Augusta Read Thomas
ASTRAL CANTICLE for solo flute, solo violin and orchestra Full score
from the G. Schirmer Rental Library Date of Printing_________
G. Schirmer, Inc. New York, NY
Augusta Read Thomas
ASTRAL CANTICLE for solo flute, solo violin and orchestra commissioned by the Chicago Symphony Orchestra Daniel Barenboim, Music Director
G. Schirmer, Inc. New York, NY
Instrumentation Piccolo 2 Flutes 3 Oboes 3 Clarinets in B= 2 Bassoons (2nd doubles Contrabassoon) 4 Horns in F 3 Trumpets in C 2 Trombones Bass Trombone Tuba Percussion (3 players) I. Glockenspiel, Vibraphone (motor off, 2 bows needed), Very Large Triangle, Medium Suspended Cymbal, Very Large Tamtam, 2 Bongos, 2 Low Conga Drums II. Xylophone, Crotales (2 octaves, 2 bows needed), Tubular Chimes, Large Triangle, Large Suspended Cymbal, Medium Tamtam, Very Large Bass Drum III. Glockenspiel, Vibraphone (motor off, 2 bows needed), 5-octave Marimba, Small Triangle, Sizzle Cymbal, Chinese Cymbal, Large Tamtam
Harp Solo Flute Solo Violin Strings (approx. 14,12,10,10,8)
duration ca. 20 minutes Transposed Score Grace notes come before the beat
with admiration and gratitude to Daniel Barenboim and the Chicago Symphony Orchestra
ASTRAL CANTICLE Smooth; like plainchant
= 60
Augusta Read Thomas (2005)
Piccolo
1 Flute 2
1
Oboe
2
3 sim. 1
a hidden echo Clarinet in B
2
3
1 Bassoon (Contrabsn.)
2
1
2 Horn in F 3
4
1
Trumpet in C 2
3
1 Trombone 2
Bass Trombone
Tuba
1
Percussion
2
3
Harp
D C B/E FG A
For measures 1-23 use no vibrato (or only slight vibrato to add character) Solo Flute For measures 1-23 use no vibrato (or only slight vibrato to add character)
chant-like; rubato sempre
espr.
Solo Violin chant-like; rubato sempre
Smooth; like plainchant
= 60
I Violin II
Viola sul A solo 6 Violoncello a hidden echo Contrabass
Corrected 9/2006
Copyright Š 2005 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 9 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2 con sord. 1 a hidden echo 2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3
Hrp.
3
Solo Fl. 3
3
espr. 3
Solo Vn.
Vn. I
Vn. II sul A solo 6ÂŞ Va. sul A a hidden echo
solo 3
Vc. a hidden echo Cb.
3 rit.
16 Picc.
1 Fl. 2
1
Ob.
2
3 sim. 1
Cl. in B
2 a hidden echo 3
1 Bn.
a hidden echo 2 via sord. 1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3
Hrp.
rubato Solo Fl. 5
3
sub. Solo Vn. 3
sub espr.
3
sul A solo 6 con sord.
Vn. I a hidden echo sul G solo 6 Vn. II sul D solo 4ÂŞ Va. a hidden echo Vc.
Cb.
a hidden echo
via sord.
rit.
4 24
Majestic fanfares
= 92–96
Picc.
1 Fl. 2
1 echo trumpet Ob.
2
3
1 echo Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4 solo 1 5
5
st. metal mute solo Tpt. in C
3
5
5
5
3
3
2 3
3
5
5
sub.
3 echo 1 Tbn. 2
Bs.Tbn.
Tba.
Vibraphone - bowed
mallet
1 Ped. Perc.
2 Marimba 3 blend with pizz.
Hrp.
E
E
Solo Fl.
Solo Vn.
Majestic fanfares
= 92–96
tutti, pizz. (senza sord.)
arco 0
Vn. I
tutti, pizz.
trem. punta d’arco
arco
0
Vn. II 3
tutte, pizz.
trem. punta d’arco
arco
Va. 3
tutti, pizz. Vc.
Cb.
in background
5 30
fltg.
Picc. flutter
norm.
flutter
norm.
fltg.
1 3
Fl. 2
3
3
3
3
1 3
Ob.
2
3 fltg. 1
Cl. in B
2 3
3 3
1 Bn. 2 senza sord.
fltg.
1
2 Hn. in F
fltg. 3
4 fltg. solo 1 3
Tpt. in C
5
5 3
3
fltg.
2 sub.
fltg.
solo
3 sub. Tbn.
3
1 2
Bs.Tbn. Tba.
1 (Ped.) Perc.
Sus. Cymbal
l.v.
2
blend with fluttering brass 3
gliss. Hrp.
(D C B/E FG A )
D G
C E F G
Solo Fl.
Solo Vn.
0
a 3
sempre
div.
Vn. I
0
b 3
sempre 0
a in background sempre
div.
Vn. II
0
b in background sempre a Va.
3
div. b (pizz.)
Vc.
pizz. Cb.
6 35 Picc.
1 Fl. 2 poss. 1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4 solo 1 3
Tpt. in C
5
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3
Hrp.
Solo Fl.
(vib. norm.)
sul E full downbow
sul E & A
legato
Solo Vn. 5
dazzling, fanfare-like
3
3
5
3
5
sub.
*
solo 1
a 6
Vn. I
6
5
(div.)
sub.
b 6
6
6
6
5
unis. Vn. II
Va.
