Richard Danielpour
PASTIME for Baritone and Orchestra
Texts by Michael S. Harper
full score
from the G. Schirmer Rental Library date of printing___________
Associated Music Publishers, Inc. New York, NY
Richard Danielpour
PASTIME for Baritone and Orchestra
Texts by Michael S. Harper
commissioned by the Pittsburgh Symphony, the Atlanta Symphony Orchestra, the Brooklyn Philharmonic, and the African American Cultural Center of Greater Pittsburgh
Associated Music Publishers, Inc. New York, NY
Texts by Michael S. Harper (brackets indicate text used by the composer)
BASEBALL (Orb) (I. Prologue, Page 1) [Ballbearing at the center stitch neither vertical
reigned the best cashed in] Rickey first Red Sox family never Mays
nor horizontal flight of same 9 players on
the best of all turned away even Ted hawkeye/splinter Williams knew patrols
either team alternating over the points of a
playing with Dimaggios all around him while Robinson seared everybody smarts
diamond abrasive gemstone] Babe launched magic
tactics attitude courtmartial Rachel [(Gibson died before his time aneurysm
of Walter Johnson who hit absolutely nothing most
anomaly his own dominance] when Paige was king or thought he was walking
of the time time out for Yogi’s antics [Jackie
away exploiting the marketplace then Jack Doby broke the backs of rednecks
taught the world how to steal black as the ace
[all feared Josh’s bat he could do ugly on and off the field left us early too
of spades] which gets into digging basepaths for slats
on the trestle of Jim Crow funeral cars lies the body of Josh Gibson]
Marion who could fill a hole Sparky very ugly Stengal ungrammatical [the Negro Leagues a world apart magicians at all bases the names Monarchs Blacks Barons Grays Birds a world of animals at the bit] Mays a Cobb at motorways industrial strength foulpoles up the middle a minefield at play
JOSH GIBSON (Master of National Past) (II, Page 11) [Better than the Babe at his position the bat lean and ugly the home run his invitation to explore dominate frighten the opposition who were not fearless or feardriven they play each other every day the whites on either hand were special occasions sandlot play] barnstorming [nothing with big paydays] Dean knew owners new black owners knew more about talent pools lost wages stadiums ballfields [yet when competition money demographics
Blackjack (III, Page 23) 1963; we march. I look out remedial white windowed essays from Pasadena I will read tonight and there you are visiting three black sisters excluded from official parade “their skins unlovely.” Orange and Fair Oaks to grow on to the stadium blocks where you stand silent; I am silent– [Nodding I say ‘47 high noon in the bleachers,] Cards in town, [you jog the outfield grass lagging loose balls, how you lofted their creamskinned* signatures over the white heads where we sat pigeontoed circling their dugout, how we carried your] curled [name to our table while your team cursed your singed garters on pennant flagged tongues.
As they saw nothing but your teeth and eyes we saw the jeering train unwinding its sheets in Georgia, your mail cringing with snake juice spat in the Bronx; and when you crossed our borders we cheered our black ace of the marked deck of Westwood,] the bowl we stand in, the counter where their salted nuts stack in their vacuum cans.
once but ounce by ounce a force enforcing everything complete as model
[We will not speak of broad jumps over tracks, yardlines of pigskin] jaunted, [stitched white balls spiked at your skull: we will remember the found sleep and meals you lost running over bases their pitchers feared covering,] balls you made them eat now flowering from your son’s funeral car.
[his anvil was every day persuasion of the opposition his teammates knew
[High blood pressure, diabetes, your eyes gone blind, I will not answer. I steel home at your back] down the red clay road of their stadium recalling Rachel, my own daughter, on deck.
[The orb was explicit in stitches to be roughed up made magic
[“Did he say Blackie?”] my brother said [of the white boy in row G: ‘Black Jack, the gamble’s taken, the debt unpaid, and the answer, answered, still to come.’]
where men are made boys in tears hopes gone a natty ‘field of dreams’
few could follow hit run throw field hit with power (the numbers piling up on strange fields visitations all-star games numbers where the ball carried) hate hatemail threats commissioners off the game of making records in attendance] homefield advantage turnstyles fans of every stripe virulence kidtalk
he was complete from womb to tomb in any field you care to plant a monument you don’t carry his glove bat shoes you carry the fence and the ball goes over]
BASEBALL (V. Epilogue, Page 66)
spit drove the batter crazy but the right bat in the right hands made the diamond glow gemstone for the best .300 journeyman for the masters of swat wreckage the rough edges of the orb
*composer used “cream-colored”
LOOK BACKWARDS: Henry Aaron’s hammer
pure fantasy but not a corn field for Cobb was dirty would eat your heart out of your chest but even he had to be bought out stitches that spun for eagle eye] quick wrist [shotgun arm to hit the base on the fly signatures of certain men before money made the art magesterial for all
(IV, Page 45) [Recall John Henry’s overtaking steam drilled into the heads of fans kids sandlots over the shoulder range without theatrics] remember Mobile where Satchel lived McCovey Ozzie Billie Williams Cleon Jones Agee In Milwaukee Matthews came to pray over Henry’s ‘on deck’ stance afield [doing the impossible every day without fanfare without losing his cap even
fans the penmanship of achievement that was the invention of the game]
The use of these poems, published by Illinois University Press, is by permission of Michael S. Harper, author and copyright holder.
Instrumentation: 3 Flutes (3rd doubling Piccolo) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B= Bass Clarinet 3 Bassoons 4 Horns in F 3 Trumpets in C 3 Trombones Tuba Timpani Percussion (3 players) Piano (doubling Celesta) Harp Baritone Strings (12/10/8/8/6 minimum)
duration circa 22 minutes
to Michael Harper
PASTIME
Michael S. Harper
Richard Danielpour
I. Prologue
With swing, a bit aggressive = ca. 96–100
(2006)
1 2 Flute (Piccolo)
3
1 Oboe (English Horn)
3
3
3
3
3
3
3
3
3
3
3
3
Oboe
2
1 3
3
3
3
3
Clarinet in B 3
3
3
3
3
2
Bass Clarinet
1 2
3
3
3
3
3
3
Bassoon 3
1 2
3
Horn in F
3 3
3 3
3 3
3 3
3 3
sotto voce 3
3 4 sotto voce
3
1 2 Trumpet in C
3
3
3
3
3
1 2 Trombone 3 Tuba Timpani
1
Percussion
2
3 Piano
Piano (Celesta)
Harp
joyfully
Baritone 3
3
Ball
With swing, a bit aggressive = ca. 96–100 div.
bear
ing
3
3
at
the cen
3
ter
unis.
I 3
Violin
3
3
3
3
3
II 3
div.
3 3
3 3
3 3
3 3
3 3
3
unis.
Viola pizz.
Violoncello marc. pizz.
Contrabass marc.
Copyright © 2006 by Associated Music Publishers, Inc. (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 6 1 2 Fl. 3
1 Ob. 2
1 Cl. in B
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2
Bs. Cl. 2.
2.
1.
1 2 3
Bn.
marcatissimo
3
3 marcatissimo a2
a2
1 2 Hn. in F
3
3
a2
a2
3 4 with straight mute
3
3
1 2 3
Tpt. in C
3
3
3
3
3
3
3
3
3
3
with straight mute
3 3
3
3 3
1.
1., with straight mute 1. take straight mute
1 2 3
Tbn.
3 3 3
3.
3 3
3.
3 Tba. 3
Timp.
1 Hi-hat, closed
Perc. 2 secco e marc.
Rim-shot Snare Drum
3 3
3
Piano
Harp
Bar. 3
3
3
3
stitched nei ther ver ti cal nor
3
3
hor i zon
3
tal
3
I sub.
