NICO MUHLY
for Thomas Gould & Aurora Orchestra Nicholas Collon, Conductor
SEEING IS BELIEVING Concerto for Six-String Electric Violin & Chamber Ensemble
ST ROSENico MUSIC PUBLISHING Muhly / CHESTER MUSIC LIMITED
Instrumentation
Flute Oboe Clarinet in Bb Bassoon Horn in F Trumpet in C Trombone Bass Trombone Percussion (1 Player) Marimba, Vibraphone, Metal Pipe, Woodblock, Bass Drum, Claves
Piano / Celesta Solo Six-String Electric Violin 2 Violins Viola Cello Double Bass (with extension)
Program Note Seeing is Believing references the exciting and superstitious practice of observing and mapping the sky; while writing it, I wanted to minic the process by which, through observation, a series of points becomes a line – this seemed like the most appropriate way to think about a soloist versus an orchestra. The electric violin is such a specifically evocative instrument and has always reminded me of the 1980’s, and I tried, at times, to reference the music attendant to 80’s educational videos about science, which always sounded vast and mechanical — and sometimes, quite romantic. The music begins and ends with the violin creating its own stellar landscape through a looping pedal, out of which instruments begin to articulate an unchanging series of eleven chords which governs the harmonic language of the piece. Three minutes in, the woodwinds begin twittering in what seems to be random, insect-like formations. Eventually, the piano and solo violin “map” them into the celestially pure key of C-major; rapturous pulses ensue. A slightly more stylized and polite version of the insect music appears, and the violin sings long lines above it. After a brief return to the first music, slow, nervous music alternates with fast, nervous music. The fast music takes over, pitches are scattered around, the violin calls everybody back to order with forty repeated notes; rapturous pulses again ensue. The piece ends as it began, with looped educational music depicting the night sky. Nico Muhly, 2007
for Thomas Gould & Aurora Orchestra
SEEING IS BELIEVING
Score in C
Nico Muhly (2007)
Flute
p
Clarinet in Bb
Horn in F
Approx. 20"
p
Oboe
Bassoon
Freely
straight mute
Trumpet in C
p
Trombone
Bass Trombone
Vibraphone
sfz
Piano
E. Violin
Freely
sfz
Approx. 20"
Violin I
Loop I
Approx. q = 54
mp
Freely
Approx. 20"
Violoncello
Contrabass
Violin II
Viola
© 2010, St Rose Music Publishing Co. and Chester Music Limited.
4
Fl.
Ob.
Cl.
Tbn.
B. Tbn.
3
Bn.
Hn.
Tpt.
3
Clv.
q = 90, out of time
pp
4 Approx. 15" fade out over 15" and switch to vibes
Pno.
4 Approx. 15"
play along with Loop II, slightly delayed
Loop II
q = 112, out of time pizz.
pp
q = 112, out of time pizz.
Vln. II
(slightly slower than Loop I)
3
Vln. I
Solo Vn
pp
4 Approx. 15"
Vc.
Cb.
Vla.
sul G
In Time
Fl.
9
p
Ob.
p
Cl.
mf
Bn.
p
Hn.
3
Vib.
mp
pp
In Time q = 112
f
sfz
sfz
3
5
3
3
9
p
Freely Approx. 10"
mfz
5
straight mute
Pno.
3
Freely Approx. 10"
pp
straight mute
5
Clv.
pp
p
Tbn.
3
Tpt.
pp
straight mute
B. Tbn.
5 q = 112
Solo Vn
Loop III
(in Tempo)
Vc.
Cb.
arco ricochet
9
Freely Approx. 10"
sffz
(extreme bow pressure)
n
sffz
Vla.
arco ricochet
Vln. II
In Time
5 q = 112
Vln. I
sfz
(extreme bow pressure)
n
sfz
6
Fl.
10
Ob.
Cl.
Bn.
Hn.
Tbn.
B. D.
mp
n
mp
11 q = 96
Solo Vn
5 5 mf - espress. 10
Vln. I
Vln. II
Vla.
Vc.
Cb.
f
sfp
sempre mp
p
p
p
mf
p
Stop All Loops
5 To
ff
11 q = 96
n
sfp
sfp
Pno.
sfp
(straight mute)
n 10
f
Tpt.
B. Tbn.
11 q = 96
n
n
n
mp
n
mp
mp
mp
mp
7
16 Fl.
mp
Ob.
mp
p
mp
mp
p
always slightly accented
always slightly accented
p
mp
p
mp always slightly accented
Cl.
p
Bn. Hn.
mp
p
p
mp
mp p
mp
p
mp
always slightly accented
p
mp
Tbn.
Mar. Cel.
sempre mp
Vln. I
pp
Vln. II
pp
Vla.
Vc.
ppp
mp
p
mp
p
p
5
n
mp
p
n
n
mp
mp
mp
Celesta
p
p
mp
p
5
--rubber sticks very articulate
Piano
pizz.
open
Celesta
Cb.
Tpt.
B. Tbn.
n
mp
p
8
Fl.
Ob.
Cl.
25
Hn.
Tbn.
Mar.
open
mp
Vln. I
--medium yarn
mp
Piano
25
wild, unmeasured & unslurred
n
f
wild, unmeasured & unslurred
Vln. II
n
f
wild, unmeasured & unslurred
Vla.
wild, unmeasured & unslurred
Vc.
n
Cb.
sim.
mf
f
p
f
n
Cel.
open
mp
mp
p
25
mf
B. Tbn.
f
n
Tpt.
f
n
Bn.
sim.
n
sfz
sul pont.
5
5
mp cresc. molto 6
Fl. 31
mf
3
Ob.
9
3
3
mf
Cl.
mf
Bn.
Hn.
Tbn.
mf
Tpt.
B. Tbn.
Mar. Vib.
Pno.
sf l.v.
Vln. I
mp
mp open
mp
Piano
5
sub. ff
Vla.