Vc.
Cb.
*Tremoli should be faster than the sextuplets.
3
7 40 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3
Hrp.
Solo Fl. 3
5
5
5
legato
7
legato
Solo Vn. 5
Vn. I
Vn. II
Va.
Vc.
Cb.
5
3
5
sempre
5
3
3
5
3
8 44 Picc. 3
1 Fl. 2
1
Ob.
2
3
1 3
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
(Vibraphone)
l.v.
1 3
3
Ped. Perc.
2 Small Triangle
l.v. molto
3
Hrp.
C G
Solo Fl.
5
poss.
5
sub.
3
poss.
sempre
Solo Vn. 3
sub.
sempre
7
tutti, unis. pizz.
0
0
l.v. molto
0
l.v. molto
Vn. I 3
sul A pizz. Vn. II 3
Va.
Vc.
Cb.
5:3
sub.
9 49 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3
Hrp.
D E F
rubato
Solo Fl.
3
sub.
3 3
sub.
7
3
3
5 5
sempre
sul A Solo Vn.
3
5 5
sub. 3 soli, div. a3 arco
tutti, div. a2
pizz.
3 soli, div. a3 arco
tutti, unis.
pizz.
unis.
pizz.
Vn. I
Vn. II
Va. (pizz.) Vc.
Cb.
10 55 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3
Hrp.
Solo Fl.
*moderate speed tremolo 0
0
*faster tremolo
*fastest possible tremolo
0
0
Solo Vn. 5
3
sempre
Vn. I
Vn. II
Va.
Vc.
Cb.
*Tremoli should grow faster throughout the phrase
3
3
3
5
3
3
11 59
fltg.
ord.
Picc.
1 Fl. 2
1 echo trumpet Ob.
2
3
1 echo Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4 solo 1 5
5
(st. metal mute) Tpt. in C
3
5
3
solo
2 3
3
3
1 Tbn. 2
Bs.Tbn.
Tba.
(Vibraphone)
bowed
1 Ped. Perc.
2 Marimba 3 blend with pizz.
Hrp.
(D C B/E FG A )
E
fltg.
ord.
Solo Fl.
0
Solo Vn. 3
3
5
unis.
(pizz.) 0
Vn. I (pizz.) 0
Vn. II
div.
(pizz.)
unis.
Va.
div. Vc.
Cb.
(pizz.)
unis.
12 64 Picc.
flutter
norm.
flutter
norm.
1 3
Fl. 2
3
1 3
Ob.
2 3
3
1
Cl. in B
2
3 3
Bn.
1 2
1
2 Hn. in F 3
4 solo 1 5
Tpt. in C
5
3
3
5
5
3
3
2 5
5
solo
st. mute 3
3
echo Tbn.
1 2
Bs.Tbn. Tba. mallet
(Vib.) 1 (Ped.) Perc.
2 (Marimba) 3
gliss. Hrp.
E
(D C B/E FG A )
Solo Fl.
Solo Vn. arco a div. arco
Vn. I b
trem. punta d’arco
arco a 3
div.
Vn. II
in background trem. punta d’arco
arco b 3
trem. punta d’arco
arco a 3
div.
Va.
in background trem. punta d’arco
arco b 3
in background (pizz.)
Vc.
Cb.
in background
D G
13 69
fltg.
fltg.
norm.
Picc.
fltg.
fltg.
norm.
1 5
3
3
Fl. 2 3
3
poss. 1 3
Ob.
2 3
3 3
fltg. 1
Cl. in B
2 3
3 1. Bn.
1 2 fltg. 1
2 Hn. in F
fltg. 3
4 fltg.
solo
1 3
fltg. Tpt. in C
5
via sord.
3
3
senza sord.
3
3
solo
2 3
fltg.
via sord.
senza sord.
5
solo
3 3
Tbn.
1 2
Bs.Tbn. Tba.
1 (Ped.) (Sus. Cym.) Perc.
l.v.
2
blend with fluttering brass 3
Hrp.
D C B E G A
Solo Fl.
Solo Vn.
*
0
a 6
3
6
5
5
6
6
6
6
sempre
Vn. I
*
0
b 6
3
6
5
5
3
3
sempre
*
0
a 6
6
5
5
6
6
6
6
sempre
Vn. II
*
0
b 6
6
5
5
3
3
sempre a 3
Va.
sempre 3
3
3
3
sempre 3
3
3
3
b (pizz.) Vc.
(pizz.) Cb.
*Tremoli should be faster than the sextuplets.
14 fltg.
74 Picc.
fltg.
norm.
1 Fl.
3
3
2
1 3
3
Ob.
2
3
1 5
Cl. in B
2
3
Bn.
1 2
1
2 Hn. in F 3
4 solo 1 3
5
like a trill (solo) Tpt. in C
2 5
3
solo 3
Tbn.
1 2
Bs.Tbn. Tba. (Vibraphone)
l.v.
1 5
Tubular Chimes Perc.
Ped.
l.v.
2 3
Ped.
Vibraphone
l.v.
3 3
Ped.
Hrp.
ly
gliss. slow
(D CB /EFGA )
D B
Solo Fl.
Solo Vn.
a 5
Vn. I
5
5
b 3
3
a 5
Vn. II
5
5
b 3
3
a 3
Va.
3
b 5
3
arco Vc.
Cb.
3
15 78 Picc. fltg.
sempre
1 Fl. 2 3
sempre sub.
