Nico Muhly
EXPECTING THE MAIN THINGS FROM YOU for SATB choir, string quartet, percussion and organ
Full score
St Rose Music Publishing Co. / Chester Music Ltd.
Commissioned by the Gabe Wiener Foundation for Judy Clurman. First performed in May 2005 at Central Synagogue, New York, U.S.A.
INSTRUMENTATION Choir (3 sopranos, 3 altos, 3 tenors, 3 basses) Percussion (1 player): vibraphone, triangle, woodblock, anvil, bass drum, tam-tam
String Quartet Organ
PERFORMANCE NOTE In the second movement, the choir and the cello are asked to perform a sort of Morse Code tremolo. This should be executed by each musician randomizing a pattern of short and long notes on the indicated pitch. The choir should sing on syllables doo or da depending. All effort should be made not to coordinate with any other musician. The resulting effect should be random and almost electronic. Take breaths whenever you need but the sound should be as continuous as possible. All text-less music in the choir should be sung at a dynamic such that it blends equally with the strings, percussion, and organ.
COMPOSER’S NOTE Expecting the Main Things from You begins with a series of exchanges between the choir and ensemble, defining the harmonic progressions that make up the first movement. Throughout the beginning 9-minute movement, the ensemble plays pattern music while the voices sing lines above it – a very explicit accompaniment/solo relationship during which the choir describes men at work. A third of the way through, a solo violin begins outlining a series of chords through arpeggiation, which then gradually fill in and become a single shimmering chord. From this, the choir begins the second part of the poem, beginning with the line “The delicious singing of the mother” and ending in the far distance, listening to the “strong melodious songs”. Each movement of Expecting ends with a series of wordless pulses, a sort of musical punctuation. If the first and third poems reference the political urgency of the city, the second movement is a pastoral interlude. Accordingly, the percussion parts in this movement are built around three expanding and contracting rhythms in the woodblock, tam-tam, and vibraphone. Three quarters of the choir sings a stylized Morse code (I was inspired by watching satellites pass overhead in the middle of the woods in Vermont; the now-omnipresent invisible haze of technology even in the fields), while some sopranos and altos overlay long, endless lines. The third movement is the most urgent and the most aggressive in its patterns: I wanted to reinforce Whitman’s movement from the general to the very specific and accusatory second person of the end of the poem. A series of expanding and contracting rhythms and another wordless pulse brings the piece to a quiet close.
Duration: c. 24 minutes
Order number: SRO100010 Complete materials are available on sale: Vocal score: SRO100010-02 Parts: SRO100010-01
EXPECTING THE MAIN THINGS FROM YOU 1. I Hear America Singing Walt Whitman
Soprano
4 4
Alto
4 4
Tenor
4 4
Bass
4 4
Vibraphone
4 4
Nico Muhly (2005) q = 96
mfz
q = 96 Violin I
Violin II
4 4 sf
mf
f
p
f
f
sf
mf
f
p
solo
4 4 mf
Violoncello
f
4 4 mf
Viola
mf f
f
mf
f
sf
mf
mf
f
sf
mf
mp
mfz
p
mp
4 4 f
f
mfz
p
4 4 Organ
4 4 Pedals
4 4 rev. July 2016
© 2007 St Rose Music Publishing Co. and Chester Music Limited.
2
14
11
2 4
Crot.
3 2 f
2 4
Vib.
f
14 5
5
5
5
5
Vln. I p
mp
p
mp
2 4
5
n
2 4 sfp
2 4
3
2 4
Vc. sfp
sfp
Ped.
20 f
3 2
I
hear
A
f
3 2
I
hear
I
mer i
A
ca
hear
mer i
A
ca
mer i
3 2
A
sing
ing
ca
sing
ing
sing
ing
4 4 mer i
5 4
ing
4 4
5 4 hear
sing
4 4
5 4
f
3 2
4 4
5 4
f
3 2
I
Crot.
5 4
ca
4 4 f
Vib.
Vln. I
3 2
5 4
4 4
20 3 2
5 4
4 4 f
Vln. II
3 2
5 4
4 4 f
Vla.
3 2
5 4
4 4
Vc.
3 2
5 4
4 4
7
f
7
7
7 7
f
3 2
5 4
4 4
3 2
5 4
4 4
3 2
5 4
4 4
mp support choir
Org.
Ped.
3 2 sff
Org.
B.
3 2 sff
p
T.
3 2 sff
Vla.
A.
3 2 sff
Vln. II
S.
3 2
2 4
3 2
2 4
3 2
2 4
3 2
3
24
Crot. (rim) B. D. sf
mf
Vln. I sf
mp solo
5
Vln. II
5
5
5
5
5
sempre f
5
5
mp sub.
5
Vla. 5
5
mp O
Vc. 3
3
3
3
3
3
3
3
3
3
3
3
3
mf
Org.
Ped.
29 2 4
28
S.
mp cresc.
The
2 4
A.
mp cresc.
The
2 4
T.
2 4
B.
Shk. ord. B. D. mp
f
ca rols
I
4 4
hear
f
3 4 ca rols
I
3 4
va ried
hear
ca rols
I
4 4
hear f
4 4
hear
2 4
3 4
4 4
2 4
3 4
4 4
29 2 4
Vln. I
I
3 4
va ried
mp cresc.
The
ca rols
va ried
mp cresc.
The
3 4
va ried
35 4 4
f
35 3 4
4 4 sfp
2 4
Vln. II
3 4
4 4 sfp
2 4
Vla.
2 4
Vc.
p
3 4 3 4
4 4 sfp
4 4
pizz.
mfz pizz.
mfz pizz.
mfz pizz.
mfz
Org.
