Ruders KAFKAPRICCIO

170909

EDITION WILHELM HANSEN WH30863

Poul Ruders

KAFKAPRICCIO for large ensemble Five Paraphrases on the opera KAFKA’S TRIAL

Full Score

Written for and dedicated to Athelas Sinfonietta Copenhagen With support from the Danish Arts Foundation

Poul Ruders

KAFKAPRICCIO 2007-2008

Five Paraphrases on the opera KAFKA’S TRIAL

for large ensemble (sinfonietta)

Full Score

Duration: c. 19 min.

Ensemble 1 Flute dbl. Alto Flute in G and Piccolo 1 Oboe dbl. English Horn in F 1 Clarinet in B db. Bass Clarinet in B 1 Bassoon 1 Horn in F 1 Trumpet in B 1 Trombone 1 Percussion (one player): Tambourine (Tbrin.), Police Whistle (Pol. Whist.), Bass Drum (B. Dr.) Castanets (machine) (Cast.), Tubular Bells (Tub. B.), Tamtam (Tamt.), Glockenspiel (Glsp.), Triangle (Trgl.), Guiro (Gui.), Mark Tree (Mark T.), Xylophone (Xyl.), Spoons (if classic "thigh-beating" is not possible, then play two soup spoons on an anvil or piece of rail), Crotales (Crot.), Snare Drum (Sn. Dr.), Hi-hat, Kick Drum (Kick Dr.), Siren (hand-cranked, mounted), Ratchet, Lion’s Roar 1 Piano 1 Violin I 1 Violin II 1 Viola 1 Violoncello 1 Double Bass (with extension) (or multiple strings: 4-4-4-2-2)

All transposing instruments are notated in their relevant transpositions.

All accidentals apply to each single note only, except for tied notes.

Naturals are for "safety".

For further information about the composer, visit the website of Edition Wilhelm Hansen:

www.ewh.dk where you will find: list of works programme notes recording information relevant electronic updates performance calendar links news and much more ...

Poul Ruders KAFKAPRICCIO Five Paraphrases on the opera KAFKA’S TRIAL for large ensemble

2007-2008

Preface / Programme Note KAFKAPRICCIO, which was commissioned by ATHELAS SINFONIETTA COPENHAGEN, is a distillation for fourteen instruments from the massive forces of my opera KAFKA´S TRIAL, premiered

by The Royal Danish Opera at the newly inaugurated Opera House on the Copenhagen waterfront in February 2005.

The five movements paraphrase the tunes, harmony, rhythm and see-sawing mood swings of the original music, and needless to say, when you whittle the complex activity of 90-odd musicians plus 11 soloists and chorus down to only a handful of solo players, the end result comes out significantly different and far more transparent than the broadly speckled canvas of the operatic score.

In the libretto by British Paul Bentley, two plots run parallel throughout the opera: Franz Kafka´s private struggle – in particular with one woman, Felice Baur, whom he cannot make up his mind to marry (or not marry), and the fictitious story of the hapless Josef K, the victimized (and rather obnoxious) protagonist of Kafka´s famous, unfinished novel The Trial.

It was obvious to me, when deciding what to do with a miniaturized version of the opera, that I had to focus on the actual personae dramatis in this “double story”. Franz Kafka was hugely interested in klezmer, the folkloristic music of the Jewish communities in Eastern Europe around the beginning of the 20th century. So, the first movement, KAFKA, is a breathtakingly fast, klezmer-inspired opening, depicting the tortured soul of that most mythologized of authors.

In the second movement, FELICE, I dim the light, so to speak, composing a tranquil music mirroring the thoughts and sorrows of a woman being held hostage, emotionally, by a man who cannot make up his mind.

In the third movement, LENI, we are all of a sudden thrown head first into the middle of the the novel proper. The main character, Josef K, has been arrested and accused of a crime that he, and nobody else, seems to know what is. Accompanied by his Uncle Albert, Josef seeks out a dodgy (and mortally ill) lawyer, Dr. Huld, for legal assistance. Dr. Huld employs an uncommonly horny and sluttish female factotum, Leni, who succeeds in seducing Josef. The music should leave nobody in doubt as to the success of her endeavour…

Josef K. works as a clerk in a bank. After being arrested, he is allowed to go to work and carry on as usual, but the dreary daily routine at the bank has changed. The term surreal does not even begin to describe it. In a broom closet Josef finds the two warders who arrested him, they are being flogged by a mysterious official, the flogger, because they helped themselves to Josef´s breakfast during the arrest. The fourth movement, JOSEF, juggles the music from these relevant scenes in the opera.

Those who have read The Trial will remember that in the last chapter, Josef K. is being executed in a stone quarry by two sinister characters wearing bowler hats. Even at this stage of the story, Josef does not know why all this happens, but nevertheless he is finally convinced that he actually deserves to die. Which he does – depicted in the music of the fifth and last movement. THE EXECUTION. Poul Ruders

Poul Ruders KAFKAPRICCIO Fem parafraser over operaen PROCES KAFKA for kammerorkester 2007-2008

Forord / Programnote KAFKAPRICCIO blev bestilt af ensemble ATHELAS SINFONIETTA COPENHAGEN. Værket er en destillation for 14 instrumenter af det store orkesterpartitur som udgør min opera PROCES KAFKA, der blev uropført i februar 2005 på Operaen, Holmen, indviet kort forinden.