3
solo
1 sempre Ob.
2 3
3 3
1 3
Cl. in B
2 3
3 1. Bn.
1 2
1
Hn. in F
2
3
4
1
3
sempre solo Tpt. in C
2 3
sempre
3
Tbn.
1 2
Bs.Tbn. Tba.
1 Ped. Perc.
2 Ped. 3
Hrp.
D
fltg.
ord. solo
Solo Fl.
3
6
Solo Vn.
pizz. a 3
Vn. I
sub. pizz.
3
b 3
pizz. a 3
Vn. II
pizz. b
pizz. a Va.
pizz. b 3
pizz. Vc. 3
div. (pizz.) Cb.
16 = 69 accel.
rit.
83 Picc. 3
1 Fl. 2
1
3
echo Ob.
2
3
3 3
solo 3
1 3
Cl. in B
2 3 3
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2 espr. 3
1 Tbn. 2
Bs.Tbn.
Tba.
1 Crotales solo Perc.
l.v. molto
2 Marimba 3
Hrp.
D B F G A
B
D G
rubato solo 3
3
Solo Fl.
3
3
3
6
3
3
3
sub.
3
Solo Vn. 3
3
sub.
(div.)
rit.
3
sub. solo 1ยบ arco
= 69 accel.
Vn. I
(div.)
unis.
(div.)
unis.
Vn. II
Va.
Vc.
Cb.
tutti, unis.
pizz. (non div.)
7
17 88
= 92–96
Picc.
1 Fl. 2
1 echo Ob.
2
3 solo 1 brassy Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4 solo 1 3
Tpt. in C
3
5
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3 blend with pizz.
8va
gliss.
l.v.
Hrp.
l.v.
gliss.
G
E F
(D CB/E FG A)
(D CB/EF GA) fltg. Solo Fl.
3
dramatic
sub.
5
6
3
sempre
Solo Vn.
= 92–96 arco Vn. I
3 3
3
sub. arco Vn. II
3
sub.
sul D
6
6
6
6
6
6
6
6
arco
Va.
arco Vc. 3
Cb.
3
18 92 Picc.
1 Fl. 2
1
Ob.
2
3
1 echo Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4 rubato 1 solo
5
Tpt. in C
2 3
poss.
cantabile
3
espr.
3
1 Tbn.
solo
3
3
2 solo Bs.Tbn. solo Tba.
1
Perc.
2
3
Hrp.
E F
espr.
solo
Solo Fl.
6
poss.
gradually slow tremolo
Solo Vn. espr.
pizz.
arco
Vn. I 3
arco
pizz.
espr.
Vn. II 6
3
3
Va. 6
div. Vc.
(div., pizz.) Cb.
espr.
19 99 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn.
3
2
3
re-attack C on beat four, if necessary for breath
Bs.Tbn. 3
Tba.
1
Perc.
2
3
Hrp.
Solo Fl.
Solo Vn.
Vn. I sul A Vn. II
Va.
(div.) Vc.
Cb.
20 106 Picc. 3
1
3
3
Fl. 2
3
1
Ob.
3
2
3
3 3
1
Cl. in B
3
2
3
3 3
1
3
Bn. 2
1 3
3
sub.
2 Hn. in F
3
3
3
3
sub.
3 sub.
4 3
3
sub.
solo
solo 1
Tpt. in C
3
3
5
3
3
solo
sub.
5
2 3
3
3
solo
sub.
3 3
3
sub.
1 Tbn. 2
Bs.Tbn.
Tba.
(Vibraphone) 1
Tubular Chimes Perc.
Ped.
Bass Drum
solo
2 (Marimba) Ped. 3
Hrp.
E
E
Solo Fl.
Solo Vn. full, fast upbow div.
0
Vn. I 3
3
3 3
div.
full, fast upbow
Vn. II
full, fast upbow Va. unis., pizz.
l.v. molto
unis. (pizz.)
l.v. molto
arco
Vc.
Cb.
arco
21 111 Picc.
3
1
3
Fl.
echo pizz. 2
3
1
Ob.
3
2 3
3 3
1
3
echo pizz. Cl. in B
2
3
3 3
1 5
Bn.
5
2
1 3 5
2 3
Hn. in F 3
3 5
4 3
1
Tpt. in C
3
2 3 5 5
3 3
1 5
Tbn. 2
5 5
Bs.Tbn.
5
Tba.
1 Ped. Chimes Perc.
Ped.
2 Ped.
Ped.
3 l.v. molto Hrp.
E
solo Solo Fl. 3
sempre
3
solo Solo Vn. 5
3
3
sempre unis., pizz. Vn. I
0
3
unis., pizz.
0
Vn. II 3
solo 1ÂŞ
Va. 3
Vc. 3
Cb. 3
tutti, pizz.
22 117 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1 (Chimes) Perc.
2 Ped. 3
Hrp.
interior Solo Fl. 3
3
espr. sostenuto
Solo Vn. 3
sempre
Vn. I
div. Vn. II
Va.
Vc.
Cb.
3
3
23 122 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1 Large Triangle l.v. molto Perc.
2 Small Triangle l.v. molto 3
Hrp.
Solo Fl. 3
3
sempre
5
4:3
sostenuto
rubato
Solo Vn. 3
Vn. I
Vn. II
Va.
Vc.
Cb.
3
3
sempre
4:3
7
5
5
24 = 138*
126 Picc.
1 Fl. 2
1
Ob.
