Thomas ABSOLUTE OCEAN (mezzo-soprano version)

Augusta Read Thomas

ABSOLUTE OCEAN for solo Mezzo-Soprano, Harp obbligato, and orchestra

on texts by E.E. Cummings

Full score

from the G. Schirmer Rental Library Date of Printing_________

G. Schirmer, Inc. New York, NY

Augusta Read Thomas

ABSOLUTE OCEAN for solo Mezzo-Soprano, Harp obbligato, and orchestra on texts by E.E. Cummings

1. the moon is hiding in her hair 2. who knows if the moon’s a balloon —interlude— 3. open your heart

commissioned by The Houston Symphony, Hans Graf, music director for harpist Paula Page and soprano Twyla Robinson with a generous gift in honor of Shirley and Jay Marks

Word premiere performance was on January 22, 2009 Houston Symphony, Hans Graf, conducting Twyla Robinson, soprano, and Paula Page, harp obbligato

G. Schirmer, Inc. New York, NY

Instrumentation Piccolo Flute Alto Flute in G Oboe English Horn Clarinet in B= Bass Clarinet Bassoon 2 Horns in F 2 Trumpets in C Trombone Percussion (4 players) 1. Vibraphone (2 bows needed) 2. Tubular Chimes, Crotales (2 complete octaves; bow needed), Small Suspended Cymbal (bow needed) 3. Glockenspiel (4 mallets needed), Xylophone, Small Triangle, Very Large Tamtam 4. Marimba (5 octave), 3 Triangles (small, medium, large), Medium Suspended Cymbal (bow needed)

Piano (lid removed for pizz. inside piano) Celesta Harp obbligato Solo Light Lyric Mezzo-Soprano* Strings (8-7-6-5-4 players preferred)

* The composer does not hear a large, dramatic, Wagnerian-type mezzo-soprano for this composition.

duration ca. 22 minutes the four movements may be performed either “attacca” or with breaks between them Transposed Score The following six players should be playing from the back of the stage, in the very back of the orchestra, arranged in a semi-circle in this order: Perc. 1, Perc. 2, Celesta, Piano (lid off), Perc. 3, Perc. 4 This way, they form a “wall or screen” of sound that surrounds the rest of the orchestra. The solo Harp and Soprano should perform from the regular soloist position, in front of the orchestra. Grace notes always come before the beat and should never be slid or rushed through. Rolled chords start ON the beat All harp harmonics sound one octave higher than written. All harp notes should be l.v. molto unless otherwise specified. Vocal movements #1 and #3 are resonant. In contrast, vocal movement #2 is pointillistic, secco and fast flowing, with gliding multi-colored sparkles of sound. There are only six dynamics used in this score (pp, p, mp, mf, f, ff) so that each “level” of volume has a clear meaning and sound. Unless otherwise specified, use most common beater or mallet understanding that Movement #2 is pointillistic, secco and fast flowing, with gliding multi-colored sparkles of sound. Thus, special care should be given to choose mallets that accentuate the very many quiet, short notes in Movement #2. – Augusta Read Thomas

Three Poems by E.E. Cummings #1:

#3:

the moon is hiding in

open your heart:

her hair.

i’ll give you a treasure

The

of tiniest world

lily

a piece of forever with

of heaven full of all dreams,

summitless younger than

draws down.

angels are mountains rivery forests

cover her briefness in singing

towerful towns (queen

close her with the intricate faint birds by daisies and twilights

sprout heroes of moonstar

Deepen her,

flutter to and swim blossoms of person) through

Recite upon her

musical shadows while hunted

flesh

by daemons

the rain’s

see the luminous leopards (on wingfeet of thingfear)

pearls singly-whispering. come ships go snowily sailing #2:

perfect silence. who knows if the moon’s

Absolute ocean

a balloon, coming out of a keen city in the sky – filled with pretty people?

– E.E. Cummings

(And if you and i should get into it, they should take me and take you into their balloon, why then we’d go up higher with all the pretty people than houses and steeples and clouds: go sailing away and away sailing into a keen city which nobody’s ever visited, where always it’s Spring) and everyone’s in love and flowers pick themselves

Used with permission of the Liverlight Publishing Corporation. Copyright © 1923, 1925, 1944, 1951, 1953, 1963, 1972, 1991 by the Trustees for the E.E. Cummings Trust. Copyright © 1976 by George James Firmage.

with admiration and gratitude to Hans Graf, Paula Page, Twyla Robinson, Elly Thomas and Cynthia O'Neill

ABSOLUTE OCEAN (for Mezzo Soprano, Harp and orchestra)

E. E. Cummings (1894-1962)

Augusta Read Thomas (2008)

1. the moon is hiding in her hair

Graceful, colla voce sempre

© = 54

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Mezzo Soprano version 5/2011

∑

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Copyright © 2009 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

∑

Property of:

G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2

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π

p ˙.

π

p

π

Ó

∑

π

& Ó

‰ œ œ P f

∑

Œ

∑

&

∑

∑

& ‰ œj Œ F

# >œ œ f

Ó

Œ

‰ >œ 3

f

2

& ‰ œj Œ

œ F

3

&

∑

∑

&

∑

∑

4

& Ó Cel.

Pno.

Mezzo Sop.

? Ó (° )

Œ

Œ

∑ Ó

ƒ secco > ‰ œJ ‰

Œ

∑

?

∑

Ó

Œ

f

& ‰ œj Œ œœ & f Fs

∑ ƒ # >-œ

œ -

-

-

F

ƒ

B

∑

j Œ œ f

Ó

‰

#œ f

‰ œj # œ ggg œœ Œ P f

Ped.

3

?

Œ

≤ >-≥ œ ≈ œ # œœ œ F ƒ

∑

∑ ∑

Π*

° ˙˙ .. > ƒ

f >œ œ

‰ . œr œ p>

˙.

# -˙

œ

Ó

poss.

Πp

f

cantabile

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ Ó

Ó

poss.

œ

œ

f ∑

Œ

°

#˙

∑

ƒ ∑

∑

Ó ∑

* ∑

∑

œ ƒ Ó

°

ww

Ó

∑

ggg œœ .. œ ≈ œ gggg œ . Œ > œ >œj œ ggg œ . J 3 f ƒ Œ Ó œ # œœ

j œ

˙.

∑

Œ

∑ Cs

(Solo 1°)

Ó

#œ œ f

∑

Œ

π

gg # œœ g >

‰

œ≤. ≥œ

œ.

∑ *

∑

∑

Œ

‰ œj # œ ggg œœ Œ ggg œ œ F Œ Ó

g # œœ Œ gggg œœœ gg ƒ

∑

∑

(2 sole) senza sord.

∑

Œ

>≥œœ

˙˙

∑

∑ ≥ ˙. F

∑

œ

senza sord.

œœ æ P

echo harp

π

∑

œ

# >œ

>œ

Œ

f joyous ‰ œJ œ œ ‰ J

Œ π

∑

≥ ˙. P echo harp

Œ π

Ó ∑

© = 84

˙≤ .

≥ w> f

w

# w≤

π

w ∑ f

≥ ≤ # ≥˙ œ œ æ F ƒ tutte, unis. senza sord. œ ≥ ˙. Ó Œ ‰ . œR F œ≤ w tutti . Œ ‰ R Ó P

∑

er

3 soli

(non trem.)

w

∑

Ó

Œ

-

ƒ

blend with orchestra – not in foreground

senza sord.

∑

∑ Œ

‰ . œr œ f

accel.

≤ ≤ # œ. œ. # >-˙≥

∑

∑

Œ

F ƒ sub.

3

f espr.

∑

∑

∑

œœ ƒ Ped.

∑

j Œ Œ ‰ g # œœ œœ ggg œ œ ƒ > ggg œg œ Œ œ ggg œ ‰ N œ Œ

f ?

Œ ƒ p

cov

∑ via sord.

œ

π

π

&

Œ ∑

div.

Vn. 2

˙.

° Œ

∑

&

Ó

P œ

Ó p

echo harp

j ‰ gg œœœ Œ ggg œ f resonant œ œ ã ‰ œJ Œ F f

Ó

>œ œ # ‰ >œ œ œ

bright

∑

en

j # >-œ ‰ œ ‰ œ œ œ œ ƒ ∑

œ œ≤ . ≥ œ &

Ped.

3 ord. (on keyboard)

∑

sub.

Ped.

3 Triangles

∑

Ó

#˙ p

# œœ Œ >œœ gggg œœ ‰a œœ œ Œ gg F ƒ P

Ó

*

&

?

Ó

# >œ f >œ

Œ

heav

Solo Hp. Obb.

Œ

Œ

>œ #œ

∑

π ∑

dramatic

∑

F

∑

˙. > F

∑

Œ

Perc.

Œ

∑

˙

Œ

∑

π

F st. mute

∑

#w

π

echo harp

ƒ

poss.

Ó

>˙ .

∑

Œ

π

#˙ p

‰ . >œ w R p

p ˙.

poss.

∑

(Ped.)

Cb.

Œ Ó

∑

∑ # -œ

st. mute

?

Tbn.

Vc.

Œ

∑

espr.

2

Va.

w

Ó

∑

˙ p

Tpt.

Vn. 2

w

∑

‰ œ #œ œ Œ J P F

∑

∑

∑

&

∑

π

echo harp

1

Vn. 1

∑ p ˙.

∑

Hn.

2

π

f

∑

∑

&

Œ

w

sub.

˙ P 1

#˙ f

Œ

p

ƒ

Ó

∑ # ˙.

Œ

∑

Cl.

> ‰ ‰ Jœ œ Œ 3 f P

Œ

˙.

# >œ

& Ó

Fl.

Ó

∑

∑

π w p

ƒ ∑ ƒ ∑

6 37

∑

∑

Picc.

&

Fl.

&

Alto Fl.

&

Ob.

&

Eng. Hn.

&

Cl.

& #w P

Bass Cl.

&

∑

∑

?

∑

∑

œ

w P

w ∑

˙

∑ ∑

Ó

œ

Œ π

Œ

˙. p

œ.

˙. p

œ.

# ˙.

œ.

Œ

∑

Œ

∑

œ

∑

∑

‰ Ó

∑

∑

∑

‰ Ó

∑

∑

∑

‰ Ó

∑

∑

f f

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

2

&

∑

∑

∑

1

&

∑

∑

∑

2

&

Ó

Œ

Hn.

Ó

Œ

1

∑

?

