Origins? From Where Water and/or Space?

Science to Sage International

Harmonic E VO L U T I O

Featured Author John & Annaliese Rei Gerald Pollac Gene Web Richard Merric

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Cover courtesy of John Stuart Reid

SCIENCE TO SAGE SCIENCE TO SAGE MAGAZINE IS INSPIRED BY THE BOOK ‘INSIDEOUT, THE WISDOM OF OUR DESIGNER UNIVERSE by Karen Elkin

The book fuses the wisdom of the ages and cuttingedge science. The mission is to make visible our connection to all of life and our universe. Each month is dedicated to exploring an ideas more deeply with experts - unifying and expanding our global community.

On-lin e-Magazin

Karen Elkin Themed, designed , layout and production b Karen Elkins

Directory of Experts AResource Data Bas InsideOUT Boo

Science to Sage Magazine and its other enterprises are dedicated to a golden age of wisdom. The goal is to weave a beautifully

Vancouver, BC - Events

tapestry between the scientists, sage, alchemist, artist, inventors and innovative thinkers.

Engage where the mystical, the magical and the miracle of life are explored.

Science to Sage has a global network of contributors. I am grateful for their vision and fascination

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Lets discover together

CONTENT

Volume 1

Harmonic Evolutio Inspired by the book InsideOUT the Visual Guide to Understanding the Univers Sage to Sage by Karen Elkin

OTHER FEATURED WRITER Eilza Mada Dalia • Healing into Consciousness Gene Webb - The Energy Vorte Carolin • Basics of New German Medicin Lorna Bennington • Regression Karen Elkins • Excerpts from “InsideOUT, the Wisdom of the Designer Universe ARTIST GALLER Sharon Beale Bird Nest Photograph

Karl Herrmann - Vancouver Photography RECOMMENDATION Banyen Books & Event Science to Sage Event • From the Resources of the Book “InsideOUT, the Wisdom of Our Designer Universe” by Karen Elkin • YOUtube link • Book, DVD’s, C • Plus Extra Idea An artist's concept of a catastrophic asteroid impact with the Earth.

Source: NASA

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All material is copyrighted by Science to Sage or is copyright of the authors. Science to Sage reprints these articles with the consent of authors.

Life Emerges From the Seas’ As we exist in the abyss of the eternal waters’, we swim in the cosmic aether where thought creates a wave, where light reflects the projection of our immortal longings. Our electrical charge, our thunder, strikes with its whip into the mighty seas’. It stirs and spins the primordial soup and from this impulse, life is sparked and creations, and consciousness emerges from the mist.

In the beginning God created the heaven and the earth. And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. - Genesis, 1. 1

Life Emerges From the Seas’

After separating the different universes, the gigantic universal form of the Lord, which came out of the causal ocean, the place of appearance for the first puruṣa-avatāra, entered into each of the separate

universes, desiring to lie on the created transcendental water (Bhagavata Purana 2.10.10)

Origin of Life In exploring life’s origin, one conundrum has been the issue of how scattered molecules coalesce to form a condensed mass. Recent experimental results imply a potentially simple answer to this conundrum. In aqueous media, it has been long known that likecharged substances do not repel one another, as expected; they actually attract one another. Feynman referred to this paradoxical attraction as “like-likes-like” and went on to postulate that the attraction occurs because of the “unlikes” that inevitably gather in between, thereby creating the attractive force.

like- likes -like

Feyman

Like-charged particles or molecules attract one another because of an intermediate of opposite charges. The opposite charges arise directly from exclusion-zone formation.

Feynman’s thesis has been supported by elegant experiments of Norio Ise at Kyoto University and we have recently been able to confirm this thesis with direct evidence (Nagornyak et al., 2009). We found that like-charged gel spheres immersed in water and separated by as much as half a millimeter attract one another; they attract despite the large separation, and after some time they coalesce. Further, we confirmed the expected presence of opposite charges lying in between the spheres. The opposite charges derived from the exclusion-zone that develops around each sphere, generating opposite charges beyond, and in high concentration in between the spheres. Thus, it is true that like-likes-like through an intermediate of unlikes, as Feynman theorized.

We now understand why like-charged entities attract in aqueous solution.

The energy mediating the attraction comes from radiant sources, which builds exclusion zones and separates charge. The attraction is therefore energy consuming, although the energy is freely available from the environment.