Vn. 3
II sub.
pizz.
arco
Va. 3
3
arco
pizz.
arco
pizz.
arco
Vc. secco e marc. arco
Cb. secco e marc.
6 3
6
3 11
a2
1 2
3 3
Fl. 3
3
3
1 3
3
Ob. 2
1 Cl. in B
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2
Bs. Cl. (2.)
1 2 3
Bn.
3
3 3
3
a2
a2
1 2 Hn. in F
a2
3
3
3
3
a2
3
3
3
3
3 4 open
1 2 3
Tpt. in C
3
3
open
3 3
3
3
3
3
3
3
3
3
3 3
3
3
3
1.
3
a2
1.
1 2
3 3
3
Tbn.
3 3
3
3
3
3.
3
3 3
3
3 Tba. 3
3
Timp.
1 (Hi-hat)
Perc. 2 S.D.
3 3
3
3
3
3
Piano
3
(secco e marc.)
3
3
Harp
Bar. 3
3
flight
of the same nine play ers on ei ther team
3
3
3
3
3
I sub.
Vn.
sub.
3
3
II sub.
sub.
pizz.
arco
pizz.
Va. 3
3
pizz.
arco
pizz.
arco
Vc. 6
Cb. 3
6
3 3
3
4 16 1 2 3
3
3
3
3
3
3
3
Fl. 3 3
1 3
Ob.
3
3
3
3
3
3
2
1 3
Cl. in B
3
3 3
3 3
3 3
3 3
3 3
3
3
3
2
Bs. Cl. 2.
a2
1 2 3
3
Bn.
3
3
1.
a2
1 2 Hn. in F
3.
4.
3 4 1. 3
3
1 2 Tpt. in C
3
3 2.
1 2 Tbn.
3.
3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
Bar. 3
al
3
ter nat ing
3
3
o
3
3
3
3
ver the points of a dia
mond ab ra
3
sive
gem
stone
unis., arco div., pizz.
div.
I 3
unis., arco
Vn.
div. a2
div., pizz.
II 3
unis., arco div.
div.
Va. 3
pizz.
arco
3
Vc. 3 3
Cb. 3
3
5 21
a2
1 2
3
3
3
3
Fl. 3
1 3
Ob.
3
3
3
3
3
3
3
3
3 3
2 3
3
1 Cl. in B
3
3
3
2
Bs. Cl.
(2.)
1 2 3
Bn.
3
3
3 a2
3
a2
3
a2
1 2 Hn. in F
3
3
3
3
a2
3 4
1 2 Tpt. in C
3
3 3
3
3
3
3
3
3
3 3
3 3
3 3
3 3
2.
1. remove mute
1 2 Tbn.
3 3
3.
3
3 Tba.
Timp.
1 Hi-hat
Perc. 2 S.D.
3 3
3
3
3
3
3
Piano 3
3
3
3
Harp
Bar.
3 3
3
Jack
3
3
ie taught the world how to
(div.)
unis.
(div.)
unis.
3
3
3
steal
black
I Vn. II
unis.
Va.
Vc. 6 3
Cb.
6
as the ace
6 (a2)
26 1 2
3
3
3
Fl.
3
3 3
1 3
3
Ob.
3
2
1
3
3 3
3
Cl. in B 2
3
3
3
3
Bs. Cl. 2.
3
1 2 Bn. 3
3
a2
take straight mute
1 2 Hn. in F
3
3
3
3
3
3
a2
3 4
1 2 Tpt. in C
3
3
3
3
3
3 3
3
3 3
3
3
3
3
3
3
3
3 3
1. open
1 2 Tbn.
3 3
a2
3 Tba. 3
Timp. Tambourine, with fist
1 secco Hi-hat
Perc. 2 S.D.
(rim shot)
3 3
3
3
3
3
3
3
3
Piano
3
3
Harp
pi첫 dolce meno
Bar. 3
3
of
spades
3
the Ne gro Leagues a div., pizz.
I 3
Vn. div.
3
3
3
3
3
3
div., pizz.
unis.
II 3
3
3
3
3
3
3
div., pizz.
Va.
3 3
3
3
3
3
pizz.
Vc. pizz.
Cb.
3
3
world
a
3
part
ma
7 1., solo
31 1 2
3 3
Fl.
3
3
3
3
3
3
3
3
sub.
dolce, with swing
3
1 Ob. 2 solo
1 3
Cl. in B
3
dolce, with swing
3
sub.
3
2 dolce
Bs. Cl. dolce 2.
1 2 Bn. 3
with straight mute
1 2 Hn. in F
3 4 1.
1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp. Xylophone
1 Wood Block.
Perc. 2 3
3
Mounted GuĂro
3 3
3
8va
Piano
Harp
Bar. 3
gi
3
cians
3
at
(div., pizz.)
3
all
ba
3
ses
the names
div. arco
unis.
I Vn.
(div., pizz.)
unis.
arco
II
(div., pizz.)
arco
Va. dolce (pizz.)
arco
(pizz.)
arco
Vc.
Cb.
8 a2
36
(1.)
1 2
3
3
3
Fl.
3
3
3
3
3
sub.
3
3
1 Ob. 2 3
1 3
Cl. in B
3
3
3
3
3
3
3
sub. 3
2
3
3
3
3
Bs. Cl.
1 2 Bn. 3
open
1 2 Hn. in F
3 4 solo
1.
3
3
1 2
3 3
Tpt. in C
3
3
1 2 Tbn. 3 Tba.
Timp. Xyl.
1 Wd. Blk.
Perc. 2 3
3
Mounted GuĂro
3 3
3
8va
Piano
Harp
Bar. 3
Mo
3
narchs
3
Blacks Bar ons
3
Grays
3
Birds
a
world
(div.)
I Vn.
(non div.)
div.
(non div.)
(div. a2)
II
Va.
Vc.
Cb.
unis.
of
3
an
3
i
mals
9 41 1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 3 3 3
1 3
Ob.
3
3
3
3
3
3
3
2
1 Cl. in B
3
3
3
3
3
3
3
3
3
3
3
3
2
Bs. Cl.
3
3
a2
1.
1 2 Bn. 3
a2
1 2 3
3
Hn. in F
3
a2
3
3 4 3
3
3
3
3
3
1 2 Tpt. in C
3
3 3
3
3
3 3
3
3
3
3
3
3
2.
1 2 Tbn.
3.
a2
3 Tba.
Timp. Tamb., with fist
1
Hi-hat, closed
Perc. 2 S.D.
3
Piano
Harp
Bar. 3
3
at the
3
bit
(non div.)
unis.
div.
I
3 3
Vn. (div.)
3 3
3
div.
3
3
3
3
3
unis.
div.
II 3
3
3
3
3
3
div. a2
Va. 3
Vc.
Cb.
3
3
3
3
3
3
3
10 a2
45 1 2 3
Fl. 3 3
1 3
Ob.
3
3
espr.
3
3
to English Horn
2 3
3
3
3
3
espr. 3
3
3
3
3
1 espr.
Cl. in B
3
3
3
3
3
2 espr.
Bs. Cl. 3
1.
1 2 3
Bn. 3
1 2 Hn. in F 3 4 1. take plunger mute
1., solo, with plunger mute
1 2 Tpt. in C
3
3 3
3 3
2.
1 2 Tbn. (a2)
3.
3 Tba.
Timp. Xyl.
1 Wd. Blk.
Perc. 2 Mounted GuĂro
3
3 3
Piano
Harp
Bar.
unis.
(div.)
quasi non vib. poco vib.
I 3
Vn.
