Thomas VIOLIN CONCERTO NO. 3: JUGGLER IN PARADISE

Page 1

Augusta Read Thomas

VIOLIN CONCERTO No. 3 “Juggler in Paradise”

Full score

from the G. Schirmer Rental Library Date of Printing_________

G. Schirmer, Inc. New York, NY

Augusta Read Thomas

VIOLIN CONCERTO No. 3 “Juggler in Paradise”

Commissioned jointly by Radio France; the BBC Proms; the National Symphony Orchestra of Washington, DC, Christoph Eschenbach, Music Director; and Bill and Solange Brown. Premiered by Frank Peter Zimmermann in Salle Pleyel, Paris, with Andrey Boreyko conducting the Orchestre Philharmonique de Radio France on January 16, 2009. The U.K. premiere was on September 9, 2009, Jennifer Koh soloist with JiÍí B lohlávek, conducting the BBC Symphony Orchestra at the Proms The USA premiere was on June 9-11, 2011, by the National Symphony Orchestra, Christoph Eschenbach, conducting with Jennifer Koh as soloist at the Kennedy Center.

G. Schirmer, Inc. New York, NY

Instrumentation Piccolo 2 Flutes (2nd doubles Alto Flute in G) 2 Oboes English Horn 2 Clarinets in B= Bass Clarinet Bassoon Contrabassoon 4 Horns in F 4 Trumpets in C 2 Trombones Bass Trombone Tuba Percussion (6 players)* 1. Vibraphone (2 bows needed - motor on slow bars 1 to 90 and 271 to the end; motor always off for bars 93 to 270), Large Suspended Cymbal with sizzles (fairly low in pitch range), 2 Bongo Drums (played with hands, fairly high in pitch - for bars 121-210 it is preferred that you use a second set of 2 Bongo Drums, which are slightly lower in pitch, so that when the Romp section, at bar 211, begins, the color to the bongos suddenly shifts as they become higher in pitch), Small Triangle 2. Tubular Chimes, 2 Triangles (small and very large), 5 Tom-tom Drums (on the lower end of the pitch spectrum share with Percussion 3), Small Suspended Cymbal (Note the chimes and triangles should be located very nearby one another and/or an assistant may be required.) 3. Glockenspiel (4 mallets needed), 3 Triangles (small, medium, large), Very Large Tamtam, 2 Resonant W ood Blocks (medium, large), Snare Drum, 5 Tom-tom Drums (on the lower end of the pitch spectrum - share with Percussion 2) (Note the glockenspiel and tom-toms should be located very nearby one another and/or an assistant may be required.) 4. Marimba (5 octaves), 3 resonant Suspended Finger Cymbals (small, medium, large - not tinny! Should sound like a sonic “cousin” to the triangles’ sounds), 3 Triangles (small, medium, large - share with Percussion 5), Bass Drum 5. Crotales (2 complete octaves - bow needed), Claves, 2 Conga Drums, 2 Suspended Cymbals (small, large), 3 Triangles (small, medium, large - share with Percussion 4) 6. Xylophone, Vibraphone (bow needed - motor on slow bars 1 to 33 and 325 to the end; motor always off for bars 34 to 317), Large Tam-tam

Piano (optional to remove lid for the inside pizz. playing that is required) Celesta 2 Harps Solo Violin Strings (16-14-12-10-8** players)

** Low C string is needed for at least some of the Contrabass players duration ca. 19 minutes

Transposed Score Grace-notes always come before the beat and should never be slid or rushed through. Rolled chords start ON the beat. All harp harmonics sound one octave higher than written. All harp notes should be L.V. Molto unless otherwise specified. There are only six dynamics used in this score (pp, p, mp, mf, f, ff) so that each “level” of volume has a clear meaning and sound. The following eight players should be playing from the back of the stage, in the very back of the orchestra, arranged in a semi-circle in this order: — Perc. 1, Perc. 2, Perc. 3, Celesta, Piano (lid off), Perc. 4, Perc. 5, Perc. 6 — This way, they form a “wall or screen” of sound that surrounds the rest of the orchestra and soloist. *Unless otherwise specified, use most common beater or mallet understanding that parts of this composition are pointillistic, secco and fast flowing, with gliding multi-colored sparkles of sound. Thus, special care should be given to choose mallets that accentuate the very many quiet, short notes in those sections. *The score calls for nine triangles in the percussion parts. Care should be given to insure that each of the triangles has a slightly different “pitch and color” from one another, so that each of them has a unique contribution to the overall sonic palette. – Augusta Read Thomas

with admiration and gratitude to Frank Peter Zimmermann

VIOLIN CONCERTO #3 “Juggler in Paradise”

Transposed Score

q = 60–66

Spacious and elegant; rubato

Piccolo

1 Flute

∑

∑

& 44 & 44 ?4 4

1 2 3 4 1 2 3 4 1 2

Bass Trombone

? 44

∑

1

2 3 Percussion

4 5 6

∑

∑

∑

∑

∑ ∑ ∑ ∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

& 44

∑

∑

∑

∑

∑

∑

∑

∑

& 44 4 &4 ? 44 ? 44 & 44

∑

∑

∑

∑

∑

∑

∑

∑

∑

Vibraphone

4 &4

∑

∑

∑

∑

∑

∑

Ped.

4 &4

∑

∑

∑

∑

∑

∑

∑

& 44 & 44 & 44 ?4 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

Harp 1

& 44

∑

∑

∑

∑

∑

? 44 ? 44

∑

∑

DsCsBlEfFsGA

4 &4

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

** ≤j ≥ . Œ >œ ˙ π P majestic

w≥ * & 44 p espr.

>≥ . œ #œ J f

≤j œ

sul E

˙.

π

Spacious and elegant; rubato

& 44

∑

∑

∑

B 44

∑

∑

∑

? 44

∑

∑

sul A

?4 4

∑

Œ

Œ >œ F

˙.

p

brighter suddenly

q = 60–66

Œ

≤ ‰ œ π

≥

>j #œ œ

# >œœ ‰ J Œ f

Ó

Ó &

˙

J

∑ ∑ ∑

# œœ

∑ Œ

∑

P blend with harp ∑

∑

Ó œ≤ œ . J

# œœ

F ∑

o

#œ Fo œ œ.

dolce

∑ Œ

∑ ∑

Œ

∑

Œ

∑

f

‰

>> œœ

‰ P

p

3

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

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∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰

&

-œ≤ .

π

w

echo

∑ ∑

w

P

&

≥ # >-œ >œ œ ≤ J œ #œ œ sub.

Ó

*

∑

∑

solo

Ó

∑

Rubato; cadenza-like

& 44

∑

∑

° ∑

∑

∑

∑

Ó

∑

∑

DCsBlEfFs GA

?4 4

∑

∑

∑

∑

∑

ΠF

∑

∑

∑

∑

∑

∑

∑

π ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

motor on - slowest speed

Ó

œ

∑

∑

∑

bowed

∑

∑

∑

∑

∑

Piano

Contrabass

∑

∑

∑

∑

∑

∑

4 ã 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Violoncello

∑

∑

∑

Viola

∑

∑

∑

Violin 2

∑

∑

∑

∑

Violin 1

∑

∑

∑

Solo Violin

∑

∑

& 44

Harp 2

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

4 &4

?4 4

Tuba

Celesta

∑

& 44

Contrabassoon

Trombone

& 44

& 44

1 2

Bassoon

Trumpet in C

∑

& 44

Bass Clarinet

Horn in F

∑

1 2

English Horn Clarinet in B b

∑

take Alto Flute

2

Oboe

& 44

Augusta Read Thomas (2008)

f

cantabile

∑ ∑

*All bowings in the soloist’s part are suggestions only and do not have to be used. **In all cases, grace notes have a solid duration and should not be rushed or slid through. They are all before the beat.

Corrected 08/2016 Cleveland version

Copyright © 2009 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of:

G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 9

&

∑

∑

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∑

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Fl.

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Alto Fl.

&

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Picc.

wπ

p

∑

echo

1 2

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∑

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Bass Cl.

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Bn.

Cbn.

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1 2

&

3 4

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∑

∑

∑

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?

∑

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∑

∑

∑

∑

∑

∑

∑

∑

1 2

?

1

&Ó

‰

π

(Ped.)

&Œ

#œ

(bowed)

(Vib.)

œ p

Œ

3

Ó

Tubular Chimes

2

3

p

Perc.

ã

Œ

‰ ‰ Ó

∑ œ

Small Triangle

∑

Ped.

‰ # œJ Œ π p

Ó

blend with harp

Œ

P

∑ Ó

&

Ó

‰

&

∑

∑

∑

5

&

∑

∑

∑

Cel.

Pno.

&

Vibraphone

∑

motor on – slowest speed

?

Hrp. 2

Solo Vn.

Ped.

&

?

&

∑

∑

∑

# >œ

&

∑

Vn. 2

&Ó

Œ

&

? ?

w

∑ ∑

∑

Œ

π echo

∑

∑

‰. # œ Œ Ó R PF Œ & œ Œ œ ° ∑

Ó

‰ ∑

œ #œ Œ F f

≈

œ

œ Œ

f ƒ

Ó

∑

π

Ó

As

∑

∑

p w Ó

p

‰

P secco

blend with harp

nœ #œ J ‰ f

o

‰ œJ Œ f

# ≥œ ˙ J

w

œ

œ Ó p P

#œ ‰. R Œ F œ Œ œ Œ Œ ˙

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Œ

Ó

o

∑

∑

∑

∑ Ó

∑

∑

∑

Fn

Œ

Ó

Œ

Œ

Ó

>≤ ‰ . œR œ P

w

w

w

w

graceful

Ó ∑

ggg œœœ P

Œ

Ó

Œ

#œ p

Ó

f

° # œœ

F

° œ . n œ # œœ ‰. œ R ƒ P ∑

Œ

Ó ∑

Œ

Ó ∑

Œ

Ó

l.v.

∑

(DCsBlEfFGA)

≥œ œ J

˙ ˙

f

∑

∑

∑

∑

˙

P

w w

∑

∑

∑

Ó

Œ

∑

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∑

∑

∑

∑

∑

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&

∑

# œœ

∑

∑ œœ œœ œ J J

Crotale

∑

Ó

p

∑

pizz. (inside piano)

∑

œ.

