Robert Xavier RodrĂguez
BACHANALE Concertino for Orchestra (1999)
from the G. Schirmer Rental Library date of printing
G. Schirmer, Inc. New York, NY
Robert Xavier Rodríguez
BACHANALE Concertino for Orchestra (1999)
I. Die Brücke über dem Bach II. Die Brücke geschmückt III. Noch einmal über die Brücke IV. Ecco l’Eco V. Samba da Gamba
from the G. Schirmer Rental Library date of printing
G. Schirmer, Inc. New York, NY
B ac h anale: Co n c e r tin o fo r O r c h e str a
Rodríguez’ B ac h anale: Concertino for Orchestra (1999) was commissioned by the San Antonio Symphony, Christopher W ilkins, Conductor, and premiered in May, 1999. The work is scored for large orchestra: piccolo, two flutes, two oboes, English horn, two clarinets, bass clarinet, two bassoons, contra bassoon, brass, timpani, three percussion, two keyboards, harp and strings. Rodríguez’ use of the title, Concertino, rather than the more formal Concerto for Orchestra, denotes a shorter and more playful work than the weightier 20th-Century essays in the genre by Bartok, Lutoslawski, Carter, Piston, Hindemith and others. Like Bartok and Lutoslawski, Rodríguez has cast his work in five movements. Each has a fanciful descriptive title: I. Die Brücke über dem Bach (The Bridge over the Brook) is a modern musical “bridge” over the music of J.S. Bach (“Bach” meaning “brook” in German). The “Bridge” consists of a dance-like, syncopated phrase in 7/8 time for harp, piano and pizzicato strings, which is repeated, with variations, in a rhythmic ostinato throughout the movement. Under the Bridge flows a quotation of the entire first movement of Bach’s Suite in G Major BWV 1007 for solo cello, played in 4/4 time on the harpsichord. Each bar of the Bach is played twice: in its original register, then repeated up an octave in what the composer calls “an instant musical xerox copy,” thus creating an echo effect. The resultant fusion of rhythms and styles recalls Rodríguez’ earlier Les Niais Amoureux (1987) and, particularly, his Sinfonía à la Mariachi (1997), in which mariachi and 18th-Century classical sounds clash and eventually unite. II. Die Brücke geschmückt (The Decorated Bridge) is a series of virtuoso variations on the opening Bridge music played, in turn, by each instrument of the orchestra. The variations are continuous and are arranged in traditional score order, from the highest to the lowest-pitched members of each instrumental family: woodwinds, brass, percussion and strings. Occasional splashes of Bach’s Brook music also appear from time to time, as each instrument passes in review to place its musical Decorations on the Bridge. III. In Noch einmal über die Brücke (Once More over the Bridge), the opening movement is repeated in a different orchestration. This time Bach’s Brook music is heard, finally, in its original cello timbre, echoed by violas. There is also more traffic over the Bridge, as the chamber instrumen-tation of the first movement is expanded to include the entire symphony orchestra, playing, for the first time, all together. IV. A brief interlude follows, based on a repeated motif of rising and falling fifths reminiscent of string tunings. Over the fifths, solo bassoons, oboe, violin and cello answer back and forth in quiet, lyrical phrases. As in the first and third movements, there is extensive imitation at the octave, hence the title, Ecco l’Eco (There’s an Echo). At the end, the Bridge music reappears quietly. V. Samba da Gamba is built upon another Bach string work, his Sonata in G-Major BWV 1027 for viola da gamba and harpsichord. Bach’s sonata is transformed into a rollicking samba in a modern marriage of the Afro-Caribbean dance form and the festive textures of Bach’s brilliant orchestral suites. Like the last movements of Rodríguez’ Estampie (1981) and Sinfonía à la Mariachi and Bach’s Goldberg Variations, Samba da Gamba is a quodlibet in which all of the work’s principal themes are played simultaneously. At the end, there is one last pensive look at the Decorations on the Bridge before the B ac h anale roars to a close.
Contents I.___________________________ 1 II.___________________________ 15 III.___________________________ 58 IV.___________________________ 86 V.___________________________ 92
Instrumentation Piccolo 2 Flutes 2 Oboes English Horn 2 Clarinets in B= Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in C 2 Tenor Trombones Bass Trombone Tuba Timpani: (2) 28-29”, 25-26” + Tambourine Percussion (3 players) I. Crotales Suspended Cymbal Marimba Chimes Conga (high) Sandpaper Blocks Quica Cabaza (large) Tom-tom (large) Vibra Slap II. Vibraphone (motor always off) Gong 3 Timpani (30-32”, 25-26”, 23”) Finger Cymbals Large Shaker (tubo) Claves Brass Wind Chimes Two Cow Bells (high/med) Chinese Cymbal Guiro III. Tambourine Temple Blocks Glockenspiel Triangle Whip Snare Drum Crash Cymbals Agogo Bells Bongos Police Whistle
Keyboard I: piano Keyboard II: piano, amplified harpsichord (may be synthesized), and celesta (one piano may be used for both players, if necessary) Harp Strings
BACHANALE: CONCERTINO FOR ORCHESTRA I. Die Brücke über dem Bach Allegro grazioso
= 200
Robert Xavier Rodríguez
Piano
Piano (Keyboard 1)
sempre leggiero
Poco Ped. (may be synthesized)
Amplified Harpsichord (Keyboard 2)
EF GA poco DCB
Harp
Allegro grazioso
= 200
I Violin pizz., con vib. II
Viola
Violoncello
Contrabass
5 Pno.
Hpsch.
Harp
pizz., con vib. I Vn. II
Va.
Vc.
Cb.
Copyright © 1999 by G. Schirmer, Inc. (ASCAP), New York, NY
International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
2 9 Pno.
solo
Hpsch.
Harp
(pizz.) I
Vn. (pizz.) II
pizz., con vib. Va.
pizz., con vib. Vc.
Cb.
13 Pno.
Hpsch.
Harp
I
Vn. II
Va.
Vc.
Cb.
3 17 Pno.
Hpsch.
Harp
G
I
Vn. II
Va.
Vc.
pizz., con vib. Cb.
21 Pno.
Hpsch.
Harp
C
I
Vn. II
Va.
Vc.
Cb.
4 25 Pno.
Hpsch.
Harp
(pizz.) I
Vn. (pizz.) II
(pizz.) Va.
(pizz.) Vc.
(pizz.) Cb.
29 Pno.
Hpsch.
Harp
F G
I Vn. II
Va.
Vc.
Cb.
5 33 Pno.
Hpsch.
Harp
C
I
Vn. II
Va.
Vc.
Cb.
37 Pno.
Hpsch.
Harp
G
I
Vn. II
Va.
Vc.
Cb.
F
6 41 Pno.
Hpsch.
F
Harp
(pizz.) I
Vn. (pizz.) II
(pizz.) Va.
(pizz.) Vc.
(pizz.) Cb.
