Thomas ABSOLUTE OCEAN (soprano version)

Augusta Read Thomas

ABSOLUTE OCEAN for solo Soprano, Harp obbligato, and orchestra

on texts by E.E. Cummings

Full score

from the G. Schirmer Rental Library Date of Printing_________

G. Schirmer, Inc. New York, NY

Augusta Read Thomas

ABSOLUTE OCEAN for solo Soprano, Harp obbligato, and orchestra on texts by E.E. Cummings

1. the moon is hiding in her hair 2. who knows if the moon’s a balloon —interlude— 3. open your heart

commissioned by The Houston Symphony, Hans Graf, music director for harpist Paula Page and soprano Twyla Robinson with a generous gift in honor of Shirley and Jay Marks

Word premiere performance was on January 22, 2009 Houston Symphony, Hans Graf, conducting Twyla Robinson, soprano, and Paula Page, harp obbligato

G. Schirmer, Inc. New York, NY

Instrumentation Piccolo Flute Alto Flute in G Oboe English Horn Clarinet in B= Bass Clarinet Bassoon 2 Horns in F 2 Trumpets in C Trombone Percussion (4 players) 1. Vibraphone (2 bows needed) 2. Tubular Chimes, Crotales (2 complete octaves; bow needed), Small Suspended Cymbal (bow needed) 3. Glockenspiel (4 mallets needed), Xylophone, Small Triangle, Very Large Tamtam 4. Marimba (5 octave), 3 Triangles (small, medium, large), Medium Suspended Cymbal (bow needed)

Piano (lid removed for pizz. inside piano) Celesta Harp obbligato Solo Light Lyric Soprano* Strings (8-7-6-5-4 players preferred)

* The composer does not hear a large, dramatic, Wagnerian-type soprano for this composition.

duration ca. 22 minutes the four movements may be performed either “attacca” or with breaks between them Transposed Score The following six players should be playing from the back of the stage, in the very back of the orchestra, arranged in a semi-circle in this order: Perc. 1, Perc. 2, Celesta, Piano (lid off), Perc. 3, Perc. 4 This way, they form a “wall or screen” of sound that surrounds the rest of the orchestra. The solo Harp and Soprano should perform from the regular soloist position, in front of the orchestra. Grace notes always come before the beat and should never be slid or rushed through. Rolled chords start ON the beat All harp harmonics sound one octave higher than written. All harp notes should be l.v. molto unless otherwise specified. Vocal movements #1 and #3 are resonant. In contrast, vocal movement #2 is pointillistic, secco and fast flowing, with gliding multi-colored sparkles of sound. There are only six dynamics used in this score (pp, p, mp, mf, f, ff) so that each “level” of volume has a clear meaning and sound. Unless otherwise specified, use most common beater or mallet understanding that Movement #2 is pointillistic, secco and fast flowing, with gliding multi-colored sparkles of sound. Thus, special care should be given to choose mallets that accentuate the very many quiet, short notes in Movement #2. – Augusta Read Thomas

Three Poems by E.E. Cummings #1:

#3:

the moon is hiding in

open your heart:

her hair.

i’ll give you a treasure

The

of tiniest world

lily

a piece of forever with

of heaven full of all dreams,

summitless younger than

draws down.

angels are mountains rivery forests

cover her briefness in singing

towerful towns (queen

close her with the intricate faint birds by daisies and twilights

sprout heroes of moonstar

Deepen her,

flutter to and swim blossoms of person) through

Recite upon her

musical shadows while hunted

flesh

by daemons

the rain’s

see the luminous leopards (on wingfeet of thingfear)

pearls singly-whispering. come ships go snowily sailing #2:

perfect silence. who knows if the moon’s

Absolute ocean

a balloon, coming out of a keen city in the sky – filled with pretty people?

– E.E. Cummings

(And if you and i should get into it, they should take me and take you into their balloon, why then we’d go up higher with all the pretty people than houses and steeples and clouds: go sailing away and away sailing into a keen city which nobody’s ever visited, where always it’s Spring) and everyone’s in love and flowers pick themselves

Used with permission of the Liverlight Publishing Corporation. Copyright © 1923, 1925, 1944, 1951, 1953, 1963, 1972, 1991 by the Trustees for the E.E. Cummings Trust. Copyright © 1976 by George James Firmage.

with admiration and gratitude to Hans Graf, Paula Page, Twyla Robinson, Elly Thomas and Cynthia O'Neill

ABSOLUTE OCEAN E. E. Cummings (1894-1962)

Augusta Read Thomas (2008)

1. the moon is hiding in her hair

Graceful, colla voce sempre

© = 54

accel.

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4 &4

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Corrected 11/09

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Copyright © 2009 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

espr.

∑

Property of:

G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2

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Ó

Œ

∑

Œ

Œ

∑ w

w

p

π P

ƒ w>

∑

∑

f

P ∑

∑

Œ

‰ Jœ œ œ Œ P F

∑

∑

p ˙.

π

p ˙.

π

p

π

Œ Œ

Ó

˙ P

∑

∑

π

˙ p

1

∑

-œ

st. mute

& Ó

∑ ‰ œ bœ P f

Tpt.

∑

∑

Œ

espr.

2

∑

& ?

1

j & ‰ œ Œ F

st. mute

∑

∑

Tbn.

2

>œ bœ

Œ

j & ‰ œ Œ

Ó

Œ

dramatic

‰ >œ

bœ F

3

Œ

∑

4

&

∑

∑

Solo Sop.

Œ

? Ó ( °)

Œ

&

∑

?

∑

j & ‰ œ Œ œœ &

Solo Hp. Obb.

f ?

&

An

Ó

ƒ n >-œ

bœ -

-

-

∑

œ œ≤ . ≥ bœ

Ó

F

ƒ

? ?

>-≥ œ ≈ ≤ b œ œœ œ

poss.

œ

Œ Ó ƒ p poss. ˙.

-˙

‰ . œr œ b œ p>

Ó

˙ p

p

f

poss.

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

π

echo harp

∑

∑

œ f

j ‰ ggg b œœœ Œ ggg œœ f resonant œ œ ã ‰ œJ Œ F f

Ó

Ó

‰ œj œ gggg b œœ Œ gg œ P f

œ Œ bœ ƒ

Ped.

Ped.

∑

∑

∑

Œ

∑ *

b >œœ f

∑

Ó

f ∑

∑

Ó ∑

° ˙

œ bœ

∑

Œ

Ó *

°

ww

œ ƒ

∑

ƒ ∑

∑ *

° Œ

Ó

∑

œ. œœ œ œ gggg œ . ≈ ggg œ . Œ > œ b>œj b œ ggg œ . J 3 f ƒ Œ Ó œ

˙.

Œ

∑

∑

nœ œ f

En

∑

(Solo 1°)

Ó

Œ

π

ƒ

ggg œ ggg œ g> œ≤. ≥œ

∑

œ ‰ œj œ gggg b œ Œ œ gg œ F Œ

∑

Œ

œ

f joyous ‰ œJ œ œJ ‰

(2 sole) senza sord.

∑

Œ

˙˙

∑

F echo harp

Œ

œœ æ P

π

∑

˙≤ .

Œ π

∑

∑

≥ w>

≥ ˙. P

Œ π

echo harp no octave substitution

π

f ∑

f

≥œ ≤ bœ F tutte, unis. senza sord. ≥œ œ b ˙ . Ó Œ ‰. R F œ≤ w tutti . Œ ‰ R Ó P

∑

Ó

© = 84 wo

≤ wo

∑

Ó

Œ

er

ƒ

blend with orchestra – not in foreground

w

senza sord.

∑

∑

≥˙ .

>œ

Œ

-

3 soli

sul E

senza sord.

∑ ≥ b >œœ

>œ

∑

∑

∑

‰ . œr œ b œ f

accel.

F ƒ sub.

3

Œ ∑

Ó ≤ ≤ œ. œ. >-≥˙

œ.

gg œœœ Œ gggg b œœ g ƒ

‰ f espr.

∑

∑

Œ

sub. Ped.

j bœ

∑

∑

˙.

Ó p

π

f

Vc.

∑

cov

∑ via sord.

Œ

∑

div.

B

∑ ˙

π

π

&

∑

F

P

∑

&

∑

cantabile

j Œ Œ ‰ gg œœœ œœœ ggg ƒ secco ƒ >œ ggg Aœ œ b œ ggg œ > Œ ‰ œJ ‰ Œ ‰ Œ 3 ° >œ œ ord. (on keyboard) œ œ >˙ . Œ ‰ >œ b ˙. f ƒ 3 bright ∑ ∑

œ

∑

en

n >-œ ‰ b œœ ‰ œ b œ œ J ƒ

F

Vn. 2

Ó

∑

w

Œ

∑

π

> g œœœ Œ b œœ gggg œ ‰ œ œ Œ g F ƒ P

Œ

3 Triangles

Ó

∑

œ > f b >œ *

heav

Cb.

π

∑

Œ b >˙ . F

Ped.

Œ

∑

Pno.

Va.

Ó

&

& Ó

>œ œ

f

3

Cel.

>˙ . F

∑

f

Perc.

Vn. 2

∑

echo harp

∑

(Ped.)

Vn. 1

Ó

˙ p

∑ ƒ

Œ

∑

∑

Œ ˙.

∑

∑

∑

Ó

> ‰ . œR w p

echo harp

&

∑

π

∑

Ó

Hn.

2

π

sub.

∑

∑

&

w

p b ˙.

poss.

1

˙ f

˙.

∑

∑

&

∑

∑

P

f

Œ

3

Eng. Hn.

Ó

p

∑

&

Ob.

˙.

>œ

Œ

∑

≥˙ æ ƒ

(non trem.)

w

π w ƒ

p ∑

ƒ ∑

∑

6 37

∑

∑

Picc.