The upshot is that a mechanism for building condensed masses is now experimentally verified. In order for it to work, all that is needed is water, light, and molecules/particles. Even if those entities bear the same charge, they will self-assemble into a condensed mass. This process is presumably the first step in producing the condensed mass that ultimately became the cell. It is sufficiently simple that one wonders whether life is being produced this very day (Pollack et al., 2009).

Origin of Life

By Gerald Pollack

http:// faculty.washingt on.edu/ghp/ researcthemes/ origin-of-life

The book, Cells, Gels and the Engines of Life (www.cellsandgels.com) builds on the central role of water for biology. It provides evidence that much of the water in the cell is very near to one or another hydrophilic surface and therefore ordered, and that cell behavior can be properly understood only if this feature is properly taken into account. It goes on to show that seemingly complex behaviors of the cell can be understood in simple terms once a proper understanding of water and surfaces is achieved.

The book is an award-winning best seller, yet it has aroused debate because it questions some long-held basic features of cell function such as membrane channels and pumps.

Many others have praised the insights obtained from building on a foundation of first principles (see book website above). One prominent reviewer from Harvard University opines that the book is “a 305 page preface to the future of cell biology.”

Gerald Pollack

Expand Your Mind, To a New Way of Thinkin The One and the Many

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Vortexes & Spi

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The Science of Soun

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Communication Body, Mind & Spirit

Light and Illuminating Idea

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Free Sample

The Heart & The Mind

Aloria Weaver

“Art has the capacity, t h r o u g h b e a u t y, t o illuminate

the

transcendental, sacred nature of human existence, and to deepen the otherwise limited percep ons of the

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physical world.

Cymatic Trilobite

Image Credit: John Stuart Reid

By John & Annaliese Reid Spiritual traditions from many cultures speak of

The Shape of Life

sound as having been responsible for the creation of life. The words of St John's gospel are a good example:

In the beginning the Word already existed. The Word was with God, and the Word was God. ['Word' meaning 'sound']

The science of cymatics, the study of visible sound, is beginning to yield clues to one of the most challenging questions in science: what triggered the creation of life on earth?

The hypothetical model we have developed was inspired by ancient traditions and demonstrates that sound and cymatic forces could have worked together to become the dynamic force that created the rst stirrings of life.

Around 4.5 billion years ago immense sound 'storms' reverberated within the earth's molten core and mantle, contributing to the formation of the early landmasses. Then, around 3 billion years ago, following the formation of the oceans, the rst primitive life forms are believed to have evolved in the watery depths.

Trilobite

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Image Credit: Science Photo Library Early Cambrian Period. 526 million years ago

Dr Stanley Miller with his seminal Miller-Urey apparatu

The nature of the structuring and organizing force that triggered life has ba ed theorists for centuries. Many scientists have come to believe that

erce lightning

storms ripping through the early atmosphere were the magic ingredient that literally 'sparked life'. There is a classical experiment, created in 1952, which offers some validity to this theory. A glass jar was

lled with a small

quantity of methane, ammonia, hydrogen and water (thought to have been present in the surface pools of the early earth) then sealed. For several weeks the concoction was irradiated with sparks. The sparks changed the character of the chemical soup and created several primitive forms of amino acids, the building blocks of life. Dr Stanley Miller was working under Nobel Laureate, Harold Urey, when this seminal Miller–Urey paper was published.

Neat as this theory sounds it fails to explain how the helical nature of DNA evolved or how the building blocks of life were assembled. What force was at work to cause the building blocks to coalesce, and begin to create form from formlessness? What forces built DNA in a twin spiral? We believe, just as the ancient seers prophesied, that the creative force was the most obvious and potent of all: sound. When sound interacts with matter cymatic forces organise the matter into microscopic and macroscopic structures.

Of the several competing theories for the creation of life, most envisage primitive life forms arising in the harsh environment around hydrothermal vents on the ocean- oor where hot gases, escaping from the core of the earth, came into contact with water, just as they do today. Accepting this theoretical

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model as a foundation, let us explore how sound and cymatic forces could have triggered life.

Cymatic model of life The hydrothermal vents spewed mineral-rich gases from earth's core into the seawater and made contact with molten lava in the vicinity of the vent, causing bubbles to form that ranged in size from melons to microbes. Our discussion will focus on the microscopic bubbles.