45 Pno.
Hpsch.
Harp
F
I
Vn. II
Va.
Vc.
Cb.
7 49 Pno.
Hpsch.
C
Harp
I
Vn. II
Va.
Vc.
Cb.
53 Pno.
(In tempo)
Hpsch.
Harp
I
Vn. II
Va.
Vc.
Cb.
C
8 57 Pno.
Hpsch.
Harp
(pizz.) I
Vn. (pizz.) II
(pizz.) Va.
(pizz.) Vc.
(pizz.) Cb.
61 Pno.
Hpsch.
Harp B C
I
Vn. II
Va.
Vc.
Cb.
9 65 Pno.
Hpsch.
Harp
I
Vn. II
Va.
Vc.
Cb.
69 Pno.
Hpsch.
Harp
B
I
Vn. II
Va.
Vc.
Cb.
C
10 73 Pno.
Hpsch.
Harp
(pizz.) I
Vn.
(pizz.) II
(pizz.) Va.
(pizz.) Vc.
(pizz.) Cb.
77 Pno.
Hpsch.
Harp
I
Vn. II
Va.
Vc.
Cb.
11 8va
81 Pno.
loco
Hpsch.
Harp
I
Vn. II
Va.
Vc.
Cb.
8
85 Pno.
(loco)
Hpsch.
Harp
I
Vn. II
Va.
Vc.
Cb.
loco
12 89 Pno.
Hpsch.
Harp
(pizz.) I
Vn. (pizz.) II
(pizz.) Va.
(pizz.) Vc.
(pizz.) Cb.
93 Pno.
Hpsch.
Harp
I
Vn. II
Va.
Vc.
Cb.
13 97 Pno.
Hpsch.
8va
Harp
loco
I
Vn. II
Va.
Vc.
Cb.
101 Pno.
Hpsch.
8
Harp (loco)
I
Vn. II
Va.
Vc.
Cb.
14 104 Pno.
Hpsch.
8
Harp
(pizz.) I
Vn. (pizz.) II
(pizz.) Va.
(pizz.) Vc.
Cb.
8va
107 Pno.
to Celesta
Hpsch.
8
Harp
C
slow arp.
fast arp.
molto vib. I Vn. molto vib. II
molto vib. Va.
molto vib. Vc.
Cb.
Attacca subito
15
II. Die Brücke geschmückt L’istesso tempo
= 100
Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn. con sord. 1 3 Hn. in F
2 4
1 Tpt. in C 2 3 Tbn.
1 2
Bs. Tbn. Tba.
Timp. Suspended Cymbal
Crotales
1
Vib. Perc. 2 Tambourine, on table 3
Pno.
hold Pedal
Cel.
E F G A B C D
non arp.
Hp.
L’istesso tempo
= 100
div., pizz., vib.
div., pizz., vib.
unis., arco
I
Vn.
div., pizz., vib.
unis., arco, on the string
div., pizz., vib.
dolce unis., arco, on the string
II
Va.
(arco) Vc.
div., pizz., vib. Cb.
16 Poco meno mosso
6
= 88
Picc.
1 Fl. 2
1 Ob. 2
E.H. soli, quasi recitativo 1 Cl. in B
dolce soli, quasi recitativo 2 dolce
Bs. Cl.
1 Bn. 2
Cbn.
1 3 Hn. in F
2 4 1
Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
(Crot.) 1
(Vib.) Perc. 2 Snare Dr. 3 possibile
8va
Pno.
hold Pedal
Cel.
8va
Hp.
Poco meno mosso
unis., arco
I Vn. II div. Va.
solo Vc. gli altri unis., arco Cb. *Violoncellos should not be synchronized with the rest of the orchestra.
*
= 88
17 10 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
1 3 Hn. in F
2 4 1
Tpt. in C
Tbn.
2 3 1 2
Bs. Tbn. Tba.
Timp.
1 Vib., four sticks Perc. 2
3
Pno.
Cel.
8va
Hp.
A
I Vn. div.
unis.
II
unis. Va.
unis. Vc.
Cb.
18 Andante misterioso a tempo ( = 88) ma sempre con poco licenza
14 Picc.
solo 1
3
Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
Crot. 1
(Vib.) Perc. 2 Glockenspiel 3
Pno.
Cel.
8
8va
Hp.
Andante misterioso a tempo ( = 88) ma sempre con poco licenza I Vn. II
Va.
Vc.
Cb.
19 20
solo
Picc.
3
1
3
3
3 5
Fl.
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
1 3 2 4
1 Tpt. in C
Tbn.
2 3 1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Cel.
8va
Hp.
I Vn. II
Va.
Vc.
Cb.
3 5
2
Hn. in F
3
20 23 Picc. 3
3
3
3
5
1
3
3
3
solo 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C
Tbn.
2 3 1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Cel.
8va
Hp.
I Vn. II
Va.
Vc.
Cb.
5
3 5
Fl.
3
8va
21 26 Picc.
1
3
3 5
Fl.
2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Celesta
Cel.
8va
Hp.
I Vn. II
Va.
Vc.
Cb.
22 29 Picc.
1 Fl. 2
solo 1 Ob. espr.
solo
2 espr. E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C
Tbn.
2 3 1 2
Bs. Tbn. Tba.
Timp. Crot. 1 Vib. Perc. 2 Glock. 3
Pno.
Cel.
8va
loco
Hp.
E G
1 solo
Vn. I
Vn. II
Va.
Vc.
Cb.
23 33 Picc.
1 Fl. 2
1 Ob.
5
2 3
solo E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1 Vib. Perc. 2
3
Pno.
Cel.
Hp.
solo Vn. I gli altri
Vn. II
Va.
Vc.
Cb.
tutti, unis.
24 39 Picc.
1 Fl. 2
1
3 5
Ob.
3
2
3
5
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
(Crot.) 1 (Vib.) Perc. 2 (Glock.) 3
Pno.
to Amplified Harpsichord
Cel.
Hp.
I Vn. II
Va.
Vc.
Cb.
5
25 44 Picc.
1 Fl. 2
1 Ob. 2
E.H. solo 1 3
Cl. in B
10 10
solo 2
3 5
Bs. Cl.
1 Bn. 2
Cbn. con sord.
Hn. in F
1 3 poss. 2 4 1
Tpt. in C
Tbn.
2 3 1 2
Bs. Tbn. Tba.
Timp.
Mar. 1
Perc. 2
3
Pno.
Amplified Harpsichord sound
Hpsch.
Hp.
D
G
1 solo I gli altri
Vn. II
Va.
Vc.
pizz. Cb.
26 47 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
9
2 solo
10
Bs. Cl. 3
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C
Tbn.
2 3 1 2
Bs. Tbn. Tba.
Timp. (Mar.) 1
Perc. 2
3
Pno.
Hpsch.
Hp.
(solo)
I Vn.
(gli altri) II
Va.
Vc. (pizz.) Cb.