&

Fl.

&

Alto Fl.

&

Ob.

&

Eng. Hn.

&

Cl.

&

Bass Cl.

&

∑

∑

?

∑

∑

w>

∑

∑

œ

Œ

w

w

œ

Œ π

Œ

b ˙.

P ∑

∑

p ˙

Ó

∑

œ.

p

π ∑ w

œ

P

Bn.

∑

‰ Ó

∑

∑

∑

‰ Ó

∑

∑

∑

‰ Ó

∑

∑

Œ

f

Œ π

∑

∑

œ.

p w

∑

f

˙.

Œ

∑

∑

f

˙.

Œ

∑

∑

Ó œ.

Ó

p

f

Ó

# -˙ . π

P

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1

&

2

&

∑

∑

∑

1

&

∑

∑

∑

2

&

∑

?

∑

∑

∑

&

∑

∑

∑

Ó

Ó

Œ

˙ f

Ó

˙

>œ ‰ J w ç

solo

∑

p

w

˙

F

p

Ó π

Hn.

∑ Œ

Tpt.

Tbn.

1

∑

Œ

∑

>œ ˙ ‰ J P > ‰ Jœ ˙ P

w

∑

˙

Ó

∑

Ó

∑

π

F w

˙ π

F

∑

(Vib.)

∑

∑

∑

∑

∑

bowed

Œ

œ ‰ œJ Ó p F

∑

Ó

Ó

∑

Ped.

2

&

∑

∑

3

&

∑

∑

4

ã

∑

∑

∑

Perc.

Cel.

Œ

& œœ f ?

Ó

Small Triangle

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

& ‰ œ.

œ ‰ Œ J

her

Solo Hp. Obb.

Œ

Ó

f 3

3 œ. ‰ ‰ b œ œ œ œ J her

f ?

Vn. 2

Va.

&

∑

∑

3

Œ œ

brief -

∑

-

ƒ F f espr. F > œ ‰ œJ. ‰ b œ ‰ œJ œ œ b œ J

∑

∑

∑

B

∑

?

œ bœ

>œ

Œ

œ > f secco bœ ‰ J Œ

∑

- ness

in

sing

-

3

-

∑

-

∑

blend with pizz.

∑ F secco 3 Œ œ œ

Ó

∑

œ

F . ‰ n œJ Ó

-

- ing

Œ

∑

∑

∑

∑

œ

Ó

∑

Ó

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑ ∑

suddenly more intimate and interior

∑

F j bœ œ.

Ó

j œ ‰ b -œ

close

œ ‰ œJ Ó F playful ∑

∑ f

tutti, pizz. 0

œ

Ó

œ bœ 3

Ó

œ

unis., pizz.

Ó

∑

∑

∑

Œ

Œ Œ ≥ ˙ f

Ó

pizz.

˙

˙

3 soli

Ó

∑

arco

≤ b˙ π

( ≥)

w P espr.

Ó

∑

Ó

∑

π

π

œ 0

˙ f

Ó 3

the

∑

≥ œ f

with

∑

∑

Ó 3

Ó

her

Ó

>œ b œ œ f ƒ

∑

Œ

. . ‰ b Jœ ‰ n Jœ

ƒ

œ

∑

Ó

>œ

˙

f ∑

>œ bœ J ‰ Ó f ∑

playful and light

C#

&

?

&

ƒ

f

Vc.

Cb.

∑

œ f

(D C # B b / E F G A)

Vn. 1

∑

?

Ó

∑

∑

œ

∑

* ∑

j œ

Ó

w>

∑

&

&

Œ

F

F Solo Sop.

Marimba

∑

(°)

Pno.

œ F

œ Œ ㉠J Ó P

∑

∑

Crotale

∑

Œ

Œ

gently dampen pizz. from ringing

∑

7 44 Picc.

&

∑

∑

Fl.

&

∑

∑

Alto Fl.

Eng. Hn.

& œJ ‰ Œ π

Ó

∑

∑ Ó

Œ

>œ

‰

∑

solo bell up optional

> Œ >œj ˙ ƒ brassy

˙ ∑

#w

œ >œ J

Ó

P w

˙.

Ó

∑

Œ Œ

∑

w

π

P

Bass Cl.

&

∑

∑

∑

∑

Ó

?

∑

∑

∑

∑

Ó

# >œ œ J P3 # >˙

˙.

Œ

w

˙.

Œ

w

˙.

w

˙.

w P

3 ƒ intense

-œ

Œ

F

# >œ œ # œ œ

Ó

&

Bn.

˙.

3

∑

∑

˙

w

P

F

P

Cl.

π

# >œ œ œ œ ƒ intense

w

∑

∑ 3

Ó

3

j œ œ. > f

∑

∑

˙

w f

∑

&

Ob.

j . œ œ > f

w π

∑

&

∑

∑

œ

Œ

ΠP

w> F

∑

∑

1

&

∑

2

&

∑

∑

∑

∑

∑

∑

>˙ .

1

&

p

∑

f >˙ . f

p

Hn.

∑

∑

& ?

∑

∑

Tbn.

Œ

Ó

∑

œ P

p ∑

Tpt.

2

∑

via sord.

Œ

via sord.

Œ

∑

∑

∑

∑

∑ Ó

∑

Ó

senza sord.

Œ

senza sord.

Œ

œ P œ P œ

∑

∑

∑

∑

Ó

∑

ΠP

1

∑

&

∑

∑

∑

∑

∑

Tub. Chimes

2

& ‰ b œJ Œ p

Perc.

Ó

Ó

Œ

4

∑

ã &

? ‰

∑

∑

∑

∑

∑

∑

∑

Ped.

> ‰ œ f

& Cel.

∑

#œ œ œ Œ > F f

3

Ped.

3

3

mallets

Ó

∑

∑

∑

∑

∑

F bœ.

œ

∑

∑

∑

∑

f œ œ œœ ... J

∑

Œ

∑

∑

˙˙˙

Ped.

∑

∑

Solo Sop.

Ó

Ó

lots of high overtones, please

Œ ã œ p F

∑

∑

∑

∑

3

*

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

f 3 & #œ nœ

singer can choose either B or D

œ.

œ

‰

in - tri - cate

?

f ˙.

Œ >œ œ f ƒ

Bn

Œ

faint

j

& Ó Solo Hp. Obb.

∑

∑ ƒ # >œ œ œ Œ °

Pno.

Med. Sus. Cymbal – bowed

majestic and lyrical

> ≈ œR œ .

∑

birds,

∑

˙

Œ

in

∑

F#

∑

f

f ƒ happy j œ. ˙˙ œ œ. >

>œ œ

Œ

Ó

f

F

3

3

sing,

sing

> ‰ œ œ ‰ œ #œ œ œ -

œ.

-

-

P

ƒ -œ ˙ J - ing,

∑

∑

∑

∑

∑

∑

ƒ ∑

∑

∑

(D C # B / E F # G A)

sul A

Vn. 1

Vn. 2

&

∑

∑

∑

∑

& ˙.

Œ

B Ó

? Vc.

∑

∑

∑

Œ

∑

3 sole

ϲ

w

P

F

˙≤ .

∑

(3 soli)

≤ w0

w

π

ƒ

w

w

∑

∑

∑

∑

p ∑

π ∑

∑

Πp

ƒ ∑

3 soli, div. a 3

Ó

B

≥ # >œ œœ œœœ œœœ ƒ

? Cb.

∑

≤ wo

π

π Va.

∑

arco

∑

˙˙˙ ...

www

∑

Œ

P

3

∑

∑

8 51 Picc.

&

∑

∑

Fl.

&

∑

∑

Alto Fl.

&

∑

∑

# w>

w

Ó

˙

Π3

∑

&

Ob.

(bell ord.)

>˙

Π3

Eng. Hn.

∑

&

˙

∑

∑ # wπ

w

w

w

∑

Œ

Π3

# -œ

˙

f

w

π poss.

∑

∑

∑

∑

∑

∑

∑

∑

∑

p Œ

Œ

#˙

Ó

∑

p

f

3

∑

w

f

Ó

∑

p

f ∑

∑

œ f

w

w

w

w

p

Cl.

&

Bass Cl.

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

p

f

Bn.

w 1

&

F

Œ

# -˙ . π

P

poss.

Hn.

2

&

1

&

2

&

∑ w F

Tpt.

F w

P

F

P

?

(Vib.)

1

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

P

w

Tbn.

∑

∑

&

˙

Π3

(Ped.)

œ

3

œ

œ

Œ

P

#œ

Ó

ƒ

majestic (Tub. Ch.)

2

&

∑

Ó

Ped.

œ

3

œ

p

Perc.

œ > F

majestic Ped.

3

ã

∑

4

ã

∑

&

∑

Œ

?

∑

Ó

Cel.

3

˙ > ƒ

Œ °

Pno.

Solo Sop.

*

3

Œ

?

∑

∑

Œ

∑

ƒ dramatic 3> -˙ œ Œ

&

‰ œœœ Ó J ƒ ∑

?

Œ

&

3>

Œ

Ó

˙

f 3

œ

œ

dai - sies and

3

œ nœ

œ

# >œ

# ˙˙˙ ... f & ˙˙ .. °

*

ƒ >˙ .

˙

Ó

Ó

twi - lights

# >œ

Œ

∑

&

sul D

B Œ

≤ œo ˙o J ‰ P

Ó

∑

-

-

- en

∑

π ˙

œ

Œ

Ó

her,

∑

∑ (D C # B / E F# G A )

ƒ majestic ∑

∑

∑

∑

∑

∑

∑ wo

P suddenly intimate 3 ˙ œ ‰ œ #œ J Deep

∑

Solo 1°

∑ wo

∑

sul D

∑

π

w P

w p

π

Sola 1°

w

w

π P

p

Solo 1°

wo

#w P

∑

w p

ƒ

tutte

Va.

