Kernis PIECES OF WINTER SKY

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Aaron Jay Kernis Pieces of Winter Sky (2012)

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Aaron Jay Kernis

Pieces of Winter Sky (2012) for Flute, Bb Clarinet, Violin, Cello, Percussion and Piano

Commissioned by Music Accord for eighth blackbird

AJK Music (BMI) All rights administered by Associated Music Publishers, Inc. (BMI) throughout the World. Second edition


INSTRUMENTATION Flute (doubling Piccolo) Clarinet in Bb Violin Violoncello Percussion (see list below) Piano In addition, members of the ensemble play: Flute - Medium Suspended Cymbal with Bow Clarinet - Medium Suspended Cymbal with light and heavier knitting needles, Small Shaker Violin - Small Shaker Cello - Medium Suspended Cymbal with Medium-Soft Mallets and Bow, Small Shaker Percussion - bowed piano (list of notes follows) Piano - Medium Suspended Cymbal with light sticks (like chopsticks or knitting needles), Small Shaker, Bowed Piano (list of notes follows) List of Percussion: Bowed Glockenspiel (optional: if not possible to be bowed, use bowed Vibraphone)

 

    

Med. Medium Sus. Cym. Chinese Cym.

Bongos

High Sus. Cym., with Sizzles

Crotales

 5 Woodblocks

Vibraphone with motor

 

Pedal High Triangles Bass Drum

2 High Pieces of Metal

Almglocken Thai Gongs

Low Tam-Tam

 Small Shaker

Duration: c. 22"

Bowl Gongs Noah Bell

        


Pieces of Winter Sky Bowed Note List 

Percussion

Keyboards

 

  

 

 

 



     



Commissioned by Music Accord for eighth blackbird

Pieces of Winter Sky Aaron Jay Kernis (2011-2012) Frozen

Flute (doubling Piccolo)

Clarinet in Bb

Violin (doubling Viola)

Violoncello

  



  



  



  



  Percussion  

Bow piano strings

pp

Frozen

Piano



mp

 

Bow piano strings

p

pp

 

p



pp

mp

mp



n Crot., struck

mf

q = 63



p

mf

n



  

 

 



Violin

 



   

pp

p

 

  

q = 63



 

p

 5

Picc.

Bb Cl.

Vln.

Vc.

Perc.

Pno.

 





    

 

 



 

   





pp, poco espr., lontano, molto legato Bowl Gong

     



     



mp

 

 

 

   

   

  pp

p

    pp

3

       3

   













ppp

 

 

4

pp

 

 

4

pp, poco espr., lontano, molto legato

 

  

p

Copyright © 2012 AJK Music (BMI). All rights administered by Associated Music Publishers, Inc.(BMI) throughout the world.


2

A tempo (q = 63)

  

  

13

Picc.

Bb Cl.

Vln.

  

  più pp

  Vc.   

 

 

più pp

Perc.

    

Piano, bowed

 

 





 

pp

poco movendo

 

 





    

    pp

Pno.

 Picc.

 



 (bowed)

 pp 

 

 

p

19         

Perc.

Pno.

 

p

 



   

 

ppp

    p

pp

p

  

pp



 

p on key bowed

 

   pp

  



   





 



pp

  pp

Crot., struck

p

mf

p

p

 

4



  

p

   f

p

  



 bowed

p



   

  mp

p mp on key

  

4

 

  bowed

 

pp

              

 



          mf

4

   4  

 p

 

        4

p

      p

pp

p

mp

pp

   

4

rit.

pp

p

pp

p

4

 

 

                            

4

mp

ppp

ppp

p

mp

      

ppp

mp

pp

 

Perc. - Med. Cym., bowed

mf

           

p

    

   

  

4

  

pp

mp

p

p

mp



Med. Cym., bowed





on key



 

4

p

Vc.



             

p

on key

mp

    

 

  

 

pp

Vln.

 

  

Crot., bowed

mp

     4      

           

A tempo (q = 63)

pp

pp

Bb Cl.

 

Picc.

p

poco movendo

 

rit.