Ped.
2 4
3 4
2 4
3 4
2 4
3 4
mp
4 4 mp
4 4 4 4
p
mp
4 sempre mf
37
3 4
3
S. Those sempre mf
of me chan ics
Those sempre mf
of me chan ics
Those sempre mf
of me chan ics
Those
of me chan ics
Each one sing ing his
as it should be:
Each one sing ing his
as it should be:
Each one sing ing his
as it should be:
Each one sing ing his
as it should be:
3 4
3
A.
3 4
3
T.
3
3 4
B.
3 4
Shk. arco
3 4
3
Vln. I sempre mf arco
3 4
3
Vln. II sempre mf arco
3 4
3
Vla. sempre mf arco
3
3 4
Vc. sempre mf
3 4 Org.
3 4 3 4
Ped.
45
43
S. blithe
and
strong.
blithe
and
strong.
blithe
and
strong.
blithe
and
strong.
A.
T.
B.
Shk. B. D. p pizz.
sf
45
arco
sf
Vln. I
5
pizz.
arco
pizz.
arco
pizz.
f arco
f
3
5
5
5
3
Vln. II 3
f
Vla.
Vc. f
Org.
Ped.
f
sim.
5
5
5
48
4 4
S.
53 3 4
p
The
Whip
B. D.
Vln. I 5
5
car pen ter
sing ing
his
as he meas ures plank and beam
4 4
3 4
4 4
3 4
sf
sf
4 4 5
sfp
3 4 5
sfp
4 4
Vla.
sempre sf
53 3 4
4 4
Vln. II
sempre sf
3 4 sfp
4 4
Vc.
3 4 sfp
Org.
Ped.
4 4
3 4
4 4
3 4
4 4
3 4
5
4 4
3 4
4 4
Whip
4 4
3 4
4 4
3 4
B. D.
4 4
3 4
4 4
3 4
Vln. I
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
54
Anv.
sfp
sfp
4 4
Vln. II
3 4
sfp
sfp
4 4
Vla.
3 4
sfp
sfp
4 4
Vc.
3 4
sfp
sfp
4 4
3 4
mf
Org.
Ped.
f
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
sf
6 mf
62
The ma son sing ing
S.
his
or
leaves
off
his
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
as
mf
The
A.
3 4
work
mf
The ma son sing ing
2 4
or
mf
as
he makes rea dy
for
work
mf
the
T.
mf
as
he makes rea dy
for
work
mf
The ma son sing ing
B.
his
mf
The ma son sing ing
his
as
on the string Vln. I mf solo
poco vib.
2 4
Vln. II mf
f
sfp poco vib.
2 4
Vla. mf
poco vib.
Vc.
sfp
Vib.
3 4
2 4 mp
Vln. I
mf
3 4
f
2 4 mp
Vln. II
mf
3 4
f
2 4 sfp
Vla.
3 4
sfp
2 4 sfp
sfp
Vc.
3 4
sfp
2 4
69
3 4
3 4
2 4 sfp
sfp
3 4
7
76
4 4
S.
mp
The
4 4
A.
T.
B.
man
sing
ing
what
be longs
to
boat
man
sing
ing
what
be longs
to
him
man
sing
ing
what
be longs
to
man
sing
ing
what
be longs
to
him
his
2 4
him
his
2 4
mp
3 4
mp
3 4
boat
3 8 in
3 4
boat
3 8 in
4 4
Vib.
his
2 4
mp
boat
3 8 in
f
boat
his
2 4
f
boat
3 8 in
him
mp
The
2 4
f
mp
The
4 4
boat
mp
The
4 4
f
mp
3 4
boat
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
p
4 4
Vln. I
2 4 mf
mf
f
4 4
Vln. II
2 4 mf
f
4 4
Vla.
2 4 mf
f
4 4
Vc.
2 4 sf
f
mf
84 83
S.
B.
deck
the
Vln. II
Vla.
Vc.
3 4
hand
sing ing
on
the
steam
The deck mp dolce
hand
sing ing
on
the
steam boat
deck
deck
hand
sing ing
on
the
steam boat
deck
deck
3 4 arco, ord. vib.
84
mfz arco, ord. vib.
f
mfz
f
sfz
mfz arco, ord. vib.
f
sfz
mfz
f
3 4
3 4
boat
deck
boat
deck
mp dolce
3 4
3 4
steam
mp dolce
3 4
3 4
mf
on
f
Vln. I
mf pizz.
sing ing
The
Vib.
mf pizz.
hand
The
T.
mf pizz.
mp dolce
3 4
The
A.
pizz.
sfp pont.
arco, ord. vib.
sfz
ord.
solo espress.
mf cantabile
8
94 Vib.
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
mf Anv.
94 Vln. I
f
mf
sff
f lourĂŠ Vln. II f pizz.
3 8
Vla. sff
sff
arco
3 4
p
3 8
Vc.
pizz.
3 8
sff
sff
sff
arco
3 4
p
3 4
sff
3 8
3 4
f
102
New Tempo q = 86
mp
mp cantabile
2 4
S. the
mp cantabile
3 4
hat ter
sing
2 4
3 4
T.
2 4
3 4
B.
2 4
3 4
3
A. the
102
shoe ma ker
sing ing
as
he
sits
on
pizz.
ing
as
he stands
his bench
New Tempo q = 86 with sopranos
2 4
Vln. I f
insect-like, poco sul pont.
3 4
f
with altos
2 4
3
Vln. II
p sim.
