Kancheli DON'T GRIEVE by ScoresOnDemand

Giya Kancheli

DONâ&#x20AC;&#x2122;T GRIEVE

Full score

From the G. Schirmer Rental Library Date of Printing_______

G. Schirmer, Inc. New York, NY

Giya Kancheli DONâ&#x20AC;&#x2122;T GRIEVE

Full score

commissioned by the San Francisco Symphony Orchestra

G. Schirmer, Inc. New York, NY

Instrumentation 3 Flutes (3rd doubling Piccolo) Alto Flute (doubling Piccolo) 3 Oboes (3rd doubling English Horn) 3 Clarinets in B=(3rd doubling Bass Clarinet) 2 Bassoons Contrabassoon 4 Horns in F 4 Trumpets in B= 4 Trombones Tuba Timpani Percussion (6 players) Triangle 3 Temple Blocks 3 Cowbells Tambourine 3 Bongos Tenor Drum Bass Drum Suspended Cymbal Cymbals Claves Tamtam Glockenspiel Chimes

Accordion Piano Harp Baritone Strings Electric Bass Guitar

ca. 38 minutes

The text from Dylan Thomas is taken from the poem, “In My Craft or Sullen Art”, and is used by arrangement with Harold Ober and Associates. The text from W.H. Auden is being used by permission of Curtis Brown, Ltd., Copyright © 1940 by W.H. Auden, All Rights Reserved. other text permissions are forthcoming

DON’T GRIEVE G4T4>", HZ :JRT,, 42 &F,(@, RH@ F:ZT": 42 &F,(@, RH@ F:ZT": 1

Let’s face it, Let’s face it23 1. Tishiná, ty lúchsheje iz fsjevó, shto slýshal iz fsjevó, shto slýshal

Silent nights and silent days Silent life, silent nights, silent day, silent day2 A mind at peace with all below3

4. Néba krylóm praveló pa zemlé sínije kóni na krásnoj travé 5. No vídit Bokh jest’ múzyka nad námi 6.U véchnasti varújet fsjákij a véchnast’ kak marskój pesók 7. Néba krylóm praveló pa zemlé sínije kóni na krásnoj travé 8. véchnast’ kak marskój pesók 9. No vídit Bokh jest’ múzyka nad námi

But for the lovers, Their arms round the griefs of the ages10 So we live and are forever leaving, are forever leaving,11 All is amiss: Love is dying, Faith’s defying, Heart’s denying, Love is dying, Faith’s defying, Heart’s denying, All is amiss, All is amiss, All is amiss, All is amiss, Causer of this.12 3 @HR,(@ 0, & @$V,< N@D, )JT" >, H@ B@,H, RH@ <@D, 13

13. I atchevó zhe f óbshem khóre Dushá ne tó pajót, chto móre

#@:\T"b &F,:,>>"b & :`:\8, J <":,>\8@6 &,R>@FH4 FB4H #@:\T"b &F,:,>>"b & :`:\8, J <":,>\8@6 &,R>@FH4 FB4H 15

4. The sky caressed the earth with its wing, Blue horses on the red grass. Anonymous 5. But God is our witness; there’s music above us. Osip Mandelstam, from “Concert at the Railway Station” 6. Everyone steals from eternity – but eternity is like the sand of the sea… Mandelstam, from “The Gang of Thieves in the Pub… ” 7. see note 4 8. see note 6 9. see note 5 10. Dylan Thomas, from “In my Craft or Sullen Art” 11. So leben wir und nehmen immer Abschied. Rainer Maria Rilke, from “Duineser Elegien”. The Eighth Elegy 12. All is amiss: Love is dying, Faith’s defying, Heart’s denying, Causer of this. W illiam Shakespeare, from “Sonnets to Sundry Notes of Music”

All is amiss, Love is dying So leben wir und nehmen immer Abschied14

13. And why is that in the general choir, The soul sings not what does the sea. F. Tiutchev, from “There is the melodiousness in the waves of the sea” 14. see notes 12 and 11

15. A vast universe naps in the cradle of tiny eternity. Mandelstam, “Octameter”

15. Bal’shája fselénnaja f ljúl’ke u málenkoj véchnasti spit Bal’shája fselénnaja f ljúl’ke u málenkoj véchnasti spit

to be free is often to be lonely lonely, lonely, lonely,16 One rational voice is dumb17 All is amiss, Love is dying, Faith’s defying, Heart’s denying World is vicious, world is vile18 Love is dying Faith’s defying

16. W .H. Auden, “In memory of Sigmund Freud”, from Another Time 17. Auden, “In memory of Sigmund Freud”, from Another Time

18. Kancheli

19. K pastýdnamu stalétiju spinój World is cruel, world is vile, faith’s defying,20 Heart’s denying Causer of this.21 7 B@FHZ*>@<J FH@:,H4` FB4>@6! 7 B@FHZ*>@<J FH@:,H4` :4P@<!22

Let’s face it, Let’s face it,

2. text by Giya Kancheli 3. Lord Byron, from “She Walks in Beauty”

=,$@ 8DZ:@< BD@&,:@ B@ 2,<:,, F4>4, 8@>4 >" 8D"F>@6 HD"&,4 =@ &4*4H #@( ,FH\ <J2Z8" >"* >"<4 5 I &,R>@FH4 &@DJ,H &Fb846 " &,R>@FH\ 8"8 <@DF8@6 B,F@8 6 =,$@ 8DZ:@< BD@&,:@ B@ 2,<:, F4>4, 8@>4 >" 8D"F>@6 HD"&,7 &,R>@FH\, 8"8 <@DF8@6 B,F@8 8 =@ &4*4H #@( ,FH\ <J2Z8" >"* >"<4 9

7 B@FHZ*>@<J FH@:,H4` FB4>@6!

1. Silence, –you are the finest thing I’ve ever heard. Boris Pasternak, from “Stars in Summer”

19. Turning the back to a disgraceful century Paraphrase of a line from Joseph Brodsky’s poem 20. Kancheli 21. see note 12

22.Turning the face to a disgraceful century (note 19)

