Danielpour AN AMERICAN REQUIEM

Richard Danielpour

AN AMERICAN REQUIEM for Chorus, Orchestra, and Soloists (2001)

from the G. Schirmer Rental Library date of printing___________

Associated Music Publishers, Inc. New York, NY

Richard Danielpour

AN AMERICAN REQUIEM for Chorus, Orchestra, and Soloists (2001)

Commissioned by the Pacific Symphony Orchestra Carl St. Clair, Music Director. Premiere performances, November 14 and 15, 2001 Orange County Performing Arts Center, Costa Mesa, California

Associated Music Publishers, Inc. New York, NY

Instrumentation 3 Flutes (3 doubling Piccolo, 2 doubling Alto Flute) 3 Oboes (3 doubling English Horn) 3 Clarinets in B= (3 doubling Bass Clarinet) 3 Bassoons (3 doubling Contrabassoon) 4 Horns in F (all doubling Wagner Tuba in F) 3 Trumpets in C (1 optionally doubling Trumpet in D) 2 Trombones Bass Trombone Tuba 6 offstage Trombones Timpani Percussion (5 players) Piano (doubling Celesta) Harp Chorus Solo Mezzo Soprano Solo Tenor Solo Baritone Strings

ca. 63 minutes Contents Part I: 1. Introit: Requiem....................................1 2. Dies Irae...............................................30 3. Vigil II–Lacrimosa–Pie Jesu................94 Part II: 4. Sanctus–Benedictus...........................116 5. Lay This Body Down–Agnus Dei......138 6. Libera Me–Not in Our Time.............166 7. Lux Aeterna........................................193

“Lady’s Blues”, from DEAR JOHN, DEAR COLTRANE and “Last Affair: Bessie’s Blues Song” from IMAGES OF KIN, Copyright © by Michael S. Harper, 1970, 1977. Used by permission of Michael S. Harper. “Tribute to the Angels” (4), and “The Walls Do Not Fall” (23) by H. D. Doolittle, from TRILOGY, Copyright © 1945 by Oxford University Press; Copyright renewed 1973 by Norman Holmes Pearson. Used by permission of New Directions Publishing Corp. “The Walls Do Not Fall” (23) by H. D. Doolittle, from TRILOGY, Copyright © 1944 by Oxford University Press; Copyright renewed 1972 by Norman Holmes Pearson. Used by permission of New Directions Publishing Corp.

Wondrous sound the trumpet flingeth, through Earth’s sepulchers it ringeth, all before the throne it bringeth.

Part I I. Introit: Requiem Chorus: Requiem aeternam dona eis Domine: et lux perpetua luceat eis. Te decet hymnus Deus, et tibi redetur votum in Jerusalem: exaudi orationem meam, ad te omnis caro veniet. Requiem aeternam. [Eternal rest give unto them, O Lord; and let perpetual light shine on them. A hymn becometh Thee, O God, and a vow shall be paid to Thee in Jerusalem. O hear my prayer: all flesh come to Thee. Eternal rest give unto them, O Lord.] Mezzo: Sea-winds blown from east and west, Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting, These and with these and the breath of my chant, I’ll perfume the grave of him I love. —Whitman from Memories of President Lincoln, Part 10 Was there no star that could be sent, No watcher in the firmament,… Could stoop to heal that only child,… And keep the blossom of the earth?… The eager fate which carried thee Took the largest part of me. —Emerson from Threnody

Death is struck and nature quaking, all creation is awaking, to its Judge an answer making.] Tenor: I see a sad procession, And I hear the sound of coming full-key’d bugles; All the channels of the city streets they’re flooding, As with voices and with tears. I hear the great drums pounding, And the small drums steady whirring; And every blow of the great convulsive drums, Strikes me through and through. The last sunbeam Lightly falls from the finish’d Sabbath, On the pavement here, and there beyond it is looking, Down a new-made double grave. Now nearer blow the bugles, And the drums strike more convulsive, And the daylight o’er the pavement quite has faded, And the strong death-march[sic*] enwraps me. The moon gives you light, and the bugles and drums give you music, And my heart, O my soldiers, … My heart gives you love. —Whitman from Dirge for Two Veterans, not in sequence * the original word is “dead-march”

Chorus: Kyrie eleison, Christe eleison, Kyrie eleison [Lord have mercy upon us. Christ have mercy upon us. Lord have mercy upon us.]

II. Dies Irae Chorus: Dies irae, dies illa Solvet saeclum in favilla Teste David cum Sibylla. Quantus tremor est futurus, Quando judex est venturus, Cuncta stricte discussurus! Tuba mirum spargens sonum Per sepulcra regionum Coget omnes ante thronum Mors stupebit et natura, Cum resurget creatura, Judicanti responsura. [Day of wrath and doom impending, David’s word with Sibyl’s blending! Heaven and Earth in ashes ending! Oh, what fear man’s bosom rendeth, When from heaven the Judge descendeth, On whose sentence all dependeth!

Chorus: Confutatis maledictis, Flammis acribus addictis, Voca me cum benedictis. Oro supplex et acclinis, Cor contritum quasi cinis, Gere curam mei finis. Dies irae, dies illa Solvet saeclum in favilla Teste David cum Sibylla. Quantus tremor est futurus, Quando judex est venturus, Cuncta stricte discussurus! [When the wicked are confounded, doomed to flames of woe unbounded, call me with Thy saints surrounded. Low I kneel with heart-submission; see, like ashes, my contrition! Help me in my last condition! Day of wrath and doom impending, David’s word with Sibyl’s blending! Heaven and Earth in ashes ending! Oh, what fear man’s bosom rendeth, When from heaven the Judge descendeth, On whose sentence all dependeth!]

III. Vigil II–Lacrimosa–Pie Jesu Baritone: Vigil strange I kept on the field one night; When you my son and my comrade dropt at my side that day,… Long there and then in vigil I stood, dimly around me the battlefield spreading, Vigil wondrous and vigil sweet there in the fragrant silent night, Passing sweet hours, immortal and mystic hours with you dearest comrade— not a tear, not a word, Vigil of silence, love and death, vigil for you my son and my soldier… —Whitman from Vigil Strange I Kept on the Field One Night

Baritone: I know moonlight (and) I know starlight: I lay this (a)body down. I walk in the graveyard, I walk through the graveyard To lay this (a)body down… I go to (the) judgement in the evening of the day When I lay this (a)body down. And my soul and your soul will meet in the day When we lay our bodies down. —Lay This Body Down from Go Down Moses: A Celebration of the African-American Spiritual Chorus: Agnus Dei, qui tollis peccata mundi: dona eis requiem. [Lamb of God, who takest away the sins of the world, give them rest.] Mezzo, Tenor:

Chorus: Lacrimosa dies illa, Qua resurget ex favilla Judicandus homo reus. Huic ergo parce Deus. [Ah! That day of tears and mourning! From the dust of earth returning, Man for judgement must prepare him! Spare, O God, in mercy spare him!]

We visit bark an unmarked grave, the money, the grass, the ground your face, no stone, your voice, we kiss the air. —Michael Harper Lady’s Blues Chorus:

Mezzo, Tenor, Baritone:

Agnus Dei, qui tollis peccata mundi: dona nobis pacem.

Pie Jesu Domine, Dona eis requiem.

[Lamb of God, who takest away the sins of the world, grant us peace.]

Chorus:

VI. Libera Me–Not in Our Time

Dona eis requiem. Amen.

Chorus, Baritone: [Lord, all-pitying, Jesu blest, Grant them Thine Eternal rest. Amen.]

Part II IV. Sanctus–Benidictus Chorus, Mezzo, Tenor: Sanctus, Sanctus, Sanctus Dominus Deus Sabaoth. Pleni sunt coeli et terra Gloria tua. Hosanna in excelsis. Benedictus qui venit in nomine Domini. Hosanna in excelsis. [Holy, Holy, Holy, Lord God of Sabbath. Heaven and earth are full of thy glory. Glory be to Thee. Blessed is he that cometh in the name of the Lord. Glory be to Thee.]

Libera me, Domine, de morte aeterna in die illa tremenda, quando coeli movendi sunt et terra. Dum veneris judicare saeculum per ignem. Tremens factus sum ergo et timeo, dum discussio venerit atque ventura ira. Quando coeli movendi sunt et terra. Dies illa, dies irae, calamatatis et miseriae, dies magna et amara valde. Libera me… [Deliver me, O Lord, from death eternal, in that fearful day when the heavens and the earth shall be shaken. When Thou shalt come to judge the world by fire. I am in fear and trembling till the sifting be upon us, and the wrath to come. When the heavens and the earth shall be shaken. O that day, that day of wrath, of calamity and misery, a great day and exceeding bitter. Deliver me…] Tenor:

V. Lay This Body Down–Agnus Dei Mezzo: Can’t you see what love and heartache’s done to me I’m not the same as I used to be this is my last affair. —Michael Harper Last Affair: Bessie’s Blues Song

Not in our time, O Lord, the ploughshare for the sword, not in our time, the knife, sated with life-blood and life, to trim the barren vine; no grape-leaf for the thorn, no vine-flower for the crown; not in our time, O King,

the voice to quell the re-gathering, thundering storm. —H.D. Tribute to the Angels, (4) Mezzo: Take me home where canals flow between iris banks: where the heron has her nest: where the mantis prays on river-reed: where the grasshopper says Amen, Amen, Amen. —H.D. The Walls Do Not Fall, (23)

VII. Lux Aeterna Chorus: Lux aeterna luceat eis, Domine: Cum Sanctis tuis in aeternum, quia pius es. Requiem aeternam dona eis, Domine: et lux perpetua luceat eis. [Let eternal light shine upon them, O Lord, with Thy saints for ever, because Thou art merciful. Eternal rest give unto them, O Lord: and let perpetual light shine upon them.] —Kim Vaeth, poetic text editor

to the memory of those who died in the wake of the tragic events of September 11, 2001; and in tribute to the American soldier

AN AMERICAN REQUIEM PART I I. Introit Vigil I – Kyrie

Richard Danielpour (2000–2001)

Misterioso = 72–80 1 2

(Alto Flute) Flute (Piccolo)

3 1 2

Oboe

English Horn

(English Horn)

3 1 2

Clarinet in B

B Clarinet

(Bass Clarinet)

3 1 2

Bassoon (Contrabassoon)

(Wagner Tuba) Horn in F

3

1 2 3 4 1., Offstage right 1 2

(in D) Trumpet in C

3 1 2

Trombone Bass Trombone Tuba

1 2 3

Offstage Trombone

4 5 6

Timpani

1

2

Percussion

3 Bass Drum 4

5

Piano (Celesta)

sempre

Harp

S. Re

qui

em

Re

qui

em

Re

qui

em

Re

qui

em

A. Chorus T. 8

B.

Mezzo Soprano

Mezzo Soprano (Tenor) (Baritone)

Misterioso = 72–80 * ossia I Violin

* ossia II div.

Viola

div. Violoncello

4 soli, arco Contrabass gli altri pizz. * This note should be played in the violins only if the chorus cannot obtain its first sung pitch.

Corrected 6/02

Copyright © 2001 by Associated Music Publishers, Inc. (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 7

1.

1 2 Fl. 3 1. Ob.

1 2

E.H. 2. 1 2 Cl. in B

non cresc. 3

non cresc. 1.

1 2

non cresc.

Bn. 3

non cresc. 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

to Celesta

Cel.

Hrp.

sotto voce S. Re

qui

em

Ae

ter

nam

Re

qui

em

Re

qui

em

Ae

ter

Re

qui

em

Ae

ter

Re

qui

em

Ae

ter

Re

qui

em

Ae

ter

sotto voce A. Re

qui

em

Ae

ter

nam

Re

qui

em

sotto voce T. 8

Re

qui

em

Ae

ter

nam

Re

qui

em

sotto voce B. Re

qui

em

Ae

ter

nam

Re

qui

em

Mezzo Sop.

sul G

1 solo

tutti, unis.

I Vn.

sul G II

(div.)

unis.

(div.)

unis.

Va.

Vc. non cresc. 4 soli Cb.

3 13 1 2 Fl. 3

Ob.

1 2

E.H. 1.

(2.) Cl. in B

1 2

6

3

6

6

6

6

6

1 2 Bn. 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

Vibraphone, motor on, ped. on 3

3

3

3

3

3

3

3

3

3

3

3

3

3

6

6

6

6

6

6

6

6

6

6

6

6

6

6

2

Ped. Perc.

