Maxwell Davies SIX SANDAY TUNES

OnDemand

Maxwell Davies, Peter Six Sanday Tunes

Score for sale (North America): http://www.halleonard.com/product/viewproduct.do?itemid=14024581&lid=4&li Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/ID_No/067743/details.html Information about work and materials for hire: http://www.musicsalesclassical.com/composer/work/13645

Chester Music Limited Part of the Music Sales Group

Peter Maxwell Davies

SIX SANDAY TUNES for strings

Warning: the photocopying of any pages of this copyright publication is illegal. If copies are made in breach of copyright, the publishers will, where possible, sue for damages.

Every illegal copy means a lost sale. Lost sales lead to shorter print runs and rising prices. Soon the music goes out of print, and more fine works are lost from the repertoire.

CHESTER MUSIC (a division of Music Sales Ltd) 8/9 Frith Street, London, W1D 3JB tel: +44 (0)20 7434 0066 fax: +44 (0)20 7287 6329 Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592 web: www.chesternovello.com e-mail: music@musicsales.co.uk November 03

These tunes were written for the Sanday Fiddle Group, Orkney, and are dedicated to its director, Mike Newman. The first performance took place on 23rd June 2002 at the Sanday Community Hall, Sanday, Orkney, as part of the St Magnus Festival. It was given by the Sanday Fiddle Group with members of the Scottish Chamber Orchestra, conducted by Mike Newman.

Duration: c.11 minutes

Materials: Conductor’s score on sale, showing both adult and children’s parts – Order No. CH67760 The conductor's score is also available on hire Children’s part on sale, showing all three children’s violin lines. This may be purchased singly (Order No. CH67936) or in packs of ten (Order No. CH67936-02 ) Set of quintet parts (one copy of each adult part) on sale – Order No. CH67936-01 Conductor's score and multiple adult string parts on hire.

Contents 1.

2.

3.

4.

5.

6.

Tingly Loup Roos Loch Streamers Cata Sands Teeohuppo Stramash

page 1 page 4 page 9 page 12 page 14 page 17

The style is that of Orkney music in the folk fiddle tradition. Three titles are from Sanday place names: Tingly Loup is a little rocky bay at Tresness Roos Loch is a small lake separated from the sea only by a narrow causeway Cata Sands is a very extensive stretch of sand in a lagoon covered by a film of shallow water at high tide Streamers are the Northern Lights (Aurora Borealis) Teeohuppo is a local name for the lapwing Stramash is a general Scottish word for tumultuous carryings-on

PERFORMANCE POSSIBILITIES This piece is extremely flexible, and can be performed in a variety of ways. It is made up of the following material: 1.

2.

Three violin lines, designed for children to play Five string parts, designed for adults to play

This enables the work to be used in educational or community projects, where pupils play the top three violin lines of the score, and the professionals, or teachers, play the five parts below.

The three violin lines Of the three violin lines, the second and third lines down are for less advanced violinists, giving them an opportunity to play in the ensemble at a relatively early stage. The three violin lines make a satisfactory entity to be practised, and even performed, separately, without the five adult string parts.

NB: In No. 2, Roos Loch, the second and third violin lines become a little more demanding and exposed, and the indicated section may be omitted if the adult players are present to ‘fill in’. In No. 3, Streamers, the top violin line divides into three canonic parts.

The five string parts The five string parts may be played by any of the following: 1. A string orchestra 2. A string quintet 3. A string quartet (omitting the fifth line) Similarly, this string orchestra/quintet/quartet music stands up on its own, and may be performed separately without the three violin lines.

NB: In No. 2, Roos Loch, and in No. 4, Cata Sands, the first violin part could be omitted in the passages indicated, depending upon the quality and reliability of the playing of the top line by the student group.

The possibilities To sum up, this piece may be performed in any of the following combinations: 1.

2.

3.

4.

5.

6.

7.

By children alone By children with string orchestra By children with string quintet By children with string quartet By string orchestra alone By string quintet alone By string quartet alone

However, this arrangement was made to provide an opportunity for students and professionals to play alongside each other (combinations 2–4). It is the composer’s preference that the work is performed in this way, wherever possible.

