Adamo LYSISTRATA, OR THE NUDE GODDESS, ACT 2

Page 1

LYSISTRATA or, THE NUDE GODDESS A Tragicomedy for Singers and Orchestra Freely adapted from the play by Aristophanes

Music and Libretto by Mark Adamo Full Score

From the G. Schirmer Rental Library Date of Printing_______________

G. Schirmer, Inc. New York, NY



LYSISTRATA or, THE NUDE GODDESS A Tragicomedy for Singers and Orchestra Freely adapted from the play by Aristophanes

Music and Libretto by Mark Adamo Full Score commissioned for Houston Grand Opera David Gockley, General Director Patrick Summers, Music Director

Table of Contents Act I Invocation.......................................1 Prologos..........................................8 Parados I......................................134 Scene Two...................................167 Scene Three................................240 Act II Scene One.......................................1 Scene Two.....................................31 Scene Three...................................88

G. Schirmer, Inc. New York, NY


Instrumentation Flute (doubling Piccolo) Clarinet in B= and A Alto Saxophone (Doubling Baritone Saxophone) Bassoon Horn in F Trumpet in D (doubling Trumpet in C) Timpani (doubling Roto-tom) Percussion - 2 players Harp Strings


ACT TWO SCENE ONE Weeks later: outside the Acropolis: dusk. The armies have pitched camp side by side. Far (audience) left, NICO, in his tent: far right, LEONIDAS, in his. KINESIAS leads the ATHENIANS in drill: BION leads the SPARTANS. Each army is icily respectful of the other's area. None are happy: most are painfully erect:* the sanction is taking its toll. KINESIAS and BION pointedly aim the drill at their respective superiors, who pretend---sort of---not to hear.

No. 48: Sex Now! (1)

   

Heavy, dogged q. = 88–92

Cl. in Bb

Hn. in F

Tpt. in D

Timp.

Perc. 1

f

  

     

   

    

   

f

            

f

C Eb F Bb       

   

    

    

   

Alto Sax. in Eb

Bn.

     

3

mf



  

Hp.

Maron

    

   

 

 





Vn. II

Cb.

pp

  

 

      

pp

pp



      mf 

 

 

 

 

mp



       

       



      

      

         f    

  

  

       

 f

  



Pa zhience...

     

        

       f       

   

    

  mf  

E§ F§ G§ A§ D# C# Bb

f

Vc.

Small SnareDrum

f

Va.



pp

Marimba

Heavy, dogged q. = 88–92

Vn. I

3

  

 

           

      

     



   

 



pp



  





   



3

Vibes, hard mallets, quasi echo motor off

Perc. 2



             

   

        

            

            

                     

pizz.

f



 2

thin - ning?

   

  mf

           

 

           

                mf mf

  mf

 mf

              





1/16/2006


Act II

2

 

        

4

Cl. in Bb

       pp

p

Baritone Sax.

Bn.

Hn. in F

Tpt. in D

Perc. 1

Perc. 2

pp

mp

pp

          

pp

mp

(Mar.)

Hp.

Philo Bion

Vn. I

      

 

  

 

p



pp

pp



p

 

 

 

   

pp

f



       

 

 

  

    

pp









Check! f

  

Check! f



Check! f Check!

F#







 



      



2

Hopes...



sin- king?



 



 



 p 



                   

 

Vc.



p

p

mf

 

        mf        mf

mf



(mf)







mp

     Five Congas               

p

  

                     

 

       

 

mf





Ab

 Check!





 

  



Form...

  

zla - cke - ning?

Check!

Check!



Check!



                 

 

mp

                    p

mp

fast arpeggiation







       

f   

mp

      

    (mf) 

mp

       



Va.

1/16/2006

    

      

  

Vn. II

Cb.

 

Kinesias



  

Meleagros Alpheus

pp

p

mp

fast arpeggiation

Maron



     



     

mp

       

Bari Sax. in Eb

   





  

       

p

mf

p

mf

          

             

p

mf

p

mf

        



                                




Act II

  8

Cl. in Bb

       

Bn.

Hn. in F

Tpt. in D

        

mp

pp

     



       

mp

pp

       

Perc. 2

 

(Mar.)

          

Kinesias

Philo Bion

Vn. I

 

Cb.

f

    

  

 Check!



Check!



Check!





 



 



  

 



       

 



 



pp

    (mf) 

mp

                  

  

           

mp

mp

     

pp

mp

 



       

 



     

f Five Congas

 

 



 



 



 



      

  

Vc.

pp



Check!

Va.



      

p

  

Vn. II

       

mp

f

 

Meleagros Alpheus



pp

p

 fast arpeggiation

Maron



 



Hp.

           p



pp

mp

pp

Perc. 1

 

 

     

mp

pp

 

p

mp

pp

Bari Sax. in Eb



3

 

looks askance at KINESIAS



 

looks askance at KINESIAS

   



Plight...

   

ri - si - ble?

irritated, defensive (like TISIPHONE in the Invocation)

 



 

 

    

           

    

           

 

    

             

 

    

             

 

p

p

p

Ri - si- ble.

looks askance at KINESIAS



p

  

mf

mf

mf

mf

  (mf)



 



 

  









"Whatever.."

Check! "Whatever.." Check!





Check!





 

"Whatever.." Check!

          mp

pp

      

pp

mp

pp

mp

pp arco

mp



         

             p



mf



1/16/2006


Act II

4

   12

Fl.





pp

 

Cl. in Bb



  pp

Bn.

Hn. in F

mp

   

mp

pp

4

pp



mp

           

pp

 

Alto Sax. in Eb



           

4

pp

mp

             



 

pp

pp

 





pp

pp

mp

pp

4

mp

4



mp

pp





pp

mp

pp







pp

mp

pp

  



   



     







 pp



pp









mp

mp

pp



pp





 





mp

           



Alto Sax.

pp

 

pp



          

4

mp

             

4

mp





(Mar.)

Perc. 1

p

Perc. 2

     

(Cga.) p

Hp.

Maron

 

      2 ossia 8vb p

Vim men...

  

Meleagros Alpheus

Kinesias

Philo Bion

Vn. I

Vn. II

Va.

Vc.

Cb.

1/16/2006

    

mf



 



 p

       2

vin- ning?















f







 

Check! p

Check! p



Check!

 p







G#



Check!

Check!



p





 

  Men...





    





2



p

 

Check! p



drin king?

Check! p Check!

  

                                                       mp   p p mf pp pp                                                          p p mf pp pp mp                                  mp   pp pp                                       mp   pp pp

  





pizz. mp









                                         p p

mf

                p 





mf

               p

mf










Act II

  16

Cl. in Bb

Alto Sax. in Eb







 





p

Bn.



p

   

   

straight mute

Tpt. in D

Perc. 2

Hp.

Maron

   

  p



 

        



        



         



        



f

mf







f

senza sord.

f







f noting his crotch*



f noting his crotch*

       Mood...  

  











Check! f f





Check!

bla - cke - ning?

f

Vibraphone, hard mallets motor off

           p 



p



Va.

Vc.

 

 

 

    

 

         

    mf   

    

    

    

    

    

mf

  

  

  

  

  

  mf           

  

  

  

  

    

    

    

 

Strain...

 



 vi

 

 

 

 

 

 

                      

    

    

    

    

    

    

arco                          mf

fast arp.

    f   



   



 

  

    -

si

-



 



Check!

 

E-

noting his crotch*





Check!

ble?



    

f noting his crotch*

Check!

 

mf

 

Check!

 

Vn. II

f





Check!

Check!

Cb.

Kinesias

Vn. I



f

mf

p

mf

        

 

Meleagros Alpheus

Philo Bion

p

mf



f







4

p

         f

          



mf

mf

4

p



         





 



p







p

p

mf



 

4

mf

p

Hn. in F

          

 

Fl.

5

         f

           f

E-

  

         f         

        



f

f



*If prop phalli are used in production, they should first appear in this scene. 1/16/2006


Act II

6

Faster, restless, edgy faster still q = 104–108

Fl.

Cl. in Bb

Itchy q = 120–126

   

  

20

      pp

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Perc. 2

 

pp

   

  

   

4

4

      

 

      

      

      

4

4

mf

      

mf

mf

            

mf

mf

Small Snare Drum 3

      

mf

mf

pp

mf

mf

mf

pp

     

   

        

mp

pp

  

Hp.

Maron

  

Kinesias

     

mf

     

Hopez ....

va ning?

   

      nough!   

mf

   

E nough!

Vn. II

p

     pizz.

Va.

p pizz.

Vc.

Cb.

1/16/2006

         

p

pp

  

3

    

mp 3

    pp

     

mp

           

arco 3

pp arco

mp

          

 

pp

 

     

CHECK!

Spi - rits...sag ging?

f



pp

4     

CHECK! Not a - no-ther

 

mf

     

pp

4

CHECK! Not a - no-ther



night...

4

 

mf

    mf

 

Ten sion... mf



night...

3

mp

  mp

   

    

f

    

f

f

4

   

 

      

mf

     

        

mf

        

mf

pp

4

pp

      

         pp

f

f

4

4

      

pp

             

mf

Ten zhion...

Itchy q = 120–126

arco



Zex now! CHECK! Sex

arco     

p

pizz.

f

  

Faster, restless, edgy faster still q = 104–108

    

f

   

nough!

     4

 

wa ning?

       

f

Sex now! CHECK! Zex

        

  pizz.     

CHECK! Zpi rits...zag ging?

E nough!

pp, to themselves

Vn. I

 

A#

Hopes .... Philo Bion

f

pp, to themselves

Meleagros Alpheus



 



fast arp.


Act II

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Perc. 1

Perc. 2

Hp.

    

           

         

       



     

            

    

     

     



   f    

fast arp.

 

Fl.

26      

7

f

     f

            

f

    

f

                                                           pp Marimba, harder mallets

       

       

 

  

Five Temple Blocks

f

F§ G§ Ab C§ Bb

Maron

Meleagros Alpheus

Kinesias

      heigh - te3 - ning?   

  

3

 

 pp

 

Sex Zex

Vn. I

Vn. II

Va.

Vc.

Cb.

  

 

    

CHECK! CHECK! f





f

 pp



Sex Zex

now! CHECK! CHECK!

  

pp

pp

 

pp



 

pp



pp



f



     

mf

   Ve

rant: (want:)

 mf

   

     

we ve

    Ve

want: (rant:)

  

       

f

f

     

f

   

f

pp

        pp



pizz.

pp



pizz.

pp





    pp

We can't Ve

CHECK!

ve withe: we writhe:

                   

    



f

Men?

pp

    

writhe: withe:

Will...e - ro - ding? pp

Men?

    

f

Vill...e - wo - ding? pp

CHECK! CHECK!

  

 



now! CHECK! CHECK!

heigh - te - ning? Philo Bion

f

  Vim- men

   Wo men



f

pp       Ve can't We

CHECK!

                            

         (pp)          

   

  

  

   

  

  



        

(pp)

(pp) arco

     (pp)       (pp) arco

1/16/2006


Act II

8

 

31

Fl.

Cl. in Bb

Bn.

Hn. in F

Tpt. in D

Perc. 1

f



s. glis



s. glis

ss. gli

p

 

 

  

p

1/16/2006

pp

 pp

mp

  

mp

  

mp

 p

 

p

p

 

  

mf

mf

  

mf

mf

  

  

  

f

be blithe.

 

  be blithe.

   

     

 f

 

CHECK!

 p

Cb.

    

Vc.

pp

  

 

   

Va.

  

p

fast arp.

  

f 

fast arp.

  

    

   

   f

Eb Cb

      gai ning?

Vn. II

mp

 



Vn. I

    



f

gai ning? Philo Bion

f

p

 (Mar.) 

Kinesias

  

p

  

Meleagros Alpheus



Maron

   



Hp.



(Tpl. Blks.)

Perc. 2

pp

 

Alto Sax. in Eb

p

 p



CHECK!

       Men...

pp

      Not a - no-ther night

 f

fwag ging?

      3

       

      

pp

3

   

pp

mp

pp

pp

    

mp

pp

pp

mp

  

f

    

  p



 

mp

        

         Cro - tches... tigh- te ning? pp

      

pp



 p

mf

p

mf

p

mf

p

mf

p

    

      

pp

p

    

       

p

    



f

f

a man can keep...CHECK!

    

   

pp

    

a man can keep...CHECK!

with-out sleep...CHECK! Zis is not a vow viz This

         

f

Cwo tchez... tigh- te ning? pp

pp

        3

pp

    

 f

mp

  

 f

flag ging?

Not a - no-ther night

    

f

with-out sleep...CHECK! This is not a vow viz zleep... Zis

Men...

pp

3

 

 p

mf

 p

  

p

               

   


Act II

  36

Bn.

Hn. in F Tpt. in D

Timp.

Perc. 2

Hp.

Maron

(mf)





 



 





(mf)

(mf)



 

 

 

  

  

 

    mf          

p

Vn. I

 

Vc.

sfzpp

                   Small Snare Drum

pp

 

zheep?

fast arp.

  

 

      

 

 

  

       

to zheep? sheep?

pp

sfzpp

 

 

 

 

  

 



 





E nough!

E nough!

E- nough, e nough, e - NOUGH!

E nough!

E- nough, e nough, e - NOUGH!

E nough!

E- nough, e nough, e - NOUGH!

                    

                 



E nough! E nough! circling LEONIDAS and NICO p

             pp  

                  

E nough!

             f           

f

circling NICO p

f

f

                

E nough! E nough! circling LEONIDAS and NICO p

           



circling LEONIDAS p

CHECK! CHECK! E nough!

 

 E# F# A§ C§ B§

CHECK! CHECK! E nough!

           mp f sfzpp           mp f sfzpp                  sfzpp mp f           mp f  sfzpp  



f

Loins... im- pwo - ding?

Must ve we - sort we re

Va.

Cb.

 

Vn. II

 

Loins... im- plo - ding?

Philo Bion

mf

          Must ve we- sort to sheep?

Kinesias

  

(mf)

 

Meleagros Alpheus



Alto Sax. in Eb





Cl. in Bb

  



Fl.

 

9

E nough!

E nough!

  pp   

E nough!

 

pp

     

  pp   

    

E- nough, e nough, e - NOUGH!



  



  



  

  

 pp

sfzpp

1/16/2006


Act II

10

Suddenly compulsive q = 168

  41

Bn.

Hn. in F Tpt. in D

Timp.

Perc. 2

f

 

f





 







 





pp

pp

pp

E - NOUGH! ff

     

  

p







pp

  

 

 

 





p

p

 

p

3

 

 

p

 

 

   

   

p

S/Zex now! p

 

 

 

 

S/Zex. mp

S/Zex.

 

p





mp

   

mf

S/Zex.

mp

                    

mp

 





Now.

     



           

 

S/Zex now!

S/Zex.

 S/Zex!





S/Zex!

S/Zex.

Now.

     

S/Zex now!

S/Zex!

S/Zex!

     

   

     

S/Zex now! mf

mp

     



S/Zex.

Now.

     

S/Zex now!

   



mp

S/Zex!

Now.

S/Zex.



 S/Zex!

S/Zex now!

S/Zex.

Now.

 

Now.

S/Zex now!

S/Zex!

S/Zex!

S/Zex now! mp

3

 



   

   3

   

   

                 f p                      f p                  f p                    p f  pizz.         f



Suddenly compulsive q = 168

    3

 

p



1/16/2006



 

E - NOUGH!

Cb.

  

pp

   p  

       

Vc.

Va.



          

Vn. II



E - NOUGH! ff

Vn. I

 

f

ff

Philo Bion

 

ff          E - NOUGH!

Kinesias



   

 

Meleagros Alpheus

f

 gliss  .  f   gliss.           



  

  

Hp.

Maron



 

Alto Sax. in Eb





Cl. in Bb

Now.

Now.

                 

           

                          mp            mp


Act II

 



mp



Cl. in Bb

mp

mp

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

Perc. 1



    

mp



Nico

Maron Meleagros Alpheus

     

Kinesias Philo Bion

Leonidas

Vn. I

Vn. II

 

 

 f

S/Zex.

  now!

     

mf

      

Vc.

Cb.

     

mf

mf

        

    ss. gli 



Marimba

ff

Now.

            

S/Zex.

f

 

 

 

S/Zex

now!

f



                 

    f       

 

    

Ab C#

 S/Zex!



 



3

3

 

              mf        

     f              

f

mf

S/Zex!

 

S/Zex

  

       

f

3

 

mf

f

3





 

mf

Va.



  



Hp.



 

         

f

     

mp

    

 





 



mp

mf

mf

mp



Perc. 2

   







Suddenly slower q = 126

             3



  46

Fl.

     

11

Now.

                  



A - the- ni ans!

     This is

  

mf reproving

f

     

      f       f      f

Spar- tans.

     

f

ab surd!

Suddenly slower q = 126

       



 

    

f scathing

                    

     pizz.

     pizz.     

pizz.

        

pizz.

    arco

3

arco 3

arco 3

arco

      

1/16/2006


Act II

12

No. 49: "Too late in the day, sir" As the SOLDIERS glare at their superiors, NICO gestures welcome to LEONIDAS, who crosses, deliberately, into NICO's tent. He speaks quietly, thoughfully, with none of the braggadocio of the previous scene. KINESIAS, unobserved, sneaks nearby to overhear.

  50

Cl. in Bb

Bn.

Leonidas

p         3 3

   pp

 

Vn. II

Va.

Vc.

Cb.

1/16/2006

 

 

pp solo



  

Ge - ne - ral Ni - ki - as?

Vn. I

Careful, sustained q = 63

pp



pp

 

pp arco

  pp

         

            

A

  

 word?

(pp)

(pp)

 

(pp)

   



pp

 (pp)

     

   

  

pp





 



 

    

Careful, sustained q = 63

(pp)



    

 

 

    

 

 

sul tasto



sul tasto


Act II

 

Slow, studied q = 58

57

Fl.

Bari Sax. in Eb

Bn.

Hn. in F

Timp.

 

  





pp

   

Va.

Cb.





 

 









   

  

re- flec tive.

That's

pp

  

sul tasto

  

pp

not my role;

     sul tasto    

pp

  

solo

  

    mf

   



pp

Vc.

   

mf



mf

    mp

mf

   3

3

pp



   





givemethe tools,

   

p

3

givemethe goal:

                

   

   

   ord.,mf vib.    

      

ord.,mf vib.

mf ord., vib.

    

mf pizz., vib.

    mf

        

  p  

 

 

   

And I'm ef-

Faster Peremptory q = 69 ord., vib.

mp



   

Givemethe rules,

   

   

     

                                           



mf

pp

not my breed.

      

Bari. Sax.



Slow, studied q = 58

Vn. II

   

                   

   



p, legato

Vn. I



   p   

I'm not



mf





(actual pitch)

Leonidas



Slower

   



 



   

 

Hp.



  

Faster Peremptory q = 69



 

Cl. in Bb

13

Slower

  



    

pp

mp

pp

mp

      

pp

mp

pp

mp

  

 pp

 pp

      arco pp

mp

   

1/16/2006


14

Act II

Calmer q = 63

    62

Cl. in Bb

Timp.

Hp.

Leonidas

   

pp

       

 

  

I

do quite well;

Calmer q = 63

Vc.

  

 

pp

  

pp

  

Va.



   

 

     



 

     

     

        

(pp)



 







 

 

 

3

           



   



     

rare - ly

had per - spec - tive

 

  

  

   

         

On - ly I've



suc ceed.

 



ppp

I

(pp)

  

 

     



C§ Bb

   

Vn. II

 

      



fec - tive.

Vn. I







 

the



     

 



     

on



    

  

solo     

   

66

Fl.

 

Cl. in Bb

3

mp

pp



 

pp

Bn.

Hn. in F

Nico

Leonidas

Vn. I

pp

  

   

    pp

mp

mp



   

pp

hell...

     3

Is - n't that what we

    

pp

   

 

mp impatiently

    

   

I don't take your point,



3     pp 3    

    

   

sir...

Smooth, calm, contained q = 80 (2+2+3)

 

need?

moving forward

p

 

3

 

 

solo





mp

  

  



   

pp

mp

mp



And,

   



pp

  

whole,

   

pp

   

   



 

  pp

 

Vc.

pp

  

Va.

1/16/2006

   

3

 

Vn. II

Cb.

mp

Bari Sax. in Eb

Smooth, calm, contained q = 80 (2+2+3)

moving forward



pp

 

3

 

pp

 

 

  

  

  

pp



   3 3

  

3

  

 

mp

 

mp

 

mp

  

mp


Act II

  71

Cl. in Bb Bari Sax. in Eb

Bn.

Timp.

Perc. 1

               

         

pp

    

  mf       

Cb.

  

  

  

  

pp pizz.

p pizz.

p

 

Bari Sax. in Eb

Bn.

Timp.

in the

Too late for

     

pp

mp

 

         pp mp

    

pp

mp

 

  

 

79

Fl.



 

 

        

  

pp

Vc.

   pp

mp

pp

mp

    p

mp

Hp.

Leonidas

     

mp         

      

late for de - lay,

   mp

   



mp

  

mp

Vn. I

      

  

       

  

pp

Vn. II

pp

     

Va.

Vc.

Cb.

pp pizz.



pp pizz.

  pp

       



               mp

pp

         pp mp

     mp

 

   pp

mp

   pp

mp

pp

     









Too





mp





mp



  

   

mp



mp

pp

mp





mp



   

    



  

     









mf

                        

If we're to be

great sol diers,

mp

 

mp



 



pp





pp

 



            mp

mp arco

    

mp

   

       



    

     

arco

   

mp



pp

    



pp

  



 

pp

arco

   

  

pp

of this war.

  

  

way out

mp

   

pp

cold ex - pe - di ence.

     

  

   

  

pp



       

F§ Ab Db Cb

arco

pp

  

 

p

  

   

  

slight arp.





Too late for

  

Eb

sir:

Triangle

We need a - no - ther

 

slight arp.

    (mf)  

mp

  

              p

 

             p

            

  

  

    



pp

          

non arp.

mere o - be - di ence.

    



sir:

pp

Va.

  

day,

   

Vn. II

solo

slight arp.; fast, but not aggressive

Too late

Vn. I

pp

        

p simply

Leonidas

p

 Hp.

solo

15

We

can - not be"good



pp

 



 

    

 

  

  

  

  



   

   



 







sol diers" a - ny

non cresc.

non cresc.

non cresc.

  

  

1/16/2006


16

Act II

  87

Fl.

Hn. in F

Perc. 1

  



    



Leonidas

Vn. I

Vn. II

Va.

Vc.

Cb. 1/16/2006









 





mp



p non arp.

 





  

a - ny - more.

Urgent q = 120                          Much faster

pp

f



mp

do

  

      



 

         pp

 

  

 

  

  

pizz.

pp

 

pp

   

  

arco

   

mf

  

Blind

  

   

 

 

  

  

       

    

-

ly we



   



mf

mf

       mf

   

mf

 

  

p

what

pp

   

   pp

          mp pp  fast arp.       mf       

Small Snare Drum



















 

 

unis.





pp

 

   pp

 

slowing slightly

 

arco pp arco

 

pp











 



      

Bloodand bone andsin - ew,



pp div.

pp

o - thers have be- gun:

  

pp

       mp      mp

 



     

pp

mf

   

con tin - ue

   

p

   pizz.   



 

pizz.

mf

mf

   mf  

         mp

 E§ F# G§ D§

f



pp

    

       

arco

 

  

molto

whatwe've al - ways done?

  

    

f

   

   

molto

molto

mp



al- ways been if we al - ways

Won't it al waysbe whatit's

    

Five Temple Blocks

p                    







    

pp

mp

     



 

pp

mp

pp

f choke

mp

     





           pp

94

Hp.

mp

         

                   pp

pp

Perc. 2



mp

G# C§

Not

pp

        mp        

     

pizz.

     

more.





p

pp

Vc.

pp

  

      

Va.





   

 

             



p

 

mp Small Suspended Cymbal

pp

solo

 

 

pp

Timp.

 

Vn. II

Tpt. in D

pp

Cb.

 Vn. I

Hp.

Leonidas

Urgent q = 120



Perc. 2

Bari Sax. in Eb Bn.

Cl. in Bb

Much faster

     Fa- ther, bro- ther, son...

 

slowing slightly

   

     

   

  

          

   

     

   

   

mf

    mf

mf

mf

mf

arco

arco

arco

  p

p

      


Act II

Intense q = 104

    99

Cl. in Bb

17

Held back q = 84

slower and slower

3

   

 



   

 



pp

 

Bari Sax. in Eb

Bn.

Hn. in F

Timp.

Perc. 2

Hp.

Leonidas

 

   

   

 

pp

    

 



        

 

   

mp

3

   

     

 

mp

(non cresc.)

3

I

win,

3

 

you win,

3

      

sub. p

still,

What will we

slower and slower

     

What will we

                         3

       

3

3

 

 

3

3

f

f

3

3

   

sub. pp

      3

sub. pp

  

sub. pp

    3

sub. pp



 



 



  



   pp

 

 



   

 

bowed

p

      

have won?

3

  

 

pp

   

 

pizz.    

pp

   

3



pp

3

    

3

pp

         f

    3

pp

f

Cb.

   

3



3

Vibraphone, soft mallets, 3 motor off

f

Vc.

3

 

pp

 

pp

f

Va.

   

mp

3

Intense q = 104

Vn. II

3

pp

E - ven if

Vn. I

mp

pp

   

pp

  

3

  





have won?

Held back q = 84



   



   







    

 



 

   

 



 

3

pp arco

pp

3

mp

3

mp

3

pp

pp

1/16/2006


Act II

18

Cl. in Bb

Slower still q = 72

    106

 

       pp   

       solo             pp   

solo

Bari Sax. in Eb Bn.

Timp.

Perc. 1

Perc. 2

    





    

Hp.

Leonidas

slight arp.

  

mp

                (pp)

 

  

Va.

(pp) pizz.

   

 

    

 

Vc.

(pp) pizz.

Cb.

  114

Cl. in Bb Bn.

Timp.

(pp)

     

mf

Leonidas

Vn. I

  

Vn. II

Va.

Vc.

Cb.

1/16/2006

 

(pp)



 

(pp)

 

 

(pp)

 

     (pp)

  

(pp)

         

 

slight arp.

mp



    late

mp

p

mp

         

     

  

p

in

the

day,

 sir:

Surging forward q = 80

 



 



mp

mp



mp pizz.





 

mp pizz.

mp

     

  

   pp    pp

 

  

 

  

pp

  

pp



pp

 

  

   mp    mp

pp

 

Triangle

      

 





F§ Ab Db Cb

mp

 

  

  

arco, vib.

    

arco, vib.

   

  

arco, vib.

   

mp

mp

 

 





  



ord.





sub. pp ord.





sub. pp

 



mp



 

   











 





Eb

is

   mp



  my

  

mp



mp



       

  

sug - ges - tion:

  

 

 

 

 



 pp



pp

pp arco

  

pp

As we



F#

pp

  

mp

trem - ble on

 



brink,



  

     mp      

  

pp

De -

    pp mp       pp mp

         

the

 

    



           

          pp

Too

sub. pp

mp

mp

ask the ques - tion.

 

sub. pp ord.

       

3

to

ord.

vib.

vib.

pp

p

slight arp.

     

   

Time

  

 

more?

  

         mp  

   

    And here

   

  

     

    

   

non arp.

What



p

Hp.

sir?

Surging forward q = 80

say,

 

solo

   

     3

 

    

Vn. II



I

 

        

  

 

(pp)

       

 

more can

Slower still q = 72

 

   

What

Vn. I

 

        

(Vibes)

  

 

 

mp


Act II

 



Cl. in Bb



Bari Sax. in Eb

  

Hn. in F Tpt. in D

Timp.



  

 

 

 

ter mined not

 non cresc.

non cresc.

  pp

 

Vc.

pp

Cb.

to blink:



 

F# D§ C§

 



Shall we

do

     

 

  

pp

126

Bn.

Hn. in F

Nico

Leonidas

Vn. I

Vn. II

Va.

Vc.

Cb.

    

     thatthing



mp



  

 

  

mp

 

mp

  

mp

mp

mp

  

     

    mp   

 

mp

arco

   

 



p

  



  

we'verare - ly



done

be



sub. pp



sub. pp

  



sub. pp

 



      mf     

G# A§ D#

f

fore:

   

 

  

 

 

unis.

 

  

div.

 

    

   

mf

mp fast arp.

   

sub. pp

sub. pp

-

   

p

   

    mf        mf      

   

     

       

 

 

     solo

 

           

Va.

pp

pp

Vn. II

 

mp

Vn. I

Leonidas

  Hp.

pp

 



Bn.

 



Fl.

     mf         mf   mf     

19

120

pizz.

mf pizz.

    

mf pizz.

           

mf pizz.

mf pizz.

   

mf

No. 50: "Think?" A bit slower

 



 

 



 

 

 

    

Think?

pp

   

   p arco     p arco     arco

 

But I

      

arco

  p

 

p

 

 

p

 

p

 

  p

 

p



mp

pp

know whatyou think,



 

sir.

  

pp



pp

can

 

pp



I

 

pp

 



solo

pp

A bit slower

p

p

arco

  

3 3 3         

Think?

   

pp

interrupting, with frosty courtesy p

    Think? p    

solo

 

mp

pp

   



tell.

 

mp









mp



mp

  

 



   

mp

3

3

   3

      

1/16/2006


Act II

20

  132

Fl.

Alto Sax. in Eb

Hn. in F

Cl. in Bb

Bn.

Crisp, cold, elegant q = 80

   

 

3

pp

Alto Sax.

p

 



 



3

pp

3

pp

 

 

Timp.



 

 

  

p

  

  



3      pp

 

         straight mute

       mp      

 

 



  

p

3



pp

3

  

pp

3

3

         p

(pp) Tpt. in D

        

3

 



fast arp.

 

Hp.

3 3         

icily

Nico

All myre - spon ses:

Leonidas

  Faked.

Feigned.

       pp

     pp 3

     pp 3

Va.

  3    pp

Vc.

Cb.

1/16/2006

         

        

Allmy con- vic- tions: Tricked.

All I be lieve in, plain- ly ex plained: Now I knowwho I am!

3

 

3

3

Trained.

3

   

     

mf mollifying

     

3

Ge - ne ral...

3

Vn. II

B#

3

Crisp, cold, elegant q = 80

Vn. I

   

                

 

3

3

 3

     

mp

mp

  

  

3

3

mp

mp

 

           pizz.       pizz.

      pizz.

 

arco

pizz.

mp

  

      pizz.



pp arco

3

  



pp arco

 

pp arco



arco





    3

    3

            3

    3

   

      3

3      

3

3

3

          3       3      

    

 


Act II

       mf     

Ever faster and angrier

140

mf

     

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

mf

      mf        mf       mf       mf

 

p

     p

     

Vc.

    

       

Nico

Vn. I



Vc.

        

slow arp.

f

  

p

 





f

   

 3

                  

Looklike a ram,

act like a sheep:

Bare- ly a sheep:

    

 



ord.

col legno battuto

f

ord.

3

3

3

   

3

f

      3

3

3

        p



f

            3 f ord.

3

   





p pizz.

   

col legno battuto

3

3

p ord.

col legno battuto

 

3

p

col legno battuto

lamb!

       

    col  legno battuto    

f

a

(q =104)

(q = 96)

f

        

ff

Hear this, Ge

ne ral:

Treading, formal q = 69

 

solo



pp

 

Hear this

 

mp

 

 

G§ D§ C§ B§

pp

 

4









 

f

 

4

p

lontano, solo

 

p

 







 

pp

    

 

     

    

4

3

   f  

p

senza sord.

f

 

Va.

4

p

 



     ff     

Vn. II



 

  



   

f

No. 51: Nico's Credo

 

4

 3    



Hp.



f

       

   

  



p



Hn. in F

f

144

Cl. in Bb

3

f

Cb.



f

4

3

f

f



3

  

f

O- thers say,"Rab - bit!"watch me leap!

p

f

Va.

   

f

3

(q = 88)

    

 

        

3

Ever faster and angrier

    

  

   

(q =104)

f

f

                 O - thers or-der me, "Eat!" "Sleep!"

Vn. II



     

f

      

  

   

f

3

Vn. I

f increasingly enraged

Nico

(q = 96)

mf

 

mf





 

 solo   



Cl. in Bb

(q = 88)



Fl.

21

Eb

   

p

well.

Treading, formal q = 69 

   pp

  pp   pp

 

pp

     3     











p

  



 



I

know:

p simply and gravely

2







  







  

 

(p)

 



2

  

1/16/2006


Act II

22

  154

Fl.

Hp.

Nico

Vn. I

4

  

Va.

al

   

-

  

ways



 

 

3

What

ev'- ry

sol - dier

3



        

known:

  

  

  



 

 

Vc.

I've





       

Vn. II

Cb.

 

    3

   





pp



 

His heart

 



 

 

is

mp

  



mp



mp

 

mp

not





  

  

In war:

  

(pizz.)



 

  

un - der - stands.

p

  

  

  



  





mp

  

Hp.

Vn. I

(p)



Va.

 

Vc.

1/16/2006

  his

  







   

 

  

p



  

3

 

His hands

own.

 

are







   

not



 3

  his

  



hands.

a bit faster



 

 

A#

   

 

    

   

Vn. II

Cb.

 mp

mp

Nico



 



Hn. in F

   



Fl.

a bit faster



   161

 







   

 

 

    

3



  

p

p

p

   p

 p



    







 

         



    

     





  

 

3

 


Act II

     168

Cl. in Bb

  

 

     

 

p Bn.

 

p

Hp.

            

 

Nico



You know:

Vn. I

Vc.

Db

                3

3

We have a

mis sion

to

mp        

ful - fill.

There- fore:

Our



  



  



 





  





 

    







        

 

 

 



2

    

 

 

sub. p

176          

   

    

2

sub. p

 p

 

pp

    

 mp

            

       mp

    

   

p



pp



ou -r own.



 







   

 

   

Ou -r will

 

   

  

3

a bit faster



 

 

   

Fb Cb

  

 

   

are not

 

   

  



   

         loves

unis., pizz.

 

 

    3

 

   

  

  

  



     mp        





    

 

   

3



mp

Cb.

mp

Vc.

   



mp

Va.



Vn. II

        



Vn. I

 



Nico

 



Hp.

 



Hn. in F

   

ways known,hav -en't you?

-



Cl. in Bb

Fl.

  

  

sub. p arco, div.

Cb.



sub. p

Va.

   



sub. p

Vn. II

3

  

p



  

  

You've al

Restrained q = 72

     

  



 

3

 

 

Light finds LYSIA, distant but present: it's she to whom NICO really sings 4 p

 

   



Fl.

Restrained q = 72

23

3

  is

  3 

not

ou - r

E§ F§ A§ D§ C# B§

will.

a bit faster

       

 

p



          

         

p

p

    p

    p



 

                



arco





1/16/2006


Act II

24

     184

Fl.

Cl. in Bb

Bari Sax. in Eb

Bn.

Hn. in F

Perc. 1

Surging, oceanic q = 76

  

mf

4

 

   

    

 

Bari. Sax.

Marimba

   

6

       

     

      

    

     mf

Vc.

       mf

Cb.

     mf

1/16/2006

   

   

    

    

  

   

   mf

   

3

 

   

     

pp

mf

A thens

   

  

    

  

mf

p

p

p

p

gives

me

      

mf

mf

3

Lo- ver, neigh bor:

f

  

    

              

    

mp

 



    

pizz.

6

pp

   

pp

mf



         

mp

    

mf

6

 

    

4

 

         

Land and la bor,

4

3

mp

                 A thens gives me bor - ders:

mf

Va.

         

pp

mf

Vn. II

   

mf

Surging, oceanic q = 76

Vn. I

mf

mf

Nico

   

mf

    Hp.

  

ev' - ry thing,

           

 

3

f

 

3

 

  f

and

4

  4

 

f

 

f


Act II

    

   

190

Fl.

Cl. in Bb

Perc. 2

Hp.

Nico

       

 

f

p

    

mf

               

in

  

re - turn:

  

A thens gives me

      4

p

sub. p

 

3

p

  

Va.

