Bright Sheng
NEVER FAR AWAY for Harp and Orchestra
From the G. Schirmer Rental Library Date of Printing
________
G. Schirmer, Inc. New York, NY
Bright Sheng
NEVER FAR AWAY for Harp and Orchestra
commissioned through the dedication and financial assistance of Joyce and Ted Strauss and the San Diego Symphony, the Dallas Symphony, the Oberlin Conservatory, and the Grand Rapids Symphony.
G. Schirmer, Inc. New York, NY
Instrumentation 2 Flutes (2nd doubling Piccolo) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B= (2nd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Timpani 4 Percussion Piano (doubling Celesta) Solo Harp* Strings
duration circa 20 minutes
* The Solo Harp should be amplified with a single speaker placed on stage near the instrument.
Program Note Never Far Away was co-commissioned by the San Diego Symphony, the Dallas Symphony, the Grand Rapids Symphony and the Oberlin Conservatory of Music; written for Yolanda Kondonassis. The premiere performance took place on October 24th, 2008, by the San Diego Symphony, conducted by Jahja Ling, with the subsequent performances on January 22nd, 2009, by the Dallas Symphony, conducted by Leonard Slatkin, April 3rd, 2009, Grand Rapids Symphony, conducted by Bright Sheng, and by the Oberlin Conservatory of Music Symphony, all with Yolanda Kondonassis as the soloist, to whom the work is dedicated. In linguistics, pidgins and creoles refer to languages developed out of necessity by people who do not share a common tongue in a specific geographic area, a kind of ‘contact language’. At this initial state, the communication (called pidgin) can be quite simple, only to fulfill the needed verbal interaction. Yet once the language is used long enough, especially when children learn it as their first language, it can develop into an affluent language with a far more complex structure and richer vocabulary—the emergence of a creole. Sometimes I feel it might be appropriate to apply this linguistic phenomenon to my compositional approach—an evolving musical style, fused from several different ones, expressive enough for me to comfortably and effectively communicate my musical thoughts with the listener, while each musical creole is personal, depending on the sources from which it was drawn. “Moonlight Shadows” is inspired by a Chinese folk song on a young girl’s longing, under the moonlight, for her far-away lover. “The Drunken Fisher” is inspired by a Chinese classical instrumental work, of the same title, written for qin, a seven-string zither, portraying a tipsy fishman’s sentiments returning home at the sunset while rowing a fishing boat. A three-note pentatonic motif is used in different ways throughout the third movement, therefore the title—“Doctored Pentatonics.” If your native culture is still the inspiration of your work, you are never far away from home. – Bright Sheng
to Yolanda Kondonassis
NEVER FAR AWAY I. Moonlight Shadow
Bright Sheng
= 69 1 Flute
to Piccolo
2
(Piccolo)
1 Oboe
to English Horn
(English Horn)
2
1 Clarinet in B
to Clarinet in B
(Bass Clarinet)
2
1 Bassoon
to Contrabassoon
(Contrabassoon)
2
3. to brass mute
1 3 Horn in F
4. to brass mute
2 4 to solotone mute
1 Trumpet in C
to cup mute
2 to cup mute
Trombone to cup mute
Bass Trombone
Timpani
1
2 Percussion 3
4 8va
Piano
sempre
Piano (Celesta)
Solo Harp
(non harm.)
= 69 al sord.
I Violin
al sord.
II al sord.
Viola gl.
1 gl.
espr.
2 Violoncello
soli
pizz.
espr.
3 sempre pizz.
4 sempre
Contrabass
Revised 12/2008 Revised 1/2009 (post S.D. recording) Revised 9/2010a (Solo Hp. & Vn. I)
Copyright Š 2008 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 Piccolo solo
7 Picc.
dolce
Fl.
1
Ob.
1
solo
sempre dolce
E.H. solo
1 Cl. in B
sempre dolce
2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4 8va
Pno.
poco leggiero
Solo Hp.
C
I Vn. II
Va.
1
2 Vc. soli 3
4 al sord.
Cb.
3 accelerando
= 72
13 Picc.
Fl.
1
Ob.
1 English Horn solo
E.H. sempre dolce
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
Solo Hp.
F
accelerando I Vn. II
Va. (solo)
Vc.
Cb.
1
tutti al sord.
= 72
C
4 18 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. Glockenspiel
1 3
sempre
3
3
3
3
3
3
3
3
2 Perc. 3
4 8va
3
Pno.
Solo Hp.
*
sempre
cresc.
F
I Vn. II
Va.
Vc.
Cb. * From here through m. 24, play slightly closer to the sound board (poco pdlt) through m.24.
F
B
5 23 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Glock.)
1 3
2 Perc. 3 Vibraphone (motor off)
4 sempre (hard mallets) 8va
3
Pno.
7
Solo Hp. gl. B C D /E F G A E
A div., con sord.
I Vn.
div., con sord.
pizz.
II con sord.
Va. sempre
free bowing
tutti, con sord.
Vc. sempre con sord.
Cb. sempre
free bowing
7
7
7
6 27 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3 (Vib.)
4
Pno.
7
7
7
Solo Hp.
7
7
7
7 7
7
7
7
7 7
7
I Vn. II
Va.
Vc.
Cb.
7 30 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3 (Vib.)
4
Pno.
7
7
Solo Hp.
7
gl.
II
Va.
Vc.
Cb.
7
7
7
7
7 7
I Vn.
7
7 7
8 33 Picc. dolce
Fl.
1
Ob.
1 dolce
E.H.
1 Cl. in B 2
Bn.
1 Contrabassoon
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3 (Vib.)
4
Pno.
*
7
Solo Hp.
7
7
7
7
unis., pizz. (con sord.)
I unis., arco (con sord.)
Vn.
5
5
5
5
5
5
5
5
5
II 5
5 5
Va. pizz.
Vc. pizz.
Cb.
* Fast downward arpeggios.
5
5
5
5
9 36 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
Solo Hp.
I Vn.
5 5
5
5
5
5
5
5
5
5
5
5
II 5
5 5
5
5
5
Va. 5 5
Vc.
Cb.
5 5
5
10 = 76
accel. poco 39 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3 (Vib.)
