Muhly DARK SISTERS

Page 1

Nico Muhly

DARK SISTERS Chamber Opera in Two Acts Libretto by Stephen Karam

Full score

(12/13/2013)

St Rose Music Publishing Co. / Chester Music Ltd.


Commissioned by Gotham Chamber Opera, Music-Theatre Group, and Opera Company of Philadelphia. The first performance took place on 9 November 2011 at Gerald W. Lynch Theater at John Jay College, New York, with Gotham Chamber Opera, conducted by Neil Goren.

CHARACTERS ELIZA (30s) ............................................................................. Lyric Soprano ZINA (First Wife, 40s) ........................................................... Lyric Soprano RUTH (Second Wife, 40s) ................................................. Mezzo-Soprano PRESENDIA (Third Wife, 30s) ...................................................... Soprano ALMERA (Fourth Wife, 30s) .......................................................... Soprano LUCINDA (Eliza’s Daughter, 20s) ................................................. Soprano PROPHET/KING (40s-50s) ................................................................... Bass

SYNOPSIS DARK SISTERS follows one woman’s dangerous attempt to escape her life as a member of the FLDS Church (Fundamentalist Latter Day Saints), a sect that split from mainstream Mormonism in the early 20th Century largely because of the LDS Church’s renunciation of polygamy. The male founders of the Mormon faith (Joseph Smith and Brigham Young, chief among them) loom large in American history; Dark Sisters puts the women front and center. The narrative draws inspiration from the flurry of media attention surrounding the two most infamous raids on FLDS compounds (the 1953 raid at Short Creek, AZ and the 2008 raid at the YFZ Ranch in Eldorado, TX) as well as the stories of the over 80 wives of Joseph Smith and Brigham Young. Set against a red-earthed landscape filled with revelations, dark prophets and white temples stretching towards heaven, Dark Sisters charts one woman’s quest for selfdiscovery in a world where personal identity is forbidden.

Duration: c. 90 minutes


INSTRUMENTATION Flute (doubling Piccolo) Oboe (doubling English Horn) Clarinet in B (doubling Bass Clarinet) Horn in F Trombone Percussion: Glockenspiel, Tuned Gongs*, Vibraphone (with bow), Woodblock, Ratchet, “One-Shot” Shaker, Geophone, Bass Drum, Tam-tam

Harp Piano (doubling Celesta) 2 Violins Viola Violoncello Contrabass

*

CONTENTS Act I Chapter 1........................................................................................................ 1 Chapter 2........................................................................................................ 4 Chapter 3........................................................................................................ 8 Chapter 4...................................................................................................... 23 Chapter 5...................................................................................................... 25 Chapter 6...................................................................................................... 44 Chapter 7...................................................................................................... 54 Chapter 8...................................................................................................... 56 Chapter 9...................................................................................................... 77 Chapter 10.................................................................................................... 82 Chapter 11.................................................................................................... 85 Chapter 12.................................................................................................... 90 Act II Chapter 1.................................................................................................... 109 Chapter 2.................................................................................................... 114 Chapter 3.................................................................................................... 137 Chapter 4.................................................................................................... 143 Chapter 5.................................................................................................... 152 Chapter 6.................................................................................................... 155 Chapter 7.................................................................................................... 165



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