Augusta Read Thomas
DANCING GALAXY for wind ensemble
Full score
from the G. Schirmer Rental Library Date of Printing_________
G. Schirmer, Inc. New York, NY
Augusta Read Thomas
DANCING GALAXY for wind ensemble
This is an arrangement of a work originally commissioned by the National Symphony Orchestra of Washington, DC. The preparation of the wind band version of Dancing Galaxy was supported in part by a grant from the College Band Directors National Association.
G. Schirmer, Inc. New York, NY
Instrumentation 1 Piccolo 3 Flutes 2 Oboes 1 English Horn in F 4 Clarinets in B=(II doubles contra bass Clarinet in B=; III doubles E= Clarinet; and IV doubles Bass Clarinet in B=) 2 Bassoons 1 Contrabassoon 4 Soprano Saxophones in B= 2 Alto Saxophones in E= 2 Baritone Saxophones in E= 4 Horns in F 3 Trumpets in C 2 Trombones 1 Bass Trombone 1 Tuba Timpani Percussion (3 players) I. Crotales, Marimba, Glockenspiel (share with Percussion II), Suspended Cymbal, Extra large Tam-tam. II. Vibraphone (motor off), Xylophone, Glockenspiel (share with Percussion I), 2 Conga Drums. III. Tubular Chimes, Suspended Cymbal, Large and Small Triangles, Claves, 2 Bongos, Extra large Bass Drum.
Piano (Celesta; if no Celesta available play whole part on Piano) Harp 4 String bass (needed: low C extension)
duration ca. 11 minutes Transposed Score Grace notes come before the beat Throughout the work players should stagger breathe and/or breathe when necessary.
Program Note DANCING GALAXY opens in the lowest register of the wind ensemble in a timeless, floating, and gradually rising tune, which for a brief moment unfolds an impression of the massive, enduring universe. A timeless galaxy is upon us but steadily this music reaches upward and gains momentum, pushing through majestic, fanfare-like music, until it arrives at a driving, relentless dance. This is Galaxy Dance #1. Punchy repeated rhythms propel the dance while a counter tune hammers with hard accents against the forceful rhythm; all the while, brass fanfares challenge the flow, always asymmetrically, and with great passion. This “drama” is briefly interrupted by a florid and fiery passage led by a clarinet, before it returns and surges to its final climax. Galaxy Dance #1 is over. Immediately a second dance begins. This is also rhythmic in nature and starts in a unison rhythm between the piano and the horns, with accents thrown in by the lower instruments, in intense, pointed strikes. The earlier clarinet line (from Galaxy Dance #1) now reappears in transformed guise played by the saxophones and oboes above the energized, lower, rhythmic pulse. The motor rhythms are never the same twice, imparting a restless energy. Galaxy Dance #3 is characterized by a long trumpet solo, against which the band passionately spins a web of counterpoints. It is worth stating here that the core of this entire composition’s soul is found not primarily in rhythm or harmony, but in counterpoint - not simply in its conventional musical sense as the art of combining melodies, but in a rhetorical sense as the evocation of opposition. Counterpoint, I believe, is much more than a matter of texture or technique; it is this music’s central metaphor. We hear a brief rise from the lowest registers of the ensemble before Galaxy Dance #4 begins. This final dance features the lower instruments and the timpani in a funky, insistent, asymmetrical groove. A coda in the lowest register of the band returns to where the composition began, in an ageless, suspended galaxy. This work is a version of my GALAXY DANCES for orchestra. —Augusta Read Thomas
dedicated with admiration and gratitude to Frank Battisti
DANCING GALAXY for Wind Ensemble Augusta Read Thomas (2004)
Spacious, mysterious = 60 (like a timeless galaxy) Piccolo
1
Flute
2
3
1 Oboe 2
English Horn
1
Contrabass Clarinet 3
2 (Contrabass Clarinet) Clarinet in B
Clarinet in B
to Clarinet in B
3 (E Clarinet)
(Bass Clarinet)
warm
lyrical 1.
Bassoon
1 2 3
lyrical
Contrabassoon
1 2 Soprano Saxophone in B 3 4
Alto Saxophone in E
1 2
Baritone Saxophone 1 in E 2
Spacious, mysterious = 60 (like a timeless galaxy) 1 2 Horn in F 3 4
1
Trumpet in C
2
3
Trombone
1 2
Bass Trombone Tuba Timpani Very large Tamtam 1 l.v. molto Percussion
2
3
Piano (Celesta)
Harp
D C B /E F G A
3
Contrabass
Corrected 2/05
Copyright Š 2004 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library 445 Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 10 Picc.
1
Fl.
2
3
1 Ob. 2
E.H. espr. Cl. in B
1
3
3
C.Bass Cl.
3
3
Bs.Cl. espr.
Bn.
1.
1 2
3 3
espr.
3
Cbn.
1 2 Sop. Sax. in B
3 4
1. Alto Sax. 1 in E 2
3
espr.
1.
Bari. Sax. 1 in E 2
3
espr. 1 2 Hn. in F 3 4
1
Tpt. in C
2
3
Tbn.
1 2
Bs. Tbn. solo Bs.Tbn. Tba.