Vc.
f
Cb.
sim.
f
sfp
p
5
6
mp cresc. molto
sim.
sfz
n
5
arco sul pont.
mp cresc. molto
f
f
31
Vln. II
--medium yarn
mp
31
sul pont. 5
5
6
10
39 Fl.
Ob.
3
43
mf
V.S.
3
3
mf
Cl.
pp
Hn.
Tbn.
Vib.
Tpt.
B. Tbn.
pp
pp
43
3
mfz
mf - quick roll
6 5 5
5
6
p
6 mp cresc. molto
sul pont. 5
5
43
p
Cb.
Vc.
Vla.
mf
Vln. II
Pno.
Vln. I
mf
Bn.
f
f
sfp
45 Fl.
Ob.
Cl.
3
3
3
3
3
3
3
3
3 3
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
11
3
Tbn.
poco sf
Tpt.
B. Tbn.
Bn.
Hn.
12
Fl. 49
sempre mf
Ob.
3
sempre mf
Cl.
sempre mf
Bn.
Hn.
sempre mf
3
3
3
Clv.
sempre mp
sempre mf
Pno.
mf
mf
p
mf
Vln. II
Vla.
Vc.
p
49
3
3
3
49
Cb.
3
Tbn.
Vln. I
Tpt.
B. Tbn.
53 Fl.
Ob.
Cl.
3
Bn. Hn.
3
3
sf
55
3
3
3
3
13
3
3
Clv. Pno.
Vln. I
Vln. II
Vla.
Vc.
55
mfz
mf
poco sul pont.
poco sul pont.
poco sul pont.
mp
pp
mp
pp
mp
pp
mp
poco sul pont.
pp
poco sul pont.
55
pp
mp
Tbn.
Cb.
Tpt.
B. Tbn.
14
57 Fl.
Ob.
Cl.
3
3
3
3
3
3
3
3
Vln. I
Vln. II
mp
3
Pno.
3
3
ord.
ord.
p
p
Vla.
ord.
p
Vc.
Cb.
ord.
p
ord.
3 3
3
Tbn.
Clv.
Tpt.
B. Tbn.
Bn. Hn.
p
Fl. 61
mf
3
Ob.
3
3
mf
Cl.
mf
Bn.
Hn.
mf
3
3
3
Pno.
mf
Vln. I 61
mp
3
Vc.
mp
mp
p
3
3
p
p
p
p
p
p
mp
mp
Vla.
Vln. II
p
p
mp
mf
p
p
p
15
3
61
Cb.
Tbn.
Clv.
3
Tpt.
B. Tbn.
p
p
p
p
p
16
65 Fl. 3
Ob.
Cl.
Bn. Hn.
3
3
3
3
mf
mf
Vln. I
Cb.
p
p
p
p
p
67
sf
mfz
sfp
mfz
mfz
pizz. mf - quasi solo
mf
p
mf
p
mf
p
p
3
3
mf
67
arco
mf
Vc.
3
mf
3
Pno.
Vla.
3
Vln. II
67
Tbn.
Clv.
3
Tpt.
B. Tbn.
69 Fl.
Ob.
Cl.
3
3
3
3
3
3
3
3
mf
Vln. II
mf
Vla.
Vc.
mf
p
mf
p
mf
p
p
mf
pizz.
p
mf
mf
mfz
mf
p
mf
mf
mf
arco
sfp
mfz
mfz
17
3 3
3
Pno.
Cb.
3
Tbn.
Vln. I
Tpt.
B. Tbn.
Bn.
Hn.
18
Fl. 73
Ob.
Bn.
Hn.
3
3
3
3
Tbn.
3
3
3
Tpt.
B. Tbn.
3
Cl.
73
Mar.
Pno.
Vln. I 73
Vln. II
Vla.
Vc.
f
mf
p
mf
p
mf
p
mf
Cb.
p
p
3
mf
mf
mf
p
mf
p
mf
6
p
mf
mf
mf
p
p
77 Fl. 3
Ob.
Cl.
Bn.
Hn.
Vln. I
mf
pizz.
p
mp
quasi gliss.
5
mf 79
mp
mf
p
mf
p
mf
p
mf
mp
79
mp
p
p
3
mfz
mfz
arco
mp
19
p
3
mp
3
sfp
mf
Cb.
mfz
mf
mf - espress.
79
3 3
Pno.
Vc.
3
Vla.
3
3
Tbn.
Vln. II
Tpt.
B. Tbn.
p
20
Fl. 81
Ob.
Cl.
3
Bn.
3
3
3
3
3
3
3
Tbn.
B. Tbn.
Mar.
Pno.
5
mf
Vln. I
p
mf
p
mf
mf
Vla.
mf
Vc.
p
mf
Cb.
mf
Vln. II
mp
p
mf
p
5
5
p
mf
pizz.
mf
mf
mf - severe
mfz
mfz
mf
p
mf
3 3
Tpt.
3
Hn.
85
Fl.
Bn.
B. Tbn.
3
pizz.
mf
sf
5
3
3
mf - severe
p
p
sf
sf
p
mp
mp
21
5
3
sf
pizz.
mf
5
5
3
p
pizz. Vln. I
Cb.
5
sf
poco cresc.
85
p
mf
5
p
5
5
più f
Vc.
--rubber sticks very articulate pulses
Vla.
poco cresc.
Mar.
Vln. II
5
85
Pno.
Tbn.
Hn.
Tpt.
3
Cl.
3
Ob.
22
Fl. 89
Ob.
5
5
5
Tpt.
Tbn.
sf
Pno.
Vln. I
Vln. II
Vla.
Vc.
5
p
sf
sf
p
p
sf
92
p
pizz.
mf
sf
Cb.
92
3
5
5
5
5
3
sf
92
p
7
5
p
5
3
3
sf
Mar.
5
6
3
3
6
5
sf
B. Tbn.
Cl.
Hn.
5
5
Bn.
Fl. 93
Ob.
5
5
5
23
6
5
3 5 Cl. 5 3 5 3 3 Bn.
