Harbison MILOSZ SONGS

John Harbison

MILOSZ SONGS Poems by

Czeslaw Milosz Full Score

From the Rental Library of G. Schirmer, Inc. Date of printing ____________

Associated Music Publishers, Inc. New York, NY

John Harbison

MILOSZ SONGS Poems by

Czeslaw Milosz Prologue from Lauda..................................................1 1. A Task........................................................................6 2. Encounter.................................................................17 3. You Who Wronged..................................................35 4. When the Moon.......................................................47 5. O!..............................................................................59 6. What Once Was Great.............................................68 7. So Little.....................................................................81 8. On Old Women........................................................98 Epilogue: from Winter..................................................112 Post-Epilogue: Rays of Dazzling Light...........................118

commissioned by the New York Philharmonic Lorin Maazel, Music Director

Associated Music Publishers, Inc. New York, NY

Prologue: from Lauda And now we are joined in a ritual.

In amber? In crystal? W e make music.

Neither what once was nor what ever will be.

Only what persists when the world is over.

A Task In fear and trembling, I think I would fulfill my life Only if I brought myself to make a public confession Revealing a sham, my own and of my epoch: W e were permitted to shriek in the tongue of dwarfs and demons But pure and generous words were forbidden Under so stiff a penalty that whoever dared to pronounce one Considered himself as a lost man.

So Little I said so little.

Days were short.

Short days.

Short nights.

Short years.

I said so little.

I couldn’t keep up.

My heart grew weary From joy, Despair, Ardor, Hope.

Berkeley, 1970 Encounter W e were riding through frozen fields in a wagon at dawn.

A red wing rose in the darkness.

And suddenly a hare ran across the road.

One of us pointed to it with his hand.

That was long ago. Today neither of them is alive, Not the hare, nor the man who made the gesture.

O my love, where are they, where are they going The flash of a hand, streak of movement, rustle of pebbles.

I ask not out of sorrow, but in wonder.

Wilno, 1936 You W ho W ronged You who wronged a simple man Bursting into laughter at the crime, And kept a pack of fools around you To mix good and evil, to blur the line, Though everyone bowed down before you, Saying virtue and wisdom lit your way, Striking gold medals in your honor, Glad to have survived another day, Do not feel safe. The poet remembers.

You can kill one, but another is born.

The words are written down, the deed, the date.

And you’d have done better with a winter dawn, A rope, and a branch bowed beneath your weight.

Washington, D.C., 1950 W hen the Moon

The jaws of Leviathan W ere closing upon me.

Naked, I lay on the shores Of desert islands.

The white whale of the world Hauled me down to its pit.

And now I don’t know W hat in all that was real.

Berkeley, 1969 On Old W omen Invisible, dressed in clothes too big for me, I take a walk, pretending I am a detached mind.

W hat country is this? Funereal wreaths, devalued medals, a general avoidance of remembering what happened.

I think of you, old women, silently fingering past days of your lives like the beads of your rosaries.

It had to be suffered, endured, managed.

One had to wait and not wait, one had to.

I send my prayers for you to the Highest, helped by your faces in old photographs.

May the day of your death not be a day of hopelessness, but of trust in the light that shines through earthly forms.

Epilogue: from W inter And now I am ready to keep running W hen the sun rises beyond the borderlands of death.

W hen the moon rises and women in flowery dresses are strolling, I am struck by their eyes, eyelashes, and the whole arrangement of the world.

It seems to me that from such a strong mutual attraction The ultimate truth should issue at last.

I already see mountain ridges in the heavenly forest W here, beyond every essence, a new essence waits.

Berkeley, 1966

Do not die out, fire.

Enter my dreams, love.

Be young forever, seasons of the earth.

O!

You, music of my late years, I am called By a sound and a color which are more and more perfect.

O happiness! To see an iris.

Post-Epilogue: Rays of Dazzling Light The color of indigo, as Ela’s dress was once, and the delicate scent like that of her skin.

O what a mumbling to describe an iris that was blooming when Ela did not exist, nor our kingdoms or our countries!

W hat Once Was Great W hat once was great, now appeared small.

Kingdoms were fading like snow-covered bronze.

W hat once could smite, now smites no more.

Celestial earths roll on and shine.

Stretched on the grass by the bank of a river, As long, long ago, I launch my boats of bark.

Light off metal shaken, Lucid dew of heaven, Bless each and every one To whom the earth is given.

Its essence was always hidden Behind a distant curtain.

W e chased it all our lives Bidden and unbidden.

Knowing the hunt would end, That then what had been rent W ould be at last made whole: Poor body and the soul.

Montgeron, 1959 ©2003 by Czeslaw M ilosz, reprinted with the permission of the W ylie Agency Inc. Prologue, from Lauda translated by Czeslaw Milosz, Leonard Nathan, Robert Hass A Task and What Once W as Great translated by Czeslaw Milosz Encounter and So Little translated by Czeslaw M ilosz and Lillian Vallee You Who Wronged translated by Czeslaw Milosz and Richard Lourie When the Moon translated by Czeslaw Milosz and Robert Pinsky O!, On Old Women, and from Winter translated by Czeslaw Milosz and Robert Hass Rays of Dazzling Light translated by Jessica Fisher and Bozena Gilewska

Instrumentation 3 Flutes (2nd doubling Piccolo, 3rd doubling Alto Flute) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B= (2nd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 2 Horns in F 2 Trumpets in C Trombone Bass Trombone Timpani Percussion (3 Players) Percussion 1: Vibraphone Percussion 2: Marimba, Temple Blocks, 2 Triangles, Crotales (E=) Percussion 3: Marimba (shared with Percussion 2), 2 Tuned Gongs (B=, B), Tubular Bell (D), Triangle, Tamtam, Crash Cymbal, Suspended Cymbal, Snare Drum, Bass Drum, Tambourine

