LYSISTRATA or, THE NUDE GODDESS A Tragicomedy for Singers and Orchestra Freely adapted from the play by Aristophanes
Music and Libretto by Mark Adamo Full Score
From the G. Schirmer Rental Library Date of Printing_______________
G. Schirmer, Inc. New York, NY
LYSISTRATA or, THE NUDE GODDESS A Tragicomedy for Singers and Orchestra Freely adapted from the play by Aristophanes
Music and Libretto by Mark Adamo Full Score commissioned for Houston Grand Opera David Gockley, General Director Patrick Summers, Music Director
Table of Contents Act I Invocation.......................................1 Prologos..........................................8 Parados I......................................134 Scene Two...................................167 Scene Three................................240 Act II Scene One.......................................1 Scene Two.....................................31 Scene Three...................................88
G. Schirmer, Inc. New York, NY
Instrumentation Flute (doubling Piccolo) Clarinet in B= and A Alto Saxophone (Doubling Baritone Saxophone) Bassoon Horn in F Trumpet in D (doubling Trumpet in C) Timpani (doubling Roto-tom) Percussion - 2 players Harp Strings
ACT TWO SCENE ONE Weeks later: outside the Acropolis: dusk. The armies have pitched camp side by side. Far (audience) left, NICO, in his tent: far right, LEONIDAS, in his. KINESIAS leads the ATHENIANS in drill: BION leads the SPARTANS. Each army is icily respectful of the other's area. None are happy: most are painfully erect:* the sanction is taking its toll. KINESIAS and BION pointedly aim the drill at their respective superiors, who pretend---sort of---not to hear.
No. 48: Sex Now! (1)
Heavy, dogged q. = 88–92
Cl. in Bb
Hn. in F
Tpt. in D
Timp.
Perc. 1
f
f
f
C Eb F Bb
Alto Sax. in Eb
Bn.
3
mf
Hp.
Maron
Vn. II
Cb.
pp
pp
pp
mf
mp
f
f
Pa zhience...
D§
f
mf
E§ F§ G§ A§ D# C# Bb
f
Vc.
Small SnareDrum
f
Va.
pp
Marimba
Heavy, dogged q. = 88–92
Vn. I
3
pp
3
Vibes, hard mallets, quasi echo motor off
Perc. 2
pizz.
f
2
thin - ning?
mf
mf mf
mf
mf
1/16/2006
Act II
2
4
Cl. in Bb
pp
p
Baritone Sax.
Bn.
Hn. in F
Tpt. in D
Perc. 1
Perc. 2
pp
mp
pp
pp
mp
(Mar.)
Hp.
Philo Bion
Vn. I
p
pp
pp
p
pp
f
pp
Check! f
Check! f
Check! f Check!
F#
2
Hopes...
sin- king?
p
Vc.
p
p
mf
mf mf
mf
(mf)
mp
Five Congas
p
mf
Ab
Check!
Form...
zla - cke - ning?
Check!
Check!
Check!
mp
p
mp
fast arpeggiation
f
mp
(mf)
mp
Va.
1/16/2006
Vn. II
Cb.
Kinesias
Meleagros Alpheus
pp
p
mp
fast arpeggiation
Maron
mp
Bari Sax. in Eb
p
mf
p
mf
p
mf
p
mf
Act II
8
Cl. in Bb
Bn.
Hn. in F
Tpt. in D
mp
pp
mp
pp
Perc. 2
(Mar.)
Kinesias
Philo Bion
Vn. I
Cb.
f
Check!
Check!
Check!
pp
(mf)
mp
mp
mp
pp
mp
f Five Congas
A§
Vc.
pp
Check!
Va.
p
Vn. II
mp
f
Meleagros Alpheus
pp
p
fast arpeggiation
Maron
Hp.
p
pp
mp
pp
Perc. 1
mp
pp
p
mp
pp
Bari Sax. in Eb
3
looks askance at KINESIAS
looks askance at KINESIAS
Plight...
ri - si - ble?
irritated, defensive (like TISIPHONE in the Invocation)
p
p
p
Ri - si- ble.
looks askance at KINESIAS
p
mf
mf
mf
mf
(mf)
"Whatever.."
Check! "Whatever.." Check!
Check!
"Whatever.." Check!
mp
pp
pp
mp
pp
mp
pp arco
mp
p
mf
1/16/2006
Act II
4
12
Fl.
pp
Cl. in Bb
pp
Bn.
Hn. in F
mp
mp
pp
4
pp
mp
pp
Alto Sax. in Eb
4
pp
mp
pp
pp
pp
pp
mp
pp
4
mp
4
mp
pp
pp
mp
pp
pp
mp
pp
pp
pp
mp
mp
pp
pp
mp
Alto Sax.
pp
pp
4
mp
4
mp
(Mar.)
Perc. 1
p
Perc. 2
(Cga.) p
Hp.
Maron
2 ossia 8vb p
Vim men...
Meleagros Alpheus
Kinesias
Philo Bion
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
mf
p
2
vin- ning?
f
Check! p
Check! p
Check!
p
G#
Check!
Check!
p
Men...
2
p
Check! p
drin king?
Check! p Check!
mp p p mf pp pp p p mf pp pp mp mp pp pp mp pp pp
pizz. mp
p p
mf
p
mf
p
mf
Act II
16
Cl. in Bb
Alto Sax. in Eb
p
Bn.
p
straight mute
Tpt. in D
Perc. 2
Hp.
Maron
p
f
mf
f
senza sord.
f
f noting his crotch*
f noting his crotch*
Mood...
Check! f f
Check!
bla - cke - ning?
f
Vibraphone, hard mallets motor off
p
p
Va.
Vc.
mf
mf
mf
Strain...
vi
arco mf
fast arp.
f
-
si
-
Check!
E-
noting his crotch*
Check!
ble?
f noting his crotch*
Check!
mf
Check!
Vn. II
f
Check!
Check!
Cb.
Kinesias
Vn. I
f
mf
p
mf
Meleagros Alpheus
Philo Bion
p
mf
f
4
p
f
mf
mf
4
p
p
p
p
mf
4
mf
p
Hn. in F
Fl.
5
f
f
E-
f
f
f
*If prop phalli are used in production, they should first appear in this scene. 1/16/2006
Act II
6
Faster, restless, edgy faster still q = 104–108
Fl.
Cl. in Bb
Itchy q = 120–126
20
pp
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Perc. 2
pp
4
4
4
4
mf
mf
mf
mf
mf
Small Snare Drum 3
mf
mf
pp
mf
mf
mf
pp
mp
pp
Hp.
Maron
Kinesias
mf
Hopez ....
va ning?
nough!
mf
E nough!
Vn. II
p
pizz.
Va.
p pizz.
Vc.
Cb.
1/16/2006
p
pp
3
mp 3
pp
mp
arco 3
pp arco
mp
pp
CHECK!
Spi - rits...sag ging?
f
pp
4
CHECK! Not a - no-ther
mf
pp
4
CHECK! Not a - no-ther
night...
4
mf
mf
Ten sion... mf
night...
3
mp
mp
f
f
f
4
mf
mf
mf
pp
4
pp
pp
f
f
4
4
pp
mf
Ten zhion...
Itchy q = 120–126
arco
Zex now! CHECK! Sex
arco
p
pizz.
f
Faster, restless, edgy faster still q = 104–108
f
nough!
4
wa ning?
f
Sex now! CHECK! Zex
pizz.
CHECK! Zpi rits...zag ging?
E nough!
pp, to themselves
Vn. I
A#
Hopes .... Philo Bion
f
B§
pp, to themselves
Meleagros Alpheus
fast arp.
Act II
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Perc. 1
Perc. 2
Hp.
f
fast arp.
Fl.
26
7
f
f
f
f
pp Marimba, harder mallets
Five Temple Blocks
f
F§ G§ Ab C§ Bb
Maron
Meleagros Alpheus
Kinesias
heigh - te3 - ning?
3
pp
Sex Zex
Vn. I
Vn. II
Va.
Vc.
Cb.
CHECK! CHECK! f
f
pp
Sex Zex
now! CHECK! CHECK!
pp
pp
pp
pp
pp
f
mf
Ve
rant: (want:)
mf
we ve
Ve
want: (rant:)
f
f
f
f
pp
pp
pizz.
pp
pizz.
pp
pp
We can't Ve
CHECK!
ve withe: we writhe:
f
Men?
pp
writhe: withe:
Will...e - ro - ding? pp
Men?
f
Vill...e - wo - ding? pp
CHECK! CHECK!
now! CHECK! CHECK!
heigh - te - ning? Philo Bion
f
Vim- men
Wo men
f
pp Ve can't We
CHECK!
(pp)
(pp)
(pp) arco
(pp) (pp) arco
1/16/2006
Act II
8
31
Fl.
Cl. in Bb
Bn.
Hn. in F
Tpt. in D
Perc. 1
f
s. glis
s. glis
ss. gli
p
p
1/16/2006
pp
pp
mp
mp
mp
p
p
p
mf
mf
mf
mf
f
be blithe.
be blithe.
f
CHECK!
p
Cb.
Vc.
pp
Va.
p
fast arp.
f
fast arp.
f
Eb Cb
gai ning?
Vn. II
mp
Vn. I
f
gai ning? Philo Bion
f
p
(Mar.)
Kinesias
p
Meleagros Alpheus
Maron
Hp.
(Tpl. Blks.)
Perc. 2
pp
Alto Sax. in Eb
p
p
CHECK!
Men...
pp
Not a - no-ther night
f
fwag ging?
3
pp
3
pp
mp
pp
pp
mp
pp
pp
mp
f
p
mp
Cro - tches... tigh- te ning? pp
pp
p
mf
p
mf
p
mf
p
mf
p
pp
p
p
f
f
a man can keep...CHECK!
pp
a man can keep...CHECK!
with-out sleep...CHECK! Zis is not a vow viz This
f
Cwo tchez... tigh- te ning? pp
pp
3
pp
f
mp
f
flag ging?
Not a - no-ther night
f
with-out sleep...CHECK! This is not a vow viz zleep... Zis
Men...
pp
3
p
mf
p
p
Act II
36
Bn.
Hn. in F Tpt. in D
Timp.
Perc. 2
Hp.
Maron
(mf)
(mf)
(mf)
mf
p
Vn. I
Vc.
sfzpp
Small Snare Drum
pp
zheep?
fast arp.
to zheep? sheep?
pp
sfzpp
E nough!
E nough!
E- nough, e nough, e - NOUGH!
E nough!
E- nough, e nough, e - NOUGH!
E nough!
E- nough, e nough, e - NOUGH!
E nough! E nough! circling LEONIDAS and NICO p
pp
E nough!
f
f
circling NICO p
f
f
E nough! E nough! circling LEONIDAS and NICO p
circling LEONIDAS p
CHECK! CHECK! E nough!
E# F# A§ C§ B§
CHECK! CHECK! E nough!
mp f sfzpp mp f sfzpp sfzpp mp f mp f sfzpp
f
Loins... im- pwo - ding?
Must ve we - sort we re
Va.
Cb.
Vn. II
Loins... im- plo - ding?
Philo Bion
mf
Must ve we- sort to sheep?
Kinesias
(mf)
Meleagros Alpheus
Alto Sax. in Eb
Cl. in Bb
Fl.
9
E nough!
E nough!
pp
E nough!
pp
pp
E- nough, e nough, e - NOUGH!
pp
sfzpp
1/16/2006
Act II
10
Suddenly compulsive q = 168
41
Bn.
Hn. in F Tpt. in D
Timp.
Perc. 2
f
f
pp
pp
pp
E - NOUGH! ff
p
pp
p
p
p
3
p
p
S/Zex now! p
S/Zex. mp
S/Zex.
p
mp
mf
S/Zex.
mp
mp
Now.
S/Zex now!
S/Zex.
S/Zex!
S/Zex!
S/Zex.
Now.
S/Zex now!
S/Zex!
S/Zex!
S/Zex now! mf
mp
S/Zex.
Now.
S/Zex now!
mp
S/Zex!
Now.
S/Zex.
S/Zex!
S/Zex now!
S/Zex.
Now.
Now.
S/Zex now!
S/Zex!
S/Zex!
S/Zex now! mp
3
E§
3
f p f p f p p f pizz. f
Suddenly compulsive q = 168
3
p
1/16/2006
E - NOUGH!
Cb.
pp
p
Vc.
Va.
Vn. II
E - NOUGH! ff
Vn. I
f
ff
Philo Bion
ff E - NOUGH!
Kinesias
Meleagros Alpheus
f
gliss . f gliss.
Hp.
Maron
Alto Sax. in Eb
Cl. in Bb
Now.
Now.
mp mp
Act II
mp
Cl. in Bb
mp
mp
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
Perc. 1
mp
Nico
Maron Meleagros Alpheus
Kinesias Philo Bion
Leonidas
Vn. I
Vn. II
f
S/Zex.
now!
mf
Vc.
Cb.
mf
mf
ss. gli
Marimba
ff
Now.
S/Zex.
f
S/Zex
now!
f
f
Ab C#
S/Zex!
3
3
mf
f
f
mf
S/Zex!
S/Zex
f
3
mf
f
3
mf
Va.
Hp.
f
mp
mp
mf
mf
mp
Perc. 2
Suddenly slower q = 126
3
46
Fl.
11
Now.
A - the- ni ans!
This is
mf reproving
f
f f f
Spar- tans.
f
ab surd!
Suddenly slower q = 126
f scathing
pizz.
pizz.
pizz.
pizz.
arco
3
arco 3
arco 3
arco
1/16/2006
Act II
12
No. 49: "Too late in the day, sir" As the SOLDIERS glare at their superiors, NICO gestures welcome to LEONIDAS, who crosses, deliberately, into NICO's tent. He speaks quietly, thoughfully, with none of the braggadocio of the previous scene. KINESIAS, unobserved, sneaks nearby to overhear.
50
Cl. in Bb
Bn.
Leonidas
p 3 3
pp
Vn. II
Va.
Vc.
Cb.
1/16/2006
pp solo
Ge - ne - ral Ni - ki - as?
Vn. I
Careful, sustained q = 63
pp
pp
pp arco
pp
A
word?
(pp)
(pp)
(pp)
pp
(pp)
pp
Careful, sustained q = 63
(pp)
sul tasto
sul tasto
Act II
Slow, studied q = 58
57
Fl.
Bari Sax. in Eb
Bn.
Hn. in F
Timp.
pp
Va.
Cb.
re- flec tive.
That's
pp
sul tasto
pp
not my role;
sul tasto
pp
solo
mf
pp
Vc.
mf
mf
mp
mf
3
3
pp
givemethe tools,
p
3
givemethe goal:
ord.,mf vib.
ord.,mf vib.
mf ord., vib.
mf pizz., vib.
mf
p
And I'm ef-
Faster Peremptory q = 69 ord., vib.
mp
Givemethe rules,
mf
pp
not my breed.
Bari. Sax.
Slow, studied q = 58
Vn. II
p, legato
Vn. I
p
I'm not
mf
(actual pitch)
Leonidas
Slower
Hp.
Faster Peremptory q = 69
Cl. in Bb
13
Slower
pp
mp
pp
mp
pp
mp
pp
mp
pp
pp
arco pp
mp
1/16/2006
14
Act II
Calmer q = 63
62
Cl. in Bb
Timp.
Hp.
Leonidas
pp
I
do quite well;
Calmer q = 63
Vc.
pp
pp
Va.
(pp)
3
rare - ly
had per - spec - tive
On - ly I've
suc ceed.
ppp
I
(pp)
C§ Bb
Vn. II
fec - tive.
Vn. I
the
on
solo
66
Fl.
Cl. in Bb
3
mp
pp
pp
Bn.
Hn. in F
Nico
Leonidas
Vn. I
pp
pp
mp
mp
pp
hell...
3
Is - n't that what we
pp
mp impatiently
I don't take your point,
3 pp 3
sir...
Smooth, calm, contained q = 80 (2+2+3)
need?
moving forward
p
3
solo
mp
pp
mp
mp
And,
pp
whole,
pp
pp
Vc.
pp
Va.
1/16/2006
3
Vn. II
Cb.
mp
Bari Sax. in Eb
Smooth, calm, contained q = 80 (2+2+3)
moving forward
pp
3
pp
pp
3 3
3
mp
mp
mp
mp
Act II
71
Cl. in Bb Bari Sax. in Eb
Bn.
Timp.
Perc. 1
pp
mf
Cb.
pp pizz.
p pizz.
p
Bari Sax. in Eb
Bn.
Timp.
in the
Too late for
pp
mp
pp mp
pp
mp
79
Fl.
pp
Vc.
pp
mp
pp
mp
p
mp
Hp.
Leonidas
mp
late for de - lay,
mp
mp
mp
Vn. I
pp
Vn. II
pp
Va.
Vc.
Cb.
pp pizz.
pp pizz.
pp
mp
pp
pp mp
mp
pp
mp
pp
mp
pp
Too
mp
mp
mp
mp
pp
mp
mp
mf
If we're to be
great sol diers,
mp
mp
pp
pp
mp
mp arco
mp
arco
mp
pp
pp
pp
arco
pp
of this war.
way out
mp
pp
A§
cold ex - pe - di ence.
pp
F§ Ab Db Cb
arco
pp
p
slight arp.
Too late for
Eb
sir:
Triangle
We need a - no - ther
A§
slight arp.
(mf)
mp
p
p
pp
non arp.
mere o - be - di ence.
sir:
pp
Va.
day,
Vn. II
solo
slight arp.; fast, but not aggressive
Too late
Vn. I
pp
p simply
Leonidas
p
Hp.
solo
15
We
can - not be"good
pp
sol diers" a - ny
non cresc.
non cresc.
non cresc.
1/16/2006
16
Act II
87
Fl.
Hn. in F
Perc. 1
Leonidas
Vn. I
Vn. II
Va.
Vc.
Cb. 1/16/2006
mp
p non arp.
a - ny - more.
Urgent q = 120 Much faster
pp
f
mp
do
pp
pizz.
pp
pp
arco
mf
Blind
-
ly we
mf
mf
mf
mf
p
what
pp
pp
mp pp fast arp. mf
Small Snare Drum
unis.
pp
pp
slowing slightly
arco pp arco
pp
Bloodand bone andsin - ew,
pp div.
pp
o - thers have be- gun:
pp
mp mp
pp
mf
con tin - ue
p
pizz.
pizz.
mf
mf
mf
mp
E§ F# G§ D§
f
pp
arco
molto
whatwe've al - ways done?
f
molto
molto
mp
al- ways been if we al - ways
Won't it al waysbe whatit's
Five Temple Blocks
p
pp
mp
pp
mp
pp
f choke
mp
pp
94
Hp.
mp
pp
pp
Perc. 2
mp
G# C§
Not
pp
mp
pizz.
more.
p
pp
Vc.
pp
Va.
p
mp Small Suspended Cymbal
pp
solo
pp
Timp.
Vn. II
Tpt. in D
pp
Cb.
Vn. I
Hp.
Leonidas
Urgent q = 120
Perc. 2
Bari Sax. in Eb Bn.
Cl. in Bb
Much faster
Fa- ther, bro- ther, son...
slowing slightly
mf
mf
mf
mf
mf
arco
arco
arco
p
p
Act II
Intense q = 104
99
Cl. in Bb
17
Held back q = 84
slower and slower
3
pp
Bari Sax. in Eb
Bn.
Hn. in F
Timp.
Perc. 2
Hp.
Leonidas
pp
mp
3
mp
(non cresc.)
3
I
win,
3
you win,
3
sub. p
still,
What will we
slower and slower
What will we
3
3
3
3
3
f
f
3
3
sub. pp
3
sub. pp
sub. pp
3
sub. pp
pp
bowed
p
have won?
3
pp
pizz.
pp
3
pp
3
3
pp
f
3
pp
f
Cb.
3
3
Vibraphone, soft mallets, 3 motor off
f
Vc.
3
pp
pp
f
Va.
mp
3
Intense q = 104
Vn. II
3
pp
E - ven if
Vn. I
mp
pp
pp
3
have won?
Held back q = 84
3
pp arco
pp
3
mp
3
mp
3
pp
pp
1/16/2006
Act II
18
Cl. in Bb
Slower still q = 72
106
pp
solo pp
solo
Bari Sax. in Eb Bn.
Timp.
Perc. 1
Perc. 2
Hp.
Leonidas
slight arp.
mp
(pp)
Va.
(pp) pizz.
Vc.
(pp) pizz.
Cb.
114
Cl. in Bb Bn.
Timp.
(pp)
mf
Leonidas
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
(pp)
(pp)
(pp)
(pp)
(pp)
slight arp.
mp
late
mp
p
mp
p
in
the
day,
sir:
Surging forward q = 80
mp
mp
mp pizz.
mp pizz.
mp
pp pp
pp
pp
pp
mp mp
pp
Triangle
F§ Ab Db Cb
mp
arco, vib.
arco, vib.
arco, vib.
mp
mp
ord.
sub. pp ord.
sub. pp
mp
Eb
is
mp
my
mp
mp
sug - ges - tion:
pp
pp
pp arco
pp
As we
F#
pp
mp
trem - ble on
brink,
mp
pp
De -
pp mp pp mp
the
pp
Too
sub. pp
mp
mp
ask the ques - tion.
sub. pp ord.
3
to
ord.
vib.
vib.
pp
p
slight arp.
Time
more?
mp
And here
non arp.
What
p
Hp.
sir?
Surging forward q = 80
say,
solo
3
Vn. II
I
(pp)
more can
Slower still q = 72
What
Vn. I
(Vibes)
mp
Act II
Cl. in Bb
Bari Sax. in Eb
Hn. in F Tpt. in D
Timp.
ter mined not
non cresc.
non cresc.
pp
Vc.
pp
Cb.
to blink:
F# D§ C§
Shall we
do
pp
126
Bn.
Hn. in F
Nico
Leonidas
Vn. I
Vn. II
Va.
Vc.
Cb.
thatthing
mp
mp
mp
mp
mp
mp
mp
mp
arco
p
we'verare - ly
done
be
sub. pp
sub. pp
sub. pp
mf
G# A§ D#
f
fore:
unis.
div.
mf
mp fast arp.
sub. pp
sub. pp
-
p
mf mf
solo
Va.
pp
pp
Vn. II
mp
Vn. I
E§
Leonidas
Hp.
pp
Bn.
Fl.
mf mf mf
19
120
pizz.
mf pizz.
mf pizz.
mf pizz.
mf pizz.
mf
No. 50: "Think?" A bit slower
Think?
pp
p arco p arco arco
But I
arco
p
p
p
p
p
p
mp
pp
know whatyou think,
sir.
pp
pp
can
pp
I
pp
solo
pp
A bit slower
p
p
arco
3 3 3
Think?
pp
interrupting, with frosty courtesy p
Think? p
solo
mp
pp
tell.
mp
mp
mp
mp
3
3
3
1/16/2006
Act II
20
132
Fl.
Alto Sax. in Eb
Hn. in F
Cl. in Bb
Bn.
Crisp, cold, elegant q = 80
3
pp
Alto Sax.
p
3
pp
3
pp
Timp.
p
3 pp
straight mute
mp
p
3
pp
3
pp
3
3
p
(pp) Tpt. in D
3
fast arp.
Hp.
3 3
icily
Nico
All myre - spon ses:
Leonidas
Faked.
Feigned.
pp
pp 3
pp 3
Va.
3 pp
Vc.
Cb.
1/16/2006
Allmy con- vic- tions: Tricked.
All I be lieve in, plain- ly ex plained: Now I knowwho I am!
3
3
3
Trained.
3
mf mollifying
3
Ge - ne ral...
3
Vn. II
B#
3
Crisp, cold, elegant q = 80
Vn. I
3
3
3
mp
mp
3
3
mp
mp
pizz. pizz.
pizz.
arco
pizz.
mp
pizz.
pp arco
3
pp arco
pp arco
arco
3
3
3
3
3
3
3
3
3
3 3
Act II
mf
Ever faster and angrier
140
mf
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
mf
mf mf mf mf
p
p
Vc.
Nico
Vn. I
Vc.
slow arp.
f
p
f
3
Looklike a ram,
act like a sheep:
Bare- ly a sheep:
ord.
col legno battuto
f
ord.
3
3
3
3
f
3
3
3
p
f
3 f ord.
3
p pizz.
col legno battuto
3
3
p ord.
col legno battuto
3
p
col legno battuto
lamb!
col legno battuto
f
a
(q =104)
(q = 96)
f
ff
Hear this, Ge
ne ral:
Treading, formal q = 69
solo
pp
Hear this
mp
G§ D§ C§ B§
pp
4
f
4
p
lontano, solo
p
pp
4
3
f
p
senza sord.
f
Va.
4
p
ff
Vn. II
f
No. 51: Nico's Credo
4
3
Hp.
f
p
Hn. in F
f
144
Cl. in Bb
3
f
Cb.
f
4
3
f
f
3
f
O- thers say,"Rab - bit!"watch me leap!
p
f
Va.
f
3
(q = 88)
3
Ever faster and angrier
(q =104)
f
f
O - thers or-der me, "Eat!" "Sleep!"
Vn. II
f
f
3
Vn. I
f increasingly enraged
Nico
(q = 96)
mf
mf
solo
Cl. in Bb
(q = 88)
Fl.
21
Eb
p
well.
Treading, formal q = 69
pp
pp pp
pp
3
p
I
know:
p simply and gravely
2
(p)
2
1/16/2006
Act II
22
154
Fl.
Hp.
Nico
Vn. I
4
Va.
al
-
ways
3
What
ev'- ry
sol - dier
3
known:
Vc.
I've
Vn. II
Cb.
3
pp
His heart
is
mp
mp
mp
mp
not
In war:
(pizz.)
un - der - stands.
p
mp
Hp.
Vn. I
(p)
Va.
Vc.
1/16/2006
his
p
3
His hands
own.
are
not
3
his
hands.
a bit faster
A#
Vn. II
Cb.
mp
mp
Nico
Hn. in F
Fl.
a bit faster
161
3
p
p
p
p
p
3
Act II
168
Cl. in Bb
p Bn.
p
Hp.
Nico
You know:
Vn. I
Vc.
Db
D§
3
3
We have a
mis sion
to
mp
ful - fill.
There- fore:
Our
2
sub. p
176
2
sub. p
p
pp
mp
mp
p
pp
ou -r own.
Ou -r will
3
a bit faster
Fb Cb
are not
loves
unis., pizz.
3
mp
3
mp
Cb.
mp
Vc.
mp
Va.
Vn. II
Vn. I
Nico
Hp.
Hn. in F
ways known,hav -en't you?
-
Cl. in Bb
Fl.
sub. p arco, div.
Cb.
sub. p
Va.
sub. p
Vn. II
3
p
You've al
Restrained q = 72
3
Light finds LYSIA, distant but present: it's she to whom NICO really sings 4 p
Fl.
Restrained q = 72
23
3
is
3
not
ou - r
E§ F§ A§ D§ C# B§
will.
a bit faster
p
p
p
p
p
arco
1/16/2006
Act II
24
184
Fl.
Cl. in Bb
Bari Sax. in Eb
Bn.
Hn. in F
Perc. 1
Surging, oceanic q = 76
mf
4
Bari. Sax.