De i alt fem satser parafraserer melodier, harmonier, rytmer og – ikke mindst – rutschebane-humørudsvingene i den oprindelige opera-musik. Det er indlysende at når man komprimerer et 90 mand stort orkester samt 11 solister og et 4-stemmigt kor ned til et par håndfulde instrumentalister – så bliver resultatet helt anderledes – en meget mere gennemsigtig musik end i den brogede, vrimlende og højrøstede opera.

Librettoen til operaen blev forfattet af engelske Paul Bentley, som lader to spor løbe side om side igennem operaen: det ene forløb skildrer forfatteren Franz Kafkas private kvababbelser, især hans affære med kvinden Felice Baur, som han ikke kan tage sig sammen til at gifte sig med – eller helt beslutte sig til ikke at gifte sig med. Det andet spor i operaen er den fiktive historie om den ulyksalige Josef K, den hårdt prøvede (og temmelig usympatiske) helt i Kafkas ufuldendte roman Processen.

Det stod mig hurtigt klart da jeg skulle komponere KAFKAPRICCIO at mit fokus måtte blive personae dramatis, personerne i denne dobbelte historie fra operaen. Forfatteren Franz Kafka var vældig interesseret i klezmer-musik, en folkemusik som oplevede en opblomstring i de de jødiske miljøer i Østeuropa i begyndelsen af 1900-tallet. Med denne inspiration in mente blev førstesatsen, med titlen FRANZ, til en halsbrækkende hurtig og furiøs klezmer-inspireret indledning, som skildrer den herostratisk berømte forfatters martrede sjæl.

I andensatsen dæmpes lyset og vi møder FELICE i en rolig musik som spejler kvindens tanker og sorger. Hun er et følelsesmæssigt gidsel hos en mand, som ikke kan beslutte sig for om han vil hende for alvor.

Tredjesats, LENI, kaster os hovedkuls midt ind i romanhandlingen. Hovedpersonen, Josef K, er blevet arresteret og anklaget for en forbrydelse, som hverken han eller vi forstår karakteren af. Ledsaget af sin onkel Albert søger Josef K. juridisk assistance hos sagføreren Dr. Huld, som er uhelbredeligt syg og temmelig lurvet. Hos Dr. Huld arbejder en i særklasse liderlig og tarvelig tjenestepige, Leni, som forfører Josef. Musikken beskriver hendes bestræbelser og man lades som lytter forhåbentlig ikke i tvivl om hendes succes...

Vor “helt” Josef K. er ansat i en bank, og selv efter sin arrestation er det ham tilladt at gå på arbejde – men den daglige rutine i banken er uigenkendelig. Surrealistisk er et mildt ord for hvad der nu går for sig. I et skab opdager Josef fx de to Vogtere få pisk af en mystisk embedsmand, Prygleren, fordi de to så deres snit til at stjæle Josefs morgenmad ved arrestationen. Denne fjerde sats hedder JOSEF og den jonglerer musik fra de pågældende scener i operaen.

Læsere af Processen vil vide at Josef K. i romanens sidste scene føres ud af byen til et stenbrud, hvor han bliver henrettet af to dystre herrer iført bowlerhatte. Selv på dette fremskredne stade af processen har Josef ingen anelse om hvad der foregår og hvorfor han retsforfølges, men forløbet har ikke desto mindre overbevist ham om at han fortjener at dø. Hans dødsscene beskrives i musikken til denne femte og sidste sats: HENRETTELSEN.

Poul Ruders, november 2008

Poul Ruders KAFKAPRICCIO

1.

FRANZ page 1

2.

FELICE page 24

3.

LENI page 29

4.

JOSEF page 38

5.

THE EXECUTION page 44

1

KAFKAPRICCIO 5 Paraphrases on the opera 'Kafka’s Trial'

I. Franz Poul Ruders, 2007-8 Presto

= 160

Flauto 3

3

3

muta in Oboe

Corno inglese 5

3

3

Clarinetto in Si

2

Fagotto 3

Corno in F

5 straight mute

3

Tromba in Si

2

3

straight mute

Trombone 3

(slap) Tambourine

Percussione

Pianoforte

senza ped.

Presto

= 160

1 3

Violino 3

2

Viola 3

Violoncello

Contrabbasso

8

Copyright Š 2008 by Edition Wilhelm Hansen AS, Copenhagen

3

3

2

9 Fl.

Ob.

Cl. in Si

Fg.

Cor. in F (straight mute)

Tr. in Si (straight mute)

Trbn.

Police Whistle

Perc.

Bass Drum

Pno.

1 Vl. 2 Va. sul pont.

Vc. sul pont.

Cb.

8

1 17 Fl.

Ob. Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Castanets

Perc.

Pno.

1 1 Vl. 2 Va. ord.

Vc. Cb.