5
5
5
3
5
5
5
6
5
Hn.
sf
Tpt.
Tbn.
B. Tbn.
Cb.
arco
mf - molto espress.
sf
p
sf
p
p
Vc.
sf
Vla.
p
Vln. II
Mar.
Vln. I
Pno.
sf
sfp
arco
sfp
sfp
sfp
p
sf
sf
p
p
sf
7
sf
sf
24
97
Fl.
Ob.
3
3
5
Hn.
Cl.
Bn.
5
5
Tbn.
B. Tbn.
Mar.
Pno.
Vln. II
Vla.
Vc.
Cb.
sf
3
sf
sf
3
p
5
sf
p
5
3
p
97
Vln. I
5
sf
97
sf
Tpt.
5
3
3
5
5
Fl. 101
Ob.
Cl.
Tbn.
p
Pno.
Vla.
Vc.
6
7
5
sf
sf
sf
sf
3
5
sf
p
5
p
25
sf
5
p
sf
3
sf
5
3
sf
Vln. II
5
5
5
p
Mar.
Cb.
6
3
p
Tpt.
Vln. I
3
5
5
Hn.
B. Tbn.
5
5
Bn.
26
105 Fl.
5
Ob.
Cl.
Bn.
106
5
B. Tbn.
f
Mar.
Vc.
Cb.
5
5
5
106
p
106
sf
p
sf
7
p
5
sf
6
6
5
Vla.
Vln. II
5
p
f
Vln. I
p
Pno.
5
p
3
5
f
Tbn.
5 3 5 3 3
Hn.
Tpt.
5
3
Fl. 109
Ob.
Cl.
Bn.
Hn.
Vib.
3
Pno.
Vla.
Vc.
5
5
3
Cb.
7
5
3
112
5
3
3
3
p
112
pp always pedal as slurred
arco
sfp
112
f
mf
f p
mf
p
arco
arco
mf
f
pizz.
mf
p
mf
f
27
sf
5
5
3
5
mp
Vln. II
5
Vln. I
3
Tbn.
Tpt.
B. Tbn.
f
ff
p
28
113 Fl.
Hn.
B. Tbn.
Vib.
mp
5
3
7
6
3
3
5
3
p
5
3
p
5
5
5
5
3
p
3
3
3
116
mp
Vln. I
Celesta
sf
3
p
Vc.
Pno.
Vla.
Vln. II
p
Cb.
Tbn.
6
116
Tpt.
5
5
Bn.
5
Cl.
Ob.
mf
p
p
p
3
mp - espress.
pp
mfz
pp
mfz
mfz
pp
p
mfz
p
116
pp
29
Fl.
Ob.
Cl.
119
Bn.
Hn.
Tpt.
Tbn.
B. Tbn.
Vib.
3
sempre molto vib., dusky
Vla.
Vc.
Cb.
Cel.
Vln. II
3
pp
p
Vln. I
123
123
p
5
pizz.
5
5
5
123
5
5
5
poco sf
pizz.
5 5 5
p
p
30
Fl.
129
127
Ob.
Cl.
5
5
5
Hn.
Tbn.
sempre mp
129
Vib.
Vln. I
Vln. II
Vla.
Vc.
p
f
p 129
p
3
Cel.
Cb.
Tpt.
B. Tbn.
5
5
pp
Bn.
arco
mp
p
p - an echo
arco
mp
31
132 Fl.
Ob.
Bn.
Cl.
3
Hn.
Tpt.
Tbn.
B. Tbn.
Vib.
136
Cel.
mp - intense
6
6
Cb.
pp
mp
6
pp
3 6
pp
pp
136
Vln. I
Vc.
Vla.
Vln. II
136
mp
p
mp
p
32
139 Fl.
Cl.
Bn.
Hn.
3
Cel.
awkward, stylized
3
3
Vln. II
Vla.
Vc.
Cb.
Vln. I
Tbn.
Vib.
Tpt.
B. Tbn.
Ob.
mp
3
Fl.
Ob.
Bn.
Hn.
n
sf
mp
3
mp
Tbn.
146
Cel.
Vln. I
6
pp - an echo
Vln. II
Vla.
146
Vc.
mf
arco
n
p
p
p
n
arco
arco
p
arco
p
n
p
n
Cb.
Tpt.
B. Tbn.
p
Cl.
33
146
34
Fl.
Bn.
153
Ob.
Cl.
Hn.
(mp)
Tbn.
160
153
Cel.
Vln. I
mf
n
mf
5
Vln. II
Vla.
3
mp
160
f
sfp
sfp
Vc.
mfz
mf
153
Cb.
Tpt.
B. Tbn.
160
35
162 Fl.
169
Bn.
Ob.
Cl.
Hn.
Tpt.
Tbn.
B. Tbn.
Cel.
Vla.
Vc.
Cb.
sfp
pp
pp
pizz.
p
169
169
pp
sfp
f
mp espress.
Vln. I
Vln. II
36
Fl.
170
Ob.
Cl.
Bn.
178
Cel.
pp - dolciss.
pp - dolciss.
pp - dolciss.
178
pp - dolciss.
B. Tbn.
Tbn.
Hn.
Tpt.
Vln. I
Vln. II
Vla.
Vc.
Cb.
178
37
179 Fl.
Ob.
Cl.
Bn.
Hn.
Tpt.
Tbn.
B. Tbn.
Cel.
Vln. I
5
p senza vib.
Vln. II
Vla.
Vc.
Cb.
p
p
p senza vib.
3
38
Fl. 183
Ob.
Hn.
Tbn.
186
Cel.
Vln. II
Vc.
ord.
186 3
Vla.
3 3 3 3 Vln. I
Cb.
Tpt.
B. Tbn.
Cl.
Bn.
186
39
Fl.
189
188
6
3
mp
Ob.
3
Cl.
6
5
5
mp
Bn.
Hn.
Tpt.
Tbn.