K pastýdnamu stalétiju spinój 22. K pastýdnamu stalétiju litsóm 23. Kancheli

=@ &4*4H #@(, ,FH\ <J2Z8" >"* 24. No vídit Bokh, jest’ múzyka nad námi, >"<4, nad námi, >"* >"<4, nad námi >"* >"<4 24 es me var kari es me var kari25 im mdinaris geshinodes romelitz ar khmaurobs26 Leid und Freude27 Stirb und Werde28 Leben und Tod: sie sind im Kerne29 Eins Eins Eins Stirb und Werde Stirb und Werde! Leid und Freude! Life and Death Sweets with sweets war not Joy delights in Joy sweets with sweets war not30 O, Time thou tutor both to good and bad. O, Time thou tutor both to good and bad.31 In sweet music is such art: Killing care and grief of heart Fall asleep, or, hearing, die.32 O, Time thou tutor both to good and bad.33 chumad vighatz mghezis mtaze ra dzalaa am tkbil khma shi34 =,$@ 8DZ:@< BD@&,:@ B@ 2,<:,, E4>4, 8@>4 >" 8D"F>@6 HD"&,35

24. see note 5

25. It’s me, the wind; it’s me, the wind. Galaktion Tabidze, from “Rogor ebrdzodnen zarebs zarebi” 26. Beware of the quiet river Tabidze, from “Daghamdeba tkheshi odes… ” 27. Sorrow and joy Goethe, from “An Lottchen” 28. Die and become Goethe, from “Selige Sehnsucht” 29. Life and death: they are the essence. Rilke, from “Fuer Max Nussbaum”

30. Shakespeare, Sonnet VIII

31. Shakespeare, from “The Rape of Lucrece”

32. Shakespeare, from “King Henry VIII” 33. see note 31

35. Néba krylóm praveló pa zemlé sínije kóni na krásnoj travé

What’s to come is still unsure still unsure what’s to come is still unsure36 life and death, life and death37 Leben und Tod Sie sind im Kerne Eins38

34. Quiet! Someone’s singing up the mountain… What a vigor in this sweet voice! Tabidze, from “Guriis mtebi” 35. see note 4

36. Shakespeare, from “Twelfth Night, or, What You Will” 37. Kancheli 38. see note 29

39. Razbegájemsja fsjé, Tól’ka smért’ nas 39. We all wander away. Only death brings us adná, together. C"2$,(",<Fb &F,, G@:\8@ F<,DH\ >"F sabirájet, sabirájet Brodsky, from “From Fringe to Center” @*>", F@$4D",H, F@$4D",H 39 in sweet music is such art killing care and grief of heart fall asleep or hearing die fall asleep or hearing die40 in black mourn I All fears scorn I In black mourn I all fears scorn I41

40. see note 32

41. Shakespeare, from “Sonnets to Sundry Notes of Music”

Khvelaperi sadaa magram mitkhar sadaa is ratz alersadaa42

42. Everything is plain, But tell me, where Does our consolation rest? Tabidze, from “Utznauri sasakhle”

Don’t grieve43

43. Kancheli

Program Note I began writing a piece for baritone and symphony orchestra in the early Spring 2001. It was completed 6 days prior to the tragedy that took place in the USA on September 11th. Although my music is usually sad, or even tragic, I did not dare to dedicate this piece to the memory of the innocent victims. I must confess that I was tempted! However, I was aware that music written after the tragedy would have been different. Therefore, I decided to use the last two words of the text for the title: Don’t Grieve! They are addressed to everyone who endured this tragedy with tears, and still believed in the future. I have always considered and still deem that great poetry carries great music within itself. By limiting myself to the use of single lines, phrases, or titles from various poems, I am free to create music according to my own interpretation of a given image. Just an image, rather than the ideas behind Shakespeare’s sonnet, for example. This is not the path of least resistance. This is rather a realistic perception of one’s possibilities. It is beyond my ability to create music which will sound better than the music I sense in the poetry of J. Brodsky or O. Mandelstam. But I am capable, to a certain extent, of creating musical images which reveal the sense of separate words, phrases, lines. Therefore, taking this opportunity, I would like to beg the eminent authors and you, my dear listeners, to forgive me for such a liberal treatment of great poetry. —Giya Kancheli

DON’T GRIEVE = 46 (

Giya Kancheli

= 92)

1 2 Flute (Piccolo 1)

to Piccolo 3 to Piccolo

Alto Flute (Piccolo 2) 1 2 Oboe (English Horn) 3

1 2 Clarinet in B (Bass Clarinet) 3 a2 Bassoon

1 2

Contrabassoon

a2 1 2 Horn in F

a2 3 4 1 2

Trumpet in B

a2 3 4 1 2

Trombone

a2 3 4

Tuba

Timpani

1 Chimes 2

3 Percussion

Suspended Cymbal 4 Bass Drum 5 Tamtam 6

Accordion

Piano

Harp

Baritone

= 46 (

= 92)

Violin II

Viola

Violoncello

Contrabass

Electric Bass

Corrected 7/2003

Copyright © 2002 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918

2 7

Picc.

to Flute

Flute

1 Picc.

Picc.

to Alto Flute

Alto Flute

a2 Fl.

1 2 a2 1 2

Ob. 3

a2 1 2 Cl. in B 3 (a2) Bn.

1 2

Cbn.

(a2) Hn. in F

1 2 (a2) 3 4

Tpt. in B

1 2 (a2) 3 4 1 2

Tbn. 3 4

Tba.

Timp.

Glockenspiel 1 Chimes 2

Crash Cymbals 3 Tenor Drum (Sus. Cym)

Perc. 4

(B.D.) 5

(Tam.) 6

Acc.

Pno.

Hp.

molto tranquillo Bar. al sord.

Œi

na,

I Vn.

al sord. II al sord.

Va. al sord. Vc. al sord. Cb.

E.Bs.

con sord.

qŒe

3 12

1 2 Fl. 3

Al.Fl. 1., solo 1 2 Ob. 3

Cl. in B

1 2

Bn.

1 2

Cbn.

1., solo Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4 B.D. 5 Tam. 6

Acc.

Pno.

B C E

Hp.

E G

D A

Bar.

vse

go,

qto

sly

Œal

vse

go,

qto

con sord. I Vn.

con sord. II con sord.

Va. div. Vc.

Cb.

E.Bs.

sly

Œal

4 19 1 2 Fl. 3 solo Al.Fl. (1.) 1 2 Ob. 3 1. Cl. in B

1 2

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4 (B.D.) 5

(Tam.) 6

Acc.

Pno.

donâ&#x20AC;&#x2122;t rush

Hp.

Bar.

I Vn. II

Va. unis. Vc.

Cb.

E.Bs.

lent

nights

and

5 23 1 2 Fl. 3

Al.Fl.

1 2 Ob. 3

Cl. in B

1 2

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

5 Tam. 6

Acc.

Pno.

8ba

Hp.

Bar.

lent

days

lent

life,

si 1 solo, senza sord.

lent

nights,

1 solo

I Vn.

div.

gli altri

Va. div. Vc. div. Cb.