∑

∑

œo

Vn. 2

œ

∑

& Œ

Vn. 1

œ

&

by

Solo Hp. Obb.

#w

˙

sul D

∑ ∑

∑ f

π

sub. sul G

≤ œo ˙o J ‰ P

tutti, unis.

Vc.

B Œ

wo

wo

wo

Solo 1°

w

w

π P

p

∑

f

π

sub.

? Cb.

∑

∑

∑

∑

Solo 1°

&

arco

w

w

P

p

∑ π

9 rit. 58

∑

Picc.

&

Fl.

&

Alto Fl.

&

Ob.

&

∑

Eng. Hn.

&

∑

Cl.

& Ó

∑

˙

Ó ƒ

p

ƒ brassy ∑

∑

∑

∑

˙

Ó ∑

&

w

∑

w

w

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

Œ

3

& Ó

F

3

# w>

f

ƒ bright and majestic

∑

∑

œ P ∑

∑

∑

∑

∑

∑

∑

p ∑

∑

∑

∑

∑

w > ƒ bright and majestic

∑

∑

∑

∑

∑

∑

∑

Ó

∑

Ó

∑

∑

Tbn.

œ F

poss.

w

via sord.

f

?

˙

poss.

-˙ j œ ‰ Œ

& #œ ˙

3

Œ ˙ f espr.

j j œ ‰ Ó œ. . F blend with pizz.

f st. mute

π

P

p

f #w

∑

st. mute

2

‰

#w

ƒ

Tpt.

∑

w

# œ. j ‰ œJ. ‰ J ‰ # œ. F f

Œ

∑

∑

π

F ∑

Hn.

1

w P

blend with pizz.

?

2

w ∑

∑

w ƒ

b ˙.

Œ

f

# œ # w> 3

#w f

∑ ∑

∑

∑

&

&

ƒ brassy

ƒ

∑

f ∑

w > ƒ brassy ˙

Bn.

1

p

w>

w ƒ w

∑

f Bass Cl.

p

∑

∑

∑

w ƒ

Œ

˙. π

w P

˙ π

echo pizz.

1

2

∑

&

∑

∑

∑

ã

4

∑

ã

∑

∑

ã

Ó

∑

# œœ Œ p P

∑

∑

Œ

Crotales bowed

& #œ

Marimba

∑

∑

?

‰

œ

j œ œ F

œ

Extra Large Tamtam

Œ

Ó

Ó

3

Œ

Œ

œ p

F

# >œ

Ó

f

F (Sm. Triangle)

∑

∑

bowed

Ped.

œ. ≈ J Œ p F

Perc.

3

(Vib.)

∑

bowed

Small Sus. Cymbal

∑

&

∑

∑

in background

∑

∑

3

Ó

Œ Œ

f

Ͼ F

blend with pizz.

&

∑

∑

?

∑

∑

∑

# ww>w f ww>

Cel.

# œœ f

Œ

∑

Ó ∑

∑

∑

∑

∑ *

° pizz. (inside piano)

>œ

& Ó

ord. (on keyboard)

Œ

∑

Ó

∑

F

ƒ

Pno.

∑

&

œ f

∑

∑

?

‰

*

°

Œ

blend with pizz., secco

Ó

j œ œ

∑

∑

∑

∑

∑

∑

like a memory

Solo Sop.

∑

&

∑

blend with brass – not in foreground 3

> & #œ œ Solo Hp. Obb.

?

‰

j #œ

>œ

# >œœ œ

Œ

Œ

Ó

& Ó

∑

˙≤

p

Ó

Πf

full up-bow

Vn. 1

∑

ƒ

∑

tutti

ƒ œ œ œ

f ‰ # œJ œ

∑

the moon

gliss.

f

∑

3 soli, div. a 3

∑

f

∑

‰

≥ # www> ƒ

> ‰ . # œr # œœ > ƒ bright

Ó

j œ œ

˙˙˙

Ó

Œ

is hid

Ó B b, G #

∑

∑

F

œ #œ. J -

œ

∑

ing

# œœ

Œ

Ó f

f Ó

tutti, unis.

Œ

œ

3

Œ

&

œ

œ

Ó F 3 ?Œ œ

œ

rit.

pizz. 0

> ggg # œ # œ g Œ ggg ggg gg ƒ ggg gg œ #œ g

Œ

Ó

∑

Œ

Ó

∑

f

P

full up-bow

Vn. 2

& Ó

˙≤

tutti (arco)

p

∑

Va.

B Ó B

Vc.

Cb.

˙≤

&

∑

∑

pizz.

#œ f

2 sole, div.

∑

p

∑

f

full up-bow tutte

∑

∑

f

≥ ww>

tutte, unis.

Ó

∑

∑

œ ƒ

f

ƒ

sul C

#œ

tutti, pizz.

?

0

‰ œ J f

∑

∑

non div.

œ

Ó 3

≥ Œ ? ˙. ˙. F

tutti

∑

∑

pizz.

∑ π œ Œ ƒ

∑

Ó

sul D

≤ ≥œ Œ œ f

Ó

arco

w F

sul A

≤ Œ ˙

w

3

F

π

(pizz.)

3

Œ œ Œ f

10

© = 72

(rit.) >˙ .

65 œ b œ

˙.

Picc.

&

Fl.

&

∑

Alto Fl.

& ‰ œ. p

˙

Ob.

&

∑

Eng. Hn.

& ‰ # œJ f

Cl.

&

Bass Cl.

&

∑ w f

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

w π ∑

>˙ .

∑

˙.

∑

Œ

Œ

Œ

∑

‰ b -œj ˙ π

‰

2

&

w P

echo soprano

w

P # w>

w

π π

w

w

∑

∑

π ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

b -œ . P -œ .

π

w

˙

Ó

P & Œ

∑

w>

P

‰

π

? Ó

1

∑

p ∑

œ Bn.

Πp

π

# ˙.

˙.

Œ π

f

Hn.

∑

∑

(st. mute)

1

&

# w-

w F

π

˙.

Ó

Œ π

Tpt.

2

∑

& ? Ó

Tbn.

Œ

& Ó

& Ó

3

ã

‰

Œ

(Crot.)

2

‰ (bowed)

Œ

? 4

Glockenspiel

Œ

(Mar.)

Pno.

Solo Sop.

?

∑

Œ

Œ

Vn. 2

Va.

Vc.

Cb.

? ˙

∑

Ó

∑

∑

∑

∑

∑

‰

j #œ f

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

wæ F # # œœ ‰ ggg œJ F

P

Ó

Œ

Œ

∑

∑

∑

Ó

Œ

Œ

∑

∑

∑

# œœ p

Œ

Ó ∑

Ó

Ó

Ó

Ó *

°

*

Ó

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

?

* Ó

P sensuous ‰ # œj œ œ

Œ

‰

#œ œ

# b >œœœ J

F espr. >- . œ ‰ ˙

‰ # œj # ˙ up - on

∑

her

p œ.

‰ Œ

flesh

‰ ‰ Œ

∑

Œ

Œ

the rain's

∑

∑

∑

∑

∑

∑

P # >˙ .

p

pearls,

# # œœ F

∑

Œ

Œ ∑

∑ (D C # B / E F # G Ab)

© = 72

b ≥˙ .

P F ‰ # œj ˙ .

B n , G n , Ab

ƒ

˙. Œ Solo 1° arco

Œ

‰

b ϲ J

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙. ( ≥)

w

Œ π

P ∑

∑ sul A

∑

π

F

? ˙

∑

∑

F

B

∑

∑

& Œ

& Ó

∑

∑

(rit.)

Vn. 1

∑

∑

°

&

Solo 1° arco

∑

∑

Re - cite

Solo Hp. Obb.

∑

j #œ F f

∑

& ‰ # œj # œ f ? Ó

π

Ped.

∑

> ggg b b œœ ggg & Œ gggg ggg F g ? Œ gggg # œ & gg # œ g °

∑

π

P

gradually slow down tremolo

Œ

via sord.

Ó

w

œ J f

j œ@ b >œæ. f

˙æ

& Ó Cel.

&

∑

∑

w

cantabile

#˙

‰

Perc.

Ó

# -œ J π

(bowed)

(Vib.)

1

∑

3 > -œ œ œ j R œ .. ‰ œ #œ œ p espr. F solo

œ œ. J (F )

w

œ bœ. J (F )

w

Ó

arco

# ˙≤

w

π

P

w

w

w

Ó

˙. P

Œ

π

P Œ π

∑

∑

π # œ≤ w ‰ J P π

∑ π ∑

∑

‰ a œj P

11 ˙

72

∑

&

Picc.

∑

P >˙ .

&

Fl.

Ó

Œ

P

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

π

π ˙.

espr.

Œ

Alto Fl.

&

∑

Ob.

&

∑

Eng. Hn.

&

∑

Cl.

&

∑

Bass Cl.

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

π

P

π

Œ

b ˙.

∑

P

Bn.

1

∑

P b ˙.

∑

Œ

Ó

-œ

w

π

p

Œ

w-

Œ

p

Ó π ∑

˙

œ.

‰

P

π

w

π

Hn.

# >œ ˙ ‰ J f >œ ‰ J f

Œ

π

Ó

∑

Ó

w π

P

poss.

2

∑

&

∑

∑

#˙ P

Ó

∑

∑

F

1

&

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

‰ # œœœ Ó J P elegant

Tpt.

Tbn.

1

(bowed)

mallets

œ P

Œ

Œ

œ p

Ó

Œ

#œ ‰ b œj œJ Ó f intense and brassy

Ped. Tub. Chimes

2

& Ó

Œ

Perc.

Ped.

œœ P

#œ p

Œ

Ó

Ped.

