Corigliano THE RED VIOLIN: CHACONNE

John Corigliano

THE RED VIOLIN Chaconne for Violin and Orchestra

Full Score

From the G. Schirmer Rental Library Date of Printing___________

G. Schirmer, Inc. New York, NY

John Corigliano

THE RED VIOLIN Chaconne for Violin and Orchestra

This work commissioned by SONY Classical, the San Francisco Symphony, the Boston Symphony Orchestra and Joshua Bell, was inspired by the film The Red Violin.

It was premiered November 25, 1997 by the San Francisco Symphony under the direction of Robert Spano, with Joshua Bell, soloist.

G. Schirmer, Inc. New York, NY

Instrumentation 3 Flutes (2nd and 3rd doubling Piccolo) 2 Oboes 2 Clarinets in B= (2nd doubling Clarinet in A) 2 Bassoons 4 Horns in F 2 Trumpets in C (1st doubling Trumpet in D) 2 Trombones Bass Trombone Tuba Timpani Percussion (3 players) Piano (doubling Celesta) Harp Solo Violin Strings

duration ca. 17 minutes

THE RED VIOLIN

Score in C

Chaconne for Violin and Orchestra

= 60

John Corigliano

*

Fl. 1 blurred, liquid, cresc.

Picc.

Fl.2 / Picc. 1 Picc.

Fl.3 / Picc. 2

1 Ob. 2 * Cl. 1

blurred, liquid, cresc. *

Cl. 2 (Cl. in A)

blurred, liquid, cresc.

Bsn.

1 2

1 3 Hn.

al sord.

2 4 1 Tpt. 2 2. al sord.

Tbn. 1 2 Bs. Tbn. Tba.

Timp.

Crotales ( 15ma ) 1 liquid Glockenspiel ( 15ma), soft sticks Perc. 2

Vibraphone

blurred, liquid 5:3

5:3

3

blurred, liquid

Celesta (ossia: Piano, 8va ) 3

Piano/ Celesta

blurred, liquid

3

Hp.

liquid, l.v. sempre

Solo Vn.

= 60 al sord.

I Vn.

al sord.

II al sord.

Va. al sord.

Vc.

Cb. *Woodwinds: Enter where indicated. Play freely, fitting the notes approximately into the conductor’s beat. Do not synchronize.

Corrected 10/2003 Corrected 01/2004 Corrected 08/2004a (Solo Vn., Fl2, Cl1, Cl2, Hn1, Hn2, Per, Hrp, Vn1, Vn2, Va, Vc.)

Copyright © 1997 by G. Schirmer, Inc.(ASCAP) and SONY Classical, New York, NY International Copyright Secured, All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 5 Picc. 1 blurred, liquid, cresc.

dim.

Picc. 2 blurred, liquid, cresc.

Fl.

1

Ob.

1 2

dim.

1

Cl. 2

Bsn.

1 2

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2 Bs. Tbn. Tba.

Timp.

*

(Crot.)

1 5

5

(Glock.)

*

3

Perc. 2 6

(Vib.) 3

Cel. (Pno. 8va )

*

6

Hp.

Solo Vn.

I Vn. II

Va.

Vc.

Cb.

*Dampen sound if still ringing

3 9 Picc. 1 blurred, cresc.

Picc. 2 blurred, cresc.

Fl.

1 blurred, cresc.

Ob.

1 2

1

Cl.

blurred, cresc.

2

blurred, cresc.

Bsn.

1 2

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2 Bs. Tbn. Tba.

Timp.

(Crot.)

1 liquid (Glock.)

(soft sticks)

Perc. 2

blurred, liquid (Vib.)

5

5

3

blurred, liquid

3

Cel. (Pno. 8va )

blurred, liquid

3

Hp.

liquid, l.v.

Solo Vn.

I Vn. II

Va.

Vc.

Cb.

4 12

to Flute 2

Picc. 1 dim. to Flute 3 Picc. 2 dim.

Fl.

1 dim.

Ob.

1 2

1 Cl. 2

soli Bsn.

1 2 sost.

1 3

Hn. 2 4

Tpt.

1 2

Tbn. 1 2 Bs. Tbn. Tba.

Timp.

(Crot.)

*

to Tambourine

*

to S.D.

1 5

5

(Glock.)

Perc. 2 3

6

(Vib.)

to B.D.

3

to Piano

Cel. (Pno. 8va )

*

Hp.

6

Solo Vn.

I Vn. II

Va.

Vc.

Cb.

* See note, pg.2

5 16 1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3 Hn. 2 4

Tpt.

1 2 1.

Tbn. 1 2 sost.

Bs. Tbn. Bs. Tbn. Tba. sost.