B. Tbn.
6
mp
6
mp
5
3
189 Piano
7 7 7
6
p
3
3
7
p
3
3
3
3
3
3
3 3
p
mf
arco 5
mp cresc.
5
n
mf
n 3
3 3
mf
Cb.
mp
189
6 7
ord.
mp
mf
pp
p
6
Vln. I
Vc.
6
Cel.
Vla.
6
3
mf
mf
mp
Vln. II
mf
mf
6
6
6
mp
7
n
40
Fl.
192
191
mf
Ob.
Cl.
Bn.
Hn.
Tbn.
B. Tbn.
p
p
p
mf
più f
pedal each phrase
Vln. I
mf
Vla.
Vc.
f
mf
always very short, poco sul pont.
always very short, poco sul pont.
always very short, poco sul pont.
f
f
p
f
p
arco
p
p
sf
f
Cb.
--medium yarn
f
f
Vln. II
192
f
Pno.
p
192
Mar.
harmon mute
Tpt.
always very short, poco sul pont.
f
41
197 Fl.
Ob.
Cl.
Bn.
Vib.
Tpt.
Tbn.
B. Tbn.
p
p
p
Pno.
Vln. II
ord., on the string
ord., on the string
mp
f
f
mf
f
pizz.
mp
3
3
mp
f
mp
f
mp
f
mp
p
mp
ord., on the string
mp
ord., on the string
mp
Vc.
Cb.
Vla.
Vln. I
Hn.
sfp
42
202 Fl.
Ob.
Cl.
Bn.
Hn.
Tpt.
open
n
Tbn.
B. Tbn.
Mar.
Vib.
Pno.
mf
n
mp
0 mf - astringent, raw
Cb.
arco
sfp
(Sul A)
0
f
n
f
n
f
sf
f
n
n
mp
5 5 5
f
Vc.
f
Vla.
n
quick change to marimba >
3 3 3 3 Vln. I Vln. II
mf
n
5
mf
n
n
n
n
ff
n
ff
ff
ff
n
43
208 Fl.
Ob.
Cl.
Bn.
Hn.
Tbn.
Tpt.
B. Tbn.
Pno.
f
mf dolce
Vln. I
ff
n
Cb.
ord.
mf
mf
p
mf
p
mf
p
p
mf
n pizz.
sul pont.
3 3 3
3
n
n
Vc.
ff
Vla.
n
ff
Vln. II
mf
p
mf
p
p
mf
mf
p
arco
mf
p
44
214 Fl.
Ob.
Cl.
p
Vln. II
Vla.
Vc.
mf
mp
p
p
f
f
f
n
3
3
3
3
f
3
3
f
n
p
Pno.
Cb.
Tbn.
Vln. I
Tpt.
B. Tbn.
f
Bn.
Hn.
219 Fl. 5
Cl.
Hn.
B. D.
sf
sf
f
220
Pno.
Vln. I
sf
mfz l.v.
più f, insistent
f
220
Vln. II
Vla.
Vc.
p
p
f
p
mp
pp
always extremely short, poco sul pont.
always extremely short, poco sul pont.
always extremely short, poco sul pont.
f
always extremely short, poco sul pont.
f
f
pizz.
f
p
f
f
mf - rhapsodic, very much to the fore
f
Cb.
Tbn.
W.B.
sf
45
sf
Tpt.
B. Tbn.
sf
Ob.
Bn.
220
46
Fl. 225
Ob.
Cl.
Vln. I
Vln. II
mp
Vc.
arco
f
p
mp
f
ord., on the string
p
3 3
3
3
mp
f
mp
f
mp
f
f
f
mp
ord., on the string
mp
mp
ord., on the string
mp
ord., on the string
Vla.
mp
Pno.
Tbn.
Cb.
Tpt.
B. Tbn.
Bn.
Hn.
sfp
mp
Fl.
231
Ob.
Cl.
Bn.
Hn.
Tpt.
47
B. Tbn.
Pno.
molto sul pont. >
3 3 Vln. I
Vc.
sfp
n
mp
f
mp
ord.
Cb. n
f
f
n
n
n
n
f
mf
senza vib.
molto vib.
n
ff
ff
ff
n
n
f
Vla.
n
f
Vln. II
n
n
mf
n
n
Tbn.
ff
ff
n
ff
ff
n sul pont.
3 3 3
ricochet
sffz
48
Fl. 237
Cl.
Ob.
Bn.
Hn.
p
Tpt.
Tbn.
B. Tbn.
Pno.
Vln. I
Vln. II
ord.
Vla.
Vc.
mf
p
p
mf
p
mf
mf
ord.
n
Cb.
n
n
n
3
p
mf
mf
p
mf
mf
p
p
p
5
p
p
p
Fl. 243
Ob.
Cl.
Bn.
Hn.
f
Pno.
Vln. II
7 6
ff
f
f
Vla.
f
Vc.
f - elated
3
5
To Pno.
n
3
3
3
3
f
3
3
f
n
Cb.
Vln. I
Tbn.
Vib.
Tpt.
B. Tbn.
49
50
Fl.
Freely
248
Ob.
Cl.
Bn.
f - intense, keening out of time with other instruments
f - intense, keening out of time with other instruments
p
straight mute
p
Vln. I
Vln. II
Vla.
Vc.
f - intense, keening out of time with other instruments
p
p
Approx. 15", allow for two more repetitions of electric violin
f - intense, keening out of time with other instruments
Approx. 15", allow for two more repetitions of electric violin
Freely
p
Cb.
f - intense, keening out of time with other instruments
sfz
248
sfz
Freely
Pno.
p
248
Vib.
p
B. Tbn.
Tbn.
f - intense, keening out of time with other instruments
Hn.
Tpt.
Approx. 15", allow for two more repetitions of electric violin
51
250 Slightly Slower q = 84
Fl.
Ob.
Cl.
Bn.
Hn.
Tpt.
Tbn.