        4

 

 

4

 

 

 



  

on key

4 pp

 

 

 

mp

    

 



4



mp

           

mp

5

4

  

 


3

poco rit.

   27

Picc.

Bb Cl.

Vln.

  





 

 

pp





pp

p

     

pp

Vc.

      





 

 



 

Perc.

 

Vbr., struck

  



     5:3 

Pno.

pp

      



     

 



p

5:3

 

 

  

pp

     

 

poco rit.

     

 

to Fl.

 

               5:3

pp

   

Meno q = 56



pp

 

 



 

 





  3         

 

 

 



 

Meno q = 56



Thai (Nipple) Gongs         p 

 

pp

 

pp

Flute

   p

 

Almgl.

pp

 

A 34

Fl.

Bb Cl.

Vln.

q = 40, Sostenuto

solo

       

  

mp, poco espr., dolente

   

       

   



pp, senza vib.

Vc.

Perc.

      



 

 

 

p

 



pp, senza vib.

A q = 40, Sostenuto    

Pno.





  



  



 

 

mf

       mp

 

mp

   

p





  



 





 

     

pp

      



  



 

 

     

 

pp

       



pp

        

   3    



 




4

    40

Fl.

 

p

Bb Cl.

     

mp

Vln.

Vc.



   

   

 

p

Perc.

Pno.



 

6













 



 

 



  



 



     

 





 





 

 

p

    

p

cresc.

   

    

mf

   

        

 





 

3

6

41

Fl.



             mf

Bb Cl.

Vln.

Vc.

Perc.

 

         

    

  

Pno.

5

 

 

  

 







         6



3

 

        

mp

pp

6

 

mf

 

mf

 



mp

mp

          pp

6

mp



 

 

 3

         pp

mf

 

mf



f

pp

mf

 

 



 




5 5

     

             

42

Fl.

Bb Cl.

     mf

Vln.

         3

6

mp-p

6

   

  mf

 

mp-p

3

f-mf

sf

 3                          f sf 6



  p

 

mf

3

mf





               

 

 

 

 



    





 p

    

         

6

 

p



poco f

     



  

p

    

  

 

Pno.

 

             pp

Perc.

3

6

                         

f-mf

pp

Vc.

 





3

f

f-mf



  

   

mf

 

 



f

 

 Sub. largamente e = 72

3 3                        

   45

Fl.

Bb Cl.

Vln.

Vc.

Perc.

f

 

  

f

  

  

   

 

 

   

   

      

mf

    



p

mp

    

p

mp

     

p

p



f

   3

mp

poco sf

 

    

 

 

 

 

          pp         pp

pp

        

p

  

pp

mp

pp, cant.



  

 



p

  

5



Sub. largamente e = 72

 sf f

 

 

f

      

Pno.

f molto

3

   

p

     

    pp   Vibr.

mp

   

7


6

52

Fl.

Bb Cl.

Vln.

 

      



B   

   

  

  

   

p

       p

      

 

   

 

poco

Perc.

         pp

poco

Vc.

 

Delicate, suspended e = 80

   

 



        

       

  

ppp

        

                 ppp    

  

  





 

  

 

   

 

 

 





 

 

  

 

 

   

pp, poch. espr., senza vib., dolce

pp, poch. espr., senza vib., dolce



 



pp, poch. espr., senza vib., dolce

  

 

 

  

pp, poch. espr., senza vib., dolce

ppp



 

B

Delicate, suspended e = 80

    

Pno.

 

 

  

 

   

p, dolce, shapely

 

                                   



 

   





   



 

   

use Ped. for resonance

Fl.

Bb Cl.

Vln.

Vc.

Perc.

Pno.

58     

     

  

   







  

 



  

  





 





    

 

     

 

   

                                              

 





p

 



  

p

   

p

   

p

   



   

dim.



dim.

dim.



p

  

dim.





                 


11

Fl.

3 88 air sounds   3               3

mf air sounds 3

Bb Cl.