Timp.

1

Perc. 2

Large B.D. 3

Pno.

Hp.

Solo Vn.

I

Vn. II

Va.

Vc.

Cb.

6 23 1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3

Hn. 2 4

Tpt.

1 2

(1.)

al sord.

Tbn. 1 2

(Bs. Tbn.) Bs. Tbn. Tba.

Timp.

1

Perc. 2

(B.D.) 3

Pno.

Hp.

Solo Vn.

I Vn. II

Va.

Vc. con sord. pizz.

div. pizz.

Cb.

arco

7 31 1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2 al sord.

Bs. Tbn. Tba.

Timp.

1

Perc. 2

to Susp. Cym. 3

Pno.

Hp.

(rubato) 3

Solo Vn.

div., con sord.

sul tasto

div., con sord.

sul tasto

I Vn. II

Va.

Vc.

Cb.

8 * 40 1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

* 1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba.

* Timp.

1

Perc. 2

3

* Pno.

Hp.

* 6

3

Solo Vn.

6

*

7

5

**

3

rubato

I 7

6

3

5

Vn.

**

rubato 3

3

6

II 6

7

div., con sord.

Va. div., con sord.

Vc.

Cb.

* Indicates cues instead of beats. Follow soloist’s line.

The dotted lines are also cues — the number of cues (including downbeat) are indicated within the triangle. **Each player enters slightly after the previous one, starting with the first desk (should sound free and asynchronous).

The E and A will gradually disappear as more players start the filigree. Imitate the soloist.

5

3

9 41 1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2 Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

(rubato) 3

Solo Vn.

3

5

3 5

(div. a2) I

Vn.

*

(div. a2)

3

3

5

3

II rubato (div.)

Va.

(div.)

Vc.

Cb.

*See note (**) on pg. 8.

5

10 (44) 1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

8va

Solo Vn.

3 3

* rubato

via sord.

I

3

rubato

Vn. II

3

Va.

Vc.

Cb.

*See note (**) on pg. 8.

11 45 1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

(Clarinet 2. in A) 3

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

(sounding pitches)

Hp.

8

Solo Vn.

I

(div. a2)

Vn. II

Va.

(div.)

Vc. legatissimo Cb.

3

12 53

tratt.

a tempo

1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1.

1 3 Hn.

con sord.

2 4

Tpt.

1 2

Tbn. 1 2 Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

Solo Vn.

tratt.

a tempo

I Vn.

unis.

II

unis.

Va.

Vc.

Cb.

13 pushing forward

61 1 2 Fl. 3

3

1.

Ob.

1 2 3

(1.)

Cl.

1 2

Bsn.

1 2

1 3 Hn.

via sord.

2 4

Tpt.

1 2

con sord.

Tbn. 1 2

con sord.

3

3

3

3

Bs. Tbn. Tba. con sord.

soft sticks Timp.

1

Perc. 2

3

Pno.

Hp.

Solo Vn.

pushing forward I Vn.

div.

3

3

II

3

3

3

3

Va.

unis.

Vc.

unis., arco Cb.

14

pushing forward

69 1 2 Fl. 3

(1.)

Ob.

1 2

Cl.

1 2

Bsn.

1 2

(1.)

1 3

Hn.

senza sord.

2 4

Tpt.

1 2

via sord.

Tbn. 1 2

(con sord.)

Bs. Tbn. Tba. cresc.

Timp.

1

Perc. 2

3

Pno.

Hp.

Solo Vn.

pushing forward

unis., senza sord.

I espr.

Vn.

(arco)

via sord.

II

pizz.

arco pizz.

via sord.

pizz.

via sord.

arco, senza sord.

pizz.

via sord.

arco, senza sord.

Va.

Vc.

Cb.

15 77 1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1. Solo

1 3

Hn. 2 4

Tpt.

1 2

Tbn. 1 2 Bs. Tbn. Tba. (cresc.)

Timp.

1

S.D. (muffled) Perc. 2

3

Pno.

Hp.

6

Solo Vn.

cresc.

cresc.

18

I Vn. II

Va.

pizz.

Vc.

pizz.

Cb.

16 84

a tempo

Faster

tratt.

= 60

a2

1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

a2

1 3 brassy Hn. 2 4 brassy Tpt.

1 2 sub.

sub.

senza sord.

Tbn. 1 2 sub.

sub.

via sord.

Bs. Tbn. Tba.

Timp.

Tambourine 1 (S.D.) Perc. 2 Susp. Cym.

to B.D.

3 Piano, hammered

Pno.

Hp.

Solo Vn.

a tempo pizz.

I

Vn.

pizz., senza sord.

II

(pizz.) senza sord.

