EDITION WILHELM HANSEN KP01431
Per Nørgård
GENNEM TORNE
Partitur
Per Nørgård
GENNEM TORNE THROUGH THORNS 2003
PASSAGE for harp solo with flute, clarinet, and string quartet
Premiered by Tine Rehling, harp and the Esbjerg Ensemble conducted by Kaisa Roose at the Concert Hall of the Western Jutland Academy of Music, Esbjerg 28 January 2004
Full Score Duration: c. 21 min.
Edition Wilhelm Hansen AS, Copenhagen
Ensemble Harp solo Flute in C db. Piccolo and Alto Flute in G Clarinet in B and E db. Bass Clarinet in B String Quartet (Vl. 1 - Vl. 2 - Va. - Vc.)
The score is notated in C
Per Nørgård GENNEM TORNE Forord / Programnote GENNEM TORNE er et ca. tyve minutter langt værk i én sats, og det én-satsede forløb har givet anledning til undertitlen passage. Værket er for harpe solo, fløjte, klarinet og strygekvartet. Titlen er lånt fra Maria-hymnen “Maria gennem torne går”, der afsluttes med ordene “da blomstred’ roser frem mellem torne”. Digtet blev jeg først opmærksom på efter afslutningen af værket, hvis “passage” gennem mange, ofte dramatiske, tildragelser, i de sidste minutter når til en “rosenblomstring”, der matcher slutlinien. At et Maria-digt gav idé til titlen hænger sammen med værkets gennemgående musikalske strøm, som henter motiver fra mit tidligere vokalværk FLOS UT ROSA, hvilket betyder ”en blomst som rosen”, nemlig den rose der blomstrede frem da Jomfru Maria fødte ved en helt ny slags fødsel: NOVA GENITURA - som i øvrigt er titlen på et andet af mine værker der er udsprunget af min oprindelige ”rose”-melodi fra 1975. GENNEM TORNE er tilegnet harpesolisten Tine Rehling, og sammen med hende har jeg forsøgt at udvide instrumentets klang-repertoire ved at udforske eksisterende spillemåder og deres grænseområder, for dermed at trænge igennem til nyt terræn og nye klanglige muligheder, som realiseret af den altid såvel eksperimentere-villige som virtuose harpenist. Per Nørgård 2004
Per Nørgård THROUGH THORNS Preface / Programme Note THROUGH THORNS has a duration of ca. 20 minutes, in one continuous movement, thus the subtitle passage. The work is scored for harp solo, flute, clarinet, and string quartet. The title is borrowed from lines from an old Virgin Mary Hymn: “Mary wanders through thorns”, a hymn which ends with the following line: “then roses grew forth amongst thorns”. I only came across the poem after finishing the composition, the “passage” of which is a journey of sometimes dramatic events, concluding with a “rose-blooming”, as does the hymn. For THROUGH THORNS to borrow its title from a Virgin Mary Hymn has to do with the musical material and current of the piece, which brings motives from an earlier choral piece of mine, FLOS UT ROSA (Latin for “a flower like a rose”), and the rose in question is of course the one which grew forth when the Virgin Mary gave birth to the Infant Jesus in a hitherto unheard-of fashion, a NOVA GENITURA (new birth), which is the title of another work of mine that also derives its material from my original “rose”-melody from 1975. THROUGH THORNS is dedicated to Tine Rehling, and together with her I have tried to expand the sonorities of the harp, by exploring existing techniques and their more remote regions, in order to gain access to new territory and new soundscapes, as realised by the constantly experimentallyminded and virtuoso player.
Per Nørgård 2004
1. Maria gennem torne går. – Kyrie eleison – Maria gennem torne går, de bar ej løv på syvende år. – Jesus og Maria – 2. Hvad bar Maria under sit hjerte? – Kyrie eleison – Et lille barn foruden smerte, det bar Maria under sit hjerte. – Jesus og Maria – 3. Da blomstred’ roser frem mellem torne. – Kyrie eleison – Da Maria bar sit barn gennem skoven, da blomstred’ roser frem mellem torne. – Jesus og Maria –
Fra tysk middelaldervise (formentlig oprindelig på latin), MARIA DURCH EIN DORNWALD GING (MARIA GENNEM TORNE GÅR), Maria-vise fra omkring år 1600 (eller tidligere), fra egnen omkring Thüringen. Melodien er en folkevise, teksten er ”anonym”. Dansk tekst ved Thomas Alvad.