   

Vc.

  

p



non vib.



ppp

pp

 

pp

 



non vib.    

  

  

 



  

 

4

I

o - bey them:

    

 

sub. pp

I

pizz.

     pizz.

pp pizz.

 

pizz.











do not weigh them.



   











   



       

 

I

pp



   

pp





3

 

  

mp    pp                       

sub. pp

mf arco

non vib.    

 

               sub. pp mf pizz.                 sub. pp



p

   

 

or - ders.

sub. pp

mf

ppp

(actual pitch)

           

mf



non vib.

Vibraphone, bowed, motor off

4                         3 4

Vn. II

Cb.

4

 

A thens,

Vn. I

    p

 

25

mp 3 arco



arco

  

mp 3





 Bari Sax. in Eb

Timp.

Perc. 2

196         

 

 

Hp.

Nico

Vn. I

pp

 



 



do not cry

mp

 

  



 

   



arco mp

arco

mp

 

 

 

 

mf



 

 

 





            pp

  mp



mp

mf

mp

mf

Why

  mf



mf



mf

 

would I?

         

pp

G# Ab Cb

nor ques - tion, "Why?"

 

 

pp

  

non arp.

 

F#

   

 

Vibes, soft mallets, motor off

 

arco      

pp

  

Vc.

   

Va.

  

   

Vn. II

Cb.

   

   

pp

 

pp



    



pp



 

pp

   p





      

4

     mp

         p

     



   

p

Notfor me to learn.

None of my con - cern.





LYSIA fades from view. mp

4

mp

    

 



 



p

p p

mp

mp mp

       1/16/2006


Act II

26

   203

Fl.

 

Cl. in Bb

Hn. in F

Tpt. in D

Timp.

Perc. 1

Perc. 2

 

  

 

Leonidas

Vn. I

Cb.

1/16/2006

   

mf

mf

mf

 

 





pp

pp

Glock

 

    

 

Small Snare Drum

pp

pp

f

3

 

     

    4

   

mf

4

     f

 



mf



mf

f

      mf

3

f

 f div.

 

f

orjust



 



 



  

brassy      

   

       

 

    

 





 



 



 

 

 



mf

f

  



3

    

 



 

  

pp

mp

3

   

brassy

    ff

 

       

  A§



3

mp

      



be lieve: I know:



be - lieve?

    

    

 

 

mf

3

 



    



f

 

be - lieve, not

   

  

    



      

Not

f



pp

3

On- ly mine to know, as I know... f challenging

    



non arp

doggedly

 

f

 

f

mp

          

 

pp

f

mf

 

sfzpp

 

 

    





   



mf

Vc.

Know,

 

Va.

p

p



 

  

Vn. II

 

 

 

Nico

 



   

 

p

 

Hp.

 

  

   

Bari Sax. in Eb

Bn.

    f     

             

 



sfz

pp



sfz



pp

sfz

pp

 

pp

 

 



f

    

unis.

 

3

     

f



tellsme

     

sfz

ci - ty

         

f



I know my



f



   f        

  

    

   3 3

  



  



3


Act II

Hn. in F Tpt. in D

   

 





 

Vn. II

Va.

Vc.

Cb.

There - fore:

   

 

       

    

     

When we

re - gain

 

 

 



div.





 mp

   

 

   

 

 

 

  

  



 

    

  

 

 mf

  

And











      

 

3

3

re - tain



  

  

 

mp

 

we

mp

   

  



mp

mp

    mp







  

slowing

Gb

mf

 

mp

 

Will

  

sul tasto, non vib.



  

non vib.   sul tasto,      

  

    sul tasto, non vib.          

   

p

 

Still

vib.    sul tasto,   non        

     

We





own,



 

   

 

   

  

 

  

ou - r



mp

 



     

 





  





  





own,





   

Eb F§ G§

ou - r





mf



   

  

pp



3

    

 

  

   

 





 

 



Vn. I

  

 

   



Nico



Hp.

    

true.

      

pp

  





Hn. in F

pp

  

218

Alto Sax. in Eb

  





 

 

Vc.

mf

 

 

  

Va.

mf Alto Sax.

 

   

Vn. II

Cb.



Vn. I



Nico

 

   

Hp.

 

mf



Bn.



Alto Sax. in Eb

  



Cl. in Bb





Fl.



211



  

27

 



    



  Kill

slowing

pp

    p

   p     p

     p

  

pp

    pp    

pp

   

pp

   

1/16/2006


Act II

28

No. 52: Kinesias Decides    



225

Fl.

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

Perc. 1

Hp.

Nico

Leonidas

Vn. I

Vn. II

Va.

Vc.

Cb.

1/16/2006

  

 

 

 

 

pp

  

       



   

   

long

 



 

    

straight mute

solo

           p

 

long



ppp

           3







long

 

  

 

 

long

Crotales

  

  

p

3

 

     

pp

 

   



 

  

long

  

    

   



long

In time

 

long

    

long

  



long

 

 

long

  













F# Ab C#

NICO gestures LEONIDAS out of the tent. p

   



   



p

3

You.

Disappointed, LEONIDAS trudges back to camp. NICO, stony but haunted, stares straight ahead. The soldiers have since drifted off to fitful sleep: all except KINESIAS.

Of- fi- cer.

 

long



 

long ord.

    



 

     long ord.    ord. long

unis., ord., actual pitch

 

long

pp

Of- fi- cer.

In time



   

   

 

        

      

 

  



   

 





ord. long

3



       

   

 

sfzpp

sfzpp

 

    

sfzpp

  

    3

sfzpp

3


  

              3

232

Fl.

Cl. in Bb

 

Alto Sax. in Eb

 

Bn.

Hn. in F

pp

   pp    pp

3

3           3

            3 3

  

  

   

      3

    

  

      

       

Hp.

          pp

     3                           O-thers or- der me, "Eat!""Sleep!" O-thers say,"Rab - bit!"watch me leap! Look like a ram, actlikea sheep:..

p in a frenzy of self-doubt 3

Maron Meleagros Alpheus

Philo Bion

Vn. I

 

div.    

238    

 

Cl. in Bb Alto Sax. in Eb



 

3

  

    

   

 

     

 

Vc.

 

Cb.

 

 

Va.

  

  

              

Brisk, decisive q = 96

 

   

   

mf

   



p decisive

  

E - nough.

Brisk, decisive q = 96

 

 

 

   

 

   

 











   

BAAAA!



 

pp

Baaa!

Vn. II

 

  

  

   

 

  

Baaa! BAAAA! asleep: bleating lustfully f p

Slower q = 63



Vn. I

 



   

 

unis.

pp



 

F§ Db Bb

E - nough.

  My





 

 

 







 

  





 

  



-

 

  

p

 



f                 



Kinesias

3

     

Hp.

  

   

pp



  

pp

Fl.



   

asleep: bleating lustfully p

   

 

 

Vc.

Va.

 

Vn. II

Cb.

 



Nico



3





Slower q = 63

   

   

 

pp

29



Act II

 

1/16/2006


Act II

30

  243

Fl.

Slower, more graceful q = 69

Cl. in Bb

Alto Sax. in Eb

 



 

Bn.

Hn. in F

Tpt. in D

Perc. 1

Hp.

Maron Meleagros Alpheus

   

Kinesias

 

-

Philo

Bion

 

      p

 

rrhi - ne,



 



   

Vc.

Cb.

1/16/2006

 

   

 

   

Baaa!

   

p

Baaa!

Va.

A§ D# Cb B§

  

Vn. II

mp

mp

mp

ossia 8va

Triangle

now.

pp

sneaks away from camp, stealing towards the Acropolis.  HE     



Slower, more graceful q = 69

Vn. I

          

Baaa!

mf

     pp      

fast arp.

      pp mp       pp mp        

mp

Baaa!

  

May

3

   I

zpoon



you?

pp

mp

      pp      pp         





pp









  





formally, to his tentmate

pp

  

pp

mp













   

   

            


31

Act II

SCENE TWO No. 53: Losing Our Nerve As KINESIAS vanishes offstage, and the sleeping armies fade from view, moonlight finds LYSIA, now a rather aggressive night watch (wo)man, pacing the balcony of the Acropolis. Suddenly, from within, CHARITO appears, draped in a sheepskin--complete with false head.

Feverish q = 116

         250

Fl.

solo

  

  

p

 

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn.

Timp.

Vn. I

Vn. II

Va.

Vc.

Cb.

    



pp

  

 







       

    

   

 

3

    pp      pp

   pp

 

   

        



  

pp



      f



3

     3

   

     p

 

E§ F# Ab D§ C§ Bb

Feverish q = 116



pizz. pp pizz.

     arco

  



 

 

   

  



   

pp pizz. pp



pizz. pp pizz.

pp

arco

arco

arco

    arco

pizz.

  

pizz.



  

  

  

pizz.

pizz.

pizz.

pizz.

pizz.

    arco

arco

arco

arco

arco

 

pizz.



pizz.

    arco

   

pizz.

arco

    arco

arco





   

  

arco

 pizz.

 pizz.

mp

 

mp

      3

pp

mp

    



3

    

    

p

 

    solo        3

  

   

   

3



   

s. glis

Hp.

   

pizz.

   

   

arco

arco

    arco

   

  

pizz.

arco

arco

3

mp

mp



pizz.

 

mp

mp

1/16/2006


32

Act II

     

 

   

         

    

 

   

 









255

Fl.

pp

Cl. in Bb

pp

    

 

   

 

     

 

   

 

Alto Sax. in Eb

Bn.

Hn.

Tpt. in D

Perc. 1

Lysia

Charito

Vn. I

pp



pp

       

 sub. pp pizz. sub. pp pizz.

 

Va.

sub. pp pizz.

 

Vc.

sub. pp pizz.

Cb.

 

Vn. II



(pp)

 

   



           



   

        arco

pizz.

   



arco

   

pizz.

arco

 pizz. 

arco

   

Baaaa!

arco

3



     

CHARITO, mortified, slinks back inside the Acropolis as KLEONIKE, as brittle and exhausted as LYSIA, joins her on the balcony.

3

f

             f                  f                 f             f arco           

mp

mp







    

     f       f       f



                pp

                                     p

p

mp

pp



f



  

p



  

"TRY it."



A

 

it."

A

                                  

 

                          

  

              

 

mp

pp

pp

pp

mp

pp

pp

mp

pp

pp

mp

pp

   

     



mp

                

 

              

pp

                              

 

pp         mp

 

mp  pp       

pp

  

   

      f

pp

pp

  q = 144

      

p

BACK IN -

"Try

f

1/16/2006

f

Fast, brittle q. = 144

Cb.

       

 

     

Vc.

Ci- ti- zen!

3

  

Va.

Ci- ti- zen:



Alto Sax. in Eb

Vn. II

   

mp



Vn. I

   

 

f furiously

f  mp       



  

f

    

  

Kleonike

 

mp



     to straight mute      

Cl. in Bb

SIDE!

    f    

    



Lysia

      

mp

 

   

mp

   

Fl.

Fast, brittle q. = 144

    

Baaaa!

    261

 

mp

3

mp

3

 

f

f

 

mp

arco

arco

    

q = 144

        

f

         

3

pizz.

    

   

responding, equally lustfully, to the SOLDIERS' distant bleating f

          

3

arco

 Ratchet    f   

  

    f    

p

p

p

p





pp

pp

pp

pp

  pp


      

   266

Fl.

 

Cl. in Bb

Lysia

mp

       

pp

 

Alto Sax. in Eb

Bn.

 pp       

pp

mp

pp

mp

Vn. I

hun- dred days, we've tried.

2

hun- dred days, we've tried.

Vn. II

pp



mp

Vc.

mp

   





 

 

 

pp

       

     

       

And time,

2

pp

f  mp          f  mp       

mp

2

it seems, is

mp

         

   



no - bo - dy's

al -



f

 

             

 

 

            

 



 

f

mp



f



2

mp

  f

mp

    mp

f

    

  

p

f

f

       2

we're

all

      2

de - ny

2

it, we're

all

     

f

      

f

     

        

  

p



Point less to

    

f

    



ly.

mp

p

    

 

         

f



 

 



mp

   

ly.

p

 



al -



mp

f

   



mp

 

no - bo - dy's





     

it seems, is

33

mp



mp

pp

mp



mp

pp

mp Cb.



pp

  

Va.

            



mp



And time,

      

  

        

pp

2

Kleonike

       

Act II



  f



    

f



    270

Cl. in Bb

Hn.

Lysia

   

f

p

f

     p









fit

to be tied.

    

Va.

Vc.

fit

We're lo - sing our

           pizz.

 

    

 

     

 

pizz.

pizz.

     pizz.

DIKA, looking guilty, sneaks into view p and slinks towards the staircase



nerve.

       



pp

 

mp

 

  

  

  

2

2

2

Let me show you,shall I?

to be tied.

pizz.

  

pp

   pp

f

         

Vn. II

Cb.

p

                  

2

Vn. I

f

    

 

2

Kleonike

p

    

 

Alto Sax. in Eb

Bn.

     

arco, sul pont.   arco, sul pont.

pp

arco, sul pont.  

pp

mp

 

Ob serve. p

2   

Ob serve.

     



f ord.

            f ord.

           

pp

 

f ord.

         

pp



            

 

 

    

ord.

pp

 

mp

2

pp

mp

pp arco, sul pont.

  

f arco

          f

1/16/2006


34

Act II

  

Cl. in Bb Alto Sax. in Eb Bn.

Perc. 1

Perc. 2

pp

                    

    Marimba         

Hp.

Vn. I

Vn. II

Va.

Vc.



  





mf   











p

 

mf

mf

           pp            pp        pp       

       

2       

Ci - ti- zen: such haste!

    

     mf

mf     

mf     

pp

mf

 

Cl. in Bb

           p      

Alto Sax. in Eb





Bn.

Perc. 1

 

       (Tpl. Blks.)

Perc. 2



  Hp.

Lysia

Dika

Vn. I

 

   



 

Such

pp

   

ur - gen cy!

   

         

O - ver- night pazz, Com- man - der, pwease:



   

And what,

      

2    

pray tell,

it'z an e - mer -zhen zy!

2  

 



 



   

  

 



pizz.

mf pizz. 2

mf pizz. 2

mf pizz. 2

mf

   

 

p

pp

2

   

    

p



Va.

1/16/2006

non arp.

          2         

Triangle

        p           

  

Vn. II

Vc.







materializing to stop DIKA

280

Fl.

       mp 

            

              

Five Temple Blocks

     

Sandpaper Blocks

mf

 



 



Lysia

                      2         2         pp        

     

275

Fl.

No. 54: Overnight Pass

2  

e -


   284

Cl. in Bb Alto Sax. in Eb Bn.

Hn.

Lysia

 

        

             

xerts

Dika

Kleonike

Vn. I

Hn.

Timp.

2

Perc. 2

Hp.

Lysia

Kleonike



   



   

Vn. I

pp ord.

      pp ord.     

Vn. II

Va.

pp ord.

Vc.

Cb.

      pp

 

       

2

 

     

My

vool.

   pp

   mp

 





     4

    

4

               

    

 

4

pizz.

pizz.



pizz.

 

   



pp

     Bari Sax.     



pp

     

  

      mp

pp

mf

  

ab - zo - wute - ly pwize.

 

And ze

mothz vill just



Oh,

     4

de - vouah...

Oh,



arco



arco



arco



arco

 

       

pp

mp

pp

mp





pp



pp



    mp     mp  div.     mf

mf

   

 

(p)



      mf     





mp

pizz.

q. = q

pp

It'z





vool.

My

 



mp

 

 

pp arco, sul pont.

2







Her "vool."



 

 



mp

arco, sul pont.



2

 

pp arco, sul pont.



      



arco, sul pont.

       

q. = q

Delicate, wheedling q = 144

  ord.     

p

Mi - le - sian

Your wool?

vool.

best

4        

  

4             p  Vibraphone,   motor off        4

       mf       

 

       pp

 

2

    

Delicate, wheedling q = 144

  

Dika

My

 



   

    

pull?

Marimba

Perc. 1



 

   

Cl. in Bb

Bn.



287

Bari Sax. in Eb

  

 

Va.

Fl.

  



Vn. II

Vc.

  

such

 

                         

35

Act II

port.

moths!

port. moths!

   

Ouch.

 

    Ouch. 

I

     1/16/2006


 

291

Fl. Cl. in Bb

Bn.

Timp.

Perc. 1

           (Mar.)  4             p

Dika

Vn. I



                (Vibes)

  

Vc.

     pp

     pp arco      

    295

  

Cl. in Bb

Bari Sax. in Eb Bn.

Hn.

Timp.

Vn. I

    

      

    

Va.

Vc.

Cb.

1/16/2006

     





 pp 





I

4

on - ly

  

pizz.

 

  



 

    

pp



  

Eb Cb

houah.

      

Just

  pp  sul pont. arco,  pp arco, sul pont.   pp

try.

 

   

mp

pp

mp

   

  mp  

  pp  

mp







  

 

A

 cri -



p

sis,

3

this

 

non arp.

 

f

  is

not.

ord.







  

pp

    

Zpreadit on ze

pp

 

 

Nice





e - nough to, you know,

pp arco, sul pont.

4

arco, sul pont.





  

    

       



   

     

p











gliss.



mp

 







mp

 

need an



pizz. 

  

        

pizz.

pp

4

4

  

  

4

pizz.

 

Vn. II

mp

    

couch.

Kleonike

  

Dika

mp

           

Hp.

   

knew you'd zym - pa - thize.

pp

Fl.

  

pp

Va.

4

     

Vn. II

  



Hp.

4



Perc. 2

4



     

pp

    

Act II

4 pp

4

Bari Sax. in Eb

     



36



You'll



stay

here.



      

  

pp



ord.

ord.

pp

pp ord.



pp

f

   

f

      f

   f    f


Act II

  298

Fl. Cl. in Bb

Perc. 2

  

 

Vn. I



Va.

Vc.

Cl. in Bb Alto Sax. in Eb Bn.

Perc. 1

Perc. 2

Kleonike



tearful

Must

I

let

 3

my piece - vork

 

 

 

 

pp

  pp    pp    pp    

pp

Vn. II

Va.

Vc.

     

                    

                                     Alto  Sax.           pp           

     

   

pp



  E§ F# C§

 

  

dry

      

So it would ap - pear.





  



   



 

 

DIKA, chastened, slumps inside, just as XANTHE bursts into view. pp



 

side.

 pp



In -

side.





   



mf   

 

mf

 

       

  



Five Temple Blocks

             



   

mp



to XANTHE

      

2       

wryly, re XANTHE

Co - in - ci dence? wryly, re XANTHE



 

     

mf

 

Sandpaper Blocks p

 

mf

 

3

3

 

mp



 

       

 

pp

3

    

   

pp



  

 

2

    

 

In -



  



    

      

p

Fb

2

  

             

  

Ci - ti- zen: such haste!

        

Co - in - ci dence?

Faster, nervous q. = 144

Vn. I

Faster, nervous q. = 144

     Marimba       



mp

rot?

 



       

  

p





Lysia

  

Hp.

302

Fl.

   

  

Vn. II

Cb.

    

Dika

Kleonike

      

Hp.

Lysia

(Vibes)

  

37

              pp               pp                     pp                 pp

        mf

mf    

    mf

mf

   

1/16/2006


38

Act II

 











307

Fl. Cl. in Bb

Alto Sax. in Eb

Bn.

Tpt. in D

Perc. 1

     

     



(Tpl. Blks)

Perc. 2



  Hp.

Xanthe

Lysia

Vn. I

 

 

  

   

  Such



pizz.



pizz.

Alto Sax. in Eb Bn.

Hn.

Perc. 2

Xanthe

 



pizz.

Kleonike

Vn. I



   2

2

p

 

Bb

  

    



  



it's an e - mer - gen cy!



2

  



Re - lax?



pulling back

 

    

2



my

flax!



   

 

It's



   2

         

for - got



  

      



 

to pluck my flax.



p

2

I



 

 

q = q.

Crotales

Your flax?

My

spoken, to audience: wisdom and sympathy, cascading from a great height

2

2

She suf- fers from un plucked

            

re - lax?

          

mf

Va.

1/16/2006

I

mf



 

Vn. II

Vc.

mf

2

                                 



p

con sord.

mf

 

  

Lysia



Re - lax.

 



2

2

 

How can

O - ver- night pass, Com- man - der, please:



       

2

pizz.

   

p

   

  

311

Cl. in Bb

    

ur - gen cy!

 

Va.

Vc.

   

p

   

         

2

         

pp

2         



p

Triangle

non arp.

 

Vn. II

         





arco,  sul pont.   pp arco, sul pont.

  

pp arco, sul pont.

 

 

 

mp

 

pulling back

mp

    

pp arco, sul pont.

mp

pp

mp

  

 

    pp        pp

 

flax.

 

 

q = q.

 





    

 



   

 



pp

pp


39

Act II

    315

Fl.

Cl. in Bb

  

Bari Sax. in Eb

 

 

   

Bn.

Hn.

Timp.

    

       pp

4             p  Vibraphone,   motor off       

       

Marimba

Perc. 1

Perc. 2

4

Hp.

Xanthe

Lysia

Kleonike

       mf              

flax.

4

      

 

You

see,

4

    

4

 

          

it's

 

4

 

     

ord.     

pp

ord.        pp

 

pizz.

pp

  

Baritone Sax.

 

pizz.

     mf

      mf      mf

      mp

pp

    

 

(p)

     

to - tal - ly

in

    4



flow - er, And those aw - ful, glu - ey seeds...

 



arco



arco



arco



arco

  pp



pp

pizz.

   

 



pizz.

pp

Vc.

       ord.

Va.

      

    

   

pp

 

 

Those

Those

pp

Vn. II

  

ord.

Vn. I

p

  



 pp

 pp

 port.

seeds!

seeds!

port.

  

       

Yuck.

   

mp

   

   

mp

mp

I

Yuck.

   

mp

 

1/16/2006


40

Act II

 

     

     









  



319

Fl.

Cl. in Bb

Bari Sax. in Eb

Bn.

Timp.

  

4    

(Marimba)

Perc. 1

Perc. 2

              

knew

Vn. I

4

     

Va.

Vc.

     pp      pp

     pp

1/16/2006

 

that you'd

pp

Vn. II

  

a

-

gree.

 

 

   



pp



 pp



4

 

4

 

  

4

  

4

     

           

So,

pizz.  

pizz.





give

me

  

just

an

hour;





pizz.

pizz.

4

    pp



      







      



Xanthe

  

4

4 pp



Hp.



p (Vibes)

                    

4 pp

Eb Cb

       4

The

on - ly thing

arco,  sul pont.  pp

 

arco, sul pont.

it needs

 

mp

 

pp arco, sul pont.

mp

pp arco, sul pont.

mp

pp

mp

   

   





is...

 



One

fast

   

   



  







pp

pp

  pp

 

pp

  


41

Act II

323

Fl.

    mp    

                  

Cl. in Bb

  

Bari Sax. in Eb

  

Bn.

   

   

Hn.

Timp.

Perc. 1

Hp.

Xanthe

Kleonike

Vn. I

Vn. II

Va.

Vc.

Cb.

mp

   

mp

    mp

   

p

    

   

  (gliss.)         

      mp

Triangle p

 

 

         pluck.   

A

bien

tot!

Ah...

   

 

no.

3

Get back

 

there.

 



   







   

ord.

pp

 

spine.

ord.

ord.

  





pp

   f    



   

pp



Show some

ord.

non arp.

  

in

 

p

pp

 

   

3

  

 





   

  

f

   f

   f

  

f

   f

1/16/2006


42

Act II

 

Alto Sax.

327

Alto Sax. in Eb

Bn.

Perc. 2

Hp.

Xanthe

 

Vn. I

 

 

 

Tpt. in D

Perc. 1

  

     

pp











    mp   







 

mf

 

Get

mf

           pp

  

         

                

f

3

ff



  

   

mf

  

  In -

f

    

Va.

f

Vc.

Cb.

1/16/2006

   

 

   In -

f

     f

 

pp

pp

     

e=e



 

 



 



 

 

 



 

3

f

  

 

       3

f

     



  

  

      

 

       3

f

 

 



 

 







3

  



 





 

 

side.

 

 

3

side.

With tremendous dignity q. = 72

Vn. II

 

       

 

     f    

mp

   

XANTHE, mewling, slumps indoors, as ARETE, her belly conspicuously swollen, staggers into view, praying loudly.

Vn. I

 



3

p



 

     



e=e

          3



3



p





E§ F# C§



f

   





  

f

line.

  

       3

in

         

 

   ff     ff    ff       ff   

     

pp

f

f

Bn.

  

Get in line.

         pp

 

      

pp

f

   

Alto Sax. in Eb

 SO DOES MINE!



With tremendous dignity q.  = 72

    

Cl. in Bb

  

332

 

 

ff

 

Vc.

Fl.

3

  

Va.

Don't you see my flax needs care?





Fb Ab

desperately

         

   

        

Vn. II

Cb.

      

Lysia

Kleonike

(Vibes)



  

 


43

Act II

334

Perc. 1

Perc. 2



     



Sandpaper Blocks p

f



 

          







Five Temple Blocks

f

               





Hp.

Fast, brittle q. = 144

f



Lysia

Kleonike



spoken, to audience

Sing a long!

2

2

You know this part:

spoken, to audience

Sing a long!

                

2

2

Vn. II

Va.

Vc.

Cb.

  



  



  



  



div.      



sure ly, by now,

 

You know this part:

Fast, brittle q. = 144

Vn. I

 

 

2      



to ARETE



by heart.

 

Ci - ti - zen:



such haste!





   Such

2

   

ur - gen cy!

              

      pp

sure ly, by now,

     2

non arp.

 

     

by heart.

              

pp

mf

pp

mf

     

             mf

pp

mf

1/16/2006


44

Act II



          









          mp





     



 





Cl. in Bb





Alto Sax. in Eb









338

Fl.

Bn.

Hn.

Tpt. in D

Timp.

Perc. 1



mp

 

f

    

f          mp

mp

f





     mp



     

  

 





          mp



     







  

f

f





Small Snare Drum p

   

 

f

             

  

         



          



    

Va.

Vc.

    

f



 

   

  

  

mp

        

    

  

Vn. II

1/16/2006

                        

        

f

O- ver- night pass,Com- man- der, please:

          

         

it's an e- mer- gen cy! I'm due a - ny



O- ver- night pass,Com- man- der, please:

         

        it's an e- mer- gen cy!

O- ver- night pass,Com- man- der, please:

Cb.

    



Arete

Vn. I



Hp.

Kleonike

    

   



Lysia

    

 

      2



mo - ment:Out of my vay!



I

2 2    

You

we - ren't



2

      2









f

     f

f

2

preg - nant yes - ter day.

     

    

2  



    

2

preg - nant yes - ter day.

p



2



f

p

2

we - ren't



    

p

          

       

it's an e- mer- gen cy!

f

         

2 2    

You

        

p

         




 

342

Timp.

Perc. 1

Perc. 2

Lysia

 

Arete

Kleonike





   

dryly, to KLEONIKE

know:

 

  

 

Hey, it's a

mi - wa- cle.





it'z a mi - wa- cle!

   



  

arco, sul pont.

Vn. I

pp arco, sul pont.

Vc.

pp

Bn.

Timp.

Perc. 1

Perc. 2

 

 (Mar.)    

(p)

 

         4

    pp arco

Vn. II



pp

 

arco Va.

pp arco

 

Vc.

Cb.

pp

 

ze myth of

  

   

mp

   

mp

    mp     mp  div.     mf

 

   

 

 

p

4

              

I'll break

va - ter

4

                      

  

 

 

 

we - zist hiz po wah? It vas









      pp        4

4



 pp 



   

4

pp

   

 

   

a - ny

ze cond! I'll give pizz.

    pp     pp    

 

    

  

4

  

4

        

     

        

   

Gb Ab

pp

     

   

pp

 

I



pp

4

4 4

4

 

pizz.

 

 

  

pizz.

 

Le - da and ze svanz.



correcting: "Svan. One svan: look it up."

pizz.

 

 

    



  

pp

 

    

    

    

4           

bec- koned,how could

ord.

pp

 

     mp

pp (Vibes)

like arco

Vn. I

pp

             

  



Arete

       

   

    

    

pizz.

pp ord.

    



Hp.

Lysia



pp

Bari Sax. in Eb

Zeus, ze Migh - ty,

pp ord.

mp



q = q.ord.

 

 

Cl. in Bb

Oy vey.

Ven

mp

  

346

Fl.



  

pp arco, sul pont.

2 4       



mp

   



   

pp arco, sul pont.

Va.

4            p  Vibraphone,   motor off      4 p        mf          

mp

  

Vn. II

Marimba

  

     pp

 

  

q = q.



Hp.

45

Act II

 

pizz.

pizz.  

pizz.



birth

4

  

viz - in

ze

houah...



 

 1/16/2006


46

 

Act II

350

Timp.

Perc. 1

Lysia

 

  

Not

Kleonike

Vn. I

4

un - less

Arete



 sul pont. arco,  

Fl.

pp

      

  

     

  

        p   

   

 

pp

  pp

1/16/2006

 

 

        mf 3        mf 3





Oy.

  



 



 

 







 



mf

   

   

   

      mf

   





  

    

 

Alto Sax.

 

      

  

sul pont.

                pp arco, sul pont.

                pp

 

  

pp change to

 

change to



change to

   

   



     

       3         

 

 

     

normal p

 

normal p



normal p normal

 

p normal

  p

3

3

           

Small Tamtam, soft mallets pp

                    

  change to

3

mf

      mf  

  

       3                  3

Cb

sul pont.



 

f

                pp change to sul pont.                 



 

5               I'm go - ing to have a boy!     Oy.   

f

ord.

pp sul pont.

Cb.

  

ord.  

 

Vc.

pp

    

Va.

ord.

    

Vn. II

  

Headlong, in 1 q = 160 (almost twice as fast)

Vn. I



pp

sfzpp Marimba

Hp.



 

ord.

Perc. 2



mp knocking on ARETE's belly, which gives off a loud metallic clang.

Headlong, in 1 q = 160 (almost twice as fast)

   

  

Perc. 1



mp Brake Drum/Metal Plate/Anvil: (G# or unpitched)

Suddenly, the other WOMEN boil out of the Acropolis, all--except SAPPHO--besieging LYSIA and KLEONIKE with ad lib pleas and cries: It's been three months! How can you expect us to go on like this? We're going mad! I can't sleep, I'm feverish, I've been in tears for weeks; It's not working, Lysia, we're human beings, it's brutal what you're demanding we go through; you have to take pity on us, war, peace, we're dying either way, I can't endure it...

Alto Sax. in Eb

Timp.



mp

Tpt. in D

bronze.

 

 

Hn.

of

mp

Cl. in Bb

Bn.

ba - by's made



 

arco, sul pont.   

353

mp

pp

 

arco,  sul pont.  

mp

pp

Vc.

your

 

pp

Va.

arco, sul pont.    

Vn. II

       

 

 

Eb









 



 

 

 

 

 




47

Act II

                         3 3 f 3  ff    3                360

Fl.

Cl. in Bb

f

 

Alto Sax. in Eb

Bn.

Hn.

Tpt. in D

Timp.

      

Perc. 2

   

Xanthe Myrrhine Lampito

f

3

3

3         3

f

. gliss

        

ff

ff

        ff

f

3

f

 

    

 

    

Vn. I

Cb.

 

f

  f

p

f

    f 

 

   

Vibraphone hard mallets, motor off

f

p

   

 f

   

f

E - nough!

3

3

ff

3

 

Vc.

p

     

f

4

p

  

   

  

Va.

f

 

4



ff

f

p

f

G§ Db

 

Vn. II

     

quasi 6/8

f

p

  

E nough! Charito Dika Arete

 

non arp.

 

p

ff

 

4

    

ff

choke

f

    

     

4

    p

    ff       

     

          

ff

p

 

ff

   

  

                   3

(Tamt.)

  

Hp.

      

  (Mar.)

Perc. 1

3

3

           



 

ff

 ff

ff

    ff

    

E nough!

      

  

  

E - nough!

       

  

     pizz.    

   Zex

            

 

p

Sex

  

 

now!

Not a - no - ther

      f

4

        4 p f         4 p   f      4

p arco

   p

4

4           

 

now!

       

f

Not a - no - ther

 

night:

  



  

  



  



  



  



  

 

  





 



4

     p

  p

p

p

p

1/16/2006


48

Act II

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn.

Tpt. in D

Perc. 1

Perc. 2

f

  

f

  

   

mf

Xanthe Myrrhine Lampito

(Vibes)

Vn. I

  

         f

   f  

Va.

Vc.

f

f

Cb.

1/16/2006



 

        mf         mf         



 



 



 



 



  

mf

    

mf

 



         

  



p



 p

  now!

        Ve're

  

  





  

 p



p

arco



   

 

p

fret- ting:

 



             ve're

       pp

       pp pizz. pp pizz.

 pp

 

we're get - ting

 

i - tchy:

we're get - ting

      

    



 



sligh

pp

       e - ver so



pp

 

       pp

                    

e - ver so

 

Small Suspended Cymbal

f

         i - tchy:

 

    

       pp





We're fret- ting: we're

now!

 p

p

       Zex

   

Zex

solo

    

       

  

Vn. II

night: Charito Dika Arete

 Hp.

mf

  



Fl.

367           f           f        

sligh

             

         

  -

 

-

 

  



 

  





 

 



arco

arco


    373

Timp.

Perc. 1

Hp.

Xanthe Myrrhine Lampito

Sappho

Charito Dika Arete

Vn. I

Vn. II

Va.

Vc.

Cb.

49

Act II





  

        

      

           

ff

tly

ff



tly

-

   

A§ D§ C§

   

bi tchy...





 strangely serene

 

  



pp

     



   

bi tchy...

   

3

I'm get- ting a lot

pp

 

po - e - try writ- ten.

q = ca. 80, with the voice

ff

   

 3

of

 

pp

3

Well,

pp

 

bul - ly for you,

3

Well,

       ff        ff                ff            ff            

     

3

Ac - tu - al- ly,



                

   

q = ca. 80, with the voice

choke

mp

pp   



-

 

(Sus. Cym.)



Twice as fast (beat 4)

Sa - ppho.

 

bul - ly for you,

 

E-

 

p

Sa - ppho.

p

 

E-

Twice as fast (beat 4)

   

 

 

    

 

378

Timp.

Perc. 2

Xanthe Charito

 

sfzpp

  



nough!

Dika

 



 



 

Vn. I

Vn. II

Va.

Vc.

Cb.

        pp     pp



  



  





  

   pp    pp

  



  



  





  

     



  



  



E nough!



E - nough!

  

  

E nough!

E - nough!

  

  

E - nough,

E nough!



e-

nough,

e

NOUGH!





  

    

    

spying someone offstage

  

  



  

  



    



e-

E - nough,

  

E - nough,

mf

    

  

  

    

     

e-

e-

nough,

nough,

nough,

e

e

e

NOUGH!

NOUGH!

NOUGH...





Wait!

  

  



  



  

E - nough,



 

E nough!

E - nough!

E nough!

   pp

  

E - nough!

E nough!

nough!

  

  

E nough!

nough!

Myrrhine

E nough!

nough!

Arete Lampito

 

rearing back



     

rearing back

   

    

  

  

f

f

 

     f

f

    f

   

1/16/2006


50

Act II

Fl. Cl. in Bb Bari Sax. in Eb

Perc. 1

Perc. 2

Hp.

Myrrhine

   

solo

p



 

  

  



 



 





 



   



 

     mf  

 

 

(3+3+2+2)



   

             mf   

 

Kinesias

Days,

in the

 



 

 

     

field,

I'm

ne

-

-

Vn. I

Vn. II

p

Va.

Vc.

   p    

  

p

Cb.

     

p

      388

Cl. in Bb

Bari Sax. in Eb

Bn. Hn.

Lysia

Myrrhine

Kinesias

  

Vn. II

 

    



3



(3+3+2+2)

  





              

  

Still:



  

   



Oh,

-

 





cealed



 



   

 

ne...

