Thomas TANGLE

Augusta Read Thomas

TANGLE (for Orchestra)

full score

from the G. Schirmer Rental Library Date of Printing_________

G. Schirmer, Inc. New York, NY

Augusta Read Thomas

TANGLE (for Orchestra) Part I....................Leaning Against the Sun Part II..............................Certain Twilights Part III............Cracks in the Glass Horizon

this commission made possible through the generosity of Cindy Sargent and Sally Hands with support from The Louise Durham Mead New Music Fund

The composer expresses heartfelt appreciation to the commissioning parties.

G. Schirmer, Inc. New York, NY

Instrumentation: Piccolo 3 Flutes 3 Oboes English Horn 3 Clarinets in B= Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F 2 Piccolo Trumpets in B= 2 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani (6 drums: 32", 29", 26", 26", 23", 20") Percussion (4 players) 1. Vibraphone (motor always off, 2 bows needed), Glockenspiel (with resonators if available; shared with Percussion 2), Large Bass Drum, Chinese Cymbal 2. Glockenspiel (with resonators if available; shared with Percussion 1), Xylophone (shared with Percussion 3), Symphony Fantastic Bell (pitch is G), Medium Tamtam, Small Triangle, Large Triangle, Bongos, Congas 3. Xylophone (shared with Percussion 2), Marimba, Almglocken (pitch is G), Suspended Cymbal 4. Chimes, Crotales (2 bows needed), 5 Tom-toms, Large Tamtam Unless otherwise specified use the most common beater or mallet.

Celesta 2 Harps Strings (8/7/6/5/4 preferred)

duration ca. 17 minutes transposed score “l.v. molto� means let the note ring until it has naturally decayed or until a dampen sign is notated.

with admiration and gratitude to Sally Hands, Cindy Sargent, Henry Fogel, David Robertson, and the Chicago Symphony Orchestra

TANGLE Part I: Leaning Against the Sun Resonant

= 60–66

Majestic and blazing

5"

4"

Augusta Read Thomas = 88–92 (2003) 6"

fltg.

Piccolo fltg.

1 fltg.

Flute

a2

fltg.

2 3

1 Oboe

a2 2 3

English Horn blend into Picc. Tpt.

solo

1 sempre

Clarinet in B

a2 2 3 sempre

Bass Clarinet a2 Bassoon

1 2 sempre

Contrabassoon 2.

1. solo

fltg.

4.

sempre 3. solo

fltg.

1 2 Horn in F

sub.

3 4 sempre solo

fltg.

sub.

1 3

Piccolo Trumpet in B

sempre solo

fltg.

sub.

2 sempre solo

fltg.

sub.

1 sempre

Trumpet in C

sempre

metal st. mute, strongly buzzing

solo without mute

remove mute

fltg.

sub.

2 sempre

1.

Trombone

sempre sub.

1 2 Bs. Tbn. to st. mute

Bass Trombone Tuba

Timpani Vibraphone (motor off)

(Vib.)

1 l.v. molto Ped. S. F. Bell

Ped.

2 l.v. molto Percussion

l.v. molto

Marimba start roll slowly

Almglocken

Xylophone

5

3

3

5

l.v. molto Tubular Chimes

(Tubular Chimes)

4 Ped.

Ped.

Celesta

D C B /E F G A

1

Harp

D C B /E F G A

2

Resonant

= 60–66 free 5" bowing

Majestic and blazing 4" arco

pizz.

= 88–92

use full bow "zing!"

6" *

I free bowing

sempre

Violin

arco

pizz.

use full bow "zing!"

*

II sempre pizz.

arco

free bowing pizz.

arco

use full bow "zing!" sul D

non div. *

Viola poss. pizz.

arco

free bowing

pizz.

arco

free bowing

Violoncello poss.

Contrabass * bowings should always be extreme, athletic and dramatic.

Corrected 01/13/04 Corrected 12/04

Copyright © 2004 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

*

2 Suddenly distant 11

= 69–72

Vibrant fanfares

poco (optional)

= 88–92

Picc.

solo 1 3

Fl.

espr.

poss.

a2

2 3 solo 1 Ob.

2.

2 3

E.H. bell–up 1 Cl. in B

graceful, suspended

(breath here only if needed)

a2, bell–up

2 3

Bs.Cl.

a2 Bn.

1 2

Cbn.

2.

1 2 Hn. in F

metallic 4.

3 4 metallic to st. mute

st. mute

to st. mute

st. mute

echo

to st. mute

solo st. mute

echo

remove mute

solo without mute

remove mute

solo without mute

remove mute

solo without mute

1 Picc.Tpt. in B

3

sempre 3

2 sempre

1 Tpt. in C

sempre solo

espr.

2

sempre

a2 Tbn.

1 2 relentless

bold

Bs. Tbn. st. mute

remove mute

Bs.Tbn. Tba. echo

Timp.

(Vib.) 1

(S. F. Bell)

Ped.

2 Perc.

Marimba start roll slowly

l.v. molto 3

(Tubular Chime) 4

Ped.

Cel.

3

solo

1

C A

elegant

Hp.

2

Suddenly distant poco (optional)

= 69–72 1 solo

Vibrant fanfares

tutti, div., sul tasto

al ord.

tutti, div., sul tasto

al ord.

div., sul tasto

al ord.

tutti, sul tasto

al ord.

= 88–92

unis., free bowing

3

unis., free bowing

3

I 3

1 solo sul A

Vn.

espr.

sul G

II 3

espr.

unis.

3

Va. 1 solo sul D

div.

Vc. espr. pizz.

Cb. * Cb. harmonics sound one octave lower then written.

optional: tacet *

3 = 104–108

accel.

20 Picc.

6

1 sempre

poss.

Fl. 2 3

poss.

1 Ob.

(2.)

(2.)

2 3

E.H.

bell ord.

1 Cl. in B

bell-up 2 3 poss.

Bs.Cl. sempre a2 Bn.

1 2

Cbn.

a2

fltg.

1 2 Hn. in F

intense a2

fltg.

3 4 intense (non fltg.)

solo

fltg.

to st. mute

1 Picc.Tpt. in B

sempre (non fltg.)

fltg.

solo

2 sempre (non fltg.)

solo

rubato

solo

3

1 Tpt. in C

sempre (non fltg.)

dramatic solo

solo

2 sempre

slow fltg. to fast Tbn.

1. (fltg.)

1 2 Bs. Tbn., solo without mute

raspy

fltg.

Bs.Tbn. Tba. sempre

Timp.

(Vib.) 1 Ped. Triangles (S., L.) 2 Perc.

(Mar.)

Suspended Cymbal

(Tubular Chimes)

Crotales

3

l.v. molto

4

Ped.

gl

iss

.

Cel.

1

D C B /E F G A

C B F G

Hp.

2

G

accel.

( )

= 104–108

(non trem.)

I Vn.

( )

sul pont.

ord.

II non div., pizz.

( )

sempre

arco (non div.)

Va. poss.

Vc. poss.

Cb.

sempre unis., arco

pizz. (div.)

sul pont.

4 28

solo

Picc.

3

solo 1 Fl.

sempre 2 3

3

a2

1 sub.

Ob.

a2 2 3

E.H.

solo

solo

1 Cl. in B

2., 3. bell ord.

2.

3. solo

2 3

Bs.Cl.

Bn.

1 2

Cbn.

1.

1 2 Hn. in F

sempre echo 3 4 st. mute, solo 1

Picc.Tpt. in B

3

solo 2 3

sempre

1 Tpt. in C

sempre

solo 3

solo

2 3

dramatic Tbn.

sempre

1 2

Bs.Tbn. Tba.

Timp.

1

2 Perc.

Marimba

(Mar.)

3 blend into harp sound

4

Cel.

1

C E F G

2

B A

G

Hp.

use arco whole pizz. bow

pizz.