(div.)
unis.
quasi non vib.
div., quasi non vib.
II div. a2
Va.
Vc.
Cb.
3
div., quasi non vib.
II. Josh Gibson, Master of National Past Adagio
= 60
1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1.
1 2 Hn. in F
sotto voce
3 4 take straight mute
with straight mute
take straight mute
(with no attack) with straight mute
1 2 Tpt. in C 3 (with no attack) with straight mute
take straight mute
remove mute
1 2 Tbn.
(with no attack) 3., with straight mute
3. take straight mute
remove mute
3 Tba. (with no attack)
Timp.
1
Perc. 2 Bass Drum
3 possibile Celesta
to Celesta
Piano
8ba
Harp
Bar.
Adagio
= 60
div. a3 al punta
I Vn.
div.
II div.
non div.
Va.
div.
Vc. div.
Cb.
11
12 7 1 2 Fl.
to Piccolo
3 solo
Ob. 1 molto espr.
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3 open take straight mute
1 2 Tbn.
3. open
3. take straight mute
3 Tba.
Timp.
1
Perc. 2 B.D.
3
to Piano
Piano
Celesta
to Celesta
Cel.
8ba
Harp
Bar.
1 solo, ord. div. a3, al punta
tutti., unis.
I gli altri, (div.) unis., ord.
Vn.
unis.
II div.
Va. unis.
div.
Vc. (div.)
Cb.
unis.
unis.
13 Poco pi첫 agitato
14 Picc.
Fl.
1 2
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 with straight mute
remove mute
1 2 with no attack
Tpt. in C
with straight mute
remove mute
3 with no attack with straight mute
remove mute
1 2 with no attack 3., with straight mute
Tbn.
remove mute
3 Tba. with no attack
Timp. Chimes
1
Perc. 2 B.D.
3
to Piano
Piano
Cel.
8ba
8ba
Harp
parlando, come recitativo
sung
Bar. 3 3
Bet ter than the Babe at his po si tion
Poco pi첫 agitato
unis., ord.
I Vn.
div.
unis.
II port.
unis.
Va. div.
unis.
Vc.
pizz.
Cb.
arco
the bat lean and ug ly
the home
14 19 Picc.
Fl.
1 2
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
8ba
8ba
Harp
sung
parlando
Bar.
3 3
run
I Vn. II
Va.
Vc.
Cb.
his
in vi ta
tion to ex plore
dom i nate fright en the op po
3
3
si tion who were not fear less
or
fear
15 Come sopra = 60
23
Piccolo to Flute
Picc.
3 3
3
3
3
3
1.
Fl.
1 2
3 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2 B.D.
3
Piano
8ba
Harp
Bar.
driv en
Come sopra = 60 2 soli, div.
I espr.
Vn.
1 solo
II espr.
2 sole, div.
Va. espr. 1 solo
Vc. div.
Cb.
espr.
16 27 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2 solo
Bs. Cl.
1 2 Bn. 3
1.
1 2 Hn. in F 3 4 open
1 2 Tpt. in C
(with no attack) open
3 (with no attack) open
1 2 Tbn.
(with no attack) 3., open
3 Tba. (with no attack)
Timp.
1
Perc. 2 B.D.
3
Piano
8ba
Harp
parlando
Bar.
they
tutti, unis.
I Vn.
tutti
II tutte, unis.
Va. tutti
Vc. unis.
Cb.
play each oth er
3
ev ery day
17 31 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2 solo
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
8ba
Harp
sung
(parlando)
parlando
meno
sung
Bar. 6
6
the whites on ei ther hand were
3
spe cial oc ca
I Vn. II sole
Va.
Vc.
Cb.
3
3
sions
sand lot play
no thingwith big pay days
18 35 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn.
3.
3 Tba.
Timp.
1
Perc. 2 B.D.
3
Piano
8ba
Harp
espr.
Bar. 3
yet
when com pe ti tion
mon ey
3
de mo graph ics reigned
the
best
I dolce div.
Vn. II
dolce div.
Va. dolce div.
Vc. dolce
Cb.
cashed
in
19 39 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F
a2
sotto voce
3 4 sotto voce
1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1 Tamtam
Perc. 2 B.D.
3
Piano
8ba
col
sempre
Harp
full voice
parlando
molto espr.
sung
Bar. 3 3
(Gib son died
be fore his time
unis.
poco vibrato
unis.
poco vibrato
unis.
poco vibrato
unis.
poco vibrato
I Vn. II
Va.
Vc. poco vibrato
Cb.
an
3
eu ry sm
6
a nom a ly
his
own
dom i nance,
20 A little slower
poco accel.
42
= 50–52
1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
take straight mute
1 2 Hn. in F
take straight mute
3 4 1 2 Tpt. in C 3
1 2 with no attack
Tbn. 3 Tba.
with no attack
Timp.
1
Perc. 2
3
Piano
Harp
sub.
3
6
Bar. 3
all
3
feared Josh ’s bat,
6
3
he could do ug
ly
on
6
and off the field
poco accel. I Vn. II
Va.
Vc.
Cb.
left
us ear
A little slower
ly too
= 50–52
21 45 Tempo I ( = 60) 1 2 Fl. 3
Ob. 1 English Horn
E.H. espr.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 play into stand
1 2 Tpt. in C
(with no attack) play into stand
3 (with no attack) play into stand
normale
1 2 Tbn.
(with no attack)
3 Tba.
Timp.
1
Perc. 2 B.D.
3
to Celesta
Piano
8ba
Harp
quasi chant (come recitative)
Bar. 3
on the tres tle of JimCrow
Tempo I ( = 60) 1 solo tutti, div.
I espr. gli altri div.
Vn. II
espr. div.
unis.
Va. espr. div.
Vc. espr.
Cb.
unis.
22 50 1 2 Fl.
Flute to Piccolo
3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl. 1.
1 2 Bn. 3
with straight mute
1 2 Hn. in F
with straight mute
3 4 take cup mute
1 2 Tpt. in C 3 take cup mute
1 2 Tbn. 3 Tba.
Timp. Vibraphone, hard yarn mallets
1 Pedal
Perc. 2
3
Cel.
Harp
Bar.
fu
n’ral
cars
lies the bod y of Josh Gib
son
div., al punta del arco
I Vn.
(div.)
div. a3, quasi non vib.
div.
quasi non vib.
II
Va. div.
Vc. div.
Cb.
III. Blackjack Moderato
23
= 72–80 (with deep inner feeling) Piccolo to Flute
Picc. 1. Fl.
1 2
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 take cup mute
1 2 Tpt. in C 3 take cup mute
1 2 Tbn.
take cup mute
3 Tba.
Timp.
1 Triangle
Perc. 2
3 8va
Piano
Harp
Bar.
Moderato
= 72–80 (with deep inner feeling) poco vibrato
div.
I Vn.
molto espr. div.
poco vibrato
molto espr.
II molto espr.
div. molto espr.
poco vibrato
molto espr.
poco vibrato
molto espr.
poco vibrato
unis.
Va.
div.
molto espr.
Vc. molto espr.
Cb. molto espr.
molto espr.
24 8 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
8
Piano
Harp
Bar. 3
Nod
I Vn. II
Va.
Vc.
Cb.
ding
I
3
say
3
3
For ty sev en
high
noon
in the bleach ers,
25 12 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
Bar. 3
3
you jog
1 solo
I Vn.
2 soli, div.
II 1 sola
Va. unis.
Vc. pizz.
Cb.
the
out field
grass
lag
ging
loose
balls,
26 17 1 2 Fl. 3
Ob. 1
E.H. espr.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1.
1 2 Hn. in F
sotto voce
3.
3 4 with violas
1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1 Trg.
