Bb music catalogue 2018

MUSIC 2018

Violeta Parra The first English study of the Chilean cultural icon

Bethany Beardslee The soprano who sang the unsingable

Wilhelm Furtwängler Thought, Politics, Composition

Beethoven’s Cello Five Revolutionary Sonatas

Welcome PENDRAGON PRESS!

P e n d rag o n p ress P lu m bag o B o oks

CO N T E N TS

A.E. Housman VINCENT

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Music, Indigeneity, Digital Media HILDER, STOBART & TAN

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Americanization of Zen Chanting SLOT TOW

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Musical Debate and Political Culture in France, 1700-1830 ARNOLD

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Ballad and its Pasts ATKINSON

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Music and Music Theory of Paul Hindemith DESBRUSLAIS

13

Bedřich Smetana PIERRE

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Music and Soviet Power, 1917-1932 FROLOVA-WALKER & WALKER

Beethoven’s Cello MOSKOVITZ & TODD

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Music Criticism in France, 1918-1939 KELLY & MO ORE

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Music in Goethe’s Faust B ODLEY

Beethoven’s Conversation Books ALBRECHT Benjamin Britten Studies STROEHER & VICKERS Brahms and his Poets LO GES Brahms and the Shaping of Time MURPHY British Musical Criticism and Intellectual Thought, 1850-1950 DIBBLE & HORTON

Building Bridges With Music ADLER

11 5 13, 16 10 8

Building the Operatic Museum GIBB ONS 12 Chant, Liturgy, and the Inheritance of Rome DICENSO & MALOY

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Composing History HECKERT

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Conductors in Britain, 1870-1914 PALMER

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Consuming Music GREEN & MAYES

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Courage of Composers and the Tyranny of Taste VARGA Crafty Art of Opera HAMPE, WALTON

6 12

Cultivating String Quartets in Beethoven’s Vienna NOVEMBER

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Cyril Scott Companion FOREMAN, SCOT T & DE’ATH

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Czech Music around 1900 KRUPKOVÁ & KOPECKY

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Dawn of Music Semiology DUNSBY & GOLDMAN

14

Debussy’s Resonance DE MÉDICIS, DUCHESNEAU & HUEBNER

12

Delius and Norway B OYLE

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Dvořák Compendium SMACZNY

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7 13 6

Music in the West Country BANFIELD

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Music into Fiction ZIOLKOWSKI

7

Music of Joseph Joachim UHDE

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Music of Simon Holt CHARLTON

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Must Close Saturday WRIGHT

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Nadia Boulanger and the Stravinskys FRANCIS Nation and Classical Music RILEY & SMITH New Perspectives on Handel’s Music VICKERS

6, 16 14 3

On the Principles and Practice of Conducting THAKAR 12 Performing Propaganda MO ORE

14

Pleasing and Interesting Anecdotes THOMSON MO ORE Pro Arte Quartet BARKER

9 11

Rameau Compendium SADLER

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Recollections From My Life THOMSON MO ORE

9

Reflections of an American Harpsichordist KIRKPATRICK

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Sara Levy’s World CYPESS & SINKOFF

4, 16

Schubert’s Mature Instrumental Music BEACH

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Scoring Race HIGGINSON

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Singing the Crusades PATERSON

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Sonatas of Henry Purcell SCHAB

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Stravinsky’s “Great Passacaglia” TRAUT

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Edward J. Dent ARRANDALE

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Ernest Newman WAT T

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Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893-1921 ALLIS

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That Jealous Demon, My Wretched Health NOBLE

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I Sang the Unsingable BEARDSLEE, ZALLMAN PRO CTOR

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Three Choirs Festival: A History B ODEN & HEDLEY

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Listen with the Ear of the Heart GUARINO

15

Tuning the Kingdom KAFUMBE

14

Literary Britten KENNEDY

11

Very Good for an American B OMBERGER

8 7

Studies in the English Pantomime SEMMENS 8

Lutosławski’s Worlds JAKELSKI & REYLAND

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Violeta Parra DILLON

Martinů’s Subliminal States SVATOS

6

Violin RIGGS

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Well-Travelled Musician OWENS

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Montpellier Codex BRADLEY & DESMOND

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Wilhelm Furtwängler ALLEN

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Mozart’s Salzburg Years (1756-1781) COWDERY & SPRAGUE

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Worlds of Harpsichord and Organ SLOT TOW

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Medieval Cantors and their Craft BUGYIS, KRAEBEL & FASSLER

12

Cover image: Madalena Lobão -Tello Violeta Parra: Embroidering Life (2014)

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www.boydellandbrewer.com

Early Music & Baro q ue

Early Music & baroque

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Chant, Liturgy, and the Inheritance of Rome

Essays in Honour of Joseph Dyer Edited by DANI EL J. DIC EN S O & RE BEC CA MALOY Containing substantial new studies in music, liturgy, history, art history, and palaeography from established and emerging scholars, this volume takes a cross-disciplinary approach to one of the most celebrated and vexing questions about plainsong and liturgy in the Middle Ages: how to understand the influence of Rome? Some essays address this question directly, examining Roman sources, Roman liturgy, or Roman practice, whilst others consider the sway of Rome more indirectly, by looking at later sources, received practices, or emerging traditions that owe a foundational debt to Rome.

For a full list of contributors, please visit www.boydellandbrewer.com Daniel J. DiCenso is Assistant Professor of Music at the College of the Holy Cross. Rebecca Maloy is Professor of Musicology at the University of Colorado Boulder. $99.00/£60.00(s) October 2017 978 1 90749 734 6 2 colour illus.; 28 b/w illus.; 596pp, 23.4 x 15.6, HB Henry Bradshaw Society Subsidia

Henry Brads haw S o c i e ty

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Singing the Crusades

French and Occitan Lyric Responses to the Crusading Movements, 1137-1336 LINDA PAT ERSON This book constitutes the first comprehensive, modern analysis of Old French and Occitan lyric texts relating to the crusades. It brings out their full range, from propaganda for the crusades, to criticisms of crusading and crusaders through vituperation, humour or cynicism, to their use as a pretext for political or personal wrangling.

It also shows how they shed light on many aspects of medieval life, among them chivalric and courtly values (often in tension with clerical ones), regional politics, sexual behaviour, personal experiences of crusading and captivity, the complex interaction of Christians, Greeks and Muslims, and bafflement in the face of failure and God’s imponderable purposes. Among the works considered are those by Marcarbru – and Richard “Lionheart”.

Linda Paterson is Professor Emerita, University

of Warwick.

$99.00/£60.00(s) April 2018 978 1 84384 482 2 272pp, 23.4 x 15.6, HB

www.boydellandbrewer.com

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The Montpellier Codex The Final Fascicle. Contents, Contexts, Chronologies

Edited by C AT H E RI NE A. BR ADL EY & KA R EN DE SMON D This book provides the first in-depth exploration of the contents and contexts of the Montpellier Codex’s final fascicle. It explores the manuscript’s production, dating, function, and notation, offering closereadings of individual works, which illuminate compositionally progressive features of the repertoire as well as its interactions with existing musical and poetic traditions.

Catherine A. Bradley is an Associate Professor at the University of Oslo. Karen Desmond is Assistant Professor of Music at Brandeis University.

For a full list of contributors, please visit www.boydellandbrewer.com $99.00/£75.00(s) February 2018 978 1 78327 272 3 2 colour illus.; 17 b/w illus.; 272pp, 23.4 x 15.6, HB Studies in Medieval and Renaissance Music

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Medieval Cantors and their Craft Music, Liturgy and the Shaping of History, 800-1500

Edited by KAT I E ANN - M ARI E BU GY I S , A .B. K R A E BE L & M ARGOT E . FAS SL E R Cantors made unparalleled contributions to the way time was understood and history was remembered in the medieval Latin West. The contributions here seek to address the fundamental question of how the range of cantors’ activities can help us to understand the many different ways in which the past was written and, in the liturgy, celebrated across the middle ages.

Katie Ann-Marie Bugyis is Assistant Professor

of Religious Studies at St. Martin’s University.

Margot Fassler is Kenough-Hesburgh Professor of Music History and Liturgy at the University of Notre Dame and Robert Tangeman Professor Emerita of Music History at Yale University. A.B. Kraebel is Assistant Professor of English at Trinity University.

For a full list of contributors, please visit www.boydellandbrewer.com $90.00/£60.00(s) March 2017 978 1 90315 367 3 Library e-book 978 1 78204 630 1 21 b/w illus.; 391pp, 23.4 x 15.6, HB Writing History in the Middle Ages

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The Rameau Compendium GR AHAM S ADL E R This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764).