1. Virgin Mary wandered through thorns. – Kyrie eleison – They were without leaves for the seventh year. – Jesus and Mary – 2. What did Virgin Mary carry beneath her heart? – Kyrie eleison – A little child without pain, that was what Mary carried beneath her heart. – Jesus and Mary –
3. Then roses grew forth amongst thorns. – Kyrie eleison – When Virgin Mary wandered through the woods, then roses grew forth amongst thorns. – Jesus and Mary –
From a German hymn (probably originally in Latin), MARIA DURCH EIN DORNWALD GING (THE VIRGIN MARY WANDERED THROUGH THORNS), a St. Mary-hymn from c. 1600 (or earlier), from Thüringen in Germany. The melody is traditional/folksong, the text is “anonymous”.
Per Nørgård THROUGH THORNS has been recorded on CD by Tine Rehling, harp and the Esbjerg Ensemble conducted by Kaisa Roose on the label Dacapo Records CD NO. 8.226039 This all-Nørgård CD also includes the following works for/with harp CONSOLAZIONE SONORA LITTLE DANCE SWAN DESCENDING HEDDA GABLER NOTES FALL KING, QUEEN AND ACE
Tilegnet Tine Rehling
Dedicated to Tine Rehling
GENNEM TORNE / THROUGH THORNS Score in C
PASSAGE
for harpe solo, med fløjte, klarinet og strygekvartet
for harp solo, with flute, clarinet, and string quartet
Per Nørgård, 2003
Presto ( 72)
(
)
Presto ( 72)
(
)
Arpa sola
Flauto Clarinetto basso in B
Violino 1 Violino 2 Viola Violoncello
4
(
)
(
)
(
)
(
)
(
)
(
)
(
)
(
)
Arpa sola
Fl. Cl. bso.
Vl. 1 Vl. 2 Va. Vc. Copyright © 2003 by Edition Wilhelm Hansen, Copenhagen
2
(
)
Poco pi첫 mosso
92
9
Arpa sola
G
Fl.
Cl. bso.
(
)
Poco pi첫 mosso
Vl. 1
Vl. 2
Va.
Vc.
13
Arpa sola
Fl. muta in Cl. in Si
Cl. bso.
Vl. 1
Vl. 2
Va.
Vc.
92
3
Tempo I (meno) (
20
3
100)
3
Arpa sola
G
Fl.
Cl.
Tempo I (meno) (
100)
Vl. 1
Vl. 2
Va.
Vc.
sost. 25
Arpa sola
F F
F
G E
sub.
cresc.
Fl.
Cl.
sost. Vl. 1
Vl. 2
Va.
Vc.
4
Mezzo tempo (
68 /
100) 3
31
Arpa sola
G
F
G
A
F B
E 3
3 3
Fl.
Cl.
Mezzo tempo (
68 /
100)
Vl. 1
Vl. 2
Va.
Vc.
stringendo molto
a tempo ( 50)
36
A
Arpa sola B
B
B
B
C
3
(accomp.) G
F C
Fl. 3
Cl.
stringendo molto
Vl. 1
Vl. 2
Va.
Vc.
a tempo ( 50)
3
3
5
stringendo 41
F
A D
F
Arpa sola
Fl. 3
3
Cl.
stringendo
Vl. 1 Vl. 2 Va. s.p. scraped
3
.
port
ord. rt.
Vc.
po 3
Poco pi첫 mosso (
108 /
72)
44
Arpa sola
(
E D
)
G
F
Fl.
Cl.
Poco pi첫 mosso (
108 /
72)
Vl. 1 pizz.
arco
Vl. 2 pizz.