3

&

∑

∑

?

∑

∑

&

∑

∑

Ó

?

∑

∑

Ó

4

Cel.

Ó

(Glock.)

Œ

Ped.

ggg n nn œœœ Œ p graceful

∑

(Mar.)

Œ

∑ gg n nnœœœ ggg ggg P gg # œ ggg # œœ g

‰ ‰ b œœ b œ J 3 F

&‰

Œ

ggg # œœœ Ó g J F

Œ

∑

Œ

∑

∑

Pno.

?

∑

∑

# w-

∑

Ó

Ó

Ó

Ó

Ó

œ

j #œ œ

œ.

∑ Œ

3

œ bœ

œ

˙

Œ

∑

Ó

Œ

Solo Hp. Obb.

bœ

Ó Ó * j3 ≈ bœ bœ œ œ F ∑

œ

3

j bA >œœ

∑

Œ

f as a remembrance F 3 j3 ≈ b œ b œ œ œ œj ‰ j bœ ah

Œ

Ó

Ó Cn

graceful

?

3

‰ ‰ œj bœ f

Œ

°

pearls

gg œ & gggg œ g

≈ b œj . F

‰ # œj Ó œ f Ó °

p

F

Œ

Ped.

*

° p

& Œ

Œ

F

smooth

Solo Sop.

bœ œ F P ‰ # Jœ Œ

Ó

∑

Œ

secco

bb œœ f

Ó

solo > ‰ ‰ Jœ Ó 3 f ∑

*

Ó

P

Ó

Ó

° >˙ &

3

‰ ‰ bj b œœ f

Œ

Œ

Ó

Œ

> ggg b œœœ ... g b œ n œ ggg gg # œ Bb F p espr. Œ Ó

Ó

Œ

gg œ ggg ggg ggg gg p P gggg g #œ & ggg b œœ œ

ggg b œœ

Œ

Œ

Œ

P gg b œœ

Œ

Eb

Œ

‰ b œj œœ P

Œ

Œ

resonant and sparkling

‰ # œJ Œ

?

3

‰ b œ # b œœœ f

the

3

≈ b œ b œ ‰ b n œœ F Fn

∑

∑

∑

∑

∑

∑

3

‰ ‰ A œj b œ f

sul E

Vn. 1

&

∑

∑

Ó

≥o ˙

tutti, unis. (arco)

∑ P

π (arco)

Vn. 2

&

∑

∑

Sola 1°

Va.

B Ó

4 soli, div. a 4

Œ

# ϲ

˙.

p

F espr.

∑ n >-œ

b ww≥ b ww F

π

echo harp

w

Ó

≤ ‰ #œ. p

tutte

π

Sola 1°

Ó

w

Œ

F

≤ 3 ‰ ‰ b œj f espr.

? Vc.

Cb.

? # w≥ p espr.

∑

Ó œ

Œ π

‰ . # Rœ œ p

w

Ó

Œ

> # -˙ P ≤ ˙. p

>˙ P

Ó

∑

F Ó F

∑

Ó

2 soli, div.

&

˙≤˙ π ∑

P

12 rit. freely

78 Picc.

&

∑

∑

∑

∑

∑

∑

∑

Fl.

&

∑

∑

∑

∑

∑

∑

∑

Alto Fl.

&

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

∑

∑

Cl.

&

∑

∑

∑

∑

∑

∑

∑

Bass Cl.

&

∑

∑

∑

# wπ

# w-

b w∑

Bn.

Œ

˙.

Œ

p ˙ ∑

∑

π

p ∑

Ó

∑

Hn.

∑

∑

π Ó

∑

∑

π

∑

∑

&

P

w

π 1

˙.

w

π

?

w p

P

∑

Ó

∑

con sord.

con sord.

b˙

w

π

P

π

w P

b˙ π

via sord.

w

via sord.

w

2

&

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

π

Tpt.

b -˙ . ?

∑

Tbn.

w

Πp

π

π

blend with soprano (Vib.)

1

& Œ

bœ Ó ƒ espr.

∑

∑

∑

Ó

Ped. (Tub. Ch.)

2

& Ó

Perc.

bowed

∑

# # œœ Œ p whispery

Œ

Œ

turn motor off

Ó

Ped.

Ó

∑

∑

∑

∑

∑

∑

(Ped.)

3

&

∑

∑

∑

∑

∑

∑

∑

4

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

Cel.

Pno.

& Œ

Œ

Ó

∑

∑

∑

∑

∑

∑

? Œ

Œ

Ó

∑

∑

∑

∑

∑

∑

( °)

* f

Solo Sop.

& j ‰ b -˙ . > œ

Œ

˙

rain's

& ΠSolo Hp. Obb.

?

p

P

∑

œ bœ

b˙

Ó

pearls

Ó

n b >œœ F

3

P

b b œœ > F

C#

Œ

Ó ∑

F#

Œ

bœ si

# # œœ Œ ‰ a b œœ a œJ P P soulful ∑

sublime

F

P n œ ‰ n œ œ b œj ˙ 3

-

ing

∑ ∑

p

3

-

Œ

ly

whis

‰ # b œœj Œ P

P ‰ b œj œ

F ‰ b œj œ -

per

π

p espr. nœ > -

Œ

˙.

ing.

œœ Œ f refined and

∑

∑

∑

∑

∑

∑

∑

graceful

rit. freely Vn. 1

Vn. 2

Va.

&

&

∑

∑

∑

∑

∑

≥ b ->˙ . B œj ‰ ƒ

œ J ‰ Œ p

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

(Sola 1°)

Solo 1°

-≤ ‰ #œ. π

sul G

( ≥) ≤ n wπ sempre

w p

elegant

Vc.

& ww

∑

∑

∑

∑

Ó

Solo 1°

π

≤ ‰ #œ. π

( ≥)

w p

π ( ≥)

π

elegant

? Cb.

∑

∑

∑

∑

∑

∑

∑

13

2. who knows if the moon's a balloon Playful, spry and jazzy 4 &8

Picc.

∑

; = 192-200*

∑

∑ bœ œ bœ œ

‰.

Œ

∑

œ. R f

∑

Œ

‰

œ. ≈ œ. ≈ ‰

Fl.

Alto Fl.

4 &8

∑

∑

∑

Ob.

4 &8

∑

∑

∑

Eng. Hn.

4 &8

∑

∑

∑

Cl.

4 &8

∑

∑

∑

∑

Bass Cl.

4 &8

∑

∑

∑

∑

∑

∑

Bn.

? 48

∑

∑

∑

∑

∑

∑

∑

Œ

F

Œ

# >œ . R ‰ F ∑

∑

∑

∑

> ≈ #œ ‰ R ƒ > ≈ Rœ ‰ ƒ

b >œ

œ R ‰. ƒ

bœ œ bœ ‰ R f P

∑

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

‰.

Œ

œ. R f

∑

‰.

∑

∑

∑

∑

∑

∑

2

4 &8

∑

∑

∑

∑

∑

∑

1

4 &8

∑

∑

∑

∑

∑

∑

bœ bœ R nœ ‰ f P

2

4 &8

∑

∑

∑

∑

∑

∑

? 48

∑

∑

∑

∑

∑

∑

∑

∑

œœ œ ‰ b Jœ Œ P

∑

Vibraphone motor off

1

4 &8

2

4 &8

∑

∑

3

4 &8

∑

∑

∑

Œ

r ‰. >œ f secco

Tubular Chimes

Œ

Perc.

Marimba

4 & 8 œr ‰ . > f 4 &8

Cel.

secco sempre, unless otherwise marked

∑

F ? 48 >œ ‰ . R

Œ

Œ

4 & 8 œr ‰ . Œ > ƒ ? 48 ∑

Œ

∑ ƒ >œ . ‰ R r ‰. >œ F ∑

r # œœ ‰ . . F secco

Xylophone

∑

∑

Œ

secco sempre, unless otherwise marked

Pno.

4 &8

∑

∑

P.D.L.T.

Solo Hp. Obb.

4 & 8 œr ‰ . Œ > ƒ secco ? 48 ∑

Œ

ord.

Œ

≈ r‰ # œœ F

Œ

4 &8 4 &8

Va.

B 48

∑

∑ Œ

Œ

f ƒ œ œ œ #œ

Œ

∑

Vc.

Cb.

? 48

∑

∑

∑ >œ

#œ.

∑

∑

∑

# œ. ≈ Œ R P

∑

∑

∑

∑

∑

∑

∑

‰

∑ (senza sord.)

∑

Œ

‰

∑

∑

‰

∑

∑

œ œ f F œ ‰ œœ # œ f ƒ

Œ

∑

‰

œ #œ

∑

∑

Œ

œ ‰ œ f ƒ

∑

> # œœ n œ # œœ # # œœ ≈ # œœ ‰ Œ R ƒ F ∑ ∑

∑

&

ggg # œœœ ... g ‰ gggg ggg ggg P g œœ .. ‰ gg b œ .

l.v.

l.v.

‰

∑

∑

∑

∑

∑

∑

∑

; = 192-200* ∑

∑

∑

∑

Œ

Œ

∑

Œ

≈ # œj . f

‰

∑ œ œ R ‰. f

∑

> r n b œœ nn œœ ‰ . r ‰. # œ # œ n œ n œœ R œ # œ n œ œ # œ ≈ > F ƒ

∑

∑

‰

∑

∑

Œ

‰

Œ

&

ggg # œœœ ... g ‰ gggg ggg gg œ . g œ. ‰ ggg # œ . F

l.v.

l.v.

∑ Œ

> > ‰ #œ #œ Œ f ƒ

Œ

rŒ b >œœ ƒ b >œ Œ ‰. R

∑

r # œœ ≈ Œ f #œ #œ. ? œ

‰.

n >œ >œ ‰ b œ bb œœ Œ œ ƒ J ‰ Œ

ƒ f

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

Œ

∑

∑

∑ >œ > ‰ # œ # œœ Œ ƒ secco ∑

l.v."