 

don't

 

p



p

 

p

 mf



 

mf

     

     



 



pp

 

  

 



how

you

crave

her.



 

how

I

crave

her.



 





E§ Ab

pp

pp

 



       

                       

   



       

   



   

   



   

pp





don't

   

pp

I

            

pp

mf



yield,





mf

(3+3+2+2)

    



mf

I





   

   

 

 

3     

Ki

 





    



rueful

Don't I show it...

(3+2+3+2)

(3+3+2+2)

     

    





...re vealed



Cb.

 

     

con

   

 

Re vealed. mf

I've

   



mf impressed despite herself

Vc.

p rapt

 

(3+2+3+2)



     

    

  

  

       

  





  



bra- ver:

p

  

1/16/2006

3



   

Va.

    3



wa ver:

Vn. I

      

                                   

      mf

       

 

     



              3                 3                                                 

(3+3+2+2)

solo

  

   





ver

       

Heavy, but ardent q. = 52

        p      

 

      

    

 

staggering into view, in conspicuous erection and considerable pain mf

mf



Marimba

   

(3+3+2+2)

      solo

Bari. Sax.



 



382



   

No. 55: Kinesias Enters

Heavy, but ardent q. = 52

            

                 

       pp

                                         f pp arco                              pp f arco 3 3                                          pp f      pizz.                      3 3

f

f

pp

    


51

Act II

No. 56: Coaching Myrrhine    

393 Suddenly

Fl.

 

Cl. in Bb

Hn.

Tpt. in D

Perc. 2

   

   

   

 

   

    mp

  

      mp       mp

    

Vibes, motor off

  

    mp    

mp fast arp.

  mp       

Vn. II

Va.

        mp      

       

Cb.

mp

 

    

3

pp

3

pp

3

Sandpaper Blocks

 

       

     

   

Ab Bb

    



Now, Myr rhi- ne:mus -tn't flinch.

Steel your will.

   

snapping to attention

  

 

  

        



p

   

First, though: drill.

Per fume: -

3



Dis - creet?

"Mus - tn't flinch."

  

  

mp

arco,  div.        

       

pp

Eb A§ B§

mp

Vc.

Ev' - ry inch.

  

        

3

   

3

p

 

mp

      

Suddenly swift q = 120

Vn. I

  

mp

pp



         mp

  



  

   

Alto Sax.

That's yourhus band? -

Myrrhine

mp

  

mp



Lysia



Hp.

 

Alto Sax. in Eb

Bn.

swift q = 120

     pizz.

    pizz.

      pizz.

     pizz.

  

unis., pizz.

   

    

arco

arco

    

arco

    p

 

 

     p

    p

    

arco

    p

   

arco

p

1/16/2006


52

Act II

   398

Fl.

          3     (pp)   

Alto Sax. in Eb

Bn.

Hn.

Tpt. in D

Perc. 1

   

Hp.

Lysia

Myrrhine

Vn. I

p





 

  

mf

1/16/2006

   

Wild?.

      

    mf

 

f

f

f

     f

3

    3

                       3

  

3

   3

f

pp



pp

 pp

 pp

           

    p

  

 

   

f

Breasts:



p

    p

   



Fla - grant.

 

adjusting her neckline

  

mf

  

   

  

p

mf

mf

Check.

pp

 pp

mf

   p

mf

 

Gb A§ B§

tousling it

  

    

Check.

   

sub. p

3

 

p

   



      

Check.

mf

Hair:

   

Vc.

mp

             

mf

 

sniffing her wrist

    

Va.

 

mf

Cb.

      

 

3

 

Vn. II

3

  

                 

   

 Marimba  

 

f

(Sd. Blks.)

Perc. 2

        

    

(pp)



    f



 

     

(pp)

3

(pp)

 

Cl. in Bb

         

   

 pp

 pp

    f

3

  

        p

          p 3

f

           3

f

p

  f

         sub. p 3

3

     

  

f

sub. p

               sub. p 3

f

          

      

      

   

f

f

3

3

p

p

f

f

3

3

sub. p

     


53

Act II

 

Cl. in Bb

Alto Sax. in Eb

403

Fl.

Bn.

Hn.

Tpt. in D

    

   

  

  p

    

  to straight mute  

    sord. p     

(f)

  (f) 

  

(f)

   

(f)

 



(f)

(f)

   p      

Vibraphone, soft mallets, motor off

 p  Dress:

Myrrhine

Vn. I



3

Vc.

Cb.

Check.

Ki - ne,

 

f

  

   

 

  

f

oh,



pp

 

pp

 Ki -

p

p

p

   

  fast arp.     

                     relentless



A

-

ny- thing but ac- qui esce.

ne...

 

    

   

     p

   

pizz.     p

  

    

    p

  

pizz.      p

   

    

mp



mp

 

mp

 

mp

pp

 

pp

   

   

f

loosening it

  

E§ G§ Ab Db Bb

p

Tease him,taunt him, kiss, ca -ress: wistful

   

f

 

          

  

f

Va.

    

Lo - sa - ble?

 

Vn. II

   mf    

   

 

Lysia

   (p)



Hp.



Perc. 2

  

pizz.

pizz.

pizz. p

  

   

1/16/2006


54

Act II

  409

Cl. in Bb

Alto Sax. in Eb

Fl.

Bn.

Hn. Tpt. in D

Perc. 2



Lysia

(Vibes)

    

(sord.) mp

    mp

Kleonike

Vn. I

Myrrhine

   

Vn. II

 

 

 

 

       

mf

  

p

Vc.

Cb.

1/16/2006

   

  

 

 

 

We know: in mf

side...

Ve know: in -

zide...

   

 

Don't dis - ap

 

p

   

In - side!

   

mf

 

-

point

pp

 

pp

 

   

 

p

 

I won't dis - ap - point

mf

3

   

Ev' - ry - one else:

      

  

In - side!

arco

 

pp arco

3

  

pp

3

  

  

  



 pp

mf

          pp 3 mf



pp

 

pp

3

     mf    

arco

mf





   

  

 

 -

point

a bit faster, with the voice



 

 

(mf) pp

  mp



  

 



 

  



(mf) pp

(mf) pp

 

(mf) pp

pp

p

Don't dis - ap

pp

mf

arco

  

 

F#

arco

Va.

 

Eb Fb

Let o - ur oath re- main your guide.

Sappho Arete Lampito

       mf     

         

Xanthe Charito Dika

       

Hp.

   mp      mp     mp     mp

 

 

a bit faster, with the voice

mp

mp

mp

 

mp


  416

Cl. in Bb

Bn.

Perc. 1



   

Lysia

Kleonike

Kinesias

Vn. I

Vn. II

Va.

Vc.

Cb.



pp

 

us...

you....

 

  pp    pp     pp     pp

Cl. in Bb Alto Sax. in Eb

Bn.

Hn.

Tpt. in D

Hp.

Lysia





 

 

p

   

 

      

  

 

   p   

  mf              3

        f       f      f       f      

Twice as fast q = 104

Vn. II

Va.

Vc.

Cb.

f

pp

 

 

   pp



pp





pp

      3

Just as

mine did.

  

 

I'm

blah,





 





blah,



blah:"

 

ne...

(3+3+2+2)

         

       

 

  

3

       

    

             

   

3

3





(sord.)

    

 mf

          mf pp             pp  mf           pp mf      mf    

mf

  

3

no man en- ters here

pp

     

  









 

     

 

     

     

 







 



 



pp

 



   



pp



She produces a blindfold: the same one NICO used on her. pp

      3

un- less



  



   

 



   



  

              How- e - ver,

       





 

        pp      pp       pp      

   

 

   

 E§ D§



   



"Blah,





 

 

     

 



f crisply



  

       

p

field,

 

              mf  

   







p

 

the

p    

Twice as fast q = 104

 

in

   

You se - re - nade her. How dear.

Vn. I

  

 

Fl.

p





420

 



Half tempo q. = 52

Moving forward q = 104

    pp



(3+3+2+2)



mf  







Days,

 

  



 

 

mf



us...

 

solo



 



(Mar.)

        

Myrrhine

Half tempo q. = 52

solo

(Vibes)

Perc. 2

55

Act II

Moving forward q = 104

           



blin- ded.

           pp           pp          

 

pp



 1/16/2006


56

Act II

    

Fl.

    

mp

Cl. in Bb

   

         

mp

Alto Sax. in Eb

  

Bn.

    

mp

mp

Hn.

Tpt. in D

Timp.

Perc. 2

Lysia

   

      

 mp



mp

 solo       

       

   

solo

    

p

 

 

              mf

 

   

Bell Tree

p

On - ly cloth: don't fuss.

           

 

mp

ossia:

p

  

         

    

pp

mf

Kinesias

   

   

easing up

426

blindfolding him

This is - n't

     

Oe - di pus.

3

   

   

Myr- rhi ne!

Myr- rhi - ne!

3

f

 

 

Guest!

Blin- ded? You jest.

Vn. I

Vn. II

Va.

Vc.

Cb.

1/16/2006

   

 

  

 

 

   



 





   

   

   

  p



   

   

    

 

 

p

pp

pp

pp

p

 

pp

p

easing up

 p

 

          

 

        

        

     


57

Act II

No. 57: Negotiations

Graceful, but formal q = 84

Fl.

Timp.

Perc. 2

 



pp



pp (con sord.)

    

p

pp

mp

Myrrhine

Kinesias

    mp    

3

   

   

   



Vn. II

Va.

Vc.





mp

 

mp

Cb.

   

Hn.

Timp.

Hp.

Myrrhine

mp

     439

  

Vn. I

Vn. II

Va.

Vc.

Cb.

  

   

solo

pp

   pp

Vibraphone, soft mallets, motor off

non arp.

 

   

 

pp

 





 



pizz.

 

it's the rule.

mp

 

Per- se - vere. Is there news of a

    

 



 

 

 

 

pp

pizz.

pizz.

 

 





arco

3

Myr- rhi- ne? pizz.

pizz.

  

   



3 3      

 

 



p



 

pp

 

"Um:

Yes?" Swear to Zeus? mf

Yes!

    

   mp   

     



mp

 

 



 

mp

 

mp



    

Of a truce? Um:

arco

 

mf           

          

 

p

3

 

  

struggling with the blindfold

You're here!

mp

 

 

She descends the stairs.

truce?

p

  

arco

Ki - ne.

F§ D§ B§

     

   

p desperately

p formally

Suddenly rapid q = 144

 arco    pp   arco  

Well,it's cruel.

 

   

3         

 

Suddenly rapid q = 144



No, keepit on:

Kinesias

 

 

mp







Db

mp







As LYSIA withdraws to observe, MYRRHINE descends the Acropolis staircase and approaches KINESIAS.

   



Graceful, but formal q = 84

Vn. I



     



(Bell Tr.)

 

p



Hp.

pp



Tpt. in D

3

    

solo

    

     solo  

pp

Alto Sax. in Eb

Hn.

 

Cl. in Bb

Bn.

  

433    



"Swear to Zeus?"Moreor

 



1/16/2006


58

Fl.

  445

 

Cl. in Bb

Bari Sax. in Eb Bn.

Hn.

Tpt. in D

Timp.

Myrrhine

Kinesias

Vn. I

  

 

   

  

f f exasperated

3

 

A - no - ther ex - cuse!

      

    

f

 

 

    f     f   

Bari. Sax.

 

 



      

f

    f    f

          

         3 Myr - rhi - ne:

I'm

                









       





3

3             

  

Sure - ly you know I

3



go - ing through hell!

Much slower q = 104

    



  

f

but...

   

   

f



I guess:

   f     f   f   f  

 

 

less.

      

Much slower q = 104

 

   

    

Va.

Cb.

 

Vn. II

Vc.

Act II

miss you as well!



 





 

 



 



  

 con sord.



pp

 

con sord.

con sord.

pp

pp con sord.





pp

   451

Fl.



Cl. in Bb

Bari Sax. in Eb

Slower still, but billowing q = 96



   p



Myrrhine

 

 

    

   



non arp.



    

p

 

Ev' - ry - thing we'd do:

  

how I'd

mp

 

    feel,

Vn. II

 

Va.

Vc.

Cb.

1/16/2006

 

            

con sord.



pp

solo

 

p

     

  

3

p

  

  









how I'd melt when you'd

find

   



 



 



me...



  

solo

Db

Slower still, but billowing q = 96

Vn. I

solo

  

Hp.

 

  





mp

mp

mp

  


Act II

A bit slower q = 92

Fl. Cl. in Bb Bari Sax. in Eb

Perc. 1

Perc. 2

455     

   

 

  

 pp

  

    non arp.  



    p    



   

        

  was it

 

 

  

pp

   pp   

  

Vn. II

Va.

pp

  

  

    

  

Vc.

pp

Cb.

solo

3





pp

 

 

pp

 

 

   

   

mp

   

   

    

pp

   









pp

pp







sounding pitch

me.



   

Spurred by LYSIA, MYRRHINE sets to work.

Slower still; serpentine q = 84

   

 

  

 

Vibraphone, motor off, soft mallets

 

     pp    solo

Marimba, softest mallets

Re - mind



real, what we felt, then?

pp

 

Re - mem- ber...

     

     

 

3

A bit slower q = 92

    

pp

Hard to keep in view:

Vn. I

p

Kinesias

    

  

Hp.

Myrrhine

59

Slower still; serpentine q = 84



pp

   461

Bn.

Hn.

 

   

Myrrhine

Kinesias

Vn. I

Vn. II

Va.

Vc.

Cb.



   

 

Shhh.

3

     



pp

 

 

Now...

What areyou do ing?

     

              sultrily

p sultrily

pp



pp

(Vibes)

Perc. 2



 

 

 

 





 

  

 

pp

Re - mem -

  

pp

 Now..

 

    

 

 



 

  

 

ber... ...

 

long



My

 



   

 



 



   

gliss.

 

gliss.

 

 

gliss.



  



1/16/2006


60

Act II

No. 58: My Lips, Like So (II)     468

Cl. in Bb

  

Bn.

Hn.

 

pp

  

    

pp





Vn. II

Va.

1/16/2006



     

      



  (Mar.)     



pp

 



  



 





 

   

  

 

  

 

    



   

like so...

like

this,

  

        

col legno battuto 0



    

f col legno battuto



f

  

 

       

 

3



 

  

  

  

   

  

pizz.



p

pizz.

 p

  

       3

3

Do you re mem- ber?







pp



pp



heat - ed ly....

  



So

 

beats,

  

Where your pulse

mf

3

      

3



pp

3

pp

3





3 3           

pp

pp



solo

    

 

solo

 

  

3

     3

 

con sord.

Cb.

con sord.

Vc.





lips:

Vn. I



Myrrhine

    



Hp.

pp

Perc. 1



quasi bongos

Timp.

mf

Alto Sax.

Alto Sax. in Eb



Fl.

pp

    

    

 

  

 


   474

Fl.

Alto Sax. in Eb Hn.

Tpt. in D

Timp.

Perc. 1

Perc. 2

Myrrhine

Kinesias

Vn. I

 

Cl. in Bb

 



   

3

  (Mar.)   

 



 

mf

     mf

3

do I

re - mem ber!

pp



pp

3

Vc.

arco (ord.)

mf

3

  

 

 so...





     



        

3        

   

like

p

this,

As your

 mp  

p

      mp

3

  

     

3

mp

harmon mute



Sandpaper Blocks

p

    



p

    



      



     

breath

 

3



stops:

mf

        3 mp pp        

  

 















pp

  479

Cl. in Bb

Alto Sax. in Eb

  

   

Fl.

Bn.

   





Myrrhine

Kinesias

Vn. I

Vn. II

   

3

  

pea - ted -

pp

Va.

 

pizz.

Vc.

p

  

pizz.

Cb.

p



pp



 





 



        

 



  

  f

stroking his chest sub. p

Here,

       furred like the

wild

3

 

boar,



 



pp

But

 



 

Ab Db Bb

stroking his chin



 3  

 

here,

beardless as a

Myr rhi ne...

soli

Ah,

   



 Eb D# Cb



ly....

. gliss

mf

mf

      

 

. gliss

. gliss

Hp.

  

 

 



Timp.

mp

pp

3

3

   

Cb.

 Re -

pp

  

3

mf

            mf                    arco (ord.)

3

Va.

     



3

Vn. II

    



fin gers,

            Zeus,

  

My       

 

quasi bongos

3

61

Act II

mf

 



         mf   



  

         

     

pizz.

  

pizz.

pizz.   arco   

pizz.   arco    

pizz.

mp

sub. pp arco pizz.

pizz.

mp

sub. pp pizz. arco

mp

mp

mp

pizz.

arco

     

     

sub. pp

      sub. pp      sub. pp

arco

pizz.

    arco

arco

  

  

arco

 

 

     arco

arco    

arco    

    1/16/2006


62

Act II

Fl.

484             

 



 



 



 



3

pp

Bn.

Timp.

Perc. 1

Perc. 2

Myrrhine



pp

(Mar.)



3

pp

   

   

 pizz. arco     

 

Va.

    

Vc.

    

pizz.

pizz.

mp

Do I dream?

     

Vn. II

1/16/2006

mp

   

pizz.

Cb.

pp

pp

3

child...

Vn. I

mp

        

 

3

pp

  

Alto Sax. in Eb

pp

        

  

Cl. in Bb

mp

arco

arco

arco

  

Do I

pp

                        pp Crotales





             



pp

sub. pp

i - ma- gine it?

3

Or,when I touch

   

pizz.

   



   

    

pizz. mp pp pizz. mp pp pizz.

mp pp



mp pp

 

3

                       

 pp

arco

arco

    arco

    arco

   

pizz.

arco

arco

    

pizz.



arco

arco

  

 

sub. pp

   

pizz.

you:

 

sub. pp

  

sub. pp



     

f



     



f

 

 

3

be - hind your ear..

   

     

      



     



col legno battuto



      

Just

col legno battuto 0



   



  

  




63

Act II

   

 

      









 







 







 







      







  3           



 











490

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn.

Tpt. in D

Timp.

  

   

  

 

  

 

  

    

Vn. II

Va.

Vc.

 

   

 

            

 

f

     

   

     

and

f

f

arco         

  

pp

  

pp

here, and

 

Cb.

arco         f

 

pp

  

 

  

 

senza sord.

pp



senza sord. col legno battuto 0

 f



senza sord. col legno battuto



f



    

pp

 

 







   

 







 

 

you

wi

Gb

pp      3

here...

 

Vibraphone, soft mallets, motor off

Does that drive

 

arco pizz.

   f

f

   

   

   

 

pp

 

senza sord.

molto

        mf    f    

non arp.

       

molto

  

senza sord.

molto

 

Here,

     



 

mf



 

pp

mf

  3          

 



Vn. I

   



Myrrhine

mf



Hp.

   

mf

molto

Perc. 2

mf

mf (senza sord.)

molto

Perc. 1

 

mf

pp



  -



ld?

                    

  

 

   

               

   

 

arco    

                     

pizz.

arco

pp

f

pizz.

f

pizz.

   

 

 

 

pizz.

pp

3                   pp

arco, ord.

                    arco, ord.

p 3

1/16/2006


64

Act II

   

 

  

 

      mp f         

 

 

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn.

Tpt. in D

Timp.

Perc. 1

   

   

  

f

  

 

   

Vc.

Cb.

1/16/2006

   

 



   

mp

f

pp

   pp



  

mp

f



  



 

     





mp

 

pp

     

mp

mp

     

 

   

 

 

  

   

mp

 

 











f



    mp    

 

pp

  











      non arp.    

mp

 

 

 

 

 

   

 

   

     E§ F# G§ A§

mp

 

D§ C§



3

   

      

       f

         f   3     

wi





p               -

 

ld?

      



                      pp pp

f

f

p

              

  

3

Wait.

Ly- si - a,



Slower, halting q = 76

 

 

    

 

I love him

   

  

suddenly nerveless p

Gods,you're great!

               

3



                      pp f 3                     pp f f 3 3                                   pp f f 3

Va.

f





f



f

Vn. II

mp

3

Vn. I

  

             

Do I drive you

Kinesias

mp



 

f

Myrrhine

f



Lysia

  

       





Hp.

 

          

mp

Slower, deliberate q = 69 



Fl.

Slower, halting q = 76



496

   

pp

Oh,

          

so!



    



Myr - rhi- ne:

 

and yet,you

 

Slower, deliberate q = 69



   

   

 



 

pp

          



 



pp



   



 

 



 

 

pp







   


65

Act II

Fl.

Suddenly driven, in 4 q. = 84 (3+2+3+2)

              502

 



 



   

  

 



  

   

 



 



   

   

      



pp

                      

Cl. in Bb

pp solo

Bn.

Hn.



    

Alto Sax. in Eb

pp

   

 

                      Marimba

Perc. 1

     p

Lysia

  

p

     pp      

 

 



  

Vn. I

  

  

Vn. II

Va.

  

Vc.

Cb.



know:

(pp) pizz.

          

(pp) pizz.

          

(pp) pizz

 









 



 al

  

-

            

   

- ways

known:

      

   

     

sim. 



sim. 











  



 

pp

(pp)

    

pp

(pp) pizz.

 

you have

          



             

pizz.

   

   

   

pp whispering

You

Suddenly driven, in 4 q. = 84 (3+2+3+2)

pp

ossia: play top pitch only, beat 2 of m. 503 to beat 1 of m. 510

know...

   

   

  

 

Fl.

505    

   

Cl. in Bb Alto Sax. in Eb

Bn.

Hn.

Perc. 1

Lysia

Vn. I

Vn. II

Va.

Vc.

Cb.

       

   









   

(Mar.)

  





  





  



     

solo

 niente

          

    

      

 

What ev' - ry

                       

  





wo - man

        

     

         

un - der - stands.

           

 

        

  

In

    

    

war:

 

Her

    

                        







p

     heart

      

   is



    

not

               

her

    

 

            

 



 1/16/2006


66

             508

Fl.

Cl. in Bb

Alto Sax. in Eb Bn.

Hn.

Tpt. in D

Perc. 1

Lysia

  

   

     

Act II











  

       

own.

Vn. I

Vn. II

Va.

Cb.

Cl. in Bb Bn.

Hn.

Perc. 1

Perc. 2



Vn. II

Va.

Vc.

Cb.

1/16/2006

     





   

     

  

Her

hands

     

    

       are

not

                                      



    

 

 

 



 

 

 



 

  

 

  

   

        

p

  

Oh...

Right.

    f

Fight!

   3

   

          

 

 

mp

 

pp



pp

pp

                pp               mp               

f

 

pp Vibraphone, soft mallets, motor off

   

Go.

 

  

pp

   Now...

 Now..

  

Re - mem

-



f



f



  



f   



f     



f



     f arco       f



 

  

arco

Marimba, softest mallets

  

 





 f 

f       

           



f

      

                       

 

Again serpentine q = 84

 

hands.



sempre p     

     

 

Slower again, with the voice q = ca. 72

    

  

her



sempre p



    

  

 

   



   

   

 



 



 



 

 

C#

ber... ...

 

     

long



 

My



Myr- rhi ne!

Again serpentine q = 84

Slower again, with the voice q = ca. 72

Vn. I



      

Myrrhine

Kinesias



Lysia



Hp.

 

511

Fl.



      

                                   

Vc.

  

      

  

(Mar.)

   

  

    

   



con sord. arco

con sord.

con sord.



pp

pp sounding pitch



 pp

con sord. arco

 

  



pp

 

 

arco con sord.

 

pp gliss.



gliss.



gliss.

n

n

n

       

 



 



 

 

 

  




67

Act II

Fl.

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn.

Timp.

 

  

 

  

pp

pp

         

Xanthe Charito Dika

Sappho Arete Lampito

 

  



    

  

 

   

Vn. I

Vn. II

Va.

Vc.

Cb.

  



solo, ff

 l.v.



    





 

 

   

like so...

like

   

 

         

3

this,

Sli - ding

 

 

(Mwah!) They blow MYRRHINE a congratulatory kiss.

       



Thin fire:

throb

    

mp

They blow MYRRHINE a congratulatory kiss.

 



(Mwah!)

You

3

3

 

  

for me.

 

I throb

 

   

  

  p

   

  



 

  

pizz.

pizz.

p

col legno battuto 0

  

f col legno battuto

  

f

 

p

 

       

 

 

  

 

down, and in:

pp

He's warm.

3            

   

 

(pp)

 



   

He's warm.

p

  



3

pp

    

   

Good form!

  

      

pp

pp



Good form!

 

3





Db C§

 

 

     

pp

The other WOMEN sneak back out onto the balcony to observe and give scores, as if they were watching an erotic Olympics. p

hands, Kinesias

             

pp

    

pp

pp



  (Mar.)      





  quasi bongos         

p

Myrrhine





 

 



Hp.

pp

Perc. 1



solo



518



   

3

  for

you...

 

pp



pp



p

 p

 

        

1/16/2006


68

Act II

  523

Fl.



 

Cl. in Bb

3

   

solo

 

Alto Sax. in Eb

Bn.

Hn.

Timp.

Perc. 1

Perc. 2

Hp.

Lysia

 

    

pp

3

  



  

p

Vn. I

1/16/2006



   

Vc.







 

 



 

    3

3

mf

  

quasi bongos

      3

mf



pp



  

  

  

pp Crotales

 

 

Do you



    

    

  arco, ord.

 















 

ful fill.

 

 

lips:

   like so...

 

mf sub. pp

          

3

3

  

3

arco, ord.

   



My

3

   

   

pp

  



           

3



pp

  



 



sub. pp

re - mem - ber?

 



 3

  

Va.

 

 

 

Re - mem - ber, You have a mis- sion to

       

Vn. II

Cb.

Ab D§ 3

3

Kinesias

      3

Myrrhine

mf

  

Sappho Arete Lampito

   

mf

pp

     

Xanthe Charito Dika

 



 (Mar.)





  

    

     

(mp)

 

 

3

3



mf sub. pp



mf

 mf



  col legno battuto 0

  

f col legno battuto

  

f

That's

That's

     

Like

this,

  

   

 

 

   

great!

Give it an

      and this...

 







pizz.





pizz.











pp

 

pp

3

pizz.

 

pizz.

   



   

pp

Give it an

 

pizz.

3

great!

 

   



 


69

Act II

             528

Cl. in Bb Alto Sax. in Eb

Timp.

Perc. 1

Perc. 2

Cb.

  

 

   

   

       

pp

 



 

 

   

and

this...

 

 





Good

gods...

suffering

 

3

  

   

 

 just

(pp)





Yes.



fp

  

 



  

    



-

ly

brush

  

 

your

 

  Rhy - thm...

 

Rhy - thm...

skin,

arco

     

arco

  

arco

  

     

arco, ord.

arco, ord.

F§ A§ Db

bare

 



Marimba

Less!

Bare - ly

  

 

pp

          

  

coaching

    

Triangle

pp

 

    

 

Vibra-slap

 

    

(pp)

   

Myrrhine

Vc.

   

8?

Va.

8?

Vn. II

  

Sappho Arete Lampito

Vn. I

    

Xanthe Charito Dika

Kinesias



Lysia



Hp.

    

        

 

 

  

col legno battuto 0

     



col legno battuto

1/16/2006


70

Act II

Hn.

pp

 

pp

   

pp

Timp.

   

    Like a

Vn. I

Vn. II

Va.

Vc.

Cb.

1/16/2006

 

 

mp

 

Stay

with him...



 

Stay

with him...







You

sob

 

 

pp

 



   



    

3

    



3 3

 

for

me.





I

sob



 

  3

for

mf

 you:



pp pizz.



p

pizz.

 p

     



 

 

 

arco

 

mf

mf

mf

 

mf

arco



 



f



   mfexasperated

3    

  

mf

Clean at - tack! mf



 

Clean

at tack! mp

Myr - rhi - ne,







   

Um:

I'll

wavering



3

be back.



please!

  

p





   

 



  

   

 

pp

    

pp

mp

mp

    

  





   

lyre:

  

 

 





 

  

 

Myrrhine

mp

(pp)

 

Sappho Arete Lampito

Kinesias

 

Xanthe Charito Dika

   

     





Hp.

Lysia



       

 

q=q



Bn.

    



Alto Sax. in Eb

pp

   



Cl. in Bb



531



  

  mf

               

q=q

senza sord.

 

senza sord.



senza sord.



    

senza sord.

    

div.

  

   3



       3

   3



 



 




Fl.

   

Timp.

Perc. 1

Hp.

Lysia

4

   

 

       

 

  mf   

mf

 

       mf        mf

         

Va.

Vc.

Cb.

mf

   

mf

  

gives you

  

    

          6 pp mp  

         

pp

  

unis.

    3

6

mp

 

     pp mf     

4

mf

 

 

4

 

  

  

       

mf

   

mf pizz.

   

mf

    

  

  

p

p

you

ev' - ry thing,

and

  4

              4

p



gives

f

   

A- thens

               

p



            

ord.

     

f

  

Lo- ver, neigh bor:

3

Land and la bor,

      3

      

bor - ders:

Surging, oceanic

Vn. II

Gb Ab

A thens

Vn. I

   

Marimba

      

          6 pp mp   

           

mf

71

   

    mf    

Act II

   

Alto Sax. in Eb

Hn.

  

Cl. in Bb

Bn.

  

Surging, oceanic

535

3

3

 

  

f

 

 

 

f

 f

  



541

Fl.

Cl. in Bb

Perc. 2

Hp.

Lysia

 

 

p

   

Va.

Vc.

mf

   p

   p

 p

 p

4

         

Vn. II

Cb.

    

A thens,

Vn. I

for her part:

          mf

           mf         mf       4

   

non vib.

pp non vib.

  Vibraphone, bowed, motor off

mf arco



mf



gives

you

pp

 

 pp   (actual pitch)    pp     

    3

  

    4

   3

or - ders.

  

sub. pp

 

sub. pp

  

 

4

 

sub. pp

Com- rade, sis - ter:

   

 

  

pizz.

pizz.

 

sub. pp

 

pizz.

   







 



mp            

you

re- sist3 her?

Will

   



 

    



 



 

   

pizz.

      sub. pp 

Will

pizz.

    

    

   



      sub.  p    pp          A thens

4



 

         

arco

mp 3

arco         mp 3

1/16/2006


72

    547

Bn.

Timp.

Perc. 2

Hp.

Lysia

Myrrhine

Vn. I

  

      

  

Bn.

F#

Myrrhine

Kinesias

         



mp arco





mp

arco



mp

mf

  

   

mp

 

   

       pp            

pp

 

     

   



    

mp

mp

Vn. II

Va.

Vc.

Cb. 1/16/2006

       

pp

   

pp

   

pp

 

 

 solo





  f



  

Quel tech nique!

3

 

3



        sub. pp          sub. pp

             



               

owns your

heart?

 

   





p

p

mp

mp mp

       

mf

mf

 

  

 



            





     





       





f

f

f



 

mp pp

   

 

Leave him weak.

    

Leave him weak.

mp

    3

       3

You'd lay mp

me

I'd

you down in a

  3

  lay

down in a

      

      

 

 

           



    

         pp mp       



      





 

   

f

    

           pp 3 mp      

not from shame:

f

4

pp

   

     

mf

3

4



we'd

mf

3

  

mf



   



       



 

  

 

p

Eb F# G# A§ C# D#





 

 







  

      







mp

...blush, but...



 

4

 

mf

mp

  

    



  

4

p

       

 

How

   

 

Who

   p

pp

How we'd blush, but

      

 





p



with crushing pressure





 

           3 pp mp           

Quel tech- nique!

3



         

sil- ver in lamp- light glow,

   

sub. p

pp

 

      

      sub. pp       sub. pp      sub. pp



    pp    

Shi ver... q = 96 Hurtling forward

Vn. I

pp

 

shi ver,

   

 

yielding to LYSIA, turning back to KINESIAS sub. p

  

(pp)

  

     (pp)

pp

pp

mf

 

  



mp

pp

mf

   



    pp

mf

Hurtling forward q = 96 pp vib.



mp

mf

 







   



 





mf

vib.



  

or your heart?

  



   

  

   

 

Will you fol- low yourde - si - re,

  

 

p

. gliss

Sappho Arete Lampito

 

  

gliss.

Xanthe Charito Dika

pp Vibes, soft mallets, motor off

s. glis

Hp.

  

(pp)

Timp.

you de- ny her?

arco

  



    

553

Alto Sax. in Eb

pp

       

Vc.

Cl. in Bb



 

 

Va.

Fl.

   

   

Vn. II

Cb.

Act II

mp

3

        

pp

mp

pp

mp

pp

   

                    pp mp


  558

Fl.

Cl. in Bb

Alto Sax. in Eb Bn.

Timp.

Perc. 2

            

Sappho Arete Lampito

 

Myrrhine

Kinesias

Vn. I

     

 

Va.

pp Crotales



pp



thou

3

sand

 

flow - ers, and

thou

-

  

Cl. in Bb

sand















Alto Sax. in Eb Timp. Perc. 2 Xanthe Charito Dika

       

  

 



slow...

      

 

   





 

      Will

he ral - ly?

Will

he ral - ly?



  



And

me:

claim

 

  

    



  



   

   

f col legno battuto

   

       

f

     

   gliss  .     glis s.

         



  

  

      

  

work me

  

3

work you

    

gliss.

gliss.

 ord.    ord.   pp

3

      gliss.       

 



And

 

3

 

 

   

3

 

3    

3

like hot 3

like hot

                

3

me - tal

me - tal

        

          

  

   

Vc.

fi - na - le:

  

    

Va.

Grand

slow...

port.

  

...And

  

  





    



  

 

 

Vn. II

Cb.



No...

  





 



col legno battuto 0



port.

fi - na - le:



    

Grand

 

   

pp

  

No...



  

 

  pp   





port.  

me:

pp

Myrrhine

Vn. I

  

  

   

 

 p ort.    

Sappho Arete Lampito

Kinesias



flow - ers...

   

  



hold

  

  

3

  

562



     

     

sub. pp



  

 



     

-

  

 

 

 (pp)

pp

Cb.

     



  

Vc.



              

Vn. II

(pp)

Xanthe Charito Dika

73

Act II

o - ver

 

o - ver

                 

 

 

Small Tamtam, soft mallets pp

       



Go!

One forthe se - ra - gli - o!

Go!

One forthe se - ra - gli - o!



        

flame...



flame...

 

 

3 3

3 3

    3

      

3

3

 

    3

                      

   

  

 

 

3

3

 

3

3

3

3

       3

      3 1/16/2006


74

Act II

  567

Fl.

Suddenly rapid, feverish q = 144

Cl. in Bb

Alto Sax. in Eb

 



Bn.

Hn.

Tpt. in D

 



      mf 

 

 

 

p

 p

 p

    

 

 

 

          

 

   

  

 

      

(Tamt.) l.v.: trem. only if necessary to sustain

Perc. 2

 Hp.

Myrrhine

Kinesias

Vn. I

pp

   

 

 f     

   Give

  

Vn. II

Va.

Vc.

1/16/2006

 



 







   

 me,

 

 

 

   

 

 



  





f



                mf     

 

 

f

    





  

Myr

 

  

f

-

p



My

sweet,

 

3

 my

bit -

 3

ter,

 

my

bles - sed,

3

f

  my cursed...

rhi- ne...

Suddenly rapid, feverish q = 144

          mf      mf

   

mf

 

 

non arp.

mf

Cb.

mf

f            3                              f  p                3                      



pp

p Marimba

Perc. 1

pp

     

   

mf

                      

                                                

   



 



  

   



 



  

   



 



  

   



 



p

p

p

p



p

 



     

       


75

Act II

 

  pp



 



571

Fl.

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn.

Tpt. in D



 3                                  p     3                     p



 





  

  

f

       

    

mf

Myrrhine

Kinesias

Vn. I

     

 Give

 

     mf

Vn. II

    

mf

     

Va.

mf

Vc.

   

mf

Cb.



f (non arp.)

Hp.

   

mf

    me,

                      

F§ Cb Bb



  

Myr -

rhi

p



My

ta -

mer,

  

3

 my

                

 

 3

tor - ture,

                                         

 

                mf

 

my

nec - tar,

3

f

  my thirst...

ne...

          

f

   

  

f

  

p

 

f      



                                                                                            

f



(Mar.)