Va. pizz.
Vc.
arco
pizz.
G
6
Ancora pi첫 mosso (
120 /
80)
49
E D
Arpa sola
C
E
G
Fl.
Cl.
Ancora pi첫 mosso (
120 /
80)
Vl. 1
Vl. 2 arco
Va. arco
Vc.
Poco meno (
72)
54
Arpa sola
(
108) energico
(bisb.)
F C
G
A
G
A
sub.
muta in Fl. in Sol
Fl. sub.
Cl.
Poco meno pizz.
arco
Vl. 1
Vl. 2 pizz.
arco
Va.
pizz.
Vc.
arco
(
72)
(
108)
D
7
(
59
molto espressivo e (poco) B
(accel.)
Arpa sola
F C
D
3
84) rubato ( 56)
(6+3+6) F C
E B
E
D
G
3
Fl.
Cl.
(
84)
molto espressivo e (poco) rubato (
56)
Vl. 1
Vl. 2
Va.
Vc.
(3+6+3) (6+3+6+3)
(6+3+3+6)
string.
a tempo
sost. espr.
64
Arpa sola
Fl.
Cl.
Vl. 1
Vl. 2
Va.
Vc.
sub. C
A
B
A G
G
intimo G A
F
E
A A
F C
8
(
=
)
Poco pi첫 vivo ( 60) poco rall. 70
Arpa sola C
a tempo
5:3
3
G
G C
F
E
E B
5:3
A
A
3
Fl. (in Sol) 3 3
3
Cl. 3
Poco pi첫 vivo ( 60) poco rall.
a tempo
Vl. 1 Vl. 2 (arco)
Va. pizz.
Vc. dolce
( 5:4
74
Arpa sola
3
120 /
160)
(ord.)
3
F B
D
=
D
E
A 3
Fl. (in Sol)
3
cant.
3
Cl. 3
Vl. 1 cant.
arco
pizz.
Vl. 2 pizz.
Va. arco
Vc.
G
A
9 =
(
80)
.
ped. gliss
78
Arpa sola
E
A
A G
F D
F
C
Fl. (in Sol)
Cl.
Vl. 1
Vl. 2
Va.
pizz.
arco
Vc.
=
(
120)
83
B
Arpa sola
A
E
A
C
B
A
Fl. (in Sol)
Cl.
pizz.
Vl. 1
Vl. 2
Va.
Vc.
E
10
(
120 /
sopra voce ord.
80)
88
Arpa sola
sempre
près
B
D
C
muta in Fl. gr.
Fl.
Cl.
arco
Vl. 1
Vl. 2
Va.
Vc.
91
Arpa sola
E
G
Fl.
Cl.
Vl. 1
arco
pizz.
Vl. 2
arco
Va.
Vc.
pizz.
11
Pi첫 mosso (Tempo I ) (
48)
3
3
3
6
6
6
94
F
Arpa sola
E D
muta in Picc.
Fl. muta in Cl. in Mi
Cl.
Pi첫 mosso (Tempo I ) (
48)
Vl. 1 arco
Vl. 2 arco
Va. pizz.
Vc.
3
3
97
3
3
6
Arpa sola
G A
6
C
6
B
6
E
7
6
D
C
5
Fl. Cl.
Vl. 1 pizz.
arco
Vl. 2
Va. arco
Vc.
7
E
7
E
5
5
E
7
5
F
12 3
101
3
6
Arpa sola
6
6 6
3
3
6
6
F
6
3
7
7
meno E
7
7
E
3 2
6 2
5
5
6
5
Fl.
Cl. (in Mi ) 3
Vl. 1 Vl. 2 Va. Vc.
3 3
105
Arpa sola
6
6
6
F
6
6 6
G
6 3
F
muta in Fl. in Sol
Picc. muta in Cl. in Si
Cl. (in Mi )
pizz.
Vl. 1
sul pont.
Vl. 2 sul pont.
Va.
Vc.
3
3
3
13
110
meno
D
Arpa sola
C
3
3
3
Fl. (in Sol)
3
intensivo
3
Cl.