∑

∑

∑

&

∑

∑

∑

Œ

> ‰ œJ w ç

> ‰ œJ ˙ P > ‰ # Jœ ˙ P

Œ

∑

p

w

˙

F

p

Ó π

∑

∑ w

∑

˙

Ó

∑

Ó

∑

π

F w F

˙ π

∑

(Vib.)

˙

solo

∑

Tpt.

Tbn.

P

∑

&

∑

# -˙ . π

∑

1

∑

Œ

f

Œ π

∑

∑

∑

˙ f ∑

Ó

∑

Ó

p w

Πp

f

π

Bn.

# w>

∑

∑

∑

bowed

‰ # œœJ Ó p F

∑

∑

∑

Ó

Ó

∑

Ped.

2

&

∑

∑

3

&

∑

∑

4

ã

∑

∑

∑

Crotale

∑

#œ F

Perc. Small Triangle

∑

Œ

œ Œ ㉠J Ó P Marimba

∑

∑

Ó

Cel.

Œ

Ó

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

j œ ‰ Œ

& ‰ œ. her

Solo Hp. Obb.

œ

∑

3

Œ œ

&

>œ

Ó

∑

Ó

∑

Ó

∑

>œ œ J ‰ Ó #œ f ∑

∑

#œ œ

ƒ Œ

>œ

f secco ‰ Jœ Œ

∑

* ∑

j

∑

œ f

∑

&

&œ f ?

∑

F

F Mezzo Sop.

∑

# w>

∑

(° )

Pno.

∑

?

Note: Throughout the score, all low B's and B-flats in the marimba are optional.

& œ œ f ?

Ó

j œ. ‰ ‰ œ œ œ œ her

Œ

Ó ∑

f 3

3

brief -

∑ As

-

ƒ F f espr. F > ‰ œ.j ‰ œj ‰ œJ œ œ œ œ - ness

in

sing

-

3

-

∑

-

Ó

∑ F secco 3 Œ œ œ

œ

F ‰ # œJ. Ó

-

- ing

Œ

∑

∑

F j œ œ.

Ó

close

‰ # œœJ Ó F playful ∑

∑

suddenly more intimate and interior

playful and light

(DCsBlEFsGAs)

∑

blend with pizz.

∑ f

#œ œ 3

Ó

>œ

j œ ‰ b -œ

‰ Jœ. ‰ # Jœ.

her

Ó

with

the

∑

ƒ

œ

∑

∑

˙

Vn. 1

&

∑

∑

∑

tutti, pizz.

Ó

#œ

Œ

>œ œ #œ f ƒ

∑

f Vn. 2

&

∑

∑

∑

unis., pizz.

œ

Ó

Vc.

B ?

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

Ó 3

Ó

Ó

ΠΠpizz.

?

∑

∑

∑

∑

Ó

≥ ˙ f

3 soli

≤ ˙ π

≥ œ f

˙

Œ Œ œ 3

Cb.

∑

arco

f Va.

Ó

Ó

( ≥)

w P espr. ∑

π ∑

∑

f Ó

˙ π

∑

7 44 Picc.

&

∑

∑

Fl.

&

∑

∑

Alto Fl.

&

∑

&

Eng. Hn.

j & œ ‰ Œ π

Bass Cl.

Bn.

˙

∑

∑ Ó

> ‰ #œ

Œ

solo bell up optional

j #œ. >œ f

Œ

˙

>˙ > ƒ brassy j #œ

# >œ œ # œ œ ƒ intense

w

∑

P > œ #œ J

˙

#w π

Ó

Œ

F

Œ

˙.

Œ

∑

# >œ œ # œ œ

∑

∑

∑

∑

Ó

?

∑

∑

∑

∑

Ó

n >œ # œ J P3 # >˙

Œ

w

˙.

Œ

w

˙.

Œ

w

˙.

P

w P

# -œ π

˙.

w

œ

Œ

P > w F

1

&

∑

2

&

∑

∑

∑

1

&

∑

∑

∑

∑

∑

& ?

Tbn.

Œ

Ó

∑

p

∑

∑

∑

∑ ∑ >˙ .

∑

∑

#œ P

via sord.

Œ

f 2

∑

∑

∑

∑

∑ Ó

senza sord.

Œ

P

p via sord.

Œ

# ˙. > f

∑

∑

Ó

∑

∑

Ó

senza sord.

Œ

p ∑

∑

#œ #œ P œ

ΠP

1

∑

&

∑

∑

∑

∑

∑

mallets

Ó

2

j & ‰ œ Œ p

Perc.

Ó

Ó

Œ

4

Cel.

∑

∑

∑

∑

∑

∑

∑

∑

Ped.

> ‰ #œ 3

f

Ped.

3

3

Œ #œ œ #œ > F f

Tub. Chimes

∑

ã

∑

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

F ? ‰ œ.

œ

f œ # œœœ ... J

∑

Œ

˙˙˙

Ped.

Pno.

∑

∑ ƒ # >œ œ # œ Œ

Ó

Ó

Œ ã œ p F

∑

∑

∑

∑

3

*

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

singer can choose either B or Gs

3

& #œ nœ

œ.

œ

‰

in - tri - cate

?

Vn. 1

&

Vn. 2

& ˙.

Gs

f # ˙.

Œ

faint

Œ >œj œ f ƒ

& Ó Solo Hp. Obb.

∑

lots of high overtones, please

&

f Mezzo Sop.

Med. Sus. Cymbal – bowed

∑

°

Ds

∑

∑

f ƒ happy j # œœ .. ˙˙ >œ

f majestic and lyrical ˙ ≈ >œ # œ . R

∑

birds,

Œ

in

∑

∑

# œœ > ƒ

Œ

∑

∑

∑

∑

∑

∑

‰

f # >œ 3

F 3

œ ‰ œ #œ œ #œ

sing,

Ó

∑

sing

-

œ.

-

-

ƒ # -œ ˙ J

P

- ing,

∑

∑

∑

∑

∑

∑

∑

(DsCsBlEFsGsAs)

arco

# w≤ π

Œ

∑

∑

∑

π 3 sole

B Ó

Œ

ϲ P

?

∑

w

∑

Œ

˙≤ .

(3 soli)

≤ #w π

w ƒ

w

w

π

F ∑

∑

?

∑

∑

∑

∑ p ∑

ƒ ∑

3 soli, div. a 3

Ó

arco

B

≥ # >œ œœ #œœœ œœœ ƒ

Cb.

˙.

∑

Ó

Ó

&

Tpt.

Vc.

w P w

3

∑

∑

∑

P

F

3 ƒ intense

Hn.

Va.

∑ 3

Ó

3

∑

∑

∑

w f ∑

Ó

&

Cl.

j œ. >œ f

w π

∑

Ob.

∑

∑

p ˙˙˙ ...

www

∑

Œ

P

3

∑

∑

8 51 Picc.

&

∑

∑

Fl.

&

∑

∑

Alto Fl.

&

∑

∑

Œ #˙

Ó

3

∑

&

Ob.

(bell ord.)

> Œ #˙ 3

Eng. Hn.

&

w

w

w

∑

∑

∑

∑

Œ

p

˙

∑ # wπ

w

Π3

w

# -œ

˙

f

w

π poss.

∑

∑

∑

∑

∑

∑

∑

∑

∑

p Œ

Œ

œ

w

w

w

w

p

f

#˙ f

Ó

∑

p

f

3

∑

# w> f

f

Ó

∑

∑

Cl.

&

Bass Cl.

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Bn.

1

&

Hn.

w F

p

Œ

# -˙ . π

P

poss.

2

&

1

&

Tpt.

2

Tbn.

∑ w F

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

P

& w F w ? F

P P

(Vib.)

1

∑

Œ #˙

∑

&

3

(Ped.)

3

#œ #œ

œ

#œ

Œ

P

Ó

ƒ

majestic (Tub. Ch.)

2

&

Ped.

∑

Ó

Perc.

3

#œ #œ œ > p F majestic

3

ã

∑

4

ã

∑

&

∑

?

∑

Cel.

Ped.

3

Œ #˙ > ƒ Ó

Œ #œ

Mezzo Sop.

*

∑

∑

. Œ # # # ˙˙˙ ..

∑

∑

∑

∑

?

∑

∑

Œ

f # ˙˙ .. °

∑

∑

∑

∑

ƒ dramatic 3> 3 #œ #œ Œ #˙

∑

&

& Œ

Vn. 1

∑

&

by

Solo Hp. Obb.

œ

3

°

Pno.

#w

#˙

?

&

œ

j ‰ # œœœ Ó ƒ ∑

Œ

3

> Œ #˙

Ó

f œ

dai - sies and

3

#œ #œ

œ

# >œ

&

*

ƒ >˙ .

˙

Ó

Ó

twi - lights

# >œ

Œ

Deep

Ó

∑

ƒ majestic ∑

∑

∑

∑

∑

∑

Va.

∑

&

B Œ

œ≤ ˙ ‰ J P

tutte

-

- en

π Œ œ

˙

Ó

her,

∑

∑ (DsCsBlEFsGsAs)

∑ w

-

∑ ∑

Solo 1°

ƒ Vn. 2

P suddenly intimate 3 #˙ œ ‰ #œ #œ J

∑ w

∑

Solo 1°

sul G

w p

#w P

w p

Sola 1°

#w

w

π P

p

w

f

sul D

#w P

∑

∑

∑ π ∑ π ∑ π

sub. tutti, unis. (arco)

Vc.

B Œ

œ≤ ˙ ‰ J P

w

w

Solo 1°

w

w

π P

p

w

∑

f

π

sub.

Cb.

?

∑

∑

∑

∑

Solo 1°

&

w

w

P

p

∑ π

9 rit. 58 Picc.

&

∑

Fl.

&

∑

Alto Fl.

&

Ob.

&

Eng. Hn.

∑ ∑

˙

Bn.

1

ƒ ∑

∑ b˙

1

ƒ

p

3

∑

ƒ brassy Œ

?

∑

∑

∑

‰

Ó

#w

∑

ƒ ∑

& & Ó

st. mute

w P

π

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

blend with pizz.

j # œj ‰ Ó œ. . F blend with pizz.

∑

Ó

Œ

3

3

Œ ˙ f espr.

˙

œ P

∑

∑

∑

∑

∑

∑

œ F

p poss.

w

p poss.