Further information on the works of Peter Maxwell Davies is available from the MaxOpus web site: www.maxopus.com/

Dedicated to Mike Newman

SIX SANDAY TUNES

Peter Maxwell Davies

1. Tingly Loup Allegro (q = c.104)

ENSEMBLE A

1

f

Violins 2

A

A

A

A

f

3

s

A

A

f

ENSEMBLES B–E

Violin I

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A

A

A

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A A A A A A A A A A A

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A A A A A A A A

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(q = c.104) r Allegro A A A A A A

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A A A A

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CH67760

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1

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9

3. Streamers Allegretto (q . = c.80)

ENSEMBLE A

r + + ' A A A A A A p Violins1 div. in 3

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+ A A

A

A

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pizz.

Violins 2/3

A

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A A

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Violin II

Viola

s

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+ A A

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r ' +A A + A A A A

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p

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f

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A

+ A A + A A

+ A A A A A f

AA

AA

A + A A+ A I

A

p

AA

AA

+ A+ A A

A

+ A A

A A A A A

I

A

+ A A

I

A

+ A A

I

AA

A A A A A

I

A

+ A A

I

A

A A

I

f

+ A A + A A AA

A + A A+ A AA

+ A+ A A + A A @

f

f

AA f

Vln. I

r ' A

+ A A

p

' A A A A

Vln. II

f

Vla.

s

' A

A A

+ A A A

I

A

p

+ A A + A A

A A A A A

f

A + A A+ A I

A p

+ A+ A A

A

+ A A

f

+ A A A A

A A A A

+ A+ A A + A A

f

f

10

11

r ' 1

<

<

p

'

<

A

p Vln.

' A p

2/3

A

s ' A

+ A A A

+ + A A A AA

+ A A

+ + A A A

A A

f

+ A A+ A

+ A A

+ A A

+ A A

+ A A

+ A A

A

AA

AA

AA

AA

A

+ A A

+ A A

+ A A

+ A A

f

+ A A

A

+ A A

+ A

+ A A

+ A A

+ A A

+ A

A A

A

A

+ A A

+ A A

A A

p

f

p

p

Vln. I

Vln. II

r '

<

<

p

'

<

A

p Vla.

s ' A p

A A

+ A A A

+ A A

+ A A

+ A A + A A

+ + A A A

f

+ A A+ A

+ A A

+ A A

A A

A A

A

f

p

+ A A

+ A A

+ A A

A

+ A A

+ A

A A

A A

A

p

f

A A

16

r 'A

+ A A

p 1

Vln.

2/3

Vln. I

' A ' A+ A s ' AA r A '

Vla.

' A +

A s ' A

A A

f

+ A A

+ + A A A

+ A A

+ A A

+ A A

+ A A

AA

AA

+ A A A

f

p

AA

AA

+ A A

A

f

p

+ A A AA

+ A A AA

A

+ A A

+ A A

+A A

+ + A A A

AA

+ A A

+ A A

+A A

+ A A+ A

+ A A

+ A A

A A

f

+ A A + A A

+ + A A A

+A A

+ A A

A A

A A

A

f

p

+ A A

A

f

p

A A

A A

+ A A

+ A

p

A A mf

p Vln. II

+ A A+ A

A

f

+ A A

+ A f

+ A A

A A

f

f

+ A A

+ A

p

+ A A

+ A A

A A

A A+ A

f

+ A A

+ A f

+ A A f

11

21

r + + ' A A A A A A p 1

' A I @ (f)

Vln.

2/3

s ' AA

Vln. II

A @

< AA

A AAA

A f

+ AA

A + A A+ A

+ AA

A

AA

A

+ AA

AA

AA

A

+ A+ A A

+ A+ A A + AA

AA

@

A

+ AA

A

+A A

I A p

+ + A A A A A

+ A AAA I A A

+ AA

+ A

+A + A A AAAA

I

p

f

A

+ A+ A A

A

AA

AA

AA

A AAA A

I A

+ AA

f

AA

AA

AA

p

r ' +A A + A A AA

p ' A I @ (f)

Vla.