Va.

(pizz.)

Vc.

Cb.

tratt.

Faster

= 60

17 2. to Picc. 1

90

a2

1.

1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1.

a2

1.

a2 1 3

Hn. a2 2 4

Tpt.

1 2

al sord.

Tbn. 1 2

senza sord.

al sord.

Bs. Tbn. Tba.

Timp.

(Tamb.)

1 (S.D.)

rimshot (metallic)

Perc. 2

B.D. 3

Pno.

Hp.

Solo Vn.

arco I

Vn.

arco II

arco Va.

arco Vc.

arco Cb.

18 95

to Flute 2

Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

1.

a2 *

1.

(

)

etc.

legato a2 Bsn.

1 2

a2 *

a2

) )

( (

1 3

etc.

legato a2 *

Hn. 2 4

etc.

legato Tpt.

1 2 con sord.

2. via sord.

con sord.

via sord.

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1

(S.D.)

r.s.

ord.

Perc. 2

3

Pno.

Hp.

3

Solo Vn.

I

Vn. II

Va.

Vc.

(sounds 8ba ) Cb.

*

= Play between and including the boxed pitches in random and constantly changing patterns, legato, as fast as possible at the indicated dynamic. An example is given in parentheses.

3

3

3

3

3

3

3

3

3

19 100 1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

a2

(a2) 1 3 Hn.

(a2) 2 4

1.

Tpt.

al sord.

1 2

1. (con sord.)

via sord.

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

(Tamb.)

to Xylophone

1

(S.D.)

to Susp. Cym.

Perc. 2 Ratchet 3

Pno.

Hp.

Solo Vn.

I Vn. II div.

Va.

div.

Vc.

pizz.

Cb.

20 107 1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

(Cl. 2 plays A Cl.)

1 3 Hn. 2 4 harmon mute Tpt.

via sord.

1 2

Tbn. 1 2 Bs. Tbn., senza sord.

Bs. Tbn. Tba. Tuba, senza sord.

Timp.

1

Perc. 2 (Rat.)

to B.D.

3

Pno.

DC B

Hp.

E F G A l.v. sempre

3

Solo Vn.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

0

3

3

marc. div. *

unis.

**

I slow, even gliss.

marc.

Vn. div.

*

**

II

marc. marc. div.

*

**

Va. marc. unis.

Vc.

arco Cb.

* **

= Play between and including the boxed pitches in random and constantly changing patterns, marcato, as fast as possible at the indicated dynamic. on any pitch within the box that occurs on the downbeat

21 112

a2

3

1 2 Fl. 3

cresc.

Ob.

1 2

cresc.

3

3

3

1.

Cl.

1 2 3

Bsn.

3

3

3

3

cresc.

3

1 2

1 3

cresc.

Hn. 2 4

cresc.

2., senza sord.

1. to Trumpet in D Tpt.

3

3

3

3

3

3

3

3

3

1 2

Tbn. 1 2 (Tba.) Bs. Tbn. Tba.

cresc.

Timp.

1 Susp. Cym. Perc. 2

3

Pno.

cresc.

G

Hp.

8va

**) ossia:

** 0 0

Solo Vn.

sim.

I

cresc.

Vn.

sim.

unis.

II slow, even gliss.

cresc.

Va.

cresc. div. * Vc.

cresc. * Cb.

cresc. *

= Play between and including the boxed pitches in random and constantly changing patterns, legato, as fast as possible at the indicated dynamic.

22

(a2)

116

2. to Picc. 1.

1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

a2 1 3

Hn.

a2 2 4

(Tp. 1 plays Tp. in D, senza sord.)

2.

Tpt.

1 2

senza sord.

Tbn. 1 2 (ossia:

)

Bs. Tbn. Tba.

Timp.

1 (Susp. Cym.) l.v.

to S.D.

Perc. 2 sub.

(B.D.) 3

Pno.

8ba

Hp.

8ba

8ba

8ba

( 8ba )

D C B

E F G A

8

(ossia)

Solo Vn.

pizz.

unis. arco

div.

I

Vn.

pizz.

div.

div. a3

unis. arco

II

unis., pizz.

div.

div. a3 arco

Va.

*

unis., pizz.

arco

Vc.

* Cb.

* See note, (**) pg. 20

(unis.) pizz.

arco

23 121 Picc. 1

1.

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1.

2. to Cl. in B

1.

1 3 brassy Hn. 2 4 brassy 1. to Tpt. in C Tpt.

1 2

Tbn. 1 2 Bs. Tbn.* Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

Solo Vn.

I

Vn. II

Va.

Vc.

Cb.

*The following eight bars can be played by the Tuba if the Bass Trombone has no E attachment.