Celesta Harp Solo Soprano Strings (10.10.8.6.4 maximum) duration ca. 30 minutes Concertino of instruments from the orchestra should be positioned forward: Orchestra Flute 3 Orchestra

Flute 2

Celesta

Flute 1

Orchestra Harp

Conductor

Percussion 1

Soprano Program Note Milosz Songs were commissioned by the New York Philharmonic for performance by Dawn Upshaw – my first piece for the orchestra, my fourth for her. Writing for Dawn Upshaw has always encouraged me to try new things. This piece surrounds the singer with a concertino group of six players: three flutes, vibraphone, harp, and celeste. This concertino plays an important, varied role in every song. I thought of these players as satellites revolving around the path of the singer.

Milosz’s poems are Epilogues for the twentieth century. He was witness to its most harrowing events. He draws us, unready, as he was, into the great sweep of that history. Always, he reacts, as in “Encounter,” not “in sorrow, but in wonder.”

As a reader I return again and again to such fierce, cunning, sweeping mid-length poems as “Preparation,” “Ars Poetica?,” “No More,” “Counsels.” As a composer I am drawn to fragmentary short lyrics, grateful for their elusive melody, their barely reconciled dissonant elements, their embrace of the every day.

In 1994, I made my first Milosz setting, “December 1" (part of Flashes and Illuminations for baritone and piano). That poem concludes: I describe this for I have learned to doubt philosophy: and the visible world is all that remains.

Czeslaw Milosz was born in Szetejnie, Lithuania in 1911. He was part of the Polish Resistance movement during World War II, and was the cultural attachée with the Polish Embassy in Paris. He defected to France in 1951. From 1960 to 1999 he taught at the University of California, Berkeley.

Milosz received the Nobel Prize for literature in 1980. He died in Krakow in January 2004.

During his half-century in the U.S., Milosz became involved in the translation of his poems. Working with students and colleagues, as well as by himself, he produced vivid English versions.

I am grateful to Harper Collins Books for permission to use these translations from the Polish originals.

– John Harbison

MILOSZ SONGS Czeslaw Milosz Lento, misterioso

John Harbison

Prologue: From Lauda = 80

1

to Piccolo Flute (Piccolo)

2

to Alto Flute 3 (Alto Flute in G) 1 Oboe 2 (English Horn) 1 Clarinet in B

to Bass Clarinet

2 (Bass Clarinet) 1 Bassoon

to Contrabassoon

2 (Contrabassoon)

Horn in F

1 2

Trumpet in C 1 2

Trombone

1 2

Timpani

Vibraphone, motor off 1

Percussion

2

3

Celesta

ma evidente

A B C DE FG

Harp

sonoro

sempre Soprano

And

Lento, misterioso

now

we are joined

in a

rit

u al,

= 80

I Violin II

Viola

Violoncello

Contrabass

Copyright Š 2006 by Associated Music Publishers (BMI) New York, NY International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 6

Piccolo

Picc.

Fl.

1

Al. Fl.

1 Ob. 2

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

fast motor Vib. 1

Perc. 2

3

Cel.

F G

Hp.

Sop.

In

I Vn. II

Va.

Vc.

Cb.

am

ber?

In

crys

tal?

We

make

mu

sic

3 12 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

3

evidente

Cel.

F G

Hp.

F G sonoro

Sop.

Nei ther what once

I Vn. II

Va.

Vc.

Cb.

was

nor what

ev er

will

be.

4 18 Picc.

Fl.

1

Alto Flute Al. Fl.

1 Ob. 2

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

3

Cel.

B C

Hp.

Sop.

On

I Vn. II

Va.

Vc.

Cb.

ly

what ex

ists

when

the

world

is

o

ver.

5 24

to Flute

Picc.

Fl.

1

Al. Fl.

1 Ob. 2

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Perc. 2

3

Cel.

Hp.

Sop.

I Vn. II

Va.

Vc.

Cb.

6

A Task Declamando

= 84

1 Fl.

Flute 2

Al. Fl.

1 Ob.

Oboe 2

Cl. 1 in B

Bass Clarinet Bs. Cl.

Bn.

1

Contrabassoon Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib., motor off 1

Marimba Perc. 2

Gongs 3

poco

Cel.

A B C DE F G

Hp.

declamando Sop.

In fear

Declamando

= 84

non div.

non div.

non div.

non div.

I Vn. II

Va.

Vc.

Cb.

and

trem bling

I

7 7 1 Fl. 2

Al. Fl.

1 Ob. 2

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Mar. Perc. 2

(Gongs) 3

poco

Cel.

D E G

Hp.

Sop.

think

I Vn. II

Va.

Vc.

Cb.

I would ful

fill

my life

8 13 1 Fl. 2

Al. Fl.

1 Ob. 2

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Mar. Perc. 2

(Gongs) 3

poco

Cel.

B D E F G

Hp.

pi첫 Sop.

On

I Vn. II

Va.

Vc.

Cb.

ly

if

I

brought

my self

to make

a

pub lic con fes sion

9 19 1 Fl. 2

Al. Fl.

1 Ob. 2

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib., motor on 1

(Mar.) Perc. 2

(Gongs) 3

Cel.

Hp.

molto Sop.

Re veal ing

I Vn. II

Va.

Vc.

