Stefano Scavino Portfolio

STEFANO SCAVINO

PORTFOLIO

some stuff I learned about architecture since 2008

ABOUT

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ABOUT Stefano Scavino born 7 aprile 1988, Asti, Italy via San Pietro 3, Mongardino, Asti corso Peschiera 170, Torino

CONTACT +393477566595 stefano.scavino@gmail.com ste.scav

EDUCATION 2011/ 2011, july 2007/2011 2007, july

Student at Architettura per l’ambiente costruito, Politecnico di Torino Ba in Architettura per il progetto at Politecnico di Torino 108/110 Architettura per il Progetto, Politecnico di Torino Secondary school Diploma at Liceo Scientifico F. Vercelli, Asti

THESIS 2011, january to july La cooperazione vinicola in Langhe Roero Monferrato. Note sull’architettura delle cantine sociali. Supervisors: Andrea Delpiano, Annalisa Dameri

LEARNING EXPERIENCES 2012, october 2012, july to august 2012, march 2011, sept. to nov.

AAA stanze cercasi, Workshop about design and narrative of urban spaces, Politecnico di Torino and Scuola Holden, Torino Taipei Design Plus, International Co-workshop by University, Chaoyang University of Technology, Taichung, Taiwan Architecture Exchange, Associazione Giovani Architetti del Canavese and Ordine degli Architetti di Torino, Marsiglia Serramenti, ambiente e innovazione, Technology design workshop, Politecnico di Torino and Secco Sistemi, Torino

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URBAN ART 2012, july to august Parlapà, urban art installation during Zoo in città, Zooart, Cuneo

WORK EXPERIENCES 2012, may to october Collaboration with Alessiostudio, Torino 2010, jan. to march Internship, Progetto integrato sviluppo urbano quartiere Barriera di Milano at Settore rigenerazione urbana e integrazione, Comune di Torino, Torino 2008/2011, sept. Organization wine competition Douja d’Or, Asti

LECTURES 2012, august 28 2012, june 21 4

2012, may 7

Taipei Design Plus: Break boundaries. International Co-workshop by University, Midterm presentation / International forum, Tapei, Taiwan Cooperazione e architettura in D’architettura - Esempi di qualità, Fondazione Sandretto Re Rebaudengo, Torino La cooperazione vinicola in Langhe Roero Monferrato, in Pomeriggi dell’archivio tesi, Centro Unesco Torino, Torino

LANGUAGES Italian mother tongue English IELTS 6.5

INFORMATIC SKILLS Autocad, Rhinoceros, V-ray, Sketchup, Arcgis, Dialux, Microsoft Office, Adobe suite: Photoshop, Illustrator, InDesign

BOSCHERINA PAVILION

The design of the pavilion is inspired by an ancient mill in Borgo D’ale. The geometrical construction is an archimede’s spiral, based on increasing radius. The structure follows the shape of the plan with a series of wooden beams supporting the copper roof.

The interior is organizated like a flow that drives the visitors into a fluid path and can be setted in many different ways.

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Typology Exhibit pavilion Year 2008 Location Borgo D’Ale, Italy

ALBA WINE CENTER

The project is part of a pre-existing historical context characterized by buildings with different functions related to wine, such as training, research, production and protection guaranteed by the Consortium Barolo and Barbaresco. The lot, mainly wine-industry, covers a vast urban space which permeability and integration with the surrounding tissue is absent, as are latent the spatial and functional relationships among the historic buildings that host the many functions. The project is based on the identification of new connections inside and outside of the lot, while minimizing the consumption of agricultural land and maximizing the redevelopment of the existing architectural heritage, with some additions to accommodate new functions.

Based on an analysis of the historical building, which hosts the Wine Institute Umberto I, the relationship between the 8

closed space, formed by the sides of the court, and the permeable space, obtained by arcades that delimit and filter access to the court, is identified by its morphological type of court. The translation of this spatial relationship to the conformation of the adjacent buildings and some new buildings design, are the focuses of the interventions.

