Thomas TERPSICHORE'S DREAM

Augusta Read Thomas

TERPSICHORE’S DREAM for chamber orchestra

Full score

from the G. Schirmer Rental Library Date of Printing_________

G. Schirmer, Inc. New York, NY

Augusta Read Thomas

TERPSICHORE’S DREAM for chamber orchestra

premiered on October 18, 2007 by the Utah Symphony, Cliff Colnot, conducting

G. Schirmer, Inc. New York, NY

Instrumentation 2 Flutes (2nd doubling Piccolo) Oboe 2 Clarinets in B=(2nd doubling Bass Clarinet) Bassoon 2 Horns in F 2 Trumpets in C Trombone Percussion (4 players) 1. Glockenspiel, Marimba (5 octave), 4 Graduated woodblocks, 2 Bongos, Claves, Large suspended cymbal (bow needed) 2. Vibraphone (motor always off, bow needed), Crotales (2 complete octaves, bow needed), 2 Conga drums, 2 Trianges (small, large) 3. Tubular chimes, 3 Suspended finger cymbals (played with triangle beater, small, medium, and large), Claves, Snare drum, Large bass drum, Medium tamtam (bow needed) 4. Xylophone, Crotales (2 complete octaves, bow needed), Sizzle cymbal (bow needed), 3 Triangles (small, medium, large), 4 Tom-toms, Very large tamtam

Piano (doubling Celesta) 2 Harps Strings (approximately 9/8/7/6/3 players)

duration circa 17 minutes Transposed Score Grace notes come before the beat; rolled chords start on the beat All tremolos should always be faster than the sixteenth notes Piano/Celesta should be located at the back of the chamber orchestra with the percussion If two keyboard players are available, they might want to share the piano/celesta part, one playing piano and the other playing celesta As this work is quite loud and brassy in some places, it is advised that the maximum number of string players be used Two extra percussion players may be used as assistants as needed

with admiration and gratitude to Cliff Colnot

TERPSICHORE’S DREAM (Chamber Orchestra) Dancelike and playful

= 66–72*

** ***

*****

Augusta Read Thomas (2007)

1 Flute (Piccolo)

Flute 2

Oboe

1 Clarinet in B

B Clarinet

(Bass Clarinet) 2

Bassoon pizzicato-like

*** 1 Horn in F 2

1 Trumpet in C 2

Trombone

***

2 Bongos

solo

1

Vibraphone (motor off) 2 Percussion

Ped.

Tubular Chimes 3 in background Ped.

Large Triangle

Ped.

Ped.

Xylophone

4

***

Piano pizz. (inside piano)

in background; blend with pizz.

ord. (on keyboard)

Piano**** (Celesta) ❉

***

solo

❉ (solo)

Harp 1

DC B /EF GA

*** Harp 2

solo

DCB/E F G A

Dancelike and playful ***

= 66–72* pizz.

Violin I pizz.

0

l.v. molto

div.

unis.

0

Violin II pizz.

Viola pizz.

Violoncello

Contrabass

*Note to conductor: Tempo can fluctuate at the discretion of the conductor, and depending on the acoustic of the concert hall. **Note to conductor: Measures 1 and 2 are like a "question mark". Measure 3 is like the "start" of the piece. ***Note to all: Grace notes come before the beat. Rolled chords start on the beat. ****Piano/Celesta must be playing from the back of the orchestra, located near the percussion. *****Note to conductor: The 4/8 and 2/8 measures are like momentary "interruptions."

Corrected 2/2010

Copyright © 2007 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 8 1 Fl. 2

Ob.

1 Cl. in B 2 echo

Bn.

1 blend with pizz.

Hn. in F 2

1 Tpt. in C

st. mute 2

Tbn.

(2 Bongos)

solo

1 Small Triangle solo

Vibraphone

2 Ped.

Perc.

Ped.

(Tub. Ch.) 3 Medium Triangle solo

Ped. (Xylo.)

4

pizz.-like; secco

Pno.

secco

â?‰

G

Hrp. 1

F

Hrp. 2

0 0

Vn. I

arco pizz.

Vn. II

Va. sub.

Vc.

Cb.

3 17

solo

1

3

Fl. 2 3

Ob. 3

1 3

Cl. in B

sub. sub.

sub.

2

Bn. 3

1 Hn. in F

espr.

2 (senza sord.)

espr.

solo

3

Tpt. in C

via sord.

senza sord.

solo

2 3

Tbn.

3

(2 Bongos)

solo

1

3

2 secco

(secco)

Small Suspended Finger Cymbal with Triangle beater

Perc.

sub.

Ped.

Tub. Ch.

3 3

secco Crotales

Ped.

Small Triangle

4

secco

Pno.

sub.

â?‰ P.D.L.T.

ord.

Hrp. 1

P.D.L.T.

Hrp. 2

ord.

F

all in one bow

arco Vn. I light and bouncy 0

sub.

zing!

zing! arco

pizz.

Vn. II

arco

6 sole, div. a 6

tutte, unis.

pizz.

div.

Va.

zing!

div.

Vc.

pizz.

Cb.

unis.

4 25 1 3

Fl.

solo 2 suddenly playful and jumpy

Ob.

1 Cl. in B

light and bouncy 2

Bn.

1 Hn. in F 2

1 Tpt. in C

st. mute 2

Tbn.

Glockenspiel 1

(Vib.) 2 secco Perc.

Medium Sus. Finger Cymbal with triangle beater

Claves

Medium Triangle

Xylophone

3

4

Pno.

â?‰

G

Hrp. 1

Hrp. 2

C

F

4 soli, div. a 4

tutti, unis.

Vn. I bell-like

Vn. II unis.

Va.

Vc.

Cb.

pizz.

C F

5 33 1

Fl. 2 sempre

Ob.

1 Cl. in B

punchy 2

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

Claves

Marimba

1 blend with pizz.

2 secco

Perc.

Tub. Ch. 3 secco 3 Triangles (Large, Medium, Small)

solo

4

inside piano

ord. (on keyboard)

pizz.

secco

secco

Pno.

â?‰ ord.

P.D.L.T.

A

Hrp. 1

ord.