24 126

(

=

)

(

=

)

Picc. 1

(1.)

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1.

1.

1.

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

Xyl. 1

Perc. 2

(B.D.) 3

3

Pno.

Hp.

Solo Vn.

(

=

)

(

=

)

I

Vn. II div. a2 pizz.

Va.

Vc.

Cb.

25 130

accel.

rall.

accel.

rall.

Picc. 1

(1.)

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

(1.)

1 3 Hn. 2 4 1., 2., with harmon mute Tpt.

1 2

Tbn. 1 2

sub.

Bs. Tbn. Tba.

Timp.

(Xyl.) to Slapstick 1 S.D., rimshot (metallic) Perc. 2

(B.D.) 3

Pno.

Hp.

3

3

3

3

3

3

3

Solo Vn. 3 8va

I

Vn. II

Va.

Vc.

Cb.

0

26 134

colla parte

Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

a2

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2 Bs. Tbn. Tba.

hard sticks Timp.

Slapstick

to Glock.

1

(S.D.)

to Crot.

Perc. 2

(B.D.) 3

Pno.

Hp.

= 60)

Faster

= 80

= 60

Faster

= 80

= 60

Faster

= 80

= 60

gliss.

iss

.

(Tempo primo

3

gl

3 3

3

Solo Vn. passionate

3

colla parte I Vn. II

Va.

Vc.

div. pizz.

Cb.

arco

3

3 3

3

27 139 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

open 1 3 Hn.

open 2 4

Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

(B.D.) 3

Pno.

Hp.

Faster

3

= 80

3

3

3 3

3

3

3

Solo Vn. 3 3

I Vn. II

Va.

Vc.

Cb.

3

3

3

3

3

3 3

3

3

3

28

= 80 fltg., non synch.

*

rall.

*

rall.

144 Picc.

1

a2, non synch.

8va

fltg.

Fl.

1 3 non synch.

a2 Ob.

1 2 a2, non synch.

8va

fltg.

Cl.

1 2

Bsn.

1 2

a2, non synch.

a2

fltg., non synch.

1 3 Hn.

a2

fltg., non synch.

2 4

fltg., non synch.

1 Tpt.

fltg., non synch.

2

a2 Tbn.

1 2

Bs. Tbn. Tba.

Timp.

Glock. (hard sticks)

(accel.) sempre l.v. (l.v.)

to Bell Tree

1

Crot.

Perc.

sim.

2 Susp. Cym.

to Vib.

3 B.D. 8va

sempre l.v. loco sim. loco

8

Pno.

9

Hp.

al sord.

Solo Vn.

=non80synch.

3

(continue similar downward chromatic pattern) I

non synch.

Vn.

(continue similar downward chromatic pattern) II arco, non div.

div., pizz.

Va.

non div.

Vc.

(div.) tutti pizz.

Cb.

*unless indicated, players do not slow the speed of their runs as the conductor slows the tempo (rall.).

div., pizz.

145

29

rall. poco a poco

Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2 continue similar downward chromatic pattern (rall.)

a2, non synch.

Bsn.

1 2

(a2, non synch.)

continue similar downward chromatic pattern

1., 3., al sord.

1 3

Hn.

(a2, non synch.)

continue similar downward chromatic pattern

2., 4., al sord.

2 4

continue similar downward chromatic pattern 1

Tpt. continue similar downward chromatic pattern 2

even gliss.

Tbn.

al sord.

1 2

even gliss.

Bs. Tbn.

even gliss.

Bs. Tbn. and Tba. al sord.

Bs. Tbn. Tba.

Timp.

Bell Tree

l.v.

1

Perc.

2 sempre l.v.

Vib. 3

(rall.)

Pno.

(rall.)

Hp.

Solo Vn.

rall. poco a poco I Vn.

al sord.

II arco, non synch.

continue similar downward chromatic pattern

Va.

div.

al sord.

al sord.

* arco, con sord.

Vc.

div.

arco, non synch.

al sord.

continue similar downward chromatic pattern

al sord.

*arco, con sord.

arco unis., non synch.

Cb.

*1/2 Violas and Cellos sneak in. Play divisi if section is large enough. If not, play these notes as double stops.

continue similar downward chromatic pattern

al sord.

30 Lento

147

= 52–54

*

Picc. 1

1. Solo

Fl.

rubato

1 3

3 3

liquid

rubato 1. Solo Ob.

1 2

Cl.

1 2

Bsn.

1 2

*

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2 Bs. Tbn. Tba.

Timp.

*

to Crot.

1

to Tambourine Perc. 2

to B.D. 3

Pno.

Hp.

Solo Vn.