Marimba
6
mf
Vc.
mf
Cb.
mf
1/16/2006
mf
3
pp
mf
A thens
mf
p
p
p
p
gives
me
mf
mf
3
Lo- ver, neigh bor:
f
mp
pizz.
6
pp
pp
mf
mp
mf
6
4
Land and la bor,
4
3
mp
A thens gives me bor - ders:
mf
Va.
pp
mf
Vn. II
mf
Surging, oceanic q = 76
Vn. I
mf
mf
Nico
mf
Hp.
ev' - ry thing,
3
f
3
f
and
4
4
f
f
Act II
190
Fl.
Cl. in Bb
Perc. 2
Hp.
Nico
f
p
mf
in
re - turn:
A thens gives me
4
p
sub. p
3
p
Va.
Vc.
p
non vib.
ppp
pp
pp
non vib.
4
I
o - bey them:
sub. pp
I
pizz.
pizz.
pp pizz.
pizz.
do not weigh them.
I
pp
pp
3
mp pp
sub. pp
mf arco
non vib.
sub. pp mf pizz. sub. pp
p
or - ders.
sub. pp
mf
ppp
(actual pitch)
mf
non vib.
Vibraphone, bowed, motor off
4 3 4
Vn. II
Cb.
4
A thens,
Vn. I
p
25
mp 3 arco
arco
mp 3
Bari Sax. in Eb
Timp.
Perc. 2
196
Hp.
Nico
Vn. I
pp
do not cry
mp
arco mp
arco
mp
mf
pp
mp
mp
mf
mp
mf
Why
mf
mf
mf
would I?
pp
G# Ab Cb
nor ques - tion, "Why?"
pp
non arp.
F#
Vibes, soft mallets, motor off
arco
pp
Vc.
Va.
Vn. II
Cb.
pp
pp
pp
pp
p
4
mp
p
p
Notfor me to learn.
None of my con - cern.
LYSIA fades from view. mp
4
mp
p
p p
mp
mp mp
1/16/2006
Act II
26
203
Fl.
Cl. in Bb
Hn. in F
Tpt. in D
Timp.
Perc. 1
Perc. 2
Leonidas
Vn. I
Cb.
1/16/2006
mf
mf
mf
pp
pp
Glock
Small Snare Drum
pp
pp
f
3
4
mf
4
f
mf
mf
f
mf
3
f
f div.
f
orjust
brassy
mf
f
3
pp
mp
3
brassy
ff
A§
3
mp
be lieve: I know:
be - lieve?
mf
3
f
be - lieve, not
Not
f
pp
3
On- ly mine to know, as I know... f challenging
non arp
doggedly
f
f
mp
pp
f
mf
sfzpp
mf
Vc.
Know,
Va.
p
p
Vn. II
Nico
p
Hp.
Bari Sax. in Eb
Bn.
f
sfz
pp
sfz
pp
sfz
pp
pp
f
unis.
3
f
tellsme
sfz
ci - ty
f
I know my
f
f
3 3
3
Act II
Hn. in F Tpt. in D
Vn. II
Va.
Vc.
Cb.
There - fore:
When we
re - gain
div.
mp
mf
And
3
3
re - tain
mp
we
mp
mp
mp
mp
slowing
Gb
mf
mp
Will
sul tasto, non vib.
non vib. sul tasto,
sul tasto, non vib.
p
Still
vib. sul tasto, non
We
own,
ou - r
mp
own,
Eb F§ G§
ou - r
mf
pp
3
Vn. I
Nico
Hp.
true.
pp
Hn. in F
pp
218
Alto Sax. in Eb
Vc.
mf
Va.
mf Alto Sax.
Vn. II
Cb.
Vn. I
Nico
Hp.
mf
Bn.
Alto Sax. in Eb
Cl. in Bb
Fl.
211
27
Kill
slowing
pp
p
p p
p
pp
pp
pp
pp
1/16/2006
Act II
28
No. 52: Kinesias Decides
225
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
Perc. 1
Hp.
Nico
Leonidas
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
pp
long
straight mute
solo
p
long
ppp
3
long
long
Crotales
p
3
pp
long
long
In time
long
long
long
long
F# Ab C#
NICO gestures LEONIDAS out of the tent. p
p
3
You.
Disappointed, LEONIDAS trudges back to camp. NICO, stony but haunted, stares straight ahead. The soldiers have since drifted off to fitful sleep: all except KINESIAS.
Of- fi- cer.
long
long ord.
long ord. ord. long
unis., ord., actual pitch
long
pp
Of- fi- cer.
In time
ord. long
3
sfzpp
sfzpp
sfzpp
3
sfzpp
3
3
232
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
pp
pp pp
3
3 3
3 3
3
Hp.
pp
3 O-thers or- der me, "Eat!""Sleep!" O-thers say,"Rab - bit!"watch me leap! Look like a ram, actlikea sheep:..
p in a frenzy of self-doubt 3
Maron Meleagros Alpheus
Philo Bion
Vn. I
div.
238
Cl. in Bb Alto Sax. in Eb
3
Vc.
Cb.
Va.
Brisk, decisive q = 96
mf
C§
p decisive
E - nough.
Brisk, decisive q = 96
BAAAA!
pp
Baaa!
Vn. II
Baaa! BAAAA! asleep: bleating lustfully f p
Slower q = 63
Vn. I
unis.
pp
F§ Db Bb
E - nough.
My
-
p
f
Kinesias
3
Hp.
pp
pp
Fl.
asleep: bleating lustfully p
Vc.
Va.
Vn. II
Cb.
Nico
3
Slower q = 63
pp
29
Act II
1/16/2006
Act II
30
243
Fl.
Slower, more graceful q = 69
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Perc. 1
Hp.
Maron Meleagros Alpheus
Kinesias
-
Philo
Bion
p
rrhi - ne,
Vc.
Cb.
1/16/2006
Baaa!
p
Baaa!
Va.
A§ D# Cb B§
Vn. II
mp
mp
mp
ossia 8va
Triangle
now.
pp
sneaks away from camp, stealing towards the Acropolis. HE
Slower, more graceful q = 69
Vn. I
Baaa!
mf
pp
fast arp.
pp mp pp mp
mp
Baaa!
May
3
I
zpoon
you?
pp
mp
pp pp
pp
formally, to his tentmate
pp
pp
mp
31
Act II
SCENE TWO No. 53: Losing Our Nerve As KINESIAS vanishes offstage, and the sleeping armies fade from view, moonlight finds LYSIA, now a rather aggressive night watch (wo)man, pacing the balcony of the Acropolis. Suddenly, from within, CHARITO appears, draped in a sheepskin--complete with false head.
Feverish q = 116
250
Fl.
solo
p
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn.
Timp.
Vn. I
Vn. II
Va.
Vc.
Cb.
pp
3
pp pp
pp
pp
f
3
3
p
E§ F# Ab D§ C§ Bb
Feverish q = 116
pizz. pp pizz.
arco
pp pizz. pp
pizz. pp pizz.
pp
arco
arco
arco
arco
pizz.
pizz.
pizz.
pizz.
pizz.
pizz.
pizz.
arco
arco
arco
arco
arco
pizz.
pizz.
arco
pizz.
arco
arco
arco
arco
pizz.
pizz.
mp
mp
3
pp
mp
3
p
solo 3
3
s. glis
Hp.
pizz.
arco
arco
arco
pizz.
arco
arco
3
mp
mp
pizz.
mp
mp
1/16/2006
32
Act II
255
Fl.
pp
Cl. in Bb
pp
Alto Sax. in Eb
Bn.
Hn.
Tpt. in D
Perc. 1
Lysia
Charito
Vn. I
pp
pp
sub. pp pizz. sub. pp pizz.
Va.
sub. pp pizz.
Vc.
sub. pp pizz.
Cb.
Vn. II
(pp)
arco
pizz.
arco
pizz.
arco
pizz.
arco
Baaaa!
arco
3
CHARITO, mortified, slinks back inside the Acropolis as KLEONIKE, as brittle and exhausted as LYSIA, joins her on the balcony.
3
f
f f f f arco
mp
mp
f f f
pp
p
p
mp
pp
f
p
"TRY it."
A
it."
A
mp
pp
pp
pp
mp
pp
pp
mp
pp
pp
mp
pp
mp
pp
pp mp
mp pp
pp
f
pp
pp
q = 144
p
BACK IN -
"Try
f
1/16/2006
f
Fast, brittle q. = 144
Cb.
Vc.
Ci- ti- zen!
3
Va.
Ci- ti- zen:
Alto Sax. in Eb
Vn. II
mp
Vn. I
f furiously
f mp
f
Kleonike
mp
to straight mute
Cl. in Bb
SIDE!
f
Lysia
mp
mp
Fl.
Fast, brittle q. = 144
Baaaa!
261
mp
3
mp
3
f
f
mp
arco
arco
q = 144
f
3
pizz.
responding, equally lustfully, to the SOLDIERS' distant bleating f
3
arco
Ratchet f
f
p
p
p
p
pp
pp
pp
pp
pp
266
Fl.
Cl. in Bb
Lysia
mp
pp
Alto Sax. in Eb
Bn.
pp
pp
mp
pp
mp
Vn. I
hun- dred days, we've tried.
2
hun- dred days, we've tried.
Vn. II
pp
mp
Vc.
mp
pp
And time,
2
pp
f mp f mp
mp
2
it seems, is
mp
no - bo - dy's
al -
f
f
mp
f
2
mp
f
mp
mp
f
p
f
f
2
we're
all
2
de - ny
2
it, we're
all
f
f
p
Point less to
f
ly.
mp
p
f
mp
ly.
p
al -
mp
f
mp
no - bo - dy's
it seems, is
33
mp
mp
pp
mp
mp
pp
mp Cb.
pp
Va.
mp
And time,
pp
2
Kleonike
Act II
f
f
270
Cl. in Bb
Hn.
Lysia
f
p
f
p
fit
to be tied.
Va.
Vc.
fit
We're lo - sing our
pizz.
pizz.
pizz.
pizz.
DIKA, looking guilty, sneaks into view p and slinks towards the staircase
nerve.
pp
mp
2
2
2
Let me show you,shall I?
to be tied.
pizz.
pp
pp
f
Vn. II
Cb.
p
2
Vn. I
f
2
Kleonike
p
Alto Sax. in Eb
Bn.
arco, sul pont. arco, sul pont.
pp
arco, sul pont.
pp
mp
Ob serve. p
2
Ob serve.
f ord.
f ord.
pp
f ord.
pp
ord.
pp
mp
2
pp
mp
pp arco, sul pont.
f arco
f
1/16/2006
34
Act II
Cl. in Bb Alto Sax. in Eb Bn.
Perc. 1
Perc. 2
pp
Marimba
Hp.
Vn. I
Vn. II
Va.
Vc.
mf
p
mf
mf
pp pp pp
2
Ci - ti- zen: such haste!
mf
mf
mf
pp
mf
Cl. in Bb
p
Alto Sax. in Eb
Bn.
Perc. 1
(Tpl. Blks.)
Perc. 2
Hp.
Lysia
Dika
Vn. I
Such
pp
ur - gen cy!
O - ver- night pazz, Com- man - der, pwease:
And what,
2
pray tell,
it'z an e - mer -zhen zy!
2
pizz.
mf pizz. 2
mf pizz. 2
mf pizz. 2
mf
p
pp
2
p
Va.
1/16/2006
non arp.
2
Triangle
p
Vn. II
Vc.
materializing to stop DIKA
280
Fl.
mp
A§
Five Temple Blocks
Sandpaper Blocks
mf
Lysia
2 2 pp
275
Fl.
No. 54: Overnight Pass
2
e -
284
Cl. in Bb Alto Sax. in Eb Bn.
Hn.
Lysia
xerts
Dika
Kleonike
Vn. I
Hn.
Timp.
2
Perc. 2
Hp.
Lysia
Kleonike
Vn. I
pp ord.
pp ord.
Vn. II
Va.
pp ord.
Vc.
Cb.
pp
2
My
vool.
pp
mp
4
4
4
pizz.
pizz.
pizz.
pp
Bari Sax.
pp
mp
pp
mf
ab - zo - wute - ly pwize.
And ze
mothz vill just
Oh,
4
de - vouah...
Oh,
arco
arco
arco
arco
pp
mp
pp
mp
pp
pp
mp mp div. mf
mf
(p)
mf
mp
pizz.
q. = q
pp
It'z
vool.
My
mp
pp arco, sul pont.
2
Her "vool."
mp
arco, sul pont.
2
pp arco, sul pont.
arco, sul pont.
q. = q
Delicate, wheedling q = 144
ord.
p
Mi - le - sian
Your wool?
vool.
best
4
4 p Vibraphone, motor off 4
mf
pp
2
Delicate, wheedling q = 144
Dika
My
pull?
Marimba
Perc. 1
Cl. in Bb
Bn.
287
Bari Sax. in Eb
Va.
Fl.
Vn. II
Vc.
such
35
Act II
port.
moths!
port. moths!
Ouch.
Ouch.
I
1/16/2006
291
Fl. Cl. in Bb
Bn.
Timp.
Perc. 1
(Mar.) 4 p
Dika
Vn. I
(Vibes)
Vc.
pp
pp arco
295
Cl. in Bb
Bari Sax. in Eb Bn.
Hn.
Timp.
Vn. I
Va.
Vc.
Cb.
1/16/2006
pp
I
4
on - ly
pizz.
pp
Eb Cb
houah.
Just
pp sul pont. arco, pp arco, sul pont. pp
try.
mp
pp
mp
mp
pp
mp
A
cri -
p
sis,
3
this
non arp.
f
is
not.
ord.
pp
Zpreadit on ze
pp
Nice
e - nough to, you know,
pp arco, sul pont.
4
arco, sul pont.
p
gliss.
mp
mp
need an
pizz.
pizz.
pp
4
4
4
pizz.
Vn. II
mp
couch.
Kleonike
Dika
mp
Hp.
knew you'd zym - pa - thize.
pp
Fl.
pp
Va.
4
Vn. II
Hp.
4
Perc. 2
4
pp
Act II
4 pp
4
Bari Sax. in Eb
36
You'll
stay
here.
pp
ord.
ord.
pp
pp ord.
pp
f
f
f
f f
Act II
298
Fl. Cl. in Bb
Perc. 2
Vn. I
Va.
Vc.
Cl. in Bb Alto Sax. in Eb Bn.
Perc. 1
Perc. 2
Kleonike
tearful
Must
I
let
3
my piece - vork
pp
pp pp pp
pp
Vn. II
Va.
Vc.
Alto Sax. pp
pp
E§ F# C§
dry
So it would ap - pear.
DIKA, chastened, slumps inside, just as XANTHE bursts into view. pp
side.
pp
In -
side.
mf
mf
Five Temple Blocks
mp
B§
to XANTHE
2
wryly, re XANTHE
Co - in - ci dence? wryly, re XANTHE
mf
Sandpaper Blocks p
mf
3
3
mp
pp
3
pp
2
In -
p
Fb
2
Ci - ti- zen: such haste!
Co - in - ci dence?
Faster, nervous q. = 144
Vn. I
Faster, nervous q. = 144
Marimba
mp
rot?
p
Lysia
Hp.
302
Fl.
Vn. II
Cb.
Dika
Kleonike
Hp.
Lysia
(Vibes)
37
pp pp pp pp
mf
mf
mf
mf
1/16/2006
38
Act II
307
Fl. Cl. in Bb
Alto Sax. in Eb
Bn.
Tpt. in D
Perc. 1
(Tpl. Blks)
Perc. 2
Hp.
Xanthe
Lysia
Vn. I
Such
pizz.
pizz.
Alto Sax. in Eb Bn.
Hn.
Perc. 2
Xanthe
pizz.
Kleonike
Vn. I
2
2
p
Bb
it's an e - mer - gen cy!
2
Re - lax?
pulling back
2
my
flax!
It's
2
for - got
to pluck my flax.
p
2
I
q = q.
Crotales
Your flax?
My
spoken, to audience: wisdom and sympathy, cascading from a great height
2
2
She suf- fers from un plucked
re - lax?
mf
Va.
1/16/2006
I
mf
Vn. II
Vc.
mf
2
p
con sord.
mf
Lysia
Re - lax.
2
2
How can
O - ver- night pass, Com- man - der, please:
2
pizz.
p
311
Cl. in Bb
ur - gen cy!
Va.
Vc.
p
2
pp
2
p
Triangle
non arp.
Vn. II
arco, sul pont. pp arco, sul pont.
pp arco, sul pont.
mp
pulling back
mp
pp arco, sul pont.
mp
pp
mp
pp pp
flax.
q = q.
pp
pp
39
Act II
315
Fl.
Cl. in Bb
Bari Sax. in Eb
Bn.
Hn.
Timp.
pp
4 p Vibraphone, motor off
Marimba
Perc. 1
Perc. 2
4
Hp.
Xanthe
Lysia
Kleonike
mf
flax.
4
You
see,
4
4
it's
4
ord.
pp
ord. pp
pizz.
pp
Baritone Sax.
pizz.
mf
mf mf
mp
pp
(p)
to - tal - ly
in
4
flow - er, And those aw - ful, glu - ey seeds...
arco
arco
arco
arco
pp
pp
pizz.
pizz.
pp
Vc.
ord.
Va.
pp
Those
Those
pp
Vn. II
ord.
Vn. I
p
pp
pp
port.
seeds!
seeds!
port.
Yuck.
mp
mp
mp
I
Yuck.
mp
1/16/2006
40
Act II
319
Fl.
Cl. in Bb
Bari Sax. in Eb
Bn.
Timp.
4
(Marimba)
Perc. 1
Perc. 2
knew
Vn. I
4
Va.
Vc.
pp pp
pp
1/16/2006
that you'd
pp
Vn. II
a
-
gree.
pp
pp
4
4
4
4
So,
pizz.
pizz.
give
me
just
an
hour;
pizz.
pizz.
4
pp
Xanthe
4
4 pp
Hp.
p (Vibes)
4 pp
Eb Cb
4
The
on - ly thing
arco, sul pont. pp
arco, sul pont.
it needs
mp
pp arco, sul pont.
mp
pp arco, sul pont.
mp
pp
mp
is...
One
fast
pp
pp
pp
pp
41
Act II
323
Fl.
mp
Cl. in Bb
Bari Sax. in Eb
Bn.
Hn.
Timp.
Perc. 1
Hp.
Xanthe
Kleonike
Vn. I
Vn. II
Va.
Vc.
Cb.
mp
mp
mp
p
(gliss.)
mp
Triangle p
pluck.
A
bien
tot!
Ah...
no.
3
Get back
there.
ord.
pp
spine.
ord.
ord.
pp
f
pp
Show some
ord.
non arp.
in
p
pp
3
f
f
f
f
f
1/16/2006
42
Act II
Alto Sax.
327
Alto Sax. in Eb
Bn.
Perc. 2
Hp.
Xanthe
Vn. I
Tpt. in D
Perc. 1
pp
mp
mf
Get
mf
pp
f
3
ff
mf
In -
f
Va.
f
Vc.
Cb.
1/16/2006
In -
f
f
pp
pp
e=e
3
f
3
f
3
f
3
side.
3
side.
With tremendous dignity q. = 72
Vn. II
f
mp
XANTHE, mewling, slumps indoors, as ARETE, her belly conspicuously swollen, staggers into view, praying loudly.
Vn. I
3
p
e=e
3
3
p
E§ F# C§
f
f
line.
3
in
ff ff ff ff
pp
f
f
Bn.
Get in line.
pp
pp
f
Alto Sax. in Eb
SO DOES MINE!
With tremendous dignity q. = 72
Cl. in Bb
332
ff
Vc.
Fl.
3
Va.
Don't you see my flax needs care?
Fb Ab
desperately
Vn. II
Cb.
Lysia
Kleonike
(Vibes)
43
Act II
334
Perc. 1
Perc. 2
Sandpaper Blocks p
f
Five Temple Blocks
f
Hp.
Fast, brittle q. = 144
f
Lysia
Kleonike
spoken, to audience
Sing a long!
2
2
You know this part:
spoken, to audience
Sing a long!
2
2
Vn. II
Va.
Vc.
Cb.
div.
sure ly, by now,
You know this part:
Fast, brittle q. = 144
Vn. I
2
to ARETE
by heart.
Ci - ti - zen:
such haste!
Such
2
ur - gen cy!
pp
sure ly, by now,
2
non arp.
A§
by heart.
pp
mf
pp
mf
mf
pp
mf
1/16/2006
44
Act II
mp
Cl. in Bb
Alto Sax. in Eb
338
Fl.
Bn.
Hn.
Tpt. in D
Timp.
Perc. 1
mp
f
f mp
mp
f
mp
mp
f
f
Small Snare Drum p
f
Va.
Vc.
f
mp
Vn. II
1/16/2006
f
O- ver- night pass,Com- man- der, please:
it's an e- mer- gen cy! I'm due a - ny
O- ver- night pass,Com- man- der, please:
it's an e- mer- gen cy!
O- ver- night pass,Com- man- der, please:
Cb.
Arete
Vn. I
Hp.
Kleonike
Lysia
2
mo - ment:Out of my vay!
I
2 2
You
we - ren't
2
2
f
f
f
2
preg - nant yes - ter day.
2
2
preg - nant yes - ter day.
p
2
f
p
2
we - ren't
p
it's an e- mer- gen cy!
f
2 2
You
p
342
Timp.
Perc. 1
Perc. 2
Lysia
Arete
Kleonike
dryly, to KLEONIKE
know:
Hey, it's a
mi - wa- cle.
it'z a mi - wa- cle!
arco, sul pont.
Vn. I
pp arco, sul pont.
Vc.
pp
Bn.
Timp.
Perc. 1
Perc. 2
(Mar.)
(p)
4
pp arco
Vn. II
pp
arco Va.
pp arco
Vc.
Cb.
pp
ze myth of
mp
mp
mp mp div. mf
p
4
I'll break
va - ter
4
we - zist hiz po wah? It vas
pp 4
4
pp
4
pp
a - ny
ze cond! I'll give pizz.
pp pp
4
4
Gb Ab
pp
pp
I
pp
4
4 4
4
pizz.
pizz.
Le - da and ze svanz.
correcting: "Svan. One svan: look it up."
pizz.
pp
4
bec- koned,how could
ord.
pp
mp
pp (Vibes)
like arco
Vn. I
pp
Arete
pizz.
pp ord.
Hp.
Lysia
pp
Bari Sax. in Eb
Zeus, ze Migh - ty,
pp ord.
mp
q = q.ord.
Cl. in Bb
Oy vey.
Ven
mp
346
Fl.
pp arco, sul pont.
2 4
mp
pp arco, sul pont.
Va.
4 p Vibraphone, motor off 4 p mf
mp
Vn. II
Marimba
pp
q = q.
Hp.
45
Act II
pizz.
pizz.
pizz.
birth
4
viz - in
ze
houah...
1/16/2006
46
Act II
350
Timp.
Perc. 1
Lysia
Not
Kleonike
Vn. I
4
un - less
Arete
sul pont. arco,
Fl.
pp
p
pp
pp
1/16/2006
mf 3 mf 3
Oy.
mf
mf
Alto Sax.
sul pont.
pp arco, sul pont.
pp
pp change to
change to
change to
3
normal p
normal p
normal p normal
p normal
p
3
3
Small Tamtam, soft mallets pp
change to
3
mf
mf
3 3
Cb
sul pont.
f
pp change to sul pont.
5 I'm go - ing to have a boy! Oy.
f
ord.
pp sul pont.
Cb.
ord.
Vc.
pp
Va.
ord.
Vn. II
Headlong, in 1 q = 160 (almost twice as fast)
Vn. I
pp
sfzpp Marimba
Hp.
ord.
Perc. 2
mp knocking on ARETE's belly, which gives off a loud metallic clang.
Headlong, in 1 q = 160 (almost twice as fast)
Perc. 1
mp Brake Drum/Metal Plate/Anvil: (G# or unpitched)
Suddenly, the other WOMEN boil out of the Acropolis, all--except SAPPHO--besieging LYSIA and KLEONIKE with ad lib pleas and cries: It's been three months! How can you expect us to go on like this? We're going mad! I can't sleep, I'm feverish, I've been in tears for weeks; It's not working, Lysia, we're human beings, it's brutal what you're demanding we go through; you have to take pity on us, war, peace, we're dying either way, I can't endure it...
Alto Sax. in Eb
Timp.
mp
Tpt. in D
bronze.
Hn.
of
mp
Cl. in Bb
Bn.
ba - by's made
arco, sul pont.
353
mp
pp
arco, sul pont.
mp
pp
Vc.
your
pp
Va.
arco, sul pont.
Vn. II
Eb
47
Act II
3 3 f 3 ff 3 360
Fl.
Cl. in Bb
f
Alto Sax. in Eb
Bn.
Hn.
Tpt. in D
Timp.
Perc. 2
Xanthe Myrrhine Lampito
f
3
3
3 3
f
. gliss
ff
ff
ff
f
3
f
Vn. I
Cb.
f
f
p
f
f
Vibraphone hard mallets, motor off
f
p
f
f
E - nough!
3
3
ff
3
Vc.
p
f
4
p
Va.
f
4
ff
f
p
f
G§ Db
Vn. II
quasi 6/8
f
p
E nough! Charito Dika Arete
non arp.
p
ff
4
ff
choke
f
4
p
ff
ff
p
ff
3
(Tamt.)
Hp.
(Mar.)
Perc. 1
3
3
ff
ff
ff
ff
E nough!
E - nough!
pizz.
Zex
p
Sex
now!
Not a - no - ther
f
4
4 p f 4 p f 4
p arco
p
4
4
now!
f
Not a - no - ther
night:
4
p
p
p
p
p
1/16/2006
48
Act II
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn.
Tpt. in D
Perc. 1
Perc. 2
f
f
mf
Xanthe Myrrhine Lampito
(Vibes)
Vn. I
f
f
Va.
Vc.
f
f
Cb.
1/16/2006
mf mf
mf
mf
p
p
now!
Ve're
p
p
arco
p
fret- ting:
ve're
pp
pp pizz. pp pizz.
pp
we're get - ting
i - tchy:
we're get - ting
sligh
pp
e - ver so
pp
pp
e - ver so
Small Suspended Cymbal
f
i - tchy:
pp
We're fret- ting: we're
now!
p
p
Zex
Zex
solo
Vn. II
night: Charito Dika Arete
Hp.
mf
Fl.
367 f f
sligh
-
-
arco
arco
373
Timp.
Perc. 1
Hp.
Xanthe Myrrhine Lampito
Sappho
Charito Dika Arete
Vn. I
Vn. II
Va.
Vc.
Cb.
49
Act II
ff
tly
ff
tly
-
A§ D§ C§
bi tchy...
strangely serene
pp
bi tchy...
3
I'm get- ting a lot
pp
po - e - try writ- ten.
q = ca. 80, with the voice
ff
3
of
pp
3
Well,
pp
bul - ly for you,
3
Well,
ff ff ff ff
3
Ac - tu - al- ly,
q = ca. 80, with the voice
choke
mp
pp
-
(Sus. Cym.)
Twice as fast (beat 4)
Sa - ppho.
bul - ly for you,
E-
p
Sa - ppho.
p
E-
Twice as fast (beat 4)
378
Timp.
Perc. 2
Xanthe Charito
sfzpp
nough!
Dika
Vn. I
Vn. II
Va.
Vc.
Cb.
pp pp
pp pp
E nough!
