DREAMSONGS for cello and chamber orchestra
Aaron Jay Kernis (2013)
AJK Music/Associated Music Publishers (G.Schirmer)
INSTRUMENTATION
Flute (doubling Piccolo) Oboe (doubling English Horn) Clarinet 1 in Bb (doubling Eb Clarinet) Clarinet 2 in Bb (doubling Bass Clarinet) Bassoon 2 Horns in F Trumpet Trombone (with trigger attachment) 2 Percussion - Perc. 1 –Vibraphone, 2 Crotales (F# and G), Chimes Pair of Congas; Pedal Bass Drum (or Small Bass Drum); Crash Cymbal; Medium Suspended Cymbal; Wood Block; African Metal Rattle - Perc. 2 - Marimba (5 octave - low C to high C); Timpani; Cabasa; Triangle Harp Strings (minimum players 4-4-2-2-2, maximum 6-6-4-4-2)
Duration 22”
Commissioned for Joshua Roman by the ProMusica Chamber Orchestra, Anacrusis Productions, Ltd. for the Bellingham Festival, and the San Francisco Chamber Orchestra For Joshua
Dreamsongs 1. Floating Dreamsongs Slowly e =84
Aaron Jay Kernis (2013)
Piccolo (Fl.)
Oboe (E.H.)
Clarinet 1 in Bb
Clarinet 2 in Bb
Horn 1 in F
Horn 2 in F
Trumpet in C
rit.
poco rit.
Percussion 1
Vibraphone
poco pp
Bassoon
Tenor Trombone
Percussion 2
Harp
Violoncello Solo
Clar. in Bb
p
pp, dolce
pp
mp
mf
Violin I B
Violin II A
Violin II B
Viola sola
Viola altre
mp, senza vib.
Violoncello solo 3
mp, senza vib.
Contrabass
1. solo
poco
poco
poco
con sord.
con sord.
mp
mp
mp
mp
poco rit. con sord.
mp, senza vib.
Violoncello solo 2
poco mf
Violoncello solo 1
pp
p
rit.
Slowly e =84
Violin I A
© 2013 by AJK Music. Administered Exclusively by Associated Music Publishers, Inc. (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
pp poch. vib.
pp poch. vib.
pp poch. vib.
p
p
p
p
4/10/16 edition
2 7 Spacious e = 72 Picc. (Fl.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 1
Perc. 2
Vc.
poco
Spacious e = 72
pp
Vln. II B
pp poch. vib.
tutti div. con sord.
pp poch. vib. con sord.
pp poch. vib.
Vc. B
Cb.
4/10/16 edition
pp
p
pp
pp
p
p
pp
p
pp
p
tutti div.
pp
con sord.
con sord.
p
4
2
p
p
pp
pp
pp
p
pp
p
pp
p
pp
p
pp
p
p
pp p
pp
p
pp p
p
mp
poch. vib.
poch. vib. p
pp
pp
pp
p
pp
pp
pp
pp
pp
pp
con sord.
Vc. A
pp
pp
Vln. II A
Vla. B
Vln. I A
Vla. A
p
espr.
Vln. I B
Hp.
p
pp
p
pp
p
3 13 Picc. (Fl.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Hn. 2
C Tpt.
Hn. 1
Tbn.
Perc. 1
Perc. 2
poco cresc.
Hp.
Vc.
4
Vln. I B
Vln. II A
cresc.
Cb.
Vc. B
cresc. Vc. A
Vla. B
Vla. A
Vln. II B
non arp. f
relaxing slightly
mf
mf
mf
mf
5
mf
mf
mf
mf
f
Vln. I A
Bsn.
relaxing slightly
mf
mf
4/10/16 edition
4 Still calm, intensifying gradually
17 Picc. (Fl.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Bsn.
pp
pp
pp
pp
p
solo
p
p, espr.
Hn. 1
pp
mf
e = 76-84
p
pp
Cl. 2 in Bb (Bs. Cl.)
Picc.
moving to
pp (balance with piccolo)
(non solo)
p
con sord.
Hn. 2
C Tpt.
Perc. 1
Perc. 2
Hp.
p
4
mp
4
3
p
Vc.
4
p
Vln. II A
f
4
p
sub. mf
4
4
Cb.
p
Vla. B
p
Vc. A
Vc. B
4/10/16 edition
p
mp
mp
p
p
p
p
p
p
e = 76-84 Still calm, intensifying gradually
pp
4
Vla. A
Vln. II B
p
poco f
pp
mp
pp
pp
pp
pp
pp
pp
pizz.
p
mf
moving to
Vln. I
pp
pp
Tbn.
pp (balance with piccolo)
poco f
5 22 Picc. (Fl.)
mp
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Bsn.
Hn. 1
mp
pp
mp
p
Cl. 2 in Bb (Bs. Cl.)
p
Hn. 2
mp
pp
mp
p
pp
p
mf
con sord.
pp
p
p
mf
mf
mf
mf
p
mp
p
p
mf, espr.
mf
mp
to Fl.
p
p
mp
mp
mf
p
Tbn.
Perc. 1
Perc. 2
Hp.
mf
mf
pp
pp
mf
mp
mp
p
mp
Vla.
Vc.
mp
Vln. II
Cb.
mp
p
Vc.
Vln. I
mp
p
C Tpt.
4/10/16 edition
6 28 Fl. Fl. (Picc.)
increasing in motion
p
Cl. 1 in Bb (Eb Cl.)
3
mf legato
Ob. (E.H.)
4
mp
p
4
5
Bsn.
Hn. 1
p
mp
4
p
to Bs. Cl.
Tbn.
Perc. 1
Perc. 2
Hp.
4
4
p
4
p
mp
p
mp
p
p
mf
f
Vln. I
Vln. II
Vla.
senza sord.
increasing in motion
senza sord.
Vc.
senza sord.
pizz.
p, resonant
5
pizz.
pizz.
p, resonant
p, resonant
4/10/16 edition
Vc.
Cb.
p
espr. Bs. Cl.
espr.
p
mp
p
p
C Tpt.
mp
5
5
p
Hn. 2
mf
mf legato
4
mf legato
f
mf legato
mf legato Cl. 2 in Bb (Bs. Cl.)
5
pizz.
p, resonant
7 32 Fl. (Picc.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Hn. 1
Hn. 2
C Tpt.
mp
Perc. 1
Perc. 2
Hp.
mp
Cb.
4
mf
4
accel.
4
4
4
4
4
4
mf
4
mf
4
4
4
mp
mf 5
legato
4
4
mf
4
f
p
f
mp
mf
fp
f
mp
mf
4
4
4
legato
poco f
mp
4
4
mf
Vln. I
Vc.
mf
Vla.
mf
mf
Vc.
Vln. II
mp
legato
mp legato
Tbn.
f
mp
Bsn.
f
moving forward
f molto
moving forward
mp
mp
mp
più f
f
arco
p
mf
accel.
arco 4 4 p
4
arco
mf
p
4
pizz. 4
mf mp
4
4/10/16 edition
8 Dynamic, sostenuto e = 92
36 Fl. (Picc.)
f molto
Ob. (E.H.)
f molto
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
Hn. 1
f molto
f, intenso
f molto
Timp.
fsf
Hp.
Vc.
f
f, intenso, molto legato
f, intenso, molto legato
intenso, molto legato
intenso, molto legato
f
f, intenso, molto legato
sf
arco
più f, sostenuto
più f, sostenuto
più f, sostenuto
intenso, molto legato
ff
Cb. 4/10/16 edition
Dynamic, sostenuto e = 92
f intenso, molto legato
Vc. B
fsf
f intenso, molto legato
Vc. A
f
Vla. B
f
Vla. A
sf
f, intenso, molto legato senza sord.
Vln. II B
Vln. I A
Vln. II A
senza sord.
Vln. I B
più f
Tbn.
Perc. 2
f molto
Perc. 1
f molto
C Tpt.
f molto
Hn. 2
più f, sostenuto
più f, sostenuto
più f, sostenuto
più f, sostenuto
più f, sostenuto
più f, sostenuto
9 42 Fl. (Picc.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
Hn. 2
C Tpt.
Hn. 1
Tbn.
Perc. 1
Perc. 2
Hp.
3
3
Vc.
sf
f
Vln. I A
ff
3
3
3
3
5
5
6
6
Cb.
Vln. I B
Vln. II A
3
3
3
3
3
Vla. A
Vc. A
sf
sf
3 sf 3
3
3
Vc. B
3
3
Vla. B
sf
sf 3
Vln. II B
sf
sf
3
sf
3
3
sf
4/10/16 edition
10
Poco meno, sost. e = 86
46 Fl. (Picc.) Ob. (E.H.)
fsf, sost.
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
fsf
sord. fsf, sost.
fsf, sost.
fsf
più f
più f
to Cl.
sf
più f
sf
sf
sf
fsf
più f
più f
fsf, sost. cantabile
Cb. fsf, sost. cantabile
6
6
più f
più f
più f
più f
più f
più f
più ff 6
sf
sf
più f
fsf, sost. cantabile
fsf, sost. cantabile
6
fsf, sost. cantabile
4/10/16 edition
Cl.
fsf, sost. cantabile
Vc. B
sf
fsf, sost. cantabile
Vc. A
fsf, sost. cantabile
Vla. B
sf
fsf, sost. cantabile
Vla. A
Poco meno, sost. e = 86 Vln. I A
Vln. II B
sf
6
Vln. II A
Vc.
Vln. I B
sf, sost.
sf
più f
più f
sf
più f
più f
Perc. 2
Hp.
fsf
fsf, sost.
senza sord.