∑

∑ 3 soli, div. a 3

∑

3 sole, div. a 3

∑

&

# ≥œœœ .. .

˙˙˙

œœœ

‰ p echo ≥œ . œ. ‰ bœ. p echo

π ˙˙˙

œœœ π

œ

Œ

œœ J F

* ∑

∑

∑

∑

Œ ∑

∑

∑

Œ

∑

∑

œ J ‰ f

Ped.

∑

Solo 1° pizz.

? 48

>œ >œ Œ ƒ b >œ > bœ Œ ‰ ƒ ‰

Ped.

r ‰. >œ

Playful, spry and jazzy

Vn. 2

∑

n œ. ≈ Œ R P

Ped.

≈ # œœ. ‰ R f

D# C # B / E F G A Note: Harp part in movement 2 is always secco unless marked "

Vn. 1

∑

sub.

(senza sord.)

° Solo Sop.

Œ

∑

solo

Œ

Tpt.

4

∑

f p

1

Tbn.

Œ

∑

∑

4 &8

Hn.

‰.

œ F

f ƒ

ƒ ∑

œ ‰. R ƒ

F

4 &8

∑

>œ

œ

∑

∑

∑

∑

2 soli, div.

Œ

f

pizz.

# >œœ

∑

f ∑

∑

∑

∑

*Tempo can fluctuate at the discretion of the conductor and soloists.

∑

∑

∑

∑

∑

14 10 Picc.

&

∑

Fl.

&

∑

∑

∑

Alto Fl.

&

∑

∑

∑

Ob.

&

∑

Eng. Hn.

&

∑

Bass Cl.

∑

Œ

Œ

∑

∑

∑

Œ

‰.

> ≈ b Rœ ‰ F

∑

œ

Œ

Œ

œ f

∑

∑

∑

∑

‰ œ bœ

> œ œ ≈ œ Œ

∑

f

∑

∑

Œ

?

∑

∑

∑

Œ

&

∑

∑

∑

Œ

∑

∑

1

&

∑

2

&

∑

?

∑

1

&

∑

2

. & œR ‰ . Œ F secco

Tbn.

(senza sord.)

∑

π

∑ Œ

∑

œ

& ?

∑

‰

J f j b -œ f

∑

∑

∑

∑

∑

>œ R ‰. p

∑

∑

∑

P >œ R ‰. p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

b œ. . œ ≈ P

Œ

∑

Œ

≈

œ

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

π œ π

>œ Œ R F r bœ Œ > F

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ. . #œ ≈ P

∑

∑

∑

∑

∑

∑

∑

∑

‰ ‰

∑

∑

Œ

≈

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

Œ

∑

b œœ ‰ œ > F f

∑

∑

∑

∑

∑

≈ > ‰ b n œœ bœ ‰ œ

∑

∑

œ. ‰ . R f

‰.

Œ

Œ

# œœ P Ped.

Medium Triangle

∑

Œ

-œ

Œ

∑

∑

r # # œœ. Œ f

r ‰ # # œœ ≈ . F

∑

&

‰

# œ. R p # œ. R p

secco (unless otherwise marked)

Œ

(Vib.)

Glockenspiel

∑

‰.

∑

(Tub. Ch.)

&

‰.

# >œ ≈ R ‰ F œ R ‰. F

(senza sord.)

∑

∑

Tpt.

Cel.

‰.

∑

solo

Œ

&

4

Œ

∑

P

2

3

∑

r‰ >œ F

∑

Hn.

Perc.

∑

≈

∑

Œ

b œ. & R ‰. P

Bn.

1

∑

f &

Cl.

∑

ã

#œ F œ

Marimba

Œ

&

P ∑ F ƒ solo # œœ # >œ ‰ # # œœ # œœ n œ ≈ # œ Œ

Œ

∑

Œ

Œ

∑

Œ

∑

Œ

‰.

Œ ƒ # œœ

∑

r # # œœ. # œ R ≈ œ ≈ # œ n œœ ‰ . > P ƒ ∑

∑ ∑

F ƒ

Pno.

Solo Sop.

. & b œœ ‰ . Œ R P ? ∑

# œœ. R ‰. F

who

Solo Hp. Obb.

Œ

Œ

œ. R Œ

‰ bœ

b >œ

∑

œ

nœ

> ≈ b b œœœ ‰ ƒ R b -œœ J œ ‰

∑

œœ

F b b œœ. P . ≈ b œœ ≈

gg # œœ f gggg solo ggg Œ ggg ggg n œ ggg œ

∑

∑

∑

F œ. R Œ

∑

∑

∑

∑

r ‰ # œr ≈ ≈ # œ. ‰ .

Œ

who

∑

∑

∑

l.v.

Œ

∑

∑

∑

∑

knows

# >œœ ≈ R ‰ f

∑

#œ f

D n, F #

&

∑

‰.

∑

‰

œœ ..

knows

∑

&

solo

F ∑

f playful œ. ‰ . ‰. R

& Œ

∑

Œ

∑

∑

>œœ R ‰. ƒ ∑

# œ. # œ. . >œ R ≈ ≈ # œ R ‰. P f

≈ # œr ‰ .

if

the

∑ Ab

∑

arco

pizz.

Vn. 1

& œ f

Œ

& bœ f

Va.

& ?

Vc.

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

Œ

‰.

F

tutti, unis. pizz.

Vn. 2

#œ

Solo 1°

Œ

œ

0

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

F ∑

∑

∑

∑

∑

∑

tutte, unis.

∑

B

tutti, unis. (pizz.)

∑

pizz.

≈ nœ. J ƒ #œ f

Πstop

pizz.

Πstop

pizz.

? Cb.

∑

∑

Œ

. ‰ b œR ≈ P

∑

∑

pizz.

0

œ f

Πstop

pizz.

15 19 Picc.

& Œ

‰.

Fl.

& Œ

‰.

# >œ R ƒ >œ R ƒ

∑

∑

∑

∑

>œ R Œ ƒ > œ bœ ≈ œ Œ

œ. ‰ . R P

‰.

f

Alto Fl.

&

∑

Ob.

&

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

Cl.

&

∑

∑

∑

∑

∑

∑

œ. R ‰. P

#œ ‰ r œ œ #œ #œ nœ #œ π F ∑

Œ

Œ

‰

œ ≈ bœ ≈ Œ F ƒ

œ. R ≈ p

∑

Œ

∑ œ œ R R ‰. F

‰.

# œ. œ. ‰ . R R P

‰.

∑

∑

∑

∑

Œ

∑

∑

∑

∑

Œ

∑ ‰

œ P

bœ

œ.

œ # œ n >œ . f b >œ . ≈ J f >œ . ≈ J f

œ œ #œ ‰ R p P

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

b >œœ œœ R f ∑

>œ œœ b œ ≈ œ Œ

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

1

b œ. & R ‰. F

Œ

∑

∑

2

&

∑

∑

Œ

Bass Cl.

‰.

∑

ƒ

r ≈ œ ‰ F

∑

Œ

Bn.

‰.

Hn.

1 Tpt. 2

œ. & R ‰. F œ. & R ‰. F

Tbn.

1

Crotale bowed

‰.

2

& Œ

3

& Œ

4

& Œ

ã ‰.

& Œ

‰.

?

∑

(Vib.)

œ ≈ œ œ ≈ Œ F secco

‰.

∑

#œ ‰ r ≈ # œœ œ #œ nœ #œ P f secco

r œ F

∑

∑

∑

∑

∑

‰.

‰.

Small Triangle

Cel.

Pno.

# œœ R f œ R f >œ R

r b >œœ Œ F

‰.

∑

‰.

f

&

∑

∑

∑

?

∑

∑

∑

F

Marimba

&

‰

> b œœ ≈ Œ R f

œœ ≈ b œœ ‰ # œr ≈ œ. œ > . P bfœ P ∑ ‰.

ƒ ∑

∑

# œ. œ. ‰ . R R F secco

∑

∑

∑

‰.

œ. b œ. R R ‰. F

∑

Œ

‰ ∑

n œ. ≈ # œ # œœ. n œ. b œ. n œ ‰ . P f ∑

r œ. P

∑

∑

P œ œ ‰. R R

Œ

∑

Œ

Tub. Chimes

Perc. (Glock.)

‰.

Œ

∑

bœ b œœ F f

j œ ‰

Œ ∑

Œ

∑ ‰.

Œ

∑

F r œ

Solo Sop.

& Œ

f # >-œ ‰ J moon's

Solo Hp. Obb.

Œ

F # œ. ≈ ≈ n œ. Œ a

&

∑

∑

&

∑

∑

laughing

f >œ ≈ R ‰

bal –

∑

loon,

ah

# >œ ‰ J Œ ƒ n >œ ‰ J Œ

∑

Vn. 1

Vn. 2

Va.

&

&

∑

bœ

‰ b œœ ≈ . f

∑

∑

Solo 1° arco

‰

œ

Œ

∑

∑

∑ arco

2 sole, div.

∑

‰.

b ≥œœ œœ R P

‰

œœ J

bœ

‰.

Œ ∑

r Œ œ F

∑

Œ

∑

∑

Œ

∑

∑

#œ. ≈ J F

∑

∑

∑

tutti, pizz.

Œ b >œ

‰.

0

f

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

F

ah ha

∑

>œ

∑

&

ha

D#, F n

f Solo 1° arco

ha ha ha

∑

∑

F œ F

oor

œœ ‰ . . F

Œ

B

Vc.

Cb.

Œ

oo r

∑

tutti, pizz.

œ

‰.