A

p

(f)

Vln. I

A

p

+ A+ A A

+ + A AA

+ AA

' A I @ (f) p

+ AA

+ AA

+ + A AA

+ AA

A

p

A I @

' s

f

AA

A

<

(f)

+ AA

p

A A AA

+ A+ A A + AA

A

+ AA

p

+ + A A A A A

+ A AAAA I A

+ AA

+ A

AA A AAAA

I

p

f

A

+ A A A

A

+ AA

f

28

r ' + A+ A A A 1

Vln.

2/3

' A+ A A+ A

+A A I A A AAAA + A+ A A A

' A A+ A A+ A+ + A A A p s ' AA

AA

AA

@

f

p

+ I A A A

@

Vln. I

Vln. II

Vla.

' A+ A A+ A

+A I A A AA

AA

A A A A A A A+ A

'

s p

<

A

+ I A A A

@

f

ff

+I I I A A

A AAAAAA AAAAA p f ff AA

AA

AA

A A

A A

A A

f

ff

+ AAAAAA AAAAAA AAAAAA AI I A I

p

A AA I

AA

f

p

f

f

ff

+ A A A A A A A A A A A A A A A A I I A I

f

+A A I A A AAAA + A+ A A A

f

p

f

f

r + A+ ' A A A

+ I I A A AAAAAA AAAAAA AAA AA A I

f

ff

+ A A A A A A A A A A A A A A A A I I A I

p

<

f

ff

A A A A A A A A A A A A A I I A I p

f

ff

12

4. Cata Sands Adagio (q = c.60)

ENSEMBLE A

1

r A A A A 'A A A A

A A A A

! A A A A A A A A ! ' A A A A A

A

A A A p espressivo

' K

Violins 2

3

N

N

A

A A A

N

N

3

N

N

A

A A A

N

N

p

3

K '

s

p

Adagio (q = c.60)

ENSEMBLES B–E

Violin I

Violin II

r ' * A A A ! A A A A A A A A

A p espressivo pizz.

3 3 3

3 3

3 ' K

' K

3

N

3

N

p

' K

Cello

Double Bass

s

' K

p

NN N

NN N

NN N

NN N

N

A

A A A

N

N

N

A

A A A

N

@

A A A

3

pizz.

A A A A N

N

p

3

A A A A 'A! A

A A A A A A A A A A A

p

Viola

3

N

3 3 3 N

N

3 A A A A

6

1

1. r + ' A A A A A A A -A A A A A A N

Vlns. 2

' N

3

' s N

Vln. I

Vln. II

N N

A A

A A

A A A A

A A N A A N

1. r ' + A A A A A A A -A A A A A A N

3 ' 3 3

NN N

2.

A A N

N

A A AA A A A A A A A A A

A A N

A A N

A A

N

A A N

A A N

A A

A A

2.

A A N

N

(p espr.)

A A A A A A A A A A A A A

NN N

3 3 3

3 3 3

3 3 3

<

A A

A

A A

A A N

A A N

A A N

A A

N

N

A

A

A A

A A N

A A N

A A N

A A

A A

N

@

A

A A

A A N

A A N

<

Vla.

'

N

A

Vlc.

' N

D.B.

' N s

*ossia: if Ensemble A upper line is present, Vln. I of Ensembles B–E play 2nd time only.

<

13 11

1

r A A A A A N A A A A '

A A A A A A A A A A A A A

A A A A N

A

N

A

Vlns. 2

' N

N

A

A N

A A N

A

A

N

3

' s N

N

A

A N

A A N

A

A

A

Vln. I

pizz.

r '

A A A A A A A A A A A A A

NN N

A A A A A N ' A A A A

pizz.

arco

Vln. II

(p) espr.

K

NN N

K

A

A N

Vla.

N

A A N

A

A

N

Vlc.

' N

N

A

A N

A A N

A

A

A

s '

<

NN N

<

<

K arco

NN N

' N

D.B.

pizz.

arco

NN N

<

A

AA

A A A

A

AA

A N

A

N

A

<

<

16

1

r ' A A

A A

A A

'A ! A A A A A A -A A A A A

+ A N

3

' s A

A N

Vln. II

' A

Vla.