27 50 Picc.
1 Fl. 2
1 Ob. 2
E.H. 3
3
3
1 Cl. in B
2 3
3 3
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C
Tbn.
2 3 1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Hpsch.
Hp.
I Vn. II
Va.
Vc.
Cb.
3
3
3
3
10
28 53 Picc.
1 Fl. 2
1 Ob. 2
E.H. 3 3
3
1 3
Cl. in B
3
3
3
3
3
9
3
2
Bs. Cl. 3
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. (Mar.)
Crot.
1
(Vib.) Perc. 2
(Glock.) 3
Pno.
Hpsch.
Hp.
(solo) I Vn.
(gli altri) II
Va.
Vc. (pizz.) Cb.
29 56 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl. solo
3
1 3
dolce appassionato solo
Bn. 2 solo
dolce appassionato Cbn.
dolce appassionato
Hn. in F
1 3 2 4 1
Tpt. in C
Tbn.
2 3 1 2
Bs. Tbn. Tba.
Timp.
1 Gong, scrape with handle of snare drum stick Perc. 2
3
Pno.
to Celesta
Hpsch.
près de la table
Hp.
tutti, unis. pizz. I Vn.
pizz. II
pizz. Va.
Vc.
(pizz.) Cb.
30 60 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
3
1 poco
3
Bn. 2
3
3
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
(Gong) Perc. 2
3
Pno.
Hpsch.
(près de la table)
Hp.
(pizz.) I Vn. (pizz.) II
(pizz.) Va.
Vc.
(pizz.) Cb.
31 63 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 3
poco
Bn.
sempre dolce
3
2 3
3
poco
Cbn. 3
poco
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Sus. cym. 1
Perc. 2 Tamb., on table 3
Pno.
Hpsch.
Hp.
I Vn. II arco Va.
pizz. Vc.
Cb.
32 67 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl. 3
1 Bn. 2 3 3
Cbn. 3
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Crot.
(Sus. Cym.) 1
Vib. Perc. 2
(Tamb.)
Glock.
3
Pno.
Celesta
Cel.
(près de la table)
Hp.
(pizz.)
1 solo, (arco)
I gli altri, (pizz.) Vn.
(pizz.) II
Va. (pizz.) Vc.
Cb.
legato
33 71
Animato
= 96
Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
a2 1 3
3
3
Hn. in F
a2 2 4
3
3
3
3
3
3
1 3
Tpt. in C
3
3
3
3
3
3
3
3
2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Sus. Cym. 1
Perc. 2
S. Dr.
3
3
Pno.
to Piano
Cel.
ordinario
Hp.
Animato tutti, div., (pizz.) I
Vn.
div., (pizz.) II
div., (pizz.) Va.
(pizz.) Vc. (pizz.) Cb.
= 96
34 75 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
3
1 3
3
2 4
*
5
1 3
3
3
Tpt. in C
5 3
3
*
3
5
5
2 3 5 5 5
5
* Tbn.
1 2 5 5
Bs. Tbn. Tba.
Timp. poco
(Sus. Cym.) 1
Timp. Perc. 2 poco
(S. Dr.) 3
3
3
3
3
Pno.
Pno.
improvise swirls E F G A B C D
Hp.
(pizz.) unis., arco I Vn.
(pizz.)
unis., arco
II (pizz.) unis., arco Va. (pizz.) arco Vc. (pizz.) Cb. * Trumpets and Trombones 1 and 2 should not be synchronized with the rest of the orchestra, nor with each other.
arco
35 78 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
a2
Hn. in F
1 3 a2 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
tune F to G Timp. Chimes 1 poco tune D to D Perc. 2 Tamb.
shake
hit
3
8va
Pno.
Pno.
Hp.
div. a2
div. a3
div. a3
div. a2
I Vn.
div. a3
div. a2 div. a3
div. a2
div. a2 div. a3
div. a2
II
div. a3 Va.
Vc.
Cb.
36 81 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. (Chimes)
Brass wind chimes
1 tune D to E tune B to D tune F to E
(Timp.) Perc. 2 (Tamb.) 3 8
Pno.
Pno.
Hp.
1 solo, on the string
div. a3 Vn. I
div. a2
div. a3
div. a2
div. a3
div. a3
div. a2 div. a3
div. a2 div. a3
div. a3
div. a2 div. a3
div. a2 div. a3
unis., pizz.
unis., pizz.
Vn. II
unis., pizz.
Va. unis., pizz. Vc.
Cb.
37 85 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Sus. Cym. Mar.
l.v. 1
(Timp.) Perc. 2 Temple blocks, wooden sticks 3
Pno. 3
Piano*
3
Pno.
E F G A D C B
Hp.
3
3
3
tutti, arco, sul pont.
Vn. I
arco, sul pont. Vn. II
arco, sul pont. Va.
Vc.
Cb. * One piano may be used. The second player sits to the right.
3
38 88 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
3
Timp.
(Mar.)
Mar.
Sus. Cym.
1
(Timp.) Perc. 2 (T.Blk.)
Whip
T.Blk.
3 3
3 3
Pno.
3
3
8va
3
3
Pno.
8va
8va
Hp. 3
I Vn. II
Va.
Vc.
Cb.
loco
3
3
3
3
3
3
3
39 90 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
3
3
Timp. Cym.
Mar.
1
Perc. 2 Tamb., on table 3
Pno.
loco
8va
8ba
loco
Pno.
gl. Hp. gl.
div., pizz.
(pizz.) ord.
I Vn. div., pizz.
(pizz.) ord.
div., pizz.
(pizz.) ord.
div., pizz.
(pizz.) ord.
II
Va.
Vc.
div., pizz. Cb.
(pizz.) ord.
40 92 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
3
tune A to G
Timp. (Mar.)
Sus. Cym.
1
(Timp.) Perc. 2 S.Dr., on rim with wood stick
(Tamb.)
3
Trg.
Tamb.
3 3
Pno.
8va
Pno.
gl.
Hp. gl.
pizz. ord. unis., col legno batt.
div.
I
Vn.
unis., col legno batt.
div.
pizz. ord.
II
unis., col legno batt.
div.
unis., col legno batt.
div.
pizz. ord.
Va.
Vc. unis., col legno batt. Cb.
pizz. ord.
41 94 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
3
3
Timp.
1
3
Perc. 2 3
3
S.Dr., rim
3
Tamb.
3
3
Pno.
Pno.
Hp.
3
3
3
3
3
3
3
3
pizz. ord. I Vn.
pizz. ord. II
pizz. ord. Va.
pizz. ord. Vc.
pizz. ord. Cb.
3
3
42 96 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C
Tbn.
2 3 1 2
Bs. Tbn. Tba. 3
3
3
Timp. (Mar.)
3
Mar.
Sus. Cym.
1 3
(Timp.)
3
Perc. 2 3
3
S.Dr., rim
3
3
3
Tamb.