Perc. 2
3
Piano
sempre
Harp
poco
Bar.
how
you
tutti, div.
I espr. tutti, div.
Vn. II
espr. tutte
Va. espr. div.
unis., pizz.
Vc.
arco
espr.
Cb.
espr.
pizz.
loft
3
3
ed
their
cream
skinned
sig
na tures
27 23 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1.
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
Bar. 3
o
ver the white heads
3
where we sat
3
pi geon toed
3
3
circ
ling their
dug out,
how
I Vn.
div.
II
Va. arco
Vc.
Cb.
we
28 28 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
(1.)
1 2 Hn. in F
3.
3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
Bar.
3
car
ried
your
name
to our
3
ta
ble
while
I Vn.
(div.)
II
Va. pizz.
Vc.
Cb.
your team cursed
3
3
your singed gar ters
29 33 1 2 Fl.
Flute 6
3
6
6
6
sempre
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1., solo
1 2 Hn. in F
(3.)
3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
passionate
Bar. 3
on pen nant
flagged
tongues.
As
I Vn.
sul D, sul A
II
div.
unis.
Va. (pizz.)
arco, div.
(pizz.)
arco
Vc.
Cb.
they
3
3
saw noth ing
but
your
30 1.
38 1 2 Fl. 6
3
6
Ob. 1
E.H.
1 Cl. in B 2 solo
Bs. Cl.
1 2 Bn. 3
(1.)
1 2 Hn. in F 3 4 with cup mute
1 2 Tpt. in C 3 with cup mute
1 2 Tbn. 3 Tba.
Timp. Chimes
1
Perc. 2
3
Piano
8ba
Harp
legato
Bar.
3
teeth and eyes
I Vn.
(div.)
II
Va. (div.)
Vc.
Cb.
3
we sawthe jeer ing train
3
un wind ing its sheets
in Geor
gia,
31 43 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B
3
3
3
3
2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
8ba
Harp
sub.
Bar.
pi첫 dolce 3
3
3
3
your mail cring ing with snake juice spat in the Bronx;
and
I Vn.
unis.
II
Va. unis.
Vc.
Cb.
whenyou crossed
3
our bor ders we cheered
32 47 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 (with cup mute)
1. remove mute
1 2 Tpt. in C
play into stand
take cup mute
3 (with cup mute)
1 2 Tbn. 3 Tba.
Timp.
1 Tam.
Perc. 2 poss. B.D.
3 poss.
Piano
8ba
Harp
forceful
Bar.
poco
3
3
our black ace
3
on the marked deck of West
wood,
I sub.
Vn.
div.
unis.
II sub.
Va. sub.
Vc. sub.
Cb. sub.
div.
unis.
33 53 Tempo I ( = 72–80) 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl. 1., solo
1 2 Bn. 3
1 2 Hn. in F
with no attack
3 4 1., open
1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
Bar.
Tempo I ( = 72–80) div.
unis.
I Vn.
(div.)
molto espr.
molto espr.
II molto espr. div.
unis.
molto espr.
div.
unis.
Va. molto espr. div.
molto espr.
Vc. molto espr.
div.
unis.
molto espr.
Cb. molto espr.
molto espr.
unis.
34 61
1.
1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B 2
Bs. Cl. (1., solo)
1 2 espr.
Bn. 3
1 2 Hn. in F 3 4 1. take cup mute
1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp. Vib.
1
Perc. 2
3
Piano
Harp
port.
Bar. 3
We
will not speak
3
of
3
broad
jumps
o
ver
tracks,
yard
lines
I Vn.
(div.)
II
Va. espr.
Vc.
pizz.
Cb.
of
35 66
(1.)
1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B
3
3
3
3
3
3
2
Bs. Cl. (1.)
1 2 Bn. 3
1.
1 2 Hn. in F
3.
3 4 with cup mute
1 2 Tpt. in C
with cup mute
3 (with cup mute)
1 2 Tbn. with cup mute
3 Tba.
Timp. (Vib.)
1
Perc. 2
3
Piano
Harp
full voice
Bar. 3
pig
skin
I Vn.
(div.)
II
Va.
Vc.
(pizz.)
Cb.
stitched white balls
3
spiked at your skull:
we
3
will re mem
ber
36 71 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B
3
3
3
3
3
3
2
Bs. Cl.
1 2 Bn. 3
(1.)
1 2 Hn. in F
(3.)
3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
Bar. 3
the
found
sleep
I Vn.
unis.
II
Va.
Vc. espr.
Cb.
(pizz.)
and the meals you lost
run
ning o ver bas
es
their
37 76 1 2 Fl. 3
Ob. 1
E.H.
1 Cl. in B
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 (with cup mute)
1 2 Tpt. in C
(with cup mute)
remove mute
3 (with cup mute)
1 2 Tbn.
(with cup mute)
remove mute
3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
Bar.
pitch ers
feared
3
cov er ing,
1 solo
I
gli altri, div. div.
Vn. II
div.
Va.
div.
Vc.
arco
Cb.
38 81 1 2 dim. poco a poco
Fl. 3
Ob. 1 dim. poco a poco
E.H. dim. poco a poco
1 Cl. in B 2
Bs. Cl. dim. poco a poco
1 2 Bn. 3
1.
1 2 Hn. in F
3.
3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
dim. poco a poco
Bar.
(1 solo)
I (gli altri)
Vn.
(div.)
II unis.
Va. dim. poco a poco espr. (div.)
unis.
div.
unis.
Vc. dim. poco a poco
Cb. dim. poco a poco
39 89
1.
1 2 Fl. 3
Ob. 1 to Oboe
E.H.
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
(1.)
1 2 Hn. in F
(3.)
3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1 Trg.
Perc. 2
3
Piano
Harp
espr.
Bar. 3
High
blood
pres sure,
tutti, unis., poco vib.
I Vn.
unis., poco vib.
II poco vib.
Va.
Vc. pizz.
Cb.
div.
di a be tes,
your eyes
gone
blind,
40 94
1.
1 2 Fl.
to Piccolo
3
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1 Trg.
Perc. 2
3
Piano
Harp
port.
Bar. 3
I
will not an
3
3
swer.
I
steel
home
at your
back
I Vn.
(div.)
II
Va. 1 solo
Vc. (pizz.)
Cb.
gli altri
3
41 99 Picc. (1.)
Fl.
1 2
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1.
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
Bar.
1 solo, poco vib.
I Vn.
2 soli, div., poco vib.
II
1 sola, poco vib.
Va. molto espr. (1 solo)
3
cant.
3
3
3
Vc. (gli altri)
Cb.
(pizz.)
pizz.
3
3
42 106 Picc.
Fl.
1 2
1 Ob. 2
1 Cl. in B 2 solo
3
Bs. Cl. cant.
1 2 Bn. 3
1 2 Hn. in F 3 4 (with cup mute)
1 2 Tpt. in C 3 (with cup mute)
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
quasi
Bar. 3
“Did he say
tutti, unis.
I Vn.
tutti, div.
II tutte
Va. tutti, arco
Vc. arco
Cb.
Black ie?”
of the white boy
in
row
G:
43 110 Picc.
Fl.
1 2
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 (with cup mute)
remove mute
1 2 Tpt. in C 3 (with cup mute)
remove mute
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
8ba
8ba
Harp
sub.
Bar. 3
’Black Jack,
I Vn.
unis.
II
Va. div.
Vc.
Cb.
the
gam
ble’s tak en,
3
3
the debt un paid,
and
3
the an
swer,
44 115 Picc.
Fl.
1 2
1 Ob. 2 3
3
3
3
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3 open
1 2 with no attack open
Tbn. 3 Tba.
with no attack
Timp. Vib.