4
8va
*
Pno.
8va
Solo Hp.
accel. poco
= 76
via sord.
I Vn.
5
5
5
5
5
5
5
5
5
II 5
5 5
5
5
5
5
5
5
Va. 5
5
5
5
5
div., arco
Vc. arco
Cb.
5
11 42 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B
espr.
molto Clarinet in B
2 espr.
molto
Bn.
1 to Bassoon
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3 (Vib.)
4
8va
Pno.
loco
8va
Solo Hp.
I 5
Vn.
5
5
5
5
5
5
5
5
5
5
II 5
5
5
5 5
Va. 5
Vc.
Cb.
5
5
5
5
5
5
5
12 rit. poco
45 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3 (Vib.)
4
8va
Pno.
non apregg.
8va 8va
loco
Solo Hp.
rit. poco arco, senza sord.
I Vn.
5
5
5
5
5
5
5
5
5
via sord.
senza sord.
II
5
5
via sord.
5
Va. 5
5
5
5
5
via sord.
Vc. via sord.
Cb.
13 Tempo I
= 69
48 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. Bassoon
2
1. solo (open)
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3 (Vib.)
4
loco
Pno.
loco
Solo Hp.
Tempo I
= 69
I espr.
molto
Vn.
dolce
II espr. pizz., senza sord.
molto
Va. unis., pizz. senza sord.
Vc. senza sord.
Cb.
div.
dolce
14 53 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
(1.)
1 3 Hn. in F
2. (open)
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
Solo Hp.
gl.
I Vn.
gl.
II
Va.
Vc. unis.
Cb.
15 Più mosso ( = 80–84) 58 Picc.
Fl.
1
Ob.
1
E.H. espr.
1 Cl. in B 2
1 Bn. 2
(1.)
1 3 Hn. in F
(2.)
2. to brass mute
2 4 solo solotone mute
1 Tpt. in C
sempre dolce
2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
Solo Hp.
Più mosso ( = 80–84) I Vn. II
Va. arco
Vc. espr.
Cb.
al sord.
16 poco rit.
63 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
(1.)
1. to mute
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
Solo Hp.
poco rit.
al sord. 1 solo senza sord.
I Vn. II arco
Va. espr.
Vc.
Cb.
espr.
al sord.
17 Tempo I
69
= 69
Picc. solo
Fl.
1 sempre dolce
Ob.
1 to Oboe
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4 to cup mute
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Glock.)
1
2 Perc. 3
4
Pno.
Solo Hp.
*
Tempo I
sempre dolce gliss.
= 69
gl.
gl.
(senza sord.)
1 solo Vn. I
div., con sord.
gli altri
Vn. II div., pizz., con sord.
Va. al sord.
5
con sord.
5
5
5
5 5
5
5
5
5
Vc. con sord.
sempre
5
5
5
Cb. 5
sempre * All upward glissandi poco pdlt through m.80
5
5
5
5
5
5 5
5 5
5
18 73 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
Solo Hp.
1 solo Vn. I gli altri
Vn. II
Va. 5
5
5
5
5
5
5
5
5
Vc. 5
5
5
5
5
5
5
5
5
5
5
5
Cb. 5 5
5
5 5
5
5 5
5 5
5
19 77 Picc. sempre dolce
Fl.
1
1 sempre dolce
Ob.
Oboe
2 sempre dolce
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
Solo Hp.
1 solo Vn. I
via sord.
gli altri
Vn. II via sord.
Va. 5
5
5
5
5
5
via sord.
Vc. 5
5
5
5
5
5
5
5
via sord.
Cb. 5
5 5
5
5
5 5
5
5 5
5
5 5
5
20 81 Picc.
Fl.
1 poco
1 Ob. 2
1 Cl. in B
poco
2
1 sempre
Bn. 2
sempre
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
8va
8va
* 8va
Solo Hp.
B C
I pizz. (senza sord.)
Vn. II
unis. (pizz.) senza sord.
Va. pizz. senza sord.
Vc. pizz. senza sord.
Cb.
* Use combination of thumb (non nails) and other fingers (nails).
8va
21 85 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
8va
Solo Hp.
I Vn. II
Va.
Vc.
Cb.
8va
8va
22 89 Picc.
Fl.
1
1 Ob.
to English Horn
2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
8va
Solo Hp.
8va
8va
(senza sord.)
1 solo Vn. I gli altri
Vn. II
Va.
Vc.
Cb.
div., senza sord.
diminuendo
23 93 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B
molto
2
1 Bn. molto
2 molto
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
10
10
10
10
Solo Hp.
F al sord.
1 solo Vn. I
al sord.
gli altri al sord.
Vn. II (pizz.)
3
Va. 3
al sord.
Vc. al sord.
Cb.
3
3
24 97
poco
Picc. poco
Fl.
1
Ob.
1
poco
poco
E.H. poco
1 Cl. in B
poco
2 poco
1 Bn.
molto
poco
2
molto poco
1 3 Hn. in F
poco
2 4 poco
1 Tpt. in C
poco
2 poco
Tbn. poco
Bs.Tbn.
poco
Timp. poco
1 poco
2 Perc.
poco
3 poco
4
poco
Pno.
poco
10
10
10
10
10
10
10
poco
Solo Hp.
poco
G poco
I Vn.
poco
II poco
3
Va. 3
3
3
3
dim.
3
poco
Vc. poco
Cb.
al sord.
25 Tempo I
99
= 69
Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. to Contrabassoon
2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Glock.)
1
2 Perc. 3
4
Pno.
espr.
Solo Hp.
Tempo I
= 69
I Vn. II con sord. (pizz.)
Va. con sord. (pizz.)
Vc. div., arco, con sord.
Cb.
26 105
solo
Picc. sempre dolce
Fl.
1
Ob.
1 English Horn solo
E.H. sempre dolce solo
1 Cl. in B
sempre dolce
2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Glock.)
1 poco
2 Perc. 3 (Vib.)
4
Pno.
Solo Hp.
unis., pizz., con sord.
I Vn.
pizz., con sord.
II
Va.
Vc.
Cb.
27 111 Picc.
Fl.