' A

Vlc.

D.B.

s

'

arco

A N A N <

# N

A A

A N

' A A

N

N 3 N ' A A A A A A A - A A A A A !

' A

Vln. I

A -A A A A A

+ A N

# A A A A A A N A A # N A A A A A A A A # N N

A -A A A A A A N

Vlns. 2

r 'K

'A A ! A A A A A -A A A A A 3

3 3

N

N N

N

N N

A -A A A A A A A

A A

(pizz.)

A A A A

(p)

N

N

A

A

N

# N # N

A A

A A A A

A A

# N A A A A

A A

A A

arco # A A N

14

5. Teeohuppo Allegretto (q = c.96)

ENSEMBLE A

1

r

<

pizz. sempre p

pizz. sempre

A A A A

Violins 2

p

3

pizz. sempre s A A A A p

ENSEMBLES Bâ&#x20AC;&#x201C;E

r

A

A A

A A A A

p

<

A A A A pizz. sempre A A A A

A A A

A A A A

I

+ A A A A A

A

A

A

A

pizz. sempre

<

A

<

A A

A

A A

A

A A

p

7

1

A

Vlns. 2

3

A

s

A A

A A A A A A

A A A A

A

Vln. I

r A A I A

A A A A

Vla.

A A A A

A

A

A

Vlc.

D.B.

A A I A+

s

A p

A A A

A A

A A A A A A

A

p

f

A A

A A

A A

f

p

A A

A A

A f

Vln. II

A A A

f

f

A

p

A A A p

A A A

f

p

A A

A A

A

p

f

A A A A

f

f

p

A A A A A

p

AA A

A f

p

AA A p

A A A A p

p

A A pA A

f

A

AI A

p

f

A f

A I A+ p

A A A A p

f

A A A A

A A A A

f

p

f

A

@

I A

A A I A

A A

A

p

f

p

p

<

A A

A A

f

A

I A

f

A f

A

A

A

A A I A

p

A A A f A A A

f

A A

A

A

A

A

f

p

p

A A

A A

A A

A A

f

p

f

p

A

@

<

p

f

A A A

+ A A I A A A A

A I A+

A A

f

p

A

A A A

f

f

f

AI A

f

r A A I A

A

A A A A

f

A

A A A A

p

s

p

f

pizz. sempre

<

p

Double Bass

A A

A

A A I A

<

p

Cello

A

pizz. sempre

pizz. sempre

Viola

AA A

f

<

Violin II

A

A

A A A A

A f

A

A A A A

Allegretto (q = c.96)

Violin I

A A A A

A A I A

<

A

f

A

A A A A

f

<

A

f

A

15 13

1

r

<

<

+ A A I A I A A A A p

A A A A A A A A A p

Vlns. 2

3

Vln. I

s A A A A A A A A A p A A

r

Vln. II

Vla.

Vlc.

<

<

A

<

<

A

A A

A

A

A A A

A A

I I

s

+ A A I A I A A A A p A

A A A A A A A A A

A

A I A A A A mf

A A

A

A

A

p

<

A A

I

p

A A A A A A pA

A

A A A A A A A

A

+ A

mf

A A

A

A

mf

@

A

A A A A A A pA A mf A A A A A A A I A I

mf

A A A A A A A A A p

p

A A A A A A A p

p D.B.

A A I A

mf

p

mf

A A

A

A

A A A A I A

<

<

<

p

<

<

p

20

1

+ r + A A I A A A I A A A A mf

Vlns. 2

3

s

A

A

A

mf

I + A A I + A A A A A A A mf p

A A A A A A A A A A

Vla.

mf

Vlc.

A

A

s

<

p

<

p

<

A

f

+ + I A I A+ I A I A+

A

A

f

A

p

A A A

f

A A AA

AA A

f

A

A

f

A A I A+ p

A A

I

p

A

A

p

A A A A A A A A A mf

D.B.

