BAUCKHOLT
Atempause
für Orchester
Partitur
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CAROLA BAUCKHOLT
Atempause
für Orchester (2000/2001)
Partitur (Faksimile der Komponistin)
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Kompositionsauftrag des Europäischen Musikmonats 2001 für die Basel Sinfonietta
Uraufführung:
15. September 2001, Stadtcasino, Basel Basel Sinfonietta, dirigiert von Muhai Tang
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Carola Bauckholt
Atempause
3 F lutes (1. doubling P iccolo, 2. and 3. doubling B ass F lute (if possible))
2 O boes
2 C larinets
1 B ass C larinet
2 B assoons
1 C ontrabassoon
2 T rumpets (1. doubling P iccolo with harmon -, straight mute, cup and wah -wah)
4 H orns
3 T rombones (with straight mute, cup and wah -wah)
1 T uba
P ercussion 1 (back right)
- thin water jet in water bucket (e.g., large watering can with thin spout, pour at a great distance, or pour water from a vessel e.g., a screw -top jar with a hole in the lid into a bowl from a great distance, as clearly visible as possible)
- strongly muffled gong
- 2 deep wooden sounds (wooden drums, one very deep)
“ steps in gravel” (fill large base with shells, walk on it crunching)
- rub card board box on resonance box
- with soft brush fleetingly wipe over large natural skin
- 2 glasses ("h" and "f"), are made to sound by rubbing them (the glass should be a little higher so that it can be tuned with little water)
- tube of hard rubber o 3 -4 cm; is beaten on a stone, e.g. Tricoflex Nobel about 60 cm
- imitate Bartok pizzicato sound of double basses e.g. rod is beaten on wood
Percussion 2 (middle)
- with soft brush fleetingly wipe over large natural skin
- wooden guero
- strongly muffled gong
- middle rattle ( single impulses)
- tam -tam
- grooved stick (turned wooden stick) on wooden table or re so nance box or empty b ottle cas e (snore)
- wipe styrofoam piece along rough wooden plate (like breathe)
- wipe 2 soft brushes (light, dark) along rough wooden plate
- crash cymbal (high, hard, immediately dampen)
- tube of hard rubber o 3 -4 cm; is beaten on a stone, e.g. Tricoflex Nobel about 60 cm
- imitate Bartok pizzicato sound of double basses e.g. rod is beaten on wood
P ercussion 3 (back left)
- big knack frog
- Cabassa
- wind -up sound (fine metal rattling) run over metal with coarse metal chain
- with soft brush fleetingly wipe over large natural skin
- low timpani (downward glissando like muffled moan) e.g. c sharp-A 2
- 2 glasses ("h" and "f"), are made to sound by rubbing them (the glass should be a little higher so that it can be tuned with little water)
- tube of hard rubber o 3 -4 cm; is beaten on a stone, e.g. Tricoflex Nobel about 60 cm
- imitate Bartok pizzicato sound of double basses e.g. rod is beaten on wood
- scratching on bongo with fingernail
1 H arp
12 - 14 V iolins I
10 - 12 V iolins II
8 -10 V iolas
6 - 8 V ioloncellos
5 - 6 D ouble B asses (4 strings)
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Edition Peters
For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. B ach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to expand its catalogue with new works by composers such as Brahms, Grieg and Liszt, followed in the 20th century by Richard Strauss, Arnold Schoenberg and John Cage.
Today, with its offices in Leipzig, London and New York publishing the work of living composers from around the world, Edition Peters maintains its role as a champion of new music. At the same time, the company’s historic and educational catalogues continue to be developed with awardwinning critical and pedagogical editions.
Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Musik für Tasteninstrumente. Schon 1802 kamen die Rechte an Beethovens erster Sinfonie hinzu. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt sowie – im 20.Jahrhundert – Richard Strauss, Arnold Schönberg und John Cage.
Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters mit ihren Standorten Leipzig, London und New York auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.
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