Vln.

with slap tongue on sf's

sf

3

                           sf sf sf 3

3

        sf

sf sf

fsf fsf sfmf

sfp

under string volume sfp

3

               mf a rustling sound, quickly drum with entire r.h. with all fingers in quick succession,  Making starting from top of fingerboard and moving down fingerboard with each decresc. sf bow down  Muffle allstringswith left hand.                     3

3

3

3

f

mf poco sf

poco sf

3

mf

p poco sf

p

Making a rustling sound, quickly drum with entire r.h. with all fingers in quick succession, starting from top of fingerboard and moving down fingerboard with each decresc. Muffle all strings with left hand.

Vc.



bow down

    

Pno.

Bongos - fingertips

Bb Cl.

Vln.

fsf

solo

 

ppp

    

 

Vc.

Perc.

Pno.



pp

To Picc.

3

 

p f poco sf

3

3

 

p

mf

D  

3

p

 

 lightly, lyrical

                 pp

pizz., alternating fingers

     

 

(stop sound)

 

6

p

 

3

 6

        6

pp

p





 

 

3

 





p

mf pizz.

3

f poco sf

  

p

 

3

  

air sounds

3

f poco sf

Light q = 72 3 3 3 3                            fp

             

91

Fl.

3

3

pp mf

 



 3

3

f poco sf

Perc.

 

5 Wdblks.

mp soft mallets with medium center 3

 

pp

 



  p

 

freely, essentially not coordinating with the clarinet 5       

pp

p

  p

  

   

Light q = 72

D 








12

   94

Picc.

Bb Cl.

    

  

K

x = x

  3

6

Vln.

Vc.

Perc.

  

 

6

  

3             

 

  

 

 

 

                                

  

4:5



4:5

   

   

  

pp (essentially not coordinating with clarinet)

     

arco, con sord., light bow

4:5

 

4:5

  

4:5

           

  

pp (essentially not coordinating with clarinet)

           K

 

mp arco, con sord., light bow

 

 

 

 

 

p

Pno.



 

 

 



x = x

 

 

 

 

 

 

 

 

 



K

 x = x  99

Picc.

3         6 3                                 Bb Cl.                 3 pp 3 pp 3 p 3  mf        pizz.   pizz. arco                    Vln.        6   3 pp 5

Vc.

Perc.

           

K x=x

 

Pno.

 

       

3

    pp

3

pizz.

6

 

 

 

       

mp

   

3

 

 ppp 6

 

6

6

6


13

101

Picc.

 

 

6

Vln.

Vc.

Perc.

  

 

  

       

mp pizz.

mp

mp

3

mp

p

  

3

Pno.

 

                                                             3 6 3 

Bb Cl.

 

  p

 

pp

3



 



3       

 





6

mf

 

 

mp

p

 

arco

  

arco



3

pp

3

3         

    3

    3

pp













104

Picc.

  

                     Bb Cl.             3 3  pp mp pizz.            Vln.    3

Vc.

Perc.

Pno.

     



  

              5 mfp mp 3  

 

 

3

  

pp, secco

3

 

   

 3



                    

3

pp, secco pizz.

 



 





pp

   

3



6

p

mp

  

 

mp 3

3

3



 

pp

  

       3

 



 

mp

p

   

 


14

  

Picc.

Bb Cl.

                                          

 



          







Perc.

3

dim.

  

pp

 

    

3

pp



arco, senza sord.

            3

pp



       

 

  



3

pp

Pno.

3

Vc.

q = 48-50, Lyrical

3

Vln.

 

E

106

Almglocken, medium soft mallets

   

 





pp

 



 



6

mf espr.

E

q = 48-50, Lyrical

110

Picc.

Bb Cl.

Vln.

Vc.

Perc.

  

  

                

Pno.

 

senza sord.

           3

pp

mf

 

7

p

 

  p

  

7

   Bowed

non vibrato



pp

      

 

5

  

   p

              p

p

mf

            

    

 

6

  

mp

 


15

113

Picc.

Bb Cl.

Vln.

Vc.

Perc.

  

Piccolo

 

p, distant

    

 

        

3

3

   

      

3

pp

 

  



5

               

 

Pno.

 



 



p

 



            



mf



poco f

 



 

mp

        

    

Picc.

115                                                           

p

Bb Cl.

Vln.

Vc.

Perc.