E.Bs.

unis.

6 28

1 2 Fl. 3

Al.Fl. a2

1 2 Ob. 3 1. Cl. in B

1 2

3 a2 Bn.

1 2

Cbn.

1 2 Hn. in F

3. 3 4

Tpt. in B

1 2 3. 3 4 1 2

Tbn.

3. 3 4

Tba.

Timp.

3 Perc. 4 B.D. 5 (Tam.) 6

Acc.

Pno.

Hp.

B A

D F A

B C D E F G A

Bar.

lent day

1 solo non cresc.

solo

via sord.

I gli altri Vn.

non cresc.

unis.

via sord.

II div.

unis.

via sord.

Va. via sord. Vc.

Cb.

E.Bs.

unis., senza sord.

7 33

1 2 Fl. 3

Al.Fl.

(a2) 1 2 secco Ob. 3 secco 1.

1 2 Cl. in B

secco 3 secco

(a2) Bn.

1 2

Cbn.

1., solo Hn. in F

1 2 a2 3 4

Tpt. in B

1 2 secco

(3.) 3 4

secco 1 2 Tbn.

(3.)

3 4

Tba.

Timp.

2 Ten. D. 3 Perc.

secco

Claves 4

secco

(B.D.) 5 (Tam.) 6

Acc.

secco Pno.

without pedal

Hp.

Bar.

mind

peace

with

all

tutti, senza sord. I cresc. poco a poco Vn.

senza sord. II cresc. poco a poco senza sord.

Va. cresc. poco a poco Vc. sub. Cb. sub. E.Bs. sub.

low

8 40 1 2 Fl.

to Piccolo 3 to Piccolo

Al.Fl. (a2) 1 2 Ob. 3 (a2) Cl. in B

1 2

3 (a2) Bn.

1 2

Cbn.

a2 1 2 Hn. in F

(a2)

3 4 a2 Tpt. in B

1 2 a2 3 4 1 2

Tbn.

3 4

Tba.

Timp. Glock. 1

2 (Ten. Dr.) 3 Perc.

(Claves) 4 Sus. Cym. 5

B.D. 6

Acc.

Pno.

Hp.

Bar.

I 3

(cresc.)

Vn. II

(cresc.) Va. 3

(cresc.) Vc.

Cb.

E.Bs.

9 Piccolo

to Flute

1 Piccolo

Picc.

to Alto Flute 2

a2 Fl.

1 2 (a2) 1 2

Ob.

to English Horn 3

a2 1 2 Cl. in B

to Bass Clarinet 3 (a2)

Bn.

1 2

Cbn.

a2 Hn. in F

1 2 3

(a2) 3 4 (a2)

Tpt. in B

1 2 (a2) 3 4

1 2 Tbn. 3 4

Tba.

Timp. (Glock.) 1 3

Chimes 2

(Ten. D.)

3 Perc.

Crash Cyms. 4

(Sus. Cym.) 5 (B.D.) 6

Acc.

Pno.

Hp.

Bar.

I Vn. II

Va. 3

3 3

Vc. div. Cb. sub. E.Bs.

ca. 15 seconds

10 44

(

= 92)

1 2 Fl. 3 Alto Flute Al. Fl.

1 2 Ob. 3 1. Cl. in B

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

5 Tam. 6

Acc.

Pno.

Hp.

B E F G

A C

Bar. Ne

(

bo kry

lom pro

zem

le,

gli altri

= 92)

kra

snoj

tra

solo (ord.) sim.

gli altri, sul tasto

I Vn.

solo

div. II

( ) ( ) ( div.

Va.

( )( )

gli altri, ord.

( )( )

div. Vc.

le altre

( )( )

( ) ( )

sim.

( ) ( )

sim.

(

( )( )

( ) ( )

(

( ) ( )

sim.

ricochet

( )( ) sim. unis.

)

ord.

( ) ( ) gli altri

E.Bs.

sim.

solo, ord.

( ) ( )

Cb.

( ricochet sim.

( )( )

( ) ( ) unis. ricochet sim. ( )

ricochet

( ) ( )

sul tasto

sola, ord.

( )

)

ord. sim.

gli altri (tasto)

( )( )

)

unis. ricochet sim. (

ord.

solo

ricochet sim.

( ) ( )

ord.

)

( ) ( )

)

11 51

1 2 Fl.

Flute 3

Al. Fl. 1. Ob.

1 2 English Horn

E.H.

Cl. in B

1 2 Bass Clarinet

Bs. Cl.

1. Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

5 (Tam.) 6

Acc.

Pno.

Hp.

C G

Bar.

dit Bog

estÂť

1 solo solo I Vn.

sim.

( )( )

tutti, ord.

non div.

( )( )

tutte, ord.

Va.

( )( ) Vc.

Cb.

E.Bs.

tutti, ord.

div.

nad

12 58

1 2 Fl. 3

Al. Fl.

1. Ob.

1 2

E.H. a2 Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn. a2 Hn. in F

1 2 3 4 a2

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

solo

Pno.

Hp.

Bar.

qno sti

vsx kij

ve qnostÂť kak mor

(1 solo) 1 solo I Vn.

unis.

pizz.

II pizz.

div., arco

Va. div., pizz. Vc.

Cb.

E.Bs.

unis., arco

13 65

poco rit.

(a2)

meno mosso (

= 80)

1 2 Fl. 3

Al. Fl.

(1.) Ob.

(1.)

1 2

E.H. a2 Cl. in B

1 2

Bs. Cl.

a2 Bn.

1 2

Cbn.

a2 1 2 Hn. in F

a2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4 B.D. 5 Tam. 6

Acc.

Pno.

Hp.

Bar.

skoj

sok

poco rit.

(1 solo)

gli altri arco II

unis. Va.

div. Vc.

Cb.

E.Bs.

kry

lom

pro

meno mosso (

Vn.

unis.

= 80)

zem

14 71 1 2 Fl.

to Piccolo 3 to Piccolo

Al. Fl. 1. Ob.

1 2 to Oboe

E.H. 1. Cl. in B

1 2 to Clarinet in B

Clarinet in B

Bs. Cl.

(a2) Bn.

1 2

Cbn. (a2) Hn. in F

1 2 (a2) 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

1 Triangle 2

3 Perc. 4 (B.D.) 5 Tam. 6

Acc.

Pno.

Hp.

Bar.

na kra snoj tra

qnost», kak

mor skoj

sok

tutti, unis. I Vn. II div. Va.

Vc.

Cb.

E.Bs.

vi dit Bogest» mu zy ka nad na

Tempo I 78

= 92

to Flute

1 3

Picc.

to Alto Flute

Alto Flute

2 3

a2 Fl.