P.D.L.T.

Hrp. 2

F

(non harmonic)

Vn. I

Vn. II

Sola 1Âş

arco

Va. espr.

Vc.

Cb.

6 41

*

1 rubato Fl.

solo 2 fanfare-like

sub., bold

as if disappearing into the sky Ob. in background solo 1 Cl. in B 2

Bn.

* 1 Hn. in F 2

1 Tpt. in C 2

Tbn.

* 1 l.v. bowed

(Vib.) 2

Perc.

Ped.

(Tub. Ch.) 3

4

* Pno.

* Hrp. 1

A

* Hrp. 2

* Vn. I

arco Vn. II

Va. as if disappearing into the sky

Vc.

Cb.

*Note to conductor: It is optional whether or not to put a slight fermata in the first half of measure 44.

intense

vehement! as if the work ended here

7 49

solo

1 poss. poss.

Fl.

solo 2 playful; phrase measures 54-56 as if they are reaching toward measure 57.

Ob.

1 Cl. in B 2

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

(Marimba) 1

Small and Large Triangles 2

Perc.

(Tub. Ch.) 3 secco Ped. 4

secco

Pno.

P.D.L.T.

ord.

F

Hrp. 1

Hrp. 2

Solo 1ยบ, arco (pizz.)

tutti, pizz.

0

Vn. I espr.

Solo 1ยบ

pizz.

arco

Vn. II espr. tutte, pizz.

echo flute

Va. (pizz.)

div. unis.

Vc.

(pizz.)

Cb.

0

0

8 57 1 solo Fl. 2

Ob.

solo 1 passionate interruption

Cl. in B 2

Bn.

1 Hn. in F

poss.

2

(senza sord.)

(optional: tacet the high C)

solo

Tpt. in C

(st. mute)

via sord.

2

Tbn.

2 Bongos

solo

1 3

3

3

Vibraphone (with mallets) 2 secco Perc.

Ped.

(Tub. Chimes) 3 secco

Ped.

Xylophone

4

solo

Pno.

â?‰

Hrp. 1

D F

Hrp. 2

arco

pizz.

Vn. I

(non trem.)

tutti, arco

pizz.

0

Vn. II

0

pizz.

arco

Va.

arco

pont.

Vc.

silvery Cb.

pizz. (ord.)

9 63

solo

1 sempre Fl.

solo 2

Ob.

1 Cl. in B 2

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

Marimba 1

Crotale

(stop crotale)

Vibraphone

2 Small Sus. Finger Cym. with triangle beater

Perc.

secco

Medium and Small Sus. Finger Cymbals

3

4

Pno.

F

Hrp. 1

F

Hrp. 2

Vn. I

arco Vn. II

Va.

Vc.

Cb.

Solo 1ยบ

10 70 1 Fl. 2

Ob.

1 Cl. in B 2

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

(Mar.) 1

(Vib.) 2 secco Perc.

Claves 3

4

Pno.

Hrp. 1

C

Hrp. 2

Vn. I

tutti, pizz.

Vn. II

sul A Va.

Vc.

Cb.

Florid and playful

11

= 76–84

solo, bebop-like

76 1 3

sub.

3

sub.

3

Fl. 2

3

poss.

poss.

Ob. 3

1

solo, bebop-like

3 3

Cl. in B

3

sub.

sub.

2 3

Bn.

3

1 3

Hn. in F 2

3

1 3

Tpt. in C

senza sord.

2 3

Tbn.

3

(Mar.)

solo

1

Small Triangle 2 Perc.

Tub. Chimes 3 secco (Xylo.)

solo

4

solo

Pno.

secco

Hrp. 1

D B E A

Hrp. 2

D B A

Florid and playful Vn. I

sul A Vn. II

Va.

Vc.

Cb.

= 76–84

3

12 solo

83

3

1 Fl.

solo, bebop-like 2 3

3

3

sub.

Ob.

1 3

3

Cl. in B

solo, bebop-like

3

solo

2

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

1

2

Perc.

3

4

Pno.

Hrp. 1

Hrp. 2

Solo 1 arco

sul E

Vn. I

Vn. II

Va.

(pizz.)

Vc.

(pizz.)

Cb.

13 *

91

sub.

Fl.

solo

5

3

espr.

sub.

3

Ob. sub.

1 3

3

Cl. in B

solo 2 fanfare-like

3

solo Bn.

* 1 Hn. in F 2

1 Tpt. in C 2

Tbn.

* 1

2

Perc.

3

4

* Pno.

* Hrp. 1

* Hrp. 2

* tutti, pizz.

Vn. I

(pizz.)

Vn. II

Va.

(pizz.)

l.v. molto

(pizz.)

l.v. molto

Vc.

Cb.

*Note to conductor: It is optional to observe the fermata in measure 97.

3

14 100

solo

solo

1 bright Fl.

lyrical

dramatic

solo

(solo)

solo

2 lyrical

florid

3

6

dramatic

Ob. 5

3

singing 1 Cl. in B

5

2 3

singing

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

1

2 Perc.

3

4

to Celesta

Pno.

secco

Hrp. 1

Hrp. 2

(pizz.)

Vn. I

(pizz.)

3

Vn. II

(pizz.)

Va. 3

(pizz.)

Vc.

(pizz.)

Cb.

15 109 1 3

sempre

Fl. 2 sub.

3

Ob.

1 Cl. in B 2

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

(Marimba)

3

1 sub.

2 Perc.

3

(Xylo.)

4 sub.

3

Celesta

to Piano

Cel.

Hrp. 1

Hrp. 2

arco

div.

unis.

Vn. I

Solo 1ยบ arco

non div.

tutti (arco)

Vn. II

sul A

3

sub.

3

arco Va.

Vc.

Cb.

16 118

*

3

1 3

*

Fl. 2

3

3

3

sempre

* Ob. 3

* 1 Cl. in B

* 2

* Bn. 3

3

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

1

2

Perc.

3

4

Pno.

Hrp. 1

Hrp. 2

3 soli

tutti, pizz.

*

0

0

0

Vn. I

*

0

Vn. II

* Va.

Vc.

Cb.

*Note: Tutti should punch out the accents. Not all accents line up.