The elements that poured out of the vents emerged into highly turbulent water in an ocean of rich bubbling sounds. It is important to understand that although sound is invisible it actually carries structure, both in air as well as water. The watery membrane surfaces of the microscopic bubbles offered the perfect places for sound structures to be imprinted with cymatic patterns of energy. The areas of stillness on the surface of these tiny bubbles are called nodes, and areas of vibration are called antinodes.

It is important to note that only pure sounds can create perfect cymatic structures on the surface of microscopic bubbles. In searching for a possible source of pure sound in the early oceans we originally envisaged the sound being created by wind-driven storms. During such energetic storms the wave action at the ocean surface creates broadband white noise that theoretically contains all frequencies of sound. As this noise penetrates the water the high frequencies are immediately ltered out because water acts as a natural acoustic lter. When the noise has passed through around 100 feet of water only fairly pure low frequency sound remains.

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However, we recently learned of a second possible source of low frequency sound in the oceans. In 1996 scientists discovered pure tones in the vicinity of hydrothermal vents in French Polynesia, using the SOSUS underwater sounds listening station. They theorize that the largest bubbles, generated by the vents, act like Helmholtz Resonators, effectively tuning out all frequencies except those that resonate with the gas cavity formed by the bubble. Thus, we have two potential candidates for the source of pure sound that created life.

Hydrothermal Vent Image credit: Atypical Media/Capstone-Beautiful cymatic patterns on the surface of oceanic microscopic bubbles may

Helmholtz resonance is the phenomenon of air

have been the precursors to

resonance in a cavity, such as

life on earth.

when one blows across the top

of an empty bottle.

84-million-year-old air bubble lies trapped in amber

The elements emerging from the hot vents naturally found a safe haven in the nodal areas of the microscopic bubbles, attaching themselves to the “sonic scaffolding” created by the accompanying pure low frequency sounds in the vicinity of the vents.

Put simply, in this model, life structures formed in the stillness of cymatic patterns on the surface of microscopic bubbles. The patterns of stillness were geometric in shape, such as that of a dodecahedron. Adjacent to these still areas were areas of dynamic vibration, which we could think of as the dynamic creative force of Source who many call “God.”

If this hypothesis is correct then it may be the reason that many people meditate in stillness to

United States Geological Survey/ Public Domain

reach the God within. Sound and stillness, manifestations of Source, reside within all of us.

When we use the CymaScope to study the visual geometry of sounds, we see that they include many of the mathematical constants of the universe, including phi, sometimes known as the 'golden mean'. This ratio is approximately 1 to 1.618 and it is found in all living things, thus demonstrating the connection between sound and life. Cymatic geometry is composed of patterns that form on a membrane 'imprinted' with sound vibrations, thus allowing us to observe them visually.

Sonic Scaffolding Eddy Covariance - Representation of the air (and water) ow in the atmospheric boundary layer Illustration for Coriolis effect article {{GFDL}}

Air & water ow can be imagined as a horizontal ow of numerous rotating eddies, that is, turbulent vortices of various sizes, with each eddy having horizontal and vertical components. The situation

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looks chaotic, but vertical movement of the components can be measured from the tower.

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Image credit: Erik Larson

Image credit: Vera Gadman/Gadman Graphic

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A pentagon created by low frequency sound on the CymaScope. Since the pentagon contains phi, the golden mean, prevalent in all life forms, this image demonstrates the clear link between sound and life

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Cymatic Pentagon

The star sh demonstrates one of nature's almost perfect pentagonal forms, linking life with the golden mean and with sound

Cymatic Star s Image Credit: John Stuart Rei The reason that all living things have the phi ratio imbedded in them may be because the phi ratio is mathematically imbedded within sounds that are devoid of harmonics, sounds that we might label as “pure.” (Pure sounds do not contain the rich complexity of a musical sound.

Two examples of are bubbling water and whistling wind.)

Such pure sounds contain the all-important phi ratio and they create sonic sca olding that we believe organised, structured and triggered life near hydrothermal vents

Sonic sca olding

Cymatic vortex

Image credit: Erik Larso

Water CymaGlyph created by low frequency sound on the CymaScope.

Note the ne tendrils emerging from nodal points--evidence of sonic sca oldin

Image credit: Erik Larso

Water CymaGlyph in a drop of water created by low frequency sound on the CymaScope. Note the matrix of tubular vortices, in particular the vortice that begins near the three o'clock position

But our story doesn't end there for we have not yet taken into account the helical nature of DNA. Viktor Schauberger, the brilliant Austrian scientist, working in the 1940's and 50's, may have been the rst to study micro vortexes in water.