ã

Ó

∑

Œ

œ Ó F l.v. molto o Ó œ

P

∑

3 Triangles

∑ Ó

Œ

∑

∑

∑

œ. œ Œ F

Ped.

∑

(bowed)

‰. œ R π

mallets

blend with harp

Ó

blend with harp

∑

Ó

∑

œ #œ Œ p secco

Ó

‰ Œ

blend with harp #œ Marimba

œ ‰. R œ P

Ó

∑

Œ

π echo w œ J

Ped.

Ó

∑

w-≤

# -œ≤

j œ #œ f F

œ p

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P

&

Dn

œ f

w

Vn. 1

Œ

o

∑ ∑

&

∑

∑

œ œ ‰. R &Œ Œ Œ P ƒ espr. f # œ Œ Œ &Œ œ 3

Πp

Œ œ P secco

∑

3

Hrp. 1

π

∑

&

œ

bowed

Œ

Glockenspiel

4

6

Cb.

∑

3 4

Bs. Tbn. Tuba

Vc.

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1.

1 2 Hn.

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3

œ J ‰ Œ P œ J ‰ Œ P w

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&

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Fl.

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Œ

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∑

∑

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&

∑

∑

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&

∑

∑

1 2

&

Alto Fl.

Ob.

Cl.

Bass Cl.

Cbn.

∑

∑

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∑

playful

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n ˙.

Œ

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1.

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w

π

F

w

P

p poss.

1.

w-

Alto Flute

π # wπ

œ J ‰ Œ π

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∑

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∑

∑

echo

∑

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∑

1 2

&

3 4

&

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∑

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?

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∑

∑

∑

1 2

?

&

3

&

4

5

6

Cel.

Pno.

∑

&

2

Perc.

Œ

p

Hrp. 1

Hrp. 2

Solo Vn.

P

3

∑

sim.

∑

&

∑

&

∑

&

∑ >j

& &

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fp

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∑

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∑ w

π

Ped.

j Œ #œ P ∑

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Œ

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Ó

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# œ l.v. molto ‰ J Ó P

∑

#œ ‰ J Œ P

∑

?

∑

œ

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o

Œ

#œ P

p

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ã

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Œ

mallets

∑

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Ó

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Ó

‰

∑

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≈ # œj. Œ P

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∑

∑

Ó

∑

∑

∑

∑

(Crot.)

Ó

≈ # œ ƒ

..

# >œ . ≈ J Œ ƒ

Ó

∑

Gs An

‰

j j #œ #œ

P

j œ p

Œ œ œ π

‰ # œj Œ p œ Œ ? œ °

j #œ #œ

‰ J Œ P Œ œ

∑

∑

∑

∑ b -œ

œ

as if answering flute

w

Ó

*

p

∑

Ó

∑

∑

like fading bells

As

Small & Very Large Triangles

∑

œ p

π

# œ≤ ‰. R π

Œ

Solo 1°

œ≤ ‰. R π

Solo 1°

Œ

w

?

P

(bowed)

Ped.

bœ œ ‰ . œR œ P ∑

&

&

3

œ

Œ

∑

&

&

(Vib.)

∑

œ

‰

#œ

bowed

∑

∑

&

&

Œ

3

&

?

Œ ∑

‰ ‰ jÓ #œ F œ œ #œ œ Ó

Glock.

& &

Ó

∑

solo

Cb.

b˙

∑

∑

π

F

nœ

# >-œ ..

∑

&

1

Vc.

∑

œ Aœ.

∑

3 4

Bs. Tbn. Tuba

Va.

optimistic and bright

œ

>j

∑

&

Tpt.

Vn. 2

π

b ˙.

∑

1 2 Hn.

Vn. 1

w

&

?

Bn.

Tbn.

w

bœ

solo

π

Œ ∑

&

b -œ≤

π

echo solo violin

∑ w

∑

w

œ.

tutti

w

P w

w

w

p

∑

# -œ≤ ˙ J p

œ.

tutti

P

∑ w

-œ≤ ˙ J P

w

w

P œ

p

w

Œ

Ó

∑

w

P

nœ œ. J

espr.

w

p

π

‰

w

P w

p

∑

∑

∑

∑

∑ P

espr.

Ó

Œ ∑

F

≤ n -œ π

‰

4 23

& w P

Picc.

Fl.

&

Alto Fl.

&

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

Cbn.

Hn.

1 2

Tbn.

w

P (1.) w & P

π

1.

∑

-̇ .

n -œ œ # >œj œ ∑

p

3

espr.

w

P nœ.

>j œ

œ #œ # œ ‰ ƒ

f

Œ

œ J ‰ Œ

Ó

∑

Œ

œ J ‰ Œ

Ó

∑

Ó

∑

Œ

∑

Ó

Ó

∑

Œ

Ó

∑

Ó

w

graceful

∑

w

œ J ‰ Œ

π

∑

5 U ≈ # œ # œ # œ # œ œ Œ π P # œ œ U #œ œ #œ Œ œ π f 6 U Œ Œ 2.

#œ œ #œ œ P3

œ Œ

#œ #œ #œ

œ

U Œ

π U Œ U Œ

& &

∑

Œ

?

∑

∑

∑

∑

∑

∑

Ó

&

∑

∑

∑

∑

∑

∑

Ó

Œ

U Œ

∑

∑

∑

∑

∑

∑

Ó

Œ

U Œ

∑

1.

p w

π # -˙ . π

P w

p

∑

P

∑

∑

U Œ π U Œ Œ

P

∑

∑

∑

Ó

Œ

U Œ

?

∑

∑

∑

∑

∑

∑

Ó

Œ

U Œ

œ œ#œ

&

3

2

ã

3

&

P

‰ Œ ∑

œ b œœ

& ≈

5

& ≈ # œj. P (Crot.)

5

6

Cel.

Pno.

Hrp. 1

? &

? & &

Hrp. 2

Solo Vn.

P

Œ

Ó

∑

∑

∑

w

ƒo j nœ Œ

Ó ∑

* Ó

& w

3

*

∑

∑

Ó

∑

p p

secco

‰

œ F œœ

F

F

œ

3

Œ

‰

ƒ ∑

3

œ. ˙˙

*Solo violin: play only up bow for this fermata.

∑

∑

∑

Œ

∑

(Sm. Trgl.)

ΠΠ*

∑ ∑

Fs Gs

∑

∑

˙

≤

œ.

‰ ƒ

o

‰ b œJ Œ f

>≤j ≥ # œ -œ œ. Œ ‰ J ƒ espr.

∑

∑

∑

∑

‰ Ó

∑

Ó

∑

π ∑

° b >œ ‰ J Œ ƒ ° b >œ ‰ J Œ F

∑

∑

π

> ‰ b œJ Œ f

Ó

∑

f

‰ b œj Œ F

pizz. (inside piano)

o

3

œ ‰ J Œ F

#œ œ#œ

rubato

P ‰

∑

w≤

div.

unis.

∑

Ó

∑

∑

∑ Ó

∑ Ó ∑

∑ Ó ∑

≤ # œ œ # >œj >≥œ J

P sub.

*

Œ

œ p #œ

P Œ ggg # # # œœœ ggg ggg ƒ # œ g œ Œ ggg œ Œ

Ó

∑

Œ

œ #œ. œ. J œ. œ.

≥ ‰ ˙ >˙ f f

f

∑

œ

# >œ ƒ

Œ

(DCsBlEfFsGsA)

(DCsBlEfFsGsA)

˙.

w

œ 5

#œ

F

l.v. molto

l.v. molto

ƒ

fo #œ.

3

≤

Œ

U Œ

Œ

U Œ

l.v. molto

ggg # # œœœ gg œ g f

∑

‰

œ

#œ

°

° ggg # #b œœœ Œ ggg ggg gg F ggg g Œ gggg # œœ gg œ #œ Œ

Ó

F l.v. molto U #œ # œ œ Œ Œ 3

ord. (on keyboard) l.v. molto

Ó

bœ solo # œ n œ

6

P

Ped.

∑

Œ

U Œ

Œ

U Œ

Œ

U Œ

Œ

U Œ

P

w ∑

˙ P Ó

U Œ

œ Œ J Œ

l.v. molto

œ

ƒ ƒ div.

œ œ

U Œ

* U ≤ œ

≥ œ p

P ˙.

w

U Œ

Œ

P ˙˙ ..

ww

∑

mallets

∑

*

Œ Œ

(Vib.)

∑

Ó Ó

π ≤ b ww π # w≤ π ≤ w π

Ó

œ

# œ # œ l.v. molto U Œ Œ

f l.v. molto U œ Œ Œ œ P Ped. l.v. molto U 5 ‰ Œ Œ #œ #œ #œ P F l.v. molto œ œ œ Œ UŒ

3 Triangles (Sm., Med., Large)

U Œ

Œ

Œ Œ

‰ œ Ó

Œ π

∑

∑ ∑

∑

Ó

P

div.

Ó

Ó

∑

∑

˙

Œ π

∑

∑

∑

>œ

f

# ˙˙≤ .. ( p)

Ó

3

>œ Ó j œ #œ ‰ #œ > 3 ƒ ∑ ° >j œ #œ Œ Ó F ∑

secco

≥ ≤ # œ œ n œ ˙ ≈ œ

w

π

Œ ‰ ‰œ J P

∑

˙.

-̇≤ .

Œ œ #œ œ F 3

>j œ Œ œbœ œ #œ

Ó

˙.

∑

Œ

Ó

3

∑

3

Ó

>-œ≤ œ # œ . # ≥œ œ J J

w

& Œ

ã

‰

∑

b œo Œ R

p

Œ

∑

secco

bœ ‰ J Œ F

∑

∑

Ped.

Ó

∑

Œ

Ped.

Œ œJ b œ P3

Tub. Chimes

∑

& ‰

?