0

0

17 126

solo

1 3

cantabile

Fl.

solo

(solo)

2 3

3

bright, fanfare-like solo Ob. 3

bright, fanfare-like 1 Cl. in B 2

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

1

2 Perc.

3

4

Pno.

Hrp. 1

Hrp. 2

Solo 1ยบ

tutti

arco Vn. I Solo 1ยบ

Vn. II

Va.

Vc.

Cb.

18 Graceful and warm

rit.

133

= 56–60

1 Fl.

bell-like; less loud than horn solo 2

Ob.

1 3

Cl. in B 2

Bn.

solo 1 Hn. in F

sim.

sim.

bell-like 2

1 Tpt. in C 2 solo Tbn. majestic Sus. Cym.

l.v. molto

1 3

Vib.

bowed

in background

(bowed)

l.v. molto

2 Perc.

Ped.

(Tub. Chimes) solo

blend with horn solo

3 Crotale bowed

l.v. molto 3

4

Pno.

Hrp. 1

Hrp. 2

espr.

Graceful and warm

rit.

3

= 56–60

con sord. div.

Vn. I espr.

(Solo 1º)

tutti con sord. sul E

A delicate div.

Vn. II

espr.

espr. con sord. sul E

B delicate

espr.

espr. con sord.

ord.

Va. espr. con sord. arco Vc. supporting horn arco (not muted) Cb. espr.

Ped.

19 141 1 Fl. 2 3

poss.

Ob.

1 Cl. in B 2 solo Bn. echo horn

1 sim. sempre

Hn. in F 2

1 Tpt. in C 2

Tbn. 3

3

sub.

(Sus. Cym.)

use cymbal that when bowed gives off many high harmonics

bowed

l.v. molto

1

(bowed)

(bowed)

2 3

Ped. Perc.

Ped.

Tub. Ch.

Medium Tamtam (bowed) 3 (Ped.) Sizzle Cym. (bowed)

Ped.

l.v. molto

Very Large Tamtam (felt mallet)

Crotale (bowed)

Piano

pizz. (inside piano)

l.v. molto

4

delicate ord. (on keyboard)

l.v.

Pno.

Hrp. 1

8va

gliss.

(D C B /E FG A )

Hrp. 2

l.v.

D C B E A

delicate and wispy

unis.

Vn. I

A 3

Vn. II B 3

sul A Va.

div.

Vc.

pizz.

Cb.

0

arco

3

unis., pizz.

20 147

solo

1 espr.

Fl.

solo 2 3

solo Ob. poss.

espr. solo 1

espr.

Cl. in B 2

Bn.

1 espr.

3

Hn. in F 2 st. mute 1 Tpt. in C

elegant, in background

solo 2

echo horn Tbn. poss.

(Sus. Cym.)

scrape with triangle beater from dome to rim l.v. molto

1 elegant, not rushed (Vib.)

Crotale bowed

mallets

2 Medium Tamtam bowed

Ped.

Perc.

l.v. molto

3 (Crotale) (bowed) l.v. molto

Sizzle Cym. felt mallet

l.v. molto

4

pizz. (inside piano)

resonant

Pno.

â?‰

â?‰

s.

glis

Hrp. 1

(D C B/E F GA )

l.v.

delicate and wispy

F

Hrp. 2

sul E div.

Vn. I slow, irregular tremolo 3 soli, a3

tutti, div.

unis.

Vn. II tutte

3 sole Va. 3

3

shimmering arco 3 soli, a3

tutti (arco)

Vc. 5

Cb.

shimmering

sul D

sul A

l.v. molto

21 accel.

153 1 Fl. take Piccolo 2 poss.

poss.

support horn solo

espr.

Ob.

1 Cl. in B 2

Bn.

1 3

Hn. in F 2

1 Tpt. in C 2 solo

solo

Tbn. 3

3

espr.

(Sus. Cym.)

3

slow tremolo, felt mallets

l.v. molto

1 espr. l.v. molto Vib.

warm; blend with strings

bowed

Crotale bowed

l.v.molto

2 Ped. Perc.

Medium Tamtam felt mallet

Tub. Chimes 3 Ped. (Sizzle Cym.)

bowed

l.v. molto

Very Large Tamtam (felt mallet) l.v. molto

Sizzle Cym. – felt mallets

slow roll

l.v. molto

4

solo

Pno.

(pizz., inside piano)

to Celesta

â?‰

E F

Hrp. 1

Hrp. 2

accel. (div.)

unis.

div.

via sord.

Vn. I

via sord.

3

A Vn. II

div.

3

B sempre div.

via sord.

Va. 3

sul C Vc.

Cb. espr.

via sord.

3

22 Colorful and playful 161 Rubato

= 66–72

Piccolo

Picc.

Fl.

1

Ob.

1 echo-like

Cl. in B 2

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

Glockenspiel solo

3

5

1 sempre

5

Crotale

Vibraphone (motor off)

Vib.

2 Ped. Tubular Chimes

Perc.

Ped.

3 Large, Medium and Small Triangles

Ped.

Ped.

4

Celesta solo Cel.

❉ Ped. solo

Hrp.

l.v. and resonant sempre

(D C B/EFGA )

Hrp. 2

l.v. and resonant sempre

(DCB/EF G A )

Colorful and playful = 66–72 Rubato Solo 1 senza sord.

I (Vn. II-B)

echo-like Solo 1 senza sord.

Vn. II unis. pizz., molto vib.

echo-like via sord.

senza sord.

(pizz.)

molto vib.

Va. Solo 1 senza sord.

Vc. echo-like Cb.

23 166 Picc.

Fl.

1 pizzicato-like

Ob. pizzicato-like

1 Cl. in B 3

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

1 3

Crotales 2 (Ped.)

3

Perc.

solo 3 (Ped.) Sizzle Cymbal

l.v. molto

playful Ped.

4 3

in background

3

Cel.

❉

Ped.

Ped.

3

Hrp. 1

3

❉ Ped.

3

solo

3

Hrp. 2

A

(Solo 1 ) Vn. I 3

3

echo-like (Solo 1 )

Vn. II Sola 1 arco Va. echo-like Vc.