1
Pedal on
Perc. 2
3
Piano
Harp
port.
Bar.
an
swered,
still to come.’
I sotto voce div.
Vn. II
sotto voce
Va. sotto voce
solo
3 3
Vc. gli altri pizz.
sotto voce arco
Cb. sotto voce
3
cant.
IV. Henry Aaron’s Hammer Con moto, poco agitato
45
= 144–152
Piccolo
Picc.
a2
Fl.
1 2
1 Ob.
Oboe
2
1 Cl. in B 2
Bs. Cl. a2
marc. sempre
1 2 Bn.
sub.
sub.
3 marc. sempre a2
a2
a2
1 2 Hn. in F
a2
marc. sempre a2
open
marc. sempre
a2
a2
3 4
1 2 Tpt. in C
open
3
1 2 Tbn.
a2
3 Tba. sub.
sub.
Timp. Xyl.
1 Wd. Blk.
Perc. 2
3 8va
Piano
Harp
Bar.
Con moto, poco agitato
= 144–152
I sempre marc. sempre
Vn.
unis.
II sempre marc. sempre div. unis.
Va. tutti
sempre
marc. sempre
Vc. sub.
sub.
marc. sempre
sub.
sub.
marc. sempre
Cb.
div.
unis.
div.
unis.
46 5 Picc.
Fl.
1 2
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F
a2
a2
a2
a2
a2
3 4
1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
Bar.
I Vn. II
div. unis.
Va.
Vc.
Cb.
div.
unis.
div. unis.
div.
unis.
a2
47 10 Picc. a2
Fl.
1 2
1 Ob. 2
1 Cl. in B 2
Bs. Cl. a2
1 2 Bn. 3
a2
1 2 Hn. in F
a2
3 4 1 2 Tpt. in C 3 a2
1 2 Tbn.
3.
a2
3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
Bar.
I Vn.
div.
II
Va.
Vc.
Cb.
unis.
div.
unis.
div.
unis.
div.
unis.
div.
unis.
div.
48 14
to Flute
Picc.
Fl.
1 2
1 Ob. 2
1 Cl. in B
dolce
2 dolce
Bs. Cl. (a2)
1 2 Bn. 3
(a2)
1 2 Hn. in F
(a2)
3 4 1 2 Tpt. in C 3 (a2)
1 2 Tbn.
(a2)
3 Tba.
Timp. Xyl.
1 Slapstick
Perc. 2 Ratchet
3
Piano
Harp
dolce
quasi
Bar.
Re
call
pizz.
I unis.
Vn.
dolce
II dolce
Va. dolce
Vc. espr.
Cb.
John
49 19 1 2 Fl. 3
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp. Vib., motor off, hard yarn mallets
1 Pedal
Perc. 2
3
Piano
Harp
Bar.
Hen
(pizz.)
ry’s
o
3
3
3
ver tak
ing
steam
drilled in to the heads of
fan’s
arco
I Vn. II pizz.
Va.
Vc. div., pizz.
Cb.
50 24 1 2 Fl. 3
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp. (Vib.)
1 (Pedal)
Perc. 2
3
Piano
B D E A
Harp
Bar. 3
kids
sand
I Vn. II (pizz.)
Va.
Vc. (pizz.)
Cb.
lots
o
ver
the
51 1.
27 1 2 Fl. 3
1 Ob. 2
1 Cl. in B 2
Bs. Cl. 1.
a2
1 2 sub.
Bn.
cant. (with Vc.)
3
1.
a2
3.
a2
1 2 Hn. in F 3 4 1 2 Tpt. in C 3 a2
1 2 Tbn.
3.
3 Tba.
Timp.
1
Perc. 2
3
Piano
B D E A
Harp
espr.
Bar. 3
shoul
der
range
with
out
the at
rics
I Vn. II arco
(pizz.)
Va.
Vc. cant.
Cb.
sub. unis., arco
52 31 1 2 Fl. 3
1 Ob. 2
1 Cl. in B
marc.
2 marc.
Bs. Cl. marc.
(a2)
1 2 Bn. 3
(a2)
1 2 Hn. in F
(a2)
marc.
3 4 marc.
1 2 Tpt. in C 3 (a2)
1 2 Tbn.
(3.)
3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
Bar. 3
do
ing
pizz.
I marc. sempre pizz.
Vn. II
marc. sempre pizz.
Va. marc. sempre pizz.
Vc. marc. sempre pizz.
Cb. marc. sempre
the im
3
pos si
ble
ev
ery
53 37 1 2 Fl. 3
1 Ob. 2
1 Cl. in B 2
Bs. Cl. (a2)
1 2 Bn. 3
a2
1 2 Hn. in F
3.
3 4 1 2 Tpt. in C 3
2.
1 2 Tbn.
3.
3 Tba.
Timp. Tambourine
1
Suspended Cymbal, with two brushes
Perc. 2 Large Tomtom, muffled, with hard yarn mallet
3
Piano
Harp
parlando
Bar. 3
day
with out fan
fare
with out los ing his cap
e ven once div.
(pizz.)
I Vn.
(pizz.)
II (pizz.)
Va.
(pizz.)
arco
(pizz.)
arco
Vc.
Cb.
54 43 1 2 Fl.
Flute
3
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1.
(a2)
1 2 Hn. in F
(3.)
3.
3 4 1 2 Tpt. in C 3 (2.)
take straight mute
1 2 Tbn. a2
3. take straight mute
3 Tba.
Timp. (Tamb.)
Xyl.
1 (Sus. Cym.)
Vib.
Perc. 2 (Tom.)
Pedal
3
Piano
Harp
sing full voice
Bar. 3
but ounce (div.)
by ounce
a force
en forc ing
ev
unis.
I Vn.
div.
unis.
II arco
Va. div.
Vc.
arco
div.
Cb. pizz.
ery
thing
55 49 1 2 Fl. 3
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1.
1 2 Hn. in F
3.
3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp. Xyl.
1
Vib.
Perc. 2
3
Piano
Harp
Bar. 3
com plete
as mod el
few
could fol low
hit
run throw field
hit
with pow
(pizz.)
I Vn.
(pizz.)
II div.
unis., pizz.
div.
unis., pizz.
arco
Va.
div., arco
Vc.
unis., arco
div. a2, arco
div. a3, pizz.
Cb. pizz.
er
56 55 1 2 Fl. 3
1 Ob. 2
1 Cl. in B 2
Bs. Cl. 1.
2.
1 2 marc.
Bn. 3
marc.
1.
1 2 Hn. in F
3.
3 4 1 2 Tpt. in C 3 with straight mute
remove mute
1 2 Tbn.
3., with straight mute
remove mute
3 Tba.
Timp. Xyl.
1 Vib.
Perc. 2
3
Piano
Harp
(meno
)
Bar.
3 3
(the num
bers pil
ingup
on strange fields
vis i
3
ta tions all
star games
num bers where the ball
car ried) div.
arco
I Vn.
arco
II
Va. div.
Vc. div. a3, arco
div. a2, arco
Cb. pizz.
57 61 1 2 Fl. 3
1 Ob. 2
1 Cl. in B 2
Bs. Cl. (2.)
1 2 Bn. 3
(1.)
1 2 Hn. in F
(3.)
a2
3 4
1 2 Tpt. in C 3 open
1 2 open
Tbn. 3 Tba.
Timp. (Xyl.)
1 (Vib.)
Perc. 2
3
Piano
Harp
Bar.
unis. (div.)
I Vn. II
Va. unis.
Vc.
(div.)