Interestingly, micro vortexes carry the same basic structure as DNA. More recently, scientists in Hong Kong have demonstrated that micro vortexes can be created in the laboratory and are used to manipulate single DNA molecules. In other words, the diameter of the micro vortex approaches that of the DNA double helix. It seems like divine irony that the very mechanism that may have created DNA is now being employed to manipulate it!

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TJBlackwell/CC 3.0 NOAA/National Science Foundation/Public Domain

and snakes up to the two o'clock position before tracking further left

The CymaScope can also image spiral movements in water under the in uence of low frequency sound. The image below is that of a twin spiral created by a pure 78-Hertz sine tone. Notice the similarity with the twin spiral arrangement of a daisy head. Sound has the ability to organise matter into regular forms including the double spiral.

Image credit: John Stuart Reid Thirteen clockwise and anti-clockwise arms created at 78 Hertz on the CymaScope

Daisy head twin spiral Image credit: Science Photo Library

Gymncalyizozogsii twin spiral Image credit: Science Photo Library

If sound was indeed the trigger for life we would expect to nd many examples of early life forms that resemble cymatic sound forms and, not surprisingly, this is exactly what we do nd, as you’ll see in the examples below.

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Cymatic twin spiral

Recent research at Yellowstone National Park in the USA suggests that the earliest life forms may have been what we would now recognise as viruses, life forms that are often highly angular in their outer shells.

Cells, according to this research, evolved much later. The angular aspects of the earliest primitive life forms and organisms provides strong evidence that sound was involved in the creative process.

Hepatitis Virus Image credit: Science Photo Library Paleoarchean Period, 3,500 million years ago

Cymatic Virus Image Credit: Erik Larson Trilobites, Radiolaria and Diatoms are marine creatures that emerged much later, in the Early Cambrian, Cambrian and Jurassic periods respectively. Here are three examples that demonstrate the clear similarity between these early creatures and cymatic images created in our laboratory by pure sounds on the CymaScope

instrument.

Trilobites, Radiolaria and Diatoms are marine

demonstrate the clear similarity between these

creatures that emerged much later, in the Early

early creatures and cymatic images created in

Cambrian, Cambrian and Jurassic periods

our laboratory by pure sounds on the

respectively. Here are three examples that

CymaScope instrument.

Radiolaria Actinomma Leptoderma Cambrian Period, 542 million years ago

Cymatic Radiolaria Image credit: Erik Larson

Diatom Arachnoidiscus Image Credit: Science Photo Library Jurassic Period, 200 million years ago

Cymatic Diatom Image Credit: John Stuart Reid

To summarise, we propose that the rst strands

strands of DNA within. We suggest the creative

of DNA were created in the micro vortex

power of sound then shaped life in many

environments of primordial hydrothermal vents.

different ways, a process that is probably just as

Should micro vortices be discovered within

much at work to this day as it was in the

microscopic bubbles we have a cymatic model

primordial oceans of earth. The shape of life, we

that begins to resemble a living cell: a

believe, is sound.

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membrane (the surface of the bubble) with

"An Exceptionally Simple Theory of Everything"

by Anthony GarrettLisi is also know as the E8 Theory.

This theory shows the geometry of space

shapes, forms and ratios; and they ALL

and how things unfold via gravity, particles

relate.

and spin within the coordinates of this grid.

Geometric symmetries are the foundation of whole cosmos as in atoms, snow

You will see in the next few pages how

akes, pine cones, ower petals, diamond

this timeless geometry code

crystals, tree branching and nautilus

demonstrated in numbers, angles,

shells.

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e8 graph of the Gosset 421 polytope as a 2-dimensional skew orthogonal projection inside Petrie polygon. It is an emulation of the hand drawn original by Peter McMullen -http://en.wikipedia.org/wiki/File:E8PetrieFull.svg

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“The Theory of Everything”

Rosa Celeste: Dante and Beatrice gaze upon the highest Heaven, The Empyrean by Gustave Dore

FRO

Gene Webb’s Notebook

Gene Webb/copyright/Feb 2012

If we add all of the in nite sets of frequencies that are represented by this pattern we begin to see that the whole is equal to way more than the sum of the parts. In this case we can see that the whole is in

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everything, and everything is in the whole.