2
3 solo 1 sempre Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba. Glock.
l.v.
1 sub. Sus. Cym. Perc.
3
Chimes
l.v.
2 3
Ped.
Ped.
Vib. 3 Ped.
3
sub. Ped.
Hrp.
Solo Fl. 3
3
3
with urgency sub.
sul E Solo Vn.
3 3
with urgency
= 138*
(div.) arco
unis., pizz.
Vn. I (div.) arco
unis., pizz.
Vn. II arco
pizz. 0
Va.
pizz. Vc. pizz. Cb.
*Note: Measures 130-140 foreshadow measure 259, and must have a sense of punch and passion.
div.
3
25 132 Picc.
1 Fl. 2
1
Ob.
2
3
1 3
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2 Ped.
Ped.
Ped.
3 3
Ped.
Hrp.
G A
Solo Fl. 3
3
3
Solo Vn. 3
3
0
Vn. I
0
Vn. II
Va.
Vc.
Cb.
3 5
26 = 92-96
rit.
138 Picc.
5
1
5
Fl. 2
5
1 3
Ob.
5
2
3
1 5
3
Cl. in B
2
3
1 Bn.
3
2 5
1 3
2 Hn. in F
poss.
3
5
3
4 solo 1
Tpt. in C
5 3
solo st. mute
via sord.
senza sord.
3 3
2 5
3
st. mute
fltg.
3 5 3
solo 1
5
solo
Tbn.
3
2
5 3
3
poss.
5
Bs.Tbn.
5
Tba. 3
1 (Chimes) Perc.
Xylophone
2
5
(Ped.) 3 glis
s.
Hrp.
l.v.
(D CB/E F GA )
Solo Fl.
D C B E A
3 3
3
Solo Vn. 3
= 92-96
rit.
arco
Vn. I 3
arco Vn. II 3
arco Va.
3
unis., arco Vc. 3
3
div., arco Cb.
27 144 Picc.
1 Fl. 2
1 3 3
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
Hn. in F
2
3
4
1 3 3 3
Tpt. in C
2
via sord.
senza sord.
3
3
solo 1 5
3
5
3
Tbn. 2 3
solo Bs.Tbn.
Tba.
Vibraphone
secco
1 3
Perc.
3
2 Marimba
3
3
Hrp.
Solo Fl.
Solo Vn.
Vn. I 3
3 3
Vn. II
Va. 3
Vc. 3
Cb.
3
3
28 148 Picc.
3
3 3
3
1 3
Fl.
3
sub. 2
3
3
1 3
Ob.
3
3
3
3
3
2
3
1 3
Cl. in B
2
3
1 Bn. 2
1 3
3
2 Hn. in F
3
3 3
3
4
solo 1
Tpt. in C
2
3
3
3
3
3
3
3
3
3
3 3
3
3
1
3
3
3
Tbn. 2
3
3
Bs.Tbn. sub.
solo
Tba.
(Vib.)
secco
1 3
Perc.
3 3
(Xyl.)
3
2 (Mar.) 3 3
Hrp.
3
espr.
C
l.v. molto
Solo Fl. 5
broad and lyric
Solo Vn. broad and lyric
Vn. I 3
Vn. II 3
Va.
3
Vc. unis. no octave substitution Cb.
(non trem.)
D F
29 154 Picc.
5 3
1
5 3
fltg.
Fl. 2
5
1 3
Ob.
2
3
1
5 3
Cl. in B
2 5
3 5
1 5
Bn. 2
5
solo 1 5
Hn. in F
2 solo 3 5
4 solo
solo 1 3
5
3
solo Tpt. in C
2 5
3
solo
3
3
5
3
solo 1 3
5
Tbn.
solo 2
3
solo Bs.Tbn. solo Tba.
3
secco
l.v.
1 Ped. 3
Perc.
2
3 3
solo Hrp.
A
Solo Fl.
Solo Vn.
div. Vn. I 3
2 soli, div.
tutti, unis.
Vn. II 3
Va. 3
pizz.
arco
Vc. 3
Cb.
unis.
30 160
Bell-like
rit.
fltg.
= 60-66
Picc. fltg. 1 Fl. 2
1 bell-like Ob.
2 bell-like 3
bell-like 1
Cl. in B
2
3 1. Bn.
1 2 bell-like 1 poss. 2
Hn. in F
3
3
3
3
3
4 st.mute 1 3
Tpt. in C
3
poss.
st.mute
2 3 3
3
3
st.mute
3 sub. 2. Tbn.
1 2
3 3 3
3
3 3
Bs.Tbn. Tba.
(Vib.)
secco
Glock.
Vib.
1 3
(Xyl.) Perc.
3
Ped.
3
3
3
3
Crotales
solo l.v. molto
Ped.
Ped. Chimes
Large Sus. Cym.
Cym. l.v. molto
2 bold (Mar.)
Small Triangle
Ped.
3
Hrp.
D G
Solo Fl. bell-like
sub. sim.
bell-like
sub. sim.
Solo Vn.
rit.
Bell-like
= 60-66
sul A & E
sul A
a 3
Vn. I
div.
8va
3
sul G
b 3 8va
3
pizz. sul A
sul A & E a div.
Vn. II
3 8va
3
pizz. sul A
sul G b 3
3
div., pizz.
unis. sul A
(pizz.)
Va. 3
3
pizz. Vc.
3
div., (pizz.)
3
div. Cb.