6

    

  

 

 

 

f

 





 



mf







mf







 

mp

 

 

pp

     dim.

 

3

      

mf

poco f

Pno.

To Fl.

   



  

f

dim.



 

f




16

  

 

  

 



117

Fl.

Bb Cl.

  Vla.   Vc.

to Viola

molto rit.

   

 

 

 

 

 







  

6

   

 

                        6 p coloring the piano sound p  



3

poco mf

   

 

  

3 sub. mp

In stillness

q = 69 

3                        



6

Perc.

rit.

p

Vbr., motor on

In stillness q = 69

molto rit.

 

Pno.

rit.

      3

 

p

 

 

on keys

 

p with weight and line

 

  

 

 

 

 

 

Fl.

Bb Cl.

122 F   

  

      

Flute

p, poco espr.

     

        p

       

Viola arco

  

p, poco espr.

Vc.

    

   

   

p, poco espr.

Perc.

Pno.

                F             

 

cresc.



    p



   

    

 

   



  

    

  



  

      

p

  

   

      

p

  

   

   

   



    



    

mp

 



mp

mp

p

p

p, poco espr.

  Vla.    



  

     mf

    p

   





p

  





  

mp

mp

  

   

mp

         



         

   

   


17

   

  

  

  

130

Fl.

Bb Cl.

Vla.

Vc.

Perc.

      

Pno.

 





Bb Cl.





    

  

mf

   

  

     pp    

take time

 

p

p

 

p



    

Adagio q = 58

   

pp



           pp





    

 p



  

  

         pp

             

        pp, mormorando  

        pp, ordinario, sotto voce

   

 

take time

            pp 



     



    

   

 

 

cresc. poco a poco

(p)

       

cresc. poco a poco

 

  

(p)

     

cresc. poco a poco Tam-Tam muted with hand, like a bass drum

 

5:3

      pp

 

 pp

   



  

quasi rit.

 

ppp, sotto voce

   

  

      

Adagio q = 58

   

 

cantabile

ppp, sotto voce pp

  

5:3

6

   

      

                            pp  G

   

   



ppp, sotto voce

   Almgl.

Pno.



 



 

p

     

                      p           

         Vla.   

Perc.



mp-p

 

G

p

Vc.

 

  

    

p

 



mp sul pont.

 

 

mf

 

135

Fl.

   

p

  

   

  

   

        

p

  

mf

  

 

mf



    

mf

 

  

 

 

 

  

 

     

 

   

  

 

cresc. poco a poco

 

 

 

    


22

183

Fl.

Bb Cl.

Vln.

 

let ring    

pp



          



  

  

  p

mp

   



Perc.

 

 



                         6

f





p

 

pp



mp



 

6

Pno.

 

pp

    



 

p

Vc.

 





186

Fl.

Bb Cl.

Vln.

Vc.

  

  

  

  

 

3

mf



   

 

  

   

   

 

 

 

 



     

p

 

  

 

 

 

e. =

  

  

                                                     

 

p

Pno.

 

  

3

Triangles

Perc.

 

p

 

3

3

3

3



bowed Cym. *

mf

3

3

 

 

 

 



p

   



   

 

mf

 

p

     

 

e. =

  


23 191 q Più mosso

Fl.

  

mf

Bb Cl.

Vln.

Vc.

Perc.

mf

 

p

mf

                                                                  

  

5

5

5

    

5

5

 



p

 

mf

 

 

   

 

 

pp

3

f

 

 

3

3

3



 Cym.

q Più mosso

Pno.

 

3

3

 

  



p



f

  

  

194

Fl.

Bb Cl.

Vln.

  

mf

   

 

 

heavier needles

3

3

p

 

p

     

     

 

  

 

 

 

 

to Piano

3

 p

  

 mf

 p

mf

3

f

mf

 

mf

3

3

mf

   Vc.      

Pno.

    

 

     

 

 

mf

mp

loco                 IV---------------------------                                      3

Perc.

e=e

   

 

   

     

e=e

3

p

mf

mf

mf

3

    

f molto

  

mf

 

 

            f

mf

 

 

 

 



 



 

 


24

   

        

 

199

Fl.