1 solo, arco

tutti (arco)

I Vn.

use whole bow

3 soli

use whole bow

3 sole

espr.

(3 soli)

II

tutte, pizz.

Va. sul D+A

non div. pizz.

Vc.

(pizz.)

Cb.

sub.

(pizz.)

arco

5 Intense; Mahler–like 36 Picc.

5

1

Fl. 2 3

1 3

Ob.

sempre

a2

(a2)

2 3 3

sempre

E.H.

1 Cl. in B

3

echo

2.

a2

2.

2 3

Bs.Cl.

a2 Bn.

(a2)

1 2 3

sempre

Cbn.

a2

lyric and dramatic

full value on quarter note

a2

sempre lyric and dramatic

full value on quarter note

3

1 2 Hn. in F

3 3

3 4 3

sempre remove mute 1 Picc.Tpt. in B 2

1 Tpt. in C 2 full value on quarter note lyric and dramatic

a2 Tbn.

3

1 2 3

sempre Bs. Tbn., solo

(Bs. Tbn.)

Bs.Tbn. Tba. sempre

3

Timp.

(Vib.)

(Vib.)

1 (2 Ped. Trgs.)

Ped.

2 Perc.

(Mar.)

Suspended Cymbal

3 in background (Crot.)

3

4

Cel.

l.v. molto

poss.

1

E F A

8va

Hp.

(loco)

2

l.v. molto

C

poss.

E F G

Intense; Mahler–like resonant

full bow molto vib. for beat 2

tutti, resonant

full bow molto vib. for beat 2

use full bow

I Vn.

div.

II

forceful Va. sempre ord., arco

intense

forceful

Vc. sempre arco

sempre intense

Cb. sempre

unis.

use full bow

6 rit.

46

Vivid and bold

= 92–96

Picc.

1 Fl. 2 3

1 Ob. 2 3

E.H.

1 Cl. in B 2 3

Bs.Cl.

Bn.

1 2

Cbn.

3

(a2) 1 2 Hn. in F

sempre 3 (a2)

intrepid (Mahler–like)

3 4 sempre

intrepid (Mahler–like)

1 Picc.Tpt. in B 2

solo 1 3

Tpt. in C

bold

2 a2

(a2) Tbn.

1 2 3

sempre

intrepid (Mahler–like)

Bs.Tbn.

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Cel.

1

Hp.

2

rit.

Vivid and bold ( )

= 92–96

( ) 3

* I sempre Vn.

( )

3

3

3

( ) 3

* II sempre ( )

3

3

3

( ) 3

* Va. sempre Vc.

Cb. * Lots of bow. Always use full bow. Athletic and dramatic.

3

3

3

7 54 Picc.

1 Fl. 2 3

1 Ob. 2 3

E.H.

1

Cl. in B

2.

2 3 3.

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 without mute solo

fltg.

1 Picc.Tpt. in B 2

1 Tpt. in C 2

Tbn.

1 2 (Bs.Tbn.)

Bs.Tbn. Tba.

Timp.

Glockenspiel 1 l.v.

2 Perc.

3

Tubular Chimes 4 Ped.

Cel.

resonant

.

gliss

1

(D C B/E F G A )

2

D C B/E F G A

Hp.

( )

( )

I 3

( )

Vn.

3

3

3

3

3

3

3

3

div. ( )

II 3

( )

div.

( )

Va. 3

(non trem.)

Vc.

Cb.

5

8 Exhilarated

63 Picc.

striking 1 sempre Fl.

3

3

3

3

3

3

3

3

3

3

3 3

2 sempre

sub.

3 3

3

3

3

3

3

3

3

3

3

3 sempre

3

3

3

1 Ob.

2.

2 3 3

3

3

3 3

sempre E.H.

1 Cl. in B

3

sempre 3.

a2

2 3

3

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F

a2 3 4 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 Picc.Tpt. in B

3

sempre

3

2 sempre

3

3

1 Tpt. in C

sempre

sempre

3

3

3

3

3

3

3

3

3

2 3

3

Tbn.

3

brazen

sempre

3

1 2 Tba.

Bs.Tbn. Tba.

brazen Timp.

(Glock.)

1 Xylophone 3

3

3

3

3

3

3

3

3

2 Perc.

intense

Mar. 3

3

(Tubular Chimes)

3

3

intense

3

3

5 Tom–toms

3

3

3

3

4 3

Ped. 3

Cel.

3

3

3

3

3

3

3

sempre

1

B E F A

2

D C B E F A

Hp.

Exhilarated

pizz.

arco

a 3

3

3

3

3

3

3

3

3 sempre

3

sempre

Vn. I

3 3

b sempre

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

a Vn. II

sempre

3 3

b sempre

sempre

pizz.

3

3

3

arco

a

3

3

sempre Va.

pizz. b

arco 3

3

3

sempre sul G

pizz.

Vc. pizz.

Cb.

3

3

3

3

non div. sul D+A

9 68 Picc.

1 3

Fl.

2 3

3 3

1 Ob.

(2.)

2 3

E.H.

1 Cl. in B 2 3

Bs.Cl.

Bn.

1 2

Cbn. (a2) dramatic, lyric, athletic

a2 1 2 Hn. in F

(a2)

dramatic, lyric, athletic

(a2)

3 4 3

to st. mute

st. mute

3

to st. mute

st. mute

1 Picc.Tpt. in B

3

remove mute 3

2

3

3

3

1 Tpt. in C

sub.

3

solo

3

3

3

2 3

3

3

sub.

Tbn.

1 2 (Tba.)

Bs.Tbn. Tba.

Timp.

(Glock.)

Chinese Cymbal

1 (Xyl.)

(Xyl.)

2 Perc.

(Mar.)

(Mar.)

3 3

(Tom–toms)

(Tom–toms)

4 3 3

Cel.

8va

1

C B E F

8va

gliss.

Hp.

2

(D C B /E F G A)

D B A

a 3

Vn. I b sub. a 3

Vn. II b

3

unis.

Va. sempre arco Vc. sempre Cb.

10 74 Picc.

1 Fl.

2.

2 3

1 Ob. 2 3

E.H.

1 Cl. in B 2 3

Bs.Cl.

1.

Bn.

1 2

Cbn. (a2)

3

(a2)

3

1 2 Hn. in F 3 4 fltg.

remove mute

without mute

1 Picc.Tpt. in B

without mute 2

solo

3

3

1 Tpt. in C

3

sempre fltg.

2

1. solo Tbn.

1.

1 2 3

espr.

Bs.Tbn. Tba. solo Timp.

1 Xylophone 2 Perc.

(Mar.) 3 5 Tom–toms

3

4

Cel.

1

Hp.

F

2

3

3

a 3

Vn. I 3

3

b 3

sul A+E

(pizz.)

sul A+E

pizz.

arco

a Vn. II

arco ( )

arco

b 3

pizz.

arco

Va. 3

pizz.

non div.

Vc. 3

div. (pizz.)

Cb.

(pizz.)

11 79 Picc.

1 3

Fl.

3.

2 3

1 Ob. 2 3

E.H.

1 Cl. in B

3

2 3

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F

a2 3 4 to st. mute 1

Picc.Tpt. in B

to st. mute 2

solo

3

1 Tpt. in C

solo 2

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Bass Drum, solo 1 (Xyl.) 2 Perc.

(Mar.) 3 Crotales 4

Cel.

1

E F G

2

E

Hp.

pizz.

non div.

arco

pizz.

non div.

arco

pizz.

non div.

arco

pizz.

non div.

pizz.

non div.

a Vn. I b

a Vn. II b

Va.

Vc.

Cb.

arco

12 83 Picc.

1 Fl. 2 3

1 Ob.

2.