3
dark and lyrical Timp. (L. Tam.) 1 l.v. molto Perc.
2
3
Pno.
Hp.
3
Cb.
3
div.
3 Majestic, with fanfare = 88–92
accel.
18 Picc.
3
1
Fl.
2
6
6
6
6
3
1 3
Ob.
6
2 6
3
E.H. lyrical
3
Cl. 1 in B 6 3
to B Clarinet
C.Bass Cl.
Cl. 3 in B 3 3
Bs. Cl.
6 3
(1.)
Bn.
1 2 3
espr.
Cbn. a2
1. 1 2
3
intense
Sop. Sax. in B
6
a2
3 4
3
dramatic (1.)
6
a2
3
Alto Sax. 1 in E 2 6
(1.) Bari. Sax. 1 in E 2 sub.
6
6
(1.)
3
accel.
1. solo
1 2 Hn. in F
Majestic, with fanfare = 88–92
3
espr. 3 4 1
Tpt. in C
2
3
Tbn.
1 2
Bs.Tbn. Tba. Timp.
1
Vibraphone Perc.
3
2 Ped.
Ped.
Tubular Chimes
3 Ped. Piano
Pno.
non arpegg.
B A Hp.
unis. Cb. 3
D F
6
4 24 Picc.
1 3
3
3
3
Fl.
2
6
6
6
6
6 3
3
3 6
6
6
6
6
3
1 Ob. 2
E.H.
1 B Clarinet Cl. in B
2 sub. 3
Bs.Cl.
Bn.
1 2
Cbn.
1 3
3 3
3
3
3
3
3
2 Sop. Sax. in B 3
4 (a2) Alto Sax. 1 in E 2
1. 6
6
6
6
6
6
6
6
6
3
a2
3
Bari. Sax. 1 2 in E a2 1 2 Hn. in F
a2
3
3 4 3 3
1 3
3 3
Tpt. in C
3
3
2
3 3
3 3
Tbn.
1 2
3
Bs. Tbn. Bs.Tbn. Tba.
Timp.
Marimba 1
(Vib.) Perc.
2 Ped. (Tub. Chimes)
Bass Drum
3
Pno.
D C B F G Hp.
Cb.
Ped.
3
3
5 28
solo
Picc.
5
1
3
5
2
6
6
3
energized
Fl.
6
3
sub.
5
6
3
energized
3
6
3
energized
6
solo 1 5 3
Ob. 2 6
sub.
E.H. 6 6
3
1 5 5
Cl. in B
3
2
3 3
Bs.Cl.
1. Bn.
1 2
3
3
3
sempre Cbn.
1 3
sub
6
6
6
6
6
6
sempre
2 Sop. Sax. in B
sempre 3
4
a2
a2
Alto Sax. 1 in E 2 1.
1.
a2
Bari. Sax. 1 2 in E
3
a2 Hn. in F
3 3
3
1 2 (a2) 3 4 bold 3
1 bold Tpt. in C
poss.
2 bold 3
3 bold 1. solo Tbn.
1 2 bold bold
Bs. Tbn. to st. mute
solo Bs.Tbn. Tba. solo bold Timp.
Suspended Cymbal 1 (Vib.) Perc.
2 sub. Ped. (B.D.)
Claves
3
3
secco
Pno.
5
3
energized
8va
Hp.
Cb.
(D C B /E F G A)
F G
(D C B /E F G A)
D
3
6 Driving, relentless, dancing
= 132
33 Picc.
1
Fl.
2
3
1 Ob. 2
E.H.
3
1
Cl. in B
3
2
3
Bs.Cl.
Bn.
1 2
Cbn.
a2 1 2 Sop. Sax. in B
a2 3 4
Alto Sax. 1 in E 2
a2
3
a2 Bari. Sax. 1 in E 2
3
Driving, relentless, dancing (a2)
= 132 soli
3
1 2 Hn. in F
sub. a2 3 4 3
solo
sub.
sub.
3
solo
1
punchy Tpt. in C
3
2 sub. 3 solo
1. solo 1. solo Tbn.
1 2
3
st. mute
punchy Bs. Tbn.
remove mute
Bs.Tbn. Tba.
3
Timp. (Sus. Cym.)
Marimba
1
Glock. Perc.
Vibraphone
2 Ped. B.D.
(B.D.)
3
Pno.
secco
F Hp.
Cb.
7 40 Picc.
1
Fl.
2
3
3
1
Ob. 3
2
E.H.
solo 1
Cl. in B
2
3
Bs.Cl.
Bn.
1 2
3
sub. Cbn. a2 (a2) 1 2 a2
Sop. Sax. in B
(a2) 3 4 a2
a2
Alto Sax. 1 in E 2
Bari. Sax. 1 2 in E
3
1. solo
2.
1.
a2 3
3
1 2 3
Hn. in F
(a2)
4.
3
sub. 3
3 4 sub. 3
3
1 3
Tpt. in C
3
3
2
3 a2 1. solo Tbn.
2.
1 2
3
3
Bs. Tbn. without mute
Tba.
Bs.Tbn. Tba.
3
3 3
3
Timp.
(Mar.) 1
(Vib.) Perc.
2 Ped. (B.D.) 3
8va
Pno.
