IANNOTTA
Limun for Violin, Viola and Two Page Turners
Performing Score

Limun for Violin, Viola and Two Page Turners
Performing Score
POD
= écrasé = = = = = =
AST = alto sul tasto
T = al tasto
PO = posizione ordinaria
SP = sul ponticello
MSP = molto sul ponticello
MV = molto vibrato
NV = non vibrato
c.l.t = col legno tratto
Dur : 9'30''
Clara Iannotta
Clara Iannotta (b. 1983 in Rome) is particularly interested in music as an existential, physical experience. She studied at the Milan and Paris Conservatories, IRCAM and Harvard University. Her music has been commissioned and performed by renowned ensembles and orchestras, including Quatuor Diotima, Ensemble Intercontemporain, Klangforum Wien, Neue Vocalsolisten Stuttgart, Münchener Kammerorchester and WDR Symphony Orchestra. She was a fellow of the Berliner Künstlerprogramm (2013) and Villa Medici (2018–19) and the recipient of several awards including the 2018 Ernst von Siemens Composers’ Prize and the 2018 Hindemith Prize. Her portrait albums A Failed Entertainment and Earthing were selected by the German Record Critics’ Awards for their Quarterly Critics’ Choices. In 2014–2021 Iannotta was artistic director of the Bludenzer Tage zeitgemäßer Musik, becoming joint artistic director of Klangspuren Schwaz in 2022.
Clara Iannotta (*1983 in Rom) setzt sich mit Musik als existenzieller, körperlicher Erfahrung auseinander. Sie studierte an den Konservatorien in Mailand und Paris, am IRCAM und an der Harvard University. Ihre Werke wurden von namhaften Ensembles und Orchestern in Auftrag gegeben und gespielt, darunter das Quatuor Diotima, das Ensemble Intercontemporain, Klangforum Wien, die Neuen Vocalsolisten Stuttgart, das Münchener Kammerorchester und das WDR Sinfonieorchester. Sie war Stipendiatin des Berliner Künstlerprogramms (2013) und der Villa Medici (2018/19) und erhielt u.a. den Förderpreis der Ernst von Siemens Musikstiftung 2018 und den Hindemith-Preis 2018. Ihre Porträtalben A Failed Entertainment und Earthing standen auf der Bestenliste der deutschen Schallplattenkritik. 2014–2021 leitete sie die Bludenzer Tage zeitgemäßer Musik, ab 2022 als Teil einer künstlerischen Doppelspitze das Festival Klangspuren Schwaz.