1 2 3

sub. a2 1 2 Oboe

Ob. 3

a2 1 2 3

Cl.

sub.

in B 3 3

a2 Bn.

sub.

1 2

Cbn.

a2 Hn. in F

1 2 a2 3 4 a2

Tpt. in B

1 2 a2 3 4

1 2 Tbn. 3 4

Tba.

Timp.

Glock.

3 Perc.

Crash Cyms. 4 B.D. 5 Tam. 6

Acc.

Pno.

Hp.

B D

C A

Bar.

Tempo I

But

= 92

for

the

lov ers,

their

arms

round

the

griefs

I 3

Vn.

sul G

pizz.

II 3

unis. Va. sub.

Vc. sub. Cb. sub.

E.Bs. sub.

div., pizz., vib.

unis., arco

the

16 83

1 2 Fl. Flute 3

Al. Fl.

a2 1 2 Ob. to English Horn 3

a2 1 2 Cl. in B 3 a2 Bn.

1 2

Cbn. a2 1 2 Hn. in F

a2 3 4

Tpt. in B

1 2 3 4 a2

1 2 Tbn.

3 4

Tba.

Timp.

2 Ten. Dr. 3 Perc.

Tambourine 4

5 Tam. 6

Acc.

Pno.

8ba

Hp.

Bar.

ges sul G

Vn.

arco II

Va.

Vc. sub. Cb. sub. E.Bs.

17 90

1 2 Fl.

to Piccolo 3 to Piccolo

Al. Fl. 1., solo Ob.

1 2 English Horn

E.H.

1 2 Cl. in B 3 1. Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

I Vn. II

Va.

Vc.

Cb.

E.Bs.

live

and

are

for

leav

ing,

are

for

leav

ing.

18 96 1 Picc. 2

Fl.

1 2 (1.) 1 2

Ob.

to Oboe 3 1. 1 2 (non cresc.)

Cl. in B 3 (1.) Bn.

1 2

Cbn.

Hn. in F

1 2 3. 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

1 Trg. 2

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

All

is a miss: Love is dy ing, Faith’s de fy ing,Heart’sde ny ing, Loveis dy ing,Faith’s de fy ing Heart’s de ny ing, All is a miss, All is a miss, All is a miss 1 solo

pizz.

arco

I gli altri Vn.

pizz.

arco

Va. pizz., vib.

arco

pizz., vib.

arco

Vc.

Cb.

E.Bs.

19 102 1 Picc. 2

Fl.

1 2 1 2

Ob. 3

1 2 Cl. in B 3

Bn.

1 2

Cbn.

1. Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

1 (Trg.) 2 Ten. D.

3 Perc.

Sus. Cym. 4

Acc.

Pno.

Hp.

Bar.

All

miss, Cau

ser

this.

(solo)

tutti 3

I Vn. II

Va.

Vc.

Cb.

E.Bs.

20 106

Piccolo

to Flute

1 3

Piccolo

Picc.

to Alto Flute

2 3

Alto Flute

a2 Fl.

1 2 a2 1 2

Ob.

to English Horn 3

1 2

Cl. in B

a2 Bn.

1 2

Cbn. a2

Hn. in F

1 2

a2 3 4 a2

take straight mute

1 2 Tpt. in B

take straight mute

3 4 1.

1 2 3

Tbn.

3 4

Tba.

Timp.

1 Crash Cyms. 2 (Ten. D.) 3

3 Perc.

(Sus. Cym.) 4

B.D. 5 Tam. 6

Acc.

Pno.

8ba

Hp.

Bar. 3

I Vn.

Va. 3

div. Vc.

Cb.

E.Bs.

3 3

unis.

v ob

ÂŤem

21 112 1 2 Fl. 3

Al. Fl.

Ob.

1 2

E.H.

1 2 Cl. in B 3

Bn.

1 2

Cbn.

1 2 Hn. in F

a2 3 4

Tpt. in B

1 2 3 4 (1.) 1 2

Tbn.

(3.) 3 4

Tba.

Timp.

3 Perc. 4

5 Tam. 6

Acc.

Pno.

Hp.

G A

Bar.

Ĺ&#x2019;a

et,

qto

All

I Vn. II div. Va. div. Vc.

Cb.

E.Bs.

is a miss Love is

dy ing

meno mosso (

rit. poco a poco

119

= 80) rubato molto

1 2 Fl.

Flute 3

Al. Fl. 1. Ob.

1 2 English Horn

E.H.

1 2 Cl. in B 3 1. Bn.

1 2

Cbn.

1. Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

5 Tam. 6

Acc.

Pno.

Hp.

B C D E F G A

Bar.

ben

wir

und

neh

men

im mer Ab schied

meno mosso (

rit. poco a poco

al sord. I div.

Vn.

div. a3 al sord.

II unis.

div.

div. a3

al sord.

Va. unis.

div.

al sord.

Vc.

div. Cb.

E.Bs.

unis.

= 80) rubato molto

23 126

(a2)

1 2 Fl. 3 3

Al. Fl.

Ob.

1 2

E.H. 3

1 2

Cl. in B 3

Bn.

1 2

Cbn.

(1.) Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

3 3

Pno.

Hp.

Bar. con sord. poco vib.

I unis., con sord., poco vib. Vn. II div. a2, con sord., poco vib. Va. div., con sord., poco vib. Vc.

Cb.

E.Bs.

BolÂť

24 129 1 2 Fl. 3 3

Al. Fl.

Ob.

1 2

E.H. 3

1 2

Cl. in B 3

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp. Glock. 1 3

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

Œa

I Vn. II

Va.

Vc.

Cb.

E.Bs.

vse

len

v l™l»

len»

koj

qno

sti

spit

25 131

1 2 Fl. 3

Al. Fl.

Ob.

1 2

E.H.

1 2 Cl. in B 3 a2 Bn.

1 2

Cbn.

1., solo

a2 Hn. in F

1 2 a2 3 4

Tpt. in B

1 2 3 4 1., solo 1 2

Tbn. 3 4

Tba.

Timp. (Glock.) 1

3 Perc.

Tamb. 4

Acc.

sub.

Pno.

F A

Hp.

Bar.

Bol»

Œa x vse len

I Vn.

pizz., vib. II

unis.

pizz., vib.

Va. unis. Vc.

Cb.

E.Bs.

pizz., vib.

v l™l» ke u ma len»

koj

26 136

1 2 Fl. 3

Al. Fl.

Ob.

1 2

E.H.

1 2 Cl. in B 3

Bn.