Cb.
unis., arco
58 65 1 2 quasi
Fl. 3
quasi
1 Ob.
quasi
2 quasi
1 quasi
Cl. in B 2
Bs. Cl. 1.
(2.)
1 2 quasi
Bn. 3
1 2 Hn. in F 3 4 1.
1 2 Tpt. in C
quasi
3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
full voice
Bar.
hate
pizz.
I Vn.
pizz.
II pizz.
Va. pizz.
Vc.
pizz.
Cb.
hate
threats
com mis sion ers
off the game
of mak
ing rec
ords in
at
59 69
a2
1 2 Fl. 3
1 Ob. 2
1 Cl. in B 2
Bs. Cl. (1.)
a2
1 2 Bn. 3 sub.
sub.
sub.
1 2 Hn. in F 3 4 (1.)
take straight mute
1 2 Tpt. in C
take straight mute
3
take straight mute
1 2 Tbn.
a2
take straight mute
3 Tba. sub.
sub.
sub.
Timp. Xyl.
1
Perc. 2 Wd. Blk.
3 8va
solo
Piano
Harp
Bar.
ten
dance arco
(pizz.)
pizz.
I arco
Vn. (pizz.)
pizz.
II
(pizz.)
pizz.
arco
Va. arco
pizz.
Vc. sub.
sub.
sub.
arco
pizz.
Cb. sub.
sub.
sub.
60 73
a2
1 2 Fl. 3 solo
1 Ob. 2 solo
1 Cl. in B 2
Bs. Cl. (a2)
1 2 sub.
Bn. 3
sub. take straight mute
1 2 Hn. in F
take straight mute
3 4 with straight mute
1 2 Tpt. in C 3
with straight mute remove mute
1 2 Tbn.
a2, with straight mute
remove mute
3 Tba. sub.
Timp. Xyl.
1 marc. sempre
Perc. 2 Wd. Blk.
3 marc. sempre 8
to Celesta
Piano
Harp
Bar.
arco (pizz.)
poco vibrato
I arco
Vn.
sub.
(pizz.)
div.
II arco
(pizz.)
Va. (pizz.)
arco
(pizz.)
arco
Vc. sub. sub.
Cb. sub. sub.
sub. pizz.
61 79
poco rit.
1., solo
1 2 dolce
Fl. 3
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Cel.
Harp
Bar.
poco rit.
soli
I Vn.
(div.)
leggiero
II
Va.
Vc. molto secco (pizz.)
arco
Cb. molto secco
62
Meno mosso = 104 86
molto rit.
1 2
poco
’
Andante con moto
= 72–80
Fl. 3
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
with straight mute
remove mute
1., open
3., with straight mute
remove mute
with no attack open
1 2 Hn. in F 3 4 with no attack
1 2 Tpt. in C 3 open
1 2 with no attack open
Tbn. 3 Tba.
with no attack
Timp.
1
Perc. 2
3
Celesta
Cel.
Harp
quasi
port.
Bar. 3
his
Meno mosso = 104
molto rit.
poco
’
an
vil
was ev ery
Andante con moto div.
unis.
= 72–80div.
day
per sua unis., al punta
div.
I delicato
Vn.
(div.)
unis.
div.
II div.
Va. div.
Vc.
Cb.
sion
div. a2
63 92 1 2 Fl. 3
1 Ob. 2 solo
1 Cl. in B
with vibraphone
2
Bs. Cl.
1 2 cantando
Bn. 3
cantando
1.
take straight mute
1 2 Hn. in F
with no attack 3.
take straight mute
3 4 with no attack
1 2 Tpt. in C 3
1 2 Tbn.
with no attack
cantando
with no attack
cantando
3 Tba.
Timp. Vib.
1 Pedal
Perc. 2
3
Cel.
Harp
Bar. 3
of
the op po si tion
his team
mates knew
he was com al punta
unis., ord.
I Vn.
(div.)
unis.
div.
II
(div.)
Va. (div.)
Vc.
Cb.
div. a2
div.
plete
from womb to tomb
64 97 1 2 Fl.
3
3
3
3
3
3
3
3
3
1 Ob. 2 3
3
3
3
3
3
3
3
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
with straight mute
remove mute
with straight mute
remove mute
with straight mute
2. remove mute
with straight mute
remove mute
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Piano
Harp
full voice
molto legato
Bar. 3
in an y field
3
3
you care to plant a mon u ment
you don’t
car ryhis glove
bat
shoes
you car ry the fence
unis., ord.
I Vn.
(div.)
II unis.
Va. unis., al punta, poco sul ponticello
div., ord.
al punta, poco sul ponticello
ord.
Vc.
Cb.
div.
65 102
breve
1 2 Fl. 3 solo
1 dolce e cantabile
Ob. 2 solo
solo
1 Cl. in B
dolce e cantabile
2
Bs. Cl.
1 2 Bn. 3
1., open
1 2 Hn. in F
3., open
cantabile
3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Cel.
Harp
port.
Bar. 3
and
the ball
goes
o
ver div., ord., quasi non vib.
al punta
breve
I div., ord., quasi non vib.
Vn. unis., al punta
II (div.)
Va. (div. a2)
Vc.
div.
unis.
Cb.
short pause before Epilogue
V. Epilogue
66 Ben misurato, leggiero
= 120
1.
1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 3
1 Ob. 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1., with st. mute 3
3
3
3
3
3
3
3
1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp. Glock.
1 Vib. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Perc. 2 Trg.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Cel.
Harp
Bar.
Ben misurato, leggiero 1 solo
I Vn.
1 solo
II 1 sola
Va. 1 solo
Vc.
Cb.
flautando
= 120
3
67 9 Grazioso
= 108
1 2 Fl.
to Piccolo
3
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
a2
1 2 Hn. in F
a2
3 4 1. remove mute
1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
to Piano
Pno.
Harp
Bar.
Grazioso
= 108
tutti
div.
tutti
div.
unis.
I Vn. II
tutte
div.
unis.
unis.
div.
Va. tutti, div.
Vc. pizz.
Cb.
div.
68 17 Picc.
Fl.
1 2
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1., play into stand (or place cloth bag over bell)
1 2 Tpt. in C 3
1 2 with little or no attack
Tbn. 3 Tba.
with little or no attack
Timp.
1
Perc. 2
3
Pno.
Harp
Bar.
div.
unis.
I Vn.
(div.)
unis.
II
unis.
Va.
(div.)
unis., non div.
div.
Vc.
(pizz.)
Cb.
arco
69 25 Meno mosso
= 96
Picc.
Fl.
1 2
1 Ob. 2 solo
3
3
3
3
1 Cl. in B 2 solo
3
3
3
Bs. Cl.
3 3
3
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp. Crotales
1 Vib.
Perc. 2
3
Pno.
3
with clarinets
Harp
3
3
3
3
3
3
3
ten.
Bar. 3
Meno mosso
3
The
orb
was ex
3
3
plic it
in stitch ches
= 96 ten.
I Vn.
sotto voce div.
ten.
3
3
sotto voce div.
ten.
3
3
sotto voce (div.)
ten.
sotto voce div.
ten.
II
Va.
Vc.
Cb. sotto voce
70 29 Picc.
Fl.
1 2
1 Ob. 2 3 3
1 Cl. in B 2 3 3
Bs. Cl.
3
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp. Crot.
1 Vib.
Perc. 2
3
Pno.
3
Harp
3 3 3
legato
Bar.
3 3
3
3
3
3
to be roughed up made mag ic
spit
I Vn.
(div.)
3
3
(div.)
3
3
II
Va. (div.)
Vc. (div.)
Cb.
drove
the
bat
ter
cra
zy
71 = 108
accel.
33
Piccolo
Picc.
a2
Fl.
