Danielpour PASTIME

Richard Danielpour

PASTIME for Baritone and Orchestra

Texts by Michael S. Harper

full score

from the G. Schirmer Rental Library date of printing___________

Associated Music Publishers, Inc. New York, NY

Richard Danielpour

PASTIME for Baritone and Orchestra

Texts by Michael S. Harper

commissioned by the Pittsburgh Symphony, the Atlanta Symphony Orchestra, the Brooklyn Philharmonic, and the African American Cultural Center of Greater Pittsburgh

Associated Music Publishers, Inc. New York, NY

Texts by Michael S. Harper (brackets indicate text used by the composer)

BASEBALL (Orb) (I. Prologue, Page 1) [Ballbearing at the center stitch neither vertical

reigned the best cashed in] Rickey first Red Sox family never Mays

nor horizontal flight of same 9 players on

the best of all turned away even Ted hawkeye/splinter Williams knew patrols

either team alternating over the points of a

playing with Dimaggios all around him while Robinson seared everybody smarts

diamond abrasive gemstone] Babe launched magic

tactics attitude courtmartial Rachel [(Gibson died before his time aneurysm

of Walter Johnson who hit absolutely nothing most

anomaly his own dominance] when Paige was king or thought he was walking

of the time time out for Yogi’s antics [Jackie

away exploiting the marketplace then Jack Doby broke the backs of rednecks

taught the world how to steal black as the ace

[all feared Josh’s bat he could do ugly on and off the field left us early too

of spades] which gets into digging basepaths for slats

on the trestle of Jim Crow funeral cars lies the body of Josh Gibson]

Marion who could fill a hole Sparky very ugly Stengal ungrammatical [the Negro Leagues a world apart magicians at all bases the names Monarchs Blacks Barons Grays Birds a world of animals at the bit] Mays a Cobb at motorways industrial strength foulpoles up the middle a minefield at play

JOSH GIBSON (Master of National Past) (II, Page 11) [Better than the Babe at his position the bat lean and ugly the home run his invitation to explore dominate frighten the opposition who were not fearless or feardriven they play each other every day the whites on either hand were special occasions sandlot play] barnstorming [nothing with big paydays] Dean knew owners new black owners knew more about talent pools lost wages stadiums ballfields [yet when competition money demographics

Blackjack (III, Page 23) 1963; we march.

I look out remedial white windowed essays from Pasadena I will read tonight and there you are visiting three black sisters excluded from official parade “their skins unlovely.”

Orange and Fair Oaks to grow on to the stadium blocks where you stand silent; I am silent– [Nodding I say ‘47 high noon in the bleachers,] Cards in town, [you jog the outfield grass lagging loose balls, how you lofted their creamskinned* signatures over the white heads where we sat pigeontoed circling their dugout, how we carried your] curled [name to our table while your team cursed your singed garters on pennant flagged tongues.

As they saw nothing but your teeth and eyes we saw the jeering train unwinding its sheets in Georgia, your mail cringing with snake juice spat in the Bronx; and when you crossed our borders we cheered our black ace of the marked deck of Westwood,] the bowl we stand in, the counter where their salted nuts stack in their vacuum cans.

once but ounce by ounce a force enforcing everything complete as model

[We will not speak of broad jumps over tracks, yardlines of pigskin] jaunted, [stitched white balls spiked at your skull: we will remember the found sleep and meals you lost running over bases their pitchers feared covering,] balls you made them eat now flowering from your son’s funeral car.

[his anvil was every day persuasion of the opposition his teammates knew

[High blood pressure, diabetes, your eyes gone blind, I will not answer.

I steel home at your back] down the red clay road of their stadium recalling Rachel, my own daughter, on deck.

[The orb was explicit in stitches to be roughed up made magic

[“Did he say Blackie?”] my brother said [of the white boy in row G: ‘Black Jack, the gamble’s taken, the debt unpaid, and the answer, answered, still to come.’]

where men are made boys in tears hopes gone a natty ‘field of dreams’

few could follow hit run throw field hit with power (the numbers piling up on strange fields visitations all-star games numbers where the ball carried) hate hatemail threats commissioners off the game of making records in attendance] homefield advantage turnstyles fans of every stripe virulence kidtalk

he was complete from womb to tomb in any field you care to plant a monument you don’t carry his glove bat shoes you carry the fence and the ball goes over]

BASEBALL (V. Epilogue, Page 66)

spit drove the batter crazy but the right bat in the right hands made the diamond glow gemstone for the best .300 journeyman for the masters of swat wreckage the rough edges of the orb

*composer used “cream-colored”

LOOK BACKWARDS: Henry Aaron’s hammer

pure fantasy but not a corn field for Cobb was dirty would eat your heart out of your chest but even he had to be bought out stitches that spun for eagle eye] quick wrist [shotgun arm to hit the base on the fly signatures of certain men before money made the art magesterial for all

(IV, Page 45) [Recall John Henry’s overtaking steam drilled into the heads of fans kids sandlots over the shoulder range without theatrics] remember Mobile where Satchel lived McCovey Ozzie Billie Williams Cleon Jones Agee In Milwaukee Matthews came to pray over Henry’s ‘on deck’ stance afield [doing the impossible every day without fanfare without losing his cap even

fans the penmanship of achievement that was the invention of the game]

The use of these poems, published by Illinois University Press, is by permission of Michael S. Harper, author and copyright holder.

Instrumentation: 3 Flutes (3rd doubling Piccolo) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B= Bass Clarinet 3 Bassoons 4 Horns in F 3 Trumpets in C 3 Trombones Tuba Timpani Percussion (3 players) Piano (doubling Celesta) Harp Baritone Strings (12/10/8/8/6 minimum)

duration circa 22 minutes

to Michael Harper

PASTIME

Michael S. Harper

Richard Danielpour

I. Prologue

With swing, a bit aggressive = ca. 96–100

(2006)

1 2 Flute (Piccolo)

3

1 Oboe (English Horn)

3

3

3

3

3

3

3

3

3

3

3

3

Oboe

2

1 3

3

3

3

3

Clarinet in B 3

3

3

3

3

2

Bass Clarinet

1 2

3

3

3

3

3

3

Bassoon 3

1 2

3

Horn in F

3 3

3 3

3 3

3 3

3 3

sotto voce 3

3 4 sotto voce

3

1 2 Trumpet in C

3

3

3

3

3

1 2 Trombone 3 Tuba Timpani

1

Percussion

2

3 Piano

Piano (Celesta)

Harp

joyfully

Baritone 3

3

Ball

With swing, a bit aggressive = ca. 96–100 div.

bear

ing

3

3

at

the cen

3

ter

unis.

I 3

Violin

3

3

3

3

3

II 3

div.

3 3

3 3

3 3

3 3

3 3

3

unis.

Viola pizz.

Violoncello marc. pizz.

Contrabass marc.

Copyright © 2006 by Associated Music Publishers, Inc. (BMI) New York, NY International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 6 1 2 Fl. 3

1 Ob. 2

1 Cl. in B

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

2

Bs. Cl. 2.

2.

1.

1 2 3

Bn.

marcatissimo

3

3 marcatissimo a2

a2

1 2 Hn. in F

3

3

a2

a2

3 4 with straight mute

3

3

1 2 3

Tpt. in C

3

3

3

3

3

3

3

3

3

3

with straight mute

3 3

3

3 3

1.

1., with straight mute 1. take straight mute

1 2 3

Tbn.

3 3 3

3.

3 3

3.

3 Tba. 3

Timp.

1 Hi-hat, closed

Perc. 2 secco e marc.

Rim-shot Snare Drum

3 3

3

Piano

Harp

Bar. 3

3

3

3

stitched nei ther ver ti cal nor

3

3

hor i zon

3

tal

3

I sub.