Lento

= 52–54

*

1 solo

Tutti al sord.

I Vn. II ** con sord.

Va.

** con sord.

Vc.

1 / 2 section, con sord.

Cb.

*Conductor: wait for percussion sound to clear before continuing. **See note on previous page.

31 152

*

Picc. 1

Fl.

1 3 (1.)

1. Solo

Ob.

1 2

5

liquid

5 3

3

3

1. Solo, rubato 3

Cl.

1 2

Bsn.

1 2

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba. Timp.

1

Perc. 2

3

Pno.

Hp.

con sord.

Solo Vn. floating

I Vn. II

Va.

Vc.

(half section) Cb.

*Conductor: optional fermata.

32 157

to Flute 2

Picc. 1

Fl.

1 3 (1.)

Ob.

1 2

Cl.

1 2

1. Solo

3

5

3

1. Solo Bsn.

1 2 3

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2 Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

8va

(loco) Solo Vn.

I Vn. II

Va. (balance high C with rest of chord)

Vc.

tutti, div., con sord.

Cb.

33 breve

1. (Solo)

162 1 2

3

(liquid) Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1. (Solo)

(1.)

3

1 3 Hn. 2 4 Tpt.

1 2 breve con sord.

via sord.

Tbn. 1 2 breve

con sord.

via sord.

Bs. Tbn. Tba.

Timp.

Cro. (15ma)

l.v.

1

Perc. 2

3

Pno.

Hp.

8va

loco

breve via sord.

0

Solo Vn. breve

* Tutti, con sord.

(

I

etc.

)

freely, liquid breve

* con sord.

Vn.

(

II freely, liquid breve via sord.

senza sord.

Va.

breve via sord.

senza sord.

Vc. via sord.

half section, senza sord. breve half section

Tutti: via sord.

Cb.

*Each player enters and plays slightly after the previous one, starting with the first desk (should sound free and non synchronous).

)

etc.

34 (echo)

167

stringendo

3

1 2 (echo)

Fl. 3

Ob.

1 2

(1.) a2 Cl.

1 2 3

Bsn.

1 2

*

con sord.

via sord.

1 3

* con sord.

Hn.

via sord.

2 4

Tpt.

1 2

senza sord.

Tbn. 1 2

senza sord.

Bs. Tbn. Tba.

Timp. to S.D. 1 Tamb.

Perc. 2

3

Pno.

Hp.

8va

8va 0

senza sord. 0 Solo Vn.

stringendo

pizz. * arco

via sord.

senza sord.

via sord.

senza sord.

pizz.

* arco

tutti, unis., senza sord.

pizz.

* arco

tutti, div., senza sord.

unis., pizz.

I

Vn. II

(half section) Va.

(half section)

* arco

Vc. 0

(half section) Cb.

*Even crescendo with abrupt cutoff just before downbeat.

tutti, div., senza sord.

unis., pizz. (sounding pitch)

* arco

35 = ca. 92

* (no attack)

172

Flute 2 to Piccolo

1 2

molto

Fl. 3

Ob.

1 2 * (no attack)

Cl.

1 2

molto

Bsn.

1 2

*

1 3 Hn.

a2 senza sord. (no attack)

a2 *senza sord. (no attack)

molto

2 4

molto

Tpt.

* (no attack)

1 2

molto (no attack)

*

Tbn. 1 2

molto (no attack)

*

Bs. Tbn. Tba.

molto Timp.

1

Perc. 2

3

Pno.

Hp.

8

Solo Vn. 5

= ca. 92 (vib.)

I

Vn.

molto

molto

molto

molto

molto

molto

molto

molto

(vib.)

II

(vib.)

Va.

(vib.)

Vc.

(vib.)

Cb.

molto *See note on previous page

molto

36 177 Picc. 1

Fl.

1 3

Ob.

1 2

2.

1.

Cl.

1 2

Bsn.

1 2

1 3

Hn. 2 4

Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

6

6

Solo Vn. 6

I

Vn.

molto

molto

molto

molto

II

Va.

molto

molto

Vc.

molto Cb.

molto

pizz.

20

37 181 Picc. 1

a2

Fl.

1 3

Ob.

1 2

1.

2.

a2 Cl.

1 2

Bsn.

1 2

1 3

Hn. 2 4

Tpt.

a2

a2

1 2

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1

S.D. Perc. 2

B.D. 3

Pno.

* 8ba

Hp.

3

Solo Vn.

I

Vn. II

Va.

Vc.

div.

pizz.

Cb.

*Chromatic cluster

(arco)

3

38 rall.

187

to Flute 2

Picc. 1

a2

Fl.

1 3

Ob.

1 2

a2 Cl.

1 2

Bsn.