# -˙

# w>

f

ƒ bright and majestic

3

via sord.

j œ ‰ Œ

& #œ ˙ F f ?

w

j œ. j ‰ b œ. ‰ J ‰ b œ. f F

w

f #w f

∑

∑

F

∑

˙

π

∑

#w f

p

w ƒ

w P

w ∑

∑

w>

bœ

#w f

∑

∑

&

˙.

Œ

∑

∑

∑

&

st. mute

Tbn.

p

∑

Tpt.

2

w ƒ #w #w ƒ

w> ƒ brassy

∑

&

Hn.

2

# w> ƒ brassy

Ó

f Bass Cl.

∑

f

& Ó

Cl.

∑

w > ƒ bright and majestic

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

Ó

∑

∑

Œ

# ˙. π

w P

˙ π

echo pizz.

1

2

∑

&

∑

∑

ã

Perc.

3

ã

∑

4

ã

∑

∑

(Vib.)

∑

bowed

# # œœ p

œ. ≈ J Œ p F

∑

ΠP

Ped.

bowed

Small Sus. Cymbal

∑

&

∑

Ó

∑

∑

(Sm. Triangle)

∑

∑

∑

Œ

Œ

Ó

Ó

3

Œ

Marimba

∑

∑

?

‰

j #œ œ F

#œ

# >œ

∑

in background

∑

∑

Ó

f

Œ

œ p

F

& #œ

F

Extra Large Tamtam

œ

Crotales bowed

3

Ó

Œ Œ

f

æ œ F

blend with pizz.

&

∑

∑

?

∑

∑

∑

# ww > f # # www>

Cel.

# # œœ f

Œ

∑

Ó ∑

∑

∑

∑

∑ *

° pizz. (inside piano)

# >œ

& Ó

Œ

ord. (on keyboard)

∑

∑

Ó

F

ƒ

Pno.

∑

&

#œ f

∑

?

∑

‰

blend with pizz., secco

*

°

Œ

Ó

j #œ œ

∑

∑

∑

∑

∑

∑

like a memory

Mezzo Sop.

∑

&

∑

& #œ œ > f ?

‰

# >œ

j # œ gliss.

# # œœœ > ƒ

Œ

∑

Œ

Ó

Vn. 1

& Ó

∑

∑

# ˙≤ p

Ó

Œ

‰.

f

full up-bow tutti

f ‰ # œj # œ

∑

3 soli, div. a 3

∑

f

‰

∑

≥ # # # www > ƒ

bright

Ó

j#œ œ

> r #œ # >œ # œ ƒ

Œ

& Ó

# ˙≤

tutti (arco)

p

Va.

Vc.

Cb.

B Ó

# ˙≤ p

B

&

∑

∑

2 sole, div.

∑

∑

Ó

∑

P ∑

f ∑

∑

≥ ww> ƒ

tutte, unis.

Ó

tutti

∑

∑

Œ

tutti

pizz.

#œ ƒ

f ?

≥ # ˙. F

-

# # œœ

Es, Gn

pizz. ≥ ‰ œj ˙ . > F

∑

ing

Œ

Ó f

Ó

∑

#œ

tutti, unis.

pizz.

#œ f

pizz.

#œ f

3

Œ

#œ

Œ

Ó

∑

Ó 3

π

≥ Œ ˙ Í

(pizz.)

sul G

w F

3

Ó

œ

∑

≥ Œ Œ #œ f

∑

F 3 ? Œ #œ

Ó

∑ π

Ó

Œ

∑

Ó

&

> ggg # œ # g Œ gg œ ggg ggg ƒ ggg ggg # œ #œ

rit.

∑

arco

?

Œ

œ

f

f

full up-bow tutte

œ #œ. J

œ

˙˙˙

∑

∑

is hid

Ó

full up-bow

Vn. 2

F

ƒ œ œ œ

the moon

blend with brass – not in foreground 3

Solo Hp. Obb.

∑

w F

3

Œ #œ Œ f

10 65

(rit.)

© = 72

œ œ >˙ .

˙.

Picc.

&

Fl.

&

∑

Alto Fl.

& ‰ # -œ . p

˙

Ob.

&

∑

Eng. Hn.

j & ‰ # œ ˙. f >

Cl.

&

Bass Cl.

∑ w f

& Ó Œ

1

& Œ

2

&

4

b -œ . P

w

Mezzo Sop.

Œ π

& Ó

# -œ J π

‰

Va.

Vc.

Cb.

∑

∑

‰

Œ

‰

Glockenspiel

Œ

Ó (Mar.)

&

‰

œ ‰ ggg b œœJ F

Œ

ggg n b >œœ gg ggg ggg gggg F gg # œ ggg # œ g °

& ‰ # œj # œ f ? Ó

∑

∑

π ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

solo

‰ #œ

3

j #œ œ #œ

p espr.

# ->œ œ R œ .. F

cantabile

∑

via sord.

Ó

#˙

∑

π ∑

∑

∑

∑

∑

∑

∑

Œ

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

Ó

P Œ

Œ

Œ

Œ

∑

∑

∑ p # # œœ

∑

*

Œ

Ó

Ó

Ó

Ó

Ó *

°

Ó

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

?

* Ó

‰

P sensuous j #œ œ œ

# # n >œœœ ‰ #œ#œ J

Œ

‰

ƒ ‰ ‰ Œ

j #˙ #œ

F espr. >- . ‰ #˙ œ

up - on

her

p œ.

‰ Œ

flesh

P F ‰ j # ˙. #œ

Œ

Œ

the rain's

P # ˙. >

p

pearls,

∑

∑

∑

∑

En, Fn, Gs

∑

∑

∑

∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

(DsCsBlEFGsAs)

∑

# # œœ F

Œ

Œ

© = 72

b ≥˙ .

˙. Œ

F

π Solo 1° arco

Œ

‰

ϲ J

˙. ( ≥)

w

Œ

F

P

∑

˙

w

π Œ

°

&

? ˙

π

∑

w

æ w F

∑

B

w

∑

∑

∑

j œ f

∑

& Ó

π

∑

Œ

gradually slow down tremolo

?

& Œ

w

f

@j æ œ b >œ . f

æ ˙

&

∑

w P

P

j œ

(bowed)

F

? Œ

∑

# w> P # w>

Ped.

& Ó

?

∑

π

w

#œ J f

(bowed)

Œ

Solo 1° arco

Vn. 2

∑

˙. ∑

(rit.)

Vn. 1

∑

Ó

Re - cite

Solo Hp. Obb.

∑

π

w F

Œ

& ΠPno.

∑

‰ œj ˙ π

∑

∑

& Ó Cel.

∑

˙

˙.

&

?

∑

P

‰

& # wπ

ã

∑

π

Perc.

3

∑

echo mezzo

∑

(Crot.)

2

∑

∑ Œ

f

(Vib.)

1

Œ

w

# ˙.

? Ó

Tbn.

∑

∑

∑

(st. mute)

2

∑

p

π

Hn.

Tpt.

∑

π

˙.

‰ bœ. P

œ

1

∑

w ∑

∑

?

Bn.

Πp

œ #œ. J (F ) j œ bœ. (F )

∑

Ó

π arco

# ˙≤

w

π

P

w

w

w

w

Ó

P Œ

˙.

w P

Œ

π

π

∑

∑

π # œ≤ w ‰ J π P

∑ π ∑

∑

‰

j aœ P

11 #˙

72 Picc.

&

Fl.

&

∑

∑

Ó P

# >˙ .

Œ

P

∑

∑

&

∑

∑

Ob.

&

Eng. Hn.

&

∑ ∑

Bass Cl.

Bn.

1

∑

∑

∑

∑

∑

∑

∑

∑

# ˙.

∑

∑

∑

&

Cl.

∑

π

espr.

Alto Fl.

∑ π

π

P

π Œ

Ó

# -œ π

w p

> ‰ # œJ ˙ f # >œ ‰ J f

Œ Œ

π

Ó

∑

Ó

Œ

˙. P

∑

∑

Œ

P ˙.

Œ

Ó π ∑

˙

œ.

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

w-

w p

π

Hn.

‰ π

P

w π

P

poss.

2

∑

&

∑

∑ #˙ P

Ó

∑

∑

∑

∑

1

&

∑

∑

∑

F ∑

2

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

&

∑

Œ

∑

∑

∑

j ‰ # œœœ Ó P elegant

Tpt.

Tbn.

1

(bowed)

Tub. Chimes

2

& Ó

Œ

Perc.

mallets

œ P

Œ

œ p

Ped.

# œœ P

#œ p

Œ

Ó

Œ

Ped.

3

4

Cel.

&

∑

∑

Ó

?

∑

∑

&

∑

∑

Ó

?

∑

∑

Ó

Ó

Œ

∑

ggg n # # œœœ p graceful (Mar.)

∑

Œ

gg # n #œœœ ggg ggg P gggg # œœ gg # œ

&

Œ

∑

Œ

∑

∑

Pno.

?

∑

Ó

F

# w-

& Œ

#œ

3

j #œ œ #œ nœ

#œ.

Ó

∑

œ

˙

Œ

Œ

≈ j œ. F

‰ # œj Ó œ f Ó

Ó

Ó

Ó

Ó

Solo Hp. Obb.

Vn. 1

Ó

graceful

?

nœ

Ó An

Œ

Ó

Œ

ggg # œœœ ... g n œ n œ gg ggg # œ > Gn p F espr. Œ Ó

∑

&

secco

3

‰ ‰

j œœ f

3

j œœ >

Ó * j3 œ œ œ œ F ∑

Œ

≈

œ

°

* ∑

f as a remembrance F 3 j3 ≈ œ œ œ œj ‰ j œ œ

Œ

ah

Œ

∑

Ó

Œ

Ó

ggg # œ ggg ggg ggg p ggg P gg # œ & ggg œœ g œ

gg # œœ g

Œ

Œ

‰ œj P

Œ

P Cn

Œ

gg œœ

Œ

?

œœ

‰

3

# œœœ f

nœ

j œœ f

Ó

pearls

g #œ & gggg # œ gg

œœ f

Œ

Œ

°

∑

Ó

‰ ‰

∑

p

F

p smooth

Mezzo Sop.

Œ

3

Œ

Ped.

Œ

∑

œ œ PF ‰ #œ Œ J °

Ó

∑

solo

‰ ‰ œj Ó > f 3

*

Ó

P

Ó

∑

° # >˙ &

Ó

j ‰ gg # œœœ Ó g F

Œ

‰ œj # œœ Ó J f intense and brassy Ped.