Cb.

echo-like

echo-like

24 171 Picc.

3

Fl.

poss.

1 poss.

Ob.

1 Cl. in B 2

Bn.

fltg.

non fltg.

1 Hn. in F 2

(st. mute)

solo

via sord.

1 Tpt. in C 2

Tbn.

Marimba

Glock.

3

1

Vibraphone 2 7

Ped. 3 Suspended Finger Cymbals with Triangle beaters l.v. molto

Ped.

Perc.

(Chimes)

Chimes

solo

3 3

(Ped.) 3 Trgs.

Crotales

Sizzle Cymbal

Ped.

l.v. molto

4 in background

resonant

Cel.

(Ped.)

❉

❉ Ped. Ped.

❉

❉

Ped.

❉ Ped. 8va

3

Hrp. 1

A

D A

Hrp. 2

3 soli (senza sord.)

Vn. I tutti, unis. (senza sord.) pizz.

espr.

arco con sord.

Vn. II

tutte, pizz.

con sord.

Va.

tutti, pizz. (senza sord.)

sul A

Vc. pizz.

Cb.

arco

via sord.

25 176

non fltg.

fltg.

Picc.

solo Fl.

non fltg.

fltg.

1

sub.

solo Ob. echo trumpet

blend with pizzicato

sub.

1 bell-like Cl. in B 2 bell-like

blend with pizzicato

Bn. bell-like 1 Hn. in F

bell-like 2 bell-like senza sord.

solo

1 3

Tpt. in C 2

Tbn.

Marimba

Glock.

1 sempre solo 2 answering Chimes Ped.

Perc.

Ped.

Ped.

3 (Ped.) Large Triangle

Crotales

Ped.

4

secco to Piano

Piano

3

Pno.

playful

P.D.L.T.

ord.

Hrp. 1

D

Hrp. 2

slow tremolo 2 soli, div.

tutti, unis. pizz.

3 soli, div. a 3

Vn. I Solo 1 , arco bell-like

tutti, pizz.

3 soli

via sord.

senza sord.

Vn. II espr. senza sord.

pizz. molto vib.

3 sole, div. a 3

arco

slow tremolo

tutte, unis.

pizz.

Va.

arco molto vib.

Vc.

Cb.

5 soli, div. a 5

4 soli, div. a 4

Solo 1 pont.

gradually slow trem.

26 182 Picc.

Fl.

1

Ob.

1 Cl. in B 2

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

(Glock.)

1 sempre (Vib.) 2 Ped.

Perc.

Ped.

(Chimes)

3 Ped.

Medium and Small Triangles

Large Triangle

Ped.

3 Triangles

4

3

Pno.

heavy

Hrp. 1

D

Hrp. 2

D

C E

C

pizz.

div., arco

Solo 1

A

arco

Vn. I tutti, div. pizz.

unis.

Vn. II

div., arco

unis., pizz.

arco, div.

unis.

Va. 3

tutti, unis.

ord.

div. molto vib.

pizz.

Vc.

div. a 3 Cb.

(pizz.) molto vib.

distant

unis., arco

27 186 Picc.

3

bell-like fltg.

Fl.

1

3

dramatic

bell-like

Ob. cantabile 1 Cl. in B

blend with Violas 2 dramatic

Bn.

1 Hn. in F 2 solo 1 Tpt. in C

solo 2

Tbn.

1

solo 2 5

(Ped.)

Ped. Ped.

Perc.

2 Suspended Finger Cymbals with triangle beaters

l.v. molto

Chimes

Ped. solo

3 (Ped.)

5

Crotales

l.v. molto

Ped. 3

4

to Celesta

Celesta

Cel.

Ped. sempre, very resonant

D

Hrp. 1

E

5

3

3

C

Hrp. 2

tutti, unis. pizz.

div.

unis., arco

Vn. I cantabile div.

unis., arco

3 soli, div. a 3

Vn. II 3

Va.

3

cantabile

3

pizz.

Vc. 3

Cb.

pizz.

28 191 Picc. playful

Fl.

1 poss.

5

Ob. sempre 1 3

Cl. in B

sempre 2

Bn. 3

1 Hn. in F

shadow Violas 2

1 Tpt. in C 2

Tbn.

(Glock.)

1 3

3

(Vib.) 2

Perc.

Ped.

(Chimes)

Ped.

Note: Ties are not missing – certain notes are repeated. solo

Ped.

3 (Ped.) (Crot.) frenetic, uneven, sporadic tremolo l.v.

Ped. sempre

4

to Piano

Cel.

Piano (in these five measures, clearly voice the 3 voices)

3

Divide notes freely between two hands

â?‰

Hrp. 1

3

C

F

D

D F

Hrp. 2

(pizz.)

pizz.

Vn. I 3

sempre, playful tutti (unis.), pizz.

Vn. II

in foreground for six measures arco Va. 3

Vc.

Cb.

29 195 Picc.

3

Fl.

1 3

espr.

Ob.

3

1 3

Cl. in B

espr.

2

Bn. 3

3

1 3

Hn. in F 2

1 Tpt. in C 2

Tbn.

1 5

3

Crotales 2

Perc.

l.v.

l.v.

3 (Ped.) Xylophone

Sizzle Cymbal

l.v. molto

4 3

3

3

3

Pno.

B

Hrp. 1

F

3

A

Hrp. 2

arco Vn. I 3

arco

3

Vn. II

div.

espr.

unis.

Va. 3

Vc.

Cb.

cantabile

3

30 199

fltg.

Picc. cantabile

Fl.

1 poss.

sub.

Ob.

1 Cl. in B 2

Bn.

1 Hn. in F

poss.

2

1 Tpt. in C 2

Tbn.

(Glock.)

1 3

Vibraphone 3

2 secco for two measures

Ped. (Chimes)

Perc.

Ped.

Ped.

3

Ped.

Xyl.

4

3

3

Pno.

Ped.

Hrp. 1

resonant Divide notes between two hands

brassy

❉

3

❉ Ped.

Ped.

(D C B /EFGA)

secco

❉

D G A

D

sempre

ss.

gli

Hrp. 2

l.v.