Vn. 3

II sub.

pizz.

arco

Va. 3

3

arco

pizz.

arco

pizz.

arco

Vc. secco e marc. arco

Cb. secco e marc.

6 3

6

3 11

a2

1 2

3 3

Fl. 3

3

3

1 3

3

Ob. 2

1 Cl. in B

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

2

Bs. Cl. (2.)

1 2 3

Bn.

3

3 3

3

a2

a2

1 2 Hn. in F

a2

3

3

3

3

a2

3

3

3

3

3 4 open

1 2 3

Tpt. in C

3

3

open

3 3

3

3

3

3

3

3

3

3

3 3

3

3

3

1.

3

a2

1.

1 2

3 3

3

Tbn.

3 3

3

3

3

3.

3

3 3

3

3 Tba. 3

3

Timp.

1 (Hi-hat)

Perc. 2 S.D.

3 3

3

3

3

3

Piano

3

(secco e marc.)

3

3

Harp

Bar. 3

3

flight

of the same nine play ers on ei ther team

3

3

3

3

3

I sub.

Vn.

sub.

3

3

II sub.

sub.

pizz.

arco

pizz.

Va. 3

3

pizz.

arco

pizz.

arco

Vc. 6

Cb. 3

6

3 3

3

4 16 1 2 3

3

3

3

3

3

3

3

Fl. 3 3

1 3

Ob.

3

3

3

3

3

3

2

1 3

Cl. in B

3

3 3

3 3

3 3

3 3

3 3

3

3

3

2

Bs. Cl. 2.

a2

1 2 3

3

Bn.

3

3

1.

a2

1 2 Hn. in F

3.

4.

3 4 1.

3

3

1 2 Tpt. in C

3

3 2.

1 2 Tbn.

3.

3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

Bar. 3

al

3

ter nat ing

3

3

o

3

3

3

3

ver the points of a dia

mond ab ra

3

sive

gem

stone

unis., arco div., pizz.

div.

I 3

unis., arco

Vn.

div. a2

div., pizz.

II 3

unis., arco div.

div.

Va. 3

pizz.

arco

3

Vc. 3 3

Cb. 3

3

5 21

a2

1 2

3

3

3

3

Fl. 3

1 3

Ob.

3

3

3

3

3

3

3

3

3 3

2 3

3

1 Cl. in B

3

3

3

2

Bs. Cl.

(2.)

1 2 3

Bn.

3

3

3 a2

3

a2

3

a2

1 2 Hn. in F

3

3

3

3

a2

3 4

1 2 Tpt. in C

3

3 3

3

3

3

3

3

3

3 3

3 3

3 3

3 3

2.

1. remove mute

1 2 Tbn.

3 3

3.

3

3 Tba.

Timp.

1 Hi-hat

Perc. 2 S.D.

3 3

3

3

3

3

3

Piano 3

3

3

3

Harp

Bar.

3 3

3

Jack

3

3

ie taught the world how to

(div.)

unis.

(div.)

unis.

3

3

3

steal

black

I Vn. II

unis.

Va.

Vc. 6 3

Cb.

6

as the ace

6 (a2)

26 1 2

3

3

3

Fl.

3

3 3

1 3

3

Ob.

3

2

1

3

3 3

3

Cl. in B 2

3

3

3

3

Bs. Cl. 2.

3

1 2 Bn. 3

3

a2

take straight mute

1 2 Hn. in F

3

3

3

3

3

3

a2

3 4

1 2 Tpt. in C

3

3

3

3

3

3 3

3

3 3

3

3

3

3

3

3

3

3 3

1. open

1 2 Tbn.

3 3

a2

3 Tba. 3

Timp.

Tambourine, with fist

1 secco Hi-hat

Perc. 2 S.D.

(rim shot)

3 3

3

3

3

3

3

3

3

Piano

3

3

Harp

pi첫 dolce meno

Bar. 3

3

of

spades

3

the Ne gro Leagues a div., pizz.

I 3

Vn. div.

3

3

3

3

3

3

div., pizz.

unis.

II 3

3

3

3

3

3

3

div., pizz.

Va.

3 3

3

3

3

3

pizz.

Vc. pizz.

Cb.

3

3

world

a

3

part

ma

7 1., solo

31 1 2

3 3

Fl.

3

3

3

3

3

3

3

3

sub.

dolce, with swing

3

1 Ob. 2 solo

1 3

Cl. in B

3

dolce, with swing

3

sub.

3

2 dolce

Bs. Cl. dolce 2.

1 2 Bn. 3

with straight mute

1 2 Hn. in F

3 4 1.

1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

Xylophone

1 Wood Block.

Perc. 2 3

3

Mounted GuĂ­ro

3 3

3

8va

Piano

Harp

Bar. 3

gi

3

cians

3

at

(div., pizz.)

3

all

ba

3

ses

the names

div. arco

unis.

I Vn.

(div., pizz.)

unis.

arco

II

(div., pizz.)

arco

Va. dolce (pizz.)

arco

(pizz.)

arco

Vc.

Cb.

8 a2

36

(1.)

1 2

3

3

3

Fl.

3

3

3

3

3

sub.

3

3

1 Ob. 2 3

1 3

Cl. in B

3

3

3

3

3

3

3

sub.

3

2

3

3

3

3

Bs. Cl.

1 2 Bn. 3

open

1 2 Hn. in F

3 4 solo

1.

3

3

1 2

3 3

Tpt. in C

3

3

1 2 Tbn. 3 Tba.

Timp.

Xyl.

1 Wd. Blk.

Perc. 2 3

3

Mounted GuĂ­ro

3 3

3

8va

Piano

Harp

Bar. 3

Mo

3

narchs

3

Blacks Bar ons

3

Grays

3

Birds

a

world

(div.)

I Vn.

(non div.)

div.

(non div.)

(div. a2)

II

Va.

Vc.

Cb.

unis.

of

3

an

3

i

mals

9 41 1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 3 3 3

1 3

Ob.

3

3

3

3

3

3

3

2

1 Cl. in B

3

3

3

3

3

3

3

3

3

3

3

3

2

Bs. Cl.

3

3

a2

1.

1 2 Bn. 3

a2

1 2 3

3

Hn. in F

3

a2

3

3 4 3

3

3

3

3

3

1 2 Tpt. in C

3

3 3

3

3

3 3

3

3

3

3

3

3

2.

1 2 Tbn.

3.

a2

3 Tba.

Timp.

Tamb., with fist

1

Hi-hat, closed

Perc. 2 S.D.

3

Piano

Harp

Bar. 3

3

at the

3

bit

(non div.)

unis.

div.

I

3 3

Vn. (div.)

3 3

3

div.

3

3

3

3

3

unis.

div.

II 3

3

3

3

3

3

div. a2

Va. 3

Vc.

Cb.

3

3

3

3

3

3

3

10 a2

45 1 2 3

Fl. 3 3

1 3

Ob.

3

3

espr.

3

3

to English Horn

2 3

3

3

3

3

espr.

3

3

3

3

3

1 espr.

Cl. in B

3

3

3

3

3

2 espr.

Bs. Cl. 3

1.

1 2 3

Bn. 3

1 2 Hn. in F 3 4 1. take plunger mute

1., solo, with plunger mute

1 2 Tpt. in C

3

3 3

3 3

2.

1 2 Tbn. (a2)

3.

3 Tba.

Timp.

Xyl.

1 Wd. Blk.

Perc. 2 Mounted GuĂ­ro

3

3 3

Piano

Harp

Bar.

unis.

(div.)

quasi non vib. poco vib.

I 3

Vn.