1 2

Cbn.

(1.) Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 (1.) 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

B A

Hp.

Bar.

ve qno sti

spit

1 solo I Vn.

solo II

sola Va. solo Vc.

Cb.

E.Bs.

tutti

free

ten

27 140

1 2 Fl. 3 to Piccolo Al. Fl. 1., solo Ob.

1 2

E.H.

1 2 Cl. in B 3

Bn.

1 2

Cbn.

1. Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4

1 2 Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

G C

Hp.

sub.

Bar.

lone

ly,

lone

1 desk, div. unis., 1 desk I Vn.

tutti, arco II tutte, arco

Va. tutti, arco Vc.

Cb.

E.Bs.

tutti, unis.

ly,

lone

ly,

28 147 Picc. 2

1 2 Fl. 3 1. Ob.

1 2 to Oboe

E.H.

1 2 Cl. in B 3 1. Bn.

1 2

Cbn.

(1.)

a2, soli

1 2 Hn. in F

a2, soli 3 4

Tpt. in B

1 2 3 4 a2 1 2

Tbn.

a2 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

One

tion

voice

dumb

I Vn.

div. II

Va.

Vc.

Cb.

E.Bs.

unis.

29 153 Picc. 2 a2 1 2

Fl.

to Piccolo 3

1 2 Ob. 3 a2 1 2 Cl. in B 3

Bn.

1 2

Cbn.

Hn. in F

1 2 (a2) 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

All

miss,

Love

ing,

Faith’s

ing,

Heart’s div.

I Vn. II

Va.

Vc.

Cb.

E.Bs.

de unis.

ing

30 157

accel. poco a poco

Piccolo

1 Picc.

Piccolo 2

a2 Fl.

1 2 3

a2 1 2 Ob.

Oboe 3

a2 1 2 Cl. in B 3 a2 Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

with straight mute

1 2 3

Tpt. in B

a2, with straight mute 3 4 3

1 2 Tbn. 3 4

Tba.

Timp.

1 Ten. Dr. 3

2 Sus. Cym. 3 Perc. 4

Acc.

Pno.

Hp.

Bar.

accel. poco a poco via sord. I Vn.

via sord. II via sord.

Va. via sord. Vc.

Cb.

E.Bs.

senza sord.

= 92 159 1

Picc. 2

(a2) Fl.

1 2 (a2) 1 2

Ob. 3

(a2) 1 2 Cl. in B 3 (a2) Bn.

1 2

Cbn. a2 1 2 Hn. in F

3 4 3

Tpt. in B

remove mute

a2, without mute

remove mute

a2, without mute

1 2 3 4

1 2 3

3 3

Tbn. 3 4

3 3

Tba.

Timp.

Glock. 1 3

(Ten. D.)

3 3

2 (Sus. Cym.) 3 Perc. 4

Acc.

Pno.

Hp.

= 92

senza sord. 3

I Vn.

senza sord. 3

II senza sord. Va. 3

Vc.

Cb.

E.Bs.

3 3

wild, cruel

sim.

161

to Flute

to Alto Flute

Picc. 2

(a2) Fl.

1 2

1 2 Ob. 3

1 2 Cl. in B 3 (a2) Bn.

1 2

Cbn. (a2) Hn. in F

1 2 (a2) 3 4 take mute

Tpt. in B

1 2 take mute 3 4

1 2 a2

Tbn.

3 4

3 3

Tba.

Timp. (Glock.) 1 (Ten. Dr.) 2 Tamb. 3 Perc.

3 Temple Blocks 4 3

3 Cowbells 5 3

3 Bongos 6 3

Acc.

Pno. 3

Hp.

non div.

wild, cruel

I non div.

Vn. II

non div. Va. 3

pizz.

Vc.

pizz. Cb. 3

E.Bs.

33 164 1 2 Fl. 3

Al. Fl.

1 2 Ob. 3

1 2 Cl. in B 3 a2 Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 soli 1 2

Tbn. 3 4

Tba.

Timp.

2 Tamb. 3 Perc. 4 B.D. 5

Acc.

Pno.

Hp.

C E G A

B G

Bar.

World is vi cious, world is vile

Love is dy ing Faith’s de fy ing

K pos ty dno mu sto le ti

™spi noj!

World is

(Bartok pizz.) non div. I Vn.

div., pizz.

non div.

arco Va.

arco Vc. arco Cb.

E.Bs.

arco

cru el, world is

vile,

faith’s de

ing,

34 170 1 2 Fl.

Flute 3 Alto Flute

Al. Fl.

1 2 Ob. 3

1 2 Cl. in B 3 a2 Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

a2, with mute 1 2 Tpt. in B

a2, with mute 3 4 a2 1 2

Tbn.

a2 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

8ba

C F A

Hp.

Bar.

Heartâ&#x20AC;&#x2122;s de

ing

Caus er

of this.

k po (pizz., non div.)

sty

dno

sto

â&#x201E;˘

spi

noj! arco (non div.)

Vn.

(pizz., non div.)

arco (non div.)

arco (non div.) pizz., non div. Va. arco (non div.) pizz., non div. Vc.

Cb.

E.Bs.

k po

35 174

1 2

Fl. 3

Al. Fl.

sub. a2 1 2

Ob. 3 a2 1 2 Cl. in B 3 (a2) Bn.

1 2

Cbn.

Hn. in F

1 2 3 4 a2

Tpt. in B

1 2 3 4 a2 1 2

Tbn.

3 4

Tba.

Timp.

2 Tamb. 3 Perc. 4

Acc.

Pno.

Hp.

Bar.

sty

dno

sto

™

com! arco, non div.

I arco (non div.)

Vn. II

arco (non div.) Va. arco (non div.) Vc.

Cb.

E.Bs.

Let’s

face

it,

Let’s

face

it,

Let’s

face

it,

Let’s face

36 178

ritenuto poco a poco

= 80

1., solo

1 2 Fl. 3

Al. Fl.

Ob.

1 2 to English Horn

E.H.

Cl. in B

1 2 to Bass Clarinet

Bs. Cl.

Bn.

1 2

Cbn.

take mute Hn. in F

1 2 take mute 3 4

Tpt. in B

1 2 3 4 take mute 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

solo

Pno.

solo

Hp.

Bar.

ritenuto poco a poco

vi dit Bog estÂť mu zy

ka nad

mi,

= 80

nad

mi,

nad

con sord.

al sord. I

Vn.

con sord.

al sord. II

con sord.

al sord. Va.

div., con sord. solo Vc.

Cb.

E.Bs.

al sord.

unis.