A

p

p

p

p

p

+ r I A A A I A+ A A A A A

Vln. II

A

A A A A A A A A A f mf

Vln. I

f

A A A A A A A A A f mf

A

p

A A A

A A I A+ I A I A I A I A

A

A

A

p

f

<

<

+ A

I A+ I + A

f A+ A+ I AA I AA A A f

A A A A I A I A A A f AA

I I AA

f A+ A+ I AA I AA A f A

I A I A

f

I A+ I +

A A+ A+ I AA I AA A A A A A I A I AA A A AA

I I AA

A+ A+ I AA I AA A A

I A I A

16 27

1

r

<

A A I A A A A A A A A A A A I A A A I A

<

p

f

A A A A A A A A A

Vlns. 2

A

f

A

s A A A A A A A A

A

Vln. I

Vln. II

f

< <

<

f

A A

I

p

A A A A A A A A A

Vla.

A

A

A

D.B.

s

A

<

A

A

A A A A A A A A A A A

A

A

A

1

A

A A

s A

A A

r A A A A

A A A A

Vln. II

A

Vla.

A A

Vlc.

D.B.

s

A

A A A A

f

p

f

p

A

ff

A A A

+ + I A I A A A @

A A A

I A+ I A+ A A @

f

A

A

p

f

A

A A A A I A

f

p

A A A A A A pA A

A

A A A A A A A A

A

f

p

A

@

f

A

f

f

A

p

<

ff

I

f

ff

A A A

I

f

ff

A A A

I ff

f

<

I ff

A A A A A A I A+ A A I A+ A A A

p f

p

ff

f

p

f

A A A A I I @

f

p

A A A A A A A I

f

A

p

A A A A A A A A

f

p

f

A

p

A A A A A A A A

p

A

<

A

f

Vln. I

@

A A I A A A A

f

3

A A A

p

f

A A A A A A A I

f

Vlns. 2

p

p

f

f

34

p

f

p

r A A A A

p

f

A A A A A A A A A A A

p

<

f

p

f

A A A A A A A A A

A

+ I + I + A A A A A A A A A A A A A A A f p f p

p

Vlc.

p

f

p

A

A A I A A A A A A A A A A A I A A A I A

<

p

p

A A A A A A A A A A A p

A

p

r

p

f

A A A A A A A A A A A

A

p

3

p

A

f

A

A+ A AA

A+ A AA

A A AA

A A A A

I I

I I

A+ A AA

A+ A AA

A A AA

A A A A

A A AA

A A AA

A A AA

A A A A

A A@ AA

A A@ AA

A A AA @ A A A@ A

I A I A+ A A @

ff

17

6. Stramash Allegro molto (q = c.108)

ENSEMBLE A

1

(arco) r A A

Violins 2

AAAAAA

A A A A A A A A A A A A A A A A A

A A A A A A A

f some pizz.

A A A A A A A A

f some pizz.

3

A A A A A A A A

s

f

Allegro molto (q = c.108)

Violin I

(arco) r A A

ENSEMBLES Bâ&#x20AC;&#x201C;E

f (arco)

A

Violin II

A

Double Bass

s

A

A A A A

A A A A

A A A A

A A A A

sim.

sim.

A

A A A A A A A A A A A A A A A A A A A A A A A A A

A A A A A A A A A

A A A A

AAAAA

f *some pizz.

f pizz.

A A A A

A A A A A A A A A A A A A A A A A A A A A A A A A

A

A A A

A A A A

Cello

A

A

A

AAAAA

f *some pizz.

Viola

A A A A

A

A

A A A A

A

A A A A

A A A A

A A A A

A A A A

A A A A

A

A

sim.

sim.

A A A A A

A

A

A

A

A

A

A

A

f

7

1

r A A

Vlns. 2

3

s

A A

A AA A A

A

A

A A A

A

A

A

A

A A A A A A A AA

A

A A A A A A A A

A

A

A A A A A A A A

A

Vln. I

r A A

A AA A

Vln. II

A A

A AA A

A A

A

A A

A

A

A

A A A

A

A

A

A

A

A

A

A A A A A

A

A A A A A A A AA

A A A A A

A

A

A

A

A

A A A A A A A A

A

Vlc.