Ó

∑

Œ

‰ ‰ gg n #œœœ Œ Ó gg J F ∑ (°) ord. (on keyboard) g #œœœ ‰ ggg J Œ Ó F resonant ∑ ° ggg b œœ .. ≈ g J Œ Ó f An

& ‰

&

Ó

∑

3

& ‰.

&

&

Œ

Sm. & Med. Triangles

& &

Œ

∑

(Glock.)

(Mar.)

4

Ó

∑

Ó

U Œ

∑ ∑

∑

œ

∑ ∑

∑

-œ

Œ

∑ ∑

∑

∑

π U Œ Œ

&

?

∑

∑

P

3 4 1 2

∑

œ J ‰ Œ

2.

&

Perc.

Cb.

∑

p solo >j œ # œ . #œ J P

∑

Œ

(Ped.)

Vc.

π

P w

Ó

1 2

1

Va.

p w

œ ‰ Œ J

∑

(Vib.)

Vn. 2

Œ

w P w

∑

Bs. Tbn. Tuba

Vn. 1

π # -˙ .

π

∑

&

Œ

w p w

&

3 4

Tpt.

∑

?

Bn.

π

# -˙ . π -̇ .

Œ

ƒ

U Œ

U Œ

U Œ U Œ

ƒU Œ Œ

ƒ

30

Majestic, but also playful and vivacious

&

∑

Fl.

&

∑

∑

Alto Fl.

&

∑

∑

Picc.

1 2

&

∑

Eng. Hn.

&

∑

1 2

&

Ob.

Cl.

Bass Cl.

Cbn.

>œ J ‰ Œ F

∑

Ó

# -œ P

˙

π

Ó Ó

1.

# -œ

‰

∑

∑

œ

p

P

Ó

∑

Ó

∑

Œ π

Ó

Œ π

Ó

‰

> # œ ˙. J

˙.

#œ #œ

f elegant

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

1 2

&

3 4

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ. ≈ J P ∑

∑

∑

∑

∑

∑

Ó

∑

∑

Ó

∑

∑

1 2

1

2

?

& &

3

&

4

ã

5

&

Perc.

6

Cel.

&

(Ped.)

(Ped.)

(Ped.)

&

? (

Pno.

°)

&

? (

Hrp. 1

Hrp. 2

Solo Vn.

&

°)

#œ

∑

F Ó * °

∑ ∑

&Ó

Ó

n >œ

ã

‰ ‰ Œ * solo # > # œœ Œ ƒ ∑

Fn

≤ ≥ ≥ # œ. # -œ . & ‰ œR œ ≈ Œ P f F

ƒ

≥ ‰ œ

Œ ≤

*

Œ

Sm. Triangle

∑

Œ

∑ J

˙ dolce

∑

≥ >≤ # œ # œ œ . ≈ #œ

ƒ cantabile

&

∑

∑

∑

Vc.

&

∑

?

∑

F

Œ

Ó

#œ ‰ gggg œ gg œ f J

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

o

∑ ‰ ‰ Œ * œ ‰ gggg # œœ Œ gg J P °

Ó

pizz.

unis., pizz.

0 ≈ œJ . P

œo .

sul D

≈ J P

Ó ∑ Ó ∑

An

3

Ó

Œ

Ó

#œ p

œ.

F

Œ

Ó

∑

∑

∑

j ‰ ggg # # # œœœ Œ Ó g f ∑ ° #œ J Œ Ó ‰ F resonant ∑ * ° ggg # #bœœœ ‰g J Œ Ó F ∑

∑ ∑

∑ Ó

Ó ∑

∑

∑

∑

∑

∑

# ≥˙ # ‰ ˙

˙≤ . ˙.

ƒ

∑ ∑

arco

F

ƒ

# w-≤

P Ó

Œ

∑

w

arco sul A

∑

∑

∑

# -˙≤

π

*

∑

∑

espr.

Œ

bowed

Ds En Fs Gn

b œ. n œ # œ. . ≈ n œR ‰ œ. -œ œ ≈ >- >œ œ . œ . œ œ

q = 88–92

Ó

‰ ‰ Œ

∑

p P

(Crot.)

P

Œ

∑

∑

‰ # œj Ó f ∑

Œ

Ó

∑

∑

# # œœœ J Œ ƒ espr.

Ó ∑

∑

# œ. œ .

sul G

&

œ

Œ

Ó ∑

Ped.

‰ g # œj Ó gg ggg F g œ ‰ ggg œ Ó J *°

Œ

∑

∑

∑

°

∑

∑

&

turn motor off

j ‰ g # # œœœ Œ gg f

‰ ggg

∑

Va.

Ó

# # # œœœ. ≈ R ‰ Ó P secco ∑

Majestic, but also playful and vivacious

pizz.

∑

ord. (on keyboard)

Ó

œ ‰ gggg # œœ Œ gg J F

∑

Ó

Ó

>j #œ #œ

P

. # # # œœœ ≈ R ‰ Ó f secco ∑

Ó

As

Ó

&Ó

Œ

Ó

∑

&

Œ

pizz. (inside piano)

lively

Cb.

# -œ .

echo

P

Œ π

∑

3 4

Bs. Tbn. Tuba

Vn. 2

P œ

∑

&

Tpt.

Vn. 1

p echo -œ .

echo

π

∑

œ

p

1.

˙

P

-œ .

‰ ‰

# # >œœ Œ J ‰ Ó ß Œ

Ó

1 2 Hn.

Tbn.

Œ

1.

∑

?

Bn.

Ó

5

q = 88–92

F espr. w

F sempre espr. ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

En

6 37 Picc.

&

∑

∑

∑

∑

∑

∑

∑

Fl.

&

∑

∑

∑

∑

∑

∑

∑

Alto Fl.

&

∑

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ

∑

?

∑ ˙

?

∑

∑

∑

∑

∑

π

P

1 2

&

∑

∑

∑

3 4

&

∑

∑

∑

1 2

&

∑

∑

3 4

&

∑

?

Ob.

Cl.

Bass Cl.

Bn.

Cbn.

Hn.

1.

-̇

w

P echo

∑

˙.

∑ Œ

∑

poss.

∑

π

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

&

∑

∑

∑

3

ã

∑

∑

4

ã

∑

5

&

6

Tpt.

Tbn.

Ó

Œ

w

1 2

Bs. Tbn. Tuba

Ó

(Vib.)

#œ œ P

Œ

Œ

Œ

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

Cel.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Pno.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Perc.

(Crot.)

?

? (

°)

Ó

*

Ó

Ped.

Ó

P.D.L.T.

Hrp. 1

& &

∑

∑

∑

Hrp. 2

&

∑

∑

∑

Ó

∑

∑

∑

Ó

& >j #œ

# >˙

≈

>œ

œ

# œ œ ≈ œ f

>j #œ w

3 ‰ . œR # œ œj ˙ f f F

Solo Vn.

&

Vn. 1

&

Vn. 2

&

Va.

&

∑

∑

∑

&

∑

∑

∑

?

∑

∑

∑

Vc.

Cb.

ƒ lyrical w

π

w

ƒ

∑ w

Œ

#œ fo

Œ

∑

∑

∑

Œ

∑

∑

∑

o

œ

>. ‰ œj # œ >

∑ w

#œ nœ ƒ ∑

œ.

ƒ

‰

œ.

F

#œ ® nœ œ œ œ

∑ w ∑

≤o -˙ π

sul A

Ó

unis.

∑

π

o

w F sempre

ƒ

>j œ œ . ‰œ J ƒ sempre

œ œ # œ .. J R

œ œ. œ #œ J ‰ ≈ J œ F

∑

∑

∑

∑

∑

∑

∑

∑

∑

o

w ∑

o

w ∑

∑

π

7 ˙.

> ≈ œJ ≈ Ó & Œ f > œ #œ solo # > œ# œ ≈ J ≈ Ó & P ƒ ∑ &

44 Picc.

Fl.

Alto Fl.

f

∑ ∑

1 2

&

∑

∑

Eng. Hn.

&

∑

∑

Ob.

Cl.

1 2

Bass Cl.

Ó

-œ ˙

& Œ

π

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó π ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

3 4

&

∑

∑

Ó π ∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

Œ

Tpt.

1 2

Bs. Tbn. Tuba

1

echo

2

&

∑

3

ã

∑

4

ã

∑

5

&

∑

6

&

∑

Perc.

∑

1. st. mute

Glock.

&

(Crot.)

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

&

? & Π&

ord.

∑

œ Œ Ó œ ƒ ∑

∑

∑

∑

Œ

Large & Med. Triangles

Ó

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

Xylophone

∑

Œ

Ó

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

∑ ∑

& & œ

ƒ

√> #œ. ≈ n œJ . Ó ƒ ∑

# œœ ƒ

∑

Œ

°

∑

# œœ

∑

f

∑

*

∑

Œ

∑

∑

∑

∑

∑

∑

∑

œ œ . # œ.

# œ≤

œ≤ ‰ R ‰.

≥>-̇

œ.

ƒ ∑

∑

∑

Va.

&

∑

∑

& w

o

w ∑

‰

≥˙

∑

œ . >≤œ J ≈ œ F

œ œ

# ≥˙

F p

œ ‰ -œ≤ J P p

∑

sempre

f 3 ‰ œJ f Ped.

‰

Œ

Œ

slow roll

˙ ˙

ƒ

ƒ

‰

∑

l.v. molto

ggg ###œœœœœ ‰ ggg n nœœ g ƒ

∑

1.

π

F

3

‰ Œ

*U ∑

U ∑ U ∑ U ∑ U ∑ U ∑

*U ∑

U ∑ U ∑ U ∑

∑

U ∑

*U ∑

U ∑

*U ∑

U ∑

*U ∑

U ∑

*U ∑

U ∑

∑ ˙

≤

# ≥˙

P

espr.

con sord.

Œ

∑ ˙

∑

∑

∑

∑

∑

∑

U w

one slow down bow

˙

-œ≤ ˙

π

P

espr.

∑

Ó π ∑ ∑

&

U ∑

∑

l.v. molto

p

U ∑ U ∑

∑

∑

U ∑

U ∑

∑

∑

w

U #w

∑

∑

∑

*Note: The fermata in measure 51 is short, just long enough for the soloist to stretch one slow down bow.