3 4
mf cantabile
f
arco
2 4
Vla. sff
sff
sff
2 4
Vc. sf
Org.
Ped.
3 4
mf
mf
sf
mf
sf
mf
sff
3 4 sf
sf
2 4
3 4
2 4
3 4
2 4
3 4
mf
9
112 mf, energetic
111
3
S. The wood cut ter's mf, energetic
song
The wood cut ter's mf, energetic
song
The wood cut ter's mf, energetic
song
The wood cut ter's
song
the plough
boy's
on
his
way
in the mor ning 3
A. the plough
boy's
on
his
way
in the mor ning 3
T. the plough
boy's
on
his
way
in the mor ning 3
B. the plough
boy's
on
his
way
in the mor ning
112 Vln. I
Vln. II sf
mf Vla. sff
sff
sff
Vc. sf
mf
sf
mf
Org.
Ped.
118
p
2 4
S. or
at the noon
in ter
mis
sion
2 4
A. or
at the noon
in ter
mis
sion
2 4
T. or
at the noon
in ter
mis
sion
2 4
B. or
at the noon
in ter
mis
sion
2 4
Vib.
4 4
or p
at
or p
at
or p
at
or
at
sun
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
down
4 4 sun
5 4 down
4 4 sun
4 4
down
4 4 sun
5 4
down
4 4 mp ord.
Vln. I sf l.v. Vln. II
Vla.
2 4
4 4
2 4
4 4
2 4
4 4
sff
sf
Org.
Ped.
mp
mp
sff
2 4
Vc.
O
mf
mp
4 4 sf
sf
mp
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
2 4
4 4
5 4
4 4
10
125 Freely (q = 72) 4 4
Vib.
p sim.
4 4
Vln. I
4 4 Org.
4 4
mp rhapsodic solo, take time where necessary
p
129
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
Vib.
2 4
3 4
Vln. I
2 4
3 4
2 4
3 4
2 4
3 4
Org.
134
136 4 4
5 4
Vib.
Slightly Faster q = 82
5 4 p, with viola
5 4
Vln. I
sempre sim.
4 4
5 4
p
5 4
Vln. II
sempre sim.
4 4 p
5 4
Vla.
4 4
5 4
pizz.
5 4
p, with vibes
5 4
4 4
5 4 p
Org.
5 4
138
4 4
5 4
Vib.
5 4
4 4
2 4
Tam.-t.
5 4
4 4
2 4
sempre p, l.v.
Vln. I
5 4
4 4
2 4
Vln. II
5 4
4 4
2 4
Vla.
5 4
4 4
2 4
5 4
4 4
2 4
5 4
4 4
2 4
Org.
11
142
Vib.
3 4
5 4
4 4
Tam.-t.
3 4
5 4
4 4
Vln. I
3 4
5 4
4 4
Vln. II
3 4
5 4
4 4
Vla.
3 4
5 4
4 4
3 4
5 4
4 4
3 4
5 4
4 4
Org.
147 4 4
Tri.
on the string
4 4
Vln. I
4 4
Vln. II
New Tempo q = 86
p on the string
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
p
4 4
Vc.
mp espress., poco portato sempre
4 4 p
Org.
4 4
Tri.
2 4
3 4
5 4
Vln. I
2 4
3 4
5 4
Vln. II
2 4
3 4
5 4
Vc.
2 4
3 4
5 4
2 4
3 4
5 4
2 4
3 4
5 4
151
Org.
12
Vib.
5 4
158 3 4
Tri.
5 4
3 4
Vln. I
5 4
158 3 4
Vln. II
5 4
3 4
Vla.
5 4
3 4
157
5 4
Vc.
3 4
5
5
arco
mp espress.
mp espress.
5 4
3 4 p
Org.
5 4
3 4
163
3
3
5
Vib.
Vln. I
Vln. II
Vla.
Vc.
Org.
169
5
slowly rolled
Vib.
Vln. I p
sul pont.
Vln. II
Vla. p Vc.
Org.
sul pont.
13
179 176
Slowly q = 72 mp
2 2
S. The mp
de
The mp
de
The mp
de
The
de
li
cious
sing
ing
3 2 of
the
mo ther
or
of
the
2 2
A. li
cious
sing
ing
3 2 of
the
mo ther
or
of
the
2 2
T. li
cious
sing
ing
3 2 of
the
mo ther
or
of
the
2 2
B. li
cious
sing
ing
3 2 of
the
mo ther
or
of
the
2 2
3 2
Vib.
2 2
3 2
Tam.-t.
2 2
3 2
2 2
3 2
2 2
3 2
2 2
3 2
2 2
3 2
Crot. mp
mp
179 -->
Slowly q = 72
sul pont.
ord.
mfz
pp
Vln. I
ord. Vln. II
-->
mfz
pp
sul pont.
ord.
mfz
pp
sul pont.
ord.
mfz
pp
Vla.
ord.
-->
Vc.
186
S.
Faster q = 86
3 2
3 4 young
A.
wife
at
3 2 wife
at
3 2
or
work
work
of the
or
of the
4 4
pp
sew ing
or
girl
sew ing
or
girl
sew ing
or
girl
sew ing
or
3 2 3 2 or
3 4
girl
3 2 or
at
3 2
of the
4 4
3 4 wife
3 2
4 4
3 4
young
Crot.
work
3 4
young
B.
at
3 2 young
T.
wife
4 4
of the
4 4
3 2
4 4
3 2
Faster q = 86 Vln. I
3 2
3 4 mf
Vln. II
3 2
3 4
mp
mf
4 4
3 2
mf Vla.
mf
3 2
3 4
4 4
3 2
mf Vc.