[E]xcellent as both resource and model. C HOIC E [A] monumental dissemination of scholarship transformed into an engaging and user-friendly handbook, and hopefully it can reignite interest in a broader revival of Rameau’s music. GR AMOPHON E GRAHAM SADLER is Professor Emeritus at the University of Hull and Research Professor at Birmingham Conservatoire. $25.95/£19.99 June 2017 978 1 78327 192 4, Library e-book: 978 1 78204 363 8 Personal e-book: 978 1 78204 971 5 13 b/w illus.; 281pp, 23.4 x 15.6, PB

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The Ballad and its Pasts Literary Histories and the Play of Memory DAVI D AT K I N S ON The ballad genre, and its material, are frequently backward-looking in terms of subject and style: it is ideally suited to the reimagining of past events, both real and fictional. This volume addresses the past of the ballad and the past in the ballad.

It challenges existing scholarship by embracing discontinuity rather than continuity, seeing the ballad as belonging to a culture of cheap print and imaginative literature rather than the rarefied construct of a mythical “folk”. $99.00/£60.00(s) June 2018 978 1 84384 492 1 2 b/w illus.; 200pp, 23.4 x 15.6, HB

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New Perspectives on Handel’s Music

Essays in Honour of Donald Burrows Edited by DAVI D VIC K E RS An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.

For a full list of contributors, please visit www.boydellandbrewer.com DAVID VICKERS is Lecturer in Academic Studies at Royal Northern College of Music (Manchester) and Council Member of the Handel Institute. $99.00/£60.00(s) October 2018 978 1 78327 146 7 20 b/w illus.; 320pp, 23.4 x 15.6, HB

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E a r ly M usic & baroq ue / C lassic al

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The Well-Travelled Musician

John Sigismond Cousser and Musical Exchange in Baroque Europe SA MANT HA OWENS This book expands current knowledge of Cousser’s early life and professional career significantly, examining his particular role in the dissemination of music and musical styles throughout the German-speaking lands, as well as in early eighteenth-century London and Dublin. Drawing upon a rich body of primary sources, above all the unparalleled evidence contained in Cousser’s so-called commonplace book, it reveals the practicalities of early modern musical exchange at a grass-roots level, from Pressburg (now Bratislava) to Paris, Hamburg to Dublin, and beyond.

SAMANTHA OWENS is Associate Professor of Musicology at Victoria University of Wellington, New Zealand. $99.00/£60.00(s) October 2017 978 1 78327 234 1 367pp, 23.4 x 15.6, HB Music in Britain, 1600-2000

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Reflections of an American Harpsichordist Unpublished Memoirs, Essays, and Lectures of Ralph Kirkpatrick

Edited by MEREDI T H K IR K PATR IC K This collection of unpublished writings by the eminent harpsichordist and scholar Ralph Kirkpatrick contains his memoirs for the period 1933-77 as well as essays and reflections on a variety of topics, including performing, recording, chamber music, and harpsichords and their transport. It also includes five lectures from a Yale University lecture series presented between 1969 and 1971.

Essential reading for anyone interested in the harpsichord, scholarship, and musical style.

E A R LY MU SIC AMERIC A

Meredith Kirkpatrick, the niece of Ralph

Kirkpatrick, is a librarian and bibliographer at Boston University and the editor of Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar (University of Rochester Press, 2014). $99.00/£80.00(s) March 2017 978 1 58046 591 5, Library e-book: 978 1 78204 363 8 Personal e-book: 978 1 78204 971 5 13 b/w illus.; 226pp, 9 x 6, HB Eastman Studies in Music

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CLASSICAL

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Sara Levy’s World

Gender, Judaism, and the Bach Tradition in Enlightenment Berlin Edited by RE BE C C A C Y PE S S & NA NC Y SI NKOFF Sara Levy née Itzig (1761-1854), a Jewish salonnière and virtuosic harpsichordist, helped shape the cultural world of Berlin at the turn of the nineteenth century. She studied with W. F. Bach and anticipated the “Bach revival” later led by her great-nephew Felix Mendelssohn. This book is the first exploration of this critical figure in the history of music, modern Jewish life, and Enlightenment culture from the perspectives of musicology, Jewish Studies, history, literary studies, gender studies, and philosophy.

Both Rebecca Cypess, Associate Professor of Music, and Nancy Sinkoff, Associate Professor of Jewish Studies and History and Director of the Center for European Studies, teach at Rutgers, the State University of New Jersey.

For a full list of contributors, please visit www.boydellandbrewer.com $99.00/£80.00(s) June 2018 978 1 58046 921 0 12 b/w illus.; 314pp, 9 x 6, HB Eastman Studies in Music

Beethoven’s Cello

Five Revolutionary Sonatas and Their World MARC D. MOSKOVITZ & R. LARRY TODD In 1796 the young Beethoven presented his first two cello sonatas at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by fundamentally redefining the relationship between the cello and the piano and promoting their parity.

Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas – the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composer’s late style. In Beethoven’s Cello, the authors examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural context.

MARC D. MOSKOVITZ is principal cellist of the ProMusica Chamber Orchestra. R. LARRY TODD is Arts and Sciences Professor at Duke University. $39.95/£29.95 October 2017 978 1 78327 237 2 Library e-book 978 1 78744 136 1 Personal e-book 978 1 78744 130 9 22 b/w illus.; 274pp, 23.4 x 15.6, HB

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Cultivating String Quartets in Beethoven’s Vienna NA NC Y NOVE M BE R Focusing on a key transition period in the early nineteenth century, which bore witness to fundamental shifts in the ‘private’ sphere of music-making, the book explores the ‘cultivation’ of string quartets by composers, critics, listeners, performers, publishers and patrons. It highlights these parties’ interactions, ideas and ideals, which were central to defining the unique cultures of chamber music arising in early nineteenthcentury Vienna.

NANCY NOVEMBER is Associate Professor in Musicology at the University of Auckland. $99.00/£60.00(s) October 2017 978 1 78327 232 7 Library e-book 978 1 78744 073 9 15 b/w illus.; 268pp, 23.4 x 15.6, HB

Beethoven’s Conversation Books Edited and translated by T H E OD ORE AL BRE C H T A complete new edition of Beethoven’s conversation books, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call “late Beethoven”, these often lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.

THEODORE ALBRECHT is Professor of Musicology at Kent State University, Ohio.

Volume 1: Nos. 1 to 8 (February 1818 to March 1820) $80.00/£45.00(s) March 2018 978 1 78327 150 4 1 b/w illus.; 396pp, 23.4 x 15.6, HB

Volume 2: Nos. 9 to 16 (March 1820 to September 1820) $80.00/£45.00(s) October 2018 978 1 78327 151 1 1 b/w illus.; 400pp, 23.4 x 15.6, HB

Volume 3: Nos. 17 to 31 (May 1822 to May 1823) $80.00/£45.00(s) March 2019 978 1 78327 152 8 1 b/w illus.; 400pp, 23.4 x 15.6, HB

12 Volume Set

$725.00/£395.00(s) August 2026 978 9 11000 465 8 4800pp, 23.4 x 15.6, HB

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19T H CENT URY M USI C

19th CENTURY MUSIC

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Brahms and his Poets A Handbook

NATASHA LO GES Johannes Brahms’s much-loved solo songs continue to be enjoyed in recordings and on recital stages all over the world. This book provides a wealth of information on the poets whose words he set, many of whom are still unfamiliar.

Covering Brahms’s 32 song opuses published during four decades of song-writing, this book offers a way of understanding what Brahms believed to be the right poetic basis for his immortal music. It is designed to be an essential reference tool for students and scholars of Johannes Brahms, as well as performers and lovers of his songs.

NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music, London. $90.00/£50.00(s) November 2017 978 1 78327 236 5 40 b/w illus.; 461pp, 23.4 x 15.6, HB

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Delius and Norway

JAN SM AC Z NY

Norway was a primary source of inspiration for Delius: 20 summers of his adult life were spent there, and almost 40 works express his experiences of Norwegian nature or were composed to Norwegian texts. This book is the first in-depth study of the influence the country and its artists had on the composer. The Delius that emerges from these pages is little known, even to most enthusiasts of his music: a driven and energetic personality and an artist searching for a language with which to express the existential crisis facing modern man in the early twentieth century.

Authored by an internationally acknowledged authority on Dvořák and Czech music of the nineteenth century, the Compendium will serve as a comprehensible and useful reference work for specialist and non-specialist readers alike. Emphasis is placed on the full range of his activities as a composer including opera, his relationship with publishers (especially Simrock and Novello) and his particular affinity with audiences, notably in England and the United States. The Compendium also comprises a comprehensive list of works (based on Burghauser’s Thematic Catalogue of 1996 with extensive revisions), including publication details and dates of first performances; a bibliography; and, as its main part, an A to Z dictionary. The latter comprises detailed, up-to-date entries on all aspects of Dvořák’s life and works, including important information on cultural context such as his relationship to the artistic centres of Vienna, Berlin and London.