U ∑

∑

ƒ

∑

U ∑

∑

∑

≥ ≤ ≥> œ œ -œ . ‰

U ∑

∑

#œ#œ œ œ œ ‰ Œl.v. molto œ 3

ƒ

∑

∑ ∑

∑

w

Ó

*U

∑

Œ j #œ œœ ggg # œ f œ œ œ‰ Œ ‰. R 3 f l.v. molto ‰ Ó #œ #œ f j ‰ # # œœœ Ó œ f l.v. molto 3 ‰ #œ œ #œ Œ œ ƒ ∑

°

∑

≤ 3 # œ Œ œ F

#œ œ œ # œ œ œ ‰ Œl.v. molto

‰

°

(DsCsBlEFsGA)

∑ w

ã

3 Triangles

∑

∑

∑

#œ œ #œ ‰ œ œ œ J

cantabile

∑

arco

∑

Ds Fn Gn

∑

∑

&

?

Œ

∑

Vn. 2

o

f

œ Œ Ó ƒ

∑

&

œœ

mallet

(DCsBlEFsGsA)

&

Œ

(Vib.)

∑

√> w w

∑

F

∑

ƒ

∑

# >˙

Very Large Triangle

>w w

# >œœ .. ˙˙ & œ # >œœ ≈ J #œ P ƒ secco ? ∑ solo

Cb.

F

∑

∑

Hn.

Vc.

>˙

∑

∑

Cbn.

Vn. 1

1.

∑

˙.

‰ J π P

?

Bn.

Tbn.

# >œ & ‰ J Œ ƒ 1.

p

Œ

( ) U w * ≥

U ∑ U ∑ U ∑ U ∑

* π p

8

A tempo, spirited

52 Picc.

&

∑

Fl.

&

∑

Alto Fl.

&

∑

1 2

&

Eng. Hn.

&

1 2

&

Ob.

Cl.

b œ. R ‰. F Œ

Œ

œ. ≈ R ‰ F

‰.

Œ Ó

∑ Ó ‰.

∑

∑

Œ

∑

∑

Ó

∑

∑

∑

?

∑

∑

?

∑

∑

1 2

&

∑

3 4

&

1 2 3 4

Bn.

Cbn.

Hn.

Tpt.

1 2

Bs. Tbn. Tuba

&

œ J ‰ π

Œ

1

Ó

1.

≈ # œr ‰ . P

∑ ∑

Ó b œ.

Œ

R ‰. P

∑

∑

∑

∑

Π1.

Ó

∑

≈ b œ b œ œ Ó F

∑

ƒ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

∑

∑

? &Œ

Œ

(Ped.)

3

&

4

&Ó

‰ b œJ n œ P

Marimba

solo

bœ bœ

∑

(Crot.)

5

&

6

&

∑

Cel.

&

∑

Pno.

&

Hrp. 1

&

Hrp. 2

&

?Œ (°)

Π*

?Œ (°)

Π*

b >œ b œ b œ n œ . ≈ J f P sub. Œ bœ P

œ.

Ó ∑

∑

∑

∑

Ó

Ó

∑

Dn Bf

∑

Œ

Œ

&‰

P

≥

≤ ≤ œ œ ≈ # œ n œ ≈ ≈ ≥r ‰ œ. # œ. œ > π

A tempo, spirited œ &J ‰ π

Œ

# ˙≤

‰.

∑

∑

ã

≈ j #œ œ .

o

nœ R f

o

bœ

Œ

ȯ

œo ..

sul E

π

distant, floating above

accel. #œ #˙ R

∑ ∑

œ ‰ J Œ F # >œ n œ ≈ # œ # œ œ Œ

∑

Small Triangle

r ‰ . a œ ≈

#œ

#œ

∑

∑

∑

∑

ƒ

∑ ∑

> ‰ # œJ Œ f secco

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

Ó

∑

∑

∑

P espr.

œ ƒ

∑

Es

∑ ∑

(DCsBflEFsGA)

Ó

n˙

∑

Œ

ord.

∑

≥- -≤ ≥. ≤ ≥ ≤ œ ≤. - œ. . œ n œ # -œ ≤ # œœ œ ≈ # œ # œ ≈ n œ œ ‰ n œ b œ ≈ # œ ≈ œ b œ ‰ n œ œ ≈ ≈ b œ ≈ . 3

q = 92–96

Ó

∑

#œ

P

j œ ‰ Œ f secco

Ó

∑

P.D.L.T.

As if "juggling" the notes, rhythms, articulations, colors, etc.

#œ

œ #œ œ

r œ ‰. > F secco

# œ. R ‰. Œ P secco ∑

∑

#œ.

∑

∑

∑

œ≤

nœ œ nœ

Ó

∑

Ó

Œ

Ó

&

#œ

Ó

(DsCsBlEFGA)

&

j #œ ‰ Œ F secco

Ó

œ. R F

∑

∑

?

Œ

‰.

Œ

∑

∑

ã

Solo Vn.

≈ œr ‰ . P

Œ

∑

∑

2

Perc.

≈ œr ‰ . F Ó

œ. Œ R P

b >œ ‰ R ≈ Œ f

Ó

q = 96–104

∑

(Vib.)

Vn. 1

œ. R F

accel.

∑

Bass Cl.

Tbn.

q = 92–96

∑

-œ

œ J

>œ . ≤. > b œ œ >œ ≈ ≈ # >œ ≈ b œ œ. ≈ ≈ n œ ‰ ƒ

‰

#œ P

œ.

via sord. œ J ‰ Œ π # -œ≤ . w ‰ p π

∑

&

∑

∑

∑

Va.

&

∑

∑

∑

∑

Vc.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

. ≈ œ

q = 96–104

Vn. 2

Cb.

Ó

∑

con sord.

echo

∑

>-œ ‰ J

9 57

# -˙ .

# wπ

Picc.

&Œ

Fl.

&

Alto Fl.

&

∑

∑

∑

&

∑

∑

&

∑

Ob.

∑

∑

Ó

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

1 2

&

∑

∑

3 4

&

∑

1 2

&

3 4

&

Bn.

Cbn.

Hn.

Tpt.

Tbn.

∑

∑

Bass Cl.

1 2

Bs. Tbn. Tuba

1

∑

Ó

∑

espr.

∑

π

Ó

1 2

∑

˙

∑

1 2

∑

f

w p

∑

Eng. Hn.

Cl.

π

∑

Ó

# -˙

‰ . # œ. Œ R F . . Œ ‰ œœ F

# œ. ≈ # œ. œ. Ó

1.

P F

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

(Vib.)

Sm. Triangle

1.

π

P

Ó

œ RÓ f

‰.

2

ã

∑

∑

∑

∑

∑

∑

3

ã

∑

∑

∑

∑

∑

∑

4

&

∑

∑

∑

∑

∑

∑

5

&

∑

∑

∑

∑

∑

∑

6

&

∑

∑

∑

∑

∑

∑

∑

Cel.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Pno.

&

∑

∑

∑

∑

∑

∑

Hrp. 1

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

Hrp. 2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Perc.

Solo Vn.

Vn. 1

Vn. 2

?

?

∑

Gs As

& &Œ

≥ # >-˙ .

˙≤

ƒ espr.

∑

œ œ. J F

broad line now

∑

& &

∑

œ J

∑

w F

espr.

Ó

# -˙≤

π

echo

-œ≤ .

∑

˙

˙

œ

π distant and delicate ∑

w

œ bœ

œ 3

3

∑

senza sord.

# w-≤

π

echo

w

p

∑

w

‰ b œJ

œ

Œ

Œ

∑

Œ

#œ RÓ F

‰.

(Mar.)

∑

Ó

Ó

Œ

∑

3

P

≥ # œ œ ≈ # >œj >œ≤ # œœ œ œ

œ #œ. J

w

Ó

Œ

f lyrical

π π

Œ

‰

Œ

‰.

≈ # œ ≈ P

≈ # œ œ pizz.

p

#œ

∑

œ R P

‰. # œ Œ R F f ∑

#œ

‰. # œ ‰ nœ œ R F P F

playful

Œ

senza sord. pizz.

Ó

Œ

via sord.

≈ # œ œ p

#œ

‰. # œ ‰ nœ œ R F P F

playful

&

∑

∑

∑

∑

∑

∑

Vc.

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

B

#œ ‰. R Œ P pizz.

Va.

Cb.

F. œ œ.

Œ

∑

(DCsB blEFsGsAs)

œ

ã

∑

∑

œ

‰ œœ F secco

Ó

10 64 Picc.

&

∑

Fl.

& Ó

Œ

Alto Fl.

& Ó

Ob.

1 2

Eng. Hn.

Cl.

1 2

‰.

& Ó &

∑

œ. œ.

Ó

?

∑

1 2

&

∑

3 4

&

Bn.

Cbn.

Hn.

1 2 3 4

Tpt.

1 2

Bs. Tbn. Tuba

&

Pno.

? Ó

Œ

?

& #œ œ

Œ

œ f

& Ó

(Mar.)

?

ã Ó &

& Ó f ? # œ. ‰ . R

Vc.

Cb.

œ. R ‰. P

≈ # œ. œ Œ

&

nœ F f

Ó ∑

∑

&

#˙

P

& #œ P B #œ

F

Œ œ

œ p œ p

0 ‰ . œR Œ f

Œ

≈

œ Œ #œ PF

œ ‰. R Œ f

œ Œ Œ P F pizz. bœ bœ 0 ? œ œ & Ó P F pizz. œ œ ? ‰ J Œ Œ P p

#œ Ó

œ #œ P F

Œ

œ #œ

P œ

P

#œ F

∑

Œ

secco

Ó

3

Œ

∑ Ó

Œ

Ó

Œ

œ

‰ #œ œ Ó F ∑

Ó

Ó

Œ

Ó

Ó

œ nœ

Œ

Œ

œ ‰ œ Ó

Œ

Ó

œ

P

œ f

ord.

#œ. F

œŒ

f

F

Œ

&

p sub. bœ F

bœ.

F

‰.

&

2.

∑

b œœ R ƒ

r b œœ f

‰.

r #œ F

f # œ. œ. ≈ ≈ # œ f

‰.