‰ ‰ œjœ œ F 3

Ped.

(Glock.)

Œ

Œ

Œ

≈

Dn

resonant and sparkling

the

3

œ ‰ nœ œ œ F

‰ #œ Œ J

∑

∑

∑

∑

∑

∑

3

‰ ‰

j œœ f

∑

# ≥˙

tutti, unis. (arco)

P

π (arco)

Vn. 2

∑

&

Vc.

Cb.

B Ó ? ? # w≥ p espr.

Œ

∑

∑

∑

Sola 1°

Va.

4 soli, div. a 4

# ϲ

˙.

p

F espr.

n >-œ

Ó

œ

Œ π

≥ # www w F

π

echo harp

w

Ó

tutte

‰

π ‰. # œ œ R p

w

Ó

Œ

> # -˙ P ≤ ˙. p

˙ >P

Ó

≤ #œ. p

w

F

Œ

F ∑

F Ó

Sola 1°

Ó

∑

Ó

2 soli, div.

&

≤ ˙˙ π ∑

3 ≤ ‰ ‰ œj f espr.

P

12 rit. freely

78 Picc.

&

∑

∑

∑

∑

∑

∑

∑

Fl.

&

∑

∑

∑

∑

∑

∑

∑

Alto Fl.

&

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

∑

∑

Cl.

&

∑

∑

∑

∑

∑

∑

∑

Bass Cl.

&

∑

∑

∑

∑

˙.

∑

∑

π

p ∑

∑

Ó

con sord.

˙

w P

π

Hn.

∑

∑

π Ó

∑

∑

Œ

p ˙

∑

∑

&

P

Œ π

w

π w

π 1

˙.

w p

P

w-

w-

?

Bn.

b wπ

∑

Ó

∑

con sord.

π

w P

b˙ π

via sord.

w

via sord.

w

2

&

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

π

Tpt.

-˙ .

?

Tbn.

∑

w

Œ π

p

π

blend with mezzo soprano (Vib.)

1

& Œ

∑

∑

œ Ó ƒ espr.

∑

Ó

Ped. (Tub. Ch.)

2

& Ó

Perc.

bowed

∑

Œ b œœ p whispery

Œ

Œ

turn motor off

Ó

Ped.

Ó

∑

∑

∑

∑

∑

∑

(Ped.)

3

&

∑

∑

∑

∑

∑

∑

∑

4

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

Cel.

Pno.

& Œ

Œ

Ó

∑

∑

∑

∑

∑

∑

? Œ

Œ

Ó

∑

∑

∑

∑

∑

∑

( °)

Mezzo Sop.

* f

P

& j ‰ -˙ . > œ

3

Œ

˙

rain's

& ΠSolo Hp. Obb.

?

∑

b˙

P Ó

pearls

Ó

n œœ > F

œ œ

p

œœ > F

As

Œ

Ó Ds

∑

Œ

œ si

Œ ‰ œ a œj # # œœ aœ P soulful P ∑

sublime

P # œ ‰ n œ œ œj ˙ F

3

-

ing

∑ ∑

p

3

-

Œ

ly

F ‰ b œj œ whis

‰ œj Œ #œ P

P ‰ b œj œ -

per

π

p espr. nœ > -

Œ

˙.

ing.

œœ Œ and f refined graceful ∑

∑

∑

∑

∑

∑

∑

∑

rit. freely Vn. 1

Vn. 2

Va.

&

&

∑

∑

∑

∑

∑

>-≥ B œj ‰ ˙ . ƒ

œ ‰ Œ J p

Ó

∑

∑

∑

∑

∑

∑

∑

∑

Ó

(Sola 1°)

Solo 1°

≤ ‰ # -œ . π

sul G

( ≥) ≤ n wπ sempre (≥) w p

elegant

Vc.

Cb.

& ww ?

∑

∑

∑

∑

Ó

Solo 1°

π

≤ ‰ #œ. π

(≥)

w p

π

elegant

∑

∑

∑

∑

∑

∑

π

∑

13

2. who knows if the moon's a balloon Playful, spry and jazzy 4 &8

Picc.

∑

; = 192-200*

∑

∑

∑

‰.

Œ

r # œ. f

∑

Œ

‰

œ ≈ œ œ. ≈ ‰ . F f ƒ œ œ bœ ‰ ‰. R f P ∑

Fl.

∑

∑

Alto Fl.

4 &8

∑

∑

∑

Ob.

4 &8

∑

∑

∑

Eng. Hn.

4 &8

∑

∑

∑

Cl.

4 &8

∑

∑

∑

∑

Bass Cl.

4 &8

∑

∑

∑

∑

∑

∑

Bn.

? 48

∑

∑

∑

∑

∑

∑

Œ

b >œ ‰ . R F ∑

œ œ œ œ F ƒ

∑

∑

∑

∑

∑

∑

Œ

∑

∑

Œ

∑

∑

r ≈ #œ ‰ > ƒ > ≈ #œ ‰ R ƒ

‰.

Œ

>œ

œ ‰. R ƒ

F

4 &8

Œ

#œ

œ. R f

∑

>œ # œ ‰. R ƒ

∑

Œ

∑

∑

∑ >œ >œ Œ ƒ >œ ‰ b >œ Œ ƒ

∑

∑ ‰.

Œ

‰

∑

œ R œ œ ‰ f P

∑

∑

∑

∑

solo

Œ

b >œ

œ.

f p

œ J ‰ f

Œ

sub.

1

4 &8

∑

∑

∑

∑

∑

∑

2

4 &8

∑

∑

∑

∑

∑

∑

1

4 &8

∑

∑

∑

∑

∑

∑

2

4 &8

∑

∑

∑

∑

∑

∑

? 48

∑

∑

∑

∑

∑

∑

∑

∑

# œœ ‰ Jœœ Œ P

∑

r œ. ≈ Œ P

∑

∑

∑

b œ. ≈ Œ R P

∑

∑

∑

∑

∑

∑

∑

(senza sord.)

∑

‰

Hn.

∑ (senza sord.)

∑

‰

Tpt.

Tbn.

1

4 &8

2

4 &8

3

4 &8

Vibraphone motor off

∑

Œ

∑

r ‰. # >œ f secco ∑

Tubular Chimes

Œ

Perc.

∑

Marimba

4

4 & 8 # œr ‰ . > f 4 &8

Cel.

∑

Œ

Œ

secco sempre, unless otherwise marked

Pno.

Mezzo Sop.

4 & 8 # œr ‰ . Œ > ƒ ? 48 ∑ 4 &8

Solo Hp. Obb.

Œ

∑

∑ ƒ r # œ ‰. > r ‰. # >œ F ∑

∑

P.D.L.T.

4 & 8 # œr ‰ . Œ > ƒ secco ? 48 ∑

∑

∑

secco sempre, unless otherwise marked

F ? 48 # œr ‰ . >

Xylophone

∑

Œ

Œ

ord.

r ‰. # # œœ. F secco

Œ

4 &8

Vn. 2

4 &8

Va.

B 48

∑

∑ f ƒ # œ œ # œ #œ

∑

Cb.

∑

∑

∑

∑

Œ

∑

∑

Œ

Œ

≈ œj. f

∑ ‰

Œ

‰ # œœ f ƒ

∑

&

ggg # # œœœ ... ‰ gggg ggg ggg g #œ. ‰ gggg œœ .. °

l.v.

l.v.

&

œ # œ ‰. R f

‰

Œ

∑

∑

‰

∑

∑

Œ

ggg # # œœœ ... ‰ gggg ggg ggg F gg # œ . ‰ ggg # œœ ..

l.v.

l.v.

∑

Œ

‰

Œ

‰.

∑

r bœ ≈ Œ œ f œ. ? b b œœ

>œ > bœ Œ f ƒ

rŒ b >œœ ƒ > bœ Œ ‰. R ‰ >œœ bb œœœ Œ > œ ƒ J ‰ Œ

ƒ f

* ∑

∑

∑

> r n r œœ n œ ‰ . ‰. #œ b œ b œ œ n # œœ R œ œ bœ œ ≈ œ > F ƒ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

Œ

∑

∑

> > ‰ # œœ # œœ Œ ƒ secco ∑

l.v."

∑

∑ 3 soli, div. a 3

∑

# # ≥œœœ ...

˙˙˙

œœœ

‰ p echo

? 48 # œ f ? 48

∑

∑

3 sole, div. a 3

∑

Solo 1° pizz.

Vc.

∑

∑

∑

∑

Œ

∑

#œ #œ

∑

∑

#œ œ f F #œ ‰ œ# œ #œ f ƒ ‰

∑

; = 192-200*

‰

Œ

∑

∑

∑

∑

∑

r b œœ n œœ ≈ # # œœ ‰ Œ # # œœ n œ > ƒ F ∑ ∑

∑

Œ

∑

∑

∑

Œ

Ped.

∑

≈ r‰ Œ # # œœ F

DCsBslEFsGsAs Note: Harp part in movement 2 is always secco unless marked "

Vn. 1

# œœ J F

Ped.

r ‰. # >œ

Playful, spry and jazzy

‰

Ped.

r ≈ # # œœ ‰ Œ . f

∑

Œ

Œ

∑

&

# ≥œ . ‰ œœ .. p echo ∑

π ˙˙˙

œœœ π ∑

∑

Œ

pizz.

# # >œœ

2 soli, div.

∑

f ∑

∑

∑

∑

*Tempo can fluctuate at the discretion of the conductor and soloists.

∑

∑

∑

∑

∑

14 10 Picc.

&

∑

∑

∑

Fl.

&

∑

∑

∑

Œ

Alto Fl.

&

∑

∑

∑

Œ

∑

∑

∑

Œ

‰.

≈ >œ ‰ R F > ≈ œ ‰ R F

∑

∑

Œ

‰.

∑

Œ

#œ f

œ. R p # œ. R p

Œ

œ

∑

∑

∑

∑

∑

∑

# >œ R ‰. p

∑

∑

∑

# >œ ‰ . R p

∑

π

Ob.

&

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

Cl.

&

∑

∑

∑

∑

∑

Bass Cl.

œ. & R ‰. P

> ≈ Rœ ‰ F œ ‰. R F

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ Œ

Œ

∑ ∑

#œ f P

solo

Bn.

1

‰ œ œ # œ œ ≈ >œ Œ P f

Œ Œ

∑

∑

Œ

?