(div.)

unis.

quasi non vib.

div., quasi non vib.

II div. a2

Va.

Vc.

Cb.

3

div., quasi non vib.

II. Josh Gibson, Master of National Past Adagio

= 60

1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1.

1 2 Hn. in F

sotto voce

3 4 take straight mute

with straight mute

take straight mute

(with no attack) with straight mute

1 2 Tpt. in C 3 (with no attack) with straight mute

take straight mute

remove mute

1 2 Tbn.

(with no attack) 3., with straight mute

3. take straight mute

remove mute

3 Tba. (with no attack)

Timp.

1

Perc. 2 Bass Drum

3 possibile Celesta

to Celesta

Piano

8ba

Harp

Bar.

Adagio

= 60

div. a3 al punta

I Vn.

div.

II div.

non div.

Va.

div.

Vc. div.

Cb.

11

12 7 1 2 Fl.

to Piccolo

3 solo

Ob. 1 molto espr.

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3 open take straight mute

1 2 Tbn.

3. open

3. take straight mute

3 Tba.

Timp.

1

Perc. 2 B.D.

3

to Piano

Piano

Celesta

to Celesta

Cel.

8ba

Harp

Bar.

1 solo, ord. div. a3, al punta

tutti., unis.

I gli altri, (div.) unis., ord.

Vn.

unis.

II div.

Va. unis.

div.

Vc. (div.)

Cb.

unis.

unis.

13 Poco pi첫 agitato

14 Picc.

Fl.

1 2

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 with straight mute

remove mute

1 2 with no attack

Tpt. in C

with straight mute

remove mute

3 with no attack with straight mute

remove mute

1 2 with no attack 3., with straight mute

Tbn.

remove mute

3 Tba. with no attack

Timp.

Chimes

1

Perc. 2 B.D.

3

to Piano

Piano

Cel.

8ba

8ba

Harp

parlando, come recitativo

sung

Bar. 3 3

Bet ter than the Babe at his po si tion

Poco pi첫 agitato

unis., ord.

I Vn.

div.

unis.

II port.

unis.

Va. div.

unis.

Vc.

pizz.

Cb.

arco

the bat lean and ug ly

the home

14 19 Picc.

Fl.

1 2

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

8ba

8ba

Harp

sung

parlando

Bar.

3 3

run

I Vn. II

Va.

Vc.

Cb.

his

in vi ta

tion to ex plore

dom i nate fright en the op po

3

3

si tion who were not fear less

or

fear

15 Come sopra = 60

23

Piccolo to Flute

Picc.

3 3

3

3

3

3

1.

Fl.

1 2

3 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2 B.D.

3

Piano

8ba

Harp

Bar.

driv en

Come sopra = 60 2 soli, div.

I espr.

Vn.

1 solo

II espr.

2 sole, div.

Va. espr.

1 solo

Vc. div.

Cb.

espr.

16 27 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2 solo

Bs. Cl.

1 2 Bn. 3

1.

1 2 Hn. in F 3 4 open

1 2 Tpt. in C

(with no attack) open

3 (with no attack) open

1 2 Tbn.

(with no attack) 3., open

3 Tba. (with no attack)

Timp.

1

Perc. 2 B.D.

3

Piano

8ba

Harp

parlando

Bar.

they

tutti, unis.

I Vn.

tutti

II tutte, unis.

Va. tutti

Vc. unis.

Cb.

play each oth er

3

ev ery day

17 31 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2 solo

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

8ba

Harp

sung

(parlando)

parlando

meno

sung

Bar. 6

6

the whites on ei ther hand were

3

spe cial oc ca

I Vn. II sole

Va.

Vc.

Cb.

3

3

sions

sand lot play

no thingwith big pay days

18 35 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn.

3.

3 Tba.

Timp.

1

Perc. 2 B.D.

3

Piano

8ba

Harp

espr.

Bar. 3

yet

when com pe ti tion

mon ey

3

de mo graph ics reigned

the

best

I dolce div.

Vn. II

dolce div.

Va. dolce div.

Vc. dolce

Cb.

cashed

in

19 39 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F

a2

sotto voce

3 4 sotto voce

1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1 Tamtam

Perc. 2 B.D.

3

Piano

8ba

col

sempre

Harp

full voice

parlando

molto espr.

sung

Bar. 3 3

(Gib son died

be fore his time

unis.

poco vibrato

unis.

poco vibrato

unis.

poco vibrato

unis.

poco vibrato

I Vn. II

Va.

Vc. poco vibrato

Cb.

an

3

eu ry sm

6

a nom a ly

his

own

dom i nance,

20 A little slower

poco accel.

42

= 50–52

1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

take straight mute

1 2 Hn. in F

take straight mute

3 4 1 2 Tpt. in C 3

1 2 with no attack

Tbn. 3 Tba.

with no attack

Timp.

1

Perc. 2

3

Piano

Harp

sub.

3

6

Bar. 3

all

3

feared Josh ’s bat,

6

3

he could do ug

ly

on

6

and off the field

poco accel.

I Vn. II

Va.

Vc.

Cb.

left

us ear

A little slower

ly too

= 50–52

21 45 Tempo I ( = 60) 1 2 Fl. 3

Ob. 1 English Horn

E.H. espr.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 play into stand

1 2 Tpt. in C

(with no attack) play into stand

3 (with no attack) play into stand

normale

1 2 Tbn.

(with no attack)

3 Tba.

Timp.

1

Perc. 2 B.D.

3

to Celesta

Piano

8ba

Harp

quasi chant (come recitative)

Bar. 3

on the tres tle of JimCrow

Tempo I ( = 60) 1 solo tutti, div.

I espr. gli altri div.

Vn. II

espr. div.

unis.

Va. espr. div.

Vc. espr.

Cb.

unis.

22 50 1 2 Fl.

Flute to Piccolo

3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl. 1.

1 2 Bn. 3

with straight mute

1 2 Hn. in F

with straight mute

3 4 take cup mute

1 2 Tpt. in C 3 take cup mute

1 2 Tbn. 3 Tba.

Timp.

Vibraphone, hard yarn mallets

1 Pedal

Perc. 2

3

Cel.

Harp

Bar.

fu

n’ral

cars

lies the bod y of Josh Gib

son

div., al punta del arco

I Vn.

(div.)

div. a3, quasi non vib.

div.

quasi non vib.

II

Va. div.

Vc. div.

Cb.

III. Blackjack Moderato

23

= 72–80 (with deep inner feeling) Piccolo to Flute

Picc.

1.

Fl.

1 2

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 take cup mute

1 2 Tpt. in C 3 take cup mute

1 2 Tbn.

take cup mute

3 Tba.

Timp.

1 Triangle

Perc. 2

3 8va

Piano

Harp

Bar.

Moderato

= 72–80 (with deep inner feeling) poco vibrato

div.

I Vn.

molto espr. div.

poco vibrato

molto espr.

II molto espr.

div. molto espr.

poco vibrato

molto espr.

poco vibrato

molto espr.

poco vibrato

unis.

Va.

div.

molto espr.

Vc. molto espr.

Cb. molto espr.

molto espr.

24 8 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

8

Piano

Harp

Bar. 3

Nod

I Vn. II

Va.

Vc.

Cb.

ding

I

3

say

3

3

For ty sev en

high

noon

in the bleach ers,

25 12 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

Bar. 3

3

you jog

1 solo

I Vn.

2 soli, div.

II 1 sola

Va. unis.

Vc. pizz.

Cb.

the

out field

grass

lag

ging

loose

balls,

26 17 1 2 Fl. 3

Ob. 1

E.H. espr.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1.

1 2 Hn. in F

sotto voce

3.

3 4 with violas

1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1 Trg.