3
3
loco
Pno. 8ba
loco 8ba 8va
Pno.
gl.
Hp. 3
3
3
3
3
3
3
3
3
3
gl. 1 solo, arco
Vn. I unis., col legno batt.
div.
unis., col legno batt.
div.
pizz. ord.
pizz. ord.
Vn. II
unis., col legno batt.
div.
pizz. ord.
Va.
unis., col legno batt. Vc. unis., col legno batt. Cb.
div.
pizz. ord.
43 98 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C
Tbn.
2 3 1 2
Bs. Tbn. Tba.
3
3
3
3
3
3
3
Timp. 3
Sus. Cym.
Mar.
1
Perc. 2 3
T.Blk.
3
Trg.
3
3
3
3
3
Tamb.
3 3
Pno.
3 3
3
Pno.
gl.
Hp.
gl.
8ba
Vn. I
3
7
unis., arco
col legno batt.
dolce unis., arco
col legno batt.
Vn. II
dolce unis., arco
col legno batt.
dolce unis., arco
col legno batt.
Va.
Vc. dolce Cb.
unis., col legno batt.
3
44 100
3
Pi첫 mosso = 100 dolce appassionato
3
3
Timp. (Mar.)
Sus. cym.
1 3
(Timp.) Perc. 2 3
3
3
(Trg.)
3
3
Pno.
3
3
dolce e legato
8va
Pno.
(sopra)
E F G A B C D
Hp.
Pi첫 mosso = 100 dolce appassionato solo 1
3
3
2
3 3
3
a2 3
4 5
Vn. I
3
6
a3
7 8 9
3
3
10
a2 3
11 12 a2
3
13 14 a2 1 2 a2 3 4
on the string 5
6 Vn. II pizz. 7 a2 8 9 on the string 10
a2 11 12
Va.
Vc.
Cb.
pizz.
3
3
3
3
3
3
3
45 103 Timp.
1
Perc. 2 Trg. 3
Pno.
5
Pno.
5
Hp.
1 5
2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
4 5
Vn. I
6 5
7 8 9
7,8 a2
9 5
10
11 12 5
13 14
1 2
3 4
5
6 Vn. II arco 7 a2, pizz. 8 9
10
arco 11 12
Va.
Vc.
Cb.
3
3
46 105 Timp. (Sus. Cym.) 1
Perc. 2
3
Pno.
Pno.
Hp.
1
2 3
3
3
3
3 0
a2 4 5
Vn. I
6
7
7 8 9
8,9 a2
10
a2 11 12 a2 13 14
1 2
3 4
5
6 Vn. II 7
(a2, pizz.) 8 9
10 a2 11 12
Va.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
47 107 Timp.
1
Perc. 2
Trg. 3
Pno.
8va
5
Pno.
Hp.
1 5
2 3
3
3
3
3
3
3
3
3
3
3
3
3
3 0
a2 4 5
Vn. I
6 5
7 8 9
7 8,9 a2 5
10
a2 11 12 a2
5
13 14
a2 1 2
3 4 pizz. 5
6 Vn. II 7
arco 8 9 pizz. 10 pizz. 11 12
Va.
Vc.
Cb.
3
3
3
48 109 Timp. Sus. cym. 1
Perc. 2
3
Pno.
8
Pno.
poco
Hp.
8va
1
2
3
3
3
3
a2 4 5
Vn. I
6
a3
7 8 9
10
(a2) 11 12
13 14 (a2) 1 2
3 4
5
6 Vn. II
7
(a2) 8 9 (pizz.) 10 (a2, pizz.) 11 12
Va.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
49 111 Timp.
1
Perc. 2 Trg. 3
Pno.
8
5
Pno.
5
Hp.
8
1 5
2 3
3
3
3
3
3
3
3
3
4 5
6 5
7 8 9
7,8 a2
9
Vn. I 10 5
a2 11 12
13 14 5
1 2
3 4 arco 5
Vn. II 6
7
8 9 arco 10
11 12
Va.
Vc.
Cb.
50 113 Timp.
1
Perc. 2
3
Pno.
8
Pno.
Hp.
8
1
2
3
a2 4 5
Vn. I
6
7,8 a2
7 8 9
9
10
11 12
13 14
1 2
3 4
5
6 Vn. II 7
8 9
10
(a2) 11 12
Va.
Vc.
Cb.
51 115 Timp.
1
Gong Perc. 2
3
loco
Pno.
Pno.
Hp.
Improvise rapid, continuous figuration using these pitches.
I Vn.
II
1
2
3
4 Va.
5
6
7
8
1
2 Vc.
3
gli altri div. a6, arco
Cb.
52 117 Timp.
(Sus. Cym.) 1
Perc. 2
3
Pno.
Pno.
5
Hp.
I Vn.
II
5
1
5
2
5
3
5
4 Va.
5
6
7
8
1 5
2 Vc.
3
gli altri 5
Cb.
53 119 Timp.
1
Gong Perc. 2
3
Pno.
Pno.
Hp.
I Vn.
II
1
2 3
3 3
3
4 Va.
5
6
7
8
1
2 Vc.
3
gli altri
Cb.
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3
54 121 Timp.
(Sus. Cym.) 1
Perc. 2
3
Pno.
5
Pno.
5
Hp.
I Vn.
II
1 5
2 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3
5
4 Va.
5
6
7
8
1 5
2 Vc.
3
gli altri 5
Cb.
3 3
3 3
3
55 123 Timp.
1
(Gong) Perc. 2
3
Pno.
Pno.
Hp.
I Vn.
II
1
2 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3
3
4 Va. 5
6
7
8
1
2 Vc.
3
div. gli altri
Cb.
3
unis.
3 3
3 3
3 3
3 3
3 3
3 3
3
56
125
Picc.
1 Fl. 2
Ob.
1 2
E.H.
Cl. in B
1 2
Bs. Cl.
Bn.
1 2
Cbn.
Hn. in F
1,3 a2
1 3 2 4
2,4 a2
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. (Sus. Cym.) 1 (Timp.) Perc.
2 Crash Cym. 3
Pno.
8ba
8va
Pno.
Hp.
8ba
1 solo
Vn. I gli altri, div.
Vn.
II
1 3
3
2 3
2
1
3 0
4 Va. 5
6
7
8
1
2 Vc. 3
(div.) gli altri
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
57
127 Picc.
1 Fl. 2
Ob.
1 2
E.H.
Cl. in B
1 2
Bs. Cl.
Bn.
1 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc.
2 3
Pno.
8ba 8va
Pno.
Hp.
8
8va
solo Vn. I gli altri
Vn. II
1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2
3
4 Va. 5
6
7
8
1
2 Vc. 3
gli altri
Cb.
Attacca subito
58
III. Noch einmal 端ber die Br端cke Allegretto grazioso
= 200
Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
(may be synthesized)
Hpsch.
Hp. E F G A D C B
Allegretto grazioso
= 200
I Vn.
poco II
Va.