8

3

24 Fl. Ob. Cl. in Si

Fg. Cor. in F

Tr. in Si

Trbn.

Cast.

Perc.

Pno.

pizz. arco

0 0

1 pizz.

Vl.

arco

2 pizz.

Va. pizz.

Vc. Cb.

8

2 33 Fl. Ob. Cl. in Si

Fg. Cor. in F

Tr. in Si senza sord.

Trbn.

Tubular Bells

Perc. leggiero

Pno.

2 1 Vl.

(arco), sul pont.

2 arco, sul pont.

Va. arco, sul pont.

Vc. ord.

Cb.

8

4

42 Fl.

Ob. Cl. in Si

Fg. Cor. in F

Tr. in Si

Trbn.

Cast.

Perc.

Pno.

senza ped.

0

1 Vl.

ord.

2 Va. ord.

pizz.

Vc. pizz.

Cb.

8

3

Mezzo tempo

48

= 80

Fl. Ob. 3

Cl. in Si

Fg. Cor. in F cup mute

Tr. in Si

Trbn.

Cast.

Tam-Tam

15

Perc.

Pno.

3

3

3

Mezzo tempo 0

= 80

con sord.

1)

(1. solo)

1 3

Vl. 2 sub.

ord.

3

3

Va. arco

3

Vc. arco

Cb.

8

1) If multiple strings

5

53

Tempo I ( = 160)

rit.

Fl. Ob.

Cl. in Si

Fg.

Cor. in F

Tr. in Si straight mute

Trbn.

Glockenspiel

15

Triangle

Perc.

Pno.

rit.

Tempo I ( = 160)

(tutti) senza sord.

1 Vl. 2

Va.

Vc.

Cb.

8

4

60 Fl.

Ob.

Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Trgl.

Perc.

cresc.

Pno.

gliss.

4 1 Vl. 2

Va.

Vc. marc.

Cb.

8

6

66 Fl.

Ob. Cl. in Si

Fg.

Cor. in F senza sord.

Tr. in Si senza sord.

Trbn.

Perc.

Pno.

0

0

1 Vl.

0

0

2

Va.

Vc.

Cb.

8

5

72 Fl. Ob.

Cl. in Si

Fg. Cor. in F

Tr. in Si solo

Trbn.

Guiro

Perc.

Pno.

5 1 Vl. 2 sul pont.

Va. Vc. Cb.

8

7

78 Fl. muta in Corno inglese

Ob.

Cl. in Si

Fg. 3

3

3

3

Cor. in F

Tr. in Si

Trbn.

3

Perc.

Pno.

sul pont.

1 Vl.

sul pont.

2

Va. sul pont.

Vc. Cb.

8

84

6

Fl. 3 3

Cor. ing. cresc.

5

Cl. in Si

Fg. 3 3

Cor. in F 3

Tr. in Si

Trbn.

3

Perc.

Pno.

6 1 Vl. 2

Va. Vc. 3

Cb.

8

3

8 7 Mezzo tempo

91

= 80

Fl. Cor. ing.

Cl. in Si

Fg. 4

Cor. in F

Tr. in Si

3

harmon mute

solo

Trbn. ''sobbing'' (wa-wa)

Perc.

Pno.

7 Mezzo tempo (sul pont.)

ord.

(sul pont.)

sub. ord.

(sul pont.)

sub. ord.

(sul pont.)

sub.

= 80

1 Vl. 2 Va. ord.

Vc. Cb.

8

8

99

Tempo I

= 160 muta in Flauto piccolo

Fl. 3

cresc. muta in Ob.

Cor. ing.

3

cresc.

Cl. in Si

Fg.

4

Cor. in F

5

Tr. in Si

3

cresc. senza sord., colla parte

Trbn.

Mark Tree

Xylophone Tamt.

8

Perc.

Pno.

8

Tempo I

= 160

1 3

Vl. 2 3

Va. 3

Vc.

Cb.

8

9 107 8

Fl. picc.

Ob.

Cl. in Si

Fg.

3

Cor. in F 3

Tr. in Si

Trbn.

3

8

Xyl.

Perc.

3

3

Pno.

1 Vl. 2 Va. Vc.

Cb.

8

9 113 8

Fl. picc.

Ob. Cl. in Si

Fg.

Cor. in F

Tr. in Si

3

Trbn. thumb Tamb.

Perc.

Pno.

9 1 Vl. 2 Va. Vc. Cb.

8

10 10

118

muta in Fl. grande

8

Fl. picc.

3

3

3

3

Ob. 3

Cl. in Si

Fg. 3

con sord.

Cor. in F

3

3

3

Tr. in Si

cresc. harmon mute

Trbn.

3 3

slap Tamb.

Perc.

Pno.

10 3

1 Vl.

3

3

3

3

3

3

3

3

3

gliss.

3

2

3

Va.

3

3

Vc.

3 3

pizz.

Cb.

8

127 Fl. Ob. Cl. in Si

Fg. senza sord.

Cor. in F

Tr. in Si straight mute

Trbn.

Tamb.

Perc.

Pno.

max.

sim.

1 max.