Perc. 2

3

Piano

sempre

Harp

poco

Bar.

how

you

tutti, div.

I espr. tutti, div.

Vn. II

espr. tutte

Va. espr. div.

unis., pizz.

Vc.

arco

espr.

Cb.

espr.

pizz.

loft

3

3

ed

their

cream

skinned

sig

na tures

27 23 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1.

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

Bar. 3

o

ver the white heads

3

where we sat

3

pi geon toed

3

3

circ

ling their

dug out,

how

I Vn.

div.

II

Va. arco

Vc.

Cb.

we

28 28 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

(1.)

1 2 Hn. in F

3.

3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

Bar.

3

car

ried

your

name

to our

3

ta

ble

while

I Vn.

(div.)

II

Va. pizz.

Vc.

Cb.

your team cursed

3

3

your singed gar ters

29 33 1 2 Fl.

Flute 6

3

6

6

6

sempre

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1., solo

1 2 Hn. in F

(3.)

3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

passionate

Bar. 3

on pen nant

flagged

tongues.

As

I Vn.

sul D, sul A

II

div.

unis.

Va. (pizz.)

arco, div.

(pizz.)

arco

Vc.

Cb.

they

3

3

saw noth ing

but

your

30 1.

38 1 2 Fl. 6

3

6

Ob. 1

E.H.

1 Cl. in B 2 solo

Bs. Cl.

1 2 Bn. 3

(1.)

1 2 Hn. in F 3 4 with cup mute

1 2 Tpt. in C 3 with cup mute

1 2 Tbn. 3 Tba.

Timp.

Chimes

1

Perc. 2

3

Piano

8ba

Harp

legato

Bar.

3

teeth and eyes

I Vn.

(div.)

II

Va. (div.)

Vc.

Cb.

3

we sawthe jeer ing train

3

un wind ing its sheets

in Geor

gia,

31 43 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B

3

3

3

3

2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

8ba

Harp

sub.

Bar.

pi첫 dolce 3

3

3

3

your mail cring ing with snake juice spat in the Bronx;

and

I Vn.

unis.

II

Va. unis.

Vc.

Cb.

whenyou crossed

3

our bor ders we cheered

32 47 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 (with cup mute)

1. remove mute

1 2 Tpt. in C

play into stand

take cup mute

3 (with cup mute)

1 2 Tbn. 3 Tba.

Timp.

1 Tam.

Perc. 2 poss.

B.D.

3 poss.

Piano

8ba

Harp

forceful

Bar.

poco

3

3

our black ace

3

on the marked deck of West

wood,

I sub.

Vn.

div.

unis.

II sub.

Va. sub.

Vc. sub.

Cb. sub.

div.

unis.

33 53 Tempo I ( = 72–80) 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl. 1., solo

1 2 Bn. 3

1 2 Hn. in F

with no attack

3 4 1., open

1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

Bar.

Tempo I ( = 72–80) div.

unis.

I Vn.

(div.)

molto espr.

molto espr.

II molto espr. div.

unis.

molto espr.

div.

unis.

Va. molto espr. div.

molto espr.

Vc. molto espr.

div.

unis.

molto espr.

Cb. molto espr.

molto espr.

unis.

34 61

1.

1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B 2

Bs. Cl. (1., solo)

1 2 espr.

Bn. 3

1 2 Hn. in F 3 4 1. take cup mute

1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

Vib.

1

Perc. 2

3

Piano

Harp

port.

Bar. 3

We

will not speak

3

of

3

broad

jumps

o

ver

tracks,

yard

lines

I Vn.

(div.)

II

Va. espr.

Vc.

pizz.

Cb.

of

35 66

(1.)

1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B

3

3

3

3

3

3

2

Bs. Cl. (1.)

1 2 Bn. 3

1.

1 2 Hn. in F

3.

3 4 with cup mute

1 2 Tpt. in C

with cup mute

3 (with cup mute)

1 2 Tbn. with cup mute

3 Tba.

Timp.

(Vib.)

1

Perc. 2

3

Piano

Harp

full voice

Bar. 3

pig

skin

I Vn.

(div.)

II

Va.

Vc.

(pizz.)

Cb.

stitched white balls

3

spiked at your skull:

we

3

will re mem

ber

36 71 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B

3

3

3

3

3

3

2

Bs. Cl.

1 2 Bn. 3

(1.)

1 2 Hn. in F

(3.)

3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

Bar. 3

the

found

sleep

I Vn.

unis.

II

Va.

Vc. espr.

Cb.

(pizz.)

and the meals you lost

run

ning o ver bas

es

their

37 76 1 2 Fl. 3

Ob. 1

E.H.

1 Cl. in B

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 (with cup mute)

1 2 Tpt. in C

(with cup mute)

remove mute

3 (with cup mute)

1 2 Tbn.

(with cup mute)

remove mute

3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

Bar.

pitch ers

feared

3

cov er ing,

1 solo

I

gli altri, div. div.

Vn. II

div.

Va.

div.

Vc.

arco

Cb.

38 81 1 2 dim. poco a poco

Fl. 3

Ob. 1 dim. poco a poco

E.H. dim. poco a poco

1 Cl. in B 2

Bs. Cl. dim. poco a poco

1 2 Bn. 3

1.

1 2 Hn. in F

3.

3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

dim. poco a poco

Bar.

(1 solo)

I (gli altri)

Vn.

(div.)

II unis.

Va. dim. poco a poco espr. (div.)

unis.

div.

unis.

Vc. dim. poco a poco

Cb. dim. poco a poco

39 89

1.

1 2 Fl. 3

Ob. 1 to Oboe

E.H.

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

(1.)

1 2 Hn. in F

(3.)

3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1 Trg.

Perc. 2

3

Piano

Harp

espr.

Bar. 3

High

blood

pres sure,

tutti, unis., poco vib.

I Vn.

unis., poco vib.

II poco vib.

Va.

Vc. pizz.

Cb.

div.

di a be tes,

your eyes

gone

blind,

40 94

1.

1 2 Fl.

to Piccolo

3

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1 Trg.

Perc. 2

3

Piano

Harp

port.

Bar. 3

I

will not an

3

3

swer.

I

steel

home

at your

back

I Vn.

(div.)

II

Va. 1 solo

Vc. (pizz.)

Cb.

gli altri

3

41 99 Picc.

(1.)

Fl.

1 2

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1.

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

Bar.

1 solo, poco vib.

I Vn.

2 soli, div., poco vib.

II

1 sola, poco vib.

Va. molto espr.

(1 solo)

3

cant.

3

3

3

Vc. (gli altri)

Cb.

(pizz.)

pizz.

3

3

42 106 Picc.

Fl.

1 2

1 Ob. 2

1 Cl. in B 2 solo

3

Bs. Cl. cant.

1 2 Bn. 3

1 2 Hn. in F 3 4 (with cup mute)

1 2 Tpt. in C 3 (with cup mute)

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

quasi

Bar. 3

“Did he say

tutti, unis.

I Vn.

tutti, div.

II tutte

Va. tutti, arco

Vc. arco

Cb.

Black ie?”

of the white boy

in

row

G:

43 110 Picc.

Fl.

1 2

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 (with cup mute)

remove mute

1 2 Tpt. in C 3 (with cup mute)

remove mute

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

8ba

8ba

Harp

sub.

Bar. 3

’Black Jack,

I Vn.

unis.

II

Va. div.

Vc.

Cb.

the

gam

ble’s tak en,

3

3

the debt un paid,

and

3

the an

swer,

44 115 Picc.

Fl.

1 2

1 Ob. 2 3

3

3

3

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3 open

1 2 with no attack open

Tbn. 3 Tba.

with no attack

Timp.

Vib.