Typology Rurban riqualification Year 2010 Location Alba, Italy With Marcello Risso Emanuele Vota

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DECONSACRATED CHURCH

The imagination of a space dedicated to culture and music in the former parish of Pralormo is modeled by exploring the deep wound of the collapse in 1983 of many of the roofs of two aisles and the underlying vault. The analysis of this gap develops a dialectical relationship while contrasting with the building fabric of the town and, on a smaller scale, with the texture and morphology of the building itself. The cover portion and structures in the high clerestory affected by the collapse is restructured on the basis of a new building that preserves the signs of the passing of time and highlights the contrast between the restoration of the original parts and the insertion of new parts.

Morphologically this is reflected in the design of a cover profile that follows the original, mending, as a sort of prothesis, the disconnected parts of the building. The perception of this concept occurs in the outer as well as indoors, where, to maintain a balance between formal aisles, the essential geometry is reconstructed with

a contemporary language. The surface treatment follows functional criteria: the auditorium, requires an environment sound absorption, obtained through a fabric of glass fiber and wood, and the application of sound-absorbing plasters where the shortcomings of the frescoed plaster require integrations.

Typology Church restoration Year 2011 Location Pralormo, Italy

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COOPERATIVE WINERY IN PIEDMONT

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The wine Cooperation of the south of Piedmont region is a large-scale phenomenon, and don’t concern just about a portion of physical geography, but also about civilization, society and the lives of many citizens. The systematic data collection, carried out through surveys, bibliographic, archival and direct sources, has allowed to build an overview of all the typological and morphological variants of cooperative winery inside the perimeter of the Langhe, Roero and Monferrato, areas eligible to the list of UNESCO World Heritage Site. The study was directed especially to evolutionary dynamics of the system of cooperative winery, from the point of view of enotechnician, constructive, settlement and landscape and in the socioeconomic development. In conclusion, the role of the architectural design has been expressed as a physical device and symbolic rethinking of the built environment

of the wine cooperation for a reconciliation of landscape and productive activities, for a compatibility that is not harmful to future generations of human activities and landscape.

Typology Thesis Year 2011 Location South Piedmont, Italy

SECCO SJ

SJ is a ventilated window with heat recovery system integrated. It can be assembled with all the windows profile produced by Secco Sistemi. SJ system consists of a high performance window that provides clean air, reduce indoor pollution without the need of opening the window. It ensure energy saving, reducing dispersions for ventilation.

It’s been designed mainly for restoration and recovering of existing buildings.

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Typology Window design Year 2011 With Giorgio Ceste Enrico Tarone Collaboration with Secco Sistemi

RELAZIONIZZA

Relazionizza is a project that attempts to explain the latent value of a piece of city, one of the most vivacious and heterogeneous of Turin. The superstructure emerged from the conceptual framework of needs that can be summarized in four categories wich guide the project and define the cultural horizon.

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The four themes are complementary and related to urban mobility, active citizenship, the search for a sense of collective belonging and finally the spacetime or the overcoming of physical and cultural boundaries to achieve a social and functional mix of living spaces.

Typology Urban design Year 2011 Location Torino, Italy With Marco Steffanini Zhu Zhiwei

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CAMPOFEI

Campofei is not in a hurry, even if it’s late it is beautiful because is functional and essential, expresses the need the work is at the center, the effort is necessary the technology is understandable the tradition, like the mountain, has to be understood and then re-thinked do the stones have more memory than men?

Community do not emulate, do not impose, understand the economy rises again from autarchy to prossimity build minimally, participate maximally needed and collective functions, discretion, mute and respectful buildings Walking between the essential and the possible the devices that are essential for living: existenzminimum. the ruins will not be reconstructed, they must be inhabited: hortus conclusus. The roof, restored and maintained, the timber, local and not in a hurry, the stones don’t come from far, come from the ruins, the house must somehow breathe. castelmagno cheese feels good in the crotin. allevamento

acquedotto

l’impianto collettivo è un elemento fondamentale per la sopravvivenza di una comunità, il cui fulcro è rappresentato dal lavatoio di pietra. in passato le canalizzazioni erano in terracotta, e raggiungevano molte delle stalle di Campofei, dove il bestiame era stanziale e necessitava di acqua.