ANDREW J. BOYLE is an author and musician. He gained his PhD on the music of Frederick Delius from the University of Sheffield. $80.00/£45.00(s) June 2017 978 1 78327 199 3 Library e-book 978 1 78744 035 7 25 b/w illus.; 344pp, 23.4 x 15.6, HB

$90.00/£50.00(s) August 2018 978 1 78327 189 4 10 b/w illus.; 272pp, 23.4 x 15.6, HB

Bedřich Smetana

KATHARI NA UHDE

Myth, Music, and Propaganda K E L LY ST. PI E RRE

E-Books

KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN.

www.boydellandbrewer.com

JAN SMACZNY is emeritus professor of Music at Queen’s University, Belfast.

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The Music of Joseph Joachim

$99.00/£60.00(s) May 2018 978 1 78327 284 6 10 b/w illus.; 256pp, 23.4 x 15.6, HB

The Dvořák Compendium

A N DR EW J. B OY L E

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Katharina Uhde follows Joachim’s compositional path through a changing cultural milieu. Joachim’s compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann and Brahms, yet he was no mere imitator. Joachim’s style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers and ‘psychological’ programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious and cultural identity and a mature compositional style. His music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies and emerging academic disciplines, including psychology.

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The legacy of Bedřich Smetana became so enmeshed in state ideology under Czechoslovakia’s communist regime that little has been written about the composer since the fall of that regime. This book reopens inquiry into Smetana by exploring the earliest scholarship on the composer to reveal how it generated political myths about him and his works. It also examines the ways in which these myths were adapted in twentieth-century scholarship to suit the ideologies of the communist administration.

Smetana – not just a nationalist composer, but also a national symbol – remains a dynamic figure whose mythology has been rewritten time and time again to suit shifting political perspectives.

Kelly St. Pierre is assistant professor of musicology at Wichita State University.

In order to give librarians and researchers a real choice, many of the books in this catalogue will be available as e-books.

Librarians should contact their usual suppliers for further details of availability and price.

A small selection of e-books are available to buy directly from us at www.boydellandbrewer.com

$90.00/£75.00(s) March 2017 978 1 58046 510 6 Library e-book: 978 1 78204 936 4 178pp, 9 x 6, HB Eastman Studies in Music

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1 9 th centu ry music / 2 0 th century music

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Music in Goethe’s Faust

The Courage of Composers and the Tyranny of Taste

Edited by LORR AI NE BY R N E B ODL EY

Bá L IN T A NDR ÁS VARGA

This book explores the musical origins of Goethe’s Faust and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe’s Faust and considers why his polemical text has resonated so strongly with composers.

Constituting the richest examination to date of the musicality of language and form in Goethe’s Faust and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike.

Bálint András Varga, perhaps the world’s most respected interviewer of living composers, here asks thirty-three composers how a creative artist can find courage to deal with the sometimes tyrannical expectations of the outside world. The result: fresh, revealing, previously unpublished statements from such worldrenowned composers as John Adams, Friedrich Cerha, George Crumb, Solfia Gubaïdulina, Georg Friedrich Haas, Giya Kancheli, György Kurtág, Helmut Lachenmann, Libby Larsen, Robert Morris, and Wolfgang Rihm, plus some members of the younger generation (e.g., Chaya Czernowin and Pascal Dusapin).

Goethe’s Faust in Music

For a full list of contributors, please visit www.boydellandbrewer.com LORRAINE BYRNE BODLEY is Senior Lecturer in

Musicology at Maynooth University and President of the Society for Musicology in Ireland. $99.00/£60.00(s) June 2017 978 1 78327 200 6 Library e-book 978 1 78744 022 7 5 b/w illus.; 356pp, 23.4 x 15.6, HB

20th CENTURY MUSIC

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Nadia Boulanger and the Stravinskys

A Selected Correspondence Edited by KI MBERLY FR A NC IS Nadia Boulanger and Igor Stravinsky began corresponding in 1929 when Stravinsky sought someone to supervise the musical education of his younger son, Soulima. Boulanger accepted the position and began what would prove to be a warm and lasting dialogue with the Stravinsky family. For fifty years Boulanger exchanged over 400 letters with Igor Stravinsky and an additional 389 with members of his immediate family. The selected letters published here are given in their entirety for the first time: in English translation, and with French originals on a companion website.

Kimberly Francis is Associate Professor of Music at the University of Guelph, Canada. $90.00/£80.00(s) March 2018 978 1 58046 596 0 15 b/w illus.; 235pp, 9 x 6, HB Eastman Studies in Music

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Reflections on New Music

Bálint András Varga is the acclaimed author of György Kurtág: Three Interviews and Ligeti Homages; Three Questions for 65 Composers; and From Boulanger to Stockhausen: Interviews and a Memoir (all available from University of Rochester Press). $49.95/£25.00 May 2017 978 1 58046 593 9 Library e-book: 978 1 78744 004 3 Personal e-book: 978 1 78744 001 2 272pp, 9 x 6, HB Eastman Studies in Music

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Martinů’s Subliminal States

A Study of the Composer’s Writings and Reception,with a Translation of His American Diaries THOM AS S VATO S Bohuslav Martinů (1890-1959) was one of the most productive and frequently performed composers of the mid-twentieth century, renowned for such works as his opera Julietta; the Double Concerto for Two String Orchestras, Piano, and Timpani; and Symphony no. 6 (“Fantaisies symphoniques”). History books, however, rarely give a sense of what he stood for as a musician. This book fills this gap by discussing the political, cultural, and musical challenges that he faced, and offers a first translation of his American Diaries, in which he set down his philosophy of music in direct and convincing terms.

Thomas D. Svatos is an Assistant Professor in the Department of Interdisciplinary Studies, University College, Zayed University-Abu Dhabi. $99.00/£80.00(s) June 2018 978 1 58046 557 1 20 b/w illus.; 317pp, 9 x 6, HB Eastman Studies in Music

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Wilhelm Furtwängler

Art and the Politics of the Unpolitical RO GE R AL L E N Wilhelm Furtwängler (1886-1954) has entered the historical memory as a renowned interpreter of the canon of Austro-German musical masterworks. Yet more than sixty years after his death he remains a controversial figure: the complexities and equivocacy of his high-profile position within the Third Reich still cast a long shadow over his reputation. This book builds an intellectual biography of Furtwängler, probing this ambiguity, through a critical examination of his extensive series of essays, addresses and musical compositions, some of which are made available here to the public for the first time.

ROGER ALLEN is a Fellow of St Peter’s College, Oxford and author of Richard Wagner’s Beethoven (1870): A New Translation (Boydell Press, 2014). $80.00/£45.00(s) May 2018 978 1 78327 283 9 12 b/w illus.; 304pp, 23.4 x 23.4, HB

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Lutosławski’s Worlds Edited by L I S A JAK E L SK I & N IC HOL AS REY L AND A landmark volume which looks at the multi-facetted spheres that informed Lutosławski’s life and works and represents a new departure in the study of his music. Throughout his life, the composer steered musicologists away from the connections between his extraordinary biography and concert music. He also sought to minimize scholarly attention to the many other spheres of creative activity – popular music, theatre music, film scoring, propaganda music, and educational music – that occupied him. In this volume, for the first time, the world’s leading Lutosławski scholars consider the full range of his musical output and the biographical, cultural and historical contexts in which those musics were created.

For a full list of contributors, please visit www.boydellandbrewer.com LISA JAKELSKI is Associate Professor of Musicology at the Eastman School Music, University of Rochester. NICHOLAS REYLAND is Senior Lecturer in Music at Keele University. $99.00/£60.00(s) May 2018 978 1 78327 198 6 20 b/w illus.; 320pp, 23.4 x 15.6, HB

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20th century music / M usic & liter atur e

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The Music of Simon Holt Edited by DAV I D CHAR LTON British composer Simon Holt (b. 1958) has been a leading presence in contemporary music since the early 1980s and Kites. His output is diverse, comprising chamber music, concertos for diverse instruments, songs, piano music and opera.

Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt’s creative work up to 2015 and Fool is hurt. It uses a variety of approaches to help readers, listeners and players to find ways into the pieces and to understand the influence of visual art and poetry on Holt’s work. Colour illustrations, music examples, tables and sketch facsimiles offer a rounded impression of Holt’s inspiration and thought to date. Also included are a wide-ranging conversation between Simon Holt and the artist Julia Bardsley, and a text by the conductor Thierry Fischer. The volume also offers the first detailed catalogue of Holt’s compositions.