∑

∑

∑

Œ

&

∑

∑

∑

Œ

‰

j

-œ

Œ

≈

œ

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

f

Hn. 2

∑

&

∑

(senza sord.)

∑

Œ

‰

j

-œ

f 1

&

∑

2

&

∑

?

∑

&

∑

‰.

∑

Tpt.

Tbn.

1

(senza sord.)

∑ ∑

Perc.

‰ œr ≈ b œ. F

Œ

r & œ. ‰ . Œ F secco

œ π

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

‰ ‰

∑

∑

Œ

‰ ‰

∑

∑

∑

∑

π

Œ

. ≈ b œ œ. ≈ P

secco (unless otherwise marked)

(Vib.)

(Tub. Ch.)

2

‰.

r œ Œ > F r œ Œ > F

œ. . œ ≈ P

Œ

‰.

r œœ. Œ f

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

œœ ‰ œ > F f

∑

∑

∑

∑

∑

∑ F ƒ > b n œœœ ‰ œ

∑

∑

# œœ P Ped.

# œ. ‰ . R f

Œ

#œ P Ped.

3

∑

∑

&

Medium Triangle

4

Cel.

&

∑

&

∑

?

ã

œ

Œ

Pno.

∑ F ƒ solo œ > ‰ b œœ b œœ n œ b œ ≈ n œœ Œ

Mezzo Sop.

Solo Hp. Obb.

Œ

F Œ

# œ. Œ R

‰

bœ

>œ

∑

Œ

∑

Œ

∑

œ

nœ

r ≈ œœ ‰ b >œ ƒ -œ bœ J #œ ‰

∑

œœ

FP b œœ. œ. ≈ ≈ œ

g # œœ f gggg solo ggg Œ ggg ggg n œ gg # œ

∑

∑

‰

œœ ..

∑ ∑

∑

‰.

∑

F œ. Œ R

∑

∑

∑

∑

‰ b œr ≈ ≈ œr ‰ . .

Œ

who

∑

Ds, Bn

&

∑

knows

∑

&

solo

∑

Œ ∑

who

Œ

ƒ # œœ

b œœ. ≈ b œ ≈ b œr ‰ . R bœ œ œ > P ƒ ∑

‰.

Œ

*

b œœ. ‰ . R F

f playful r ‰. œ. ‰ .

& Œ

&

Œ

° r & œœ. ‰ . Œ P ? ∑

Œ

P œ F Œ

∑

Marimba

∑

∑

∑

∑

∑

∑

∑

l.v.

Œ

# >œ # >œ ≈ # œR ‰ Rœ ‰ . f ƒ ∑

∑

#œ f

∑

knows

∑

∑

œ. b œ. . b >œ R ≈ ≈ œ R ‰. P f

≈ œr ‰ .

if

the

∑ Fn

∑

arco pizz.

Vn. 1

Œ

& œ f & œ f

Va.

&

Vc.

?

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

Œ

‰.

F

tutti, unis. pizz.

Vn. 2

œ

Solo 1°

Œ

bœ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

F ∑

∑

∑

∑

∑

∑

tutte, unis.

∑

B

pizz.

≈ n œj . ƒ

stop

pizz.

tutti, unis. (pizz.)

∑

Œ

#œ f

Πstop

pizz.

Cb.

?

∑

∑

Œ

‰ b œ. ≈ R P

∑

∑

pizz.

#œ f

Πstop

pizz.

15 19 Picc.

& Œ

‰.

Fl.

& Œ

‰.

# >œ R ƒ # >œ R ƒ

∑

∑

∑

∑

&

∑

∑

∑

ƒ ∑

Ob.

&

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

Cl.

&

∑

∑

∑

Alto Fl.

r # œ. ‰ . P

>œ R Œ ƒ > #œ œ Œ ≈ #œ

‰.

f

∑ Œ

‰

≈ bœ œ ≈ Œ F

‰.

Œ

# œ. R ≈ p

Œ

∑

∑

∑

∑ œ. R ‰. P

≈ # œr ‰ F

∑

Œ

∑

œ r œ œ bœ ‰ Œ œ œ bœ π F r ∑ b œ. b œ. ‰ . ‰. R P ∑ ∑

∑ ∑ œ

∑ bœ œ œ ‰ R p P

∑

Œ Œ

‰

ƒ ‰.

œ P

b œ b œ >œ .

œ.

∑

Œ

œ R # œR ‰ . F

‰.

f b >œ . ≈ J f >œ . ≈ J f

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

1

. & œR ‰ . F

Œ

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑ ∑

Bass Cl.

Bn.

Hn.

1 Tpt. 2

Tbn.

1

œ. & R ‰. F . & œR ‰ . F ?

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

2

& Œ

3

& Œ

Perc.

r #œ F

r ‰ . # # œœ f Small Triangle œ R ã ‰. & Œ f Glockenspiel

4

Cel.

& Œ

‰.

?

∑

Pno.

# >œ R f

∑

& ?

≈ # œ # œœ ≈ Œ

‰.

∑

F secco

Crotale bowed

‰.

(Vib.)

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

>œœ œœ R f ∑

≈ # œ # œœ

∑

∑

r Œ œ>œ F ∑

‰.

F

∑

œ

∑

∑

∑

∑

œ ‰

‰.

‰

r œœ ≈ Œ > f

r # œœ ≈ œœ ‰ b œœ ≈ . œœ > . P f P ∑ ‰.

‰.

P r r œ œ ‰.

Œ

∑

ƒ ∑

≈ b œ œœ b œ . . . P ∑

∑

∑

∑

œ. œ. ‰ . R R F

∑

∑

∑

>œœ Œ

r b œ. b œ. ‰ . R F secco ∑

∑

r œ. P

∑

Œ

Tub. Chimes

Marimba

&

‰.

f

secco

∑ ‰.

œœ b œ r ≈ œ bœ P

optional tacet

Œ

Œ

∑ ‰

œœ œ

œ J

‰

Œ

F f # œœ. ‰ œ. f

∑

Œ

‰.

Œ

∑

F r œ

Mezzo Sop.

f >œ ‰ J

& Œ

moon's

a

&

∑

∑

&

∑

∑

Solo Hp. Obb.

tutti, pizz.

Vn. 1

Œ

F b œ. ≈ ≈ b œ. Œ

œ & F

Œ

bal –

∑

‰.

∑

loon,

# >œ ‰ J Œ ƒ n >œ ‰ J Œ

∑

oo r

oo r

# œœ ‰ . . F

‰ nœ ≈ # œ. f

∑

∑

∑

Solo 1° arco

‰

œ f

>œ

Œ

Va.

Œ

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

&

‰.

arco

≥œœ œœ R P

œœ J

‰

‰.

Œ

r Œ œ F

∑

Œ

Œ

ah ha

∑

tutti, pizz.

‰.

ha

∑

>œ œ Œ f

B œ F

2 sole, div.

Dn, Bs

Solo 1° arco

‰

ha ha ha

∑

∑

∑

∑

∑

F with delight and whimsy œ r b œ œ b œ œ œ ≈ b œ. b œ. ≈ œ œ œ ah

& œ F

Cb.

∑

f b >œ ≈ R ‰

Vn. 2

Vc.

Œ

∑

laughing

(pizz.)

œ J

‰

Œ

ha

œ R f

‰.

arco

‰.

tutti (arco)

∑

∑

‰.

∑

∑

Œ

#œ. ≈ J F

∑

∑

∑

œ R # œ # # œœ .. > ƒ F ∑

≥œ. > R #œ #œ. P f ≥œ. R #œ #œ. > P f

tutte, unis. (arco)

> ≈ Jœ . f

B

∑

Œ

(pizz.)

‰.

r œ P

16 27 Picc.

&

∑

∑

∑

Fl.

&

∑

∑

∑

Alto Fl.

&

∑

∑

Ob.

Eng. Hn.

& ‰ # œ œ. œ. # œ. ‰ . p Œ & œr ‰ . F

Œ

∑ > ≈ œ. œ F f

>œ .

#œ Œ

f ∑

F ∑

∑

∑

r œ ‰. P

‰

∑

‰

Œ ∑

# >œ J f

‰ r # œ ‰. P

∑ Œ

∑

Œ

∑

&

∑

∑

‰.

r j œ œ ‰ P

∑

∑

Bass Cl.

&

∑

∑

‰.

œ œ ‰ R J P

∑

∑

Bn.

? Œ

‰.

1

&

Cl.

#œ R F

#œ R ‰. F

b >œ ≈ Œ R f # >œ ≈ Œ R f

Œ

‰

#œ R ≈ p

∑ Œ

œ R ≈ p

‰

∑

∑

∑

∑

r œ ‰. F

Œ

∑

Œ

∑

r œ ‰. P

Œ

∑

∑

r œ ‰. P

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

2

œ & œ ≈ # œ. . Œ P p

∑

∑

∑

1

& Œ

∑

&

∑

cantabile

2

∑

œ. Œ P ∑

?

∑

∑

∑

∑

r ‰. œ P

Œ

#œ ≈ œF P

≈

bœ œ ‰ F

∑

‰.

Tpt.

Tbn.

r #œ œ. π

‰

. >œ F

∑

Œ

∑ ∑ ≈ bœ ≈ bœ p

Hn.

st. mute

≈ n >œ . J p

∑

∑ Œ

∑

r œ # œ. ≈ œ b œ π P

‰.

Œ

∑ > ≈ œR ‰ f

∑

∑

Œ ∑

‰.

∑

≈ œj .

bœ R p

# œ ‰. R P

Œ

‰.

r œ. P

∑

∑

∑

Œ

œ. ≈ ≈ # œ.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

P 1

∑

&

∑

(Vib.)

> ≈ œ # œœ ≈ Œ F f

œ ≈ ≈ b œœ Œ f F (Tub. Chimes)

r ‰. # œ. F secco

∑

&

∑

∑

3

&

∑

∑

∑

∑

∑

4

&

œ œ #œ ≈ #œ œ #œ f f P

∑

∑

∑

∑

&

∑

∑

?

∑

∑

Perc.

∑

Œ

Œ

Π(Glock.)

‰

(Mar.)

≈

#œ J F Ped.

2

∑

‰

‰

Crotale mallet

j œ P

Œ

j b >œ F

Œ

b œœ J f

‰

solo

bouncy and playful

Cel.

Pno.

Mezzo Sop.