ƒ

> # œœ R ƒ

#œ ‰. R Œ f ∑

œ

œ f

Œ

œ.

f

∑

# >œ

ƒ # >œ R ƒ &

∑ ∑ Ó

Œ

>œ

Small Triangle

∑

ã

Ó

ƒ ∑

∑ Œ

?

‰ œ bœ J F f ∑

≈ # œ Œ #œ œ F ƒ

Œ

Œ

#œ ≈ # œ

Ó

P.D.L.T.

ƒ

œ Œ

œ́ ‰ . Œ R ç ∑

Ó

Ó

Œ

œ́ R ‰. Œ ç

ord.

# n œ>œ

Œ

ƒ

∑

∑

∑ PF ‰ œJ # œ .

#œ ≈ # œ œ Œ ƒ #œ ≈ # œ œ Œ ƒ #œ ≈ # œ œ Œ ƒ

Œ

Ó

f ‰ j b -œ w

∑

f

j #œ

ƒp

Œ

œ f ∑

Ó

Œ

Œ

Ó

Ó

# œ. . ≈ # œ œ. Œ ƒ Ó

Œ

∑

∑ F ‰ j Ó œ

Œ

f

π poss. ∑

‰

bœ. p

œ ≈ ≈ # >œ # w>

F

‰ Ó

∑

∑

Crotale

œ #œ ≈ œ œ Œ bœ. œ ‰. R ‰. R ‰. bœ F f F F f #œ œ 0 nœ bœ œ Œ ‰ Œ ‰ J Ó P f F œ bœ œ œ œ ≈ ‰ J Œ Ó F f F ƒ ∑

Ó

Glock.

∑

˙.

˙

4.

Ped.

r œ ‰. # œ œ

∑

Œ

P.D.L.T.

‰ #œ œ Œ P

‰.

Œ

∑

bœ œ F. F f bœ ≈ R ‰ Œ

. -œ # œ ≈ œ P

œ. R ‰. f

Œ

Ó j bœ ‰ F

Œ

Ó

Ó

∑

p

P

0

∑

As

>j œ b œ n œ œ b œ.

‰

espr.

∑

. b œ. ≈ ≈ œ Œ P F

Œ

∑ # ->œ .

˙

∑

Ó

Œ

f ‰ j b >œ œ . F

∑

‰ j Ó œ F ∑

∑

∑

‰

π

∑

Ó

∑

1.

∑

‰ # œr ≈ Ó p

Ó

Œ

∑

-̇ .

∑

‰ #œ œ Ó PF ∑

Ó

P ? œ

3

& Ó

∑

∑

∑

bœ. P Œ ‰ j Ó œ f œ ≈ b œ œ Œ

Ó

Ó

‰ œj Œ P

∑

Œ

∑ PF œ ‰ bœ Ó

Ó

∑

(Xylo.)

Œ

∑

∑

∑

∑

Ó

∑

Tub. Chimes

∑

f # >œ ≈ R ‰ Œ f

∑

# œ. ‰ R ≈ Ó P

&

œŒ

∑

∑

. . ‰ #œ œ Ó P

Œ

∑

∑

∑

∑

bœ

‰

>œ J ‰ Œ ß

Ó

∑ >œ b 1. ≈ œ œ Œ Ó ƒ f Œ ‰ # œj #œ. P Ó Œ

j œ ‰ Ó > F ∑

∑

&

# œ. R

2.

∑

∑

Œ

Œ

Fƒ ∑

∑

∑

œ ≈ Œ # œ. . F

Œ

∑

Ó

≈

œ. # œ. ‰ œ. ‰ . R ‰ .

1.

∑

∑

Œ

Ó

∑

≈ Œ P F

∑

∑

Ó

Œ

. b œ. œ. œ

3. Harmon mute (stem in)

Œ

‰ . œr F

b œ. ‰ J P

1. (st. mute)

Œ

∑

∑

˙

œ. ‰ . R P

Ó

& Ó

Ó

Ó

∑ P œ. ‰ . R Œ

∑

Ó

PF

1.

. ‰ # œR ≈ Ó f Œ

. ‰ œJ F

2.

∑

œ. œ. ≈ ≈ ƒ f # œ. # œ. R ‰. R ‰. f ƒ ∑

Ó

‰ #œ œ Ó f Œ

2.

œ bœ bœ œ P f Œ ‰. œ R f ∑

Œ

? Ó

Hrp. 2

Va.

Ó

1.

Œ

&

&

Vn. 2

∑

‰ œ œ Ó f ∑

Œ

Œ

∑

Hrp. 1

Vn. 1

Œ

∑

& #œ nœ

Solo Vn.

∑

∑

Claves

Cel.

Ó

&

ã

6

∑

&

3

5

Œ

∑

ã

4

Ó

∑

∑

∑

2

Perc.

rŒ b œ. P

∑

(Vib.)

1

. ‰ . œR f ≈ Œ

∑

&

‰ Œ PF ? ‰ œ. ≈ Œ R P

Bass Cl.

Tbn.

œ bœ F f

∑

∑ œ #œ œ. œ

œ.

f espr.

Ó

# -˙≤ .

∑

arco

Ó

Œ

π

echo

Ó

‰ œJ b œ PF œ . ‰ J bœ P

Œ

∑

l.v. molto

j bœ f

∑

l.v. molto

∑

P

# œ.

P

11 70

∑

Picc.

&

Fl.

& Ó

Alto Fl.

&

∑

1 2

&

∑

Eng. Hn.

&

∑

Ob.

Cl.

1 2

Bass Cl.

&

w

P

∑

1.

∑

˙

π

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ƒ

Ó

∑

‰ Œ

∑ ∑ ∑

1.

-œ π

∑ Œ ß

Ó ∑

∑

∑

?

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

2

ã

∑

Œ

∑

∑

∑

∑

3

&

∑

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

&

œ ƒ

Œ

∑

∑

∑

∑

ã

∑

∑

∑

∑

>œ

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1 2

Perc.

4

?

∑

6

&

∑

&

∑

?

&

∑

Hrp. 2

&

∑

Ó

f

Ó ∑ (pizz., inside pno.)

Ó

#œ. ≈ J f

Ó

En

∑

Ó

∑ #œ

≈ ≈

n œ.

‰

>œ . œ # œ ≈ œ

∑

≈ > #œ

#œ.

w

?

∑

?

∑

° >œ ƒ

° n >œ ƒ œo

ƒ

ƒ

∑ Œ

∑ ∑

Œ

∑

Œ

œ π

Œ

π

arco sul A

Œ

≤ œo . ≈ J π

echo

∑ ∑

*

*

Fs Gf

∑

∑

∑ ∑ #w

∑ œ

∑

ƒ

>≥o œ ≈ R ‰ Œ

œ

∑

&

&

ã

f œœ

∑

Œ

?

&

Ó

ƒ œ

∑

w

Hrp. 1

&

ã

œ

secco

Ó

∑

& Ó

Solo Vn.

Med. Triangle

Ó

∑

&

?

Ó

∑

&

Pno.

. # œ. œ ≈ R Ff

Sm. and Med. Triangles

5

Cel.

Cb.

Œ

∑

π

œ J ç

∑

∑

Bs. Tbn. Tuba

Vc.

‰ Œ π

# -œ

∑

Œ

∑

∑

Tpt.

Va.

œ J

∑

∑

# -œ

∑

Hn.

Vn. 2

# -œ . ≈ J f

∑

∑

Cbn.

Vn. 1

solo

∑

?

Bn.

Tbn.

&

Œ

∑ > . # œ. œ ≈ R Ó ƒ espr. ∑ œ́ 1. R ‰. Œ Ó ç

‰

∑ Ó

ȯ

ȯ

∑

Ó

>œ . f

(DsCsBlEFsGfAs)

∑

∑

∑

∑

∑

∑

∑

∑

> b œ. . # œ n œ # œ. >œ œ # œ œ ≈ œ # œ b œ n -œ œ œ. ≈ ≈ ≈ ≈ Œ p sub.

# -˙≤

∑

π echo

Ó

arco sul D

‰

˙

œ J

-≤ n œo .

π

echo

‰ Œ sFz

. œ. b œ. œ. # œ. ≈ œ n -œ # œ a œ œ n œ # œ œ ≈ ≈ œo

ΠsFz

Ó

zing!

∑

zing!

Ó ç

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

zing!

&

12 76 Picc.

& Ó

Fl.

& Œ

Alto Fl.

&

Ob.

1 2

Œ

>œ ‰. R Ó ƒ

∑

1 2

&

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó ∑ Ó

2.

≈ œ P

≈ œ p b >œ ≈ ≈ >œ Ó ƒ 1.

Œ

œ ≈ R ‰ ƒ

Œ

œ

≈

œ

≈

œ b >œ ƒ

Ó

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Tpt.

3 4 1 2

Bs. Tbn. Tuba

> & ≈ # œR ‰ ß

1. (st. mute)

Œ

Ó

&

∑

?

∑

?

3. (Harmon mute)

> >œ ≈ # œ # Œ & ≈ ƒ secco

2

& Ó

3

ã

Perc.

4

5

6

Cel.

Ó Œ

Hrp. 1

Hrp. 2

Solo Vn.

‰.

œ R f

Tub. Chimes

∑

# >œ # œ # œ # >œ n >œ > #œ ‰. R Œ œ & ≈ ƒ Claves œ Ó Œ ã f (Xylo.) > # >œ # œ # œ & ≈ # œ # >œ ‰ . n œR Œ œ > ƒ > & ≈ # œ # >œ ‰ . n œR Œ > ƒ secco ? ∑

# >œ # œ # œ

# >œ n >œ # >œ R Œ . ≈ ‰ & ƒ secco ? ∑

# >œ # œ # œ

&

& Ó ?

b œ. ≈ ≈ œ. Ó f ƒ ∑

Œ

∑

∑

œ b >œ ≈ F f

via sord.

bœ ≈ J ≈ b œ ≈ ≈ œ Ó ƒ secco

secco

Marimba

& Ó

1.

∑

(ord., on keyboard)

Pno.