Perc. 1

      

 

p

 p

pp



      

 

My



 

 



  

p

 p

 





   f

p

 p

 

 



  

f

 

p

p

 

 

 

  

f

p

f

p

p



p

 





f

  

   

   

1/16/2006


76

Act II

  575

Cl. in Bb

Bn.

Hn.

Tpt. in D

Timp.

Perc. 1

Hp.

Myrrhine

Kinesias

Vn. I

  











3



pp

3

3

pp

























3





 

 

3

3

3

pp

 





pp

 

3



3



 

3







3









3

3

3

 

Small Suspended Cymbal, soft mallets

pp

 

  

 

  

 

E# A#

 

3

p

Your

3

vir - gin,

my

3

de - mon...

3

vir - gin...

3

 Your

 

 

3

de - mon,

 my

mp

3

 3

mp

 Your

3

si - ren,

 my



3

sta - llion...

si - ren...

 

3

3

Your

sta - llion,

my

                                                                                                                                  

                                                               

                                                                                                                                            

Va.

Vc.

1/16/2006



Vn. II

Cb.



 3





 3





 3





 3




 

Act II

579

Fl.

Tpt. in D

Timp.

Perc. 1

Kinesias

Vn. I





 

   

Vc.

Cb.









3



3

mf

 3

mf

 

E - ros...

My

I - ris... ...

My

               

   

glis s.



p

 

  

 

My

Zeus:

mp

  

3

 

     

p

p

   p   

p

            

 

 

p

p

 p

 

 

E§ F# A§ C§

Now: a - bout that truce.

   

   

3 

f

3

pp

p

Is there news of a truce? mp

 

 

 

  

You

 

arco

 

pp

arco

    pp

  

pp arco

   

 



 

  

  

  so?

  

mp

  

   

  mp  

   

  

  

yes.

  

mp

  

mp

mp

  

 

Oh,

 

"Oh, yes'? And,

 

    

leave

mf

truce?

 

 

3

What did you say?

3

     

   

 

p

3

f

f

 

   

  

 

  

   

arco

 

3



Eb F§

Is there news of a

me this way?

3

 

p

mp

     

 

 

3

 

p

     f     f    

mp

suddenly backing away

3            mp 3           

3

 

p

 

He - ra...

    



     



         

mp                            

 

mf

                        

 

   

mp

   

f

3

f choke



3

3

f



mp

3

f

 

mp

       

mp

    f    

       

mp

3

arco

Va.



   3

f

mp

Hp.

Vn. II



       







Vn. I



f

mp

 

585

Kinesias

3



(Sus. Cym.)

Vc.

Myrrhine





                                 

Va.

Timp.





   

mp

3

  

Vn. II

Cb.



 



Hp.

Myrrhine



 

Bari Sax. in Eb

Hn.

         f        



3

Cl. in Bb

Bn.

77

  

  

    I

guess: well,



f anguished

           

f

    3

no. Oh, Myr - rhi - ne!

  

    f      f

   f    f

    

  Ki - ne:

No,

                             div.     

  

           

     

f

1/16/2006


78

Act II

     



 

   

591

Fl.

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn.

Tpt. in D

Timp.

Perc. 1

Perc. 2

Hp.

Myrrhine

Heavy, sweeping, impassioned q. = 60 (3+2+3+2)

        

  

solo            

     3

p

f

f

 

p

f

   

 p

  

f

 

p

         

      

            

IV

  III

Vc.

     

1/16/2006

 

      

     

       

    

    

    they

bray,

 









   

 



  



   

    

      (f)          

  

 

(f)

  

(f)

  

(f)

(f)

    

and,clear ly,

   

 

 

  



  

Vibraphone, motor off

"they"

    

          



arco

 

   

pizz.

 

 

sub. p

    Is





de - cide!

   

     

    





  

   

     

     



f





  

mf

f

f

  

 solo

   

    

     

f

         

f

    

War!"

  



   

unis., pizz.

Cb.



f non arp.

III

Va.

   



solo

f

Heavy, sweeping, impassioned q. = 60 (3+2+3+2)

Vn. II

Marimba              f    

"War!

Vn. I



    

f

   

 

3



mf

  

p

3



f

f

 

   

f

3

   

         

3

p





  

sub. pp

 

  

sub. pp

  

sub. pp

 

    

sub. pp

    

arco

sub. pp


Fl.

Cl. in Bb Bari Sax. in Eb

Bn.

Hn.

Perc. 1

Perc. 2

Myrrhine

      (f) 3 3 (f)

Vn. II

Va.

Vc.

        

     

p

(p)



     

     

  

   

                                 

 

       

 

  

 

 

 



the on - ly

    

  

    mf    

or,mere ly,



p

 

   

    

p

         

on - ly way?

    

Vibes

 







 



 

arco





     solo











 

















they've







way

  

 

          



solo p

 

    

        

ever faster and more intense



Bari Sax., solo

   



                  3   3 (f)       (Mar.)                 

pizz.

Cb.

solo

3

warthe

Vn. I

3      

 

Hp.

595          



79

Act II



tried?

Yes,



 

















f



 

   

 

sub. p





 

f





   

f



f

   

ever faster and more intense

    



     sub. p







sub. p



  f sub. p      sub. p

  





       



sub. p

f

       600

Fl. Cl. in Bb Bari Sax. in Eb

Perc. 1

Myrrhine

   

  



mp



(Mar.)

      

still

Vn. I

Vn. II

Va.

Cb.

 

 

I

 

            (p)   



long

for

     

 

  

                

            3

3

your

                       

mp

    mp

    mp

 

mp

mf

 

 

(3+3+2+2)

    

   

just

        mp       

    



solo

touch,

mp

 

  mp 

  



mp



 

            

   

 

(3+3+2+2)

              

 

      

mp

Vc.

 

 

(3+3+2+2)

 as

 

 



 



  

  

    

  

       

 

 

3

ly,

(3+3+2+2)

       



strong -

     3









  

just

     

as

  



   

         



       



            

         



1/16/2006


80

Act II

      605

Cl. in Bb

Bari Sax. in Eb

Bn.

Hn.

Perc. 2

     



mf

            

Vn. II

      

    

  

mf

Vc.

     

  

mf

Cb.

       

   610

Cl. in Bb

Bari Sax. in Eb

Bn.

Hn.

Perc. 1

Perc. 2

mf

 I've

            

  

yes!

Vn. I

Vn. II

Va.

      

  

pizz.

Vc.

   

pizz.

Cb.

1/16/2006

  longed

    

    

pp

f

     3

be -





3

Gb

  of



   

        arco

 



Vibraphone, soft mallets

course,

  

    

 

   

but,

     

        



 



pp





mf

 



       

 

pp

  

  

p



  



    



 

    



  arco    





          sub. pp

Still, I say

pp

       pp      pp      





   

 











pp

     

pp

Smooth, quiet, with the voice



    



pp



    





  pp



pp

pp





it...

      

e=e



    



    



 











 

Ki - ne:

    

pp



    

f

Ab Db



  

    

           







pp

                 

          f     pizz.   

fore.

f arco

3

    

pp

mf

arco      









Powerful q. = 63 (3+2+3+2)

 

 





mf

      

mf

   



mf

   

          p

 

pp

          

3

  

pizz.

  

           f              f

            3                      

    arco

  

  



 

     

Slower, lighter, quieter q. = 52

    

pp

pp



Love:

    

 



  

solo

 

     



(3+3+2+2)

     

        Marimba          p     p            

   

 

 



Small Tamtam, soft mallets





 

Myrrhine

  

Slower, lighter, quieter q. = 52

  

Hp.

  



pp

  

    



  

as

          mf          mf

Va.

(3+3+2+2)



much

Vn. I

 



f



mf

Myrrhine

  

solo

Powerful q. = 63 (3+2+3+2)



We

 need

   peace

Smooth, quiet, with the voice

  pp

  pp



pp



pp



pp



 









                        

e=e

    


Hn.

Perc. 1

Perc. 2

     

  

Hp.

Myrrhine

p

mf



(Vibes)

     

Triangle  

 

               

pp

p

 

pp

   

Vn. II

Va.

  

    

pizz.

Vc.

Cb.

Fl.

Cl. in Bb Bari Sax. in Eb Bn.

Hn. Tpt. in D

Perc. 2

Hp.

                    

           

Xanthe Charito Dika Sappho Arete Lampito

  

Vn. I

Vn. II

Va.

Vc.

Cb.

pp

pp

-

              

  

(Vibes)

  

  



 

Good

             







-

bye,







  

   

 

 

Stra - te - gy pp

is

Stra - te - gy

is

   

  

         

ev' - ry- thing: Per- fect

  

    

ev' - ry- thing: Per- fect

pp

pp

pp

Harmon mute

  

   

pp

   

pp



 

 



 

Ki - ne.

Good -













me.



A bit slower, with the voices q = 72

give



pp

soft mallets, motor off

pp





 

    



     









 



   pizz.           618 A bit slower, with the voices q = 72                     

     

Myrrhine

 



    

For

but formal q = 76   Graceful,             

4







bowed

pp



solo

more.

Vn. I





   





Cl. in Bb

81

Act II





Fl.

Graceful, but formal q = 76



     614

 

pp

   

     (pp)       (pp)       (pp) arco        (pp)  

    

arco (pp)

 

  





 

 



    

 

bye.

  

 

score!

 

   slight arp.     

score!

                    



  



  

  

A§ D§ C# B§

     

  

                 f        f      

    

1/16/2006


82

Act II

No. 59: The Soldiers Beg KINESIAS staggers off as MYRRHINE, weeping, flees past LYSIA and KLEONIKE into the Acropolis. The Acropolis fades: light finds the ATHENIAN and SPARTAN camps, where the SOLDIERS are besieging NICO and LEONIDAS.

Compulsive q = 120

                     

  

solo

Bari Sax. in Eb

Bn.

Hn.

Perc. 2

Maron Meleagros Alpheus Kinesias Philo Bion

Va.

Vc.

   

3

p

   

3

   

3

   



pp

        

3

 

Xylophone





3

     

pp

3

3

pp

   

pp

   

3 3   3                

3



3

   

Weak as

    3

     

   

a crone.

    

3

Weak as



3





 

                        p 3 3                     

May - be we're weak.

3 3   3                            

3

    

Compulsive q = 120

   

     

May - be we're weak. p

3

3

    

pp



3

Hard to de - ny

   

3

a crone.

3

   

Hard to de - ny 3



3

   

    3



   

it,

it,

 

   630

Fl.

Bn.

Hn.

Timp.

Perc. 1

Perc. 2

Maron Meleagros Alpheus

Kinesias Philo Bion

Vn. I

 3

   

3       

 

 (Xyl.)   



    

Try as we may. But,

 

p

3

   

p

mp

3

    

  

3

    3

   

   

      

    

mp

3

    3

    3

    p

Are we a lone?

if we are weak:

3

     

     3

Are we a lone?



    3

    

3

 

 

pp

 

 3

 

3

 

 



 



Marimba

                                    pp

3

No, we don't buy

it:

   

3

it:

No

 

f

No

    3

    

3

plu -

ckin' way!

So,

 

ckin' way!

So,

go ask pp

 

the squad:

  go

3

ask

  

the squad:

3

  

 



  

 



  

 



  

 



 

 



 

 



 



pp

pp

3

3

plu -

3



pp

 pp

No, we don't buy



 

     

                      f 3               

 

mp

 



3

 3



3





   

if we are weak:

p



3



3      

       

Vc.

   

Va.



3

 

3

     

3

1/16/2006



        Try as3 we may. But,

Vn. II

Cb.

     

3

3

pp

3

 

 

pp

pizz.

 pp







3

3

3

   p






83

Act II

 

636

Fl.

Cl. in Bb

Hn.

Timp.

Perc. 1

Perc. 2

Maron Meleagros Alpheus

Kinesias Philo Bion

Vn. I

     



3





3





 (Xyl.)  

3      Goat - herd

 

Vc.



or

3

or

 

 









     

3





3





 

 

   

   

      

 

 

god,

          

Ha - ven't

god,



3

Ha - ven't

 3

 

p





 



3





3



 

   

  

    

mf





ou - r bo - dies



             



3





mp





   

    

       p



minds p

of

their

own?

And,

minds

of

their

own?

And

 p



3





3



 

   

  

 p

 p

 p

  p







         

3

3

 mp

   

 

       mp

3

than

 

groan,

 

than

groan,

















3

ra - ther

3









mp

 3

 3



3



ra - ther mp

3



3





mp

 p

3

mp

p







    

         

3



      mf        

3







3



      

   3

      

ou - r bo - dies

p



   

    

mf



  







3

 

    

3

  

Va.



Goat - herd

 (Mar.)             

 

 

mp

  

Vn. II

Cb.



Bari Sax. in Eb

Bn.

    













  

















mp

mp

 

mp

mp

3

3



  



1/16/2006


84

Act II

 

Cl. in Bb

          f

 

Bari Sax. in Eb

Bn.

Hn.

  

3



mf

  

3



mf

Tpt. in D

Timp.

Perc. 1

Perc. 2



          ff

Maron Meleagros

 

Alpheus

Vn. I

Vn. II

if mf

they

if

they

 

Kinesias

Philo Bion

they



    

 

 

 

 

 

 

 

 

mf

 

    

      mf

Cb.

mf

1/16/2006

       

3

 

 



3



3





  pp  

 

      f

            

  

3

3

Might - n't they,migh -tn't they f 3

3

      

  

3

3

f

3

3



    











     



    

ff

    

ff

p

say....

A -

3

  

p

                

res, A - phro- di - te,

q = 96

   

p



  

3

3

 

Bb

when will all

when

   

this

      

will all

this

   

when will all

this

      

when will all

this

       

   

   

 

   

 

e=e

 

 

 

ff

ff

 

 

A - res, A - phro- di - te, pp in falsetto: quasi madrigal

say....



          

A - res, A - phro- di - te, pp in falsetto: quasi madrigal

 

       

A - res, A - phro- di - te, pp in falsetto: quasi madrigal

say....

ff

 

          

in falsetto: quasi madrigal pp

say....

f       

    

  

 

E§ C§

  

Might - n't they,migh -tn't they



3

3

            



 

pp

f





Might - n't they,migh -tn't they

3



Might - n't they,migh -tn't they

could speak,



Vibraphone, soft mallets, motor off

ff

3

mf

Vc.

ff

ff

could speak,

mf

Va.

ff

           

3

 

could speak,



3

if mf

 

could speak,

mf

3

they

 

mf

    if

    

mf



f

    p ff  (Mar.)                                      mf ff  (Xyl.)                  

Hp.

 



e=e

ff

f

(senza sord.)

  

ff

f

q = 96

 

Fl.

           



640



  


85

Act II

                    

Hp.

  Db

         end? sim.      end,

Alpheus

sim.

   

Kinesias

Tell

    

sim.

Philo Bion

      

   

   

us, tell

 

us:

Ab

A - res, A - phro- di - te,

  

us:

A - res, A - phro- di - te,





 

          

Tell

us, tell

us:



 

Tell

us, tell

        

when

A - res, A - phro- di - te,

us:

when

end?

non arp.

 

fp       Oh,

how?

     

   

 

       

 

will all this

will all this

end,

end?

end?

when will all this

fp

Oh,

how?

Oh,

end?

    3

 3

How much more im fp

  



     



A - res, A - phro- di - te,



        

when will all this

        

us, tell

end?

 

  



    

   

 

   

 

Tell



   

 

end?

end?

    

   

              

sim.

Maron Meleagros

e=e



 

Perc. 2

Vibes

 

         645

Oh,

How?

Perc. 2

650      

  



Hp.

Maron Meleagros

  

Alpheus

Kinesias

 

 



   

 

   

 

 

3      3

How much more fp

  Oh,

Oh,

How? fp

 

how?

(pp)

 

 

         

mf

3

3

3

ig - no- ring the odds?

3

Oh,

    Oh,

        

mf

3

3

          3

3









cease?

   cease?

   

how much more grie- ving the war will ne - ver

 

cease?

  

how much more grie- ving the war will ne - ver mf

   

How much more grie- ving the war will ne - ver

 

   

E# F# G# C# B#

how much more grie- ving the war will ne - ver mf

3

 

    

 

        

    



 

   

how?



3

 

Oh,

plo- ring the gods?

Philo Bion



fp

(pp)

 

Oh,



E§ A§

  

cease?

1/16/2006


86

Act II

  657

Cl. in Bb

Bari Sax. in Eb

Bn.

Hn.

Timp.

surging forward

    

    3

  

pp

 

  3

Vn. I

3

3



Di - vine Ones,

     pp    

Va.

 

pp

   

Vc.

1/16/2006



forward  surging      

Vn. II

O

pp

  3

3

O,

3

  O



p



p

3

3



   

   

    



us:

Please,

3

be - lieve



3

3

us:



Please,

non falsetto as needed to m. 2418 3 p



be - lieve

       

       

us:



be - lieve

be - lieve

Di - vine Ones, Please,

   

non falsetto as needed to m. 2418 p

Di vine Ones, Please,

  3

Di vine Ones, Please,

   O,



Di - vine Ones,

   

Di vine Ones,

pp

Cb.





Di vine Ones,

 

pp

O



   O,

  

Di - vine Ones,

pp

O,

 

mp

mp

        mp

        mp



us:

3

Please,





pp

  

 

  

pp

  pp

pp

 

pp

 

   

 

re - lieve

us:

Wait

 

  

re - lieve

us:Don't

wait

 

  

re - lieve

us:Don't

wait



 

3

     

 

pp

p

O

Philo Bion

pp

 

Kinesias

pp

p

 

Alpheus

pp

   



pp

Maron Meleagros

   

re - lieve

us:

 Wait

no

a

a

4

4

more...

 

mo - ment more...

 

mo - ment more...

  

no

 more...

       



   

       



       

  



  

       



  





  



pp

pp

pp

pp

mp

mp

mp

mp


87

Act II

   662

Cl. in Bb

Bari Sax. in Eb

Bn.

Hn.

Timp.



Vn. I

 

      

Vn. II

  

Va.

 

Vc.

 

  

 

  

 

  

 

 

 

mf

 

Alpheus

  

mf

 

Philo Bion

Maron Meleagros

mf

   

Kinesias

Nico

 

mf

 

            

mf

   

Hp.

  

 

s. glis

f





 

  

Cb.





 

 

E -

nough!

in a cold fury

Eb F§ G§ Db C§ Bb mf



  

 

 in a cold fury mf            

I

will

go

I

will go

to

Ly

-

to

Ly - si - a.

 

si - a.

 

 

 

  

mf



    

f

  

mf

  

mf

  

mf

 

   

f

f

    

f

. gliss

  

f

   

  

mf



sfzpp

 

 

   



   

sfzpp

sfzpp

   

  

sfzpp

 

    

   

       

     pizz.

pp pizz.

    pp

    pp

pizz.

     pp

pizz.

   

pizz. pp

  

 

 

 

arco

arco

 

arco

  

arco

  

arco

attacca

1/16/2006


88

Act II

SCENE THREE No. 60: Casting On the balcony of the Acropolis, LYSIA and KLEONIKE.

       667

Fl.

With great dignity q = 84

   

Cl. in Bb

 

Bari Sax. in Eb

     

Bn.

      

Hn. in F

Timp.

      

Perc. 1

Perc. 2

Hp.

Kleonike

         

pp

   





Triangle

pp Crotales

 

pp



 

p

          p

   

Vn. II

p

  

Va.

p

  

Vc.

p

Cb.

1/16/2006

 

 p



 

 



      f

 

 



      



f

f



mf



mf

   

















 



  



 

pp

 

f

  

     

         



 



  ff

   ff

   





pp



pp

p

     

 



pp

 

 Eb Gb D§ B§



Small Snare Drum



ticking them off f

 

Well,

p

       f

holding back

pp

                pp ff p f                pp p f ff               pp ff

     

pp

pp

      

      

     



         pp        

  

  

pp



holding back

   

  

  



 

  

pp

                pp f              pp f              pp f         







With great dignity q = 84

Vn. I







Eb F§ G§ A§ Db C§ Bb

      

 

pp

            







f

          

solo



 

p

p



f

    f

 

pp

  

  

   

  

  


89

Act II

      sub. mf      sub. mf      675

Fl. Cl. in Bb Bari Sax. in Eb

Bn.

Hn. in F

Suddenly brisk q = 132

mf

 

mf

   

 

   

Lysia

Kleonike

 (S.D.)    

mp

  

 

 

 

 

          

Vn. II

Va.

Vc.

Cb.

 

Di- ka's far

Vn. I

sub. mf

Perc. 2

 

sub. mf straight mute

Tpt. in D

        

too shy;

      

Blink at her, she'll melt;

               

Xan- the's got that bad right eye, and Cha- ri to's





   

 





 

 



mp

 

 

 



(pp)

(pp)

(pp)

 

(pp)



(pp)

  

"Great idea!"

3

 

3

Lam- pi- to!

  

Lam- pi to?

too svelte...

Suddenly brisk q = 132



mp

        mp     mp     mp

  

                

1/16/2006


90

Act II

 

 

 

680

Fl. Cl. in Bb

Hn. in F

Timp.

Hp.

  

  

 

Vn. I

mp

pp

mp

 



mp

   

   

   

 

mp shrugging

 

     

There's ve- ry lit- tle to it.

Dare we pre sume?

pizz.

 





    p

  

 

 















mf



 





mf





p



 











p



 

 

mf

 

 

mp

  

  

She looks over the balcony and gasps to see NICO approaching the Acropolis. KLEONIKE steps forward, LYSIA shrinks back. with dread mf

  

  

  

Ly

-

si - a!

          p f  arco        

 

  

 

 

f

 

 

 



 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

f

 

 

you,

 



  

 

f arco

  

Where are



f arco

 

  

arco

  

Ni- co!

f tough

 

p



mf

f

Ah!

p

arco

pizz.

   

On ly the cos tume.

pizz.



   

pp

     

 

3

Vc.

   

   

 

Va.

1/16/2006

   

pizz.

Vn. II

Cb.



   

     

 

mp

      

  

Kleonike



3

Nico

pp

pp

 



mp



Lysia

pp

 

Bari Sax. in Eb

Bn.

pp

     





  

 

      7

  3




91

Act II

Cl. in Bb

   p

Bari Sax. in Eb

Bn.

Hn. in F Tpt. in D

p

  p

  

p



 

  

   

pp

  

  

   

  

Hp.

Kleonike

Nico

Vn. I

Vn. II



Lysia

     

-

 



Vc.

Cb.

        

 



 



 

    

     

mf

    

 

  pp

 

 

 

 

 

 



    

 

 









 

 







  

p

   

  



     7



 p aside

si - a?

 

         

  

   p

mf

 gel...)

(straight mute)

    

F# G#

f

p

 

 

   p     p

mf

mf

 

    

pp aside

mf

(An

f

Va.



  

Ly

f  

 



  



 



Timp.







Fl.

     mf      

  3

            f

               

p

 



  685

p

  3

insouciant    



3

Don't be ab surd.

Say the word, he's gone.

 

 

p

f

p

p

 

E§ G§ D§

 p

I'll be

3

3

3

3

           

1/16/2006


92

Act II

solo

 

 

 

689

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Perc. 2

Alto Sax.

Vn. I

    

solo

p

 

  

   

pp

solo

 







pp

pp

pp (straight mute)



         

Fine!

 

dubious



p conciliatory

  

f insistent

Fine?

         

pp

 

pp

pp

 pp

   

Go shrugging

on.

 

 

pp Vibraphone, hard mallets, motor off solo

      

p

     

p



 

Vc.



p 3



  

pp

  

pp

 

 



Va.

1/16/2006



Vn. II

Cb.

fine.

Kleonike

  

pp

Hp.

Lysia

pp

Slower

3

 f   

 

Fl.

  

 





ord.



Fine.

  

 

  

  

            

   

flaut.

flaut.

flaut.

flaut.

Slower

3

    3

   

    3

3

ord.

 

 ord.

  pp



ord.



   


93

Act II

No. 61: He Said/She Said Languid q = 76

     697

Fl.

   

Cl. in Bb

Hn. in F Tpt. in D

Timp.

Perc. 1

    

    

(Vibes)

Hp.

Lysia

Nico

 

         

   

 

       

Va.

  

Vc.

    

              

Cb.

    

   

    







3









 











   

    

mf

mf

   

solo

 

  

non arp.

pp

     

mf (straight mute)

 



   

 mf

    Ge - ne ral...

3

   

    mf

Tambourine

p

  formally 3 pp

pp formally

F§ D# B§

She descends the stairs. f

pizz.



arco

pizz.

arco

pizz.

arco

arco

arco

 

 pizz.

 



pizz.

f  

How



 

How

 

   mf

 

pp

    

pp

mf

    mf    

Ma- dam...

   

pp

 



 

  





Vn. II



Languid q = 76

Vn. I

3

   



   

p

       

    

 

Perc. 2

p

 

  

solo

     



  

solo

   





 

   

  

  

  

Alto Sax. in Eb

Bn.



 

     f     f

 

  

    

f

    f     

f

1/16/2006


94

Suddenly twice as fast q = 152

Nico

will you

   long

 

con - ti - nue

this

will you

con - ti - nue

this

  

Vn. I

Vn. II

Va.

Vc.

 

 

 



  

Cl. in Bb

 

Alto Sax. in Eb

 

 

707

Fl.

Bn.

Hn. in F Tpt. in D

Lysia

Nico

Vn. I

    

Cb.

1/16/2006

    mf   





     mf f   



   

   

We, f

none of

us

can

   

   

 

none of

h=h

win,

us

can

win,

q = 152

 

 

 

 

f

  f

A bit slower, but heavy, pointed q. = 116 (e = e)























 

you know, it's

  

you know, it's



 

ut - ter - ly



 

ut - ter - ly

pp

pp

pp

pp

     f     f    f    

  

         

 

 

 

 

 

 

 

 

mf

You mf You







f

in - sane...





  

 

in - sane...



 

f





    f     f   

 

f

         

 

you

won't be the least bit ob - jec -

tive:

You're

sim - ply pro - lon ging a mis' -ra - ble war;

        

you

you

won't be the least bit ob - jec -

tive:

You're

sim - ply pro - lon ging a mis' -ra - ble war;

you

 

            

  





  

            

  





 

        

 

 f

 

 

 



              do not re - spect what we're figh ting for;

Vc.



    f    

     f pizz.       f  pizz.     

on.



             

Va.

on.

f

f pizz.

go



Vn. II

 

 pizz.     f pizz.      

you

3

A bit slower, but heavy, pointed q. = 116 (e = e)

Vn. I

No,

    

q = 152

do not re - spect what we're figh ting for;

Nico

h = 76

    

 

711

Go

q=q



We,

  

  

 Lysia

  

Va.

Vc.

p

p

mf senza sord.

 

Vn. II

pp

mf

 

 pp 



 





pp

h=h

 



pp

   mf     mf   

pre - pos - te - rous cam- paign?



 

pre - pos - te - rous cam- paign?

Suddenly twice as fast q = 152

 

h = 76

q=q



























 

   



long



   



 

      

 

   703

Lysia

Act II























 


  714

   

Hn. in F

Perc. 2

Hp.

Lysia

  

 

won't take

Vn. II

Va.

Vc.

Cb.

a

broa - der

      



      

Nico

Vn. I

Vn. II

Va.

Vc.



 

 

pp



  pp

 

   pp    pp





 







p

p

Vibes, bowed

  

f

  

-

  





 



 



 



p



p



p

Exhausted q. = 84



p

          



Well,

this

is - n't

ve - ry

pro - duc

tive...

this

is - n't

ve - ry

pro - duc

tive...

          



Well,

  



  



  



  



  





 



 



 



 





 

Then,

here's

pp







pp

 pp  pp





 a

sug - ges

-

 

tion



  



pp

 

 con

 -

struc -



 

 

 

   

you might find





    

 







Bb







 

 



 



tive...



          

  

p



tive...

p

  

pp

 



 

p

 

p arco

    p

p

 

pp

(non cresc.)

 

p arco



pp

Hp.



p arco



 

Alto Sax. in Eb

Perc. 2



p arco



  

Cl. in Bb

Hn. in F



arco



717

Bn.



per - spec

 Fl.



            won't take a broa - der per - spec -

 

Vn. I



          

 

Nico

p

p

  





Bn.







Alto Sax. in Eb

pp



Cl. in Bb

non vib.



Fl.

95

Act II

Exhausted q. = 84

 

tive...



p



Db Cb

    

1/16/2006


96

Act II

   

  

Cl. in Bb

Bn.

Hn. in F

Perc. 1

   

    

    

mf

 

    

Perc. 2

Lysia

Nico

   

    

 

 

f

If

       

Va.

   

Vc.

Cb.

   

 Fl.

Cl. in Bb

 

Alto Sax. in Eb

 

Bn.

  

Hn. in F

Hp.

Lysia

Nico

Vn. I

  

I

quit:

        

   

   pp            pp      pp

pp

p

will you re- sign?

          

Vc.

What?

If



  I

  f  



will you re - sign?

                                           



    

quit:

    



p

pp

 

 f

     f 

p

 

   

    

 

     mf

p

   

You

pp

pp

 pp

pp arco

pp

toy

                            

                                                         

                                solo

 p

  

  

  "What

with me... pp

  

p

  

 more,

  

 3

      

 

3



what

else

can

3



  

  

    

 

  

  



   

D§ C§

                 

3

   

             

                            

 Pushing forward q = 116   

 

pp

  

Va.

1/16/2006

 

f

   

Vn. II

Cb.



Pushing forward q = 116

    726

   f       f            f            

  

Vn. II

pp

Brisk, sharp q = 104

Vn. I

     f 

p

pp



    

pp

    mf

Small Snare Drum

pp

 



Tambourine

 

Fl.

No. 62: Nico's Counteroffer

Brisk, sharp q = 104

720

3



mat - ter

  

3

3

3



but



our

love?" 3

 

3

 3

  



   

  

          


Lysia

Nico

Vn. I

Vn. II

          



                              (pp)                 

 

 

 

 

  

3

   

"Let moun- tains crash,

let hea- ven burn,Doyou

         

       

                    

pp

pp

                 pp (pp)            pp (pp)          (pp)

 3 3

know?

          

   

3

Do you know?Doyouknow howI'vewai- tedfor

 

       

  

pp

          

         

3



mf

(pp)

Cb.

 

   Right?

Vc.

97

 

Va.

 

  



Hp.

 



730



Act II

pizz.

pizz.

  

3

3



pizz.

 

pizz.

pizz.

3

  

3

   

3

   

 

734

Fl.

 

Cl. in Bb

Lysia

pp



pp

 pp

 

         

  



Hp.

   



pp



Hn. in F

pp



 

    

your re turn?)

Nico

Vn. I

 

    

Vn. II

 

Va.

 

Vc.

Cb.

 

pp

pp

 

Alto Sax. in Eb

Bn.



pp

   

mf

    mf      

mf

pp

 

mf

  

pp

 

 

Eb Fb Gb Ab Db Cb

 

  

  

   pp

You

toy

mf

  

with me...



f



How?

f            Dis - band yourwo- men.

        

f        

p

Be blunt. Once you ten - der your sur - ren - der,

arco

        arco         arco

arco

    

 



 

 





arco

 



arco

 

pizz.

mf pizz. mf pizz.

mf pizz.

mf

mf

arco

pp arco

  pp

 

pp

 

pp

 1/16/2006


98

Act II

 

 

739



Lysia

Nico



Vn. I

Va.

Vc.

Cb.

1/16/2006

        

f   



If

quit:

mp



 mp

mp

pp



   

   

 pp











pp

pp

  pp

  



 

pp

     f 

I

     p

 f

if p

I

re - sign...

      

If you quit: if you re - sign...

  

p

I'll di- rect - ly leave the front.



     

pp

 

   

pp

E§ F# G§ C§

G#

pp

mp

  

     mf

p

     

 

   

  

  

Vn. II

pp

mf

   

Small Snare Drum

  



Tambourine



 



Hp.

 



Perc. 2



Perc. 1



Hn. in F

            



Bn.



Alto Sax. in Eb



Cl. in Bb

slowing

           f         f             f          f

      

slowing

     

pp

      

       

pp

 

     

pp

   



    

    

pp

arco

pp


99

Act II

Fl.

Alto Sax. in Eb

Hn. in F

Tpt. in D

Timp.

Perc. 1

Perc. 2

 

            mf

            

 

  

p

3

mf

  

mf

mf

  

          

  

Vc.

Cb.

      

mp

 

          

f mocking                  p

3

is an ug - ly march.

           3

   

"E nough!

    

E nough!

Peace now!"

f mocking

 









  











long

 

long

long



 

        3

   pizz.  3

f

   

f

    f

     f      f





               

       mf      

 

long LYSIA mulls.

Please...

  

long pp pleading

Please...

             f p                 p f                   p f                    f p arco                

p

 

long

  

Suddenly brisk q = 116

  

long

Peace now!"

  

 

 

long

p

long

f

Five Temple Blocks

long

f

       mp f        f mp  

  

f

mp

long

      

q = 84

Va.

mp

long

f

      

Leave them to their hob by!

Vn. II

mp

p pleading

Vn. I

       

It

Nico

             

 

Suddenly brisk q = 116

mf

Hp.

Lysia

 

Cl. in Bb

Bn.

q = 84



  745

f

  pp long  long

 pp long   pp

long

 

pp long

 

pp

1/16/2006


100

Act II

 

Serpentine q = 84

750

Bari Sax. in Eb

Bn.

Hn. in F

Timp.

 

   

 

pp

Hp.

surging forward

  

 

 



Bari Sax.

pp



  pp







pp

3

3

          

  

 pp   3            



gliss.



s. glis

 

D§ B#

Lysia

Bring them in

Nico

Vn. I

Vn. II

Va.

Vc.

Cb.

1/16/2006

    

an

hou - r:

Serpentine q = 84

  

  

the arch.

we'll meet

be- neath

the arch.

 col legno battuto 0

      

f col legno battuto

 

f

You'll leave

  I'll

3

the war to

o - ther men,

the war to

o - ther men,

and

then...

and

then...

and then...

3

Then

  

          

leave

     

and then...

Then

surging forward



 

be- neath

         

 

   

we'll meet pp

 

  

   

   

    

  

               3              

          

     

  

 

3

3

arco

 

(pp) arco

 

(pp)

 

   3

3   

    

  

  

   

  

  

   

3

          


101

Act II

    754

Bari Sax. in Eb



        

    

    

    

mp

Hn. in F

3

Perc. 1



3

3

mp

Timp.

     



mf

   

 

Nico

Vn. II

   

3

 

 

 

  

       3

Va.

f

Vc.

     f

Cb.

      f

3

 

   

      

  

pizz.



      

  

pp

pp

  

  

 

3     



all

gain,

-

ver a -

3     

o

-

ver a -

E§ Cb B§









      

mp

    

  





    



3



3



f



3

 

3

3

    

3

 

A ching,

 3

mp

gain,

3

A ching,

    



  

o

  

      

all

3

f

mf

 

Eb G#

E - ros will break us

f

3

3

 

Ecstatic, exalted q = 104

Vn. I

 

 

  

       

3          E - ros will break us

   

  

 

   3      f

pp

   

    

f

Lysia

    

solo



     f

 

mf

 non arp.



3

   

     Hp.

 

  

mp

Bn.



Cl. in Bb

Ecstatic, exalted q = 104

  



 



we'll

     

       p

p

      3

         

p

     p arco

    

  

               

p

1/16/2006


102

Act II

  759

Cl. in Bb

Bn.

Hn. in F

Timp.

Perc. 1

   

Nico

Vn. I

   

      

   

   

      

   

      

   

       

3

     mp   3  

       

mp

3

         

 

 

3

3

       

Va.

Vc.

1/16/2006

      

      

Vn. II

Cb.

  

Hp.