E - nough!
E nough!
E - nough!
E - nough,
E nough!
e-
nough,
e
NOUGH!
spying someone offstage
e-
E - nough,
E - nough,
mf
e-
e-
nough,
nough,
nough,
e
e
e
NOUGH!
NOUGH!
NOUGH...
Wait!
E - nough,
E nough!
E - nough!
E nough!
pp
E - nough!
E nough!
nough!
E nough!
nough!
Myrrhine
E nough!
nough!
Arete Lampito
rearing back
rearing back
f
f
f
f
f
1/16/2006
50
Act II
Fl. Cl. in Bb Bari Sax. in Eb
Perc. 1
Perc. 2
Hp.
Myrrhine
solo
p
mf
(3+3+2+2)
mf
Kinesias
Days,
in the
field,
I'm
ne
-
-
Vn. I
Vn. II
p
Va.
Vc.
p
p
Cb.
p
388
Cl. in Bb
Bari Sax. in Eb
Bn. Hn.
Lysia
Myrrhine
Kinesias
Vn. II
3
(3+3+2+2)
Still:
Oh,
-
cealed
ne...
don't
p
p
p
mf
mf
pp
how
you
crave
her.
how
I
crave
her.
E§ Ab
pp
pp
pp
don't
pp
I
pp
mf
yield,
mf
(3+3+2+2)
mf
I
3
Ki
rueful
Don't I show it...
(3+2+3+2)
(3+3+2+2)
...re vealed
Cb.
con
Re vealed. mf
I've
mf impressed despite herself
Vc.
p rapt
(3+2+3+2)
bra- ver:
p
1/16/2006
3
Va.
3
wa ver:
Vn. I
mf
3 3
(3+3+2+2)
solo
ver
Heavy, but ardent q. = 52
p
staggering into view, in conspicuous erection and considerable pain mf
mf
Marimba
(3+3+2+2)
solo
Bari. Sax.
382
No. 55: Kinesias Enters
Heavy, but ardent q. = 52
pp
f pp arco pp f arco 3 3 pp f pizz. 3 3
f
f
pp
51
Act II
No. 56: Coaching Myrrhine
393 Suddenly
Fl.
Cl. in Bb
Hn.
Tpt. in D
Perc. 2
mp
mp mp
Vibes, motor off
mp
mp fast arp.
mp
Vn. II
Va.
mp
Cb.
mp
3
pp
3
pp
3
Sandpaper Blocks
Ab Bb
Now, Myr rhi- ne:mus -tn't flinch.
Steel your will.
snapping to attention
p
First, though: drill.
Per fume: -
3
Dis - creet?
"Mus - tn't flinch."
mp
arco, div.
pp
Eb A§ B§
mp
Vc.
Ev' - ry inch.
3
3
p
mp
Suddenly swift q = 120
Vn. I
mp
pp
mp
Alto Sax.
That's yourhus band? -
Myrrhine
mp
mp
Lysia
Hp.
Alto Sax. in Eb
Bn.
swift q = 120
pizz.
pizz.
pizz.
pizz.
unis., pizz.
arco
arco
arco
p
p
p
arco
p
arco
p
1/16/2006
52
Act II
398
Fl.
3 (pp)
Alto Sax. in Eb
Bn.
Hn.
Tpt. in D
Perc. 1
Hp.
Lysia
Myrrhine
Vn. I
p
mf
1/16/2006
Wild?.
mf
f
f
f
f
3
3
3
3
3
f
pp
pp
pp
pp
p
f
Breasts:
p
p
Fla - grant.
adjusting her neckline
mf
p
mf
mf
Check.
pp
pp
mf
p
mf
Gb A§ B§
tousling it
Check.
sub. p
3
p
Check.
mf
Hair:
Vc.
mp
mf
sniffing her wrist
Va.
mf
Cb.
3
Vn. II
3
Marimba
f
(Sd. Blks.)
Perc. 2
(pp)
f
(pp)
3
(pp)
Cl. in Bb
pp
pp
f
3
p
p 3
f
3
f
p
f
sub. p 3
3
f
sub. p
sub. p 3
f
f
f
3
3
p
p
f
f
3
3
sub. p
53
Act II
Cl. in Bb
Alto Sax. in Eb
403
Fl.
Bn.
Hn.
Tpt. in D
p
to straight mute
sord. p
(f)
(f)
(f)
(f)
(f)
(f)
p
Vibraphone, soft mallets, motor off
p Dress:
Myrrhine
Vn. I
3
Vc.
Cb.
Check.
Ki - ne,
f
f
oh,
pp
pp
Ki -
p
p
p
fast arp.
relentless
A
-
ny- thing but ac- qui esce.
ne...
p
pizz. p
p
pizz. p
mp
mp
mp
mp
pp
pp
f
loosening it
E§ G§ Ab Db Bb
p
Tease him,taunt him, kiss, ca -ress: wistful
f
f
Va.
Lo - sa - ble?
Vn. II
mf
Lysia
(p)
Hp.
Perc. 2
pizz.
pizz.
pizz. p
1/16/2006
54
Act II
409
Cl. in Bb
Alto Sax. in Eb
Fl.
Bn.
Hn. Tpt. in D
Perc. 2
Lysia
(Vibes)
(sord.) mp
mp
Kleonike
Vn. I
Myrrhine
Vn. II
mf
p
Vc.
Cb.
1/16/2006
We know: in mf
side...
Ve know: in -
zide...
Don't dis - ap
p
In - side!
mf
-
point
pp
pp
p
I won't dis - ap - point
mf
3
Ev' - ry - one else:
In - side!
arco
pp arco
3
pp
3
pp
mf
pp 3 mf
pp
pp
3
mf
arco
mf
-
point
a bit faster, with the voice
(mf) pp
mp
(mf) pp
(mf) pp
(mf) pp
pp
p
Don't dis - ap
pp
mf
arco
F#
arco
Va.
Eb Fb
Let o - ur oath re- main your guide.
Sappho Arete Lampito
mf
Xanthe Charito Dika
Hp.
mp mp mp mp
a bit faster, with the voice
mp
mp
mp
mp
416
Cl. in Bb
Bn.
Perc. 1
Lysia
Kleonike
Kinesias
Vn. I
Vn. II
Va.
Vc.
Cb.
pp
us...
you....
pp pp pp pp
Cl. in Bb Alto Sax. in Eb
Bn.
Hn.
Tpt. in D
Hp.
Lysia
p
p
mf 3
f f f f
Twice as fast q = 104
Vn. II
Va.
Vc.
Cb.
f
pp
pp
pp
pp
3
Just as
mine did.
I'm
blah,
blah,
blah:"
ne...
(3+3+2+2)
3
3
3
(sord.)
mf
mf pp pp mf pp mf mf
mf
3
no man en- ters here
pp
pp
pp
She produces a blindfold: the same one NICO used on her. pp
3
un- less
How- e - ver,
pp pp pp
E§ D§
"Blah,
f crisply
p
field,
mf
p
the
p
Twice as fast q = 104
in
You se - re - nade her. How dear.
Vn. I
Fl.
p
420
Half tempo q. = 52
Moving forward q = 104
pp
(3+3+2+2)
mf
Days,
mf
us...
solo
(Mar.)
Myrrhine
Half tempo q. = 52
solo
(Vibes)
Perc. 2
55
Act II
Moving forward q = 104
blin- ded.
pp pp
pp
1/16/2006
56
Act II
Fl.
mp
Cl. in Bb
mp
Alto Sax. in Eb
Bn.
mp
mp
Hn.
Tpt. in D
Timp.
Perc. 2
Lysia
mp
mp
solo
solo
p
mf
Bell Tree
p
On - ly cloth: don't fuss.
mp
ossia:
p
pp
mf
Kinesias
easing up
426
blindfolding him
This is - n't
Oe - di pus.
3
Myr- rhi ne!
Myr- rhi - ne!
3
f
Guest!
Blin- ded? You jest.
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
p
p
pp
pp
pp
p
pp
p
easing up
p
57
Act II
No. 57: Negotiations
Graceful, but formal q = 84
Fl.
Timp.
Perc. 2
pp
pp (con sord.)
p
pp
mp
Myrrhine
Kinesias
mp
3
Vn. II
Va.
Vc.
mp
mp
Cb.
Hn.
Timp.
Hp.
Myrrhine
mp
439
Vn. I
Vn. II
Va.
Vc.
Cb.
solo
pp
pp
Vibraphone, soft mallets, motor off
non arp.
pp
pizz.
it's the rule.
mp
Per- se - vere. Is there news of a
pp
pizz.
pizz.
arco
3
Myr- rhi- ne? pizz.
pizz.
3 3
p
pp
"Um:
Yes?" Swear to Zeus? mf
Yes!
mp
mp
mp
mp
Of a truce? Um:
arco
mf
p
3
struggling with the blindfold
You're here!
mp
She descends the stairs.
truce?
p
arco
Ki - ne.
F§ D§ B§
p desperately
p formally
Suddenly rapid q = 144
arco pp arco
Well,it's cruel.
3
Suddenly rapid q = 144
No, keepit on:
Kinesias
mp
Db
mp
As LYSIA withdraws to observe, MYRRHINE descends the Acropolis staircase and approaches KINESIAS.
Graceful, but formal q = 84
Vn. I
(Bell Tr.)
p
Hp.
pp
Tpt. in D
3
solo
solo
pp
Alto Sax. in Eb
Hn.
Cl. in Bb
Bn.
433
"Swear to Zeus?"Moreor
1/16/2006
58
Fl.
445
Cl. in Bb
Bari Sax. in Eb Bn.
Hn.
Tpt. in D
Timp.
Myrrhine
Kinesias
Vn. I
f f exasperated
3
A - no - ther ex - cuse!
f
f f
Bari. Sax.
f
f f
3 Myr - rhi - ne:
I'm
3
3
Sure - ly you know I
3
go - ing through hell!
Much slower q = 104
f
but...
f
I guess:
f f f f
less.
Much slower q = 104
Va.
Cb.
Vn. II
Vc.
Act II
miss you as well!
con sord.
pp
con sord.
con sord.
pp
pp con sord.
pp
451
Fl.
Cl. in Bb
Bari Sax. in Eb
Slower still, but billowing q = 96
p
Myrrhine
non arp.
p
Ev' - ry - thing we'd do:
how I'd
mp
feel,
Vn. II
Va.
Vc.
Cb.
1/16/2006
con sord.
pp
solo
p
3
p
how I'd melt when you'd
find
me...
solo
Db
Slower still, but billowing q = 96
Vn. I
solo
Hp.
mp
mp
mp
Act II
A bit slower q = 92
Fl. Cl. in Bb Bari Sax. in Eb
Perc. 1
Perc. 2
455
pp
non arp.
p
was it
pp
pp
Vn. II
Va.
pp
Vc.
pp
Cb.
solo
3
pp
pp
mp
pp
pp
pp
sounding pitch
me.
Spurred by LYSIA, MYRRHINE sets to work.
Slower still; serpentine q = 84
Vibraphone, motor off, soft mallets
pp solo
Marimba, softest mallets
Re - mind
real, what we felt, then?
pp
Re - mem- ber...
3
A bit slower q = 92
pp
Hard to keep in view:
Vn. I
p
Kinesias
Hp.
Myrrhine
59
Slower still; serpentine q = 84
pp
461
Bn.
Hn.
Myrrhine
Kinesias
Vn. I
Vn. II
Va.
Vc.
Cb.
Shhh.
3
pp
Now...
What areyou do ing?
sultrily
p sultrily
pp
pp
(Vibes)
Perc. 2
pp
Re - mem -
pp
Now..
ber... ...
long
My
gliss.
gliss.
gliss.
1/16/2006
60
Act II
No. 58: My Lips, Like So (II) 468
Cl. in Bb
Bn.
Hn.
pp
pp
Vn. II
Va.
1/16/2006
(Mar.)
pp
like so...
like
this,
col legno battuto 0
f col legno battuto
f
3
pizz.
p
pizz.
p
3
3
Do you re mem- ber?
pp
pp
heat - ed ly....
So
beats,
Where your pulse
mf
3
3
pp
3
pp
3
3 3
pp
pp
solo
solo
3
3
con sord.
Cb.
con sord.
Vc.
lips:
Vn. I
Myrrhine
Hp.
pp
Perc. 1
quasi bongos
Timp.
mf
Alto Sax.
Alto Sax. in Eb
Fl.
pp
474
Fl.
Alto Sax. in Eb Hn.
Tpt. in D
Timp.
Perc. 1
Perc. 2
Myrrhine
Kinesias
Vn. I
Cl. in Bb
3
(Mar.)
mf
mf
3
do I
re - mem ber!
pp
pp
3
Vc.
arco (ord.)
mf
3
so...
3
like
p
this,
As your
mp
p
mp
3
3
mp
harmon mute
Sandpaper Blocks
p
p
breath
3
stops:
mf
3 mp pp
pp
479
Cl. in Bb
Alto Sax. in Eb
Fl.
Bn.
Myrrhine
Kinesias
Vn. I
Vn. II
3
pea - ted -
pp
Va.
pizz.
Vc.
p
pizz.
Cb.
p
pp
f
stroking his chest sub. p
Here,
furred like the
wild
3
boar,
pp
But
Ab Db Bb
stroking his chin
3
here,
beardless as a
Myr rhi ne...
soli
Ah,
Eb D# Cb
ly....
. gliss
mf
mf
. gliss
. gliss
Hp.
Timp.
mp
pp
3
3
Cb.
Re -
pp
3
mf
mf arco (ord.)
3
Va.
3
Vn. II
fin gers,
Zeus,
My
quasi bongos
3
61
Act II
mf
mf
pizz.
pizz.
pizz. arco
pizz. arco
pizz.
mp
sub. pp arco pizz.
pizz.
mp
sub. pp pizz. arco
mp
mp
mp
pizz.
arco
sub. pp
sub. pp sub. pp
arco
pizz.
arco
arco
arco
arco
arco
arco
1/16/2006
62
Act II
Fl.
484
3
pp
Bn.
Timp.
Perc. 1
Perc. 2
Myrrhine
pp
(Mar.)
3
pp
pizz. arco
Va.
Vc.
pizz.
pizz.
mp
Do I dream?
Vn. II
1/16/2006
mp
pizz.
Cb.
pp
pp
3
child...
Vn. I
mp
3
pp
Alto Sax. in Eb
pp
Cl. in Bb
mp
arco
arco
arco
Do I
pp
pp Crotales
pp
sub. pp
i - ma- gine it?
3
Or,when I touch
pizz.
pizz. mp pp pizz. mp pp pizz.
mp pp
mp pp
3
pp
arco
arco
arco
arco
pizz.
arco
arco
pizz.
arco
arco
sub. pp
pizz.
you:
sub. pp
sub. pp
f
f
3
be - hind your ear..
col legno battuto
Just
col legno battuto 0
63
Act II
3
490
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn.
Tpt. in D
Timp.
Vn. II
Va.
Vc.
f
and
f
f
arco
pp
pp
here, and
Cb.
arco f
pp
senza sord.
pp
senza sord. col legno battuto 0
f
senza sord. col legno battuto
f
pp
you
wi
Gb
pp 3
here...
Vibraphone, soft mallets, motor off
Does that drive
arco pizz.
f
f
pp
senza sord.
molto
mf f
non arp.
molto
senza sord.
molto
Here,
mf
pp
mf
3
Vn. I
Myrrhine
mf
Hp.
mf
molto
Perc. 2
mf
mf (senza sord.)
molto
Perc. 1
mf
pp
-
ld?
arco
pizz.
arco
pp
f
pizz.
f
pizz.
pizz.
pp
3 pp
arco, ord.
arco, ord.
p 3
1/16/2006
64
Act II
mp f
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn.
Tpt. in D
Timp.
Perc. 1
f
Vc.
Cb.
1/16/2006
mp
f
pp
pp
mp
f
mp
pp
mp
mp
mp
f
mp
pp
non arp.
mp
E§ F# G§ A§
mp
D§ C§
3
f
f 3
wi
p -
ld?
pp pp
f
f
p
3
Wait.
Ly- si - a,
Slower, halting q = 76
I love him
suddenly nerveless p
Gods,you're great!
3
pp f 3 pp f f 3 3 pp f f 3
Va.
f
f
f
Vn. II
mp
3
Vn. I
Do I drive you
Kinesias
mp
f
Myrrhine
f
Lysia
Hp.
mp
Slower, deliberate q = 69
Fl.
Slower, halting q = 76
496
pp
Oh,
so!
Myr - rhi- ne:
and yet,you
Slower, deliberate q = 69
pp
pp
pp
65
Act II
Fl.
Suddenly driven, in 4 q. = 84 (3+2+3+2)
502
pp
Cl. in Bb
pp solo
Bn.
Hn.
Alto Sax. in Eb
pp
Marimba
Perc. 1
p
Lysia
p
pp
Vn. I
Vn. II
Va.
Vc.
Cb.
know:
(pp) pizz.
(pp) pizz.
(pp) pizz
al
-
- ways
known:
sim.
sim.
pp
(pp)
pp
(pp) pizz.
you have
pizz.
pp whispering
You
Suddenly driven, in 4 q. = 84 (3+2+3+2)
pp
ossia: play top pitch only, beat 2 of m. 503 to beat 1 of m. 510
know...
Fl.
505
Cl. in Bb Alto Sax. in Eb
Bn.
Hn.
Perc. 1
Lysia
Vn. I
Vn. II
Va.
Vc.
Cb.
(Mar.)
solo
niente
What ev' - ry
wo - man
un - der - stands.
In
war:
Her
p
heart
is
not
her
1/16/2006
66
508
Fl.
Cl. in Bb
Alto Sax. in Eb Bn.
Hn.
Tpt. in D
Perc. 1
Lysia
Act II
own.
Vn. I
Vn. II
Va.
Cb.
Cl. in Bb Bn.
Hn.
Perc. 1
Perc. 2
Vn. II
Va.
Vc.
Cb.
1/16/2006
Her
hands
are
not
p
Oh...
Right.
f
Fight!
3
mp
pp
pp
pp
pp mp
f
pp Vibraphone, soft mallets, motor off
Go.
pp
Now...
Now..
Re - mem
-
f
f
f
f
f
f arco f
arco
Marimba, softest mallets
f
f
f
Again serpentine q = 84
hands.
sempre p
Slower again, with the voice q = ca. 72
her
sempre p
C#
ber... ...
long
My
Myr- rhi ne!
Again serpentine q = 84
Slower again, with the voice q = ca. 72
Vn. I
Myrrhine
Kinesias
Lysia
Hp.
511
Fl.
Vc.
(Mar.)
con sord. arco
con sord.
con sord.
pp
pp sounding pitch
pp
con sord. arco
pp
arco con sord.
pp gliss.
gliss.
gliss.
n
n
n
67
Act II
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn.
Timp.
pp
pp
Xanthe Charito Dika
Sappho Arete Lampito
Vn. I
Vn. II
Va.
Vc.
Cb.
solo, ff
l.v.
like so...
like
3
this,
Sli - ding
(Mwah!) They blow MYRRHINE a congratulatory kiss.
Thin fire:
throb
mp
They blow MYRRHINE a congratulatory kiss.
(Mwah!)
You
3
3
for me.
I throb
p
pizz.
pizz.
p
col legno battuto 0
f col legno battuto
f
p
down, and in:
pp
He's warm.
3
(pp)
He's warm.
p
3
pp
Good form!
pp
pp
Good form!
3
Db C§
pp
The other WOMEN sneak back out onto the balcony to observe and give scores, as if they were watching an erotic Olympics. p
hands, Kinesias
pp
pp
pp
(Mar.)
quasi bongos
p
Myrrhine
Hp.
pp
Perc. 1
solo
518
3
for
you...
pp
pp
p
p
1/16/2006
68
Act II
523
Fl.
Cl. in Bb
3
solo
Alto Sax. in Eb
Bn.
Hn.
Timp.
Perc. 1
Perc. 2
Hp.
Lysia
pp
3
p
Vn. I
1/16/2006
Vc.
3
3
mf
quasi bongos
3
mf
pp
pp Crotales
Do you
arco, ord.
ful fill.
lips:
like so...
mf sub. pp
3
3
3
arco, ord.
My
3
pp
3
pp
sub. pp
re - mem - ber?
3
Va.
Re - mem - ber, You have a mis- sion to
Vn. II
Cb.
Ab D§ 3
3
Kinesias
3
Myrrhine
mf
Sappho Arete Lampito
mf
pp
Xanthe Charito Dika
(Mar.)
(mp)
3
3
mf sub. pp
mf
mf
col legno battuto 0
f col legno battuto
f
That's
That's
Like
this,
great!
Give it an
and this...
pizz.
pizz.
pp
pp
3
pizz.
pizz.
pp
Give it an
pizz.
3
great!
69
Act II
528
Cl. in Bb Alto Sax. in Eb
Timp.
Perc. 1
Perc. 2
Cb.
pp
and
this...
Good
gods...
suffering
3
just
(pp)
Yes.
fp
-
ly
brush
your
Rhy - thm...
Rhy - thm...
skin,
arco
arco
arco
arco, ord.
arco, ord.
F§ A§ Db
bare
Marimba
Less!
Bare - ly
pp
coaching
Triangle
pp
Vibra-slap
(pp)
Myrrhine
Vc.
8?
Va.
8?
Vn. II
Sappho Arete Lampito
Vn. I
Xanthe Charito Dika
Kinesias
Lysia
Hp.
col legno battuto 0
col legno battuto
1/16/2006
70
Act II
Hn.
pp
pp
pp
Timp.
Like a
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
mp
Stay
with him...
Stay
with him...
You
sob
pp
3
3 3
for
me.
I
sob
3
for
mf
you:
pp pizz.
p
pizz.
p
arco
mf
mf
mf
mf
arco
f
mfexasperated
3
mf
Clean at - tack! mf
Clean
at tack! mp
Myr - rhi - ne,
Um:
I'll
wavering
3
be back.
please!
p
pp
pp
mp
mp
D§
lyre:
Myrrhine
mp
(pp)
Sappho Arete Lampito
Kinesias
Xanthe Charito Dika
Hp.
Lysia
q=q
Bn.
Alto Sax. in Eb
pp
Cl. in Bb
531
mf
q=q
senza sord.
senza sord.
senza sord.
senza sord.
div.
3
3
3
Fl.
Timp.
Perc. 1
Hp.
Lysia
4
mf
mf
mf mf
Va.
Vc.
Cb.
mf
mf
gives you
6 pp mp
pp
unis.
3
6
mp
pp mf
4
mf
4
mf
mf pizz.
mf
p
p
you
ev' - ry thing,
and
4
4
p
gives
f
A- thens
p
ord.
f
Lo- ver, neigh bor:
3
Land and la bor,
3
bor - ders:
Surging, oceanic
Vn. II
Gb Ab
A thens
Vn. I
Marimba
6 pp mp
mf
71
mf
Act II
Alto Sax. in Eb
Hn.
Cl. in Bb
Bn.
Surging, oceanic
535
3
3
f
f
f
541
Fl.
Cl. in Bb
Perc. 2
Hp.
Lysia
p
Va.
Vc.
mf
p
p
p
p
4
Vn. II
Cb.
A thens,
Vn. I
for her part:
mf
mf mf 4
non vib.
pp non vib.
Vibraphone, bowed, motor off
mf arco
mf
gives
you
pp
pp (actual pitch) pp
3
4
3
or - ders.
sub. pp
sub. pp
4
sub. pp
Com- rade, sis - ter:
pizz.
pizz.
sub. pp
pizz.
mp
you
re- sist3 her?
Will
pizz.
sub. pp
Will
pizz.
sub. p pp A thens
4
arco
mp 3
arco mp 3
1/16/2006
72
547
Bn.
Timp.
Perc. 2
Hp.
Lysia
Myrrhine
Vn. I
Bn.
F#
Myrrhine
Kinesias
mp arco
mp
arco
mp
mf
mp
pp
pp
mp
mp
Vn. II
Va.
Vc.
Cb. 1/16/2006
pp
pp
pp
solo
f
Quel tech nique!
3
3
sub. pp sub. pp
owns your
heart?
p
p
mp
mp mp
mf
mf
f
f
f
mp pp
Leave him weak.
Leave him weak.
mp
3
3
You'd lay mp
me
I'd
you down in a
3
lay
down in a
pp mp
f
pp 3 mp
not from shame:
f
4
pp
mf
3
4
we'd
mf
3
mf
p
Eb F# G# A§ C# D#
C§
mp
...blush, but...
4
mf
mp
4
p
How
Who
p
pp
How we'd blush, but
p
with crushing pressure
3 pp mp
Quel tech- nique!
3
sil- ver in lamp- light glow,
sub. p
pp
sub. pp sub. pp sub. pp
pp
Shi ver... q = 96 Hurtling forward
Vn. I
pp
shi ver,
yielding to LYSIA, turning back to KINESIAS sub. p
(pp)
(pp)
pp
pp
mf
mp
pp
mf
pp
mf
Hurtling forward q = 96 pp vib.
mp
mf
mf
vib.
or your heart?
Will you fol- low yourde - si - re,
p
. gliss
Sappho Arete Lampito
gliss.
Xanthe Charito Dika
pp Vibes, soft mallets, motor off
s. glis
Hp.
(pp)
Timp.
you de- ny her?
arco
553
Alto Sax. in Eb
pp
Vc.
Cl. in Bb
Va.
Fl.
Vn. II
Cb.
Act II
mp
3
pp
mp
pp
mp
pp
pp mp
558
Fl.
Cl. in Bb
Alto Sax. in Eb Bn.
Timp.
Perc. 2
Sappho Arete Lampito
Myrrhine
Kinesias
Vn. I
Va.
pp Crotales
pp
thou
3
sand
flow - ers, and
thou
-
Cl. in Bb
sand
Alto Sax. in Eb Timp. Perc. 2 Xanthe Charito Dika
slow...
Will
he ral - ly?
Will
he ral - ly?
And
me:
claim
f col legno battuto
f
gliss . glis s.
work me
3
work you
gliss.
gliss.
ord. ord. pp
3
gliss.
And
3
3
3
3
like hot 3
like hot
3
me - tal
me - tal
Vc.
fi - na - le:
Va.
Grand
slow...
port.
...And
Vn. II
Cb.
No...
col legno battuto 0
port.
fi - na - le:
Grand
pp
No...
pp
port.
me:
pp
Myrrhine
Vn. I
p ort.
Sappho Arete Lampito
Kinesias
flow - ers...
hold
3
562
sub. pp
-
(pp)
pp
Cb.
Vc.
Vn. II
(pp)
Xanthe Charito Dika
73
Act II
o - ver
o - ver
Small Tamtam, soft mallets pp
Go!
One forthe se - ra - gli - o!
Go!
One forthe se - ra - gli - o!
flame...
flame...
3 3
3 3
3
3
3
3
3
3
3
3
3
3
3
3 1/16/2006
74
Act II
567
Fl.
Suddenly rapid, feverish q = 144
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn.
Tpt. in D
mf
p
p
p
(Tamt.) l.v.: trem. only if necessary to sustain
Perc. 2
Hp.
Myrrhine
Kinesias
Vn. I
pp
f
Give
Vn. II
Va.
Vc.
1/16/2006
me,
f
mf
f
G§
Myr
f
-
p
My
sweet,
3
my
bit -
3
ter,
my
bles - sed,
3
f
my cursed...
rhi- ne...