2 3

E.H. sempre

optional: bell–up 1 Cl. in B

brassy 2 3 3

Bs.Cl. sempre 3

a2 Bn.

1 2

Cbn.

1.

1 2 Hn. in F

3.

3 4 st. mute

solo

remove mute

1 Picc.Tpt. in B

st. mute

solo

solo without mute

remove mute

2 3

1 Tpt. in C

solo

3

2

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3 Tamtam (L.) 4 l.v. molto

gl

iss

.

Cel.

1

E

2

F G

(D C B/E F G A)

C F G

Hp.

pizz. a Vn. I

pizz. b pizz. a

Vn. II

pizz. b non div. (pizz.)

arco

pizz.

Va. poss. (pizz.)

3

arco

Vc. poss. arco Cb.

3

13 Vivid and forceful

90 Picc.

1

3

Fl.

3

3

3

3

3

2.

a2

3

3.

2 3

1 Ob.

2.

(2.) 3

2 3

3

E.H. 3

3

1 Cl. in B

3.

2.

2 3

3

3

Bs.Cl. 3

3

a2 Bn.

a2

1 2 3

3

Cbn.

1 2

3

Hn. in F

sempre

a2

a2

3

a2 3

a2

3

3 4

without mute

3

3

3

3

3

3

3

3

3

3

3

3

1 Picc.Tpt. in B

3

3

3

2 sub.

3 3

1 Tpt. in C

3

3

3

3

3

3

2 3

3

1.

Tbn.

1 2

3

3

Bs. Tbn. Bs.Tbn. Tba.

Timp.

Vibraphone

(Vib.)

1

3

secco (Xyl.)

Ped.

3

3

3

3

3 3

3 3

3

3

2 Perc.

3

(Mar.)

(Mar.)

3 3

3

3

4

3

Cel.

3

3

3

3

3

3

ss.

gli

1

B E F G

(D C B /E F G A)

Hp.

2

non div.

arco use full bow

non div.

arco use full bow

Vivid and forceful

a 3

Vn. I

3

3

3

3

3

3

3

b

3

arco use full bow a 3

Vn. II

3

non div.

3

arco use full bow

b 3

arco use full bow

3

3

3

3

3

3

3

3

3

3

3

3

Va. 3

use full bow Vc. use full bow Cb.

3

14 95

fltg.

Picc.

3

fltg.

1

3 3

a2 fltg.

Fl.

(a2)

2 3 sempre 1 Ob. 2 3

(2.) 3

3

a2

3

E.H.

1 Cl. in B

a2 2 3

3

3

3

Bs.Cl.

Bn.

1 2

Cbn.

fltg. a2 1 2

a2 3

Hn. in F

fltg.

a2

a2

sub.

3

3

a2

3

3 4

3 3

3

3

3

3

3

3

fltg.

3

3

sub.

3

to st. mute

1 Picc.Tpt. in B

3

3

sub.

3

3

fltg.

3

to st. mute

2 3

3

fltg.

sub. to st. mute

3

1 Tpt. in C

3

3

3

3

fltg.

3

sub.

3

to st. mute

3

2 3

3

3

3

1.

2.

Tbn.

fltg.

1.

3

sub.

1 2 sub.

Bs. Tbn. to st. mute

2.

3

3

3

3

1., 2. to st. mute

3

Bs.Tbn. Tba. solo Timp.

(Vib.) 1

3

3

3

8va

(Xyl.) 3

3

secco (Xyl.)

3

2 Perc.

(Mar.)

(Mar.)

3 3

3

3

sempre

4

3

3

3

Cel.

.

gliss

1

(D C B /E F G A)

C G

Hp.

.

gliss

2

(D C B/E F G A )

D G A

use full bow a

3 3

3

use full bow

Vn. I b

3 3

3

non div.

use full bow

non div.

use full bow

non div.

use full bow

non div.

use full bow

a 3

Vn. II

3

3

b 3

3

3

Va. 3 3

3

Vc. use full bow

(lower oct. preferred)

Cb.

sempre

15 100

accel.

Picc.

= 120 3 3

1

3 3

Fl.

2.

2 3

(2.)

3 3

1 3

Ob.

a2 2 3 3

E.H.

1 Cl. in B 2 3

Bs.Cl. a2 Bn.

1 2 3

Cbn. a2

fltg.

(a2)

1 2 Hn. in F

a2 3 4 fltg.

st. mute

remove mute

1 Picc.Tpt. in B

st. mute

fltg.

remove mute

st. mute

fltg.

remove mute

st. mute

fltg.

remove mute

1., 2. st. mute

fltg.

1., 2. remove mute

Bs. Tbn. st. mute

fltg.

Bs. Tbn. remove mute

2

1 Tpt. in C 2

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

(Vib.)

Glockenspiel

1 5

Ped.

(Xyl.) 2 sub.

Perc.

Suspended Cymbal in background

(Mar.)

l.v. molto

3

Crotales

(Crot.)

l.v. molto

3

3

4 3

Cel.

8va

.

gliss

1

G

G A

E

8va

Hp.

2

B

A E

accel.

3

= 120

a

3

3

3

3

Vn. I

3

b

3

3

3

3

a Vn. II b

div.

Va.

Vc. sempre

3

al pont.

Cb. 3

pont.

ord.

16 rit.

= 86–92

107 Picc.

ossia:

solo 1 3

7:4

3

sempre

3

5

Fl. 2 3 solo 1 5:2

Ob. 2 3

E.H.

1 Cl. in B

2.

2 3

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Picc.Tpt. in B 2

1 Tpt. in C 2

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

(Glock.)

1

S. F. Bell 2 Perc.

l.v. molto 3 (Crot.)

4

Cel.

8va

1

secco

C E F G A

D

C E G A

D

8va

Hp.

2

secco

rit. div.

Vn. I

a b

= 86–92

1 solo

5

sempre, graceful unis.

Vn. II

Va.

Vc.

Cb.

113

17

Flashback = 72

solo

= 86–92

Picc.

1

3

sempre

Fl.

6

3

2 3 solo 1 Ob.

3.

2 3

E.H.

solo 1 Cl. in B

3

3

3

3.

2 3

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Picc.Tpt. in B

without mute 2

without mute 1 Tpt. in C

without mute 2 without mute

Tbn.

1 2 Bs. Tbn., without mute

Bs. Tbn. to harmon mute (stem removed)

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Cel.

gliss.

(D C B /E F G A)

1

Hp.

F

2

(1 solo)

Flashback = 72

rubato

(D C B /E F G A)

= 86–92 tutti

I 5

Vn. II

unis.

Va. pizz.

Vc.

pizz.

Cb.

18 119 Picc.

3

solo 1 espr.

Fl.

a2 2 3 3

3

solo

1 3

Ob.

espr.

2.

2 3 3 3

E.H.

1 3

Cl. in B

a2 2 3

Bs.Cl. 3

Bn.

3

1 2

Cbn.

fltg.

1 2 3

Hn. in F

fltg.

stopped if possible

3 4 3

without mute

fltg.

1 Picc.Tpt. in B

solo 3 2 espr.

fltg.

3

3

3

1 Tpt. in C

fltg.

3

2 fltg.

2.

Tbn.

1 2

3

Tba. Bs.Tbn. Tba.

Timp.

(Glock.)

very fast gliss.

l.v. molto

1

(S. F. Bell)

l.v. molto

2 Perc.

(Sus. Cym.) 3

(Crot.)

l.v. molto

4 3 3

Cel.

8va

3

.

gliss

D

1

D C E F G

8va

Hp.

3

.

s glis

D C F G A

2

div.

3

(D C B /E F G A )

F

D E A

pizz.

unis.

I sub. div.

Vn.

pizz.

unis.

II sub.

3

pizz.

3

Va. sub. arco Vc. 3

(pizz.)

Cb.

19 rit.