Cb.

a

sham,

my

own

and

of

my

ep och:

10 25 1 Fl. 2

Al. Fl.

1 Ob. 2

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

(Gongs) 3

Cel.

Hp.

Sop.

We

I Vn. II

Va.

Vc.

Cb.

were

per

mit ted

to shriek

with the tongues

of

dwarfs

and de mons.

11 31 1 Fl. 2

Al. Fl.

1 Ob. 2

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Mar. Perc. 2

Gongs 3

Cel.

B E F G

Hp.

sempre Sop.

But pure

I Vn. II

div.

Va.

Vc.

Cb.

and

gen

erous words

were

for bid den

12 animando

37 1 Fl. 2

Al. Fl.

1 Ob. 2

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

a2 Hn. 1 in F 2

a2 Tpt. 1 in C 2

a2 Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

animando I Vn. II

unis.

Va.

Vc.

Cb.

13 Pi첫 mosso 42 1

Fl. 2

Al. Fl.

1

Ob. 2

Cl. 1 in B

to Clarinet in B Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

a2

a2

a2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

(Mar.)

Perc. 2

Suspended Cymbal

Bass Drum

Sus. Cym.

Sus. Cym.

B.D.

3

Cel.

Hp.

F

Sop.

Pi첫 mosso non div.

non div.

I

non div.

Vn.

al sord.

II

non div.

Va.

Vc.

Cb.

non div.

B.D.

14 48

Tempo I

rit.

1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

to Bassoon Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Perc. 2

3

Cel.

(sounding)

Hp.

marcato, secco Sop.

Un der so stiff

rit.

I Vn. II

Va.

Vc.

Cb.

Tempo I

a

pen al

ty

that who ev er dares to pro

15 54 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

nounce

I Vn. II

Va.

Vc.

Cb.

one

Con

sid er’s him self

as a

lost

man

as a

lost

man

as a

16 Lento

rit.

61 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib., slow motor

solo

1

Perc. 2

3

Cel.

A E F

Hp.

solo

F

cantabile Sop.

lost

man.

Lento

rit.

al sord.

I

espr.

Vn. II

Va.

Vc.

espr.

Cb.

17

Encounter Allegro agitato

= 144

1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

take straight mute Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Mar. Perc. 2

3

Cel.

Hp.

Sop.

Allegro agitato

= 144

div., con sord.

I

3

3

3

3

3

div., con sord.

Vn.

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

3

II 3

Va.

Vc.

Cb.

3

3

3

3

3

3

18 6 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

pochiss. Pedal Perc. 2

3

solo

Cel.

Hp.

agitato Sop.

We were rid

I Vn.

1 player II

Va.

Vc.

Cb.

ing

through fro zen

fields

in a

wag on

at dawn.

19 12

5

1 Fl. 5

2

Al. Fl.

1 Ob. 2

5

1 Cl. in B

Clarinet in B 5

2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

3

Cel.

Hp.

Sop.

A red wing

1 player I Vn. II

Va.

Vc.

Cb.

rose

in

the dark

ness

20 18 1 3 3

Fl. 2 3 3 3

Al. Fl. 3

1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Ob. 3

3

2

3

3

3

3

3

3

3

3

3

3

3 3

3

3 3

3 3

3

3

3

3

3

3

1 3

Cl. in B

3

3

3

3

3

3

3

3

2 3

3

3

3

3

3

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib.

3

1

Mar.

Perc. 2 3

3

3

3

3

Cel.

3

l.v.

3

3

AB CDEFG

Hp.

l.v.

3 3

3

Sop. 3

And sud den ly

a hare

ran a cross the road.

(1 player) 3

I Vn.

(1 player) II

Va.

1 player 3

Vc. 3

Cb.

3

3

3

21 23 1

3

3

3

3

3

3

3

3

3

3

Fl.

3

2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

Al. Fl.

3

3

3

3

3

3

3

3

3

3

3

3

1 Ob. 2 3

3

1 3

3

Cl. in B

3 3

3 3

3

3

3

2 3

1 Bn.

3

3

3

3

3

3

3

3

3

3

Bassoon 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 3

3

3

3

1 3

secco poco Pedal

3

3

3

3

3

3

3

3

3

3

Perc. 2

3

3

Cel.

3 3

3

3

Hp.

Sop.

One of us

point ed to it

with

his hand sul G tutti

I Vn.

tutti II 3

Va.

Vc.

Cb.

22 G.P.

28 1 Fl. 2

Al. Fl.

1 Ob. 2 3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 Cl. in B 3

3

2

3

3

3

3

3

3

3

1 3

Bn.

3

3

3 3

2 3

3

3

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

G.P. I Vn. II

Va.

tutti, div.

Vc.

Cb.

23 32

Stesso tempo

= 72

1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

3

Sop.

That was

Stesso tempo

long

a

go.

To day

3

nei ther of them is

a

live,

Not the hare,

= 72

div.

I

Vn.

div.

II

div.

Va.

div.

Vc.

Cb.

24 37 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

nor the man

who

made the

ges

ture.

O

unis.

I Vn.

unis.

II

Va.

Vc.

Cb.

my

25 42 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

love

I Vn. II

unis.

Va.

unis.

Vc.

Cb.

where

are

they,

where

are

they go

26 49 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Perc. 2

3

Cel.

B

Hp.

Sop.

ing,

I Vn. II

Va.

Vc.

Cb.

where are

they

go

ing

27 55 1

Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.)

1

Perc. 2

3

Cel.

Hp.

Sop. 3

The

3

flash of

a

hand,

I Vn.

div.

II

Va.

div.