3

4

5

Celesta

Cel.

sempre

Hrp.

2/3 do na e is Do mi ne. 3

S.

1/3

nam

A. nam

T. 8

nam

B. nam Mezzo Sop. 4 soli, flautando

I Vn. div.

non vib.

div.

non vib.

II

Va.

Vc.

tutti, unis., arco Cb.

4 18 1 2 Fl. 3

Ob.

1 2

E.H. 1. Cl. in B

1 2 cant. 3 cant. 1 2 cant.

Bn. 3

cant. 1., solo 1 2 Hn. in F

in relief of chorus

cantando a2

3 4 in relief of chorus

cantando

1 2 Tpt. in C 3 soli Tbn.

1 2 soli

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

to Piano

Pno.

Hrp.

(tutti)

S. et

lux

per

pe

tu

a

lu

ce

at

e

is.

unis. A. et

lux

per

pe

tu

a

lu

et

lux

per

pe

tu

a

lu

ce

at

et

lux

per

pe

tu

a

lu

ce

at

ce

at

e

is.

e

(e)

is

e

(e)

is.

T. 8

B.

Mezzo Sop.

tutti, div. I sotto voce Vn. div. II sotto voce unis.

unis.

div.

div.

Va. cant.

sotto voce

cant.

sotto voce

unis. Vc.

Cb. sotto voce

+

5 25 1 2 Fl. 3

Ob.

1 2

E.H.

1 2 Cl. in B 3 2. 1 2 Bn. 3

1., solo

1.

1 2 dim. al niente

Hn. in F

a2 +

3 4

Tpt. in C

3., open

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S. Te

de

cet

hym

nus

Te

de

De

us,

et

ti

bi

red

et

ti

bi

red

A. cet

hym

nus

De

us,

T. 8

B.

Mezzo Sop.

al sord. I Vn.

al sord. II

(div.)

unis.

Va.

(div.)

unis.

Vc. dolce pizz.

arco

Cb. dolce

6 32 1 2 Fl. 3

Ob.

1 2

E.H.

1 2 Cl. in B 3 1. 1 2 Bn. 3

(1.) 1 2 Hn. in F

(3.) 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S. de

tur

vo

tum

in

Je

ru

sa

lem: 1/2

A. de

tur

vo

tum

in

Je

ru

sa

lem:

ad

te

cantando T. 8

ex

au

di

o

ra

ti

o

nem

me

am,

ad

te

o

ra

ti

o

nem

me

am

ad

te

cantando B. ex

au

di

Mezzo Sop.

div., con sord.

via sord.

I

Vn.

div., con sord.

via sord.

II

Va. dolce div. Vc. dolce div., arco Cb. pizz.

unis., arco

unis.

7 40 1 2 Fl. 3

Ob.

1 2

E.H.

1 2 Cl. in B 3

1 2 Bn. 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

ten. S. ca

tutti

ro

ca

ro

ve

niet.

(1/2)

ten.

A. om

nis

ca

ro

ca

ro

ca

ro

ve

niet. ten.

T. 8

om

nis

ca

ro

ca

ca

ro

ca

ro

ve

niet.

ro ten.

B. om Mezzo Sop.

I Vn. II

Va.

Vc.

Cb.

nis

ca

ro

ca

ro

ca

ro

ve

niet.

8 50

Come Prima (L’istesso tempo)

1 2 dolce

Fl. 3

dolce Ob.

1 2

E.H.

1 2 Cl. in B

to Bass Clarinet 3

1.

1 2 Bn. 3

con sord.

al sord.

1 2 Hn. in F

con sord.

al sord.

3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

Vib. 3

3

3

6

6

3

3

3

3

6

6

3

2

Perc.

3

B.D. 4

5

to Celesta

Celesta

6

Pno.

Ped. sempre

Hrp.

S. Re qui em

re qui em ae ter

nam

Re qui em

re qui em ae ter

nam

Re qui em

re qui em ae ter

nam

Re qui em

re qui em ae ter

nam

A.

T. 8

B.

Mezzo Sop.

Come Prima (L’istesso tempo) senza sord. unis.

senza sord., unis.

I white tone Vn.

senza sord. unis.

senza sord., unis.

II white tone div. Va.

div. Vc.

4 soli, arco Cb.

gli altri, pizz.

div.

6

6

6

poco rit.

57

Grazioso

9

= 60 a2

1 2 Fl. 3

Ob.

1 2

E.H. 1., solo 6

Cl. in B

1 2 6

Bass Clarinet solo

6

3

Bs. Cl.

1 2 Bn. 3

via sord.

senza sord.

al sord.

via sord.

senza sord.

al sord.

1 2 Hn. in F 3 4

Tpt. in C

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1 Vib., motor on no attack 2 Ped. on Perc.

3 (B.D.) 4 da lontano

5

to Piano

Pno.

6

sonore 6

Hrp.

6

3

S. Re qui em

re qui em ae

ter

nam

Re qui em

re qui em ae

ter

nam

Re qui em

re qui em ae

ter

nam

Re qui em

re qui em ae

ter

nam

A.

T. 8

B.

Mezzo Sop.

poco rit.

Grazioso

= 60

I

Vn. unis., ord. II

div., ord. Va.

unis., ord. Vc.

tutti, arco Cb.

div.

3

3

3

3

3

10

Pi첫 mosso = 72

poco a poco accel. al 64

a2

1 2 Fl. 3 1. Ob.

1 2

E.H. (1.) Cl. in B

1., solo 6

1 2

6

solo 6

3

Bs. Cl. a2 1 2 Bn. 3 con sord. 1 2 Hn. in F

con sord. 3 4

Tpt. in C

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1 Vib. 2

Perc.

3

4

5

Piano

Pno.

solo

6

6

Hrp.

3

6

3

3

3

3

3

3

3

S.

A.

T. 8

B.

Mezzo Sop.

Pi첫 mosso = 72

poco a poco accel. al div.

I 6

Vn.

(div.) II

(div.) Va.

Vc.

Cb.

6

6

6

6

6

6

6

rit.

= 60

a tempo

a2

70 1 2

Fl. 3 1. Ob.

a2

1 2

E.H. (1.) Cl. in B

a2

1 2 3

3

3

Bs. Cl. cresc. 1 2

3

3

3

3

3

3

cresc.

Bn. 3

cresc.

3

3

3

3

3

3

1 2 Hn. in F

sub.

cresc.

3 4 sub.

cresc.

2.

1 2 Tpt. in C

6

6

6

6

6

3 6

Tbn.

6

6

6

6

1 2 3

Bs.Tbn. Tba.

Timp.

3

3

3

3

3

3

3

3

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Mezzo Sop.

rit.

a tempo

unis., on the string I

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

cresc.

Vn.

unis., on the string II 6

6

6

cresc.

Va. cresc. div. Vc. cresc. pizz. div. Cb.

arco

= 60

11

12

poco rit.

74

a tempo

1 2 dolce

Fl. 3

1. Ob.

1 2 dolce English Horn

E.H. dolce Cl. in B

1 2 dim.

Bs. Cl.

1 2 dolce

Bn.

dim.

3

(con sord.) 1 2 Hn. in F

(con sord.) 3 4 1., return to stage 1., solo offstage

mute on

1 2 Tpt. in C

cantando mute on

cantando

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

Timp. 4

5

Pno.

Hrp.

S.

A.

T. 8

B.

clear and simple Mezzo Sop. Sea

poco rit.

a tempo

winds

blown

flautando

I sotto voce

dolce

sotto voce

Vn. flautando II sotto voce

dolce

(div.)

div. a3

unis.

Va.

(div.)

unis.

Vc.

(div.) Cb.

unis.

pizz.

div.

13 81 1 2 Fl. 3 1. Ob.

1 2

E.H.

Cl. in B

1 2 (dim.)

Bs. Cl.

1 2 (dim.)

Bn. 3

1 2 Hn. in F

dim. 3 4 dim.

Tpt. in C

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Mezzo Sop. from

I Vn. II

Va.

Vc.

Cb.

east

and

west,

Blown

from the

East

ern

sea,

14 87 1 2 Fl. 3 1. Ob.

1 2

E.H.

Cl. in B

1 2 cant.

Bs. Cl. cant. 1 2 Bn. 3

via sord.

senza sord.

via sord.

cant. senza sord.

1 2 Hn. in F 3 4

cant.

Tpt. in C

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Mezzo Sop. and

blown

from the

West

ern

sea,

’til

there

I sotto voce Vn. div. II

div. Va.

Vc.

div., arco Cb. pizz.

unis., arco

on

the

15 93

1.

1 2 Fl.

dolce 3

Ob.

1 2

E.H. 1. Cl. in B

1 2

3

3

3

3

3

cant.

dolce

Bs. Cl. cant. 1 2 Bn. 3

1 2 Hn. in F

a2

3 4

1 2 Tpt. in C 3

Tbn.

1 2 cant.

cant.

cant.

cant.

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Pno.

non arp.

3

Hrp.

S.

A.

T. 8

B. cantando Mezzo Sop. prai

ries

meet ing,

These

and with

these

and the breath

of

my

chant,

I’ll

per

fume

I sotto voce Vn.

espr. unis.

div.

II

unis. Va.

Vc.

div. arco Cb. pizz.

16 100

(1.)

1.

1 2

3

3

3

Fl. 3 1. Ob.

1 2 dolce with solo violin

E.H. (1.) Cl. in B

3

1 2

3

3

3

3

3

3

3

3

3

3

3

2.

3

3

3

3

6

6

cresc. Bs. Cl.

1 2 Bn. 3

a2 1 2 Hn. in F

(a2) 3 4

1 2 Tpt. in C 3 a2 mute on Tbn.

1 2 a2 mute on

Bs.Tbn. Tba.

Timp.

1 Vib., motor on med. soft mallets 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

2 sotto voce Ped. Perc.

3

4

5

Pno.

3

3

3

3

Hrp.

S.

A.

T. 8

B.

Mezzo Sop. the grave

of

him

that

I

love. cantando e dolce

1 solo I 6

div. Vn.

unis.

6

6

6

6

6

6

6

6

6

6

6

II

div.

unis.

Va. div. Vc.

(div.), pizz. Cb.

arco

6

6

17 105

(1.)

1 2

a2 3

3

3

Fl. 3

Ob.

1 2

E.H. a2 Cl. in B

1., solo 3

3

6

3

1 2 6

(cresc.) solo

6

3

Bs. Cl.

1 2 Bn. 3 (a2) 1 2 Hn. in F 3 4 2., with mute 1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

(Vib.) 2

Perc.

3

4

5

Pno.

6

Hrp.

6

3

6

3

3

3

3

3

3

S.

A.

T. 8

B.

Mezzo Sop.

tutti I 6

6

6

Vn. 6

6

6

div.

II

div. Va.

unis.

div.

unis.

pizz.

Vc.

Cb.

18 110 1 2 Fl. 3

Ob.

1 2

E.H. 6

Cl. in B

1 2 6 6

sub.

3

Bs. Cl. 2. 1 2 Bn.

cresc.

cresc.

cresc.

cresc.

3

1 2 Hn. in F 3 4

Tpt. in C

with mute

mute off

with mute

mute off

with mute

mute off

Bs. Tbn., with mute

mute off

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp. cresc.

cresc. Sus. Cym.

choke

choke

1

Vib. 2

Perc.

3

4

5

to Celesta

Pno.

6 6

Hrp.

6

3

sub.

3

3

3

3

3

S.

A.

T. 8

B.

Mezzo Sop. 2 soli

I Vn.

(div.) II

(div.)

div., sul tasto molto!

unis.

Va.

unis.

cresc.

cresc.

cresc.

cresc.

div.

pizz.

Vc.

arco

pizz.

Cb. cresc.

cresc.

Poco meno mosso

116

19

= 54

1 2 Fl. 3

Ob.

1 2

E.H.

Cl. in B

1 2 poco a poco cresc.

Bs. Cl. poco a poco cresc. 1 2 Bn. 3

1.

a2

a2

a2

a2

1 2 Hn. in F

3.

3 4

open 1 2 Tpt. in C

open 3

open Tbn.

1 2 a2, open

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

Mezzo Sop.

(2 soli)

Poco meno mosso

= 54

tutti, unis.

I poco a poco cresc.