124 Picc.

1 Fl. 2 3

1

3

poss.

Ob. 2 3

E.H.

solo 1 Cl. in B 2 3

Bs.Cl.

Bn.

1 2

Cbn.

5:3

1. solo 1 2 Hn. in F

sub. 3 espr.

3

sempre, lyrical

3 4

1 Picc.Tpt. in B 2

1 Tpt. in C 2

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Cel.

secco, blend with pizz.

1

Hp.

2

rit. al sord.

metà, trem., punta d’arco

con sord.

(non trem.)

arco

(metà)

I espr.

Vn.

al sord.

arco, sul A

shimmering metà, trem., punta d’arco

(non trem.)

tutti al sord.

(non trem.)

tutte al sord.

II espr. arco

shimmering metà, trem., punta d’arco

Va. espr. div., pizz.

shimmering al sord.

Vc.

Cb.

attacca

20

Part II: Certain Twilights 131 Velvety

and spacious

= 72–80

Picc. echo 1 3

Fl.

echo

echo

2 3 3

echo

1 poss.

Ob. 2 3

E.H. 3

1 espr.

Cl. in B

elegant 3.

2 3 echo Bs.Cl. 1.

Bn.

1 2

Cbn.

bell–like

(1.)

1 2 Hn. in F

sub.

3

3 4

( )

( )

1 Picc.Tpt. in B 2

3

1 Tpt. in C

espr.

2 1.

Tbn.

1 2 3

Bs.Tbn. Tba.

Timp.

1 (S. F. Bell.)

2 echo

Perc.

3

4

Cel.

1

(D C B /E F G A)

2

(D C B /E F G A)

Hp.

Velvety and spacious

= 72–80

a echo sul A

Vn. I b con sord.

echo a con sord.

Vn. II b

con sord. a Va.

con sord. b arco, unis.

Vc.

Cb.

con sord.

21 139 Picc.

1 Fl. 2 3

1 Ob.

2.

2 3

E.H. like a sudden interruption 1 Cl. in B 2 3

Bs.Cl.

Bn.

1 2

Cbn.

(1.)

1 2 Hn. in F 3 4

1 Picc.Tpt. in B

3

2

1 3

Tpt. in C 2

Tbn.

1 2

Bs.Tbn. Tba. 3

Timp.

1 Triangles (S., L.)

S. F. Bell

2 in background Perc.

3 Tamtam (L.) 4 l.v. molto

Cel.

1

Hp.

2

1 solo via sord. a sub.

Vn. I b 1. solo

tutti

a

Vn. II

2. solo

tutti

b 3

1. sola

tutte

a 3

Va.

2. sola

sub.

tutte

b 1 solo

tutti

Vc. 3

1 solo, arco Cb. 3

tutti (arco)

via sord.

l.v. molto

22 145 Picc. bell–like 1 Fl. 2 3 bell–like poss.

1 Ob.

a2

2.

bell–like

2 3

E.H. rubato solo

5:4

1 Cl. in B

2.

2 3

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 to straight mute 1 Picc.Tpt. in B

to straight mute 2 to straight mute 1

Tpt. in C

solo harmon mute (stem removed)

to harmon mute (stem removed)

remove mute

2 echo (Vn. solo) Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Vibraphone (bowed) 1 Triangle (S.)

Ped.

2 in background Perc.

3

4

Cel.

1

A

2

A

Hp.

1 solo, senza sord.

a graceful

3

3

sub.

Vn. I

via sord. b sempre

a sempre

Vn. II b

sempre

a sempre

Va. b 1. solo, rubato 5:2 senza sord.

Vc. espr.

Cb.

trem., punta d’arco

23 151 Picc.

3

solo 1 Fl. 2 3 solo

3

1 Ob. 2 3

E.H. solo rubato 1 Cl. in B

echo

2 3

echo Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Picc.Tpt. in B 2 solo st. mute

3

1 Tpt. in C

graceful, rubato echo (Vn. solo) 2

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

(Vib. (bowed)) 1 Ped.

Ped.

2 Perc.

3

4

Cel.

1

Hp.

2

(1 solo) 3

a

3

Vn. I b via sord.

senza sord. punta d’arco

sul pont.

via sord.

senza sord. punta d’arco

sempre sul pont.

via sord.

senza sord. punta d’arco

a Vn. II b sempre

sul pont.

a Va.

sempre sul pont.

senza sord. punta d’arco

via sord. b

lower half Vc.

senza sord. punta d’arco

sul pont.

a b sempre

Cb.

sempre

24 accel. (to build urgency)

157 Picc.

solo

3

1

3

poss.

Fl. 2 3

solo 1 Ob. 2 3

E.H. 7:6

1 Cl. in B 2 3

Bs.Cl.

Bn.

1 2

Cbn.

a2 1 2 Hn. in F

a2 3 4 solo, st. mute 1

Picc.Tpt. in B

st. mute

solo

2 solo (st. mute) 1 Tpt. in C

without mute solo

3

to st. mute

2

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2 Perc.

(Sus. Cym.) 3 in background

4

bell–like

Cel.

1

Hp.

2

(1 solo) sul tasto

accel. (to build urgency)

1 solo al sord. (optional)

tutti, ord., senza sord.

a sempre Vn. I

echo (Cl.)

senza sord.

b sempre ord.

(non trem.)

a sempre Vn. II

ord. b

unis., ord.

Va.

Vc.

Cb.

25 = 100 rit.

(accel.)

164

= .

Picc. solo

1 Fl. 2 3

1 Ob.

2.

2 3

E.H. bell–up

1 Cl. in B

2 3

Bs.Cl.

Bn.

1 2

Cbn.

1.

2. solo

1. solo

1 2 Hn. in F

sempre 3. solo 3 4 without mute

remove mute

solo

1 Picc.Tpt. in B

remove mute

solo

without mute

solo

2 remove mute

solo

without mute

solo

1 Tpt. in C

solo, st. mute

3

without mute

remove mute

solo

2 3

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

5:4

Glockenspiel 1 3

S. F. Bell 2 Marimba

Perc.

3

Crotales (bowed)

l.v. molto

4

Cel.

F

1

Hp.

D C A

2

= 100 rit.

(accel.)

8va

= .

tutti, unis.

Vn. I

8va

al sord. (1 solo senza sord.)

a Vn. II

8va

b sempre Va. tutti, unis. senza sord. ord.

Vc.

Cb.

al sord.

26 171

Majestic and graceful

= 80–84

Picc.

1 Fl. 2 3

1 Ob. 2 3

E.H.

blend with Va. solo

solo

rubato

5:3

1 Cl. in B

espr., dreamy 2 3 solo 5:3

Bs.Cl. espr.

Bn.

1 2

Cbn.

1. solo, bell–like

sim.

1 2 Hn. in F 3 4 to st. mute 1 Picc.Tpt. in B

to st. mute 2 solo (without mute) bell–like sim.

to st. mute

1 Tpt. in C

to st. mute 2

1. to st. mute Tbn.

1 2 Tba.

Bs.Tbn. Tba.

Timp.

Bass Drum (L.) 1

2 Perc.

3

4

Cel.

1

D C

echo (Tpt.)

F

Hp.

2

D

Majestic and graceful

= 80–84

I rubato 1 solo (senza sord.) freely floating above orch.

Vn.

5:3

bell–like

II

4:3 espr. div., pizz.

3 sole, sul G

arco

graceful

1 sola

blend with Cl.

Va. espr.

espr. div., pizz.

3 soli, sul D

arco

Vc. espr. div., pizz.

Cb. arco

sempre ( )

27 181 Picc.

1 Fl. 2 3 solo 1 lyrical

Ob.

espr.

2 3

E.H.

1 Cl. in B 2 3

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Picc.Tpt. in B 2

1 Tpt. in C 2

2.

Tbn.