Vc.

Cb.

28 61 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

2., with straight mute Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

3

Sop. 3

streak

of move

ment,

1 player

3

I 3

Vn.

1 player

3

unis.

3

II 3

Va.

1 player 3

Vc. 3

Cb.

29 67 1 Fl. 2

Al. Fl.

1 Ob. 2 3

1 Cl. in B

3

2 3

1 Bn. 2

Hn. 1 in F 2

(2.)

2. remove mute

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib., motor off

3

3

1

3

3

3

3

3

3

3

3

3

senza Pedal Perc. 2

Snare Drum 3 3

3

3

3

3

3

Cel.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

B

3

3

Sop.

rus tle

I Vn. II

Va.

Vc.

Cb.

of

peb

bles.

3

3

3

3

3 3

Hp.

3

3

3

3

3

30 72 1 Fl.

to Piccolo 2

to Flute Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

1., with straight mute solo Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Mar. 3

Perc. 2 3

3

Cel.

B G

Hp.

dolce 3

Sop.

I

ask

not

out

of

sor

row,

but

in

tutti I

tutti

Vn. II

div.

Va.

tutti Vc.

Cb.

div.

won

der.

31 80

Luminoso

Piccolo, solo

Picc.

3

solo 1

3

3

3 3

3

3

3

3

3

3

espr.

Flute

Fl.

3

3

espr.

3

3

3

1 Ob. 2 3

1 Cl. in B

3

2

1 Bn. 2

Hn. 1 in F 2

(1.)

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

(Mar.) Perc. 2

3

l.v. sempre

Cel.

F

Hp.

Sop.

Luminoso div.

unis.

div.

I

div.

Vn.

unis.

div.

unis.

II

unis.

Va.

legato Vc.

Cb.

unis.

32 84 Picc.

3

1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl.

3 3

3

3

1 Ob. 2 3

1 Cl. in B

3

2

1 Bn. 2

Hn. 1 in F 2

(2.)

Tpt. 1 in C 2

2. take straight mute

2. open Tbn. 1 2

Timp.

Vib. 1

Pedal sempre Perc. 2

3

Cel.

l.v. sempre

Hp.

A

Sop.

div.

div. unis.

div. unis.

div. unis.

unis.

I

div.

Vn. II

Va.

Vc.

Cb.

div. unis.

div. unis.

div. unis.

unis.

33 88 Picc.

3

3

3

3

3

3

3

3

3

1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 3

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

(1.)

2. with straight mute

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

3

Cel.

Hp.

Sop.

I Vn. II

Va.

unis.

Vc.

Cb.

3

3

3

34 92

to Flute

Picc.

1

3

3

3

3

3

3

3

Fl.

to Alto Flute 3

1 Ob.

to English Horn 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Perc. 2

3

Cel.

Hp.

Sop.

via sord.

I Vn.

via sord.

II

Va.

Vc.

Cb.

35

You Who Wronged Risoluto

= 84

1 Fl. 2

Al. Fl.

Ob. 1

3

marc.

English Horn E.H.

3

marc.

1 Cl. in B

5

marc.

5

marc.

5

2 5

1

3

marc.

Bn. 2

3

marc.

5

Hn. 1 in F 2 5

marc.

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

C G

Hp.

Sop.

You who wronged

Risoluto

= 84

a sim ple man

Burst ing in to laugh ter

the crime,

And

senza sord.

I 5

5

5 5

marc. senza sord.

Vn.

at

6

II 5

5

5

marc.

5

6

5

6

Va. 5

5

5

marc.

Vc. 5

marc.

Cb.

5

5 5

6

36 5 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B

marc.

2

marc.

1 Bn. 2

Hn. 1 in F 2

marc.

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

6

Sop.

kept a pack of fools

a

round

you

to mix

I 6

Vn.

6

II

Va. 6

Vc. 6

Cb.

good and e

vil,

to blur

the line.

37 8 1 Fl. 2

Al. Fl.

Ob. 1

5 5

E.H. 5

5

1 Cl. in B 2

1 5

Bn.

5

2 5

5

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Mar., 2 Players on same instrument Perc. 2

martellato cresc.

3

martellato

cresc.

Cel.

Hp.

Sop.

Though ev ery one bowed down

be fore you,

pizz.

I 5

5

Vn.

div., pizz.

II 5

5

pizz.

Va. 5

5

pizz.

Vc. 5

5

pizz.

Cb.

38 11 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

(Mar.) Perc. 2

martellato cresc.

(cresc.)

(Mar.) 3

(cresc.)

martellato

cresc.

Cel.

Hp.

Sop.

Say ing

vir tue

and wis dom

lit

your way,

I

martellato

Vn. II

martellato Va.

martellato Vc.

martellato Cb.

martellato

39 15 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B

to Bass Clarinet 2

1 Bn.

to Contrabassoon 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Mar. Perc. 2

Mar.

mart.

3

mart.

Cel.

Hp.

pi첫 Sop.

Strik ing gold med als

in

your hon or,

Glad to

I

martellato

Vn. II

martellato div.

Va.

martellato

Vc.

martellato Cb.

have sur vived

an oth er

40 19 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

a2 Hn. 1 in F 2

open Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Mar. Perc. 2

Mar. 3

Cel.

Hp.

Sop.

day,

Do

not

feel

safe.

8va

arco

non div.

I

Vn.

arco

unis.

non div.

II

arco

6

unis.

Va. 3 3

arco Vc.

arco Cb.

3

41 23 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

The po et

re mem

glissando rapido I Vn.

glissando rapido II

Va.

arco 6

pizz.