3
(in Si ) intensivo
arco
Vl. 1 3
3
Vl. 2 3
3
pizz.
arco
3
3
3
Va. 3
Vc.
115
G
Arpa sola
B
3
3
E
A B
A
D
3
3 3
3
3
3
3
Fl. 3
sub.
3
Cl. 3
3
3
3
3
3
3
s.p.
Vl. 1 s.p.
Vl. 2 3
s.p.
Va. s.p.
Vc.
3
14 poco rubato
Poco pi첫 mosso 1)
8
120
Arpa sola
loco
D
D
F
E B
E
E
1
A
A
B
D
F
1 3 2
3
4 1 4 1) New, faster, tempo equivalent to the two initial tempi at the start (page 2, bar 11).
muta in Fl. in Sol
Fl. muta in Cl. bso. in Si
Cl.
Poco pi첫 mosso Vl. 1
Vl. 2
Va.
Vc.
126a
Presto [Cadenza]
=
(ca. 10")
4
B --
--
--
3
pedal gliss.
(13") 126b
E
C
126c
meno
G
D --
--
--
--
(frissonents)
F
meno
--
loco
8
A
(friss.)
2 1
15
(25")
(33") gliss. rep. ad lib.
126d
F
B
C
meno A
D
C
(friss.)
(friss.)
(39")
(friss.)
(Prestissimo)
126e
D
(friss.)
(50") 126f
dim.
C
D
rall. rep. ad lib.
126g
1)
dim.
F
(ca. 1’ - 1’ 10")
1) last time: N.B.: E , not E
16
Meno mosso
(
+ )
127 1)
l.v.
E
Arpa sola
3
E
3
D
C
E
D
E
1) pedal giss. gliss. Pedal (gliss.)
133
gliss.
Arpa sola
A
7
C
E
C
(133) gliss.
B
gliss.
A
Arpa sola
A
gliss.
A
A
B
C
B
3
3
(A )
134
Andantino (
100) près
5 3
Arpa sola
3
A
3
F
G
5
A
flz.
(sempre flz.)
Fl. in Sol gliss.
Cl. bso.
Andantino (
112)
s.p.
Vl. 1 sub. s.p.
Vl. 2 s.p.
Va. pizz.
Vc.
gliss.
gliss.
gliss.
17
Tp I , ma un poco rubato
72 molto più
139
7
Arpa sola
7
7
A
5
7
A
5
7
A
7
A
7
5
7
A
5
A C
A
5
7
B
7
5
F D
7
7
G
5
5
muta in Fl. gr.
Fl. in Sol ¼ vibr. ord.
flz.
muta in Cl. in Si
Cl. bso. dim.
Tp I , ma un poco rubato
72
Vl. 1
Vl. 2
Va. (Bartòk pizz.)
Vc.
Meno (
108 /
sost.
72)
144
Arpa sola
7
7
C
D
C
A
G
F 2
E
2 7
7
Fl. Cl.
( Vl. 1 Vl. 2 Va. Vc.
108 /
72)
sost.
18
(
a tempo
)
149
gliss. F C
A
Arpa sola E
G
cresc. molto A
B C
G
F
B
Fl.
Cl.
a tempo (sub.)
(
)
Vl. 1
Vl. 2
Va.
Vc.
gliss.
gliss.
155
Arpa sola
Fl.
Cl.
Vl. 1
Vl. 2
Va.
Vc.
F B
E A
pi첫 E --
gliss.
F --
F
--
--
F C
D
19 (3+2+2)
(3+3+2)
161
Arpa sola
D
A
A
F
G C
C
C
F
C
A
G
A
F
C
Fl.
Cl.
Vl. 1
Vl. 2
Va.
Vc.
(3+3+2)
167
Arpa sola
Fl.
Cl.
Vl. 1
Vl. 2
Va.
Vc.
E
E
pi첫
F
B
B
C
B
A B
C
B
=
(3+3+3+3)
20 8
72)
l’istesso tempo
loco
3
173
3:5
3:5
3
B
B
Arpa sola
(
F
Fl. Cl.
l’istesso tempo ord.