For a full list of contributors, please visit www.boydellandbrewer.com DAVID CHARLTON is Professor Emeritus of Music History, Royal Holloway, University of London. $115.00/£65.00(s) September 2017 978 1 78327 223 5, Library e-book 978 1 78744 069 2 39 colour illus.; 4 b/w illus.; 362pp, 23.4 x 15.6, HB

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The Cyril Scott Companion

Violeta Parra

Edited by L EW I S FORE M AN, DESMON D S C OT T & L E SL I E DE’AT H

Edited by LOR NA DIL LON

Unity in Diversity

English composer, writer, and poet Cyril Scott (1879-1970) was admired by composers as diverse as Debussy, Strauss, Stravinsky and Percy Grainger. This Compendium provides a comprehensive analysis and appraisal of all of Scott’s available music and a broad picture of his entire output in literary, dramatic and philosophical genres, including unpublished and hitherto completely unknown literary works.

DESMOND SCOTT, the son of Cyril Scott, is a Theatre Director, Radio and TV writer, as well as sculptor. LESLIE DE’ATH is Professor, Faculty of Music, Wilfrid Laurier University, Waterloo, Canada. LEWIS FOREMAN is a writer on British music. His latest publication for Boydell & Brewer is Felix Aprahamian. $80.00/£45.00(s) May 2018 978 1 78327 286 0 40 b/w illus.; 432pp, 23.4 x 15.6, HB

MUSIC & LITERATURE

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A.E. Housman p r e v i ou sly a n n ou n c e d

Music and Soviet Power, 1917-1932 MA R INA FROLOVA-WA L KER & JONAT HAN WALKE R The book offers unprecedented access to primary sources that have been unavailable in English, or which lay unknown on archival shelves.

Music and Soviet Power offers cultural history told through documents – both colourful and representative – with an extensive commentary and annotation throughout.

[A] fascinating and invaluable book.

MU SIC AL TIMES

MARINA FROLOVA-WALKER is Professor in Music History at the University of Cambridge and a Fellow of Clare College, Cambridge. JONATHAN WALKER, who has a PhD in Musicology, is a freelance writer, teacher and pianist. $25.95/£19.99(s) April 2017 978 1 78327 193 1, Library e-book: 978 1 78204 023 1 Personal e-book: 978 1 78204 972 2 432pp, 23.4 x 15.6, PB

Hero of the Hidden Life ED G A R V I NC E N T A.E. Housman (1859-1936), a seemingly inaccessible, aloof man, never set out to be a professional poet, yet poetry poured out of him and became his monument.

His poetry was set to music by composers including Arthur Somervell, Ralph Vaughan Williams, George Butterworth, Ivor Gurney, John Ireland and Samuel Barber. This biography reveals by contrast a man of many facets, one companionable in small groups, generous to a fault, and always on the lookout for humour and fun; a master of English prose; a witty and compelling after-dinner speaker; an occasional writer of nonsense verse; a frequenter of the music hall; and much more. It weaves together his scholarly life and the biographical elements in his poetry to examine his emotional and sexual needs with dispassion and empathy and to uncover his hidden sensibilities and creative world.

EDGAR VINCENT is a writer whose book Nelson: Love & Fame (Yale University Press, 2003) was a New York Times Notable Book and one of Atlantic Monthly’s Books of the Year. $34.95/£25.00 February 2018 978 1 78327 241 9, Library e-book 978 1 78744 098 2 Personal e-book 978 1 78744 099 9 45 b/w illus.; 496pp, 23.4 x 15.6, HB

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Life and Work

Violeta Parra was an extraordinary figure. She is best known for her contribution to the Latin American New Song movement and for her visual art, which was exhibited in the Musée des Arts Décoratifs of the Louvre gallery in 1964.

Parra spent her early career singing Mexican songs in bars and researching traditional Chilean culture.

All the different phases of Parra’s life and work are discussed in this book, with analyses of her music, paintings, sculptures, embroideries (arpilleras), and poetry. Her exhibition in the Louvre gallery and the music venue that she set up before she died, La Carpa de la Reina, are also covered.

Among the individual essays collected here are seminal works by Patricio Manns and Leonidas Morales, which have been translated into English for the first time. These works introduce the historical and biographical context for Parra’s work.

Other essays feature the latest research and findings

by Catherine Boyle, Ericka Verba, Paula Miranda, Serda Yalkin, Romina A. Green, and Lorna Dillon.

The book also includes an interview with Violeta Parra’s brother, the influential poet Nicanor Parra and a Foreword by Marjorie Agosín.

Lorna Dillon earned her PhD at King’s College London. She is currently a network facilitator and associate lecturer at the University of Kent. $95.00/£60.00(s) October 2017 978 1 85566 321 3 Library e-book 978 1 78744 071 5 214pp, 23.4 x 15.6, HB Monografías

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Music into Fiction

Composers Writing, Compositions Imitated T H E OD ORE Z IOL KOWSK I Illuminates unexplored dimensions of the musicliterature relationship and the sometimes unrecognized talents of certain famous writers and composers.

Theodore Ziolkowski

is Professor Emeritus of German and Comparative Literature, Princeton University. $34.95/£19.99 February 2017 978 1 57113 973 3, Library e-book: 978 1 78204 917 3 Personal e-book: 978 1 78204 928 9 1 b/w illus.; 260pp, 9 x 6, HB Studies in German Literature Linguistics and Culture

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PE N DRAGO N PRE SS

PENDRAGON PRESS

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Mozart’s Salzburg Years (1756-1781)

Insights and Images

WILLIAM C OWDERY & CATHERI NE SPR AG UE Encompasses the composer’s early years of travel throughout Europe as a child prodigy, his so-called ‘years of servitude’ in Salzburg as court composer, his subsequent search for a suitable position, and his return to his native city.

Though there is no shortage of books about the life and work of Wolfgang Amadeus Mozart, this volume offers the reader new details and insights into the composer, accompanied by new and startling images never before seen in the Mozart literature.

Catherine Sprague is a pianist and independent researcher. William Cowdery of Cornell University is author of Mozart books and countless publications in musicology. $49.95/£35.00 February 2018 978 1 57647 204 0 480pp, 10 x 7, HB

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Studies in the English Pantomime, 1712-1733 R ICHARD SEMMENS This book offers five significant and interrelated studies on pantomime entertainments in eighteenth-century England, with a particular focus on music and dancing. Topics covered include a chapter which contextualizes the significant contributions of pioneering English choreographer, dance theorist, and historian John Weaver (1673-1760); an in-depth reading of John Thurmond’s Harlequin Doctor Faustus (1723) at Drury Lane Theatre; an examination of a rival production of the work; and studies on how disparate entertainment types – musical theatre, masquerades, and magic shows – were significant elements in what the critics noticed about the Faustus pantomimes, and their unprecedented success. $48.00/£40.00(s) January 2017 9781576472774 208pp, 9 x 6, HB Wendy Hilton Dance and Music

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Building Bridges with Music

Very Good for an American

S A M UEL A DL E R

Edited by E . D OU GL AS B OM BE RGE R

”After over sixty years of teaching and finally retiring for the third time in May of 2016, I felt the urge to write down the many stories I have experienced during my long life. This book covers occurrences from my early childhood in Nazi Germany, emigrating to the United States at age ten, my education on the high school and college levels, my years in the army (an education, to be sure, albeit of a different kind), as well as the many professional experiences as a composer, conductor, teacher, author and administrator both in America and abroad. I have tried to relate the many encounters with some of the most important personalities in the world of music, the other arts, academia, religion, and even politics. My life has been blessed with a most supportive family, many good friends, and a host of students who have made my teaching years rewarding and colorful.

Building Bridges with Music seems to have been part of my destiny and I have embraced this enthusiastically whenever the opportunity presented itself. I invite you to have this experience with me through this book.” —Samuel Adler

This collection of essays explores topics of relevance to understanding Edward MacDowell (1860-1908) and his music. He came of age during an era when the infrastructure of concert music in the United States was expanding rapidly and at the height of his career, MacDowell was widely recognized as America’s leading composer. He studied in Paris and Germany and was influenced by Wagner and Liszt. MacDowell’s growing body of works for piano and orchestra earned him the reputation of America’s most important young composer, which led to his appointment as first professor of music at Columbia University in 1896.