Lysia

      

3

   

   

3

we'll shud der,

3

 



shud - der,

      p

       p

       p

we'll

  

      

      

p

p

we'll qui- ver,

             

3

 

qui - ver,

          mp

      

mp

      

      

      

mp

mp

we'll



we'll

 

mp



               

3



mp

mf

  

3



 

 

non arp.

ss. gli

   . ss

 

f

3

gli

f

 3   

cry:

Let

E - ros un- make us



 3   

cry:

Let

E - ros un- make us

mp



mp



mp



mp



mp





  

  

 

      



3       3      

f

   f

3 3

f

 

  

3

     f



f

 

f

3

 

  



pizz.




103

Act II

  

    f

763

sfzp

sfzp

 

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

Perc. 1

Perc. 2

Hp.



ff

sfzp

 



pp

 Glock.     

Vn. I

   

all,

   

sfz

Vc.

sfz

Cb.

    sfz

pp

 

f





  

  

all

 

      ff

     3

 

mf

 

 3  o ver - a

ff

o ver - a

     



   

 

ff

   ff

   

-

3



3

  

   

pp

          pp

         

pp

  





3

  

the con quer or,

p

      

       p

    

      







p

3



 





3

             3

     3

3

       

mp

E - ros,

    

 

3

gain,

arco

pizz.

    

gain,

  



  

 -

pp

   

pp

        

   

 

Eb G§ C§

3

    

ff II, III



 3 

3

 

all

   



solo



  

f

F§ Bb

  

sfz

Va.



        

 

     

     

   

3

f



 

Small Suspended Cymbal, soft mallets

non arp.

sfz

Vn. II

 

ff



3

ff

   

 

     f sfzp                 

all,

Nico

sfzp

sfzp



f

  

3





Lysia

        f                        

 

Cl. in Bb

 



Fl.

   



 



 

3



p

       



p

1/16/2006


 



 

768

Fl.

Cl. in Bb

Alto Sax. in Eb Bn. Hn. in F

Perc. 1

Lysia

    

Vn. I

 

 

 

 

3

 -

ros,

the

 

 

 

 

 

p

 

p

  p

Cb.

   

p

  

Cl. in Bb

Alto Sax. in Eb Bn. Hn. in F

Perc. 1

Perc. 2

Hp.

Lysia

Nico

Vn. I

  

       mp

      

 

      

Vc.

mp



 

 

 

 

mp

 

3

-

 

3



 

Sly

and

  

in - vin

3

-

 

 

mp

and

  

 

 

  mp  

   

mp



mp

 

mp

in - vin

 

   

  

 

   

ci- ble,

            





Crotales  

pp



   

pp



E

E

-

sub. pp

 

    





ros,



ros,

  

 E

-

E

-

 

ros,



   mf    

ros,

 

p

 

E - ros, whom none

 





arco p



E§ F# Db

3

   3

can

de

-



  

    3



p



slowing



 



     

 

 

p

p

 

  



p



sub. pp

sub. pp

 

-

 pp



slowing





pp



ci - ble,

-

 



mp

 

   

mp

      

Sly

3



 

mp

 

mp

       mp       



mp



3

  

 

   

 



                

mf

 mf

quer - or,

mp

 

   

Va.

1/16/2006

 

   

   

 

pp

           (Mar.)                  pp mf  

Vn. II

Cb.

con

 

770

Fl.



 

   

pp

 



p

Vc.



    

Va.

pp

 mp 

Vn. II

  

E

Nico

II   Act  

 

104

    

   


    775

Fl.

Act II

Delicate, pointed q = 84

Cl. in Bb

  

 

Alto Sax. in Eb

  

 

 

 

Bn.

    

      

pp

Lysia

Soon,

Nico

for - e -

          ny... for - e        

 

 

 

 

-

     

ver,

like



     

ver,

Delicate, pointed q = 84

Vn. I

pp

Vn. II

Va.

Vc.

Cb.

      pp     pp       pp     pp

     

pizz.

 

       pizz.        pizz.         pizz.   pizz.

love you.





pp

mp pp

pp

mp pp

earnestly, as he doesn't respond

      3

I won't dis- ap -point NICO smiles; but he doesn't respond.

 

arco

      

 

   3

     

 

 

 

 

   

     3

 

   

arco  

    

   

 arco 

     

            arco  

     

arco

mp pp

I

pp

   

    



this,

  

pp

simply

this,

like

      mp pp     

 

105

  3



 

   





   

 

     

780

Cl. in Bb Alto Sax. in Eb

Bn.

Hn. in F

(pp)

 

(pp)

(pp)



(pp)



 

Nico

Vn. I

   

    

mp pp

mp pp

      

Va.

mp pp

       

Vc.

mp pp

Cb.

    I have to

      

Vn. II

3

3

 

   

    

  

    

  

   

  

 Eb F§

as he leaves: doggedly, to himself; sotto voce

  

Vic - to- ry

go.

  

   3

3

is the on - ly...

Slower, suspended q = 84

 

   

   

  



 

   

  

 





 



       

 

 



 



   

con sord.

 

 

p con sord.

 

p con sord.

 

 

pp

pp

  

        

        p

  

non arp.

   

p, espressivo



 

you...

      

   

solo

  

mp

Lysia

  

  pp      

Slower, suspended q = 84

  



Hp.

     

  p

con sord.

p con sord., div. p



  



 

    

       

1/16/2006


106

Act II

 

The same tempo q = 84

786

Fl.

Perc. 2

Lysia

Kleonike

Vn. I

mallets, motor off  hard       pp   

   

Vn. II

Va.

Vc.

Cb.

Vibraphone,

   

   

   

appearing, strangely p composed (Has she overheard?)

 

pp

 

  

mp

pp

mp

 

 

mp

pp

mp

 

pp

mp

pp

 

mp

pp

 

pp

Shhh.

pp

 



 

 

 

mp

to you.

 

  pp

 

sul pont.

 

sis- ters have a thing they needto

  mp

pp

       

 

pp sul pont.

 

 

pp

3

3

 

Our

 

 

mp

 

say

to you,

The same tempo q = 84

sul pont.

       

It's my hap- py du - ty to con - vey sul pont.

I havesome- thing tosay to them,too...

                 pp



 

  



ord.

  

     ord.     ord.

 ord.    



No. 63: Lysistrata On the balcony of the Acropolis, LYSIA and KLEONIKE.

Slightly slower, with great dignity q = 80

      792

Fl.

Bari Sax. in Eb

Bn.

Hn. in F

Timp.

Perc. 1

Perc. 2

Hp.

f

  

 



 

 

   

solo

pp







pp

 



    Crotalespp    

pp



mp Triangle

 

Bari Sax.

      



 

  f

 

 



 

pp



mf

Vn. II

Va.

Vc.

Cb.

mf

f

   



  

 

mp





 f

at tempo

   

   

holding back

(pp)



(pp)

 

(pp)

pp

     

 

 

 

E# F# G# D§ B§

The ACROPOLIS yawns open, revealing the WOMEN in ceremonial array. MYRRHINE steps forward, bearing a crown of olive. Throughout this scene, KLEONIKE's eyes never leave LYSIA.

         pp f          pp f           pp f            pp  f          f

1/16/2006

 



Slightly slower, with great dignity q = 80

Vn. I

p





  f                

   



pp

         

            

    

         ff p        ff

     

     

     

 

p

ff

 





     ff

ff

p

 p

p



      pp f         pp f         

holding back

            

        pp f

f

   

f

at tempo

            

pp

  pp

                  













      solo

p


  800

Fl.

Lysia

Myrrhine

Vn. I

  

 

 

 

I



 

pp

  

Shame?

    

 

     

wo- man here

wor -

 



  



     

    

      pizz.

   

    

You're the on - ly



shame.

Shame.

   

come to you in

  

mp

      

   

    

pp

    

 

Va.

Vc.

  

Vn. II

107

Act II

arco

  











 

   808

Cl. in Bb Bn.

Myrrhine

Vn. I

pp

    3       

Vn. II

Va.

Vc.

thy

of the

 3

  pizz.  



name.

     

   

You were pledged

to

A thens;



 

arco



 

    

I,

    

   

pizz.

 

arco

 

 



pp

  

to

   

ap -pe -tite.

   

   





knew what I



       arco





   

 

pizz.

I



   815

Fl. Cl. in Bb

 

pp

Xanthe

 

Dika

Vn. I

   

Myrrhine

Arete

 

wan ted;



   

 

 

Va.

Vc.

 

Cb.

You

    knew,

  

you

arco

 



pp

right.



 



 

 

 

So,

we

cha

  

 

So, p

 

we

come to you

So,

we

come to you

  

 

cha

p

 

p



 

 

cha

  

 

come to you

p

  

  

 

arco

 

 

    

 

 

pizz.



MYRRHINE affixes to the crown a long strip of cloth--not unlike the blindfold NICO used on LYSIA. XANTHE, DIKA, and ARETE--the would-be deserters--step forward. p

   

    

3

 

    

knew whatwas

 

 

  

Vn. II

pizz.

 

p

p

 p

1/16/2006


108

Act II

  solo    

    

823

Fl.

p

Cl. in Bb

Bn.

Hp.

Xanthe

     p  

grined.

 

 

Dika

  

Cb.

      

 

Yes:

   

Cha -

   

Yes:

Yes:

 

grined.

 

 



Cha -

       

grined.



  

You're the on - ly

wo- man here

          



You're the on - ly

wo- man here

tru

You're the on - ly

wo- man here

tru

          

grined.

tru



-

ly



-

ly

-







    





0     









3









    



    

solo

 



 

Cha -

   

    





pp

no...

 

  p



  

Vc.

  

   



     

  

Va.

Sis- ters,

   

 

Vn. II

p

  

p

grined.

Vn. I



solo

grined.

Arete

 

solo

  

Lysia



   

di- sci plined.



   

   

di- sci plined.

    

 ly

    

di- sci plined.

    



  



 

 

 







 



 

3     

  







     830

Fl. Cl. in Bb

Bn.

Hn. in F Tpt. in D

Xanthe

                  

  

 

solo

mp

       

Wit - ness our ex

  

 

    

 

Dika

Wit - ness our ex

Arete

Wit - ness our ex

Vn. I

       

Vn. II

   

Va.

Vc.

Cb.

1/16/2006

     



-

  





 

    p

 p



  

p

         

You

 

  

         

You

 

   

  

        

  

  

  

   

          

   

 

-

cu ses:

-

   cu ses:

Ba by,

and wool!

flax,

and wool!

We

We

We

were pledged to

were pledged to

were pledged to

pa ssion,

pa ssion,





     





  

 

   

 

 

   

 



 









 

You

pa ssion,

 

 



  

     

and wool!

solo

  

flax,

   

   cu ses:

   

were,

were,

were,

you

you

you



 

 

 



 






   837

Tpt. in D

Hp.

Xanthe

 

   

 

       



Dika

  



  

Arete

Kleonike Lampito

Vn. I

Vn. II

Vc.

Cb.

to

prin

prin

 

ci - ple. -

   



   

   

    

 



   

 





 



mp

 



 



 

 F# G# A# C#

You brought to mp

us

a

vi sion:

You taught us

to

en - dure,

     

You brought to mp

        

  

us

a

vi sion:

You taught us

to

en - dure,

us

a

vi sion:

You taught us

   

     

You brought to mp

        

  

to

en - dure,

  

     

You brought to mp

us

a

vi sion:

You taught us

to

en - dure,

  

to

en - dure,

  

     

to

en - dure,

to

en - dure,

 

 

 

   

        

 

us

a

vi sion:

q = 92

  

molto vib.

mp

   

  

mp molto vib.

   



molto vib.

  

ord.

mp molto vib.



molto vib.

  

ord.

mp molto vib.

mp

 

 

non cresc.

  

  

  

mp

ord.

re -

Re - gard less,

re -

Re - gard less,

re -

Re - gard less,

re -

Re - gard less,

re -

         

re -

Re - gard less,

re -

pp

ord. pp ord.



  

 



pp ord.







pp

    

Re - gard less,

  

   

molto vib.

Re - gard less,

  

   

You taught us

ord.

   

ord.

molto vib.

mp

   

mp



        

mp

moving forward



             You brought to us a vi sion: You taught us mp              You brought to us a vi sion: You taught us mp              

ci - ple. -

You brought to

  

Va.

      



were pledged

  

ci - ple. -

       

to

were pledged

Sappho

prin

Myrrhine

to

q = 92

were pledged

Charito

 

109

Act II

moving forward

     845

Bn.

Hn. in F

Xanthe Charito Myrrhine Dika Sappho Arete Kleonike Lampito

Vn. I

Vn. II

      gard - less

 

gard - less

of

  of

           

Va.

Vc.

Cb.

  

   the



cost:

    the

  

      

  

pp







  

  

pp

A



cost:



A



as

  as

in - spi -

 

 

in - spi -

mp















 

mp

mp

red

as

its

3

3



  

vi -sion



      3

3





vi -sion

   

red

   as



its

o - ri - gins





mp

o - ri - gins

mp

were

  

 

were

  

1/16/2006


110

Act II

      851

Bn.

Hn. in F

  

  

Xanthe Charito Myrrhine Dika

  

  

pp

Sappho Arete Kleonike Lampito

 

  

For pp

pure,

  

pure,

Vn. I

Vc. Cb.

Hp.

Xanthe Charito Myrrhine Dika Sappho Arete Kleonike

Xanthe Charito Myrrhine Dika

Sappho

 

  



     











ne

-

ver

lost



what

we



have

lost...







  

 

     

 

3

 

  

*Ly - kon:

3

Tall

 



    mf      

    3

E vo - e, 3

   

3

   

      E -vo - e...

E - vo -e...

inyourcer - tain- ty:

    

 

you

 

 

 

 

 

 

 

pp

 

     

woke in

us the

**Phor - mi- on:

            3

E -vo -e...

       3

hand -so mest of sai - lors.

3

E -vo -e... pp

 

woe that

none

can speak.

 

 

 

 

 

 

 

 

 

 

3

pp

E -vo -e...

   

3

        

3

p

E -vo -e...

 

              

Bb

pp

 

 

 

 

  

   

 

(pp)

       

3      

            3

 

el - dest son.

p (Vibes, bowed)

  

       3

Chime   



 

E - vo - e...

     

   

  

 

 

E - vo -e... pp 3

3

   

Struck

      3       3

on the death watch of O - ri - on.

        

3

E -vo -e...

3

E -vo -e...

       3

        

* Adapted from Sappho, 7th century B.C.E.; +Adapted from Praxilla, 5th century B.C.E. Both translations by Brooks Haxton. ** Adapted from Leonidas of Tarentum, 3rd century B.C.E.; translation by Brooks Haxton 1/16/2006



E vo - - e,

Lampito





One by one, as if making gifts of them, the WOMEN affix their own long strips of cloth to LYSIA's crown. Vibraphone, bowed, motor off

      pp        pp     

 

lost...

  

pp



have



E vo - - e, Arete Kleonike

  

we



      

 



what

 



pp



Hp.

lost

 

  

861

Perc. 2

ver

 

have

pp

 Perc. 1

-





you

E - vo -e... p

Lampito



ne





Shimmering, chantlike, with the voices h = 46

856

Perc. 2



have

 

For

pp

   

  









pp

 

Va.

you

pp



 

Vn. II





E vo - -e...

       3

E vo - -e...

       3

E vo - e...


Perc. 1

Perc. 2



 

  

(Vibes, bowed)

  

Xanthe Myrrhine Dika

Charito

Sappho

  

 

of the

3

waves.

3

 

 p

*Si mo - ni des:

3

E vo - e... -



  



  



     

    

        



bro- ther,

and

twin.

   

 

 

   

 

 

E vo - -e... pp 3

    

C§ B§

pp 3

E vo - -e...

 

E vo - -e...

    

 

pp

E vo - -e...

    3

 

   

E vo - -e...

 



 

 

pp 3

   



         

                 arms



3

in the

   mf   

 

3

   

   

 

 

Held now

Arete Kleonike Lampito

p

 

 





 

 

  

Chime

  

  

  

Hp.





867



 

111

Act II

E vo - -e...

Perc. 1

Surging forward h = 56

        

(Vibes, bowed)

Perc. 2

Xanthe Myrrhine Dika

  

Charito

Sappho Arete Kleonike Lampito



O,

the

 3       

 

3

me - lo - dy of your

wal king!

   

 

E vo - - e,

        

   

  

3

E vo - -e...

3          

E vo - - e,

    

  

 

  3       



    

   

   

Hp.



 O,

3          

    

 

 3

of your smile!

E vo - -e...



    E vo - - e,

    

3

the torch flare

3

E vo - - e,

     

        

   mf   

     

 

p

 

 

 



 

 (Chime)    874

3

E vo - - e,

3

   

3

   

E vo - - e,

E vo - - e,

 bowed)  (Vibes,    881

Perc. 2

Hp.

Xanthe Charito Myrrhine Dika Sappho Arete Lampito

Kleonike

   pp   

      pp

E pp

3

 

 

 

   

   

   



3

-vo -e...

 

 

   

   

    

   

     3

-vo -e...

     E

 

E vo - - e...

 

p

 

  

+A - pel -



les:

   3

Hus- band:

  fa - ther.

3

E vo - e...



Now,

3

  

un - der



ev' -

  

ry stone,

1/16/2006


112

Act II

Perc. 1

Perc. 2

(Chime)

  

(Vibes, bowed)

 

  

Xanthe Charito Myrrhine Dika

  

Sappho Arete Lampito

 

Kleonike



E

a scor - pi - on,

 

 



E

    

  

to

pierce

and



burn

the

p

         Gb

   

vo - -e,



  

3

-vo e, -

3

E

    

heart.

3



E

  

 mf   



    

vo - -e...



  

 

3

E vo - -e...

    



3       

 

 

   

  



 

  

 

 

  

Hp.



887



 

3

    E

3

    E

vo - -e,

-vo e,

-vo e, -

   892

Cl. in Bb

Bari Sax. in Eb

Bn.

Hn. in F

Timp.

Perc. 1

h = prev. q

   

Xanthe Charito

(Chime)

E

Vn. I

  

Vn. II

Va.

Vc.

Cb.

1/16/2006

3

3



E





3

pp

E p

3

   

E 3

    

Te - le- as... pp 3

    

h = prev. q

   

vo - - e.

3

Te - le- as...

 

Ner

Ner

E

3

3

 

 

mos...

mos...

3

vo - - e.

E

3



pp





  

vo - - e.

p



p

Alk



Alk

3

vo - - e.

  

3

3

  

man...

  

man...

 

 

Ba -

3

kis... Thin - ker,

q = 80

 

senza sord.

   

pp senza sord.

pp senza sord.

 

pp senza sord. pp senza sord. div.

  

pp

3

Hea - ler, mf

    

 

3

  

Neigh- bor, mf

   

kis... mp

   Ba -

Thin - ker, mp

Lea



3

vo - - e.



mf

3

Hea - ler, mf

mp

   

E

  

mp

3

moving forward



3

 

   

    

vo - - e.



 

p

3





pp

 

p

   

vo - - e.

vo - - e.

 







pp

 



 

     

 



pp

 

 pp     E pp

Kleonike Lampito

 

   

Sappho Arete

   

Myrrhine Dika

q=h

3

pp

pp (Vibes, bowed)

Perc. 2

q = 80

moving forward



3



Lea

  

 

3

-

der,

 

3

-

der,

   

Neigh- bor,

 

q=h

         7

        7

  


113

Act II

Fl.

Cl. in Bb

In an exaltation of grief h = 80

     f

Bari Sax. in Eb

   





  







 

Bn.

f

Hn. in F

    f

Tpt. in D

Timp.

Perc. 1

  

        

mf

     

Myrrhine Dika

f

    

  f   lo

   f

lo

    f

Sappho Arete

Kleonike Lampito

lo

    f

lo









-

-

-

Glock.

f

  

 -

ver...



My

lo

ver...

My

ver...



ver...

 

  



Xanthe Charito





-

lo

-





My

lo

My

 

-

lo

-

ver,

ver,

Vn. I

      

ff

Vn. II

   

    

ff

Va.

   



   

 

 

 

    

 

 

 

arco

ff

arco, non div.

Cb.

 



ff

Vc.

 

ff

    



 

 

 







  

   

mf

ff

         



f



My

lo

  



My

lo

ver,

My

lo



ver,

My

 lo

       7

  3

 

 

 

 

 

 

 

  

  



  

gliss.

 



 

  

s. glis

 

  









ff

 



     ff

-

-

ff

ff

ff



 

Small Snare Drum

pp

E§ Db Cb Bb

my



ver...

lo -

ver...

my

lo -

ver...

lo -

ver...





 

   

mf

 



  













 

 

       





-



 my

 

  

 

 

 

 



 

 







         f       





-

 

ver...

ver...

my

lo -

ver...

ff

 



  

ver...



  

        







straight mute

 



 



pp

In an exaltation of grief h = 80

      

       

ff

  









Hp.





Perc. 2







f

    



    895

 

 

 

 

 

 





 

 





  

f

f



   



1/16/2006


114

    899

Timp.

Perc. 2

   

Sappho Arete Kleonike Lampito

         

Fam ` - i - lies,

Vc.

 

Perc. 1

Xanthe



Alto Sax.

 

2

  

2

  

p

2

 

     

2

2

p

  

   

  

2

f

2

  

wives...

 

Vn. II

 

Va.

Vc.

Cb. 1/16/2006

  

ver to re turn;

    

ver to re turn;

 

 

 

sub. p           2

2

2 2 2 2          

Wi - dows, now, who yes - ter - day were

q. = 80 (e = e)

 

sub. p

2 2 2 2           

              2

2

              

sub. p 2

 

  

f





2

sub. p

    (f)

 











       

    

   

   p

p

p



2



    



Marimba

f

      



 

 

It

feels

like





    

2

f

2

f

2

  





 

f

       f            

  

pizz.















pizz.













pizz.



pizz.

     

                 

 

pp

     it feels like

     

  

hea - ring moun - tains crash:

f

f

       

f

2

2

 

2

(f)

f

 

2

f

2

       



2

2 2 2 2               



2

Wi - dows, now, who yes - ter - day were sub. p

sub. p



  

 

    

ne -

f

wives...

 

q. = 80 (e = e)

       



wives...

2

f



  

   

2

f

p

      

Myrrhine Dika

  

         (f)     



Hus- bands,

Charito

Vn. I

 

(f)

wives...

Sappho Arete Kleonike Lampito

 

ne -

         (f)

p senza sord.

Timp.

 

  

          (f)

 

2

Tpt. in D

Hus- bands,

 

Alto Sax. in Eb

 

         (f)

   

Cl. in Bb

Hn. in F

tteredin a flash:

904

Bn.

    

Suddenly turbulent q = 116

 Fl.

  

tteredin a flash:

sha

 

Va.

Cb.

sha

Fam- i - lies,

   

     

mf

p

         

Vn. II

        

Xanthe Charito Myrrhine Dika

Vn. I

Act II

Suddenly turbulent q = 116

see - ing

  

hea - ven

 burn:





arco





arco





arco









   

  arco  

arco


115

Act II

  907

Fl.

Bari Sax. in Eb

Bn.

Timp.

Perc. 2

 

Cl. in Bb

Myrrhine Dika

Sappho Arete

Kleonike Lampito

Vn. II





   

 



  

       2

Gods, (pp)

what else can mat - ter

Gods, (pp)

what else can mat - ter

Gods, (pp)

what else can mat - ter

Gods,

what else can mat - ter

     

  

2

       2

2

but their

       2

2

but their

2

2

      



(pp)

f

 

f

       (pp)

 

f

 f



f

 

 

 

but their

but their







pp

Bari. Sax.



pp



3

  

 

lives?

lives?

3



lives?

lives?







pp





pp







 





 





pp

pp

  

All

h = 63 q. = h

 



All

 

3

 



 

  

    

3

of

ou - r

lives?

     3

of

ou - r

lives?

3

     of

ou - r

lives?

3

      of

3

 

3

 

3

3

ou - r

lives?



 

 

pp

Small Tamtam

3





 

All

 

All

 

  pp   

 







pp

 

(pp)

rearing back

pp

(pp)

Cb.

(pp)

Vc.



(pp) Va.

Dragging back q. = 63

Vn. I



(pp)

Xanthe Charito

h = 63 q. = h

Dragging back q. = 63

 



So,

we





So,

we





So,

we





So,

we

   

rearing back















 



































  



3

  





3



  

1/16/2006


116

Act II

Fl.

Grave, but exalted: a great gate opening q = 72

    912

   

mf

Cl. in Bb

  

mf

Bari Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

Perc. 2

Hp.

Lysia

Myrrhine

  



   

Xanthe Charito

Sappho Arete

mf

              

 

mf

 

   

     

     

praise.

come to you with

praise.

Va.

Vc.

    

f

Cb.

f

1/16/2006

   

    

  

p





ff near hysterical

 

I'm not

wor

 

 

praise.

   

f

-

   thy!



Where

 

Where

Where



Where

f

      

praise.

f

  

f

     

     

f

      f       

      

  

      



  

Grave, but exalted: a great gate opening q = 72

Vn. II

       

   

f

praise.

come to you with

come to you with

Vn. I

    



mf (Tamt.)

 

    

 

 

     

come to you with

Kleonike Lampito

solo

come to you with

Dika

 



q = 80

f

mf

  

mf

    

  

moving forward

  



Where

     

    

 

 

pp

to

start?

 

    

             

               

 

(Hum)

  

 

 

    pp            to start? Had you not been there, with  pp            (Hum) to start? pp            (Hum) to start? pp         (Hum) to start?  pp       

moving forward

 



 

3

    

    



Ki - ne,

I could

not have done

my

   

Ah...



   

Ah...



   

 



Ah...

Ah...

q = 80

 

 

 

 



pp

 pp



pp



pp


117

Act II

  919

Bari Sax. in Eb

Hn. in F

Perc. 2

Hp.

Myrrhine

 

   

Xanthe Charito

Sappho Arete

Kleonike Lampito

Vn. I

Vn. II

Va.

Vc.

Cb.

 

solo



p

 

   

 

  

     mf    

       

       



pp

 



 



       



Long



Long





 

 

Long

 



  

 

 

Long



  





Long



(Tamt.)

 

part.

Dika



Bn.



Cl. in Bb

 

f

f

 

live your f

e

 

live your f

e

 

live your f

e

 

live your f

 

live your

e

e

-

-

-





   

   

   



xam - ple:

xam - ple:

 

xam - ple:

-

xam - ple:

-

    

xam - ple:

Lon

Lon

Lon

 Lon

Lon

 

 

 

 

live

your



 

 



 

 

ger

live



 

ger

live

 ger

ger

ger

your

your

live

your

 

 

 

   















   

   

fame!



 

  

We

your

We

  

fame!

live

We

  

fame!



We

  3





 



  

We

fame!



   

fame!

 

f

f

   





f



pp



f



pp

f

 

 

pp

Eb G§ A§

   







pp

 3

   



1/16/2006


118

 

Act II

924

Cl. in Bb

Bn.





 













  







  







mf

   mf

Hn. in F Tpt. in D

Xanthe Charito



mf

  

 

 

glo - ri -

 

Sappho Arete

glo - ri -

Kleonike Lampito

 

glo - ri -

Vn. I

 

Vn. II

Va.





 









  

fy

you,

Ly - si - a:



   

   

fy

you,

Ly - si - a:

We

  

   

 

   



fy

you,

Ly - si - a:





   

fy

you,

Ly - si - a:



  

We

glo - ri

    glo - ri

We

fy,

  

 

glo -

we

glo -

 

 

   

 

glo - ri

fy,

we

 

    ri - fy

  

glo -

pp pp

 your



name.... pp

ri - fy

your

  

name.... pp

name.... pp

name....









ri - fy

   

 

 

 

 

  

 

 

 

 

 

 

 

 







 









   

  

 

Cb.

your

  

pp

ri - fy

glo -

we

pp



   

fy,

pp

 

we

  

f

 

glo - ri

We

 

fy,

  



  

pp

  

Vc.

solo

mf

glo - ri -

Myrrhine Dika

mf

Bari Sax. in Eb

  

your

pp

pp

pp



pp

 q = 96 Urgent, moving forward

  

Myrrhine Dika

 

Sappho Arete

 

929

Xanthe Charito

Vn. I

Vn. II

Va.

1/16/2006

q = 96 Urgent, moving forward

sul G through beat 3, m. 937

    

mp



mp

mp

mp

  



Through all

      

     

Greece,

     

 

3



Let all men



     

  mf  











mf



      mf

      3

mf





 mf

    

and call you,

      3

3



     

      3

 

mf

and call you, mf

 

      3



and call you,

    

ho - nor you,

 

3

3

mf



           

 

3







     

of

 

3

3

 





 



on,



       



















    

 

Vc.

Cb.

From this day

   



      mp

 

Kleonike

Lampito



3      

 

mf


  937

Cl. in Bb

Hn. in F

Perc. 1

Xanthe Charito

Holding back Suddenly delicate q = 80



   



pp

 



     

 

  



Triangle

pp

 

Act II





     

       

                        

    

call you "Ly

Sappho Arete

call you "Ly

tra ta,

- sis pp

tra ta,

call you "Ly

- sis



sul G throughsolo

Vn. II

Va.

Vc.



pp

pp

 

  

pp

At tempo q = 80    944

Fl. Cl. in Bb

Timp.

Perc. 2

Hp.

Xanthe Charito

    

 



 

pp

Ly f

sis pp

tra ta,

Ly f

sis pp

      

   

        

    

    

         

   

           

        

           

you

crown pp f

you

crown

you

  pp

        f

pp

pp

f





 

 

f

pp

pp

 

mf

 

pp

f

    pp    

f

 



tra ta,

pp

f

pp

pp

tra ta,

sis -

f       

    

 

Ly

        f        

who brings



who brings

She









who brings

She

who brings

Slower, precise

                 

 Crotales  

solo pp



She



  

 

 

 

















pp

She



pp As the WOMEN retain the ends of their memorial cloths, MYRRHINE crowns LYSIA with the wreath, making of her a kind of Maypole of remembrance.



 

f

  



 

f





peace.

 

f

 





peace.



  





peace.

  

Sappho Arete

 

   

At tempo q = 80

tutti



f



(pp)

  

Vn. II

tutti

(pp)

  

Va.







 

tutte



  

Vc.

 

 

tutti



 



 

p

 

   f

    f

f

(pp)

Cb.

tra ta,

   

you



  

Myrrhine Dika

Vn. I

sis pp

         

peace.

Kleonike Lampito

Ly f

   

pp

      

crown pp f

f

sola

   

pp

f

  

   

     

    pp  solo      



pp

         

We

       

 

pp

Cb.

pp solo

   

We

      



crown pp f

Holding back Suddenly delicate q = 80

 beat 3   

   

We

tra ta,



119 Slower, precise

        

We

tra ta,



pp

- sis pp

- sis pp

   

  f      

Myrrhine Dika

Vn. I

     

pp

call you "Ly

Kleonike Lampito

solo

 

    f

  f

 

 



 

 



 





 

 





 

 



pp

pp

 

  

pp

pp

1/16/2006


  

Bari Sax. in Eb

Bn.

Hn. in F

Timp.

Perc. 2

Hp.

Vn. I



  

f

  f

  

 

       

  

 

pp

(Crot.)

  

  

f

  

         ff

Vn. II

ff

  

Vc.

    

 

ff div.

  

Xanthe Charito

   

      

    

Va.

  

Vc.

Cb.

1/16/2006



 

3

       3

O Mis- tress Per - sua - sion, pp chanting, freely

 



   





mf

 

p

 

  

 

  

p

 

p





p

p

       

  



 

 

slowing

     

pp

pp

    

pp

   

 



         (pp)              (pp)              



  



  

   pp     

f

  

(pp)

(pp)

unis.

pp

       3

Bless

this oc - ca - sion,

Bless

this oc - ca - sion,

Bless

this oc - ca - sion,

3

3       

 

3

     

 

       3

Ho -

nor our sa - vior,

Ho -

nor our sa - vior,

       3

       3 Ho -

nor our sa - vior, 3

       

this oc - ca - sion,

Ho -

 

 

nor our sa - vior,

   

3

Grant her your fa - vor,

we

Grant her your fa - vor,

we

        3

         



Grant her your fa - vor,

we

3

3

Grant her your fa - vor,

we





























 (pp)







 







       

3







       









 







f

 

Bless

Gb

f

      

Mis- tress Per - sua - sion,

pp

    

3       





   

       

3

pp

f

  

(pp)







f

       

O Mis- tress Per - sua - sion, pp chanting, freely



  

 



  

O Mis- tress Per - sua - sion, pp chanting, freely

    

      





  



pp chanting, freely

A chant q = 56

Vn. II







mf



f

 

    

O

Vn. I



pp

mf

 

mp

   

Sappho Arete



     

     

Myrrhine Dika

Kleonike Lampito

A chant q = 56

 

Hp.



ff

    

952





ff



 

  

  

Va.

Cb.

  

  

 

slowing

 

 

Cl. in Bb

  

 

Fl.

Act II

 

    948



 

120

 

 












121

Act II

Hp.

Lysia

 

     

Xanthe Charito

Myrrhine Dika Sappho Arete

Lampito

 

        

pray...



  



pray...

pray...

the coup de grace p 3

     

Ly - si - a:

  

   



 

 

Vn. II

Va.

Vc.

Cb.

  

  I...



in anguish   

I...

Ai - yi yi....

 

  

3

 

whatdidyouwish to say?

   



 

(hum)

pizz.



  



 

 

   

pizz.



pizz.

  

   

 





  



Triangle pp

 



 







G§ D§

unmade pp

        

      

(hum)

pizz.



pray...



(hum)

(hum)

A bit faster, with the voice q = 63

Vn. I



 

        



           

  

 

Kleonike





        



 

pp

   

  

subtone



Perc. 1

 

Cl. in Bb

A bit faster, with the voice q = 63

    956

 

    

      E vo - e.-





     



      



E vo - - e.

E vo - - e.

E vo - e.-

       E vo - e.-

  arco          arco       arco          arco                

 

   

     

1/16/2006


122

Act II

No. 64: The Armies Approach

  962

Fl.

Suddenly fast, martial, heraldic q = 132        

       



                   

Cl. in Bb

pp 3

3

6

pp 3

3

6

         Alto Sax.

Alto Sax. in Eb

3

pp 3

3  3           

Perc. 1

Perc. 2

Lysia

  

Perc. 2

Lysia

Kleonike

Va.

Vc. 1/16/2006

  

 

(pp)

3

  (pp) 

   

   

(pp)



3

   

The

  

3

 

ar -

3

 

mies,

on

What

Suddenly fast, martial, heraldic q = 132

  

  

(Tamb.)



     

  

  



   

 

3

 

them

 

   

3

 

  3

3



3

   3

  

 

(pp)

                   6

  

to meet us

in

an

 hou

-

 r

     

   

at

the

arch.

 

 

     

 

 



 

   pp   

ossia 8va mf pointed

To

     

 

   

 

3

6

(pp)

 

  3

         6

       

   mp       mp 3    

   

    

all

          

        6

I

that?

 

        

 

is

   

pp 3

asked

     

  

earth

3

(S.D.)

on

pp

   

3

3

the march.

f

    

      

     

3

   

   absent    

3

     

3

3

       

3

3

     

6





3

3

   

Hp.

 

3

       

6

in Eb

Perc. 1

6

                 3

   Vc.      f     Cb.   f           965   Fl.  6          Cl. in Bb  6     Alto Sax. 

Tpt. in D

(pp) 3

3

3

Bn.

6

(pp) 3

pp

  

Sappho Arete

pp

3

(pp) 3

 

  

Tambourine

Small Snare Drum

 

Myrrhine Dika

Va.



Xanthe Charito

Kleonike Lampito

 

pp

   

                 

  

Harmon mute

Tpt. in D

                                         

 

 

lunga

 

measured, cryptic p

 

There

 

 

 

sur - ren - der?

     

 


123

Act II

  968

Fl.

Slower, with the voice

Suddenly energized q = 132

Cl. in Bb

Alto Sax. in Eb

Bn.

Hp.

Lysia

     

  3       

Charito

Myrrhine

Xanthe Charito

Myrrhine Dika

Vn. I

will be

 

Va.

Slower, with the voice



yes.



Vn. II

 

 

Cb.