37 184 1 2 Fl. 3

Al. Fl. 1. Ob.

solo

1 2 English Horn

E.H. 1. Cl. in B

1 2 Bass Clarinet

Bs. Cl.

Bn.

1 2

Cbn.

1., with mute Hn. in F

1 2 3 4 (with mute)

Tpt. in B

1 2 (with mute) 3 4 1., with mute 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

I Vn. II

Va. solo Vc.

Cb.

E.Bs.

var

ka ri

var

ka ri

im mdi na ris

ge shi no des

meno mosso, molto tranquillo

191 1 2 Fl. 3

Al. Fl. solo 1. Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

5 Tam. 6

Acc.

Pno.

Hp.

Bar.

me litz

ar khma

u robs

Leid und

Freu

meno mosso, molto tranquillo div. I Vn. II

Va. tutti, unis. Vc.

Cb.

E.Bs.

Stirb

und

Wer

ben und

39 199

1 2 Fl. 3

Al. Fl. (1.) Ob.

1 2

E.H. 2. Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1. (with mute) 1 2

Tbn.

a2 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

B C G

Hp.

Bar.

Tod:

sie

sind

Ker ne

1 solo

Eins

tutti via sord.

I Vn.

via sord. II via sord.

Va. 1 solo Vc.

Cb.

E.Bs.

tutti

via sord.

Eins

Stirb undWer de

Wild, cruel, secco, marcatissimo

206

= 92

1 2 Fl. 3

Al. Fl.

Ob.

1 2

E.H.

Cl. in B

1 2 3

3 3

Bs. Cl.

a2 Bn.

1 2

Cbn.

with mute 1 2 Hn. in F

with mute 3 4 (with mute) 1 2

Tpt. in B

(with mute) 3 4

1 2

Tbn. 3 4

Tba.

Timp.

2 Tamb. 3 3

Perc.

3 T. Blks. 4 3

3 Cowbells 5 3

3 Bongos 6 3

Pno. 3

Hp.

Bar.

Stirb

und

Wer

de!

Leid

und

Wild, cruel, secco, marcatissimo

Freu

de!

Life

and

Death

= 92

non div., senza sord.

Vn. II

non div., senza sord.

Va. pizz., senza sord. 3

Vc.

pizz. Cb.

E.Bs. 3

41 209 1 2 Fl. 3

Al. Fl.

Ob.

1 2

E.H.

Cl. in B

1 2 3

Bs. Cl.

(a2) Bn.

1 2

Cbn.

Hn. in F

1 2

3 4

1 2 Tpt. in B 3 4

1 2

Tbn. 3 4

Tba.

Timp.

2 (Tamb.) 3 3

Perc.

(3 T. Blks.) 4 3

(3 Cowbells) 5 3

(3 Bongos) 6 3

Pno. 3

Bar.

I Vn. II

Va.

Vc.

Cb.

E.Bs. 3

42 211

molto meno mosso, tranquillo, dolcissimo, rubato

= 80

1., solo

1 2 Fl. 3

Al. Fl. 1., solo Ob.

1 2 solo

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

1. (with mute) Hn. in F

1 2 remove mute 3 4 remove mute

Tpt. in B

1 2 remove mute 3 4 remove mute 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

Sweets with sweets war not

molto meno mosso, tranquillo, dolcissimo, rubato

= 80

al sord.

con sord.

al sord.

con sord.

al sord.

con sord.

I Vn. II

Va.

al sord.

arco, con sord.

Vc. arco Cb. ord. E.Bs.

Joy de lightsin

poco pi첫 mosso 217

= 92

1., solo

1 2 Fl. 3 to Piccolo Al. Fl. (1.) Ob.

solo

1 2

E.H.

Cl. in B

1 2 to Clarinet in B

Bs. Cl.

Bn.

1 2

Cbn.

(1.) Hn. in F

remove mute

without mute

1 2 3 4

Tpt. in B

1 2 3 4 without mute 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

B G

Bar.

Joy

sweets with sweetswar

not

O, Time thou tu tor both to good and bad.

poco pi첫 mosso

O, Time thou tu tor both to good and bad.

= 92 1 solo

I Vn.

1 solo II

Va. div. Vc.

Cb.

E.Bs.

44 222 Picc. 2

1 2 Fl.

to Piccolo 3 1., solo

Ob.

1 2

E.H.

1 2 Cl. in B 3

Bn.

1 2

Cbn.

(1.) Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp. Glock. 1

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

In sweet mu sic

is such art:

Kill ing care

(1 solo)

tutti

I Vn.

1 desk

div.

unis.

tutti

1 desk

tutte

Va.

unis. Vc.

Cb.

E.Bs.

1 solo

tutti

1 solo

tutti

and grief of heart

45 229 1 Picc. 2

Fl.

1 2 (1.)

Ob.

1 2 solo

E.H.

1 2 Cl. in B 3

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

legato

Pno.

legato Hp.

Bar.

Fall a sleep, or,

hear

ing,

die.

via sord. I Vn.

via sord. II via sord.

Va. via sord. Vc.

Cb.

E.Bs.

46 234 1 Picc. 2 1., solo Fl.

1 2

Ob.

1 2 to Oboe

E.H.

1 2 Cl. in B 3

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp. Glock., solo 1

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

O, Time thou tu

tor both to good and

bad.

chu

mad

senza sord. I Vn.

senza sord. II senza sord.

Va. senza sord. Vc.

Cb.

E.Bs.

ghatz

mghe

ris

mta

47 238

Piccolo

1 cresc. poco a poco Picc.

Piccolo

cresc. poco a poco

2 cresc. poco a poco

cresc. poco a poco

a2 Fl.

1 2

cresc. poco a poco

a2 1 2

cresc. poco a poco

Ob.

cresc. poco a poco

Oboe 3

cresc. poco a poco

a2 1 2

Cl. in B

cresc. poco a poco

Clarinet in B 3

cresc. poco a poco

a2 Bn.

cresc. poco a poco

1 2 cresc. poco a poco

Cbn. cresc. poco a poco

a2, without mute Hn. in F

1 2 cresc. poco a poco

a2, without mute

3 4 cresc. poco a poco

Tpt. in B

without mute

1 2

cresc. poco a poco a2

without mute

3 4

cresc. poco a poco 1 2 Tbn.

cresc. poco a poco

3 4

cresc. poco a poco Tba.

cresc. poco a poco Timp. cresc. poco a poco

(Glock.) 1

Ten. D. 2 Crash Cyms. 3 Perc.

Sus. Cym. 4 B.D. 5 Tam. 6

Acc.

Pno.

cresc. poco a poco

8ba

gliss.