Vn. II

poco a poco cresc.

unis. Va.

poco a poco cresc. unis.

arco Vc. poco a poco cresc. arco Cb. poco a poco cresc.

div.

20 122 1 2 sub.

Fl. 3

sub.

Ob.

1 2 sub.

E.H. sub.

Cl. in B

1 2 sub.

Bs. Cl. sub.

sub.

1 2 sub.

Bn. 3

sub. sub.

(a2) 1 2 sub.

Hn. in F

(a2)

sub.

3 4 sub.

1., into stand

1 2 Tpt. in C

cresc.

sub.

cresc.

sub.

cresc.

sub.

cantando

3

Tbn.

1 2 (a2)

Bs.Tbn. Tba. sub. cresc. Timp.

choke

Sus. Cym. 1

Vib., motor on med. soft mallets 2

Ped. Perc.

3

4

5

Celesta

Cel.

3

3

3

Hrp.

3

3

S.

A.

T. 8

B.

Mezzo Sop. div.

I sub.

sub. white tones

sub.

sub. div. a3 white tones

(div.)

Vn. II

div. Va. sub.

sub. white tones

sub.

sub. white tones

(div.) Vc.

Cb. sub.

3

3

3

21 127 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1., solo 1 2 echo

Hn. in F

3., solo 3 4 echo

(1.) Tpt. in C

1 2

3 1. Tbn.

1 2 echo

Bs.Tbn. Tba.

Timp. poss. Crotales (Player 1 ossia Glock.) 1

Vib. 2

Chimes, soft hammers 3

Perc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Chimes, soft hammers 3

3

4

Crotales 5

Cel.

3

3

3 3

3

3

3

3

3

3

3

S.

A.

T. 8

B.

Mezzo Sop.

div. a3

I

div. a3 II

Va.

Vc.

*

(arco)

Cb. * natural harmonics whenever possible.

3

3

3

3

3

3

3

Hrp.

Vn.

3

3

3

3

3 3

3

3

3

3

3

3 3

3

3 3

3

3

3

3

3

3

22 132

Flute 2 to Alto Flute

1 2 Fl. 3

Ob.

1 2

E.H. 2. Cl. in B

1 2 dolce

Bs. Cl. dolce 1 2 Bn. 3

1 2 Hn. in F

dolce 3 4 (1.)

Tpt. in C

dolce

1 2 dim. al niente 3 (1.)

Tbn.

1 2 dim. al niente

Tuba

Bs.Tbn. Tba.

Timp. dim. al niente (Crot.) 1

(Vib.) 2

(Chime) Perc.

3

3

3

3

3 (Chime) 4 (Crot.) 5

Cel.

3

3

3

3

3 3

3

3

Hrp.

S.

A.

T. 8

B.

Mezzo Sop.

unis. I

Vn.

2 soli II dim. al niente

altre, unis. Va. dim. al niente (div.) Vc. dim. al niente Cb.

2 sole unis.

dolce

137

L’istesso tempo

23

= 54

1 Fl. 3

Al. Fl.

Ob.

1 2

E.H. 1. Cl. in B

1 2 dolce colla voce

Bs. Cl.

1 2 Bn. 3 1. (2.)

1.

(4.)

3.

1 2 Hn. in F

3. 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1 Vib., motor on

2 little or no attack Ped. Perc.

Ped.

Ped.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

3

Mezzo Sop. Was

L’istesso tempo

there

no

star

that could be sent,

No

watch

er

in

the

fir

ma

ment…

Could

= 54

* div. a3

I Vn.

tutti, unis.

da lontano

sempre div.

unis.

unis.

div.

div.

II sotto voce tutte, div. Va. sotto voce div. Vc. sotto voce Cb. sotto voce * Ossia: 3 solo violins

div.

unis.

24 143 1 Fl. 3

Alto Flute

to Flute 2

Al. Fl.

Ob.

1 2 colla voce

E.H. dolce

più espr.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3 1. 1 2 Hn. in F 3 4

Tpt. in C

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

(Vib.) 2 (Ped.) Perc.

Ped.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

Mezzo Sop. stoop

to heal

that

on

ly child…

And

(div.)

keep

the blos som on

the earth…

The

div. a4

I Vn. (div.)

unis.

div.

div.

unis.

II

(div.) Va.

(div.) Vc.

Cb.

eag

er fate

which

25 149 1 Fl.

Flute 2

3

Ob.

1 2 dolce

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

(1.) 1 2 Hn. in F 3 4

Tpt. in C

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

B.D. 4

5

to Piano

Cel.

non arp.

Hrp.

S.

A.

T. 8

B.

pi첫 cantando Mezzo Sop. car

ried thee

Took the larg

est

part

of

me.

unis. I espr. Vn.

div.

unis. II

unis.

div.

Va.

espr. 1 solo

tutti, unis.

Vc. cant., ed espr. Cb.

26 156 1 Fl. 3

Al. Fl. 1., solo Ob.

1 2

E.H. 1. Cl. in B

2.

1 2 dolce, espr.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

with harp

Bs. Cl.

1 2 Bn. 3

1. al sord. 1 2 Hn. in F

3. al sord.

a2 3 4

Tpt. in C

1 2 3 mute on

Tbn.

1 2 mute on

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

(B.D.) 4

5

Pno.

3

3

dolce

Hrp.

S.

A.

T. 8

B.

Mezzo Sop.

1 solo I Vn.

unis. II

unis. Va. espr. div. Vc.

Cb.

dolce

3

3

3

poco rall. a tempo

161

morendo

L’istesso tempo = 54

1 Fl. 3 3

3

3

3

Al. Fl.

Ob.

(1.)

1 2

E.H. (2.) Cl. in B

1.

3

1 2

Bs. Cl.

1 2 Bn. 3

1., con sord.

via sord.

1 2 Hn. in F

3., con sord.

via sord.

3 4 1 2 Tpt. in C 3 with mute Tbn.

1 2 with mute

Bs.Tbn. Tba.

Timp.

1

2

Tam. Perc.

3

B.D. 4

5

Piano

Pno.

sempre 3

3

3

3

Hrp.

sotto voce S. Ky

ri

e

E

lei

ri

e

E

lei

ri

e

E

lei

ri

e

E

lei

sotto voce A. Ky sotto voce T. 8

Ky sotto voce

B. Ky Mezzo Sop.

poco rall. a tempo tutti, div.

morendo poco a poco non vib.

I dim. al niente

dim. poco a poco al niente

Vn.

poco a poco non vib. II dim. al niente

dim. poco a poco al niente div.

poco a poco non vib.

Va. dim. al niente

dim. poco a poco al niente

poco a poco non vib. Vc. dim. al niente

2 soli, pizz. gli altri, arco

poco a poco non vib.

Cb. dim. al niente

L’istesso tempo = 54

27

28 167 1 Fl. 3

to Flute Al. Fl.

Ob.

1 2

E.H. 1. Cl. in B

1.

3

dolce

3

3 3

3 3

Bs. Cl.

3 3

Bn.

3 3

3

1 2

3

1 2 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Pno.

3

3

3

3

3

Hrp.

3

3

3

3

S. son

Chris

te

E

lei

son

son

Chris

te

E

lei

son

son

Chris

te

E

lei

son

son

Chris

te

E

lei

son

A.

T. 8

B.

Mezzo Sop.

unis., al punta I sotto voce

Vn.

div.

II

div. Va.

div.

unis.

Vc. tutti, div. Cb.

unis.

3

29 breve

173

2. Flute

1 2 Fl.

to Piccolo 3

Ob.

1 2

E.H. (1.) Cl. in B

1 2 dolce

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Pno.

non arp.

Hrp.

poco S. ky

ri

e

e

lei poco

son

ky

ri

e

e

lei poco

son

ky

ri

e

e

lei poco

son

ky

ri

e

e

lei

son

A.

T. 8

B.

Mezzo Sop.

al punta

3 soli, ord.

breve

(poco vib.)

I flautando

Vn. II

Va.

div. Vc.

Cb.

30 Sinister, (ben misurato, preciso) = 126

II. Dies Irae

Picc. a2, fltg. Fl.

1 2

Ob.

1 2

ossia a2

English Horn E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

Tpt. in C

1 2

3 with mute Tbn.

1 2 with mute

Bs. Tbn. solo, with mute Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

Xyl. 1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

Sinister, (ben misurato, preciso) = 126

div.

*

I

Vn.

div.

*

II pizz.

arco

Va. div. a3 Vc.

div. a3, pizz. Cb.

*Artificial harmonics

div. a2

31 7 Picc.

Fl.

1 2

Ob.

1 2

marc. 1.

marc. E.H. marc. Cl. in B

1 2 marc.

Bs. Cl.

1 2 marc.

Bn. 3 cresc.

marc.

1 2 Hn. in F

marc. 3 4 marc.

Tpt. in C

1 2

3

Tbn.

1 2

Bs. Tbn.

Tba. sub.

Offstage Tbn.

sub.

1 2 3 4 5 6

Timp.

1 Mounted Guiro, metal scraper 2

Ruten Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

div. I Vn.

div. II

div.

unis.

Va.

(div.)

div. a2

Vc.

unis., arco Cb. cresc.

32 13 Picc.

Fl.

1 2

Ob.

1 2

1.

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

con sord. 1 2 Hn. in F

4., con sord.

3., senza sord.

4., (con sord.)

3., (senza sord.)

3 4

Tpt. in C

1 2

3

(with mute) Tbn.

mute out

1 2 (with mute)

mute out

(with mute)

mute out

Bs. Tbn.

Tba.

1 2 Offstage 3 Tbn. 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

(each note slightly detached) S. Di

es ir ae (each note slightly detached)

di

es

il

la

Di

es ir ae (each note slightly detached)

di

es

il

la

Di

es ir ae (each note slightly detached)

di

es

il

la

di

es

il

la

A.

T. 8

B. Di

es

ir

ae

Ten. 8

(div.), pizz. I marcatiss.

Vn.

unis., pizz. II marcatiss. div.

pizz.

Va. marcatiss. div. a3 Vc. marcatiss. non div., pizz. Cb. marcatiss.

div. a2, pizz.

33 19 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

senza sord.

via sord.

1.

1 2 Hn. in F

4., (con sord.)

3., (senza sord.)

4., senza sord.

3 4

1 2 Tpt. in C 3 open Tbn.

1 2 Bs. Tbn., open

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S. Sol

vet

saec

lum

in

fa vil

la

Tes

te

Dav

id

cum

Si

Sol

vet

saec

lum

in

fa vil

la

Tes

te

Dav

id

cum

Si

Sol

vet

saec

lum

in

fa vil

la

Tes

te

Dav

id

cum

Si

Sol

vet

saec

lum

in

fa vil

la

Tes

te

Dav

id

cum

Si

A.

T. 8

B.

Mezzo Sop.

I Vn. II

Va.

Vc.

Cb.

34 26

to Flute

Picc.

Fl.

1 2 3

1. Ob.

1 2

E.H.

3

Cl. in B

1 2

Bs. Cl.

Bn.

1 2 marc. 3 marc. a2

1 2

gl.

marc.

cresc.

Hn. in F 3 4

gl.

marc.

cresc.

Tpt. in C

1 2

3

Tbn.

1 2 cresc.

Bs. Tbn.,

marc.

dim.

marc.

dim.

Bs.Tbn. Tba. cresc. 1 2 Offstage 3 Tbn. 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S. byl

la.

byl

la.

byl

la.

byl

la.

A.

T. 8

B.

Ten. 8

div., arco unis. I

Vn.

div. a2, arco II

div. a3

div. a2, arco Va. cresc. div. a2, arco Vc. cresc. arco Cb. cresc.

35 31 1 2 Fl. 3

Ob.

1 2

E.H. 1. Cl. in B

1 2

to B Clarinet Bs. Cl.

1 2 cresc.

Bn. 3

cresc. sub.

sub.

sub.

1 2 Hn. in F

marc.

cresc.

3 4 marc.

Tpt. in C

1., with mute

mute out

cresc.

1 2

3

Tbn.

1 2 marc.

cresc.

marc.

cresc.

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

I Vn. II div. a2 Va.

cresc. Vc. cresc. Cb. cresc.

36 36

1.

1 2 Fl.

Flute 3

Ob.

1 2

E.H. (1.) 1 2 Cl. in B 3

1 2 Bn.

(cresc.)

marc.

sempre marc.

marc.

sempre marc.