Vl. 2 Va. Vc. arco

Cb.

8

sim.

11

135

11

Fl. muta in Cor. ing.

Ob. Cl. in Si

Fg. Cor. in F

Tr. in Si 3

3

Trbn. cresc.

8

Perc.

Pno.

11 (arco)

1 Vl. (arco)

2 pizz.

Va. pizz.

Vc. Cb.

8

12 143

G.P.

Fl. Cor. ing.

5

Cl. in Si

Fg.

G.P. Cor. in F

Tr. in Si

Trbn. sub.

8

Xyl.

gli

Perc.

ss.

G.P. G.P.

Pno.

senza ped.

12 G.P. 1 Vl. 0

2 arco

Va. arco

Vc.

Cb.

8

0

12 150

13

Fl. Cor. ing.

Cl. in Si

Fg. Cor. in F

Tr. in Si

Trbn.

Tamt.

Perc.

Pno.

13 1 Vl. 2 Va. Vc.

Cb.

8

14 157 Fl. Cor. ing.

Cl. in Si

Fg. con sord.

Cor. in F cup mute

Tr. in Si senza sord.

Trbn.

Perc.

Pno.

14 1)

solo

1 3

Vl.

3

2 pizz.

Va. pizz.

Vc. Cb.

8

1) If multiple strings

13

165 Fl.

3

3

3

Cor. ing.

3

3

3

3

3

3

3

3

3

3

muta in Clar. basso in Si

3

Cl. in Si

Fg. 3

senza sord.

Cor. in F

3 3

Tr. in Si

3

3

3

3

Trbn.

Perc.

Pno.

(tutti) 0

1 Vl. 2 3

3

3

3 3

3

3

arco

Va. 3

Vc. 3

Cb.

8

172

15

Fl. Cor. ing.

Cl. bso. in Si

9

Fg. 3

Cor. in F

Tr. in Si

straight mute

Trbn.

8

Xyl.

Perc.

Pno.

15

sul pont.

1 Vl.

sul pont.

2 sul pont.

Va. 3

sul pont. arco

Vc. sul pont.

Cb.

8

14 16

178 Fl. Cor. ing.

Cl. bso. in Si

Fg. Cor. in F straight mute

Tr. in Si straight mute

Trbn.

8

Perc.

Pno.

16

(sul pont.)

1 Vl.

(sul pont.)

2 (sul pont.)

Va. (sul pont.)

Vc. (sul pont.)

Cb.

8

184 Fl.

3

3

3

3

3

3

3 3

3

3 3

3

muta in Ob.

3

Cor. ing.

3 3

3

Cl. bso.

3 3

3

3

3

muta in Cl. in Si

in Si

Fg. 3

3

3

3

3

3

Cor. in F 3

3

3

Tr. in Si

3

3

3

3

3

3

Trbn.

8

Xyl.

3

Perc.

3

3

3

3

3

8

r.h.

Pno.

8

l.h.

ord.

1

3

3

Vl.

3

3

3

3

3 3

3

3

2 3

Va. 3

3

3

3

pizz.

Vc. 3

3

pizz.

Cb.

8

3

3

3

15

191

17

Fl. Ob. Cl. in Si

Fg. Cor. in F senza sord.

Tr. in Si

3

Trbn.

Perc. loco

Pno.

17 sul G

1 3

Vl. ord.

2 ord.

sul G

Va. ord.

3

(pizz.)

Vc. Cb.

8

18

198 Fl. 3

Ob. 3

solo

Cl. in Si

Fg.

Cor. in F 3

3

Tr. in Si

Trbn.

Spoons

Perc.

Pno.

18 3

3

1 Vl.

sul G

3

2 3

Va. 3

3

Vc. (pizz.)

Cb.

8

16

204 Fl. Ob.

Cl. in Si

Fg. port.

Cor. in F

3

Tr. in Si

3

3

3

3

3

3

3

3

3

3

3

3

3

Trbn.

Spoons

Perc.

Pno.

3

sul A

3

sul A

1 3

Vl. 2

3

sul A

Va.

3 3

(pizz.)

Vc. (pizz.)

Cb.

8

19 211 Fl. Ob.

Cl. in Si

Fg.

Cor. in F

3

Tr. in Si

3

senza sord.

Trbn.

Spoons

Perc.

Pno.

19 1 Vl.

3

2 3

Va. 3

arco

Vc. arco

Cb.

8

17

217 Fl.

Ob.

Cl. in Si

Fg. 3

3

3

Cor. in F

3

Tr. in Si

Trbn.

Tamb.

Perc.

Pno.

1 Vl. 2 Va. pizz.

Vc. pizz.

Cb.

8

20

225 Fl. Ob.

3 3

Cl. in Si

Fg. 3

Cor. in F straight mute

Tr. in Si

Trbn.

5

Perc. l.v.

Pno.

20 0

1 3

Vl.

3

3

2 3

Va. arco

Vc. arco

Cb.

8

3

18 21 = 80

(Mezzo tempo)

232 Fl. Ob. dim.

Cl. in Si

dim.

Fg. dim.