Stories from a Composer’s Life

$39.95/£30.00(s) July 2017 978 1 57647 303 0 Library e-book 978 1 57647 268 2 300pp, HB American Music and Musicians

P e ndr ag o n pr es s

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worlds of Harpsichord and organ

Liber Amicorum David Fuller BRUCE GUSTAFSON With a foreword by William Christie, reflecting on a half-century of musical friendship with David Fuller, essays by an international roster of musicologists present new research about the music, theory, and organology of the harpsichord and the organ. Chronologically, the subjects range from the seventeenth to twentieth centuries, all the articles being written by colleagues and former students of the honoree. A closing section presents a survey of the career and writings of David Fuller with tributes from distinguished colleagues. $60.00/£50.00(s) January 2018 978 1 57647 237 8 300pp, HB Festschrift

Essays on Edward MacDowell

$48.00/£40.00(s) July 2017 978 1 57647 305 4, 22 b/w illus.; 244pp, 9 x 6, HB American Music and Musicians

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The Americanization of Zen Chanting ST E PH E N SLOT TOW Zen Buddhist practice has its own indigenous music: the ritual chanting which, along with bells and percussion instruments, form a part of virtually every Zen ceremony and formal event, both monastic and lay. And, like the other aspects of Zen teaching and practice, the chanting of sutras, dharanis, gathas, dedications, and readings has undergone a widely varied range of adaptations as part of its migration to and continuing development in the North American context. These adaptations have been characterized by two opposing tendencies: the conservative desire to keep practices “pure” and unadulterated (in some cases, an idealized and simplified projection of “pure”) versus the urge to individualize and innovate to fit changing contemporary North American contexts. The purpose of this book is to study in some detail how this tension plays out in different aspects of chanting. Because Zen practice in America is highly decentralized, even within the same teaching lines the degree of standardization in chanting practice varies widely, resulting in a large range of solutions to the problem of adapting a traditional Japanese religious musical practice to American contexts. $54.00/£45.00(s) April 2018 978 1 57647 250 7, 300pp, HB

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P END RAGON P R E SS

PENDRAGON PRESS We are pleased to announce that Boydell & Brewer is now the distributor of Pendragon Press. Located at the edge of the Berkshire Mountains in Hillsdale, New York, Pendragon Press was founded in 1972 by the late Claire Brooke and publishes a range of books on music, musicology, and music theory. Now led by her brother, Bob Kessler, a musician in his own right, Pendragon Press continues to publish books by established scholars and new musicologists with revolutionary ideas.

Here are several exciting new titles from the Pendragon list:

Czech Music around 1900 Edited by LENKA KRUPKOVÁ & J IRÍ KOPECKY The extraordinary dynamics of the period of about two decades before the outbreak of World War I were determined by the rise of a young generation of composers who now accepted the “global” character of Czech music as a matter of course, thanks to the international success of works by Bedrich Smetana and Antonín Dvorák.

Composers like Leos Janácek, Josef Bohuslav Foerster, Josef Suk, and especially Vítezslav Novák had extraordinary talent, received good training, and gradually won support from influential publishers. With courage and critical perspective they came to terms with the bequest of the “fathers”, the “founders” of Czech music, as well as with the works of their own more famous contemporaries like Richard Strauss, Gustav Mahler, and Gustave Charpentier. One of the aims of this book is to draw attention to some unjustly forgotten treasures of Czech music.

Pleasing and Interesting Anecdotes An Autobiography of Giacomo Gotifredo Ferrari

STEPHEN T HOM S ON MO ORE The chatty and highly informative memoirs of the musician and composer Giacomo Gotifredo Ferrari (1763-1842) have remained inaccessible to the English-reading public since their original appearance in Italian in 1830, although there were two republications in Italy in the 20th century. This is the first translation into any other language.

Stephen Thomson Moore is Head of the Sound & Image Department of the Green Library, Florida International University, Miami, Florida. $48.00/£40.00(s) December 2017 978 1 57647 223 1 300pp, PB Lives in Music

Recollections from My Life An Autobiography by A. B. Marx ST E PH E N T HOM S ON MO ORE This new translation, complete with annotation and commentary, of Adolf Bernhard Marx (1795-1866) – Western music’s single most influential theorist – will make available to English readers for the first time this important view of music in Germany during the time of Beethoven, Mendelssohn, and other familiar names from the concert hall.

Stephen Thomson Moore is Head of the Sound & Image Department of the Green Library, Florida International University, Miami, Florida. $68.00/£55.00(s) April 2017 978 1 57647 249 1 274pp, 9 x 6, PB Lives in Music

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$65.00/£45.00(s) November 2017 978 1 57647 302 3 30 b/w illus.; 308pp, 23.4 x 15.6, HB Studies in Czech Music

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B R I T I S H M US IC

BRITISH MUSIC

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British Musical Criticism and Intellectual Thought, 1850-1950 Edited by JEREMY DI BBL E & J U LIAN HORTON British music between 1850 and 1950 reflected changes and developments in society, education, philosophy, aesthetics, politics and the upheaval of wars, often signifying a distinctively British national history. All of these changes informed the published work of contemporary music critics.

The book focusses on major figures such as Grove, Parry, Shaw, Dent, Newman, Heseltine, Vaughan Williams, Dyson, Lambert and Keller, yet does not neglect less influential but nevertheless significant critics. It covers a range of themes from the historical, scientific and philosophical to matters of repertoire, taste, interdisciplinary influence, musical democratisation and analysis. The book will be of interest to scholars and students of nineteenth- and early twentieth-century British music and music in Britain as well as to music enthusiasts attracted to standard works of popular music criticism.

JEREMY DIBBLE is Professor of Music at Durham University. JULIAN HORTON is Professor of Music

at Durham University.

$99.00/£65.00(s) June 2018 978 1 78327 287 7 10 b/w illus.; 272pp, 23.4 x 15.6, HB Music in Britain, 1600-2000

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Conductors in Britain, 1870-1914 Wielding the Baton at the Height of Empire F IONA M. PALMER Considers the emerging function and status of orchestral conductors in Britain, and the nature of the opportunities available to them, from the late Victorian era until the outbreak of World War I. It does so by examining and comparing the profiles and impact of eight men whose work supplied the needs of a variety of institutions across the period and whose significant contributions were overshadowed by the emergence of virtuoso interpreters. This book deepens our understanding of the internal networks, influences and priorities within musical life in Britain in the late nineteenth century.

FIONA M. PALMER is Professor of Music at the National University of Ireland Maynooth.

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Music in the West Country

Composing History

STEPH EN BANFI E L D

DE B OR AH H E C K E RT

The first regional history of music in England.

Ranging over seven hundred years, from the minstrels, waits, and cathedral choristers of the fourteenth century to the Bristol Sound of the late twentieth, this book explores the soundscape of the West Country, from its gateway cities of Bristol and Salisbury in the east to the Isles of Scilly in the west, and examines music-making in tiny villages as well as conditions in important centres such as Bath, Exeter, Plymouth, and Bournemouth. What emerges is both a study of the typical and a portrait of the unique.

This book focuses on the masque, an early modern English musico-dramatic genre that was reinvented during the Victorian period as a vehicle for nationalistic, historically-inflected popular entertainments. As conceptions of national identity became increasingly dependent on the image of ‘Merrie England’ located in the English Renaissance and in the folk traditions of the countryside, genres such as the masque that were integrally connected to these ideological constructions became important ways in which national identity was represented. This in turn had profound ramifications for the ideologies of the English Musical Renaissance and its construction of a national musical idiom at the turn of the twentieth century.

Social and Cultural History across an English Region

STEPHEN BANFIELD is Emeritus Professor of Music at the University of Bristol. $50.00/£30.00(s) March 2018 978 1 78327 273 0 14 b/w illus.; 442pp, 23.4 x 15.6, HB Music in Britain, 1600-2000

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Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893-1921 ‘Our new dawn of modern music’ Edited by M IC HAE L AL L I S Granville Bantock’s letters to the Scottish composer William Wallace and the music critic Ernest Newman provide a fascinating window into British music and musical life in the early twentieth century and the ‘dawn’ of musical modernism. The letters highlight Bantock’s and Wallace’s development of the modern British symphonic poem, their contribution (with Newman) to music criticism and journalism, and their attempts to promote a young generation of British composers – revealing an early frustration with the musical establishment. Confirming the impact of visits to Britain by Richard Strauss and Sibelius, Bantock offers opinions on a range of composers active around the turn of the twentieth century.

MICHAEL ALLIS is Professor of Musicology at the School of Music, University of Leeds. $130.00/£75.00(s) October 2017 978 1 78327 233 4 8 b/w illus.; 292pp, 23.4 x 15.6, HB

National Identities and the English Masque Revival, 1860-1920

DEBORAH HECKERT is a Lecturer at Stony Brook University and has taught at the University of Virginia, Utah State University, and Brooklyn College-CUNY. $99.00/£55.00(s) April 2018 978 1 78327 207 5 25 b/w illus.; 224pp, 23.4 x 15.6 Music in Britain, 1600-2000

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Edward J. Dent

A Life of Music and Words KARE N ARR ANDAL E This first full biography of Edward J. Dent (1876-1957) covers not only his pioneering music scholarship and cultural activities but also his personal crusades on behalf of music and opera, gays, refugees, and the culturally destitute. Drawn from a wide variety of unpublished sources, from behind Dent’s carefully constructed public persona of a cosmopolitan gentleman scholar the picture emerges of a more complex and fascinating human being. His seminal books and articles remain fresh and vital and his writing hugely entertaining, while his ideas on the importance of the arts in everyday life are as relevant as ever.