Suddenly rapid, feverish q = 144
mf mf
mf
non arp.
mf
Cb.
mf
f 3 f p 3
pp
p Marimba
Perc. 1
pp
mf
p
p
p
p
p
75
Act II
pp
571
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn.
Tpt. in D
3 p 3 p
f
mf
Myrrhine
Kinesias
Vn. I
Give
mf
Vn. II
mf
Va.
mf
Vc.
mf
Cb.
f (non arp.)
Hp.
mf
me,
F§ Cb Bb
Myr -
rhi
p
My
ta -
mer,
3
my
3
tor - ture,
mf
my
nec - tar,
3
f
my thirst...
ne...
f
f
p
f
f
(Mar.)
Perc. 1
p
p
pp
My
p
p
f
p
p
f
p
p
f
p
f
p
p
p
f
1/16/2006
76
Act II
575
Cl. in Bb
Bn.
Hn.
Tpt. in D
Timp.
Perc. 1
Hp.
Myrrhine
Kinesias
Vn. I
3
pp
3
3
pp
3
3
3
3
pp
pp
3
3
3
3
3
3
3
Small Suspended Cymbal, soft mallets
pp
E# A#
3
p
Your
3
vir - gin,
my
3
de - mon...
3
vir - gin...
3
Your
3
de - mon,
my
mp
3
3
mp
Your
3
si - ren,
my
3
sta - llion...
si - ren...
3
3
Your
sta - llion,
my
Va.
Vc.
1/16/2006
Vn. II
Cb.
3
3
3
3
Act II
579
Fl.
Tpt. in D
Timp.
Perc. 1
Kinesias
Vn. I
Vc.
Cb.
3
3
mf
3
mf
E - ros...
My
I - ris... ...
My
glis s.
p
My
Zeus:
mp
3
p
p
p
p
p
p
p
E§ F# A§ C§
Now: a - bout that truce.
3
f
3
pp
p
Is there news of a truce? mp
You
arco
pp
arco
pp
pp arco
so?
mp
mp
yes.
mp
mp
mp
Oh,
"Oh, yes'? And,
leave
mf
truce?
3
What did you say?
3
p
3
f
f
arco
3
Eb F§
Is there news of a
me this way?
3
p
mp
3
p
f f
mp
suddenly backing away
3 mp 3
3
p
He - ra...
mp
mf
mp
f
3
f choke
3
3
f
mp
3
f
mp
mp
f
mp
3
arco
Va.
3
f
mp
Hp.
Vn. II
Vn. I
f
mp
585
Kinesias
3
(Sus. Cym.)
Vc.
Myrrhine
Va.
Timp.
mp
3
Vn. II
Cb.
Hp.
Myrrhine
Bari Sax. in Eb
Hn.
f
3
Cl. in Bb
Bn.
77
I
guess: well,
f anguished
f
3
no. Oh, Myr - rhi - ne!
f f
f f
Ki - ne:
No,
div.
f
1/16/2006
78
Act II
591
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn.
Tpt. in D
Timp.
Perc. 1
Perc. 2
Hp.
Myrrhine
Heavy, sweeping, impassioned q. = 60 (3+2+3+2)
solo
3
p
f
f
p
f
p
f
p
IV
III
Vc.
1/16/2006
they
bray,
(f)
(f)
(f)
(f)
(f)
and,clear ly,
Vibraphone, motor off
"they"
arco
pizz.
sub. p
Is
de - cide!
f
mf
f
f
solo
f
f
War!"
unis., pizz.
Cb.
f non arp.
III
Va.
solo
f
Heavy, sweeping, impassioned q. = 60 (3+2+3+2)
Vn. II
Marimba f
"War!
Vn. I
f
3
mf
p
3
f
f
f
3
3
p
sub. pp
sub. pp
sub. pp
sub. pp
arco
sub. pp
Fl.
Cl. in Bb Bari Sax. in Eb
Bn.
Hn.
Perc. 1
Perc. 2
Myrrhine
(f) 3 3 (f)
Vn. II
Va.
Vc.
p
(p)
the on - ly
mf
or,mere ly,
p
p
on - ly way?
Vibes
arco
solo
they've
way
solo p
ever faster and more intense
Bari Sax., solo
3 3 (f) (Mar.)
pizz.
Cb.
solo
3
warthe
Vn. I
3
Hp.
595
79
Act II
tried?
Yes,
f
sub. p
f
f
f
ever faster and more intense
sub. p
sub. p
f sub. p sub. p
sub. p
f
600
Fl. Cl. in Bb Bari Sax. in Eb
Perc. 1
Myrrhine
mp
(Mar.)
still
Vn. I
Vn. II
Va.
Cb.
I
(p)
long
for
3
3
your
mp
mp
mp
mp
mf
(3+3+2+2)
just
mp
solo
touch,
mp
mp
mp
(3+3+2+2)
mp
Vc.
(3+3+2+2)
as
3
ly,
(3+3+2+2)
strong -
3
just
as
1/16/2006
80
Act II
605
Cl. in Bb
Bari Sax. in Eb
Bn.
Hn.
Perc. 2
mf
Vn. II
mf
Vc.
mf
Cb.
610
Cl. in Bb
Bari Sax. in Eb
Bn.
Hn.
Perc. 1
Perc. 2
mf
I've
yes!
Vn. I
Vn. II
Va.
pizz.
Vc.
pizz.
Cb.
1/16/2006
longed
pp
f
3
be -
3
Gb
of
arco
Vibraphone, soft mallets
course,
but,
pp
mf
pp
p
arco
sub. pp
Still, I say
pp
pp pp
pp
pp
Smooth, quiet, with the voice
pp
pp
pp
pp
it...
e=e
Ki - ne:
pp
f
Ab Db
pp
f pizz.
fore.
f arco
3
pp
mf
arco
Powerful q. = 63 (3+2+3+2)
mf
mf
mf
p
pp
3
pizz.
f f
3
arco
Slower, lighter, quieter q. = 52
pp
pp
Love:
solo
(3+3+2+2)
Marimba p p
Small Tamtam, soft mallets
Myrrhine
Slower, lighter, quieter q. = 52
Hp.
pp
as
mf mf
Va.
(3+3+2+2)
much
Vn. I
f
mf
Myrrhine
solo
Powerful q. = 63 (3+2+3+2)
We
need
peace
Smooth, quiet, with the voice
pp
pp
pp
pp
pp
e=e
Hn.
Perc. 1
Perc. 2
Hp.
Myrrhine
p
mf
(Vibes)
Triangle
pp
p
pp
Vn. II
Va.
pizz.
Vc.
Cb.
Fl.
Cl. in Bb Bari Sax. in Eb Bn.
Hn. Tpt. in D
Perc. 2
Hp.
Xanthe Charito Dika Sappho Arete Lampito
Vn. I
Vn. II
Va.
Vc.
Cb.
pp
pp
-
(Vibes)
Good
G§
-
bye,
Stra - te - gy pp
is
Stra - te - gy
is
ev' - ry- thing: Per- fect
ev' - ry- thing: Per- fect
pp
pp
pp
Harmon mute
pp
pp
Ki - ne.
Good -
me.
A bit slower, with the voices q = 72
give
pp
soft mallets, motor off
pp
pizz. 618 A bit slower, with the voices q = 72
Myrrhine
For
but formal q = 76 Graceful,
4
bowed
pp
solo
more.
Vn. I
Cl. in Bb
81
Act II
Fl.
Graceful, but formal q = 76
614
pp
(pp) (pp) (pp) arco (pp)
arco (pp)
bye.
score!
slight arp.
score!
A§ D§ C# B§
f f
1/16/2006
82
Act II
No. 59: The Soldiers Beg KINESIAS staggers off as MYRRHINE, weeping, flees past LYSIA and KLEONIKE into the Acropolis. The Acropolis fades: light finds the ATHENIAN and SPARTAN camps, where the SOLDIERS are besieging NICO and LEONIDAS.
Compulsive q = 120
solo
Bari Sax. in Eb
Bn.
Hn.
Perc. 2
Maron Meleagros Alpheus Kinesias Philo Bion
Va.
Vc.
3
p
3
3
pp
3
Xylophone
3
pp
3
3
pp
pp
3 3 3
3
3
Weak as
3
a crone.
3
Weak as
3
p 3 3
May - be we're weak.
3 3 3
3
Compulsive q = 120
May - be we're weak. p
3
3
pp
3
Hard to de - ny
3
a crone.
3
Hard to de - ny 3
3
3
it,
it,
630
Fl.
Bn.
Hn.
Timp.
Perc. 1
Perc. 2
Maron Meleagros Alpheus
Kinesias Philo Bion
Vn. I
3
3
(Xyl.)
Try as we may. But,
p
3
p
mp
3
3
3
mp
3
3
3
p
Are we a lone?
if we are weak:
3
3
Are we a lone?
3
3
pp
3
3
Marimba
pp
3
No, we don't buy
it:
3
it:
No
f
No
3
3
plu -
ckin' way!
So,
ckin' way!
So,
go ask pp
the squad:
go
3
ask
the squad:
3
pp
pp
3
3
plu -
3
pp
pp
No, we don't buy
f 3
mp
3
3
3
if we are weak:
p
3
3
Vc.
Va.
3
3
3
1/16/2006
Try as3 we may. But,
Vn. II
Cb.
3
3
pp
3
pp
pizz.
pp
3
3
3
p
83
Act II
636
Fl.
Cl. in Bb
Hn.
Timp.
Perc. 1
Perc. 2
Maron Meleagros Alpheus
Kinesias Philo Bion
Vn. I
3
3
(Xyl.)
3 Goat - herd
Vc.
or
3
or
3
3
god,
Ha - ven't
god,
3
Ha - ven't
3
p
3
3
mf
ou - r bo - dies
3
mp
p
minds p
of
their
own?
And,
minds
of
their
own?
And
p
3
3
p
p
p
p
3
3
mp
mp
3
than
groan,
than
groan,
3
ra - ther
3
mp
3
3
3
ra - ther mp
3
3
mp
p
3
mp
p
3
mf
3
3
3
ou - r bo - dies
p
mf
3
3
Va.
Goat - herd
(Mar.)
mp
Vn. II
Cb.
Bari Sax. in Eb
Bn.
mp
mp
mp
mp
3
3
1/16/2006
84
Act II
Cl. in Bb
f
Bari Sax. in Eb
Bn.
Hn.
3
mf
3
mf
Tpt. in D
Timp.
Perc. 1
Perc. 2
ff
Maron Meleagros
Alpheus
Vn. I
Vn. II
if mf
they
if
they
Kinesias
Philo Bion
they
mf
mf
Cb.
mf
1/16/2006
3
3
3
pp
f
3
3
Might - n't they,migh -tn't they f 3
3
3
3
f
3
3
ff
ff
p
say....
A -
3
p
res, A - phro- di - te,
q = 96
p
3
3
Bb
when will all
when
this
will all
this
when will all
this
when will all
this
e=e
ff
ff
A - res, A - phro- di - te, pp in falsetto: quasi madrigal
say....
A - res, A - phro- di - te, pp in falsetto: quasi madrigal
A - res, A - phro- di - te, pp in falsetto: quasi madrigal
say....
ff
in falsetto: quasi madrigal pp
say....
f
E§ C§
Might - n't they,migh -tn't they
3
3
pp
f
Might - n't they,migh -tn't they
3
Might - n't they,migh -tn't they
could speak,
Vibraphone, soft mallets, motor off
ff
3
mf
Vc.
ff
ff
could speak,
mf
Va.
ff
3
could speak,
3
if mf
could speak,
mf
3
they
mf
if
mf
f
p ff (Mar.) mf ff (Xyl.)
Hp.
e=e
ff
f
(senza sord.)
ff
f
q = 96
Fl.
640
85
Act II
Hp.
Db
end? sim. end,
Alpheus
sim.
Kinesias
Tell
sim.
Philo Bion
us, tell
us:
Ab
D§
A - res, A - phro- di - te,
us:
A - res, A - phro- di - te,
Tell
us, tell
us:
Tell
us, tell
when
A - res, A - phro- di - te,
us:
when
end?
non arp.
fp Oh,
how?
will all this
will all this
end,
end?
end?
when will all this
fp
Oh,
how?
Oh,
end?
3
3
How much more im fp
A - res, A - phro- di - te,
when will all this
us, tell
end?
Tell
end?
end?
sim.
Maron Meleagros
e=e
Perc. 2
Vibes
645
Oh,
How?
Perc. 2
650
Hp.
Maron Meleagros
Alpheus
Kinesias
3 3
How much more fp
Oh,
Oh,
How? fp
how?
(pp)
mf
3
3
3
ig - no- ring the odds?
3
Oh,
Oh,
mf
3
3
3
3
cease?
cease?
how much more grie- ving the war will ne - ver
cease?
how much more grie- ving the war will ne - ver mf
How much more grie- ving the war will ne - ver
E# F# G# C# B#
how much more grie- ving the war will ne - ver mf
3
how?
3
B§
Oh,
plo- ring the gods?
Philo Bion
fp
(pp)
Oh,
E§ A§
cease?
1/16/2006
86
Act II
657
Cl. in Bb
Bari Sax. in Eb
Bn.
Hn.
Timp.
surging forward
3
pp
3
Vn. I
3
3
Di - vine Ones,
pp
Va.
pp
Vc.
1/16/2006
forward surging
Vn. II
O
pp
3
3
O,
3
O
p
p
3
3
us:
Please,
3
be - lieve
3
3
us:
Please,
non falsetto as needed to m. 2418 3 p
be - lieve
us:
be - lieve
be - lieve
Di - vine Ones, Please,
non falsetto as needed to m. 2418 p
Di vine Ones, Please,
3
Di vine Ones, Please,
O,
Di - vine Ones,
Di vine Ones,
pp
Cb.
Di vine Ones,
pp
O
O,
Di - vine Ones,
pp
O,
mp
mp
mp
mp
us:
3
Please,
pp
pp
pp
pp
pp
re - lieve
us:
Wait
re - lieve
us:Don't
wait
re - lieve
us:Don't
wait
3
pp
p
O
Philo Bion
pp
Kinesias
pp
p
Alpheus
pp
pp
Maron Meleagros
re - lieve
us:
Wait
no
a
a
4
4
more...
mo - ment more...
mo - ment more...
no
more...
pp
pp
pp
pp
mp
mp
mp
mp
87
Act II
662
Cl. in Bb
Bari Sax. in Eb
Bn.
Hn.
Timp.
Vn. I
Vn. II
Va.
Vc.
mf
Alpheus
mf
Philo Bion
Maron Meleagros
mf
Kinesias
Nico
mf
mf
Hp.
s. glis
f
Cb.
E -
nough!
in a cold fury
Eb F§ G§ Db C§ Bb mf
in a cold fury mf
I
will
go
I
will go
to
Ly
-
to
Ly - si - a.
si - a.
mf
f
mf
mf
mf
f
f
f
. gliss
f
mf
sfzpp
sfzpp
sfzpp
sfzpp
pizz.
pp pizz.
pp
pp
pizz.
pp
pizz.
pizz. pp
arco
arco
arco
arco
arco
attacca
1/16/2006
88
Act II
SCENE THREE No. 60: Casting On the balcony of the Acropolis, LYSIA and KLEONIKE.
667
Fl.
With great dignity q = 84
Cl. in Bb
Bari Sax. in Eb
Bn.
Hn. in F
Timp.
Perc. 1
Perc. 2
Hp.
Kleonike
pp
Triangle
pp Crotales
pp
p
p
Vn. II
p
Va.
p
Vc.
p
Cb.
1/16/2006
p
f
f
f
mf
mf
pp
f
ff
ff
pp
pp
p
pp
Eb Gb D§ B§
E§
Small Snare Drum
ticking them off f
Well,
p
f
holding back
pp
pp ff p f pp p f ff pp ff
pp
pp
pp
pp
holding back
pp
pp f pp f pp f
With great dignity q = 84
Vn. I
Eb F§ G§ A§ Db C§ Bb
pp
f
solo
p
p
f
f
pp
89
Act II
sub. mf sub. mf 675
Fl. Cl. in Bb Bari Sax. in Eb
Bn.
Hn. in F
Suddenly brisk q = 132
mf
mf
Lysia
Kleonike
(S.D.)
mp
Vn. II
Va.
Vc.
Cb.
Di- ka's far
Vn. I
sub. mf
Perc. 2
sub. mf straight mute
Tpt. in D
too shy;
Blink at her, she'll melt;
Xan- the's got that bad right eye, and Cha- ri to's
mp
(pp)
(pp)
(pp)
(pp)
(pp)
"Great idea!"
3
3
Lam- pi- to!
Lam- pi to?
too svelte...
Suddenly brisk q = 132
mp
mp mp mp
1/16/2006
90
Act II
680
Fl. Cl. in Bb
Hn. in F
Timp.
Hp.
Vn. I
mp
pp
mp
mp
mp shrugging
There's ve- ry lit- tle to it.
Dare we pre sume?
pizz.
p
mf
mf
p
p
mf
mp
She looks over the balcony and gasps to see NICO approaching the Acropolis. KLEONIKE steps forward, LYSIA shrinks back. with dread mf
Ly
-
si - a!
p f arco
f
f
you,
f arco
Where are
f arco
arco
Ni- co!
f tough
p
mf
f
Ah!
p
arco
pizz.
On ly the cos tume.
pizz.
pp
3
Vc.
Va.
1/16/2006
pizz.
Vn. II
Cb.
mp
Kleonike
3
Nico
pp
pp
mp
Lysia
pp
Bari Sax. in Eb
Bn.
pp
7
3
91
Act II
Cl. in Bb
p
Bari Sax. in Eb
Bn.
Hn. in F Tpt. in D
p
p
p
pp
Hp.
Kleonike
Nico
Vn. I
Vn. II
Lysia
-
Vc.
Cb.
mf
pp
p
7
p aside
si - a?
p
mf
gel...)
(straight mute)
F# G#
f
p
p p
mf
mf
pp aside
mf
(An
f
Va.
Ly
f
Timp.
Fl.
mf
3
f
p
685
p
3
insouciant
3
Don't be ab surd.
Say the word, he's gone.
p
f
p
p
E§ G§ D§
p
I'll be
3
3
3
3
1/16/2006
92
Act II
solo
689
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Perc. 2
Alto Sax.
Vn. I
solo
p
pp
solo
pp
pp
pp (straight mute)
Fine!
dubious
p conciliatory
f insistent
Fine?
pp
pp
pp
pp
Go shrugging
on.
pp Vibraphone, hard mallets, motor off solo
p
p
Vc.
p 3
pp
pp
Va.
1/16/2006
Vn. II
Cb.
fine.
Kleonike
pp
Hp.
Lysia
pp
Slower
3
f
Fl.
ord.
Fine.
flaut.
flaut.
flaut.
flaut.
Slower
3
3
3
3
ord.
ord.
pp
ord.
93
Act II
No. 61: He Said/She Said Languid q = 76
697
Fl.
Cl. in Bb
Hn. in F Tpt. in D
Timp.
Perc. 1
(Vibes)
Hp.
Lysia
Nico
Va.
Vc.
Cb.
3
mf
mf
solo
non arp.
pp
mf (straight mute)
mf
Ge - ne ral...
3
mf
Tambourine
p
formally 3 pp
pp formally
F§ D# B§
She descends the stairs. f
pizz.
arco
pizz.
arco
pizz.
arco
arco
arco
pizz.
pizz.
f
How
How
mf
pp
pp
mf
mf
Ma- dam...
pp
Vn. II
Languid q = 76
Vn. I
3
p
Perc. 2
p
solo
solo
Alto Sax. in Eb
Bn.
f f
f
f
f
1/16/2006
94
Suddenly twice as fast q = 152
Nico
will you
long
con - ti - nue
this
will you
con - ti - nue
this
Vn. I
Vn. II
Va.
Vc.
Cl. in Bb
Alto Sax. in Eb
707
Fl.
Bn.
Hn. in F Tpt. in D
Lysia
Nico
Vn. I
Cb.
1/16/2006
mf
mf f
We, f
none of
us
can
none of
h=h
win,
us
can
win,
q = 152
f
f
A bit slower, but heavy, pointed q. = 116 (e = e)
you know, it's
you know, it's
ut - ter - ly
ut - ter - ly
pp
pp
pp
pp
f f f
mf
You mf You
f
in - sane...
in - sane...
f
f f
f
you
won't be the least bit ob - jec -
tive:
You're
sim - ply pro - lon ging a mis' -ra - ble war;
you
you
won't be the least bit ob - jec -
tive:
You're
sim - ply pro - lon ging a mis' -ra - ble war;
you
f
do not re - spect what we're figh ting for;
Vc.
f
f pizz. f pizz.
on.
Va.
on.
f
f pizz.
go
Vn. II
pizz. f pizz.
you
3
A bit slower, but heavy, pointed q. = 116 (e = e)
Vn. I
No,
q = 152
do not re - spect what we're figh ting for;
Nico
h = 76
711
Go
q=q
We,
Lysia
Va.
Vc.
p
p
mf senza sord.
Vn. II
pp
mf
pp
pp
h=h
pp
mf mf
pre - pos - te - rous cam- paign?
pre - pos - te - rous cam- paign?
Suddenly twice as fast q = 152
h = 76
q=q
long
703
Lysia
Act II
714
Hn. in F
Perc. 2
Hp.
Lysia
won't take
Vn. II
Va.
Vc.
Cb.
a
broa - der
Nico
Vn. I
Vn. II
Va.
Vc.
pp
pp
pp pp
p
p
Vibes, bowed
f
-
p
p
p
Exhausted q. = 84
p
Well,
this
is - n't
ve - ry
pro - duc
tive...
this
is - n't
ve - ry
pro - duc
tive...
Well,
Then,
here's
pp
pp
pp pp
a
sug - ges
-
tion
pp
con
-
struc -
you might find
D§
Bb
tive...
p
tive...
p
pp
p
p arco
p
p
pp
(non cresc.)
p arco
pp
Hp.
p arco
Alto Sax. in Eb
Perc. 2
p arco
Cl. in Bb
Hn. in F
arco
717
Bn.
per - spec
Fl.
won't take a broa - der per - spec -
Vn. I
Nico
p
p
Bn.
Alto Sax. in Eb
pp
Cl. in Bb
non vib.
Fl.
95
Act II
Exhausted q. = 84
tive...
p
Db Cb
1/16/2006
96
Act II
Cl. in Bb
Bn.
Hn. in F
Perc. 1
mf
Perc. 2
Lysia
Nico
f
If
Va.
Vc.
Cb.
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Hp.
Lysia
Nico
Vn. I
I
quit:
pp pp pp
pp
p
will you re- sign?
Vc.
What?
If
I
f
will you re - sign?
quit:
p
pp
f
f
p
mf
p
You
pp
pp
pp
pp arco
pp
toy
solo
p
"What
with me... pp
p
more,
3
3
what
else
can
3
D§ C§
3
Pushing forward q = 116
pp
Va.
1/16/2006
f
Vn. II
Cb.
Pushing forward q = 116
726
f f f
Vn. II
pp
Brisk, sharp q = 104
Vn. I
f
p
pp
pp
mf
Small Snare Drum
pp
Tambourine
Fl.
No. 62: Nico's Counteroffer
Brisk, sharp q = 104
720
3
mat - ter
3
3
3
but
our
love?" 3
3
3
Lysia
Nico
Vn. I
Vn. II
(pp)
3
"Let moun- tains crash,
let hea- ven burn,Doyou
pp
pp
pp (pp) pp (pp) (pp)
3 3
know?
3
Do you know?Doyouknow howI'vewai- tedfor
pp
3
mf
(pp)
Cb.
Right?
Vc.
97
Va.
Hp.
730
Act II
pizz.
pizz.
3
3
pizz.
pizz.
pizz.
3
3
3
734
Fl.
Cl. in Bb
Lysia
pp
pp
pp
Hp.
pp
Hn. in F
pp
your re turn?)
Nico
Vn. I
Vn. II
Va.
Vc.
Cb.
pp
pp
Alto Sax. in Eb
Bn.
pp
mf
mf
mf
pp
mf
pp
Eb Fb Gb Ab Db Cb
pp
You
toy
mf
with me...
f
How?
f Dis - band yourwo- men.
f
p
Be blunt. Once you ten - der your sur - ren - der,
arco
arco arco
arco
arco
arco
pizz.
mf pizz. mf pizz.
mf pizz.
mf
mf
arco
pp arco
pp
pp
pp
1/16/2006
98
Act II
739
Lysia
Nico
Vn. I
Va.
Vc.
Cb.
1/16/2006
f
If
quit:
mp
mp
mp
pp
pp
pp
pp
pp
pp
f
I
p
f
if p
I
re - sign...
If you quit: if you re - sign...
p
I'll di- rect - ly leave the front.
pp
pp
E§ F# G§ C§
G#
pp
mp
mf
p
A§
Vn. II
pp
mf
Small Snare Drum
Tambourine
Hp.
Perc. 2
Perc. 1
Hn. in F
Bn.
Alto Sax. in Eb
Cl. in Bb
slowing
f f f f
slowing
pp
pp
pp
pp
arco
pp
99
Act II
Fl.
Alto Sax. in Eb
Hn. in F
Tpt. in D
Timp.
Perc. 1
Perc. 2
mf
p
3
mf
mf
mf
Vc.
Cb.
mp
f mocking p
3
is an ug - ly march.
3
"E nough!
E nough!
Peace now!"
f mocking
long
long
long
3
pizz. 3
f
f
f
f f
mf
long LYSIA mulls.
Please...
long pp pleading
Please...
f p p f p f f p arco
p
long
Suddenly brisk q = 116
long
Peace now!"
long
p
long
f
Five Temple Blocks
long
f
mp f f mp
f
mp
long
q = 84
Va.
mp
long
f
Leave them to their hob by!
Vn. II
mp
p pleading
Vn. I
It
Nico
Suddenly brisk q = 116
mf
Hp.
Lysia
Cl. in Bb
Bn.
q = 84
745
f
pp long long
pp long pp
long
pp long
pp
1/16/2006
100
Act II
Serpentine q = 84
750
Bari Sax. in Eb
Bn.
Hn. in F
Timp.
pp
Hp.
surging forward
Bari Sax.
pp
pp
pp
3
3
pp 3
gliss.
s. glis
D§ B#
Lysia
Bring them in
Nico
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
an
hou - r:
Serpentine q = 84
the arch.
we'll meet
be- neath
the arch.
col legno battuto 0
f col legno battuto
f
You'll leave
I'll
3
the war to
o - ther men,
the war to
o - ther men,
and
then...
and
then...
and then...
3
Then
leave
and then...
Then
surging forward
be- neath
we'll meet pp
3
3
3
arco
(pp) arco
(pp)
3
3
3
101
Act II
754
Bari Sax. in Eb
mp
Hn. in F
3
Perc. 1
3
3
mp
Timp.
mf
Nico
Vn. II
3
3
Va.
f
Vc.
f
Cb.
f
3
pizz.
pp
pp
3
all
gain,
-
ver a -
3
o
-
ver a -
E§ Cb B§
mp
3
3
f
3
3
3
3
A ching,
3
mp
gain,
3
A ching,
o
all
3
f
mf
Eb G#
E - ros will break us
f
3
3
Ecstatic, exalted q = 104
Vn. I
3 E - ros will break us
3 f
pp
f
Lysia
solo
f
mf
non arp.