∑

F with delight and whimsy #œ r # œ n œ # œ # œ ≈ # œ. œ. ≈ # œ œ œ #œ

‰

Œ

(pizz.)

œ J

‰

Œ

ha

bœ R f

œ > R œ # œœ .. F ƒ ∑

‰.

≥œ. > R œ #œ. P f tutti (arco) ≥ œ. ‰. R œ >œ . P f arco

‰.

tutte, unis. (arco)

Œ

>œ . ≈ J f

B

∑

Œ

div. (pizz.)

‰.

0 r œ œ P

16 27 Picc.

&

∑

∑

∑

Fl.

&

∑

∑

∑

Alto Fl.

&

∑

∑

>œ . f

. > ≈ bœ œ F f

œ Œ F ∑

‰

r & œ ‰. F

Œ

∑

∑

œ ‰. R P

Cl.

&

∑

∑

‰.

Bass Cl.

&

∑

∑

‰.

? Œ

‰.

Eng. Hn.

Bn.

1 Hn. 2

1 Tpt.

#œ R F

∑

∑

&

. œ. & œ ≈œ Œ P p st. mute r ‰. & Œ #œ œ. π

œ R P bœ R P

‰

∑

‰

Œ

>œ J f

∑

Ob.

r # œ ‰. P

∑

bœ œ. . b œ. n œ. ‰ p

& ‰

Œ

∑

∑ Œ

∑

Œ

∑

œ J ‰

∑

∑

œ J ‰

∑

∑

œ R ‰. F

∑

> ≈ œR ‰ f

∑

∑

∑

∑

∑

∑

∑

∑

b œ. Œ P

∑

∑

∑

∑

∑

∑

∑

∑

F

cantabile

Œ

∑

Œ

?

∑

∑

1

&

∑

∑

2

&

∑

∑

3

&

∑

∑

∑

∑

∑

‰

∑

∑

∑

∑

Œ

Tbn.

(Vib.)

œ ≈ ≈ #œ Œ # œ f F (Tub. Chimes)

∑

Perc.

Œ

œ ‰. R P

∑

n >œ ≈ bœ n œ ≈ Œ F f r . œ. ‰ F secco

∑

Œ

(Glock.)

(Mar.)

4

& œ ≈ œ bœ bœ nœ ≈ #œ f f P

∑

∑

∑

∑ ≈

‰

œ ≈ bœ PF

∑

Œ

∑

F ≈ #œ p

Œ

œ ≈

Œ

Œ ∑

bœ R p

‰.

∑

≈ bœ. J

œ. R P

∑

∑

œ. ≈ ≈ œ. P

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Crotale

‰

mallet

j #œ P

Œ

j # œœ > F

‰

> ≈ n Jœ . p

∑

Œ

œ ‰. R P r bœ ‰. P

‰.

∑

Œ

∑

œ ‰. R F

bœ bœ

r ‰. bœ P

Œ

r œ œ. ≈ b œ b œ P π

∑

Œ

∑

∑

>œ .

œ R ≈ p

‰

∑

‰

œ R ≈ p

∑

∑

Œ

‰.

Œ

‰

Œ

∑

∑

∑

&

2

# >œ ≈ Œ R f >œ R ≈ Œ f

# œœ J f

solo

∑

& Cel.

Pno.

Solo Sop.

?

∑

∑

∑

& œœ ≈ œ b œ. b œ. n œ. ≈ # œ . P f ? ∑

& Œ

‰.

‰

œ. ∑

F r #œ œ.

‰

if

∑

&

f >œ . the

∑

≈ Œ

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

bœ œ ‰ J

Œ

œ

∑

> # œ n n œœ

f

∑

Va.

∑

∑

& B

∑

Solo 1°

∑

∑

Solo 1°

∑

∑

∑

∑

œœ

Œ

∑

∑

∑

Œ

Œ

≤ #œ œ

‰

unis.

∑

∑

∑

∑

∑ ‰

∑

f r≈ Œ œ>

f ∑

∑

≈

∑

∑

Œ

D n , F#

?

Œ

F œ ≈ ≈ œ

∑

‰

∑

# ≥œ. R ≈ f

œ. ≈ J f

‰

Œ

œ Œ

∑

∑

∑

Œ

∑

∑

Œ

arco

moon

a

∑ Eb

ƒ r≈ Œ œ>

tutti, pizz.

‰.

tutti, pizz.

Œ

the

> ≈ n Jœ .

∑

unis.

# œœ≤

P

ƒ >≥œ J ƒ

r œ œ ≈ bœ bœ

∑

2 soli, div.

>≥œ

‰.

Œ

∑

œœ ≈ J

F

P ?

Cb.

# œœ # >œœ nœ ≈ œ ≈ ‰ Ff P œ ≈ ≈ œ Œ

Œ

is

∑

div.

?

∑

(D # C # B / E F G A)

&

Vc.

ƒ

f œ bœ bœ ‰

dynamic nuances)

Œ

a bal - loon,

œ

∑

≈

f sempre (with slight

ƒ b œ >œ

moon's

f Vn. 2

bouncy and playful

≈ œœ b œœ Œ P

# œœ n n œœ F f ∑

An

Solo Hp. Obb.

Vn. 1

j œ. F

≥ r ‰. b œ. P ∑

Œ

Œ

. œ. ‰ ‰ #œ F pizz. œ ≈ œ ≈ F (arco)

unis.

Œ

≈ bœ ≈ bœ P

∑

Œ

0 r œ œ ≈ bœ ≈ F P

≈ # Rœ ‰ F

Πdiv.

b n œœ .. ≈ J F

j œ P ∑

∑

17 35

∑

∑

Picc.

&

Fl.

& # œ # œ. ≈ Œ

b >œ

Œ

∑

r #œ f

‰.

Œ

∑

bœ ‰

∑

P Alto Fl.

&

∑

Ob.

&

∑

Eng. Hn.

& Œ

Cl.

&

Œ

œ >œ

?

∑

1

&

∑

2

& œ P

Bn.

Hn.

‰ Œ

Œ

#œ R ‰. P

∑

Œ

‰.

#œ ≈ Œ

œ R f

∑ ∑

∑

∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ. ≈ b œ. ≈ b œ. ‰ . R F P

?

∑

∑

∑

∑

∑

∑

# # >œœ

∑

∑

st. mute

Œ

#œ ‰

∑

P

P

∑

œ. ‰ R ≈ Œ F

∑

Perc.

∑

∑

. ‰ œR ≈ Œ P

2

Œ

P

∑

∑

> ≈ œR p

>œ ≈ b >œ

∑

∑

≈ # œ. œ

≈

∑

∑

∑

& Œ

∑

∑

&

∑

≈ œ

∑

∑

2

Tub. Chimes

‰.

Œ

œœ # # œœ

n n œœ

# œœ. Œ R F

Œ

œ. ≈R ‰ P œ. ≈R ‰ P

Œ Œ

>œ œ R ‰.

r bœ ‰. œ. P

via sord.

via sord.

∑ œ. ≈ œR ‰ P

Œ

f

P

play F-sharp if available ( )

‰ Œ

œ bœ ‰ p

b œœ. R ‰. F

Œ

‰ b œœ ≈ Œ R P

∑

3

&

4

&

Cel.

Pno.

Solo Sop.

b œœ

∑

∑

∑

r Œ n # >œœ f ∑

‰.

P Œ

∑

∑ F ≈ r‰ œ

? Œ

&

∑

?

∑

& #œ

& Œ

Vn. 2

&

B

#œ ≈ ≈ œ #œ

œ ≈ b œ b >œ ≈ bœ ‰ fF

Œ

œ n >œ

in the

≈ r‰ # œœ P

optional tacet

‰ ≈ r‰ œ a

≈ b œr ‰ œ. F

Œ

bal

≈ œJ . P ∑

-

loon,

# >œ J ƒ ∑

Œ

pizz.

≈ # œœ .. J P

œ ‰ b >œ œ b œ > ‰ F

∑

∑ f œ. P œ n >œœ

∑

&

‰ bœ ≈ ≈ œ bœ ≈ œ #œ nœ ≈ ≈ nœ ≈ œ ‰ bœ œbœ œ ‰ R com - ing out

‰

∑ ∑

Œ

œ bœ f

Œ

∑

f œ. ≈ b œ. ≈ b >œ ‰ bœ

of a keen

œœ # œ

œ

cit - y

Œ

F ∑

‰ bœ J F

in

≈ ≈ b œœ ≈ œœ

solo

b œœ R f

div., arco

∑

Œ

≈ bœ œ

œ #œ

nœ

. ≈ # œœ ≈ œœ. P Œ

Œ

solo

r ≈g œ ‰ ggg # œœ F Œ

Œ ‰ œj f ∑ ∑

∑

r ‰ b œœœ ≈ . p

Œ

∑

∑

ƒ #œ ≈ bœ ≈ nœ

œ J

‰

Œ

sky – –

∑

∑

g n# œœœ l.v. ≈ gg R ‰ Œ f ∑

∑

∑

‰.

∑

∑

Œ

∑

Œ

> > bœ ≈ #œ ≈ œ

∑

∑

‰.

œ. n œ b œ. b >œ œR ‰ . > P f r # œ. # œ n œ œ # œ ‰ . > . >

the

F n , Ab

F

f ∑

∑

r # œœœ Œ . P

‰.

∑

œ n >œ > ‰ b œœ # œ ≈ œ b œ ≈ œ # œ n œ ≈ ≈ n œ ≈ œ ‰ b œœ œ b œ œ ‰ p Pp P F P ∑ ∑ ∑

∑

œ

∑

n # >œœ Œ R P > # œœ ≈

‰.

P p #œ œ ≈ œ #œ Œ

Œ

∑

∑

∑

∑

∑

∑

sky – –

∑

∑

∑

‰ bœ J F

? Π?

b œœ R ‰. P

∑

bœ & n # œœ œ ≈ Œ f ƒ ? ∑

Vn. 1

≈ r‰ œ P

Œ

bal - loon,

Solo Hp. Obb.