KAREN ARRANDALE is a Life Member of Clare

Hall, Cambridge.

$90.00/£45.00(s) October 2018 978 1 78327 205 1 20 b/w illus.; 448pp, 23.4 x 15.6, HB Music in Britain, 1600-2000

$99.00/£60.00(s) March 2017 978 1 78327 145 0 Library e-book 978 1 78204 939 5 Personal e-book 978 1 78204 961 6 17 b/w illus.; 320pp, 23.4 x 15.6, HB Music in Britain, 1600-2000

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B r itish Music / Britten Studies / P erform a nce

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The Three Choirs Festival: A History

New and Revised Edition A NTHONY B ODEN & PAUL H EDL EY This revised edition brings the history of the oldest surviving non-competitive music festival in Britain thoroughly up to date. It traces the development of the Festival from its origins in the early eighteenth century to its tercentenary in 2015, along the way touching on the many musical milestones – premieres by Parry, Elgar, Vaughan Williams, Saint-Saëns, Holst, and Howells, among others – and luminaries – Sullivan, Stanford, Dvorák, Delius, Bax, and Britten, to name but a few – associated with it.

British music enthusiasts especially will find this new edition invaluable.

ANTHONY BODEN is a writer and former

Administrator of the Gloucester Three Choirs Festival, a post he held from 1989 until his retirement in 1999. PAUL HEDLEY spent five years as Chief Executive of the Three Choirs Festival. $34.95/£25.00 June 2017 978 1 78327 209 9 Library e-book 978 1 78744 038 8 Personal e-book 978 1 78744 036 4 149 b/w illus.; 552pp, 24 x 17, HB

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Ernest Newman

A Critical Biography PAUL WAT T Ernest Newman (1868-1959) left an indelible mark on British musical criticism in a career spanning more than seventy years. His magisterial Life of Richard Wagner, published in four volumes between 1933 and 1946, is regarded as his crowning achievement, but Newman wrote many other influential books and essays on a variety of subjects ranging from early music to Schoenberg.

Tracing Newman’s career as a writer and examining particular sets of writings such as composer-biographies and essays from leading newspapers, this book illustrates the ways in which Newman’s work was grounded in late nineteenth-century intellectual paradigms that made him a unique and at times controversial figure.

PAUL WATT is Senior Lecturer in Musicology in

the Sir Zelman Cowen School of Music at Monash University. $90.00/£45.00(s) June 2017 978 1 78327 190 0 Library e-book 978 1 78744 028 9 12 b/w illus.; 274pp, 23.4 x 15.6, HB Music in Britain, 1600-2000

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BRITTEN STUDIES

PERFORMANCE

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Literary Britten

I Sang the Unsingable

Edited by KAT E K E NN E DY

BET HANY BE ARD SL E E With M I N NA Z AL L M AN PRO CTOR

Words and Music in Benjamin Britten’s Vocal Works Britten is the most literary British composer of the twentieth century. The chapters in this volume examine all aspects of Britten’s text setting, from his engagement with a wide variety of poetry to his relationship with his librettists. By approaching Britten’s operas and songs through their literature, this book offers fresh insights into his vocal works.

KATE KENNEDY is the Weinrebe Research Fellow in Life-writing at Wolfson College, Oxford. $99.00/£60.00(s) May 2018 978 1 78327 285 3 10 b/w illus.; 304pp, 23.4 x 15.6, HB Aldeburgh Studies in Music

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Benjamin Britten Studies Essays on An Inexplicit Art

Edited by V IC K I P. ST ROE H E R & JUSTIN VIC K E RS Brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a recontextualization of previously held beliefs about Britten. The collection considers difficult questions of identity such as Britten’s retreat to America; addresses sensitive issues of intimacy and Britten’s relationships; and combines closer analysis of Britten’s music and compositional practices with a description of the more overtly political context within which he found himself. This book concludes by asking what we can actually know about the composer in a reconsideration of the materials he left behind.

For a full list of contributors, please visit www.boydellandbrewer.com VICKI P. STROEHER is Professor of Music History at Marshall University. JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University. $99.00/£60.00(s) June 2017 978 1 78327 195 5 Library e-book 978 1 78744 006 7 20 b/w illus.; 554pp, 23.4 x 15.6, HB Aldeburgh Studies in Music

My Life in Twentieth-Century Music American soprano Bethany Beardslee rose to prominence in the postwar years, when the modernist sensibilities of European artists and thinkers were flooding American shores and challenging classical music audiences. With her light lyric voice, her musical intuition, and her fearless dedication to new music, Beardslee became the go-to girl for twelve-tone music in New York City. She was the first American singer to build a repertoire performing the music of Arnold Schoenberg, Anton Webern, Alban Berg, Milton Babbitt, and Pierre Boulez, making a vibrant career singing difficult music.

Born in 1925 in Lansing, Michigan, Bethany Beardslee is an American soprano. Minna Zallman Proctor is a writer, critic, and translator. $29.95/£25.00 September 2017 978 1 58046 900 5 Library e-book: 978 1 78744 043 2 Personal e-book: 978 1 78744 110 1 50 b/w illus.; 418pp, 9 x 6, HB

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The Pro Arte Quartet

A Century of Musical Adventure on Two Continents JOH N W. BARK E R First organized in 1912 by precocious young Belgian musicians, the Pro Arte String Quartet has survived two world wars and is still performing more than a century later – a durability unique in the annals of such ensembles. Its membership has included such extraordinary musicians as founding first violinist Alphonse Onnou and his successor, Rudolph Kolisch. This book traces the Pro Arte Quartet’s history from its beginnings to the present, highlighted by portraits of the diverse, fascinating, and colorful personalities, musicians and others, who have been a part of that history.

John W. Barker is Emeritus Professor of History at the University of Wisconsin-Madison. $39.95/£19.99 October 2017 978 1 58046 906 7 30 b/w illus.; 366pp, 9 x 6, HB

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Pe r fo r m ance / Music H istory & T heory

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The Crafty Art of Opera For Those Who Make It, Love It or Hate It

MICHAEL HAMPE Translated by CHRI S WA LTON While opera singers and superstars sometimes attract a separate following, the stage director’s job is often the one that really counts.

Here, Internationallyacclaimed director Michael Hampe brings glimpses of his work to a wider audience. Packed with many anecdotes from the author’s luminous career, this book is a must for opera-lovers (and haters) who want to gain a glimpse of ‘how it is done’. Eminently readable, it brings both insight and wit from a life spent in opera.

MICHAEL HAMPE is an internationally acclaimed opera stage director. The Crafty Art of Opera was published in German as Opernschule. $25.95/£19.99 August 2016 978 1 78327 097 2 Library e-book: 978 1 78204 700 1 Personal e-book: 978 1 78204 804 6 5 colour, 17 b/w illus.; 200pp, 23.4 x 15.6, HB

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On the Principles and Practice of Conducting M A R KA N D T HAKAR A practical manual for building musical understanding and physical skills, intended for anyone who stands on a podium with the intention of helping an ensemble make music.

Each of the four chapters of this book begins with a summary of the underlying principles, and goes on to present real-life applications and offer exercises for developing skills.

Markand Thakar is music director of the Baltimore Chamber Orchestra and a member of the graduate conducting faculty at the Peabody Conservatory. $29.95/£19.99 June 2016 978 1 58046 540 3 Library e-book: 978 1 78204 763 6 Personal e-book: 978 1 78204 998 2 12 b/w& 60 line illus.; 144pp, 9 x 6, HB

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The Violin Edited by ROBE RT RIGGS Provides new perspectives on the violin’s beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature.