3
Hp.
mp
Bn.
Cl. in Bb
Ecstatic, exalted q = 104
we'll
p
p
3
p
p arco
p
1/16/2006
102
Act II
759
Cl. in Bb
Bn.
Hn. in F
Timp.
Perc. 1
Nico
Vn. I
3
mp 3
mp
3
3
3
Va.
Vc.
1/16/2006
Vn. II
Cb.
Hp.
Lysia
3
3
we'll shud der,
3
shud - der,
p
p
p
we'll
p
p
we'll qui- ver,
3
qui - ver,
mp
mp
mp
mp
we'll
we'll
mp
3
mp
mf
3
non arp.
ss. gli
. ss
f
3
gli
f
3
cry:
Let
E - ros un- make us
3
cry:
Let
E - ros un- make us
mp
mp
mp
mp
mp
3 3
f
f
3 3
f
3
f
f
f
3
pizz.
103
Act II
f
763
sfzp
sfzp
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
Perc. 1
Perc. 2
Hp.
ff
sfzp
pp
Glock.
Vn. I
all,
sfz
Vc.
sfz
Cb.
sfz
pp
f
all
ff
3
mf
3 o ver - a
ff
o ver - a
ff
ff
-
3
3
pp
pp
pp
3
the con quer or,
p
p
p
3
3
3
3
3
mp
E - ros,
3
gain,
arco
pizz.
gain,
-
pp
pp
Eb G§ C§
3
ff II, III
3
3
all
solo
f
F§ Bb
sfz
Va.
3
f
Small Suspended Cymbal, soft mallets
non arp.
sfz
Vn. II
ff
3
ff
f sfzp
all,
Nico
sfzp
sfzp
f
3
Lysia
f
Cl. in Bb
Fl.
3
p
p
1/16/2006
768
Fl.
Cl. in Bb
Alto Sax. in Eb Bn. Hn. in F
Perc. 1
Lysia
Vn. I
3
-
ros,
the
p
p
p
Cb.
p
Cl. in Bb
Alto Sax. in Eb Bn. Hn. in F
Perc. 1
Perc. 2
Hp.
Lysia
Nico
Vn. I
mp
Vc.
mp
mp
3
-
3
Sly
and
in - vin
3
-
mp
and
mp
mp
mp
mp
in - vin
ci- ble,
Crotales
pp
pp
E
E
-
sub. pp
ros,
ros,
E
-
E
-
ros,
mf
ros,
p
E - ros, whom none
arco p
E§ F# Db
3
3
can
de
-
3
p
slowing
p
p
p
sub. pp
sub. pp
-
pp
slowing
pp
ci - ble,
-
mp
mp
Sly
3
mp
mp
mp
mp
3
mf
mf
quer - or,
mp
Va.
1/16/2006
pp
(Mar.) pp mf
Vn. II
Cb.
con
770
Fl.
pp
p
Vc.
Va.
pp
mp
Vn. II
E
Nico
II Act
104
775
Fl.
Act II
Delicate, pointed q = 84
Cl. in Bb
Alto Sax. in Eb
Bn.
pp
Lysia
Soon,
Nico
for - e -
ny... for - e
-
ver,
like
ver,
Delicate, pointed q = 84
Vn. I
pp
Vn. II
Va.
Vc.
Cb.
pp pp pp pp
pizz.
pizz. pizz. pizz. pizz.
love you.
pp
mp pp
pp
mp pp
earnestly, as he doesn't respond
3
I won't dis- ap -point NICO smiles; but he doesn't respond.
arco
3
3
arco
arco
arco
arco
mp pp
I
pp
this,
pp
simply
this,
like
mp pp
105
3
780
Cl. in Bb Alto Sax. in Eb
Bn.
Hn. in F
(pp)
(pp)
(pp)
(pp)
Nico
Vn. I
mp pp
mp pp
Va.
mp pp
Vc.
mp pp
Cb.
I have to
Vn. II
3
3
Eb F§
as he leaves: doggedly, to himself; sotto voce
Vic - to- ry
go.
3
3
is the on - ly...
Slower, suspended q = 84
con sord.
p con sord.
p con sord.
pp
pp
p
non arp.
p, espressivo
you...
solo
mp
Lysia
pp
Slower, suspended q = 84
Hp.
p
con sord.
p con sord., div. p
1/16/2006
106
Act II
The same tempo q = 84
786
Fl.
Perc. 2
Lysia
Kleonike
Vn. I
mallets, motor off hard pp
Vn. II
Va.
Vc.
Cb.
Vibraphone,
appearing, strangely p composed (Has she overheard?)
pp
mp
pp
mp
mp
pp
mp
pp
mp
pp
mp
pp
pp
Shhh.
pp
mp
to you.
pp
sul pont.
sis- ters have a thing they needto
mp
pp
pp sul pont.
pp
3
3
Our
mp
say
to you,
The same tempo q = 84
sul pont.
It's my hap- py du - ty to con - vey sul pont.
I havesome- thing tosay to them,too...
pp
ord.
ord. ord.
ord.
No. 63: Lysistrata On the balcony of the Acropolis, LYSIA and KLEONIKE.
Slightly slower, with great dignity q = 80
792
Fl.
Bari Sax. in Eb
Bn.
Hn. in F
Timp.
Perc. 1
Perc. 2
Hp.
f
solo
pp
pp
Crotalespp
pp
mp Triangle
Bari Sax.
f
pp
mf
Vn. II
Va.
Vc.
Cb.
mf
f
mp
f
at tempo
holding back
(pp)
(pp)
(pp)
pp
E# F# G# D§ B§
E§
The ACROPOLIS yawns open, revealing the WOMEN in ceremonial array. MYRRHINE steps forward, bearing a crown of olive. Throughout this scene, KLEONIKE's eyes never leave LYSIA.
pp f pp f pp f pp f f
1/16/2006
Slightly slower, with great dignity q = 80
Vn. I
p
f
pp
ff p ff
p
ff
ff
ff
p
p
p
pp f pp f
holding back
pp f
f
f
at tempo
pp
pp
solo
p
800
Fl.
Lysia
Myrrhine
Vn. I
I
pp
Shame?
wo- man here
wor -
pizz.
You're the on - ly
shame.
Shame.
come to you in
mp
pp
Va.
Vc.
Vn. II
107
Act II
arco
808
Cl. in Bb Bn.
Myrrhine
Vn. I
pp
3
Vn. II
Va.
Vc.
thy
of the
3
pizz.
name.
You were pledged
to
A thens;
arco
I,
pizz.
arco
pp
to
ap -pe -tite.
knew what I
arco
pizz.
I
815
Fl. Cl. in Bb
pp
Xanthe
Dika
Vn. I
Myrrhine
Arete
wan ted;
Va.
Vc.
Cb.
You
knew,
you
arco
pp
right.
So,
we
cha
So, p
we
come to you
So,
we
come to you
cha
p
p
cha
come to you
p
arco
pizz.
MYRRHINE affixes to the crown a long strip of cloth--not unlike the blindfold NICO used on LYSIA. XANTHE, DIKA, and ARETE--the would-be deserters--step forward. p
3
knew whatwas
Vn. II
pizz.
p
p
p
1/16/2006
108
Act II
solo
823
Fl.
p
Cl. in Bb
Bn.
Hp.
Xanthe
p
grined.
Dika
Cb.
Yes:
Cha -
Yes:
Yes:
grined.
Cha -
grined.
You're the on - ly
wo- man here
You're the on - ly
wo- man here
tru
You're the on - ly
wo- man here
tru
grined.
tru
-
ly
-
ly
-
0
3
solo
Cha -
pp
no...
p
Vc.
Va.
Sis- ters,
Vn. II
p
p
grined.
Vn. I
solo
grined.
Arete
solo
Lysia
di- sci plined.
di- sci plined.
ly
di- sci plined.
3
830
Fl. Cl. in Bb
Bn.
Hn. in F Tpt. in D
Xanthe
solo
mp
Wit - ness our ex
Dika
Wit - ness our ex
Arete
Wit - ness our ex
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
-
p
p
p
You
You
-
cu ses:
-
cu ses:
Ba by,
and wool!
flax,
and wool!
We
We
We
were pledged to
were pledged to
were pledged to
pa ssion,
pa ssion,
You
pa ssion,
and wool!
solo
flax,
cu ses:
were,
were,
were,
you
you
you
837
Tpt. in D
Hp.
Xanthe
Dika
Arete
Kleonike Lampito
Vn. I
Vn. II
Vc.
Cb.
to
prin
prin
ci - ple. -
mp
F# G# A# C#
You brought to mp
us
a
vi sion:
You taught us
to
en - dure,
You brought to mp
us
a
vi sion:
You taught us
to
en - dure,
us
a
vi sion:
You taught us
You brought to mp
to
en - dure,
You brought to mp
us
a
vi sion:
You taught us
to
en - dure,
to
en - dure,
to
en - dure,
to
en - dure,
us
a
vi sion:
q = 92
molto vib.
mp
mp molto vib.
molto vib.
ord.
mp molto vib.
molto vib.
ord.
mp molto vib.
mp
non cresc.
mp
ord.
re -
Re - gard less,
re -
Re - gard less,
re -
Re - gard less,
re -
Re - gard less,
re -
re -
Re - gard less,
re -
pp
ord. pp ord.
pp ord.
pp
Re - gard less,
molto vib.
Re - gard less,
You taught us
ord.
ord.
molto vib.
mp
mp
mp
moving forward
You brought to us a vi sion: You taught us mp You brought to us a vi sion: You taught us mp
ci - ple. -
You brought to
Va.
were pledged
ci - ple. -
to
were pledged
Sappho
prin
Myrrhine
to
q = 92
were pledged
Charito
109
Act II
moving forward
845
Bn.
Hn. in F
Xanthe Charito Myrrhine Dika Sappho Arete Kleonike Lampito
Vn. I
Vn. II
gard - less
gard - less
of
of
Va.
Vc.
Cb.
the
cost:
the
pp
pp
A
cost:
A
as
as
in - spi -
in - spi -
mp
mp
mp
red
as
its
3
3
vi -sion
3
3
vi -sion
red
as
its
o - ri - gins
mp
o - ri - gins
mp
were
were
1/16/2006
110
Act II
851
Bn.
Hn. in F
Xanthe Charito Myrrhine Dika
pp
Sappho Arete Kleonike Lampito
For pp
pure,
pure,
Vn. I
Vc. Cb.
Hp.
Xanthe Charito Myrrhine Dika Sappho Arete Kleonike
Xanthe Charito Myrrhine Dika
Sappho
ne
-
ver
lost
what
we
have
lost...
3
*Ly - kon:
3
Tall
mf
3
E vo - e, 3
3
E -vo - e...
E - vo -e...
inyourcer - tain- ty:
you
pp
woke in
us the
**Phor - mi- on:
3
E -vo -e...
3
hand -so mest of sai - lors.
3
E -vo -e... pp
woe that
none
can speak.
3
pp
E -vo -e...
3
3
p
A§
E -vo -e...
Bb
pp
(pp)
3
3
el - dest son.
p (Vibes, bowed)
3
Chime
E - vo - e...
E - vo -e... pp 3
3
Struck
3 3
on the death watch of O - ri - on.
3
E -vo -e...
3
E -vo -e...
3
* Adapted from Sappho, 7th century B.C.E.; +Adapted from Praxilla, 5th century B.C.E. Both translations by Brooks Haxton. ** Adapted from Leonidas of Tarentum, 3rd century B.C.E.; translation by Brooks Haxton 1/16/2006
E vo - - e,
Lampito
One by one, as if making gifts of them, the WOMEN affix their own long strips of cloth to LYSIA's crown. Vibraphone, bowed, motor off
pp pp
lost...
pp
have
E vo - - e, Arete Kleonike
we
what
pp
Hp.
lost
861
Perc. 2
ver
have
pp
Perc. 1
-
you
E - vo -e... p
Lampito
ne
Shimmering, chantlike, with the voices h = 46
856
Perc. 2
have
For
pp
pp
Va.
you
pp
Vn. II
E vo - -e...
3
E vo - -e...
3
E vo - e...
Perc. 1
Perc. 2
(Vibes, bowed)
Xanthe Myrrhine Dika
Charito
Sappho
of the
3
waves.
3
p
*Si mo - ni des:
3
E vo - e... -
bro- ther,
and
twin.
E vo - -e... pp 3
C§ B§
pp 3
E vo - -e...
E vo - -e...
pp
E vo - -e...
3
E vo - -e...
pp 3
arms
3
in the
mf
3
Held now
Arete Kleonike Lampito
p
Chime
Hp.
867
111
Act II
E vo - -e...
Perc. 1
Surging forward h = 56
(Vibes, bowed)
Perc. 2
Xanthe Myrrhine Dika
Charito
Sappho Arete Kleonike Lampito
O,
the
3
3
me - lo - dy of your
wal king!
E vo - - e,
3
E vo - -e...
3
E vo - - e,
3
Hp.
O,
3
3
of your smile!
E vo - -e...
E vo - - e,
3
the torch flare
3
E vo - - e,
mf
p
(Chime) 874
3
E vo - - e,
3
3
E vo - - e,
E vo - - e,
bowed) (Vibes, 881
Perc. 2
Hp.
Xanthe Charito Myrrhine Dika Sappho Arete Lampito
Kleonike
pp
pp
E pp
3
3
-vo -e...
F§
3
-vo -e...
E
E vo - - e...
p
+A - pel -
les:
3
Hus- band:
fa - ther.
3
E vo - e...
Now,
3
un - der
ev' -
ry stone,
1/16/2006
112
Act II
Perc. 1
Perc. 2
(Chime)
(Vibes, bowed)
Xanthe Charito Myrrhine Dika
Sappho Arete Lampito
Kleonike
E
a scor - pi - on,
E
to
pierce
and
burn
the
p
Gb
vo - -e,
3
-vo e, -
3
E
heart.
3
E
mf
vo - -e...
3
E vo - -e...
3
Hp.
887
3
E
3
E
vo - -e,
-vo e,
-vo e, -
892
Cl. in Bb
Bari Sax. in Eb
Bn.
Hn. in F
Timp.
Perc. 1
h = prev. q
Xanthe Charito
(Chime)
E
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
3
3
E
3
pp
E p
3
E 3
Te - le- as... pp 3
h = prev. q
vo - - e.
3
Te - le- as...
Ner
Ner
E
3
3
mos...
mos...
3
vo - - e.
E
3
pp
vo - - e.
p
p
Alk
Alk
3
vo - - e.
3
3
man...
man...
Ba -
3
kis... Thin - ker,
q = 80
senza sord.
pp senza sord.
pp senza sord.
pp senza sord. pp senza sord. div.
pp
3
Hea - ler, mf
3
Neigh- bor, mf
kis... mp
Ba -
Thin - ker, mp
Lea
3
vo - - e.
mf
3
Hea - ler, mf
mp
E
mp
3
moving forward
3
vo - - e.
p
3
pp
p
vo - - e.
vo - - e.
pp
pp
pp E pp
Kleonike Lampito
Sappho Arete
Myrrhine Dika
q=h
3
pp
pp (Vibes, bowed)
Perc. 2
q = 80
moving forward
3
Lea
3
-
der,
3
-
der,
Neigh- bor,
q=h
7
7
113
Act II
Fl.
Cl. in Bb
In an exaltation of grief h = 80
f
Bari Sax. in Eb
Bn.
f
Hn. in F
f
Tpt. in D
Timp.
Perc. 1
mf
Myrrhine Dika
f
f lo
f
lo
f
Sappho Arete
Kleonike Lampito
lo
f
lo
-
-
-
Glock.
f
-
ver...
My
lo
ver...
My
ver...
ver...
Xanthe Charito
-
lo
-
My
lo
My
-
lo
-
ver,
ver,
Vn. I
ff
Vn. II
ff
Va.
arco
ff
arco, non div.
Cb.
ff
Vc.
ff
mf
ff
f
My
lo
My
lo
ver,
My
lo
ver,
My
lo
7
3
gliss.
s. glis
ff
ff
-
-
ff
ff
ff
Small Snare Drum
pp
E§ Db Cb Bb
my
ver...
lo -
ver...
my
lo -
ver...
lo -
ver...
mf
-
my
f
-
ver...
ver...
my
lo -
ver...
ff
ver...
straight mute
pp
In an exaltation of grief h = 80
ff
Hp.
Perc. 2
f
895
f
f
1/16/2006
114
899
Timp.
Perc. 2
Sappho Arete Kleonike Lampito
Fam ` - i - lies,
Vc.
Perc. 1
Xanthe
Alto Sax.
2
2
p
2
2
2
p
2
f
2
wives...
Vn. II
Va.
Vc.
Cb. 1/16/2006
ver to re turn;
ver to re turn;
sub. p 2
2
2 2 2 2
Wi - dows, now, who yes - ter - day were
q. = 80 (e = e)
sub. p
2 2 2 2
2
2
sub. p 2
f
2
sub. p
(f)
p
p
p
2
Marimba
f
It
feels
like
2
f
2
f
2
f
f
pizz.
pizz.
pizz.
pizz.
pp
it feels like
hea - ring moun - tains crash:
f
f
f
2
2
2
(f)
f
2
f
2
2
2 2 2 2
2
Wi - dows, now, who yes - ter - day were sub. p
sub. p
ne -
f
wives...
q. = 80 (e = e)
wives...
2
f
2
f
p
Myrrhine Dika
(f)
Hus- bands,
Charito
Vn. I
(f)
wives...
Sappho Arete Kleonike Lampito
ne -
(f)
p senza sord.
Timp.
(f)
2
Tpt. in D
Hus- bands,
Alto Sax. in Eb
(f)
Cl. in Bb
Hn. in F
tteredin a flash:
904
Bn.
Suddenly turbulent q = 116
Fl.
tteredin a flash:
sha
Va.
Cb.
sha
Fam- i - lies,
mf
p
Vn. II
Xanthe Charito Myrrhine Dika
Vn. I
Act II
Suddenly turbulent q = 116
see - ing
hea - ven
burn:
arco
arco
arco
arco
arco
115
Act II
907
Fl.
Bari Sax. in Eb
Bn.
Timp.
Perc. 2
Cl. in Bb
Myrrhine Dika
Sappho Arete
Kleonike Lampito
Vn. II
2
Gods, (pp)
what else can mat - ter
Gods, (pp)
what else can mat - ter
Gods, (pp)
what else can mat - ter
Gods,
what else can mat - ter
2
2
2
but their
2
2
but their
2
2
(pp)
f
f
(pp)
f
f
f
but their
but their
pp
Bari. Sax.
pp
3
lives?
lives?
3
lives?
lives?
pp
pp
pp
pp
All
h = 63 q. = h
All
3
3
of
ou - r
lives?
3
of
ou - r
lives?
3
of
ou - r
lives?
3
of
3
3
3
3
ou - r
lives?
pp
Small Tamtam
3
All
All
pp
pp
(pp)
rearing back
pp
(pp)
Cb.
(pp)
Vc.
(pp) Va.
Dragging back q. = 63
Vn. I
(pp)
Xanthe Charito
h = 63 q. = h
Dragging back q. = 63
So,
we
So,
we
So,
we
So,
we
rearing back
3
3
1/16/2006
116
Act II
Fl.
Grave, but exalted: a great gate opening q = 72
912
mf
Cl. in Bb
mf
Bari Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
Perc. 2
Hp.
Lysia
Myrrhine
Xanthe Charito
Sappho Arete
mf
mf
praise.
come to you with
praise.
Va.
Vc.
f
Cb.
f
1/16/2006
p
ff near hysterical
I'm not
wor
praise.
f
-
thy!
Where
Where
Where
Where
f
praise.
f
f
f
f
Grave, but exalted: a great gate opening q = 72
Vn. II
f
praise.
come to you with
come to you with
Vn. I
mf (Tamt.)
come to you with
Kleonike Lampito
solo
come to you with
Dika
q = 80
f
mf
mf
moving forward
Where
pp
to
start?
(Hum)
pp to start? Had you not been there, with pp (Hum) to start? pp (Hum) to start? pp (Hum) to start? pp
moving forward
3
Ki - ne,
I could
not have done
my
Ah...
Ah...
Ah...
Ah...
q = 80
pp
pp
pp
pp
117
Act II
919
Bari Sax. in Eb
Hn. in F
Perc. 2
Hp.
Myrrhine
Xanthe Charito
Sappho Arete
Kleonike Lampito
Vn. I
Vn. II
Va.
Vc.
Cb.
solo
p
mf
pp
Long
Long
Long
Long
Long
(Tamt.)
part.
Dika
Bn.
Cl. in Bb
f
f
live your f
e
live your f
e
live your f
e
live your f
live your
e
e
-
-
-
xam - ple:
xam - ple:
xam - ple:
-
xam - ple:
-
xam - ple:
Lon
Lon
Lon
Lon
Lon
live
your
ger
live
ger
live
ger
ger
ger
your
your
live
your
fame!
We
your
We
fame!
live
We
fame!
We
3
We
fame!
fame!
f
f
f
pp
f
pp
f
pp
Eb G§ A§
pp
3
1/16/2006
118
Act II
924
Cl. in Bb
Bn.
mf
mf
Hn. in F Tpt. in D
Xanthe Charito
mf
glo - ri -
Sappho Arete
glo - ri -
Kleonike Lampito
glo - ri -
Vn. I
Vn. II
Va.
fy
you,
Ly - si - a:
fy
you,
Ly - si - a:
We
fy
you,
Ly - si - a:
fy
you,
Ly - si - a:
We
glo - ri
glo - ri
We
fy,
glo -
we
glo -
glo - ri
fy,
we
ri - fy
glo -
pp pp
your
name.... pp
ri - fy
your
name.... pp
name.... pp
name....
ri - fy
Cb.
your
pp
ri - fy
glo -
we
pp
fy,
pp
we
f
glo - ri
We
fy,
pp
Vc.
solo
mf
glo - ri -
Myrrhine Dika
mf
Bari Sax. in Eb
your
pp
pp
pp
pp
q = 96 Urgent, moving forward
Myrrhine Dika
Sappho Arete
929
Xanthe Charito
Vn. I
Vn. II
Va.
1/16/2006
q = 96 Urgent, moving forward
sul G through beat 3, m. 937
mp
mp
mp
mp
Through all
Greece,
3
Let all men
mf
mf
mf
3
mf
mf
and call you,
3
3
3
mf
and call you, mf
3
and call you,
ho - nor you,
3
3
mf
3
of
3
3
on,
Vc.
Cb.
From this day
mp
Kleonike
Lampito
3
mf
937
Cl. in Bb
Hn. in F
Perc. 1
Xanthe Charito
Holding back Suddenly delicate q = 80
pp
Triangle
pp
Act II
call you "Ly
Sappho Arete
call you "Ly
tra ta,
- sis pp
tra ta,
call you "Ly
- sis
sul G throughsolo
Vn. II
Va.
Vc.
pp
pp
pp
At tempo q = 80 944
Fl. Cl. in Bb
Timp.
Perc. 2
Hp.
Xanthe Charito
pp
Ly f
sis pp
tra ta,
Ly f
sis pp
you
crown pp f
you
crown
you
pp
f
pp
pp
f
f
pp
pp
mf
pp
f
pp
f
tra ta,
pp
f
pp
pp
tra ta,
sis -
f
Ly
f
who brings
who brings
She
who brings
She
who brings
Slower, precise
Crotales
solo pp
She
pp
She
pp As the WOMEN retain the ends of their memorial cloths, MYRRHINE crowns LYSIA with the wreath, making of her a kind of Maypole of remembrance.
f
f
peace.
f
peace.
peace.
Sappho Arete
At tempo q = 80
tutti
f
(pp)
Vn. II
tutti
(pp)
Va.
tutte
Vc.
tutti
p
f
f
f
(pp)
Cb.
tra ta,
you
Myrrhine Dika
Vn. I
sis pp
peace.
Kleonike Lampito
Ly f
pp
crown pp f
f
sola
pp
f
pp solo
pp
We
pp
Cb.
pp solo
We
crown pp f
Holding back Suddenly delicate q = 80
beat 3
We
tra ta,
119 Slower, precise
We
tra ta,
pp
- sis pp
- sis pp
f
Myrrhine Dika
Vn. I
pp
call you "Ly
Kleonike Lampito
solo
f
f
pp
pp
pp
pp
1/16/2006
Bari Sax. in Eb
Bn.
Hn. in F
Timp.
Perc. 2
Hp.
Vn. I
f
f
pp
(Crot.)
f
ff
Vn. II
ff
Vc.
ff div.
Xanthe Charito
Va.
Vc.
Cb.
1/16/2006
3
3
O Mis- tress Per - sua - sion, pp chanting, freely
mf
p
p
p
p
p
slowing
pp
pp
pp
(pp) (pp)
pp
f
(pp)
(pp)
unis.
pp
3
Bless
this oc - ca - sion,
Bless
this oc - ca - sion,
Bless
this oc - ca - sion,
3
3
3
3
Ho -
nor our sa - vior,
Ho -
nor our sa - vior,
3
3 Ho -
nor our sa - vior, 3
this oc - ca - sion,
Ho -
nor our sa - vior,
3
Grant her your fa - vor,
we
Grant her your fa - vor,
we
3
Grant her your fa - vor,
we
3
3
Grant her your fa - vor,
we
(pp)
3
f
Bless
Gb
f
Mis- tress Per - sua - sion,
pp
3
3
pp
f
(pp)
f
O Mis- tress Per - sua - sion, pp chanting, freely
O Mis- tress Per - sua - sion, pp chanting, freely
pp chanting, freely
A chant q = 56
Vn. II
mf
f
O
Vn. I
pp
mf
mp
Sappho Arete
Myrrhine Dika
Kleonike Lampito
A chant q = 56
Hp.
ff
952
ff
Va.
Cb.
slowing
Cl. in Bb
Fl.
Act II
948
120
121
Act II
Hp.
Lysia
Xanthe Charito
Myrrhine Dika Sappho Arete
Lampito
pray...
pray...
pray...
the coup de grace p 3
Ly - si - a:
Vn. II
Va.
Vc.
Cb.
I...
in anguish
I...
Ai - yi yi....
3
whatdidyouwish to say?
(hum)
pizz.
pizz.
pizz.
Triangle pp
G§ D§
unmade pp
(hum)
pizz.
pray...
(hum)
(hum)
A bit faster, with the voice q = 63
Vn. I
Kleonike
pp
subtone
Perc. 1
Cl. in Bb
A bit faster, with the voice q = 63
956
E vo - e.-
E vo - - e.
E vo - - e.
E vo - e.-
E vo - e.-
arco arco arco arco
1/16/2006
122
Act II
No. 64: The Armies Approach
962
Fl.
Suddenly fast, martial, heraldic q = 132
Cl. in Bb
pp 3
3
6
pp 3
3
6
Alto Sax.
Alto Sax. in Eb
3
pp 3
3 3
Perc. 1
Perc. 2
Lysia
Perc. 2
Lysia
Kleonike
Va.
Vc. 1/16/2006
(pp)
3
(pp)
(pp)
3
The
3
ar -
3
mies,
on
What
Suddenly fast, martial, heraldic q = 132
(Tamb.)