(D CB/EFG A )

D A

sempre

G

F

Solo 1 3

Vn. I (non decresc.)

sub.

3 soli, div. a 3

pizz.

tutti, unis.

Vn. II (non decresc.)

pizz.

pizz.

3 sole, div. a 3

tutte, unis.

Va. 3

Vc. div. (pizz.)

Cb.

pizz.

(pizz.)

31 204 Picc.

3 5

fltg.

Fl.

1 sub.

Ob.

3

1 Cl. in B 2

Bn.

1 Hn. in F 2

solo 1 5

Tpt. in C

st. mute

via sord.

senza sord.

2

Tbn.

3

(Glock.)

l.v. molto

1 3

(Vib.)

l.v.

l.v.

2

Ped.

Perc.

(Chimes)

Ped.

5

3

l.v.

3 Ped.

Ped.

l.v. molto

3 Triangles 4 3

3

Pno.

brassy

â?‰ Ped.

Ped.

â?‰

Hrp. 1

G

Hrp. 2

A

D

tutti

3 soli Vn. I

3

arco ricochet

pizz.

arco

Vn. II Sola 1 (continuing violin solo) arco

poss.

3 sole (arco) tutte (arco)

Va. espr. (pizz.)

arco

Vc.

unis.

Cb.

0

l.v. for 4 beats

32 208

take Flute

Picc.

5 3

fltg.

Fl.

ord.

1

cantabile Ob.

1 Cl. in B 2 3

Bn. blend with cello pizz.

1 Hn. in F 2

st. mute 1 cantabile

Tpt. in C 2

Tbn.

(Glock.)

1 3

sempre

3

3

(Vib.) 2 Perc.

(Chimes)

Ped. 3

frenetic, uneven, sporadic trem.

Ped. sempre

Xyl. 4 5

to Celesta

Celesta

Cel.

â?‰

Ped.

s. glis

Hrp. 1

G A

(D C B /EFG A)

Hrp. 2

C

(DC B/EF G A )

Solo 1 pont.

Vn. I

pizz.

Vn. II sub. pizz.

Va. sub. pizz.

Vc. sub. (pizz.)

0

Cb.

playful

Ped.

33 212 1 Fl.

Flute 2

Ob.

1 cantabile

Cl. in B 2

Bn.

1 Hn. in F 2

via sord.

1 Tpt. in C 2

Tbn.

1 3

5:3 Crotales

5

Vibraphone

2 Ped.

Perc.

3

4:3

3 (Ped.) Ped. (Xyl.)

4 5 3 3

3

Cel.

(Ped.)

❉ Ped.

❉ Ped.

❉ Ped.

❉

C B

Hrp. 1

A

P.D.L.T.

ord.

F A

Hrp. 2

Ped.

D

(Solo 1 ) (Solo 1 ) ord. tutti, div.

Vn. I gli altri ord. arco

(gli alt.)

sub. div.

Vn. II sub.

Va.

Vc.

Cb.

34 216

= 88–96

accel.

1 Fl. 2

Ob.

1 Cl. in B 2

Bn.

solo 1 sub.

Hn. in F

bell-like solo

bell-like

bell-like

bell-like

bell-like

bell-like

sub.

2 sub. senza sord.

sub. bell-like

bell-like solo

1 Tpt. in C

bell-like

sub. bell-like

2

solo Tbn. sub. bell-like

bell-like

sub. bell-like

sub. bell-like

sub. bell-like

sub. bell-like

sub. bell-like

(Glock.)

1

(Vib.) 2 (Chimes)

Perc.

3

4

to Piano 3

Cel.

❉

(Ped.)

(D CB/EFG A )

Hrp. 1

B G

Hrp. 2

(D C B /EFGA)

accel.

= 88–96

Vn. I

Vn. II

div.

arco, pont.

unis., ord.

Va. bell-like arco Vc. bell-like

sub. bell-like

sub. bell-like arco

Cb. bell-like

35 221

*

1 Fl. 2

Ob.

Cl. in B

1

Cl. 2 take Bass Cl.

Bass. Cl.

Bass Cl.

Bn.

percussive and crisp, staccato

1 Hn. in F 2

1 bell-like

Tpt. in C 2

Tbn.

Marimba 1

2

Perc.

Large Bass Drum 3 Low Tom-toms felt mallets 4

Piano

Divide notes freely between hands

secco, gritty and staccato

Pno.

Hrp. 1

P.D.L.T.

Hrp. 2

P.D.L.T.

* Vn. I

Vn. II

Va.

pizz.

Vc. percussive and gritty

sul G pizz.

Cb. percussive and crisp

*Note to conductor: Every time this low register jig-like music appears, from here to the end of the work, it should be secco, percussive, gritty and intense. All accents should be punched.

arco

36 225 1 Fl. 2

Ob.

Cl. in B

1

gritty and intense Bass Cl.

percussive and crisp Bn.

1 Hn. in F 2

1 Tpt. in C 2

st. mute Tbn. sempre

(Mar.) 1 sempre 2 Congas 2

Perc.

(Large Bass Dr.) 3

4 Tom-toms 4

gradually crescendo across these four measures

Pno.

Hrp. 1

ord.

Hrp. 2

ord.

Vn. I

Vn. II

Va.

Vc. sempre pizz. arco

arco Cb. sempre

D

D

37 229 1 Fl. 2

Ob.

Cl. in B

1

Bass Cl. sub. solo Bn.

solo

solo

solo

solo

1 Hn. in F 2

solo

solo

solo

1 Tpt. in C

solo

solo 2

senza sord.

via sord.

solo solo

Tbn.

Glock.

1

Vib.

solo

2

Ped. Perc.

Chimes

solo

3 Ped.

Crotales 4

8va

secco

Pno.

sub.

secco

bell-like

Hrp. 1

D

Hrp. 2

arco unis., pizz.

tutti, div. (arco)

4 soli, div. a 4

unis., pizz.

0

div., arco

unis., pont.

Vn. I

unis., pizz.

arco

Vn. II

pizz.

arco

div., pizz.

arco

pizz.

arco

unis., pizz.

Va.

Vc. sub. div., pizz.