1

Pedal on

Perc. 2

3

Piano

Harp

port.

Bar.

an

swered,

still to come.’

I sotto voce div.

Vn. II

sotto voce

Va. sotto voce

solo

3 3

Vc. gli altri pizz.

sotto voce arco

Cb. sotto voce

3

cant.

IV. Henry Aaron’s Hammer Con moto, poco agitato

45

= 144–152

Piccolo

Picc.

a2

Fl.

1 2

1 Ob.

Oboe

2

1 Cl. in B 2

Bs. Cl. a2

marc. sempre

1 2 Bn.

sub.

sub.

3 marc. sempre a2

a2

a2

1 2 Hn. in F

a2

marc. sempre a2

open

marc. sempre

a2

a2

3 4

1 2 Tpt. in C

open

3

1 2 Tbn.

a2

3 Tba. sub.

sub.

Timp.

Xyl.

1 Wd. Blk.

Perc. 2

3 8va

Piano

Harp

Bar.

Con moto, poco agitato

= 144–152

I sempre marc. sempre

Vn.

unis.

II sempre marc. sempre div. unis.

Va. tutti

sempre

marc. sempre

Vc. sub.

sub.

marc. sempre

sub.

sub.

marc. sempre

Cb.

div.

unis.

div.

unis.

46 5 Picc.

Fl.

1 2

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F

a2

a2

a2

a2

a2

3 4

1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

Bar.

I Vn. II

div. unis.

Va.

Vc.

Cb.

div.

unis.

div. unis.

div.

unis.

a2

47 10 Picc. a2

Fl.

1 2

1 Ob. 2

1 Cl. in B 2

Bs. Cl. a2

1 2 Bn. 3

a2

1 2 Hn. in F

a2

3 4 1 2 Tpt. in C 3 a2

1 2 Tbn.

3.

a2

3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

Bar.

I Vn.

div.

II

Va.

Vc.

Cb.

unis.

div.

unis.

div.

unis.

div.

unis.

div.

unis.

div.

48 14

to Flute

Picc.

Fl.

1 2

1 Ob. 2

1 Cl. in B

dolce

2 dolce

Bs. Cl. (a2)

1 2 Bn. 3

(a2)

1 2 Hn. in F

(a2)

3 4 1 2 Tpt. in C 3 (a2)

1 2 Tbn.

(a2)

3 Tba.

Timp.

Xyl.

1 Slapstick

Perc. 2 Ratchet

3

Piano

Harp

dolce

quasi

Bar.

Re

call

pizz.

I unis.

Vn.

dolce

II dolce

Va. dolce

Vc. espr.

Cb.

John

49 19 1 2 Fl. 3

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

Vib., motor off, hard yarn mallets

1 Pedal

Perc. 2

3

Piano

Harp

Bar.

Hen

(pizz.)

ry’s

o

3

3

3

ver tak

ing

steam

drilled in to the heads of

fan’s

arco

I Vn. II pizz.

Va.

Vc. div., pizz.

Cb.

50 24 1 2 Fl. 3

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

(Vib.)

1 (Pedal)

Perc. 2

3

Piano

B D E A

Harp

Bar. 3

kids

sand

I Vn. II (pizz.)

Va.

Vc. (pizz.)

Cb.

lots

o

ver

the

51 1.

27 1 2 Fl. 3

1 Ob. 2

1 Cl. in B 2

Bs. Cl. 1.

a2

1 2 sub.

Bn.

cant. (with Vc.)

3

1.

a2

3.

a2

1 2 Hn. in F 3 4 1 2 Tpt. in C 3 a2

1 2 Tbn.

3.

3 Tba.

Timp.

1

Perc. 2

3

Piano

B D E A

Harp

espr.

Bar. 3

shoul

der

range

with

out

the at

rics

I Vn. II arco

(pizz.)

Va.

Vc. cant.

Cb.

sub. unis., arco

52 31 1 2 Fl. 3

1 Ob. 2

1 Cl. in B

marc.

2 marc.

Bs. Cl. marc.

(a2)

1 2 Bn. 3

(a2)

1 2 Hn. in F

(a2)

marc.

3 4 marc.

1 2 Tpt. in C 3 (a2)

1 2 Tbn.

(3.)

3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

Bar. 3

do

ing

pizz.

I marc. sempre pizz.

Vn. II

marc. sempre pizz.

Va. marc. sempre pizz.

Vc. marc. sempre pizz.

Cb. marc. sempre

the im

3

pos si

ble

ev

ery

53 37 1 2 Fl. 3

1 Ob. 2

1 Cl. in B 2

Bs. Cl. (a2)

1 2 Bn. 3

a2

1 2 Hn. in F

3.

3 4 1 2 Tpt. in C 3

2.

1 2 Tbn.

3.

3 Tba.

Timp.

Tambourine

1

Suspended Cymbal, with two brushes

Perc. 2 Large Tomtom, muffled, with hard yarn mallet

3

Piano

Harp

parlando

Bar. 3

day

with out fan

fare

with out los ing his cap

e ven once div.

(pizz.)

I Vn.

(pizz.)

II (pizz.)

Va.

(pizz.)

arco

(pizz.)

arco

Vc.

Cb.

54 43 1 2 Fl.

Flute

3

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1.

(a2)

1 2 Hn. in F

(3.)

3.

3 4 1 2 Tpt. in C 3 (2.)

take straight mute

1 2 Tbn. a2

3. take straight mute

3 Tba.

Timp.

(Tamb.)

Xyl.

1 (Sus. Cym.)

Vib.

Perc. 2 (Tom.)

Pedal

3

Piano

Harp

sing full voice

Bar. 3

but ounce (div.)

by ounce

a force

en forc ing

ev

unis.

I Vn.

div.

unis.

II arco

Va. div.

Vc.

arco

div.

Cb. pizz.

ery

thing

55 49 1 2 Fl. 3

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1.

1 2 Hn. in F

3.

3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

Xyl.

1

Vib.

Perc. 2

3

Piano

Harp

Bar. 3

com plete

as mod el

few

could fol low

hit

run throw field

hit

with pow

(pizz.)

I Vn.

(pizz.)

II div.

unis., pizz.

div.

unis., pizz.

arco

Va.

div., arco

Vc.

unis., arco

div. a2, arco

div. a3, pizz.

Cb. pizz.

er

56 55 1 2 Fl. 3

1 Ob. 2

1 Cl. in B 2

Bs. Cl. 1.

2.

1 2 marc.

Bn. 3

marc.

1.

1 2 Hn. in F

3.

3 4 1 2 Tpt. in C 3 with straight mute

remove mute

1 2 Tbn.

3., with straight mute

remove mute

3 Tba.

Timp.

Xyl.

1 Vib.

Perc. 2

3

Piano

Harp

(meno

)

Bar.

3 3

(the num

bers pil

ingup

on strange fields

vis i

3

ta tions all

star games

num bers where the ball

car ried) div.

arco

I Vn.

arco

II

Va. div.

Vc. div. a3, arco

div. a2, arco

Cb. pizz.

57 61 1 2 Fl. 3

1 Ob. 2

1 Cl. in B 2

Bs. Cl. (2.)

1 2 Bn. 3

(1.)

1 2 Hn. in F

(3.)

a2

3 4

1 2 Tpt. in C 3 open

1 2 open

Tbn. 3 Tba.

Timp.

(Xyl.)

1 (Vib.)

Perc. 2

3

Piano

Harp

Bar.

unis. (div.)

I Vn. II

Va. unis.

Vc.

(div.)

Cb.

unis., arco

58 65 1 2 quasi

Fl. 3

quasi

1 Ob.

quasi

2 quasi

1 quasi

Cl. in B 2

Bs. Cl. 1.