Perc. 1
fsf, sost.
Tbn.
più f
sord. senza Hn. 1
C Tpt.
fsf, sost.
Hn. 2
sf
sf
sf
sf
sf
sf sf
50 Fl. (Picc.)
sf
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
sf
Bsn.
sf
Hn. 1 sf
Hn. 2
C Tpt.
6 3
sf
sf
sf
Tbn.
Perc. 1
Perc. 2
Vc.
Vln. I A sf
Vln. I B
Vla. B
sf Vc. A
Vc. B
Cb.
ppp
molto
sf
3
p mormorando
6
mf, cant.
ppp
pp
molto
pp
molto
p
molto
molto
mf, cant.
mp, dolce
mf, cant.
p
p
p
p
p
p
molto
molto
p
molto
mf, cant.
pp
mp, dolce
molto
pp
molto
p
6
mp
molto
sf
sf
mp
3
pp
molto
6
6
3
molto
molto
sf
Much slower e = 56-60
sf
Vla. A
mf
molto
mp, bisbigliando
ppp
Db C Bb Eb Fb G# A
sf
Vln. II B
sf
Vln. II A
6
sf
mp
sf
Hp.
6
molto
fp
molto
f
sf
Cl. 2 in Bb (Bs. Cl.)
ppp
molto
sf
11
Much slower e = 56-60
4/10/16 edition
12 53 Fl. (Picc.)
Ob. (E.H.)
Bsn.
6
p, mormorando 3
Cl. 2 in Bb (Bs. Cl.)
pp 3
Cl. 1 in Bb (Eb Cl.)
3
6
3
6
to Bs. Cl.
Hn. 2
Perc. 1
Perc. 2
Hp.
Vc.
6
Vln. II A
Vln. II B
6
G§
Cb
Ab
Gb
Vln. I
3
3
6
3
C Tpt.
Tbn.
3
3
p, mormorando
Hn. 1
mf, cant.
3
3
3
pp
pp
Vc. A
Vc. B
Vla. A
Vla. B
Cb.
4/10/16 edition
unis.
13 55 Fl. (Picc.)
Ob. (E.H.)
6
6
6
B. Cl. (Cl. 2)
p 6
Cl. 1 in Bb (Eb Cl.)
6
6
3
Bsn.
Hn. 1
3
6
pp
3
3
sord.
p, mormorando
6
3
3
3
3
3
p
p
3
3
3
dim.
sord.
Hn. 2
Perc. 1
Perc. 2
Vc.
pp
dim.
D§ F§
Hp.
dim.
C Tpt.
Tbn.
pp
C#
B§
Fb
A§
F§ C§
G#
dim.
mf, cant.
Vln. I
Vln. II A
p
p
Vln. II B
p
Vla. A
p
Vla. B
p
Vc. A
p
Vc. B
p
Cb.
p
4/10/16 edition
14 57 Fl. (Picc.)
Ob. (E.H.)
With a little motion, breathing e = 69
moving forward a bit
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
3
Bsn.
3
dim.
3
3
3
3
3
ppp
Tbn.
3
3
ppp
Med. Sus. Cym., soft mallets
(p) mp
Vc.
Vln. I A
sul tasto
moving forward a bit
sul tasto
pp
Vln. II A
sul tasto
pp
sul tasto
Vla. A
sul tasto
Vla. B
pp
Vc. A
Vc. B
Cb.
4/10/16 edition
pp
poco sul pont.
ppp
poch.
poch.
ppp
arco, non div.
ppp
pizz. non div.
ppp
1/2 pizz, 1/2 arco
ppp
poch.
poco sul pont.
poch.
ppp
ppp
pp
ppp
pp
pp
ppp
With a little motion, breathing e = 69
pp sul tasto
Vln. II B
p
3
pp
Vln. I B
G#
Hp.
ppp
Eb
Bb
Perc. 1 Perc. 2
p, espr.
ppp
pp
C Tpt.
3
pp
ppp
Hn. 2
p
p
dim.
Hn. 1
solo
alternate
sim.
sim.
15 61 Fl. (Picc.)
poco rit.
Cantabile q = 58
rit.
Molto sostenuto q = 40, ad lib.
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Ob. (E.H.)
Bsn.
to Clar.
C Tpt.
ppp
pp
to E.H.
l.v.
p, poco espr.
ppp, non vib.
p
ppp
pp
ppp tutti arco
rit.
ppp
Molto sostenuto q = 40, ad lib.
ppp, non vib.
p
Cantabile q = 58
ord.
ppp, non vib. ord.
pp
poco rit.
ppp
Cb.
Chimes (or Temple Bowls)
ppp
Vc. B
Triangle
ppp
Vc. A
div. a3
Vla. B
pp
Vln. I solo
Vla. A
1. solo
Vln. II C
(sord.)
3 Vc. 3
Vln. II B
poco mf, cant.
pp
Perc. 2
Vln. II A
sord.
Perc. 1
Vln. I B
(sord.)
pp
Vln. I A
pp
Tbn.
Hp.
p
Hn. 1 Hn. 2
4/10/16 edition
16 freely
Vc.
70
3
3
rit.
Vc.
A tempo
rit.
5
5
pp
molto rit.
3
mp
poco mf
(accel. ad lib.) 74 3 3
Freely, ad lib.
6
6
pp
A Tempo, e = 76-80 Building gradually,
77 Perc. 1
6
6
6
sim.
6
medium mallets
Perc. 2
6
Marimba
pp
Vc.
a tempo
9
p
78 Vibes. Perc. 1
medium mallets
pp
Perc. 2
Vc. mf
80 Perc. 1 p
Perc. 2
p
Hp.
broadening
mf
fp
mf
f
sf
sf
Vc. poco più f
f
82 Urgent, e = 72 Perc. 1 fp Perc. 2 mf
Hp.
mf fp
mf
p
f (slurred or separate tremolos)
sf
fp
mf
fp
mf
fp
sf
Vc.
4/10/16 edition
fp
moving ahead slightly
17 84 Fl. (Picc.)
Eng. Hn. (Ob.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 1
mf
f
Perc. 2
Hp.
Vc.
sf
9
sfmf
fsf
sf
f
ff
sfmf
ff
ffsf E§ 6
Bb
broaden slightly
G§
sf
sf
cresc.
ffsf
s. glis
sf
ff
6
broaden slightly
Vln. I
Vln. II
Vla.
Vc.
Cb.
4/10/16 edition
18
Sostenuto, più é più maestoso q = 44
86 Fl. (Picc.)
sub. pp
Eng. Hn. (Ob.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
sub. pp
sub. pp
senza sord.
sub. pp
Tbn.
sub. ppp
senza sord.
10
p-ppp
6
14
4/10/16 edition
sub. pp
Cb.
f
sub. p, dolce
Vc. B
poco
sub. pp
Vc. A
ppp
Vla. B
10
Sostenuto, più é più maestoso q = 44
Vla. A
f
Vln. II
Vc.
Vln. I
p
sub. ppp
Hp.
E.H.
pp
Perc. 1
Perc. 2
sub. p, dolce
senza sord.
C Tpt.
sub. p, dolce
Hn. 1
Hn. 2
Bsn.
ppp
mp
19 stronger in expression 90 becoming Fl. (Picc.)
mp
Eng. Hn. (Ob.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
mp
Hn. 1
p, dolce
Hn. 2
p
C Tpt.
p
Tbn.
mp-pp
Hp.
p
Perc. 1
Perc. 2
3
mf-p
mf
6
becoming stronger in expression
pp
3
3
mp
mp
poco a poco cresc.
poco a poco cresc.
pp
p
f
mf-p
3
Vln. I
Vc. A
p
Vla. B
mp-pp
3
Vla. A
mp-pp
Vc.
Vln. II
senza sord.
p
p
mp
Vc. B
Cb.
p
mp
4/10/16 edition
(in 8ths) e = 76 Sostenuto and sweeping in melody, heavy in the strings, slowing gradually più é più pesante
20 93 Fl. (Picc.)
Cl. 2 in Bb (Bs. Cl.)
Hn. 1
f
f
mf
poco f
Med. Sus Cym.
ppp
ppp
3
9
5
f
molto legato, tenuto
3
mf
f
3
6 3
3
6
f
mp
3
molto legato, tenuto
f
fmf
f
f
3
6
3
molto legato, tenuto
3
6
sfp
6
3
molto legato, tenuto
6
3
6
3
f
sfp
fmf
f
mf f molto legato, tenuto
3
6
3
sfp
3
3 6 6
6
fmf
3
3
3
6
3
molto legato, tenuto
(in 8ths) e = 76 più é più pesante Sostenuto and sweeping in melody, heavy in the strings, slowing gradually
pp
4/10/16 edition
p
Cb.
Vln. I
Vc. B
f molto
Vc. A
Vc.
Vla. B
Vla. A
cresc. poco a poco
ppp
mf
Vla.
mf
Vln. II
Perc. 1
Hp.
f
f
C Tpt.
Perc. 2
Hn. 2
Tbn.
Cl. 1 in Bb (Eb Cl.)
f
Eng. Hn. (Ob.)
Bsn.
3
6
6
6
3
fmf
sfp
3
fmf
6
6
sfp
21 é legato, 98 Tenuto più sostenuto Fl. (Picc.) ff
Eng. Hn. (Ob.)
Cl. 1 in Bb (Eb Cl.)
f
ff
rall.
ff
ff
Bsn.
Tbn.