L. Shyamal cc-by-sa-2.5

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hen each of us realizing that we are bound together by a unity of purpose, we are bound together by a bond as powerful as the forces in the nucleus of an atom.

A rose is a rose When we are part of the whole we move together with symmetry and balance–unity and precision.

We have a common energy with the universe that is represented in the electromagnetic pulse pattern (EMP). This pattern gives us a visual image of

And will forever b But who knows What one may see When one looks at a rose With the greatest of feelings There may be more for those Whose heart does the seeing

something that is in harmony with all things. This pattern when understood more fully is the form and

By Gene Webb

shape of things, as well as what makes them function.

Just as light is a medium we see through, it is also something we see as an entity, a source it has form and function. The pattern of this (EMP) is what forms us, it is present in our DNA. It gives us shape and dimension, but it is also the energy, which is the information that moves the shape and dimension.

Energy and matter are just different forms and functions of the same thing, which can be demonstrated in this electromagnetic pulse pattern.

The DNA helix with its major and minor portions are the relationship of 1.618, the Fibonacci sequence.

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Gene Webb/copyright/Feb 2012

If we add the in nite sets of frequencies that are represented by this pattern we begin to see that the whole is equal to way more than the sum of the parts. In this case we can see that the whole is in everything, and everything is in the whole.

Perhaps a new way to examine the elusive theory of everything.

By using the perfect pulse pattern that can self replicate in both the macro and the quantum realm. It is partially represented in mathematical form in the standard model, the theory of relativity, string theory, and the holographic universe, in the hyperbolic universe,and others. We have never expanded the relationship of the pulse pattern to this extent, with radians and proper proportions, vector points with mathematical references to the elds that are shaping all things, the lines of force which are morphotropic phase boundaries that move in the midst creating transitions from one form to another.

The (EMP) pattern may be telling us about portals in the universe for regeneration, perhaps dimensions of our mind and soul that have a oneness with this universe we are perceiving.

There is a wholeness, the ultimate oneness of the universe associated with this pattern. When we expanded this conceptual level of possibility thinking,

we allow science and philosophy to blend, allowing metaphysics and physics to share the paradigm.

What we want is already inside each of us, it is that part of the universe that we have found and unfolded. When you see me you are seeing the part of the universe that unfolds to make me who I am. Using the EMP pattern I can explore my inner universe as well as the outer universe in the same way the EMP is a model for exploring

From the idea of origami, once can take the basic square and unfold many creations.

science. When I have and idea unfolded

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and you have an idea unfolded and we share, we each have two ideas.

What does it mean to be in the fold?

How are we formed out of geometry?

This is Gene unraveling the mystery of how things unfolded out of a square into the fold. This is the dimension where thing begin to take form. From this single idea many patterns unfold. This is the concept of ONEness.

From this demonstration one can see the

many faces and the geometric nature of our universe.

Origami is the real art-form.

As we expand our sharing and combine ideas with others the exponential growth pattern goes beyond the limits of the mathematical constant e (Euler's number approximately equal to 2.71828). Because ideas are not governed by this probability theory, ideas will take us to knowing all things, where we become complete. Ideas are often called enlightenment. This enlightenment bears a resemblance to the Source of light, yet light is only a small portion of the electromagnetic spectrum.

It is an in nite set with many others in nite sets to make the whole, which is more than the sum of the parts. Using the phenomenon of predictability it gives us evidence that we “see” to nd the unseen. Each of us is a light unto the world and we need a medium for expressing our ideas. The light on a hill that cannot be hidden may be seen by others to enlighten them. When we add our lights together it becomes brighter and brighter. We must remember, however, that light is only a portion of the total EMP enlightenment.

When we understand something new it is important to understand the language in which it is written. Galileo Galilei in his 1623 credo says, “Philosophy is

written in this grand book –I mean the universe—which stands continuously open to our gaze, but it cannot be understood unless one rst learns to comprehend the language in which it is written. It is written in the language of mathematics, and its' characters are triangles, circles and other geometric

gures,

without which it is humanly impossible to understand a single word of it, without these, one is wandering about a dark labyrinth.”

The EMP pattern has a language with many fascists, when used as an over-lay for the platonic solids it matches points in 2d form, in spherical form it gives direction as an energy eld would to create a shape, the key is knowing where to start and

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which part of the EMP pattern to use, i.e. the numbers or the eld lines or both.

GNU Free Document

From Gene’s Notebook

This becomes the code that is given to everything that takes form or shape.