B. Tbn.
non vib.
pp
sfp - quasi solo
p
p
mp
mf
sempre p
plucked
flautando
3
pp 250 Slightly Slower q = 84
early music bowing Vln. I
sempre p
3
poco vib., early music bowing
p
poco vib., early music bowing
3
Cb.
mp
poco vib., early music bowing
p
mp
mf
p
Vc.
256
p
256
poco vib.,
Vla.
Vln. II
mf
mp
B. D.
Pno.
250 Slightly Slower q = 84
Clv.
256
p
mf
mf
p
mf
52
Fl. 257
Cl.
pp
Ob.
Bn.
p
p
262
mp
mf
mp
mf
Tpt.
Tbn.
B. Tbn.
Hn.
Clv.
B. D.
Pno.
Vla.
Vc.
3
pp
Vln. II
Cb.
Vln. I
262
3
3
262
p
mp
mp
mf
p
p
mf
mf
p
mf
263 Fl.
pp
Ob.
Hn.
mp
p
p
Bn.
Cl.
mp
sff
sff
mf
sff
mf
sff
Tpt.
Tbn.
B. Tbn.
53
268 Fast q = 112
sf
sf
Clv.
B. D.
Pno.
3
3
f
mp
mf
mf
mf
p
3
3
268 Fast q = 112
p
Cb.
poco cresc.
Vc.
268 Fast q = 112
Vla.
3
Vln. II
Vln. I
mp
ord.
mf
f - full
f - full
54
Fl.
269
Ob.
Hn.
sf
3
sf
3
sf
n
n
sf
sf
n
n
sf
sf
3
sf
3
sf
n
n
sf
sf
n
sf
sf
n
n
3
n
sf
3
n
sf
n
n
3
sf
n
n
Tpt.
Tbn.
B. Tbn.
3
n
n
Bn.
sf
n
Cl.
ord.
sf
Pno.
bows, early music long Vln. I
mp
long bows, early music
Vln. II
mp
Vla.
Vc.
Cb.
long bows,early music
mp
Fl.
273
mp
Ob.
f
mp
Cl.
sf
mp
Bn.
sf
Hn.
Tpt.
Tbn.
B. Tbn.
Clv.
p
p
mfz
f
p
f
p
mp
sf
sf
sf
Vln. I
Cb.
276 Slower q = 84
sf
p - dolce
Vc.
pp
Vla.
Vln. II
Pno.
non vib.
sff
B. D.
Wood Block
W.B.
55
276 Slower q = 84
276 Slower q = 84
as before
p
as before
p
as before
p
as before
p
56
Fl.
279
Ob.
282
mp
Bn.
mp
Hn.
mfz
Tbn.
Clv.
B. D.
mf
p
f
p
p
p
p dolciss.
5
sf
harmon mute
sf
p
p
p dolciss.
p
pp
mf
mfz
f
B. Tbn.
Tpt.
Cl.
282
Pno.
Vln. I
mp
Vla.
Vc.
mp
Cb.
282
mf
mf
Vln. II
p
mf
mf
p
pp
p
mf
p
285 Fl.
57
Ob.
Bn.
Hn.
B. D.
5
5
Tbn.
Clv.
mp
Tpt.
B. Tbn.
p
mp
5 5 5
Cl.
mp
mf
5
mf
mp
Pno.
Vln. I
mf
mp
Vla.
mp
Cb.
mf
mp
mf
mf
Vc.
Vln. II
mp
mf
58
Fl.
291
Ob.
Cl.
Bn.
Hn.
293 Fast q = 112
sff
3
sf
sff
sff
3
sf
n
n
3
n
sf
sf
n
n
sf
3
sf
n
n
Tbn.
sf
sf
Clv. poco cresc.
B. D.
sf
Tpt.
B. Tbn.
sf
n
sff
n
sf
293 Fast q = 112
f
p
Pno.
Vln. I
Vla.
Vc.
Cb.
f
293 Fast q = 112
Vln. II
p
mp
mp
mp
Fl. 296
Ob.
Cl.
n
sf
3
3
sf
n
sf
n
Bn.
Hn.
Mar.
n
sf
n
3
f
mp
sf
mp
sf
sf
n
n
sf
mp
sf
sf
Tbn.
W.B.
sf
n
n
Tpt.
B. Tbn.
3
59
--rubber sticks
mp
sf
mf - metronomic, steady
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
sf
sf
sf
60
301 Fl.
Ob.
Cl.
p
mp
p
Bn.
Hn. mf
5
Tbn.
B. Tbn.
Mar.
(2)
(harmon mute)
Tpt.
(3)
(4)
f - insect-like, crazed improvisation based on given pattern
f - energetic, intense
p
Pno.
Vln. I
mf
Vln. II
Vla.
mf
mf
Vc.
Cb.
61
Ob.
Cl.
307
305 Fl.
f
sf
Tbn.
B. Tbn.
Mar.
(5)
sf
Hn. Tpt.
f
Bn.
307
f
sf
Pno.
p
mf
Vln. I
Vln. II
Vla.
Vc.
Cb.
307
62
310 Fl.
Bn.
Hn.
B. Tbn.
n
Mar.
sff
sff
n
sff
n
n
sff
sff
n
sf
n
sf
p
f
p
sf
sf
n
sf
n
sf
f
sf
n
sf
n
sf
n --hard yarn dramatic swells
n
sf
n
n
n
n
sf
n
sff
sff
n
sff
n
sff
n
Tbn.
n
Tpt.
Cl.
sff
n
Ob.
sf
Pno.
Solo Vn
Vln. I
Vc.
Cb.
sf
sf
n
Vla.
n
Vln. II
n
n
sf
sf
63
314 Fl.
n
Hn.
n
sf
n
B. Tbn.
sf
sf
sf
sf
n
n
sf
sf
n
Tbn.
n
sf
sf
Tpt.
n
n
Bn.
sf
sf
n
Cl.
Ob.
sf
n
sf
sf
n
sf
n
n
sf
Mar.
sf
sf
Pno.
Solo Vn
Vln. II
Vla.
Vln. I
Vc.