Œ

∑

(Vib.)

1

Ó

Œ

Œ

n >œ # œ. # >œ ≈ # >œ R Œ . ‰ & ƒ intense

# b œ>œ ƒ # >œ ƒ # >œ # œ # œ

bœ. ≈ J

bœ.

∑

∑

∑

ã

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ ≈ b œ . J

≈ b œ . J œ bœ. œ ≈ J

bœ. bœ.

bœ.

œ œ

œ

P.D.L.T.

#œ. ≈ J Œ ƒ secco

bœ

œ

≈

œ A >œ ƒ

œ ≈ œ œ ≈ œ A>œ P ƒ ∑

∑ f

≈ œ P

œ ≈ œ œ ≈ œ A >œ p ƒ

#œ

Œ

Small Triangle

∑

œ

∑

∑

≈ œ p

œ

≈

Œ

‰

Œ

‰

œ A >œ ƒ

# >œ J ƒ

œ œ œ A >œ ≈ b œ ≈ ≈ œ œ œ F

&

∑

Ó

Œ

pizz.

‰

Vn. 2

&

∑

Ó

Œ

pizz.

&

∑

Ó

Œ

pizz.

Va.

?

∑

∑

?

∑

∑

‰ ‰

b >œ J ƒ resonant b >œ J ƒ resonant b >œ J ƒ resonant

Œ

Glock.

∑

Ó

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰

ƒ sempre

œ œ œ J bœ

>œ

ƒ

° >œ ƒ

°

∑

Es Fn Gn Af

∑

∑

‰ bœ. F

∑

*

Ó

∑

*

∑

∑

Fn An

j j #œ œ œ. . >œ >œ œ

Ó

∑

∑

∑ œ. ‰ œ.

ƒ

Œ

∑

∑

b >œœ ..

œ ƒ >œ

Ó

Œ

&

Œ

œ f

Ó

∑

∑ ˙

ƒ

Ó

∑

>œ J ƒ

Œ

Crotale

∑

ord.

>œ

P

∑

∑

1 2

Cb.

f

ƒ

∑

Hn.

Vc.

œ b >œ

Œ

∑

Cbn.

Vn. 1

>˙ .

∑

?

Bn.

Tbn.

ƒ

# >œ n >œ 1. > & ≈ # œ ≈ ‰ . R Ó ƒ &

Bass Cl.

f

∑

∑

Eng. Hn.

Cl.

# >œ # œ # œ ≈

>≤j ≥ œ œ >˙ J ‰ ƒ

ping!

œ J

Œ

Oœ≤

∑ œ.

Oœ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

arco

π

∑

œ ≈ ≈ œ

p sub. Œ ç

zing!

3

82

accel.

Animated and with whimsy

&

∑

∑

∑

&

∑

∑

∑

&

∑

∑

∑

1 2

&

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

Picc.

Fl.

Alto Fl.

Ob.

Cl.

Œ

‰

solo

‰

1. solo

>œ œ œ

f ∑

>œ b œ œ

f

48 ˙ ƒ

∑

ƒ

ƒ

Œ

4 8

∑ ∑

∑

48

∑

∑

48

Œ

4 8 1.

48

∑

∑

&

∑

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

∑

48

∑

∑

1 2

&

∑

∑

∑

∑

48

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

∑

1

&

∑

∑

∑

∑

2

ã

∑

∑

∑

∑

3

&

∑

∑

∑

∑

4

&

∑

∑

∑

∑

Hn.

Tpt.

1 2

Bs. Tbn. Tuba

Perc.

4 8

&

∑

4 8

∑

∑

48 ?

∑

48

Cel.

&

∑

∑

∑

∑

∑

∑

∑

∑

48

Pno.

&

∑

∑

∑

∑

∑

∑

∑

∑

Hrp. 2

Solo Vn.

&

∑

∑

(DsCsBlEsFGAf)

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

? &

bœ

(DCsBflEFGsA)

œo > ≈ b œ. ≈ b œ ≈ ≈ n œ œ n -œ ≈ # œ. ≈ œ. œ œ ≈ b œ. ≈ œ. . - # œ. ≈ œ b œ ‰ œ # œ ≈ # ->œ œ œ # >œœ œ. œ. . œ b œ ≈ ≈ b œ n œ ≈ œ #œ n œ # œ n œ # œ n œ ≈ b œ b œR ‰ 3 ƒ P

like several objects in motion, in the air

Vc.

Cb.

accel.

œ

48 #œ f 48 ° 48 #œ > ƒ 4 8

&

Ó

∑

Œ

∑

Œ

∑

∑

Œ

b -œ

F

∑ Œ

∑

∑ ≈

48 œ œ

bœ

bœ

ƒ

&

∑

∑

∑

∑

&

∑

∑

∑

∑

48 b >œ ƒ 48

?

∑

∑

∑

∑

48 Œ

?

∑

∑

∑

∑

f

nœ

Œ œ

* bœ R f

œ bœ.

fƒ ∑

œ. b œ b œ

≈ > #œ bœ œ F sub.

48 b >œ ƒ

sempre

‰.

Œ

∑

48 Œ

≈ b œ b œ f

œ bœ ‰ F f ‰ # œJ Œ Œ

48

ƒ

∑

∑

∑

4 *One may elect to conduct the 8 in two.

œ F

Œ œ #œ F secco Œ ≈ j bœ . f œ #œ œ

(pizz., inside pno.)

q = 112–116 ; = ; ∑

(Xylo.)

∑

&

∑

∑

48

with delight and whimsy

Animated and with whimsy

∑ ≈

48

∑

Hrp. 1

(Glock.)

(Mar.)

∑

Œ

∑

Tub. Chimes

48 Œ

∑

∑

∑

∑

&

∑

∑

4 8

48

‰ π

∑

∑

6

∑

f

Œ

∑

∑

&

œ

2.

∑

n >œœ ‰ J ƒ ∑

œ P

. œ. # œ

4 r ‰. Œ 8 bœ ÿ ß 4 ∑ 8

∑

solo

∑

48

∑

?

≈

48

&

?

ƒ

48 Œ

5

Va.

# >˙

‰ π bœ ‰. R f

>œ œ. # œ. R ‰ . P ƒ œ.

∑

∑

Cbn.

Vn. 2

Œ

∑

Bn.

Vn. 1

œ.

sempre

&

1 2

Bass Cl.

Tbn.

q = 112–116 ; = ;* > ∑

Œ

13

pizz.

(pizz.)

Œ

Œ

‰.

Œ

Œ

œ bœ.

∑

≈ œ œ PF (pizz.) 4 Œ ≈ œJ . 8 F (pizz.)

(pizz.)

œ #œ F f

f

‰.

∑ ∑

bœ R f bœ R ƒ

14 >œ & ‰ R ≈ Œ ß solo œ . & ‰ p ∑ &

88 Picc.

Fl.

Alto Fl.

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

Cbn.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

# >œ R ‰. ƒ ∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

& &

Œ

2.

1.

∑

‰

#œ œ ƒ

≈

∑

#œ

>œ ≈ R ‰

‰

n >œ # œ ≈ ≈ R ‰

ƒ sempre ∑

Œ

∑

∑

∑

∑

1.

#œ #œ #œ ƒ

∑

‰.

Œ

#œ #œ #œ œ #œ. ∑ Œ

2.

∑

≈ Œ

nœ R ƒ

‰.

œ R f

#œ œ #œ .

nœ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

# >œ . R ‰ ß ∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

(motor off)

∑

1 2

?

>œ J Œ & ‰ f secco

turn motor off

1. senza sord.

Œ

# œ ≈

œ

≈ ‰

ƒ sempre secco

#œ œ

‰.

2

&

∑

∑

∑

∑

∑

&

(Glock.)

3

∑

∑

∑

∑

∑

&

(Mar.)

∑

∑

∑

∑

∑

∑

& ‰ œj Œ p F (Xylo.) >œ & ‰ J Œ ƒ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

?

∑

∑ ∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

#œ

(Crot.)

bowed

5

6

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

∑

?

# n œ>œ & ‰ J Œ ƒ ∑ &

∑

Fs Gs

∑

>œ & ‰ J Œ ƒ ? ∑ œ & J

n >œ .

∑

Es Fs

∑

œ # œ.

ƒ

>œ & ‰ J Œ ƒ >œ & ‰ J Œ ƒ

∑

∑

∑

∑

∑ ∑ ∑

P sub.

3

f

œ.

# œ. # œ.

∑

∑

#œ ƒ sempre

∑

∑

∑ ‰ Œ

#œ œ

‰. ‰

Œ

√ œ ‰ R ≈ Œ ƒ sempre

Œ

ƒ ∑

Œ

P.D.L.T.

#œ

ƒ ∑

‰. ∑ ∑ ∑ ∑ ∑

∑

∑

∑

Œ

sul E

∑

∑

∑

∑

Œ

sul A

Œ

#œ

ƒ poss. #œ

ƒ poss. #œ

#œ

r n œ # œ # œœ

#œ œ

≈

ƒ sempre

#œ

∑ ≈ # œJ .

#œ

n >œœ ≈ R ‰

#œ

≈ # œœj .. f

mallets

‰ # # œjœ f

œ R

Œ √> #œ. ≈ J ƒ

∑

∑

∑

∑

∑

#œ

# >œœœ ≈ R ‰

Œ

# œ ≈ ≈ œ # œj ‰ ∑

‰.

Œ #œ ƒ

#œ #œ ƒ

∑ ‰

∑

Œ

Œ

# œ # œ # œ œ # œ ≈ n œ #œ

‰.

ƒ #œ ƒ

Œ

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

ƒ poss.

œ R

∑

&

B

nœ

≈ Œ

∑

ord. # >œ ‰ # œJ Œ ƒ ∑

∑

#œ

Œ

∑

∑

#œ

#œ œ #œ.

∑

> n # œœœ ‰ # # œrœ ≈ ≈ R ‰ ∑

‰

Œ

≥ ≥ œ n >œ #œ œ #œ nœ #œ œ #œ œ. ≈ ≈ œ # œ b œ. - œ a œ # œ œ œ # œ # œ ≈ œ ≈ ≈ œ œ ≈ ‰ ‰ ≈ ≈ R ‰ F P ƒ sempre

∑

#œ

1.