(2.)

1 2 quasi

Bn. 3

1 2 Hn. in F 3 4 1.

1 2 Tpt. in C

quasi

3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

full voice

Bar.

hate

pizz.

I Vn.

pizz.

II pizz.

Va. pizz.

Vc.

pizz.

Cb.

hate

mail

threats

com mis sion ers

off the game

of mak

ing rec

ords in

at

59 69

a2

1 2 Fl. 3

1 Ob. 2

1 Cl. in B 2

Bs. Cl. (1.)

a2

1 2 Bn. 3 sub.

sub.

sub.

1 2 Hn. in F 3 4 (1.)

take straight mute

1 2 Tpt. in C

take straight mute

3

take straight mute

1 2 Tbn.

a2

take straight mute

3 Tba. sub.

sub.

sub.

Timp.

Xyl.

1

Perc. 2 Wd. Blk.

3 8va

solo

Piano

Harp

Bar.

ten

dance arco

(pizz.)

pizz.

I arco

Vn. (pizz.)

pizz.

II

(pizz.)

pizz.

arco

Va. arco

pizz.

Vc. sub.

sub.

sub.

arco

pizz.

Cb. sub.

sub.

sub.

60 73

a2

1 2 Fl. 3 solo

1 Ob. 2 solo

1 Cl. in B 2

Bs. Cl. (a2)

1 2 sub.

Bn. 3

sub. take straight mute

1 2 Hn. in F

take straight mute

3 4 with straight mute

1 2 Tpt. in C 3

with straight mute remove mute

1 2 Tbn.

a2, with straight mute

remove mute

3 Tba. sub.

Timp.

Xyl.

1 marc. sempre

Perc. 2 Wd. Blk.

3 marc. sempre 8

to Celesta

Piano

Harp

Bar.

arco (pizz.)

poco vibrato

I arco

Vn.

sub.

(pizz.)

div.

II arco

(pizz.)

Va. (pizz.)

arco

(pizz.)

arco

Vc. sub. sub.

Cb. sub. sub.

sub. pizz.

61 79

poco rit.

1., solo

1 2 dolce

Fl. 3

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Cel.

Harp

Bar.

poco rit.

soli

I Vn.

(div.)

leggiero

II

Va.

Vc. molto secco (pizz.)

arco

Cb. molto secco

62

Meno mosso = 104 86

molto rit.

1 2

poco

’

Andante con moto

= 72–80

Fl. 3

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

with straight mute

remove mute

1., open

3., with straight mute

remove mute

with no attack open

1 2 Hn. in F 3 4 with no attack

1 2 Tpt. in C 3 open

1 2 with no attack open

Tbn. 3 Tba.

with no attack

Timp.

1

Perc. 2

3

Celesta

Cel.

Harp

quasi

port.

Bar. 3

his

Meno mosso = 104

molto rit.

poco

’

an

vil

was ev ery

Andante con moto div.

unis.

= 72–80div.

day

per sua unis., al punta

div.

I delicato

Vn.

(div.)

unis.

div.

II div.

Va. div.

Vc.

Cb.

sion

div. a2

63 92 1 2 Fl. 3

1 Ob. 2 solo

1 Cl. in B

with vibraphone

2

Bs. Cl.

1 2 cantando

Bn. 3

cantando

1.

take straight mute

1 2 Hn. in F

with no attack 3.

take straight mute

3 4 with no attack

1 2 Tpt. in C 3

1 2 Tbn.

with no attack

cantando

with no attack

cantando

3 Tba.

Timp.

Vib.

1 Pedal

Perc. 2

3

Cel.

Harp

Bar. 3

of

the op po si tion

his team

mates knew

he was com al punta

unis., ord.

I Vn.

(div.)

unis.

div.

II

(div.)

Va. (div.)

Vc.

Cb.

div. a2

div.

plete

from womb to tomb

64 97 1 2 Fl.

3

3

3

3

3

3

3

3

3

1 Ob. 2 3

3

3

3

3

3

3

3

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

with straight mute

remove mute

with straight mute

remove mute

with straight mute

2. remove mute

with straight mute

remove mute

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Piano

Harp

full voice

molto legato

Bar. 3

in an y field

3

3

you care to plant a mon u ment

you don’t

car ryhis glove

bat

shoes

you car ry the fence

unis., ord.

I Vn.

(div.)

II unis.

Va. unis., al punta, poco sul ponticello

div., ord.

al punta, poco sul ponticello

ord.

Vc.

Cb.

div.

65 102

breve

1 2 Fl. 3 solo

1 dolce e cantabile

Ob. 2 solo

solo

1 Cl. in B

dolce e cantabile

2

Bs. Cl.

1 2 Bn. 3

1., open

1 2 Hn. in F

3., open

cantabile

3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Cel.

Harp

port.

Bar. 3

and

the ball

goes

o

ver div., ord., quasi non vib.

al punta

breve

I div., ord., quasi non vib.

Vn. unis., al punta

II (div.)

Va. (div. a2)

Vc.

div.

unis.

Cb.

short pause before Epilogue

V. Epilogue

66 Ben misurato, leggiero

= 120

1.

1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 3

1 Ob. 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1., with st. mute 3

3

3

3

3

3

3

3

1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

Glock.

1 Vib. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Perc. 2 Trg.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cel.

Harp

Bar.

Ben misurato, leggiero 1 solo

I Vn.

1 solo

II 1 sola

Va. 1 solo

Vc.

Cb.

flautando

= 120

3

67 9 Grazioso

= 108

1 2 Fl.

to Piccolo

3

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

a2

1 2 Hn. in F

a2

3 4 1. remove mute

1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

to Piano

Pno.

Harp

Bar.

Grazioso

= 108

tutti

div.

tutti

div.

unis.

I Vn. II

tutte

div.

unis.

unis.

div.

Va. tutti, div.

Vc. pizz.

Cb.

div.

68 17 Picc.

Fl.

1 2

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1., play into stand (or place cloth bag over bell)

1 2 Tpt. in C 3

1 2 with little or no attack

Tbn. 3 Tba.

with little or no attack

Timp.

1

Perc. 2

3

Pno.

Harp

Bar.

div.

unis.

I Vn.

(div.)

unis.

II

unis.

Va.

(div.)

unis., non div.

div.

Vc.

(pizz.)

Cb.

arco

69 25 Meno mosso

= 96

Picc.

Fl.

1 2

1 Ob. 2 solo

3

3

3

3

1 Cl. in B 2 solo

3

3

3

Bs. Cl.

3 3

3

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

Crotales

1 Vib.

Perc. 2

3

Pno.

3

with clarinets

Harp

3

3

3

3

3

3

3

ten.

Bar. 3

Meno mosso

3

The

orb

was ex

3

3

plic it

in stitch ches

= 96 ten.

I Vn.

sotto voce div.

ten.

3

3

sotto voce div.

ten.

3

3

sotto voce (div.)

ten.

sotto voce div.

ten.

II

Va.

Vc.

Cb. sotto voce

70 29 Picc.

Fl.

1 2

1 Ob. 2 3 3

1 Cl. in B 2 3 3

Bs. Cl.

3

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

Crot.

1 Vib.

Perc. 2

3

Pno.

3

Harp

3 3 3

legato

Bar.

3 3

3

3

3

3

to be roughed up made mag ic

spit

I Vn.

(div.)

3

3

(div.)

3

3

II

Va. (div.)

Vc. (div.)

Cb.

drove

the

bat

ter

cra

zy

71 = 108

accel.

33

Piccolo

Picc.

a2

Fl.

1 2

3 3

3

3

1 3

Ob.

3

3

3

2 3 3

1 Cl. in B 2 3 3

Bs. Cl.