Vl. 1 3
ord.
Vl. 2 ord.
Va.
arco
arco
pizz.
pizz.
pizz.
Vc. arco
3:5
178
3:5
Arpa sola
3:5
C
3:5
sub. A
A
Fl. 3:5
Cl.
pizz.
Vl. 1 pizz.
arco
Vl. 2
pizz.
arco
pizz.
Va. arco
pizz.
Vc. più
arco
21 3:5
3:5
8
loco
184
Arpa sola
3:5
3:5
B A
A
A
8
3
3
loco 3
Fl. 3
3
3
3
3
3
3
Cl. 3
3 3
arco
(pizz.)
3
3
Vl. 1 sub.
pizz.
Vl. 2 arco
Va. arco
pizz.
arco
pizz.
pizz.
Vc.
(4+3)+(3+4)
(
72)
3
188
3
Arpa sola
3
3
B
3
3
8
loco
Fl. 6:7
6:7
poss. dolce
6:7
6:7
Cl. 6:7
poss. dolce 6:7
(
72)
6:7
6:7
(4+3)+(3+4)
pizz.
arco
Vl. 1 dolce arco
Vl. 2 poco pizz.
Va. pizz. 0
Vc.
arco
22
=
191
3
3
3
Arpa sola
3
6:7
6:7
C
E
A
A
B
6:7
6:7
6:7
6:7
6:7
6:7
6:7 6:7
F
9:7
Fl. 6:7
6:7
6:7
6:7 6:7
6:7
Cl. 6:7
6:7
6:7
6:7
6:7
6:7
pizz. arco
pizz.
arco
Vl. 1
Vl. 2 arco
pizz.
arco
arco
pizz.
Va. pizz.
arco
Vc.
Doppio movimento (poco meno) ( 112 - 120) 194
3
Arpa sola
A
B
B G
E
Fl. 3
3 3
3
3
Cl.
Doppio movimento (poco meno) ( 112 - 120) Vl. 1 ma cant. dolce
3
3
Vl. 2
Va. cant. pizz.
arco
pizz.
3
3
arco
Vc. 3
3
3
3
3
3
rall.
23
Ancora meno ( 72)
198
3
G
3
B A
Arpa sola
3
A
3
3
3
A C
G
3
3 3
3
3
3 3
3
Fl.
Cl.
rall.
Ancora meno ( 72)
Vl. 1 3
Vl. 2
Va. 3
3
3
Vc.
allarg.
a tempo, grazioso 3
201
3
3
F
G
Arpa sola
E
sub.
C F
C
3
3
l.v. sempre G
E
G
3
3
Fl.
Cl.
allarg.
a tempo, grazioso
Vl. 1
Vl. 2
Va. 3
ord.
s.p.
Vc. B ---
3
--
24 3
204
3
3
3
D
Arpa sola
C
F D
E
F
E
A
3
3
3
Fl. 3
3
Cl. 3
Vl. 1 3
Vl. 2 3
3
3
Va. 3 3
s.p.
Vc.
ord.
près de la table
208
Arpa sola
C
A
B
3
3
3
B
3
3
3
Fl. 3
3
3 3
3
3
3
Cl. 3
3
3
3
Vl. 1
Vl. 2 (ord.)
Va. 3
Vc.
3
(
) trem.
3
3
25
212
3 3
Arpa sola
G
3
3
3
3
3
pi첫
3
3
3
3
B
E
3
C
A D
3
C
E
G D
3 3
Fl.
Cl.
Vl. 1
Vl. 2
Va. 3
3
Vc.
Arpa sola
loco
8
216
3
3
3
3
F 3
3
3
Fl.
Cl.
8
Vl. 1
Vl. 2
Va. 3
Vc.
3
A C
sub.
B
3
3
3
C
F
C 3
F
A D
26
220
3
pi첫
3
G
Arpa sola
D
3
3
3
E D
C
3
3
D
A
F
3
3
B
3
Fl.
Cl.