1 2

a2

1. al sord.

a2

2., 4. al sord.

1 3

Hn. 2 4

Tpt.

1 2

Tbn. 1 2

al sord.

Bs. Tbn. Tba.

Timp.

1 (S.D.)

to Tambourine

Perc. 2

(B.D.) 3

Pno.

8ba

Hp.

3

3

Solo Vn.

rall. al sord.

I

Vn.

al sord.

con sord.

al sord.

con sord.

al sord.

con sord.

II

Va.

Vc.

al sord.

Cb. (senza sord.)

arco, con sord.

39 192

= ca. 60

1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1. con sord.

1 3

Hn.

2. con sord.

2.

2 4 4. con sord.

Tpt.

1 2

Tbn. 1 2

con sord.

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

Solo Vn. 3

3

= ca. 60 con sord.

I Vn. II

Va.

Vc.

via sord.

Cb.

3

3

40 199

= 60 =

1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1. via sord.

1 3 Hn.

via sord.

2 4

Tpt.

1 2

Tbn. 1 2

via sord.

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

Solo Vn.

espr.

= 60 =

via sord.

senza sord.

via sord.

senza sord.

via sord.

senza sord.

via sord.

senza sord.

I Vn. II

Va.

Vc.

(div.) senza sord.

Cb.

41 207

2. to Picc. 1

1 2 Fl. 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

(Cl. 2 to Cl. in A)

a2, senza sord.

1 3 Hn.

a2, senza sord.

2 4

Tpt.

1 2

Tbn. 1 2

3

3

3

senza sord.

Bs. Tbn. Tba.

soft sticks Timp.

1

Perc. 2

3

Pno.

cresc.

Hp.

Solo Vn.

div.

I Vn.

div.

II

Va.

Vc.

Cb. 3

3

3

42 215 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

(a2) 1 3 Hn.

(a2) 2 4

Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

freely, start slowly, then accel.

3

Solo Vn.

appassionato

I

Vn. II

Va.

Vc.

Cb.

6

3

sim.

6

7

5

3

43 219 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

(a2)

al sord.

1 3

Hn.

(a2) 2 4

al sord. (harmon mutes) Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

8va

(free) 3

3 3

Solo Vn.

3

sim.

I Vn. II al sord.

Va. al sord.

Vc.

Cb.

44

Cadenza 8va

221

loco 3

Solo Vn.

cresc.

0

rall.

0

0

0

Solo Vn.

a tempo ( = 60) Solo Vn. rich,sonorous

6 3

Solo Vn.

3

3

0

sub., freely

sul tasto, flautando II

III

IV

Solo Vn. (a sigh) 0

0

0

0

3

3

45 222

= 60

Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3

Hn. 2 4

Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1

Perc. 2

Lg., low B.D. (soft stick) 3

Pno.

Hp.

col legno battuto Solo Vn.

= 60 I Vn. II

Va.

Vc.

Cb.

46 228 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3 Hn. 2 4

Tpt.

1 2

1.

Tbn. 1 2

Bs. Tbn. Bs. Tbn. Tba.

Timp.

1

Perc. 2

(B.D.) 3

Pno.

Hp.

pizz.

(pizz. sempre)

Solo Vn. sub., marc.

I

Vn. II

Va.

Vc.

(div.) col legno batt.

Cb.

47 234 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3 Hn.

2.

2 4

Tpt.

1 2

(1.)

Tbn. 1 2

(Bs. Tbn.) Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

Solo Vn.

I Vn. II con sord., non-synch., sul pont.

Va.

con sord., non-synch., sul pont.

Vc.

(arco,) ord.

Cb.

48 238 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3 Hn.

(2.)

3

2 4

Tpt.

1 2

Tbn. 1 2 (Bs. Tbn.) Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

Solo Vn.

I Vn. II (sul pont.), non-synch.

via sord.

Va.

(sul pont.), non-synch.

via sord.

Vc.

3

Cb.

49 ( = ca. 80) string.

stringendo poco a poco

240 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3 Hn.

Tpt.

al sord.

(2.)

2 4

4.

1 2

gliss.

Tbn. 1 2

gliss.

Tuba Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

arco

arco pizz.

arco

arco pizz.

pizz.

arco

pizz.

Solo Vn.

gliss.

gliss.

( = ca. 80) string.

stringendo poco a poco * unis., col legno batt.

I 0 0 0

Vn. * unis., col legno batt.

0 0

0 0

II 0

senza sord., col legno batt.

0 0

* Va. * senza sord., col legno batt.

Vc. 0

0

col legno batt. *

div.

0

Cb.

*Each player at a slightly different tempo (approx.

= 60). Do not change tempo. Pause slightly at commas. Play

to sound

.