3

a2

1 2 Bn. 3 a2 3

3

1 2 Hn. in F

3

a2

3 3

3

3 4 3

3

1. (open)

1 2 Tpt. in C

3

3

3

3

3

1 2 Tbn.

a2

3 Tba.

Timp.

Crot.

Xyl.

1 Vib.

T.-t., muffled

Perc. 2 S.D., rim shot

3

Pno.

3

3

Harp

3

3

decisive

Bar. 3

3

3

3

3

but the right bat in the right hands

= 108

accel. div.

I Vn.

(div.)

3

3

3

3

unis.

II (div.)

unis.

Va. 3

3

3

3

unis. (div.)

Vc.

(div.)

Cb.

unis.

72 38 Picc.

Fl.

1 2

1 Ob. 2

1 Cl. in B 2

Bs. Cl. 2.

1 2 Bn. 3

1 2 Hn. in F 3 4 soli 3

3

3

3

1 2 Tpt. in C

molto

3

3

3

3

3

1 2 Tbn.

(a2)

3 Tba.

Timp.

Cowbell

1 Hi-hat

Perc. 2 sempre secco S.D., rimshot

3

Pno.

Harp

port.

Bar. 3

3

made

3

the dia mond glow gem

3

stone

(div.)

I Vn.

div.

II div.

Va.

Vc.

Cb.

unis.

div.

73 43 Picc.

Fl.

1 2

1 Ob. 2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 with straight mute

3

1 2 Tpt. in C

3

3

1 2 Tbn.

(a2)

3 Tba.

Timp.

1

Perc. 2

3

Pno.

Harp

Bar.

3 3

for the best

3

three

3

3

hun dred jour ney man

(div.)

I Vn.

(div.)

II (div.)

Va.

Vc.

Cb.

3

for the mas ters of

3

3

swat

wreck age

74 47 Picc.

Fl.

1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 Ob. 2

1 3

3

3

3

Cl. in B

3

3

3

3

3

3

3

2 3

3

3

3

3

3

3

3

solo

3

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F

cresc.

3 4 cresc.

open

take straight mute

1 2 3

3

3

3

3

Tpt. in C

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

1 2 Tbn.

(a2)

3 Tba.

Timp.

Slapstick

1 Slapstick (large, if available)

Perc. 2 Ratchet

3

Pno.

8ba

Harp

Bar. 3

the rough (div.)

pizz.

I 3

3

3

3

3

3

3

3

3

3

unis.

Vn. unis.

div.

3

3

unis.

div.

3

div.

3

3

3

unis.

3

3

div., pizz.

II 3

3

div.

3

unis.

3

3

div.

unis.

3

div.

unis.

pizz.

Va.

Vc. div.

Cb.

75 51 Picc.

Fl.

1 2 3

3

3

3

3

3

3

1 Ob. 2

1 3

Cl. in B

3

3

2 3

3

3

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 with straight mute

3

3

remove mute

1 2 Tpt. in C

3

3

3

1 2 Tbn.

a2

3 Tba.

Timp.

1 Hi-hat

Perc. 2 sempre secco

S.D., rim shot

3

Pno.

8ba

Harp

3

Bar. 3

3

edg es

3

of the orb

(div., pizz.)

arco

pizz.

(div., pizz.)

arco

pizz.

(pizz.)

arco

I Vn. II

div.

unis., pizz.

Va. pizz.

Vc. unis.

Cb.

3

where men aremade boys

pizz.

3

3

in tears

76 56 Picc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

a2

Fl.

1 2

1 Ob.

3

3

3

3

3

2 3

3

3

3

3

3

3

1 Cl. in B

3

3

3

3

3

3

3

3

3

3

3

3

2 3

3

3

3

Bs. Cl.

1 2 Bn.

3

3

1 2 Hn. in F 3 4 1., open

3

3

3

3

3

3

3

3

1 2 Tpt. in C

2. open

3

1 2 Tbn.

a2

3 Tba.

Timp.

Cowbell

1 Brake Drum

Perc. 2 Hi-hat

3 8va

3

Pno.

3

3

3

3

3

3

3

3

3

3

3 3

3

3 3

Harp

Bar. 3

hopes gone a nat

3

3

ty

3

“field

of

dreams”

pure

unis., arco

(div., pizz.)

div.

I 3

Vn.

3

3

cresc.

3

3

3

3

3

arco

(div., pizz.)

II 3

3

cresc.

3

3

3

3

3 3

arco

(pizz.)

Va. 3

(pizz.)

arco

(pizz.)

arco

3

cresc.

3

3

3

3

3

3 3

Vc.

Cb.

3

77 61 Picc.

Fl.

1 2 3

3

3

3

3

3

3

3

3

3

3

3

1 Ob. 2

1 Cl. in B 2 solo

Bs. Cl.

1 2 Bn.

3

3

3

1 2 Hn. in F 3 4

1 2 3

Tpt. in C

3

3

3 3

3

3 3

3

a2

1 2 3

Tbn.

3

a2

3

3

3

3 Tba.

Timp.

1

Perc. 2

3

Pno.

Harp

Bar. 3

fan

3

ta sy

3

3

but

not a

corn

3

field

for unis.

(div.)

pizz.

I 3

Vn.

3

3

3 3

(div.)

pizz.

II 3

(non div.)

div.

3

3

unis.

div., pizz.

Va. 3 3

3 3

3

3

pizz.

arco 3

Vc.

3

Cb.

3

3

78 65 Picc.

Fl.

3

3

3

3

3

3

3

3

1 2 3

3

3

3

3

3

3

3

3

3

3

3 3

1 Ob. 2

1 3

Cl. in B

3

3

3

3 3

3

2 3

3

3

3

3

Bs. Cl. 3

3

a2

3

3

3

3

1 2 Bn. 3

1 2 Hn. in F 3 4

1 2 3

Tpt. in C

3

3 3

3

3

3

3

3

3

3 3

3

3

3 3

3

3

3

3

3

a2

1 2 3

Tbn.

a2

3

3

3

3

3

3 Tba.

Timp.

Xyl.

1 3

3

3

3

3

3

Perc. 2 Tamb.

3

Pno.

Harp

Bar. 3

Cobb

was dirt

3

3

y

3

would eat your heart

3

3

out

of your chest

3

unis., arco div.

I 3

Vn.

(div.)

3

3

3

3

3

arco

3 3

II 3

3

3

3

3

3

unis., arco

Va. 3

pizz.

arco

3

3

3

3

3

3

3

3

3

Vc.

Cb.

3

3

79 69 Picc.

3

3

3

a2

Fl.

1 2

3 3

3

3

3

3

3

3

3

1 3

Ob.

3

3

3

3

3

3 3

3

3

3 3

3

3

2

1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cl. in B 2 3

3 3

3

Bs. Cl. (a2)

2.

1 2 Bn. 3

1 2 Hn. in F 3 4 3

3

3

3

1 2 Tpt. in C

3

3

3

3 a2

1 2 Tbn.

(a2)

3 Tba.

Timp.

Cowbell

1 Hi-hat

Perc. 2 secco

Tamb.

3

Pno.

Harp

parlando (almost shouted) molto

Bar.

3 3

3 3

but e ven he had to be bought out

I

3

sub.

Vn.

unis.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

unis.

div.

II

3

sub.

3

3

div.

Va. sub. unis. div.

Vc.

Cb.

div.

unis.

div. unis.

div.

unis.

div.

unis.

div.

80 74 Picc.

3

3 3

3

a2

Fl.

1 2

3

3

3

3

1

3 3

3

3

Ob. 3

3

2

1

3

3

3

3

3

3

3

3

3

Cl. in B 2 3

Bs. Cl. a2

(2.)

a2

a2

1 2 3

3

Bn.