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terrazzamenti

bovini, ovini e caprini donavano all’uomo i latticini, elemento principe dell’alimentazione. L’alimentazione degli animali, fieni o erbe fresche estive danno ai latticini caratteristiche organolettiche legate all’area di provenienza e alla stagionalità.

terra

Typology Mountain village riqualification Year 2012 Location Castelmagno, Italy With Marco Borrelli Marilia Ferreira Alves Erika Kawas Nunes Giovanni Quattrocolo

rendere praticabili e coltivabili strette porzioni di terreno scosceso, condizione costante dell’ambiente alpino di Campofei. La muratura era eseguita a secco con il materiale degli spietramenti per sostenere sentieri e coltivi.

muratura

agricoltura

fonte di sostentamento primaria e difficile da praticare, permette all’uomo di mantenere il contatto con la natura, di cui egli è parte vulnerabile. Pratiche quali lo spietramento e i terrazzamenti rendono disponibili alla coltivazioni piccole aree, per il fieno, la segale, i tuberi e pochi altri vegetali coltivabili in montagna.

sentiero la cultura della lavorazione della pietra ha lasciato i segni che più stabilmente raccontano l’habitat di Campofei.

acqua

pietra mulino

l’acqua, forza motrice rinnovabile è da sempre stata utilizzata per la molitura dei cereali, tramite macine in pietra. La panificazione era un atto estremamente prezioso e svolto annualmente mediamente due volte.

graffiti

la testimonianza più antica della presenza di una civiltà a Campofei. le attestazioni rimandano a tecniche espressive antropomorfe diffuse in tutta l’Europa mediterranea.

l’accessibilità è commisurata alle esigenze di un epoca.

Campofei non è mai stata inaccessibile. le sue strade sono sempre state misurate sulle dimensioni dell’uomo.

energia

copertura

tradizioni e conoscenze di quanto disponibile per realizzare una costruzione si esplicitano nelle coperture degli edifici in legno di larice e beole. l’accuratezza tecnica dei manufatti testimonia una simbiosi tra risorse naturali e antropizzazione irripetibile.

il sistema energetico è locale ed autonomo. il combustile utilizzato era la legna, ottenuta tramite una gestione oculata del patrimonio boschivo.

legno serramenti la scelta delle essenze dipendeva dall’impiego, ma anche dalla disponibilità e dagli usi locali. i serramenti in passato non avevano ferramenta, tutto era assemblato tramite incastri o chiodi in legno. nulla va perduto.

mobili

pochi erano quelli necessari, eseguiti da montanari specializzati in falegnameria e carpenteria, adornavano sobriamente le abitazioni, con funzioni di dispensa, essicatoio, o tavoli per i pasti e da lavoro.

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SAVIGLIANO LIGHTING DESIGN

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Typology Lighting design Year 2012 Location Savigliano, Italy With Marco Steffanini

piazz

a Sa

ntaro

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The project is about the ridefinition of the lighting system of the historical center of the city of Savigliano. The type of lighting for each area of the project has been chosen analyzing the needs of the users of the area, with a conceptual representation and a multifunctional approach. The choice of projectors and light sources has been done with the software DiaLux, to observe regulatory requirements and project’s concept.

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A

500

400 470

A’

DRICO

CILIN TO SEMI

EN ILLUMINAM

650

1730

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490 arco

80 lx

70 lx

60 lx

50 lx

40 lx

30 lx

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10 lx

0 lx

PARLAPÀ

An amplifier of relations which returns to the road its primary function of aggregation.

A zero-emission device that favors the staying and relating in the public space in confront with the habit of using the road merely as a place of passage.

The road is the real social network.

ParlapĂ .