Hp.
Cb.
D B F
(D C B/E F G A)
A
F
8 46 Picc. 3
3
1 3
3
Fl.
2 3
3
3
1 Ob. 2
E.H. 3
1 3 3
3
Cl. in B
3
3
3
3
3
3
2
3
3
3
3
Bs.Cl. 3
3
3
3
3
1. Bn.
1 2
3
3
3
3
3
3
3
3
3
3
Cbn.
a2 1 2 Sop. Sax. in B
a2 3 4 3
3
3
a2
Alto Sax. 1 in E 2
3
3
3
3
3
3
3
3
3
Bari. Sax. 1 in E 2 3
3
3
3
a2 soli
1. 1 2 Hn. in F
3.
3
a2
3
3 4 3
3
solo 1
3
3
Tpt. in C
3
2
3
3
3
3 3
3
3
3
3
3
3
3
3
1. Tbn.
1 2
3
3
3
3
3
3
Bs. Tbn. Bs.Tbn. Tba.
3
3
3
3
a2 3
Bs. Tbn.
3
3
Timp.
1
Perc.
2
3
8
Pno.
Hp.
D B
pizz. Cb. 3
3
3
3
div. (pizz.)
3
3
3
9 51
3
Picc.
1
3
sub. 5
Fl.
2 3
3 3
3
3
3
3
1 3
3
3
sub.
Ob. 2
3
3
3
E.H. 3 5
1 3
3
sub. Cl. in B
5
2 3
to E Clarinet 3 3
Bs.Cl.
Bn.
1 2
Cbn. (a2) 1 2 Sop. Sax. in B
3
3
sub.
sempre
sub.
sempre
(a2) 3 4
3
3
a2 Alto Sax. 1 in E 2
3
sempre
a2 Bari. Sax. 1 in E 2 sempre
(a2) 3
1 2 3
Hn. in F
(a2)
3
3
a2
3 4 sempre
3
3 3
1 3
3
3
3
Tpt. in C
3
3
3
3
2 3 3
3 3
3
3 3
3
2. Tbn.
1 2
3
1. 3
3
3
3
3
3
3
3
(Bs. Tbn.) Bs.Tbn. Tba. 3
3
Timp. (Mar.) 1 3
(Vib.) Perc.
2 3
Ped.
Ped.
Tubular Chimes 3 3
Ped.
Ped.
3
Pno.
(D C B /E F G A )
Hp.
unis. (pizz.) Cb.
A
10 56 Picc.
1
Fl.
2
3
1 Ob. 2
E.H. optional bell–up for next 16 bars solo 1 Cl. in B
3
playful, dramatic, almost jazzy 2 solo E Clarinet
E Cl.
3
sempre
sub.
Bs.Cl.
Bn.
1 2
Cbn.
a2 Sop. Sax. in B
1 2
3
a2 3 4
a2 Alto Sax. 1 in E 2 a2 Bari. Sax. 1 in E 2
Hn. in F
1 2 a2 3 4 solo 1 poss.
solo Tpt. in C
2
3
1. Tbn.
1 2
Bs.Tbn. Tba.
Timp.
Suspended Cymbal 1
(Vib.) Perc.
2 Ped. (Tub. Chimes) 3 Ped.
Pno.
C E Hp.
Cb.
C E F A
11 63 Picc. 3
3
3
3
sempre sub.
1 3
Fl.
2
3
1 3
Ob. 2
E.H.
1 3
Cl. in B
3
3
3
3
sempre sub.
2
E Cl.
Bs.Cl.
Bn.
1 2
Cbn.
(a2)
a2
1 2 Sop. Sax. in B
(a2) 3 4
1.
a2
Alto Sax. 1 in E 2
a2 Bari. Sax. 1 in E 2
2. 1 2 Hn. in F
4. 3 4 to st. mute 1
to st. mute Tpt. in C
2
3
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
Marimba 1
Perc.
2
3
to Celesta Pno.
non arpegg.
Hp.
Cb.
E
E
12 70 Picc. 3
1
sub.
3
sub. poss.
Fl.
2
3 3
1
3
sub.
Ob. 2 3
sub.
E.H. 3
3
1 Cl. in B
3
sub. 2
to Clarinet in B E Cl. sempre 3
Bs.Cl.
a2 3
1 2
Bn.
sub. Cbn.
a2 3
1 2 3
Sop. Sax. in B
a2
a2 3.
3
1.
3
3
3 4
1. a2
3
Alto Sax. 1 in E 2
a2
3
1. Bari. Sax. 1 in E 2
3
a2
1.
a2
3
1 2 3
3
Hn. in F
a2
a2
3 4
st. mute
remove mute
without mute
3
1 3
3
st. mute Tpt. in C
remove mute
without mute
3
3
3
2
3 2. Tbn.
1 2
3
Tba. Bs.Tbn. Tba.
3
3
3
3
3
3
Timp. (Mar.)
1
Perc.
2 (Tub. Chimes) 3 Ped.
Celesta
Cel.
Hp.
D B G
arco Cb.
13 76 Picc.
1
Fl.
2
3
1 Ob. 2
E.H. 3
1
3
Cl. in B
2
Clarinet in B 3
Bs.Cl.