3 (cresc.) 1 2 Hn. in F

(cresc.) 3 4 (cresc.)

Tpt. in C

1. open

1 2

3

Tbn.

1 2 (cresc.) Bs. Tbn.

Tuba

Bs. Tbn.

Bs.Tbn. Tba. (cresc.) 1 2 Offstage 3 Tbn. 4 5 6 solo Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S. Di

es

ir

ae,

Di

es

il

la

Sol

vet

Di

es

ir

ae,

Di

es

il

la

Sol

vet

Di

es

ir

ae,

Di

es

il

la

Sol

vet

Di

es

ir

ae,

Di

es

il

la

Sol

vet

A.

T. 8

B.

Ten. 8

div.

div. unis.

unis.

I div.

div. unis.

Vn. II

Va.

(cresc.) Vc. (cresc.) Cb. (cresc.)

unis.

37 41 1 2 Fl. 3

Ob.

1 2

E.H.

1 2 Cl. in B

B Clarinet 3

1 2 (marc.)

Bn. 3

(marc.) 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2 (Tuba)

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S. saec

lum

in

fa

vil

la

Tes

te

Dav

saec

lum

in

fa

vil

la

Tes

te

Dav

saec

lum

in

fa

vil

la

Tes

te

Dav

saec

lum

in

fa

vil

la

Tes

te

Dav

A.

T. 8

B.

Ten. 8

I Vn.

div. unis. II

Va.

div. a2 Vc. div. Cb.

unis.

div.

unis.

div. unis.

div.

38 46 1 2 Fl. 3

Ob.

1 2

E.H.

1 2 Cl. in B 3 a2 1 2 Bn.

cresc.

marc.

cresc.

marc.

3 cresc. 1 2 Hn. in F

sub.

marc.

sub.

marc.

3 4

Tpt. in C

1 2 sub. 3 sub.

Tbn.

1 2 cresc. (Tuba)

a2

Bs.Tbn. Tba. cresc.

Offstage Tbn.

cresc.

1 2 3 4 5 6

Timp. Muffled Tom-tom 1 Mounted Guiro 2

Mounted Guiro Perc.

Tamtam

3 secco! 4

5

Pno.

Hrp.

S. id

cum

Si

byl

la.

id

cum

Si

byl

la.

id

cum

Si

byl

la.

id

cum

Si

byl

la.

A.

T. 8

B.

Ten. 8

div. I Vn.

unis.

div. unis.

II

(div.) Va.

(div.) Vc. cresc. Cb. cresc.

div.

unis.

div.

39 51 1 2 Fl. 3 3

1. Ob.

1 2 cresc.

cresc.

cresc.

cresc.

E.H.

1 2 Cl. in B

3

3

1 2 Bn.

dim.

cresc.

cresc.

dim.

cresc.

cresc.

3

1 2 Hn. in F

Tpt. in C

dim.

cresc.

stacc.

cresc.

dim.

cresc.

stacc.

cresc.

a2

3 4

a2 mute on

with mute

mute on

with mute

mute on

with mute

1 2

3

Tbn.

1 2 Bs. Tbn., with mute

Bs. Tbn. mute on Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S. Quan

tus

tre

mor

est

fu

tu

rus,

Quan

do

ju

dex

est

ven

tu

rus,

Quan

tus

tre

mor

est

fu

tu

rus,

Quan

do

ju

dex

est

ven

tu

rus,

Quan

tus

tre

mor

est

fu

tu

rus,

Quan

do

ju

dex

est

ven

tu

rus,

Quan

tus

tre

mor

est

fu

tu

rus,

Quan

do

ju

dex

est

ven

tu

rus,

div. a3

div. a2

A.

T. 8

B.

Ten. 8

div. a2 I Vn.

unis. II cresc.

dim.

cresc.

Va. dim.

cresc.

stacc.

cresc.

Vc. dim.

cresc.

cresc.

dim.

cresc.

cresc.

Cb.

40 56 1 2 Fl. 3

1. Ob.

1 2 cresc.

E.H. cresc.

Cl. in B

1 2

3 1 2 Bn.

cresc.

cresc.

cresc.

cresc.

3

1 2 Hn. in F

cresc.

(a2)

cresc.

3 4 cresc. a2 mute out Tpt. in C

cresc. open

1 2 sub. mute out

open

3 open

a2 mute out Tbn.

1 2 sub. a2, open

Bs. Tbn. mute out Bs.Tbn. Tba.

1 2 Offstage 3 Tbn. 4 5 6 Timp.

Muffled T.-t. 1

2

Perc.

3

4

5 8va

Pno.

Hrp.

S. Cun

cta

stric

te

dis

cus

su

rus!

Cun

cta

stric

te

dis

cus

su

rus!

Cun

cta

stric

te

dis

cus

su

rus!

Cun

cta

stric

te

dis

cus

su

rus!

A.

T. 8

B.

Ten. 8

unis.

(div. a2) I sub. Vn.

unis.

div.

div.

II sub.

cresc. (div.)

unis.

unis.

div. a2

Va. cresc.

cresc.

sub. div. a3

(div. a2)

unis.

Vc.

cresc.

sub.

cresc.

cresc.

sub.

cresc.

Cb.

div. a2

41 61

a2

1 2 Fl. 3 (1.) 2. Ob.

1.

1 2

E.H.

1 2 Cl. in B 3

1 2 Bn. 3 1., con sord. via sord.

senza sord.

1 2 Hn. in F 3 4 1. 1 2 Tpt. in C 3

Tbn.

1 2 Bs. Tbn.

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1 Mounted Guiro 2 Ruten Perc.

3

4

5 8

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

I

Vn.

unis. II

pizz. Va.

pizz., (div.) Vc.

Cb.

42 66 1 2 Fl. 3 2. Ob.

1 2

E.H.

Cl. in B

1 2

3 a2 1 2 Bn. 3

1 2 Hn. in F 3 4 (1.)

a2 mute on

1 2 Tpt. in C

mute on 3 mute on

Tbn.

1 2 Bs. Tbn. mute on

Tuba Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

I Vn. II

arco Va.

(div. a2), arco Vc. dim. Cb. dim.

43 72 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. in B

1 2

3 a2 1 2 Bn.

*ossia 3

1 2 Hn. in F

a2

3 4

with mute 1 2 Tpt. in C

with mute

remove mute

with mute

remove mute

3

Tbn.

1 2

Offstage Tbn.

remove mute

Bs. Tbn., with mute

Bs.Tbn. Tba.

1 2 3 4 5 6

Timp. Ruten, against B.D. 1 Muffled T.-t. 2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

div. I Vn. div. II div.

unis.

unis.

div. a2

div.

Va.

Vc.

Cb. * ossia: use contrabassoon if there is time (sounding an octave lower)

(div. a2)

44 78

1.

1.

1 2 Fl. 3 1. Ob.

1 2

E.H.

1. Cl. in B

1.

1 2

3

1 2 Bn.

dim.

cresc.

cresc.

dim.

cresc.

cresc.

3

Hn. in F

1 2 3 4 dim.

open

1 2 3

Tpt. in C

open

3

3

3

3

3

3

3

3

3

3

3

3

3 3

open Tbn.

1 2

3

3

3

a2, open

Bs.Tbn. Tba.

1 2 Offstage 3 Tbn. 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

ben marcato S. Tu

ba ben marcato

mi

rum

spar

gens so

num

Per

sep

ul

cra

re

gi

o

num

mi

rum

spar

gens so

num

Per

sep

ul

cra

re

gi

o

num

mi

rum

spar

gens so

num

Per

sep

ul

cra

re

gi

o

num

mi

rum

spar

gens so

num

Per

sep

ul

cra

re

gi

o

num

A. Tu

ba ben marcato

T. 8

Tu

ba ben marcato

B. Tu

ba

Ten. div.

div.

8

unis.

unis.

I div.

div.

Vn. unis.

unis.

II

div. a3

(div.)

div. a3

div. a2

Va. dim. (div.) Vc. dim.

cresc.

cresc.

dim.

cresc.

cresc.

Cb.

3

45 83 1 2 sub. Fl. 3 sub. (1.) Ob.

1 2 cresc.

sub.

cresc.

sub.

E.H.

1 2 Cl. in B

sub. 3 sub. 1 2

Bn.

cresc.

* ossia

cresc.

ben marc.

cresc.

ben marc.

(loco)

3 cresc. 1 2 Hn. in F 3 4 cresc.

Tpt. in C

1 2

3

1. Tbn.

1 2 a2

Bs.Tbn. Tba. cresc. 1 2 Offstage 3 Tbn. 4 5 6 3

Timp.

Crash Cyms. 1 B.Dr. 2

Perc.

3

4

5

Pno.

Hrp.

cresc. (ben marcato)

tutta forza

S. Co

get cresc. (ben marcato)

om

nes

an

te

thro

num.

Mors

stu

tutta forza

A. Co

get cresc. (ben marcato)

om

nes

an

te

thro

num.

Mors

stu

tutta forza

T. 8

Co

get cresc. (ben marcato)

om

nes

an

te

thro

num.

Mors

stu

tutta forza

B. Co

get

om

nes

an

te

thro

num.

Mors

div.

unis.

div.

Ten. 8

unis. I cresc. unis.

Vn.

sub.

II cresc.

sub. div. a3

div. a2

div. a2

Va. cresc.

sub. unis.

div.

Vc. cresc.

cresc.

ben marc.

Cb. cresc. * ossia: 8ba, Contrabassoon

cresc.

ben marc.

stu

46 88 1 2 Fl. 3

Ob.

1 2

E.H.

1 2 Cl. in B 3

1 2 Bn.

ben marc. 3

ben marc. 1 2 Hn. in F 3 4

1 2 3

Tpt. in C

3

3 3

3 3

Tbn.

3

1 2 (a2)

a2

Bs.Tbn. Tba. cresc.

Offstage Tbn.

1 2 3 4 5 6

Timp. cresc. Percussion 3, 4, 5 leave stage for offstage places.

Sus. Cym., Timp. mallets

1

Trg. 2

Perc.

3

4

5

Pno.

Hrp.

S. pe

bit

et

na

tu

ra,

Cum

re

sur

get cre

a

tu

ra,

pe

bit

et

na

tu

ra,

Cum

re

sur

get cre

a

tu

ra,

pe

bit

et

na

tu

ra,

Cum

re

sur

get cre

a

tu

ra,

pe

bit

et

na

tu

ra,

Cum

re

sur

get cre

a

tu

ra,

A.

T. 8

B.

Ten. 8

(div.) I (unis.)

Vn. II

(div.) Va. (div.) Vc.

Cb.

div.

unis.

div.

47 93 1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 3

Ob.

1 2

E.H. 1 2 Cl. in B 3 2.

1 2 Bn.

ossia: 8ba

marc.

marc.

cresc.

marc.

marc.

cresc.

3

1 2 Hn. in F 3 4

1 2

3

3

Tpt. in C

3

3

3

a2 Tbn.

1 2 (a2)

cresc.

cresc.

cresc.

cresc.

a2

Bs.Tbn. Tba.

1 2 Offstage 3 Tbn. 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

tutta forza S. Ju

di

can

ti

res

pon

su

ra. tutta forza

A. Ju

di

can

ti

res

pon

su

ra. tutta forza

T. 8

Ju

di

can

ti

res

pon

su

ra. tutta forza

B. Ju

di

can

ti

res

pon

su

ra.

Ten. 8

I

Vn.

(div.)

unis.

div.

II

Va. div. a3 non div. Vc. cresc. div.

unis.

Cb. cresc.

48

L’istesso tempo 99

= 126

to Piccolo

Piccolo

Picc. 3

a2 Fl.

Ob.

1 2

3

1 2 3

sub.

3

3

3

3

E.H. 3

sub. 3

Cl. in B

3

3

3

1 2 3

3 3

3

3 2.

2.

1 2

3

Bn.

3

3

3 3

3

3

3

a2

1 2 3

sub.

Hn. in F

3

a2

3 4 3

sub.

Tpt. in C

1 2 3

sub.

3

sub.

3

3

sub.

3

3

sub.

3 sub.

sub.

sub.

(a2) Tbn.

sub.

a2

1 2

3 3

3

3 3

sub.

3

sub.

sub.

Bs.Tbn. Tba. sub.

sub.

1 2 Offstage 3 Tbn. 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

L’istesso tempo

= 126 unis.