Perc. 1
Perc. 2
Hp.
mp molto
pp
mf
molto
mf
f
fff
3
3
mf
pp
mf
pp`
rall.
3
3
p
ff legato
ff legato
mf
3
p
mp
p
p
ppp
mf
mp
f-mf
pp
rall. molto
mp
p
ff
3
3 3 f 3
f
3
p
mf
pp
singing
pp
ff
pp
pp
Cb.
f
Vc. B
molto
pp
Vln. I
Vc. A
mf
to Ob.
pp
Tenuto é legato, più sostenuto
Vla.
Vc.
Vln. II
p
ff
C Tpt.
pp
ff
Hn. 2
mf
q = 38
pp
ff
Hn. 1
rall. molto
p
pp
ff Cl. 2 in Bb (Bs. Cl.)
p
pp
p, sereno.
pp
pp
pp
p
pp
mp
pp
4/10/16 edition
22 Semplice, intimo
102 q = 48 Picc. (Fl.)
to Picc.
Poco meno, ancora tranquillo q = 44
poco meno
Picc.
p
Fl. (Picc.)
Ob. (E.H.)
Eng. Hn. (Ob.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Hn. 2
C Tpt.
Bsn.
Hn. 1
Tbn.
Perc. 1
Perc. 2
Hp.
Vc.
Vln. I
Vln. II A
p, semplice
Semplice, intimo q = 48
p
Vc.
p
Cb.
4/10/16 edition
pp
unis.
mp pp
p
p
Vla.
Poco meno, ancora tranquillo q = 44
p
Vln. II B
p
mp
p
p
p
pp
pp
mp
poco meno
pp
mp
23 111 Picc. (Fl.)
to Fl.
rit.
Tranquillo, e = e = 72
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Hn. 2
C Tpt.
Bsn.
Hn. 1
Tbn.
Vc.
Perc. 2
Hp.
pp, espr.
Vln. I solo
Vln. II A
Vln. II B
Vla. A
Vc. A
rit.
p, poco espr.
Vln. I B
Cb.
1. solo
Vln. I A
Perc. 1
p
pp
p
pp
p
più p
più p
più p
l.v.
ppp
pp
Crotales, p medium-hard plastic mallet (lower note only)
Tranquillo, e = e = 72
Vibes, medium yarn (upper note only)
pp
pp
pp
4/10/16 edition
24 117 Fl. (Picc.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Hn. 1
Bsn.
Hn. 2
pp
sord.
sord.
pp
Tbn.
C Tpt.
Perc. 1
Tri.
Perc. 2
ppp
Hp.
mp
Vc.
pp
1. solo
2. solo
pp
pp
2. solo
pp
4/10/16 edition
pp
Cb.
1. solo
Vc. B
pp
Vc. A
2. solo
Vla. B
pp
Vla. A
1. solo
Vln. II B
pp
Vln. II A
2. solo
Vln. I B
sord.
pp
pp
Vln. I solo 2
p
p
(1. solo)
Vln. I solo 1
mp
pp
Sul IV (2. solo) ppp
poco
ppp
poco
pp
(1. solo) Sul IV
25
2. Kora Song With lightness of spirit q = 108-112
Flute (Picc.)
Oboe (E.H.)
Clarinet 1 in Bb
Clarinet 2 in Bb
Horn 1 in F
Horn 2 in F
Trumpet in C
Tenor Trombone
Bassoon
Percussion 1
Percussion 2
Harp
Viola
Violoncello
f, distinct
mf
5
pizz., with pick
f
5
5
1. solo, pizz.
Contrabass solo
p.d.l.t.
With lightness of spirit q = 108-112
Violin II
Violoncello Solo
Violin I
p.d.l.t.
mf
arco
Contrabass altri
p
4/10/16 edition
26 11 Fl. (Picc.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 1
Perc. 2
Hp.
5
5
Vc.
3
f molto
3
3
3
3
6
5 5
3
3
3 3 3 3 3 3
Vln. II
Vla.
Vln. I
Vc. solo
Cb. solo
Cb. altri
4/10/16 edition
mf
1., solo, pizz.
27 19 Fl. (Picc.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 1
Perc. 2
A
Marimba, medium soft mallets
p, soft rounded sound, with some attack
Hp.
Vc.
3 3
3
arco
Vln. II
Vla.
Vc. solo
Cb. solo
Vln. I
Cb. altri
p
A
mf
4/10/16 edition
28 29 Fl. (Picc.)
Hn. 1
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
Hn. 2
C Tpt.
Tbn.
Perc. 1
Perc. 2
p
Hp.
sord.
Vc.
5
mf
6
3 3 3 3 3
3
(sempre p) 3
3
5
5
5
6
f
sub. mp
Vln. II
Vla.
Vln. I
Vc.
Cb. solo 4/10/16 edition
29 37 Fl. (Picc.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 1
Perc. 2
mf
Hp.
Vc.
6
mf
3
3
3
3
3
3
6
f
3
3
3
5
6
6
6
mf
3
Vln. II
Vla.
Vln. I
Vc.
Cb. solo
4/10/16 edition
30 44 B Fl. (Picc.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 1
solo
mf
Perc. 2 p
Hp.
mp p
p
B Vln. I pp
mf
mf
pp
pp
Cb.
tutti, pizz.
p
f
arco
4/10/16 edition
pp
Vc. B
tutti, div. arco
Vc. A
pp
Vla. B
pp
Vla. A
poco f, lilting
Vln. II B
mf
Vc.
Vln. II A
mf
pp
pp
p
p
p
p
p
p
31
Solo
54 Fl. (Picc.)
mf
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
Hn. 1
Ob.
Solo
pp
Hn. 2
pp
Perc. 2
(con sord.)
con sord.
Vln. II A
Vln. II B
Vla. A
Vla. B
Vc. A
Vc. B
mfpp
Solo
poco f
mfp
poco f
mfp
mfp
mfp
p
mf
p
f
mf
mf
mp
l.v.
pp
pp
pp
pp
pp
mp
mp
mp
mp-pp
pp
p
f l.v.
f
p
p
p
p
pp
pp
pp
mp
mf
mp
mp
mf
mp-pp
pp
poco f
Cb.
mf
p
f
mf
pizz.
mp
mp pizz.
mp
mp
mp
p
poco f
Vc.
Vln. I
mfpp
poco f
Solo
poco f
p
Hp.
poco f
C Tpt.
Perc. 1
p
mf
pp
Tbn.
mf
fpp
pp
mp
4/10/16 edition
32
C 62 Fl. (Picc.)
Ob. (E.H.)
p
Cl. 1 in Bb (Eb Cl.)
pp
pp
to Bs. Cl.
B. Cl. (Cl. 2)
Bsn.
Solo
p
mf, dolce
con sord.
pp
Hn. 2
p
Hn. 1
p
pp
mp
pp
Bs. Cl.
pp
pp
pp
C Tpt.
Tbn.
Perc. 1
Perc. 2
Vibes, soft mallets
pp
Hp.
non arp.
p
con sord.
Vc.
mf espr.
C Vln. I A Vln. I B
pp
pp
Vln. II A
pp
Vln. II B
pp arco
Vla. A
Vc. A
pp
pp
Vc. B
pp
Cb.
p
4/10/16 edition
arco
mp
f
p
p-pp
mf
mf
mf
mf
p
p
p-pp
mp
pizz.
mf
pizz.
p
p
pp
Vla. B
p
cant.
mf, dolce
mf, dolce
arco
mf
pp
arco
mf
pp
mf
mf
mf
mf
mf
pp
pp
pp
pp
p
33 72 Fl. (Picc.)
Ob. (E.H.)
B. Cl. (Cl. 2)
Bsn. Hn. 1
Hn. 2
solo
mp
solo
mf
Perc. 2
Hp.
Vln. I B
Vln. II A
Vla. A
Vla. B
Vc. A
Vc. B
p
senza sord.
p
f
mp-p
mp-p
mf, bring out
p
p
p
mp-p
p
f
mp-p
soli
f
mp-p
soli
mf
f
Cb.
mp
p
mf, bring out Vln. II B
mf
Vc.
Vln. I A
C Tpt.
Perc. 1
poco f
mf
Tbn.
soli
poco f
mf
Cl. 1 in Bb (Eb Cl.)
solo
arco
p
p
p
mp-p
mp-p
4/10/16 edition
34 80 Fl. (Picc.)
Ob. (E.H.)
D
pp
Cl. 2
mf
open, solo
pp
Perc. 1
pp
solo
mf
pp
pp
mf
pp
mf
C Tpt.
Tbn.
mf, cant.
Hn. 2
pp
pp
mf
Hn. 1
mf
to Bb Cl.
mf
Bsn.
pp
mp
B. Cl. (Cl. 2)
più f
Cl. 1 in Bb (Eb Cl.)
Mrmb.
Perc. 2
Hp.
p
mf
Vc. f
Vln. I
Vln. II A
Vln. II B
Vla. A
Vla. B
Cb.
4/10/16 edition
D
mp
mf
mf
mf
mf
pp
pp
pp
pp
pp
pp
pp
pp
p
p
mf
p
arco
p
div., arco
p
pizz
mf
pizz.
arco
mf
p
pizz.
cant.
mf
f
Vc. B
f
Vc. A
pizz, unis.
35 89 Fl. (Picc.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
mp
Ob. (E.H.)
p
mp
p
mp
mf
p
rit.
f
p
mp
Bsn.
mf
mf
p
mf
mp
p
to Bs. Cl.
p
p
Perc. 1
Vibes
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 2
Hp.
Vc.