Cb.
64
Fl. 318
Ob.
Cl.
Bn.
Hn.
Tbn.
Pipe
f
ff
f
ff
f
ff
f
ff
f
ff
open
f
ff
f
ff
f
ff
Solo Vn
--brass beaters
f
ff
Vln. II
Vla.
Vc.
Cb.
Pno.
Vln. I
Tpt.
B. Tbn.
f
ff
f
ff
f
ff
f
ff
Fl.
Ob.
Cl.
f cresc.
f cresc.
Hn.
Tpt.
B. Tbn.
Solo Vn
Vc.
Cb.
sf
f cresc.
sf
f cresc. sf
f cresc.
mf
sf
f
n
f cresc.
mf - non vib.
f cresc.
2+2+2+3
f cresc.
4+3+4
2+2+2+3
mf - non vib.
mf - non vib.
p
Vln. I
Vla.
sf
4+3+4
323
Vln. II
Pno.
p
323
Mar.
f cresc.
Pipe
sf
2+2+2+3
f cresc.
pp
Tbn.
sf
sf
f cresc.
Bn.
65
4+3+4
323
mf - sim
mf - sim
mf - sim
66
329 Fl.
Ob.
Cl.
Bn.
2+2+2+3
B. Tbn.
Vib.
mf cresc.
mf cresc.
Vln. I
Vla.
Vc.
Cb.
f
f
f
f
f
f
ff
ff
ff
ff
ff
ff
ff
mfz
f
330
f
ff
sf
2+2+2+3
Vln. II
330
mf cresc.
2+2+2+3
sf
f
sf
Solo Vn
sf
Pno.
mf cresc.
mf cresc. sf
Tbn.
Hn.
Tpt.
330
f
f
f
f
f
ff
ff
ff
ff
ff
Fl.
mf cresc.
sf
337
mf cresc.
Ob.
mf cresc.
Cl.
Bn.
mf cresc.
Hn.
B. Tbn.
sf
sf
sf
n
ff
f
f
67
f
f
sf
n
sf
mf cresc.
Tbn.
sf
sf
n
Tpt.
ff
ff
ff
f
ff
f
f
f
ff
ff
ff
337
Pno.
f
Vln. I
337
Vln. II
Vla.
Vc.
Cb.
sff
f
f
f
ff
ff
f
f
f
ff
ff
ff
68
Fl. 345
mf cresc.
mf cresc.
Ob.
Cl.
ff
ff
ff
Bn.
348
mf cresc.
sff
sff
sff
mf cresc.
sff
ff
Hn.
ff
Tpt.
Tbn.
ff
ff
B. Tbn.
ff
sff
mf cresc.
sff
sff
348
Pno.
Vln. I
ff
Vla.
348
ff
Vln. II
mf cresc.
mf cresc. mf cresc.
ff
Vc.
ff
Cb.
ff
f cresc.
sff
sff
sff
sff
353 Fl.
Ob.
ff
ff
Cl.
ff
Hn.
Bn.
ff
ff
Tbn.
B. Tbn.
ff
B. D.
Pno.
sff
Vln. II
ff
Vla.
molto vib.
ff
f cresc.
molto vib.
Cb.
ff
molto vib.
f cresc.
ff
f cresc.
ff
Vc.
356 2+3+2+3
ff
3+3+3
356 2+3+2+3
ff
Vln. I
ff
ff
ff
ff
Pipe
ff
ff
Tpt.
69
3+3+3 356 2+3+2+3
ff
ff
ff
molto vib.
f cresc. molto vib.
f cresc.
ff
ff
70
Fl. 359
Ob.
Cl.
Bn.
Hn.
f
Tpt.
3+2+2
f
Pno.
Vln. I
3+2+2
3+2+2
f
B. Tbn.
f
Tbn.
3+2+2
3+2+2
3+2+2
Vln. II
Vla.
Vc.
Cb.
365 3+2+2 Fl.
Ob.
Cl.
Bn. Hn.
Tpt.
Tbn.
B. Tbn.
B. D.
Pno.
Vc.
Cb.
ff
ff
3+2+2
ff
Vla.
ff
3+2+2 Vln. I
Vln. II
71
370
3+2+2
3+2+2
370
p
3+2+2
p
p non cresc.
ff
p
370
ff
p
ff
p
p
p
ff
ff
ff
72
Fl.
mp sfff
371
f
Ob.
mp
sfff
f mp sfff f
Cl.
mp
Bn. f
Hn.
mp
sfff
sfff
f
Tbn.
B. Tbn.
Tpt.
W.B.
B. D.
Pno.
mp f
mp
sfff
sfff
sff
Vln. I
f
f
Vla.
Vc.
Cb.
mp
sfff
f mp sfff
Vln. II
f
mp
sfff
f mp sfff
377 Fl.
Ob.
Cl.
378
73
383
sf
sf
f
f
sf
Bn.
Hn.
Tpt.
Tbn.
B. Tbn.
Vln. II
Vla.
Vc.
f
sf
p
sf
sf
sf
p
f
f
p
ff 3
f
p
sf
p
f
f
p
p
383
ff
ff
ff
ff
ff
p
sempre mfz, very short and sharp
sf
f
f
sf
383
378
p
sf
378
Vln. I
f
sf
Pno.
Cb.
p
74
Fl. 385
Ob.
f
Cl.
p
f
p
Hn.
p
sf
Tpt.
p
f
p
f
f
p
p
f
p
f
p
sf
f
p
f
sf
sf
p
f
p
p
f
p
p
f
p
f
f
p
p
f - intense
Vln. I
f
p
f
p
sf
sf
sf pizz.
sf
Cb.
f
f
p
f
p
sf
sf
sf
pizz.
Vc.
ricochet
pizz.
sf
f
p
sf
sf
p
f
f
f
3
Vla.
sfp
sf
sf
f
Pno.
Vln. II
sfp
f
B. Tbn.
p
sf
Tbn.
f
f
Bn. f
sf
392 Fl.
Ob.
p
Bn. p
Hn.