Gene Webb/copyright/Feb 2012

Stanwhite607/domain public

Public Domain

Like any master plan it must have a builder and a frame in which to unfold the plan. But unlike "An Exceptionally Simple Theory of Everything" I see this pattern as an Electro-Magnetic Pulse (EMP) which pushes the gravitation eld. This EMP pattern also shows the nature of spin, add frequencies and you bring form to structure. Where two opposing forces mesh, like hot and cold air, electric and magnetic forces converge to create spin - i.e. vortexes like tornadoes!

This

intelligence is inherent in all nature which is electric and magnetic by design. This EMP pattern forms the atoms of each new element, the molecules, which are visible from the cells of your body, a pinecone, to the galaxy. Each nodal point is like a light switch illuminating a DIFFERENT idea!

This is where the concept of fractals, the ower of life and dimensions come in. From this single ideas that self replicates life unfolds. It stands to reason we will all get our light and juice from the ‘Source’?

The Master Designer’s white light contains all colors, which reveal its oneness, yet rich within spiraling and ascending spectrum. We too often get xated on one view or hue by compartmentalizing; it is like living in only one room. Great thinkers and innovators are divergent thinkers, as they see the whole.

The interaction between matter and forces is described by a trilinear map involving two spinors and one vector.

This map is often drawn as a Feynman diagram/wikipedia

8 Spirals going right

13 Spirals going lef

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White light contains all colors in its ONEness.

To me it looks like a coil with 2 antennas with which to send and receive information. Where two opposing forces mesh, like hot and cold air, electric and magnetic forces converge to create spin - i.e. vortexes like tornadoes! Also, spin is what distinguishes life from no-life!

In order to build an atomic structure we need to blend the atomic elds. For example, we place 55 atoms of copper, iron, and nickel, etc., in the proper order to get a pentagon crystal. By matching the frequencies of each atom, we can begin to create other elements

From a

and be able sustain them by properly combining each eld with the Master Field, (EMP Electric Magnetic Pulse Pattern) which is also the basis of each atoms eld and the particles that make them.

Single Idea,

that Self Replicates, a Perfect Pattern Emerges and Life is Formed.

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The flower of life contains all wisdom found in the universe; all the vibrations of matter, light, sound, thought, emotions, spirit Cell Division and soul lie within this geometric structure.

—Ivan Rados

It is also the energy itself as well as the shape of the energy. Since we are a part of the universe, and perhaps have the whole universe encapsulated, folded into us, we have a connection to this geometric design. The proportions of the human body that match the proportions of nature in the Golden ratio of 1.618, match the EMP as well. As we begin to unfold the universe of who we are, we sense we have a lot in common with some designs that are more attractive to us, and we are drawn to them.

I am an expression of the creation in all ways, I am life which begets life. I am an eternity that has sprung from an eternity, and when I join the Source of eternity I will be complete, capable of replicating all intelligence and eternity over and over again in one eternal round.

People through out the ages of time have each experienced something similar, and for those who have shared their enlightenment we will be ever grateful.

As with the analogy of the elephant we may have only part of the geometry revealed to us, but there may be a way to see the elephant. When we see a completed perfect geometry that can relate to all the number, all the geometric shapes and their harmonics, the vibrations of the universe, the planets, the galaxies and me. We are the completed spiral of life.

The EMP has a design connection to the molecular structure of water which sustains life as we know it. The angular structure of the hydrogen molecules on the oxygen molecule is approximately 105 degrees and is found in the EMP. When it is plotted on a frequency chart it makes a pattern that equals the rms (.707) of electric propagation of radiation. It is represented in the tessellation patterns of the medieval art work.

Penrose sun, Tovrsta/GFDL

It works with the manipulation of plasma and plasmons, with pseudospheres, equi-

potentials catinoids to ….

Sheikh-Lotf-Allah mosque wall and ceiling CC 3.0

Gene Webb/copyright/Feb 2012

From Gene’s Notebook

Penrose sun, Tovrsta/GFDL

It also replicates what Walter Russell was trying to tell us through his geometric designs, through the creator of elements and the electric and magnetic stillness association it represents math of the ages. it represents the patterns we are a part of, it represents the power of the universe, the energy elds that holds everything together portals to new dimensions, the folding and unfolding to re-giving to sustain life eternally the in nite One, the un-manifest to the manifest

To combine each culture and epoch, to combine our ideas and resources etc. etc. etc. to the music box. Let's play!!!!!!!!!!!!!!!!!