Bn.
1 2
Cbn. a2 3
1 2 Sop. Sax. in B
a2 3
3 4
a2 Alto Sax. 1 in E 2 3
a2 Bari. Sax. 1 2 in E
3
2.
soli
3
3
1 2 3
Hn. in F
3.
(3.)
3
4.
3
3 4 3 3
3
1 sub.
Tpt. in C
solo
3
3
to st. mute
3
2 3
3
3
3
3
3
3
3
3
1. to st. mute 1.
Tbn.
1 2
3
3
3
1. solo
3
3
Bs. Tbn. Bs.Tbn. Tba. Timp.
(Mar.) 3
3
(Mar.)
3
1 3
(Vib.) Perc.
2 Ped. (Tub. Chimes) 3 Ped.
Cel.
Hp.
F G
E
pizz. Cb.
14 81 Picc.
1
Fl.
2
3
1 Ob. 2
E.H.
1
Cl. in B
2
3
Bs.Cl. 6 6 6
a2 Bn.
1.
1 2 6
Cbn.
1 2
3
Sop. Sax. in B
a2 3 4
3
a2
6
Alto Sax. 1 in E 2 6 6
a2 Bari. Sax. 1 in E 2 6
a2
a2 Hn. in F
3
1 2 3
3. 3 4 4.: open 3
1 3
st. mute Tpt. in C
3
3
2
3
3 sub. 1. st. mute 2. Tbn.
2.
1 2 3
Bs. Tbn. Bs.Tbn. Tba.
(Bs. Tbn.) 3
3
sub.
3
Timp. (Mar.) 1
(Vib.) Perc.
2 Ped.
Ped.
(Tub. Chimes) 3 Ped. 3
Cel.
8va
Hp.
3
F
F G A
arco
pizz.
Cb. 3
(D C B/E F G A )
arco
15 85 Picc. 3
1 3 3
Fl.
2 3
3
3
3
3
3 3
1
3 3
Ob. 2 3
E.H.
1
Cl. in B
2
3 5
Bs.Cl.
Bn.
1 2
Cbn. a2 1 2
3
Sop. Sax. in B
5
a2 3 4
5
a2 Alto Sax. 1 in E 2 5
sub. a2
Bari. Sax. 1 in E 2
(a2)
1.
2.
3
1 2
3 3
Hn. in F
3
5
a2 3 4 solo
5
solo
1 3
3
Tpt. in C
3
solo without mute
remove mute
3
2 solo 5
3
3
(1.) Tbn.
1 2
1. remove mute
1. without mute 3
3
3
5
solo 5
(Bs. Tbn.) Bs.Tbn. Tba. 3
3
(Tba.)
3
3
Timp. (Mar.) 1 (Vib.) Perc.
2 Ped. (Tub. Chimes)
2 Bongos
3
Cel.
non arpegg.
Hp.
Cb.
D F
A
16 90 Picc.
3
1
Fl.
2
3
3
3
1 Ob. 2 3 3
E.H. bell–up
bell–up solo 1
3
bell–up Cl. in B
2 3
3 3
to Clarinet in B
3
Bs.Cl. a2
3
1. Bn.
1 2
3
3 3
Cbn. a2 a2
a2
3
1 2 3
Sop. Sax. in B
a2
sub.
3
3
3 4 3
3
a2 3
Alto Sax. 1 in E 2
3
3
3
3
a2
3
Bari. Sax. 1 in E 2
3
3 3
(1.)
a2
1 2 Hn. in F
3
3
3
a2 3
3 4
3
optional tacet
solo 3 3
1
3
poss.
3
lyrical to st. mute
Tpt. in C
2 3 3
to st. mute
3
3 3
(1.) Tbn.
2.
1 2
1.
3
3
3
3 3
3
Bs.Tbn. Tba.
3
Timp. 3
Crotales
Marimba
3
1 3
(Vib.) Perc.
2
secco Tubular Chimes
Bongo
3 3
Ped.
3
Cel.
Hp.
Cb.
to Piano
D F
3
D A
17 97
Energized
Picc.
1
Fl.
2
3
1 3
3
Ob. 2 3
3
E.H.
solo 1 3
2 3
Cl. in B 3
4
Bn.
1 2
Cbn.
a2
a2 1 2 Sop. Sax. in B
3
3
a2
a2 3 4
3
3
Alto Sax. 1 in E 2
a2
a2
Bari. Sax. 1 in E 2
Energized 1 2 punchy
Hn. in F
a2
3 3
3
3
3
3
3
3
3
3
3
3
a2
3
3 4 3
punchy
3
3
3
3
1
Tpt. in C
2
3
Tbn.
1 2 Bs. Tbn.
Bs.Tbn. Tba. Timp.
1
Perc.
2
3
Piano
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
punchy Pno.
E F Hp.
Cb.
3
G
18 103 Picc. 3
1 3
Fl.
3
3
3
3
3
3
3
3
3
3
3
3
2
3
1 3
3
sempre
Ob. 2 3
3
3
3
sempre 3
3
E.H. 3
1 3
2 3
Cl. in B
3
3
3
Clarinet in B 4
Bn.