Tpt.
Tbn.
B. Tbn.
sfp
p
Cl.
75
395 Severe, Stylized
sf
Vla.
Vc.
Cb.
p
f
f
f
sf
p
sf
p
p
p
sf
sf
f
p
f
p
f
Pno.
Vln. II
p
sf
Vln. I
f
sf
f
f
p
sf
mf
mf
mf 395 Severe, Stylized
mf
p
f
f
sf
sf
f 395 Severe, Stylized arco
f
f
sf
sf
arco
arco
f
f
f
76
Fl.
Ob.
Cl.
401
396
Bn.
Hn.
Tpt.
Tbn.
B. Tbn.
Pno.
Vln. I
Vln. II
sempre sim.
sempre sim.
sempre sim.
Vla.
sempre sim.
Vc.
Cb.
sempre sim.
5
Loop II Loop I
3 3 3 3 3 3 3 3
401
401
403 Fl.
Ob.
Cl.
Bn.
Hn.
Tpt.
Tbn.
B. Tbn.
Pno.
Vc.
Vln. I
Vla.
Vln. II
77
407
sempre f
sempre f
sempre f
3 3 3 3 x2 play 8va - - - |
sempre f
stop all loops
407
407
3
Cb.
sempre f
sempre f
sempre f
sempre f
sempre f
sempre f
78
412 Fl.
Ob.
Cl.
Bn.
Hn.
Tpt.
Tbn.
B. Tbn.
Pno.
Vln. I
sub. molto espress.
mf - cantabile
mf - steady
p
mf -steady
Vln. II
Vla.
Vc.
Cb.
422 Fl.
Cl.
Tpt.
Tbn.
(2)
(3)
(5)
(4)
mp
mp
mp
mp
Vc.
79
Vla.
Cb.
mf
Pno.
Vln. II
Vln. I
Hn.
B. Tbn.
Ob.
Bn.
(6)
(7)
(8)
mp
(9)
mp
mp
mp
mp
(10)
mp
80
Fl.
Cl.
p
p
p
p
accel.
p
Pno.
(11)
Vc.
Vla.
Vln. II
Tbn.
Tpt.
Cb.
Vln. I
Hn.
B. Tbn.
Ob.
Bn.
accel.
431
(12)
(13)
(14)
(15)
(16)
(17)
(18)
(19)
(20)
accel.
p
p
p
p
p
81
441 Faster q = 134
Fl.
Ob.
Cl.
p
p
p
Bn.
Hn.
p
p
Tpt.
Tbn.
pp
p
B. Tbn.
p
441 Faster q = 134
energetic, on the string
energetic, on the string
energetic, on the string
p - cresc.
energetic, on the string
p cresc.
mf
mf
p cresc.
Cb.
energetic, on the string
p - cresc.
Vc.
p - cresc.
mp - nervous, in the background, imprecise
441 Faster q = 134
Vla.
Vln. I
Vln. II
p
Pno.
mf
mf
82
Fl.
447
mf
Ob.
mf
Cl.
Bn.
mf
mf
Hn.
Tbn.
p
3
3
p
p
mf
p
mf
B. Tbn.
p
Tpt.
3
p
mf
449
p
mf
p
p - cresc., sim.
mf
mf
449
Pno.
Vln. I mf
Vln. II
Vla.
449
p
p
p
Vc.
p
Cb.
p
mf
3 3 Fl.
453
Ob.
83 456
3
mf
mf
Cl.
mf
Bn.
p
Hn.
mf
Tpt.
Tbn.
mf
mf
B. Tbn.
p
mp
mp
mp
mp
456
f
Pno.
p
Vln. I
mf
Vln. II
mf
Vla.
Vc.
mf
456
p
p
p
mf
Cb.
cresc. poco a poco, more intense, more nervous, more notes jumping out of the texture
p
p
84
Fl.
Ob.
p
Cl.
p
Bn.
Hn.
mf
mf
Tbn.
mf
mf
mf
mf
B. Tbn.
Vc.
p 464
p
464
mf
mf
mf
mf
Cb.
mf
p
Vln. I
Vla.
mf
Vln. II
mf
Pno.
p
mf
Tpt.
464
459
p
p
p
85
Fl. 465
Ob.
Cl.
5
mf
3
3
3
p
3
p
Bn.
5
p
Hn.
5
3
5
3
3
3
mf
mf
mf
mf
Tpt.
p
Tbn.
Pno.
p
B. Tbn.
mf
mf
mf
Vln. I
mf
p
Vln. II
p
Vla.
Vc.
Cb.
mf
mf
mf
86
473
471 Fl.
Ob.
Cl.
Bn.
Hn.
f - quasi solo
f - quasi solo
B. Tbn.
Pipe
B. D.
mf
p
p
f - quasi solo
ff
f
p
p
sf
p
Cb.
473
mf
p
f
Vc.
p
3
Vla.
pp
loco
Vln. II
mf
473
Vln. I
p
p
Pno.
p
Tbn.
p
Tpt.
p
sf
p
sf
480
Fl. 478
sf
Ob.
sf
Cl.
sf
Bn.
Hn.
sf
Tpt.
Tbn.
Mar.
Vln. II
Vc.
f
sfff
sfff
Cb.
5
mf
480
sf
sf
87
pizz.
ff
ff
p
pizz.
p
ff
p
pizz.
3
7
6
ff
ff
p
f - aggressive 480
sf
Vla.
5
sf
sff
Vln. I
p
5
5
5
Pno.
3
f - aggressive
mf
6
ff 5 5 3 3
sf
5
ff
Pipe B. D.
ff
mf
B. Tbn.
sempre ff
mf
5
88
5
Fl. 483
Ob.
Cl.
Bn.
5
B. Tbn.
Cb.
sf
f
5
5
p
p
p
3
p
3
5
3
3 5
5
5
3
p
p
f
f
sf
Vc.
sf
Mar.
Vla.