1 2
3 3
3
3
1 3
Ob.
3
3
3
2 3 3
1 Cl. in B 2 3 3
Bs. Cl.
3
a2
1 2 Bn. 3 a2 3
3
1 2 Hn. in F
3
a2
3 3
3
3 4 3
3
1. (open)
1 2 Tpt. in C
3
3
3
3
3
1 2 Tbn.
a2
3 Tba.
Timp.
Crot.
Xyl.
1 Vib.
T.-t., muffled
Perc. 2 S.D., rim shot
3
Pno.
3
3
Harp
3
3
decisive
Bar. 3
3
3
3
3
but the right bat in the right hands
= 108
accel. div.
I Vn.
(div.)
3
3
3
3
unis.
II (div.)
unis.
Va. 3
3
3
3
unis. (div.)
Vc.
(div.)
Cb.
unis.
72 38 Picc.
Fl.
1 2
1 Ob. 2
1 Cl. in B 2
Bs. Cl. 2.
1 2 Bn. 3
1 2 Hn. in F 3 4 soli 3
3
3
3
1 2 Tpt. in C
molto
3
3
3
3
3
1 2 Tbn.
(a2)
3 Tba.
Timp. Cowbell
1 Hi-hat
Perc. 2 sempre secco S.D., rimshot
3
Pno.
Harp
port.
Bar. 3
3
made
3
the dia mond glow gem
3
stone
(div.)
I Vn.
div.
II div.
Va.
Vc.
Cb.
unis.
div.
73 43 Picc.
Fl.
1 2
1 Ob. 2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 with straight mute
3
1 2 Tpt. in C
3
3
1 2 Tbn.
(a2)
3 Tba.
Timp.
1
Perc. 2
3
Pno.
Harp
Bar.
3 3
for the best
3
three
3
3
hun dred jour ney man
(div.)
I Vn.
(div.)
II (div.)
Va.
Vc.
Cb.
3
for the mas ters of
3
3
swat
wreck age
74 47 Picc.
Fl.
1 2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Ob. 2
1 3
3
3
3
Cl. in B
3
3
3
3
3
3
3
2 3
3
3
3
3
3
3
3
solo
3
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F
cresc.
3 4 cresc.
open
take straight mute
1 2 3
3
3
3
3
Tpt. in C
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
1 2 Tbn.
(a2)
3 Tba.
Timp. Slapstick
1 Slapstick (large, if available)
Perc. 2 Ratchet
3
Pno.
8ba
Harp
Bar. 3
the rough (div.)
pizz.
I 3
3
3
3
3
3
3
3
3
3
unis.
Vn. unis.
div.
3
3
unis.
div.
3
div.
3
3
3
unis.
3
3
div., pizz.
II 3
3
div.
3
unis.
3
3
div.
unis.
3
div.
unis.
pizz.
Va.
Vc. div.
Cb.
75 51 Picc.
Fl.
1 2 3
3
3
3
3
3
3
1 Ob. 2
1 3
Cl. in B
3
3
2 3
3
3
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 with straight mute
3
3
remove mute
1 2 Tpt. in C
3
3
3
1 2 Tbn.
a2
3 Tba.
Timp.
1 Hi-hat
Perc. 2 sempre secco
S.D., rim shot
3
Pno.
8ba
Harp
3
Bar. 3
3
edg es
3
of the orb
(div., pizz.)
arco
pizz.
(div., pizz.)
arco
pizz.
(pizz.)
arco
I Vn. II
div.
unis., pizz.
Va. pizz.
Vc. unis.
Cb.
3
where men aremade boys
pizz.
3
3
in tears
76 56 Picc. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
a2
Fl.
1 2
1 Ob.
3
3
3
3
3
2 3
3
3
3
3
3
3
1 Cl. in B
3
3
3
3
3
3
3
3
3
3
3
3
2 3
3
3
3
Bs. Cl.
1 2 Bn.
3
3
1 2 Hn. in F 3 4 1., open
3
3
3
3
3
3
3
3
1 2 Tpt. in C
2. open
3
1 2 Tbn.
a2
3 Tba.
Timp. Cowbell
1 Brake Drum
Perc. 2 Hi-hat
3 8va
3
Pno.
3
3
3
3
3
3
3
3
3
3
3 3
3
3 3
Harp
Bar. 3
hopes gone a nat
3
3
ty
3
“field
of
dreams”
pure
unis., arco
(div., pizz.)
div.
I 3
Vn.
3
3
cresc.
3
3
3
3
3
arco
(div., pizz.)
II 3
3
cresc.
3
3
3
3
3 3
arco
(pizz.)
Va. 3
(pizz.)
arco
(pizz.)
arco
3
cresc.
3
3
3
3
3
3 3
Vc.
Cb.
3
77 61 Picc.
Fl.
1 2 3
3
3
3
3
3
3
3
3
3
3
3
1 Ob. 2
1 Cl. in B 2 solo
Bs. Cl.
1 2 Bn.
3
3
3
1 2 Hn. in F 3 4
1 2 3
Tpt. in C
3
3
3 3
3
3 3
3
a2
1 2 3
Tbn.
3
a2
3
3
3
3 Tba.
Timp.
1
Perc. 2
3
Pno.
Harp
Bar. 3
fan
3
ta sy
3
3
but
not a
corn
3
field
for unis.
(div.)
pizz.
I 3
Vn.
3
3
3 3
(div.)
pizz.
II 3
(non div.)
div.
3
3
unis.
div., pizz.
Va. 3 3
3 3
3
3
pizz.
arco 3
Vc.
3
Cb.
3
3
78 65 Picc.
Fl.
3
3
3
3
3
3
3
3
1 2 3
3
3
3
3
3
3
3
3
3
3
3 3
1 Ob. 2
1 3
Cl. in B
3
3
3
3 3
3
2 3
3
3
3
3
Bs. Cl. 3
3
a2
3
3
3
3
1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 3
Tpt. in C
3
3 3
3
3
3
3
3
3
3 3
3
3
3 3
3
3
3
3
3
a2
1 2 3
Tbn.
a2
3
3
3
3
3
3 Tba.
Timp. Xyl.
1 3
3
3
3
3
3
Perc. 2 Tamb.
3
Pno.
Harp
Bar. 3
Cobb
was dirt
3
3
y
3
would eat your heart
3
3
out
of your chest
3
unis., arco div.
I 3
Vn.
(div.)
3
3
3
3
3
arco
3 3
II 3
3
3
3
3
3
unis., arco
Va. 3
pizz.
arco
3
3
3
3
3
3
3
3
3
Vc.
Cb.
3
3
79 69 Picc.
3
3
3
a2
Fl.
1 2
3 3
3
3
3
3
3
3
3
1 3
Ob.
3
3
3
3
3
3 3
3
3
3 3
3
3
2
1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
Cl. in B 2 3
3 3
3
Bs. Cl. (a2)
2.
1 2 Bn. 3
1 2 Hn. in F 3 4 3
3
3
3
1 2 Tpt. in C
3
3
3
3 a2
1 2 Tbn.
(a2)
3 Tba.
Timp. Cowbell
1 Hi-hat
Perc. 2 secco
Tamb.
3
Pno.
Harp
parlando (almost shouted) molto
Bar.
3 3
3 3
but e ven he had to be bought out
I
3
sub.
Vn.
unis.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
unis.
div.
II
3
sub.
3
3
div.
Va. sub. unis. div.
Vc.
Cb.
div.
unis.
div. unis.
div.
unis.
div.
unis.
div.
80 74 Picc.
3
3 3
3
a2
Fl.