& # œ ≈ œ œ. œ. # œ. ≈ # œ œ . P f ? ∑

& Œ

‰.

‰

œ. ∑

F r #œ œ.

‰

if

∑

& Solo Hp. Obb.

Fs

∑

&

j œ. F

f œ> . the

≈ Œ

≈ # œœ œœ Œ P

Œ

∑

∑

# # œœ n # œœ F f ∑

∑

∑

∑

∑

∑

∑

j œ œ ‰ moon's

∑

∑

∑

∑

#œ

≈

∑ f œ bœ œ ‰

∑ # >œ # # œœ ≈ œ# œ ≈ ‰ nœ F f P œ ≈ ≈ #œ Œ

‰

Vn. 1

Vn. 2

Va.

&

∑

&

∑

B

∑

∑

∑

∑

f r≈ Œ # >œ

∑

Œ

∑

dynamic nuances)

r œ #œ ≈ œ bœ

‰.

Œ

∑

a bal - loon,

#œ f

# œ n # >œœ

is

Œ

ƒ ∑

Solo 1°

#œ f Solo 1°

∑

f sempre (with slight

ƒ n œ >œ

≤ ∑

∑

∑

Œ

#œ ≈ Jœ f ∑

≈

∑ Ds, Bn

Œ

F œ ≈ ≈ #œ

?

‰

∑

#œ

≥ # >œ

‰

∑

‰

# ≥œ. R ≈ f

# # œœ≤

P

ƒ >≥œ J ƒ

Œ

∑

tutti, pizz.

≈ Jœ . f

Œ

ƒ r≈ Œ # >œ

Cn

tutti, pizz.

‰.

Vc.

Cb.

#œ ? œ P

Œ

?

∑

∑

∑

unis.

#œ

Œ

∑

F ∑

∑

∑

∑

Œ

arco

≥ r ‰. œ. P ∑

a

∑

r œ #œ ≈ œ ≈ F P

Œ

≈ bœ ≈ bœ P

Œ

Œ

(arco)

‰

# œ.

œ.

F div.

moon

∑

∑

Œ

∑

∑

∑

≈ n >œ . J

unis.

2 soli, div.

Œ

the

∑

(DCsBslEFsGsAs)

∑

Œ

Œ

pizz.

≈ #œ

œ

≈

div.

‰

n œ .. ≈ Jœ F

j #œ P ∑

F Œ

≈ Rœ ‰ F

∑

17 35

∑

&

Picc.

& # œ # œ. ≈ Œ

Fl.

Alto Fl.

&

∑

Ob.

&

∑

Eng. Hn.

#œ ≈ # œ. p

& Œ

b >œ

Œ

∑ Œ

‰.

Œ

∑

∑

‰ Œ

Œ

bœ R ‰. P

Œ

‰.

Cl.

&

∑

∑

Bass Cl.

&

∑

∑

?

∑

1

&

∑

2

& #œ P

1

&

∑

∑

2

&

∑

∑

∑

?

∑

∑

∑

&

∑

∑

Bn.

1

2

≈ #œ #œ . P

& Œ

Perc.

≈ >œ R p

F ∑ ∑

P

‰ œ bœ œ ‰. R p

∑

∑

> > ≈ œ ≈ œ Œ p P

∑ #œ ≈ #œ

∑

∑

∑

∑ ∑

∑

∑

∑

∑

∑

∑

. ‰ œR ≈ Œ F

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ. ≈ œ. ≈ b œ. ‰ . R P F st. mute

b >œœ

Œ

∑

œ ‰

‰ Œ

‰.

Œ

#œ nœ ‰ p

Œ

‰ œ. ≈ Œ R P

∑

∑

∑

Œ

# œœ. Œ R F

r ‰. œ. P

# œœ b n œœ

Œ

via sord.

# œ. ≈ œR ‰ P

Œ

f

r œ. ‰ . P

via sord.

∑

> # œœ œ œR . ‰

P

. ≈ # œR ‰ P . ≈ œR ‰ P

Œ

∑

‰

œœ. ‰ . R F

Œ

&

∑

b œœ P

4

&

∑

Œ

F

Cel.

? Œ

Pno.

Mezzo Sop.

&

∑

?

∑

bal - loon,

Solo Hp. Obb.

in the

& # œ # n œœ ≈ Œ n œ f ƒ ? ∑

Vn. 1

& Œ

Vn. 2

&

∑

Œ

∑

∑

‰ œœ b # œœ ≈ œ ≈ bœ P p P ∑

‰ ≈ r‰ #œ

sky – –

a

∑

∑

∑

∑

∑

œ œ bœ > ‰ > œ F

∑

bal

-

loon,

# >œ J ƒ ∑

Œ

#œ

∑

B

Œ

Vc.

? Œ

œ

∑

Cb.

?

Œ j ≈ #œ . P

∑

‰ œr ≈ ≈ œ ≈ bœ com - ing out

‰

∑

œ #œ

j ≈ b œœ .. P

pizz.

∑

nœ ≈ ≈ ≈ #œ œ ‰

&

of a keen

# œœ # œ F

#œ

∑

∑

cit - y

œ

Œ

∑

‰ œj ≈ œ bœ F ∑

œ bœ œ in

≈ ≈ œœ ≈ œœ

r œœ ‰ . f

Dn, Fn

∑

Œ

div., arco

œ bœ

nœ

œ ‰

∑

Œ

solo r ≈ g bœ ‰ ggg b b œœ F Œ

Œ ‰

∑

Œ

∑

∑

ƒ ≈ bœ ≈ nœ œ

œ J

‰

sky – –

# # œœ l.v. ≈ ggg n Rœ ‰ Œ f ∑

nœ ≈ # œ ≈ >œ > f ƒ ∑

≈ b œœ. ≈ # œœ P .

∑

∑

‰.

Œ

∑

∑

Œ

∑

Œ

œ ‰ œJ f

Œ

‰ œœr ≈ # œ. p

Œ

r # œœ Œ . p œ œ p

f ∑

j œ f

∑

∑

the

∑

r # # œœœ Œ . P

‰.

r . ‰ œ. n œ œ. b >œ œ > P f r . b œ. b œ n œ œ ‰ > œ. >

# >œœ nœ ≈ ≈ #œ ≈ œ ‰ >œœ # œ n œ ‰ p P F ∑ ∑

f

∑

∑

œ #œ

∑

f œ. ≈ œ. ≈ b >œ ‰ œ

F œ. # ≈ œR ‰

Œ

‰ n œj F

p œ bœ œ Œ ≈ bœ

∑

optional tacet

‰

‰ œ J F

solo

r œœ ≈ Œ P

# >œœ Œ R f P >œœ œ. P b # >œœ # œ ≈

‰.

∑ P

f F Va.

∑

∑

P b œœ ≈ R ‰

œ n >œ

r Œ n # >œœ f ∑

fF

Œ

Œ

& #œ #œ ≈ ≈#œ #œ

œ ≈ œ ≈ b >œ ‰ œ

P

≈ r‰ #œ

‰.

∑

∑

≈ r‰ #œ P

b œœ R ‰.

∑

&

Œ

+

Œ

secco for next 9 measures

3

Œ

P

P Tub. Chimes

≈

‰

≈ b >œ ≈ n >œ Œ p

Œ

œ J

∑

∑

œ ≈ R ‰ P

Œ

∑

Tpt.

Tbn.

Œ

‰ F

>œ œ R p

∑

œ ≈ Œ #œ nœ p P

∑

Hn.

#œ ≈ Œ

r . œ ‰ p

j œ

œ p

‰.

∑

∑

Œ

∑

∑ œ ≈ R ‰ p

Œ

≈ bœ œ ≈ pP ∑

Œ

∑

#œ p

‰

‰ œR ≈ Œ F #œ R f

# œ œ ‰. R F œ œ œ R ‰. p F

‰

∑ Œ

∑

P

∑

œ ‰

P ∑

≈ r‰ # >œ p

œ # >œ

r #œ f

unis.

#œ nœ p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

B

‰.

#œ R ‰ #œ J p ∑

18 43

œ. R π œ. R π

Picc.

& Œ

‰.

Fl.

& Œ

‰.

Alto Fl.

r & œ. ‰ . p

≈ # œr ‰ .

Ob.

&

∑

Eng. Hn.

&

∑

∑

Œ

Cl.

&

∑

∑

Œ

Bass Cl.

&

∑

∑

Œ

?

∑

∑

Œ

#œ Œ P

∑

# Lœ ≈ R ‰ F

Bn.

∑

∑

Œ

∑

∑

Œ

∑ . ≈ œ. œ ≈ ‰ p

+r

# -œ J P

Œ >œ J p

œ

‰

‰ Pf >œ œ ‰ Pf

∑

∑

∑

Œ

∑

∑

∑

‰.

∑

∑

∑

œ . R ‰ P

‰. ‰.

Œ

œ f œ #œ R F œ #œ R F œ. R Œ F

∑

Œ

‰.

# œ. R p

∑

∑

≈

∑

Œ

‰.

# œ. R p

∑

∑

≈

∑

∑

∑

∑

≈

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ ‰ # œR P œ ‰ R P bœ ‰ R P bœ ‰ R P

# >œ

≈

‰

Œ

j #œ P

1

& ‰.

2

&

∑

∑

1

&

∑

∑

∑

2

&

∑

∑

∑

∑

?

∑

∑

∑

∑

‰ # >œ ƒ >œ ‰ ƒ >œ ‰ ƒ

∑ ‰.

œ. R Œ F

Œ

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

Hn.

≈ œR ‰ F

senza sord.

Œ

j #œ π

‰

Tpt.

Tbn.

(Vib.)

1

‰.

& Œ

(Tub. Ch.)

œ. œ R p

∑

r ‰ bœ ≈ bœ P

Œ

r ‰ b b œœ ≈ F

Œ

∑

3

&

∑

∑

∑

4

& ‰.

rŒ #œ ƒ

∑

∑

Perc.

Œ

‰

‰

Œ

Œ

‰

‰

Ped.

(Mar.)

dolce

Œ

N œ. ‰ . R F

‰

Œ

∑

∑

∑

∑

∑

∑

∑

∑

r ‰ . # # œœ P

∑

∑

‰.

b >œœ Œ R F

Ped.

& œr ‰ . P

2

j #œ œ

Π?