2. to st. mute

1 2 echo

Bs. Tbn. to st. mute

Bs. Tbn. Bs.Tbn. Tba. echo Timp.

1

(S. F. Bell) 2 Perc.

(Mar.) 3 Tubular Chimes (hammer) 4 Ped.

Cel.

solo

1

solo

G

D

Hp.

2

1 solo con sord. (optional)

I espr.

Vn.

sul tasto II with slight natural dynamic nuance

4:3 tutte, pizz.

al sord.

Va.

tutti, pizz.

Vc.

unis., pizz.

Cb.

28 191 Picc.

solo 1 Fl. 2 3 solo 1 Ob. 2 3 solo E.H. espr.

sempre

1 Cl. in B 2 3

Bs.Cl.

1 2

Bn.

Cbn.

2.

1 2 Hn. in F

4.

3 4 st. mute 1

Picc.Tpt. in B 2

st. mute 1 Tpt. in C

st. mute 2

2. st. mute 1 2

Tbn.

Tba., solo Bs.Tbn. Tba.

Timp.

Bass Drum (L.) 1 (S. F. Bell) 2 Perc.

3 Tamtam (L.) 4

Cel.

1

Hp.

2

(1 solo)

Vn. I ord.

(1 solo) 1 solo Vn. II

gli altri, div. con sord.

smooth

via sord.

elegant

gli altri one slow 4 sole down bow (con sord.)

espr. arco, con sord.

Va. espr.

4 soli arco

( )

2 soli al sord.

2 soli con sord.

Vc.

espr.

Cb.

one slow down bow

29 201 Picc.

1 Fl.

2.

fltg.

2 3

1 Ob. 2 3

E.H.

1 Cl. in B

intense 2 3 intense

Bs.Cl. intense 1.

1 2

Bn.

Cbn.

1 2 Hn. in F

bold 3 4 bold

(st. mute) 1 Picc.Tpt. in B

st. mute 2 still solo; in foreground

solo (st. mute) 1 Tpt. in C

solo without mute

sempre (st. mute)

flowing

remove mute

2 1. solo st. mute

sempre

1 2

Tbn.

Bs. Tbn. st. mute

flowing

Bs. Tbn. remove mute

Bs.Tbn. Tba.

Timp.

Vibraphone (mallets) 1 Tamtam (M.)

Ped.

2 Perc.

3

4

Cel.

1

D C B F

D

Hp.

2

tutti, div., pizz. (senza sord.)

arco (div.)

Vn. I (1 solo)

sempre

8va

1 solo sempre

Vn. II

gli altri, div., pizz. senza sord.

unis., arco

gli altri tutte via sord.

2 sole, senza sord.

2 soli via sord.

4 soli, senza sord.

tutte, unis., pizz. (senza sord.)

non div.,

arco

sempre

Va. espr.

tutti, unis., pizz. (senza sord.)

sempre arco

Vc. espr.

Cb.

sempre

30 211

fltg.

Picc.

fltg.

solo

1 Fl.

fltg.

2 3

1 sempre

Ob. 2 3

sempre E.H. solo 5:3 1 sempre

Cl. in B

2. solo

5:3

2 3 sempre Bs.Cl.

1 2

Bn.

Cbn.

1.

1 2 Hn. in F

bold 3.

3 4 bold (st. mute) 1

Picc.Tpt. in B

(st. mute) 2

remove mute 1 Tpt. in C

to st. mute 2

(st. mute) 1 2

Tbn.

Bs. Tbn.: without mute Bs.Tbn. Tba.

Timp.

Chinese Cymbal in background

(Vib.)

Vibraphone

1 (Tam. (M.)) 2 Perc.

3 (Tam. (L.)) 4

Cel.

1

A

Hp.

2

l.v. molto lower half sul D

non trem.

Vn. I (1 solo)

optional: 3 soli for next 10 bars

1 solo non trem.

Vn. II gli altri al sord.

con sord. sul D

via sord.

Va.

2 soli Vc. (pizz.)

Cb.

1 solo 8va

Ped.

31 221 Picc.

1 Fl. 2 3

1 sempre

Ob.

sempre

2 3

E.H.

1 Cl. in B

sempre 2 3 sempre

Bs.Cl.

1 2

Bn.

Cbn.

(1.)

1 2 Hn. in F

intense

2.

(3.)

4.

3.

3 4

remove mute

without mute

1 Picc.Tpt. in B

remove mute

without mute

2 without mute

solo

1 Tpt. in C

sempre st. mute

remove mute

without mute

2 1., 2. remove mute

1., 2. without mute

Bs. Tbn. remove mute

Bs. Tbn. without mute

1 2

Tbn.

Bs. Tbn. to st. mute

Bs. Tbn. st. mute

Bs.Tbn. Tba.

Timp.

1 S. F. Bell 2 Perc.

3 (Tam. (L.)) 4

Cel.

B E G

1

Hp.

C

2

Vn. I (1 solo) 8

1 solo Vn. II

sempre

sempre

gli altri, div.

unis.

gli altri pizz. arco senza sord. div.

sempre

tutti, pizz.

sempre

sempre

Va. arco

Vc. sempre arco Cb. sempre

no octave substitution

32 = 60

rit.

231

.=

Picc.

1 Fl. 2 3

1 Ob. 2 3

E.H.

1 Cl. in B 2 3

Bs.Cl.

Bn.

1 2

Cbn.

1. solo 1 2 Hn. in F

bold 3.

3 4

1 Picc.Tpt. in B 2

1 Tpt. in C 2

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Cel.

1

Hp.

2

rit.

tutti, unis. (arco) .=

I Vn.

arco II

via sord.

Va. 1. solo, senza sord.

sul tasto sotto voce

ord.

3

3

Vc. sub.

Cb.

33 238 Picc.

1 Fl. 2 3

1 Ob. 2 3

E.H.

1 Cl. in B 2 3

Bs.Cl.

1 2

Bn.

Cbn.

1 2 Hn. in F 3 4

1 Picc.Tpt. in B 2

1 Tpt. in C 2

1 2

Tbn.

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4

Cel.

1

Hp.

2

I Vn. II sul tasto senza sord.

Va. no port.

(1 solo) 1 solo Vc.

sub. interior

graceful gli altri, senza sord.

sub. prayerful

sub.

gli altri echo Cb.

attacca

Part III: Cracks in the Glass Horizon

34 245

Spirited

= 100

Picc.

6

5

1

5

sempre

fltg.

3

(non fltg.)

fltg.

(non fltg.)

Fl. 2 3

1 sempre

Ob.

a2 2 3 sempre

E.H.

1 Cl. in B

2.

2 3

Bs.Cl.

Bn.

1 2

Cbn. dramatic, lyric, athletic

a2 1 2 Hn. in F

dramatic, lyric, athletic

a2 3 4

1 Picc.Tpt. in B

3 3

2

3

3 3

sempre

1 3

sempre

Tpt. in C

3

3

2 1.

3

3

3

2.

Tbn.

1 2 Bs. Tbn.

Bs.Tbn. Tba.

Timp.

Glockenspiel l.v. sempre

l.v. molto

1 (Xyl.)

3

2 Perc.

Suspended Cymbal 3

(Tubular Chimes) 4 Ped. use forearm to hit cluster between B and A l.v. molto

Cel.

resonant

.

gliss

1

C F G

D C B /E F G A

Hp.

gliss.

2

D C E F G A

D C B /E F G A

Spirited I

3

= 100 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Vn. II

3

3

3

3

3

3

3

ord.

Va.

3

3

3

3

tutti, unis.

Vc. 5

Cb.

5

5

5

3

3

3

dramatic, lyric, athletic

35 = 132

molto accel.

250 Picc.

1 Fl. 2 3

1 Ob. 2 3

E.H.

1 Cl. in B 2 3

Bs.Cl.