1 2
3
Cbn. a2
a2
1 2
a2
a2
3
a2
3
sempre Sop. Sax. in B
a2
a2
3 4
a2
a2
3
a2
3
sempre Alto Sax. 1 in E 2 3
a2
a2
a2
Bari. Sax. 1 in E 2 3
1 2 3
metallic
Hn. in F 3 4
3
metallic to st. mute 1 3
Tpt. in C
2
3
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
(Vib.) Perc.
3
3
3
3
3
3
3
3
3
2 3
secco and punchy Tubular Chimes
3
3
3 secco and punchy
Pno.
3
Hp.
Cb.
F G
F
D B
19 109 Picc.
1 poss. Fl.
2
3
1 sempre Ob. 2 sempre E.H. 3
3
3
3
1
2 Cl. in B 3
4
Bn.
1 2 punchy
Cbn. a2
a2
1 2 Sop. Sax. in B
a2
a2
3 4 a2 Alto Sax. 1 in E 2
a2 3
3
3
3
a2 Bari. Sax. 1 in E 2
3
3
3 3
1 2 3
Hn. in F 3 4 3
st. mute
remove mute
without mute
1 3
3
st. mute 3 Tpt. in C
3
remove mute
3
3
remove mute
3
3
without mute
2
st. mute 3
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
Perc.
2
3
3
3
Pno.
Hp.
C B
A
Cb. 3
3
20 rit.
114
3
Picc. 3
1
Fl.
3
3
3
3
3
2
3
3
1 3
3
sempre
3
3
3
sempre
3
Ob. 2
E.H. 3
1 3
3
3
3
3
sempre
2 Cl. in B
3
sempre 3
3
3 3 3
3 3
3
4
Bn.
1 2
Cbn. a2
a2 1 2
3
3
Sop. Sax. in B
3
sempre a2
a2 3 4
3
3
3
sempre
a2
a2
Alto Sax. 1 in E 2 a2 Bari. Sax. 1 in E 2 (a2)
rit.
a2 1 2 Hn. in F
a2 3 4 3
solo 1 3
Tpt. in C
espr. 3
2
without mute
3
3
3
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
(Mar.)
3
3
3
3
3
1 punchy (Vib.) Perc.
3
2 secco drum–like
Ped. 3
(Tub. Chimes) 3 Ped.
Pno.
8va
F Hp.
Cb.
F A
C F
(D C B/E F G A)
21 119
Passionate
= 99–108
Picc. 3
1
Fl.
2
3
1 3
Ob. 2 3
E.H. 3
1
2 Cl. in B 3
4 1. Bn.
1 2
Cbn. 1. 1 2 Sop. Sax. in B
a2
a2
3 4
3 3
majestic
1.
a2 Alto Sax. 1 in E 2
sub. a2 Bari. Sax. 1 in E 2
Passionate Hn. in F
= 99–108
1 2 3 4 (solo)
3
1 3
majestic solo Tpt. in C
2
3
majestic
3
3
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
(Mar.) 1 3
2 Congas Perc.
2 3
(Tub. Chimes)
3
3 Ped.
Pno.
secco
D E G
(D C B/E F G A)
3
D C B
Hp.
l.v. molto div. unis.
pizz. Cb. l.v. molto
22 126 Picc.
1 3
poss.
Fl.
2 3
poss. 3 3
1 3
Ob. 2 3
E.H. echo Tpt. 1
2 Cl. in B
to E CLarinet 3
4
Bn.
1 2
Cbn.
a2 1 2 Sop. Sax. in B
a2
a2 3 4
a2
1.
Alto Sax. 1 in E 2
2.
a2
a2
Bari. Sax. 1 in E 2 1. 1 2 Hn. in F
3. 3 4 3
1 playful dolce to st. mute Tpt. in C
2
sub. 3
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
(Mar.) 1
Vibraphone Perc.
2 Ped. 2 Bongos 3
3
Pno.
3
Hp.
Cb.
E
G
B F
23 fltg.
133 Picc. 6 3
fltg.
fltg.
1 3
fltg. Fl.
2 3
fltg.
3
1 Ob.
uneven, sporadic, frenetic trill 2
E.H.
1 Cl. in B 2
E Clarinet E Cl.
Cl. in B
4
Bn.
1 2
1.
Cbn. a2
1.
a2
1 2 3
Sop. Sax. in B
a2
3.
3 4
a2
1.
a2
Alto Sax. in E
(a2) Bari. Sax. in E
Hn. in F
1 2
3 4 3
1 3
5
solo
st. mute Tpt. in C
remove mute
2
3
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
(Mar.) 1 5
Xyl. Perc.
Vibraphone
2 Ped.
Ped. 3
Tubular Chimes 3 Ped.
Ped.
l.v. sempre
l.v. molto
7
Pno.
l.v. molto 3
Hp.
Cb.
C G
(D C B /E F G A)
sub.
24 139 Picc. 3
1 poss.
Fl.
2
3
3 sempre
3
1 Ob. 2
E.H.
1 Cl. in B 2
E Cl.
Cl. in B
4
Bn.
1 2
1.