Building the Operatic Museum Eighteenth-Century Opera in Fin-de-Siècle Paris WILLIAM GI BB ONS Focusing on the operas of Mozart, Gluck, and Rameau, this book examines the role that eighteenth-century works played in the opera houses of Paris around the turn of the twentieth century. These works became central exhibits in what William Gibbons calls the Operatic Museum – a simultaneously physical and conceptual space in which great masterworks from the past could entertain audiences while educating them in their own history and national identity. Building the Operatic Museum explores how this seemingly simple idea represented a fundamental shift in how French audiences, critics, and composers understood the nature and function of music history. $29.95/£19.99 January 2017 978 1 58046 587 8 Library e-book: 978 1 58046 815 2 16 b/w & 2 line illus.; 320pp, 9 x 6, PB

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educate. AUSTA

[T]his enjoyable treatise will enlighten, entertain and ST R I NGEND O

For a full list of contributors, please visit www.boydellandbrewer.com

Musicologist and violinist Robert Riggs (PhD, Harvard University) chairs the Department of Music at the University of Mississippi. $39.95/£19.99 November 2016 978 1 58046 506 9 Library e-book: 978 1 78204 852 7 Personal e-book: 978 1 78204 897 8 20 b/w illus.; 326pp, 0 x 0, HB Eastman Studies in Music

MUSIC HISTORY & THEORY

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The Sonatas of Henry Purcell Rhetoric and Reversal ALON S C HAB Henry Purcell’s trio sonatas are among the composer’s most highly admired instrumental works. Although Purcell declared that he wrote them as “a just imitation” of Italian sonatas, they are full of complex compositional devices that are hardly found in any of his suspected Italian models but are characteristic of English compositional traditions. Schab’s pathbreaking The Sonatas of Henry Purcell: Rhetoric and Reversal explores the underlying structures of the sonatas, emphasizing the effective rhetoric of the music and the composer’s use of symmetry and reversal on several levels.

Alon Schab is a lecturer at the University of

Haifa.

$99.00/£80.00(s) May 2018 978 1 58046 920 3 10 b/w illus.; 304pp, 9 x 6 Eastman Studies in Music

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Debussy’s Resonance Edited by FR ANÇ OI S DE M É DIC I S , M IC H E L DU C H E SNE AU & ST EVE N H U E BNE R The music of Claude Debussy has always been widely beloved by listeners and performers alike, more perhaps than that of any of the other pioneers of musical modernism. However rich in itself, his creative output also participated, and continues to participate, in a network of cultural connections, the scope and meaning of which can only be gleaned through multiple interpretive frameworks. Debussy’s Resonance offers twenty new studies by some of the most active and respected English- and French-language scholars of French music. The book treats a large swath of the composer’s music, from previously unexplored mélodies of his early years to late pieces such as the ballet Jeux and the Douze Études, and takes into consideration the numerous contexts that helped shape the works and the different ways that musicologists and critics have explained them.

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François de Médicis is Professor of Music at the Université de Montréal. Steven Huebner is Professor of Music at McGill University. $90.00/£75.00(s) May 2018 978 1 58046 525 0 29 b/w illus.; 354pp, 0 x 0, HB Eastman Studies in Music

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music history & theory

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Brahms and the Shaping of Time

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That Jealous Demon, My Wretched Health

Edited by SC OT T MURPH Y

Disease, Death and Composers

Music Criticism in France, 1918-1939

Explores the numerous ways in which Brahms manipulates such basic elements as rhythm and phrase structure, in pieces ranging from the Third Piano Sonata and the Double Concerto to a number of his most important and beloved songs. Together, the essays in this volume combine fresh approaches to the life and music of the beloved nineteenth-century composer with the latest and most significant ways of thinking about rhythm, meter, and musical time.

JONATHAN NOBL E

Edited by BARBAR A L . K E L LY & C H RI STOPH E R MO ORE

For a full list of contributors, please visit www.boydellandbrewer.com

Scott Murphy is professor of music theory at the University of Kansas. $110.00/£90.00(s) March 2018 978 1 58046 597 7 Library e-book: 978 1 78744 017 3 316pp, 9 x 6, HB Eastman Studies in Music

The health – and especially deaths – of composers excite controversy, as issues regarding Tchaikovsky, Elgar, Beethoven, Mozart and, recently, Britten reveal. Much good previous scholarship has been sullied by unsubstantiated views, and many composers’ reputations have been tarnished by scandalous commentary, often involving alcoholism or syphilis. This book charts the disturbed physical and mental health of 70 great composers. It attempts to unpick the evidence forensically and to define the cause of death based on the legal paradigm of a balance of probabilities. The author reviews where the composer was when the final illness or death overtook him and considers how many of them would have fared with modern treatment.

Chapters are organised thematically, by illness; and numerous misconceptions, such as madness fuelling creativity, are challenged.

JONATHAN NOBLE is a Fellow of the Royal

College of Surgeons.

$34.95/£25.00 May 2018 978 1 78327 258 7 25 b/w illus.; 384pp, 23.4 x 15.6, HB

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Musical Debate and Political Culture in France, 1700-1830 R . J. ARNOLD In the eighteenth and early nineteenth centuries, French cultural life seethed with debates about the proper nature and form of musical expression, particularly in opera. In the first full length treatment of these so-called querelles, Arnold places them in their political and cultural context and traces the common themes of authority, national prestige and the direct power of music over popular sentiment which ran through them.

R. J. Arnold is an honorary research fellow at Birkbeck, University of London $99.00/£65.00(s) June 2017 978 1 78327 201 3 5 b/w illus.; 240pp, 23.4 x 15.6, HB Music in Society and Culture

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Schubert’s Mature Instrumental Music A Theorist’s Perspective DAV ID BE AC H In his instrumental works, Franz Schubert, like Beethoven, expanded on classical traditions, especially in the areas of form and harmony. Yet many of these works have only recently begun to be appreciated for their true worth. David Beach here analyzes selected symphonic, chamber, and solo-piano works written during the last ten years of the composer’s short life, beginning with the Trout Quintet and ending with the String Quintet. Beach’s insights will enrich the listener’s experience of what are now recognized as some of the great masterpieces of the early nineteenth century.

David Beach is Professor Emeritus and former

Dean of the Faculty of Music at the University of Toronto.

Authority, Advocacy, Legacy Examines the aesthetic battles that animated and informed French musical criticism during the interwar period (1918-1939). Bringing together scholars from different areas of musicology and related humanities disciplines, it also draws on different Anglophone and Francophone intellectual traditions. As well as considering the reception of individual works, the contributors examine key individuals, composer-critic pairings, the composer as critic and technician, the role of influential journals, and music criticism as a pedagogical tool for concert-going and radio audiences.

BARBARA L. KELLY is Director of Research at the Royal Northern College of Music, Manchester.

CHRISTOPHER MOORE is Associate Professor of Musicology at the University of Ottawa. $99.00/£65.00(s) May 2018 978 1 78327 251 8 8 b/w illus.; 272pp, 23.4 x 15.6, HB

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The Music and Music Theory of Paul Hindemith SI MON DE SBRU SL AI S This book provides a critical engagement with Hindemith’s Unterweisung, particularly concerning its relationship to existing acoustic music theories.

Equally central to the book is the relationship of Hindemith’s Unterweisung to his compositional practice. Beginning with an overview of existing polemics, it draws together unpublished materials from the Yale Hindemith Institute with reminiscences from former students to construct an Unterweisung reception history.

The book shows that, while many areas of Hindemith’s theory have been overtaken by recent interests in music theory that relate to cognition and geometry, his influence has been deeply felt.

SIMON DESBRUSLAIS is Lecturer in Music and Director of Performance at the University of Hull. $99.00/£60.00(s) February 2018 978 1 78327 210 5 17 b/w illus.; 352pp, 23.4 x 15.6, HB

$90.00/£75.00(s) June 2017 978 1 58046 592 2 Library e-book: 978 1 78744 016 6 222pp, 9 x 6, HB Eastman Studies in Music

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M usic History & Theory / Ethnomusicology

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Performing Propaganda

The Dawn of Music Semiology

Nation and Classical Music

R ACHEL MO ORE

Edited by JONAT HAN DU NSB Y & JONATHAN GOL DM AN

M AT T H EW RI L EY & ANT HONY D. SM I T H

Showcases the work of ten leading musicologists inspired by the work of Jean Jacques Nattiez. Reflecting the energy and diversity of the young field of music semiology, chapters in this volume discuss music and gesture, the psychology of music, and the role of ethnotheory, and offer new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker’s theory of musical content, and modernism from Wagner to Boulez.

Drawing on well-known classical pieces from countries in Europe and North America, this book develops a comparative analysis of the relationship between western art music, nations and nationalism.

Issues explored include the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music.

Musical Life and Culture in Paris during the First World War Examines how Western art music became a central part of the home-front war effort, employed by both musicians and government as a powerful tool of propaganda, and situates French art music of the First World War within its social, cultural and political context, and within the wider temporal framework of the Franco-Prussian and Second World Wars. This book explores how various facets of French musical life served, in very different ways, as propaganda. In short, it explores why music mattered during a period of prolonged conflict, whether as emotional catalyst, weapon, or tool.