Vc. 6

div.

Cb. 6

6

bers,

the po et

re mem

bers.

42 27 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

You

can

kill

one

I Vn. II

glissando rapido Va.

glissando rapido Vc.

Cb.

but an oth er

is

born,

The words are

43 31 1 Fl.

Flute

3

3

3 3

2 3

Alto Flute Al. Fl. 3

3

3

Ob. 1

E.H.

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib., motor off 1

marc.

Perc. 2

3

3

evidente

Cel.

marc.

Hp.

Sop.

writ ten down,

I Vn. II

Va.

Vc.

Cb.

3

the deed,

the date

3

44 36 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

Cl. 1 in B

Bass Clarinet Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

3

Cel.

AB CDEFG

Hp.

Sop.

The po et

I Vn. II

Va.

Vc.

(div.)

Cb.

re mem bers,

The po et

re mem

bers.

And you’d have done

45 rit.

41 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

Cl. 1 in B

Bs. Cl.

Bn.

1

Contrabassoon Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

bet ter

with a win ter

dawn,

A

I

half sul ponticello, half ord.

II

half sul ponticello, half ord.

Va.

half sul ponticello, half ord.

Vc.

half arco, half pizz.

Cb.

and a branch

bowed

be

rit.

half sul ponticello, half ord.

Vn.

rope

neath

your

46 45

Meno mosso

1

staccatissimo

Fl. 2

staccatissimo Al. Fl.

staccatissimo Ob. 1

E.H.

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

secco Perc. 2

3

Cel.

C D

Hp.

Sop.

weight

Meno mosso

div., tutti sul ponticello

I Vn.

div., tutti sul ponticello II

Va.

Vc.

tutti arco Cb.

47

When the Moon Grazioso

= 69

1 Fl. 2

Al. Fl.

Ob. 1

E.H.

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Mar. Perc. 2

delicato 3

Cel.

Hp.

A C F

Sop.

When

Grazioso I Vn. II

Va.

Vc.

Cb.

= 69

the

moon

ris

es

48 8 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib., motor off 1

Mar. Perc. 2

3

Cel.

Hp.

Sop.

and

I Vn. II

Va.

Vc.

Cb.

Wo

men

in

flow

er

y

dress

es

are

stroll

ing,

49 16 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Pedal

Pedal

Perc. 2

3

Cel.

bisb.

Hp.

Sop.

I

I Vn. II

Va.

Vc.

Cb.

am

struck by

their

eyes,

eye

lash

es

and

the

50 24 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

3

Cel.

bisb.

Hp.

Sop.

whole

I Vn. II

Va.

Vc.

Cb.

ar

range

ment

of

the

world.

51 32 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

Cl. 1 in B

Bs. Cl.

Bn.

1

Cbn.

1.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Mar. Perc. 2

delicato 3

Cel.

Hp.

Sop.

I Vn. II

Va.

Vc.

Cb.

dim.

52 40 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

Cl. 1 in B

to Clarinet in B Bs. Cl.

Bn.

1

Cbn.

(1.)

take straight mute

with straight mute

Hn. 1 in F 2

1.

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

(Mar.) Perc. 2

(dim.)

3

Cel.

Hp.

Sop.

It

1 player, ord.

I Vn. II

Va.

Vc.

Cb.

seems

to

me,

it

53 48 1 Fl. 2

Al. Fl.

Ob. 1

to Oboe E.H.

1 Cl. in B 2

Bn.

1

Cbn.

remove mute Hn. 1 in F 2

1.

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

seems

to

me

that

tutti, ord.

I Vn.

ord.

II

ord.

Va.

ord.

Vc.

pizz.

Cb.

from such

a

strong

54 56 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

mu

tu

al

at

trac

tion

The

ul

I Vn. II

Va.

Vc.

arco Cb.

pizz.

ti mate

truth

55 64 1 Fl. 2

Al. Fl.

1 Ob.

Oboe 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

should

is

sue at

last

I Vn. II

Va.

Vc.

div.

Cb.

unis.

56 72 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B

Clarinet 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

I Vn. II

unis.

div.

Va.

Vc.

arco Cb.

div.

unis.

div.

57 80 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

1., open

2., open

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

I Vn. II

Va.

Vc.

unis., pizz.

Cb.

58 molto rit.

87 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Pedal Perc. 2

3

Cel.

Hp.

C E

Sop.

molto rit.

I Vn. II

Va.

pizz.

Vc.

(pizz.)

Cb.

59

O! Lento

= 80

1 Fl. 2

Al. Fl. 5

5

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Pedal Perc. 2

3

Cel.

l.v.

6

C

Hp.

3

3

3

Sop.

O

Lento I Vn. II

Va.

Vc.

Cb.

= 80

O

3

60 5 1 Fl.

3

3

3

3

3

2 3

Al. Fl. 3

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 3

1

Perc. 2

3

Cel.

3

3

Hp.

Sop.

hap

pi

ness!

I Vn. II

Va.

arco Vc.

Cb.

61 9 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Perc. 2

3

Cel.

C D G

Hp.

3

3

Sop.

To

see

an

i

3

ris.

The col

I Vn. II

Va.

Vc.

unis., arco Cb.

3

3

3

3

or

of

in

di go,

62 13

5

1 6

5

Fl.

5

3

2 6

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 3

1

Perc. 2

3

Cel.

5

6

Hp.

D

E

G

5

3

3

G

5

F

B D G

E F

3

3

3

Sop. 3

as

E

la’s

dress

was

once,

and the

del

i

cate

scent

like

that of her

I Vn. II

Va. 3

div.