∑

r ‰ #œ œ Œ # œ ‰. ƒ sempre ∑ ∑

(ord., on keyboard)

(DsCsBlEsFsGsAf)

∑

œ

Œ

∑

∑

# >œ ≈ # œ n œ œ # œ ≈ ≈ # œ n œ ≈ ≈ # œR

Œ

Œ

nœ #œ œ # œ # œ Œ R

nœ

#œ R ‰. ƒ

1.

∑

Œ

r œ

‰.

Œ

&

4

Cb.

∑

#œ œ #œ œ

1 2

Perc.

Vc.

∑

∑

&

1

Va.

∑

ƒ sempre

∑

(Vib.)

Vn. 2

Œ

∑

3 4

Bs. Tbn. Tuba

Vn. 1

p

∑

∑

&

&

Tpt.

Tbn.

F espr.

˙

∑

∑

1 2 Hn.

˙

∑

∑

?

Bn.

∑

œ. #œ # œ. ≈ ≈ ‰ œ ‰

∑

œ R

15 97 Picc.

r & # œ ‰.

Fl.

&

Alto Fl.

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

Bn.

Cbn.

1 2 Hn.

3 4

#œ

œ

j #œ œ J ƒ

‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

2.

œ œ. f

œ

P

>œ ‰ bœ f ƒ

?

∑

∑

∑

∑

∑

∑

∑

∑

j #œ œ R ‰. f ƒ

∑

∑

1.

∑

∑

∑

Œ

1.

∑

∑

∑

3.

∑

∑

∑

Œ

3.

∑

∑

∑

∑

∑

# œ. . R‰ f œ. ‰ . R f ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1.

&

?

∑

?

∑ #œ œ

∑

#œ

≈ # œ

‰ # œj # œ #œ

œ & ≈ œ # œ f secco ∑ &

≈ # œ

‰ # œj Œ

&

œ

j #œ nœ J

‰ # œj # œ

6

&

∑

Œ

Cel.

&

∑

Œ

Pno.

# œ ≈ & œ

? ‰

œ J

&

∑

& ‰ ?

#œ œ

&

Vn. 2

&

Va.

B ‰

?

j Œ œ f ∑ œ

#œ

#œ

Œ œ J f

Œ

0

∑ ∑

r # œœ ƒ

> ‰ . # # œœœ R ƒ > ‰ . # # œœœ R ƒ ∑

#œ

Œ

Gn

≈ # œ

‰ œ #œ Œ f

Œ

∑

∑

∑

∑

œ # œœ .. ƒ secco

Œ

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

(DsCsBlEsFsGsAf)

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ ‰ œJ

Œ

#œ

# # œ>œœ

∑

#œ f ∑

>œ ‰ # œj # œ # œ F ƒ div. b œ> œ arco R . Œ ‰ ƒ >œ (pizz.) R Œ ‰. ƒ # œ ‰ J Œ f

œ #œ

∑

ã

Œ

∑

≈ # œœ .... f

∑

r n œ # n œœ .... f ƒ

∑ ∑ ‰ œ # œ œJ ‰ unis. pizz.

∑ ∑

∑

∑

∑

∑

≈ œ . J P

œ # œœ ..

∑

∑

∑

œ #œ.

∑ ‰

Œ

p

œ #œ.

Small Sus. Cym.

# >œœ ‰ # œj # œ #œ ƒ F ∑

∑

Vn. 1

?

r #œ Œ

∑

&

>œ œ

∑

(Xylo.)

‰. ∑

&

‰

Œ

?

‰ œ #œ Œ f ∑

∑

‰.

Œ

f

2.

∑ # œ # œ. 1. ‰ J R ‰. p F

>œ >œ .. R f >œ # >œ .

(pizz.)

l.v. molto

Œ

∑

Gs As

∑

∑

r œ # œ œ # œ ≈ a œœ ‰ > > P sub. 0 j ≈ œ . ƒ ≈ # œj. f ≈ # œJ . f œ

f

∑

(DCsB blEsFsGsAs)

≥ ≤ ≤ ≤ ≥ ≤ ≈ b œœ ≈ # n œœ ≈ # # œœ ≈ œ œ ≈ # œ œ ≈ ≈ spunky

œbœ

b >œ

œ

œ

œ

3 cantabile

r œ > ƒ

1.

∑

& ‰

∑

Œ

∑

∑

Cb.

∑

∑

&

Vc.

∑

∑

5

Solo Vn.

∑

>œ >. œ ƒ

Œ

∑

& ‰

Hrp. 2

∑

∑

4

Hrp. 1

∑

∑

(Tub. Ch.)

3

∑

∑

∑

Perc.

∑

?

&

&

2

‰.

‰.

∑

∑

3 4

1

Œ

b >œ R ç >œ R ç

∑

∑

Bs. Tbn. Tuba

‰.

∑

&

1 2

≈ # œ

Œ

r ‰ # œJ # œ ‰ . ∑ p P >œ 2. r 1.‰ j # œ . Œ ‰ ∑ & #œ #œ #œ ƒ p f œ #œ ∑ ∑ ‰ Œ & ƒ > # œœ #œ #œ # œ R ≈ # œ Œ ‰. ∑ & œ ç & ‰

1 2 Tpt.

Tbn.

#œ œ

Œ

œ ≈ -œœ œœ .. > ƒ

œ

>œ ‰ bœ f ƒ

Œ

∑

∑

∑

Œ

Œ

∑

∑

∑

Œ

Œ

∑

∑

∑

Œ

Œ

∑

∑

∑

∑

∑

∑

∑

∑

œ ƒ œ

0

ƒ

16 105 Picc.

&

∑

∑

∑

∑

Fl.

&

∑

∑

∑

∑

Alto Fl.

&

∑

∑

∑

∑

1 2

&

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

1 2

&

∑

∑

∑

&

∑

∑

∑

∑

Ob.

Cl.

Bass Cl.

#œ œ J ‰ #œ ƒ f ? ∑ ? ≈

Bn.

Cbn.

∑

Œ

∑

‰

∑

# >œ J Œ f

∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ . # œR f

∑

∑

∑

2.

≈ œ. #œ f

Œ ∑

# œ´ ≈ R ‰ Œ ç

1.

&

∑

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

?

∑

∑

∑

?

∑

∑

1

&

∑

2

&

3

Tpt.

‰

2.

# >œ J Œ F

∑

Œ

∑

1 2 Hn.

∑

∑ Œ

1.

Œ

≈ œ œ > p

˙

≈ œ œ > ƒ

˙

œ

∑ ∑

∑

Œ

‰

1. st. mute

>œ J f

∑

˙ ∑

. b œ. œ ‰ f

# œ. ≈ ≈ œ. Œ f ≈ œ .. F

∑ ˙ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

p poss.

via sord.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

4

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

5

ã

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

6

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

Cel.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Pno.

& Œ

Tbn.

1 2

Bs. Tbn. Tuba

Perc.

Hrp. 1

Hrp. 2

Solo Vn.

?

œ

‰.

∑ ∑

r bœ ‰. œ R f ∑

Œ

∑

∑

∑

∑

∑

&

∑

∑

j Œ #œ ƒ ∑

&

∑

∑

∑

∑

∑

∑

∑

∑

? &

˙

Vn. 2

& Œ

Va.

B Œ

œ

‰. #œ ƒ

#œ. ƒ

? ≈ œ Œ #œ f ƒ (pizz.) œ ? ≈ # œ Œ f ƒ

œ Œ R ƒ Œ

œ

P.D.L.T.

≥ ‰ # œJ f F > ‰ # œJ ƒ > ‰ # œJ ƒ

∑ ∑ ∑

˙≤

rŒ œ

Œ

#œ

arco b œ. ‰. œ R ‰. R f ƒ Œ ‰. r #œ ƒ

‰ . # œR ƒ

. ≈ œR ‰ f

‰.

0

# b œ>œ J Œ f ∑

∑

o

j Œ #œ ƒ

3

-œœ≤ œœ ‰ Œ J

∑

>

2 soli div.

R p

∑

≤j ≥ #œ > œ

˙

ß

Œ

‰

Œ

‰

Sm. Triangle

(Tub. Ch.)

∑

f

œ #œ. J

œ J f

œ J F

Ped.

Œ

(Mar.)

#œ f

ƒ œ > ≈ œ

Œ

f secco ≈ r ‰ Œ >œ ∑

En Fn Gn An

∑

Œ

# œ # >œ . ƒ Œ

f

#œ ˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙

∑

∑

‰ # œj Œ > f ∑

n >œ œ

arco

‰

‰

ord.

œ.

‰.

Œ

‰

∑

∑

∑

Œ

‰ # œj Œ F

‰ #œ. > f secco ∑

Œ

‰ # œJ f ∑

∑

&

& Œ

Cb.

#œ.

? ≈ œ Œ #œ

Vn. 1

Vc.

f

≈ œ F ‰ #œ

(Xylo.)

ã

œ

Œ

‰

Œ

‰

tutti, unis.

-œ≤ œ

J p

≈ j œ. ƒ 0

ƒ

Œ

l.v. molto

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

P

≤

Œ

œ p

sul D fast, full upbow

œ J ƒ pizz. b œ >œ . Œ ƒ 0 #œ. œ Œ f

˙

œ œ

≥ œœ

j œœ œ

b œ≤ œ J

Œ ç

∑

∑

∑

∑

∑

∑

∑

∑

zing!

∑ ∑

arco

&

-̇≤

π echo

˙ ∑

∑

Playful, spry, jazzy

115

&

Picc.

∑

fade out earlier if you are out of breath

& ˙ f

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

F ∑

∑

1 2

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

Cl.

1 2

œ

1.

Œ

∑

f espr. ∑

?

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

1 2

&

∑

∑

∑

3 4

&

∑

∑

∑

?

∑

Bass Cl.

Bn.

Cbn.

Hn.

Tpt.

Tbn.