Bn.

1 2

Cbn.

(a2)

3

fltg.

(a2)

3

fltg.

1 2 Hn. in F 3 4 fltg.

1 Picc.Tpt. in B 2 fltg.

1 Tpt. in C

fltg.

2 1.

Tbn.

1. solo

1 2 (Bs. Tbn.)

3

B. Tbn. optional: tacet solo

3

solo

3

espr.

Bs.Tbn. Tba. intense sub.

sub.

sub.

Timp.

1 2 Bongos 2 sub.

Perc.

3

5 Tom–toms 4

Cel.

1

Hp.

2

molto accel.

= 132

I Vn. II

Va.

div.

unis.

Vc.

div.

unis., pizz.

Cb. sempre

l.v. molto

div., arco

36 accel.

258 Picc.

1 Fl. 2 3

1 Ob. 2 3

E.H.

1 Cl. in B 2 3

Bs.Cl.

Bn.

1 2 solo

solo

Cbn. poss.

1. solo Hn. in F

1 2 sempre 3 4

1 Picc.Tpt. in B 2

1 Tpt. in C

3

2 (1.)

Tbn.

1 2 3

3

sub.

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

Tamtam (L.) 4 l.v. molto

Cel.

1

D E F G A

Hp.

2

accel.

I Vn. II

Va.

Vc. unis. no octave substitution Cb.

37 Playful

266 (accel.)

= 116–120

rit.

Picc. solo 1 Fl. 2 3 solo 3

1 brassy Ob.

a2 2 3 brassy

E.H. solo 1 Cl. in B

2 3

Bs.Cl.

1 2

Bn.

Cbn.

(1.)

a2

1 2 Hn. in F

a2

3 4

lyrical

lyrical 1 Picc.Tpt. in B 2

1 Tpt. in C 2

1 2

Tbn.

Bs.Tbn. Tba.

Timp.

Bass Drum 1 2 Bongos 2 Congas 2 Perc.

3

5

Marimba

3

3 5 Tom–toms

blend with pizz. in background

3

4 3

3

Cel.

3

D C B /E F G A

1

C

C

F

C

Hp.

3

D C B /E F G A

2

A

Playful

(accel.)

G

= 116–120

C

rit.

2 soli, div.

2 soli Vn. I

gli altri, pizz.

3

gli altri 1 solo 1 solo Vn. II

gli altri, pizz.

3

gli altri 1 sola 1 sola Va.

gli altri, pizz.

non div.

le altre 1 solo

3

1 solo 3

Vc.

gli altri, pizz.

gli altri pizz.

Cb.

3

38 275 (rit.)

Passionate

= 96–100

Picc.

5

1

3

sempre Fl.

3 3

3 3

3

3

fltg.

2 5

fltg.

3

1

3

Ob.

2.

(a2)

2 3

3 3

E.H. 3

1

3

3

Cl. in B

3 3

3

sempre

3

2

3 6

Bs.Cl.

Bn.

1 2

Cbn. 1.

1 2 Hn. in F

3.

3 4 solo 1

Picc.Tpt. in B

3

3

bold

2 3

solo 1 3

Tpt. in C

3

bold

2 1.

Tbn.

1 2 bold

Bs.Tbn. Tba.

Timp.

Chinese Cymbal

Glockenspiel

l.v. sempre

l.v. molto

1 3

3

Xylophone 2 Perc.

3

3

3

3

(Mar.) 3

Crotales

l.v. sempre

3

3

4 l.v. molto

Cel.

resonant

ss.

gli

1

D C B E F G

2

C B E G

D C B/E F G A

Hp.

(rit.) tutti, div., arco

Passionate

( ) 3

I Vn.

= 96–100

* unis.

3

tutti, div., arco

sempre

3

* unis.

3

sempre

3

3

3

3

( )

3

3

* unis.

( )

3

Va.

3

3

tutti, unis., arco

3 3

II tutte, div., arco

3

3

sempre

div.

3

Vc. arco Cb. * Lots of bow. Always use full bow. Athletic and dramatic.

3 3

3

39 281 Picc.

3

1 Fl.

a2

a2

2 3

1

3

Ob.

a2 2 3

3

E.H.

1 Cl. in B

3.

a2

2 3

Bs.Cl.

Bn.

1 2

Cbn.

2.

a2

1 2

3

3

Hn. in F

a2

4.

3 3

a2

3 4 3

3 3

1 Picc.Tpt. in B

3

3 3

3

2 3

1 Tpt. in C

3 3

2 3

1.

Tbn.

3

3

1 2

Bs.Tbn. Tba.

Timp.

(Glock.)

(Glock.)

l.v. sempre

l.v. molto

3

1 3

(Xyl.) 2

3

3

Perc.

(Mar.) 3

3 3

(Crotales)

(Crotales)

l.v. sempre

3

3

4

l.v. molto

Cel.

1

D C A

D B F G A

Hp.

2

B E F G

div.

I

3 3 3

Vn.

div.

II 3

3

3

Va.

unis.

Vc. arco Cb.

40 = 132

286 Picc.

3

3 3

1

3

3

Fl. 2 3

3

3 3

1

3 3

Ob.

2.

3

a2

3

2 3 3

E.H.

solo 1 Cl. in B 2 3

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Picc.Tpt. in B 2 3

1 3

Tpt. in C

3

2 3

1.

Tbn.

1 2 3

3

Bs. Tbn. Bs.Tbn. Tba. 3

Timp.

(Glock.)

1

2 Perc.

3 (Crotales) 4

Cel.

1

Hp.

2

= 132

3

a Vn. I

pizz.

arco

unis., pizz.

arco

b

div.

Vn. II non div. pizz.

arco

pizz.

arco

3

Va.

Vc. 3

pizz.

Cb. l.v. molto

41 293

rit.

= 92–96

Picc. striking 1 sempre Fl.

3

3

3

3

3

3

3

3

3

3

3

2 poss.

sempre

3

3 sempre 1

Ob.

a2

3

3

3

3

3

3

2.

2 3

3

3

3

sempre E.H.

1 sempre

Cl. in B

a2

a2

2 3

3.

3

3

3

3

3

3

Bs.Cl.

Bn.

1 2

Cbn.

Hn. in F

1 2

3 4

3

3

3

3

3

3

1 Picc.Tpt. in B

3

3

3

sempre

3

2 sempre 1

3

Tpt. in C

3

3

3

3

3

sempre

sub.

sempre

3

3

2 3

Tbn.

3 3

sub.

2.

1 2

3

3

3

sempre

1.

3

brazen

sub.

Tba.

Bs.Tbn. Tba. brazen Timp.

(Vib.)

Glockenspiel

1 Ped.

5

(Xyl.)

3

3

3

3

3

3

3

2 3

Perc.

3

(Mar.) 3 7:6 3

3

3

(Tubular Chimes)

5 Tom–toms

4 Ped.

Ped. 3

intense

Cel.

3

3

3

3

3

secco 3

gli

ss.

1

3

3

ss.

gli

D C B /E F G A

B F G

Hp.

D C E G A

2

rit.

= 92–96

pizz.

arco

a 3

3

3

3

3

3

3

3

3

3

sempre

3

Vn. I b sempre

3

3

3

a sempre Vn. II

sempre

3

b pizz.

sempre

sempre

3

3

Va. pizz., sul G Vc. (pizz.)

Cb.

42 298 Picc.

3

sub.

1 3

Fl.

2 3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

1 3

bold Ob.

(3.)

2.

a2

2 3 bold

3

3

E.H. bold

1 3

Cl. in B

a2 2 3

a2 3

3

Bs.Cl.

Bn.

1 2

Cbn. a2 Hn. in F

1 2 a2

3.