3 2
mf
3 4
4 4
3 2 mp
14
194 3 4
193
S. wash
Faster q = 96
ing
3 4
A. wash
ing
3 4
T. wash
ing
B.
3 4
Vib.
3 4 mp
194 3 4
Vln. I
f
Faster q = 96
mp
f
mp
f
3 4
Vln. II
pont.
3 4
Vla. sff
ord.
mp
f
mp
f
3 4
Vc. sff
3 4 Org.
3 4 3 4
Ped.
mp
202
Vib. mf
f
Vln. I mf
f
mf
f
Vln. II
Vla. mf
f
mf
f
Vc.
Org.
Ped.
15
213 2 4
211
S.
SOLO mp
3 4
Each one sing ing
Crot.
2 4
3 4
Vib.
2 4
3 4
213 2 4
3 4
what be longs
to her
and to no one
else
p
Vln. I p
2 4
Vln. II
3 4
p
2 4
3 4
p
2 4
Vc.
2 4
f
pp
f
3 4 pp
Org.
Ped.
224 4 4
2 4
3 4
2 4
3 4
p
q = 86 mp
The
A.
pp
3 4
p
S.
f
pp
Vla.
222
f
pp
3 4
3
day
what
be longs to the
day
ro
SOLO mp
4 4
at
T.
B.
night
ro
the mf
4 4
Vln. I
4 4
bust
3 4 par ty
of young
fel lows
par ty
of young
fel lows
3 4
the
224
bust
TUTTI mf
3 4 mf
4 4
TUTTI mf
q = 86
3 4 p, lontano
Vln. II
4 4
3 4
Vla.
4 4
3 4
Vc.
4 4
3 4
mp
mfz
mp
mfz
mp
Org.
Ped.
4 4
3 4
4 4
3 4
4 4
3 4
mfz
16
q = 76 p poss.
231
4 4
S. friend ly
Sing p poss.
ing
Sing p poss.
ing
Sing
ing
with
o
pen
mouths
their
4 4
A. friend ly
6 4
o
pen
mouths
their
4 4 o
pen
mouths
their
4 4
B. Sing
ing
4 4
Vib.
4 4
5
ppp
5
dious
strong
4 4 mel
o
dious
strong
4 4 mel
o
dious
6 4 with
Crot.
o
6 4 with
p poss.
mel
6 4 with
T.
strong
4 4
o
pen
mouths
their
mp
strong
4 4 mel
o
dious
6 4
4 4
6 4
4 4
q = 76
Vln. I
4 4
6 4
4 4
Vln. II
4 4
6 4
4 4
4 4
6 4
4 4
4 4
6 4
4 4
4 4
6 4
4 4
4 4
6 4
4 4
p
mfz
p
p
mfz
p
p
mfz
p
Vla.
Vc.
Org.
238
S.
A.
T.
B.
p
4 4 songs
da da etc. p
songs
da da etc. p
songs
da da etc. p
4 4 4 4 4 4 songs
da da etc.
arco
Vln. I
4 4
pizz.
sf
Vln. II
Vla.
4 4 4 4
pp
pizz. arco
sf pizz.
pp
solo, espress. arco
p
sf
Vc.
4 4
pizz. sf
p 2' only
4 4 Org.
4 4
mp arco
p
4'
mp
p
mp
17
2. A Farm Picture (Interlude) q = 72 1
7
4 4
1 solo
mp. solo, to the fore
Through
S.
4 4
A.
T.
4 4
4 4
B.
4 4
Vib.
4 4
Morse Code throughout 2nd section (see performance note)
p
sempre p-pp
Morse Code throughout 2nd section (see performance note)
p
sempre p-pp
Morse Code throughout 2nd section (see performance note)
p
sempre p-pp
Morse Code throughout 2nd section (see performance note)
p
sempre p-pp
sempre mf, sempre l.v.
Wblk.
Tam.-t.
3
4 4
p
4 4
Vln. I
4 4
Vln. II
4 4
sempre pp sempre l.v.
7
q = 72
twitchy pizz., rhythms as long as q or as short as x Vla.
4 4
5
3
sempre p - mp - mf (make random swells)
Vc.
4 4
Morse Code (see performance note)
p
4 4 Org.
4 4 Ped.
4 4
p
18 mp
10
the
S.
am ple
pp
mp
o
pen
door
A.
T.
B.
Vib. sempre sim (slightly shorter than 16ths) Wblk. Tam.-t.
Vln. I
Vln. II
Vla.
Vc.
Org.
21
S.
mp
27
3
of
the
peace
ful
mp
mf
coun
1 solo mp
A.
coun
mp
try barn
mf
mp
try barn
T.
B.
Vib.
Wblk. Tam.-t.
27 Vln. I p
5
f
p
5
5
f
5
Vln. II p Vla.
Vc.
Org.
f
p
f
19
35
33
S.
A.
a sun mp cresc.
lit
pas
ture
field mf
a sun mp cresc.
lit
pas
ture
field mf
a sun mp cresc.
lit
pas
ture
field mf
a
lit
pas
ture
field
sun
41
mf
mp cresc.
mp dolciss.
with cat
tle
and
tle
and
mp dolciss.
with cat
T.
B.
Vib. Wblk. Tam.-t.
41
35 Vln. I mp
p
mp
p
Vln. II
Vla.
Vc.
Org.
48
44
S.
hor
ses
55
feed
ing
mp
and haze slightly louder, more activity
mp
A.
hor
ses
feed
ing
and haze slightly louder, more activity
slightly louder, more activity T. slightly louder, more activity B.