 

    f

3

f

3

 

     

 

         

f

3

 

    

 p

 p

    

    

 

 p



   

   

p

 p



Glo- ri ous, f

vic - to - ri - ous

Glo- ri ous, f

vic - to - ri - ous

Glo- ri ous,

vic - to - ri - ous

3

3

         

3       

3

    

      

    

      

(f)

    

(f)

      p

f

(f)

3

f

f

(f)

3

        f

vic - to - ri - ous

        

    

3

Glo- ri ous, f

       

Suddenly energized q = 132

         

f

f

Howcould you not tell uz?

 

They're an - noun cing theirsur - ren- der?

f

f

Vc.

  

f

f

3

f

  

f 3

Db Cb

a sur - ren- der,

Sappho Arete

Kleonike Lampito

   

  

    f

3

p

p

p

 p

1/16/2006


124

Act II

  

Cl. in Bb

 

Alto Sax. in Eb

 

Bn.

  

973

Fl.

Timp.

Lysia

   

   3

      3

3

    3

 

Ly - zi - a,

Perc. 1

               



The too - pos- ses sive po - e tess:

but Za - ppho wouldget jea- louz.



  



pizz.

3

3



pizz.

pizz.

3

f

     



pizz.

3

 



 

(f)



(f)





(f)

(f)



arco



pp arco pp arco



pp arco



slowing

3

pp

Grand, sumptuous q = 96 3

 

     

    

f

 

  

p

3

f

  

 









   

 

 

p



Close - the gates!

3

  

sfzpp

   

 

 

   

Pre - pare

   

the god- dess!

 

f



  

   f

    f

  

 

 



   

 

3

       

   

 

  

 

   





  





 

3

      

 



3



f

  

 

p





p









The WOMEN flee within and slam the Acropolis shut. NICO and LEONIDAS lead both ARMIES on, leading with their direly erect phalli. KLEONIKE and LYSISTRATA remain. As the ARMIES settle, KLEONIKE hands LYSISTRATA a scroll.

Vic - to

   



  

pp





3







  

f

f

1/16/2006

al - rea - dy a cli- che...

    



f

Cb.

p

     f          f  Glock.      

Vc.



        

Va.

  p



        

Vn. II

3

3

Grand, sumptuous q = 96

Vn. I

   

f

Kleonike

978

Timp.



Hn. in F

f

Bn.

 

       

f

Cb.

f

Vc.



         

Va.

  

Vn. II

p wan

 

day!

Vn. I

day!

Kleonike Lampito

I'd kizz you:

day!

Sappho Arete

                  

day!

Myrrhine Dika

p confidentially

 

Xanthe Charito



Dika

slowing

  3

-

3

3

3

 

ry

a

     







- waits!

             

  

 p

 p

 p

  


125

Act II

Fast, brilliant, martial q = 132

    982

Fl.

Alto Sax. in Eb

Hn. in F Tpt. in D

Perc. 1

            

p

3

3

p

3

3

6

                     6

Cl. in Bb

Bn.

       

p

  

3

3

  

  

          3

p

  

Tambourine

        3

 

  

p

Vc.

Cb.

    

mp 3

mp 3





3

      

  

mp

   

mp

 

   

3

  

6

3

3

       

 

3

3

    

  

   

3

 

mp

  







mp

mp

    

mf



3

3

mp



   

3

3

                  

mp

6

3

        mp 3

3

  

 Fast, brilliant, martial q = 132      

6

3

3

p

Va.

                 



(Harmon mute) 3

6

3



   

Small Snare Drum

Perc. 2

   

          

                                       

               6         3    6    mf         985

Fl.

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Perc. 1

Va.

Cb.

 



 

 (Tamb.)        

Vc.

mf 3

 





 6 3                                  

3

 mf

3

mf





6

 

  

  

3

  3

       

6

mf

 mf 

 

 

  

     

    

mf

3

6

 

6

                           3

mf

3         

  

1/16/2006


126

Act II

Suddenly hushed and delicate q = 80

   988

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F

Perc. 1

Perc. 2

Hp.

Vn. I

    p

   

p



 pp 

Triangle

 

  pp    pp

   

  994



pp

 p

    



    

p

pp

Slower, precise

Vn. II

Va.

Vc.

Cb.

1/16/2006

        

(pp)

 

(pp)

  

 

(pp)

 

  mp



 

    

 

   

pp





pp







 

 





             

    

 

    

  mp    mp



mp



pp



pp



 

pp

     

senza sord.

 

   

ff

pp

 

 ff

 

 

ff



ff

 ff

  

   

pp

 pp

 pp

 

ff



ff



ff

 



Straight mute

ff



ff

pp

                                

Gb

 pp

solo

        pp mp         mp pp       

     

 

 

 





 

mp



 



 





 

 

Slower, precise



   









 

Alto Sax. in Eb

(pp)

 

   

  











 

Vn. I



                                

Cl. in Bb

Tpt. in D

pp

 

 

pp Crotales



Suddenly hushed and delicate q = 80

Hn. in F



 

solo

pp

  

Vc.

   



       

Va.

Fl.

   

Vn. II

Cb.

LYSISTRATA steps forward, pale, crowned in olive, bearing her scroll.



pp

ff

 

pp

pp

pp

pp

pp

pp ff

ff

 pp

ff

ff

pp

ff

ff

ff

ff

 pp

ff

    


127

Act II

Cl. in Bb

Treading h = 44

    999

    

"Be

3

 

ing

a

 

pp

f attempting pomp

Lysia

     

  

        

bul - le - tin

from the



as

is

Wo- men's Co - a - li tion,



  

our charge,

re - por -

ting

Treading h = 44

Va.

d'arco   punta          pp punta d'arco      

Vc.

pp

     

div., pizz.

Cb.

pp

   

  

   

   

   

    

   

   

   

   

    

   

 

 

 

 

  

   

   

   

   



 

  

    

   1002

Lysia

Vn. I

Both

for

the

his - to

3

-

 

ri - cal

re

 -

cord...

p losing her nerve

   I

   

Va.

Vc.

      

  

      

  

       

  

  

    

 

       

  

know:

 

Vn. II

Cb.

    

     

 

I

know.

"Get to the

ord.

ord.



arco



3

 mp

mp

mp

mp

mp

   

1/16/2006


128

Act II

No. 65: Coup de Grace Bari Sax. in Eb

Slower, suspended q = 63

     1004

  pp

non arp.

  

          

      

       

  

 

 

 

    

 

 

 

   

mf

Hp.

Lysia

      

Baritone Sax. solo

She takes a deep breath, as if about to hurl herself over a cliff.

                     

pp

point..."

Slower, suspended q = 63

Vn. I

    

   

Vn. II

Vc.

Cb.

sfzpp

 

 

sfzpp

sfzpp

 

 

 

    

Va.

3

I'veheard it said, bythe fi- nest minds in Greece, that: Vic - to ry

      sfzpp        sfzpp



  

  

(pp)

  

  



3

isthe on - ly

(pp)

  

      

    1011

Fl.

Cl. in Bb

Hp.

Lysia

solo



pp

    



          

 

 

 



       

solo

pp

   

true peace.

Vn. I

     3

Vn. II

Va.

Vc.

1/16/2006

  

For - give me, then,

  3

 

3

             3 if

3

3    

I seem con- tra- dic - to - ry,

 

3







 

3

3

when I...

     



   



...when I say:

  

    

  

   f   

  

  

f

f

 

    

f


129

Act II

    1018

Fl.

Tpt. in D

Timp.

Perc. 1

Perc. 2

Lysia

   

   

  



pp

 ff

pp

      

Alto Sax.

 

  

     

ff

       

ff

pp

    

 

ff

pp

ff

Straight mute

 

   

peace,

   

peace,

pp

pp

pp

pp

 ff

 ff

 

ff

ff

 



 



 

 



 



   

pp

pp



ff

pp

ff



ff

pp

ff

f

  



3

is the

f

pp long

     o -

  

     

  

 

 





  

p



Peace

 

 

   f  

pp

ff





peace,

pp

ff

ff

pp



pp

ff

pp

Cb.

pp

pp

Vc.



Surging forward q = 69

Va.

ff

ff

  f  

Vn. II



ff

senza sord.

pp

Peace,

Vn. I

 pp

 

Alto Sax. in Eb

Hn. in F

  

Cl. in Bb

Bn.

Surging forward q = 69

nly

f

      

true

3

vic to - ry.

 

 

 

 



  

  

  

  

  

pp

pp

 

 

 

 

 

 

pp

pp

pp

f

f

f

f

f

1/16/2006


130

Act II

 

1024

Fl.

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F

Slightly slower, with the voice



Suddenly reckless q = 144



pp

pp

 

 

brassy

 

mp

 

senza sord.

Perc. 1

Perc. 2



               This I of - fer

Nico

Vn. I

   

Vn. II

Va.

Cb.

1/16/2006

 

Small Snare Drum



 

  



Slightly slower, with the voice

darkly mp

  

 pp

   

    4

      



4

 4                    4 f 2    

 

pp

3

3

   

We've

















Suddenly reckless q = 144

 

mp

 

 

pp



Marimba



pp



If you came for sur - ren- der,youcoul -d'nt be wron ger.

Com- man - der...

4

The WOMEN cheer. The MEN roar.

3

3

for yourcon- tem- pla- tion.



4

o

4

3                 



     mp





The ARMIES murmur, look daggers at NICO. f reckless

Vc.







f

      f      f

   

f brassy

mp

pp

pp

Lysia

f brassy

  

f

     3

mp

pp

 

 

pp Tpt. in D



mp

Piccolo

mp

mp

     3 f

     3

f

     f 3














131

Act II

   

(Picc.)

1028

Fl.

Cl. in Bb

Alto Sax. in Eb

Bn.

 

 



4

   



  

4

     

   

   

    

      

brassy

p

f

3

    

              

  

(S.D.)

Lysia

    

 

    

o



4



Va.

  







 

brassy





    





   





brassy    





f

3

f



brassy

 

f

p

 

f

p

(f)

 

 

4     4

2

         

pp

       

   

      

    4 4

     

                 

   





  



  

      



    

      



p

f

f

3

f

p

    p

     3

f

     3

f



 

 

f

     3

f



 

p

 

 

3

3

3



      



Strongas youmen are,your wo- men arestron ger:

3





3



  

    

mp

      3               

p

Cb.

4

mp

p

Vc.



 

 

3

Vn. II

p

las - ted this long, we can last much lon - ger.

Vn. I



f

(Mar.)

Perc. 2

p

 

f brassy

p

Perc. 1

4



     

brassy

p Tpt. in D

 



f

p

Hn. in F

f





4



4

4





 4

   

    

1/16/2006


132

      1032

Fl.

   

Alto Sax. in Eb

   

    

Vn. II

 

    



  p  

Still:

Vn. I

      sub. pp    



mf



4

that's

4

not

to

       

Fl.

 

Alto Sax. in Eb

 

Bn.

Hn. in F Tpt. in D

Timp.

Perc. 1

Vn. I

pp

Vn. II

pp

Va.

   pp

Vc.

1/16/2006

to

this

 

 

  

    (mf) 

to

of

 

     mp

fer

you

  

sub. pp

o

pp



  pp

si - tu

 

 

 a

sfzpp

-

  

mp

pp

  

mp

pp

  

 

mp

pp

 

  sfzpp



  sfzpp



 

sfzpp

 

-

mp

    

 mp   mp   mp

 



 

    

 

 

f

   f     f  

 

 

 

sfzpp

    

  proclaimed: "Behold! The goddess Peace!"

so

 

tion.

pp

 

-



  

mp

 

 2

 

       f      

3

 

pp

mp

de - sp'rate

 

mp

 



   pp

Cb.

4

lu - tions

pre - pared



  

pp

 

mf



4

pp

4

pp

    

  

mp

pp



(mf)

pp

pp

pp



  pp   pp  

 

mp

   

 

mp

pp

pp

4

  mp  

mp

    mf  

   (Mar.)        

pp

not

        



 

we're

pp

mp

mp

pp

 

 

       

  

  

 



pp

pp

Lysia

 

 

        

(Picc.)

Cl. in Bb

  mp 

   

mf

    1034

 

mp

   

sub. pp

   

say

sub. pp

Cb.

    

mp

        



pp

pp

         



pp

mp

sub. pp

Vc.

mp

pp

   

Va.

pp

        

pp

sub. pp

Lysia

mp

        



       

pp

(Mar.)

Perc. 1

        

(Picc.)

Cl. in Bb

Bn.

Act II

    f      f

    f    

f

 

 

 

 

 


133

Act II

No. 66: The Goddess Peace

LYSISTRATA signals to KLEONIKE. Another burst of music, and the Acropolis opens wide. Inside, we see the WOMEN in gorgeous display. At their center is LAMPITO, whose smiling head emerges as the head of a titanic (twice human-scale) statue of a heartbreakingly voluptuous female nude, on the body of which is drawn in convincing cartographic detail a schematic of the island territories disputed in the war.

Magnificent, celebratory q = 116

(Picc.)              6

         

1037

Fl.

f

f

Alto Sax. in Eb

Bn.

Hn. in F

  f  

   f

f

Tpt. in D

Timp.

Perc. 1

Perc. 2

Vn. I

    f  



     

 

             







6





6

 f 

Crash Cymbal



 Magnificent, celebratory q = 116    

Vn. II

f

 

  

f

  

Vc.

Cb.

f

 

 (Picc.)  1039          Fl. 

Alto Sax. in Eb

Bn.

Hn. in F Tpt. in D

Timp.

Perc. 1

Perc. 2

Vn. I

6

     



        

Va.

Vc.

6

mf (Crash Cymbal)

   









(f) (Tamb.)

 

 

  

 





 

6



 

 

6



         6

           

 

     



 

p

   

6

   

      

 

    

 

 

6

 

 



  

         



    mf

 

               

mf

 

 

p

p

  

   

p

            

           





 

6

 

               





 



6



                6



mf







 

          

     

 

 

      





  

              



   



    

 





           

 

  

Vn. II

Cb.

f

  

Cl. in Bb

        

mf

  p

f

Va.

Tambourine

  

p

6



 

         

6

                

mf

        

 

Cl. in Bb

6

         

 





p

p

          

   

1/16/2006


134

Act II

               

         

1041 (Picc.)

Fl.

6

Alto Sax. in Eb

Bn.

Hn. in F Tpt. in D

Timp.

  

      

Vn. I

      mf    

Vn. II

Va.

p

mf





(Picc.)              1043

Tpt. in D

Timp.

Perc. 1



        

6

Hn. in F

            

Bn.

 

6

    mf  

(Tamb.)

Lampito

Vn. I

      

 

 

 

 

  





                        



      

    

 

 

 

        f

(l.v.)



    

 

 



            pp

vife





 



  





 



        

    

  

   pp

          3

to

Le - o - ni das,

                 









 





 

 

                

 

              

  

             



 

Lam - pi- to,

  

 

 

 

    

            

f

p



     





 



 



           5         div.     5

6

           



 

I,



 f

Vc.



6





 

Va.

1/16/2006

 

               



 

mf

   

Vn. II

Cb.

                                                    6 6                                    pp f  Small Tamtam          

  

pp

Perc. 2

mf

6

                  

  

         

                       p

6

6

 

Alto Sax. in Eb



 

Cb.

Cl. in Bb



Fl.

 

 

Vc.

6

                   



           

   

mf (Tamb.)

Perc. 2

6

      

 

Cl. in Bb

           

          


135

Act II

  

Cl. in Bb

 



Alto Sax. in Eb

 

1048

(Picc.)

Hn. in F

Tpt. in D

Timp.

Perc. 1

Perc. 2

Hp.

Xanthe Charito

 



  









  

  





  



  

 



 

  



 



 

   Ac - ting

  

 faw

  

   

 all

ouah

         











   daugh tawz

       



          

 

  and

  

 vives,

   

    

         

  

   f 

        

Cb.

 

 

Vc.

 

 









(omit low Gb if unavailable)     

 

   f 



  

  

Vibraphone, hard mallets, motor off

 f





 



 

 





Glock.

Va.

  

 

 

 



f



Vn. II

 

  

  

Sappho Arete

Vn. I

 

   

Myrrhine Dika

Lampito



  

Ap



-

   

             

  

  



 

 

 



  

 





Bn.





Fl.



ff

Ah... ff

 

ff

Ah...



Ah...

peah heah,



  

Guized

  (f)

     





the

 

(f)

3

az



(f)

(f)

  



(f)

* Adapted from Bachylides, 5th century B.C.E.; translation by Brooks Haxton 1/16/2006


136

Act II

 

1054

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F

Perc. 1





 

   



   





 

  (Glock.)   

Hp.

Xanthe Charito

 

   

 

 

Lampito

     God- dezz

Vn. I

Va.

Vc.

Cb.

1/16/2006



of

Peaze:

2







2

















 

E# G§ A§ D§ C§ B#

K.

K.

A.,

A.,

      



2

    

A.

2

K.

A.



  















Ah...

  



Ah...



Ah...



 



 ze





or,

all,

all





 

    

 

states





 







   











 











 











 

Vn. II







A.

 

    

A.

Sappho Arete

 

        

  

Myrrhine Dika

        

     

f

f

(Vibes)

Perc. 2



   





of

    


137

Act II

   

Slower, billowing, radiant q = 72

1060

Fl. Cl. in Bb

Bn.

Hn. in F

      

   

pp

        

 

   

pp

 

 





  



pp

pp





  

   



    





Myrrhine Dika

 pp   





pp

Sappho Arete

   





   





Timp.

pp

Xanthe Charito

Lampito

Gweeze.

Maron Meleagros Alpheus

         It's a mi - ra cle! f

(mi - wa cle!)

Kinesias Philo Bion

    

   

It's a

mi - ra cle,

 

   

a mi - ra cle,

Slower, billowing, radiant q = 72

Vn. I

Vn. II

Va.

Vc.

Cb.

     

 

pp





pp

 

 

   

  

     pp     

So Zo

sight! (zight!

    

pp



pp



pp

sight! These ripe, these rol -ling hills, (zight! Zeze wipe, zeze woll ling hills,



  





      

pizz.

pp

straight mute

 mp     3            What a

ripe... wipe...

Clear ly,

could make a grown man could make a gwown man



pp

-

 groan: gwoan:

      

pp

   



pp

 



 pp

p

    

       

  

pp

   

 

 

mp        

mp

What a

f

    3     



   



 

 



(Picc.)

   

 

 

Tpt. in D

  

pp

solo



1/16/2006


138

Act II

1065     

f

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

mf

 

 

   f

mf

     mf

p

p

Philo

pp

  

f

  

It's at

  

f

 

f

It's at

  

It's at

Kinesias Bion

Vn. I

   

Va.

 

Vc.

Cb.

1/16/2006

  

It's at

  

Vn. II

f

   mf

   f 

ss.

  

 

mf

 mf

gli

 

Maron Alpheus

mf



  

mf

   

mf

 

  

 

   



  

  

 Eb Gb Ab Db Cb Bb

    



 

claim

this land (zis)

 claim



 claim





I

  

 

I

 

        mf   

the gods' com- mand, (ze)



I

 



 

the gods' com- mand, (ze)

I

the gods' com- mand, (ze)



  

the gods' com- mand, (ze)





 

Meleagros

       

 

mf

   

f

p

  

Hp.

  

p

  



    mf   





Timp.

   

gli ss.

Cl. in Bb

claim

  



    p

for

this land (zis)

this land (zis)

for

this land (zis)

for

 

           

 

  

 

3

p

  

Zpar- ta's,

3



 

p

p

p

 p



A - thens',

p

  

A - thens',

  

3

  

Zpar- ta's,

    arco

A - thens',

 p   

 



p

for

 

A - thens',

 

 

  



                

pp

pp

    

 


                  pp                

   1068

Fl.

Cl. in Bb

Perc. 1

Perc. 2

Lysia

Flute

   

pp





Vn. I

        

Vn. II

 

Va.

pp

  

Vc.

  

Zpar- ta's,

   

Zpar- ta's,



   

  



pp

 

Vn. II

Va.

 

Cb.

     

 

   Zpar ta's,  

A thens',

   

 

  

  

A thens',



A - thens'



    



own...

  

own...

A - thens'

own...

Zpar- ta's

 

 

    

        





   



f

     



Wrong.

Kle- o?

   



f

   



   



f

       

arco

f arco

       f arco      f arco

    

f arco

   

pizz.



f

pizz.



   

pizz.

   

f

pizz.

   

own...

   Zpar- ta's  

pizz.

 

Vibra-slap

Zpar ta's,

 

solo

  (Mar.)   

      

       3

mp

pp

        

mp

      pp

3

        

p

    





         

f

pp

mp

5

        

   

pp

mp

        

(p)

      

 

 

p

p elegantly

       

Vibes, motor off

KLEONIKE takes up a long wand that she will use as a pointer on the statue. She makes her way downstairs, as the MEN pant at the preening LAMPITO.

3

3

    

Think of this land as

a

   



 



3           

pp

Vc.

pp

  

Swift, strutting q = 144

Vn. I

A...

  3           pp

Kleonike

A...

Swift, strutting q = 144

Perc. 2

 

No. 67: Kleonike Makes a Point

1071

Perc. 1

 

Zpar...

Alto Sax. in Eb

Marimba

Zpar...

A - thens',

pp

Cb.

   

A - thens',

Zpar- ta's, Kinesias Bion

    

     Zpar- ta's,    

Philo

139

f

  

Maron Alpheus

    

 

Meleagros

Act II

            pp pizz. accents   heavy        3

p

3

      3

           

3

      3

           

  

3

3

    

3

     

    f    f

pp

mp

3

    

mp

     

mp

      pp      p  1/16/2006


140

 

Act II

1076

Bn.

Perc. 1

 (Mar.)    

(Vibes)

Perc. 2

Kleonike

Vn. I

 

  

        

 

3

3

      



 



beau - ti - ful girl -

who's

3

     

1081

Fl.

Cl. in Bb Alto Sax. in Eb Bn.

Hn. in F

Timp.

Perc. 1

 

Perc. 2

 

Hp.

Kleonike

      

a - ny who come her

Kinesias Philo Bion

Vn. I

Vn. II

  

 

  3

Va.

Vc.

Cb.

1/16/2006

          

3

3

 

 

mp

mp

 mp

             





             

    

      mp     

 mf      

way.





non arp.

    



p

Come,

come



   come

   

f

3

my



3

 

p

3

 

p

 p



3

my

     

mf     

p



 











 mf   









p

p

                    

    

 3

you'd

 con -

3

3



  

stant - ly

quar - rel.

As

 

way!

mp

3



  

 

3

 



  

 

  





3

  



  



mp

mp



mp

 mp

3





 



 



 



 

3

  

 

  









3

3





   



  

mf

but im - mo - ral;



  



           

mf

3



  

way! f

3

  

3

     

 mf    

3

p

p

3

Sweet,

3

  

p

f

to

f

  

o - pen her bo - dice

mf      

p



 



     

p

mf



p

  3

     

f

 



           

            mp

p

f

to

     

3

p

 

3

3

   fluttertongue    

3

p

mp

mf      



 

     

p



    

     

Come,

3



      

Ne - ver too mo - dest

        

3

        pp   no pedal      

 

3        

Maron Meleagros Alpheus

3



  

p

 

(Vibes)



 

play.

          

pp

(Mar.)



  



3

  

to

     

3

 

al - ways rea - dy

        

           Cb.    Vc.

 

3

         

Va.

          5 mp pp  pp               

(p)

  

Vn. II




141

Act II

  

 

 

1085

Fl.

Cl. in Bb

Alto Sax. in Eb

Bn.

Timp.

Perc. 1

 

 

 

 

mf

Hp.

Kleonike

 

      

Va.

Vc.

3

 

be

Hn. in F

Kleonike

Maron Meleagros Alpheus Kinesias Philo Bion

Vn. I

Vn. II

Va.

Vc.



al - most

un

-













   

pp

 



3

   

choke

pp

bea - ra - ble:

3



 

   

 

3

3







 

       

   

              

 

   

 

3

  

 

3







But...

 



      

      

These ripe, these rol - ling hills

f

f

   



f

     

    pp 3

    

thatmake a grown man

    pp 3      

pp







(groan) anguished (groan)

 

  

 

Could so

de- luxe a

       

 





 

 

del - ta

        not melt

    pp

      pp

     

 

pp



pp

            





Groan...

commanding

a heart of stone?

 

                

      

      

pp

pp

         

pp

pp

    



groan;

f



Groan for me? anguished

     

    



  



pp

pp

 

   

    

3

  



pp

sweetly

3

 

  

   

f

3



   

3

3





    



3

3

1089

Fl.

pp

Half tempo; billowing, radiant q = 72

 

 



 

3

 

 

                      f                     

Vn. II

Cb.

3

mp

wife, she'd

Vn. I

 



(Vibes)

Perc. 2

solo



pp

 

 

mf

 

Small Suspended Cymbal

mf

       p

Half tempo; billowing, radiant q = 72

 

     

p

p

   

  

  

 













 1/16/2006


142

Act II

    1093

Timp.



  



   



Kleonike

Maron Meleagros Alpheus Kinesias Philo Bion

     

     

mf





 







 









        



























   

  



   

(Vibes)

mf

           mf

  

 

   

     (groan)      

    

  

 

Hp.

mf

      



f

Perc. 2

     

mf

 

Marimba

Perc. 1

     

mf

     

mf



  

  

  



 



Coul-d'nt

f

(groan)

  

   

    

   

 

  

3

she be,

shoul - d'nt she be



                        

                       



 

3

   

 

  

    

3

ju

3

di - cious - ly,

3

de

 

Twice as fast q = 144

Vn. I

Vn. II

Va.

Vc.

Cb.

1/16/2006

           

   

              

    

3

 

mf

   

3

 

mf

   

3

 

mf

   

3

 

   

mf

(pizz.)

 mf







    

3

3

3

3

                    





 Cb

   -

  

 

   



Bn.

 

     



Alto Sax. in Eb

      



Cl. in Bb





Fl.

Twice as fast q = 144

    

3



 



 



 

 





3

3

3

 

-


Act II

 

1097

Fl.

Cl. in Bb

Bn.

Timp.

   

 



 

 

 



(Vibes)

         

 

         

   

Kleonike

Vn. I

     



Hp.

 



 

li

Vn. II

Va.

   1099  Fl.  

Bn.

Hn. in F Tpt. in D

Timp.

Perc. 2

Lysia



Vn. I

 

  

 

mp

f

mp

f

mp

mp

Va.

Vc.

3

3





ly,





 

  f   f

 

 senza sord.

mp

f

 

E

mp



mp

mp arco

 

mp

f

  f   f   f  

f

           

mf

     

mf

  

 

 -

f

   

 

-

                

nough!

 nough!

    

pizz. f

 

mf

E



Five Temple Blocks

  

            

 

E - nough!

 

 

 

 E§ F# D§ C§



3

-

rea

-

     

    

         

    mp f      mp f      mp

 

    mp f      

  



 

piece



now!

This

piece

now!

p

p

 p

  p

arco

  



 



p

f

 

f

This

mp

        

     mp f     

 





ble?

   





    

 

E - nough!

  

 

 

sha

          

mf

 



       

mf

 



      mf         

mf

 

3

  

 

Vn. II

Cb.



     

Maron Meleagros Alpheus Kinesias Philo Bion



-

3



 

 

3

cious



 

Alto Sax. in Eb

-



Cb.

Cl. in Bb





Vc.



 

               



Perc. 2

Alto Sax. in Eb

143

   

              

mp

f

q = q.

 

 

 

 

 

 

   

 

f

Ne -

 

      

f

f

    f        f

   f

   

   

 

q = q.

 

 

 

 

  1/16/2006


144

Act II

The same tempo; driving   q. = 144

          p 1102

Fl.

             p

Cl. in Bb

        

Alto Sax. in Eb

Bn.

p

         

     

  

               p

Hn. in F

Lysia

                

go

-

ti - ate

a

  

  

set - tle- ment,

     2

the peace - ful

life





 

p

   p

 

             

Va.

Cb.

               p              1105

Fl.

         

Cl. in Bb

       

Alto Sax. in Eb

Bn.

Hn. in F

Lysia

      

      

         sub. p         sub. p            sub. p

sub. p

   sub. p

Vn. I

mf

Vn. II



mf

  

Va.

Vc.

Cb.

1/16/2006

mf

 p

 p

 p



 

 

 

mf

mf

p

p

        

ours.

      

 



 



p

p

  

  

Of course,

if

pp

pp

     pp

you

  

men:



   

   

    

mp

p

mp

it,

we'll

p

p

  p

q. = q



 



pp



pp

pp

mp

 



 

     

p

 



mp



           

   

    

un - as -

  

mp

mp

gic's

       

pp

    

-

 



2

   

      



pre - fer

 

   

  

   

  

 

the lo



 



  

    mp

pp



     

mp

 

p

   

pp





 



    

 

     

Ad - mit it,

 

p

 

    



            pp 

is

  p

     

     

    

          

         

  

      p

  

  

p



2

 

         

 

p

mf

sai - la - ble.

  

   

 

mf

 

                 

mf

 

mf

 



  



mf

   

p

Vc.

p

mf

 

 

mf        

         

          

Vn. II

 

     

The same tempo; driving q. = 144

Vn. I

mf          

         

     

  

     

p

    

  

         

pp

pp

      mp       mp

       mp        mp

         with - draw

  pp

to

ou - r

pp

      mp

pizz.

      mp

  

    



    





pizz.

pp

q. = q

    



pizz.

pp



towers:

pizz.

 

  

mp

mp



pizz.

pp

mp


145

Act II

    1108

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F Tpt. in D

Timp.

Perc. 2

Hp.

Lysia

Xanthe Charito

Myrrhine Dika

Sappho Arete

Kleonike Lampito

The same tempo q = 144

   

  



    



      

Vn. II

Va.

Vc.

   

 

  

   3     pp

Once a - gain,



mp

 pp

mp

 



p

   

 

  

so - sor - ry!

      3

p

Once a - gain, so - sor - ry! pp



Xylophone





                         p

  G# A§

 

  

f

Once

  

  f

a - gain,

so

a - gain,

so

  

Once

  

3     

 

  

 

Once

  

a - gain,

so

 

    

 

  

Once

  

a - gain,

so

  

    

 

  

  

so

 

 

   f    

Once a - gain, so - sor - ry! pp 3

pp

pp arco

f



p



 

pp

p

f

 

f

  

pp

f

3

    pp

  f

Once

 

f

 

  f  

  pp arco    

   

3

Once a - gain, so - sor - ry!

  arco    pp arco       

Once a - gain, so - sor - ry! pp

           

        

 



          



pp



p

          

 

pp

Cb.

p

p

The same tempo q = 144

Vn. I

           

    

pp

p

mp

pp

          

mp

pp

 

 

    

  

p







p pizz.

 

a - gain,

3

 

 







3

3

 p















p

1/16/2006


146

Act II

   1113

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

 

 

 

    

 

 

    

  

 

 

    

 

 

    



  

  

 

   

 

  



Hp.

Lysia

   

-

ry!

sor

-

ry!

sor

-

ry!

 

Sappho Arete

sor

 

sor

     

Vn. II

Va.

1/16/2006

Vc.

Cb.

sor

 

Myrrhine Dika

Vn. I

 







 

 

    

    

 

 

    







  

   

  



  

     

  

  

       



un

3

un

3

un

-

3

 

3

3

ry!









 

-

-

un

 



 

-

a

-



a

-

la - ble...

vai



-

la - ble...

vai

-

la - ble...

-

-



vai



vai



 

 

 

-

la - ble...

-

 

la - ble...

3







          













    



     f

 

     

 

3



f

 

vai



-

ry!

3

 

3

un

3

 -

 

f

 

f

f

f

f



    



Xanthe Charito

Kleonike Lampito

 



                                               (Xyl.)

Perc. 2



   

3

































f

f

  

  

  

f

f

f


147

Act II

   1116

Cl. in Bb

Bn.

 

Vn. I

 

Va.



 pp

   

 

   



 

slight arp.; fast, but not aggressive

Too

 

      





 

 



 



pp



   



  p

 



sir:

Too

late

   

   

mp

mp

   



 

p

 



pp

day,

mp

 

 for

mere





pp





pp





pp

 





 

 

re - sis -

     

pp

mp

pp

  

 

pp

mp

            

    



Suddenly deliberate q = 80 pp

p



 

  

the

   

pp

in



   

         

late

 

 

solo

 

 

p simply

 

     mp       

Vc.

solo

 

Vn. II

Cb.

Suddenly deliberate q = 80

   

Hp.

Leonidas

No. 68: Surrenders

A# B§

tance...

mp

      mp



           





     mp

 

 

 Fast, driving q = 144

     1121

Fl.

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F Tpt. in D

Timp.







pp





   







 







 

 





 

















pp



pp

    

pp

   





f







f







  

f











 









 





  











 



















 

f





pp

 

 f



f

     



pp





                              (Xyl.)

Perc. 2

pp

   

   



pp





   

 



 

 



       f

f



ALL, hollering, entreat NICO

     

Fast, driving q = 144

Vn. I

Vn. II

 

pp

Vc.



Cb.

         







 



 

3

pp

Va.

3

pp

 





 

  



 



 



f





3

 

3

 3

 

 

 

  

 3







f

f

 

pp















f















f

pp

 

1/16/2006


148

Act II

   

  

1123

Cl. in Bb

Bn.

Hp.

Leonidas

Careful q = 80

     slight arp.; fast, mp but not aggressive   

p     

Too

late

in

the

Vn. I

       

Vn. II

  

Va.

   

Vc.





pp





pp



pp

p

Cb.

    p

 

  

pp

  

 p

 pp

 

sir:

Too



 















 

mp

mp

   

sheer

pp

  





pp

 



 

 

pp

 

pp

mp

per



pp

 

 

 



mp

for

mp

late

 



 

 -





 

   



mp



tance...

 

 





mp

 

mp



 

    1127

Fl.

  

Cl. in Bb

Alto Sax. in Eb Bn.

Hn. in F

Tpt. in D

Timp.

     



pp



pp



  

























 

























  

pp



    

pp



pp



   

     





f





f





  

f

 



 









 

 





 



 







 





pp

 

f

f

 







f



pp





                              (Xyl.)

Perc. 2







      

   

   

pp

 

            f

f

Again THEY entreat

    



    



   



Fast, driving: q = 144

Vn. I

pp

Vn. II

pp

Va.

pp

Vc.

Cb.

1/16/2006

   pp       pp





3

3

  

 

 

 3











3



3



3



  

f

  

 

f

f













 













f

f

 

     



 Fast, driving: q = 144





 - sis





     



 

   



  

 

 

pp

day,

 

    



 



 

solo

   

 

Careful q = 80

 


 

1129

Hn. in F

Nico

Kinesias

   



      



Hp.

  

mp

pp

 

F§ Gb Ab Bb

 

         

Ge - ne ral:

we

   

"Ly

  

sub. pp

sub. pp

Vc.







 

   

-



sis

-

      

solo, noble, cantabile



 





   

 

   

 





p

 



       

 

 

p tutti

arco

3

        

pp

 

mf

    

arco, solo

         

p

mf



con cede.

   

      

  

 

 

We

tra- ta:"

   

      

sub. pp

Va.

Cb.

Vn. II

        

Slower, ardent q = 84

Vn. I



General rejoicing. NICO remains immobile. LYSISTRATA's eyes never leave him. pp pointedly mf

plead...

  

149

Act II

Slower, ardent q = 84

p

 3

mf

     mf      

 

mf

 

mf

p

Fl.

1136      

Cl. in Bb Alto Sax. in Eb Bn.

Hn. in F

Perc. 1

Hp.

Vn. I

mf

  

    mf    

 

  

4

    f

6

 

 mf

6

    

      

3

    

pp

mp

    

pp



6

          f

        

p

4

 

        mp

4

    

mf

    

    

pp

    

mf

 





    



   

mf

mf

 

   

pp

pp

pp

pp



                                

   

  

mf pizz.

        



mp



  

Db

 

mp

4

Cb.

     

    

Vc.

mf

mp

4

Va.