* *Note to conductor: Starting at â‘ there are bell strokes.
1
2
3
4
etc.
31 166 Picc. sub. fltg.
norm.
1 Fl. 2
1
Ob.
2
3
1 bell-like Cl. in B
2 bell-like 3 bell-like
solo
1 Bn.
espr. 2
echo pizz. 1 poss.
bell-like Hn. in F
2
3 bell-like
poss.
4
1 sub. Tpt. in C
poss.
2 sub. 3 sub. 1
Tbn. 2
Bs.Tbn. Tba.
Very Large Tamtam
Vib.
Very Large Triangle
Vib.
1 (Ped.) Crot. Perc.
Chimes
l.v.molto
Ped.
Large Sus. Cym.
Medium Tamtam
Ped.
Xyl.
2 intense
Ped. Marimba
Chinese Cym.
3
Hrp.
D G
B E G
chant-like, rubato Solo Fl. imperceptible entry
sub. sim.
Solo Vn. sub. sim.
unis., arco con sord.
pizz. (div.)
imperceptible entry
Vn. I espr. unis.
arco con sord.
0
Vn. II espr.
div., arco con sord.
unis.
Va. arco (div.) con sord.
espr.
sotto voce
Vc. espr. Cb.
unis., pizz.
32 173 Picc.
1 Fl. 2
1
Ob.
2
3
1 sotto voce Cl. in B
2
3
1 Bn.
3
espr. 2
1 espr. 2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
(Vib.) 1 (Ped.) Large Triangle Perc.
Ped.
Large Sus. Cym.
Xylo.
Ped.
2 Sizzle Cymbal
Large Tamtam
Small Triangle
3 Chinese Cym.
Hrp.
D G
espr.
B E
chant-like, rubato Solo Fl. as if suspended in time
3
espr.
rubato Solo Vn. 3
as if suspended in time
sub.
espr.
3 soli, div. a 3
sub.
tutti, unis.
Vn. I espr. solo 1ยบ
echo tutti
Vn. II
non vib.
3 sole, div. a 3
tutte, unis.
Va. 1ยบ 2 soli, div.
tutti, unis.
Vc. 2ยบ echo Cb.
echo
5
33 180
5
Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1 bell-like
poss.
bell-like
poss.
2 Hn. in F 3 bell-like 4 bell-like via sord. 1 poss. Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
Large Triangle
Vib.
1 3
Chimes Perc.
Ped.
3
in background Ped.
Crotales
2
Marimba
Ped.
Small Trg.
Large Tamtam
3 3
gliss. Hrp.
Chin. Cym. solo
l.v. Hit low strings with palm of hand; Tamtam-like
B
D B G
(D CB /EFGA)
Solo Fl. 3
Solo Vn.
3 3
5 soli, div. a 5 Vn. I echo. Vn. II div., pizz. Va. espr. div., pizz. Vc. espr. Cb.
3
7
34 187
fltg.
norm.
fltg.
norm.
fltg.
norm.
Smooth; like plainchant
Picc.
1 Fl. 2
1
Ob.
2
3 solo 1 a hidden echo Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba. (Vib.) 1 Ped. (Crot.) 3
Perc.
2
Large Tamtam
Small Triangle 3 7
gli
ss.
l.v.
Hrp.
D B G
slow and dreamy
(DCB /EFG A)
chant-like; rubato sempre
rubato
Solo Fl. 3
5
sub.
3
chant-like; rubato sempre 3
Solo Vn. sub.
sempre
Smooth; like plainchant
tutti, div.
Vn. I div. solo 4ยบ
0
Vn. II a hidden echo Va. solo 1ยบ arco, sul D Vc.
Cb.
35 195 Picc.
1 Fl. 2
1
Ob.
2
3
1 sim. Cl. in B
2
3
1 Bn.
a hidden echo 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
Very Large Tamtam 1
Perc.
2 (Large Tamtam) 3
Hrp.
Solo Fl. 3
3 3
Solo Vn.
Vn. I
Vn. II
solo 5ยบ
arco sul D
tutte, unis. senza. sord.
via sord.
pizz.
Va. a hidden echo
non vib. solo 5ยบ (arco)
Vc. a hidden echo
gli altri, pizz. div. (pizz.)
Cb.
36 203 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2 Sizzle Cym.
l.v.
3
gliss
.
Hrp.
(D CB/EFGA)
D A
elegant
Solo Fl. 3
sub. cantabile 0
Solo Vn. sub. 5 smooth
3
3
6
3
sub.
sempre, with slight dynamic fluctuations; cantabile solo 1ยบ
Vn. I espr. Vn. II
Va. (solo 5ยบ) Vc.
Cb.
37 208 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
solo 1 blend with violas 2 Hn. in F 3
4 senza sord. 1 blend with violas Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3
Hrp.
F
Solo Fl. sempre, with slight dynamic fluctuations
5
3 3
5
Solo Vn. 3
5
3
3
3
Vn. I solo 1º
Vn. II echo arco trem. punta d’arco*
very slow tremolo; almost like eighth notes
Va. sempre, in background Vc.
Cb.
*Each player should tremolo at their own speed.
very gradually speed up tremolo
38 accel.
215
keep tension while others decrescendo
solo
Picc. 3
sempre 1 Fl. 2
1 blend with violas Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
Hn. in F
2
3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
Vib.
l.v. molto
1 5
Ped.
(Crot.) Perc.
3
3
l.v. molto
2
Small Trg.