I 3

Vn.

unis. II 3

unis. Va. 3

div.

unis.

div.

unis.

Vc. 3

sub.

3 marcatiss.

3

3

3

sub.

3

sub.

3 marcatiss.

3

3

3

sub.

3

Cb. 3

49 104 Picc. 3

3

3

3

6

(a2) Fl.

1 2

6

a2 Ob.

a2

1 2

3

3

E.H.

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3 3

3

3

3

3

1 2 3

Cl. in B

3 3

3 3

3 3

3 3

3

3

2.

2.

1 2

3

Bn.

3

3

3

3

3

3

3

3

3

3

(a2)

Hn. in F

1 2 3

3

3

3

(a2) 3 4

Tpt. in C

1 2 3

3

sub.

3

3

3

sub.

sub. 3

3 sub.

sub.

sub.

a2 Tbn.

a2

1 2

3 3

3

sub.

3

3

3

Bs.Tbn. Tba. sub.

sub. 1 2 Offstage 3 Tbn. 4 5 6 Timp. 2 Lg. mounted T.-t., hard yarn 1 cresc. poco a poco

(cresc.)

cresc. poco a poco

(cresc.)

B.D. 2 Offstage Tenor Drum Perc.

3 cresc. poco a poco

(cresc.)

Offstage Field Drum 4 cresc. poco a poco

(cresc.)

Offstage B.D. 5 cresc. poco a poco

(cresc.)

Pno.

Hrp.

darkly molto S. Di darkly molto A. Di darkly molto T. Di darkly molto

8

B. Di Ten. 8

I 3

3

6

3

3

6

3

3

Vn. II

Va. 6

div. 3

unis.

3

3

3

3

3

3

3

unis.

Vc. 3

3

3

3

sub.

sempre marc. 3

3

3

sub.

3

sub.

Cb. 3

3

3

3

sub.

sempre marc.

50 109

to Flute

Picc. 5

6

6

a2 Fl.

1.

1 2

5

6

6

Ob.

6

6

6

6

a2

a2 1 2 3

3

3

3

3

3

3

3

3

3

E.H. 3

3

1 2

3

Cl. in B

3

3

3

3

3

3

3

3

3

sub. 3

3

3

3

3

3

3

3

3

3

3 sub. 2.

1 2

3

3

3

2.

3

3

3

3

3

Bn.

3 3

3

Hn. in F

1 2 3 4

Tpt. in C

1 2 sub.

3

3

3 3

3

3

3 sub. a2 Tbn.

a2

1 2

3

3

3

3 3

3

Bs.Tbn. Tba.

1 2 Offstage 3 Tbn. 4 5 6 Timp. (T.-t.) 1 (cresc.) (B.D.)

dim. poco a poco

(cresc.)

dim. poco a poco

2 (Offstage Tenor Dr.) Perc.

3 dim. poco a poco (Offstage Field Dr.) 4 dim. poco a poco (Offstage B.D.) 5 dim. poco a poco

Pno.

Hrp.

S. es

ir

ae,

di

es

il

la,

Di

es

ir

ae,

di

es

il

la,

Di

es

ir

ae,

di

es

il

la,

Di

es

ir

ae,

di

es

il

la,

Di

A.

T. 8

B.

Ten. 8

I 5

6

6

6

6

6

6

6

6

6

6

6

Vn. II 5

6

Va. 5

6

div.

3

3

3

3

3

3

3

3

6

unis.

div. 3

3

3

3

3

3

unis.

Vc. 3

sub.

3

sub.

3

sub.

Cb. 3

sub.

rall. poco a poco

113

51 = 96

fltg.

1 2 Fl.

Flute, fltg. 3

Ob.

1 2 3

E.H. 3

2.

1 2

3

Cl. in B

dim.

3

3 dim.

2.

1 2

3

3

Bn.

3

3

Hn. in F

1 2 3 4

mute on Tpt. in C

1 2 3

3

mute on

3

3

3

2. Tbn.

a2 put cloth bag over bell

1 2

3 3 3

Bs. Tbn. put cloth bag over bell

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1 (dim.)

dim. poco a poco

(dim.)

dim. poco a poco

2

Perc.

3 (dim.)

dim. poco a poco

(dim.)

dim. poco a poco

4

5 (dim.)

dim. poco a poco

Pno.

Hrp.

S. es

ir

ae, di

es

il

la,

es

ir

ae, di

es

il

la,

es

ir

ae, di

es

il

la,

Di

es

ir

ae,

di

es

il

la.

es

ir

ae, di

es

il

la,

Di

es

ir

ae,

di

es

il

la.

A.

T. 8

B.

Ten. 8

rall. poco a poco sul A I Vn.

div., flaut. II

Va.

Vc. 3

Cb. 3

pizz.

= 96

52 119

Andantino, ben misurato = ca. 96–100

1 2 Fl. 3 1., solo Ob.

1 2 3

dolce E.H.

1 2 Cl. in B 3 1., solo 1 2 Bn. 3

1. with a slight separation on each note 1 2 Hn. in F

3. with a slight separation on each note 3 4

Tpt. in C

1 2

3

cloth bag over bell Tbn.

1 2 Bs. Tbn., cloth bag over bell

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

Chime, soft hammer 1

2

Perc.

3

4

5 8va

8va

Pno.

Hrp.

S.

A.

T. 8

B.

Mezzo Ten. Bari. 8

Andantino, ben misurato = ca. 96–100

div.

unis.

div.

div.

unis.

unis.

div.

unis.

arco

div., arco

unis., arco

I Vn.

(div.), ord. II

div.

unis. (each note slightly separated)

Va.

div. Vc.

Cb. pizz.

53 2.

126

1.

1 2 Fl. 3

Ob.

1 2

E.H. 2.

1.

3

1 2 Cl. in B 3 (1.) 1 2 3

Bn.

dolce 3

1. 1 2 Hn. in F

(3.) 3 4 1 2

Tpt. in C 3 (cloth bag over bell) Tbn.

1 2 (Bs. Tbn., cloth bag over bell)

Tuba

Bs.Tbn. Tba. sotto voce

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

to Celesta

Celesta

Pno.

sotto voce!

sempre con Ped.

Hrp.

S.

A.

T. 8

B.

Ten. 8

I

3

see a

sad

pro

ces

3

sion

flaut., with a slight separation between each note I Vn. unis.

flaut.

II

div., flaut. Va. div. Vc.

div., arco Cb. pizz.

unis., pizz.

54 133

a2

1 2 Fl. 3 a2 Ob.

1 2

E.H. a2 1 2 Cl. in B

to Bass Clarinet 3

1. 1 2 Bn. 3 2. con sord. ossia: stopped

1. (open)

1 2 Hn. in F

3., con sord. ossia: stopped

rilievo della voce

3 4 a2, with mute

3

a2 mute out

1 2 Tpt. in C

with mute

mute out

3

Tbn.

1 2

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

rhythmic Ten. 8

And

I

hear

the

sound

of

com

ing full keyed bug les;

All

1 solo I poco

Vn.

div. II poco (div.)

unis.

Va. poco (div.) Vc. poco pizz. Cb.

55 139 1 2 Fl.

to Piccolo 3 1., solo

Ob.

1 2 dolce

E.H. 1., solo Cl. in B

1 2 dolce

Bs. Cl. colla voce 1. 1 2 3

Bn. 3

2. senza sord.

(1.) 1 2 Hn. in F

3

3. senza sord. 3 4

1 2 Tpt. in C 3 (a2, cloth bag over bells) Tbn.

1 2 (Bs. Tbn., cloth bag over bell)

Bs.Tbn. Tba.

1 2 Offstage 3 Tbn. 4 5 6

Timp.

Sus. Cym., hard yarn 1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B. cantabile 3

3

3

Ten. 8

the chan nels

of

the

cit

y

streets

they’re

flood ing,

As

tutti, div. (solo) I Vn. unis.

div.

div.

unis.

II

Va.

Vc.

Cb.

with

56 145 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

2.

1 2

Bs. Cl.

1 2

3

Bn. 3

1. 1 2 Hn. in F

a2

a2 3 4

Tpt. in C

1 2

3 (a2 cloth bag over bells) Tbn.

remove bags

1 2 (Bs. Tbn., cloth bag over bell)

Bs. Tbn. remove bag

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

Sus. Cym., hard yarn

T.-t.

1 poss. B.D. 2 poss. Perc.

3

4

5

to Piano

Piano

Cel.

8ba

Hrp.

S.

A.

T. 8

B.

3

Ten. 8

voic

es

and with

tears.

div.

div. a3

I white tone

Vn. (div.)

unis.

div.

II white tone (div.) Va. (div.) Vc.

arco Cb.

div.

unis.

div.

57 153 Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F

(a2) 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba. a3

Offstage Tbn.

1 2 3 a3 4 5 6

Timp.

(T.-t.)

Chimes

1

(B.D.) 2

Perc.

3

4

5

Pno.

loco 8ba

Hrp.

S.

A.

T. 8

B.

Ten. 8

unis.

I Vn. gliss. II unis. Va.

unis. Vc.

unis. Cb.

58

poco pi첫 mosso 160

moving forward (accel.) Piccolo

Picc. 3

3

3

3

a2 Fl.

1 2

Ob.

1 2

6

6

1.

E.H. a2 Cl. in B

6

6

1 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba. a3 1 2 3 Offstage Tbn.

3

3

3

3

3

3

a3 4 5 6

3

3

Timp.

(Chime) 1 Vib., soft mallets 6

6

l.v.

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

poco pi첫 mosso div.

I Vn.

div. II

div. Va.

Vc.

Cb.

moving forward (accel.)

166

Somewhat faster

59

= 108

Picc.

Fl.

1 2

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl. 2. 1 2 Bn.

marc. 3 cuivré

marc.

a2

1 2 Hn. in F

cuivré

a2

3 4 2., open

1., open

1 2 Tpt. in C

open 3

open Tbn.

1 2 open

Bs.Tbn. Tba.

1 2 3 Offstage Tbn. 4 5 6

Timp.

Crash Cym. 1 B.D. 2 Offstage T. Dr. Perc.

3 Offstage Field Dr. 4 Offstage B.D. 5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

Somewhat faster

= 108

I sub.

Vn. II

sub. Va. sub. div. 6

Vc.

pesante

6

marc. 6

Cb. pesante

6

marc.

60

L’istesso tempo = 108

170 Picc.

Fl.

1 2

Ob.

1 2

E.H.

2. Cl. in B

1 2 colla voce

Bs. Cl. (2.) 1 2 Bn. 3

(a2)

1.

(a2)

3.

1 2 Hn. in F 3 4

1 2 Tpt. in C

sub. 3 sub.

Tbn.

1 2 sub.

Bs.Tbn. Tba.

1 2 3 Offstage Tbn. 4 5 6

Timp. (Sus. Cym.)

with brushes

1 (B.D.) 2 (Offstage T. Dr.) Perc.

3 meno (Offstage Field Dr.) 4 meno (Offstage B.D.) 5 meno

Pno.

Hrp.

S.

A.

T. 8

B. with authority Ten. I

8

hear

L’istesso tempo = 108

(div.)

(div.), pizz. I Vn.

(div.)

pizz.

II

(div.)

unis., pizz.

Va.

(div.) Vc.

pizz. 6

div., (arco) Cb.

6

61 175 Picc.

Fl.

1 2

Ob.

1 2

E.H. (2.) Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1. 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

3

Ten. 8

the great

drums

pound

ing,

And

the

small

drums

stead

y

whir

3

ring; arco

I Vn.

arco II

arco Va.

arco Vc.

Cb.

62 181 Picc. a2 Fl.

1 2 cresc.

Ob.

1 2 cresc. poco a poco

E.H. cresc. poco a poco cresc. (2.) Cl. in B

1.

1 2 cresc. poco a poco

Bs. Cl. cresc. poco a poco 1 2 cresc. poco a poco

Bn. 3

cresc. poco a poco 1.

colla voce

1 2 Hn. in F

3. 3 4

Tpt. in C

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp. (Sus. Cym., brushes) 1 (B.D.) 2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

forceful

3

Ten. 8

(div.)

And ev

’ry

blow

of the great

con vul sive drums

Strikes

sim. I Vn.

(div.)

sim.

cresc. poco a poco

sim.

cresc. poco a poco

II

Va. cresc. poco a poco

(div.)

sim.