1
Ob.
1 to Oboe
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1. solo, mute
1 3 Hn. in F
poco
espr.
2 4 solo, cup mute
1 Tpt. in C
espr.
2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
*
Solo Hp.
rhythmic
A via sord.
I Vn.
via sord.
II
Va. 4 soli via sord.
Vc.
Cb. * Poco pdlt through m. 122.
G
D
28 116 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
(1.)
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pno.
Solo Hp.
E B
I Vn. II
Va.
Vc.
Cb.
F
C
G
29 = 66
121 Picc.
Fl.
1 sempre dolce
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
(1.)
to brass mute
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Glock.)
1 3
3
3
3
2 Perc. 3
4 8va
fast arpegg.
Pno.
sempre
8va
8va
Solo Hp. *
C F
= 66
3
3
I Vn. II arco (con sord.)
Va. gl. arco, senza sord.
1 gl.
espr. arco, senza sord.
2 Vc. soli
espr. senza sord. (pizz.)
3 sempre senza sord. (pizz.)
4 sempre (div., con sord.)
Cb. sempre
* Rapid whistling sounds, in five different approximate pitches.
30 126 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B
sempre dolce
2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Glock.)
1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2 Perc. 3
4 8va
Pno.
3
8va
Solo Hp.
3
I Vn. II
Va.
1
2 Vc. soli 3
4
Cb.
3
3
3
3
3
3
3
3
31 132 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B
to Bass Clarinet
2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Glock.)
1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
2 Perc. 3
4 8va
Pno.
Solo Hp.
3
I Vn. II via sord.
Va. n.v. tasto
al sord.
1 n.v. tasto
al sord.
2 Vc. soli
al sord.
3 al sord.
4 pizz.
Cb. (arco)
32
II. The Drunken Fisher = 66
Picc.
Fl.
1
1 Ob. 2
Cl. in B
1 Bs.Cl.
Bs.Cl.
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2 cup mute gl.
Tbn.
sempre cup mute gl.
Bs.Tbn.
sempre
Timp. Large Temple blocks (heavy beater)
1 sempre Bell tree
sim.
2 Perc. 3
4
(Piano)
Pno.
Solo Hp.
gl. ord.
gl.
gl.
gl.
ord.
ord.
ord. (D )–D
(D )
= 66 I Vn. II
Va. arco, con sord.
1 solo Vc.
pizz., con sord.
gli altri arco (con sord.)
1 solo Cb. gli altri
ord.
pizz. (con sord.)
ord. (D )–D
(D )
(D )–D
(D )
33 5
poco
Picc. molto poco
Fl.
1 molto poco
1 molto
poco
Oboe
Ob. 2
molto poco
Cl. in B
1 poco
molto
Bs.Cl. poco
Bn.
1 poco
molto
Cbn. molto non fltg. poco
brass mute., fltg.
1 3 Hn. in F
poco
brass mute., fltg.
2 4 non fltg.
1
poco
Tpt. in C
poco
2 poco
Tbn. poco
Bs.Tbn.
poco
Timp. 4 Wood blocks
(L. T.blk.)
poco
L. Temple block
1 poco
(Bell tree)
2 Perc.
poco
Triangle
3 poco
4 poco
Celesta
Pno. (Cel.)
5
Piano
poco
Ped. 8va
poco
ord.
Solo Hp.
ord.
poco
ord.
3
ord.
G A (D )–D –D
(B)–B –B
(D )–D
C D E A div., pizz., senza sord.
poco
div., pizz., senza sord.
poco
I Vn. II
Va.
poco poco
1 solo Vc.
poco
gli altri poco
1 solo Cb. gli altri
poco
7
34 9 Picc.
Fl.
1
1 Ob. 2
Cl. in B
1
Bs.Cl.
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (L. T.blk.)
1 (Bell tree)
2 Perc. 3
4
5
Pno.
3 7
Solo Hp.
(G )–G
I Vn. II
Va.
1 solo Vc. gli altri
1 solo Cb. gli altri
G
(G )–G
C
G –G
(F )–F
E
(D )–D
F
D
35 13 Picc.
Fl.
1
1 Ob. 2
Cl. in B
1
Bs.Cl.
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2 (cup mute)
Tbn. (cup mute)
Bs.Tbn.
Timp. (L. T.blk.)
1 (Bell tree)
2 Perc. 3
4
to Celesta
Pno.
Solo Hp.
ord.
(D )–D –D
I Vn. II
Va. via sord.
1 solo Vc. gli altri
1 solo Cb. gli altri
(B)–B –B
C D /G A
36 = 76
poco accel. 17 Picc.
Fl.
1 espr.
1 Ob.
to English Horn
2
Cl. in B
1 espr.
Bs.Cl.
Bn.
1 to Bassoon
Cbn.
non fltg.
fltg.
mute out
1 3 Hn. in F
fltg.
non fltg.
2 4
mute out
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. 4 Wood blocks
1
2 Perc.
Triangle
3
4 Celesta
Cel.
ord.
Solo Hp.
ord.
espr.
B D /E F A (E )–E
poco accel.
= 76
(div., pizz.)
I
Vn.
(div., pizz.)
II
Va. senza sord. (arco)
1 solo Vc.
via sord.
espr. senza sord. (pizz.)
via sord.
senza sord. (pizz.)
gli altri tutti
Cb.
E
(D )–
37 21 Picc.
Fl.
1
Ob.
1 English Horn
E.H. espr.
Cl. in B
1
Bs.Cl.
1 espr.
Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Cel.
Solo Hp.
D
(E )–E
D
(D )–D
E
G –G
I Vn. II senza sord.
Va.
1 solo Vc. gli altri
Cb.
F
38 poco accel.
25 Picc.
Fl.
1
Ob.
1 to Oboe 2
E.H.
Cl. in B
1 to Clarinet in B
Bs.Cl.
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2 gl. (cup mute)
Tbn. (cup mute)
gl.
Bs.Tbn.
Timp.
1
2 Perc. 3 Vibraphone
blk. key gliss.
4
Cel.
8va
8va
*
8va
ord.
Solo Hp.
8va
ord.
D G
poco accel. unis. (pizz.)