Small Trg. l.v.
Sizzle Cym.
Marimba
3 Chin. Cym. ss.
gli
Hrp.
l.v.
(D CB/EF GA )
D B E
keep tension building even though you are decrescendoing
Solo Fl.
5
sub.
Solo Vn.
keep tension building even though you are decrescendoing
3
elegant
3
3
6
3
accel. pizz.
via sord.
pizz.
via sord.
pizz.
via sord.
a Vn. I
tutti, div. b tutti, div.
Vn. II moderate speed tremolo Va. tutti, unis.
pizz.
div.
4 soli, non div. - 7ยบ, 8ยบ, 9ยบ, 10ยบ arco, vib. norm. (or: 4 players at back of section)
Vc.
(div., pizz.) Cb.
gradually speed up trem., but do not get louder
39 221
= 138
(accel.)
Picc.
1 3
Fl.
cantabile 2
1
Ob.
2
3
1
espr. Cl. in B
2
3
1 Bn.
echo pizz. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
1
Perc.
2
3 gli
ss.
Hrp.
(DCB /E F GA )
D C E F G A
Solo Fl. 3
energetic pizz. Solo Vn. 3
energetic unis., arco* senza sord.
= 138
(accel.) Vn. I
3
cantabile unis., arco* senza sord. Vn. II 3
(non trem.)
fastest tremolo
cantabile (non trem.) *
Va. 3
espr. sim.
via sord.
3
cantabile tutti, arco* senza sord.
Vc. espr. unis. Cb.
*Note: In measures 226-231, all strings use lots of bow.
40 228 Picc. 3
3
1 3
Fl.
3
3
2 3
3
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
Glockenspiel 1 (Crot.) Perc.
2 Small Triangle 3
.
iss
gl
Hrp.
(D C B /EFG A)
Solo Fl. sempre arco Solo Vn. 3
sub.
Vn. I 3
3
3
3
3
3
3
Vn. II 3
Va.
Vc.
Cb.
3
3
3
sempre
41 fltg.
235 Picc.
3
3
1
3
Fl. 2
3
1 3
Ob.
2 3
3 3 3
1 no trill Cl. in B
2
3
1 Bn.
take Contrabassoon 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
Vib. 1 Ped.
Xylo. Perc.
2
Mar.
gli
ss.
3
Hrp.
l.v.
(D C B /EFG A)
ss.
gli
B F
Solo Fl.
Solo Vn.
3
5 5
non div. Vn. I (non div.)
non div. Vn. II
Va.
div.
unis.
div.
unis.
pizz.
Vc.
arco Cb.
div., pizz.
unis.
42
=
= 138 (
= 92)
solo
241 Picc. 3
1 3
sempre
Fl.
5
3
2 3
3
5
1
3 3
sempre Ob.
2
3
3
3
solo 1
Cl. in B
3
5
3
3
2 3
3 3
Bn.
1
Cbn.
2
1
2 Hn. in F 3
4 st. mute 1 (st. mute) Tpt. in C
2 (st. mute) 3
1. Tbn.
1 2
Bs.Tbn. Tba. (Vib.) l.v. 1 (Ped.) (Xylo.) Perc.
3
2 (Mar.)
sempre
3 3
sempre
ss.
gli
l.v. molto
Hrp.
D B G
B
(DC B/EF GA)
Solo Fl. 5
3
3
5
3
5
Solo Vn.
=
= 138 (
= 92)
pizz. div.
arco
unis. unis.
div.
Vn. I 3
sempre
pizz. arco Vn. II
3
pizz.
sul A
sempre
arco
pizz.
Va. 3
div. Vc.
Cb.
43 solo
solo
246
solo
Picc. sub. sub.
1 3
sub. Fl.
sub.
3
2 sub.
sub.
1 sub.
3
sub.
3
sub. Ob.
2 sub. 3
3 sub. 1
Cl. in B
2 3
3
Bn.
1
Cbn.
2
Contrabassoon
optional tacet 1 3
2 Hn. in F
optional tacet 3
4
1 opt. tacet on C Tpt. in C
2
3
1 Tbn. 2 Bs.Tbn. Tba.
2 Bongos, 2 Congas
solo
1 3
3 3
Perc.
2 sempre 3 3
sempre
Hrp.
C B E
G
sempre
3
C
Solo Fl.
Solo Vn. div. full downbow
unis. pizz.
full downbow
full downbow
full downbow
full downbow
div., arco
Vn. I div. full downbow
unis. pizz.
full downbow
pizz.
div., arco
Vn. II arco
full downbow
full downbow div., arco
unis.
div.
Va.
arco (div.)
full unis. downbow pizz.
arco
pizz.
arco full downbow
Vc.
arco Cb.
div.
44 251 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
Bn.
1
Cbn.
2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
Very Large Triangle 1 Crotales Perc.
2
Small Triangle 3
Hrp.
C G
fltg. Solo Fl. 5:3
sempre, with slight dynamic nuances
5:3
Solo Vn. 7:3
sempre, with slight dynamic nuances
Vn. I unis., pizz. sul A Vn. II unis., pizz. sul A Va.
Vc.
Cb.
6
5:3
45 256 Picc.
1 Fl. 2
1
Ob.
2 3
3
3
3
3
3
3
3
3
3
3 sempre; gritty, intense, Stravinsky-like 1
Cl. in B
2
3
Bn.
1 3
sempre; gritty, intense, Stravinsky-like Cbn.