(div. a2)

Vc.

(div.) Cb.

cresc. poco a poco

63 187

to Flute

Picc. (a2) Fl.

2. to Alto Flute

1 2 3

Ob.

3

1 2

to Oboe E.H.

Cl. in B

3

1 2

3

Bs. Cl.

1 2 Bn. 3

(1.)

a2

2.

a2

(a2)

1 2 3

3

Hn. in F

(accompag.) (3.)

3 4

3

3

(accompag.)

soli

1 2 3

Tpt. in C

solo

3

3

Tbn.

1 2

Bs.Tbn. Tba.

1 2 Offstage 3 Tbn. 4 5 6

Timp.

1

2 (Offstage T. Dr.) Perc.

3 (Offstage Field Dr.) 4 (Offstage B.D.) 5

Pno.

Hrp.

S.

A.

T. 8

B.

3

3

Ten. 8

me

through

and

through.

I unis.

Vn. II

Va.

Vc.

unis. Cb.

3 3

64 192

L’istesso tempo

= 108

1 Fl. 3

Alto Flute Al. Fl.

1 2 Ob. 3

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1. 1 2 Hn. in F

3. 3 4

1 2 Tpt. in C 3 a2 mute on Tbn.

1 2

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

floating Ten. 8

The

L’istesso tempo

last

sun

beam

Light

ly

falls

from

= 108

(div.) I poss.

Vn.

div. II poss. unis.

Va. dolce

dolce unis.

Vc.

Cb.

the

fin

ished

Sab

65

solo

199 1 dolce

Fl. 3

Al. Fl. 1., solo 1 2 Ob.

dolce 3

Cl. in B

1 2

Bs. Cl. 1., solo 1 2 Bn.

cant.

dolce 3

1. 1 2 Hn. in F

3. 3 4

Tpt. in C

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

bath,

On

the

pave

ment

here,

and there

be

yond,

I Vn.

unis. II

Va.

div. Vc.

Cb.

div.

66 207 1

sotto voce

Fl.

Flute 3

sotto voce to Flute Al. Fl.

1. 1 2 Ob. 3

Cl. in B

1 2

sotto voce Bs. Cl. (1.) 1 2 Bn. 3

1.

a2

1 2 Hn. in F

(3.)

a2

3 4

Tpt. in C

1 2

3

Tbn.

1 2

Bs.Tbn. Tba. lontano 1 2 Offstage 3 Tbn. 4 5 6

Timp.

1

2

Perc.

3

4

5 8va

8va

Pno.

Hrp.

S.

A.

T. 8

B.

deep, full–bodied tones Ten. 8

it

is

look

ing,

Down

a

new

made

doub

le

grave.

(div.) I Vn.

(div.)

unis.

II

Va. cant. cant. (div.) Vc.

Cb.

213

Ancora poco pi첫 mosso

67

= 112 Flute 2

1 2 Fl. 3

1 2 Ob. 3

Cl. in B

1 2

Bs. Cl. marc. (1.) 1 2 marc.

Bn. 3

marc. (a2) 1 2 Hn. in F

(a2)

3 4

Tpt. in C

1 2

3 with mute Tbn.

1 2 Bs. Tbn. mute on

Bs. Tbn., with mute

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp. Sus. Cym., brushes 1 B.D. 2 (Offstage T. Dr.) Perc.

3 (Offstage Field Dr.) 4 (Offstage B.D.) 5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

Ancora poco pi첫 mosso

= 112

div.

I Vn. II

div. Va.

Vc.

pizz. Cb.

unis., arco

68 219 1 2 Fl.

3

1 2 Ob. 3

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1. 1 2 Hn. in F

3.

3 4

colla voce

1 2 Tpt. in C 3

(with mute) Tbn.

1 2 (Bs. Tbn., with mute)

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

(Sus. Cym., brushes) 1

(B.D.) 2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

3

Ten. 8

Now

near

er

blow

the bu

gles,

And the drums

(div.)

unis.

(div.)

unis.

I Vn. II (div.) Va.

(div.) Vc.

Cb.

div. a3

69 225

fltg.

1 2 Fl.

fltg. 3

1 2 Ob. 3

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

Hn. in F

(1.)

1 2

3

a2

sub.

cant.

3 4 with mute

mute on

a2 mute out

1 2 Tpt. in C

with mute

mute on

mute out

3 a2 a2 mute out Tbn.

1 2 Bs. Tbn. mute out

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2 (Offstage T. Dr.) Perc.

3

(Offstage Field Dr.) 4 (Offstage B.D.) 5

Pno.

Hrp.

S.

A.

T. 8

B.

sustained, full–bodied

3

Ten. 8

strike

more

con

vuls

ive;

And

the

day

light

I cant.

6

Vn.

div.

6

unis.

II cant. div.

6

div. a2

6

Va.

Vc.

Cb.

div. a3

o

70 1.

a2

1.

a2

1.

a2

230 1 2 Fl. 3

1 2 Ob. 3

Cl. in B

1 2

Bs. Cl. dim. 1 2 Bn.

dim. 3 (1.)

dim.

3

2.

1 2 Hn. in F

sub. 3 4 dim.

Tpt. in C

1 2

3 1., open Tbn.

1 2

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp. (Sus. Cym.) 1 (B.D.) 2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

3

Ten. 8

ver

I 3

Vn.

3

II (div.) Va.

(div. a3) Vc.

Cb.

the

pave

ment

quite

has

fad

ed,

And

the

strong

death

march

71

(a2)

235 1 2

7

Fl.

3

7

(a2) 1 2 7

Ob. 3 (a2) Cl. in B

1 2 7

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F

cresc. 3 4 cresc.

2., open

1 2 Tpt. in C

open 3 2., open

Tbn.

1 2 cresc. Bs. Tbn., open

Bs.Tbn. Tba. cresc.

Offstage Tbn.

a3

1 2 3

a3

4 5 6

Timp.

2 T.-t. (Hard yarn) 1

(B.D.) 2

(Offstage T. Dr.) Perc.

3

(Offstage Field Dr.) 4

(Offstage B.D.) 5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

en

wraps div. a2

me. (div.)

I cresc.

Vn.

tutta forza!

II cresc.

tutta forza! div.

unis. Va. cresc. div. a2

tutta forza! unis.

Vc. cresc.

tutta forza! div.

cresc.

tutta forza!

Cb.

72

Poco meno mosso

241

= 96–100

1 2 Fl. 3 1., solo 1 2 espr.

Ob. 3

1. Cl. in B

3

1 2

3

cant.

Bs. Cl. 1. 1 2 Bn. 3

1. 1 2 Hn. in F

3. 3 4 2. mute on 1 2

Tpt. in C

3. mute on 3

mutes on Tbn.

1 2 mutes on

Bs.Tbn. Tba. (a3) 1 2 Offstage 3 Tbn. 4 5 6

(a3)

Timp.

(T.-t.)

Players 3, 4, 5 return to stage

1

(B.D.) 2

(Offstage T. Dr.) Perc.

3

(Offstage Field Dr.) 4

(Offstage B.D.) 5 loco

8va

8va

*

Pno.

Hrp.

S.

A.

T. 8

B. floating 3

3

Ten. 8

The

(div.)

Poco meno mosso

moon

gives you

light,

and

= 96–100

the bu

gles and drums give you mu

sic,

vib.

I Vn.

white tone

(div.)

unis.

div., vib.

II white tone (div.)

unis.

div.

Va. (div.)

vib.

Vc.

(div.)

white tone unis.

vib.

Cb. * Piano: release keys immediately (use pedal).

white tone

73 249 1 2 Fl. 3 (1.) 1 2 Ob. 3 1. Cl. in B

1 2

Bs. Cl. 1. 1 2 Bn. 3

1. 1 2 Hn. in F

(3.)

(3.)

3 4 1.

1. mute on

1 2 Tpt. in C 3

Tbn.

with cloth bags

remove cloth bags

Bs. Tbn., with cloth bags

Bs. Tbn. remove cloth bag

1 2

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5 8va

8va

8va

Pno.

Hrp.

S.

A.

T. 8

B.

gradually becoming full–bodied Ten. 8

And

I quasi non vib.

Vn. II unis.

quasi non vib.

Va. dolce Vc.

div., arco Cb. pizz.

unis., arco

my

heart,

O

my

sol

diers…

74 255 1 2 Fl. 3

1 2 Ob. 3

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1. 1 2 Hn. in F

sotto voce 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5 8va

Pno.

Hrp.

S.

A.

T. 8

B. not too heavy, floating Ten. 8

My (div.)

I Vn.

(div.) II

Va.

(div.) Vc.

Cb.

heart

gives

you

love.

262

Subito pi첫 mosso

75

= 132

1. solo

1 2 Fl. 3 1. solo 1 2 Ob. 3

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

a2

2.

1 2 Hn. in F

a2

3 4

1. solo, with mute

Tpt. in C

2., with mute

1 2

3 open Tbn.

1 2 Bs. Tbn., open

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

Subito pi첫 mosso

= 132 (div.), al tallone

I Vn.

(div.), al tallone II div. a2, pizz.

non div.

div.

Va. pizz. (div.) Vc.

Cb.

arco

76

1.

269 1 2 4:3 Fl.

to Piccolo 3 4:3 1.

2. 1 2 4:3

Ob. 3 1. Cl. in B

a2

1 2 4:3

Bs. Cl. 4:3

molto

1 2 Bn.

4:3 3

1 2 Hn. in F

4:3 3 4

6

4:3 open

2.

a2

mute out

1 2 4:3

Tpt. in C

with mute

open

mute out

3 4:3

Tbn.

4:3

to mute on

4:3

to mute on

1 2 Bs. Tbn.

Bs.Tbn. Tba.

1 2 Offstage 3 Tbn. 4 5 6 4:3 Timp.

Low T.-t.

4:3

1 Brake Dr. 4:3 2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

div.

unis., ord. I

4:3

Vn.

unis., ord. II 4:3 div. a2

unis., arco Va.

4:3 unis.

div. a2

4:3

(div.), pizz.

4:3

pizz.

Vc.

Cb.

77 Piccolo

275 Picc.

a2 Fl.

1 2 a2

1 2 Ob. 3 2. Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1. 1 2 Hn. in F

3.

3 4

1., with mute

1., mute on Tpt. in C

1 2

3 with mute Tbn.

1 2 Bs. Tbn., with mute

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5 8va

with winds

Pno.

Hrp.

S.

A.

T. 8

Con

fu

ta

tis

mal

e

dic

tis,

Flam

mis

ac

ri

bus

ad

dic

tis,

Con

fu

ta

tis

mal

e

dic

tis,

Flam

mis

ac

ri

bus

ad

dic

tis,

B.

Ten. 8

unis., pizz. I Vn. pizz. II

unis., pizz. Va. non div. Vc.

Cb.

78 281 Picc. 4:3

Fl.

1 2 4:3 1 2 4:3

Ob. 3

Cl. in B

1.

2.

1 2

4:3 Bs. Cl. 4:3 1 2 marc.

Bn.

4:3 3 marc. 1.

1 2

4:3

Hn. in F

3.

3 4

4:3 open 2.

1. mute out 1 2 4:3

Tpt. in C 3

4:3

Tbn.

a2 mute out

open

a2 mute out

open

1 2 4:3

Bs.Tbn. Tba.

Bs. Tbn. 4:3

1 2 Offstage 3 Tbn. 4 5 6 Timp. 4:3 Muffled T.-t., hard yarn mallet 4:3

Ruten

1

Ratchet 2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

Vo

ca

me

cum ben

e

dic

tis.

Vo

ca

me

cum ben

e

dic

tis.

B.

Ten. 8

div. arco I 4:3 Vn.

arco

div.

II 4:3 (pizz.)

div., arco

Va. 4:3 div., (pizz.)

marc. div., arco

4:3

Vc.

(pizz.)

marc. arco

Cb. marc.

4:3

unis.

79 286 Picc.

Fl.

1 2 1 2

Ob. 3

Cl. in B

1 2

Bs. Cl. staccatiss. 1 2 Bn. 3

1. 1 2 Hn. in F

3. 3 4 (2.)

with mute

mute on

mute out

1 2 Tpt. in C 3

Tbn.

1 2 Bs.Tbn.

(Bs. Tbn.)

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

Vo

ca

me

cum

ben

e

dic

tis.