I Vn.
(div., pizz.)
unis. (pizz.)
div., pizz.
unis. (pizz.)
div.
II
Va.
1 solo div.
Vc.
tutti, div. (pizz.)
unis. (pizz.)
gli altri div., arco unis., pizz.
Cb.
*Thumb (ord.) plus second and third fingers (nails).
39 Poco pi첫 mosso
= 88
29 Picc. espr.
Fl.
1 espr.
1 Ob.
espr.
to E.H.
2 espr.
1 Cl. in B
espr.
2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Cel.
8va
Solo Hp.
Poco pi첫 mosso
= 88
non div.
(pizz.)
gl.
non div.
(pizz.)
gl.
(div.)
unis. (pizz.)
gl.
I Vn.
al sord.
arco, con sord.
II dolce
Va. non div.
Vc. non div.
Cb.
div., arco
40 35 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Cel.
Solo Hp.
al sord.
arco, con sord.
I dolce
Vn.
sempre
II sempre (pizz.)
al sord.
arco, con sord.
Va. unis., pizz.
sempre, dolce al sord.
Vc. (pizz.)
Cb.
al sord.
41 41 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. Glockenspiel
1 sempre
2 Perc. 3
4
(Celesta)
sempre
Cel.
sempre
Solo Hp.
I non cresc. sempre
Vn. II
non cresc. sempre
Va. arco, con sord.
non cresc. sempre
Vc. sempre, dolce
Cb.
non cresc. sempre
42 47 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Glock.)
1
2 Perc. 3
4
Cel.
Solo Hp.
via sord.
I Vn. II
Va.
Vc.
Cb.
43 53 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Glock.)
1
2 Perc. 3
4
to Piano
Cel.
Solo Hp.
I Vn.
via sord.
II via sord.
Va.
Vc. arco, con sord.
Cb. sempre, dolce
44 = 76 60 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B
sempre
Clarinet in B
2 sempre
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2 (cup mute)
gl.
Tbn. (cup mute)
sim.
gl.
Bs.Tbn. sim.
Timp.
1 Marimba (heavy, hard mallets)
dead shot
2 Perc.
woody
3 (Vib.) (soft mallets)
4 sempre
Pf.
Solo Hp.
A
= 76 I Vn. II
Va. (con sord.)
Vc.
Cb.
45 65 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2 mute out
Tbn. mute out
Bs.Tbn.
Timp.
1 (Mar.)
2 Perc. 3 (Vib.)
4
Pf.
Solo Hp.
D
G
I Vn. II sul tasto, senza sord.
Va. via sord.
Vc.
Cb.
46 Subito pi첫 mosso 70
= 116 Subito
fltg.
= 76
Picc. sempre fltg.
Fl.
1 sempre fltg.
Ob.
1 sempre fltg.
E.H. sempre
1 Cl. in B 2
1 Bn.
Bassoon
2
fltg., without mute
ord.
sim.
fltg., without mute
ord.
sim.
1 3 Hn. in F
2 4
1 Tpt. in C 2 without mute
Tbn. without mute
Bs.Tbn.
dead shot
Timp. (wood mallets)
1
2 Small Bass Drum dead shot
Perc. 3
(heavy wood beater)
(Vib.)
4
Pf.
Solo Hp.
Subito pi첫 mosso
= 116
pizz., senza sord.
div.
unis.
div.
unis.
div.
unis.
div.
pizz., senza sord.
div.
unis.
div.
unis.
div.
unis.
div.
unis.
div.
unis.
Subito
= 76
I Vn.
1 solo, arco, sul tasto con sord.
II
div., pizz.
div. unis.
div.
div. unis.
div.
sempre div. unis. div.
unis.
Va. div., pizz., senza sord.
unis.
pizz., senza sord.
ord.
unis. div.
1 solo (pizz.)
Vc.
Cb.
1 solo (pizz.) ord.
47 76 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3 (Vib.)
4
Pf.
Solo Hp.
I Vn.
(1 solo)
II
Va. (1 solo)
Vc. (1 solo)
Cb.
48 Subito pi첫 mosso 81
= 116
( =
)
( =
)
fltg.
Picc. fltg.
Fl.
1
Ob.
1
fltg.
fltg.
E.H.
1 Cl. in B
to Bass Clarinet
2
1 Bn. 2
fltg.
1 3 Hn. in F
fltg.
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Small B.D.)
3 (Vib.)
4
Pf.
Solo Hp.
Subito pi첫 mosso
= 116
unis. (pizz.)
div.
unis.
div.
unis.
div.
unis.
div.
tutti, pizz., (senza sord.)
div.
unis.
div.
unis.
div.
unis.
div.
(div., pizz.)
unis.
div.
unis.
I Vn.
(1 solo)
via sord.
II div. unis.
div.
div. unis.
div.
div. unis.
unis.
div.
Va. (1 solo)
tutti, div. (pizz.)
unis.
(1 solo)
tutti (pizz.)
ord.
unis.
Vc.
Cb. arco
ord.
div.
49 87
(
= 76)
( =
)
( =
)
fltg.
to Flute
Picc. fltg.
Fl.
1
Ob.
1
fltg.
fltg.
E.H.
Cl. in B
1 Bass Clarinet
Bs.Cl.
1 Bn. 2
fltg.
1 3 Hn. in F
fltg.
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
E –E
B –B
Timp. Large Temple block
1 Bell tree
2 Perc.
(Small B.D.)
3
4
Piano
Pf.
ord.
Solo Hp.
gl.
ord. gl.
gl.
ord.
ord. gl. B C D (B ) – B – B
(
= 76)
( =
)
( =
)
tutti (div., pizz.)
I Vn.
(div., pizz.)
II (div., pizz.)
Va. (div., pizz.)
Vc. (pizz.)
Cb.
ord.
50 92
fltg.
solo
1 Fl.
Flute
fltg.
2 fltg.
Ob.
1 fltg.
E.H.
Cl. in B
1
Bs.Cl.
1 Bn. 2
fltg.
1 3 Hn. in F
fltg.
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
E–E
Timp. (Large T.blk.)
1 (Bell tree)
2 Perc.
(Small B.D.)