Vln. II A
Vln. II B
p
p
Vla. B
p
Cb.
p
mf
mp
dim.
rit.
div. p
mf
p
mff
p
mf
mf
f molto
mf
mf
mp
p
mf
mf
Vc. B
Vc. A
p
Vla. A
p
Vln. I
(sord.)
mf
mf arco
mf
(dim.)
mf
p
p
mf
p
mf
p
p
mp
mf
mp
mp
mp
mp
p
mp
p
p
mp
p
p
p
p
p
4/10/16 edition
36
E 97 Fl. (Picc.)
With intensity q = 96-100
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Bs. Cl.
B. Cl. (Cl. 2)
f
f
5
5
p
f
Perc. 1
Perc. 2
Hp.
5
5
5
5
p
f
p
fsf
With intensity q = 96-100
unis., pizz. 5
sf
p
5
legato, marc. 5
p
div.
f
p
legato, marc. 5
legato, marc.
div.
f
f
p
p
5
legato, marc.
5
legato, marc.
mf-p, articulate 5
5 mf-p, articulate
3
mf
3
p
5
5
5
mf-p, articulate
articulate
mf
5
5
5
f
mf
5
mf-p, articulate
f
5
mf-p
5 5 mf
3
3 3 3
3
3
f, appas.
f
4/10/16 edition
5
f
Cb.
5
p
Vc. B
5
mf
Vc. A
Vln. I
Vla. B
p
5
E
Vla. A
f
5
p
Vln. II B
p
f
mf
legato, marc.
f
Vc.
Vln. II A
mf
legato, marc.
p
mf
C Tpt.
Tbn.
5
p
mf
legato, marc.
Hn. 2
mf
legato, marc.
Hn. 1 f
3
p
p
Bsn.
f
mf
f
mf
f
mf
f
mf
f
5
5
p
legato, marc. 5
5
p
legato, marc. 5
5
5
5
5
5
5
5
p
p
p
p
p
5
5
37 103 Fl. (Picc.)
Ob. (E.H.)
p
Cl. 1 in Bb (Eb Cl.)
p
f p Bsn.
B. Cl. (Cl. 2)
f
Hn. 1
p
Tbn.
Perc. 1
Perc. 2
Hp.
mp
mp
sord.
mp
p
sord.
5
mp
p
5
5
5
5 Vc. 5
Vln. I
arco
f
Vln. II A
mf
5
Vln. II B
legato, marc.
Vla. B
f
f
Vc. B
p
Vc. A
f
f
f
p
p
p
p
5 5 f molto
mp
non div. mp
non div.
mp
mp
p
5 5
mp
5 5
mf mp
5 5
mp
mf
5 5
mp
mp
5
mp
5
f
Vla. A
5
f
Cb.
to Bb Cl.
p
5
mp
p
5
mp
p
p
to Eb Cl.
p
mp
f
C Tpt.
mp
f
Hn. 2
mp
mp
mf
mf
mf
mp
mp
p
5
5
p
p
p
p
5
5
5
5
p
4/10/16 edition
38 108 Fl. (Picc.)
pp
Ob. (E.H.)
Eb Cl. (Bb Cl. 1)
5
mp
pp Cl. 2 in Bb (Bs. Cl.)
Cl. 2
3
C Tpt.
Tbn.
5
5
f
5
f
5
f
5
5
5
5
legato, marc.
5
5
legato, marc.
5
5
mp
mp
5
f
5
5
mf
mp
Hn. 2
mf
5
5
mf
mf
6
pp
Bsn.
Hn. 1
3 6
p
Eb Cl.
5
5
5
mf-p
5
mf-p
5
5
5
Perc. 2
Perc. 1
Hp.
6 Vc.
Vln. I
Vln. II A
Vln. II B
Vla. A
Vla. B
Vc. A
Vc. B
Cb.
4/10/16 edition
5 5
ff
5 5
3
5
5
Timp.
p
5
5
mf
5
5
5
5
5
5
5
5
5
5
5
5
mf
5
5
5
5
5
mf
5
5
5
mf
mf
5
mf
mf 5
5
5
112 Fl. (Picc.) Ob. (E.H.)
Eb Cl. (Bb Cl. 1)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
5
5
5
5
5
5
Hn. 2
5
C Tpt.
Tbn.
Perc. 1
5
5
mf
5
mf
mf f 5
fp 5
mf
5
mf
3
5
p
p
ff-mf
p
mf-p
f
senza sord.
f
5
f
fsf
f
5
5
5
5
5
5
Cb. B
f
5
5
5
f
f
f
p
p
p
p
f
p
p
sf
ff
sf
sf
mf
ff
sf
mf
ff
sf
ff
mf
f
mf
mf
ff
f
f
mf
5
f
5
5
5
f
5
ff f ff f 5
f
ff
p
F Più mosso q = 110
f
5
5
fmf
f
f
mf
fmf
f
marc.
p
f
5
5
Cb. A
5
Vc. B
5 f legato, marc.
5
Vc. A
f
5
Vla. B
5
Vla. A
Vln. I
Vln. II B
5
f legato, marc.
ff-mf
ff
3 3 3
accel.
Vln. II A
5
Vc.
mf
5
Perc. 2
Hp.
5
f legato, marc.
ff-mf
6
6
39
ff-mf
6
6
5
legato, marc.
Hn. 1
accel.
F Più mosso q = 110
f
ff
mf
f legato, marc.
5
f legato, marc.
4/10/16 edition
40
117 Fl. (Picc.)
f-mf
Ob. (E.H.)
Eb Cl. (Bb Cl. 1)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
f-mf
f-mf
f
5
5
5
Perc. 1
Perc. 2
Hp.
Vc.
sfmf
sfmf
f
sf
f
sf
5
5
5
fp
5
5
5
5
fp
fp
5
5
f
sf
f
5
5
5
sf
sf
sf
5
mf
sfmf
sfmf
sfmf
5
mf
5
f
sf
sfmf
mf
5
5 legato, marc. f 5 f
f
f
5
Vln. I B
Vln. II A
Vln. II B
Vla. A
Vla. B
fsf
f
f
f
Cb. A
fsf
fsf
3
f
3
f
Rhythmic
sf
sf
5
5
5
5
fp
fp
5 5 f
mf
f
mf
5 5
fp
sf
5
5
mf
mf
fsf
f
Vc. B
mf
fsf
Vc. A
3
mf
5
5
mf
mf
f
sf
sf
3
f
sf
5
fp 5
5
5
f
5
5
5
f
5 5 f
3
sf
sf
f
f
f
f
f
f
5
5
5 5
3 f
5
sfmf mf
mf
sfmf
sfmf
fp
5 5
f
sfmf
fp
5
5
5 f mf
5 5 5
f-mf
5
f
fsf
4/10/16 edition
Vln. I A
Cb. B
5
sf
sf
5 5 5 sf legato, marc. 5 5
mf
Tbn.
f
sf senza sord.
C Tpt.
f
5
Rhythmic
5
Hn. 2
5
f-mf
Hn. 1
sfmf
sfmf
126 Fl. (Picc.)
Ob. (E.H.)
ff
5
ff
5
Eb Cl. (Bb Cl. 1)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
ff
ff
5
5
ff
5
sf-mf
C Tpt.
Tbn.
3
5
f
ff
f
ff
3
3
ff
5
5
5
ff
ffsf
Perc. 2
Hp.
5
sf
p
ffsf
sf
sf
5
5
ff
5
5 ff
ff
5
ff
5
ff
5
ff
5
pizz. with pick
ff
Cb. B
ff
Cb. A
Vc. B
sf
5
sfmf
ff
Vc. A
Vla. B
ff
Vla. A
Vln. I A
Vln. II B
Vc.
Vln. II A
Vln. I B
sf
Perc. 1
to Bass Cl.
sf
to Bb Cl.
5
6
5 f
3
sf-mf
3
A little slower q = 86-92
5
5
5
G
to E.H.
5
sf-mf
5
6
f molto
5
5
ff
5
5
5
f molto
3
3 5 mf f ff
Hn. 2
f
5
5
3
Hn. 1 3
41
sfmf
3
f
f
3
3
sfmf
3
3
f
f
3
5
3
5
più ff
5
sf
5
più ff
5
più ff
5
5
ff
p
p
sf
sf
sf pizz.
sf
sf
ff
ff
sf
sf
5
5
ff
5 5 5 più ff sf
pizz.
5 5 5
ff
ff
5
10
p
G A little slower q = 86-92
sf
3 sfmf f
3
sf
sf
4/10/16 edition
42 132 Fl. (Picc.)
Eng. Hn. (Ob.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Hn. 2
C Tpt.
Bsn.
Hn. 1
Tbn.
Perc. 1
Perc. 2
Hp.
3 10 5 sf p f
5 5 Vc. 5 5 f 5 6
Vln. I A
Vln. I B
pizz., sul pont
fsf
pizz., sul pont.
fsf
Vln. II solo
1. solo, pizz. with guitar pick*
f Vln. II A
Vln. II B
1. solo, pizz. with guitar pick*
f
Vc. B
f, marc, distinto
Cb. altri
4/10/16 edition
f
pizz.
pizz.
pp arco
f
f
f
arco
fsf
pp
fsf
1. solo, pizz.
Cb. solo
fsf
Vc. A
1. sola, pizz. with guitar pick*
f Vc. solo
fsf
Vla. sola
f
6
sf
sf
f
pizz.
sf
* use of guitar pick is much preferred, but optional. If not used, the pizz. sound should be highly marcato and percussive, either near to the bridge or with the nails as possible.
sf
43 136 Fl. (Picc.)