50 = 90 (

= 60)

244 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3 Hn. 2 4

Tpt.

1 2

gliss.

Tbn. 1 2

(Tba.) Bs. Tbn. Tba.

Timp.

1

Perc. 2

3

Pno.

Hp.

gliss.

3

gliss.

Solo Vn.

gliss.

3

gliss.

cresc.

= 90 (

= 60) *

(tutti pizz.)

*

(tutti pizz.)

I Vn. II

*

(tutti pizz.)

*

(tutti pizz.)

Va.

Vc.

(half section pizz.)

Cb.

div.

*

*Stand by stand change from col legno to pizzicato

. Keep tempo steady. Complete transition to pizz. by the indication "tutti pizz."

51 248 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

(Cl. 2 in A)

1 3 Hn. 2 4

Tpt.

1 2

gliss.

Tbn. 1 2

(Tba.)

gliss.

gliss.

Bs. Tbn.

Bs. Tbn. Tba.

Timp.

1 Tamb.

Perc. 2

3

Pno.

Hp.

3

3

3

Solo Vn.

3

0

3

3

3

3 0

3

3

3

3

3

3

3

3

3 3

sim.

arco *

**

I Vn. *

marc.,

**

arco

div.

II

, marc. * arco

div.

**

Va.

, marc. * arco Vc.

Cb.

div.

*

arco

pizz.

pizz.

*Jump to indicated notes (arco) on downbeat wherever you are in your pattern. **

= Play between and including the boxed pitches in random and constantly changing patterns, marcato, as fast as possible at the indicated dynamic. An example is given in parentheses.

, marc.

marc.,

div.

marc.,

52 253 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

1.

3

Bsn.

3

3

3

1 2 con sord.

1 3 con sord.

Hn.

con sord.

2 4 con sord. con sord., harmon mutes

Tpt.

1. al sord., st. mute

3

1., con sord., st. mute

3

3

1 2

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1 (Tamb.)

Perc. 2

B.D. 3

Pno.

D C B E F G A

Hp.

l.v. sempre

0

0

Solo Vn. 3

* unis.

I

sim. slow, even gliss.

Vn.

unis.

*

sim. slow, even gliss.

II

* Va.

div.

Vc.

unis., arco Cb.

*

on any pitch within the box that occurs on the downbeat

3

3

53 256 Picc. 1

Fl.

1 3

Ob.

1 2

3

3 3

Cl.

1 2

Bsn.

1 2

via sord.

1 3

Hn.

via sord.

2 4

3

3

Tpt.

3

via sord.

1 2 via sord.

Tbn. 1 2 (Tba.) Bs. Tbn. Tba.

Timp.

S.D.

to Xyl.

1

(Tamb.)

thumb roll

to Susp. Cym.

Perc. 2

(B.D.)

cut sound

3

Pno.

Hp.

0

0 0

Solo Vn.

I

Vn. II * Va.

* Vc.

* Cb.

*See previous page.

54 Tempo I

rall.

= 60

259 Picc. 1

Fl.

1 3

Ob.

1 2

a2

sost.

Cl.

1 2 a2 3

Bsn.

1 2

a2, Soli, senza sord.

1 3 sost.

Hn.

a2, Soli, senza sord.

2 4 sost. senza sord.

Tpt.

1 2

Tbn. 1 2 3

3

Bs. Tbn. Tba. 3

Timp.

1 Susp. Cym.

to Tenor Drum (and Tamtam if 4th player available)

l.v.

Perc. 2

B.D. 3

Pno.

A

Hp.

3

sim.

Solo Vn.

Tempo I

rall.

IV I sost.

Vn. II

(div.)

Va.

non div.

Vc.

div.

Cb.

= 60

55 263 Picc. 1

Fl.

1 3 (a2)

Ob.

1 2 5

Cl.

1 2

Bsn.

1 2

(a2)

5

1 3

(a2)

Hn.

5

2 4

a2 Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1

Tenor Dr. Perc. 2

3

Pno.

Hp.

Solo Vn. (IV) I 5

Vn.

div.

II

unis.

Va.

div.

Vc.

Cb.

unis.

56 Slower

= 50

accel. poco a poco

267

**

Picc. 1

(a2) Fl.

1 3

Ob.

1 2

a2 Cl.

1 2

Bsn.

1 2

(a2) 1 3 Hn.

(a2) 2 4

Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba.

3

Timp.

Xyl.

3

to Tamtam

3

Tam-Tam

1 Ten. Dr.

to Chimes

Chimes

l.v. sempre

Perc. 2 l.v.

Tam-Tam (B.D.)

3

3

Pno.

8ba

C ,E only

Hp.

