BAUCKHOLT
Coo-Cooooo-Coo?
Where, where?
for Soprano, Violin and Animation by
Elizabeth Hobbs
ISSUU Version
For perusal only
ISSUU Version
CAROLA BAUCKHOLT
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Coo-Cooooo-Coo? Where, where?
for Soprano, Violin and Animation by Elizabeth Hobbs
(2023/24)
For Juliet Fraser and Hannah Weirich
Gefördert durch ein Künstlerstipendium im Rahmen der NRW-Corona-Hilfen mit Unterstützung der Ernst von Siemens Musikstiftung für die Bludenzer Tage zeitgemäßer Musik
EDITION PETERS
LEIP ZI G · L ONDO N · NE W YOR K
Cues for the animation
ISSUU Version For perusal only
1. MOTHS
Cue: bar 28, around min. 1:12, with the third start of a pigeon
2. HEDGEHOGS
Cue: bar 46, around min. 1:57, Hannah starts the third chord alone
3. OWL
Cue: bar 75, around min. 3:21, after the second deep motive which sounds like an ape
4. SILENT OWL
Cue: bar 102, around min. 5:11, after the first loud Hawk Owl from the singer
5. PIGEONS
Cue: bar 130, around min. 6:50, after third accent of both, with the soft violin
6. MATING
Cue: bar 172, around min. 8:34, after the fourth motive of the Laugh Dove
7. GIBBONS
Cue: bar 215, around min. 10.56, after 3 periods of Blackbird, some Gibbons and than left hand pizz+chord of the violin.
8. GIBBON TEETH
Cue: bar 225, around min. 11.25, after 2 periods of Blackbird, with the third period
9. MAMMOTHS
Cue: bar 280, around min. 13.38, second longer phrase Ululation starts
10. WORM
After singers slow gibbons, after the first violin note from the end choral
11. FEET
Cue: bar 369, around min. 18:03, after singing like a cow.
Version
6. Soft swing to the right and left with the body. Singer sniffles like n excited hedgehog
For perusal only
1 Walk on stage 5 and let swing.
ISSUU Version
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Uraufführung am 27. September 2024 bei den Bludenzer Tagen zeitgemäßer Musik durch Juliet Fraser (Sopran) und Hannah Weirich (Violine)
ISSUU Version For perusal only
POSITION 9
Coo-Cooooo-Coo?
Where, where?
Gefördert durch ein Künstlerstipendium im Rahmen der NRW-Corona-Hilfen mit Unterstützung der Ernst von Siemens Musikstiftung für die Bludenzer Tage zeitgemäßer Musik
For Juliet Fraser and Hannah Weirich For Soprano, Violin, and Animation by Elizabeth Hobbs
IMPRO ULULATION AS A RESPONSE TO THE FRIGHT
ULULATION CRI-ET-JEU-DE-SANZA face the audience
Turn around to the soprano with some steps backwards, wondering what is behind you, and play with her.
Carola Bauckholt (2024)
For perusal only
ISSUU Version
For perusal only
For perusal only
Whistle, sounds one octave higher
ISSUU Version
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Version
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Version
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ISSUU Version
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go on, impro, till the mammoth, break off, look at the screen when it appears, frightened and amazed
tss
create false beatings with vowel
ISSUU Version
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When you see it, be silent. When it's away, collapse starts
Sound on video: 15'41 till 16':06
IMPRO Hyena, it bites and fights with baby Mammoth, panic among the parents
IMPRO Hyena, it bites and fights with baby Mammoth, panic among the parents
ISSUU Version For perusal only
GIBBONS SLOW MOTION
End of sound on video: 16'56 loud mix of collapse
Sound on video: 17'38 - 17:52 gliss like the worm
GIBBONS SLOW MOTION
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ISSUU Version
For perusal only
ISSUU Version
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Carola Bauckholt
Carola Bauckholt was born in Krefeld, Germany, in 1959.
She has received numerous residencies and prizes such as the Bernd Alois Zimmermann Scholarship from the city of Cologne (1986) and a residency at the Villa Massimo in Rome (1997). She was also awarded the German Composers Prize in 2010 by GEMA within the experimental music category and was invited for a three-month stay at the Villa Aurora in Los Angeles in 2021.
In 2013, she was elected as a member of Akademie der Künste in Berlin. In 2015, she was appointed as professor of composition at the Anton Bruckner Privatuniversität in Linz, Austria, focusing on contemporary music theatre.
A central theme of Bauckholt’s work is the examination of the phenomena of perception and understanding. Her compositions often blur the boundaries between visual arts, musical theatre and concert music.
Carola Bauckholt wurde 1959 in Krefeld geboren.
Sie erhielt zahlreiche Stipendien und Auszeichnungen, z.B. 1986 das Bernd Alois Zimmermann- Stipendium der Stadt Köln oder 1997 den Aufenthalt in der Villa Massimo in Rom. 2010 wurde ihr in der Kategorie Experimentelle Musik der Deutsche Musikautorenpreis der GEMA verliehen. Für 2021 wurde sie für eine 3-monatige Residenz in der Villa Aurora in Los Angeles eingeladen.
2013 wurde sie zum Mitglied der Akademie der Künste in Berlin gewählt. 2015 wurde sie zur Professorin für Komposition / Schwerpunkt zeitgenössisches Musiktheater an die Anton Bruckner Privatuniversität in Linz, Österreich berufen.
Ein zentrales Moment der Werke von Carola Bauckholt ist das Nachdenken über das Phänomen der Wahrnehmung und des Verstehens. Ihre Kompositionen vermischen oft Elemente aus visueller Kunst, Musiktheater und konzertanter Musik.