Vc.
Cb.
59 5 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Hpsch.
Hp.
I Vn. II
Va.
Vc.
Cb.
60 9 Picc.
1 Fl. 2
1 Ob. 2 solo E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Hpsch.
Hp.
I Vn. II
Va. tutti: synchronized twirl on end pin
soli
Vc.
pizz. Cb.
61 13 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Hpsch.
Hp.
I Vn. II
soli Va.
Vc.
Cb.
62 17 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
a2
Hn. in F
1 3 2 4
1 Tpt. in C
Tbn.
2 3
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Hpsch.
Hp.
div., pizz. I Vn.
div., pizz. II
Va.
Vc. (pizz.) Cb.
63 21 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Hpsch.
Hp.
I Vn. II
Va.
Vc.
Cb.
64 25 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
(a2)
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Hpsch.
Hp.
(pizz.)
arco
I Vn.
(pizz.) II
Va.
Vc. (pizz.) Cb.
arco
65 29 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C
Tbn.
2 3 1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Hpsch.
Hp.
I Vn. II
Va.
Vc.
Cb.
66 33 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 con sord. 1
Tpt. in C
con sord. 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Hpsch.
Hp.
div., pizz. I Vn. pizz. II
Va.
Vc. (pizz.) Cb.
67 37 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C
via sord. 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Shaker Perc. 2 Trg. 3
Pno.
Hpsch.
Hp.
D
arco I Vn. arco II
Va.
Vc.
Cb.
68 41 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
(Shaker) Perc. 2 (Trg.) 3
Pno.
Hpsch.
Hp.
I Vn. II
Va.
Vc. (pizz.) Cb.
69 45 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Mar. 1
Vib. Perc. 2 Crash Cym. 3
Pno.
Hpsch.
Hp.
I Vn. II
Va.
Vc.
arco Cb.
70 49 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. (Mar.) 1
(Vib.) Perc. 2 (Cym.) 3
Pno.
Hpsch.
Hp.
C
I Vn. II
Va.
Vc.
Cb.
C
71 53 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
a2
+
+
+
+
+
+
+
+
+
+
a2
+
+
+
+
+
+
+
+
+
+
1 3
2 4 (con sord.) 1 Tpt. in C 2 3 Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
with wood handles of same sticks Perc. 2
Tamb., on table 3
Pno.
Hpsch.
Hp.
I Vn. II
Va.
Vc.
pizz. Cb.
72 57 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. (Mar.) 1
(Vib.) Perc. 2 (Tamb.) 3
Pno.
Hpsch.
Hp.
I Vn. II
Va.
Vc. (pizz.) Cb.
73 61 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn.
2
Cbn.
a2, open
Hn. in F
1 3 2 4 via sord. 1
Tpt. in C 2 3 con sord. Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Finger Cym. Perc. 2 S.Dr., on rim 3
Pno.
Hpsch.
Hp.
div. a3 I Vn. II
Va.
Vc.
arco Cb.
74 65 Picc.
1 Fl.
2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn.
2
Cbn.
Hn. in F
1 3 2 4
senza sord.
1 Tpt. in C
poco senza sord. 2 3 poco via sord.
Tbn.
1 2
Bs. Tbn. Tba. poco
Timp.
(Mar.)
(Sus. Cym.)
1 (Finger Cym.)
Claves
(S.Dr.)
Glock.
Perc. 2
3
Pno.
Hpsch.
Hp.
div. a2 (div. a3) I Vn. II
Va.
Vc. pizz. Cb.
75 69 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3 a2, senza sord. Tbn.
1 2
Bs. Tbn. Tba.
Timp. Mar. 1
Perc. 2
3
Pno.
Hpsch.
Hp.
I Vn. II
Va.
Vc.
Cb.
76 73 Picc.
1 Fl.
2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn. (a2)
Hn. in F
1 3 (a2) 2 4
1 Tpt. in C
a2 2 3 poco
Tbn.
1 2 poco Bs. Tbn.
Bs. Tbn. Tba. poco
Timp. poco (Mar.) 1
(Claves)
Vib.
Perc. 2 (Glock.)
*Shaker Tamb., thumb roll
3 poco
Pno.
Hpsch.
Hp.
div. a3
I Vn.
div. a3 II
Va.
Vc. (pizz.) Cb.
* “x” noteheads denote shaker when played simultaneously with vibraphone.
arco
77 77 Picc.
1 Fl.
2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. poco 1
Perc. 2 Tamb., thumb roll 3
Pno.
Hpsch.
Hp.
I Vn. II
Va.
Vc.
Cb.
78 81 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
(a2) 1 3 Hn. in F
(a2) 2 4
1 Tpt. in C
(a2) 2 3 2.
Tbn.
1 2
1. Bs. Tbn.
Bs. Tbn. Tba.
Timp.
(Mar.)
Sus. Cym.
1 (Vib.) Timp. (use same stick) Perc. 2 (Shaker) *
Tamb. 3
poco 8va
Pno.
Hpsch.
Hp.
(div. a3)
div. a2
I Vn. (div. a3) II
Va.
Vc.
Cb. * Tambourine is struck on the accented notes, and shaken for the unaccented notes.
unis.
79 85 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
1 3 Hn. in F
ad lib.
2 4
1 Tpt. in C
2 3 a2
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
Sus. Cym. 1
tune D to A
Timp. Perc. 2 poco 3 8
Pno.
Hpsch.
Hp.
I Vn. II
Va.
Vc.
Cb.
80 89 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn. (a2) 1 3 Hn. in F
(a2) 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. (Sus. Cym.) 1 poco
(Timp.)
Perc. 2 (Tamb.) 3
loco
Pno.
Hpsch.
Hp.
div. a3 I Vn. div. a3 II
Va.
Vc.
Cb.
fist
knee
sim.
81 92 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Hpsch.
Hp.
I Vn. II
Va. div. Vc.
Cb.
82 95 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. (Sus. Cym.) 1 Shaker Perc. 2 (Tamb.) 3
Pno.
Hpsch.
Hp.
I Vn. II
div. Va.
Vc.
Cb.
83 99 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
1 3 Hn. in F
2 4 1
Tpt. in C
Tbn.
2 3
1 2
Bs. Tbn. Tba.
Timp. Chimes (with wooden sticks) 1 Finger Cym. Perc. 2 Glock. 3
Pno.
Hpsch.
8va
Hp.
I Vn. II
Va.
Vc.
Cb.
84 103 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C
Tbn.
2 3
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
Hpsch.
8
Hp.
pizz. I Vn. pizz. II
pizz. Va.
pizz. Vc.
Cb.
85 107 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
a2
Mouthpiece “pop”
a2
Mouthpiece “pop”
1 3 Hn. in F 2 4 Mouthpiece “pop” 1 Tpt. in C
a2
Mouthpiece “pop”
a2
Mouthpiece “pop”
a2
Mouthpiece “pop”
2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Crot. 1
Vib. Perc. 2 Crash Cym. (pull apart) 3 8va
Pno.