A

A A A

A

A A A A A A A A

A

D.B.

A s

A

A

A

* If a string quartet is playing, play pizzicato.

A

A

A

A A A

A A

A

A A A

A A A A A A AAA

A

A

A

A

A

A

A

Vla.

A

A A A A A

A

A

A

A A A

A

A

A A A

A

A A A

A

A

A

A

A

18 13

1

r A

Vlns. 2

3

Vln. I

s

A A

A A

A A A A A

Vlc.

s

A

AA AAA A A A AAA A

A A

A

A A

A

A

A

A A

A A A

A

A

+ + A I A I

A

A A A A+ I A+ I

+ I + I A A

A A AA A

A A A A A A AA

A A A A A

A A A A A A A A

A

A

A A

A

A A

A

A

A

A

A A

3

A A A A+ I A+ I

A

AA AAA A AA AAA A 3

A

A

A

A A A

A

A

A

A

3

AA AAA A A A AAA A 3

A A A A A

Vla.

D.B.

A A A A A

A

A

3

A A A A A

r A

Vln. II

A

A A AA A

A A A A A A AAA

3

A A A A I A I

A I A I

A A A A I A I

A

A A

A I A I

A A

1

Vlns. 2

3

19 A AA r A A A A A A A A A A A A A A A A A A A A I AAA A AA AA A A A

+ I + I A A + I + I

A A s

A I + I

A + A I

+ I A

+ A I A+ I

+ + A I A I

+ A I A+ I

+ + A I A I

+ I + I A A

+ I + I A A

+ I + I A A

+ I +I A A

Vln. I

A AA r A A A A A A A A A A A A A A A A A A A A A A A A A A A A I A A A

Vln. II

A AA A A A A A A A A A A A A A A A A A A A A I AAA A AA AA A A A

Vla.

Vlc.

D.B.

A A I I A I A I

A

A s

A I A I

A I A I A

A

A I A I

A I A I

A I A I

A I A I

A I A+ I

A A I I

A A

+ A I A+ I

A A I I

A A

A

A

A

A

19 25

1

Presto (q = c.116)

A AAAA A A AAAA A r A A A A A A A A A

A A A A A A A A A A A A A A A A

A A ff

Vlns. 2

AAAA

A AAA A AAA

A

AAAA

A AAA A AAA

A

ff 3

s

ff

A A

A A

A

AAA A

A A AA A AAA

A AAA

A

AAA A

A A AA A AAA

A AAA

Presto (q = c.116)

Vln. I

A AAAA A A AAAA AA r A A A A A A A A A

A A A A AA A A A A A A A A A

A A ff

Vln. II

A AAAA A A AAAA A A A A A A A A A A

A A A A A A A A A A A A A A A A

A A ff

Vla.

A

A

AA

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

AAA A

A A AA A AAA

A AAA

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

A

ff Vlc.

A A A A

A AAA A AAA

A

A

A

A

A

ff D.B.

A s

A

A

A

A

A

A

A

A

A

ff

A AAAAA A r A A A A A AAAAAAA AAA 33

1

Vlns. 2

3

Vln. I

Vln. II

Vla.

Vlc.

(arco) A A A A @ (pizz.) (arco) s A A A A @ (pizz.)

A A A A < A A A A <

A A A A < A A A A <

AAA A A A A r A A A A A AAAAAAAA AAAA AA A A A A A

A A A AA AAAAAAAA AAAA (pizz.)* A <A A @ < A A A A A A A A A

(arco) A < A A < A (pizz.)* A @ A A A A A A A

(arco)

D.B.

AA AAAAAAAA

s

A

@

<

* If a string quartet is playing, do not play until ‘tutti arco’.

<

AAAAAAAA # N

tutti arco

# AAAAAAAA N

tutti arco

# AAAAAAAA N

AAAAAAAA AAAAAAAA AAAAAAAA AAAAAAAA

tutti arco

AAAAAAAA

AAAAAAAA # N AAAAAAAA # N AAAAAAAA # N

A tutti arco I AAAA AAAAAAAA # N arco

AAAAAAAA

( ff )

AAAAAAAA # N

A