Bb Cl.

p

Vln.

Vc.

Perc.

    

  

mf

         

   

q = 63     

 

p

  

   

  

f to Cl.

 

Pno.

f

 

 

      Piano

   

   

   sf           

 

 

  

 

 

    

f

  

  

f



    loco 

sub. p (distant, but audible)

q = 63

  

 

         

p

   

 

f

 

  



 

 

    

 



  





    

               

   

 

             

più f



sf

 

sf

   204

Fl.

Bb Cl.

Vln.

Vc.

Perc.

     

 

      

   

 4



      

    

mf p

p

f

        

3

           3

p

  

  

 

 

    

Pno.

  



f

roll with medium-hard mallets

  

p

 

                                      6



6

to Vc.

 

 

 

p

               ff

   

 

sf

 

f

   



     







   

  

      

f

3

  

3

   sf


25

J Dramatic and tight e = 96 sound suddenly) to Fl.  (damp  

     208

Fl.

Bb Cl.

Vln.

Vc.

     

  

   5

Cl.

        

                 

ff

5

ff

5

ff

5

6

 

                      Cello                               3

mf

    

p

Vibr., motor on

 f

Pno.

 

                          6

p

5

Perc.

f

  

  

3

f

   



J

     

f

       sf f 

  



Dramatic and tight e = 96

  

 

sf molto sonoro

    f 

  

  



6



210

Fl.

Bb Cl.

Vln.

Vc.

Perc.

     



  



  



   

Flute

   

Pno.

   sf    

    

ff

  

  







    



 

 





 

  

 

   

 

       

 

  

   

 

  

 

 

6

 

  

   

 

  

 6   

   

  

sim.

molto tenuto

 

6

6


26

211

Fl.

 

    

  

6

Bb Cl.

         6

Vln.

   

  

  

6

Vc.

Perc.

        6

    

           

    

6

   

         

 

3

            

6

   



       

6



ff

3

ff

3

    

 

 

            

      

    



ff

3





            

6

     

Pno.







ff

  loco

   

 

212

Fl.

Bb Cl.

Vln.

  



       

   

sf

                     sf                      sf

Vc.

Perc.

Pno.

  

          

sf

 

6

6

3

3

                       6 3 sf  6                                        sf

6

6

6

6

3

6

3

    6

  

ff

sf

sf

 

      

   



                             sf

                   sf sf                      molto f sf    use Ped. for legato                 

          

    

                    

 

  

 

 

         sf

sf

     

   

 

   

  


   214

Fl.

Bb Cl.

Vln.

  

 

27

                 

 



      

Vc.

Perc.

3

 

sf

    

   

             

sf-mp

   

sf-f

 

  

sf

     

 

 



  



    



sf-mp

   

sf



 

sf

ff-sf

sf-mp

  





Cym.

 p

    

          

 

     

      

           sf-ff         sf-ff   Almgl.    

ff

        ff sf                      sf       









sf

 

 

 sf



 





  

sf

sf

  

   



 



 





sf



 

    

sf

sf

sf

  

 

sf

sf

                            

                                             

sf

        sf-ff

sf

 

          f                

         sf-ff



sf

         sf-f        

sf-f Almglocken

  

sf-f

  

   

sf-mp

          

  

         

   

Pno.

       

     

                    3 3                               

sf

Vln.

3

3

sf

Bb Cl.

3

3

217

Fl.

 

                      

 Vc.   

Pno.

   

3

3

3

Perc.

    

sf

  



sf

    sf

  

   

          





            



        f ff               



ff

sf f

    

      

     ff

sf f  

    

    

    

   

sf f

               molto f                     

                 

 

sf

 

ff

    

ff

                    



    

     

 



fff




28

K    220

Fl.

Bb Cl.

Vln.

Vc.

Perc.

Pno.

Adagio q = 48

  



 

  



pp, espr.

    



 

                      

sub. pp

  

pp

   

  

 

3

 

p

pp

pp

 

 

  

    

pp



 

 

Large Tam-Tam muted with hand, like a bass drum

5 5  5                    

pp

  

sub. ppp

  

ppp

K Adagio q = 48                 



poco dolciss.