Hpsch.
8va
Hp.
C
molto vib. I Vn. molto vib. II
molto vib. Va.
molto vib. Vc.
Cb.
86
IV. Ecco l’Eco Adagio tranquillo = 66
poco rit. = 60 a tempo ( = 66)
poco rit. a tempo
1 Ob. 2
solo 1 Bn.
espr. 2
Cbn.
Timp.
1
Perc. 2
3
Pno.
Pno.
Hp.
E F G A B C D
Adagio tranquillo = 66 con sord. I
Vn. con sord. II
div., con sord. Va.
div., con sord. Vc.
con sord., pizz. Cb.
.
poco rit. = 60 a tempo ( = 66)
poco rit. a tempo
87
9
poco rit. a tempo
poco rit. a tempo solo
1 Ob.
dolce 2
1 Bn. sempre dolce 2
Cbn.
Timp.
1
Vib. Perc. 2
3
Pno.
Pno.
Hp.
poco rit. a tempo
poco rit. a tempo
I
Vn.
II
Va.
Vc.
arco Cb.
.
pizz.
88
poco rit. a tempo
17
poco rit. a tempo
1 Ob. 2
1 Bn.
legatissimo 2
legatissimo Cbn.
Timp.
Crotales 1
(Vib.) Perc. 2
Glock. 3
Pno.
Pno.
8va
Hp.
1 solo, senza sord.
legatissimo gli altri (con sord.)
Vn. I
(con sord.) Vn. II
(con sord.) Va.
1 solo, senza sord.
Vc.
legatissimo gli altri (con sord.)
(pizz., con sord.) Cb.
.
poco rit. a tempo
poco rit. a tempo
89
poco rit. a tempo
25
poco rit.
1 Ob. 2
1 Bn. 2
Cbn.
da lontano quasi niente Timp.
1
Perc. 2
3
Pno.
Pno.
Hp.
8va
loco
poco rit. a tempo
loco
solo Vn. I
legato
legato
legato
legato
gli altri
Vn.
II
Va.
solo Vc. gli altri
Cb.
.
poco rit.
8va
90
32
a tempo
1 Ob. 2
1 Bn. 2
Cbn.
Timp.
Crotales 1 sempre l.v. Timp. Perc. 2
(Glock.) 3
(sopra)
Pno.
8va
Pno.
Hp.
a tempo
8va
loco solo Vn. I
(con sord.)
gli altri
(con sord.) Vn.
II
(con sord.) Va.
solo Vc.
(con sord.)
gli altri
arco (con sord.) Cb.
.
91
36 1 Ob. 2
1 Bn.
2
Cbn.
Timp.
1
Brass wind chimes Perc. 2
3
Pno.
8
Pno.
Hp.
solo
via sord.
Vn. I gli altri
via sord. Vn.
II
via sord. Va.
via sord. Vc.
via sord. Cb.
.
92
V. Samba da Gamba Vivo
= 72
Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
a2 Hn. in F
gl.
1 3 a2
gl.
2 4
1 Tpt. in C
Tbn.
2 3 1 2 Bs. Tbn.
Bs. Tbn. Tba. gl. Timp. T.-t.
Conga Dr.
T.-t.
Sus. Cym.
Vibra Slap
1 Timp.
gl.
damp
Chinese Cym.
poco
Perc. 2 Timp. Trg.
S. Dr. (on rim)
3
gl. Pno.
gl.
Pno.
gl.
gl. Hp.
E F G A DC B
Vivo
C
C
gl.
= 72
pizz.
I Vn. pizz. II pizz. Va.
Vc. pizz. Cb.
93 6 Picc.
1 Fl. 2
1 Ob. 2 soli E.H. poco 1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
a2 soli, (open)
Hn. in F
1 3 poco a2 soli, (open) 2 4 poco con sord. 1
Tpt. in C
con sord. 2 3 con sord.
Tbn.
1 2 Bs. Tbn., con sord.
Bs. Tbn. Tba.
Timp.
Vibra Slap
(pick up Cabaza)
T.-t.
Conga Dr.
Cabaza
1 poco Shaker Perc. 2 poco T.Blk.
Bongos
3 poco
Pno.
Pno.
Hp.
arco I Vn. arco II
arco Va.
arco Vc.
Cb.
94 12 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
(a2)
Hn. in F
1 3 (a2) 2 4 (con sord.) 1
Tpt. in C
(con sord.) 2 3 (con sord.)
Tbn.
1 2 (Bs. Tbn., con sord.)
via sord.
Bs. Tbn. Tba.
Timp. Conga Dr.
Conga Dr.
T.-t.
Cabaza
1 Timp.
Shaker
Perc. 2 (Bongos) 3
Pno.
Pno.
Hp.
C
I Vn. II
Va.
Vc.
(pizz.) Cb.
arco
pizz.
95 16 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn.
2
Cbn.
gl.
Hn. in F
1 3 gl. 2 4 via sord. 1
Tpt. in C
via sord. 2 3 via sord.
Tbn.
1 2
Bs. Tbn. Tba.
gl.
Timp. Conga Dr.
T.-t.
Conga Dr.
T.-t.
1 Timp.
Shaker
gl.
Perc. 2 Bongos
Trg.
S.Dr., rim
3
Pno.
Pno.
gl. F
Hp.
F C
C
I Vn. II
Va.
Vc. arco Cb.
96 21 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
(a2)
gl.
(a2)
gl.
1 3
2 4 brassy
norm.
brassy
norm.
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Conga Dr.
Sus. Cym. 1 Chinese Cym.
poco Claves
Perc. 2 (Timp.) Bongos
Tamb.
3
gl. Pno.
gl.
Pno.
gl.
gl.
Hp.
gl.
I Vn. II
Va.
Vc.
Cb.
97 25 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 poco 2 4 brassy
poco
1 Tpt. in C
brassy 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2 (Tamb.) fist
knee
3 poco
Pno.
8va
Pno.
Hp.
I Vn. II
Va.
Vc.
Cb.
98 29 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn. (a2)
Hn. in F
1 3 (a2) 2 4 (brassy)
norm.
(brassy)
norm.
1 Tpt. in C
a2
2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
(Conga Dr.)
T.-t., on metal side of drum
1 (Claves)
Timp., rim
Perc. 2 (Tamb.) 3
Pno.
Pno.
Hp.
div.
unis.
div.
unis.
I Vn. II div. Va.
Vc.
Cb.
Chinese Cym.
99 33 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C a2 2 3 a2 Tbn.
1 2
Bs. Tbn. Tba.
Timp. Cabaza
Sus. Cym. 1
Cowbells
Chinese Cym. Perc. 2 Timp. Shake
S.Dr., rim
(hit)
3
Pno.
8va
Pno.
Hp.
div.
div. a3, pizz.