Vln. II
sf
Pno.
sf
5
Vln. I
3
5
5
sf
Tbn.
5
3
Hn.
Tpt.
Fl. 487
5
5
Ob.
5
Cl.
Bn.
Hn.
3
7
6
5
5
Tbn.
B. Tbn.
Mar.
Vln. I
Vc.
Cb.
p
5
n
5
p
n
3 n
sff
change durations, some short, some very long
p
3
sff
change durations, some short, some very long
5
p
sff
Vla.
89
change durations, some short, some very long
ff
ff
sf
Vln. II
Pno.
sf
5
sf
Tpt.
3
5
6
mp
arco
ff arco
ff
mp
mp
ff
arco
f
ff
f
90
Fl.
Ob.
Cl.
500 q = approx. 80
Senza Rit.
492
calming down slightly
slowly fade out over 10"
calming down slightly
slowly fade out over 10"
calming down slightly
slowly fade out over 10"
Tbn.
B. Tbn.
Bn.
Hn.
Tpt.
500 q = approx. 80
Senza Rit.
Pno.
Vla.
Vc.
Cb.
mp
Vln. I
Vln. II
Loop I
Senza Rit.
p
p
p
500 q = approx. 80
non vib. (drone)
p
Ob.
Cl.
501
Fl.
Bn.
Hn.
harmon mute
Tpt.
502
sfp
503
504
Tbn.
B. Tbn.
501
502
3 3 3 Mar. --medium yarn
sfp
Loop II
mf - molto espress.
Vln. I
501
Vla.
504
Pno.
Vln. II
503
Loop III
502
sfp
p
Loop IV
503
ff
mp
Loop V
504
slowly fade out over 10"
Vc.
Cb.
91
92
Fl.
505
Ob.
Cl.
Bn.
Hn.
Tbn.
B. Tbn.
6
mp
6
mp
6
6
6
6
6
6
6
6
6
6
6
mp
6
6
6
mf
(harmon mute)
pp
pp
6
506 In Time q = 112
Fade All Loops
sf
Vln. I
pp
pp
505
6
Cb.
mp
(Play:)
Vc.
p
Pno.
Vla.
505
Vln. II
6
Tpt.
506 In Time q = 112
mf - molto espress.
506 In Time q = 112
mf - molto espress.
pp
pp
pp
pp
Fl.
6
508
Ob.
Cl.
93
6
7
6
6
6
6
3
6
Bn. 6
6
6
7
6
6
6
7
B. Tbn.
3
6
Tbn.
6
Hn.
Tpt.
7
6
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
94
Fl. Out of time
511 In Time q = 96
510
6
Ob.
6
Cl.
Bn.
Tbn.
B. Tbn.
B. D.
Vib.
Hn.
Tpt.
6
Out of time
open
mp
loops
Out of time
mf
mf
mf
mf
mf
5 5 5 5 5 5
mp
5 5 5 5 5 5
mp
Loop VI Restart All Loops
mp 511 In Time q = 96
mp
mp
Pno.
sff
mp
sfp
511 In Time q = 96
mf
Vc.
Cb.
Vln. I
Vln. II
Vla.
Fl. 514
Hn.
B. D.
Vib.
Vln. II
Vla.
Vc.
mf dim. al fine
p
mf dim. al fine
Vln. I
mf dim. al fine
5 3
p
f
Cel.
sempre mf
sfp
poco vib.
sempre mf, cantabile, rapturous
poco vib.
poco vib.
poco vib.
f
mf dim. al fine
p
mp
95
f
5
f
Cb.
Tbn.
B. Tbn.
p
stylized, awkward, mechanical
f
f
Tpt.
p
f
Bn.
stylized, awkward, mechanical
Cl.
f
Ob.
stylized, awkward, mechanical
mp
mp
mp
mp
poco vib.
mp
96
Fl.
521
519
p
Ob.
Cl.
Bn.
Hn.
p
f
p
f
Tbn.
f
Tpt.
B. Tbn.
521
Cel.
Vc.
Cb.
Vln. I
Vln. II
Vla.
521
Fl. 523
525
p
Ob.
p
p
Cl.
Bn.
Hn.
mf
p
p
mf
p
mf
Tpt.
Tbn.
B. Tbn.
97
525
Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
525
senza vib.
senza vib.
senza vib.
senza vib.
mp
mp
mp
mp
senza vib.
mp
98
Fl. 527
f
Ob.
Hn.
p
p
p
p
529
Cel.
Vc.
Cb.
Vln. I
Vln. II
Vla.
529
f
Tbn.
f
f
Tpt.
B. Tbn.
p
f
Bn.
p
f
Cl.
529
Fl. 531
p
Ob.
f
p
Cl.
p
Bn.
Hn.
Tpt.
Tbn.
B. Tbn.
Cel.
Vln. I
Vla.
Vc.
Vln. II
Cb.
f
f
99
stop all loops
100
Fl.
535
Ob.
Bn.
Hn.
mp
Tbn.
535
Tpt.
B. Tbn.
mp
Cl.
mp
Cel.
Vln. I
535
Vln. II
Vla.
Vc.
Cb.
Fl. 539
mp
Ob.
mp
mp
Hn.
Tbn.
ff
ff
Tpt.
B. Tbn.
ff
Cl.
Bn.
101
p
mf
p
mf
p
mf
mp
p
mf
Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
sff
poco sf
poco sf
poco sf
poco sf
poco sf
mf - dolciss.
102
Fl.
542
p
Ob.
p
Cl.
Bn.
p
B. Tbn.
f
pp
mp
p
mp
p
Vln. I
sf
sf
molto vib., quasi solo
mf dim.
p
p
ppp
p
p
ppp
mp
p
mf
f
mf dim.
p
Cb.
mp
Vc.
pp
Cel.
Vla.
p
p
Vln. II
pp
mp
pp
p
pp
p
pp
pp
pp
f
Tbn.
f
f
Hn.
Tpt.
ppp
ppp
ppp
ppp