Vo

ca

me

cum

ben

e

dic

Vo

ca

me

cum

ben

e

dic

tis.

Vo

ca

me

cum

ben

e

dic

B.

Ten. 8

I Vn. II

div., pizz.

unis., arco

Va.

div., pizz.

arco

Vc.

pizz. Cb.

arco

80 292 Picc. 4:3

Fl.

1 2 4:3 1 2

Ob. 3

Cl. in B

2.

1 2 4:3

Bs. Cl. 4:3 1 2 Bn. 4:3 3

1. Hn. in F

1 2 4:3 3. 3 4 4:3 open 1 2 4:3

Tpt. in C

4:3 3

Tbn.

1 2 4:3 (Bs. Tbn.)

Bs.Tbn. Tba.

a2

4:3 1 2 Offstage 3 Tbn. 4 5 6

Timp. 4:3 Muffled T.-t. 4:3 1

Ratchet 2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

tis.

O

ro

sup

plex

et

ac

clin

is,

Cor

con

tri

tum

qua

si

tis.

O

ro

sup

plex

et

ac

clin

is,

Cor

con

tri

tum

qua

si

B.

Ten. 8

div.

I 4:3 div.

Vn. II

4:3 div. Va. 4:3 (div.)

4:3

Vc.

Cb. 4:3

unis.

div.

div.

div.

81 298 Picc. 4:3

Fl.

1 2 4:3

1 2 4:3

Ob. 3 (2.) Cl. in B

1 2 4:3

Bs. Cl.

1 2 4:3

Bn.

4:3 3

1 2 4:3

Hn. in F

4:3 3 4 1.

Tpt. in C

1 2 4:3 3 4:3

Tbn.

1 2 4:3 4:3

Bs.Tbn. Tba.

1 2 Offstage 3 Tbn. 4 5 6 4:3 Timp.

4:3

T.-t. 1

Ratchet 2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

cin

is

Ge

re

cu

ram

mei

fi

nis.

cin

is

Ge

re

cu

ram

mei

fi

nis.

B.

Ten. 8

div. unis. I 4:3 Vn. unis.

vigoroso

div.

II 4:3 unis.

4:3

vigoroso div.

unis.

Va. vigoroso 4:3 Vc.

4:3 Cb.

unis.

82 303 Picc. 4:3

Fl.

1 2 4:3 1. 1 2 4:3

Ob.

Oboe 3

Cl. in B

1 2 4:3

Bs. Cl. a2

4:3

1 2 Bn. 4:3 3

Hn. in F

1 2 3 4 (1.) 1 2 4:3

Tpt. in C

4:3 3

Tbn.

1 2 4:3 4:3

Bs.Tbn. Tba.

1 2 Offstage 3 Tbn. 4 5 6

Timp. 4:3 1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A. molto T. 8

Ge

re

cu

ram

mei

fi

nis.

molto B. Ge

re

cu

ram

mei

fi

nis.

Ten. 8

div.

I 4:3 div.

Vn. II

4:3 div. Va. 4:3 4:3 Vc.

Cb. 4:3

2.

83 309 Picc.

Fl.

1 2 4:3

4:3

4:3

4:3

1 2 Ob. 3

Cl. in B

1 2

Bs. Cl. 4:3

a2

(2.)

4:3

a2

2.

1 2 Bn.

4:3

4:3

3

gl.

1 2 Hn. in F

stacc.

gl.

3 4

stacc.

*

1 2

4:3

4:3

Tpt. in C

4:3

4:3 3

a2 Tbn.

1 2 4:3

4:3

a2

a2

Bs.Tbn. Tba.

4:3

4:3

4:3

4:3

1 Offstage 2 3 Tbn. 4 5 6 Timp.

1

2

Perc.

3

4

5

stacc.

Pno.

Hrp.

tutta forza

4:3

4:3

S. Di es tutta forza

ir

ae,

di

es

4:3

il

la

il

la

il

la

il

la

4:3

A. Di es tutta forza

ir

ae,

di

es

4:3

4:3

T. Di es tutta forza

8

ir

ae,

di

es

4:3

4:3

B. Di

es

ir

ae,

di

es

Ten. 8

I marc. Vn.

pizz.

4:3

4:3 arco pizz.

arco

II marc.

4:3

4:3 div., arco

pizz.

4:3

pizz.

arco

Va. marc. div.

4:3 4:3

4:3 div. unis.

4:3

Vc.

marc.

4:3

4:3

4:3

4:3

Cb. marc. * The brass should not be louder than the chorus.

div. unis.

84 315 Picc.

Fl.

1 2 4:3

4:3

4:3

4:3

1 2 Ob. 3

Cl. in B

1 2

Bs. Cl. a2

2.

1 2

4:3

4:3

4:3

4:3

2.

a2

Bn. 3

1 2 Hn. in F 3 4

gl.

gl.

gl.

gl.

1 2 4:3

Tpt. in C

4:3 4:3

4:3 3

Tbn.

1 2 4:3

4:3

a2

Bs.Tbn. Tba.

a2

4:3

4:3

4:3

4:3

1 2 Offstage 3 Tbn. 4 5 6 Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

4:3

4:3

S. Sol

vet

saec

lum

in

fa

4:3

vil

la

vil

la

vil

la

vil

la

div.

unis.

4:3

A. Sol

vet

saec

lum

in

fa

4:3

4:3

T. Sol

8

vet

saec

lum

in

fa 4:3

4:3 B. Sol

vet

saec

lum

in

fa

Ten. 8

(div.)

I 4:3

4:3

4:3

4:3

arco

Vn.

div., pizz. II

div., pizz.

unis., arco

div.

Va. 4:3 4:3

4:3 4:3

div. Vc.

4:3

4:3

4:3

4:3

Cb.

unis.

85 321 Picc.

Fl.

1 2 4:3

4:3

1 2 Ob. 3

a2 Cl. in B

1 2 4:3

4:3

Bs. Cl. 4:3

4:3

4:3

4:3

1.

1 2 Bn. 3

1 2 Hn. in F

4:3 3 4 4:3 1 2 4:3

Tpt. in C

4:3 4:3

4:3 3

Tbn.

1 2 4:3

4:3

4:3

4:3

a2

Bs.Tbn. Tba.

1 2 Offstage 3 Tbn. 4 5 6 2 Timpani Timp. 4:3

4:3 Sus. Cym., hard yarn mallets

1 Tam. 2 B.D. (on stage) Perc.

3

4

5

Pno.

Hrp.

4:3

4:3 S. Tes

te

Dav

id

cum

Si

byl

la.

byl

la.

byl

la.

byl

la.

4:3

4:3 A. Tes

te

Dav

id

cum

Si 4:3

4:3 T. 8

Tes

te

Dav

id

cum

Si 4:3

4:3 B. Tes

te

Dav

id

cum

Si

Ten. 8

unis. I 4:3

4:3

con forza

Vn.

unis. II 4:3

4:3

div. a3

con forza unis.

Va. 4:3 div.

4:3

4:3

con forza unis.

4:3

Vc. con forza div. 4:3 Cb. 4:3

4:3

con forza

86 326 Picc.

a2 Fl.

1 2 a2 1 2

Ob. 3 (a2) Cl. in B

1 2

Bs. Cl.

1 2 Bn.

(1.) 3

a2

Hn. in F

1 2

gl. a2

3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

1 2 Offstage 3 Tbn. 4 5 6 (2 Timpani)

1 Timpano

Timp. cresc. Sus. Cym. 1 Trg. 2 (B.D.) Perc.

3

4

5

Pno.

Hrp.

marcato S. Quan marcato

tus

tre

mor

est

fu

tu

rus

Quan marcato

tus

tre

mor

est

fu

tu

rus

Quan marcato

tus

tre

mor

est

fu

tu

rus

Quan

tus

tre

mor

est

fu

tu

rus

A.

T. 8

B.

Ten. 8

I Vn. II div. Va.

div. Vc.

(div.) Cb.

87 331 Picc.

a2 Fl.

1 2 a2 1 2

Ob. 3 (a2) Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

a2

soli

colle voci

soli

colle voci

1 2 gl.

Hn. in F

a2

3 4

Tpt. in C

a2

a2

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6 2 Timpani

1 Timpano

2 Timpani

1 Timpano

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S. Quan

do

ju

dex

est

ven

tu

rus,

Cunc

ta

Quan

do

ju

dex

est

ven

tu

rus,

Cunc

ta

Quan

do

ju

dex

est

ven

tu

rus,

Cunc

ta

Quan

do

ju

dex

est

ven

tu

rus,

Cunc

ta

A.

T. 8

B.

Ten. 8

div.

I Vn. II

unis. Va.

unis. Vc.

Cb.

div.

unis.

88 337 Picc.

Fl.

1 2

3

3

sub. 1 2 3

Ob.

sub.

3

3

3

3

sub. Cl. in B

1 2

Bs. Cl. 2. 1 2 cresc.

Bn. 3

cresc. a2

1 2 Hn. in F

a2

3 4

Tpt. in C

1 2 3

sub.

3

3

3

3

sub. Tbn.

1 2 3

sub.

3

a2

Bs.Tbn. Tba.

sub.

Offstage Tbn.

1 2 3 4 5 6

Timp.

(Sus. Cym.) 1

Crash Cym. 2 (B.D.) Perc.

3

4

5

Pno.

Hrp.

molto S. stric

te

dis

cus

su

rus! molto

A. stric

te

dis

cus

su

rus! molto

T. 8

stric

te

dis

cus

su

rus! molto

B. stric

te

dis

cus

su

rus!

Ten. 8

(div.) I Vn.

3

3

3

3

3

3

3

3

3

3

sub.

(div.)

unis.

II 3

3

3

3

3

3

3

unis.

Va. 3

Vc.

Cb.

3

3

div.

3

3

3

3

3

3

3

sub.

3

89 342 Picc.

Fl.

4:3

4:3

4:3

4:3

4:3

1 2

3

3

4:3

sub.

1 2 Ob.

3

sub.

3

3

3

3

sub. Cl. in B

1 2 4:3

4:3

4:3

4:3

4:3

Bs. Cl. 4:3 2. 1 2 Bn. 3

a2 1 2 4:3

Hn. in F

4:3

4:3 a2

3 4 4:3

4:3

4:3

1 2 Tpt. in C

3

sub.

3

3

3

3

sub. Tbn.

1 2 3

(a2)

Bs.Tbn. Tba.

3

sub.

3 3

sub. 1 2 Offstage 3 Tbn. 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

4:3

4:3

4:3

S. Di

es

ir

ae,

di

es

4:3

il

la

Sol

vet

4:3

saec

lum

saec

lum

saec

lum

saec

lum

4:3

A. Di

es

ir

ae,

di

es

4:3

il

la

Sol

vet

4:3

4:3

T. 8

Di

es

ir

ae,

di

es

4:3

il

la

Sol

vet

4:3

4:3

B. Di

es

ir

ae,

di

es

il

la

Sol

vet

Ten. 8

I Vn.

4:3

4:3

4:3

4:3

4:3

4:3

4:3

sub.

II 3

sub.

4:3

3

Va.

div. Vc.

Cb.

4:3 unis.

div.

90 347 Picc. 4:3 a2 Fl.

1 2

3

3

4:3

sub. a2

1 2 3

Ob.

sub.

3

to English Horn

3

3

3

a2

sub. Cl. in B

1 2 4:3

Bs. Cl. 4:3 2. 1 2 Bn. 3

a2

a2

1 2 Hn. in F

4:3

marc.

4:3

4:3

marc.

4:3

4:3

4:3

4:3

4:3

4:3

a2

3 4 4:3 1 2 Tpt. in C

3

sub.

3

3

3

3

sub. Tbn.

1 2 3

(a2)

sub.

3

3

Bs.Tbn. Tba.

sub.

Offstage Tbn.

marc. 3

marc.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

4:3 S. in

fa

vil

la

Tes

te

Dav

id

cum

Si 4:3

byl

Dav

id

cum

Si 4:3

byl

Dav

id

cum

Si 4:3

byl

Dav

id

cum

Si

byl

4:3

4:3 A. in

fa

vil

la

Tes

te

4:3

4:3

T. 8

in

fa

vil

la

Tes

te 4:3

4:3 B. in

fa

vil

la

Tes

te

Ten. 8

(div.) unis. I

3

4:3

Vn.

3

sub.

sub.

II 4:3

3

sub.