Cbn. a2
a2
Sop. Sax. in B
1 2 a2 3 4 a2
Alto Sax. 1 in E 2 a2 Bari. Sax. 1 in E 2 1. 1 2 Hn. in F
3. 3 4
1 sempre
3
solo
without mute Tpt. in C
2 3
3 3
Tbn.
sub.
1 2
Bs.Tbn. Tba.
Timp.
(Mar.) 1
(Vib.) Perc.
2 Ped. (Tub. Chimes) 3
secco Pno.
Hp.
Cb.
F G
C B E
F
25 146 Picc. 5
fltg.
fltg.
1 7:4
poss. Fl.
2 fltg. 3
1
Ob. 2 sempre
5
E.H.
1 5
Cl. in B 2
E Cl. to Bass Clarinet Cl. in B
4
Bn.
1 2
Cbn. (a2) 1 2 Sop. Sax. in B
3
sub. sempre
a2 3 4
2.
Alto Sax. 1 in E 2
a2
1.
Bari. Sax. 1 in E 2 1. Hn. in F
1 2 3 4
1 3
poss.
sempre
solo Tpt. in C
2
3 sempre Tbn.
1 2
Bs.Tbn. Tba.
Timp.
5:3
Glockenspiel
l.v. sempre
1
3
(Vib.) Perc.
2 3
Ped.
Ped.
2 Triangles Suspended Cymbal 3 sub.
3
Pno.
3
D C B/E F G A Hp.
Cb.
26 153 Picc.
1
Fl.
2
3
1 Ob. 2
E.H.
1 Cl. in B 2
E Cl.
Bs. Cl.
Bn.
1 2
Cbn. a2
1. solo
1 2 Sop. Sax. in B
a2
a2
3 4
a2 Alto Sax. 1 in E 2
1.
a2
3
resonant
Bari. Sax. 1 in E 2
1. 1 2 Hn. in F
a2
3.
3 4
1 espr. Tpt. in C
2 3
3
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
Perc.
2
3
Pno.
F Hp.
Cb.
lyrical
3
27 fltg.
160 Picc.
1 poss.
Fl.
2
3
1 Ob. 2
E.H.
Cl. in B
1
2
E Cl.
Bs. Cl.
Bn.
1 2
Cbn. (optional tacet) a2 2.
1. 1 2
Sop. Sax. in B 4.
3. 3 4
Alto Sax. 1 in E 2 Bari. Sax. 1 in E 2 1 2 Hn. in F 3 4
(3.)
solo 1 cant. Tpt. in C
2
3
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
Crotales
l.v. sempre
l.v. molto
1 7:6 l.v. sempre
Vibraphone Perc.
2
Ped.
5
5
l.v. sempre
Tubular Chimes 3
3
Ped.
Pno.
l.v. sempre
3
l.v. molto
3
3
D C B/E F G A
l.v. molto
sub.
Hp.
arco Cb.
28 accel.
164 Picc.
1
Fl.
2
3
1 Ob. 2
E.H.
Cl. in B
1
2
E Cl.
Bs.Cl.
Bn.
1 2
Cbn. a2 1 2 Sop. Sax. in B 3 4
a2 Alto Sax. 1 2 in E a2 Bari. Sax. 1 in E 2
accel.
a2 1 2 Hn. in F
a2 3 4
1
Tpt. in C
2
3
Tbn.
1 2
solo Bs.Tbn. Tba.
3
solo
)
Timp.
(
I
II
III
IV
V
1
Perc.
2
Large Bass Drum 3
Pno.
G Hp.
Cb. 3
3
29 Funky, asymmetrical groove = 132 punchy, like Stravinsky crossed with Art Tatum and Thelonious Monk 169 Picc.
1
Fl.
2
3
1 Ob. 2
E.H.
1 Cl. in B 2
E Cl. Bass Clarinet Bs.Cl.
sub. 1. Bn.
a2
(1.)
1 2
Cbn.
Sop. Sax. in B
1 2 (a2) 3 4
Alto Sax. 1 in E 2
a2
(a2)
(a2)
a2
a2
a2
a2
Bari.Sax. 1 in E 2 sub.
sub.
Funky, asymmetrical groove = 132 punchy, like Stravinsky crossed with Art Tatum and Thelonious Monk
1.
1 2 Hn. in F 3 4
1
Tpt. in C
2
3
Tbn.
1 2 Tba.
Bs. Tbn.
solo
Bs.Tbn. Tba. solo
3
3
Timp.
1
2 Congas Perc.
2
(Large B.D.) 3
Pno.
secco
C B Hp.
secco
div.
unis., pizz.
div., arco
unis.
pizz.
Cb.
l.v. molto
30 175 Picc. 3
1
Fl.
3
2
3
3
3
1
3
Ob. 2
E.H.
Cl. in B
1
2
E Cl.
Bs.Cl. 3
a2 Bn.
3
1 2
Cbn.
a2 1 2 Sop. Sax. in B
a2 3 4 a2
a2
3
a2
a2
Alto Sax. 1 in E 2
Bari. Sax. 1 in E 2
a2
a2
a2
3
3
optional: tacet a2 Hn. in F
1 2 a2 3 4
1
Tpt. in C
3
2 3 3
3
a2, soli Tbn.
1.
1.
1 2 3 3
(Bs. Tbn.) Bs.Tbn. Tba.