FRO

Gene Webb’s Note Book Related Philosophy

You can’t take

I

the music box apart to

n our quest to understand the truth and oneness of all things, we are limited by our perceptions and we see only what we know. Like the seven blind men, each at a different location on the elephant giving

nd

their description of the elephant from feeling the tail, the trunk, or and

the music. And

ear and having rather different points of view.

you can’t just play the notes to have the

Each would argue that the others view was not the correct description

music because

of an elephant. With many cultures, religions and sciences, and many

the true music

perceptions of God, we may be as the blind men expressing our point

comes from

of view from our experience and miss the wholeness of life. We are all

the heart

joined together by the elephant, we all have similar wants and needs, we are more alike than we are different.

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by Gene Webb

Yet the differences are what make us unique as individuals, the differences are what truly make the whole a beautiful thing. This in not about making everyone the same, it is about recognizing our oneness with others, with science, and with the Source of all things.

It is about having unity, in purpose and in love. Once we have all the parts joined we can then see that the elephant is not what any of us thought it was. It is bigger and more powerful than we may have expected. It is bigger than any of our parts. In fact this oneness when expressed as a wholeness becomes far more than just equal to the sum of the parts.

You can have all the parts to make a chair, but if they are just lying there in a pile on the oor, they are just parts and could be used for a number of purposes, but when they are put together as a chair the whole becomes more than being equal to the sum of the parts. It becomes a whole new form that is capable of doing more than any of the parts themselves. It is held together for a purpose.

When each of us realizing that we are bound together by a unity of purpose, we are bound together by a bond as powerful as the forces in the nucleus of an atom.

When we are part of the whole we move together with symmetry and balance. Even something as big as the elephant moves with rhythm and precision. The universe moves with unity and precision.

You are a harmonic balance of unity and precision. How beautiful it would be to

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have humanity move with such harmony and unity.

One Web

Within this cosmic web, We dance as a particle, A ripple in the wave, Expressing our light, Like a pearl on a string, Spinning our desires, On a silver thin string The place where our live is thread.

Karen Elkins

The Seed of Life

The seed of life holds us together within a cycle within a sphere within a spin within a particular reality within a galaxy a vortex of energy a fractal geometry a repeating pattern again and again.

Karen Elkins

I also use photography as an art form, and as a way to chronicle what moves my heart, and concerns my conscience from habitat restoration, plastic in the ocean, to the ecology of rivers, and of course, bird's nests.

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sbeals@sharonbeals.com

In n ova tive

A Sacred Space

Bird nests, even without knowing which birds constructed them, seem hardly possible. Creations of spider’s web, caterpillar cocoon, plant down, mud, found modern objects, human and animal hair, mosses, lichen, feathers and down, sticks and twigs–all are woven with beak and claw into a bird's best effort to protect their next generation.

The Art of Living

Where one collects...

But survival for so many birds is tenuous in a modern world where habitat loss is as common as the next housing development, and even subtle changes in climate can affect food supply. It is my hope that capturing the detailed art form of the nests in these photographs will gain appreciation for their builders, and inspire their protection.

Often as a Collective.

Creativity

The nest and eggs specimens, collected over the last two centuries, were photographed at The California Academy of Sciences, The Museum of Vertebrate Zoology, and The Western Foundation of Vertebrate Zoology. While few nests are collected today, these nests and eggs are used for research, providing important information about their builder’s habitats, DNA, diseases and other survival issues.

Nesting is what we do. sbeals@sharonbeals.com

THE HERO’S JOURNEY ...starts from the inside and births to the outside.

Our individual journey is one of co-creation with the Force of all existence.

This re-source is within and surrounds us all. This mastery goes from the physical to the mystical. A hero’s journey is to discover the magnificence of who he/she is and to realize their divinity within. Conquer your fears and your ego mind by taking responsibility for your actions from negative to positive, from destructive to creative and separation to communion.

Excerpts from InsideOUT by Karen Elkins

THE LENS OF KARL HERRMANN

Vancouver and Beyond THE BEAT

Photo by Karl Herrmann

Vancouver Radio with Spirit Dalia Lam Speakers Series

Banyen Events

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Science to Sage Events

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Branches of Light Magazine

Banyen Events

online PDF is here: http://www.banyen.com/Download/ Branches_fallwinterspring_11.pdf

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