‰

(Glock.)

j #œ # œ f

‰

∑

>œ J Œ P secco

∑

∑ œ. ã ≈ J F # œœ # >œ œ ‰ & F f

Small Triangle

≈ j # œœ .. > F Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

# œœ œœ > ‰ Pf ∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

solo

&

∑

∑

&

∑

∑

b œœ ‰ ƒ n œœ

Cel.

œ. R Œ P # œ. R Œ

& ‰. Pno.

? ‰.

∑

∑

‰ b b œœ ≈ P # œR b œ ‰ R ≈

Œ F r ‰.

Œ

Œ

Œ

Œ

Œ P œ

Mezzo Sop.

F & œr ‰ . .

P ≈ r‰ # œ.

f ≈ nœ œ ≈ ‰

(who

knows)

com - ing

∑

& Solo Hp. Obb.

Fs

?

pizz.

Vn. 1

Vn. 2

Va.

Vc.

Cb.

& ‰.

&

B

unis.

≈ œ œ F

∑

Œ

out

‰

∑

ƒ

œ J

Œ

‰

of

# œœ

r # œœ Œ f ∑

‰.

∑

r nœ Œ bœ p

œ J

f

> œœ œ ‰

Œ

Œ

‰.

#œ P ∑

r #œ nœ F œ

Œ

‰.

∑

nœ

Œ

∑

r #œ F

∑

Œ

arco

‰.

‰

Œ

f œ > œ.

Œ

# ≥œ. R P

‰

∑

?

∑

∑ Œ

arco

r ‰. #œ P

∑ ∑

?

‰ ≈

œ F

ƒ > ≈ ≈ b Jœ

cit –

>œ œ. . ≈ ≈ ≈ # œ. ≈ Rœ ‰ Œ R f ƒ Cs F ∑ ∑

∑

Œ

pizz.

#œ F

Œ

‰.

∑

≥r # œ. P

∑

∑

Œ

Œ

pizz.

œ F

Sola 1° arco

≥ œ œ. f

≈

y

optional: play these three sounding pitches as harmonics instead

F B

j œ.

Œ

# œœ R ‰. ƒ ∑

> ≈ # œJ . f

Π2 soli, div.

arco

F ∑

f Nœ J

‰

keen

F f ∑

∑

Œ

j #œ

ƒ j #œ œ

a

≈ ≈ # œœ Œ

b œœ. Œ R P ∑

#œ f

j #œ ‰

‰.

f Œ

≈

#œ like a parenthetical remark

# >œ œœ œ ‰

# œœ # œ ‰ œ F f> ∑

arco œ≤ # œ ‰ . b Rœ n œ P

œ. J

ŠΠP

j #œ F

Œ

∑

∑

∑

∑

#œ

Œ

∑

∑

∑

∑

≥ # >œœ ‰ f

Gn

19 51

œ ‰. R ƒ

Picc.

&

∑

Fl.

&Œ

Alto Fl.

&Œ

> ‰ . n Rœ # œ # œ ‰ ‰ . P f >œ . ∑ ‰ R f

Ob.

&

∑

Eng. Hn.

&Œ

# >œ R ‰. f

Cl.

&

∑

∑

Bass Cl.

&Œ

# >œ ‰ . R f ∑

∑

∑

∑

∑

?

Bn.

∑ n >œ R f

œ œ ‰ Œ p ‰.

Œ

Œ

r œ ‰. P

∑

∑

≈ # œr ‰ p

Œ

Œ

∑

∑

∑

∑ ∑

Œ

≈ Rœ ‰ F

∑

∑

∑

Œ

≈ # œR ‰ F

∑

∑

∑

r ‰. œ p

∑

Œ

≈ œ ≈ ≈ œ bœ nœ bœ >

>œ

n >œ R P

∑ Œ

∑ ‰

Œ

≈ bœ œ bœ bœ j j bœ œ . p with slight dynamic nuances ∑

œ ≈ ≈bœ p

œ ≈ nœ œ œ.

nœ

∑

∑

≈

B

≈

#œ #œ #œ

‰

œ p

#œ Œ ∑ ∑

Œ

# >œ

∑

∑

∑

∑

Œ

≈ bœ œ œ p ≈ Œ

∑ ∑

∑

∑

∑

∑

p

+

# œ ‰. R F

∑

Œ

œ ‰. F

∑

∑

Œ

‰.

∑

∑

1

&

∑

Œ

2

&

∑

1

&

∑

2

&

∑

Hn.

+r

Tpt.

>œ R F

Œ

senza sord.

∑

∑

L

r≈ #œ P

‰

∑

∑

∑

#œ œ Œ P

‰

œ

Œ

∑

≈ Rœ ‰ p

Œ

∑

œ ‰

∑

P ?

Tbn.

1

2

∑

‰.

&Œ

&

∑

œ b œœ œ ‰ Œ R P

∑

Œ

Perc.

∑

∑

∑

nœ # œ. ≈ ≈ . P F

‰.

Œ

∑

œ

Œ

P

r œ # œ. p

œ œ œ #œ

œ

#œ

≈ ≈ #œ P p

Œ

#œ. ≈ n œJ . P

bœ ‰. œ R F

≈ œ # œœ Œ

∑

Œ

Œ

Ped.

∑

∑

œ ≈ œ ≈ p

∑

∑

∑

∑

∑

∑

∑

∑

∑

r # œœ # œ œ œ œ ‰ . bœ p F

Œ

∑

∑

∑

∑

secco

3

4

ã &

∑

∑

∑

r ‰. bœ P

Œ

&

∑

∑

&

∑

∑

&

∑

?

∑

nœ ≈ ≈ f

Cel.

> > # # œœ # œœ ‰ Œ F P b œ. Œ R ‰.

Pno.

laughing

Mezzo Sop.

f ƒ > ‰ . n œR # œ # œ ‰ ‰ .

& Œ

ah

Solo Hp. Obb.

ha

r # >œœ & ≈ R ‰ n # œœ ‰ . œ ƒ f ? ∑

∑

∑

∑

# >œ # œ œ ‰ Œ PF

b œœ F ∑

Π?

Œ

≈ # œœ ‰ R P

Œ ∑

f # >œ R

Glock.

&

#œ ‰ œ p P

Œ

P # œ # œ œ œœ

‰

Œ

≈ j #œ . P

bœ nœ nœ œ #œ P F

Œ

∑

Œ

∑

∑

∑

b œœ n # œœ ≈ #œ Œ F

≈ # œr ‰ >œ P

≈ œj ≈ r ‰ . # >œ > F P œ œ bœ. œ

∑

?

∑

∑

# œœ . ≈ ≈ #œ # œ œœ # œ # œ p # œœ F sub. F ∑

Œ

&

≈

P ∑

∑

∑

∑

œ bœ FP

≈ œ œœ # # œœ Œ

∑

F ∑

f ∑

f sempre, with slight dynamic nuances Œ

‰

ha!

j #œ

j œ.

who

∑

∑

Ds, Cn

∑

∑

≈ #œ

œ #œ œ

œ ≈ œ œ bœ.

knows

Œ

#œ #œ œ œ F ∑

œ

if the moon's a

‰.

Œ ∑

≈

#œ œ #œ #œ ≈ ≈ nœ >

≈ ≈ #œ nœ œ œ œ bœ œ œ bœ b >œ ≈ n >œ #œ

bal

the sky – –

-

loon,

r œ ≈ # œ nœ ‰. œ f ∑

in

sky – –

≈ #œ

r N >œ # œ ≈ œ > > ∑

≈ ≈ œ œ #œ œ aœ f ∑

œ

l.v.

ƒ

(DsCBlEFsGAs)

Vn. 1

&

∑

Vn. 2

&

∑

Va.

B

∑

Vc.

Cb.

Solo 1° con sord.

∑

Œ

(2 soli, div.)

∑

Œ

(Sola)

‰.

œ. R F

‰.

‰

≥. b œœ Œ R f

arco

j # -œ F

j œ.

≈ #œ œ #œ œ P F

Solo 1° n œ≤ œ R ‰. p

œ ≈ œ. œ. b -œ . ≥ œ b >œ

P

∑

œ.

Œ

≈ #œ

via sord.

#œ

nœ ≈ œ œ #œ œ bœ ‰

F

‰

Œ

∑

∑

∑

F tutte (arco)

∑ œ .. ≈ b œJ P

∑

∑

≈ # œ œ # œ # >œ ≈ ≈ n >œ p P

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

bœ ≈ nœ ≈ Œ > p>

Œ

‰

div.

?

∑

∑

∑

?

∑

∑

∑

-ϲ

J π

20 59 Picc.

& Œ

r # œ ‰. > F

Fl.

&

∑

Alto Fl.

& Œ

#œ R p

#œ nœ. π F

œ œ #œ ≈ Œ P

œ

Œ

∑

&

Ob.

∑ Œ

‰.

A tempo

; = ; sempre

bœ.

π œ ‰. R P

∑

45 Ó

Ó

U ; = ;4sempre Œ

8

∑

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

∑

∑

∑

5 4 Ó

Ó

U Œ

4 8

∑

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

∑

∑

∑

∑

F

Œ

Eng. Hn.

&

∑

Cl.

& Œ

>œ . R ‰ F

∑

∑

5 4 Ó

Ó

U Œ

4 8

∑

Bass Cl.

&

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

Bn.

B Œ

∑

∑

45 Ó

Ó

U Œ

48

∑

‰.

#œ R P >œ . R ‰ F

Π?

≈ bœ P

œ #œ bœ > P F ≈ œ Œ

‰.

Œ

b >œ Œ œ bœ F

f

Ó

U Œ

48

∑

∑

∑

5 4 Ó

Ó

U Œ

4 8

∑

∑

∑

∑

45 Ó

∑

∑

1

&

∑

2

&

∑

1

& ‰ #œ nœ Œ F

∑

∑

5 4 Ó

Ó

U Œ

4 8

∑

∑

∑

& ‰ œ #œ Œ F ? ∑

∑

∑

5 4 Ó

Ó

U Œ

4 8

∑

∑

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

∑

∑

45 Ó

Œ

Œ

U Œ

48

∑

∑

∑

5 4 Ó

Œ

Œ

U Œ

4 8

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

bœ ‰ gggg b œœ gg n œ J ƒ g b œœ ‰ ggg n n œœ J °

45 Ó

Œ

Œ

U Œ

48

œ. œœ .. œ. J

≈

∑

∑

45 Ó

Œ

Œ

U Œ

48 ggg b œœ œœ .. ‰ J J

≈

∑

∑

∑

45 Ó

Ó

U Œ

48

∑

45 Ó

Ó

U Œ

48 Œ

Hn.