3

3 3

1 2 Hn. in F

3

3

3

3

3

3

3

3 4 3

3

take straight mute

with straight mute

1 2 Tpt. in C

3

3

3

3

3

take straight mute

3

with straight mute

3

1., with straight mute

1 2 3

3

Tbn.

3

3

(a2)

3 Tba.

Timp.

(Cowbell)

Xyl.

S.D.

1 3

(Hi-hat)

Perc. 2 (Tamb.)

3 8va

3 3

Pno.

3

3

3

3

Harp

molto legato

Bar. 3

3

stitch es div.

I

that spun for 3

3

3

3

ea

3

gle eye

3

unis.

3

div.

3

unis.

3

6

div.

3

Vc.

Cb.

div.

3

3

div.

3

3

3

div.

unis.

3

3

unis.

the

6

3

Va.

3

to hit

3

II unis.

gun arm

6 6

Vn.

3

shot

3

81 78 Picc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3 3

3

3

3 3

3 3

3

3

3

3

3

3

3

3

3

(a2)

Fl.

1 2

3

3

3

1 Ob.

3

3

3

3

2

1

3

Cl. in B

3

3

3

3

3

3

3

3

3 3

2 3

3

3

3

Bs. Cl.

1 2 3

Bn. 3

3

1 2 Hn. in F

3

3 4 open

1 2 Tpt. in C

open

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

3 3

3

3

3

3

3

3

3

3

3

3

a2

open

1 2 Tbn.

a2

a2

3.

3

3

3 Tba.

Timp.

1 Sus. Cym., with brushes

Perc. 2 B.D.

3

Pno.

Harp

Bar. 3

3

base on the

fly unis.

(div.)

I

div.

6 6

3

Vn. (div.)

unis., pizz.

3

div.

unis.

II

3

3 3

3

3

3 3

3

3 3

pizz.

6 6

3

unis.

3

3

3

div.

unis., pizz.

Va. 3

div.

Vc.

Cb.

unis.

div.

unis.

div.

unis.

div.

unis.

pizz.

82 82 Picc.

1.

Fl.

1 2 dolce

1 Ob. 2

1 Cl. in B

dolce

2

Bs. Cl.

1 2 Bn. 3

1.

1 2 Hn. in F

dolce with voice

3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1 (Sus. Cym.)

Perc. 2 sotto voce (B.D.)

3 sotto voce

Pno.

Harp

(commanding, full voice)

Bar. 3

3

sig

(pizz.)

3

na tures of

cer

tain

men

3

3

be fore mon ey

3

3

made the art

mag is

div.

(div., pizz.)

cresc.

II (pizz.)

cresc.

Va. (pizz.)

cresc.

Vc. cresc. pizz.

Cb.

ri

unis.

I Vn.

te

al

for

all

83 88 Picc.

(1.)

Fl.

1 2

1 Ob. 2

1 Cl. in B 2

Bs. Cl. a2

1 2 Bn. 3

(1.)

1 2 Hn. in F 3 4

1 2 Tpt. in C

to st. mute

3

a2

1 2 Tbn.

a2

3 Tba.

Timp.

1 (Sus. Cym.)

Perc. 2 (B.D.)

3 to Celesta

Pno.

Harp

meno

Bar. 3

fans div., arco (pizz.)

I Vn. (div., pizz.)

arco

unis.

II

(pizz.)

div., arco

unis.

(pizz.)

div., arco

unis.

Va.

Vc.

(pizz.)

Cb.

3

the pen man

3

ship

of

a chieve

ment

84 accel.

93 Picc.

Fl.

1 2 3

3

1 Ob. 2 3

3

3

3

3

3

3

3

3

3

1 Cl. in B 2

Bs. Cl. 3

(a2)

1 2 Bn. 3

1.

1 2 Hn. in F

3.

3 4

1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

Glock.

1 Vib., with hard yarn mallets 3

3

Perc. 2 Pedal Trg.

3 Celesta 3

3

3

3

Cel.

Harp

Bar. 3

that unis.

was

the

in

ven

tion div.

of

the

game

accel.

unis.

quasi flautando

I Vn. div.

unis.

div.

unis.

quasi flautando

unis.

quasi flautando

II div.

Va. 1 solo, quasi flautando

Vc. gli altri (ord.) (pizz.)

Cb.

arco

85 97 Tempo I

Maestoso subito allarg. = 72

= 120

Picc.

Fl.

1 2 3

3

3

3

3

1 3

Ob.

3

3

3

3

2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 soli

1 2 Tpt. in C

3

with st. mute 3

3

3

3

soli

3

3 3

a2

1 2 Tbn.

a2

3 Tba.

Timp.

(Glock.)

1 Sus. Cym., with hard yarn mallets

(Vib.) 3

3

3

3

3

3

3

3

3

3

Perc. 2 (Pedal) (Trg.)

B.D.

3

3

3

3

3

3

3

3

3

3

3

to Piano

Cel.

Harp

Bar.

Tempo I

= 120

Maestoso subito allarg. = 72

I Vn. II div., ord.

Va. (1 solo)

tutti, unis., quasi flautando ord.

Vc.

Cb.

div.

86 Subito 101

= 108, don’t drag

Picc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

a2

Fl.

1 2

1 Ob. 2

1 3

3

Cl. in B

3

3

3

3

3

3

3

2 3

3

3

3

3

3

3

3

3

Bs. Cl. 1 2 Bn. 3

1 2 Hn. in F 3 4

1 2 Tpt. in C 3

a2

1 2 Tbn. 3 Tba. 2 drums

Timp.

Crash Cym.

1 (Sus. Cym.)

Perc. 2 (B.D.)

3 8va

Piano

3

3

3

3

3

3

3

3

3

Pno.

3

3

3

3

sempre

Harp

Bar.

Subito I Vn. II unis.

Va.

(div.)

Vc.

Cb.

= 108, don’t drag

3

3

3

3

3

87 106 Grazioso

= 108

Picc.

Fl.

1 2 solo

1 dolce

Ob.

dolce

2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Pno.

Harp

Bar.

Grazioso

= 108

div.

unis.

I dolce

Vn.

div.

unis.

div.

div.

unis.

II dolce

Va. dolce div.

unis.

Vc. dolce pizz.

Cb.

div.

88 molto ritenuto a tempo

114

ritard.

Poco meno mosso

= 96

Picc.

Fl.

1 2

1 Ob. 2

1 Cl. in B

dolce

2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1.

1. take straight mute

1 2 Tpt. in C 3

1 2 Tbn. 3 Tba.

Timp.

1

Perc. 2

3

Pno.

8ba

Harp

Bar.

molto ritenuto a tempo

ritard.

Poco meno mosso unis.

div.

I Vn.

unis.

(div.)

II div. unis.

Va. (div.)

unis.

Vc. (pizz.)

Cb.

arco

= 96

89 Poco più mosso

121

= 104–108

Picc.

1.

Fl.

1 2 3

3

3

3

3

3

3

3

3

3

3

3

3 3

1 3

Ob.

3

3

3

2

1 Cl. in B 2

Bs. Cl.

1 2 Bn. 3

1 2 Hn. in F 3 4 1., with straight mute 3

3

3

3

2. (open)

3

1 2 3

Tpt. in C

3

3

3

3

1 2 Tbn. 3 Tba.

Timp.

Xyl.

1 Wd. Blk.

Perc. 2 Slapstick

3

Pno.

fast arp.

Harp

Bar.

Poco più mosso

= 104–108

pizz.

I Vn.

pizz.

II (div.)

unis.

Va. div.

Vc. pizz.

Cb.

arco