OnDemand
Saariaho, Kaija Duft
Score for sale (North America): http://www.halleonard.com/product/viewproduct.do?itemid=14041942 Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/ID_No/01061911/details.html?kbid=1296 Information about the work and materials for hire: http://www.musicsalesclassical.com/composer/work/47342
Score begins on the next page.
Chester Music Limited Part of the Music Sales Group
Performance Notes Accidentals follow conventional rules: they apply throughout the bar to notes in the same octave. Trills should always be played up a semitone unless otherwise specified. All glissandi should start immediately at the beginning of the note value. change very gradually from one sound or way of playing (etc.) to another. slow vibrato: very slow and wide oscillation
quarter tone, between natural and flat
quarter tone, between natural and sharp
flutter tongue
bend the note downwards with embouchure if no fingering given
Fingering Suggestions (Boehm System) Blütenstaub Bar 1
¯ ˜
¯ ˜
E
Bar 7
E
E
¯ ˜
¯ ˜
Bar 29
5 5
Bar 16
Bar 20
j j
Bar 21
¯ ˜
Bar 23
¯ R˜
E
Bar 28
Bar 8
¯ ˜ R R A-key
¯ R˜A-key R
Bar 30
¯ ˜ R R
Bar 32
Bar 33
¯ ˜
¯ ˜
F
F
F
¯ ˜
F
F
F
Blühend Bar 3 r3 R
j j
Bar 18
G - key
Bar 28
R
j j G
Bar 40
¯ ˜
j j
These fingerings are only suggestions: players are free to experiment and find their own solutions.
Fingering Suggestions (German System) Blütenstaub Bar 1
Bar 7
¯ ˜
¯ ˜
Bar 8
¯ ˜
¯ ˜
¯ ˜ j
or
E
E
E
Bar 16
Bar 14
first trill normal; second trill with 4th finger of right hand
trill with 5th finger left hand (obere äußere Seitenklappe)
E
Bar 20
Bar 21
Bar 23
¯ ˜
Bar 16 (multiphonic)
j j
¯ R˜
Bar 28
¯ ˜
“high embouchure”
j j
G
Bar 29
Bar 30
same as bar 28 but “low embouchure”. Alternatively:
Bar 13
¯ ˜ j j
normal fingering
Bar 32
Bar 33
¯ ˜
second trill: normal fingering
+ at the same time left G key
F
same as bar 32
F
Blühend Bar 3
Bar 18
ar 3 R
j j
G - key
either
j j
Bar 28 or
l l
j j
Bar 40
¯ ˜
(E )
These fingerings are only suggestions: players are free to experiment and find their own solutions.
for Aliisa
DUFT for solo clarinet
Kaija Saariaho
I. Blütenstaub Sempre flessibile, molto espressivo q = c 60
& 44
b˙
n˙ b˙ π P
˙ ∏ 5 ~~~~~~~~~~~~~~~ 3 & ˙ 8
38
4 4
∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ 38 ˙. & 43 # ˙ . F
&
œ
w π
43
31
& 38
˙
b˙
˙
(normal fingering)
44
œ
bœ
w
f b˙
∑
#w
w
bw
μw
w
bw
34 œ # œ f . bœ . # œ n œ w œ œ 44 œ # œ œ # œ J gl. @ @ F 3
˙
Œ
44
38
nw
œ œ.
nœ J
nw
∑
˙.
b˙ .
#w
w
˙ P
© Copyright 2011 Chester Music Ltd.
˙
˙
˙
b˙
˙
˙
38
ƒ
w
bw
w
44
42
U
b˙
3 4
bw
w
3
˙ & 42
27
˙.
æ æœ # œ # œæ ˙ n ˙
w
44 ˙ F
∑
& # œ œ œ œ œj œ # œ œ œ œ œ œj œ œ œ@ n œ@ 3 F & 44
n˙ b˙
w
P
Bw f
19
23
bw
#w
w æ
bœ
˙ P
b˙
3 j Ÿ~~~~~~ 34 bœ #œ œ bœ œ . F 3
10
15
44
∑
w
4
III. Flüchtig Energico, capricioso q = c 104
2 &4
U Ÿ~~~~~~~~~
#˙ ∏
U
nœ nœ
œ #œ #œ #œ œ #œ #œ œ F
#œ
œ œ
œ f
U
œ #œ œ œ œ #˙ œ # œ n œ œ & #œ œ #œ nœ #œ œ œ œ œ #œ #œ #œ #œ nœ œ 3 ƒ F
6
a tempo
11
&
18
&
j # œ Ÿ~~~~~
nœ . F
œ.
‰
3
œ- b œ3
# œf
#œ œ œ œ œ #œ U œ œ œ n˙ & æ 5 f
&
#œ
j Ÿ~~~~~~~~~~~~~~~~~~~ #œ
5
œœ œ bœ œ b œ œ œ- - - -
24
29
˙
˙
œ
# œ- n œ-
œœ bœ œ
‰
˙
f œ-
U ˙
# ˙-
b œ-
>
gliss. œj
ß
a tempo
j #œ
œ #œ œ nœ œ œ bœ œ œ
F
a tempo
flz.
œbœ œbœ œbœ œ œbœ œbœ
- # œ- # œœ ‰ f
#œ œ œ œ n œ œ œ œ œ œ œ & 42 # œ œ 3 F
b œƒ
œ3
# œ-
3
œ- b œæ æ 3
3
j #œ œ #œ œ œ
F
3 b -œ œ- œn œ œ œ œ # œ # œ #œ œ œ œ œ œ œ œ. œ œ œ œ œ œ œœœ #œ 3 5 f
a tempo
34
œ.
3
a tempo
‰
œ.
œœ ˙
œ
œœœ
3
U 34 ˙ .
,
42
flz.
œ œbœ œbœ œ œbœ œbœ œ
‰