3

sub. div.

4:3

4:3

Va. 4:3 (div.)

marc. div.

4:3

Vc. marc. Cb.

4:3

91 352 Picc. 8va

loco

1. Fl.

1 2 (a2) 1 2

Ob. 3 (a2) Cl. in B

1 2

Bs. Cl. a2 1 2 Bn. 3 (a2)

a2

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2 dim. (a2)

Bs.Tbn. Tba.

Tuba

dim. 1 2 Offstage 3 Tbn. 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S. la.

A. la.

T. la.

8

B. la.

Ten. 8

I molto

Vn. II

molto Va.

div. a3 Vc. div. Cb.

unis.

92 357 Picc.

Fl.

1 2

1 2 Ob. 3

Cl. in B

1 2

Bs. Cl.

(a2) 1 2 Bn. 3

(a2) 1 2 Hn. in F

a2 3 4

1 2 Tpt. in C 3 2. Tbn.

1 2 (Tuba)

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

1

2

Perc.

3

4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

div., pizz. I Vn. div., pizz. II

pizz. Va.

(div. a3)

div. a2

div. a3

unis., pizz.

Vc.

pizz. Cb.

93 362

to Flute

Picc.

Fl.

1 2

1 2 Ob. 3

Cl. in B

1 2

Bs. Cl. 6

6

6

6

6

(a2) 1 2 Bn. 3

Hn. in F

1 2 3

3

3

3

3

3

3 4

1 2 Tpt. in C 3 a2 Tbn.

1 2

Bs.Tbn. Tba.

Offstage Tbn.

1 2 3 4 5 6

Timp.

Sus. Cym. 1 secco! Low Muffled T.-t., hard yarn mallets 2 B.D. Perc.

3 possibile 4

5

Pno.

Hrp.

S.

A.

T. 8

B.

Ten. 8

(div.), arco unis., pizz. I

Vn.

(div.), arco

unis., pizz.

II

div., arco unis., pizz. Va.

div., arco

unis., pizz.

arco

pizz.

Vc.

Cb.

attacca

III. Vigil II – Lacrimosa – Pie Jesu

94 Grazioso

= 108

1 2 dolce

Fl. 3

Ob.

1 2

E.H.

Cl. in B

1 2 dolce

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 2. tacet 1 2 Tpt. in C

tacet 3 tacet

Tbn.

1 2 tacet

Bs.Tbn. Tba.

tacet Timp.

1

2

Perc.

3

tacet 4

tacet 5

Cel.

Hrp.

S.

A.

T. 8

B.

Bari.

Grazioso

= 108 2 soli, arco

2 soli

I Vn.

2 soli, arco

2 soli

II

div., arco

unis.

Va.

arco Vc.

arco Cb.

div.

95 9

2. to Alto Flute

1 2 Fl. 3

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

Bari.

tutti, unis. I dolce Vn.

pi첫 cant.

tutti, unis.

div.

II dolce Va. dolce unis. Vc. dolce pizz. Cb.

pi첫 cant.

unis.

96 18 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 sotto voce

Bn. 3

sotto voce 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

Bari. Vig

I Vn.

unis. II

div. Va.

Vc.

arco Cb.

pizz.

il

strange

I

97 27 1 2 Fl. 3 1., solo dolce cant. Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

Bari. kept

I Vn. II

Va.

Vc.

Cb.

on

the

field

one

night;

When

you,

my

son

and

my

98 35 1 2 Fl. 3

Ob.

1 2 dolce cantando

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

Bari. com

I Vn. II

(div.) Va.

Vc.

(pizz.) Cb.

rade

dropt

at

my

side

that

day…

più espr.

99 44 1 2 Fl. 3

Ob.

1 2 dolce

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 sotto voce sempre

Bn. 3

sotto voce sempre 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

Bari. Long there

and

then

in

vig

il

I

stood,

dim

I Vn. II

unis. Va.

Vc.

Cb.

ly

a

round

me

the

bat

tle field

100 53 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1. 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

Bari. spread

I Vn. II

Va.

Vc.

(pizz.) Cb.

ing,

Vig

il

won

drous and

vig

il

101 62 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1., solo 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

Bari. sweet

I Vn. II

div. Va.

div. Vc.

arco Cb.

there

in

the

fra

grant

si

lent

night,

Pass

ing

sweet

hours,

im

mor

tal

and

102 70 1 2 Fl. 3 1., solo Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl. 1. 1 2 Bn. 3

(1.) 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

Bari. mys

tic

hours

with

you

dear

est

com

rade–

not

a

tear

not

flautando I Vn.

flautando II

(div.)

(div. a2)

Va.

(div.)

unis.

Vc.

pizz. Cb.

a

word,

103 79 1 2 Fl. 3 (1, solo) Ob.

1 2 dolce, cant.

E.H. 1., solo Cl. in B

1 2 dolce, espr.

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

non arp.

Hrp.

S.

A.

T. 8

B.

Bari.

* ord. I Vn.

* ord.

div.

unis.

II

*unis. Va.

Vc.

Cb.

*Strings play with a transparent sound with fast, light bowing.

div.

unis.

104 1.

87 1 2 semplice

Fl.

dolce

poco

dolce

poco

dolce

poco

3 1. Ob.

1 2

E.H.

Cl. in B

1.

1 2

Bs. Cl.

1., solo 1 2 semplice

Bn. 3

1 2 Hn. in F

3.

3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

piĂš espr. Bari. Vig

il

of

si

lence,

love

and

death

vig

il

for

you

my

son

and

I Vn. div. II

div. Va.

Vc.

(pizz.) Cb.

unis.

div.

my

sol

dier‌

Poco più lento

95

105

= ca. 96

1 Fl. 3

Alto Flute Al. Fl.

Ob.

1 2

E.H. 1. Cl. in B

2.

1 2 cant.

Bs. Cl.

1. 1 2 cant.

Bn. 3

a2

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

solo Hrp.

floating S. Lac

ri

mo

sa

ri

mo

sa

floating A. Lac

T. 8

B.

Bari. vig

il

for

you

my

son

and

my

sol

dier…

Poco più lento

port.

= ca. 96 sul D

I cant.

Vn.

div.

port.

unis. II

unis.

div.

div. a3

6

unis. 6

Va.

6 6

(no accents) div. Vc.

arco Cb.

unis.

6

6

106 102 1 Fl. 3

Al. Fl.

Ob.

1 2

E.H. (2.) Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1. 1 2 Hn. in F

dolce 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S. di

es

il

la,

Qua

re

sur

get

di

es

il

la,

Qua

re

sur

get

A.

T. 8

B.

Bari.

div.

div.

unis.

I Vn.

(div.) II

6

Va.

6

6

6 6

6

6

6

div. Vc.

Cb.

6

(no accents) 6

6

6

6 6

107 106 1 dolce cantando

Fl. 3

Al. Fl. dolce cantando Ob.

1 2

E.H.

Cl. in B

1.

1 2

Bs. Cl.

a2 1 2 cant.

Bn. 3

(1.) 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

pi첫 cantabile S. ex

fa

vil

la

Ju

di

can

dus

di

can

dus

pi첫 cantabile A. ex

fa

vil

Ju

la

T. 8

B.

Bari.

I Vn. II

6

Va.

6

6

6

6

6 6

Vc.

Cb.

6

6 6

6 6

108 110 1 Fl. 3

Al. Fl.

Ob.

1 2

E.H. (1.) Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1., solo 1 2 Hn. in F

dolce 3 4

Tpt. in C

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S. ho

mo

re

us.

Hu

ic

er

ho

mo

re

us.

Hu

ic

er

go

A. go

T. 8

B.

Bari.

(div.) I Vn.

(div.) II

6

Va.

6

6

6 6 6

6

6

6 6

div. Vc.

div. Cb.

6 6

6

109 114

Ossia

1 Fl. 3 Ossia Al. Fl. 1. Ob.

1 2

E.H.

Cl. in B

(1.)

1 2

2.

Bs. Cl.

1 2 Bn. 3

(1.)

1 2

sotto voce

Hn. in F

3. 3 4 sotto voce 1., solo 1 2 3

Tpt. in C

3

3

3

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

S. par

ce,

De

ce,

De

us:

Lac

ri

mo

sa

di

es

il

Lac

ri

mo

sa

di

es

il

Lac

ri

mo

sa

di

es

il

Lac

ri

mo

sa

di

es

il

la

A. par

us:

la

T. 8

la

B. la

Bari.

I Vn. II

6

Va.

div.

6

6

6

unis.

div.

6

6

unis.

6

Vc. 6

unis.

div. arco

Cb. pizz.

unis.

div.

110 120 1 Fl. 3

Al. Fl. 1. Ob.

1 2

E.H.

Cl. in B

(2.)

1 2

Bs. Cl.

1 2 Bn. 3 (1.) 1 2 Hn. in F

(3.) 3 4 (1.)

3

1 2 Tpt. in C

3

3

3

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

sub.

pi첫 sonore

S. Qua

re

sur

get

ex

fa

vil

la

Ju

di

can

dus

sub.

ho

mo

pi첫 sonore

A. Qua

re

sur

get

ex

fa

vil

la

Ju

di

can

dus

ho

mo

pi첫 sonore

sub. T. 8

Qua

re

sur

get

ex

fa

vil

la

Ju

di

can

dus

sub.

ho

mo

pi첫 sonore

B. Qua

re

sur

get

ex

fa

vil

la

Ju

di

can

Bari.

unis.

div.

unis.

I Vn. (div.) II

unis.

div.

Va.

Vc.

(arco) unis., arco Cb. (pizz.)

div.

dus

ho

mo

111 127 1 Fl. 3

Al. Fl.

Ob.

1 2

E.H.

Cl. in B

a2

1 2

Bs. Cl.

1 2 Bn. 3

(1.) 1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2

Perc.

3

4

5

Cel.

Hrp.

sub.

cresc.

S. re

us.

Hu sub.

ic

Hu

ic

er

go

par

ce

De

us:

go

par

ce

De

us:

go

par

ce

De

us:

go

par

ce

De

us:

cresc.

A. re

us.

er cresc.

sub. T. 8

re

us.

Hu

er

ic

sub.

cresc.

B. re

us.

Hu

ic

er

Bari.

div.

unis. I cresc.

Vn. unis. II

cresc. unis. Va. cresc. Vc.

div., pizz. pizz. Cb. cresc.

arco

112 133

L’istesso tempo

= ca. 96

1 Fl. 3 to Flute Al. Fl.

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

Tpt. in C

1 2

3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Crotale, brass beater 1

Chime, soft felt hammer 2

Perc.

3

4

5

Cel.

Hrp.

S.

A.

T. 8

B.

dolce cantando Mezzo Sop. Pi

e dolce cantando

Je

su

Do

mi

ne,

Do

na

e

is

re

qui

em,

Pi

e

Je

su

Pi

e dolce cantando

Je

su

Do

mi

ne,

Do

na

e

is

re

qui

em,

Pi

e

Je

su

Je

su

Do

mi

ne,

Do

na

e

is

re

qui

em,

Pi

e

Je

su

Ten. 8

Bari. Pi

e

L’istesso tempo

= ca. 96

unis.

I Vn. II div. a3 Va.

Vc. unis., arco Cb.

113 143 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

(Crot.) 1

(Chime) 2

Vib., motor on Perc.

3

Ped. on 4

5

Celesta

6

Cel.

6

6

6

6

6

Hrp.

S.

A.

T. 8

B.

Mezzo Sop. Do

mi

ne,

Do

na

e

is

re

qui

em.

Do

mi

ne,

Do

na

e

is

re

qui

em.

Do

mi

Do

na

e

is

re

qui

em.

Ten. 8

Bari. ne,

I Vn.

sul tasto 6

II

Va.

Vc.

Cb.

6

6

6

6

6

114 150 1 2 Fl. 3

Ob.

1 2

E.H.

Cl. in B

1 2 sotto voce

Bs. Cl.

1 2 sotto voce

Bn. 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

(Crot.) 1

(Chime) 2

(Vib.) Perc.

3

(Ped.) 4

5

to Piano

6

Cel.

6

6

6

6

6

Hrp.

sotto voce S. Do

na

e

is

re

qui

em. poco

Solo Mezzo-soprano:

sotto voce A. Do

na

e

is

re

qui

em.

sotto voce

Do Solo Tenor:

na

e

is poco

T. 8

Do

na