Poco meno q = 86
H
Eng. Hn. (Ob.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Hn. 2
C Tpt.
Bsn.
Hn. 1
Tbn.
Perc. 1
Perc. 2
Hp.
6 Vc. mf
Vln. I solo
Vln. II solo
f
mf
f
poco f
pizz.
Poco meno q = 86
H
pizz.
fsf
Vln. II altri
3
1. solo, pizz. with guitar pick *
Vln. I altri
f
6
fsf
fsf
fsf pizz., non div.
Vla.
fsf
Vla. sola
Vc. solo
Cb. solo
sf
Cb. altri
mf
fsf
mf
fsf
1. solo pizz.
f, marc distinto
fsf
pizz. sul pont.
pizz., non div.
fsf
4/10/16 edition
44 141 Fl. (Picc.)
Eng. Hn. (Ob.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
Hn. 1
Hn. 2
Tbn.
Perc. 1
Perc. 2
Hp.
Vln. II A
sord., st. mute
mp, smooth, but articulated and balanced
mp, smooth, but articulated and balanced
sord., st. mute
Djembe * (see note at bottom)
p, ritmo, ad lib.
mp, smooth, but articulated and balanced (tpt. on top)
Vla. B
Vc. solo
6
p
1. solo, pizz. with gtr. pick
mf arco
arco
tutti, arco
mp mp
pizz. with gtr. pick
mp
6
p stacc.
Vla. A
Gourd Cabasa
p stacc.
Vla.
pp
p stacc.
Vln. II B
Vc.
Vln. I solo
con sord.
mp, smooth, but articulated and balanced
C Tpt.
con sord.
mf Cb.
solo
4/10/16 edition
45 145 Fl. (Picc.)
Eng. Hn. (Ob.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
Hn. 1
Hn. 2
Perc. 1
C Tpt.
Tbn.
p
Perc. 2
Hp.
Vc.
Vln. I solo
mf, cant.
mp
sf
f
Vln. II solo
1. solo, pizz., gtr. pick
mf
Vln. II A
Vln. II B
(tutti)
p, stacc.
Vc. solo
p, stacc.
p, stacc.
Vla.
mp
mp
mp
f
Cb. solo
4/10/16 edition
46 148 Fl. (Picc.)
Eng. Hn. (Ob.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
Hn. 1
C Tpt.
Tbn.
Perc. 1
mf
mf
6
p
6
6
mf alter pitch in hairpins
1. sola, pizz. with gtr. pick
solo
più f
fsf
cresc.
Cb.
4/10/16 edition
f
Vc. altri
f
Vc. solo
mf
più f
Vla. altre
p
Vc.
Vla. sola
6
Perc. 2
Vln. II solo
mf
Triangle
Vln. I
mf
mp
Hp.
mp
Hn. 2
più f
più f
47
I 152 Lyrical, poco meno q = 72-76 Fl. (Picc.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Eng. Hn. (Ob.)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
E.H.
solo
mf, cant.
soft mallets, motor on medium Vibes, Perc. 1 mp Perc. 2 mp
Hp.
* The two solid different notes represent different sounds on the same drum. The x note represents a hit with the heel of the hand or a lower sound obtainable on the drum.
mp
arco Vc. mf cant. I Lyrical, poco meno q = 72-76 tutti, div. arco, sul tasto
Vln. I A
Vln. I B
pp tutti. arco, sul tasto
Vln. II A
pp arco, sul tasto
p
pp
p
pp
1. solo, arco joins tutti
pp
p
pp
arco, sul tasto
Vln. II B
pp
Vla. sola
sf
pp
Vla. B
pp
Vc.
arco, sul tasto
pp
arco, col tutti
p
arco, sul tasto
Vla. A
p
p
p
pp
pp
pp
(1. solo)
Cb. A
tutti, div.
sf
Cb. B
pizz., ord.
p
pizz., ord.
ps
4/10/16 edition
48 156 Fl. (Picc.)
B. Cl. (Cl. 2)
p
5 3
mp, misterioso
mf
3
mf
Cl. 1 in Bb (Eb Cl.)
Eng. Hn. (Ob.)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
Vln. II B
Vla. A
Cb. A
Cb. B
4/10/16 edition
Vc.
tutti, arco
A§
3
3
pp
p
3
pp
p
p
5
mf
pp
p
3
pp
3
5
3
più f
3
Ab
p
pp
3
3 5
p
3
3
3
3
3
mp, misterioso
3
pp
Vla. B
5
5
mf
mf
Vln. II A
Vln. I B
Vc.
Vln. I A
(sord.) pp
Hp.
pp
Perc. 1
Perc. 2
(sord.)
3
3
3
3
3
3 3
3
pp
(pizz.)
arco
p
p
pp
poco
3
3
49 Reflective, q = 66
159 Fl. (Picc.) Eng. Hn. (Ob.)
Relaxing
6 6 3 3
3 poco
3
3
B. Cl. (Cl. 2)
Hn. 1
Hn. 2
C Tpt.
3
pp
Perc. 1 p
Perc. 2
Hp.
3
3
mp
3
p
3
mf
3
mf
3
3
3
3
Cb. A
p
Cb. B
arco
p
pp
pp
3
3
pp
p
pp
p
p quasi arm.
3
p
p
6
5
pp
pp
pp
ord.
pp
mf
pp
mp
mf
p
pp
mf
p
mp
p
p
pp
mf
Reflective, q = 66
p
ord.
pp
3
3
mp
mp
pp
p quasi arm.
pp
pp
ord.
pp
p
p
Relaxing
pp
arco
pp
pp
pp
poco
Vc.
3
pp
3
3
3
pp
3
poco
Vla. B
poco
Vla. A
3
poco
Vln. II B
poco
Vln. II A
poco
Vln. I B
3
3
dim.3
Vc.
Vln. I A
3
p
mf
to Ob.
p
senza sord.
Tbn.
pp
sub. mf
3
poco dim.
mp
3
5
3
6
3
6
3
5
pp
Bsn.
mf
f
Cl. 1 in Bb (Eb Cl.)
pp
4/10/16 edition
50 164 Fl. (Picc.)
freely
relaxing
q = 72
take time
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 1
Perc. 2
Hp.
mp
3
mf
3
mp
6 6 6 3 Vc. 6 3 3 p
mf
p
Vln. I Vln. II A
Vln. II B
Vla. A
Vla. B
Vc.
Vc. solo
Vc. A
Vc. B
Cb.
4/10/16 edition
relaxing
mf
mp
3
1. solo
3
pp 2. solo
pp
pp 2. solo
pp
1. solo
3
take time
1. solo
3
pp
2. solo
pp
51 169 Fl. (Picc.) Ob. (E.H.)
rit.
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
Hn. 1
Tbn.
Hn. 2
C Tpt.
J
Subito a tempo, q = 76-80
Perc. 2
Hp.
Vc.
p
J
f, marc.
5
ff
3
f, marc.
5
ff
3
5
f, marc.
sord.
p
f, marc.
5
5 st. mute
sord.
ff
f, marc.
5
ff
f, marc.
5
ff
pizz. with pick
f
Subito a tempo, q = 76-80
3
9
p
f
Mrmb.
mf
3
f
rit.
3 5 f
mf
fsf
Vln. II
3 f
mf
5
3
f
fsf
3
with three fingers, non arp.
mf
5
fsf
f
mf
3
with three fingers, non arp.
3 5
ff
sf
f
tutti, pizz. non div., alla guitarra
pizz., non div., alla guitarra
Vln. I
3
ff
3
Vibes, hard mallets, motor off
3
senza sord.
f
3
senza sord.
f
5
3
5
f, marc.
ff
3
ff
open
f
p sord.
3
5
f
p
5
ff
open
5
3
Bb Cl.
ff
f, marc.
5
Ob.
p
Perc. 1
f, marc.
fsf
f
3
tutti, pizz., non div., alla guitarra
Vla.
3 f
mf
5
f
fsf
tutti, pizz., div., alla guitarra
Vc. A
Vc. B
3 5
f mf tutti, pizz., div., alla guitarra
Cb. A
Cb. B
fsf
mf
3
5
fsf
pizz.
pizz.
mp
mf
3
mp
5
fsf
, non arp., non div.
f
mf
5
3
fsf
3
mf
5
fsf
f
3
fsf
3
f
f with three fingers, non arp., non div.
II, I, III 3 3
mf
mf
3 3
3 f
3 3 f
non arp., div.
3
fsf
4/10/16 edition
52
174 Fl. (Picc.) f, marc.
Ob. (E.H.)
5
ff
3
f, marc.
5
ff
3
Cl. 1 in Bb (Eb Cl.)
5
3
f, marc.
ff
5
B. Cl. (Cl. 2)
Sostenuto q = 72
3
f, marc.
5
ff
ff
Bsn. f, marc.
ff
3
ff
5 Hn. 1 3
f, marc.
ff
ffp
f, marc.
ff
C Tpt.
3
5
f, marc.
ff
ffp
Tbn. f, marc.
Perc. 1
Perc. 2
Hp.
5
3
ffp
3
ff
Ped. Bass Drum (or Sm. BD)
ff
Vc.
Vln. I
Vln. II
Vla. A
Vc. A
Vc. B
6
Cb. B
ff
3
6
3
3
3
ff
ff
3
sf
arco, non div.
p
(pizz.)
tutti, pizz., non div., alla guitarra
ff
arco, non div.