3 4 3

3

3

3

3

3

3

3

1 Picc.Tpt. in B

3

3

solo

2 sempre

3

3

1 Tpt. in C

3

3

3

3

3

3

3

2 3

3

Tbn.

3

3

3

1 2 (Tba.)

Bs.Tbn. Tba.

Timp. optional: tacet

(Glock.)

Vibraphone

l.v.

1

secco (Xyl.) 3

(Xyl.)

3

2 Perc.

secco

(Mar.) 3 3

3

(5 Tom–toms

3

3

3

3

3

Tubular Chimes

4 3 3

3

3

Ped. 3

3

bold

Cel.

3

3

3

3

3

1

D C B/E F G A

2

D C B/E F G A

Hp.

non div. a 3

3

3

3

3

Vn. I

non div. b 3

3

3

3

sub. non div.

a 3

Vn. II

3

3

3

3

non div. b 3

3

3

3

3

arco

Va. non div. sul D+A. Vc.

Cb.

bold arco

43 303 Picc.

3

1

3

Fl.

a2 2 3

1

3

Ob. 2 3

3

E.H.

1 3

Cl. in B

2.

2 3

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 3

solo

3

1 Picc.Tpt. in B

3 3

to st. mute

3

2 3

to st. mute

st. mute

to st. mute

st. mute

1 Tpt. in C 2

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

Glockenspiel

3

3

3

1

sub.

(Xyl.) 2 Perc.

7:4

3

3

3 (Tubular Chimes)

(Tubular Chimes)

4

Ped.

Cel.

gliss.

1

C B F G A

D C B /E F G A

Hp.

2

a

3

sempre Vn. I b

3

(div.)

Vn. II

3

Va.

3

div.

Vc.

Cb.

sub.

44 308 Picc.

3

3

3

3 3

1

3

3

3

3

3

3

sempre

Fl.

(a2)

a2

2 3

2.

3

3

3

1 3

3

3

3

3

3

Ob. 2 3

3

3 sempre

3

3

3

3

3

sempre

E.H.

1 Cl. in B

2 3

3

3

3

sub.

3 3

Bs.Cl.

3 3

1.

Bn.

3 3

1 2

3 3

3

Cbn.

3

1.

1 2 Hn. in F

3 3

33

3

3.

3 4

3 3

(solo)

5:4

3 3

3

1 3

Picc.Tpt. in B

sub.

st. mute 3

3

bold

3

sub.

3

3

3

2 sub.

1 3

Tpt. in C

3

3 3

3 3

3

2 3

Tbn.

1 2 3

3 3

Bs.Tbn. Tba.

Tba.

3

Timp.

(Glock.)

3

1 3

sub.

3

(Xyl.) 2 Perc.

3

3

3

3

3

5:4

(Mar.) 8va

3 (Tubular Chimes)

5:4

7:4

3

4 secco 3

5:4

Cel.

8va

3

secco

3

3

8va

gliss.

3

3

8va

sub.

1

rubato

Hp.

3

D E

F

8va

4:3

.

gliss

A

2

a

3

3

3

3

3

3

3

Vn. I 3

b

3 sempre

a

3

3

sub.

Vn. II b

3

3

3

3

sempre pizz.

3

div., arco

Va. 3

unis., pizz.

div. (pizz.)

arco (div.)

Vc. 3

(pizz.)

Cb.

arco

45 accel. molto solo

312 Picc.

3

3

1 Fl.

3

(2.)

3

3

3

3

3

3

3

3

a2

2 3 3

3

3

3

1 3

3

3

Ob.

a2

2 3 3

3

3

3

3

3

3

3

E.H.

Cl. in B

1

a2

2 3

Bs.Cl. a2 1 2

Bn.

Cbn. (1.)

Hn. in F

1 2

3

3

(3.)

3 4

3

3 3

3

3

3

3

to st. mute

3

1 Picc.Tpt. in B

cresc.

3

3

3

3

remove mute

solo

2 cresc. solo

remove mute

1 Tpt. in C

3

3

3

3

cresc.

3

3

solo

2 3

3

3

cresc.

3

3

3

sub.

1., 2. to st. mute

Tbn.

1 2 (Tba.)

Bs. Tbn.

Bs.Tbn. Tba.

Timp.

1

2 Perc.

3

4 3

3

3

3

3

Cel. 3

3

3

3

3

3

C B E

1

Hp.

F G

short and quick gliss. "zing"

D F

2

accel. molto a

Vn. I

3

b 3

3

3

sub.

a Vn. II b 3 3

a 3

Va. b 3

sul C

sub.

unis.

Vc.

pizz.

Cb.

46

Punchy; Dance–like = 138

(accel. molto)

318

=

Picc.

1 3

Fl.

3

3

3

3

a2 2 3

3

1 3

Ob.

a2 2 3 3

E.H. 3

1 Cl. in B

3

3

3

3

3

3

a2 2 3

Bs.Cl. a2 Bn.

1 2

Cbn.

1 2 Hn. in F 3 4

1 Picc.Tpt. in B 2

1 Tpt. in C

(st. mute) 2

1. st. mute Tbn.

1 2 Bs. Tbn. to st. mute

Bs. Tbn. solo Bs.Tbn. Tba.

Timp.

Vibraphone 1 sempre Ped.

Glock.

Ped.

2 Perc.

3 5 Tom–toms 4

Cel.

secco

1

A

D

D

2

A

D

D

Hp.

(accel. molto)

Punchy; Dance–like = 138

div.

3

a Vn. I

div. b unis.

Vn. II unis.

Va. pizz.

Vc. (pizz.)

Cb.

=

47 327 Picc.

1 Fl.

a2 2 3

1 Ob.

(a2) 2 3

E.H.

1 Cl. in B

(a2) 2 3

Bs.Cl.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 st. mute 1 Picc.Tpt. in B 2 without mute 1 Tpt. in C 2 (1.)

Tbn.

1 2

Bs.Tbn. Tba.

Timp.

(Vib.) 1 Ped. (Glock.)

Ped.

Ped. sim.

2 Perc.

(Mar.) 3 (5 T.–toms) 4

Cel.

1

D B E G A

D C B /E F G A

2

D B E G A

D C B /E F G A

Hp.

unis. a Vn. I

unis. b

a Vn. II b

a Va. b div., arco Vc. arco

Cb.

48 335

(silent)

(silent)

Picc.

8va

8va

8va

8va

8va

1 Fl. 2 3

1 Ob. 2 3

E.H.

1 Cl. in B 2 3

Bs.Cl.

Bn.

1 2

Cbn.

1.

1 2 Hn. in F 3 4

1 Picc.Tpt. in B 2

1 Tpt. in C 2 2.: st mute Tbn.

1 2 Bs. Tbn.: st mute

Bs.Tbn. Tba.

*

)

or

)

solo

Timp. (

(

sempre Bass Drum

1

2 Perc.

3

4

Cel.

gli

gli

gli

gli

ss.

ss.

1

Hp.

ss.

2

(div.) (silent) Vn. I non div. a Vn. II

non div. b

(div.)

Va.

(div.)

Vc. arco Cb.

* If two 26" drums are available play D up the octave. If not, play D down the octave on Drum I.

ss.

49 347 Picc. sempre

1

Fl.

2

3 sempre 1 Ob.

2.

2 3

E.H.

1

Cl. in B

2

3 sempre Bs.Cl.

Bn.

1 2

Cbn. (1.)

1 2 Hn. in F

sempre

3.

3 4 remove mute 1 Picc.Tpt. in B 2

1 Tpt. in C

remove mute 2 1., 2. remove mute

Tbn.

1 2 Bs. Tbn. remove mute

Bs.Tbn. Tba.

Timp.

Vibraphone 1 2 Bongos 2 Congas

Ped.

sim.

2 Perc.

Xylophone 3

4

Cel.

secco

1

C

D

B

G

D

A

2

C

D

B

G

D

A

Hp.

div. a sempre Vn. I

div. b unis.

div. a Vn. II

sempre b unis.

metĂ pizz.