Cor. in F dolce

Tr. in Si velvet mute

Trbn. dolce Mark Tree

Tamt.

Perc.

l.v.

3

dim.

Pno.

3

3

3

3

21 = 80

(Mezzo tempo)

flautando

1 Vl.

flautando

2 flautando

Va. flautando

Vc. flautando

Cb.

8

22

Tempo I ( = 160)

accel.

237 Fl.

cresc.

Ob. cresc.

Cl. in Si

cresc.

4

Fg. cresc.

4

Cor. in F

cresc.

(straight mute)

Tr. in Si

cresc.

Trbn. cresc.

Xyl.

8

Perc.

Pno.

22

Tempo I ( = 160)

accel. non flautando

1 cresc. non flautando

Vl. 2

cresc. non flautando

Va. cresc. non flautando

Vc. cresc. non flautando

Cb.

8

cresc.

8

19

244 Fl. Ob. Cl. in Si

Fg.

Cor. in F

5

5

Tr. in Si

Trbn.

Xyl. 8

15

Perc.

Pno.

arco

pizz.

0

1 Vl.

pizz.

arco

2 pizz.

arco

pizz.

arco

Va.

Vc.

Cb.

8

23 252 Fl.

Ob. 3

3

3

3

3

Cl. in Si

Fg.

3

3 3

3

3

Cor. in F 3

Tr.

3 3

3

3 3

in Si senza sord.

Trbn.

Glsp.

15

l.v.

Perc.

Pno.

23 1 Vl. 2 pizz.

Va. pizz.

Vc. Cb.

8

20 24 259 Fl.

6

3

3

7

3

7

Ob. 6

3

3

Cl.

3

3

in Si

7

6

Fg. 7

3

7

3 3

Cor. in F

6

(straight mute) 3

Tr. in Si

6

gliss.

gliss.

Trbn.

3 5 15

Glsp.

glis

Perc.

s.

3

gliss.

6

3

Pno.

3

7

3 3

gliss.

6

7

24 0

1 Vl. 0

2 arco 3

3

Va. 6

arco

Vc. Cb.

8

264 Fl. Ob. norm.

flz.

3

Cl.

3

in Si

Fg.

Cor. in F straight mute

Tr. in Si

Trbn.

5

15

Glsp.

Trgl.

Perc.

Pno.

0

1 Vl. 0

2 Va. sul pont.

3

3

ord.

Vc. sul pont.

Cb.

8

3

3

ord.

21

268 Fl.

Ob.

Cl. in Si

Fg. 3

3

Cor. in F

Tr. in Si

Trbn.

Trgl.

scrape with metal stick Tamt.

Perc.

l.v.

Pno.

norm. flaut.

1 sub.

Vl.

flaut.

norm.

0

2 flaut.

Va. flaut.

sul pont. non flaut.

flaut.

sul pont. non flaut.

3

3

Vc.

Cb.

3

3

8

25

Stretto. Prestissimo possibile

272

= 200

Fl.

Ob.

Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Tamt.

sim.

Perc.

8

Pno.

loco

gliss.

senza ped.

25

Stretto. Prestissimo possibile

0

1 Vl.

0

2 0

Va. 0

Vc. Cb.

8

= 200

22

278 Fl. Ob. Cl. in Si

3

Fg. 3

3 3

Cor. in F 3

senza sord.

Tr. in Si

Trbn.

Spoons

Perc.

Pno.

3

3

3

3

3

3

3

3

1 Vl. 2

Va. 3 3

Vc. pizz.

Cb.

3

3

8

286 Fl.

Ob. 3

Cl.

3

in Si 3

Fg. 3 3

3

Cor. in F 3

Tr. in Si

3

Trbn.

Spoons

Perc.

Pno.

3

3

3

3

3

3

1 Vl. 2

Va. 3

Vc. 3

Cb.

8

23 26 291 Fl. Ob. 3

Cl. in Si

Fg. 3

3 3

3

3

3

Cor. in F

Tr. in Si

Trbn.

Spoons

Perc.

Pno.

26 3

3

3

3

3

3

1 Vl. 2 3

Va. 3

Vc. 3

Cb.

3

8

296 Fl.

Ob. Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Tamb.

Perc.

Pno.

1 Vl. 2 pizz.

Va. pizz.

Vc. Cb.

8

24

II. Felice Tranquillo lamentoso

= 60

Flauto muta in Cor. ing.

Oboe Clarinetto in Si

2

Fagotto

Corno in F

5

cup mute

Tromba in Si

2

velvet mute

Trombone 15

Crot. arco

sim.

Percussione

Pianoforte

Tranquillo lamentoso

= 60

1 Violin 2 con sord.

arco

con sord.

arco

con sord.

arco

Viola Violoncello Contrabbasso

8

1

7 Fl.

cresc.

Cor. ing.

3

5

Cl. in Si

cresc.

Fg. 3

cresc.

3

3

Cor. in F

cresc.

3

Tr. in Si

cresc.

Trbn. cresc.

15

Crot.

Perc.

Pno. senza ped.

1 1 cresc.

espress.

Vl. 2

cresc. senza sord.

