake at the bow after striking the string(s). The bow glides (gliss.) legno saltando Z ¬ towards the bridge. The contact point of the wood of the bow is indicated II ¬ as a pitch ( ) The pitch is to be understood as an approximate value. Left hand 9. - 14. III ¬ dampens lightly all the strings (P). No bowing Œ ‰ ‰ P ”f ” ∑

˙.

Œ

‰

Ó

3

∑

B 44 r ‰ . ¬ PÎ ? 44

‰

3

Ó

l.v.

& 44

p

Bœ R p

”ƒ ”

∑

& 44 ≈⋲ (√) 5 (2.) w ƒ & 44

3

”ƒ ”

& 44

B >œ

”ƒ ”

Œ

87

∑

˙.

p

‰

Œ ‰

∑

78

Ͼ

”ƒ ”

r ‰ – j F Tam Tam (small) scrape with wood stick sssssssssssssssss Œ J J 3 3 p FP

Œ

µ œæ p

Ó

Ó

Œ

78

Œ

∑

5

sul pont.

µ œ. J

–

J

≈⋲

3

Ó

‰

R 6

‰

1.

‰

Œ

78 Œ

Ó

Œ

‰

(toneless)

78 Œ

put reed back

6

. J

– J p

Ó

≈⋲

B œ. µ œ. B œ ≈⋲ p F. ∑

‰

78

Ó

Œ

(toneless)

Œ ã

Ó

≈⋲

Œ

(

f #w

–

‰

– p

& 44

Cb.

ã

∑

∑

3

Œ

? 44

& 44

Bœ R p

tone

‰

‰

≈⋲

∑

”ƒ ”

Œ

∑

& 44

ê

‰

Œ

& 44

Vc.

”ƒ ”

∑

44

‰ µ œ˜ Piccolo J π

Œ

∑

? 44

& 44

Vle

ã

Ó

& 44

3 µ¿ ‰ B¿ B ƒ > n>œ˜ >¿ n>¿ R ‰. p µœ. µœ J J p π – . J J ”ƒ ” #œ œ Cl. picc. in E b œ æ ‰ æR æ ‰ 3 3 π p toneless ≈⋲ – Œ

87 Œ

∑

(key slaps)

Œ

∑

& 44 RÔ ‰ ..

& 44

Vl. II

?

∑

1. sul pont.

Vl. I

?

∑

44

Cor. 2, 4

(slap)

3

≈⋲