3
4
Pf.
ord.
Solo Hp.
ord.
B D A (D )–D
(B ) – B tutti (div., pizz.)
I Vn.
(div., pizz.)
II (div., pizz.)
Va. (div., pizz.)
Vc. (pizz.)
Cb.
ord.
51 97
(solo)
1 Fl. fltg.
to Piccolo
2 fltg.
Ob.
1 fltg.
to Oboe
E.H.
Cl. in B
1
Bs.Cl.
1 Bn. 2
fltg.
fltg.
fltg.
fltg.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Large T.blk.)
1
2 Perc.
(Small B.D.)
3
4
Pf.
Solo Hp.
C /E A (E )–E
E
– E
– E
D
(C ) – C
(B ) – B
D A
tutti (div., pizz.)
I Vn.
(div., pizz.)
II (div., pizz.)
Va. (div., pizz.)
Vc. ord.
Cb.
(pizz.)
B F
52 accel.
103 Picc. (solo)
Fl.
1 3
3
1 Ob. 2
Cl. in B
1 to Cl. in B
Bs.Cl.
1 Bn. 2
1 3 Hn. in F
2 4 (cup mute)
1 Tpt. in C
secco cup mute
2 secco
Tbn.
Bs.Tbn.
Timp. (L. T.blk.)
1 Marimba
(Bell tree)
2 Perc. 3
4
Pf.
sub.
ord.
Solo Hp.
ord.
(B ) – B
– B
A
D
(C) – C
A – (B ) – B – B
A
G –G –G
unis. (pizz.)
accel.
I Vn.
unis. (pizz.)
II unis. (pizz.)
non div.
unis. (pizz.)
non div.
Va.
Vc. (pizz.)
Cb.
(non div.)
53 108
(accel.)
Picc.
Fl.
1
1 Ob. 2
1 Cl. in B
Clarinet in B
2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1 (Mar.)
2 Perc. 3
4
cresc.
Pf.
Solo Hp.
(accel.)
div. (pizz.)
I Vn.
div. (pizz.)
II (non div.)
div. (pizz.)
(non div.)
Va. div. (pizz.)
Vc.
Cb.
unis.
div.
54 = 132 114
Piccolo
Picc. vivo
Fl.
1 vivo
1 vivo
Ob.
Oboe
2 vivo
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4 mute out
1 Tpt. in C
mute out
2 gl.
Tbn. gl.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pf.
gl.
*
Solo Hp.
*
gl.
= 132 I Vn. II
Va.
Vc.
Cb.
*Thumb (ord.) plus second and third fingers (nails).
G
C /G A
55 120 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B
vivo
2 vivo
1 vivo
Bn. 2 vivo
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pf.
Solo Hp.
unis. (pizz.)
gl.
gl.
sim.
unis. (pizz.)
gl.
gl.
sim.
gl.
gl.
sim.
gl.
gl.
sim.
gl.
gl.
I Vn. II unis. (pizz.)
Va. unis.
Vc.
Cb.
sim.
56 126 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
a2
1 3 Hn. in F
a2
2 4 without mute
1 Tpt. in C
without mute
2 gl.
Tbn. gl.
Bs.Tbn.
A B C F
Timp.
1 (Mar.)
2 Perc.
(Small B.D.)
3
4
Pf.
Solo Hp.
div. (pizz.)
I Vn.
div. (pizz.)
II (pizz.)
Va. div. (pizz.)
Vc. (pizz.)
Cb.
57 131 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
(a2)
1 3 Hn. in F
(a2)
2 4
to mute
1 Tpt. in C
to mute
2
Tbn.
Bs.Tbn.
F –E
B –A
Timp. cresc.
1 (Mar.)
2 cresc. (Mar.)
Perc. 3
cresc.
4
Pf.
Solo Hp.
I cresc.
Vn. II cresc.
Va. cresc.
Vc. ord.
cresc.
Cb. cresc.
58 = 144
accel. 136 Picc.
Fl.
1
1 Ob.
to English Horn
2
1 Cl. in B 2
1 Bn. 2
(a2)
to mute
(a2)
to mute
1 3 Hn. in F
2 4
1 Tpt. in C 2 to mute
Tbn. to mute
Bs.Tbn.
C –D
Timp. (cresc.) Rute
1 (Mar.)
2 (cresc.) (Small B.D.)
Perc. 3
Large Tamtam scrape with metal stick
(cresc.)
4 secco solo
Pf.
secco
Solo Hp.
= 144
accel. I (cresc.)
Vn. II
(cresc.)
Va. (cresc.)
Vc. (cresc.)
Cb. (cresc.)
ord.
59 141 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Rute)
1
2 Perc. 3 (Large Tam.)
4
Pf.
Solo Hp.
I Vn. II
Va.
Vc.
Cb.
60 147
= 152+ (ad lib.)
accel.
Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Rute)
1
2 Perc. 3 (Large Tam.)
4
to Celesta
Pf.
Solo Hp.
D
accel.
D /A
(B )–B
C /G
I Vn. II div.. arco
Va. div.. arco
Vc.
Cb.
(E )–E
(D )–D
= 152+ (ad lib.)
(A )–A
(D )–D
61 molto rit.
153
poco
Picc.
Fl.
1
Ob.
1
E.H.
2
1 Cl. in B 2
1 Bn. 2
poco 1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
poco Timp.
1
2 Perc. 3
4
poco Cel.
loco
8va
poco
Solo Hp.
(G )–G
(C )–C
(F )–F
(D )–D
(F )–F
(C )–C
(G )–G
(D )–D
molto rit. I Vn.
div., arco
II
Va.
Vc.
Cb.
(G )–G
(B )–B
F –F
poco
62 = 66
158 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. Crotales
1 bow
2 Perc. 3
4
sempre
7
Cel.
7 7
7 7
7
7
7
7
6
use thumb nail for accending gliss.
R.H. L.H.
Solo Hp. 3 3
= 66 div.
Vn. I
Vn. II
Va.
Vc.
Cb.
div.
rhythmic
3
6
6
63 = 44
rit.
162 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Crot.)
1
2 Perc. 3
4
Cel.