1 2
3
3
3
3
1
3 3
3
3
Ob. 3
3
2
1
3
3
3
3
3
3
3
3
3
Cl. in B 2 3
Bs. Cl. a2
(2.)
a2
a2
1 2 3
3
Bn.
3
3 3
1 2 Hn. in F
3
3
3
3
3
3
3
3 4 3
3
take straight mute
with straight mute
1 2 Tpt. in C
3
3
3
3
3
take straight mute
3
with straight mute
3
1., with straight mute
1 2 3
3
Tbn.
3
3
(a2)
3 Tba.
Timp.
(Cowbell)
Xyl.
S.D.
1 3
(Hi-hat)
Perc. 2 (Tamb.)
3 8va
3 3
Pno.
3
3
3
3
Harp
molto legato
Bar. 3
3
stitch es div.
I
that spun for 3
3
3
3
ea
3
gle eye
3
unis.
3
div.
3
unis.
3
6
div. 3
Vc.
Cb.
div.
3
3
div.
3
3
3
div.
unis.
3
3
unis.
the
6
3
Va.
3
to hit
3
II unis.
gun arm
6 6
Vn.
3
shot
3
81 78 Picc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3 3
3
3
3 3
3 3
3
3
3
3
3
3
3
3
3
(a2)
Fl.
1 2
3
3
3
1 Ob.
3
3
3
3
2
1
3
Cl. in B
3
3
3
3
3
3
3
3
3 3
2 3
3
3
3
Bs. Cl.
1 2 3
Bn. 3
3
1 2 Hn. in F
3
3 4 open
1 2 Tpt. in C
open
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3 3
3
3
3
3
3
3
3
3
3
3
a2
open
1 2 Tbn.
a2
a2
3.
3
3
3 Tba.
Timp.
1 Sus. Cym., with brushes
Perc. 2 B.D.
3
Pno.
Harp
Bar. 3
3
base on the
fly unis.
(div.)
I
div.
6 6
3
Vn. (div.)
unis., pizz.
3
div.
unis.
II
3
3 3
3
3
3 3
3
3 3
pizz.
6 6
3
unis.
3
3
3
div.
unis., pizz.
Va. 3
div.
Vc.
Cb.
unis.
div.
unis.
div.
unis.
div.
unis.
pizz.
82 82 Picc. 1.
Fl.
1 2 dolce
1 Ob. 2
1 Cl. in B
dolce
2
Bs. Cl.
1 2 Bn. 3
1.
1 2 Hn. in F
dolce with voice
3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1 (Sus. Cym.)
Perc. 2 sotto voce (B.D.)
3 sotto voce
Pno.
Harp
(commanding, full voice)
Bar. 3
3
sig
(pizz.)
3
na tures of
cer
tain
men
3
3
be fore mon ey
3
3
made the art
mag is
div.
(div., pizz.)
cresc.
II (pizz.)
cresc.
Va. (pizz.)
cresc.
Vc. cresc. pizz.
Cb.
ri
unis.
I Vn.
te
al
for
all
83 88 Picc. (1.)
Fl.
1 2
1 Ob. 2
1 Cl. in B 2
Bs. Cl. a2
1 2 Bn. 3
(1.)
1 2 Hn. in F 3 4
1 2 Tpt. in C
to st. mute
3
a2
1 2 Tbn.
a2
3 Tba.
Timp.
1 (Sus. Cym.)
Perc. 2 (B.D.)
3 to Celesta
Pno.
Harp
meno
Bar. 3
fans div., arco (pizz.)
I Vn. (div., pizz.)
arco
unis.
II
(pizz.)
div., arco
unis.
(pizz.)
div., arco
unis.
Va.
Vc.
(pizz.)
Cb.
3
the pen man
3
ship
of
a chieve
ment
84 accel.
93 Picc.
Fl.
1 2 3
3
1 Ob. 2 3
3
3
3
3
3
3
3
3
3
1 Cl. in B 2
Bs. Cl. 3
(a2)
1 2 Bn. 3
1.
1 2 Hn. in F
3.
3 4
1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp. Glock.
1 Vib., with hard yarn mallets 3
3
Perc. 2 Pedal Trg.
3 Celesta 3
3
3
3
Cel.
Harp
Bar. 3
that unis.
was
the
in
ven
tion div.
of
the
game
accel.
unis.
quasi flautando
I Vn. div.
unis.
div.
unis.
quasi flautando
unis.
quasi flautando
II div.
Va. 1 solo, quasi flautando
Vc. gli altri (ord.) (pizz.)
Cb.
arco
85 97 Tempo I
Maestoso subito allarg. = 72
= 120
Picc.
Fl.
1 2 3
3
3
3
3
1 3
Ob.
3
3
3
3
2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 soli
1 2 Tpt. in C
3
with st. mute 3
3
3
3
soli
3
3 3
a2
1 2 Tbn.
a2
3 Tba.
Timp. (Glock.)
1 Sus. Cym., with hard yarn mallets
(Vib.) 3
3
3
3
3
3
3
3
3
3
Perc. 2 (Pedal) (Trg.)
B.D.
3
3
3
3
3
3
3
3
3
3
3
to Piano
Cel.
Harp
Bar.
Tempo I
= 120
Maestoso subito allarg. = 72
I Vn. II div., ord.
Va. (1 solo)
tutti, unis., quasi flautando ord.
Vc.
Cb.
div.
86 Subito 101
= 108, don’t drag
Picc. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
a2
Fl.
1 2
1 Ob. 2
1 3
3
Cl. in B
3
3
3
3
3
3
3
2 3
3
3
3
3
3
3
3
3
Bs. Cl. 1 2 Bn. 3
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
a2
1 2 Tbn. 3 Tba. 2 drums
Timp.
Crash Cym.
1 (Sus. Cym.)
Perc. 2 (B.D.)
3 8va
Piano
3
3
3
3
3
3
3
3
3
Pno.
3
3
3
3
sempre
Harp
Bar.
Subito I Vn. II unis.
Va.
(div.)
Vc.
Cb.
= 108, don’t drag
3
3
3
3
3
87 106 Grazioso
= 108
Picc.
Fl.
1 2 solo
1 dolce
Ob.
dolce
2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Pno.
Harp
Bar.
Grazioso
= 108
div.
unis.
I dolce
Vn.
div.
unis.
div.
div.
unis.
II dolce
Va. dolce div.
unis.
Vc. dolce pizz.
Cb.
div.
88 molto ritenuto a tempo
114
ritard.
Poco meno mosso
= 96
Picc.
Fl.
1 2
1 Ob. 2
1 Cl. in B
dolce
2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1.
1. take straight mute
1 2 Tpt. in C 3
1 2 Tbn. 3 Tba.
Timp.
1
Perc. 2
3
Pno.
8ba
Harp
Bar.
molto ritenuto a tempo
ritard.
Poco meno mosso unis.
div.
I Vn.
unis.
(div.)
II div. unis.
Va. (div.)
unis.
Vc. (pizz.)
Cb.
arco
= 96
89 Poco più mosso
121
= 104–108
Picc. 1.
Fl.
1 2 3
3
3
3
3
3
3
3
3
3
3
3
3 3
1 3
Ob.
3
3
3
2
1 Cl. in B 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. in F 3 4 1., with straight mute 3
3
3
3
2. (open)
3
1 2 3
Tpt. in C
3
3
3
3
1 2 Tbn. 3 Tba.
Timp. Xyl.
1 Wd. Blk.
Perc. 2 Slapstick
3
Pno.
fast arp.
Harp
Bar.
Poco più mosso
= 104–108
pizz.
I Vn.
pizz.
II (div.)
unis.
Va. div.
Vc. pizz.
Cb.
arco