Va. pizz. (div.)

Vc. pizz.

Cb.

sempre div. (pizz.)

50 355

.=

Picc.

1

Fl.

2

3

1 Ob.

(2.)

2 3

E.H.

1

Cl. in B

2

3

Bs.Cl. 1.

Bn.

1 2

Cbn.

(1.)

1 2 Hn. in F

(3.)

3 4

1 Picc.Tpt. in B

without mute 2

1 Tpt. in C

without mute 2

Tbn.

1., 2. without mute

1., 2. to st. mute

1., 2. st. mute

Bs. Tbn.: without mute

Bs. Tbn. to st. mute

Bs. Tbn.: st. mute

1 2 poss.

Bs.Tbn. Tba. Tba. solo

poss.

Timp.

(Vib.) 1 Ped.

(2 Bongos, 2 Congas)

Ped.

2 8va

Perc.

(Xyl.) 3 Tamtam (L.) 4

gl iss

.f

re

ely

Cel.

D E G

1

gl

iss

.f

re ely

Hp.

B F G A

2

unis.

.=

a unis.

Vn. I b

non div.

non div.

non div.

non div.

non div.

non div.

a Vn. II b arco (div.)

unis.

arco (div.)

unis.

Va.

Vc. div.

arco Cb. sempre

51

Vivid and forceful = 92–96 361

fltg.

Picc.

1

3

3

3

3

3

3

3

3 3

Fl.

2.

2 3 3

3

3

3

3

3

3

3

1 Ob.

2.

(2.)

2 3

E.H.

1 Cl. in B

2.

2 3

3

3

3

3

3

3

3

3

Bs.Cl.

Bn.

1 2

Cbn. sempre 1 2 Hn. in F 3 4 without mute

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 Picc.Tpt. in B

3

3

3

3 3

2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 Tpt. in C

3

3

3

3

3

3

3

2 3

(st. mute)

3

2.

Tbn.

1 2 Bs. Tbn. (st. mute)

Bs. Tbn. re move mute

Bs.Tbn. Tba.

Timp.

(Vib.) 1

3

3

secco Xylophone

3

3

3

3

3 3

3 3

3

3 3

3

3

3

3

3

3

2 3

Perc.

Marimba

3 3

3

3

3

3

3

3

3

3

4

3

Cel.

3

3

3

3

3

3

3

3

3

3

3

3

secco

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

secco

1 Hp.

2

Vivid and forceful = 92–96 a 3

3

3

3

3

3

3

3

3

Vn. I b

3

a 3

3 3

Vn. II

3

3

3

b 3

3

Va. 3

Vc. unis.

Cb.

3

52 366 Picc.

3

3

1

3

3

3

3

3

3

3

3

3

3

3

3

(2.)

Fl. 2 3

3

1 3 3

Ob. 2 3

E.H.

1 3

Cl. in B

3

3

3

3

3

2.

2 3

3

3

3

3

3

3

3

Bs.Cl.

1.

Bn.

1 2

Cbn.

1 2 Hn. in F 3 4 3

3

3

3

3

3

3

3

1 Picc.Tpt. in B

3

2

1 Tpt. in C

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

2 (2.)

Tbn.

3

3

3

1 2

Bs.Tbn. Tba.

Timp.

(Vib.)

(Vib.)

1 3

3

(Xyl.)

Ped.

3

2 3

Perc.

3

3

3

3

3

(Mar.)

(Mar.)

3 3

3

3

5 Tom–toms solo 4 3 3 3

Cel. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1

Hp.

2

a

3

3

3

3

Vn. I b 3

a

3

3

3

3

3

3 3

3

3

3

3

3

3 3

3

Vn. II b

3

3

3

3

3

3 3

3

div.

Va. 3

div.

Vc.

Cb.

3

53 fltg.

371 Picc.

7:4

5:4 sempre

3 8va

ossia: (

)

1 5:4 sempre ( )

Fl. 2 3

1 3

Ob. 2 3

3

E.H. 3

1 Cl. in B

3

3.

(2.)

2 3

3

3 3

Bs.Cl. 1.

1 2

Bn.

3

Cbn. 3

a2

a2

3

3

1 2

3 3

3

3

3

3

sub. sub.

bold Hn. in F

3 3

a2

3

3

3

3

3

bold bold 3

3

3 4 3

3

3

bold

3

1 Picc.Tpt. in B

3 3

2 3

1 Tpt. in C

3

3

2 3

3

1., 2 without mute

1., 2. remove mute Tbn.

1 2 3

Tba.

3

Bs. Tbn.: without mute

3

Bs.Tbn. Tba. 3

Timp.

1 Tamtam (M.) 2 Xylophone

Perc.

3

3

(Mar.)

Tubular Chimes 4

3

Ped.

Cel.

ss.

gli

1

D C B/E F G A

D B A

Hp.

2

div.

unis.

I sub.

div., arco

div.

Vn. II

sub. unis.

3

(div.)

div., arco

3

()

Va.

3

sub.

3

3

3

sub.

3

a sub.

3

Vc.

3

b 3

3 3

Cb. 3

3

3

3

sub.

54 fltg.

376 Picc.

3

9:8

5:4

fltg. fltg.

1 5:4 Fl.

fltg.

2.

2 3

5:4

(a2) 5

5:4

sempre

1 3

Ob.

3

3

3

3

3

2 3

E.H.

1

3

3

3

Cl. in B

3

3

3

2 3

(1.)

Bn.

3

3

3

Bs.Cl.

2.

1 2

3

3

3

3

3

3

Cbn.

3

1 2 Hn. in F

3

3

3

3

3 4 3 3

1 Picc.Tpt. in B

3

3 3

3

2 3

1 Tpt. in C

3

3

3

3

3

3

2

3

Tbn.

1 2 3

3

a2

3 3

3

Bs.Tbn. Tba.

Timp.

(Vib.) 1 Ped. sempre (Xyl.)

3

2 3

Perc.

(Mar.) 3 3

3

(Tubular Chimes) 4 Ped. sempre

Cel.

sempre, secco

1

sempre

G

G

2

sempre

G

G

Hp.

unis., pizz. sul A sul D

sul A

sul A+D non div.

poss. sempre unis., pizz. sul A sul D

sul A

sul A+D non div.

poss. sempre unis., (pizz.) sul A sul D

sul A

sul A+D non div.

I Vn. II

Va. poss. sempre (pizz.)

Vc. poss. sempre pizz.

Cb. poss. sempre Note to Conductor: pizz. must be

poss.

55 380 Picc.

1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

(a2)

Fl. 2 3

1 3

Ob. 2 3 3 3

E.H.

1

3

Cl. in B

3

a2 2 3 3

3 3

Bs.Cl.

(2.)

Bn.

a2

1 2 3

3 3

3

3

3

3 3

Cbn.

3

3

1 2 3

Hn. in F

3

3

3

3

3

3

3

3

3 4 3

1 Picc.Tpt. in B

3

3

3

3

3

3

3 3

3 3

3 3

3

2

1 3

Tpt. in C

3

3 3

3

3 3

3

3 3

3 3

3 3

3

2 3

Tbn.

1 2 3

3

a2 3

Bs.Tbn. Tba.

3 3

Tuba ossia: (

3 3

)

(

)

3

(

) 3

Timp.

3

(Vib.) 1 (Xyl.) 2 3

Perc.

(Mar.) 3 3

(Tubular Chimes)

3

4

3

Cel.

1

3

poss.

2

3

poss.

Hp.

non div.

arco sul A

non div.

div., arco sul A+D

3

I Vn.

3

II 3

non div.

arco sul D

div.

unis., arco sul A

Va.

Vc. 3

Cb.

3 3