Vl. 1
Vl. 2
Va.
Vc.
allargando 225
3
3
3
Arpa sola
C
E
E B
C 3
D 3
G 3
3
B
E
3
3
C gliss.
E 3
3
gliss.
Fl.
Cl.
allargando Vl. 1
Vl. 2
Va.
Vc.
C
D
A
27
pensivo 231
sub. A
Arpa sola
gl
3
iss
a tempo
.
molto rubato, largamente gliss.
3
gliss.
3 3
---
B
F
3
is gl
3
3
3
E
pi첫
G
3
G
F
3
s.
D
3
3
gliss.
C C
Fl.
Cl.
pensivo
a tempo
molto rubato, largamente
Vl. 1 Vl. 2 Va. Vc.
a tempo, ma molto espressivo
sempre pi첫 affetuoso (rubato sost.) 3
236
gliss.
3
3
3
Arpa sola
3
G
3
3
muta in Fl. in Sol
3
Fl. 3
3
3
Cl.
a tempo, ma molto espressivo Vl. 1
Vl. 2
Va. 3
Vc. 3
G
E
F D
28 3
241
3
3
3
3
D
Arpa sola
G
3
3
3
E
F
Fl. in Sol
Cl.
Vl. 1
Vl. 2
Va.
Vc.
=
+ +
(Pi첫 mosso) (
72 /
108)
3
247
3
Arpa sola
pi첫
G C
C
G
G
3
Fl. in Sol
Cl. =
+ + Vl. 1
Vl. 2
Va.
Vc.
E
F
G E
3
(Pi첫 mosso) (
72 /
108)
29
/ 252
Arpa sola
(a tempo) ( 72)
G
F
gliss. près de la table 4:3
Fl. in Sol 4:3
3 3
Cl. 3
/
(a tempo) ( 72)
Vl. 1
Vl. 2 Va.
Vc. 3
255
Arpa sola
4:3
4:3
4:3
4:3
4:3
Fl. in Sol 4:3
3
3
3
3
3
3
3
Cl. 3
3
Vl. 1 sub.
Vl. 2 sub.
Va. arco 0
0
3
Vc.
pizz.
pizz.
3
3
3 3
3
3
arco
pizz.
3
arco
30
258
Arpa sola
4
4
4
4
4
4
Fl. in Sol 3
3
3
Cl. 3
3
3
3
3
3
Vl. 1
Vl. 2
Va. 3
Vc. 3
3
3
3
3
3
3
261
Arpa sola
4 4
4
Fl. in Sol 4
3
3
4
4 3
3
3
Cl. 3
3
3
3
Vl. 1
Vl. 2 4
Va.
0
3
3
Vc. 3
3
3
3
3
3
3
31
264
Arpa sola
4
4
4
4
4
4
Fl. in Sol sub. 3
3
3
3
3
3
Cl. 3
3
3
gli
ss.
Vl. 1
gl
Vl. 2
iss
.
Va. 4
4
4
4 3
0
Vc. 3
3
3
3
3
sub.
3
3
3
trem., poco irregolare 267
ma marc.
Arpa sola
tutti cresc. 4
4
4
4
4
4
Fl. in Sol cresc.
sub. 3
3
3
3
3
3
3
Cl. 3
3
sub.
cresc.
Vl. 1 sub.
cresc.
sub.
cresc.
Vl. 2
Va. 4
4
4
sub.
4
4
4
cresc.
0
Vc. 3
3
3
3
3
sub.
sub.
3
3
3
3
cresc.
32 (trem.)
(lento arpegg.)
quasi niente (bisbigliando)
cresc. . sim
gl
G
is
s.
ss.
gl
gli
gl )
iss
iss gl
D
dim. F
.
C
C
iss
Arpa sola
.
.
270
( 8
(cresc. sempre) 4
4
4
4
4
4
Fl. in Sol 3
Cl. 3
3
3
3
3
3
3
3
Vl. 1
0
0
Vl. 2
Va. 4
4
4
4
4
4
Vc. 3
3
3
3
3
3
3
3
3
loco 273
cresc.
