Henze SCORRIBANDA SINFONICA

OnDemand

Henze, Hans Werner Scorribanda Sinfonica

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Hans Werner Henze Scorribanda Sinfonica (Revised edition 2004)

Chester Music

Scorribanda Sinfonica was commissioned by the NDR-Sinfonieorchester on the occasion of the 50th anniversary of das neue werk, Hamburg. It received its première on 29th June, 2001. Duration: c.15 minutes

CH63228 ISBN 0-7119-9276-2 Music setting by Robin Hagues © 2002 Chester Music Ltd This edition © 2004 Chester Music Ltd Published in Great Britain by Chester Music Limited Head office: 8/9 Frith Street, London W1D 3JB England Tel +44 (0)20 7434 0066 Fax +44 (0)20 7287 6329 Sales and hire: Music Sales Distribution Centre, Newmarket Road, Bury St. Edmunds, Suffolk IP33 3YB England Tel +44 (0)1284 702600 Fax +44 (0)1284 768301 www.chesternovello.com email: music@musicsales.co.uk All Rights Reserved Printed in Great Britain No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Chester Music Limited.

SCORRIBANDA SINFONICA sopra la tomba di una Maratona This piece, written during the winter months of 2000–2001, consists of one movement, Allegro con fuoco, in which an old score is revisited, raided and ravished by its composer. The earlier music had been written in the mid-fifties for a stage work Maratona di Danza and for its maker, the director Luchino Visconti. Elements from the older piece reappear on and off like shadows under the surface of new ones, like more or less vague memories, images of young people suffering pain and despair in their struggle for survival in a barbaric, pitiless modern world. My new composition is a kind of concerto for very large symphony orchestra, an étude on constant and often rapid musical changes of mood and colours, built on a variety of rhythmic figures, incessantly and brutally pushing the music ahead. Sometimes, it is as though voices are weeping, sometimes crying out loud with pain, with anxiety, under the cold-hearted pressure of an overwhelming violence. Hans Werner Henze

Hans Werner Henze was born in Gütersloh in 1926, studied at the Brunswick State Music School and, after military service, at the Institute for Church Music in Heidelberg and with Wolfgang Fortner. He attended the early Darmstadt International Summer Schools for New Music, where he met René Leibowitz, studying serial technique with him both there and in Paris. In a creative life spanning more than half a century, Henze can number among his works no fewer than eighteen operas, thirteen ballets, ten symphonies, many works for solo instruments and orchestra, including two concertos for piano, three for violin, as well as concertos for double bass, oboe and harp, five string quartets, a formidable output of songs, choral and other vocal works, including reconstructions of pre-classical operas and film scores for Volker Schlöndorff and Alain Resnais. Perhaps most noteworthy in the international repertoire are his operas Boulevard Solitude (1951), Der junge Lord (1964) and his collaborations with Auden, Elegy for Young Lovers (1959–61) and The Bassarids (1964–5). With an intense appreciation of literature, eclectic and deeply humanist, his career has been marked by major changes of creative direction, notably perhaps in the 1960s and 70s with works making bold and uncompromising statements against the political status quo, most memorably in The Raft of the Medusa (1968) and El Cimmarón (1969–70). In his more recent work, showing no diminishing of creative energy, he has concentrated on orchestral works of personal or psychological experience, the later symphonies or the massive and wordless Requiem, alongside more intimate pieces conceived for some of the finest musicians of the day. He has received innumerable honours and had many festivals devoted to his music. He was the first composer-in-residence of the Berlin Philharmonic, has twice been composer-in-residence at the Tanglewood Festival. Through these and spells of working with students, including in London, he has become an influence upon and mentor to many younger generation composers in many countries. Henze has lived in Italy since 1952.

Instrumentation 4 Flutes (2nd and 3rd doubling Piccolo; 4th doubling Piccolo and Alto Flute) 4 Clarinets in B- (3rd and 4th doubling Bass Clarinet) 2 Oboes Oboe d’Amore Cor Anglais 4 Bassoons (4th doubling Contrabassoon) 4 Horns 3 Trumpets 3 Trombones Tuba Timpani Percussion (5 players) Harp Celesta Piano Strings

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for Peter Ruzicka

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