RACHEL MOORE is a Leverhulme Early Career

Fellow in Music, University of Oxford. $99.00/£60.00(s) May 2018 978 1 78327 188 7 15 b/w illus.; 256pp, 23.4 x 15.6, HB Music in Society and Culture

Essays in Honor of Jean-Jacques Nattiez

For a full list of contributors, please visit www.boydellandbrewer.com Jonathan Dunsby is Professor of Music Theory

at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal. $99.00/£80.00(s) February 2017 978 1 58046 562 5 Library e-book: 978 1 78204 918 0 228pp, 9 x 6, HB Eastman Studies in Music

From Handel to Copland

MATTHEW RILEY is Reader in Music at the University of Birmingham. The late ANTHONY D. SMITH was Professor Emeritus of Nationalism and Ethnicity at the London School of Economics. $34.95/£25.00 December 2016 978 1 78327 142 9 Library e-book 978 1 78204 857 2 Personal e-book 978 1 78204 892 3 6 b/w illus.; 256pp, 23.4 x 15.6, HB Music in Society and Culture

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Stravinsky’s “Great Passacaglia” Recurring Elements in the Concerto for Piano and Wind Instruments D ONALD G. T R AUT Marks the first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, examining the complex significance of this piece for Stravinsky and his contemporaries. By combining sketch studies, musicological context, and straightforward analyses of all three movements, the book paints a comprehensive picture of the piece’s creation, impact, and structure that will be of interest to musicologists, pianists, and concert goers alike.

Donald Traut is associate professor of music theory at the University of Arizona. $70.00/£55.00(s) November 2016 978 1 58046 513 7 Library e-book: 978 1 78204 848 0 172pp, 9 x 6, HB Eastman Studies in Music

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Consuming Music

Individuals, Institutions, Communities, 1730-1830 Edited by EM I LY H . GRE E N & C ATH ERI N E M AY E S This collection of nine essays investigates such questions from a variety of perspectives, each informed by parallels between the consumption of music and that of dance, visual art, literature, and philosophy in France, the Austro-German lands, and the United States.

For a full list of contributors, please visit www.boydellandbrewer.com Emily H. Green is assistant professor of music at George Mason University. Catherine Mayes is assistant professor of musicology at the University of Utah. $99.00/£80.00(s) February 2017 978 1 58046 577 9 Library e-book: 978 1 78204 922 7 35 b/w illus.; 264pp, 9 x 6, HB Eastman Studies in Music

ETHNOMUSICOLOGY

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Tuning the Kingdom

Kawuugulu Music, Politics, and Storytelling in Buganda DAM AS C U S KAFUM BE Draws on ethnographic research, musical and textual analyses, and an integrated narrative of oral and written accounts to examine how the Kawuugulu Clan Royal Musical Ensemble of the Kingdom of Buganda enforces principles of politics among the Baganda (Ganda) people of south-central Uganda through stories passed down by oral tradition. The book’s focus is the ensemble’s ability to shape kinship, clanship, and kingship through the use of stories that serve as records of and frameworks for enacting principles of these three domains.

Damascus Kafumbe is Assistant Professor of Music at Middlebury College. $34.95/£25.00s) April 2018 978 1 58046 904 3 25 b/w illus.; 299pp, 9 x 6, HB Eastman/Rochester Studies Ethnomusicology

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E TH NOMUSICOLOGY / popular & mode rn music

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POPULAR & MODERN MUSIC

Listen with the Ear of the Heart

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Music and Monastery Life at Weston Priory MA R IA GUARI NO

Benedictine monks gather for communal prayer upwards of five times per day, every day. Their prayers, called the Divine Office, are almost entirely sung. Benedictines are famous for Gregorian Chant, but the original folk-inspired music of the monks of Weston Priory in Vermont is among the most familiar in post-Vatican II American Catholicism. Using the ethnomusicological methods of fieldwork and taking inspiration from the monks’ own way of encountering the world, this book offers a contemplative engagement with music, prayer, and everyday life.

Maria S. Guarino is an ethnomusicologist specializing in ethnography, religious life, Benedictine monasticism, and contemplative practices. $125.00/£95.00(s) June 2018 978 1 58046 910 4 20 b/w illus.; 263pp, 9 x 6, HB Eastman/Rochester Studies Ethnomusicology

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Music, Indigeneity, Digital Media Edited by T HOMAS R . H IL DER , HE NRY STOBART & SH ZR EE TA N This book explores how digital technologies have become embedded in and transformed Indigenous musical performance.

Bringing together the work of scholars and musicians across five continents, the volume addresses issues of music production, transnationalism, representation, transmission, and virtuality.

Offering new perspectives on Indigenous music and digital culture, Music, Indigeneity, Digital Media is essential reading in the fields of ethnomusicology, Indigeneity, and media studies.

For a full list of contributors, please visit www.boydellandbrewer.com Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London. $110.00/£90.00(s) February 2017 978 1 58046 573 1 Library e-book: 978 1 78204 921 0 Personal e-book: 978 1 78204 931 9 11 b/w illus.; 236pp, 9 x 6, HB Eastman/Rochester Studies Ethnomusicology

Must Close Saturday

The Decline and Fall of the British Musical Flop A DR IA N W RIGH T The ominous announcement “Must Close Saturday” too often heralded the demise of British musicals. The first book to deal exclusively with British musical flops, Must Close Saturday presents a rolling panorama of the good, the bad and the ugly, reassessing their place in theatrical history. Wright reveals a consistent striving at invention, with subjects including the electric chair, the Holocaust, the Virgin Mary, social inequality and Trade Unionism, sexual problems and murder, as well as biographical treatments of Hollywood stars, French painters, tragic novelists, royalty, and the Rector of Stiffkey. Discursive and provoking, Must Close Saturday at last prises open the neglected history of the British musical flop up to 2016.

ADRIAN WRIGHT is a novelist and has previously published A Tanner’s Worth of Tune (2010) and West End Broadway (2012) with Boydell & Brewer. $34.95/£25.00 October 2017 978 1 78327 235 8 Library e-book 978 1 78744 083 8 Personal e-book 978 1 78744 089 0 40 b/w illus.; 371pp, 23.4 x 15.6, HB

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Scoring Race

Jazz, Fiction, and Francophone Africa PIM H IG GI NS ON Reveals the importance of the jazz craze in France between the two world wars and the French construction of jazz as a “black music” – an exoticization which had wide-reaching effects on the artistic output of the African diaspora and on contemporary perceptions of black writers, musicians and film makers.

Pim Higginson is Professor of Global French

Studies at the University of New Mexico, Albuquerque. $90.00/£50.00(s) June 2017 978 1 84701 155 8 Library e-book 978 1 78744 037 1 Personal e-book 978 1 78744 094 4 1 b/w illus.; 247pp, 23.4 x 15.6, HB African Articulations

INFORMATION

This catalogue lists all new Boydell & Brewer Music Studies titles scheduled for publication through to October 2018, as well as a selection of backlist titles. Further information on all titles, including lists of contents and contributors, can be found on our website www.boydellandbrewer.com.

Prices and details were correct at time of catalogue production but are subject to change without notice.

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E a stm an S tudies in Music

The University of Rochester Press launched the Eastman Studies in Music series in 1994. With over one hundred titles in print and more to come, Eastman Studies in Music is a well-established endeavor committed to publishing quality titles in music scholarship.

New and recent publications from this celebrated series include: Nadia Boulanger and the Stravinskys A Selected Correspondence

Edited by K I M BE RLY FR ANC I S Published for the first time: a rich epistolary dialogue revealing one master teacher’s power to shape the cultural canon and one great composer’s desire to embed himself within historical narratives. $90.00/£80.00(s) March 2018 978 1 58046 596 0, 15 b/w illus.; 235pp, 9 x 6, HB Eastman Studies in Music

Sara Levy’s World

Gender, Judaism, and the Bach Tradition in Enlightenment Berlin Edited by RE BE C C A C Y PE S S & NANC Y SI N KOFF A rich interdisciplinary exploration of the world of Sara Levy, a Jewish salonnière and skilled performing musician in late eighteenth-century Berlin, and her impact on the Bach revival, German-Jewish life, and Enlightenment culture. $99.00/£80.00(s) June 2018 978 1 58046 921 0, 12 b/w illus.; 314pp, 9 x 6, HB Eastman Studies in Music

Brahms and the Shaping of Time Edited by S C OT T M U RPH Y Combines fresh approaches to the life and music of the beloved nineteenth-century composer with the latest and most significant ways of thinking about rhythm, meter, and musical time. $110.00/£90.00(s) March 2018 978 1 58046 597 7, Library e-book: 978 1 78744 017 3 316pp, 9 x 6, HB Eastman Studies in Music

The Courage of Composers and the Tyranny of Taste Reflections on New Music BÁL I NT ANDR ÁS VARGA All-new interviews with 33 of the world’s leading composers – from Adams and Crumb to Gubaïdulina and Rihm – give unique insights into the creative process. $49.95/£25.00 May 2017 978 1 58046 593 9, Library e-book: 978 1 78744 004 3, Personal e-book: 978 1 78744 001 2 272pp, 9 x 6, HB Eastman Studies in Music

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