   

     

     

Vn. II

Marimba

pp

           

mf

   

f

4

             4 3

 

  

  

  

3

f

  

p

   

 

4

p

4        

  





p

f

  





p

f



1/16/2006


150

Act II

      mf     

1143Brisk,

Fl. Cl. in Bb Alto Sax. in Eb

Bn. Hn. in F

Kleonike

    mf      mf       mf

mf

 f   

bright q = 120

 

Go:

     

bathe,

 

dress,

Brisk, bright q = 120

Vn. I

   

     

mf

    

Vn. II

mf

Va.

mf

Vc.

mf

Tpt. in D

Timp.

Vn. I

              



 

 

 







 

pizz. p pizz. p pizz.

p pizz.

p

   



  

 

3              

rea - dy for the feas - ting

of our

 

 

  f  

      

sfzpp

lives!

p

p

p

p

straight p mute

 

f



 

p







    



     



f



f









f

    f

   

f

f

     

     f         

Eb D§

to LAMPITO

  

         

(pizz.)

mp

 



 





 

 

 

 

f

f

  

f

f

f

 

 



  

 

 sfzpp arco  

arco

sfzpp arco sfzpp arco

sfzpp arco

sfzpp

   

p, aroused, in Spartan dialect 3

Muz - zer was

 

Get





hou - r:

 

the



with - in



Vc.

back

Be

  

  

 

for your wives:

Va.

1/16/2006

hand - some

Vn. II

Cb.

3

shave, get

 

Leonidas

  

Hp.

Kleonike

Alto Sax. in Eb

Hn. in F



 

Cl. in Bb

Bn.



a little faster, with the voice

1146

Fl.

wight

3

a - bout

you.

a little faster, with the voice

      f      f       f     f     f

  














151

Act II

Magnificent, celebratory q = 96

               

         

Piccolo

1151

Fl.

f

Cl. in Bb Alto Sax. in Eb

Bn.

6

   f     f    

     

 

                 







f

Hn. in F Tpt. in D

Timp.

Perc. 1

Perc. 2

f senza sord.

       f       

6

           

    

          



               



6



mf Crash Cymbal

    f    

  

  p

Tambourine

Vn. I

  

Vn. II

f

 

f

f

  

Va.

  

Vc.

f

Cb.

    



f

           

        

(Picc.)

1153

Fl.

6

 

Alto Sax. in Eb

Bn.

Hn. in F Tpt. in D

Timp.

Perc. 1

Perc. 2

Vn. I

   

      



mf (Cym.)

Va.

  

p



6





6

 (f)

(Tamb.)



 

 

 

         

   

 









6



 

 

 

 

  

6

 

   

   mf

6

 

     

 



6



6



 

   

p

         

   

      

 

    

 

 

 



  



 

   

               

mf

p



         

           

         

p

 

6

 

              

        

              

           

  





p



mf

               

  

Vc.



   

6

    

 

Vn. II

Cb.

           

  

Cl. in Bb



     



  

The MEN charge off. The Acropolis closes, leaving LYSISTRATA and NICO alone.

 Magnificent, celebratory q = 96    

  

mf

 

6

           



solo

6

6

         

 





p

          

   

1/16/2006


152

Act II

1155             

          

(Picc.)

Fl.

mf

Cl. in Bb

6

Bn.

 

Hn. in F

Timp.

mp

  mp

   mp   

mp

Perc. 2

Vn. I

 (Tamb.)      mp    

 

Vc.

Cb.

   mf



    



      







      

mf







mp

    



 

mf

Va.

mf

Vn. II

                  6 6

p

p

p



p



 

6





          

6

 

mf

  

mp

6

solo                   6 6

mp

Alto Sax. in Eb

          

p

   

     





 



     

        



      

mp

      

   mp



      

 





mp

 mp 



  



mp



     







 

  

1157

Cl. in Bb

  pp

         6 p        solo

Alto Sax. in Eb Bn.

   pp    

 

        

 

straight mute

Tpt. in D

  

6

pp

Hn. in F

   pp

Hp.

Vn. I

Vn. II

Va.

1/16/2006

      

           

p

p

 

 

 





 

pp

 



 

 





  

 

    5

      

 



 

pp

   



p



 

 

 

p

Cb.

    p    p  

Vc.

 

pp

Timp.

 

     

 

pp

 

 

 

 

pp

 

pp

solo

  

pp


153

Act II

Bari Sax. in Eb Bn. Hn. in F

Hp.

Lysia

Nico

 

    pp    

  

       

solo

Vn. II

Va.

Vc.

Cb.

Bari Sax. in Eb

Bn.

   

Hn. in F

Perc. 2

 

    

I'm

Lysia

Va.

Vc.

Cb.



  

 

    

 

pp



(p)







(p)





     2

  2

2

(p)

 

  2

2

 

    

 

              

pp anguished

co...

 



     

              

No!

al - ways re - mem- ber your smile, your kiss...

I'll

        

2

  



             

  



  



     

  

        

  

 

mp

 

mp

 

2mp

 

2 mp

 

2 mp

 

 

     

      f       f       f





 

 

Snare Drum  Small      pp    f             



Your gig gle, your glow...

f

  





 

      f      



 

 

  













 

 





miss...



 

 

  





   

q. = q q = 84



  

 



 







 

num- ber of won - der- ful things I'll

       



     





mp willfully oblivious

The

  

 



           

  

 mp     



       

 

   

 

 



                      



  





  

 





  

Pushing forward q. = 76



(p)

Still faster q. = 84

Vn. II

   

   

  

4

Vn. I



arco

   

Li - sten, Ni - co... mf

Nico

    

this...

 

  

 

Ni -

like

  

 



sor - ry our love had to end

tutti    

 

 

p

            

 



 



   

       



     p     

pp coolly

               

 



Hp.

     

 

    

   

p

 1163 Still faster q. = 84 Flute     Fl.    

Cl. in Bb

Baritone Sax.



Cool, measured q. = 69 (e = e)

Vn. I



   

 p 



 

         



Pushing forward q. = 76

   mf



      1159

Cl. in Bb

Cool, measured q. = 69 (e = e) poco

    



Eb A§

Pleaselet me ex plain...

 

q = 84

  

q. = q

pp non cresc.

   pp non cresc.    pp non cresc.

   

pp non cresc. arco

  

pp non cresc. 1/16/2006


154

Act II

     1167

Cl. in Bb

Bari Sax. in Eb Bn.

Hn. in F

f

  f     mf    





 

 





f

 

mf (straight mute)

Tpt. in D

Nico

Vn. I

   mf      No.  

Vc.

 

     



 

f

   

Bari Sax. in Eb

          f

Vn. II

 

Vc.

mf

     

 

 









  



















  

pp





mf

  

  













    

pp

   

pp

   

pp

  

  



 



 

7



f





 

  

   

pp

 

  

  



 E§ G§ A#

He is gone.

In an exaltation of grief h = 63, in 4 (2+2+2+1)

       ff     

    ff     

      ff

1/16/2006

     

ff

Cb.



   

    

ff

Va.



Vn. I





Hp.





Timp.



f

     f

Hn. in F

In an exaltation of grief h = 63, in 4 (2+2+2+1)

      1169





Baaaa!

 

Bn.

  

f enraged, because unmanned

    

Va.

Cl. in Bb

 

Vn. II

Cb.



Fl.

    

    

        

  

  

  

       7

  3

      ff

   

    

   

  

  

  

   

   

  

   

   

   

   

   

 

 

 

 







3

sub. pp

    3

ff



   



sub. pp



 

 







     3

   

sub. pp

    


155

Act II

No. 69: Lysistrata's Prayer      1173

Fl.

Hn. in F

Lysia

         solo

  

Cl. in Bb

Bn.

A little faster q = 69

p

pp

 

  pp

   

   

   



   

 p





  





  





  

  

 

pp



  

pp

  



 



 



   

p coolly

3 3 3                           3

A- res, A - phro- di - te,

for

a - ny o- ther vic - to- ry, I'd sing you pa- ne- gy- ric,

I'd

A little faster q = 69

Vn. I

    

  

Vn. II

Va.

A devastated LYSISTRATA addresses the statues of the gods.

   

    

 

 

 

    



 

   1180

Fl.

Cl. in Bb

Bn.

Hn. in F

Lysia

Vn. II

Va.

Vc.

Cb.



   

     

3

 

for

our plan.



mp flaut.



mp flaut.

 

 

  





 



    



  



  

 







mp flaut.

3

mp

mp



 



 

 3

A -

      3

res,

A - phro - di - te,

 

while,



 



yes,

this is

a

vic



 

pp

 

 



 





 





 



pp

pp

flaut. mp

3

 

But,

flaut.

 

  





  

 

praise you

Vn. I

pp

pp

  

to - ry,

I

     

 

-

6

  

  

       6









1/16/2006


156

Act II

    1183

Cl. in Bb

  



mf

  



mf

  



  



         

mf

Bn.

Hn. in F

Perc. 1

   

       

sub. pp

sub. pp

    f

Lysia

3

find

Vn. I

Vn. II

   

f

  

Vc.

Cb.

         

3

3

Triangle pp

sub. p

3

it

f

Va.

sub. pp

ra - ther

Pyr- rhic:

   To

         

win



pizz.



 



pizz.

 



 



pizz.

f

sub. pp

  

f

sub. pp

 

 Slower, ruminative

    1187

Cl. in Bb

Lysia

   

solo

pp

  

4

    

3

Slower, ruminative



   









  





   





(pp) arco, ord.

(pp) arco, ord.

Vc.

Cb.

1/16/2006

   

(pp)



resigned

No.



(pp) arco, ord.

Va.

    

arco, ord.

Vn. II

Ni - co, oh, Ni - co...

man...

Vn. I

wistfully

     

     

 

  

No.

    

  





   



   

   

the

 

   

lose



sub. pp

but

war,

the



pizz.

f

win

  

to

 

sub. pp

bat - tle,

    



          3

  

  

sub. pp

the

pizz.

3

  



  

arco, ord.

pp

    

  


157

Act II

No. 70: I Am Not My Own

 

 







 

 

 

   

Vn. I

Vn. II



  







   







  



 



Stately, aggrieved q = 69



       







 

p





 

  



   

my



   

         F#

  

am not

  





   





pp

I

  

  

  



  







pp solo





Lysia



pp

pp





Vibraphone, bowed, motor off

 





 





pp









 

 

Hp.













  



pp



Perc. 2



Hn. in F



Bn.



Cl. in Bb



 



Fl.

Stately, aggrieved q = 69

 

 

1193

C#

     

own.

I

  





  

pp

  



pp

1202

Cl. in Bb

Alto Sax. in Eb





  



pp





          pp

 

 

A§ 4

A#

     3

more than

 

wind

 

or sky,

 

but

I

 

Bb

  

am not

my

 



       

   

Not

 

Db

   

   3   

own.





pp harmon mute



    

         



 



 



    

 



   

       

 



     





  

 

 

        



  

 



 

   





 

  



Vn. II

 

love you

Vn. I

con sord.

pp



   

  



 



 

 

  







Lysia

 

pp



 



Hp.



  







Tpt. in D

 



Hn. in F





Fl.



 

a- ny more.

  

  

 pp



pp

1/16/2006


158

Act II

 

1210

Fl.

 





  

pp





 pizz.    pp    pizz.     pp

 

 

       



pizz.

pp pizz.

      

pp pizz.

pp





and o - thers

 

claim

  

  

me now.

 

      

 

 

 

    

 

  F# C§

mp

arco

arco

        



I

would be yours.

 

 

         mp

 

     arco        arco



I

  

        

 

 

an- swer o - ther prayers:

  

3

I

 



             

mp



me now,



 



name



 

pp

mf



  





  









Vc.



Va.

Cb.

Cb

 

Vn. II

      

senza sord.



  





Vn. I

For o - thers







  



      

 

 









Lysia



Eb

   







  

Hp.





Hn. in F

 



Cl. in Bb

mp

     mp    

   

mp

  

 

mp

Cb.

 









   

p

     

I must be

 theirs.

3      

For

I

 

 

  

A#

  

am not

         F#

    

my own.

E§ F§ G§ A# D§ C§ B§

  

A§ 4

  

  

 

love you

more than

I

3



 



 

 

 



 



 



 



 

 

pp

pp

  







pizz.

3

   

  

  



 

 

  

  



C#

 

  





pp

arco







 





  

 







 



 

  

   



 



       





1/16/2006

Vc.



Va.



Vn. II

           

          pp



Vn. I

     

be yours.



 

should



Lysia

 mf      

(harmon mute)

  







   

pp

 



    

Hp.





con sord.



Tpt. in D

         



Hn. in F



1217



 

4

 









    


159

Act II





    

Vn. II

Va.

Vc.

Cb.

    

   

  

    

but

we

are not

  mp

 

  

   

mp

     

mp

mp

mp

Not

 



   

like

 



 



Cb

   

be - fore.



    Db

 

p

   

For now I

   







pp



 







pp

pp



 

pp

   

 



                  pp                    



 

 



 



  

own.





 

  



pp

(harmon mute)

   



    

 

 

our

                

pp

  

pp

(con sord.)





   

or sea,

  

Bb

       poco









   

    

 

    





Vn. I

    

 

 



star

mp

   

 



Lysia

   

A#



 



Hp.

        







                 

 

  



Tpt. in D

   





Hn. in F



Alto Sax. in Eb

 

1225



   

pp

             



 

1233

Cl. in Bb

Bn.

Lysia

  

  

know

Vn. I

Vn. II

Va.

Vc.

Cb.

                  

 

      

 

sub. pp

  

too much.

   

     

      

mp

sub. pp

      

mp sub. pp

       

mp

sub. pp

       

mp

sub. pp

     mp

owe

   

  

too much.







  



  



sub. pp

mf

3

And now I

      

3                3

I wan- ted on - ly you, but whenthey turn to me,

        sub. pp

       sub. pp

        sub. pp

        sub. pp

      mp

  



  



 



 



      mp

      mp

      mp

      mp

         mp

They turn

 

   

   

  

to me.

 

    

   

   

1/16/2006


160

Act II

 

1240

Fl.

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F

accel.

q. = 63

pp

pp

                                                  pp

                                               pp

 (con   sord.)             

           pp

pp

Lysia

 

  



 

   

pp

 

Vc.

pp

Cb.

1/16/2006

do?

  

Va.

   



  pp

  

   

Vn. II



  

pp

shallI

   

   

  



do?

  

       Shall I

(q = 96)

pre f- tend

   

   

 

mf

e=e

 



   

   

   

   

  

   

   

   

  

   

 

   

mf

mf

mf

mf



  

   

D§ C§

2

 

2

no - thing can mat - ter but

 

our

q. = 63

   

arco

     What shall I



2

 

p What

 

p





3      

solo, senza sord.

accel.

Vn. I

   

  

 

Hp.

                                     

(harmon mute)

Tpt. in D

(q = 96) e=e                                      

    

 

2





 



 

 

2

2

 










 

Hp.

Lysia

Vn. I

Vn. II

Va.

Vc.

Cb.

  

            

Cl. in Bb



  

        

Bn.

     

Vn. II

Va.

Vc.

Cb.

   





 



  

    pp

pp    

  

pp

pp

f



        

  

non arp.

  

arco 3 (e

= e)

 

arco

2



  

arco

 

  

arco

 



      mf     

 

   



   



   



    



     f pizz.

    f  pizz.       f pizz.      f pizz.      f

 

chor tle?

   arco              p f mf arco                  f

mf             

arco

p









f

mf

      mf f arco        arco

f

   

     

   

                

       

 

pp

 pp    pp    pp   pp

 



            



          

C# B§

 

But when I



p

p

wild?

 

     

 

  



    

        

 

 

    

 

   

and

 

 



Shall I

 

burn:



     mf  



hea ven

   

   

  

 

 

        



mp



 

see





arco    



pizz.

  

4                

andwhen I

  

On - ly let our lovestaybril- liant on the wing

  

        

 

     4       



f

  

   

 



                            

 

f

   

 

Let hea- ven burn,

       

(mf)

       f     f     f    f   

       



 

mf

hear moun - tains crash,

Vn. I

   mf

mp

Lysia

Whip

       mf        mf        mf       mf       

 

   

Hp.



(mf) solo

  

 

3

Letmoun- tains crash,

 

Alto Sax. in Eb

 

(e = e)

   

 

                 

love?

 1250    Fl.  

(mf)





Perc. 2

 

              3 (mf)          



Perc. 1

3





Tpt. in D

mf

                mf           mf       Tambourine            pp mf      

 

   



Hn. in F

    





Bn.

mf

 





Alto Sax. in Eb

       

     mf

                      3 (mf)                

161

                          



Cl. in Bb

     

(e = e)  



Fl.

   1245                  

Act II

(e = e)

          p

Shall I



chat- ter?



mf



mf

 mf

 mf



 

pp

E# F# G# A# B#

 

Am I

a



    pp    pp   pp

pp

1/16/2006


162

 

1254

Fl.

Hn. in F

Perc. 2

Lysia

        

pp 2

   

Cl. in Bb

Bn.

    

   

pp 2

       

 

 

 

    

pp

   

pp

    

pp

 

  



 



  pp



  

mf

 

   

a

child

can love,

pp

child

pp

     

pp

    



    







pp

    



   

     

   

pp

          4

can cry:

Slower q. = 52

    



      

         

pp

     

  

and a

pp

    



    

    

 

         

pp

    

pp

p





   

         



No:

pp

Vc.

    

pp

   

Va.

 

Vibraphone, soft mallets, motor off

  

Vn. II

child?

Vn. I

Act II

Slower q. = 52

But a

 2

child is her own.

  

And









pp

    

 

pp

pp



     1259

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

At tempo q = 69

 

         

pp

  

     

  Small Tamtam         

 

Va.

     pp     pp

Vc.

pp

Cb.

1/16/2006







mp



mp

















   

 



 



pp

4

   

  

  

pp

  

  



mf

  

pp

   

  



  

mf

pp





pp



  

pp



mf

4

          mf

  



pp

mp

 

mf

   

f

I...

   

   

mp



   

pp

Vn. II



 

 

At tempo q = 69

Vn. I



mp

molto

I...

   



mp

  

senza sord.

pp

Lysia

  

pp

Perc. 2

  4

I

love you more than





















 







 



 



  

mp

earth or breath,



  



mp

3


Fl.

 

Cl. in Bb

 

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Lysia

Surging forward  q = 72

   1267

 

    

   p

3

f

   p 3

p

3

 

3

 

   

     

f

Vn. I

than death,

Vc.

Cb.

 

1273

Fl.

Cl. in Bb

Bn.

Hn. in F

Perc. 2

Lysia

 

   

f



f

p

  

   

  

  

Pressing forward

  

pp

 

  

pp



pp

Vc.

Cb.

f

f

 





  

solo

mp

 -







        

  

 

pp



pp

 

 



  

mf

 







mf



f









  

 

 









  



 



mf

mf



   3

    3

    

    

pp

     my



  

pp

   

(non dim.)

   

(non dim.)

  

mf

(non dim.)

mf

(non dim.)

 



pp

not

mf

  

mf

pp

pp

are

q = 84





mf

 

  

pp

mf

pp



   



 

but...

mf



  

knew,

pp



  



pp Vibraphone, bowed, motor off



mf





I

 

pp

  

  

ver



  



  

  















 3

e



pp

pp



mp





 



f

q = 84





 

 



 

  

mp

You

pp

Va.



  

  

Vn. II

f

than



 

f



  



  



 

  

p

f

pp

 

 

  

p

f

Pressing forward

Vn. I

p



more

  

     p

  

 

Va.

f

  

 

Vn. II

  

  



mp

Surging forward q = 72

   

f

   

more

pp

f

3

p

pp

f



3

    



3

f

f

3

 

p

f

than birth,

3

p

f

  

f

p

more

    p

    p

 f 

3

f

3

p

3

   p

p

   

   

f

  

163

Act II

 own,

 

 

 

 

 

 

 

    No- thing,

 

pizz.

mf

 



pizz.

pizz.



pizz.

 

 

pizz.

1/16/2006


164

Act II

 

1280

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Lysia

Slightly slower q = 76

  

  

 

    

Slower, with the voice q = 69

   



pp

pp arco

  

Va.

pp arco

  

Vc.

pp (pizz.)

Cb.

   

pp

sub. pp

          pp

    

How strange, at last,

  

         

 

    

  



  

to

find



mp



sub. pp

mp

sub. pp



 



pp

3

   

It's I they've re - as signed...

       mp sub. pp        mp sub. pp         



  

       

  

Slower, with the voice q = 69





 

     

  

Vn. II

        

pp harmon mute

  

3

pp arco

Slightly slower q = 76

Vn. I

         

con sord.

no - thing to do.

 arco   

 

  

     

      mp

  

1287

Cl. in Bb

Hn. in F

Perc. 2

Lysia

Vn. I

 

 

 

      

Vn. II

Va.

Vc.

Cb.

1/16/2006

   

pp



   



 

Alto Sax. in Eb

Bn.

Delicate q = 60

   

   

   

       

     

    

   

    

pp

pp

   

senza sord. pp

Vibraphone, soft mallets, motor off

  

 

pp

 

 

p

3      

No

o- ther way.

Delicate q = 60

         



pp

       



       

     p

     p      p      p (pizz.)

p

  

See:

  



           

   



   

 

3

  

I

o



   

           

           

   

- bey!

Good -


165

Act II

   1295

Hn. in F

pp





 

 

  

 

 

       

solo

  

 





 



Vc.

Cb.









 

  

For

 



  

 

   

 

    

       

          

pp

 

pp

 



 



 



 

   

   

 

pp

pp



 pp

   

  -

 

 

 

 

E# F# B§ C#

 

 

  



  



 

   

  



Good -

give me.



 

pp



pp

pp

  

 

 

 

D#

  

 



 

bye.

Va.

pp







pp



 

  

Vn. II

 

 



 

   4

 

soft mallets, motor off

p

Vn. I

 

solo

Lysia

Hp.



 

  

 

 

(Vibes, bowed)

Perc. 2





Bn.





Alto Sax. in Eb





Cl. in Bb

 



Fl.

 

 

 

bye.

   

 



 



 

p

Good - bye,

 

 

 

(pp)

 (pp)

 



 

 

(pp)

(pp)

 

(pp)



  Ni - co.

          

1/16/2006


166

Act II

No. 71: The Celebration The Acropolis bursts open, revealing Lucullan feasting. LYSISTRATA makes her way inside past the exultant WOMEN (including LAMPITO, no longer dressed as Peace) hanging onto the arms of their MEN, who hang on to their WOMENand their wine cups. They toast promiscuously. The MEN are now dressed in civilian costume (though some still carry short knives at their waists) and are visibly relieved of sexual distress.

Suddenly fast, raucous q = 152

    1303

Fl.

  

Cl. in Bb

  

Alto Sax. in Eb

Bn.

Hn. in F Tpt. in D

Timp.

Perc. 2

      

Vn. I

   

      

Vc.

  

solo

        ff

solo

   ff

           

          

   

   

 

. gliss

p



  

 

   

   

p

 

    p

mf



   p   

 

mf

p

mf

   

   



mf pizz.

 mf

     

   

ff

 

p senza sord.

ff

f

ff

   

 

hard mallets

        p ff Xylophone   .  s s gli  ff f      

  



Suddenly fast, raucous q = 152

   

 

   

 

 

ff

ss. gli

       

solo

 

       

   

  

Va.

1/16/2006

  

   

 

ff

  

   

       f

   

Vn. II

Cb.

  



Hp.

Lysia

solo

   

gli

ss.

    

     

p

f

p

f

    

 

     

  

 

    

      

         

p

p









p

p

p

f

p

f

     

E§ G§ Db C§ Bb

   

 

p

 

    ff

   

  

  

  

ff

ff

    ff

 ff

 p

p


167

Act II

 e = e          f            f            



 



 



 

       

 

 

          

 

1307

 

Cl. in Bb

Alto Sax. in Eb

Fl.

Bn.

Hn. in F Tpt. in D

Timp.

Charito Dika Sappho

 

     

  

 

  

Maron Meleagros

Vn. I

Vn. II

  

       f       f

 

Va.

f

 

Vc.

Cb.

 

f

f

 

   

f raucous

peace! To f raucous

To Greece!

To

peace! To f raucous

To Greece!

To

To peace! f raucous

To Greece!

To

To

To Greece!

To

 

      

 

    peace!

      

 

 

f pizz.

         

f

f

f

 













      



  

 



 



 



love

di - vine!

 

Not

least,

to

feas

-

love

di - vine!

Not

least,

to

feas

-

ting!

least,

to

  

feas

-

ting!

least,

to

feas

-

ting!

 



     



    

 

   

di - vine!

Not

love

di - vine!

Not

 

     



arco

        arco       

        arco         arco, div.      arco

  

 

love

e=e pizz.                    f pizz.                   

      pizz.        

    

     



f



                   

 e = e                                         

e=e

f

  

Arete Kleonike

Philo Bion

       f      

e=e

ting!

 

            

pizz.

f pizz.

         f

   pizz.        f pizz.

         

f



e=e

    

1/16/2006


168

Act II

    

               

1311

Cl. in Bb Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

Perc. 1

Charito Dika Sappho

   

         

   

Arete Kleonike

        



  

to

wine:

    And,

to

wine:

to

wine:

And,

Maron Meleagros

Kinesias

Philo Bion

  

    

And,

Vn. I

Vn. II

Va.

Vc.

Cb.

1/16/2006

                   

   

   

And,

   

 

 



 



   

 

f

pp

    

  

f



 



 

vo - e!

E -

vo - e!

E -

vo - e!



vo - e!

E -



 

E -

  vo - e!  





 

E -



vo - e!

 



 

E -

vo - e!

E -

vo - e!

E -

vo - e! E - vo - e! KINESIAS and LEONIDAS burst through the crowd, drunk, arguing, amiably at first, with the equally tipsy MYRRHINE and LAMPITO on their respective arms. mf

   

E -

 

 

 



  

 

E -

pp

  

 

 

f

Marimba

  

arco

pp

  

sfzpp

       arco        arco      arco 0         

  

wine:

 

to







 

e=e

 

e=e

e=e

   

   

sfzpp unis.

   

sfzpp

   

sfzpp

  vo - e!



 

E -

vo - e!



 









 



e=e



    

       

 

 

But


169

Act II

  

 

 

1314

Fl.

Cl. in Bb

Hn. in F Tpt. in D

Timp.

Perc. 2

Lampito

Kinesias

Vn. II

Va.

  



f



 



 





     

pp

 

p

 

                       

5 Congas

     

  

mf

3

  No,



mf

    mf    

 

 pizz.   p

  

      

  

pizz.

3

pizz.

  

3

  

pizz.

3

f

  

   

Bo- ring,

Le - o:

waving

3

  

Hi,

f

  

(pp)

pp arco

pp arco

 

 

Kle - o!

   

         

3



 

  

3

3

Was

3

Wehavethe val ley: we gave you the range.

arco

f

we have the val - ley.

Half tempo q = 80 = previous e

 

f

    

3

improvise simile through m. 1317

3

f

   

pp

 

 

 

p

Cb.

    p

  

mf pizz.

Vc.

p



3

Vn. I

   

we have the val - ley.

Leonidas

   

Alto Sax. in Eb

Bn.

Half tempo q = 80 = previous e

pp





   

     



 

f



  f

  

  f

 

 (p)

 (p)

pizz.

       3

(f) pizz.

     3

(f) pizz.

        

3

(f)

     

 

 

1/16/2006


170

Act II

   

 

  

 

   

 

flutter

1317

Fl.

pp

flutter

Cl. in Bb

pp

flutter

Alto Sax. in Eb

Timp.

Perc. 2

Myrrhine

pp

   

Arete Kleonike

Maron Meleagros

Kinesias

Vn. I

 

     



 



 





Congas stop!





mf

mf

f florid



that the

ex- change?



Boys!



Boys!

p

    A - no - ther

 

No,

I

drink?

  

don't think...

  



 



 



To (f)

To (f)

To

 

(f)

 

 

(f)

To

  

(f)

arco

Vc.

 

mf

 

Va.

1/16/2006

 

3

Vn. II

Cb.

 

Charito Dika Sappho

Philo Bion

 

 

arco

  

(f)



pp



pp

   

arco

 

 

 

  

(f)

mf

mf

arco

  

f

                      

          

 

pp

 

pp

 

pp

   pp

     

  

    f

  f

 

f

f







 


171

Act II

Raucous, as before q. = 100 e = e, q = 152

             f           

              

 e = e                                                                   

                        

   

 

         

  

 

      



1320

Fl.

Cl. in Bb

f

       

Alto Sax. in Eb

Bn.

f

  

    

f

Hn. in F Tpt. in D

Timp.

Perc. 2

Charito Dika Sappho

   

 (Cga.)  

peace!

Maron Meleagros

Philo Bion

Tosweet

     

Arete Kleonike

Tosweet

          peace! Tosweet         peace!

      

 

 





f

f



          peace!

Tosweet



            

re - lief from cri

re - lief from cri

      

re - lief from cri

     

re - lief from cri

Raucous, as before q. = 100 e = e, q = 152

               pizz.

Vn. I

f pizz.

               

Vn. II

f

pizz.            

Va.

f pizz.

           

Vc.

Cb.

 

e=e

f

 

-

-

 -

-

E - ros,

    

sis: To

E - ros,

     

sis: To

E - ros,

     

sis: To

E - ros,

sfzpp

 and

and

      

to

Di - o - ny

     

to



and

to

and

to

arco

Di - o - ny

      

Di - o - ny

     

Di - o - ny

pizz.

f pizz.

                     f

                   f arco pizz.                    f arco, div.          arco

pizz.













 

 

   

f

 

                   

   

e=e

         

e=e

e=e

arco

 



    

sis: To

e=e

 -

sus:

 -

sus:

 -

-

sus:

sus:



                   

E - vo - e! E - vo - e! E - vo - e! E - vo - e!

      E - vo - e!

E - vo - e!

                   

E - vo - e! E - vo - e! E - vo - e! E - vo - e!

         E - vo - e!



E - vo - e!

e=e

 



       

arco

e=e



        



arco

arco            

sfzpp

   arco         sfzpp  unis.         0

sfzpp

 

 

 

 

 

 

    f

   

f

   

f

1/16/2006


172

Act II

Half tempo q = 80

   

Cl. in Bb

 

Alto Sax. in Eb

  

 

 

  

1325

Fl.

Timp.

Perc. 1

       

p

 

Marimba

pp

  

(Cga.)

Perc. 2

Charito Dika Sappho

     flutter   p      flutter   p

 

 



mf

 

 



 



mf

 



mf

 

p

 

 



mf

                                                  

p

  sub.  p    







KINESIAS, MYRRHINE, LAMPITO and LEONIDAS reappear, a little more drunk, a little less amiable…

3

E - vo - e!... sub. p

     

Arete Kleonike

    flutter  

3

E - vo - e!... sub. p

      3 

Maron Meleagros

 

Kinesias

E - vo - e!...

   

mf dogged

3

 3

We have the val - ley:

 

Leonidas

Philo Bion

   

we

gave you the butte.

3

      

  

3

We'd

3

3

f still jovial

 

 

 

    3

ne- ver

ac - cept

  3

such

a

     3

I'm

sub - sti - tute!

Vn. I

  

Vn. II

  

Va.

Vc.

Cb.

1/16/2006

 

sul pont.

pp



sul pont. pp sul pont.

 

pp

 

  











E - vo - e!... sub. p

   



Half tempo q = 80

 

mf

   

mf

mf pizz.

3

3









p pizz. p

pizz., ord.

3

  

  

pizz., ord.

  

pizz., ord.

 

 









 

 






   

1328

Timp.

Perc. 1 Perc. 2

Myrrhine

Slower, with the voices; tense

  

 (Cga.)           

 

         Gen - tle - men, real - ly... p          

crisp

3

p

3

     



3

I'm sor - ry.

   

3







pp arco

   

 

1331

Timp.

Perc. 2

Myrrhine

 

  

 

 

Philo Bion

Vn. I





      

3

He



3

3

did -n't mean a - ny - thing



Ki

-

ne...

 



by

it,

did

you?

Did

you?



shouldbe a- fraid.





   mp   

3

3

mp

    

    

    

 



 



mp 3 pizz.

sfzpp

mp pizz. mp

     

3

cold

3





 

3

 

3

3

 

 

    

3    

 

   3

 

         



3

  



To

   



3

Qui



 3

3

3

     

    

   









3

3

3

 

 

 

 





3

3

3

          

 



 





   

(f)

Myr- rhi - ne, qui cold

 3

To (f)



 

(f)

 

  



 

f restraining

3

sfzpp

 

f

f nervous, bright

Mea- ning?

sfzpp

Cb.

mp

   

 

Vc.

f

testy

sfzpp

Va.

   

Vn. II

mp

5 Congas

  3   



 

Leonidas



Kinesias

 



mp

  

mp

  

pp

    mp   

                                                 

   

  



mp

 

arco

 

 

you



Maron Meleagros

 

 

Lampito

 

Arete Kleonike

 

Charito Dika Sappho



 

 

cold, direct     

It was, I'm a - fraid.

arco    

pp

 

Va.

Vc.



There, you're right:

Slower, with the voices; tense

  

3

     p  



That was - n't the trade.

arco

Marimba



3

Gen - tle - men, real - ly... 3 mf 3

          

Vn. II

mf

  

3

3

Vn. I



       

 

sor - ry.

Leonidas

     

Kinesias



 

Lampito

173

Act II

-

To

et.



et. (f)

 

  

To pizz.

 

f pizz.

  

f pizz.

 

 







f

f

 f



1/16/2006


174

Act II

     1334

Fl.

Twice as fast q. = 100   e = e, q. = 152

f

      

Cl. in Bb

f

Tpt. in D

Charito Dika Sappho

   

f

   

  

sun,

     

 

soi

  

 

 

to





 

 

to

soi



to

soi



to

soi

to sand,

  

to sand,

to

  

to

to sand,

to

 

sea,

sea,

sea,

 

sea,

Vn. I

   

Vn. II

   

(pizz.)       

Vc.

1/16/2006

   

     

Va.

Cb.

   

  

    

         

-

-

-

  



 

   



  



  

 

tree,

to

l;

l;

To

To

l;

To

l;

To

 

 

      

 

 

 

 



      

o - live

o - live

o - live

o - live

     

     

 

arco

     

   

pizz.

pizz.

pizz.     



to

 



oi



 

live

 

 

live

oi





live

oi

 



live

oi

-

 

arco

 

 

     

tree,

tree,

to

to

arco, div.

    

arco



tree,

 

   

       

 

pizz.

arco

arco        

 

 

 -

    

 

f

to

   

 

    



      

to sand,

    

       

 

   

 

 

 



    

f

 

   



 

      

 

    

   

         

 

Twice as fast q. = 100 e = e, q. = 152

    

   

   

    sun,    

 

 

  

sun,



     

    

Arete Kleonike

Philo Bion

   

       

sun,

Maron Meleagros

   

f

Hn. in F

      

Alto Sax. in Eb

Bn.

    

    

         

o -

o -

o -

o -

 -

l:

 -

l:

 -

l:

 l:

       

       arco

arco

           

     

 

arco          

 

 

 

    


175

Act II

  flutter     

 

1338

Bn.

  flutter     sfzpp

Hn. in F

Timp.

Charito Dika Sappho

   

    

Philo Bion

Vn. II



 

 



 





 



vo - e!

E

vo - e!

E

-

vo - e!

E

-

vo - e!

E

-

vo - e!

E

-

E

-

vo - e!

E

-

vo - e!

E

-

vo - e!

E

-

vo - e!

E

-

-

 

vo - e!

 

E

-

 

vo - e!

 

E

-

 

vo - e!

 

E

-

 



  vo - e!  

vo - e!

 

E

-

vo - e!

      sfzpp     

vo - e!

E

-

vo - e!

E

-

vo - e!

E

-

vo - e!

E

-

vo - e!

         E     



 

-

 

 

  

 

  



 



 

 E



vo - e!

-

vo - e!

    

sfzpp

sfzpp

f

 



  

brassy

 

f

  f  



E



-

vo - e!

 

E



E



-

vo - e!

 



E



-

vo - e!

 

E

E

-

vo - e!