5
Timp. sub. Glockenspiel 1
Perc.
2 (Large B.D.)
solo
3
Pno.
Hp.
(pizz.) Cb.
31 181 Picc.
1
Fl.
2
3
1 Ob. 2
E.H.
1 Cl. in B 2
E Cl.
3
Bs.Cl. 3
Bn.
1 2
Cbn. a2 1 2 Sop. Sax. in B
a2 3 4 (a2)
a2
3
Alto Sax. 1 in E 2
Bari. Sax. 1 in E 2
(a2)
3
(a2)
3
3
3
3
a2
sub.
(a2)
a2
3
1 2 Hn. in F 3 4
a2
3
optional: tacet 1
Tpt. in C
2 solo 3
Tbn.
1 2 solo
Tba. solo
3
Bs.Tbn. Tba.
3
5
3 3
Timp. 3
sub.
1 (2 Congas) Perc.
2
(Large B.D.) 3
Pno.
sub. 3
3
3
Hp.
arco (pizz.)
pizz.
Cb. 3 3
solo
32 187 Picc.
3
1
3
Fl.
2
3
1 Ob. 2
E.H.
1 Cl. in B 2 solo E Cl.
Bs.Cl.
a2 Bn.
a2
3
a2 3
1 2
3
3
Cbn.
a2
3
a2
3
1 2 bold
Sop. Sax. in B
a2
3
3 4 bold a2
3
Alto Sax. 1 in E 2
a2
3
3
intense
3
a2
3
a2
Bari. Sax. 1 in E 2
a2
3
3
3
3
sub.
Hn. in F
1 2
3 4
1
Tpt. in C
2
3 1. Tbn.
1., 2. to st. mute
1 2 (Bs. Tbn.)
Bs.Tbn. Tba.
Bs. Tbn. 3
Timp.
Crotales
l.v. molto
1 Vibraphone 3
Perc.
2 Ped. (Large B.D.) 3
3
Pno. 3
non arpegg.
Hp.
E
E F
(pizz.)
arco
pizz.
Cb. 3
3
3
arco
33 fltg.
193 Picc.
3
3
1
Fl.
2
3
1 Ob. 2
E.H.
1 Cl. in B 2
E CL.
3
3
Bs.Cl.
3
a2 Bn.
a2
1 2
3
a2
a2
a2
3 3
3
3
Cbn.
a2 Sop. Sax. in B
3
1 2
3 4 a2
a2
Alto Sax. 1 in E 2
3
3
3
a2
a2 Bari. Sax. 1 in E 2
3
a2
a2
a2 3 3
3
3
2. 1 2 Hn. in F
4.
3 4
1
Tpt. in C
2
3
Tbn.
1., 2. st. mute
1., 2. remove mute
1., 2. without mute
Bs. Tbn.: st. mute
Bs. Tbn.: remove mute
Bs. Tbn.: without mute
1 2
Bs. Tbn. to st. mute
Bs. Tbn.
Bs.Tbn. Tba.
Timp. 3
3
1 2 Congas Perc.
2 3
3
(Large B.D.)
3
3
3
3
Pno. 3
3
3
3
G
Hp.
non div.
div., pizz.
div. pizz.
unis., arco
Cb. 3
3
unis. (pizz.)
div. (pizz.)
34 fltg.
198 Picc.
fltg. 1
fltg. Fl.
2
fltg. 3
1 Ob. 2
E.H.
fltg. 1 Cl. in B
fltg. 2
fltg. E Cl.
3
3
3
Bs.Cl. 3
(a2) Bn.
a2
a2
3
1 2
3
3
3
3
Cbn.
a2 1 2
a2 3
Sop. Sax. in B
a2
a2 3 4
3
sub. a2
3
a2
Alto Sax. 1 in E 2
a2
Bari. Sax. 1 in E 2
3
a2
3
3 3
a2
a2
3
fltg.
a2, fltg.
a2 fltg.
a2, fltg.
1 2 Hn. in F 3 4
fltg. 1
fltg. Tpt. in C
to st. mute
2
fltg. 3
3
fltg. Tbn.
fltg.
1.
1 2 3
Bs.Tbn. Tba. 3
Timp.
(Crot.)
l.v. molto
1 3
Perc.
2 2 Bongos 3
Pno. 3
3
3
3
Hp.
(D C B /E F G A)
arco (div.)
B E
non div.
pizz.
Cb. 3
35 203 Picc.
3
1
Fl.
2 3
3
1 Ob. 2
E.H.
1 Cl. in B 2
solo E Cl.
3
Bs.Cl.
sub. (a2) Bn.
a2
3
1 2
a2
3
a2
sub.
sub.
3
Cbn. a2 1 2 Sop. Sax. in B
a2 3 4 a2
a2
a2
a2
3
Bari. Sax. 1 in E 2
3
3
Alto Sax. 1 in E 2
3
a2 3
sub.
sub.
1. 3
1 2
3
espr.
Hn. in F
3. 3
3 4
espr. 1
Tpt. in C
2
3 1. Tbn.
1 2 espr. Tba.
solo
3
Bs. Tbn.
Bs.Tbn. Tba.
Timp.