Vib. Wblk. Tam.-t.
48
55
solo
Vln. I p
mp
p
Vln. II mf Vla.
Vc.
Org.
mf
mp
20
60
56
S.
and
vi
sta
and
haze
and
vi
A.
and
vi
sta
and
haze
and
vi
T.
B.
Vib.
Wblk.
60 Vln. I on the string 3
3
3
3
3
Vln. II p
mf Vla.
Vc.
Org.
62
S.
sta
A.
sta
T.
B.
Vib.
Wblk. Tam.-t.
Vln. I
Vln. II sf Vla.
Vc.
Org.
sf
sf
sf
sf
sf
sf
sf
sf
sf
3
21
67 S.
mf strong
3
and
the
mp, busy
mf strong
A.
ho
ri
zon
far
ho
ri
zon
3
and
mp, busy
far
the
mp, busy T. mp, busy B.
Vib.
Wblk.
67 Vln. I 5
5
Vln. II
Vla.
Vc.
Org.
mp dim.
71
S.
dim.
A.
dim.
dim. T. dim. B.
Vib.
Wblk. Tam.-t.
Vln. I
Vln. II 5
Vla.
Vc.
Org.
5
fa
ding
a
way
22
poco rit. mf
mp
76
p
mp
pp
di di etc. p-pp
S.
p
n
mp
mf
p
mp
pp
p
di dietc.
A.
p-pp
n
p-pp
n
p-pp
n
T.
B.
Tam.-t.
B. D. pp l.v.
random changes from ord. to sul. pont, also make random swells
poco rit.
Vln. I n
random changes from ord. to sul. pont, also make random swells Vln. II
n pizz. Vla. sf pizz. Vc. sf
Org.
3. Poets to Come B. D.
Vln. I
6 8 6 8
q = 128 p pizz.
mp Vln. II
6 8
f all notes short and sharp
mp
Vla.
6 8
mp Vc.
6 8
f
arco
f
23
95
93
S. da
da
da da
da
da
da
da
da da
da
da
A.
x1 only B. D.
95
arco Vln. I mp
mf
Vln. II mf Vla. mf solo, arco Vc. mf RH both times
mf LH & Pedal x2 only
Org.
99
S. da
da
da da
da
da
da
da
da
da
da
da
da
da
da da
da
da
da
da
da da
da
da
da
da
da
da
da
da
da
da
da da
da
da
A.
Vib. mf
Vln. I
Vln. II
Vla.
Vc. sfp
Org.
mf
p
24
108
105
S. da
da
da
da
da
da
da
da
da
da
da
da
da
da
da
da
da
da
da
da
da da
da
2 4
6 8
4 4
2 4
6 8
4 4
2 4
6 8
4 4
2 4
6 8
4 4
2 4
6 8
4 4
da
B. da
4 4
da
T. da
6 8
da
A. da
2 4
da
Vib. f headstrong
108 Vln. I f
mp
sfp
2 4
Vln. II f
6 8
4 4
mp
sfp
2 4
Vla. f
6 8
4 4 sfp
mp
2 4
Vc.
6 8
p
sffp
mf
Org.
Ped.
Vib.
4 4
6 8
1 4
116 3 4
Wblk.
4 4
6 8
1 4
3 4
4 4
6 8
1 4
3 4
1 4
116 3 4
112
B. D.
Vln. I
Vln. II
4 4 4 4
6 8 sfp
6 8
1 4
4 4
1 4 sfp
Vc.
4 4
(sul pont.)
6 8 p
4 4 Org.
Ped.
6 8
4 4
2 4
6 8
4 4
2 4
6 8
4 4
f
tenuto sempre
ff
1 4
3 4 3 4
f
ord.
f
1 4
3 4
4 4
6 8
1 4
3 4
4 4
6 8
1 4
3 4
solo
f
fff
f
6 8
f
6 8
4 4
2 4
f
3 4
sfp Vla.
sul pont.
tenuto sempre
ff
25
119
Wblk.
B. D.
Vln. I
Vln. II
Vla.
Vc.
Org.
Ped.
124
Wblk.
4 4
5
mp
ff
9 8
B. D.
4 4
9 8
Vln. I
4 4
9 8 mp
Vln. II
4 4
mp
ff
mp
ff
ff
mp
ff
ff
mp
ff
9 8
4 4
ff
9 8 mp
4 4
Ped.
ff
ff
4 4
9 8 mp
Org.
mp
9 8
mp Vc.
ff
ff
mp
Vla.
mp
4 4
9 8
4 4
9 8
26
128 S.
4 4
ff
2 4
Po
A.
T.
B.
Wblk.
B. D.
Vln. I
Vln. II
4 4 4 4 4 4
ets
4 4
to come!
O
ff
ra
2 4
Po ff
ets
Po ff
ets
Po
ets
2 4 tors
mu
4 4
to come!
O
tors
mu
4 4
to come!
O
tors
O
come
3 4 si cians
mu
4 4
to come!
to
to
come
2 4 ra
2 4
si cians
2 4 ra
2 4
3 4
3 4 si cians
to
come
2 4 ra
tors
mu
3 4 si cians
to
come
4 4
2 4
4 4
2 4
3 4
4 4
2 4
4 4
2 4
3 4
128 4 4
2 4
4 4
2 4
3 4
4 4
2 4
4 4
2 4
3 4
f support choir
Vla.
4 4
2 4
4 4
2 4
3 4
Vc.
4 4
2 4
4 4
2 4
3 4
f
f
f
f
f
4 4 Org.
S.