(pizz.)
ad. lib.
sf
f
4/10/16 edition
arco and l.h. pizz.
with three fingers, ff sf non arp., non div. 3 with three fingers,
3
f
6 ff
p
Cb. A
5
non div.
ff
5
non div.
ff sf
non arp., non div. Vla. B
Vibes
f
Sostenuto q = 72
ff
arco
ff
3
ff
ff
ff
ffp
ff
5 3
Hn. 2
ad. lib.
p
ff
arco
p
ff
tutti, pizz., non div., alla guitarra
ff
arco
5 ff
5 ff
pizz. sul pont.
ff
5
5
pizz. sul pont.
ff
53 178 Fl. (Picc.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
K
Pesante e = 120 (q = 60)
f molto, marc.
Perc. 2
f molto, marc.
f molto, marc.
5
5
5
f molto, marc.
5
5
fluttertongue
fluttertongue
p
con sord.
fluttertongue
p
5 f molto, marc. 5
5
arco p 6
5
Vln. II A
Vln. II B
Vla. A
Vla. B
Vc.
Cb. A
Cb. B
5
6
f
Vln. I A
Vln. I B
Vc.
5
f molto, marc.
f molto, marc.
Hp.
p
Perc. 1
Tbn.
C Tpt.
Hn. 2
Bsn.
Hn. 1
poco rit. al
Ob. (E.H.)
e=e
6
5
e=e
poco rit. al
K
Pesante e = 120 (q = 60)
f molto, molto,marc. marc. pizz. sul pont.
f molto, marc.
pizz. sul pont.
f molto, marc.
pizz. sul pont.
f molto, marc.
5 f molto, marc.
arco
f p
f molto, marc.
5
5
f molto, marc.
arco
arco
arco
arco
arco
5
pizz. sul pont.
pizz. sul pont.
f molto, marc.
pizz. sul pont.
arco
5
5
4/10/16 edition
54
182 Fl. (Picc.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
Hn. 1
ff
5
ff
ff
Vla. A
Vla. B
ff
ff
ff
ff
ff
ff
ord.
ord.
ff
f
sf
ff
Cb. A
ff
sf
fsf
ff
ff
ff
ff
sf
ff
6
6
6 6 6 ff 6
arco
e = q Meno q = 90
sf
sf
sf
sf
sf
arco
ff arco
sf
ff
sf
6
6
f-mf (under cello)
sf
Djembe
sf
ff
sf
sf
sf
ff
ff
ff
sf
ff
sf
Sostenuto e = 104
ff
ffsf
ord.
Ped. Bass Drum
ff
fsf
ff
ff
sf
sf
ffsf
sf
fp
ff
ff ff ff ff ff
e = q Meno q = 90
sf
fp
6 f sf ff sf sf
Vc. B
fp
ff
6
Vc. A
Vln. I A
Vln. II B
ff
Vc.
Vln. II A
Sostenuto e = 104
ff
Vln. I B
3
3
Perc. 2
4/10/16 edition
5
5
Perc. 1
Cb. B
3
C Tpt.
Hp.
Hn. 2
Tbn.
55 186 Fl. (Picc.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 1
3
sf
Perc. 2
Hp.
6
6
6
f
6
mf 6
pp
p
Vln. II
Vla.
Vc.
Cb.
f
6 6 3 Vc. 6 6 6
Vln. I
mf
4/10/16 edition
56 189 Fl. (Picc.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 1
f
Perc. 2
Hp.
p
f
p
f
5
mp
6
6
6
6
6
ff
sf sf sf sf
Vln. II
Vla.
Vc.
4/10/16 edition
3
5
Cb.
p
Vc.
Vln. I
f
191 Poco meno mosso (in 8ths) Fl. (Picc.)
Ob. (E.H.)
57
ff
ff
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
ff
ff
Bsn.
ff
Hn. 1
fsf
Tbn.
Perc. 1
Perc. 2
Hn. 2
C Tpt.
fsf
Poco meno mosso (in 8ths)
Vln. I
5
3
ff
3
senza sord.
ff
3
5
senza sord.
3
ff
5
5
f
f, secco
ff
Med. Crassh Cym.
3
fsf
Timp.
sord.
Vc.
Vln. II
fsf
Hp.
(sord.)
6 sf sf sf 6 6
3
6
6
6
non div.
ff
non div.
ff
Vla.
non div.
ff
Vla. A
non div.
ff
Vla. B
non div.
ff
Vc.
Cb.
ff
(arco)
ff
non div.
4/10/16 edition
Tempo 1, warmly, q = 112
58 193 Fl. (Picc.) Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Freely
3
6
3
sf
ff
6 3 to Bb Cl.
ff
sf
3
ff sf
6 3 Hn. 1
3
3
sf
6 6 C Tpt. 3 sf Tbn.
cuivre
3
6
6
Med. Sus. Cym, hard sticks
p
Perc. 2
Hp.
6 3
sf
mf
Freely
poco rit.
pizz.
pizz.
ffsf
arco
pp
ffsf
L arco mp, dolce
ffsf
3
mp
mf
f, espr.
Tempo 1, warmly, q = 112
3 3 3 3 3 3 3 3
mp
ffsf
4/10/16 edition
pizz., non div.
Cb. altri
mp
Cb. solo
ffsf
Vc. B
pizz., non div.
Vc. A
Vln. I
Vla. B
sf
pizz., non div.
Vla. A
sf
Vln. II B
(2+3)
pp
sord.
pp
pp
Vc.
Vln. II A
sf
Mrmb.
ff
pp
sf
3 6
senza sord.
Fl.
mp, dolce
ff sf
Perc. 1
L
Bsn.
Hn. 2
poco rit.
pp arco
arco
mp, dolce
mp, dolce
2. solo, pizz. ord. arco
p
pp
p
mf
ord. 1. solo,pizz. gliss. mf
pp
arco
pp
pp
(2+3)
mf
(pp)
mf
mf
mf
59 200 Fl. (Picc.) Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Bsn.
C Tpt.
Tbn.
Hn. 1
Hn. 2
p
pp
mp
p
3 p
3
mp
p
p
(sord.)
pp
M
sord.
pp
Vibes, medium mallets Perc. 1
Perc. 2
p
Hp.
Vln. II B
Vla. A
unis.
Vla. B
Vc. A
Vc. B
Cb. solo
pp
pp
unis.
Cb. altri
pp
pp
pp
pp (pizz.)
p
pizz.
p
tutti, unis.
3
f
mf, cant.
f
mf
Vln. II A
mp
3
Vln. I
Vc. 3 3
p mp
M 3
p
mf
mp
mp
mp
mp
mp
mp
pp
pp
pp
pp
pp
pp
4/10/16 edition
60
211 Fl. (Picc.) 3
mp
Ob. (E.H.)
3
mf
3
f
mf
f
to Picc.
p
Cl.
p
mp
mp
Vc.
Vln. I
Vln. II B
Vla. A
Vla. B
Vc. A
Vc. B
mf
3
mp
3
mp
mp
3
mp
3
cresc.
3
mp
cresc.
sub. p
sub. p
sub. p
sub. p
mp sub. p
p
3
3
f
3
Vln. II A
p
f
4/10/16 edition
3
f
Cb.
Perc. 1
Hp.
3
3
C Tpt.
Perc. 2
3
3
mf
Hn. 2
Tbn.
mp
Cl. 2 in Bb (Bs. Cl.)
Hn. 1
p
Cl. 1 in Bb (Eb Cl.)
Bsn.
3
3
sub. p
61 218 Picc. (Fl.)
Picc.
sfp
Cl. 1 in Bb (Eb Cl.)
Cl. 2 in Bb (Bs. Cl.)
Ob. (E.H.)
Bsn.
C Tpt.
mf
sfp
f
sfp
Tbn.
sfp
sord.
mp
sfp
mf Perc. 2
f
non arp.
sf
mf
Vln. II B
Vla. A
Vla. B
Vc. A
Vc. B
Cb.
mf
mf
mf
sfp
f
p
mp
pp
fp
fp
3
f
fp
f
6
6
mf
6
6
3
f
p
fp
pp
pp p
pp
pp
fp
fp
f fp
fp
f
arco
f
Timp.
ritard. - - - - - - - - - - ritorno al - - - --
mf
p
ff-f
f
p
mf
fp
fp
fp
5
mf
f
5
5
5
pp
(senza sord.)
mf
f
pizz.
f
pizz.
mf
sfp
f
f
mf
mf
ff
f
to Bs. Cl.
3
ff-f
6
f
sf
Vln. II A
sfp
sfp
f
6
5
sfp
Vc.
f
Vln. I
sfp
sf
Hp.
5
f
mf
Perc. 1
5
f
sfp
mf
Hn. 1
Hn. 2
ritard. - - - - - - - - - - ritorno al - - - --
pp p
pp
pp
4/10/16 edition
62
A Tempo, poco più, q =112
N 225 to Fl. Picc. (Fl.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Bs. Cl.
B. Cl. (Cl. 2)
f
p marc., .
Hn. 1
senza sord.
Bsn.
fsfp
sfpp
senza sord.
sfpp
C Tpt.
fsfp
Perc. 1
Perc. 2
Hp.
sf
Vc.
mf, legato
Vc.
3
sord.
sord.
ff
3
3
pp
sord.
p, marc., legg.
7
6
6
p
arco
p
p, marc., legg.
p
7
7
3
7
mf, legato
mf, legato
3
pp
arco
f legato
pp
pp
f legato
4/10/16 edition
Cb.
pp
fsf
unis.
f
3
p, marc.
f
fsf
Vla.
mf-pp
A Tempo, poco più, q =112
Vln. II B
mf-pp
N Vln. I
Vln. II A
mf-pp
pp
f
mf-pp
sfpp
Tbn.
mf-pp
senza sord.