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Typology Urban art installation Year 2012 Location Cuneo, Italy With Marco Borrelli Marilia Ferreira Alves Erika Kawas Nunes Giovanni Quattrocolo

BREAK BOUNDARIES

+ taipei design plus

pantone magenta RGB 254, 0, 126 CMYK 0, 94, 9, 0

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zhongshan road

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shilin presidential residence

designed environment

playground

toys museum

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flower expo field

support small design firms

design coorporate identity

Typology World Design Capital 2016 Taipei apply Year 2012 Location Taipei, Taiwan With Korean, Taiwanese and Italian design team

break boundaries

create connections

involve people

+ + + project sites

design caravan

past+future

designers boxes

infoboxes

local+global

markers

lighscape

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spread design ideas

zhongshan north road

big brands boxes

small+big

canopy

shuttlebus

WORLD DESIGN CAPITAL Taipei 2016

break boundaries

WORLD DESIGN CAPITAL Taipei 2016

WORLD DESIGN CAPITAL

WORLD DESIGN CAPITAL

Taipei 2016

Taipei 2016

WORLD DESIGN CAPITAL

WORLD DESIGN CAPITAL

break boundaries

break boundaries

WORLD DESIGN CAPITAL Taipei 2016

Taipei 2016

break boundaries

WORLD DESIGN CAPITAL

WORLD DESIGN CAPITAL

break boundaries

Taipei 2016

Taipei 2016

break boundaries WORLD DESIGN CAPITAL Taipei 2016

designers boxes

WORLD DESIGN CAPITAL

break boundaries

Taipei 2016

break boundaries

Taipei 2016

WORLD DESIGN CAPITAL

WORLD DESIGN CAPITAL

Taipei 2016

Taipei 2016

break boundaries WORLD DESIGN CAPITAL

day designscape

Taipei 2016

infoboxes

WORLD DESIGN CAPITAL Taipei 2016

break boundaries

WORLD DESIGN CAPITAL Taipei 2016

WORLD DESIGN CAPITAL

WORLD DESIGN CAPITAL

Taipei 2016

Taipei 2016

break boundaries

break boundaries

WORLD DESIGN CAPITAL Taipei 2016

break boundaries

WORLD DESIGN CAPITAL

WORLD DESIGN CAPITAL

WORLD DESIGN CAPITAL

Taipei 2016

Taipei 2016

break boundaries WORLD DESIGN CAPITAL Taipei 2016

Taipei 2016

break boundaries

WORLD DESIGN CAPITAL

WORLD DESIGN CAPITAL Taipei 2016

break boundaries

Taipei 2016

break boundaries

night designscape

break boundaries

Taipei 2016

WORLD DESIGN CAPITAL

break boundaries

big brands boxes

1. bring out taiwanese design!

2. small+big designers in Taipei

3. small+big mobile boxes

4. boxes placement in expo area

5. break boundaries of the expo area

6. spread boxes according to WDC events

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BAR BORGO DORA

Enter a place, cross the threshold.

Explore this space to discover.

Look for your own place, conquer it.

Enter it, transform it, appropriate it.

Live it slowly.

Day after day. Get used to every detail, every nuance.

Feel yourself intimately as the owner.

Bum. Someone, something.

Violation. Changes. Intrusion.

Helpless to assist a newcomer, a revolution.

Find yourself unable to accept.

Again. Stranger. Dark. An illegal immigrant in the innermost recesses of your privacy.

Be afraid of it. Time.

Observe the fear slowly transformed into curiosity - What’s this? Who is he? What does he want?

Two eyes look at you, they are the same as yours. Are they really the same?

They hide a story, that story is waiting for you. It will not look for you, it will be there, motionless. Waiting. Only you.

Will you listen?

Are you ready?

Are you ready to learn?

Here I am. Look into my eyes and tell me your story.

Typology Temporary museum of urban narration Year 2012 Location Torino, Italy With Giulia Cassani Annamaria Perotto Collaboration with Scuola Holden

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QUI PUOI FARTI RACCONTARE STORIE

QUI PUOI RACCONTARE LA TUA STORIA

Al bar in piazza, d’estate, Piero ha un solo grande sogno.......

1. ENTRO. TUTTI MI FISSANO

2. MI AVVICINO

3. GUARDO NEGLI OCCHI

4. CONOSCO UNA STORIA

4. PRIMA DI USCIRE

5. RACCONTO LA MIA STORIA

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