I Vn.
div. a3, pizz. II
Va.
Vc. pizz. Cb.
arco
100 38 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn. (a2)
Hn. in F
1 3 (a2) 2 4
1 Tpt. in C
a2 2 3 (a2)
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Cabaza 1 Timp.
Cowbells
Perc. 2 S.Dr.
Trg.
3 sopra
Pno.
loco
8
Pno.
Hp.
div a3, arco
pizz.
I div a3, arco
Vn.
pizz. II
pizz.
arco
Va.
pizz.
arco
Vc.
pizz. Cb.
arco
101 42 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
tune B to A Timp. T.-t.
Conga Dr.
1 Finger Cym.
Timp. Perc. 2 Tamb. 3
Pno.
Pno.
Hp.
arco
pizz.
I Vn. arco II
Va.
Vc.
Cb.
pizz.
T.-t.
102 46 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn. (a2)
Hn. in F
1 3 (a2) 2 4
1 Tpt. in C 2 3 (a2) Tbn.
1 2
Bs. Tbn. Tba.
Timp. Sus. Cym.
(T.-t.)
Cabaza
1 Guiro
Shaker
Perc. 2 S.Dr., on head, snares off
Trg., hold in hand
3
Pno.
8va
Pno.
8va
A C
Hp.
A
div a3, arco
unis., pizz.
I
Vn.
div a3, arco
unis., pizz.
II
pizz. Va. pizz. Vc. pizz. Cb.
finger damp
103 51 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Cabaza 1 Shaker Perc. 2
Trg. 3
Pno.
8
Pno.
loco
8
Hp.
G
I Vn. II
Va.
Vc.
Cb.
sempre l.v.
A
104 55 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 con sord. 1
Tpt. in C
con sord. 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Quica
(Cabasa) 1 (Shaker) Perc. 2
(Trg.)
S.Dr., rim
3
Pno.
8
Pno.
8
(sempre l.v.)
Hp.
(pizz.) I Vn.
(pizz.) II (pizz.)
Va. (pizz.) Vc. (pizz.) Cb.
loco
105 59 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 con sord.
via sord.
con sord.
via sord.
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Quica
Conga Dr.
Conga
1 Guiro
Cowbell
Guiro
Perc. 2
3
Pno.
loco 8ba
8ba
loco 8ba
loco
Pno.
8va
loco
Hp.
D
G
A
G
D
pizz.
arco
loco
arco
I Vn.
pizz. ord.
div.
pizz. ord.
pizz. ord.
II
pizz.
arco
arco
Va.
pizz. ord.
pizz. ord.
pizz. ord.
pizz. ord.
Vc.
Cb.
106 65 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3
2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Sandpaper blocks 1
Guiro
Claves
Perc. 2
(S.Dr.)
Bongos
3
Pno.
Pno.
Hp.
pizz. 1 solo
arco
I gli altri Vn.
(div., pizz.)
unis., arco
II div., arco
pizz. Va.
(pizz.)
arco
(pizz.)
arco
Vc.
Cb.
Tamb., play on table with same sticks
107 70 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn. a2
Hn. in F
gl.
1 3 a2
2 4
gl.
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
Sus. Cym.
T.-t.
1 Chinese Cym. Perc. 2 Bongos
Bongos, with sticks
S.Dr., on head, snares on
3
Pno.
8va
loco
Pno.
Hp.
C
(solo) tutti, unis. I gli altri div.
Vn.
div.
unis.
II
unis. Va.
Vc.
Cb.
108 75 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn. (a2)
Hn. in F
1 3 (a2) 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
tune A to B Timp. (T.-t.)
Conga Dr., with stick
T.-t.
1
Shaker Perc. 2 (Bongos)
T.Blk.
Bongos
3
Pno.
Pno.
Hp.
8va
I Vn. II
Va.
Vc.
Cb.
109 79 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Conga Dr.
Sus. Cym., with wood handle
1
Perc. 2
Trg., with same stick
S.Dr., rim
3
Pno.
Pno.
Hp.
C
8
I Vn. II
Va.
Vc.
Cb.
F C
110 83 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
gl.
gl.
gl.
gl.
1 3
2 4
1 Tpt. in C 2 3
Tbn.
1 2 Bs. Tbn.
Bs. Tbn. Tba.
Tamb., on table
gl. Timp. T.-t.
Conga Dr.
T.-t.
1 Timp.
gl.
Chinese Cym.
Perc. 2 Trg.
S.Dr., rim
Police Whistle
3 poco
Pno.
8ba
gl.
Pno.
gl.
gl.
Hp.
gl.
loco I Vn. II
Va.
Vc.
Cb.
C
F gl.
111 87 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3
2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Sus. Cym., with metal rake 1 Timp.
Cowbells
Perc. 2 Whip 3
Pno.
8
Pno.
Hp.
I Vn. II
Va.
Vc. legato eroica Cb.
Agogo Bells
112 91 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3
2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba. (Tamb.) Timp. (Sus. Cym.) 1 (Cowbells)
Finger Cym. (susp.)
Cowbells
Perc. 2 (Agogo Bells)
Trg.
Agogo Bells
3
Pno.
8
Pno.
Hp.
F
unis. div.
unis. div.
unis. div.
I Vn. div.
unis.
div.
div.
unis.
div.
unis.
div.
unis.
div.
unis.
II
Va.
Vc.
Cb.
unis.
113 95 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C
a2 2 3
Tbn.
1 2
Bs. Tbn. Tba.
(Tamb.)
Timp.
Timp.
T.-t. 1
Perc. 2
Trg.
Agogo Bells
3
Pno.
8
Pno.
Hp.
F
unis.
div. a3, pizz. arco
div. I Vn. div.
unis.
div.
unis.
II
Va.
Vc.
Cb.
div. a3, pizz.
arco
114 99 Picc.
1 Fl.
2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Sus. Cym.
Cabaza
1
Timp.
Shaker
Perc. 2 Trg., held in hand (damp with finger)
S. Dr., (on head), snares off 3
Pno.
8va 8
Pno.
8va
D
Hp.
(div. a3)
D
unis., pizz.
I (div. a3)
Vn.
unis., pizz. II
unis., pizz. Va.
pizz. Vc.
pizz. Cb.
C
115 103 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1
Perc. 2
3
Pno.
8
Pno.
8
D
Hp.
I Vn. II
Va.
Vc.
Cb.
116 107 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 con sord. 1
Tpt. in C
con sord. 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. (Cabaza)
Quica
1 (Shaker) Perc. 2 (Trg.)
S. Dr. (rim)
3
Pno.
8va
Pno.
8
Hp.
(pizz.) div. I Vn. (pizz.) II (pizz.) Va.
(pizz.) Vc. (pizz.) Cb.
117 111 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Quica
Conga Dr.
Quica
1 Guiro
Cowbell
Perc. 2
3
Pno.
8ba
loco
Pno.