3
them
3
3
3
3
3
(pp)
6
to meet us
in
an
hou
-
r
at
the
arch.
pp
ossia 8va mf pointed
To
3
6
(pp)
3
6
mp mp 3
all
6
I
that?
is
pp 3
asked
earth
3
(S.D.)
on
pp
3
3
the march.
f
3
absent
3
3
3
3
3
6
3
3
Hp.
3
6
in Eb
Perc. 1
6
3
Vc. f Cb. f 965 Fl. 6 Cl. in Bb 6 Alto Sax.
Tpt. in D
(pp) 3
3
3
Bn.
6
(pp) 3
pp
Sappho Arete
pp
3
(pp) 3
Tambourine
Small Snare Drum
Myrrhine Dika
Va.
Xanthe Charito
Kleonike Lampito
pp
Harmon mute
Tpt. in D
lunga
measured, cryptic p
There
sur - ren - der?
123
Act II
968
Fl.
Slower, with the voice
Suddenly energized q = 132
Cl. in Bb
Alto Sax. in Eb
Bn.
Hp.
Lysia
3
Charito
Myrrhine
Xanthe Charito
Myrrhine Dika
Vn. I
will be
Va.
Slower, with the voice
yes.
Vn. II
Cb.
f
3
f
3
f
3
p
p
p
p
p
Glo- ri ous, f
vic - to - ri - ous
Glo- ri ous, f
vic - to - ri - ous
Glo- ri ous,
vic - to - ri - ous
3
3
3
3
(f)
(f)
p
f
(f)
3
f
f
(f)
3
f
vic - to - ri - ous
3
Glo- ri ous, f
Suddenly energized q = 132
f
f
Howcould you not tell uz?
They're an - noun cing theirsur - ren- der?
f
f
Vc.
f
f
3
f
f 3
Db Cb
a sur - ren- der,
Sappho Arete
Kleonike Lampito
f
3
p
p
p
p
1/16/2006
124
Act II
Cl. in Bb
Alto Sax. in Eb
Bn.
973
Fl.
Timp.
Lysia
3
3
3
3
Ly - zi - a,
Perc. 1
The too - pos- ses sive po - e tess:
but Za - ppho wouldget jea- louz.
pizz.
3
3
pizz.
pizz.
3
f
pizz.
3
(f)
(f)
(f)
(f)
arco
pp arco pp arco
pp arco
slowing
3
pp
Grand, sumptuous q = 96 3
f
p
3
f
p
Close - the gates!
3
sfzpp
Pre - pare
the god- dess!
f
f
f
3
3
3
f
p
p
The WOMEN flee within and slam the Acropolis shut. NICO and LEONIDAS lead both ARMIES on, leading with their direly erect phalli. KLEONIKE and LYSISTRATA remain. As the ARMIES settle, KLEONIKE hands LYSISTRATA a scroll.
Vic - to
pp
3
f
f
1/16/2006
al - rea - dy a cli- che...
f
Cb.
p
f f Glock.
Vc.
Va.
p
Vn. II
3
3
Grand, sumptuous q = 96
Vn. I
f
Kleonike
978
Timp.
Hn. in F
f
Bn.
f
Cb.
f
Vc.
Va.
Vn. II
p wan
day!
Vn. I
day!
Kleonike Lampito
I'd kizz you:
day!
Sappho Arete
day!
Myrrhine Dika
p confidentially
Xanthe Charito
Dika
slowing
3
-
3
3
3
ry
a
- waits!
p
p
p
125
Act II
Fast, brilliant, martial q = 132
982
Fl.
Alto Sax. in Eb
Hn. in F Tpt. in D
Perc. 1
p
3
3
p
3
3
6
6
Cl. in Bb
Bn.
p
3
3
3
p
Tambourine
3
p
Vc.
Cb.
mp 3
mp 3
3
mp
mp
3
6
3
3
3
3
3
mp
mp
mp
mf
3
3
mp
3
3
mp
6
3
mp 3
3
Fast, brilliant, martial q = 132
6
3
3
p
Va.
(Harmon mute) 3
6
3
Small Snare Drum
Perc. 2
6 3 6 mf 985
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Perc. 1
Va.
Cb.
(Tamb.)
Vc.
mf 3
6 3
3
mf
3
mf
6
3
3
6
mf
mf
mf
3
6
6
3
mf
3
1/16/2006
126
Act II
Suddenly hushed and delicate q = 80
988
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Perc. 1
Perc. 2
Hp.
Vn. I
p
p
pp
Triangle
pp pp
994
pp
p
p
pp
Slower, precise
Vn. II
Va.
Vc.
Cb.
1/16/2006
(pp)
(pp)
(pp)
mp
pp
pp
mp mp
mp
pp
pp
pp
senza sord.
ff
pp
ff
ff
ff
ff
pp
pp
pp
ff
ff
ff
Straight mute
ff
ff
pp
Gb
pp
solo
pp mp mp pp
mp
Slower, precise
Alto Sax. in Eb
(pp)
Vn. I
Cl. in Bb
Tpt. in D
pp
pp Crotales
Suddenly hushed and delicate q = 80
Hn. in F
solo
pp
Vc.
Va.
Fl.
Vn. II
Cb.
LYSISTRATA steps forward, pale, crowned in olive, bearing her scroll.
pp
ff
pp
pp
pp
pp
pp
pp ff
ff
pp
ff
ff
pp
ff
ff
ff
ff
pp
ff
127
Act II
Cl. in Bb
Treading h = 44
999
"Be
3
ing
a
pp
f attempting pomp
Lysia
bul - le - tin
from the
as
is
Wo- men's Co - a - li tion,
our charge,
re - por -
ting
Treading h = 44
Va.
d'arco punta pp punta d'arco
Vc.
pp
div., pizz.
Cb.
pp
1002
Lysia
Vn. I
Both
for
the
his - to
3
-
ri - cal
re
-
cord...
p losing her nerve
I
Va.
Vc.
know:
Vn. II
Cb.
I
know.
"Get to the
ord.
ord.
arco
3
mp
mp
mp
mp
mp
1/16/2006
128
Act II
No. 65: Coup de Grace Bari Sax. in Eb
Slower, suspended q = 63
1004
pp
non arp.
mf
Hp.
Lysia
Baritone Sax. solo
She takes a deep breath, as if about to hurl herself over a cliff.
pp
point..."
Slower, suspended q = 63
Vn. I
Vn. II
Vc.
Cb.
sfzpp
sfzpp
sfzpp
Va.
3
I'veheard it said, bythe fi- nest minds in Greece, that: Vic - to ry
sfzpp sfzpp
(pp)
3
isthe on - ly
(pp)
1011
Fl.
Cl. in Bb
Hp.
Lysia
solo
pp
solo
pp
true peace.
Vn. I
3
Vn. II
Va.
Vc.
1/16/2006
For - give me, then,
3
3
3 if
3
3
I seem con- tra- dic - to - ry,
3
3
3
when I...
...when I say:
f
f
f
f
129
Act II
1018
Fl.
Tpt. in D
Timp.
Perc. 1
Perc. 2
Lysia
pp
ff
pp
Alto Sax.
ff
ff
pp
ff
pp
ff
Straight mute
peace,
peace,
pp
pp
pp
pp
ff
ff
ff
ff
pp
pp
ff
pp
ff
ff
pp
ff
f
3
is the
f
pp long
o -
p
Peace
f
pp
ff
peace,
pp
ff
ff
pp
pp
ff
pp
Cb.
pp
pp
Vc.
Surging forward q = 69
Va.
ff
ff
f
Vn. II
ff
senza sord.
pp
Peace,
Vn. I
pp
Alto Sax. in Eb
Hn. in F
Cl. in Bb
Bn.
Surging forward q = 69
nly
f
true
3
vic to - ry.
pp
pp
pp
pp
pp
f
f
f
f
f
1/16/2006
130
Act II
1024
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Slightly slower, with the voice
Suddenly reckless q = 144
pp
pp
brassy
mp
senza sord.
Perc. 1
Perc. 2
This I of - fer
Nico
Vn. I
Vn. II
Va.
Cb.
1/16/2006
Small Snare Drum
Slightly slower, with the voice
darkly mp
pp
4
4
4 4 f 2
pp
3
3
We've
Suddenly reckless q = 144
mp
pp
Marimba
pp
If you came for sur - ren- der,youcoul -d'nt be wron ger.
Com- man - der...
4
The WOMEN cheer. The MEN roar.
3
3
for yourcon- tem- pla- tion.
4
o
4
3
mp
The ARMIES murmur, look daggers at NICO. f reckless
Vc.
f
f f
f brassy
mp
pp
pp
Lysia
f brassy
f
3
mp
pp
pp Tpt. in D
mp
Piccolo
mp
mp
3 f
3
f
f 3
131
Act II
(Picc.)
1028
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
4
4
brassy
p
f
3
(S.D.)
Lysia
o
4
Va.
brassy
brassy
f
3
f
brassy
f
p
f
p
(f)
4 4
2
pp
4 4
p
f
f
3
f
p
p
3
f
3
f
f
3
f
p
3
3
3
Strongas youmen are,your wo- men arestron ger:
3
3
mp
3
p
Cb.
4
mp
p
Vc.
3
Vn. II
p
las - ted this long, we can last much lon - ger.
Vn. I
f
(Mar.)
Perc. 2
p
f brassy
p
Perc. 1
4
brassy
p Tpt. in D
f
p
Hn. in F
f
4
4
4
4
1/16/2006
132
1032
Fl.
Alto Sax. in Eb
Vn. II
p
Still:
Vn. I
sub. pp
mf
4
that's
4
not
to
Fl.
Alto Sax. in Eb
Bn.
Hn. in F Tpt. in D
Timp.
Perc. 1
Vn. I
pp
Vn. II
pp
Va.
pp
Vc.
1/16/2006
to
this
(mf)
to
of
mp
fer
you
sub. pp
o
pp
pp
si - tu
a
sfzpp
-
mp
pp
mp
pp
mp
pp
sfzpp
sfzpp
sfzpp
-
mp
mp mp mp
f
f f
sfzpp
proclaimed: "Behold! The goddess Peace!"
so
tion.
pp
-
mp
2
f
3
pp
mp
de - sp'rate
mp
pp
Cb.
4
lu - tions
pre - pared
pp
mf
4
pp
4
pp
mp
pp
(mf)
pp
pp
pp
pp pp
mp
mp
pp
pp
4
mp
mp
mf
(Mar.)
pp
not
we're
pp
mp
mp
pp
pp
pp
Lysia
(Picc.)
Cl. in Bb
mp
mf
1034
mp
sub. pp
say
sub. pp
Cb.
mp
pp
pp
pp
mp
sub. pp
Vc.
mp
pp
Va.
pp
pp
sub. pp
Lysia
mp
pp
(Mar.)
Perc. 1
(Picc.)
Cl. in Bb
Bn.
Act II
f f
f
f
133
Act II
No. 66: The Goddess Peace
LYSISTRATA signals to KLEONIKE. Another burst of music, and the Acropolis opens wide. Inside, we see the WOMEN in gorgeous display. At their center is LAMPITO, whose smiling head emerges as the head of a titanic (twice human-scale) statue of a heartbreakingly voluptuous female nude, on the body of which is drawn in convincing cartographic detail a schematic of the island territories disputed in the war.
Magnificent, celebratory q = 116
(Picc.) 6
1037
Fl.
f
f
Alto Sax. in Eb
Bn.
Hn. in F
f
f
f
Tpt. in D
Timp.
Perc. 1
Perc. 2
Vn. I
f
6
6
f
Crash Cymbal
Magnificent, celebratory q = 116
Vn. II
f
f
Vc.
Cb.
f
(Picc.) 1039 Fl.
Alto Sax. in Eb
Bn.
Hn. in F Tpt. in D
Timp.
Perc. 1
Perc. 2
Vn. I
6
Va.
Vc.
6
mf (Crash Cymbal)
(f) (Tamb.)
6
6
6
p
6
6
mf
mf
p
p
p
6
6
6
mf
Vn. II
Cb.
f
Cl. in Bb
mf
p
f
Va.
Tambourine
p
6
6
mf
Cl. in Bb
6
p
p
1/16/2006
134
Act II
1041 (Picc.)
Fl.
6
Alto Sax. in Eb
Bn.
Hn. in F Tpt. in D
Timp.
Vn. I
mf
Vn. II
Va.
p
mf
(Picc.) 1043
Tpt. in D
Timp.
Perc. 1
6
Hn. in F
Bn.
6
mf
(Tamb.)
Lampito
Vn. I
f
(l.v.)
pp
vife
pp
3
to
Le - o - ni das,
Lam - pi- to,
f
p
5 div. 5
6
I,
f
Vc.
6
Va.
1/16/2006
mf
Vn. II
Cb.
6 6 pp f Small Tamtam
pp
Perc. 2
mf
6
p
6
6
Alto Sax. in Eb
Cb.
Cl. in Bb
Fl.
Vc.
6
mf (Tamb.)
Perc. 2
6
Cl. in Bb
135
Act II
Cl. in Bb
Alto Sax. in Eb
1048
(Picc.)
Hn. in F
Tpt. in D
Timp.
Perc. 1
Perc. 2
Hp.
Xanthe Charito
Ac - ting
faw
all
ouah
daugh tawz
and
vives,
f
Cb.
Vc.
(omit low Gb if unavailable)
f
Vibraphone, hard mallets, motor off
f
Glock.
Va.
f
Vn. II
Sappho Arete
Vn. I
Myrrhine Dika
Lampito
Ap
-
Bn.
Fl.
ff
Ah... ff
ff
Ah...
Ah...
peah heah,
Guized
(f)
the
(f)
3
az
(f)
(f)
(f)
* Adapted from Bachylides, 5th century B.C.E.; translation by Brooks Haxton 1/16/2006
136
Act II
1054
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Perc. 1
(Glock.)
Hp.
Xanthe Charito
Lampito
God- dezz
Vn. I
Va.
Vc.
Cb.
1/16/2006
of
Peaze:
2
2
E# G§ A§ D§ C§ B#
K.
K.
A.,
A.,
2
A.
2
K.
A.
Ah...
Ah...
Ah...
ze
or,
all,
all
states
Vn. II
A.
A.
Sappho Arete
Myrrhine Dika
f
f
(Vibes)
Perc. 2
of
137
Act II
Slower, billowing, radiant q = 72
1060
Fl. Cl. in Bb
Bn.
Hn. in F
pp
pp
pp
pp
Myrrhine Dika
pp
pp
Sappho Arete
Timp.
pp
Xanthe Charito
Lampito
Gweeze.
Maron Meleagros Alpheus
It's a mi - ra cle! f
(mi - wa cle!)
Kinesias Philo Bion
It's a
mi - ra cle,
a mi - ra cle,
Slower, billowing, radiant q = 72
Vn. I
Vn. II
Va.
Vc.
Cb.
pp
pp
pp
So Zo
sight! (zight!
pp
pp
pp
sight! These ripe, these rol -ling hills, (zight! Zeze wipe, zeze woll ling hills,
pizz.
pp
straight mute
mp 3 What a
ripe... wipe...
Clear ly,
could make a grown man could make a gwown man
pp
-
groan: gwoan:
pp
pp
pp
p
pp
mp
mp
What a
f
3
(Picc.)
Tpt. in D
pp
solo
1/16/2006
138
Act II
1065
f
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
mf
f
mf
mf
p
p
Philo
pp
f
It's at
f
f
It's at
It's at
Kinesias Bion
Vn. I
Va.
Vc.
Cb.
1/16/2006
It's at
Vn. II
f
mf
f
ss.
mf
mf
gli
Maron Alpheus
mf
mf
mf
Eb Gb Ab Db Cb Bb
claim
this land (zis)
claim
claim
I
I
mf
the gods' com- mand, (ze)
I
the gods' com- mand, (ze)
I
the gods' com- mand, (ze)
the gods' com- mand, (ze)
Meleagros
mf
f
p
Hp.
p
mf
Timp.
gli ss.
Cl. in Bb
claim
p
for
this land (zis)
this land (zis)
for
this land (zis)
for
3
p
Zpar- ta's,
3
p
p
p
p
A - thens',
p
A - thens',
3
Zpar- ta's,
arco
A - thens',
p
p
for
A - thens',
pp
pp
pp
1068
Fl.
Cl. in Bb
Perc. 1
Perc. 2
Lysia
Flute
pp
Vn. I
Vn. II
Va.
pp
Vc.
Zpar- ta's,
Zpar- ta's,
pp
Vn. II
Va.
Cb.
Zpar ta's,
A thens',
A thens',
A - thens'
own...
own...
A - thens'
own...
Zpar- ta's
f
Wrong.
Kle- o?
f
f
arco
f arco
f arco f arco
f arco
pizz.
f
pizz.
pizz.
f
pizz.
own...
Zpar- ta's
pizz.
Vibra-slap
Zpar ta's,
solo
(Mar.)
3
mp
pp
mp
pp
3
p
f
pp
mp
5
pp
mp
(p)
p
p elegantly
Vibes, motor off
KLEONIKE takes up a long wand that she will use as a pointer on the statue. She makes her way downstairs, as the MEN pant at the preening LAMPITO.
3
3
Think of this land as
a
3
pp
Vc.
pp
Swift, strutting q = 144
Vn. I
A...
3 pp
Kleonike
A...
Swift, strutting q = 144
Perc. 2
No. 67: Kleonike Makes a Point
1071
Perc. 1
Zpar...
Alto Sax. in Eb
Marimba
Zpar...
A - thens',
pp
Cb.
A - thens',
Zpar- ta's, Kinesias Bion
Zpar- ta's,
Philo
139
f
Maron Alpheus
Meleagros
Act II
pp pizz. accents heavy 3
p
3
3
3
3
3
3
3
f f
pp
mp
3
mp
mp
pp p 1/16/2006
140
Act II
1076
Bn.
Perc. 1
(Mar.)
(Vibes)
Perc. 2
Kleonike
Vn. I
3
3
beau - ti - ful girl -
who's
3
1081
Fl.
Cl. in Bb Alto Sax. in Eb Bn.
Hn. in F
Timp.
Perc. 1
Perc. 2
Hp.
Kleonike
a - ny who come her
Kinesias Philo Bion
Vn. I
Vn. II
3
Va.
Vc.
Cb.
1/16/2006
3
3
mp
mp
mp
mp
mf
way.
non arp.
p
Come,
come
come
f
3
my
3
p
3
p
p
3
my
mf
p
mf
p
p
3
you'd
con -
3
3
stant - ly
quar - rel.
As
way!
mp
3
3
3
mp
mp
mp
mp
3
3
3
3
mf
but im - mo - ral;
mf
3
way! f
3
3
mf
3
p
p
3
Sweet,
3
p
f
to
f
o - pen her bo - dice
mf
p
p
mf
p
3
f
mp
p
f
to
3
p
3
3
fluttertongue
3
p
mp
mf
p
Come,
3
Ne - ver too mo - dest
3
pp no pedal
3
Maron Meleagros Alpheus
3
p
(Vibes)
play.
pp
(Mar.)
3
to
3
al - ways rea - dy
Cb. Vc.
3
Va.
5 mp pp pp
(p)
Vn. II
141
Act II
1085
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Timp.
Perc. 1
mf
Hp.
Kleonike
Va.
Vc.
3
be
Hn. in F
Kleonike
Maron Meleagros Alpheus Kinesias Philo Bion
Vn. I
Vn. II
Va.
Vc.
al - most
un
-
pp
3
choke
pp
bea - ra - ble:
3
3
3
3
3
But...
These ripe, these rol - ling hills
f
f
f
pp 3
thatmake a grown man
pp 3
pp
(groan) anguished (groan)
Could so
de- luxe a
del - ta
not melt
pp
pp
pp
pp
Groan...
commanding
a heart of stone?
pp
pp
pp
pp
groan;
f
Groan for me? anguished
pp
pp
3
pp
sweetly
3
f
3
3
3
3
3
1089
Fl.
pp
Half tempo; billowing, radiant q = 72
C§
3
f
Vn. II
Cb.
3
mp
wife, she'd
Vn. I
(Vibes)
Perc. 2
solo
pp
mf
Small Suspended Cymbal
mf
p
Half tempo; billowing, radiant q = 72
p
p
1/16/2006
142
Act II
1093
Timp.
Kleonike
Maron Meleagros Alpheus Kinesias Philo Bion
mf
(Vibes)
mf
mf
(groan)
Hp.
mf
f
Perc. 2
mf
Marimba
Perc. 1
mf
mf
Coul-d'nt
f
(groan)
3
she be,
shoul - d'nt she be
3
3
ju
3
di - cious - ly,
3
de
Twice as fast q = 144
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
3
mf
3
mf
3
mf
3
mf
(pizz.)
mf
3
3
3
3
Cb
-
Bn.
Alto Sax. in Eb
Cl. in Bb
Fl.
Twice as fast q = 144
3
3
3
3
-
Act II
1097
Fl.
Cl. in Bb
Bn.
Timp.
(Vibes)
Kleonike
Vn. I
Hp.
li
Vn. II
Va.
1099 Fl.
Bn.
Hn. in F Tpt. in D
Timp.
Perc. 2
Lysia
Vn. I
mp
f
mp
f
mp
mp
Va.
Vc.
3
3
ly,
f f
senza sord.
mp
f
E
mp
mp
mp arco
mp
f
f f f
f
mf
mf
-
f
-
nough!
nough!
pizz. f
mf
E
Five Temple Blocks
E - nough!
E§ F# D§ C§
3
-
rea
-
mp f mp f mp
mp f
piece
now!
This
piece
now!
p
p
p
p
arco
p
f
f
This
mp
mp f
ble?
E - nough!
sha
mf
mf
mf
mf
3
Vn. II
Cb.
Maron Meleagros Alpheus Kinesias Philo Bion
-
3
3
cious
Alto Sax. in Eb
-
Cb.
Cl. in Bb
Vc.
Perc. 2
Alto Sax. in Eb
143
mp
f
q = q.
f
Ne -
f
f
f f
f
q = q.
1/16/2006
144
Act II
The same tempo; driving q. = 144
p 1102
Fl.
p
Cl. in Bb
Alto Sax. in Eb
Bn.
p
p
Hn. in F
Lysia
go
-
ti - ate
a
set - tle- ment,
2
the peace - ful
life
p
p
Va.
Cb.
p 1105
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Lysia
sub. p sub. p sub. p
sub. p
sub. p
Vn. I
mf
Vn. II
mf
Va.
Vc.
Cb.
1/16/2006
mf
p
p
p
mf
mf
p
p
ours.
p
p
Of course,
if
pp
pp
pp
you
men:
mp
p
mp
it,
we'll
p
p
p
q. = q
pp
pp
pp
mp
p
mp
un - as -
mp
mp
gic's
pp
-
2
pre - fer
the lo
mp
pp
mp
p
pp
Ad - mit it,
p
pp
is
p
p
p
2
p
mf
sai - la - ble.
mf
mf
mf
mf
p
Vc.
p
mf
mf
Vn. II
The same tempo; driving q. = 144
Vn. I
mf
p
pp
pp
mp mp
mp mp
with - draw
pp
to
ou - r
pp
mp
pizz.
mp
pizz.
pp
q. = q
pizz.
pp
towers:
pizz.
mp
mp
pizz.
pp
mp
145
Act II
1108
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F Tpt. in D
Timp.
Perc. 2
Hp.
Lysia
Xanthe Charito
Myrrhine Dika
Sappho Arete
Kleonike Lampito
The same tempo q = 144
Vn. II
Va.
Vc.
3 pp
Once a - gain,
mp
pp
mp
p
so - sor - ry!
3
p
Once a - gain, so - sor - ry! pp
Xylophone
p
G# A§
f
Once
f
a - gain,
so
a - gain,
so
Once
3
Once
a - gain,
so
Once
a - gain,
so
so
f
Once a - gain, so - sor - ry! pp 3
pp
pp arco
f
p
pp
p
f
f
pp
f
3
pp
f
Once
f
f
pp arco
3
Once a - gain, so - sor - ry!
arco pp arco
Once a - gain, so - sor - ry! pp
pp
p
pp
Cb.
p
p
The same tempo q = 144
Vn. I
pp
p
mp
pp
mp
pp
p
p pizz.
a - gain,
3
3
3
p
p
1/16/2006
146
Act II
1113
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
Hp.
Lysia
-
ry!
sor
-
ry!
sor
-
ry!
Sappho Arete
sor
sor
Vn. II
Va.
1/16/2006
Vc.
Cb.
sor
Myrrhine Dika
Vn. I
un
3
un
3
un
-
3
3
3
ry!
-
-
un
-
a
-
a
-
la - ble...
vai
-
la - ble...
vai
-
la - ble...
-
-
vai
vai
-
la - ble...
-
la - ble...
3
f
3
f
vai
-
ry!
3
3
un
3
-
f
f
f
f
f
Xanthe Charito
Kleonike Lampito
(Xyl.)
Perc. 2
3
f
f
f
f
f
147
Act II
1116
Cl. in Bb
Bn.
Vn. I
Va.
pp
D§
slight arp.; fast, but not aggressive
Too
pp
p
sir:
Too
late
mp
mp
p
pp
day,
mp
for
mere
pp
pp
pp
re - sis -
pp
mp
pp
pp
mp
Suddenly deliberate q = 80 pp
p
the
pp
in
late
solo
p simply
mp
Vc.
solo
Vn. II
Cb.
Suddenly deliberate q = 80
Hp.
Leonidas
No. 68: Surrenders
A# B§
tance...
mp
mp
mp
Fast, driving q = 144
1121
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F Tpt. in D
Timp.
pp
pp
pp
pp
f
f
f
f
pp
f
f
pp
(Xyl.)
Perc. 2
pp
pp
f
f
ALL, hollering, entreat NICO
Fast, driving q = 144
Vn. I
Vn. II
pp
Vc.
Cb.
3
pp
Va.
3
pp
f
3
3
3
3
f
f
pp
f
f
pp
1/16/2006
148
Act II
1123
Cl. in Bb
Bn.
Hp.
Leonidas
Careful q = 80
slight arp.; fast, mp but not aggressive
p
Too
late
in
the
Vn. I
Vn. II
Va.
Vc.
pp
pp
pp
p
Cb.
p
pp
p
pp
sir:
Too
mp
mp
sheer
pp
pp
pp
pp
mp
per
pp
mp
for
mp
late
-
mp
tance...
mp
mp
1127
Fl.
Cl. in Bb
Alto Sax. in Eb Bn.
Hn. in F
Tpt. in D
Timp.
pp
pp
pp
pp
pp
f
f
f
pp
f
f
f
pp
(Xyl.)
Perc. 2
pp
f
f
Again THEY entreat
Fast, driving: q = 144
Vn. I
pp
Vn. II
pp
Va.
pp
Vc.
Cb.
1/16/2006
pp pp
3
3
3
3
3
3
f
f
f
f
f
Fast, driving: q = 144
- sis
pp
day,
solo
Careful q = 80
1129
Hn. in F
Nico
Kinesias
Hp.
mp
pp
F§ Gb Ab Bb
Ge - ne ral:
we
"Ly
sub. pp
sub. pp
Vc.
-
sis
-
solo, noble, cantabile
p
p tutti
arco
3
pp
mf
arco, solo
p
mf
con cede.
We
tra- ta:"
sub. pp
Va.
Cb.
Vn. II
Slower, ardent q = 84
Vn. I
General rejoicing. NICO remains immobile. LYSISTRATA's eyes never leave him. pp pointedly mf
plead...