Œ

+

‰ œJ F

Œ

secco for next 9 measures

&

Cb.

#œ

&

&

∑

≈

Œ

∑

p

P

p Œ

‰ F

> > ≈ bœ ≈ nœ Œ p P

‰ œ œ b œR ‰ . p

≈ Œ

1

1

Vc.

œ

œ J

Œ

∑

Tpt.

Va.

œ bœ

>œ # œ R p

‰ F

∑

∑

#œ ≈ R ‰ P

∑

Tbn.

∑ Œ

Œ

‰.

∑

∑

œ J

P

#œ ≈ R ‰ p

Œ

œ ‰ R ≈ Œ F

∑

∑

‰

œ p

Œ

∑

œ p

#œ ≈ œ ≈ pP r ∑ œ ‰. p

Œ

∑

P

∑

&

∑

∑ . œ ≈ #œ p

∑

Bass Cl.

≈ œr ‰ p>

# œ œ ‰. R F œ œ œ R ‰. p F

‰

f

ƒ

r œœ Œ . p

f ∑

∑

b œœ ‰ J f

Œ

unis.

#œ œ p œ bœ p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

B

‰.

#œ R ‰ Jœ p ∑

18 43

œ. R π œ. R π

Picc.

& Œ

‰.

Fl.

& Œ

‰.

Alto Fl.

. & œR ‰ . p

r ≈ œ. ‰

Ob.

&

∑

Eng. Hn.

&

∑

∑

Œ

Cl.

&

∑

∑

Œ

Bass Cl.

&

∑

∑

Œ

?

∑

∑

Œ

œ Œ R P

∑

Bn.

∑

∑

∑

+

∑

‰.

P f >œ bœ ‰ P f

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

‰.

‰ # œR P #œ ‰ R P œ ‰ R P #œ ‰ R P

≈

∑

Œ

‰.

≈

∑

≈ ‰

Œ

j #œ P

≈

2

&

∑

∑

1

&

∑

∑

∑

2

&

∑

∑

∑

∑

?

∑

∑

∑

∑

Œ

senza sord.

j œ π

‰

Tpt.

(Vib.)

1

‰.

& Œ

œ. œ R p

∑

‰ # œœ ≈ Œ R P

Œ

r & œ ‰. P

Œ

∑

3

&

∑

∑

∑

4

& ‰.

r œ Œ ƒ

∑

∑

Œ

‰

Perc.

(Mar.)

dolce

‰

‰

‰

‰

Œ

# œ. R p œ. R p

# œ. ‰ . R F

‰

Œ

Œ

∑ ‰.

# œ. R Œ F

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

# >œ ‰ . # Rœ Œ F

∑

∑

#œ œ R P

‰.

‰

Ped.

(Tub. Ch.)

2

j #œ œ

∑

‰

f ƒ # œ œ >œ R ‰ F ƒ # œ. R Œ F

‰.

Œ

1

Tbn.

>œ F ƒ œ # >œ

∑

∑

& ‰.

Hn.

r #œ œ

∑

‰

∑

Lœ ≈ R ‰ F œ ≈ R ‰ F

∑

‰.

J P

>œ J p

∑

œ R ‰. P

-œ

Œ

. . ≈ bœ œ ≈ ‰ p

Œ

# >œ ‰

Œ

∑

∑

œ

r œ ≈ Œ #œ F

Ped.

Π?

(Glock.)

j #œ œ f

‰

> ‰ # Jœ Œ P secco

∑

œ. ã ≈ J F œœ # >œ œ

Small Triangle

≈ # œj . >œ . F

∑

∑

∑

Œ

Œ

∑

∑

∑

Œ

&

‰

F f

solo

&

∑

∑

&

∑

∑

Cel.

Pno.

# œ. R Œ & ‰. P œ. ? ‰. R Œ like a parenthetical remark

Solo Sop.

Vn. 2

∑

f ≈ bœ œ ≈ ‰

(who

knows)

com - ing

∑ An

?

∑

& ‰.

#œ œ Œ R p

&

∑

B

∑

unis.

≈ bœ F

‰ # œœ ≈ Œ R P œ P #œ ‰ R ≈ ≈ œ œ

Œ

œ J

Œ

œ J

out

œ

b œœ

‰

∑

Œ

‰

‰

b œœ

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

# œ. ‰ . # Rœ Œ P ∑

f # >œ # œ .

j œ.

ƒ j #œ œ

f #œ J

‰

>œ ‰

‰.

œ P ∑

r nœ bœ F œ

Œ

‰

Œ

Œ

keen

Œ

F f ∑

∑

Œ

∑

a

≈ ≈ œœ Œ

œ J

j œ

‰

# œœ f

∑

‰.

r nœ F

∑

Œ

Œ

arco

‰.

arco sul D

‰.

F

# ≥œ. R P ≥r œ. P

Va.

> œ. œ. ‰ b Rœ ≈ ≈ ≈ # œ. ≈ R ‰ Œ f ƒ F ∑ ∑

∑

Œ

∑

B

∑

?

∑

∑ Œ

arco

r ‰. œ P

∑ ∑

?

‰ ≈

œ F

ƒ > # ≈ ≈ Jœ

ΠEn

œœ R ‰. ƒ Bb ∑

# >œ . ≈ J f

Œ

F ∑

Œ

∑

Œ

2 soli, div. arco

pizz.

nœ F Sola 1° ≥ arco œ b œ . f

# œœ ‰ > f

y

œ0

pizz.

F

Vc.

Cb.

Œ

∑

œœ F ∑

cit – optional: play these three sounding pitches as harmonics instead

bœ ∑

Œ

f Œ

of

ƒ

∑

# >œœ

f

b œœ Œ R f ∑

‰.

# œœ b œœ > ‰ Pf ∑

Œ

Œ

Œ F r ‰. œ

Œ

‰ ∑

P ≈ œr ‰ .

pizz.

Vn. 1

nœ ƒbœ

F r & n œ. ‰ .

& Solo Hp. Obb.

b œœ

# œ≤ œœ >≥ ‰ . # Rœ a œœ ‰ P f

œ. J

ŠΠP

j #œ F

Œ

∑

∑

∑

∑

œ

Œ

∑

∑

∑

∑

≈

19 51

nœ ‰. R ƒ

&

∑

Fl.

&Œ

# >œ œ ‰ ‰ . f

Alto Fl.

&Œ

‰ . n Rœ P > bœ ‰. R f

Ob.

&

∑

#œ œ ‰ Œ p

Eng. Hn.

&Œ

>œ R ‰. f

Cl.

&

∑

∑

Bass Cl.

&Œ

>œ . R ‰ f

∑

∑

?

∑

∑

∑

Bn.

∑

Œ

Picc.

# >œ R f

‰.

Œ

∑ œ ≈ R ‰ F #œ ≈ R ‰ F

Œ

∑

Œ # >œ R P

∑ Œ

œ ‰. R P

∑

Œ

≈ œ ‰ R p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

≈ œ nœ #œ p

∑

œ ≈ ≈ bœ p œ ≈ œ œ bœ. œ

∑

œ ‰. R p

Œ

∑

≈ ≈ nœ bœ ≈ nœ ≈ Œ œ œ #œ > > >

∑

Œ

≈ œ #œ œ œ j j #œ œ . p with slight dynamic nuances ∑

≈ #œ

∑

∑

∑ B

∑

≈

œ #œ #œ

Œ

‰

bœ p

œ

∑

∑ ‰

Œ

Œ ∑

∑

∑

∑

∑

bœ ≈ bœ ≈ p

∑

∑

∑

∑

∑

∑

∑

∑

∑

p

+œ

R ‰. F +r bœ ‰. F

1

&

∑

Œ

2

&

∑

Œ

1

&

∑

Œ

2

&

∑

∑

?

∑

∑

Hn.

‰.

Tpt.

Tbn.

1

2

∑

# >œ R F

&

∑

ã

∑

Œ

Perc.

∑

∑

∑

∑

4

&

∑

œ bœ

Œ

‰.

Œ

N œ. œ R p

∑

∑

&

∑

∑

&

∑

∑

&

∑

?

∑

# # >œœ >œœ ‰ Œ F ∑

f n ‰ . Rœ

&Œ

ah

Solo Hp. Obb.

œœ

‰

nœ ≈ ≈ Œ b œœ f F ∑

laughing

Solo Sop.

œ nœ

œ

œ

Œ

∑

f # >œ R

ha

ha!

∑

œ Œ

Glock.

&

# >œ Œ

œ ‰ œ pP

∑

‰

∑

∑

p Œ

Œ

Œ

≈ j œœ .. P ∑

œ œ ‰. nœ R # œ œ b œœ p F

r ≈ œœ ‰ > P ∑

œœ . ≈ ≈ # œœ œ œ #œ œ p œœ F sub. F ∑

Œ

∑

∑

∑

∑

≈ Œ b œœ n # œœ œ F P

F

≈ œj ≈ # œr ‰ . > > F P bœ œ bœ. bœ

∑

P bœ b œ ‰. R F

Œ

∑

≈ ≈ œ

∑

P Œ

œ Œ

bœ nœ nœ œ #œ

Œ

Œ

œ ≈ R ‰ p

Œ

∑

∑ P œ # œ œ b œœ

≈ # Rœœ ‰ P

Œ

ƒ # >œ œ ‰ ‰ .

r >œœ nœ & ≈ R ‰ b œœ ‰ . f ƒ ? ∑

?

∑

≈ œ œœ Œ

PF

Cel.

Pno.