6
6
6 6
6
6
3
6
6 6
6 6 3
ord.
3
3
3
Solo Hp.
ord.
5
5
G –G D –D
rit.
Vn. I
Vn. II
Va.
Vc.
Cb.
= 44
64
III. Doctored Pentatonics = 108–112
Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
2 Bongos (hands)*
3 sempre 2 Large Congas (hands)*
4 sempre (Celesta)
Cel.
Harp con sord. 3 strips of brown envelope paper 1.
2.
8va
3.
con sord.
Solo Hp.
sempre l.v.
sempre
G
E
= 108–112 1 solo, pizz.
I Vn.
1 solo, pizz.
II
Va. Vc.
Cb.
*There should be at least a fifth between the pitches of two same drums. NOTE TO CONDUCTOR: Instead of waiting for the soloist to add on the paper strips between Movements II and III, the conductor has the option of repeating the first seven measures of Movement III five times, before starting Movement III, attacca: 1st time: bongos only 2nd time: add congas 3rd time: add Violin I solo, pizz. 4th time: add Violin II solo, pizz. 5th time: add Celesta
65 6 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
Cel.
Solo Hp.
C
E
(1 solo)
I Vn.
(1 solo)
II
Va.
Vc.
Cb.
C
A
66 11 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
Cel.
Solo Hp.
F
(1 solo)
I Vn.
(1 solo)
II
Va.
Vc.
Cb.
D
B
G
67 16 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. 8va
Marimba (hard mallets)
1 sub.
2 Perc.
(Bongos)
3 (Congas)
4
to Piano
Cel.
Solo Hp.
E
F
B
A
(1 solo)
I Vn.
(1 solo)
II
Va. 1 solo, pizz.
Vc. 1 solo, pizz.
Cb.
68 21 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Mar.)
1 sempre
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
Solo Hp.
G
B
G
B
A
F
I Vn.
(! solo)
II
Va. (! solo)
Vc. (! solo)
Cb.
69 26 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Mar.)
1
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
Solo Hp.
cresc.
A
F
G
C
E
I Vn.
(1 solo)
II 1 sola, pizz.
Va. (1 solo)
Vc.
(1 solo)
Cb.
70 31 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Mar.)
1
2 Perc.
(Bongos)
3 (Congas)
4
8va
Piano
cresc.
Pf.
cresc.
Solo Hp.
B (1 solo)
I Vn.
(1 solo)
II
Va. (1 solo)
Vc. (1 solo)
Cb.
71 36
5
Picc.
5 5
cresc.
5
Fl.
1
5 5
cresc.
5 5
Ob.
5
1 5
cresc. English Horn
to Oboe
5
E.H.
5
cresc.
5 5 5
1
5
5
cresc.
Cl. in B
5
to Bass Clarinet 5
2 5
cresc. 5
1 5
cresc.
5
Bn. 5
2
a2, mute fltg.
5
3
3
3
3
mute out
3
1 3 Hn. in F
5
cresc.
a2, mute fltg.
3
cresc.
mute out
3
2 4 3
mute. fltg.
cresc. mute out
3 3
1 3
Tpt. in C
mute. fltg.
cresc. mute out
3 3
2 3
cresc. mute, fltg.
mute out 3
Tbn. 3
mute, fltg.
cresc.
3
mute out
Bs.Tbn. cresc.
Timp.
1 Large Bass Drum (soft beater)
2 Perc.
(Bongos) (hands)
3 Large Tamtam (scrape with metal sticks)
Congas (hands)
4
Pf.
Solo Hp.
sempre l.v.
I Vn. II
Va. tutti, pizz.
Vc. tutti, pizz.
Cb.
72 41 Picc.
Fl.
1
1 Ob. 2
Cl. in B
1
Bs.Cl.
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
Solo Hp.
A B
D
A
I Vn. II tutte, pizz.
Va.
Vc.
Cb.
D
B E
C
73 46 Picc.
Fl.
1
1 Ob.
Oboe
2
Cl. in B
1
Bs.Cl.
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
8va
Pf.
Solo Hp.
E
tutti, pizz.
I Vn.
tutti, pizz.
II arco
Va. arco
Vc. div., arco
Cb.
74 51 Picc.
Fl.
1
1 Ob. 2
Cl. in B
1
Bs.Cl.
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Mar.)
1
2 Perc.
(Bongos)
3 (Congas)
4
8va
Pf.
Solo Hp.
I Vn. II
Va.
Vc.
Cb.
75 Subito
= 144–152
56
to Flute
Picc.
Fl.
1
1 Ob.
to English Horn
2
Cl. in B
1
Bs.Cl.
1 Bn. 2
1 3 Hn. in F
without mute
2 4 without mute
1 Tpt. in C 2 without mute
Tbn. without mute
Bs.Tbn.
(wood mallets)
Timp. (Mar.)
Small Sus. Cym. (with loose chain)
1 Glockenspiel, solo (metal beater)
2 Perc.
(Bongos)
3 (Congas)
4
8va
Pf.
Solo Hp.
Subito
= 144–152
I Vn. II
pizz.
Va.
div., frog, arco
pizz.
Vc.
unis., pizz.
Cb.
div., arco, frog
a2
76 61 1 Fl.
Flute
2
Ob.
1 English Horn
E.H.
Cl. in B
1 Bass Clarinet
Bs.Cl.
1 Bn. 2
a2, without mute
1 3 Hn. in F
(a2)
2 4
1 Tpt. in C
without mute
2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3 Large Tamtam (scrape with metal sticks)
4
Pf.
Solo Hp.
arco, frog
I Vn.
arco, frog
II div., frog, arco
Va.
Vc.
Cb.
77 Tempo I
poco
65
= 108–112
1 Fl.
to Piccolo
2
Ob.
1
E.H.
Cl. in B
1
to Clarinet in B
Bs.Cl.
1 Bn.
to Contrabassoon
2
poco
(a2)
to brass mute
1 3 Hn. in F
(a2)
to brass mute
2 4 to straight mute
1 Tpt. in C
to straight mute
2
to straight mute
Tbn. to straight mute
Bs.Tbn.
poco Timp. Large Tamtam
1
2 Perc.
(Bongos)
3 sempre Congas
(L. Tam.)