149
Act II
Slower, ardent q = 84
p
3
mf
mf
mf
mf
p
Fl.
1136
Cl. in Bb Alto Sax. in Eb Bn.
Hn. in F
Perc. 1
Hp.
Vn. I
mf
mf
4
f
6
mf
6
3
pp
mp
pp
6
f
p
4
mp
4
mf
pp
mf
mf
mf
pp
pp
pp
pp
mf pizz.
mp
Db
mp
4
Cb.
Vc.
mf
mp
4
Va.
Vn. II
Marimba
pp
mf
f
4
4 3
3
f
p
4
p
4
p
f
p
f
1/16/2006
150
Act II
mf
1143Brisk,
Fl. Cl. in Bb Alto Sax. in Eb
Bn. Hn. in F
Kleonike
mf mf mf
mf
f
bright q = 120
Go:
bathe,
dress,
Brisk, bright q = 120
Vn. I
mf
Vn. II
mf
Va.
mf
Vc.
mf
Tpt. in D
Timp.
Vn. I
pizz. p pizz. p pizz.
p pizz.
p
3
rea - dy for the feas - ting
of our
f
sfzpp
lives!
p
p
p
p
straight p mute
f
p
f
f
f
f
f
f
f
Eb D§
to LAMPITO
(pizz.)
mp
f
f
f
f
f
sfzpp arco
arco
sfzpp arco sfzpp arco
sfzpp arco
sfzpp
p, aroused, in Spartan dialect 3
Muz - zer was
Get
hou - r:
the
with - in
Vc.
back
Be
for your wives:
Va.
1/16/2006
hand - some
Vn. II
Cb.
3
shave, get
Leonidas
Hp.
Kleonike
Alto Sax. in Eb
Hn. in F
Cl. in Bb
Bn.
a little faster, with the voice
1146
Fl.
wight
3
a - bout
you.
a little faster, with the voice
f f f f f
151
Act II
Magnificent, celebratory q = 96
Piccolo
1151
Fl.
f
Cl. in Bb Alto Sax. in Eb
Bn.
6
f f
f
Hn. in F Tpt. in D
Timp.
Perc. 1
Perc. 2
f senza sord.
f
6
6
mf Crash Cymbal
f
p
Tambourine
Vn. I
Vn. II
f
f
f
Va.
Vc.
f
Cb.
f
(Picc.)
1153
Fl.
6
Alto Sax. in Eb
Bn.
Hn. in F Tpt. in D
Timp.
Perc. 1
Perc. 2
Vn. I
mf (Cym.)
Va.
p
6
6
(f)
(Tamb.)
6
6
mf
6
6
6
p
mf
p
p
6
p
mf
Vc.
6
Vn. II
Cb.
Cl. in Bb
The MEN charge off. The Acropolis closes, leaving LYSISTRATA and NICO alone.
Magnificent, celebratory q = 96
mf
6
solo
6
6
p
1/16/2006
152
Act II
1155
(Picc.)
Fl.
mf
Cl. in Bb
6
Bn.
Hn. in F
Timp.
mp
mp
mp
mp
Perc. 2
Vn. I
(Tamb.) mp
Vc.
Cb.
mf
mf
mp
mf
Va.
mf
Vn. II
6 6
p
p
p
p
6
6
mf
mp
6
solo 6 6
mp
Alto Sax. in Eb
p
mp
mp
mp
mp
mp
1157
Cl. in Bb
pp
6 p solo
Alto Sax. in Eb Bn.
pp
straight mute
Tpt. in D
6
pp
Hn. in F
pp
Hp.
Vn. I
Vn. II
Va.
1/16/2006
p
p
pp
5
pp
p
p
Cb.
p p
Vc.
pp
Timp.
pp
pp
pp
solo
pp
153
Act II
Bari Sax. in Eb Bn. Hn. in F
Hp.
Lysia
Nico
pp
solo
Vn. II
Va.
Vc.
Cb.
Bari Sax. in Eb
Bn.
Hn. in F
Perc. 2
E§
I'm
Lysia
Va.
Vc.
Cb.
pp
(p)
(p)
2
2
2
(p)
2
2
pp anguished
co...
No!
al - ways re - mem- ber your smile, your kiss...
I'll
2
mp
mp
2mp
2 mp
2 mp
f f f
Snare Drum Small pp f
Your gig gle, your glow...
f
f
miss...
q. = q q = 84
num- ber of won - der- ful things I'll
mp willfully oblivious
The
mp
Pushing forward q. = 76
(p)
Still faster q. = 84
Vn. II
4
Vn. I
arco
Li - sten, Ni - co... mf
Nico
this...
Ni -
like
sor - ry our love had to end
tutti
p
p
pp coolly
Hp.
p
1163 Still faster q. = 84 Flute Fl.
Cl. in Bb
Baritone Sax.
Cool, measured q. = 69 (e = e)
Vn. I
p
Pushing forward q. = 76
mf
1159
Cl. in Bb
Cool, measured q. = 69 (e = e) poco
Eb A§
Pleaselet me ex plain...
q = 84
q. = q
pp non cresc.
pp non cresc. pp non cresc.
pp non cresc. arco
pp non cresc. 1/16/2006
154
Act II
1167
Cl. in Bb
Bari Sax. in Eb Bn.
Hn. in F
f
f mf
f
mf (straight mute)
Tpt. in D
Nico
Vn. I
mf No.
Vc.
f
Bari Sax. in Eb
f
Vn. II
Vc.
mf
pp
mf
pp
pp
pp
7
f
pp
E§ G§ A#
He is gone.
In an exaltation of grief h = 63, in 4 (2+2+2+1)
ff
ff
ff
1/16/2006
ff
Cb.
ff
Va.
Vn. I
Hp.
Timp.
f
f
Hn. in F
In an exaltation of grief h = 63, in 4 (2+2+2+1)
1169
Baaaa!
Bn.
f enraged, because unmanned
Va.
Cl. in Bb
Vn. II
Cb.
Fl.
7
3
ff
3
sub. pp
3
ff
sub. pp
3
sub. pp
155
Act II
No. 69: Lysistrata's Prayer 1173
Fl.
Hn. in F
Lysia
solo
Cl. in Bb
Bn.
A little faster q = 69
p
pp
pp
p
pp
pp
p coolly
3 3 3 3
A- res, A - phro- di - te,
for
a - ny o- ther vic - to- ry, I'd sing you pa- ne- gy- ric,
I'd
A little faster q = 69
Vn. I
Vn. II
Va.
A devastated LYSISTRATA addresses the statues of the gods.
1180
Fl.
Cl. in Bb
Bn.
Hn. in F
Lysia
Vn. II
Va.
Vc.
Cb.
3
for
our plan.
mp flaut.
mp flaut.
mp flaut.
3
mp
mp
3
A -
3
res,
A - phro - di - te,
while,
yes,
this is
a
vic
pp
pp
pp
flaut. mp
3
But,
flaut.
praise you
Vn. I
pp
pp
to - ry,
I
-
6
6
1/16/2006
156
Act II
1183
Cl. in Bb
mf
mf
mf
Bn.
Hn. in F
Perc. 1
sub. pp
sub. pp
f
Lysia
3
find
Vn. I
Vn. II
f
Vc.
Cb.
3
3
Triangle pp
sub. p
3
it
f
Va.
sub. pp
ra - ther
Pyr- rhic:
To
win
pizz.
pizz.
pizz.
f
sub. pp
f
sub. pp
Slower, ruminative
1187
Cl. in Bb
Lysia
solo
pp
4
3
Slower, ruminative
(pp) arco, ord.
(pp) arco, ord.
Vc.
Cb.
1/16/2006
(pp)
resigned
No.
(pp) arco, ord.
Va.
arco, ord.
Vn. II
Ni - co, oh, Ni - co...
man...
Vn. I
wistfully
No.
the
lose
sub. pp
but
war,
the
pizz.
f
win
to
sub. pp
bat - tle,
3
sub. pp
the
pizz.
3
arco, ord.
pp
157
Act II
No. 70: I Am Not My Own
Vn. I
Vn. II
Stately, aggrieved q = 69
p
my
F#
am not
pp
I
pp solo
Lysia
pp
pp
Vibraphone, bowed, motor off
pp
Hp.
pp
Perc. 2
Hn. in F
Bn.
Cl. in Bb
Fl.
Stately, aggrieved q = 69
1193
C#
own.
I
pp
pp
1202
Cl. in Bb
Alto Sax. in Eb
pp
pp
A§ 4
A#
3
more than
wind
C§
or sky,
but
I
A§
Bb
am not
my
Not
Db
3
own.
pp harmon mute
F§
Vn. II
love you
Vn. I
con sord.
pp
Lysia
pp
Hp.
Tpt. in D
Hn. in F
Fl.
a- ny more.
pp
pp
1/16/2006
158
Act II
1210
Fl.
pp
pizz. pp pizz. pp
pizz.
pp pizz.
pp pizz.
pp
and o - thers
claim
me now.
F# C§
mp
arco
arco
I
would be yours.
mp
arco arco
I
an- swer o - ther prayers:
3
I
mp
me now,
name
pp
mf
Vc.
Va.
Cb.
Cb
Vn. II
senza sord.
Vn. I
For o - thers
Lysia
Eb
Hp.
Hn. in F
Cl. in Bb
mp
mp
mp
mp
Cb.
E§
p
I must be
theirs.
3
For
I
F§
A#
am not
F#
my own.
E§ F§ G§ A# D§ C§ B§
A§ 4
love you
more than
I
3
pp
pp
pizz.
3
C#
pp
arco
1/16/2006
Vc.
Va.
Vn. II
pp
Vn. I
be yours.
should
Lysia
mf
(harmon mute)
pp
Hp.
con sord.
Tpt. in D
Hn. in F
1217
4
159
Act II
Vn. II
Va.
Vc.
Cb.
but
we
are not
mp
mp
mp
mp
mp
Not
like
Cb
be - fore.
Db
p
For now I
pp
pp
pp
pp
pp
own.
pp
(harmon mute)
our
pp
pp
(con sord.)
or sea,
Bb
poco
A§
Vn. I
F§
star
C§
mp
Lysia
A#
Hp.
Tpt. in D
Hn. in F
Alto Sax. in Eb
1225
pp
1233
Cl. in Bb
Bn.
Lysia
know
Vn. I
Vn. II
Va.
Vc.
Cb.
sub. pp
too much.
mp
sub. pp
mp sub. pp
mp
sub. pp
mp
sub. pp
mp
owe
too much.
sub. pp
mf
3
And now I
3 3
I wan- ted on - ly you, but whenthey turn to me,
sub. pp
sub. pp
sub. pp
sub. pp
mp
mp
mp
mp
mp
mp
They turn
to me.
1/16/2006
160
Act II
1240
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
accel.
q. = 63
pp
pp
pp
pp
(con sord.)
pp
pp
Lysia
pp
Vc.
pp
Cb.
1/16/2006
do?
Va.
pp
Vn. II
pp
shallI
do?
Shall I
(q = 96)
pre f- tend
mf
e=e
mf
mf
mf
mf
D§ C§
2
2
no - thing can mat - ter but
our
q. = 63
arco
What shall I
2
p What
p
3
solo, senza sord.
accel.
Vn. I
Hp.
(harmon mute)
Tpt. in D
(q = 96) e=e
2
2
2
Hp.
Lysia
Vn. I
Vn. II
Va.
Vc.
Cb.
Cl. in Bb
Bn.
Vn. II
Va.
Vc.
Cb.
pp
pp
pp
pp
f
non arp.
arco 3 (e
= e)
arco
2
arco
arco
mf
f pizz.
f pizz. f pizz. f pizz. f
chor tle?
arco p f mf arco f
mf
arco
p
f
mf
mf f arco arco
f
pp
pp pp pp pp
C# B§
But when I
p
p
wild?
and
Shall I
burn:
mf
hea ven
mp
see
arco
pizz.
4
andwhen I
On - ly let our lovestaybril- liant on the wing
4
f
f
Let hea- ven burn,
(mf)
f f f f
mf
hear moun - tains crash,
Vn. I
mf
mp
Lysia
Whip
mf mf mf mf
Hp.
(mf) solo
3
Letmoun- tains crash,
Alto Sax. in Eb
(e = e)
love?
1250 Fl.
(mf)
Perc. 2
3 (mf)
Perc. 1
3
Tpt. in D
mf
mf mf Tambourine pp mf
Hn. in F
Bn.
mf
Alto Sax. in Eb
mf
3 (mf)
161
Cl. in Bb
(e = e)
Fl.
1245
Act II
(e = e)
p
Shall I
chat- ter?
mf
mf
mf
mf
pp
E# F# G# A# B#
Am I
a
pp pp pp
pp
1/16/2006
162
1254
Fl.
Hn. in F
Perc. 2
Lysia
pp 2
Cl. in Bb
Bn.
pp 2
pp
pp
pp
pp
mf
a
child
can love,
pp
child
pp
pp
pp
pp
4
can cry:
Slower q. = 52
pp
and a
pp
pp
pp
p
No:
pp
Vc.
pp
Va.
Vibraphone, soft mallets, motor off
Vn. II
child?
Vn. I
Act II
Slower q. = 52
But a
2
child is her own.
And
pp
pp
pp
1259
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
At tempo q = 69
pp
Small Tamtam
Va.
pp pp
Vc.
pp
Cb.
1/16/2006
mp
mp
pp
4
pp
mf
pp
mf
pp
pp
pp
mf
4
mf
pp
mp
mf
f
I...
mp
pp
Vn. II
At tempo q = 69
Vn. I
mp
molto
I...
mp
senza sord.
pp
Lysia
pp
Perc. 2
4
I
love you more than
mp
earth or breath,
mp
3
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Lysia
Surging forward q = 72
1267
p
3
f
p 3
p
3
3
f
Vn. I
than death,
Vc.
Cb.
1273
Fl.
Cl. in Bb
Bn.
Hn. in F
Perc. 2
Lysia
f
f
p
Pressing forward
pp
pp
pp
Vc.
Cb.
f
f
solo
mp
-
pp
pp
mf
mf
f
mf
mf
3
3
pp
my
pp
(non dim.)
(non dim.)
mf
(non dim.)
mf
(non dim.)
pp
not
mf
mf
pp
pp
are
q = 84
mf
pp
mf
pp
but...
mf
knew,
pp
pp Vibraphone, bowed, motor off
mf
I
pp
ver
3
e
pp
pp
mp
f
q = 84
mp
You
pp
Va.
Vn. II
f
than
f
p
f
pp
p
f
Pressing forward
Vn. I
p
more
p
Va.
f
Vn. II
mp
Surging forward q = 72
f
more
pp
f
3
p
pp
f
3
3
f
f
3
p
f
than birth,
3
p
f
f
p
more
p
p
f
3
f
3
p
3
p
p
f
163
Act II
own,
No- thing,
pizz.
mf
pizz.
pizz.
pizz.
pizz.
1/16/2006
164
Act II
1280
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Lysia
Slightly slower q = 76
Slower, with the voice q = 69
pp
pp arco
Va.
pp arco
Vc.
pp (pizz.)
Cb.
pp
sub. pp
pp
How strange, at last,
to
find
mp
sub. pp
mp
sub. pp
pp
3
It's I they've re - as signed...
mp sub. pp mp sub. pp
Slower, with the voice q = 69
Vn. II
pp harmon mute
3
pp arco
Slightly slower q = 76
Vn. I
con sord.
no - thing to do.
arco
mp
1287
Cl. in Bb
Hn. in F
Perc. 2
Lysia
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
pp
Alto Sax. in Eb
Bn.
Delicate q = 60
pp
pp
senza sord. pp
Vibraphone, soft mallets, motor off
pp
p
3
No
o- ther way.
Delicate q = 60
pp
p
p p p (pizz.)
p
See:
3
I
o
- bey!
Good -
165
Act II
1295
Hn. in F
pp
solo
Vc.
Cb.
For
pp
pp
pp
pp
pp
-
E# F# B§ C#
Good -
give me.
pp
pp
pp
D#
bye.
Va.
pp
pp
Vn. II
4
soft mallets, motor off
p
Vn. I
solo
Lysia
Hp.
(Vibes, bowed)
Perc. 2
Bn.
Alto Sax. in Eb
Cl. in Bb
Fl.
bye.
p
Good - bye,
(pp)
(pp)
(pp)
(pp)
(pp)
Ni - co.
1/16/2006
166
Act II
No. 71: The Celebration The Acropolis bursts open, revealing Lucullan feasting. LYSISTRATA makes her way inside past the exultant WOMEN (including LAMPITO, no longer dressed as Peace) hanging onto the arms of their MEN, who hang on to their WOMENand their wine cups. They toast promiscuously. The MEN are now dressed in civilian costume (though some still carry short knives at their waists) and are visibly relieved of sexual distress.
Suddenly fast, raucous q = 152
1303
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F Tpt. in D
Timp.
Perc. 2
Vn. I
Vc.
solo
ff
solo
ff
. gliss
p
p
p
mf
p
mf
p
mf
mf pizz.
mf
ff
p senza sord.
ff
f
ff
hard mallets
p ff Xylophone . s s gli ff f
Suddenly fast, raucous q = 152
ff
ss. gli
solo
Va.
1/16/2006
ff
f
Vn. II
Cb.
Hp.
Lysia
solo
gli
ss.
p
f
p
f
p
p
p
p
p
f
p
f
E§ G§ Db C§ Bb
p
ff
ff
ff
ff
ff
p
p
167
Act II
e = e f f
1307
Cl. in Bb
Alto Sax. in Eb
Fl.
Bn.
Hn. in F Tpt. in D
Timp.
Charito Dika Sappho
Maron Meleagros
Vn. I
Vn. II
f f
Va.
f
Vc.
Cb.
f
f
f raucous
peace! To f raucous
To Greece!
To
peace! To f raucous
To Greece!
To
To peace! f raucous
To Greece!
To
To
To Greece!
To
peace!
f pizz.
f
f
f
love
di - vine!
Not
least,
to
feas
-
love
di - vine!
Not
least,
to
feas
-
ting!
least,
to
feas
-
ting!
least,
to
feas
-
ting!
di - vine!
Not
love
di - vine!
Not
arco
arco
arco arco, div. arco
love
e=e pizz. f pizz.
pizz.
f
e = e
e=e
f
Arete Kleonike
Philo Bion
f
e=e
ting!
pizz.
f pizz.
f
pizz. f pizz.
f
e=e
1/16/2006
168
Act II
1311
Cl. in Bb Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
Perc. 1
Charito Dika Sappho
Arete Kleonike
to
wine:
And,
to
wine:
to
wine:
And,
Maron Meleagros
Kinesias
Philo Bion
And,
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
And,
f
pp
f
vo - e!
E -
vo - e!
E -
vo - e!
vo - e!
E -
E -
vo - e!
E -
vo - e!
E -
vo - e!
E -
vo - e!
E -
vo - e! E - vo - e! KINESIAS and LEONIDAS burst through the crowd, drunk, arguing, amiably at first, with the equally tipsy MYRRHINE and LAMPITO on their respective arms. mf
E -
E -
pp
f
Marimba
arco
pp
sfzpp
arco arco arco 0
wine:
to
e=e
e=e
e=e
sfzpp unis.
sfzpp
sfzpp
vo - e!
E -
vo - e!
e=e
But
169
Act II
1314
Fl.
Cl. in Bb
Hn. in F Tpt. in D
Timp.
Perc. 2
Lampito
Kinesias
Vn. II
Va.
f
pp
p
5 Congas
mf
3
No,
mf
mf
pizz. p
pizz.
3
pizz.
3
pizz.
3
f
Bo- ring,
Le - o:
waving
3
Hi,
f
(pp)
pp arco
pp arco
Kle - o!
3
3
3
Was
3
Wehavethe val ley: we gave you the range.
arco
f
we have the val - ley.
Half tempo q = 80 = previous e
f
3
improvise simile through m. 1317
3
f
pp
p
Cb.
p
mf pizz.
Vc.
p
3
Vn. I
we have the val - ley.
Leonidas
Alto Sax. in Eb
Bn.
Half tempo q = 80 = previous e
pp
f
f
f
(p)
(p)
pizz.
3
(f) pizz.
3
(f) pizz.
3
(f)
1/16/2006
170
Act II
flutter
1317
Fl.
pp
flutter
Cl. in Bb
pp
flutter
Alto Sax. in Eb
Timp.
Perc. 2
Myrrhine
pp
Arete Kleonike
Maron Meleagros
Kinesias
Vn. I
Congas stop!
mf
mf
f florid
that the
ex- change?
Boys!
Boys!
p
A - no - ther
No,
I
drink?
don't think...
To (f)
To (f)
To
(f)
(f)
To
(f)
arco
Vc.
mf
Va.
1/16/2006
3
Vn. II
Cb.
Charito Dika Sappho
Philo Bion
arco
(f)
pp
pp
arco
(f)
mf
mf
arco
f
pp
pp
pp
pp
f
f
f
f
171
Act II
Raucous, as before q. = 100 e = e, q = 152
f
e = e
1320
Fl.
Cl. in Bb
f
Alto Sax. in Eb
Bn.
f
f
Hn. in F Tpt. in D
Timp.
Perc. 2
Charito Dika Sappho
(Cga.)
peace!
Maron Meleagros
Philo Bion
Tosweet
Arete Kleonike
Tosweet
peace! Tosweet peace!
f
f
peace!
Tosweet
re - lief from cri
re - lief from cri
re - lief from cri
re - lief from cri
Raucous, as before q. = 100 e = e, q = 152
pizz.
Vn. I
f pizz.
Vn. II
f
pizz.
Va.
f pizz.
Vc.
Cb.
e=e
f
-
-
-
-
E - ros,
sis: To
E - ros,
sis: To
E - ros,
sis: To
E - ros,
sfzpp
and
and
to
Di - o - ny
to
and
to
and
to
arco
Di - o - ny
Di - o - ny
Di - o - ny
pizz.
f pizz.
f
f arco pizz. f arco, div. arco
pizz.
f
e=e
e=e
e=e
arco
sis: To
e=e
-
sus:
-
sus:
-
-
sus:
sus:
E - vo - e! E - vo - e! E - vo - e! E - vo - e!
E - vo - e!
E - vo - e!
E - vo - e! E - vo - e! E - vo - e! E - vo - e!
E - vo - e!
E - vo - e!
e=e
arco
e=e
arco
arco
sfzpp
arco sfzpp unis. 0
sfzpp
f
f
f
1/16/2006
172
Act II
Half tempo q = 80
Cl. in Bb
Alto Sax. in Eb
1325
Fl.
Timp.
Perc. 1
p
Marimba
pp
(Cga.)
Perc. 2
Charito Dika Sappho
flutter p flutter p
mf
mf
mf
p
mf
p
sub. p
KINESIAS, MYRRHINE, LAMPITO and LEONIDAS reappear, a little more drunk, a little less amiable…
3
E - vo - e!... sub. p
Arete Kleonike
flutter
3
E - vo - e!... sub. p
3
Maron Meleagros
Kinesias
E - vo - e!...
mf dogged
3
3
We have the val - ley:
Leonidas
Philo Bion
we
gave you the butte.
3
3
We'd
3
3
f still jovial
3
ne- ver
ac - cept
3
such
a
3
I'm
sub - sti - tute!
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
sul pont.
pp
sul pont. pp sul pont.
pp
E - vo - e!... sub. p
Half tempo q = 80
mf
mf
mf pizz.
3
3
p pizz. p
pizz., ord.
3
pizz., ord.
pizz., ord.
1328
Timp.
Perc. 1 Perc. 2
Myrrhine
Slower, with the voices; tense
(Cga.)
Gen - tle - men, real - ly... p
crisp
3
p
3
3
I'm sor - ry.
3
pp arco
1331
Timp.
Perc. 2
Myrrhine
Philo Bion
Vn. I
3
He
3
3
did -n't mean a - ny - thing
Ki
-
ne...
by
it,
did
you?
Did
you?
shouldbe a- fraid.
mp
3
3
mp
mp 3 pizz.
sfzpp
mp pizz. mp
3
cold
3
3
3
3
3
3
3
To
3
Qui
3
3
3
3
3
3
3
3
3
(f)
Myr- rhi - ne, qui cold
3
To (f)
(f)
f restraining
3
sfzpp
f
f nervous, bright
Mea- ning?
sfzpp
Cb.
mp
Vc.
f
testy
sfzpp
Va.
Vn. II
mp
5 Congas
3
Leonidas
Kinesias
mp
mp
pp
mp
mp
arco
you
Maron Meleagros
Lampito
Arete Kleonike
Charito Dika Sappho
cold, direct
It was, I'm a - fraid.
arco
pp
Va.
Vc.
There, you're right:
Slower, with the voices; tense
3
p
That was - n't the trade.
arco
Marimba
3
Gen - tle - men, real - ly... 3 mf 3
Vn. II
mf
3
3
Vn. I
sor - ry.
Leonidas
Kinesias
Lampito
173
Act II
-
To
et.
et. (f)
To pizz.
f pizz.
f pizz.
f
f
f
1/16/2006
174
Act II
1334
Fl.
Twice as fast q. = 100 e = e, q. = 152
f
Cl. in Bb
f
Tpt. in D
Charito Dika Sappho
f
sun,
soi
to
to
soi
to
soi
to
soi
to sand,
to sand,
to
to
to sand,
to
sea,
sea,
sea,
sea,
Vn. I
Vn. II
(pizz.)
Vc.
1/16/2006
Va.
Cb.
-
-
-
tree,
to
l;
l;
To
To
l;
To
l;
To
o - live
o - live
o - live
o - live
arco
pizz.
pizz.
pizz.
to
oi
live
live
oi
live
oi
live
oi
-
arco
tree,
tree,
to
to
arco, div.
arco
tree,
pizz.
arco
arco
-
f
to
to sand,
f
Twice as fast q. = 100 e = e, q. = 152
sun,
sun,
Arete Kleonike
Philo Bion
sun,
Maron Meleagros
f
Hn. in F
Alto Sax. in Eb
Bn.
o -
o -
o -
o -
-
l:
-
l:
-
l:
l:
arco
arco
arco
175
Act II
flutter
1338
Bn.
flutter sfzpp
Hn. in F
Timp.
Charito Dika Sappho
Philo Bion
Vn. II
vo - e!
E
vo - e!
E
-
vo - e!
E
-
vo - e!
E
-
vo - e!
E
-
E
-
vo - e!
E
-
vo - e!
E
-
vo - e!
E
-
vo - e!
E
-
-
vo - e!
E
-
vo - e!
E
-
vo - e!
E
-
vo - e!
vo - e!
E
-
vo - e!
sfzpp
vo - e!
E
-
vo - e!
E
-
vo - e!
E
-
vo - e!
E
-
vo - e!
E
-
E
vo - e!
-
vo - e!
sfzpp
sfzpp
f
brassy
f
f
E
-
vo - e!
E
E
-
vo - e!
E
-
vo - e!
E
E
-
vo - e!
-
vo - e!
-
vo - e!
f
f
sfzpp unis.
Vc.
-
Va.
sfzpp
Cb.
-
E
Vn. I
E
Arete Kleonike Maron Meleagros
sfzpp
f
f
f
Suddenly slow, stalking q. = 60
1340
Perc. 1
Hp.