 



  

 

          

 

sub. ppp

  

 

 

 

 

 

    

  

 

  

 

ppp

     

     

pp

            (with Ped.)

    

228

Fl.

moving forward

  

mp

Bb Cl.



     

mf

pp

Vln.

Vc.

  

  

 

  

 

  

  

moving forward

Pno.



  

  

molto

  4

  f

f

        

 

4

mf

4

f

    

Molto adagio

4

     

4

  

 

  

sub. pp, dolce sul tasto

 

   

Molto adagio

mf

pp

I    

rit.



f

4

         p pp mp mf            

ord. (not damped)

Perc.

       ppp 

   



 

poco p

  

  



 

  

 

ppp

  

       

   

    

rit.

sub. pp

       

3

dolciss.

ppp

  

    3


29

q = 60

L               235                                  Fl.   pp

Bb Cl.

mp

 sul pont.

Vln.

      

 

pp

Vc.



  L 

 

 

 

sul pont.

pp

poco

q = 60

p

mf

6

            

pp

p

    

 

    

 

pp

 3                     3

p

          

  

3

 

pp





poco

 

3



Perc.

Pno.

      

 



Fl.

 238      

 

             mp

Bb Cl.

Vln.

Vc.

Perc.

Pno.

          

6

           mp

 



                  pp

  

             

 

    I       p

6

p

   

pizz.

pp

   









 

mp


34

     270

Fl.

Bb Cl.

Vln.

     

 

sf-mf

  

 

  





sf-mf

   

  

sf-mf

 Vc.    

 

sf-mf

f

Perc.

Pno.

mf

3 3                        3

  

5         ff      

272

Fl.

 

   3

fp

  





5

  Piccolo



ff

Bb Cl.



3

Vln.

 

        

 

Vc.

 Perc.



  

     

   



f molto

6

6

Pno.

 

    

         f molto

6



 

 

 

mf

    

   

  

  

 

   

  

5



3

 

 

  



mfp

   poco dim.

 



      



 



   



 



    

                

  

3

5

poco dim.     

         

   

     

 

     

  



      mf

f molto

meno f

 

 

                         6

Bongos 

 

  

  

                6

5

 

 

3

        

    

frfz

  

  

  

2 high pieces of metal, one high Wdblk., hard sticks 

 

mf

6



mf

   

  

f, pesante f

f

6

f, pesante



  



       

f molto

6

6

           

ff

         

5

  

fp

           f, pesante



 

ff

ff

 



To Picc.

5

5

5 mf

 

 



  




35

               273

Picc.

Bb Cl.

Vln.

     

  

                                    

 

                                



6

         

12

ff, marc.

12

ff, marc.

                                                   12

                                                     ff, marc.

Vc.

     

    Perc.

f

         f

   

Pno.



5



5

mf

 





5

    



  

 

3

poco dim.

   

5

  



 

f

 

  

  

12





 

 

 

High Tri.(or high C Crotale)  ff

      6                         

sub. ff., marc. sf  

       

  

 





P 274 Poco più e = 56

Picc.

Bb Cl.

  

  3      mf

Vln.

rit.

sf

  

 Vc.    

   



mfrfz

     

  pp

Poco più e = 56

Pno.

3 3         3                                      

           

    

 

3

mf

Perc.

 

q =63 Tranquil, but not slow



mf

p

 

 3

  

mf, espr.



          p

3

       

pp, dolce espr.

 

pp, dolce espr.

 p

        

pp, dolce espr.



      3

    



P 

rit.



mp

   

  



poco mf

   

q =63 Tranquil, but not slow

p

   

   

3




36

277

Picc.

Bb Cl.

Vln.

Vc.

Perc.

 

  

  

 

 

   

  

   

     

 



    

 

 

 

 

 

 

p



 



  pp





     

 

l.v.

     

       

  pp



3



poco meno

3                            3                        

3

   

pp

   

3

p, thick

 

pp

Lg. Tam Tam

     pp

p

    

 

p

             

Pno.

      

 



  



poco meno

    

280

Picc.

Bb Cl.

Vln.

Vc.

Perc.