4 4
134 4 4
f
4 4 4 4
2 4
3 4
2 4
4 4
2 4
3 4
4 4
2 4 to day
4 4
2 4
4 4
B. D.
4 4
2 4
4 4
134 4 4
2 4
4 4
n Vln. II
4 4
sf
2 4 n
Vla.
4 4
is
f
is
4 4
to
to
2 4
4 4
2 4
4 4
2 4
4 4
fy
me
and
jus
ti
fy
me
and
jus
ti
fy
me
and
jus
ti
fy
me
mf
mf
ff
2 4
sf
2 4
ti
4 4
to day
f
4 4
to
2 4 Not
jus
4 4
to day
4 4
to day
is
2 4 Not
2 4
to
4 4
to day
4 4
to day
is
2 4 Not
2 4
4 4
to day
4 4
Tri.
Vln. I
2 4 Not
f
Not
4 4
to day
f
Not
B.
2 4
f
Not
T.
4 4
mf
Not
A.
2 4
2 4
4 4 f
ff
mf
4 4 mf
f Vc.
4 4
2 4
4 4
2 4
4 4 mf
f
27
145
141
S. ans
wer
what
I
am
for
ans
wer
what
I
am
for
ans
wer
what
I
am
for
ans
wer
what
I
am
for
f
p
A.
T.
B.
B. D. f
p
145 Vln. I mf
f
f
f aggressive
Vln. II mf
f
mf
f
f
f aggressive
Vla. mf
f
mf
f
mf
f
Vc. f
f aggressive
mf
Org.
150 mp dolce
147
New Tempo q = 86
S. But mp dolce
you,
a new
brood,
na
you,
a new
brood,
na mp dolce
A. But
T. na mp dolce
B. solo
na 5
5
5
Wblk. mf B. D. f
p
f
150
New Tempo q = 86
Vln. I
Vln. II
Vla. f
p dolce
5
Vc.
Org.
p
5
28
Tempo I° (q = 128)
mp
mf
153
S. tive
ath
le
tic
con mp
ti
nen
tal
tic
con mp
ti
nen
tal
tic
con mp
ti
nen
tal
tic
con
ti
nen
tal
mf A. tive
ath
le
mf T. tive
ath
le
mf B. tive
ath
le 3
3
3
3
3
3
3
Wblk. B. D. ff
mp
Tempo I° (q = 128) Vln. I f Vln. II
mp
f
Vla. 3
5
Vc.
Org.
mf Ped.
160 f
3 2
S. Great f
er
Great f
er
Great
er
4 4
3 8
4 4 than be
3 2
A.
4 4
3 8
fore
fore
3 2
4 4
3 8
B.
3 2
4 4
3 8
Vib.
3 2
4 4
3 8
4 4
3 2
4 4
5
3 8
4 4
3 2
4 4
5
3 2
4 4
T.
5
Wblk.
mp
f
5
B. D. f
160 Vln. I ff 3 3
33
33
Vln. II ff Vla. ff 3
3
3
ff 3
Ped.
3 2 3 2
Vc.
Org.
3 2
f
3
mp
f
mp
33
3
33
3 3
33
4 4
3 3
4 4
3
4 4
f
33
3
33
3 3
33
3 3
3
4 4
3 8
4 4
3 8
4 4
fore
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
known
4 4 than be
4 4
known
4 4 than be
5 4
known
5
mp 5
f
f
sf
5 4
4 4
5 4
4 4
5 4
4 4
3 8
4 4
5 4
3 8
4 4
5 4
3 8
4 4
5 4
3
mf
mf
f
mf
f
mf
f
f
4 4 4 4 4 4
3 2
4 4
3 8
4 4
5 4
4 4
3 2
4 4
3 8
4 4
5 4
4 4
3 2
4 4
3 8
4 4
5 4
4 4
29
166 4 4
S.
ff
4 4
A.
4 4
T.
ff
4 4
B.
a
a ff
rouse!
a ff
rouse!
a
rouse!
for
for
you
you
must
jus
must
jus
ti fy
ti fy
mf
p
da da da p
da da
da da da mp
da da da
mf
da da da
da da
da da da
da da da
me
me
mp
mf
for
you
must
jus
ti fy
me
rouse!
4 4
Vib.
sff l.v.
Vln. I
4 4
Vln. II
p
f
166 4 4
senza vib. O
sfp
p senza vib.
sfp
p senza vib.
sfp
p senza vib.
4 4
Vla.
4 4
Vc.
O
p
sfp
4 4 Org.
4 4
p
ff
4 4
Ped.
175
mp
171
mf
S. da
da da da da da da da da mp
da da
I mf
my
self
da
da da da da da da da da
da da
I
my
self
but
A. but
p T. da da da da da da da
B.
Vib.
175
mf support sopranos and altos
Vln. I mf
p
sf
mf
p
sf
Vln. II
ord. vib. Vla. mf
p
sf
pp
ord. vib.
Vc. mp
Org.
Ped.
mf
mp
30
177
3
3
ca tive words
for the fu
mp
mp
S. write
one
or
two
in
di
3
ture
but ad vance
a mo
ment
mp
3
on ly
mp
A. write
one
or
two
in
di
ca tive words
for the fu
ture
but ad vance
a mo
ment
on ly
p T. da da da da
da da da p
da da da da da da da da
da
da da da
da da da da da da da da
da
B. 3
3
Vib. mp
mp
B. D. p Vln. I
Vln. II
Vla. mf
mf
pp
Vc. 3
f solo, espress.
Org.
Ped.
f
185
p
S. to
wheel
and hur ry
back
in
the
dark
f
ness
p
A. to
wheel
and hur ry
back
in
the
dark
3 4 f
Vln. I
3 4
ness
Vib.