Hp.
G
div., arco
D
C
C
pizz.
arco
pizz.
arco
I Vn. div. II
arco Va. pizz., ord.
pizz., ord.
pizz., ord.
pizz., ord.
Vc.
Cb.
118 116 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 via sord. 1
Tpt. in C
via sord. 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Conga
Sandpaper Blocks
1
Guiro
Claves
Perc. 2
S. Dr.
Bongos with sticks
Tamb. (on table, with same sticks)
3
Pno.
loco
8
Pno.
8va
Hp.
G
loco
C
8va
1 solo
Vn. I
gli altri
(div.)
(div., pizz.)
arco
pizz. ord.
Vn. II
Va. (pizz.)
arco
(pizz.)
arco
Vc.
Cb.
119
8va
121 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn. a2
Hn. in F
gliss.
1 3 a2 2 4
gliss.
open 1 Tpt. in C
open 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Sus. Cym.
T.-t.
1 (Claves)
Ch. Cym.
Perc. 2 (Tamb.)
Bongos
S. Dr. (on rim)
3 poco
Pno.
8va
Pno.
Hp.
loco
8
solo Vn. I unis. gli altri
unis. Vn. II div. unis. Va.
Vc.
Cb.
120 126 Grandioso, poco allarg. Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
a2 Hn. in F
1 3 a2 2 4 1
Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
Sus. Cym. 1
Perc. 2 Crash Cym. 3
Pno.
Pno.
Hp.
gl.
Grandioso, poco allarg. 8va
8va
loco
solo Vn. I
div. a2
div. a3
unis.
div. a2
div. a3
unis.
unis.
div. a2
div. a3
unis.
div. a2
div. a3
unis.
div. a2
div. a3
unis.
div. a2
div. a3
unis.
div. a2
div. a3
gli altri
Vn. II
Va.
Vc.
Cb.
unis.
div. a2
div. a3
121 ritard. molto
130
a tempo
Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3
2 4 1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
Sus. Cym. 1 Chinese Cym. Perc. 2
3
Pno.
15ma
to Amplified Harpsichord
Pno.
Hp.
gl.
ritard. molto
a tempo
8va
loco
al tutti
solo Vn. I
unis.
div. a2
div. a3
unis.
unis.
div. a2
div. a3
unis.
div. a2
div. a3 unis.
div. a2
div. a3
unis.
div. a2
div. a3
unis.
div. a2
div. a3
gli altri
Vn. II
Va.
Vc.
Cb.
div. a2
div. a3
unis.
div. a2
div. a3
122 135 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
(a2) Hn. in F
1 3 (a2) 2 4
1 Tpt. in C
2 3 a2
Tbn.
1 2 Bs. Tbn.
Bs. Tbn. Tba.
Tamb. (shake)
hit.
Timp.
(Sus. Cym.)
Conga Dr., with hands
put sticks down
1
Chinese Cym.
Timp.
Timp.
Perc. 2
Crash Cym.
S. Dr. (on head, snares on)
3
Pno.
Amplified Harpsichord
Hpsch.
Hp.
sempre l.v.
(div. a3) div. a2 I (div. a3)
Vn.
unis. II
Va.
Vc.
Cb.
123 139 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3 2.
1. Tbn.
2.
1.
1 2 Bs. Tbn.
Bs. Tbn. Tba.
(Timp.)
Tamb.
Tamb.
Timp. poco
*Timp.
1
Shaker
Timp.
Shaker
Timp.
Perc. 2
3 cresc.
cresc.
Pno.
loco
loco
8ba
8ba
Hpsch.
8va
Hp.
I Vn. II
Va.
Vc.
Cb. *Strike Timpano with both Tambourine and mallet.
loco
8va
loco
124 143 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn. (a2)
Hn. in F
1 3 (a2) 2 4 1
Tpt. in C
2 3 2.
1. Tbn.
1.
1 2 Bs. Tbn. Tuba
Bs. Tbn. Tba. (Tamb.)
Tuba (Tamb.)
(Tamb.) Timp. (Timp.)
(Timp.)
(Conga Dr.) 1 (cresc.) (Shaker)
Timp.
cresc. Timp.
Shaker
Perc. 2 (Sus. Cym.) 3 (cresc.)
cresc.
Pno.
loco
Hpsch.
8va
8va
Hp.
div. a3 8va
I Vn.
div. a3 II
Va.
Vc. arco Cb.
loco
125 147 Picc.
1 Fl.
2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C
Tbn.
2 3 1.
1.
Tuba
Tuba
1 2
Bs. Tbn. Tba. (Tamb.) Timp. Sus. Cym. 1
Shaker
Brass Wind chimes
Shaker
Timp.
Perc. 2
3 (cresc.)
Pno.
Hpsch.
8va
loco
8va
loco
Hp.
8
I Vn. II
Va. div. Vc.
Cb.
126 151 Picc.
1 Fl.
2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 (a2) 2 4
1 Tpt. in C
2 3 (1.)
Tbn.
1 2 Tuba
Bs. Tbn. Tba.
(Tamb.) Timp. Crotales, three sticks 1
(Brass Wind chimes) Perc. 2 Cowbells
(Timp.)
Agogo Bells
3 8va
Pno.
Hpsch.
loco
8va
sempre
Hp.
(div. a3)
loco unis.
(div. a3)
unis.
8
I Vn. II div. Va. unis. Vc.
Cb.
8va
127 poco rit.
155 Picc.
1 Fl.
2
1 Ob. 2
E.H. molto espr. 1 Cl. in B
2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
1 3 2 4 1
Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1 Vib.
l.v. Perc. 2
poss., lontano 3
loco
8va
Pno.
to Piano Hpsch.
loco
8va
loco
Hp.
poco rit. I Vn. II
Va.
Vc.
Cb.
128 160 meno mosso Picc.
1 Fl. 5
2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. dolce 2
Cbn.
Hn. in F
1 3 2 4
1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp.
1 (Vib.) Perc. 2
3 8
Pno.
Pno.
Hp.
meno mosso I Vn. II
Va.
pizz., molto vib. Vc.
Cb.
164 rit.
129
a tempo
Picc.
1 Fl.
2
1 Ob. 2
E.H.
1 Cl. in B 2
Bs. Cl.
1 Bn. 2
Cbn.
Hn. in F
gl.
1 3
gl.
2 4 1 Tpt. in C 2 3
Tbn.
1 2
Bs. Tbn. Tba.
Timp. Crotales
Sus. Cym.
1 (Vib.) Perc.
Timp.
2 (Trg.)
Glock.
Tamb., hit
3 8
l.v.
Pno.
l.v.
8va
Pno.
8va
loco
swirling gliss.
F
Hp.
rit.
a tempo
8va
loco
1 solo
div.
Vn. I gli altri
unis.
1 solo
unis.
Vn. II gli altri 1 sola
unis.
Va. le altre solo Vc. gli altri Cb.
unis.