Charito Dika Sappho
a scream port .
Maron Meleagros
Ah! a scream port .
Ah! a scream port .
Ah!
The same tempo q = 66
Philo Bion
Cb.
mp
3
ascream port .
Ah!
Vc.
3
pp drunk, livid, knife drawn 3
p
Sa - cri
Leonidas
Marimba
They scream as KINESIAS and LEONIDAS burst into view, now clearly enraged, knives drawn, shouting the Prologos insults, as MYRRHINE and LAMPITO look on in terror. LYSISTRATA and KLEONIKE, hearing the commotion, rush down to them.
Kinesias
Arete Kleonike
q. = q
Suddenly slow, stalking q. = 60
div. a 3, sul pont.
pp div a2, sul pont.
pp
lege! Tres - pass! pp drunk, livid, knife drawn 3
Sa - cri lege!
Poa cher! p
Tres - pass!
Jack - ass! p
Poa cher!
Im -
Jack ass!
The same tempo q = 66
q. = q
1/16/2006
176
Act II
1343
Hn. in F
Perc. 1
Hp.
Nico
Kinesias
3
mf
mp
Vn. I
Va.
Cb.
non arp.
3
Ter - ror ist!
Im - per - i - al - ist!
Eb F§ Gb Ab D§ Cb
Ter - ror ist!
sfzpp
sfzpp
sfzpp
f
ord. f sfzpp ord.
nough!
E -
Both MEN stop. NICO, now dressed as well in civilian clothes, strides onstage.
3
3
Vc.
ff
per - i - al - ist! mp
Vn. II
3
pp
solo
(Mar.)
f
3
Leonidas
sfzpp
1347
Perc. 2
Nico
Vn. I
pp Won't it
Vn. II
Va.
Vc.
Cb.
1/16/2006
al - ways
be
what
it's
al - ways
if
we
been
al - ways
do
what we've
al - ways
done?
177
Act II
1350
Cl. in Bb
Bn.
Hp.
Nico
Vn. I
Blind ly -we
1355
pp
pp
pp
pp
Pressing forward q = 84
Db
pizz.
mf
mf
p
mf
Bn.
Hn. in F
Perc. 2
E - ven if we 3
Va.
Vc.
Cb.
3
win,
f
3
win,
3
still,
3
sub. pp
sub. pp
sub. pp
sub. pp
What
will
we
have
3 3
3
3
3
mp
3
mp
3
3
mp
3
3
pp
won?
3
mp
3
pp
pp 3
Vibraphone, soft mallets, 3 motor off
3
3
3
sub. p
3
you
3
f
Vn. II
pp
Pressing forward q = 84
Vn. I
Bari Sax.
pp
f
Nico
p
arco
mf
pizz.
arco
pizz.
mf
Fa - ther, bro- ther, son...
arco
pp Bari Sax. in Eb
mf
Blood and bone andsin - ew,
pp
pp
o - thers have be- gun:
con- tin ue what
(pp) mp
Pressing forward q = 76
Vc.
Cl. in Bb
pp
Va.
Vn. II
Cb.
Pressing forward q = 76
What will
3
3
mp
3
mp
3
3
3
mp
3
3
mp
mp
3
3
we
1/16/2006
178 1360
Cl. in Bb
Bari Sax. in Eb
Bn.
Hn. in F
pp
pp
pp
pp
Va.
Vc.
mp
mp
pp
pp
mp
pp
pp
Ni - co:
are you sin - cere?
sub. pp
sub. pp
pp
G§ D§ C§
her ultimate praise
Ram...
Lea der...
(pp)
to her
Lo ver...
I am.
sub. pp
to him
mp
have won?
pp
pp
Vn. II
Cb.
Vn. I
Nico
Hp.
Lysia
Act II
mp
mp
mp
mp
mp
mp
pp
Slower, thoughtful q = 63
1366
Hn. in F
Timp.
Lysia
Kinesias
Leonidas
Vn. I
Vn. II
Va.
Vc.
mp
pp
pp mulling
It seems to me pp mulling
I've heard thatsong be fore....
It seems to me
I've heard thatsong be fore....
Slower, thoughtful q = 63
pp
some- how,
it doe sn't mat- ter, now...
some- how,
it doe sn't mat- ter, now...
3
pp
3
pp
3
pp
And yet,
medium cymbal head upturned on Bb timp.
And yet,
3
pp
1/16/2006
pp
Cb.
div.
pp
pp
179
Act II
1372
Timp.
Hp.
Lysia
ff
ff
Vc.
ff
ff
Cb.
ff
Va.
pp
Vn. II
q=h
h = 54
f
p
Slower; a heartbeat q = 54
pp
pp
pp
pp
pp
War.
No!
Var.
q=h
f
p
f
3
p
f
They lunge at each other with their knives, and-horror-both fall down dead. MYRRHINE and LAMPITO scream, rush to their husbands’ sides. When they rise, slowly, each wife looks at each other with eyes of ice, and begins whispering… p f
Lampito
Kleonike
Vn. I
ff
Myrrhine
Nico
Slower; a heartbeat q = 54
No!
3
p
f
No!
3
h = 54
pp
pp
pp
pp
3
3
mp
mp
3
mp
3
mp
1/16/2006
180
Act II
1378
Cl. in Bb
pp
Bari Sax. in Eb
Hn. in F
Timp.
Myrrhine
3
pp
3
mp
Are you
p
f
Sappho Arete
f
mad?
Kleonike
Lampito
p
Maron Meleagros
Philo Bion
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
3
Are you
f
pp
pp
pp
f
f
ossia
p
f
p
f
p
f
f
Var.
f
War. Var. p
3
mp
3
mp
mp
3
mp
p
p
f
f
p
f
p
f
p
f
f
p
f
Var. War. p
War. Var.
f
f
Var.
f
p
War. Var. p
f
War. Var.
p
p
f
f
p
f
p
f
p
f
f
Var. War. p
f
Var. War. p
f
f
p
Var.
p
p
p
f
f
p
f
p
f
p
f
f
Var. War. p
f
Var. War. p
f
War. Var.
f
p
Var.
f
War. Var.
p
f
War. Var. p
p
War. Var.
p
f
War. Var.
f
p
3
p
Var. War.
p
f
War. Var.
f
Var. War. p
mad?
Var. War. ossia p
mad?
pp
p
f
Are you
p
Var.
Nico
3
The WOMEN and MEN, sobered, building to fury, polarize, withdraw into hostile camps at each side of the stage: united as spouses but divided as Greeks. LYSISTRATA, NICO and KLEONIKE plead for reason, ad lib, but are helpless to stop the momentum. The war chant builds inexorably…
p
War.
Charito Dika
p
3
p
mp
pp
mp
3
Hp.
Lysia
f
p
War. Var. p
f
War. Var.
p
p
f
f
p
f
p
f
p
f
181
Act II
1384
Bari Sax. in Eb Bn.
Hn. in F
Tpt. in D
Pushing forward h = 63
p
f
p
f
p
f
f
p
Timp.
p
Perc. 1
Perc. 2
Hp.
APHRODITE
f
Va.
Vc.
Cb.
p
f
A -
War. Var. p
p
p
f
p
p
f
f
f
p
f
f Whip
A - phro - di - te, f
Var. War. p
p
f
f
p
War. Var.
when will
all
Var.
p
f
War. Var. p
this f
f
f
f
p
f
f
f
Var.
p
f
War. Var. p
f
f
f
f
f
p
War. Var.
p
War. Var. p
E -
f
f
Var.
p
off, from f on high
E -
f
f
f
f
p
p p
p
p
f f
h=q
f
War. Var.
p p
f
p
f
p
Var. War. p
f
off, from f on high
f
B§
War. Var.
p p
f
f
p
end? p
p
p
f
War. Var.
ossia tacet, Myrrhine p
War. Var.
f
Var. War. p
f
p
p
p
p
War. Var.
f
p
p
res,
p
f
p
Vn. II
f
Pushing forward h = 63
Vn. I
p
f
f
f
f
Var.
Philo Bion
p
p
f
p
Maron Meleagros
f
p
h = q
p
War. Var. ff anguished
ARES
Var. War. p
Lampito
f
p
p
Kleonike
Anvil or Metal Plate (Bb or unpitched)
Sappho Arete
f
f
Charito Myrrhine Dika
p
f
f f
1/16/2006
182
Act II
No. 72: Dei ex Machina Cold, grand, precise q = 63
1388
Fl.
Cl. in Bb
Bari Sax. in Eb
Bn.
sfzp
ff
sfzp
sfzp
Hn. in F
Tpt. in D
Timp.
ff
sfzp
ff
Perc. 1
Perc. 2
Hp.
ff
non arp.: cold
ff
f
3
3
p slithering
p
Medium Chinese Opera gong; pitch-bending upwards, as sustained as possible
p slithering
p slithering
pp
5
f
f
p
Brake Drum
Medium cymbal upturned on timpano head; hard mallet, strike on edge
ff
3 mf 3
p slithering
n
sfzp
f
p
5
n
sfzp
n
ff
n
ff ff
3
Hurtling forward q = 72
3
Marimba, soft mallets
C#
f
p
f
liquid
non arp.
f
The light turns unearthly: and, from the orchestra rises an aural apparition of whirling gongs and the beating of giant wings: we heard this in the overture, but have not since. The CROWD, surprised into terrified silence, gazes heavenward, whence, from a flaming carriage, descend ARES, god of war, and APHRODITE, goddess of love.
APHRODITE
nough!
ARES
nough!
Cold, grand, precise q = 63
Vn. I
Vn. II
Va.
ff
ff
f
Vc.
1/16/2006
(p) 5
sfzp
sfzp
(p)
p
5
p
ff
sfzp
ff
Cb.
Hurtling forward q = 72
3
3
(p) 5
5
p
5
5
3
3
p mf 5 p
mf
pp always non div.
mf non div. mf
ff
pp
ff
pp
ff
pp
ff
183
Act II
Cl. in Bb
Hn. in F
Tpt. in D
Timp.
Perc. 1
p
Bari Sax. in Eb
Bn.
p
p
p
p
Hp.
APHRODITE
ARES
Vn. I
Vn. II
Va.
p
Cb.
f
f
f
f
pp
pp
pp
pp
mf
mf
pp
pp
pp
p
ff
ff
p
p
p pizz.
f
Triangle
p
3
3
Ma - tron or war- ri - or,
Ma - tron or war- ri - or,
3
vir - gin or slave:
3
vir - gin or slave:
3
3
E§ A§ C§
3
ff
3
ff
3
f
3
pp
At- tend, O ci - ti- zens, low or no- ble born, close "-end" quasi gospel
At- tend, O ci - ti- zens, low or no- ble born,
mf pp
f
close "-end" quasi gospel
3
6
non arp.
soft mallets: velvety, mysterious
mf
Vibraphone, motor on
pp
f
mf
Vc.
(Mar.)
f
p Perc. 2
f
3
mf 3
Fl.
3
1393
3
non div.
arco
3
pizz.
1/16/2006
184
Act II
1398
Fl.
Cl. in Bb
Bari Sax. in Eb Bn.
Hn. in F
Tpt. in D
Timp.
Hp.
APHRODITE
Charito Dika
Arete
ARES
Vn. I
Vn. II
Va.
Cb.
1/16/2006
pp
pp
f
3
Play - er
of harp
mf
mf
or
3 Play - er of harp or
flute
or
trum - pet,
Pries- tess,
flute
or
trum - pet,
arco
port.
MO - THER!
supplicant
f
Here,
O Lord...
al sord.
al sord.
strum- pet...
p mortified
far- mer,
ath- lete,
Eb A# Db B§
f
f
p
3
Vc.
pp
(Trg.)
Perc. 1
f f f
f f
185
Act II
1401
Fl.
p
Cl. in Bb
Bn.
APHRODITE
ARES
p
f
p
f
f
A
At- tend,
A
Vn. II
Va.
-
-
Vc.
1405
ARES
Vn. I
Vn. II
Spar
p
p
-
-
ta:
At
f
4
4
p
arco
f
tend!
pizz.
F# Ab D§ C§
tend! normal p
arco
normal
p
At
ta:
f
Slow, thin, grave, remote q = 56
p
arco
p
simply, kindly, cruelly p
Ne- ver will it
end.
Ne -ver will it
end.
Time to time, it,
Slow, thin, grave, remote q = 56
pp
f
f
pp
pp
Vc.
f
f
pp
Cb.
f
pp
f
No. 73: Passacaglia: Never Will It End
Va.
At- tend,
pizz.
p
pizz.
Cb.
p
Spar
arco
pizz.
f
At- tend,
close "-end"
thens:
close "-end"
thens:
p
p
p con sord.
close "-end"
f
f
p
con sord.
Vn. I
p
f
close "-end"
At- tend,
p
p
p
non arp.
Hp.
p
Tpt. in D
p
Hn. in F
f
p
f
p
Bari Sax. in Eb
1/16/2006
186
Act II
1416
Hp.
APHRODITE
ARES
Vn. I
Vn. II
p simply, kindly, cruelly
Ne- ver...
it may
Ne -ver
sus- pend, but...
will
it
Man will vie
with wo - man,
end.
F§
Eb C§
Strug- gle
for
Al ways,
e - ver,
con - trol.
1421
Hp.
APHRODITE
Each
ARES
Vn. I
1/16/2006
of you
will
Each
of you
Va.
Vc.
Vn. II
see
your part,
No one
but
your part,
but
No one...
via sord.
via sord.
p will see
p
see
it whole.
Nei ther, no- one,
Nei-ther p
ne - ver...
pp
pp
see
it
187
Act II
Pushing forward q = 63
1426
Fl.
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
Perc. 2
Hp.
APHRODITE
pp
Cl. in Bb
flutter.
Vn. I
mf
p 3
p
p
f
f
f
mf
F# C#
Nei- ther, ne ver...
Va.
Vc.
Vn. II
Cb.
mf
Alto Sax.
whole.
ARES
f
Hear
this:Learn this:
3
6
f
ord.
6
f
ord.
ord.
6
f
3 p 3 p 3 p
Take to heart:
Take
3
3
this:
Pushing forward q = 63 ord.
Hear f
p 3
3
3
3
3
p
f
f
mf 6
pre tend? No one,
nei- ther,
Why
3
3
3
3
to, take to
heart:
Why
6
pre tend?
f
f
f
3
f
f
6
6
1/16/2006
188
Act II
p 1431
Cl. in Bb Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
Perc. 1
p
Vn. I
Ne- ver will p
it
Ne- ver will
it
Vc.
p pizz.
p
1436
APHRODITE
Vn. I
Vn. II
Va.
Vc.
Cb.
1/16/2006
the
will tell
(f)
and... (f)
the truth,
vie
Friend
with wo- man,
with
Nei ther...
f
sub. p
sub. p
f
sub. p
f
Nei-ther
will
a - gree.
sub. p
p
arco
6
no- one,
ne -
ver... p
Ne -ver
6
Nei - ther,
you
will
Each of
sub. p pizz.
arco
e - ne- my,
e ver... Each of you
p
Al - ways, 3
6
pizz.
p
and...
p
p
truth,
mp
6
tell
ARES
arco
p
Friend
p
Man will
p
end.
end.
p
Hp.
p
Va.
Timp.
mp
Vn. II
Cb.
Chime
ne - ver,
ARES
p
APHRODITE
p
p p
pizz.
will
a -
Act II
1440
Fl.
Cl. in Bb
Hn. in F
Timp.
APHRODITE
Alto Sax. in Eb Bn.
be
1444
Fl.
Bn.
Hn. in F Timp.
f
APHRODITE
ARES
Vn. I
Vn. II
Va. Vc.
Cb.
There f
is
There
is
mp
6
sub. pp
-
-
-
But,
to
tru
-
-
-
love.
f
f
f
sub. pp
-
ly
love:
-
ly
love:
f
sub. pp
f
sub. pp
6
f
E§ A§ D#
p
mp
6
no thing,
mf
no thing,
no thing, no thing,
more de - man - ding.
more de - man - ding.
sub. pp
sub. pp pizz.
sub. pp sub. pp
sub. pp
mp
no thing, nothing, sub. p
tru p
mp
6
to
pp
But,
p
sub. p
love. f
sub. p sub. p
solo
sub. p
sub. p
p
f
sub. p
6 mf
Hp.
f
Alto Sax. in Eb
6
arco
Cl. in Bb
f
be
there can
Vc.
Cb.
Va.
mp
pp
there can
gree. Of course,
Vn. II
Vn. I
mp
Of course,
ARES
6
mf
pp
mp
pp
189
pp
solo
Do youlong to love? mf
Do youlong to love?
mf
Are you
Are you
mf mf
6
mf
mf
1/16/2006
190
1450
Fl.
Alto Sax. in Eb
Bn.
Hn. in F
Timp.
APHRODITE
pp
Vn. I
pp
Va.
Vc.
ff
ff
pp
pp
Cl. in Bb Bn. Hn. in F
Perc. 1
Perc. 2
Hp.
APHRODITE
Vn. I
Vc.
Cb. 1/16/2006
ppp
pp
pp
sub. pp
pp
Ne- ver will it
pizz.
pizz. pizz. pizz.
Per- fect,
For... Ne - ver...
Per- fect,
pp
sub. pp
sub. pp
pp
For...
pp
pp Vibes, hard mallets, motor off
Crotales
with out de mand ing
pp
with out de mand ing
with- out,
Per- fect un der - stan ding?
Va.
sub. pp
subtone
to love,
with- out,
6
to love,
mf
e nough
Vn. II
6
Per- fect un der - stan ding?
ARES
p
1457
Fl.
e nough
ff
ff
ff
ff
mf
mf
ff
mf
strong
Vn. II
Cb.
strong
ARES
mf
pp
Cl. in Bb
Act II
G# Bb
Ne- ver will
end.
it
Ne- ver will it
end.
cease.
Time to time,there
Ne ver, ne ver, Time to time,
there
191
Act II
1465
Cl. in Bb
pp
Alto Sax. in Eb
Bn.
Hn. in F
Timp.
Perc. 1
Perc. 2
Hp.
Vn. I
Va.
Vc.
Cb.
be peace,
may be peace,
Vn. II
6
there may
ARES
6
Small Snare Drum
mf
Chime
p
6
f
but...
Ne ver...
will
be
arco
arco
7
f
f
6
p
f
4
vie
with
bro - ther,
Wo -man
peace.
Wo -man
f
4
f
Bro - ther
There
f
ne- ver
but
arco
6
4
6
f
mf
f
f
arco
mf
4
pp
pp
mf
F§
APHRODITE
pp
pp
mf
mf
pp
ord.
6
6
1/16/2006
192
Act II
1469
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
2
APHRODITE
ARES
Vn. I
2
Vc.
2
6
vie with man,
So,
4
and
on,
So
and on and e - ver,
e ver,
6
mf
mf
mf
p
pp
p
mf
6
6
6
so
since
time
be -
so
since
time
be -
6
mf
since,
mf
p
So since,
4
p
mf
mf
4
p
and
p
So, and on,
4
p
2
p
vie with man.
(Chime)
Va.
1/16/2006
Vn. II
Cb.
mf
Perc. 1
193
Act II
Surging forward q = 72
4
4
1474
Fl.
Cl. in Bb Alto Sax. in Eb
Bn.
Hn. in F Tpt. in D
Timp.
Perc. 1
Perc. 2
APHRODITE
ARES
ff
solo
f
ff
f
Vn. II
Va.
Vc.
Cb.
f
4
6 6 6 6 (Chime)
Crotales 4
6
6
6
f
gan.
f
gan.
pp
f
f
Surging forward q = 72
Vn. I
f
f
f
f
f
6
1/16/2006
194
1477
Fl.
Alto Sax. in Eb
Hn. in F Tpt. in D
Timp.
Perc. 1
Vn. I
6
5
ff
4
4
6
6
mf
f
pp
f
6
Vc.
6
3
Va.
5
ff
5
6
Vn. II
Cb.
Cl. in Bb
Bn.
Act II
6
div.
unis.
1482
Perc. 1
Relenting q = 69
pp
APHRODITE
ARES
pp At tend, A- thens, pp
At- tend, Spar- ta,
Relenting q = 69
Vn. I
At- tend, wo- men, men:
At- tend, A- thens, At- tend, Spar- ta, At- tend, wo- men, men:
sul tasto
Vn. II
sub. pp
Va.
Vc.
Cb.
1/16/2006
sul tasto sub. pp
Bell Tree
pp
Care - ful:
Don't rush to make
the
same
mis take
Care - ful:
Don't rush to make
the
same
mis take
Slower still q = 60
A -
A -
sub. pp
sul tasto
Vibraphone, soft mallets, motor off
Perc. 2
Slower still q = 60
sul tasto
sul tasto
pp
pp
195
Act II
Evanescing q = 56
1490
Cl. in Bb
Hn. in F
Perc. 1
pp
pp
espressivo, poco cresc.
espressivo, poco cresc.
ARES
Kinesias
Leonidas
Vn. II
Va.
Vc.
Cb.
pp
pp
(Bell Tr.)
f
gain.
pp
G§ Ab D§ C§
gain.
They gesture to the dead KINESIAS and LEONIDAS, who return, blinking, to life; then rise, spectacularly, into the heavens. LAMPITO and MYRRHINE rush to KINESIAS and LEONIDAS, who look warily at each other
Evanescing q = 56
Vn. I
APHRODITE
pp
espressivo, poco cresc.
pp
slow arp.
Hp.
Bn.
Fl.
pp 3
3
3
3
So, keep the val ley, al- rea dy. pp 3
3
3
3
So, keep the val ley, al- rea dy.
div.
1/16/2006
196
Act II
No. 74: Hymnos 1496
Hn. in F
Hushed, prayerful, suspended h = 46
niente The GREEKS, shaken, look to LYSISTRATA. decisively ppp
Lysistrata
Leonidas
feas -
feas -
Sappho Arete Kleonike Lampito
Nico Maron Meleagros Kinesias Philo Bion Leonidas
To
vine.
To
vine.
love
1508
love
di -
di -
ting.
And
ting.
And
E ros, -
To
E ros, -
To
E ros, -
To
E ros, -
mp
and
and
and
and
ppp
to
wine.
And
To
And
Lysistrata Charito Myrrhine Dika
To ppp
ting.
feas - ting.
peace.
To
To ppp
peace.
To
peace.
To
To
ppp To
peace.
To
peace.
To
A bit more motion h = 52
feas -
Leonidas
life.
1502
Nico
Lampito
Lysistrata
To
Lampito
Nico
to
ppp
to
wine.
ppp
to
wine.
to
to
Di
-
Di
Di
-
to
brief
re - lief
ny
ny
ny
-
o
To life: to brief with KINESIAS, PHILO, and BION pp
re - lief
ny
sus.
sus.
-
sus.
-
re - lief
-
To life: to brief with MARON and MELEAGROS pp
To
-
re - lief
o
brief
o
to
o
life:
ppp
to
-
with SAPPHO, ARETE, and KLEONIKE pp
To
ppp
wine.
Di
to
with CHARITO, MYRRHINE, and DIKA pp
sus.
life:
from
cri
from
cri
from
cri
from
cri
To
fa - mi- ly,
To
fa - mi- ly,
To
fa - mi- ly,
To
fa - mi- ly,
to home,
to home,
to home,
to home,
-
-
sis.
sis.
-
sis.
-
sis.
to farms,
to farms,
to farms,
to farms,
Lysistrata Charito Myrrhine Dika Sappho Arete Kleonike Lampito Nico Maron Meleagros
Kinesias Philo Bion Leonidas
1/16/2006
1515
pp
To pp
lo ving wo- men's
lo - ving arms,
To pp
lo ving wo men's
To
lo ving wo- men's
pp
To
lo ving wo- men's
lo - ving arms,
lo - ving arms,
lo - ving arms,
ppp
ppp
ppp
ppp
To deep
To deep
To deep
To deep
and dream
-
and dream
and dream
less
-
and dream
less
-
less
-
less
sleep:
sleep:
sleep:
sleep:
197
Act II
Fl.
Annunciatory h = 66
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Perc. 2
pp
mf
Nico Maron Meleagros
E - vo - e!
E
- vo - e!
E
vo - e!
E
p
vo - e!
Annunciatory h = 66
E p
- vo - e!
E p
vo - e!
E p
- vo - e!
E
vo - e!
p
p
ord. pp
pp
ord.
ord.
pp
pp
ord. pp ord.
p
Eb
pp
Cb.
p
Vibraphone, soft mallets, motor off
Sappho Arete Kleonike Lampito
Vc.
pp
Va.
Vn. II
pp
Lysistrata Charito Myrrhine Dika
Vn. I
E§ F§ G§ Ab D§ C§ Bb
Kinesias Philo Bion Leonidas
mp
pp
Hp.
1523
1/16/2006
198
Act II
1527
Fl.
Hn. in F
flutter
pp
Cl. in Bb
Alto Sax. in Eb
Urgent, determined h = 76
flutter
3
flutter
3
pp
Tpt. in D
Timp.
Perc. 1
Perc. 2
Hp.
Marimba 3
pp
pp pp
1/16/2006
3
E - vo e! pp
3
E - vo e!
pp
mp
3
mp
E - vo e!
3
E - vo e!
p
3
E - vo e!
p
p
3
3
mp
3
3
mp
mp
3
mp
3
3
3
3
3
3
3
mp
mp
mp
3
3
3
3
3
3
3
3
3
pp 3
3
3
mf
3
E - vo e!
3
ff a prayer in the dark
3
E - voe!
E - vo e!
3
E - vo e!
mf
3
E - vo e! mf
ff
3
E - vo e!
E - vo e!
3
mf mf
mf
E - vo - e!
ff
E - vo e!
mf
mf
mp
E - vo e!
mp
3
E - vo e!
E - vo e!
mp
Tambourine
3
mp
E - vo e!
3
3
E - vo e!
3
3
f
E - vo e!
3
E - vo e!
3
3
3
E - vo e! p
p
3
p
p
p
3
mp flutter
3
3
mf
pp
3
mp
Urgent, determined h = 76
pp
3
E - vo e!
3
E - vo e!
Va.
3
mp
E - vo e!
E - vo e! pp
Vn. II
3
p
3
p non arp.
3
Vc.
3
Sappho Arete Kleonike Lampito
Vn. I
3
pp
Kinesias Philo Bion Leonidas
3
pp
Lysistrata Charito Myrrhine Dika
Nico Maron Meleagros
flutter
3
pp
3
flutter
E - voe!
3
ff
ff
ff
ff
ff
E - vo - e!
199
Act II
Bitter, glorious h = 69
1532
Fl.
Cl. in Bb
Alto Sax. in Eb
Bn.
Hn. in F
Tpt. in D
Timp.
Perc. 1
Perc. 2
ff
ff
ff
ff
ff
ff
Chime
ff
pp
pp
pp
pp
pp
pp
pp
non arp.
pp
ff
ff
ff
ff
ff
Vibraphone, hard mallets, motor off
ff
pp
ff
Hp.
ff
Lysistrata Charito Myrrhine Dika
Sappho Arete Kleonike Lampito
Nico Maron Meleagros Kinesias Philo Bion Leonidas
Bitter, glorious h = 69
Vn. I
Vn. II
Va.
Vc.
Cb.
ff
ff
ff
ff
pp
pp
pp
pp
div.
pp
ff
ff
ff
ff
ff
End of the Opera
1/16/2006