Va. cresc. senza sord.

sul D non armon.

Vc. s. r.

senza sord.

Cb.

8

sul D

pizz.

3

←

25

= →

2

Poco più vivo

13 Fl.

muta in Ob.

Cor. ing.

3

3

3

Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Perc.

Pno.

2

Poco più vivo

sul G

1 3

3

Vl. 2 Va.

Vc. Cb.

8

18 Fl. Ob.

Cl. in Si

Fg. con sord.

Cor. in F

Tr. in Si

Trbn.

Perc.

Pno.

1 Vl.

sul G

2

Va.

Vc. (pizz.)

Cb.

8

26 3

24 Fl. Ob.

Cl. in Si

Fg. (con sord.)

Cor. in F (cup mute)

Tr. in Si (velvet mute)

Trbn.

Tamt.

Perc.

l.v.

Pno.

1)

l.v.

3 0

1 Vl.

(sul G) 0

0

2 Va. Vc. arco

Cb.

8

31 Fl.

Ob. Cl. in Si

Fg.

Cor. in F

Tr. in Si (velvet mute)

Trbn.

Perc.

Pno.

1 Vl. 2 Va. Vc. Cb.

8

1) Firmly press the second, third and fourth fingers of the left hand on the string as close to yourself as possible. Then attack the relevant key.

Passionato intimo 37

5

4

Fl.

Ob.

Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Tamt.

Perc.

Pno.

sim.

l.v.

l.v.

Passionato intimo

4

solo 1) sul G

5

1 Vl.

con sord. sul tasto

espr. trem. punta d’arco

2 con sord. sul tasto

Va. Vc. Cb.

8

44 Fl. Ob. Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Perc.

Pno.

1 Vl. 2 Va. Vc. Cb.

8

1) If multiple strings apply.

trem. punta d’arco

27

28

53 Fl.

Ob. Cl. in Si

Fg. senza sord.

Cor. in F senza sord.

Tr. in Si senza sord.

Trbn.

15

Tamt.

Perc.

Pno.

l.v.

3

(tutti)

sul A

1 Vl.

(con sord., sul tasto, punta d’arco)

senza sord., ord.

(con sord., sul tasto, punta d’arco)

senza sord., ord.

2

Va. Vc.

Cb.

8

59 Fl.

Ob. muta in Cl. bso. in Si

Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

15

Crot.

arco

Perc. l.v. norm.

Pno.

1 Vl. 2 Va. Vc. Cb.

8

29

III. Leni Vivo giocoso

= 132

''Cabaret-like''

Flauto Oboe Clarinetto basso in Si

9

Fagotto

Corno in F

5

Tromba in Si

2

Trombone Sn. Dr. Hi-hat

Percussione

Pianoforte

Vivo giocoso

= 132

''Cabaret-like''

1 Violino 2 pizz.

Viola sul pont.

Violoncello sul pont.

Contrabbasso

9

8

rit.

= 72

accel.

= 132

1

rit.

= 72

accel.

= 132

1

Fl.

Ob. Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Hi-hat

Perc.

Pno.

1 Vl. 2 arco

Va. Vc.

Cb.

8

30

17 Fl. Ob. Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Hi-hat

Perc.

Kick Dr.

Pno.

1 Vl. 2

Va. ord.

Vc. ord.

Cb.

8

23 Fl. Ob. Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Hi-hat Whip

Perc.

Kick Dr.

Pno.

1 Vl. 2

Va.

Vc. pizz.

Cb.

8

arco

31

29

2

lunga

Fl. Ob. Cl. bso. in Si

Fg. lunga

Cor. in F

Tr. in Si

Trbn. lunga

Perc. lunga

Pno.

2 Vl.

lunga

1 2

Va. pizz.

Vc. Cb.

8

36 Fl. 3

3

3

3

3

Ob. 3

Cl. bso. in Si

Fg. 3

Cor. in F straight mute

Tr. in Si

Trbn.

3

Police whistle

Perc.

Pno.

senza ped.

1

3

3

Vl. 2 3 0

Va. arco

Vc.

Cb.

8

3

3

32 3

44

3

Fl. Ob. 3

Cl. bso. in Si

Fg.

Cor. in F senza sord.

Tr. in Si

Trbn.

Guiro

Perc.

Pno.

3

pizz.

1 5

Vl. 3

pizz.

3

2 pizz.

Va. pizz.

Vc. Cb.

8

51 Fl.

Ob.

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Hi-hat

Perc.

Kick Dr.

Pno.

pizz.

3

arco

1 Vl.

pizz.

arco

2 arco

Va. arco

Vc. pizz.

Cb.

8

33 58

4

Fl.

Ob. muta in Cl. in Si

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Trgl.

Perc.

Pno.

4 1 Vl. 2

Va.

Vc. arco

Cb.

0

8

67 Fl. 3

Ob. Cl. in Si

2

Fg. Cor. in F

Tr. in Si

Trbn.

Guiro

Perc.

Hi-hat

Pno.

pizz.

arco

pizz.

arco

1 Vl. 2 pizz.

Va. Vc. Cb.

8

34

76

G.P.