3

3

Vc. 3

Cb.

3

3

3

3

63 animando

18

3

3

3

1 6

5

Fl.

3

3

6

3

3

3

2

Al. Fl. 3

6

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.)

3

3

3

1 6

5

3

3

6

3

3 3

Perc. 2

3

Cel.

6

3

Hp.

B G

F

F

A D

C

B C

Sop. 3

3

skin.

O,

animando

O,

3

3

3

I 5

Vn.

6

3

5

3

3 0

II

Va. 3 3

Vc. 3

Cb.

3

64 23

calmando

a tempo 3

1 Fl.

3

3

2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.)

3

1 3

3

Perc. 2

3

Cel.

ABCD EFG

Hp.

3

3

3

mum bling

to

3

Sop.

O,

calmando

O,

a tempo

I Vn. II

Va.

Vc.

(actual pitch) Cb.

O,

what a

de

scribe an

i

3

ris

that was

65 29 1

Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

E

3

3

3

3

Sop.

bloom

3

ing

when 3

3

div.

unis.

I 5 3

Vn.

div. a2

sost.

3

3

unis.

3

II 3

3

sost.

div. a2 3

3

unis.

Va.

div.

3

sost.

3 3

3

unis., pizz.

5

Vc.

sost.

Cb.

E

la

did not

ex

66 34 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

mormorando Perc. 2

3

Cel.

A D G

Hp.

mormorando

3

3

3

Sop.

ist,

nor

our

king

doms

or

non div.

I 6

Vn.

non div.

II

Va. 6

Vc.

Cb.

our

67 38 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Pedal Perc. 2

3

Cel.

l.v.

C

Hp.

Sop.

coun

3

3

tries!

I Vn. II

Va.

arco Vc.

Cb.

68 Maestoso

What Once Was Great

= 108

1

Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

Crash Cym. 3

Cel.

E

Hp.

Sop.

Maestoso I Vn. II

Va.

Vc.

Cb.

= 108

69 7 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B

sub.

2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

Crash Cym. 3

Cel.

Hp.

Sop.

What

I

Vn. II

Va.

Vc.

Cb.

once

was

great,

70 15 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Perc. 2

3

Cel.

Hp.

Sop.

now

I Vn. II

Va.

Vc.

Cb.

ap

peared

small.

King doms were

fad

ing

71 23 1

Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

Crash cym.

3

Cel.

Hp.

Sop.

like

I

Vn. II

Va.

Vc.

Cb.

snow

cov

ered

bronze.

72 31 1

Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

Crash Cym. 3

Cel.

Hp.

Sop.

I

Vn. II

Va.

Vc.

Cb.

73 39 1 Fl. 2

Al. Fl.

1

sub.

Ob. 2

sub.

1 Cl. in B 2

Bn.

1

to Bassoon Cbn.

Hn. 1 in F 2

sub.

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

What

I Vn. II

Va.

Vc.

Cb.

once

could

smite

now

smites

74 47 1 Fl. 2

Al. Fl.

1 Ob.

to English Horn 2

1 Cl. in B 2

1 Bn.

Bassoon 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

no

I Vn. II

Va.

Vc.

Cb.

more.

Ce

les

tial

earths roll

on

75 55

cedendo

Tempo I

cedendo

Tempo I

1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

and

I Vn. II

Va.

Vc.

Cb.

shine.

76 63 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

Stretched

on

the

grass

I Vn.

dolce

sub.

II

dolce

sub.

Va.

sub. dolce Vc.

sub.

Cb.

sub.

by

the

77 71 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

bank

I Vn. II

Va.

Vc.

Cb.

of

a

riv

er

As

long,

long

a

go,

78 79 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

I

I Vn. II

Va.

Vc.

Cb.

launch

my

boats

of

79 85 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib., motor on 1

chiaro Pedal Perc. 2

3

Cel.

Hp.

Sop.

bark.

I Vn. II

Va.

Vc.

Cb.

80 rit.

91 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

(Pedal) Perc. 2

3

Cel.

l.v. sempre

Hp.

Sop.

rit.

I Vn. II

Va.

Vc.

Cb.

81

So Little Allegro con fuoco

= 160

Allegro con fuoco

= 160

1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

I Vn.

pizz.

II

pizz.

Va.

pizz.

Vc.

pizz.

Cb.

82 9 1 Fl. 2

Al. Fl.

Ob. 1

cresc.

English Horn E.H.

cresc.

1 Cl. in B

cresc.

2

1 Bn. 2

1.

Hn. 1 in F 2

cresc.

Tpt. 1 in C 2

cresc.

Tbn. 1 2

cresc.

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

I Vn.

arco

cresc.

II

arco

cresc.

Va.

cresc. arco Vc.

arco

cresc.

Cb.

cresc.

83 17 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

ansioso Sop.

I

said

so

lit tle,

Days

were

short.

I

pizz.

II

pizz.

Va.

Vc.

Cb.

Short nights.

div.

pizz.

Vn.

Short days.

84 24 1 Fl. 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

Short

years.

I

said

so

lit tle.

unis.

I Vn. II

Va.

pizz.

Vc.

Cb.

I

could n’t keep up.

My

85 31

senza vibrato

1 Fl.

senza vibrato 2

senza vibrato Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib., motor off 1

(match Flutes) Perc. 2

3

(match Flutes)

Cel.

Hp.

C

secco

F

B C F

B F

Sop.

heart

grew wea ry

from

joy,

De

arco I Vn.

arco

leggiero

II

leggiero

arco

Va.

arco Vc.

pizz.

leggiero

Cb.

leggiero

leggiero

spair,

86 39 1 Fl.

to Piccolo 2

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Mar. Perc. 2

3

Cel.