1 (2 Congas) Perc.
2 3
Large Bass Drum
2 Bongos
3 3
3
6
sub.
Pno.
sub.
3
3
3
A
Hp.
pizz.
arco Cb. 3
div., arco
36 209
fltg.
Picc.
1 poss.
Fl.
2
3
1 Ob. 2
E.H.
1 Cl. in B 2
solo
(solo)
E Cl. 3
sempre 3
3
Bs.Cl. (a2) a2 Bn.
3
a2
3
3
3
1 2
3
3
Cbn.
a2 1 2
3
Sop. Sax. in B a2 3 4
3
a2
3
3
Alto Sax. 1 in E 2
3
sub. a2 3
3
3
Bari. Sax. 1 in E 2
a2
3 3
3
a2 Hn. in F
1 2 3 4
1 st. mute Tpt. in C
remove mute
2
3 (1.) 3
Tbn.
1 2 3
espr. Bs.Tbn. Tba.
Timp.
1 (2 Congas) Perc.
2 5
(2 Bongos) 3 5 3
Pno. 3
3
3
3
3
Hp.
(D C B/E F G A )
A
unis. Cb.
3
3
pizz.
37 215 Picc.
1
Fl.
2
3
1 Ob. 2
E.H.
1 Cl. in B 2
E Cl. 3
Bs.Cl.
(a2) a2 Bn.
1 2
3
sempre
3
Cbn. a2 1 2 Sop. Sax. in B
3
sempre 3 4 a2 3
Alto Sax. 1 in E 2 sempre a2
a2
Bari. Sax. 1 in E 2 3
3
sempre
1. 1 2 Hn. in F
3. 3 4 soloistic
3
(solo)
1 cant. without mute Tpt. in C
2
3
Tbn.
1 2
Bs.Tbn. Tba.
dampen all drums quickly Timp.
1
Perc.
2
3
3
secco
sempre
Pno.
Hp.
(pizz.) Cb.
div. arco
38 221 Picc.
1
Fl.
2
3
1 3
Ob. 2
E.H.
1 Cl. in B 2
E Cl.
3
Bs.Cl.
a2 Bn.
1 2 3
Cbn.
a2
a2
1 2
3
Sop. Sax. in B
a2
a2
3 4
3
a2
a2
3
Alto Sax. 1 in E 2
a2 Bari. Sax. 1 in E 2 3
sempre a2 1 2 Hn. in F
a2
a2
3 4 metallic
optional: tacet 1 3
Tpt. in C
2
3
Tbn.
1 2 Bs. Tbn.
Tba.
Bs. Tbn.
Bs.Tbn. Tba.
Timp. Suspended Cymbal 1
(2 Congas) Perc.
2 5
5
5
5
(2 Bongos) 3
Pno.
Hp.
unis., pizz. Cb.
arco
39 molto rit.
227 Picc.
1
Fl.
2
3
1 Ob. 2
E.H.
1 Cl. in B
to B Contrabass Clarinet
B Contrabass Clarinet
2
E Cl.
Bs.Cl.
(a2) Bn.
a2
1 2 3
3
Cbn.
a2 1 2 Sop. Sax. in B
a2 3 4
a2 3
Alto Sax. 1 in E 2
3
a2
a2
Bari. Sax. 1 in E 2 3
3
molto rit. Hn. in F
1 2
3 4
1 espr. Tpt. in C
2 espr. 3 1.
Tbn.
1 2 brash
Bs.Tbn. Tba. brash Timp.
1
Perc.
2
Large Bass Drum solo 3
Pno.
Hp.
pizz. Cb.
div. (pizz.)
unis., arco
40 Mysterious, spacious, resonant 234 (again, the timeless galaxy)
= 60
Picc.
1
Fl.
2
3
1 Ob. 2
E.H.
Cl. in B
1
3
Cb. Cl.
E Cl. stagger breathing Bs. Cl. sempre a2 Bn.
a2
1 2 sempre 3
Cbn.
1 Sop. Sax. 2 in B 3 4 a2
stagger breathing
Alto Sax. 1 in E 2 sempre a2
a2
Bari. Sax. 1 in E 2
stagger breathing
sempre
Mysterious, spacious, resonant (again, the timeless galaxy)
= 60
1 2 Hn. in F 3 4
1
Tpt. in C
2
3
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
Perc.
2
3
Pno.
Hp.
3
Cb.
no octave
substitution on E
41 242 Picc.
1
Fl.
2
3
1 Ob. 2
E.H.
Cl. in B
1
3
3 3
Cb. Cl.
E Cl.
Bs. Cl.
stagger breathing
(a2) Bn.
1.
1 2 sub. 3
3
3
Cbn.
Sop. Sax. in B
1 2
3 4 (a2) Alto Sax. 1 in E 2
stagger breathing
(a2)
1.
Bari. Sax. 1 in E 2 sub. 1 2 Hn. in F 3 4
1
Tpt. in C
2
3
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
Very large Tamtam 1 l.v. molto Perc.
2
3
Pno.
Hp.
3
3
3
Cb.
Note: In final bar, each player should fade out naturally. It is not necessary for Cbn. and Cb. to hold as long as each other nor as long as the tam-tam will ring.