3
2
1
Hn. in F
2
3
4
1
Tpt. in C
2
3
1 Tbn. 2 3
sempre; gritty, intense, Stravinsky-like
3
Bs.Tbn.
Tba.
2 Bongos, 2 Congas
solo
(solo)
1 5
l.v. molto Perc.
2 Vib. 3 sempre Ped.
Hrp.
sempre
Solo Fl. 3
6
5:3
5
8va
Solo Vn.
3
3
unis. Vn. I
sempre; gritty, intense, Stravinsky-like (pizz.)
div., arco
Vn. II sempre (pizz.) Va. 3
3
3
3
Vc. 3
sempre; gritty, intense, Stravinsky-like
3
unis. Cb. 3
sempre; gritty, intense, Stravinsky-like
3
46 261 Picc.
1 Fl. 2 3
3
1
Ob.
2
3
1
Cl. in B
2
3
Bn.
1 3
3
Cbn.
3
3
2
1
Hn. in F
2
3
4 via sord. 1
Tpt. in C
via sord.
senza sord.
via sord.
senza sord.
2
3
1 Tbn.
3
3
2 3
3
Bs.Tbn.
Tba. (Bongos/Congas) (solo)
(solo)
1 3
7:6
5
3
Chimes Perc.
2
Ped.
(Vib.)
Ped.
3 Ped.
(Ped.)
Ped.
Hrp.
Solo Fl.
Solo Vn.
3
3
Vn. I sempre unis. Vn. II sempre arco
3
Va. sempre; gritty, intense, Stravinsky-like
3
3
3
3
Vc. 3
pizz.
3
arco
Cb. 3
sempre
3
pizz.
47 267 Picc. 4:3
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3 3
Bn.
1 3
Cbn.
2
3
poss.
1
2 Hn. in F
3
3
4 senza sord. 1 Tpt. in C
2
3
1 3
Tbn. 2
Bs.Tbn.
Tba.
1 3
Bass Drum Perc.
Sus. Cym.
2 secco 3 Ped.
Ped.
8va
. gliss
Hrp.
D C B E
(D C B/E F GA)
Solo Fl.
Solo Vn.
div.
unis.
div.
unis.
Vn. I
Vn. II
Va. 3
3
4:3 3
Vc. 3
arco Cb.
l.v.
48 272 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
Bn.
1
Cbn.
2
take Bassoon
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba. Glock. 3
3
1 Chimes Perc.
2
3
Hrp.
D B E
3
Solo Fl. 3
4:3
sempre, with slight dynamic nuances; repeated notes slightly quieter than moving notes.
Solo Vn.
3 3
4:3
3
sempre, with slight dynamic nuances; repeated notes slightly quieter than moving notes. pizz.
sul A
Vn. I
pizz. Vn. II
Va.
div. Vc.
Cb.
unis.
sul A
49 278 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl. in B
2
3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba.
l.v. 1
Perc.
2 (Vib.) 3 4:3
secco
Hrp.
fltg.
4:3
Solo Fl.
4:3
4:3
4:3
Solo Vn.
3
3
3
4:3
3 3
arco
pizz. 0
Vn. I
arco Vn. II
Va.
Vc.
Cb.
pizz. 0
0
3
50 283 Picc.
3
3
1 3
Fl. 2 3
1
3 3 3
Ob.
2
3
3
3
1 3
Cl. in B
2 3
3 3
1 Bn. 2
1
2 Hn. in F 3
4
1
Tpt. in C
2
3
1 Tbn. 2
Bs.Tbn.
Tba. (Glock.) 1 3 3
Xylo. Perc.
2
(Vib.)
sempre secco
3 sempre
3
Hrp.
E G
fltg.
Solo Fl. 6
5:3
8va
Solo Vn. 3
3
3
unis.
div., arco Vn. I
3
arco
sempre
div.
unis.
Vn. II sempre arco
pizz.
3
Va. 3
sempre
pizz. Vc. pizz. Cb.
51 rit.
287 Picc. 3
sempre
1 3
Fl. 2 3
3
1 3
Ob.
2 3
3
3
1
Cl. in B
2
3
1 Bn. 2 optional tacet solo 1
2 3
optional tacet
Hn. in F
solo 3
4 3
1
Tpt. in C
2
3 solo 1 Tbn.
solo 2 solo
Bs.Tbn. solo Tba.
(Glock.)
l.v. molto
1 5:3
3
Perc.
2 sub. (secco)
l.v.
3 3
sub. l.v.
Ped.
s.
glis
Hrp.
(DC B /E F G A)
C
C G
3
Solo Fl.
Solo Vn. full downbow
div. div.
full downbow
unis.
rit.
unis.
sub.
unis.
Vn. I div. full downbow
full downbow unis.
div.
Vn. II full downbow
div.
3
full downbow
sub.
unis.
Va. arco
full downbow
Vc. arco Cb.
52 292
Majestic
(rit.)
= 92–96
*
Picc.
* 1 Fl.
* 2
* 1 3
* Ob.
2
* 3
* 1 Cl. in B
* 2
* 3
* 1 Bn.
Bassoon
*
3
2
* 1
*
3
2 Hn. in F
*
poss.
3
3
* 4 solo
*
1 3
Tpt. in C
solo
*
solo
*
3
2
st. mute (optional)
3 solo
solo
*
1 Tbn.
solo
solo
*
solo
3
2 3
3
poss.
solo
solo
*
solo
solo
*
Bs.Tbn.