-

vo - e!

 



-

vo - e!

 

 

 

 

f

  f  

   

 

 

  

     

 

 

 

 

 

 

 

sfzpp unis.

Vc.

-

  

    

Va.

 



 

  

sfzpp

Cb.

 

-

E

Vn. I

 

E

Arete Kleonike Maron Meleagros

 

 

sfzpp

 

 

f

  f 

 

f

 Suddenly slow, stalking q. = 60

 

1340

Perc. 1

Hp.

Charito Dika Sappho

a scream port .

  

Maron Meleagros



Ah! a scream port .

 

Ah! a scream port .

 

Ah!



The same tempo q = 66

Philo Bion

Cb.

mp

 

  3







  





  





ascream port .     

 



 

 

Ah!

Vc.

  3

  

pp drunk, livid, knife drawn 3

    

 

p



Sa - cri

Leonidas

 

 

Marimba

They scream as KINESIAS and LEONIDAS burst into view, now clearly enraged, knives drawn, shouting the Prologos insults, as MYRRHINE and LAMPITO look on in terror. LYSISTRATA and KLEONIKE, hearing the commotion, rush down to them.

Kinesias

 

   

Arete Kleonike

q. = q

    

 

 



Suddenly slow, stalking q. = 60

 

div. a 3, sul pont.

pp div a2, sul pont.

 

pp



 



lege! Tres - pass! pp drunk, livid, knife drawn 3

     Sa - cri lege!



 

 

Poa cher! p



Tres - pass!

  

 



Jack - ass! p

  

Poa cher!

Im -

   Jack ass!

The same tempo q = 66

q. = q

  

 

 

    

 

 

  1/16/2006


176

Act II

 

1343

Hn. in F

Perc. 1

Hp.

Nico

Kinesias

 

 3

mf

  

    mp      

Vn. I

Va.

Cb.

non arp.

  

3

        



Ter - ror ist!

  

Im - per - i - al - ist!

   



Eb F§ Gb Ab D§ Cb







Ter - ror ist!

 sfzpp



  

 

sfzpp

sfzpp

f

 

 

 

 ord.      f sfzpp    ord.    

 

 

nough!







 

E -

 

   



Both MEN stop. NICO, now dressed as well in civilian clothes, strides onstage.

  

3

3

  

Vc.

ff



per - i - al - ist! mp

 

Vn. II

3

pp

     

 

  

solo

(Mar.)

 

 

f

3

Leonidas

   

 

 

 

sfzpp

    

    



    



       

  

 

  

1347

Perc. 2

Nico

Vn. I

 pp      Won't it              

Vn. II

Va.

Vc.

Cb.

1/16/2006



 

al - ways

be

 what

it's

 



al - ways

  





 



  

 

   



  

if

we

been

 

al - ways

 

do

   



what we've





al - ways

done?

 

 

  

 

  

  

 

 

 


177

Act II

   1350

Cl. in Bb

Bn.

Hp.

Nico

Vn. I

Blind ly -we

    1355

    

  

 

  



pp

pp

  





pp





pp

Pressing forward q = 84

 





 





 



 



Db

     

 

pizz.

 

mf

    

mf

    

   p

mf

Bn.

Hn. in F

Perc. 2

  

   



   

   

         E - ven if we 3

    

Va.

Vc.

Cb.

     

 3

win,

f



 

3

 



  win,



3

  

still,

3

  

  

sub. pp

 

      

  

sub. pp



sub. pp



sub. pp



 

   

What

will

we

have

 

 

3 3

 

 

 

3



  

           



  

    

3

  

3

mp

   3

mp

   

3

  3

mp

3

  3

 pp

   

won?

     

 

3



mp

   

    

  

3



   pp

        pp    3



 

      

  



Vibraphone, soft mallets, 3 motor off

3

3

3

   



sub. p

3

you

3

 

      

   

f

Vn. II

pp

Pressing forward q = 84

Vn. I



Bari Sax.

pp

f

Nico

 

p

   

   

arco

mf

  pizz.  

   

 



arco

pizz.

mf



Fa - ther, bro- ther, son...

arco

   



    



pp Bari Sax. in Eb

mf

Blood and bone andsin - ew,

  

pp



     

pp

 





               

 

o - thers have be- gun:



    

 

   

con- tin ue what

        

  (pp)          mp  

    

Pressing forward q = 76

 

      



 

Vc.

Cl. in Bb

pp



 

Va.

   

 

   

Vn. II

Cb.

Pressing forward q = 76

What will

3

  

3

mp

   

3

mp

  

3

3

3

mp

3

 

3

 



mp



mp

3

3

we

         

1/16/2006


178 1360

Cl. in Bb

Bari Sax. in Eb

Bn.

Hn. in F

 

   

   

   

pp

pp

pp

pp

   

Va.

Vc.

     

     

      

mp

mp

pp

pp

mp

       

pp

pp

 

Ni - co:

are you sin - cere?



sub. pp

sub. pp

  

pp

  G§ D§ C§



her ultimate praise

Ram...

  

Lea der...



 



 

 

   (pp)



to her

 

       

Lo ver...

I am.

sub. pp

  

to him   

  





   mp    

 

  

            

have won?

pp

    

 

 

pp

   



 



   

 

 

Vn. II

Cb.



Vn. I



Nico

   



Hp.

Lysia



 

Act II

 













 



mp



mp



mp



mp

mp

mp

pp

       

Slower, thoughtful q = 63

1366

Hn. in F

Timp.

Lysia

 

   

Kinesias

Leonidas

Vn. I

Vn. II

Va.

Vc.

mp

    

pp

       pp mulling

 

    

      

It seems to me pp mulling

I've heard thatsong be fore....

It seems to me

I've heard thatsong be fore....

    

Slower, thoughtful q = 63

 







 

pp

 







      

          

some- how,

it doe sn't mat- ter, now...

some- how,

it doe sn't mat- ter, now...









3

     

pp

      

 3

pp

    

 3

  

pp

              

And yet,

  

 

medium cymbal head upturned on Bb timp.

      And yet,

3

pp

1/16/2006

pp

Cb.

  

 

div.

pp

  

pp


179

Act II

 

1372

Timp.

Hp.

Lysia

  

    ff

  ff

   

Vc.

ff

  ff

Cb.

 

 

   ff

 

 

Va.

pp

 

Vn. II

q=h

h = 54





f

  

  p



 

 

  







Slower; a heartbeat q = 54

           

    

   

    

pp

 

pp

pp

    pp    

pp





War.

No!



Var.

q=h

f

p



f

3

p

f

  

They lunge at each other with their knives, and-horror-both fall down dead. MYRRHINE and LAMPITO scream, rush to their husbands’ sides. When they rise, slowly, each wife looks at each other with eyes of ice, and begins whispering… p f

Lampito

     

Kleonike

Vn. I

ff

Myrrhine

Nico

 

Slower; a heartbeat q = 54

  

No!

3

p

f

  

No!

3

h = 54

     

   

   

 

   

   

  

  

pp

pp

pp

pp

 

 

3

   3

mp

  

mp

   

 

3

  

mp

3

   

mp

1/16/2006


180

Act II

   1378

Cl. in Bb

 pp

Bari Sax. in Eb

Hn. in F

Timp.

 

  

 

   

Myrrhine



   3

pp



3

mp

 

Are you

p

 f

Sappho Arete

 

f



mad?

 

Kleonike

Lampito

p



  

Maron Meleagros

Philo Bion

Vn. I

Vn. II

Va.

Vc.

Cb.

1/16/2006

  

         

3

 

Are you

 

f

 

pp



pp



pp

    

  

f

f



  

ossia

  

p

f

 

  

p

f

 

  

p

f

  

  f

 

  

 

Var.

 f

War. Var. p

 

3

mp

   3

mp

  

mp

3

  

mp

   p

     p

 

f

f

p

f

p

f

   p

f

f

 p

f



  



  

Var. War. p

War. Var.

f

   f

 Var.

f

p

 

  

 

  

War. Var. p

   f

War. Var.

  p

     p

 

f

f

p

f

p

f

   p

f

f



Var. War. p

f

  



Var. War. p

f

  



 f

p

  



Var.

p 

 

p

 

  p

 

f

f

p

f

p

f

   p

f

f

  

Var. War. p

f



  

Var. War. p

   f



War. Var.

    f

p

 Var.



  

 

f

War. Var.

p



   f

War. Var. p

 

  

p

War. Var.

p

   f

War. Var.

  

   f

p

 

3

  

p

Var. War.

  

p

f

 

War. Var.

f

Var. War. p



 

  

 

mad?

Var. War. ossia p

mad?

 

pp



 

p

  

f

Are you

p

Var.

Nico

 3

The WOMEN and MEN, sobered, building to fury, polarize, withdraw into hostile camps at each side of the stage: united as spouses but divided as Greeks. LYSISTRATA, NICO and KLEONIKE plead for reason, ad lib, but are helpless to stop the momentum. The war chant builds inexorably…

p

  



War.

Charito Dika

p

 

3

 

p

mp

  

pp

mp

   3

  

Hp.

Lysia



    f

p

War. Var. p

   f

War. Var.

 

   p

  p

 

f

f

p

f

p

f

   p

f


181

Act II

 

1384

Bari Sax. in Eb Bn.

Hn. in F

Tpt. in D

Pushing forward h = 63

  

 p

f

p

f

  

p

  

    f



  

f

       p

Timp.

  

p

Perc. 1

Perc. 2

Hp.

APHRODITE

 

f

Va.

Vc.

Cb.

p

f

A -

 War. Var. p

  

    p     

p

 

  

 

f

p

  

p

f

  

f



f

  p



f

 



 

 

 

 



f Whip

A - phro - di - te, f

  

Var. War. p

p

 

  



f

  

  

f

p



War. Var.

when will

all

 

Var.

p

  



  

 

f

War. Var. p

 this f

  

f

f

f

p

f

f

 

f

  

  

Var.

p

  

 

f

War. Var. p

f

f

f

f

  

f

   p



  





  



War. Var.

p

War. Var. p

E -

f

f

Var.

p

off, from f on high

 

E -

   f

f

f

f

   p

    p    p

p

    p

 

  



    f    f   

h=q

f

War. Var.

  p   p



 

f

p

f



  

p

 

  

Var. War. p

   f

off, from f on high



 

f

  



War. Var.

  p      p

f





f

p

end? p

  

p

p

f

  

War. Var.

 

  





ossia tacet, Myrrhine p

War. Var.

  

   

 

 f

Var. War. p

 f

  

p



   

p

     p



p

War. Var.

   

f



 p

p



 

      res,

  



p

f

 

p

Vn. II

  

f

 

Pushing forward h = 63

Vn. I

 

p



    f   

 

 

f

 

f

 

f

Var.

Philo Bion

p

   

p

  

 

   

f

 

p

Maron Meleagros

f

p

 h = q   

 

  

 

p

  

 

 

War. Var. ff anguished

ARES

   

Var. War. p

Lampito

f

  

p

p

 

Kleonike

   

Anvil or Metal Plate (Bb or unpitched)

   

Sappho Arete

f

f

Charito Myrrhine Dika

p

   

 

  

 

f

    f    f

    

1/16/2006


182

Act II

No. 72: Dei ex Machina Cold, grand, precise q = 63

       

    1388

Fl.

Cl. in Bb

Bari Sax. in Eb

Bn.

sfzp

ff

sfzp

 

sfzp

Hn. in F

Tpt. in D

Timp.

ff

sfzp

ff

    

Perc. 1

Perc. 2

    

Hp.

  

  

  



ff

non arp.: cold

    

ff



f

       

    

3



3

p slithering

 

 

  

        p    



Medium Chinese Opera gong; pitch-bending upwards, as sustained as possible

        



p slithering

p slithering

   

pp

5

f

f

     

p

 

Brake Drum

Medium cymbal upturned on timpano head; hard mallet, strike on edge

ff

   

  3      mf 3

         p slithering          

n

sfzp      

   

f

p

5

n

  

 

  

   

sfzp

     

n

 

ff

   

n

 

     ff       ff       

      3     

Hurtling forward q = 72

 

 

3

 

Marimba, soft mallets



 

 

C#

  

f

p

f

liquid

non arp.

     f

   

The light turns unearthly: and, from the orchestra rises an aural apparition of whirling gongs and the beating of giant wings: we heard this in the overture, but have not since. The CROWD, surprised into terrified silence, gazes heavenward, whence, from a flaming carriage, descend ARES, god of war, and APHRODITE, goddess of love.

APHRODITE

    

nough!

ARES

     nough! 

    

    





Cold, grand, precise q = 63

Vn. I

Vn. II

Va.

   

  



ff

 ff

     f

Vc.

   

1/16/2006

     

(p) 5

sfzp

 

sfzp

 (p)

    

p

5

     p

    

    

ff

sfzp

ff

Cb.

Hurtling forward q = 72

3

 

3

(p) 5

 



5

 p

   5

    



5

 3

 3

 

  

       p mf          5 p





mf

pp always non div.

 

     mf non div.      mf

  

ff

pp

ff



pp

ff

pp

ff




183

Act II

   

Cl. in Bb

Hn. in F

Tpt. in D

Timp.

Perc. 1

p

  

Bari Sax. in Eb

Bn.

 

p

 

 

p



p

p







 

Hp.

APHRODITE

ARES

Vn. I

Vn. II

Va.

p

  

  

 

 

 

Cb.







f

f

   f





       

 

      f

       

pp

 

pp

 

pp

pp

  

  

 

  

  mf



   mf    

     

pp

 pp



pp

p

ff

ff

  p

  p

  

p pizz.

  f





Triangle

p

   

         3



         3



Ma - tron or war- ri - or,

Ma - tron or war- ri - or,

3

vir - gin or slave:

3

vir - gin or slave:

           





3



3

      

   

 



   

E§ A§ C§

               

 

3

    

ff





 

3

ff

3

f             

 



 

3

pp

 

At- tend, O ci - ti- zens, low or no- ble born, close "-end" quasi gospel

 



At- tend, O ci - ti- zens, low or no- ble born,



mf pp

f             

 

     

       

close "-end" quasi gospel



3

6

 

non arp.

 



soft mallets: velvety, mysterious

mf

Vibraphone, motor on

pp



  

 



f



mf

Vc.

  

 (Mar.)  

f

   



p Perc. 2

f

  3   

mf 3





Fl.

3



           

1393

3

    

non div.

 

arco





   



 



3

pizz.



1/16/2006


184

Act II

    1398

Fl.

Cl. in Bb

Bari Sax. in Eb Bn.

Hn. in F

Tpt. in D

Timp.

 

 

   

Hp.

   

  

   

APHRODITE

Charito Dika

Arete

ARES

Vn. I

Vn. II

Va.

Cb.

1/16/2006

pp

  pp



 









     





f



        3

Play - er

of harp

 

mf

     

mf

or

         3 Play - er of harp or

 

 

flute

or

trum - pet,

Pries- tess,



 

flute

or

trum - pet,



  

    

  

arco







 

 







  

  

port.



MO - THER!

supplicant

f

Here,

 

O Lord...

 



al sord.



al sord.









strum- pet...

   

 

p mortified



far- mer,

 

ath- lete,



Eb A# Db B§

    

 

      

 

f

    

   

f

     





     

 

     

p

3

Vc.

pp

  

    

  

(Trg.)

Perc. 1

     f     f     f

 

    f    f


185

Act II

    1401

Fl.

         

          p

  

Cl. in Bb

Bn.

       

   

APHRODITE

ARES

         

p

f

p

    f    

    

f

A

  

At- tend,

A

    

Vn. II

    

Va.

-

 -

 

Vc.

   

1405

ARES

Vn. I

  

Vn. II

Spar

p

  

  

p

 -

-



  

ta:

At





f

4





4

   

  p

  



  



arco

f

  



tend!

  

pizz.

 F# Ab D§ C§

tend! normal p

     



arco

   

normal



   

   p

At



 

ta:



f

Slow, thin, grave, remote q = 56

p

arco

p

          

      

simply, kindly, cruelly p

Ne- ver will it

end.

Ne -ver will it

   

end.

Time to time, it,

Slow, thin, grave, remote q = 56



 pp

f



f

    

pp

pp

Vc.

f

f

pp

Cb.

f

pp

f

 

No. 73: Passacaglia: Never Will It End

  

Va.

At- tend,

pizz.

   

p

pizz.

Cb.

  

  

p

 

Spar

  

arco

pizz.

f

At- tend,

  

  





close "-end"

thens:



close "-end"



 

     

thens:



p





p

 

p con sord.

 

close "-end"

  

 

f

f

p

con sord.

Vn. I

p

f

close "-end"

At- tend,

 

   

p

  

p

p

     

non arp.

Hp.

p

Tpt. in D

 

p

Hn. in F

f

p

f

p

  

Bari Sax. in Eb

        

 

       





 

















 













1/16/2006


186

Act II

1416

Hp.

 

  

  

APHRODITE

ARES

Vn. I

Vn. II

 

  

p simply, kindly, cruelly

 

Ne- ver...

    

it may

Ne -ver

sus- pend, but...

will

          

            

      

it

Man will vie

with wo - man,

        

end.

 

Eb C§

 

 

Strug- gle

for

Al ways,

e - ver,

con - trol.

  





















  

 

 

1421

Hp.

APHRODITE

      Each

ARES

Vn. I

  

1/16/2006

of you

will

  

Each

of you



 

Va.

Vc.

      

  

Vn. II



see

 



  

your part,

No one

but

your part,

but

No one...

via sord.

via sord.



    

p            will see



 p

see

       

it whole.

       Nei ther, no- one,

Nei-ther p

   ne - ver...





















pp

pp

see

it


187

Act II

Pushing forward q = 63

 

1426

Fl.

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

Perc. 2

Hp.

APHRODITE

pp

Cl. in Bb

 

flutter.

Vn. I

mf

   p 3

  

 

 

 

 

p



p











    

f

 f

 f



 



 

 

 



mf

F# C#

 

          Nei- ther, ne ver...   

 

  

Va.

 

Vc.

  

  

Vn. II

Cb.

mf

Alto Sax.

whole.

ARES

  



f

Hear

this:Learn this:

     3

    6



f

      

ord.

6

f

     ord.

 



ord.

6

f

3      p 3        p 3      p

Take to heart:

Take

 

   3

3

this:

Pushing forward q = 63 ord.

     

  

Hear f



   p 3

3

3

3

3

 

p

  

 f

 f

                         mf 6

 

 

pre tend? No one,

nei- ther,

   

        

Why

    

         3

   

    3

    

   

          3

   

3

to, take to

heart:

Why

6

pre tend?

f

f

f



      



 

 



           















3



f

f

6

6

1/16/2006


188

Act II

    p   1431

Cl. in Bb Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

Perc. 1

 

p

Vn. I

  

Ne- ver will p

it

Ne- ver will

it

Vc.

p pizz.

 

p

1436

APHRODITE

  

Vn. I

Vn. II

Va.

Vc.

Cb.

1/16/2006

  

  the

will tell

 

(f)

and... (f)

   the truth,

  

 

  

 

    

 

    

  

vie

Friend

with wo- man,

  

with

              



   

Nei ther...



f





sub. p





sub. p

f

sub. p

f

 

 

Nei-ther

will

a - gree.

             



sub. p



















      p

 arco



  

6







no- one,

 ne -

ver... p

      Ne -ver

     

 

     



            

6

Nei - ther,

             

 

you

 

will

Each of

 







sub. p pizz.

                 

arco

 

  

e - ne- my,

 

e ver... Each of you

   

 

 p

Al - ways, 3

 

 

       

    

6

pizz.

 

      

 

p

and...

  

 

p

    

 

p

 

truth,

 

       mp

                

6

tell

ARES



 arco 

 



    

p

Friend



     

p

Man will

p

end.

    

   

end.

    

p

Hp.

 



   

p

 

Va.

Timp.

mp

  

Vn. II

Cb.





Chime

ne - ver,

ARES

              p

APHRODITE

 p

  p    p   

 

pizz.

 

will

a -

    



   











  


Act II

 

1440

Fl.

 

Cl. in Bb

Hn. in F

Timp.

APHRODITE

 

Alto Sax. in Eb Bn.

 

  

  

be

     



 

     



 

 

1444

Fl.

Bn.

Hn. in F Timp.

  

    

  



     f

APHRODITE

ARES

Vn. I

    

Vn. II

Va. Vc.

Cb.

 

There f

is

  

 

There

is

 

     

  

  



 

mp

 

        6





sub. pp

-

-

-

But,

to

tru

-

-

-

  

love.

             

 f

  

 





 

  

   

f

 f





sub. pp

-

ly

love:

-

ly

love:



 

     f

sub. pp

f



 

     

sub. pp





6

f



 



E§ A§ D#







       

p





mp

6





no thing,

mf       

no thing,

no thing, no thing,

more de - man - ding.

   

   

     

         

     



   

    

     



 

     

  

  

   



more de - man - ding.

sub. pp

sub. pp pizz.

 

         sub. pp        sub. pp         



sub. pp

mp

 



   

no thing, nothing, sub. p

     

tru p

 

mp

6

to

       

  

pp

But,

    p     

sub. p





love. f

  sub. p         sub. p       



solo

  

   

sub. p



 

    sub. p    

 

p

f

sub. p

   6  mf        

Hp.



f

  

Alto Sax. in Eb



6



arco

Cl. in Bb

f

            

be

there can

Vc.

Cb.

 

Va.

 

mp

 





pp

there can

     gree. Of course,

Vn. II



Vn. I



mp

 

Of course,

ARES

6

     

mf



pp

     

 

mp



pp

189

 

pp



  

 



   solo

Do youlong to love? mf

      

    

 

 

Do youlong to love?

mf

   

Are you

   

Are you

     

    

 

           mf             mf



6

 

mf



mf

   1/16/2006


190

    1450

Fl.

Alto Sax. in Eb

Bn.

Hn. in F

Timp.

APHRODITE

pp

 

    



 



Vn. I

 

pp

    

Va.

Vc.



  ff

 

ff

   

 

pp



    

  



pp

 

     

Cl. in Bb Bn. Hn. in F

Perc. 1

Perc. 2

Hp.

APHRODITE

        

 

Vn. I

 



  

 

     

Vc.

Cb. 1/16/2006

  

     



 



 

 

 

 

ppp

 

  

pp          

  

pp          



 



sub. pp

 

 

 

 

 

 

  

 

 

 pp

 

 









 

   



 

    

  

  

  

Ne- ver will it

   pizz.

  

    

  pizz.     pizz.    pizz.         

Per- fect,



For... Ne - ver...



  

Per- fect,

 

 

 

 

 

pp

sub. pp

sub. pp

 

pp

For...

pp

 



pp Vibes, hard mallets, motor off

 



  

Crotales

 

with out de mand ing

  

pp

with out de mand ing

with- out,

    



              Per- fect un der - stan ding?

Va.



  

    

sub. pp

subtone

 



to love,





with- out,

  

6

 

   

to love,

      







    

 

 

 

 



  

  

   

  

mf

e nough

   

            

Vn. II

6



Per- fect un der - stan ding?

ARES

    

p

1457

Fl.



    



 

      

    

     

 

  

      





     

 

    

e nough

ff

ff

  

     

ff

ff

mf

 



mf

ff





mf

            strong           

Vn. II

Cb.

 

            strong

ARES

mf

pp

 

     

 

      



  

Cl. in Bb

Act II

G# Bb

  

         

        Ne- ver will

     

  

 

end.

 

it

Ne- ver will it

end.

cease.

   



  

      

   

Time to time,there

 

Ne ver, ne ver, Time to time,

 

 

 

 



 

there


191

Act II

   1465

Cl. in Bb





pp

 

Alto Sax. in Eb

Bn.

Hn. in F

Timp.

Perc. 1

Perc. 2

  

  

  



Hp.

Vn. I

   

  

    

Va.

Vc.

Cb.

    

be peace,

      may be peace,

Vn. II

6

 

 

there may

ARES

6

Small Snare Drum

   

 mf

Chime

 

      p

6



f

but...

Ne ver...

will

be

             

 



           





  

arco

            

 

 

arco

 





7

f

f





   







  

  

6

      p



f

 

4

vie

with

   bro - ther,

  Wo -man

      

 peace.

Wo -man

  



       

    

 

   



      









f

    

4

  f



Bro - ther

There

f





ne- ver

but

arco

6

4



  

6

f

 

 



mf

 f

    f    

arco



mf

           

4



  

pp

  



pp



mf



APHRODITE



pp

pp



mf

 

   mf     

pp

  

ord.

6



     

6

      

1/16/2006


192

Act II

 

1469

Cl. in Bb

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

2

  



  

APHRODITE

ARES

Vn. I

2









  

Vc.

      

2

 

      

6

  



vie with man,

  

So,

4

and

     

on,

So

and on and e - ver,

  

 

  

      

 

 

     







e ver,

       

6

mf

 

mf

 

mf



 

 

p

pp

p

mf



            

 

6

6

6



so

since

time



be -

so

since

time

be -





 

     

6



mf

    

                 

since,

 

mf

p

 





So since,

4

  

 



p

mf

mf

  

4

 

  

  

p

and

  

p

So, and on,

4

p

 

2

 

        

           



p

     vie with man.  

     



 (Chime)   

Va.

1/16/2006

  



  

Vn. II

Cb.



       



mf

Perc. 1

  

   


193

Act II

Surging forward q = 72

  

4

 

4

1474

Fl.

Cl. in Bb Alto Sax. in Eb

Bn.

Hn. in F Tpt. in D

Timp.

Perc. 1

Perc. 2

APHRODITE

ARES

 

  

ff



solo

f





ff

 

 f



 

 

Vn. II

Va.

Vc.

Cb.

  f

  

  

4

                           6 6 6 6  (Chime)         

 Crotales 4

  



 



  



 



                 

  

6

6

6





f

 



 



 

gan.

 

f

gan.

  



pp



f

  





f

Surging forward q = 72

Vn. I



 

 f



 



 

 





   



 

     





  

   

 

  

  

 

f

  

 f

 

 

  

 

f

f

 

 

 

   

 

     

 



6

1/16/2006


194

 

1477

Fl.

Alto Sax. in Eb

Hn. in F Tpt. in D

Timp.

Perc. 1

Vn. I

 

   







   

 





  















 

  





   

 

                               

6



  











  

     

 

5

ff

 4

 

 

4

 6

      

 



6





 

  

   

mf

    f                             

 

pp

f



   

6





Vc.

6



 

 

        

 

3



Va.



5

ff

5

6







  

Vn. II

Cb.

 

  

Cl. in Bb

Bn.



Act II

      



 



 



 

      

  

 

  

6

  

div.

unis.

  

1482

Perc. 1

Relenting q = 69

   

 

pp

APHRODITE

ARES

 

pp                         At tend, A- thens, pp

At- tend, Spar- ta,

Relenting q = 69

Vn. I

At- tend, wo- men, men:

                   At- tend, A- thens, At- tend, Spar- ta, At- tend, wo- men, men:   





  

 

sul tasto

Vn. II

sub. pp

Va.

Vc.

Cb.

1/16/2006

sul  tasto sub. pp

 

  

Bell Tree

 

 

  

pp

 



                

             

   

Care - ful:

Don't rush to make

the

same

mis take

Care - ful:

Don't rush to make

the

same

mis take

Slower still q = 60

   A -

A -

  

 

 









  

 

  



  

 



 

 









sub. pp

sul tasto

 

        

Vibraphone, soft mallets, motor off

Perc. 2

Slower still q = 60

 

 

   

 

 

sul tasto

sul tasto

    

pp

    

pp


195

Act II

Evanescing q = 56

   

  

1490

 

Cl. in Bb

Hn. in F

Perc. 1

    

  

  

   

   

   

pp

  pp

   

 

  

   

espressivo, poco cresc.

    

espressivo, poco cresc.

ARES

Kinesias

Leonidas

Vn. II

Va.

Vc.

Cb.

   



   

   



 

pp

pp







   

(Bell Tr.)

      f                  

gain.

       

pp

G§ Ab D§ C§

gain.



They gesture to the dead KINESIAS and LEONIDAS, who return, blinking, to life; then rise, spectacularly, into the heavens. LAMPITO and MYRRHINE rush to KINESIAS and LEONIDAS, who look warily at each other

Evanescing q = 56

Vn. I



APHRODITE

   

pp

espressivo, poco cresc.

pp

slow arp.

Hp.

   

 



Bn.

    



Fl.

   

 

 

pp             3

3

3

3

            So, keep the val ley, al- rea dy. pp 3

3

3

3

   

So, keep the val ley, al- rea dy.

   







   







 

 

 

   

  





   

   

div.  

    



1/16/2006


196

Act II

No. 74: Hymnos     1496

Hn. in F

Hushed, prayerful, suspended h = 46

   

niente The GREEKS, shaken, look to LYSISTRATA. decisively ppp

Lysistrata

   

Leonidas

       

feas -

feas -

  

Sappho Arete Kleonike Lampito

 

Nico Maron Meleagros Kinesias Philo Bion Leonidas

To



   

 

vine.

To

   



vine.

    



love

 

1508

love

di -

 

di -

ting.

  

And



    

ting.

And

      E ros, -

    



To

E ros, -

     

 To

E ros, -



   

To

E ros, -

mp

and

and

 and

 and

ppp

to

wine.

 

And

To

  



    



  

And

  

Lysistrata Charito Myrrhine Dika

To ppp

ting.

    feas - ting.

peace.

  

  

To

    

   



To ppp

  

peace.

To

  

peace.

To

   To   

ppp To

peace. 

To

peace.

To

  

 

 

A bit more motion h = 52

feas -

Leonidas

life.

1502

Nico

   

  

Lampito



 Lysistrata

To

 

Lampito

Nico

 

to

ppp

to

wine.

 

ppp

to

wine.

to





to

Di

-

Di



Di

-



    

     



   

 

 

to

brief

re - lief

ny

ny

ny

-

o

 

 

To life: to brief with KINESIAS, PHILO, and BION pp

re - lief

ny

sus.

   sus.

   -

sus.

   -

 

re - lief

   -

 

To life: to brief with MARON and MELEAGROS pp

To

  -

re - lief

    

   o

brief

   

  o

to

 



   o

life:

 

    

ppp



    to

-

    

with SAPPHO, ARETE, and KLEONIKE pp



To

ppp

wine.

Di

    

to

   

with CHARITO, MYRRHINE, and DIKA pp

sus.

life:

 

 

   

from

cri

  

from

cri

  

from

cri

  

from

 

cri



To

fa - mi- ly,



To

    

fa - mi- ly,

   

   

 

   

 

To

fa - mi- ly,

 

 

    

To

fa - mi- ly,

to home,

to home,



to home,

to home,

-

-

sis.

  sis.

  -

sis.

  -

sis.

 

to farms,

 

 

to farms,

 



 



to farms,

to farms,

 Lysistrata Charito Myrrhine Dika Sappho Arete Kleonike Lampito Nico Maron Meleagros

Kinesias Philo Bion Leonidas

1/16/2006

    1515

 

       

           pp

To pp

lo ving wo- men's

   lo - ving arms,

         

  

          

  

To pp

lo ving wo men's

To

lo ving wo- men's

           pp

To

lo ving wo- men's

lo - ving arms,

lo - ving arms,

  

lo - ving arms,

ppp

ppp

ppp

ppp

      

    

 



      

   



To deep

To deep

To deep

To deep

and dream

-

and dream

and dream

less

 -

and dream

 

less

 -

less

 -

less

 

 

  



 

 

  



 

 

  



 

 

  



sleep:

sleep:

sleep:

sleep:


197

Act II

Fl.

Annunciatory h = 66



Cl. in Bb

  

Alto Sax. in Eb

  

Bn.

   

Hn. in F

Perc. 2

   

pp

   

     



mf

  

   

   

Nico Maron Meleagros

       E - vo - e!

E

- vo - e!

E

vo - e!

       E

 

p

  

vo - e!

Annunciatory h = 66

  

E p

- vo - e!

E p

vo - e!

E p

- vo - e!

E

vo - e!

      

   

p







   

   

p

 





   

 

  

 

  

  

   

ord. pp

 

 





  pp

 

ord.

ord.

  pp

 



pp

 

 

ord.      pp ord.



p

          

Eb

   



   

pp

    

Cb.

p

Vibraphone, soft mallets, motor off

   

 





Sappho Arete Kleonike Lampito

Vc.

   

pp

Va.





      

Vn. II

 



pp

Lysistrata Charito Myrrhine Dika

Vn. I

 

E§ F§ G§ Ab D§ C§ Bb

Kinesias Philo Bion Leonidas

mp

pp

   Hp.

   



    1523

 



  

 

 

 



1/16/2006


198

Act II

 

1527

Fl.

Hn. in F

 

flutter

pp

Cl. in Bb

Alto Sax. in Eb

Urgent, determined h = 76



flutter   

 

3

flutter

3

pp

Tpt. in D

Timp.

Perc. 1

Perc. 2

  

   

Hp.

 

   

Marimba 3

pp

  pp    pp

1/16/2006

     3

E - vo e! pp

     3

E - vo e!

   pp

mp

3      

mp

E - vo e!

3

E - vo e!

    

p

3

E - vo e!

p

 

p

3

3

     

mp

3

3

  

mp

  

mp

3

  

mp

3

     

3

  

3

  

3

  

   

3

   

3

   

3

mp

 

mp

mp

3

  

3

  

3

 3



3





3

3

3

3

      

pp 3

3

 



     

3      

mf

     3

E - vo e!

     3

     

ff a prayer in the dark

3

E - voe!

E - vo e!

     3

E - vo e!

    

mf

3

E - vo e! mf

    

ff

3

    

E - vo e!

E - vo e!

 

  

3

  mf   mf

 

mf

E - vo - e!

         ff

E - vo e!

mf

 

mf

mp

E - vo e!

  mp  

3

    

E - vo e!

E - vo e!

mp

  

Tambourine

3

mp

 

   

E - vo e!

     3

3

  

  

E - vo e!

3

3

  



f

    

E - vo e!

 

3

  

E - vo e!

    

3

  

3

3

E - vo e! p

    

  p  

3

    

    

p

p

p

 

  

3

mp flutter

   

3

 

3

mf

    

pp

3

mp

 

Urgent, determined h = 76

pp

   

   

3

E - vo e!

 

   

3

 

    

E - vo e!

Va.

   

3

  

mp

E - vo e!

  

  

E - vo e! pp

  

Vn. II

3

p

 

3

 

   

p non arp.

3       

Vc.

   

3

 

Sappho Arete Kleonike Lampito

Vn. I

3

  

pp       

Kinesias Philo Bion Leonidas

3

pp

Lysistrata Charito Myrrhine Dika

Nico Maron Meleagros

 

flutter

3

  

pp

 

3

  

flutter

E - voe!

             3

   

ff

 

ff

   ff

ff

ff

E - vo - e!

   


199

Act II

Bitter, glorious h = 69

   1532

Fl.

 

Cl. in Bb

 

Alto Sax. in Eb

Bn.

Hn. in F

Tpt. in D

Timp.

Perc. 1

Perc. 2

    

  

ff





 







   





   

ff



 ff







 

      



ff

 ff

 



ff

  





 

 



 

 

 

Chime

ff

   

   

   

   

 

  



  

 



  

 

pp

pp

pp

 

pp



 

  

pp



pp

 

    pp

non arp.



pp



            

 

 

 

 

ff

ff

ff



ff

ff

 

 Vibraphone, hard mallets, motor off

ff

  

pp



 

  

ff

 

   



 

  

    



Hp.

 

            

 

  

  

ff

Lysistrata Charito Myrrhine Dika

    

 

 

   

 

Sappho Arete Kleonike Lampito

  

 

 

 







       

 

  

 

 

   

 





   







   



 

 

   





 

   

Nico Maron Meleagros Kinesias Philo Bion Leonidas

 

Bitter, glorious h = 69

Vn. I

    

Vn. II

 

Va.

 

Vc.

Cb.

   

ff

ff

 ff





 

ff

 

 

 

pp



   



  

pp



  

pp

 pp

    

div.

pp

 

    

  

 

 

  



ff



ff

ff

ff

ff

End of the Opera

1/16/2006


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