Cb.

unis., (pizz.)

sul G

38 235 1 Fl. 2

Ob.

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn. sub.

(Glock.)

1

(Vib.) 2

Perc.

(Chimes) 3

(Crot.)

4 Tom-toms

4

Pno.

(Ped.)

â?‰ secco

Hrp. 1

F A

Hrp. 2

B F

pizz.

sul A

l.v. molto

pizz.

sul A

l.v. molto

sul A

l.v. molto

arco, ord.

Vn. I

Vn. II

arco

Va.

Vc.

Cb. percussive and aggressive

39 240 1

Fl. 2

Ob. cantabile Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F

bell-like 2 bell-like

solo 1

sempre

Tpt. in C 2

Tbn. gritty sub.

(Glock.)

1

(Vib.) 2 Ped.

Perc.

Large Bass Dr.

Chimes

3 Ped. 2 Trgs.

4

bell-like

Pno.

â?‰

Ped.

P.D.L.T.

Hrp. 1

(DCB/EF G A)

P.D.L.T.

Hrp. 2

(D C B/EF GA)

pizz.

arco 2 soli, div.

Vn. I arco

zing!

tutti, unis. (arco)

2 soli, div.

Vn. II zing!

pizz. sul A

Va.

sul A ricochet Vc.

Cb.

div.

40 245 1

3

3

sub.

5

cantabile

Fl. 2

bell-like Ob. cantabile bell-like Cl. in B

1

Bass Cl.

Bn. gritty

1 Hn. in F 2

1 Tpt. in C

st. mute 2

Tbn.

1

(Vib.) 2

Perc.

sempre Ped.

(Chimes) 3 (Ped.)

rim-shot

4 Tom-toms 4

Pno.

secco ord.

Hrp. 1

sempre

ord.

Hrp. 2

D B

sempre

tutti, unis.

arco

Vn. I

3

3

cantabile pizz.

Vn. II cantabile

sempre unis., arco

pizz.

Va. sempre div.

2 soli, div.

tutti, unis.

pizz.

Vc. sempre (pizz.)

sul G

Cb. sempre

41 250 1 3

sub.

Fl.

3

(non decresc.)

3

(non decresc.)

sub.

2

Ob.

Cl. in B

1 cantabile

Bass Cl. gritty Bn.

1 Hn. in F 2

1 3

sub.

Tpt. in C 2

Tbn.

Marimba 1

2 (Ped.) (sempre)

Perc.

3 Susp. Finger Cym. with triangle beater 3

(4 Tom-toms) 4

blend into pizz. in Bass; not in foreground

Pno.

P.D.L.T.

ord.

G

sempre

Hrp. 1

P.D.L.T.

ord.

sempre

Hrp. 2

div.

unis.

Vn. I 3

3

sub.

sub.

Vn. II

Va.

div.

unis.

div.

unis.

arco

Vc.

div.

Cb.

unis.

42 255 1 Fl. 2

Ob. 3

Cl. in B

1

Bass Cl. gritty

gritty

Bn. gritty

1 Hn. in F 2

solo 1 Tpt. in C

via sord.

2

st. mute Tbn. gritty

gritty (Mar.)

1

2 Congas 2

Perc.

Large Bass Drum 3

(4 Tom toms)

ord. (on drumhead)

on rim (clicking sound)

4

always punch out the accents

Pno.

sempre; gritty and relentless

Hrp. 1

Hrp. 2

0

Vn. I 3

arco Vn. II

arco Va.

pizz.

pizz.

arco

arco

Vc. gritty arco Cb.

pizz.

arco

pizz.

43 259 1 Fl. 2

solo Ob. sempre Cl. in B

1

Bass Cl.

Bn.

solo

solo

1 sempre Hn. in F

solo

solo

2 sempre solo st. mute

via sord.

senza sord.

solo

senza sord.

solo

1 Tpt. in C 2

via sord.

senza sord.

solo

Tbn.

1

2 Perc.

Chimes 3

Ped.

on rim (clicking) 4

Pno.

Hrp. 1

Hrp. 2

div.

unis.

Vn. I

div.

unis.

div.

sul pont.

Vn. II

pizz.

arco

zing!

Va.

Vc. bold arco Cb.

pizz.

44 264 1 poss.

Fl. 2

solo Ob.

bell up for 5 bars Cl. in B

1 brassy

Bass Cl.

Bn.

1 Hn. in F 2

solo

It is alright to be rubato on the grace notes, giving them time to speak.

solo

1 sempre; relentless

sempre

Tpt. in C

solo 2 sub. solo

solo

Tbn. sub.

1

2 Perc.

3

4

Pno.

Hrp. 1

E

Hrp. 2

B E

Vn. I

unis.

zing!

ord. sul A

Vn. II zing!

Va. ricochet sul A Vc.

Cb.

45 272 1

Fl.

fltg.

fltg.

2

Ob.

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F

poss.

2 poss.

1

Tpt. in C

5

solo 2 sub.

Tbn. sub.

Glock.

1

(2 Conga Dr.) 2 Snare Dr. (snares off) felt mallets

Perc.

3

3 Triangles 4

always punch out the accents

Pno.

â?‰

Ped.

Hrp. 1

(DCB/E F GA)

Hrp. 2

(DC B/E F GA)

3 soli, div. a 3 Vn. I zing!

5

3 soli, div. a 3 Vn. II

2 sole, div.

tutte, unis.

Va. zing!

Vc.

arco Cb.

46 277 1 Fl. 2

Ob.

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2

st. mute 1 Tpt. in C

st. mute 2

Tbn.

1

(2 Conga Dr.) 2 Perc.

(Snare Dr.) 3

4 Tom-toms

on rim (clicking)

ord. (on drumheads)

on rim

ord.

rim shot ("x" on stem)

4

* Pno.

Hrp. 1

Hrp. 2

D

tutti, unis.

Vn. I

tutti, unis.

Vn. II pizz. sul G & D

l.v. molto

arco, pont.

Va.

Vc. div.

unis.

Cb.

sub.

*For the next six measures, the pianist can elect to not play the chords with accents and only play the running line, if playing both is too cumbersome.

47 280 1 Fl. 2

Ob.