Hn. 2
3
3
3 3
p, marc., legg.
3
p, marc., stacc., legg.
3
3
3
63 230 Fl. Fl. (Picc.)
7
p
mf
Ob. (E.H.)
mf
Cl. 1 in Bb (Eb Cl.)
p
B. Cl. (Cl. 2)
Bsn.
Hn. 1
Perc. 2
3
3
3
7
3
mf legato
mf
3
7
3 3
p
3
3
3
3 3 3
3
fp, marc.
mfp
mfp
mfp
mfp
fpp
mfp
p
3 3
fpp
p
mf
p
3
mf 3
p
p
3
p
3
fpp
fpp
mfp
6
Vln. I A
Vln. I B
Vln. II A
Vln. II B
Vla. A
Vla. B
6
6
fsf
3
3
3
3
3
3
fsf
f, legato
6
6
pp
f, legato
6
5
6
pp
pp
6
pp
6
pp
5 5 5 f ff
3
7
Vc.
Vc.
Cb.
3
fpp
Hp.
3
C Tpt.
Perc. 1
mf
Hn. 2
Tbn.
3
7
pp
3
p
fp, marc.
p
fp, marc.
3
3
3
3
3
3
3
3
3
3 3
mfp
3
mfp
3
3 3
4/10/16 edition
64 235 O Fl. (Picc.) Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Vln. II A
Vln. II B
Vla. A
3
3
3
mf
3
p
3
3
3
3
3
3
3
legato, marc. 3
p legato, marc.
Vc.
p
mf
p
mf-pp
mf-pp
mf-pp
3
3
6
6
sf
6
7 6 6
6 6
3 3 3 3 3
3
mf, on the str. p
Cb. 3
4/10/16 edition
3
3
3
3
mf, p on the str.
3
3
sf
mp
senza sord.
mp
p
p
senza sord.
senza sord.
senza sord.
3 p, on the str.
3
p, on the str.
Vla. B
mf 3
pp
Vc.
Vln. I B
pp
Tbn.
Vln. I A
C Tpt.
Hp.
mf-pp
Perc. 2
pp
Hn. 2
Perc. 1
marc.
Hn. 1
3 3 3 3 3 mf
B. Cl. (Cl. 2)
Bsn.
3
mf
3
mf
3 3 3
mf
3 3 3 3
mf
p
p
p
p
accel.
240 Fl. (Picc.)
Ob. (E.H.)
Bsn.
Hn. 1
Hp.
f
Vc.
Cb.
f
molto
mp
mf
mf
mf
ppp
p
solo
p
f
molto
molto
f
pp mp
ppp
ppp
ppp
molto
D C Bb Eb F G Ab
gliss.
accel.
Vla. B
f
Vln. I A
Vla. A
mp
mp
P
Allegro q = 144
f
f
ff, appass.
ff
f poss.
Vln. II B
f
Vln. II A
Vc.
Vln. I B
mp
Tbn.
Perc. 2
f
C Tpt.
Perc. 1
Hn. 2
f
B. Cl. (Cl. 2)
f
Cl. 1 in Bb (Eb Cl.)
P
65
Allegro q = 144
III
f
mf
III
sub. p
p
p
sub. p
f
pp
f
pp
f
mf
pp
pp
pp
pp
p
p
p
pp
p
pp
p
p
p
p
p
p
fp
pizz.
f
mp
4/10/16 edition
66 247 Fl. (Picc.)
6
mp
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Tbn.
Perc. 1
Perc. 2
Hp.
6
mf
mp
pp
pp
pp
mf
mf
mp
C Tpt.
p
Hn. 2
mp
Bsn.
Hn. 1
Vc. B
pp
pp
pp
arco
p
p
p
p
p
p
pp
pp
pp
pp
Cb. 4/10/16 edition
p
Vc. A
p
Vla. B
mf
Vla. A
pp
mf
Vln. II B
Vln. I A
Vln. II A
Vc.
Vln. I B
p
mp-p
mp-p
67 254 Fl. (Picc.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
p
pp
Ob. (E.H.)
Bsn.
Hn. 1
Hn. 2
mp
mp
mp
mp
p
mp
p
pp
mp
Tbn.
p
Perc. 1
Perc. 2
Hp.
Vc.
Vln. I A
Vln. I B
Vln. II A
Vln. II B
Vla.
Vc. A
Vc. B
p
pp
p
C Tpt.
pp
p
pp
pp
pp
p
p
p
p
p
pp
pp
p
pp
f
f
f
f
pp
f, bring out
pp
f, bring out
pp mp
p
pp
p
pp
Cb.
f
f
pp
p
pp
pp
unis. pp
mf
pizz.
f
4/10/16 edition
68
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
mf
Ob. (E.H.)
mf
mf
mf
Bsn.
Hn. 1
mf
Hn. 2
C Tpt.
Q
260 Fl. (Picc.)
p
p
Perc. 1
Perc. 2
Hp.
Vla. B
pp
mf
p
mf
p
f
f
f
f
Cb. 4/10/16 edition
Q
pp
mf
mf
arco
sub. pp
mf
sub. pp
sub. pp
f
f
ff appass.
sub. pp
unis. Vc.
Vln. I
Vla. A
mf
unis.
Vln. II B
ff
Vln. II A
p
Vc.
pp
mp
Tbn.
f
arco
mf
pizz.
f
pizz.
sub. p
mf
mf
arco mf
mf
69 265 Fl. (Picc.)
Ob. (E.H.)
pp
B. Cl. (Cl. 2)
Hn. 1
Perc. 2
Hp.
Vc.
pp
Vln. II B
Vla. A
pp
mp
pp
pp
mp
mp
mp
mp
mp
mp
mp
pp
pp
Vln. II A
pp
Vln. I A Vln. I B
Tbn.
Perc. 1
pp
C Tpt.
pp
Hn. 2
pp
Cl. 1 in Bb (Eb Cl.)
Bsn.
p
p
sub. pp
sub. pp
p
p
pp p
Vla. B
Vc. A
pp
p
Vc. B
Cb.
p
pizz.
p pizz.
mf
p
non div.
mf
p
mp
p arco
non div.
mf
p
arco
arco
mp
4/10/16 edition
70
269 Fl. (Picc.)
Cl. 1 in Bb (Eb Cl.)
mf
Bsn.
Hn. 1
Perc. 2
Hp.
f
sub. p
f
sub. p
mf
sub. p
4/10/16 edition
f
6
f
6
f
5
mf
5
f
6
f
mf
6
f
5
f
ff
5
sub. p
fs
sub. p
5
5
5
5
5
p
mf
mf
q=q ff
ff
mf
p, on the string
mf
p, on the string
mf
p, on the string
mf
p, on the string
mf
p, on the string
mf
f
p, on the string
mf
p, on the string
p, on the string
mf
p
ff
mf
Cb.
sub. p
sub. p
5
f
mf
Vc. B
5
f
ff
mf
Vc. A
mf
Vla. B
f
sub. p
ff
mf
Vla. A
f
sub. p
mf
mf
Vln. II B
mf
Vln. I A
Vln. II A
f
Vc.
Vln. I B
sub. p
mf
q=q
sub. p
mf
mf
sub. p
f
mf
Tbn.
Perc. 1
mf
C Tpt.
f
Hn. 2
mf
B. Cl. (Cl. 2)
to Picc.
mf
Ob. (E.H.)
ff
ff
ff
ff
ff
ff
71 Poco meno, q = 110
272 Picc., solo Picc. (Fl.) 3
ff
Ob. (E.H.)
5
6
6
5
sfp
fp
ff
sfp
fp
ff
sfp
fp
ff
sfp
Vc.
ff
fp
ff
Wood Block
etc.
accel. independently
p
f
6
ff
6
6
6
6
6
6
pizz.
pizz.
ff
sfp
f
p
etc. accel. independently
f
f
f, marc., percussive
5
p
etc. accel. independently
6
etc. accel. independently
pizz.
unis.
6
3
p
Cb.
ff
Vln. I
Vc.
ff
pizz.
Vla.
accel. independently
etc.
p
Poco meno, q = 110
Vln. II
ff
fp
sfp
Hp.
ff
sfp
Perc. 1
fp
fp
ff
sfp
Perc. 2
6
6
Bsn.
6
fp
Tbn.
3
ff
sfp
B. Cl. (Cl. 2)
C Tpt.
Hn. 2
Cl. 1 in Bb (Eb Cl.)
Hn. 1
p
ff
etc. accel. independently
ff etc. accel. independently
ff etc.
accel. independently
ff
5
f
6
fp
4/10/16 edition
72 Cadenza (q = 96-104)
Hp.
274
sf
Vc.
6 3
pizz. with pick (pick every note)
Cadenza (q = 96-104)
6
6 6 6
3
6
Vln. I
Vln. II
Vla.
Vc.
ff
Cb.
6 277 6 ff
6
Vc.
sf
Vc.
281
285 Perc. 2
sf
sf
sf
6
sf
sf
(2+2+2+3) colla parte
A Tempo q = 120
3 3 3 6
Timp.
mfp
Hp.
D C B# E Fb Gb A
Vc.
sf
sf
sf
sf
Vc.
ff pizz.
(pizz. every note)
ff
colla parte
accel.
6 3
3
3
3
6
p
4/10/16 edition
(pizz. every note)
Vc. Cb.