  

    





 

       









           

poco cresc.

 

      

 



  ppp     pp

               

          p           p

           

   



                dim.

p

poco cresc.

     

Pno.

    

poco cresc.

  

 



slowing a little

            

 

pp

meno

    

                         

        

dim.



    

dim.

   pp

p

slowing a little

         

 

 


37

284

Picc.

 

Bb Cl.

 

Vln.

  

Vc.

 3

6

              3

  

 





 



   

As in the opening, slightly faster

 

    

6

             

  

 

 

 

pp

Perc.

 

 

pp

3

 



  



 

  

 

pp

pp

   



 

 

      

inside Piano, bowed

pp

Pno.

     

        

    pp         

   

As in the opening, slightly faster

       ppp         

   

bowed

pp





 



p

 q = 60 (Quasi tempo primo)

288

Picc.

Bb Cl.

Vln.

Vc.

Perc.

  

  

 

 

     

 

 

   





  



   

 

pp

     

   



pp

    pp

p

Pno.

Q   

   

mp

p

  p



pp

mp

 p

con sord.                   3

pp

3

3

con sord.                               

        

Crot. bowed

mf

mp

f

p

3

        

pp

f

Q q = 60 (Quasi tempo primo)            

mf

      

mf

pp

mp

mp

f

     f

 p

f



3

 

 

on key

 

 

 

p on key

 


38

poco rit.

293

Picc.

Bb Cl.

 

         



        

 

mp

Poco meno

  

  

    



mp



p

p



  

dim.

 dim.









breathy

 

ppp





ossia:

Vln.

Vc.

Perc.

   

p

ppp

    

     

Pno.

 

 

Picc.

Bb Cl.

 Vc.

Perc.

     

  

  

 

struck

p



  

 

pp





pp

  





   

  

ppp

          

p, espr., intimo

  

 

 

bowed piano



bowed

  



 

  



 

 

 





p



 

 

 



p

  p

  

 

 

 



 

  

 

  

   

mp



    

  

   

 

    

 



Poco meno

  

  



p, espr., intimo

 

pp

(mostly air)

  

       

Pno.

  

    

ossia:

Vln.

  

            





(optional, begin to walk

 

  

poco rit.

300 off stage into wings)

 

 

  

poco mp

 



mp







     





     



 

  

 







        





  

   

  



rit.

 

Small Shaker

 

   

         

rit.



 

 

ppp





   



 

 

 



      

  


39

R

q = 84

   

Picc.

Bb Cl.

Vln.

(optional, played offstage) 5

pp mp

    

 

      

pp

     

 

pp



   

Small pp Shaker

    

ppp

Pno.

 

    





p





   

ppp



 

 5

pp

q = 84

  

ppp

 



Bowl Gong

5                          mp  3 3 5          

pp

 

  

pp

R 

ppp



pp

 

5

 Vc.      

Perc.

air sound with a little pitch

3                    

305



 

 

    3



 



keep Ped. down al fine

Picc.

308 6 6        3                                              6

p

Bb Cl.

Vln.

 

       

  

ppp



    

 

ppp

 

     

Small Shaker

ppp



 

 

6

rall. poco a poco

 

5

     

sim. Small Shaker

(independent of flute)



   

ppp

dim.



 

3

 

mp (independent of flute)



ppp

Pno.

 

            

5

 

   Perc.

pp

dim.

Vc.

mf

 

6

    

sim.

 

pp

  

5

5

    ppp

 

 


40

                   

5                              

311

Picc.

5

Bb Cl.

Vln.

Vc.

  

  

 

5

     

pp

 

 

   

(independent of flute)

Pno.

Small Shaker

    

ppp

  

 

3

dim.



ppp

(independent of flute)

Perc.

rall.

5

slowing (independent of others)

 

(independent of flute)

ppp

6

pp

5:6e



Picc.

313       

 

 

10"

8"-12"

pp

Bb Cl.

Vln.

Vc.

Perc.

 

dim. al niente

dim. al niente



dim. al niente

 

dim. al niente

10"

Pno.

8"-12"

 

dim. al niente

 

5

     

pp

      

ppp


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