8ba

8ba

l.v. sempre

8ba

8ba

Solo Vn.

Slower I

Vn. II

Va. unis.

Vc.

div.

0

Cb.

**only if necessary.

8ba

= 50

accel. poco a poco

3

3

Allegro

57

= 144

274 Picc. 1

8va

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1.

sim.

1 3

Hn.

sim.

2 4

al sord. (harmon mutes) Tpt.

1 2

al sord. (harmon mutes) Tbn. 1 2

Bs. Tbn. Tba.

Timp.

l.v.

1 (Chimes)

(sempre l.v.)

Perc. 2 (B.D.) 3

Pno.

8ba

Hp.

Solo Vn.

Allegro

= 144

8va

loco I

Vn. II

Va.

Vc.

(sounding pitch) unis.

Cb.

58 278 Picc. 1

(1.)

Fl.

1 3

Ob.

1 2

Cl.

1 2

cresc.

Bsn.

1 2

1 3

cresc.

Hn. 2 4

cresc. con sord., harmon mutes Tpt.

1 2

con sord., harmon mutes Tbn. 1 2

Bs. Tbn. Tba.

hard sticks Timp. secco, non cresc.

1 (Chimes) Perc. 2 non cresc.

(B.D.) 3

non cresc.

Pno.

pi첫

Hp.

Solo Vn.

* I

cresc.

Vn.

* II

cresc. sim.

*

sim.

*

Va.

cresc.

Vc.

cresc. col legno batt.

norm.

Cb.

cresc. *Continue playing 2-bar ostinato until next figure.

col legno batt.

norm.

59 282 Picc. 1

dim.

(1.)

Fl.

1 3

dim.

Ob.

1 2

dim.

Cl.

1 2

dim.

Bsn.

1 2

dim.

1 3

Hn. 2 4

Tpt.

1 2

dim.

Tbn. 1 2

dim.

Bs. Tbn. Tba.

dim.

Timp.

1 (Chimes) Perc. 2 (B.D.) 3

Pno.

Hp.

Solo Vn. (Cue notes: 1st stand. Others: continue ostinato as indicated)

*

I

dim.

legato, rubato, dim.

Vn.

*

3

II

dim.

legato, lyrical (Cue notes: 1st stand. Others: continue ostinato as indicated)

*

Va. legato, rubato, dim.

(Cue notes: 1st stand. Others: continue ostinato as indicated)

dim.

*

Vc.

dim.

legato, rubato, dim. col legno batt.

norm.

col legno batt.

norm.

Cb.

dim. *Stand by stand change to free legato line. Do not synchronize. Play beautifully and freely. Other stands continue previous ostinato until your turn.

60 286

to Flute

Picc. 1

(1.)

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3 Hn. 2 4

Tpt.

1 2

Tbn. 1 2 Tuba Bs. Tbn. Tba.

Timp.

1

(Chimes) Perc. 2

(B.D.)

to Tenor Drum

3

Pno.

Hp.

Solo Vn.

etc.

I (dim.)

Vn.

etc.

II (dim.)

etc.

Va. (dim.)

etc.

Vc. (dim.)

col legno batt.

norm.

Cb.

dim.

col legno batt.

norm.

61 290 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3 Hn. 2 4

via sord.

Tpt.

1 2

via sord.

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1

(Chimes) Perc. 2

3

Pno.

Hp.

Solo Vn.

I

Vn. II

Va.

Vc.

Cb.

62 294 Picc. 1

Fl.

1 3

Ob.

1 2

Cl.

1 2

Bsn.

1 2

1 3

Hn. 2 4

Tpt.

1 2

Tbn. 1 2

Bs. Tbn. Tba.

Timp.

1

(Chimes) Perc. 2

3

Pno.

Hp.

Solo Vn.

I Vn. II

Va.

Vc.

Cb.

63 297 Picc. 1 8va

Fl.

1 3

Ob.

1 2

Cl.

1 2

a2

possibile

Bsn.

1 2 possibile a2, open 1 3

Hn. a2, open 2 4

senza sord.

Tpt.

1 2

senza sord.

Tbn. 1 2

Bs. Tbn. Tba. 8ba

hard sticks Timp. possibile r.s.

S.D. 1

possibile B.D. Perc. 2 possibile

Xyl. (Perc. 4)

Ten. Dr.

T.D.

3 possibile

8va

Pno.

8va 8ba

l.v.

Hp.

0

ossia:

ossia:

8va

0

Solo Vn. brilliant

pizz.

arco

pizz.

arco

pizz.

arco

pizz.

div., arco

I

Vn. II

Va.

Vc.

div., pizz.

Cb.

non div., arco