Arpa sola
nt.
C
. co
ss gli
(cresc. sempre) 4
4
4
Fl. in Sol 4
dim.
4
4
3
3
Cl. 3
3
3
3
3
3
dim.
Vl. 1 dim.
Vl. 2 dim. 4
4
Va. 4
4
4
dim.
4
Vc. 3
3
3
3
3
3
3
dim.
3
33
276
5
sempre
F C
6 3
E B
E
6
6
A
G
5
F
5
gli
3
Arpa sola
ss.
3
5
3
Fl. in Sol 3
Cl. 3
3
3
Vl. 1 dim.
Vl. 2 dim.
Va.
Vc. 3
3
3
3
278
Arpa sola
5
5
5
5
6
5
5
3
A
E
5
3
3
E
3
4:3
4:3
4:3
Fl. in Sol 4:3
3
3
3
3
3
Cl. 3
Vl. 1
Vl. 2 Va. arco 0
Vc.
0
3
pizz.
3
3
3
34
280
5
gl
iss
. gl
iss
.
E
Arpa sola
B
B
5
5
5 4:3 4:3
4:3
Fl. in Sol 4:3
3
3
3
3
Cl. 3
3
Vl. 1 gliss.
Vl. 2
Va. pizz.
3
pizz.
arco
3
3
Vc.
arco
3
3
282
6
Arpa sola
C
C
C
5 5
5
4
4
4
D
5
4
Fl. in Sol 3
Cl. 3
3
3
3
3
3
3
3
Vl. 1
Vl. 2
Va. 3
Vc. 3
3
35
284
C
Arpa sola
) (
gliss.
4
4
4
4
Fl. in Sol
3
3
3
3
3
Cl. 3
Vl. 1
Vl. 2
Va.
0
Vc. 3 3
3
3
3
3
gliss. gliss.
286
Arpa sola
D (sim. etc.)
A
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
4
Fl. in Sol 4
4
4 3
3
Cl. 3
3
3
3
Vl. 1
Vl. 2 4
Va. 3
3
Vc. 3
3
3
3
36 8
288
Arpa sola
E
F
4
4
4
4
Fl. in Sol sub. 3
3
3
Cl. 3
3
3
glis
s.
Vl. 1
gl
Vl. 2
Va. 4 4 3
0
Vc. 3
3
3
3
3
sub.
8
290
Arpa sola
cresc.
bisbigliando
4
D
4
4
4
Fl. in Sol
3
3
3
3
3
3
Cl.
Vl. 1
Vl. 2
Va. 4
4
4
4
Vc. 3
3
3
3
3
3
iss
.
37 trem., poco irregolare 8
ad lib. volte (irreg.)
292 (
gliss.
) cresc.
(poss.)
gliss.
Arpa sola )
(
tutti cresc. 4
4
4
4
Fl. in Sol cresc.
sub. 3
3
3
3
Cl. 3
sub.
3
cresc.
Vl. 1 sub.
cresc.
sub.
cresc.
Vl. 2
Va. 4
4
sub.
4
4
cresc.
0
Vc. 3 3
3
sub.
sub.
3
3
3
294
Arpa sola
B
A C
E
is gl
s.
G
6
6
gliss.
) ( 3
(cresc. sempre) 4
4
4
4
Fl. in Sol 3
3
Cl. 3
3
3
3
Vl. 1
0
Vl. 2
Va. 4
4
4
4
Vc. 3
3
3
3
3
3
38
s.
ss.
gl
gli
is
296
6
G
Arpa sola
G
6
E
iss
.
6
gl
glis
6
gl
is
s.
s.
(cresc. sempre) 4
4
4
4
Fl. in Sol
Cl. 3
3
3
3
3
3
Vl. 1 0
Vl. 2
Va. 4
4
4
4
Vc. 3
3
3
3
glis
298
3
s.
3
8
loco
gliss.
Arpa sola
7 7
glis
s.
E
gliss.
(cresc. sempre) 4
Fl. in Sol 4
dim.