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

(Glock.)

1

2

Perc.

(Snare Dr.)

Large Bass Drum

3 ord.

4

Pno.

P.D.L.T.

Hrp. 1

B

Hrp. 2

P.D.L.T.

Vn. I

Vn. II ord.

Va.

Vc.

Cb.

C B

solo

48 283 1 Fl. 2

Ob.

Cl. in B

1

take B Clarinet Bass Cl.

Bn.

solo 1 poss.

Hn. in F 2

solo

via sord.

1 Tpt. in C

via sord.

2

Tbn.

(Glock.)

1

(2 Conga Dr.) 2 sub.

Perc.

Chimes 3 Ped. (4 Tom-toms) 4

to Celesta

Pno.

ord.

E

Hrp. 1

ord.

E G

Hrp. 2

div.

unis., pizz.

unis.

div.

0

Vn. I div.

unis.

div.

pizz.

Vn. II

pont.

div.

div.

unis. ord.

Va.

pizz.

Vc.

Cb.

unis.

0

49 288 1 playful Fl. 2

Ob. brassy solo 1 Cl. in B 2

Bn. brassy

brassy

solo 1 sempre

Hn. in F

solo 2 sempre senza sord.

solo

(solo)

1 5

Tpt. in C

senza sord.

solo

2

solo Tbn. sub.

1

2 Perc.

3

4

Cel.

Hrp. 1

(DCB /EF GA)

C B G

Hrp. 2

(D CB /EF G A)

D B E F G A

Vn. I

Vn. II

unis., pizz.

Va.

arco Vc.

Cb.

div.

50 294 1 Fl. 2

Ob.

solo 1 Cl. in B 2

Bn.

fltg.

1 blend into cellos

Hn. in F

fltg.

2 blend into cellos

1 5

Tpt. in C 2

(solo) Tbn. sub.

sub.

1

2 Perc.

3

Sizzle Cymbal 4

Cel.

Hrp. 1

Hrp. 2

arco

0

Vn. I

arco

0

Vn. II

arco Va.

unis.

Vc.

Cb.

l.v. molto

51 300 1 3

3

3

3

3

3

Fl. 2

Ob. solo

3

1 Cl. in B

B Clarinet

solo

3

2

Bn.

non fltg.

1 Hn. in F

non fltg.

2

1 Tpt. in C 2

Tbn.

2 Bongos 1

Vibraphone 2 secco; blend with pizz.

Perc.

Claves 3

2 Triangles 4

Celesta

Cel.

secco

Hrp. 1

(DC B/EF G A)

Hrp. 2

(DCB/E FGA )

A

pizz.

0

0

0

Vn. I

pizz.

0

Vn. II

pizz.

Va.

pizz.

Vc.

pizz.

Cb.

0

0

4 sole div. a 4

arco

52 305

fltg.

fltg.

solo

1 poss. sempre Fl.

fltg.

2

Ob.

solo

(solo) 5

1 Cl. in B

percussive 5

2 punchy solo

(solo) 5

Bn. percussive

1 punchy

Hn. in F 2

punchy 1 3

Tpt. in C

3

2

solo

solo Tbn.

3

percussive (2 Bongos) 1 (Vib.) 2 Perc.

(Claves)

Bass Drum

3

Sizzle Cymbal 4 in background

to Piano

Piano

Cel.

P.D.L.T.

Hrp. 1

E

E G A

P.D.L.T.

E A

Hrp. 2

arco

half: pizz. gli alt.: arco

tutti pizz.

arco

half: pizz. gli alt.: arco

tutti pizz.

arco

Vn. I zing!

Vn. II

tutte, unis.

arco

5

pizz.

0

div.

unis.

Va.

arco

pizz.

arco

arco

pizz.

Vc. 3

5

arco

pizz.

div.

unis., arco

Cb. 3

div.

53 310 1 Fl. 2

Ob.

1 Cl. in B 2

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

4 Wood Blocks 1

2 Congas 2

Perc.

(Bass Dr.) 3

4

over the next 11 measures is a very gradual crescendo to

Pno.

Hrp. 1

Hrp. 2

Vn. I cantabile

Vn. II

arco Va.

unis.

Vc.

div.

Cb.

unis.

54 313 1 Fl. 2 3

sempre

Ob. 3

1 Cl. in B

take Bass Clarinet 2 3

Bn.

1 Hn. in F 2

st. mute

via sord.

1 3

Tpt. in C

3

st. mute

via sord.

2 3

3

3

3

st. mute Tbn.

(Wood Blocks) 1

(2 Congas) 2

Perc.

Claves 3

4 Tom-toms

on rim (clicking)

4

sub.

8va

Pno.

(loco)

ord.

Hrp. 1

ord.

Hrp. 2

Vn. I

arco Vn. II cantabile

Va.

Vc.

Cb.

55 317 1 3

3

3

3

Fl. 2

Ob.

Cl. in B

1 3

Bass Clarinet Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

1

2

Perc.

Snare Dr. (snares off, felt mallet) 3

ord. (on drumhead) 4 3

Pno.

Hrp. 1

Hrp. 2

Vn. I 3

3

3

3

Vn. II

Va.

Vc. sub.

Cb.

56 321 1

Fl. 2 5

solo Ob.

3

3

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2 5

senza sord.

1

3

3

Tpt. in C

senza sord.

2

percussive (st. mute)

via sord.

Tbn.

(Wood Blocks) Glock.

3

1

(2 Congas) 2 Perc.

Claves 3

(Tom toms)

(on drumhead)

4

Pno.

Hrp. 1

Hrp. 2

Vn. I

Vn. II

5

Va. 3

3

pizz.

Vc.

Cb.

57 325

Fl. 1

Ob.

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C

bell-like

sub.

sub.

sub.

sub.

sub.

bell-like

sub.

sub.

sub.

sub.

sub.

solo 2

Tbn.

4 Wood Blocks 1

Vibraphone 2 secco; blend with Harps Perc.

3 Finger Cym.

Bass Drum

3 (4 Tom-toms) 4

Pno.

Hrp. 1

G

A

Hrp. 2

G

A

Vn. I

Vn. II div.

unis., arco

pizz.