(2+2+2+3)
sf
pizz. (1st player, or all, use gtr. pick)
289 Perc. 2
6
A Tempo q = 120
Cb.
nails
ff Vc. 6
accel.
6
73 A Tempo q = 120
294 Perc. 2
Poco Meno mosso q = 126
mf
Hp.
3 3 3 3 ff
5
3
arco
sf
p
A Tempo q = 120
Vc.
Cb.
Vc.
p
ff
Jimi Hendrix freakout (ad lib.)
Vc.
Poco Meno mosso q = 126
(pizz. every note)
299 II f
303 II I II
sf
III
sf
sf
307 sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
311 Hn. 2
C Tpt.
ff
sf
Vc.
ff (pizz. every note)
mf
Vc.
Vibes 3 Perc. 1 pp
3
3 Perc. 2
Marimba
3
pp
mp
p
Vc. arco 3 Vln. I A 3 ppp, tip arco
Vln. I B
3
ppp, tip
arco 3
Vln. II A
ppp, tip arco
Vln. II B
3
ppp, tip
Vla. A
3
poco
pp
poco
arco
pp
pp
poco marc.
pp
poco
poco marc.
pp
arco Vla. B
poco marc.
pp
poco
poco marc.
poco marc.
poco marc.
4/10/16 edition
74 315 Picc. (Fl.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Bsn.
Hn. 1
Hn. 2
C Tpt.
Tbn.
Med. Sus. Cym.
Perc. 1
Perc. 2
Hp.
pp
Timp.
pp
Vc. ff Vln. I A
mfp
Vln. I B
Vln. II A
Vln. II B
Vla. A
Vla. B
Vc.
Cb. A
Cb. B
mfp
mfp
mfp
mfp
mfp
4/10/16 edition
75 318 Picc. (Fl.) Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
Bsn.
Hn. 1
Perc. 2
6
mf
6
f
f
6
f
f
poco f
6 6
6
3
Vigorous q = 120-128
ff
ff
ff
ff
sf
sf
sf
sf
sf
sf
arco
ff
sf
ff
sf
ff
Cb. B
Cb. A
f molto, wild!
f
Vc.
Vla. B
Vla. A
Vln. I A
Vln. II B
Vc.
Vln. II A
Vln. I B
f
Hp.
poco f
poco f
f
mf
Vigorous q = 120-128
mf
C Tpt.
Perc. 1
Hn. 2
Tbn.
B. Cl. (Cl. 2)
(Picc.)
arco
ff
arco
ff
sf
sf
sf
sf
sf
sf
4/10/16 edition
76 321 Picc. (Fl.)
3
Ob. (E.H.)
3
6
6
6
Cl. 1 in Bb (Eb Cl.)
3
B. Cl. (Cl. 2)
Bsn.
6
6
6
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 1
Djembe
mf, with abandon (not covering the soloist)
Perc. 2
Hp.
Vc.
3
3
6
5 5 5
mf
6
sf
jéte sf p
Vla.
sf
sf
sf
sf
Vc.
sf
Cb. A
Cb. B
4/10/16 edition
p
sim.
p
f
sf
Vln. II
3
ff
Vln. I
77 324 Picc. (Fl.)
3
f
Ob. (E.H.)
f
Bsn.
Hn. 1
6
6
C Tpt.
poco f
Tbn.
3
3
f molto
mf
mf
Vc.
6
poco f
Hp.
6
Hn. 2
Perc. 2
6
6
3
poco f
Perc. 1
6
f
B. Cl. (Cl. 2)
6
3
Cl. 1 in Bb (Eb Cl.)
6
to Fl.
mf
ff
Vln. II
ff
Vla.
ff
Vc.
ff
Cb. A
p
ff
jéte (non div.)
ff
Cb. B
ff
Vln. I
f
p
p
4/10/16 edition
78 327 Fl. (Picc.)
Ob. (E.H.)
Cl. 1 in Bb (Eb Cl.)
B. Cl. (Cl. 2)
Fl.
mf, legg.
p
Bsn.
3
3
3
3
3
p, ma distinto
3
3
3
3
3
p, ma distinto
Hn. 1
Hn. 2
C Tpt.
Tbn.
Perc. 1
pp
sf
Perc. 2
Hp.
Vc.
Vln. I A
sord.
3
3
6
6
p
5
pp
Triangle
A§ 5
f
5
sord.
f
p
Vla. A
pizz.
Cb. A
Cb. B 4/10/16 edition
pizz. (ord.)
p
p
3
pizz. (ord.) 3 3
pizz. (ord.) 3 p
3
3
3
pizz.
p 3
p
Vc.
Vln. II
Vla. B
mp, legg.
poco f, legg.
mp, legg.
Vln. I B
3 3
3
3
3
3
3
3
3
3
3
332 Fl. (Picc.)
Ob. (E.H.)
B. Cl. (Cl. 2)
3
3
3
3
mp
3
mp
mp
Tbn.
Perc. 2
mp
Hp.
Vc.
cresc. 3 mf
3
sim.
Vla. A
Vla. B
Vc.
3
Vln. II
Vln. I A
Vln. I B
3
3
3
3
mf
3
mf
mf
3
mf
3
3
3
mf
mf
3
f
f
f div. pizz.
mp
3
3
f
3
3
3
3
mf
mf
arco 3
arco
3 mf
3 3 3 3 3
3
3
3
3
79
3 3
3
cresc.
3
cresc.
Cb.
p, smoothly
mp
African Wooden Rattle
3 3
Perc. 1
mp
C Tpt.
mp
3
Hn. 2
Hn. 1
Cl. 1 in Bb (Eb Cl.)
Bsn.
3
3
3
mf
3
3 3
mf
3
3
4/10/16 edition
80 e = e poco accel.
336 Picc. (Fl.) Ob. (E.H.)
to Picc.
B. Cl. (Cl. 2)
Bsn.
to Eb Cl.
Picc.
f
mp
Eb Cl. (Bb Cl. 1)
q =132
mf
Hn. 2
C Tpt.
p
mf
Hp.
p
senza sord.
Marimba
Perc. 2
p
Tbn.
Perc. 1
senza sord.
Eb Cl.
f
cresc.
mf
f mf
f
sf
f
sf
p
p
arco
p
3 3
3
mf
3
fsf mf
4/10/16 edition
p
q =132
Cb. B
e = e poco accel.
p
arco p
Cb. A
Vc. B
Vc. A
sf
Vla. B
f
Vla. A
mf
Vln. I A
Vln. II B
sf
f
Vln. II A
sf
Vc.
Vln. I B
sf
f
f
Hn. 1
sf
3
mf
mf 3
mf
3
3 mf fsf mf
3
3 3 fsf mf
mf
mf
3
3 3
mf
mf
3 mf
fsf mf
3
arco
3
mf
arco 3
fsf mf
3
3
81 341 Picc. (Fl.)
Ob. (E.H.)
Eb Cl. (Bb Cl. 1)
B. Cl. (Cl. 2)
Bsn.
Hn. 1
Perc. 1
Perc. 2
Hp.
Vc.
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
senza sord.
3
mf
sf
mf
3
3
sf
mf
sf
sf
sf
f
sf
sf
sf
sf
sf
sf
sf
sf
Vln. I A
Vln. I B
3
3
Vc. B
3
Cb. A
3
3
cresc.
3
3
3
3
3
cresc.
3
3
cresc.
3
cresc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
3
3
3
3
3
cresc.
3
3
3
cresc.
3
3
3
cresc.
3
3
3
cresc.
3
Vc. A
3
Vla. B
3
3
3
Vla. A
cresc.
3
Vln. II B
3
Vln. II A
3 3
3
Cb. B
sf
C Tpt.
sf
sf
Hn. 2
Tbn.
3
3
3
4/10/16 edition
82
3
Ob. (E.H.)
Eb Cl. (Bb Cl. 1)
B. Cl. (Cl. 2)
3
f molto
3
6
sub. p
molto f
molto f
molto f
Tbn.
mf marc.
f
molto f
sub. p
sub. mp
pp
sf
sf
mf
sf
Vc.
Vln. I 3
3
f molto
1. solo
1. solo
Vln. II A
3
3
Vln. II B
f molto sub. mf, legato, marc.
3
f molto
sub. mf, legato, marc.
1. solo
3
3
f molto
3
Vc.
3
f molto
sub. mf, legato, marc.
2. solo
Vla. B
2. solo 3
Vla. A
sub. mf, legato, marc.
sub. mf, legato, marc.
pizz., sul pont. 3 3 f molto
Cb. 4/10/16 edition
fsf
3
mf, vigoroso
pizz., sul pont.
mf, vigoroso
f
f
3
Timp.
Tutti,
pp
sub. pp Tutti, div.
ff
(senzarit.)
sub. pp
sub. pp Tutti, div.
sub. pp
f
ff
f
div.
fsf
f
f
f
fsf
f
f
f
fsf
D C# B E F# G A
f
fsf
fsf
3
5 5 5 5
ff
fsf
f
3
mf
Perc. 2
fsf
sub. pp
Hp.
mf
mf
sub. pp
mf
mf
sub. pp
fsf
fsf
mf
f
fsf
pp
Perc. 1
5
mf 5
mf
f mf marc.
C Tpt.
f
pp
sf
6
Hn. 1
Hn. 2
f
(senza rit.)
f molto sub. pp, legato
f
Bsn.
f molto sub. p
3
f
sub. pp, legato
3 3
344 Picc. (Fl.)
arco, div.
f
arco, div.
f
ff
ff