8ba

Hp.

8ba

B C D E F G A

Bar.

dza

tkbil

khma

div.

shi unis.

I cresc. poco a poco

Vn.

cresc. poco a poco

cresc. poco a poco div.

unis.

II cresc. poco a poco

cresc. poco a poco div.

cresc. poco a poco unis.

Va. cresc. poco a poco

cresc. poco a poco

cresc. poco a poco div. unis.

Vc. cresc. poco a poco div.

unis.

cresc. poco a poco div.

cresc. poco a poco unis.

Cb. cresc. poco a poco

cresc. poco a poco

E.Bs. cresc. poco a poco *with palm

cresc. poco a poco

ord.

cresc. poco a poco

48 242 1

cresc. poco a poco

cresc. poco a poco (a2)

cresc. poco a poco

Picc.

(a2) Fl.

1 2

(a2) 1 2

Ob.

(a2) 1 2

Cl. in B 3

Bn.

1 2

Cbn. cresc. poco a poco

Hn. in F

1 2 cresc. poco a poco

cresc. poco a poco

3 4 cresc. poco a poco a2 1 2 cresc. poco a poco

Tpt. in B

a2 3 4 cresc. poco a poco a2 1 2 cresc. poco a poco

Tbn.

a2 3 4 cresc. poco a poco cresc. poco a poco

cresc. poco a poco

Tba. cresc. poco a poco

cresc. poco a poco

Timp.

1 (Ten. Dr.) 2

Crash Cyms. 3 Perc.

(Sus. Cym.) 4

(B.D.) 5 (Tam.) 6

Acc.

ord.

Pno.

cresc. poco a poco

8ba

Hp.

Bar.

cresc. poco a poco

Vn. II

cresc. poco a poco

Va.

Vc.

Cb.

E.Bs.

*With palm

wild, cruel 245 1

3 3

Picc. 2

(a2) Fl.

1 2

(a2) 1 2

Ob.

(a2) 1 2

Cl. in B 3

(a2) Bn.

1 2

Cbn. (a2) Hn. in F

1 2

(a2) 3 4 (a2) 1 2

Tpt. in B

(Ten. Dr.) 3

(a2) 3 4

1 2

Tbn. 3 4

Tba.

Timp. Tamb. 1

3 Perc.

(Sus. Cym.) 4 (B.D.) 5 (Tam.) 6

Acc.

Pno.

8ba

Hp.

Bar.

wild, cruel I

Vn. II

Va.

Vc.

Cb.

E.Bs.

50 247 1 3

3 3

Picc. 2

(a2) Fl.

1 2

1 2 Ob. 3

1 2 Cl. in B 3

(a2) Bn.

1 2

Cbn.

Hn. in F

1 2 3

3 3

3 4

Tpt. in B

1 2

3 4

1 2

Tbn. 3 4

Tba.

Timp. (Tamb.) 1 (Ten. D.) 2

(Claves) 3 Perc.

T. Blks. 4

Cowbells 5 3

Bongos 6 3

Pno.

3 3

non div. I 3

Vn.

3 3

non div.

3 3

II 3 3

3 3

non div. Va.

non div. Vc. 3 3

3 3

pizz. Cb.

E.Bs.

51 249 1 3

Picc. 2

(a2) Fl.

1 2 3

a2 1 2 Ob.

3 a2 1 2 Cl. in B

(a2) Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

a2 1 2 3

Tpt. in B

3 4 3

1 2

Tbn. 3 4

Tba.

Timp.

(Tamb.) 1 3

(Ten. Dr.) 2

(Claves) 3 Perc.

(T. Blks.) 4 3

(Cowbells) 5

(Bongos) 6

Pno.

I 3

Vn. II 3

Va. 3

Vc. 3

(pizz.) Cb.

E.Bs.

arco

52 251

to Flute

G.P.

to Alto Flute

Picc. 2

(a2)

Fl.

1 2 (a2) 1 2

Ob.

to English Horn 3 3

(a2) 1 2 Cl. in B

to Bass Clarinet 3 3

3 3

(a2) Bn.

1 2

Cbn.

Hn. in F

1 2 3 4 (a2)

Tpt. in B

1 2 (a2) 3 4

a2 1 2 Tbn. a2

3 4

Tba.

Timp. B.D. 1 Tam.

2 Sus. Cym. 3 Perc.

(3 T. Blks.) 4 3

(3 Cowbells) 5 (3 Bongos) 6 3

Acc.

with palm

Pno.

8ba

Hp.

C G

Bar.

I Vn. II

Va.

Vc.

Cb.

ord. E.Bs. *Do not dampen the the Tamtam or piano until the sound has completely died away.

G.P.

(

= 92)

254 1 2 Fl. 3

Al. Fl.

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

1 Tam. 2

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

(

kry

lom

pro

zem

le,

= 92)

I Vn.

1 solo II

Va.

Vc.

Cb.

E.Bs.

54 260 1 2 Fl. 3 Alto Flute Al. Fl.

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

kra

snoj

tra

Whatâ&#x20AC;&#x2122;s

I Vn. II

Va.

Vc. 1 solo, pizz. Cb.

E.Bs.

come

55 265 1 2 Fl. 3

Al. Fl.

Ob.

1 2

E.H.

Cl. in B

1 2

Bass Clarinet Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

C E

Bar.

still

sure

still

sure

whatâ&#x20AC;&#x2122;s tocome is stillun sure

I Vn. II

Va. 1 solo Vc. tutti, arco Cb.

E.Bs.

56 272 1 2 Fl. 3

Al. Fl.

Ob.

1 2

E.H.

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

life and death,

life and death

ben

und

Tod

Sie

sind im Ker ne

I Vn.

1 solo II

Va. tutti, div. Vc.

Cb.

E.Bs.

Eins

57 278 1 2 Fl. 3

Al. Fl.

Ob.

1 2 English Horn

E.H. 1. Cl. in B

1 2

Bs. Cl. a2 Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1. 1 2

Tbn.

3. 3 4

Tba.

Timp.

B.D. 1 Tam. 2

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

Raz

vse,

Tol»

smert»

nas

dna,

Vn.

tutti II

Va.

unis. Vc.

Cb.

E.Bs.

et,

58 285 1 2 Fl. 3

Al. Fl.

Ob.

1 2

E.H.

Cl. in B

1 2 to Clarinet in B 3

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

1 solo

I Vn. II

Va.

Vc.

Cb. sub.

E.Bs.

tutti

59 290

1 2 Fl.

Flute 3

Al. Fl.

Ob.

1 2

E.H.

1 2 Cl. in B 3

Bn.