Tpt. 2

Tbn.

1

Œ

(Tub. Ch.)

&

∑

3

&

∑

4

&

∑

&

∑

?

∑

2 Perc.

Pno.

r œœ ‰ . . F secco

Œ

?

Œ

‰ gg b œœ J f

(Mar.)

Ped.

‰ b b œœj gg ƒ

(Glock.)

≈ b œœ .. J F Œ Œ

∑

∑

œœ œœ J f

‰

Œ

≈ ≈ # œ. œ œ . œ P f œ. b œ b œ . œ #œ nœ r ‰ . # # œœ F

gg ggg

Œ

Ped.

Œ

∑

Cel.

& Œ

œ. # œ ‰. R F

(Vib.)

∑

&

Œ

∑

gg ‰ gggg g ƒ

bœ b œœœ J

Mezzo Sop.

‰.

Solo Hp. Obb.

Fn

?

P 54 ≈ œ b œ ≈ Œ

∑

with

>œ ‰ . R F

∑

&

pret - ty

Œ

45 Ó

∑ Cs, An

∑

∑

œ

‰.

# >œ Œ R f

∑ ƒ

∑ F ≈ #œ

# œ.

>œ nœ ≈ bœ

œ

∑ ƒ b >œ œ . b œ œ

œ

funny and theatrical

ƒ f r œ # œ nœ. ≈ #œ #œ #œ filled

>œ bœ Pf

*

n >œ . & œ

?

Œ

r œ ƒ

5 4 Ó

∑

F P œ œ ‰ œj ‰ UŒ peo

Œ

-

48

∑

∑

48

∑

∑

∑

ple?

œ > P

Ó

l.v.

U Œ U Œ

4 8

Bs

∑

∑ ‰.

Œ

f ƒ œ # œr ‰ . R

Œ

A tempo

Vn. 1

Vn. 2

Va.

Vc.

Cb.

∑

& & Œ

B

tutti (senza sord.)

∑

tutti, unis. pizz.

‰.

œ

Œ

‰

arco

r #œ nœ P F

Œ

∑

‰

Œ

≥ œ. œ ‰ . f

2 sole, div.

&

‰

P ?

∑

∑

?

∑

∑

3 soli, div. a 3

Œ

&

b ≥œ œ . œ œ. 48 ‰ J J ≈ f P

2 soli (div.)

div.

b b œœ ≥œ. J œ. ‰ P f

(arco)

‰

∑

div.

-œ

œ J P ≥œœ J F arco ≥j b œœœ F

45 Ó

Ó

U Œ

45 Ó

Ó

U Œ

˙ .. 45 ˙

Œ π

45 ˙˙˙ ... 45 Ó

Œ π Ó

U Œ

pizz. b œ 48 ‰ œJ Œ f tutte, div. pizz.

B

48 ‰ b n œœ Œ J f

U Œ

48

U Œ

48 Œ

∑

œ. f

?

∑

∑

∑

∑

∑

∑ Solo 1°

tutti, unis.

‰

r r nœ ≈ bœ ‰. P

r ≈ ≈#œ ≈ #œ ‰ . P

Œ

>≥ œ ≈ ≈b œ œ. ƒ F ∑

œ

21 66

# >œ ≈ Œ R F

Picc.

&

∑

∑

∑

∑

∑

∑

∑

Fl.

&

∑

∑

∑

∑

∑

∑

∑

Alto Fl.

&

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

∑

Cl.

&

∑

∑

∑

Œ

‰

∑

∑

∑

∑

‰

∑

Œ

‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

Bass Cl.

Bn.

Œ & œ # œ n œ. P ?Œ ≈

Œ

Œ

‰

#œ P

r ‰. œ ≈ œ #œ œ #œ p

r . # œ # œ œ # œ >œ ‰ F

≈ r‰ # œ. P

œ bœ bœ > . Œ F ƒ F

#œ œ PF r ‰. nœ P

r ‰. #œ œ #œ nœ P F

Œ

∑ j œ > f >œ J f

∑

‰

# œ. # œ ‰ p .

r # œ. ‰ . P

r # œ.

∑

∑

∑

∑

∑

# œ. ‰ . P

r œ.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

1

&

∑

∑

‰.

2

&

∑

∑

‰.

1

&

∑

∑

2

&

∑

?

Lr

Hn.

# œ. ≈ ≈ Œ # œ. p P ∑

Tpt.

Tbn.

1

2

Œ

j b >œœ F

(Vib.)

‰

solo

(Tub. Ch.)

Œ

∑

Perc.

≈ r‰ œ œ #œ P F

‰

4

Cel.

Pno.

& ?

∑

∑

∑

Œ

∑ ≈

œ p

œ bœ

bœ

>œ . # œœ f

Œ

∑

∑

∑

?

∑

∑

∑

&

∑

∑ F #œ œ #œ nœ

‰ #œ

&

Tub. Ch. is sempre secco

∑

Mezzo Sop.

&

∑

∑

Solo Hp. Obb.

?

∑

∑

Œ

(DsCsBslEFGA)

∑

∑

∑

Vn. 1

&

∑

∑

∑

Vn. 2

&

∑

∑

∑

Cb.

B ? œ

?Œ

∑

œ # œ. Œ P

unis.

∑

Œ

≈ # œ. œ. # œ. n œ. ‰ # œ. F p

≈

Œ

œ. b œ. f

∑ F f œ b œœ b œ # œ Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰

#œ

j œ # n œœ # œ œ a >œœ f ∑

r ‰. œ #œ

œ ≈ œ #œ sky – –

‰

F r ≈ #œ ‰

filled

with

‰.

humorous

P r ‰. # œ.

F r #œ ≈ r ‰. œ #œ #œ œ

pret

-

∑

Dn, As

Œ œ #œ FP

∑

∑

∑

Œ

b >œœ ƒ

∑

∑

∑

Œ

Œ

bœ

Œ

-

r r ‰. ≈ # œ ‰ ‰. #œ P Ds Gs p ∑ ∑

‰

œ

pizz.

f ≈ r‰ nœ

≈ r‰ nœ F

∑

Sola 1° arco

‰

F ∑

Œ ∑

tutti, unis. pizz.

Œ

bœ f

tutti

œ. P

(pizz.)

j # # œœ P

∑

Œ

≈ r‰ n # œœ. P

‰

∑

in the

&

∑

∑

≈ r‰ œ b œ > # œœ. n # œœ. ƒ F F ∑ ≈ bœ œ œ

∑

(Glock.)

∑

Œ nœ #œ F

‰

F

&

? œ œ #œ ≈

∑

f

Vc.

Œ

from here to end of movement 2,

3

Va.

Œ

ϲ

>≥ #œ ≈ œ ‰ R F f

Œ

Œ

-

- ty

r œ #œ.

#œ ∑

#œ J P #œ unis. ‰ J P ‰

tutte (arco)

‰.

Œ

Œ

≤ œ. # œ. # œ. ≈ # >œ Œ R π P

∑

∑

∑

∑

∑

∑

∑

∑

F ∑

∑

Œ

22 74

>œ . F ∑

&

Ob.

. Œ & œ b >œ p F

Eng. Hn.

&

∑

Cl.

&

∑

Bass Cl.

& Œ

∑

∑

∑

∑

‰ #œ ≈ Œ R f

b˙

œ

Œ

∑

∑

˙

∑

&

Hn.

œ

œ

≈ bœ ≈ r ‰. F p bpœ bœ ‰. Œ R F

≈

nœ #œ F f

≈ # œj ≈ ‰ # œj π

‰ ‰

2

&

∑

∑

Œ

?

∑

∑

1

&

∑

2

&

∑

∑

∑

3

&

∑

∑

∑

4

& Œ

Pno.

Mezzo Sop.

Small Triangle

∑

Œ œ œ

Œ

Œ

∑

ã

‰

œœ ≈

ƒ F. f P b >œœ b œœ ≈ ‰ # >œœ ≈ ‰ b >œœ ≈ œ R

œ

r ∑ Œ bœ ‰. P F p jazzy f solo œ œ œ ? Œ ≈ #œ ≈ œ Œ ≈ œ œ œ #œ œ #œ bœ b œ #œ œ nœ œ f ƒ >œ . Œ ∑ ∑ & nœ

l.v.

l.v.

Œ

Œ Œ

# œœ R ‰

# œœ

l.v.

& Œ

Vn. 1 gli altri

& Œ

Œ

∑

∑ ‰

p #œ

π r ‰. # œ œ . ∑

Vc.

f œ b ≈ œ ≈ œ œ p

∑

Œ

∑

∑

∑

∑

P ≈ j ≈ ‰ #œ

Œ

∑

∑

œ

? Œ

œ #œ P

bœ p

unis., arco

‰.

‰ ∑

j nœ

‰

if

n œœ n œ ≈ j ≈ ‰ # >œ # œ p P F ∑

j nœ P

?

∑

‰

r≈ b œ. P ‰ œ. ≈ R F j j -œ œ ‰

Œ

‰

∑

Œ

‰

∑

Œ

‰

bœ J P

∑

bœ J P

∑

∑

∑ ∑ F ‰ # œj j ‰ #œ

you

and

‰ n œj Œ

∑

F

Fs, Af

∑

arco

pizz.

j œ P

∑

arco

# ≥œ ≈ R ‰ f ≥œ ≈ R ‰ f

Œ

arco

≈ j ≈ ‰ #œ P Œ

Œ

‰.

Œ

≈

arco

‰. r ≈ ≈ œ œ bœ p

arco

nœ #œ p

≥ rŒ œ. p Œ b ≥œ. R Œ p

n œ≥œ >≥ ‰ # # œœœ ≈ ≈ R ‰ R f F # ≥œ ∑ ≈ R ‰ f

pizz.

‰

∑

Œ

j nœ p

∑

Œ

∑

Œ

‰

j j -œ œ ‰ F ∑

‰ b œj j ‰ œ F œ Œ p ∑

∑ ≥ ≈ b œr ‰ œ. p

3 sole, div. a 3

Œ

j nœ

unis., pizz.

∑

r bœ œ P

∑

(DsCBlEFGA)

tutte, div.

bœ

F Cb.

&

‰.

Œ

gg œœ ‰ . Œ ggg R ggg ggg p P ggg gg b œ ≈ œ ≈ Œ gg œ Œ

∑