4
poco
sempre
Pf.
poco
Solo Hp.
Tempo I
poco
= 108–112
I Vn. II
Va.
unis. (frog)
Vc.
unis. (frog)
Cb.
78 70
Piccolo
Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
Solo Hp.
gl.
gliss.*
(C F G A )
I Vn. II
Va.
Vc.
Cb.
*Use combination of thumb (nail) and 4th finger (no nail), supported by 3rd finger.
gl.
79 75 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
Solo Hp.
gl.
I Vn. II
Va.
Vc.
Cb.
gl.
gl.
80 80 Picc.
Fl.
1
Ob.
1
E.H.
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
Solo Hp.
gl.
gl.
gl.
B D E F
I Vn. II unis. (frog)
Va.
Vc.
Cb.
81 85 Picc.
Fl.
1
Ob.
1 to Oboe
E.H.
1 Cl. in B 2 solo
Bn.
1
Contrabassoon
solo
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
Solo Hp.
B C D E F G A
I (frog.)
Vn. II
Va.
Vc.
Cb.
82 90 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
*
Solo Hp.
E A C E
C E
I Vn. II 2 sole pizz.
Va. pizz. 2 soli
Vc. arco (frog)
Cb.
*Second finger (with nail) and thumb (no nail).
arco (frog)
83 95 Picc.
Fl.
1
1 Ob.
Oboe
2
1 Cl. in B
Clarinet in B
2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
Solo Hp.
I Vn. II (2 sole)
Va.
(2 soli)
Vc. pizz. 2 soli
Cb. arco (frog)
84 100 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congos)
4
Pf.
8va
Solo Hp.
I Vn. II (2 sole)
Va.
(2 soli)
Vc.
Cb.
85 105 Picc.
Fl.
1 cresc.
1 cresc.
Ob. 2 cresc.
1 Cl. in B
cresc.
2 cresc.
Bn.
1 cresc.
Cbn. cresc.
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pf.
Solo Hp.
arco, (frog) div.
I pizz.
Vn.
div.
cresc. arco, (frog)
II pizz.
cresc.
arco, (frog) tutte, div.
Va. pizz. arco, (frog)
cresc.
tutti, div.
Vc. pizz.
cresc. tutti, div.
molto cresc.
arco, (frog)
Cb. pizz. molto cresc.
86 110 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn.
to Bassoon
2
1 3 Hn. in F
2 4 Harmon mute (no stem)
1 Tpt. in C
Harmon mute (no stem)
secco
2 secco
Harmon mute (no stem)
Tbn. secco Harmon mute (no stem)
Bs.Tbn. secco
Timp. 4 Wood blocks
1 4 Temple blocks
2 Perc. 3 (Congas)
4
Pf.
sempre
senza sord. strip 3 only
8va
Solo Hp.
G unis., pizz.
gl.
I Vn.
unis., pizz.
II unis., pizz.
gl.
unis., pizz.
gl.
Va.
Vc.
Cb.
87 115 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
a2, brass mute
1 3 Hn. in F
secco a2, brass mute
2 4 secco
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (W.blks.)
1 (T.blks.)
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
Solo Hp.
G
I Vn. II
Va.
Vc.
Cb.
G
F
88 120 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
gl. (a2)
1 3 Hn. in F
gl.
(a2)
2 4
1 Tpt. in C 2 gliss.
gliss.
gliss.
gliss.
Tbn.
Bs.Tbn.
Timp. (W.blks.)
1 (T.blks.)
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
nails in both hands
ord.
Solo Hp.
D A
I Vn. II
Va.
Vc.
Cb.
C
E
B C /E G
89 125 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
(a2)
gl.
gl.
(a2)
gl.
gl.
1 3 Hn. in F
2 4
1 Tpt. in C 2 gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
Tbn.
Bs.Tbn.
Timp. (W.blks.)
1 (T.blks.)
2 Perc.
(Bongos)
Bell tree
3 (Congas)
4
Pf.
Solo Hp.
I Vn. II
Va.
Vc.
Cb.
Bongos
90 130 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
gliss.
gliss.
gliss.
mute out
without mute
fltg.
gliss.
gliss.
gliss.
mute out
without mute
fltg.
Tbn.
Bs.Tbn.
Timp. (W.blks.)
1 (T.blks.)
2 Perc.
(Bongos)
3 (Congas)
4
Pf.
8va
Solo Hp.
(pizz.)
I Vn.
(pizz.)
II (pizz.)
Va. (pizz.)
Vc. unis. (pizz.)
Cb.
91 134
solo
Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
mute out
1 3 Hn. in F
mute out
2 4 mute out
1 Tpt. in C
mute out
2
Tbn.
Bs.Tbn.
Timp. Marimba solo (hard mallets)
1 Glockenspiel
2 Perc.
Bell tree
3
4
Pf.
senza senza sord. strip 2 only
Solo Hp.
B C /E G
I Vn. II
Va.
Vc.
Cb.
92 accel.
= 144–152
139 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
(Mar.)
1 (Glock.)
2 Perc. 3
4
to Celesta
Pf.
Solo Hp.
accel.
= 144–152
I Vn. II
Va. div., arco, frog
Vc. div., arco, frog
Cb.
93 144 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn.
Bassoon
2
a2, without mute
1 3 Hn. in F
a2, without mute
2 4 without mute
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. (Mar.)
1 (Glock.)
2 Perc. 3 Large Tamtam
4
Cel.
Solo Hp.
I Vn.
arco, frog
II arco, frog
Va.
Vc.
Cb.
(scrape)
94 148 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
(a2)
1 3 Hn. in F
(a2)
2 4
1 Tpt. in C
without mute
2
Tbn.
Bs.Tbn.
Timp. (Mar.)
1 (Glock.)
2 Perc. 3 (L. Tam.)
4
Cel.
Solo Hp.
arco, frog
I Vn. II
Va.
Vc.
Cb.
95 a tempo ( = 108–112)
151 Picc.
Fl.