5

G.P.

Fl.

Ob.

Cl. in Si

cresc.

Fg.

G.P.

G.P.

Cor. in F

Tr. in Si

Trbn.

B. Dr. Hi-hat

Perc.

G.P.

G.P.

G.P.

G.P.

G.P.

G.P.

Pno.

5

1 cresc.

Vl. 2

cresc. arco

Va. Vc.

Cb.

8

85 Fl. Ob. Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Sn. Dr.

Perc.

Pno.

1 arco

Vl.

pizz.

2 sul pont.

Va. sul pont.

Vc. sul pont.

Cb.

8

35 accel.

94

6 Presto

= 140

Frivolous

= 140

Frivolous

Fl. Ob. Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Sn. Dr.

Perc.

Pno.

sempre

accel.

6 Presto

1 Vl. 2 ord.

Va. ord.

Vc. ord.

Cb.

8

101 Fl.

Ob.

Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Sn. Dr.

Perc.

Pno.

0

1 Vl. 2

Va.

Vc.

Cb.

8

36 7 108 Fl. Ob. Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

5

Sn. Dr.

Perc.

Pno.

7 1 Vl. 2 Va. Vc. Cb.

8

8

114

muta in Fl. picc.

Fl. Ob.

Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Siren

Perc.

cresc.

Pno.

8 1 Vl. 2

Va. pizz.

Vc. pizz.

Cb.

8

37 Stretto 121 8

Fl. picc.

Ob. cresc.

Cl. in Si

cresc.

Fg. sempre

cuivrĂŠ

Cor. in F

Tr. in Si

Trbn.

Siren

Perc.

Whistle

Pno.

Stretto 1 Vl. 2

Va. arco

Vc. arco

Cb.

8

sempre

= 200

128

Lunga ad lib.

9

= 160 muta in Fl. gr.

8

Fl. picc.

Ob.

Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Whip Siren

Perc.

Whistle

1)

2)

Pno.

= 200 1 Vl. 2 Va. Vc.

Cb.

8

1) Chromatic cluster witin the range indicated 2) Full chromatic cluster. Use both arms

Lunga ad lib.

9

= 160

38

IV. Josef Vivo marciale

= 160

Flauto

Oboe

Clarinetto in Si

2

Fagotto

Corno in F

5

Tromba in Si

2

Trombone 15

Crot.

Percussione

Pianoforte

Vivo marciale

= 160

1 Violino 2

Viola Violoncello Contrabbasso

7

8

1

Fl.

Ob. Cl. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Perc.

Pno.

1

pizz.

1 Vl.

pizz.

2

Va. sul pont.

Vc. sul pont.

Cb.

8

39

15 Fl. Ob. Cl. in Si

Fg.

Cor. in F harmon mute - stem pulled

Tr. in Si straight mute

Trbn.

Cast,

Perc.

Pno.

arco

1 Vl.

arco

2 pizz.

arco

Va. ord.

pizz.

ord.

pizz.

Vc.

Cb.

8

23

G.P.

2

Fl. Ob. Cl. in Si

Fg.

G.P. Cor. in F

Tr. in Si

Trbn.

Cast.

Perc.

Trgl.

G.P. G.P.

Pno.

2 G.P.

con sord.

1 Vl.

con sord.

2 Va. Vc. Cb.

8

40

30 Fl. Ob. Cl. in Si

Fg.

Cor. in F

Tr. in Si (straight mute)

Trbn.

Perc.

Pno.

(con sord.)

senza sord.

(con sord.)

senza sord.

con sord.

senza sord.

1 Vl. 2

Va. (pizz.)

Vc. (pizz.)

Cb.

8

3

38 Fl.

Ob. Cl. in Si

Fg.

Cor. in F senza sord.

Tr. in Si

Trbn.

Trgl.

Perc.

Pno.

3 0

1 Vl. 0

pizz.

2 Va. arco

Vc. arco

Cb.

8

pizz.

41 4 accel.

46

flz.

Fl.

Ob.

Cl. in Si

Fg.

flz.

Cor. in F flz.

Tr. in Si flz.

Trbn.

Cast.

Ratchet

Perc.

Pno.

4 accel.

1 Vl.

arco

2

Va. arco

Vc. pizz.

Cb.

8

54

a tempo norm.

Fl.

Ob. muta in Cl. bso. in Si

Cl. in Si

Fg.

norm.

Cor. in F

3

norm.

Tr. in Si norm.

Trbn.

3

Tamt.

Perc.

Pno.

a tempo 1 Vl. 2 Va. pizz.

Vc. arco

Cb.

8

arco

42

=

6

5

''Unctuous''

62 Fl. Ob. 3

3

Cl. bso. in Si

9

Fg. Cor. in F

Tr. in Si

velvet mute

Trbn.

Tamt.

Perc.

Pno.

=

6

5

''Unctuous'' con sord.

sempre sul G

1 3

Vl.

3

con sord.

2 3

3

con sord.

sempre sul C

con sord.

sempre sul C

Va. Vc. Cb.

8

70 Fl.

Ob. Cl. bso. in Si

Fg.