Tba. 3
* 1
* Perc.
2 (Vib.) l.v. l.v.
*
3
Ped.
Ped.
* Hrp.
F
C B E G
* Solo Fl.
* Solo Vn.
(rit.)
Majestic
= 92–96
* Vn. I
div.
unis., arco
*
Vn. II
3
* Va.
div.
unis.
3
*
Vc. 3
pizz.
*
div., arco
Cb.
*Together, the two soloists can elect to compose and play a cadenza, in the style and language of this composition, between measures 293 and 294. The duration should be 60 to 90 seconds (no longer than 90 seconds!).
fltg.
53 296 Picc.
5
1
3
5
3
3
3
3
3
Fl. 2
5
1
Ob.
3
3
5
3
2 3
3
3
3
1 5
3
Cl. in B
2
3
1 Bn. 2 5
1
Hn. in F
2 5
3
4
1 5
3
3
3
3 3
Tpt. in C
2 3
5
3
(via sord.)
(senza sord.) 3
3 5
3
3
solo 1 5
Tbn.
5
3
5
3
3
3
3
2 3
5
solo
5
Bs.Tbn. 5
Tba.
Vibraphone
secco
1 3 3
Xylophone Perc.
3
3
2
5
Marimba 3
3 8va
gliss.
Hrp.
3
l.v. molto
(DC B/EFG A)
Solo Fl.
Solo Vn. (trill and trem.) a
3 3
Vn. I
3
3
div.
(trill and trem.)
b 3
3
3 3
(trill and trem.) a Vn. II
div.
3
3
3
(trill and trem.)
3
b 3
3
Va. 3 3 3
Vc. 3
Cb.
54 301 Picc.
1
3
3
3
3
3
3
3
Fl.
3
3
3
3
3
fltg.
8va
8va
2 3
3
3
3
3
3
3
3 3
1 3
Ob.
3
3
2
3 3
1 3
3
3
3
3
3
8va
Cl. in B
2 3
3
3 3
3
1 Bn. 2 solo 1 3
3
2 Hn. in F
3
solo 3 3
3
4 solo 1 3
3
3
3
3
3
solo Tpt. in C
solo
2 3
3
3
3
3
3
solo
3
3 3
3
1
3
3
3
3
3
3
3
3
3
3
Tbn. 2 3
3
Bs.Tbn. solo Tba.
(Vib.)
secco
3
1 3
(Xylo.) Perc.
Ped.
3
3 3
3
3
2 3
3 3
(Mar.)
3
3 3
3
3
l.v. molto
gl
iss
.
Hrp.
l.v. molto Solo Fl.
Solo Vn. (non div.) unis. Vn. I 3
3
unis.
(non div.)
Vn. II 3
3
3
3
Va.
Vc. 3
3
unis. no octave substitution Cb.
(non trem.)
3
55 Resonant
306
= 60
Picc. 5
3
1 5
Fl. 2 5
sub.
1
Ob.
2
3
1 5
Cl. in B
2. 2 3 5
Bn.
1 2 5
fltg. 1
5
2 Hn. in F
3
3
3
3
fltg. 3 5
4
1 5
Tpt. in C
3
3
poss.
poss.
2 5
3
3 3
5
sub.
3
3 sub. solo
sub.
1 3
5
3
solo
Tbn. 2
3
solo
3
3 3
3
3
3
3
Bs.Tbn. solo Tba.
(Vib.) secco
Very Large Triangle l.v.
1 (Ped.)
3
(Xylo.) Perc.
l.v. molto
3
optional tacet
3 Chimes
3
Crotales rubato
Ped.
(never dampen)
2 3
optional tacet 3
(Mar.)
3
Glock.
Ped.
Small Triangle
3
l.v.
3
3 8va
gliss.
Hrp.
C B G A
F
(DCB /EF GA )
gliss.
l.v.
graceful
G A
(DCB /EF G A)
Solo Fl. sempre; bold (You will be covered dynamically by orchestra for some of these next seven measures. This is okay.)
Solo Vn. sempre; bold (You will be covered dynamically by orchestra for some of these next seven measures. This is okay.) 5 soli, div. a5
Resonant
= 60
tutti, div. a2
Vn. I 3
3
sempre!
8va
div. Vn. II 3
3
sul A Va. 3
3 3
Vc. div. Cb.
3
div.
56 312 Picc. non fltg. fltg. 1
Fl.
poss.
non fltg.
fltg. 2
poss. 1
Ob.
2
3
1
Cl. in B
2 fltg. 3
Bn.
1 2 fltg. 1 fltg.
poss.
fltg.
poss.
fltg.
poss.
2 Hn. in F 3
4 fltg. 1
fltg. Tpt. in C
2 fltg. 3
1 Tbn. 2 Bs.Tbn. Tba.
Vib.
l.v.
1 7
Ped.
Ped. Xylo.
Perc.
Crot.
Ped. sim. 3
l.v. molto
Sus. Cym. l.v.
Ped.
2
Chinese Cym.
Glock.
rubato
7
3
l.v.
3 in background gliss.
8va
gliss.
l.v.
Hrp.
G
elegant
B
sub.
sim.
Solo Fl. 3
sub.
5
sub.
5
Solo Vn. 3
unis. Vn. I
unis. Vn. II 3
sul D
sul A
Va.
solo 1ยบ
unis. Vc. 3
Cb.
sub.
tutti