1
1 Ob.
to English Horn
2
1 Cl. in B 2
1 sempre
Bn. 2
(a2)
1 3 Hn. in F
(a2)
2 4
to straight mute
1 Tpt. in C
to straight mute
2
Tbn.
Bs.Tbn.
Timp.
(Mar.)
1
2 Perc.
Bongos (hands)
3 (L. Tam.)
Congas (hands)
4
Celesta
Cel.
senza sord. strip 1
Solo Hp.
F
a tempo ( = 108–112) 1 solo, pizz.
I sempre
Vn.
1 solo, pizz.
II sempre 1 sola, pizz.
Va. sempre 1 solo, pizz.
Vc. sempre
Cb.
E
96 accel. poco a poco
155 Picc.
Fl.
1
Ob.
1 English Horn
to Oboe
E.H. sempre
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
Cel.
Solo Hp.
C /G (1 solo)
I Vn.
(1 solo)
II (1 sola)
Va. (1 solo)
Vc.
Cb.
A
F
accel. poco a poco
97 159
(accel.)
Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
(stopped)
3.
1 3 Hn. in F
(stopped)
2 4 straight mute
1 Tpt. in C
straight mute
2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4
Cel.
8va
Solo Hp.
A
C
(accel.) (1 solo)
I Vn.
(1 solo)
II (1 sola)
Va. (1 solo)
Vc.
Cb.
98 164
(accel.)
= 120
Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
(3.)
(stopped)
1 3 Hn. in F
2.
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. Rute
1
2 Perc.
(Bongos)
3
(Congas)
4
to Piano
Cel.
8va 8va
Solo Hp.
(accel.) I Vn. II
Va.
Vc.
Cb.
= 120
99 169
accel.
Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4 mute out
1 Tpt. in C
mute out
2
Tbn.
Bs.Tbn.
Timp. (Rute)
1 Large Tamtam (scrape with metal stick)
2 Perc.
(Bongos)
3
(Congas)
4
Pf.
8va
8va
8va
Solo Hp.
accel. I Vn. II
Va.
Vc.
Cb.
100 (accel.)
= 144–152
174 Picc.
Fl.
1
1 Ob.
Oboe
2
1 Cl. in B 2
1 Bn. 2
a2 (open)
1 3 Hn. in F
a2 (open)
2 4 without mute
1 Tpt. in C
without mute
2
Tbn.
Bs.Tbn.
Timp. Wind Gong
1 (L. Tam.)
2 Perc.
(Bongos)
3
(Congas)
4
Pf.
8va
8va
8va
8va
Solo Hp.
(accel.)
*
B E F
= 144–152
tutti, arco, frog
I Vn.
tutti, arco, frog
II tutti, arco, frog
Va. tutti, arco, frog
Vc.
Cb.
*Thunder effect.
101 178 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
(a2)
1 3 Hn. in F
(a2)
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pf.
Solo Hp.
I Vn. II
Va.
Vc.
Cb.
102 182 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
(wood mallets)
Timp. (Wind Gong)
1 Small Sus. Cym. (8")
2 Perc. 3
4
Pf.
Solo Hp.
8va
I Vn. II
Va.
Vc.
Cb.
103 186 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pf.
Solo Hp.
8va
I Vn. II
Va.
Vc.
Cb.
104 = 58
190 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pf.
6
Solo Hp.
7
= 58 2 soli, div., con sord.
I espr.
Vn.
6 6
1 solo, con sord.
II espr. 1 sola, con sord.
Va. espr. 1 solo, con sord.
Vc. espr. 1 solo, con sord., pizz.
Cb. espr.
105 194 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pf.
6
Solo Hp.
7
6
5
6
6 6
(2 soli)
I Vn.
(1 solo)
II (1 sola)
Va. (1 solo)
Vc. (1 solo)
Cb.
6
7 7
6
106 197 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1
2 Perc. 3
4
Pf.
6
Solo Hp.
6
6
6
6
6
(2 soli) gl.
6 6
6
5
gl.
I Vn.
(1 solo)
II (1 sola)
Va. (1 solo)
Vc. (1 solo)
Cb.
gl.
6
6
107 200 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp.
1 Glockenspiel
2 Perc. 3
4
Pf.
5 6
Solo Hp.
7
6 5
6
6
6
6
8va
gl. (2 soli)
I Vn.
(1 solo)
II (1 sola)
Va. (1 solo)
Vc. (1 solo)
Cb.
5
6
gl.
108 = 144–152 203 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
a2
1 3 Hn. in F
a2
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
Timp. Large Tamtam (scrape)
1 (Glock.)
2 Perc.
(Bongos)
3 (Congas)
4 8va
Piano
Pf.
5
3
Solo Hp.
B /A 8va
I Vn. II
Va.
Vc.
Cb.
C D /E
= 144–152
109 207 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
(a2)
1 3 Hn. in F
(a2)
2 4
1 Tpt. in C 2 solo
gliss.
gliss.
gliss.
gliss.
solo
gliss.
gliss.
gliss.
gliss.
Tbn.
Bs.Tbn.
Timp. (L. Tam.)
1
2 Perc.
(Bongos)
3 (Congas)
4
8va
Pf.
8va
Solo Hp.
I Vn. II
Va.
Vc.
Cb.
110 211 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
(a2)
1 3 Hn. in F
(a2)
2 4
1 Tpt. in C 2
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
Tbn.
gliss.
gliss.
Bs.Tbn.
Timp. (L. Tam.)
1
2 Perc.
(Bongos)
3 (Congas)
4
8va
Pf.
Solo Hp.
I Vn. II
Va.
Vc.
Cb.
111 215 Picc.
Fl.
1
1 Ob. 2
1 Cl. in B 2
1 Bn. 2
a2
1 3 Hn. in F
a2
2 4
1 Tpt. in C 2
Tbn.
Bs.Tbn.
solo (wood mallets)
Timp.
1
2 Perc.
(Bongos)
3 (Congas)
4 8va
Pf.
8ba 8va
Solo Hp.
tutti, arco, frog, senza sord.
I Vn.
tutti, arco, frog, senza sord.
II tutte, arco, frog, senza sord.
Va. tutti, arco, frog, senza sord.
Vc. tutti, arco, frog, senza sord.
Cb.