B. D.
3 4
p
3 4 3 4
Vln. II
3 4
Vla.
3 4
Vc.
3 4 3 4
Org.
Ped.
3 4 3 4
p
mp
p
ord. vib.
mp ord vib.
f
mp
f
mp pizz.
f
mp
f
31 193
mf resolute
4 4
A. I
mf resolute
am
a
man
am
a
man
4 4
T. I
4 4
Vib. mf resolute
4 4
B. D. mp
4 4
Vln. I mp
4 4
Vln. II mp
mf
mf
4 4
Vla. mf
mp Vc.
4 4
mp
sff
4 4 Org.
4 4 4 4
Ped.
199 198
q = 116
3 4
A.
mf
saunt
who
3 4
T. who
mf
saunt
3 4
Vib.
mf
199
q = 116
Vln. I
3 4
Vln. II
3 4
Vla.
3 4 p
mf athletic
arco
3 4
Vc. p
mf athletic
3 4 Org.
Ped.
3 4 3 4
32
203
A.
T.
Vib.
Vln. I f
Vln. II f 3
3
3
3
3
3
3
3
3
3
3
3
3
Vla. f Vc. f
Org.
Ped.
207
2 4
A. ter
3 4 ing
2 4
T. ter
Vib.
2 4
3 4
Vln. I
2 4
3 4 mp
Vln. II 3
Vla.
Vc.
3
3
3
3
3
3
3
3
3
3
3
2 4 2 4
3 4 3 4 3 4
pizz.
mp pizz. mp pizz.
mp
2 4 Org.
Ped.
long
a
long
3 4 ing
2 4
a
3 4
2 4
3 4
2 4
3 4
mp
3
3
3
33
212
A. with
out
ful
ly
stop
with
out
ful
ly
stop
T.
Vib.
Vln. I
Vln. II
Vla.
Vc.
Org.
Ped.
217
A.
4 4
220
f
ping
T.
4 4
f
ping
B.
mf, espress.
4 4
turns
Vib.
4 4 220
Vln. I
4 4 mf
Vln. II
4 4 mf
Vla.
arco, with basses
4 4 mf
Vc.
4 4
arco
mf
4 4 Org.
4 4 Ped.
4 4
mp
mf espress.
a
cas
ual
34
222
B. look
up
on
you
and
then
a
verts
his
face
mf
f
Vln. I ff Vln. II f Vla.
Vc. f
Org.
Ped.
228 f S. leav
ing
it
to
ing
it
to
f A. leav
228 Vln. I f Vln. II
Vla. f Vc.
Org.
Ped.
35 f
mf
233
3 8
S. you
to
prove
and
de
fine
it
f
mf
3 8
A. you
to
prove
and
de
fine
it
3 8
Vln. I n
sff
p
mf
Vln. II
3 8
Vla.
3 8 sim.
3 8
Vc. mf
3 8 Org.
3 8 3 8
Ped. f
Wblk.
239 3 8
2 4
5 8
3 4
7 8
4 4
239 3 8
2 4
5 8
3 4
7 8
4 4
f
Vln. I
f Vln. II
3 8
2 4
5 8
3 4
7 8
4 4
Vla.
3 8
2 4
5 8
3 4
7 8
4 4
3 8
2 4
5 8
3 4
7 8
4 4
3 8
2 4
5 8
3 4
7 8
4 4
3 8
2 4
5 8
3 4
7 8
4 4
3 8
2 4
5 8
3 4
7 8
4 4
f Vc.
Org.
Ped.
36
246 244
S.
4 4
9 8
3 8
f cresc.
2 4
Ex
4 4
A.
9 8
4 4
T.
9 8
4 4
B.
3 8 3 8
9 8
3 8
f cresc.
Ex f cresc.
Ex f cresc.
pect
4 4
9 8
4 4
Vln. I
sub. mp
ff
9 8
4 4
pect
3 4 ing
2 4
5 8 pect
3 4 ing
2 4
5 8 pect
3 4 ing
5 8
3 4
2 4
5 8
3 4
2 4
5 8
3 4
2 4
5 8
3 4
2 4
5 8
3 4
3 8
2 4
5 8
3 4
3 8
2 4
5 8
3 4
ff
9 8
5 8
2 4
f
246 3 8 sub. mp
Vln. II
3 8
3 4 ing
2 4
Ex
Wblk.
5 8
f
3 8
arco
f Vla.
4 4
9 8
Vc.
4 4
9 8
Org.
249
S.
4 4
9 8
4 4
9 8
3 4
7 8 the
A.
3 4
Vln. I
ff
sub. mp
f
f
9 8 9 8 things
4 4
7 8
3 8
things
main
the
Wblk.
ff
main
the
B.
sub. mp
4 4
7 8
3 4
ff
main
the
T.
sub. mp
4 4
7 8
3 4
3 8
9 8 things
4 4 main
9 8 things
sub. mp
ff
from sub. mp
ff
from sub. mp
ff
from sub. mp
ff
3 4
7 8
4 4
9 8
3 4
7 8
4 4
9 8
3 4
7 8
4 4
sub. mp
3 4 3 4 3 4
ff
3 4 ff
9 8
3 4 sub. mp
Vla.
3 4
7 8
4 4
9 8
Vc.
3 4
7 8
4 4
9 8
Org.
3 4
from
sub. mp Vln. II
3 4
3 4
7 8
4 4
9 8
3 4
7 8
4 4
9 8
ff
3 4 sub. mp
ff
sub. mp
ff
3 4 3 4
sub. mp
ff
3 4
37
253 3 4
sempre mf
3 8
(y)ou
S.