C G

Hp.

Sop.

Ar

dor,

Hope.

I Vn. II

Va.

Vc.

arco Cb.

87 47 Picc.

Fl.

1

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

2.

1.

Hn. 1 in F 2

2.

Tpt. 1 in C 2

2.

Tbn. 1 2

Timp.

1

(Mar.) Perc. 2

3

Cel.

Hp.

Sop.

I Vn. II

pizz.

Va.

Vc.

Cb.

88 55 Picc.

Fl.

1

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

(1.)

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

The jaws

I Vn. II

Va.

Vc.

Cb.

of

Le

vi

a than

89 61 Picc.

Fl.

1

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

Were clos

ing

u

pon

me.

Na ked,

I Vn. II

arco Va.

Vc.

Cb.

I

lay

90 67 Picc.

Fl.

1

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

1.

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

on the shores Of de

sert

is

lands.

The

white

whale

I Vn. II

Va.

Vc.

div., pizz.

Cb.

91 73 Picc.

Fl.

1

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

1. take straight mute 2. take cup mute

(1.)

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Mar. Perc. 2

Tambourine 3

Cel.

Hp.

Sop.

of

the

world

Hauled

me

down

to

its

pit.

I Vn.

div.

II

Va.

Vc.

Cb.

92 78 Picc.

Fl.

1

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

chiuso Hn. 1 in F 2

chiuso Tpt. 1 in C 2

Tbn. 1 2

marc.

Timp.

1

(Mar.) Perc. 2

(Tamb.)

3

Cel.

Hp.

Sop.

I Vn.

unis.

II

Va.

Vc.

marc. unis. (pizz.)

Cb.

93 83 Picc.

Fl.

1

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

aperto 2.

Hn. 1 in F 2

aperto Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Temple Blocks Perc. 2

B.D. 3

Cel.

Hp.

intenso Sop.

And now

I Vn. II

Va.

Vc.

Cb.

I

don’t know,

94 89 Picc.

Fl.

1

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

B.D. 3

Cel.

Hp.

Sop.

and

now

I

don’t

know

What

1 player I Vn. II

Va.

Vc.

arco Cb.

0

in all

that,

what

what

in

all

that

95 97

Piccolo, solo

Picc.

solo Fl.

1 3 3

solo Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

2., with cup mute Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Perc. 2

3

Cel.

B C E G

Hp.

Sop.

was

I Vn. II

Va.

Vc.

Cb.

was

real.

3

3

3

3

96 102 Picc.

Fl.

1

3

3 3

3

3

3

3 3

fltg.

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

1., with straight mute

remove mute

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

T. Blks.

Perc. 2

3

Cel.

Hp.

Sop.

I Vn. II

Va.

Vc.

Cb.

97 108 Picc.

Fl.

1

ord. fltg.

Al. Fl.

Ob. 1

E.H.

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

3

Cel.

Hp.

Sop.

I Vn. II

Va.

Vc.

Cb.

ord. fltg.

98

On Old Women Andante camminando

= 66

Picc.

Fl.

1

Al. Fl.

1

delicato Oboe

Ob. 2

delicato 1 Cl. in B

delicato 2

delicato 1

delicato

Bn. 2

delicato

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

E F G

Sop.

Andante camminando

= 66

I

delicato, marcato

Vn. II

delicato, marcato Va.

delicato, marcato Vc.

delicato, marcato Cb.

99 7 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

open

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop. 3

In

I Vn. II

Va.

Vc.

Cb.

vi

si ble,

100 14 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

dressed in

I Vn. II

Va.

Vc.

Cb.

clothes

too

big

for me,

I

take

a

walk

pre

ten ding

I

am

a de

101 21 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

with straight mute remove mute Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

parlando, agitato 3

3

3

Sop.

tached

I Vn. II

Va.

Vc.

Cb.

mind.

What

coun try

is this?

Fu

ne

re al wreaths

102 animando

28 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop. 3

3

de val ued

med als

a gen

e ral a

void

ance

of re mem ber ing

what

animando I

div.

Vn. II

div.

Va.

Vc.

Cb.

103 34

rit.

a tempo

Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

pieno Sop.

hap pened.

I

rit.

a tempo

I Vn.

unis.

sul D

II

unis.

Va.

Vc.

Cb.

think

of

you

old

wom

en,

104 41 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 5

molto

Bn. 2

5

molto

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

3

3

Sop. 3

si lent ly

I Vn. II

Va.

Vc.

Cb.

3

fin ger ing past

3

days

of your lives

like the beads of your ro

sa ries.

105 48 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

open Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

It

had

to

be

suf

fered,

div.

Vn. II

Va.

Vc.

Cb.

dured,

div. unis.

I

en

unis.

man aged.

div.

106 55 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

Sop.

One

al sord.

I Vn.

al sord.

II

al sord.

Va.

al sord.

Vc.

Cb.

had

to

wait

and

not wait,

one had

to.

107 61 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

dolce Sop.

I

unis., con sord.

I Vn.

con sord.

II

con sord.

Va.

con sord.

Vc.

Cb.

send

my

prayers

for

you

to

the

High

est,

108 67 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

(match Flutes)

sonoro (match Flutes)

E F

Hp.

3

3

con fervore

Sop.

helped

I Vn. II

Va.

Vc.

Cb.

by your fa ces in old

pho to graphs

May

the day

109 74 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

(match Flutes) Perc. 2

3

Cel.

Hp.

