Grime SEVEN PIERROT MINIATURES

Page 1

OnDemand

Grime, Helen Seven Pierrot Miniatures

Score for sale (North America): http://www.halleonard.com/product/viewproduct.do?itemid=14041742&lid=3&li Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/ID_No/01032149/details.html?kbid=1296 Information about the work and materials for hire: http://www.chesternovello.com/default.aspx?TabId=2432&State_3041=2&workId_3041=25223

Score begins on the next page.

Chester Music Limited Part of the Music Sales Group


Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.

In Seven Pierrot Miniatures, I took the Commedia dell’arte character, Pierrot as my primary source of inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements, whereas the Schoenberg comprises three sets of seven movements. Although there is no part for voice, I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure: 1. 2. 3. 4. 5. 6. 7.

The Clouds Decor Absinthe Suicide The Church Sunset The Harp

Each movement takes its impetus from the corresponding poem, but in the piece as a whole, I wanted to explore the extreme contrasts of the multi-faceted character of Pierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1, 3, 5 and 7 are closely linked, both in terms of their musical material and a sense of melancholy, dream-like quality and longing. Movements 2 and 6 are also strongly connected, with allusions to the more mischievous, violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work, juxtaposing a surreal, shimmering calm with brutal outbursts. There is never any direct repetition, yet there is a strong sense of material returning and mutating as the work unfolds.

Instrumentation: Flute, doubling piccolo Clarinet in Bb, doubling bass clarinet in Bb Violin, doubling viola Violoncello Piano

Duration:

c. 12’

Order numbers: CH77913 (piano score) CH77913-01 (set of parts) www.chesternovello.com


Seven Pierrot Miniatures I (The Clouds) Very calm and still ( q = 52 )

Flute dbl Piccolo

1

G

0

5 5 I5 :

senza vib.

= 5 B

4

Helen Grime

flz

5 M5 M

3

p

pp

Clarinet in Bb dbl Bass Clarinet

2G

con sord. pizz.

1 Violin dbl Viola

G 5 4

pp

5 4

0

?

5 5 = "

5 5 5

= 5 B: 3"

0

0 2 '

B

4

sul tasto

3

Very calm and still ( q = 52 )

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Cl.

0

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5

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4

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BIM B

Š 2010 Chester Music Limited

p

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3

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4

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3

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4

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8

III (Absinthe) 1 2G 44

Cl.

1 Vla. 2

With Freedom ( q = c.60 )

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p pp poco agitato

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10 Fl.

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Cl.

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1

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! 5

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Broad ( q = c.54 )

=

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=

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, 5

= 3

p

=

4

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Broad ( q = c.54 )

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5 5 5 k 5 k I5 55 = = G 3 5 !B ff

N

I 5k

I5 E I5 I5 I ! I5 I5 5 6

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G


V (The Church)

20

With Freedom ( h = c.52 )

119

Fl.

G ?

B

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pp

Fl.

G 5 5 5

'

?

con poco rubato, espress.

126

'

B

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4

p

f

3

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mp

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5

5 5 5 5 5

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! B :

4

pp

fp

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3

5 35

!5

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mf espress.

3

5 5 5k 5

5

B

5k

I5 B

3

5

mp

4

B:

pp

With more urgency, Playful. 132

Fl.

( senza rubato ) (slap tongue)

G = 4 2 H

5

4

5 E5 E5

5

p

sffz

M E5 = 5k E5M 5 mp

=

2 H

2 H

sffz

p

sffz

3 3 3 M

M M 3 E5 E5 = 5 E5M !5 = E2, = = 5 E5 E5 5 5 5 5M !5 5 3

3 p sffz

p

f

5

138

Fl.

G 5 5 E5 E5 E5 p

! 5M E5M

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3

f

E5M

2,

, = 2

< eK

3

mp

sffz

=e>

= E5M

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< e = eK

E 5M

5M

5M 5 5 5 5 = = 3

mf

mp

sffz

>

5M

E 5 E 5 5 5 5 5 5 E5 5 5

sfz

mp

5

5

poco accel.

Fl.

142 ! 5M E5 5M = 5 G

sfz

5

, M E5 E5 E5 E5 ! 5 E5 E 5 E5 5 5 5 6

mp

( q. = 88 )

: 5,

5 E 5 E5 : E 5 : ! 5 5 E5 : ff

mf

=

M E 5M 5M 5M M E 5 5 mf

5M 5M

marcato

146

Fl.

G

M 5M 5M 5

5M 5M E 5M 5 5 3

f

E 5M E5 5 5 5 E 5

5M

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5

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poco rit.

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f

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con sord. sul tasto

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ff

B: MM

ppp con sord. sul tasto

Vc.

2

0

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MB : M

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5


26 Picc.

: E 5 5 I5 5 E 5 5 G + I5 5 E5

1188

E I5 5 5 5 5 E 5 5 + I5 5 5 5 E5

=

pp

B. Cl.

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p

0

0

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1

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3:

=

3

p

Vc.

MB 2 M

I B M

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I5 5 5 I5 :

+

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5

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p

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3

N

N molto rit.

1

190

Picc.

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3

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5 E5 E 5

Vln.

2

1

G

attacca take Flute

=:

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3

I5 pp

Vc.

I 5 5

5

5 E5

I 5 E5 E5

con sord.

=:

5 M

con sord.

=

molto rit.

G

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5: p

Pno.

G

I5 5::

0

0

p

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p

pp

B. Cl.

5

5 I5 5 5 E5 5 5 5

4

5 `a 5 E 55 55 5 E 5 E5 5

attacca

mp

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5:

E5 5

3


Fl.

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Cl.

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Vln.

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molto sul tasto

=

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=

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5

3

p

5 MM

Vc.

molto sul tasto

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pp

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=

4

0

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4

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5 B

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3

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pp

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ppp

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