Cor. in F straight mute

Tr. in Si

Trbn. (slide-shake) Tamt.

Perc.

Pno.

1 Vl.

sempre sul G

2 Va. Vc. pizz.

Cb.

8

43

78

7

Fl.

Ob. Cl. bso. in Si

Fg. Cor. in F

(straight mute)

Tr. in Si

(velvet mute)

Trbn.

Trgl.

Perc. cresc.

5

Pno.

7 1 Vl.

cresc.

2 cresc.

Va. cresc.

Vc. cresc.

Cb.

8

8 86

muta in Fl. in Sol

Fl. muta in Cor. ing.

Ob. Cl. bso. in Si

Fg.

Cor. in F (straight mute)

Tr. in Si

senza sord.

Trbn.

Trgl.

Tamt.

Perc.

Pno.

8 senza sord.

1 Vl.

senza sord.

2 senza sord.

Va. senza sord.

Vc. arco

Cb.

8

attacca

44

V. The Execution Solenne

= 72

1

solo

Flauto in Sol 4

Corno inglese 5

Clarinetto basso in Si

9

Fagotto in Si

Corno in F

5

Tromba in Si

2

Trombone

Tub. B.

Percussione Tamt.

1)

Pianoforte

sim.

senza ped.

Solenne

= 72

1

con sord.

1 Violino

con sord.

2 con sord.

Viola sul tasto

Violoncello sul tasto

Contrabbasso

8

8 Fl. in Sol Cor. ing.

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Tub. B.

Perc.

Tamt.

Pno.

1 Vl. 2

Va. Vc.

Cb.

8

1) Depress keys with l. h., then perform a quick upwards gliss. on all strings inside the octave with a metal ruler. Absolutely NO pedal.

45 2

15 Fl. in Sol

Cor. ing.

Cl. bso. in Si

Fg.

4

Cor. in F Player rises and plays with the bell pointed into the open piano

Tr. in Si

cresc.

Trbn.

B. Dr.

Perc.

Pno.

Keep right pedal down throughout the remainder of the movement

2 flaut.

1 Vl. flaut.

2 sul C flaut.

Va. flaut. ord., sul C

Vc. sul pont.

Cb.

8

23 Fl. in Sol

Cor. ing.

Cl. bso. in Si

Fg. Cor. in F

sola

Tr. in Si dolce

Trbn.

Perc.

Pno.

1 Vl. 2 Va. Vc. Cb.

8

cresc.

46 3

30 Fl. in Sol

Cor. ing. dolce

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Perc.

Pno.

3 1 Vl. 2 Va. Vc. ord.

Cb.

flaut. sul D

8

4

37 Fl. in Sol

Cor. ing.

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

cresc.

Trbn.

B. Dr.

Perc.

1)

Pno.

sim.

4 (con sord.)

3

(con sord.)

3

1 Vl.

3

2 (con sord.)

Va. con sord.

sul G

Vc. sul pont.

Cb.

8

1) chromatic glissando on strings with a metal ruler

47

44 Fl. in Sol sim.

Cor. ing.

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Perc.

Pno.

1 Vl. 2 0

0

0

0

0

Va. Vc. Cb.

8

5

51 Fl. in Sol

Cor. ing.

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

cresc.

Trbn.

Perc.

Pno.

5 1 Vl. 2 0

Va.

Vc. Cb.

8

0

48

58

3

3

Fl. in Sol

Cor. ing.

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

cresc.

Trbn.

Tamt.

Perc.

Pno.

(con sord.)

1 Vl.

(con sord.)

2 (con sord.)

0

Va. (con sord.)

Vc. (sul pont.)

Cb.

8

64

6

Fl. in Sol

Cor. ing.

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Perc.

Pno.

6 1 Vl. 2 Va. Vc. Cb.

8

3

49 7

70 Fl.

Cor. ing.

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Tamt.

Perc.

Pno.

7 1 Vl. 2 Va. 0

Vc. ord.

Cb.

8

8

76

solo

Fl.

Cor. ing.

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

Tam-t.

B. Dr.

Perc.

Pno.

senza sord.

8

con sord. sul tasto

1 Vl.

senza sord.

con sord. sul tasto

senza sord.

con sord. sul tasto

2

Va.

senza sord.

Vc.

Cb.

8

senza sord., ord.

50

82 Fl. in Sol

Cor. ing.

Cl. bso. in Si

Fg.

Cor. in F

Tr. in Si

Trbn.

B. Dr. Lion Roar

Perc.

Pno.

(con sord., sul tasto)

1 Vl.

(con sord., sul tasto)

2 con sord.

Va. con sord.

Vc. sul pont.

Cb.

8

88

9

Fl. in Sol

Cor. ing.

Cl. bso. in Si

Fg.

Cor. in F

5

Tr. in Si

cresc.

Trbn.

Lion Roar

Perc.

Pno.

9 1 Vl. 2 senza sord.

pizz.

senza sord.

pizz.

Va.

Vc. solo ord.

Cb.

8

1) If multiple strings

1) sul pont.

WH 30863 ISBN 978-87-598-1675-2