3 4
you
A.
3 8
3 4
3 4
you
3 8
3 4
(y)ou
3 4
you
3 8
you
T.
3 4
you
3 8
(y)ou
3 4
you
sempre mf
3 4
(y)ou sempre mf
B.
3 4
3 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
(y)ou
3 8
3 4
you
you
3 8
3 4
(y)ou
Crot.
2 4
you
sempre mf
3 4
3 4
(y)ou
sempre mf
3 4
2 4
(y)ou
3 8
you
3 4
(y)ou
sempre mf
you sempre mf
2 4 you
sempre mf
you
3 4
3 4
you
3 8
3 4
2 4
3 4
3 8
3 4
2 4
3 4
3 8
3 4
2 4
3 4
3 8
3 4
2 4
3 4
3 8
3 4
2 4
3 4
3 8
3 4
2 4
3 4
3 8
3 4
2 4
3 4
3 4
3 8
3 4
2 4
3 4
3 4
3 8
3 4
2 4
3 4
mp
B. D.
3 4
253 Vln. I
3 4
second time only
f
Vln. II
3 4
second time only
f
Vla.
3 4
second time only
f
Vc.
3 both times 4 f
3 4 mf
Org.
Ped.
38
262
3 4 (y)ou
S.
3 4 you
3 4 you
A.
3 4 you
3 4 you
T.
3 4 (y)ou
3 4 (y)ou
B.
3 4 (y)ou
Crot.
3 4
B. D.
3 4
Vln. I
p
f
3 4 p
Vln. II
3 4 p
Vla.
3 4
solo
fff espress
3 4 Org.
3 4 Ped.
sf
mf
f
3 4 p
Vc.
sf
3 4
sf
mf
f
39
276 4 4
270
B. D. p
f
p
sff
276 4 4
Vln. I p
f
mf
f
4 4
Vln. II mp
p
mf
f
f
4 4
Vla. mp
p
mf
f
f
mf
4 4
Vc. mp
f
mf
f
mf
4 4 sff
Org.
4 4 4 4
Ped.
sff
278
p
p
you p
you p
you p
you p
you p
you p
you
you
3 4
S.
3 4
A.
3 4
T.
3 4
B.
3 4
Tam.-t. poco sf
poco sf
3 4
Vln. I f
sf
mf
p
f
3 4
Vln. II f
sf
mf
p
f
3 4
Vla. f
sf
mf
f
mp
mfz
p
3 4
Vc. f
sf
mf
f
mfz
p
3 4 Org.
f
sf
mf
mfz
3 4 Ped.
3 4
40
286 3 4
sempre p
3 8
(y)ou
S.
3 4
(y)ou
3 8
3 4
3 4
you
3 8
3 4
(y)ou
3 8
3 4
you
3 8 you
3 4
2 4
(y)ou
you
3 4
3 8 (y)ou
3 4
2 4
(y)ou
3 4
you
3 8 you
B.
3 4
3 4
(y)ou
3 8
3 4
2 4 you
3 4
you
Crot.
2 4 (y)ou
3 4 T.
2 4 you
sempre p
you
2 4 (y)ou
sempre p
you
A.
2 4 you
sempre p
you
3 4
3 4
2 4 you
3 8
3 4
2 4
3 4p
3 8
3 4
2 4
286 3 4
3 8
3 4
2 4
3 8
3 4
2 4
3 8
3 4
2 4
3 8
3 4
2 4
3 8
3 4
2 4
3 4
3 8
3 4
2 4
3 4
3 8
3 4
2 4
p
B. D.
Vln. I
Vln. II
mp excited
3 4 mp excited
Vla.
3 4 mp excited
Vc.
3 4 mp excited
3 4 Org.
Ped.
mp
41
294
2 4
295 3 4
3 4 (y)ou
S.
2 4
(y)ou
3 4
3 4 you
2 4
you
3 4
3 4 you
A.
2 4
you
3 4
3 4 you
2 4
you
3 4
3 4 you
T.
2 4
you
3 4
3 4 (y)ou
2 4
(y)ou
3 4
3 4 (y)ou
B.
2 4
(y)ou
3 4
3 4 you
you
Crot.
2 4
3 4
3 4
B. D.
2 4
3 4
3 4
295 Vln. I
2 4
3 4
3 4 mf
Vln. II
2 4
mf
3 4
3 4 mf
mf
Vla.
2 4
3 4
Vc.
2 4
3 4
2 4
3 4
3 4
2 4
3 4
3 4
2 4
3 4
3 4
Org.
Ped.
3 4 tenuto sempre
3 4
42
301 S.
A.
T.
B.
B. D.
3 4 3 4 3 4 3 4
p
f
p
you p
you f
p
you p
you f
p
you
you
p
f
you
you
p
f
p
3 4 p
301 Vln. I
Vln. II
3 4 3 4
pizz.
p pizz.
p Vla.
p
f
p
sul pont.
3 4
p Vc.
f
f
p
p
3 4 p
309
f
p
316 p
f
p
f
n
f
p
f
n
f
p
f
n
f
p
f
n
non rit.
S. da da da da
etc.
p A. da da da da p
etc.
da da da da
etc.
T. p B. da da da da
etc.
Tam.-t. p, l.v. B. D. p
309
mfz
p
316
non rit.
arco Vln. I mp non vibrato!
arco
ord.
mp non vibrato!
Vln. II
Vla. mp non vibrato! Vc. mp non vibrato!
Org.
Ped.
f
p
p