Sop.

of

I Vn. II

Va.

Vc.

Cb.

your death

not

be

a

day

of

hope

less

ness,

110 81 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

(match Flutes) Perc. 2

3

(match Flutes)

Cel.

Hp.

(match Flutes)

dolcissimo Sop.

but

I Vn. II

Va.

Vc.

Cb.

of

trust

in

the

light

that

shines

through

earth

ly

111 rit.

88 Picc.

Fl.

1

Al. Fl.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

3

poco

Cel.

Hp.

Sop.

forms.

rit.

I Vn. II

Va.

Vc.

div. a3 (actual pitch) Cb.

to Flute

112 Lento, sognando

Epilogue: From Winter

= 66

rit.

1

Flute

Fl.

pi첫

poss.

2

pi첫

poss.

Al. Fl.

pi첫

poss.

1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib., motor off 1

Perc. 2

3

Cel.

Hp.

E

G

G

A

A BC DEFG

Sop.

And now

Lento, sognando con sord. flautando

con sord. flautando II

con sord. flautando Va.

con sord. flautando Vc.

marc.

Cb.

to keep run ning

When

the sun ris es

be yond

the bor der lands of death.

= 66 rit.

I

Vn.

I am read y

al sord.

113 7

a tempo

1

sempre

Fl. 2

sempre Al. Fl.

sempre 1 Ob. 2

1 Cl. in B 2

1 Bn. 2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

3

Cel.

Hp.

Sop.

I

al read y see

a tempo I Vn. II

Va.

Vc.

Cb.

moun tain ridg es

in

the heav en ly for est

where

be yond ev ery

es

sence, a new es sence

114 13 1 Fl. 2

Al. Fl.

1

accomp.

Ob. 2

1 Cl. in B 2

1 Bn.

accomp.

2

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

(Vib.) 1

Perc. 2

3

Cel.

Hp.

Sop.

waits.

You

mu

I

accomp.

Vn. II

accomp.

Va.

accomp.

Vc.

accomp.

Cb.

sic

of

my late

years,

115 rit.

19 1 Fl. 2

Al. Fl.

1 Ob. 2

1

accomp.

Cl. in B 2

1 Bn.

accomp.

to Contrabassoon 2

1.

Hn. 1 in F 2

accomp.

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

Perc. 2

3

Cel.

Hp.

cantabilissimo

Sop.

I

am

called

by a

sound

and

a

col or

which are more and more

rit.

I Vn. II

Va.

Vc.

con sord.

Cb.

div.

per fect.

116 25

Pi첫 lento

= 108

Pi첫 lento

1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

possibile Tbn. 1 2

possibile

Timp.

1

Perc. 2

3

Cel.

Hp.

AB C D E FG

A

pieno

deliberato Sop.

Do not die out

Pi첫 lento I Vn. II

Va.

Vc.

unis.

Cb.

= 108

fire.

En ter my dreams,

love.

Be

Pi첫 lento

young

for

ev

er,

117 ritardando molto

31 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Contrabassoon Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Pedal Perc. 2

Tamtam 3

Cel.

C

C

D

l.v.

Hp.

A

Sop.

sea

sons

of

the

earth.

ritardando molto I

non div.

Vn. II

non div.

Va.

Vc.

div.

Cb.

118

Post Epilogue: Rays of Dazzling Light Tempo giusto

= 108

1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Pedal Crotales

Triangle (very high)

Perc. 2

poco Chimes 3

poco

3

Cel.

l.v.

3

3

3

Hp.

Sop.

Light

Tempo giusto I Vn. II

Va.

Vc.

Cb.

= 108

off

met al

shak en,

119 5 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

(Trg.)

Triangle (Low)

Perc. 2

Triangle (High) 3

Cel.

Hp.

Sop.

Lu

I Vn. II

Va.

Vc.

Cb.

cid

dew

of

heav en

Bless each

and

ev

ery one

To

whom

the earth is

giv

en.

120 11 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Pedal Crot.

Trg. (very high)

Perc. 2

poco Chimes 3

poco

3

Cel.

l.v. 3

3

3

3

3

3

3

3

3

Hp.

Sop.

Its

I Vn. II

Va.

Vc.

Cb.

es sence was al

ways

hid den

Be

121 16 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

(Trg.)

Trg. (low)

Perc. 2

Trg. (high) 3

Cel.

Hp.

Sop.

hind

I Vn. II

Va.

Vc.

Cb.

a dis

tant

cur tain

We chased it

all our lives.

Bid den

and un

bid den.

122 22 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Pedal Crot.

Trg. (very high)

Perc. 2

poco Chimes 3

poco

3

Cel.

l.v.

3

3

3

3

3

Hp.

Sop.

Know ing

I Vn. II

Va.

Vc.

Cb.

the hunt

would end

That then what had

been

123 27 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

1

(Trg.)

L. Trg.

Perc. 2

(High Trg.) 3

Cel.

Hp.

Sop.

rent

I Vn. II

Va.

Vc.

Cb.

Would

at

last

be

made

whole:

Poor

bod

y

and

124 33 1 Fl. 2

Al. Fl.

1 Ob. 2

1 Cl. in B 2

Bn.

1

Cbn.

Hn. 1 in F 2

Tpt. 1 in C 2

Tbn. 1 2

Timp.

Vib. 1

Pedal Crot.

Perc. 2

Chimes 3

3

Cel.

3

3

3

3

l.v. 3

Sop.

the

I Vn. II

Va.

Vc.

Cb.

3

3

F A

Hp.

soul.

3

3

B

3 3

3

F G

3