4
4
3
3
Cl. 3
3
3
dim.
Vl. 1 dim. gliss.
Vl. 2
dim. 4
4
glis
Va. 4
dim.
4
Vc. 3
3
3
3
dim.
3
s.
39
300
Arpa sola
pi첫
A
Fl. in Sol 4
4
4
dim.
4
3
Cl. 3
3
3
3
3
dim.
Vl. 1 dim.
Vl. 2 dim. 4
Va. 4
4
4
dim.
Vc. 3
3
3
3
3
3
=
Pi첫 lento (
56)
302
Arpa sola
3
A
A C
D 3
3
3
3
A
3
G
E
3
3
Fl. in Sol grazioso
Cl. =
Pi첫 lento (
56)
Vl. 1 Vl. 2 Va. cant.
Vc.
D
3
40
(
306
60 sempre)
3
Arpa sola
3
G
3
3
F
E
D
F
3
3
3
3
Fl. in Sol
Cl. 3 3
senza vibr. ma micro-gliss. lento:
Vl. 1
4:9 senza vibr. ma micro-gliss. lento:
Vl. 2
4:9
Va.
Vc.
8
310
loco 3
D
Arpa sola
G
E
A 3
3
A 3
G
F 3
3
3
3
3
Fl. in Sol Cl. 3
1) 1/4 ↑ al unis. al 1/4 ↓ al unis.
micro-gliss. (sim.)
Vl. 1 1) senza vibr., stabile
Vl. 2 con vibr.
Va. pizz.
Vc.
1) the resulting "beat-tones" may be "amplified" by adding a vibrato which is synchronous with the actual speed of the beats. Highlight this feature ad lib. once or twice in this section.
41
314
3
Arpa sola
C
3
3
D
3
B
B
3
3
C
D
3
Fl.
gliss.
Cl.
Vl. 1
Vl. 2
Va. pizz.
arco
Vc.
3
318
3
C
Arpa sola
3
A
3
3
3
A
B
A
G
3 3
gliss.
flz.
Fl. in Sol
3
3
Cl. 3
vibr. (ord.)
3
3
Vl. 1 pizz.
Vl. 2
Va. (pizz.)
Vc.
arco
42
322 3
Arpa sola
3
B
D
3
3
A
3
Fl. in Sol Cl.
Vl. 1 cresc. 0
Vl. 2 pizz. cresc.
Va. 0
arco
(pizz.)
pizz.
arco
Vc. cresc.
326
loco
3
A B
Arpa sola
3
3
3
3
3
Fl. in Sol
3
Cl. 3 3
sub.
s. arco
pizz.
Vl. 1 3
3
Vl. 2 ord.
s.p.
arco
Va. pizz.
Vc. sub.
G
3
3
glis
A
A
43
330
gliss.
gliss.
Arpa sola
C
3
C
C
C
C
( ) Fl. 3
Cl. dim. a niente
( )
micro-gliss (with beats)
s.v. con "beats"
3
s.v. con "beats"
3
Vl. 1 (stable tone)
Vl. 2 s.p.
Va. pizz.
3
arco
Vc. 3
3
333
gliss.
gliss.
Arpa sola
C
3
Fl. dim.
Cl. dim.
Vl. 1 Vl. 2
Va. pizz. 3
Vc.
gliss. A
3
arco
3
44
337
ord.
gliss.
gliss.
Arpa sola
F D
(près)
ord.
C
C
gliss.
Fl. 3
Cl. 3
Vl. 1
Vl. 2 ord. 3
Va.
Vc.
340
Arpa sola
(ord.)
C
D
E
G
(2" - 3")
(fingering gliss. altern.)
(start with Vc.)
)
( quasi cadenza irreg.
(bisbigliando)
3
Fl. quasi cadenza irreg. 3
Cl. tutti l’archi dim. a niente start with Vl. 2 harm. gliss.
Vl. 1 start with Vl. 1 harm. gliss.
Vl. 2
Va. 8
Vc.
KP01431 ISBN 978-87-598-7159-1