∑

∑

∑

∑

∑

∑

∑

P

œ ≈ ≈ # œ. # œ. P F

œ P

∑

∑

∑

∑

‰

œ bœ ‰ P

Œ

secco

3

L

r #œ ≈ P

‰

∑

senza sord.

‰ . n Rœ # # œœ œ ‰ Œ P

&Œ

Œ

≈ œ #œ FP

Œ

∑

∑

∑

∑ œ ≈ b œ b œœ # œ Œ

∑

F ∑

f ∑

f sempre, with slight dynamic nuances Œ

‰

j œ

j œ.

who

∑

∑

œ ≈ bœ œ #œ.

knows

œ #œ œ œ F ∑

Œ

Eb, F#

∑

≈ œ #œ œ nœ

∑

#œ

if the moon's a

‰.

Œ

bœ R f

≈ #œ bal

≈ #œ

≈ ≈ ≈ ≈ œ nœ œ bœ nœ #œ #œ nœ #œ œ #œ œ a >œ # œ ≈ n >œ aœ > -

loon,

‰. œ bœ

∑

in

the sky – –

r A >œ # œ ≈ œ > >

∑

sky – –

≈ œ

aœ

≈ ≈ bœ œ #œ bœ f

œ

l.v.

ƒ ∑

∑

(D C # B b / E b F # G A)

Vn. 1

Vn. 2

Va.

&

∑

&

∑

B

∑

Solo 1° con sord.

∑

Œ

(2 soli, div.)

∑

Œ

(Sola)

‰.

# œ. R F

‰.

‰

≥ b œœ. Œ R f

arco

j

-œ F

œ ≈ b œ. œ. # -œ .

≈ œ #œ œ œ F P P ≥ > ≤ œ œ Solo 1° # œ œ R . ‰ ‰ p F j œ.

# œ.

∑

Œ

≈ œ

#œ

nœ ≈ bœ œ #œ #œ

Œ

∑

∑

∑

> > > ≈ # œ œ # œ œ ≈ ≈ a œ # >œ ≈ n œ ≈ Œ p p P

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

‰

div.

?

∑

∑

∑

?

∑

∑

∑

Vc.

Cb.

# œœ .. ≈ J P

nœ ‰

F

tutte (arco)

∑

via sord.

# -œ≤ J π

20 59 Picc.

& Œ

r œ ‰. > F

Fl.

&

∑

Alto Fl.

& Œ

Ob.

&

∑

Eng. Hn.

&

∑

Cl.

& Œ

>œ R ‰. F

Bass Cl.

&

∑

45 Ó

Ó

Œ

8

∑

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

∑

∑

∑

5 4 Ó

Ó

U Œ

4 8

∑

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

∑

∑

∑

∑

5 4 Ó

Ó

U Œ

4 8

∑

∑

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

∑ #œ nœ. π

B Œ

Bn.

∑

U ; = ;4sempre

Œ œ R p

‰.

‰.

A tempo

; = ; sempre

F

œ œ #œ ≈ Œ P œ #œ. Œ π F œ ‰. Œ R P

œ R P

œ œ bœ > P F

Π?

≈ #œ P

nœ ≈ Œ

‰.

Œ #œ #œ

>œ Œ

F

f

∑

45 Ó

Ó

U Œ

∑

∑

5 4 Ó

Ó

U Œ

4 8

∑

∑

∑

& ‰ œ bœ Œ F

∑

∑

5 4 Ó

Ó

U Œ

4 8

∑

∑

∑

& ‰ œ #œ Œ F

∑

∑

5 4 Ó

Ó

U Œ

4 8

∑

∑

∑

?

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

∑

∑

1

&

∑

45 Ó

Œ

Œ

U Œ

48

∑

∑

∑

2

&

∑

45 Ó

Œ

Œ

U Œ

48

∑

∑

∑

3

&

∑

5 4 Ó

Ó

U Œ

4 8

∑

∑

∑

4

&

∑

5 4 Ó

Ó

U Œ

4 8

∑

1

&

∑

2

&

∑

1

2

>œ R ‰. F

Œ

Hn.

Tpt.

Tbn.

(Tub. Ch.)

Perc.

&

∑

?

∑

Pno.

. b œœ ‰ . R F secco

Œ

‰ ggg b bb œœœœ g J f Ped. nœ ‰ gg b Jœ f

Œ

Œ

Œ

(Mar.)

Ped.

‰ g # œœj ggg # œ g ƒ ∑

(Glock.)

œ. ≈ b Jœ . F

≈ ≈ n œ. œ n œ . œ P . #œ f œ #œ. bœ œ bœ

‰ . n # œœ R F

?

Œ

∑

Cel.

& Œ

œ. # œ ‰. R F

(Vib.)

Œ

∑

∑

∑

# n œœ ‰ gggg n # œœ gg J ƒ gg b bb œœœ ‰ gg n Jœ °

Œ Œ

∑

œ. œœ . œ .. J

5 4 Ó

Œ

Œ

U Œ

45 Ó

Œ

Œ

U Œ

gg # œœ ‰ gggg # # œœ g J ƒ œ œ. 48 ‰ gggg # œ œ . J J

Ó

U Œ

48

Ó

U Œ

48 Œ

4 8

Solo Sop.

&

œ

‰.

œ nœ nœ #œ R

∑

45 Ó

∑

45 Ó

Solo Hp. Obb.

Ab

?

P 5 ≈ bœ bœ ≈ Œ 4

∑

with

>œ . R ‰ F

∑

&

∑

b >œ

œ

‰.

>œ R Œ f

≈

∑

∑

≈

∑

∑

∑ ƒ

∑ F ≈ #œ

œ.

nœ ≈ œ

b >œ

œ #œ #œ

∑ ƒ >œ œ .

#œ

funny and theatrical

ƒ . ≈ #œ nœ

filled

œ

*

n >œ . f

?

Œ

Pf

∑

∑

48

bœ R ƒ

pret - ty

Œ

45 Ó

∑ C n , En

∑

45 Ó

∑

F P œ b œ ‰ b œ ‰ UŒ J peo

Œ

-

4 8

∑

∑

∑

∑

∑

ple?

b >œ P

Ó

l.v.

U Œ

48

U Œ

48

∑

D#

∑

‰.

Œ

f ƒ œ # œ ‰. R R

Œ

A tempo ≥œ #œ 48 ‰ J f pizz. # # œœ 48 ‰ J f 2 soli (div.)

div.

Vn. 1

Vn. 2

tutti (senza sord.)

∑

& & Œ

∑

tutti, unis. sul D pizz.

‰.

o œ nœ R P F

# n œœ # ≥œ. œ. J ‰ ‰ P f arco

Œ

‰

B

∑

Œ

∑

Œ

2 sole, div.

&

‰

P ?

Vc.

? Cb.

Œ

≥. . œ bœ ‰

f

œ Va.

-

(arco)

∑

∑

&

b -œ œ J P b ≥œœ J F

≥ ‰ b b b œœœ J F

∑

Ó

U Œ

45 Ó

Ó

U Œ

div.

3 soli, div. a 3 arco

∑

45 Ó

˙˙ .. 45

Œ π

5 ˙˙ . 4 ˙ .. 45 Ó

Œ π Ó

U Œ U Œ U Œ

œ. œ. J

≈ P

Œ

nœ 48 ‰ # œJ Œ f 4 8 48 Œ

∑

∑

∑ Sola 1° arco

tutti, div. pizz.

B

∑

∑

‰.

≥r œ œ. > ƒ

tutti, unis.

∑

?

≈ #œ P

œ. f

≈ ≈ œ . P

r nœ ≈ œ ‰. ∑

# œ ‰. R F

Œ

∑

#œ

21 66

# >œ ≈ Œ R F

Picc.

&

∑

∑

∑

∑

∑

∑

∑

‰

Fl.

&

∑

∑

∑

∑

∑

∑

∑

œ. œ ‰ p .

Alto Fl.

&

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

Œ

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

#œ

∑

∑

∑

∑

‰

∑

∑

∑

∑

‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ. R

∑

∑

∑

∑

∑

r œ.

∑

∑

∑

∑

∑

Œ ≈ œr ‰ . P

‰

œ P

œ ≈ bœ nœ œ ‰. œ R p

> # œ # œ œ œ b œR ‰ . F

n >œ b œ. Œ

∑

Œ

F ƒ F &

Cl.

Bass Cl.

Bn.

∑

& œ œ bœ Œ . P ?Œ ≈

∑ Œ r ‰. œ œ #œ nœ F P

≈ œ P Œ

œ

bœ F

∑

Œ

∑

Œ

>œ J f # >œ J f

∑ # œ. ‰ . R P Lr œ. ‰ . P

1

&

∑

∑

‰.

2

&

∑

∑

‰.

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

Hn.

œ. ≈ ≈ Œ # œ. p P

Tpt.

Tbn.

1

2

Œ

(Vib.)

j # # œœ > F

‰

solo

(Tub. Ch.)

Œ

∑

Perc.

r œ œ ≈ œ ‰ P F

‰

Œ

from here to end of movement 2, Tub. Ch. is sempre secco

3

& ?

4

Cel.

∑

∑ Œ

≈ #œ bœ œ p

nœ

b >œ # œ. œ f

&

F

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∑

f Solo Sop.

&

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œ ≈ b œ n œ # œr ‰ . œ œ in the

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& Pno.

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j b œœ # œ œ œ a b œœ > f ∑

sky – –

‰

∑ C# , E#

f ≈ n œr ‰

F ≈ #œ ‰ R

filled

with

≈ # œr ‰ F

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Œ

humorous

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r # œ ‰. p Bn ∑

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B œ Œ œ # œ. P ?

Vc.

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tutti, unis. pizz.

pizz.

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F nœ Œ

ϲ

≥ œ ≈ >œ ‰ R F f

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Alto Fl.

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Œ

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1

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Eng. Hn.

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