1 2

Cbn.

1., solo Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

I Vn. II

Va.

Vc.

Cb.

E.Bs.

= 80, molto rubato

297 1 2 Fl.

to Piccolo 3 to Piccolo

Al. Fl. 1. Ob.

1 2 to Oboe

E.H.

1 2 Cl. in B 3

Bn.

1 2

Cbn.

1. Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

sweet

sic

= 80, molto rubato I Vn. II

Va. 1 solo Vc.

Cb.

E.Bs.

tutti, div.

such

art

61 Piccolo

303 1 Picc.

Piccolo 2

a2 Fl.

1 2

a2 1 2 Ob.

Oboe 3

a2 1 2 Cl. in B

Clarinet in B

3 3

a2 Bn.

1 2

Cbn. a2 1 2 Hn. in F

a2 3 4 a2

Tpt. in B

1 2 a2 3 4

1 2 Tbn. 3 4

Tba.

Timp. B.D. 1

Ten. D. 2 Crash Cyms. 3 Perc.

Tamb. 4

Acc.

Pno.

Hp.

Bar.

kill

non div.

ing

care

and

grief sul G

I Vn.

non div. II non div.

Va.

non div.

div.

Vc. non div. Cb.

E.Bs.

heart

62 306 1 3

Picc. 2

a2 Fl.

1 2 a2 1 2

Ob. 3 a2 1 2 Cl. in B 3 a2 Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 a2 Tpt. in B

1 2 a2 3 4

1 2 Tbn. 3 4

Tba.

Timp. B.D. 1 Ten. Dr. 2 Crash Cyms. 3 Perc.

Tamb. 4

Acc.

Pno.

8ba

Hp.

Bar.

fall non div. I

Vn.

non div. II

non div. Va.

non div. Vc.

Cb.

E.Bs.

sleep

hear

ing

die

1 solo

63 309 1 Picc. 2

Fl.

1 2 1 2

Ob. 3

1 2 Cl. in B 3

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

fall

(solo)

sleep

hear

ing

die

tutti

I Vn.

div. II

Va. div. Vc.

Cb.

E.Bs.

unis.

64 312 1 Picc. 2 a2 Fl.

1 2 non cresc. 1 2

Ob. 3 a2

1 2 Cl. in B

non cresc. 3

3 non cresc. Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

I Vn. II

Va.

Vc.

Cb.

E.Bs.

65 315 1 Picc.

a2 Fl.

1 2 a2 1 2

Ob.

3 a2 1 2 Cl. in B 3 a2 Bn.

1 2

Cbn.

Hn. in F

1 2

3 4

Tpt. in B

3 3

1 2 3

3 4 a2 1 2 Tbn.

a2 3 4

Tba.

Timp. 3

1 Ten. Dr. 3

2 Sus. Cym. 3 Perc.

3 T. Blks. 4 3

3 Cowbells 5 3

3 Bongos 6 3

Acc.

unis. 3

Pno.

Hp.

Bar.

I Vn. II

Va. 3

3 3

Vc.

Cb.

E.Bs.

3 3

66 316

to Flute

1 Picc.

to Alto Flute 2

Fl.

1 2 1 2

Ob. 3

1 2 Cl. in B

to Bass Clarinet 3

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

Hp.

Bar.

black

mourn

All

fears

scorn

I Vn. II

Va.

div. Vc.

Cb.

E.Bs.

black

mourn

67 323 1 2 Fl. 3

Al. Fl.

1 2 Ob. 3

Cl. in B

1 2

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

3 Perc. 4

Acc.

Pno.

8ba

Hp.

Bar.

all

fears

scorn

I 1 solo

I 3

Vn. II

Va.

Vc.

Cb.

E.Bs.

68 328 1 2 Fl.

Flute 3 Alto Flute

Al. Fl.

1 2 Ob. 3

Cl. in B

1 2

Bass Clarinet

to Clarinet in B

Bs. Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2 3 4

Tpt. in B

1 2 3 4 1 2

Tbn. 3 4

Tba.

Timp.

Glock. 1

3 Perc. 4

solo

Acc.

solo

Pno.

B C D E F G A

Hp.

Bar.

Khve

tutti I Vn. II

Va.

unis. Vc.

Cb.

E.Bs.

gram mi tkhar

div.

69 335

1 2

Fl.

to Piccolo 3

to Piccolo Al. Fl.

1 2 Ob. 3

1 2 Cl. in B

Clarinet in B to Bass Clarinet

Bass Clarinet

to Clarinet in B

3 a2 Bn.

1 2

Cbn. a2 1 2 Hn. in F

a2 3 4

a2 Tpt. in B

1 2 3 4

a2 1 2 Tbn. 3 4

Tba.

Timp. Glock. 1 Ten. D. 2

Crash Cym. 3 Perc.

Tamb. 4 B.D. 5

Acc.

Pno.

Hp.

B E A

Bar. unis., non div.

ma grammit khar sa

is ratz a

ler sa

Vn.

non div. II

Va. 1 solo Vc.

Cb.

E.Bs.

70 341

Piccolo

Picc.

Piccolo 2

a2 Fl.

1 2 a2 1 2

Ob. 3

a2 1 2 Cl. in B

Clarinet in B 3 a2

Bn.

1 2

Cbn.

a2 1 2 Hn. in F

a2 3 4

1 2 Tpt. in B 3 4 a2 1 2 Tbn.

a2 3 4

Tba.

Timp. 3

Cowbell 1 Ten. Dr. 2 Crash Cyms. 3 Perc.

Tamb. 4 B.D. 5 Bongo 6

Acc.

Pno.

8ba

Hp.

Bar. tutti 1 solo

I 3

Vn. II

Va. 3

tutti Vc.

Cb.

E.Bs.

*All fermati should be of equal length.

3 3

71 344 1 3

Picc. 2

(a2) Fl.

1 2 (a2) 1 2

Ob. 3 (a2) Cl. in B

1 2

3 (a2) Bn.

1 2

Cbn.

(a2) 1 2 Hn. in F

(a2) 3 4 3

(a2)

1 2 Tpt. in B 3 4 (a2) 1 2 Tbn.

(a2) 3 4

Tba.

Timp.

(Cowbell) 1 (Ten. Dr.)

3 3

2 (Crash Cyms.) 3 Perc.

(Tamb.)

4 (B.D.) 5 (Bongo) 6

Acc.

Pno.

8ba

Hp.

Bar.

Donâ&#x20AC;&#x2122;t 3

pizz.

I Vn. II pizz. Va. 3

3 3

pizz.

Vc. pizz. Cb.

E.Bs.

grieve