Va.

arco Vc.

Cb.

58 fltg.

330

solo

1 Fl.

fltg.

solo 2

solo Ob.

solo Cl. in B

1

5

Bass Cl.

Bn.

solo 1 Hn. in F

percussive 2

percussive

st. mute

solo

via sord.

solo senza sord.

st. mute

solo

via sord.

solo senza sord.

1 Tpt. in C 2 senza sord.

Tbn.

1

2 Congas 2

sub.

Perc.

Chimes

3

ord. (on drumhead)

on rim (clicking)

Ped.

rim shot

4 5

Pno.

5

Hrp. 1

Hrp. 2

pizz.

0

0

pizz.

0

0

pizz.

0

0

(pizz.)

0

0

Vn. I

arco

tremolo at tip

Vn. II div. arco

Va. bell-like

Vc. 5

Cb.

cantabile

0

0

59 335 1 sub.

Fl. 2 sub.

3

Ob.

Cl. in B

1 3

Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

Glock.

3

1

sempre Vib. 2 3

secco Perc.

(Chimes)

Ped.

Sus. Finger Cymbals

3 3

(Ped.) Xylophone 4 3

sempre

blend with pizz.; not in foreground

Pno.

Hrp. 1

G

Hrp. 2

G

div.

0

unis. arco

0

pizz.

Vn. I

5 3 0

div.

unis., pizz.

Vn. II

unis.

Va.

pizz.

Vc.

pizz.

Cb.

pizz.

60 340 1 3

Fl.

2

Ob.

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

3

5

1

Crotales 2 secco

3

Perc.

3 3

3

3

4 5

3

Pno.

8va

.

gliss

Hrp. 1

E F A

Hrp. 2

C E

(DC B/E FGA )

div.

0

0

0

0

0

Solo 1 arco

0

tutti arco

Vn. I

Solo 1 arco tutti, div.

pizz.

unis. arco

Vn. II

arco Va. sub. arco Vc.

Cb.

61 trill and fltg.

345 1 5

trill and fltg.

Fl. 2

5 5

Ob.

5

5

Cl. in B

1 5 5

Bass Cl.

5

solo

5

5

Bn. 3

solo 1 5

5

Hn. in F

solo 2 5

5

5

5

solo

solo 1 3

Tpt. in C

solo

solo

2 5

3

solo

5

solo

5

Tbn. 5

3

(Glock.)

5

1 5

2 Congas solo

optional tacet

Vibraphone

2 5

Bass Dr. solo

Perc.

5

6

5

5

Ped. 3

3

3

Chimes

3

3 relentless, bold

3

Crotales

(Xylophone) 4

Ped.

5 5 8va

Pno.

Hrp. 1

(DC B/E FGA )

E F A

Hrp. 2

(DC B/E FGA)

E F

unis.

div.

Vn. I

5

5

3

unis.

div.

Vn. II

5 5

3

unis.

div.

Va.

3

5 5

unis., pizz.

5

div.

Vc. 5

arco

div.

Cb. 5

5

62 Relentless and intense* 351 1 Fl. 2

Ob.

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

Marimba 1 l.v. molto

(Vib.)

Crotales

3

3

2 (Ped.)

3

sempre

Perc.

Snare Dr.

3

snares on/wooden sticks

Bass Dr. optional tacet

3 (Crot.) l.v. molto

4 Tom-toms

on rim

4

Pno.

secco

Hrp. 1

A

Hrp. 2

F A

Relentless and intense*

div.

Vn. I gritty div.

Vn. II

(pont.)

pont.

Va. gritty arco Vc. gritty unis., pizz. sul D

pizz. ord.

Cb.

*Note: Each player should punch out the accented notes. The different lines have accents in different places.

unis.

63 358 1 Fl. 2

Ob.

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

(Marimba) 1

3

2 3

3

Perc.

3

3

(Bass Dr.) 3

ord.

on rim

ord.

4

Pno.

A

Hrp. 1

A

Hrp. 2

(div.)

unis.

Vn. I unis. div. unis.

div.

Vn. II

ord.

Va.

Vc.

arco Cb.

pizz.

arco

64 365 1 Fl. 2

Ob. solo Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

(Mar.) 1

(Crotales)

Vibraphone

2 dampen Crotales

Perc.

secco Chimes

Ped. l.v. molto

3 Ped. Ped.

Xylophone 4

8va

poss.

Pno.

secco

(loco)

secco

Hrp. 1

secco

G

Hrp. 2

Vn. I

Vn. II gritty

div.

Va.

div.

Vc.

Cb.

65 372

Spacious, timeless

= 56

1 Fl. 2

Ob.

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

1

2 Perc.

3 (Ped.) 4

Pno.

Hrp. 1

Hrp. 2

Spacious, timeless con sord.

= 56 3

Solo 1ยบ espr.

Vn. I

expressive and dreamy

3

earthy

playful

cantabile

sul E gli altri sul E con sord.

Vn. II

Va.

Vc.

Cb.

66 379 1 Fl. 2

Ob.

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

1

2 Perc.

3

4

Pno.

Hrp. 1

Hrp. 2

rubato 3

5:3

3

3

Solo 1ยบ Vn. I gli altri

Vn. II

sul A unis.

Va.

Vc.

Cb.

3

67 385 1 Fl. 2

Ob.

Cl. in B

1

Bass Cl.

Bn.

1 Hn. in F 2

1 Tpt. in C 2

Tbn.

1

2 Perc.

3

4

Pno.

Hrp. 1

Hrp. 2

rubato

. . . as if the E was the eternal light . . .

Solo 1º "ping" bright, like a star twinkling

Vn. I

* sul E

gli altri

* Vn. II

* Va.

Vc.

Cb.

*In the final measure play the last note–and its crescendo under the fermata–for about four beats’ duration (in other words, the fermata adds duration, as usual). Play the note as if you were in the middle of a phrase and about to go on to another note: a swell, as if in a longer phrase, part of a longer phrase – but, just before that other note enters the piece ends, hanging in mid-air. This kind of thinking will give the right flow and momentum to the sound–nothing forced in the music, but adding an element of surprise and grace to the final sounds.