& #˙ π

1 2

Bs. Tbn. Tuba

&

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

>œœ œ œ œœ >œ . œœœ ‰ ≈ œJ . 3 F ƒ p3

Two Bongos with hands *

œ

œ

∑

∑

&

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

(Marimba)

4

3 Triangles (S, M, L)

5

ã

∑

∑

∑

∑

∑

∑

6

&

∑

∑

∑

∑

∑

∑

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

&

?

∑

œ n ≥œ . & œ œ. J

∑

∑ # ≥œ . ‰ #œ.

# ˙≤ ˙

∑ œ œ

ƒ

‰

∑ œ≤ œ J F

˙ ˙

œ œ

ƒ

&

∑

∑

∑

∑

∑

∑

Vn. 2

&

∑

∑

∑

∑

∑

Va.

B

∑

∑

∑

∑

Vc.

& ˙

∑ ∑

?

∑

Œ

f espr. ∑

f

∑

(Tub. Ch.)

ã

∑

5 Tom Toms

r ‰. >œ f œ

P

Œ

Œ

œ œ œ ∑

Œ

∑

Œ

Œ

secco sempre, unless otherwise marked

r . œ ‰ > ƒ

Œ

Œ

∑

r ‰. Œ n >œ ƒ secco ∑

P.D.L.T.

Œ

(DsCsBlEFGA)

∑ ∑

(DCsB blEsFsGsAs)

# >˙

Œ

Œ

œ p

œ P

œ œ J

secco sempre, unless otherwise marked

ƒ >œ . ‰ R

∑

∑

Vib. (reminder: motor is off)

∑

Vn. 1

œ

1.

∑

∑

&

> ≈ # œ ‰ Œ R ƒ > ≈ œR ‰ Œ ƒ ∑

∑

∑

Perc.

∑

∑

∑

(Ped.)

ƒ

∑

∑

2

# >œ . R ‰ f

∑

∑

ã

1

Cb.

Œ

Œ

∑

#œ nœ bœ œ

&

Alto Fl.

œ

q = 116–120

Œ π ∑

Fl.

17

∑

∑

∑ f ƒ œ œ œ #œ

∑

∑ ƒ >œ . ‰ R r ‰. >œ F ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

*See remarks in front matter vis-à-vis the option of using two sets of 2 Bongos.

∑

∑ Œ

œ R Œ

œ ‰ J f

∑

#œ nœ#œ # >œ œ œ # # œœ ≈ œR ‰ Œ F ƒ ∑ ∑ ∑

∑

Œ

Œ

r ‰. >œ

∑

ƒ

Œ

ord.

∑

œ

∑

r ‰. >œ f secco

∑

pizz.

∑

œ ‰ J ‰.

Playful, spry, jazzy

?

œ p

œ J

˙

ƒ

≈ # œœ. ‰ Œ R f œ œ P

r ‰. œ. F secco

#œ nœ bœ f

q = 116–120

&

> ≈ n # œœ ‰ Œ R ƒ secco ∑ ∑ ∑ œ ≈ # >œœ ‰ Œ R ƒ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

18 125 Picc.

& Œ

‰.

Fl.

&

∑

&

Alto Fl.

œ. R f

∑

Œ

∑

. ≈ œ. œ ≈

∑

∑

‰.

1 2

&

∑

∑

Eng. Hn.

&

∑

∑

Ob.

Cl.

1 2

Bass Cl.

1.

‰. ∑

&

?

œ. R f

bœ R f

∑

∑

∑

?

∑

∑

∑

1 2

&

∑

∑

∑

3 4

&

∑

∑

∑

1 2

&

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

Hn.

Tbn. 1, 2 Bs. Tbn. Tuba

? (Bongos)

1

2

㠌 &

œœ

œ

ƒ

F

∑

(Tub. Ch.)

Œ

Perc.

㠜 F

∑

F

4

5

6

Œ

œ ‰ œœ # œ ∑ (Triangles) f ƒ œœ œ œ œ œ ≈ ‰ ã ‰ J ƒ (Vib.) œœ œ bœ ∑ & ‰ J Œ F

Cel.

Pno.

? Œ & ‰ & ‰

Hrp. 1

& ‰

Hrp. 2

&

Solo Vn.

Vn. 1

Vn. 2

& ‰

‰

Cb.

∑

?

∑

? ?

echo

∑ ∑

œ

œœ J F

Œ

∑

∑

∑

∑

∑

∑

∑

>œ >œ Œ ƒ b >œ > bœ Œ ‰ ƒ ∑ ‰

1.

#œ.

>œ

œ J ‰ f

f p

sub.

≈ # œj . f

>œœ R F

Ped.

b œ. R ‰. P

∑ Œ

‰ ‰

Œ

≈ œ

œ

F

r #œ #œ #œ nœ ∑

∑

∑

‰

œœœ œœ œ

>œ n œ ≥ œ ≤ . # œ #œ #œ nœ R ‰. F

ƒ

∑

f

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1.

∑

∑

∑

3.

∑

∑

∑

P

∑

œœ œ J ‰ J F P

œ. ‰ . Œ R F secco

Œ

‰

‰

œ

F œ. ‰ . R f

∑

&

∑

ã

Glockenspiel

Med. Triangle

œ J F

∑ ∑

œ œ.

p f Œ

#œ F œ

P

>œœ

œ

ƒ

∑

Œ

∑

Œ

∑ ‰.

∑ r ‰ # # œœ ≈ . F

Œ

‰.

>œ Œ R F r bœ Œ > F ∑

‰.

‰.

rŒ b >œœ ƒ > ‰ . b œR Œ ‰.

n >œ > ‰ b œ bb œœœ Œ œ ƒ J ‰ Œ

∑ ∑ b œœ. ‰ . R P

>œ >œ ‰ #œ #œ Œ ƒ secco ∑

n >œ b >œœ Œ œ ƒ

∑

∑

Œ Œ

∑

# œœ. R ‰. F

∑ F ƒ # œœ # >œ solo ‰ # # œœ # œœ n œ ≈ # œ Œ Œ ∑

∑ Œ

‰

solo

∑

∑

∑

∑

∑

∑

Dn Fs

n # œœ

∑

f

En

∑

Œ

≤ œ. ‰ . R f lively

œ

Œ

pizz.

f

tutti, unis. pizz.

#œ

∑

≥0 œ. Œ R ƒ

∑

Œ

∑

Œ

∑

∑

F œ0

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

div.

# >œœ

∑

f

bœ f

F

F

bœ

b >œ

∑

∑

Œ

Œ

‰.

Œ

∑

∑

ã

œ œ œ œ R f r # # œœ. Œ f

Œ π π

π

secco (unless otherwise marked)

∑

∑

œ ≈ >œ Œ

∑

œ P

∑ #œ.

P

∑

œ

∑

∑

œ F

œ bœ

‰

1.

∑

Œ

œ œ Œ p

Œ

∑

œ œ.

Œ

∑

∑

> > ‰ #œ #œ Œ f ƒ

> r nb œœ n œ œœ Œ n œ ‰. n nœ R #œ ∑ > ƒ r ‰ # œœ ≈ Œ . f #œ #œ ? œ Œ ƒ f *

∑

∑

∑

Œ

∑

∑

∑

‰.

∑

˙˙ ˙

∑

Œ

∑

P P

∑

∑

∑

≥œ b œœ ... ‰ & p

‰.

∑

˙˙˙

Œ

∑

∑

∑

œ œ ‰.

∑

&

# ≥œœœ .. . arco & ‰ p

œ

œ œ R ‰. f

œ J ‰

≈

∑

∑

3 soli, div. a 3

œ R p

∑

∑

∑

‰ # œ. ≈ Œ R P ∑

∑

&

∑

Ped.

∑

∑

echo

Vc.

∑

œ ‰ œ f ƒ #œ. gggg œœ .. l.v. ggg ggg gg ƒ ggg œœ .. l.v. gg b œ . ° gg n# œœœ ... gg l.v. ggg gg ggg ƒ ggg n œœ .. l.v. gg # œ .

3 sole, div. a 3 arco

Va.

œ #œ

∑

∑

Ped.

& Œ

Œ

‰ n œ. ≈ Œ R P ∑

œ

Œ

∑

1.

∑ œ œœœ J 3 P

solo

∑

∑

& Œ

∑

∑

∑

∑

(Marimba)

∑

∑

‰.

∑

(Toms Toms)

3

fP

œ

∑

∑

1. senza sord.

>œ œ .

Œ

∑

bœ bœ R nœ ‰ f P ∑

‰.

∑

∑

Cbn.

œ F

∑

∑

Bn.

Tpt.

& Œ

f ƒ

>œ

œ ‰. R ƒ b >œ œ œ R ‰. ‰ F ƒ œ bœ ‰ P ‰

Œ

. ‰ b œR ≈ P

arco

19 133 Picc.

& Œ

Fl.

&

Alto Fl.

& Œ

1 2

&

Eng. Hn.

&

1 2

&

Ob.

Cl.

Bass Cl.

Œ

> ≈ b œR ‰ F

∑

∑

Œ

∑

1

2

Perc.

5

6

Cel.

Pno.

Solo Vn.

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1.

Œ

∑

∑

∑

∑

∑

∑

3.

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

-œ

J f j b -œ f

œ œ

π

π ∑

œ

∑ Œ

1.

∑ œ

≈

∑ œ F

&

≈

œ

œ œ

‰

œ f

ƒ

# œœ P

Œ

‰

œ J

œ.

œ

∑ Œ

∑

Œ

F. P b b œœ œ. ≈ b œ ≈

gg # œœ f gggg gggg solo Œ ggg ggg n œ gg œ Œ

&

∑

∑

#œ f ∑

&

∑

∑

∑

&

∑

∑

∑

∑

Vn. 2

&

∑

∑

∑

Va.

&

∑

?

∑ ∑

tutte, unis.

∑

œœ ..

B

unis.

≈ n œ . J ƒ

pizz.

(pizz.)

#œ f

pizz.

œ f

0

‰ ‰

>œ R ‰. P

œœ

f

œ œ > f

‰. ∑

œ œœ R F p

‰ ‰

3

∑

ã

∑

∑

∑

&

∑

∑

∑

∑

∑

∑ ∑

‰. Œ

∑ œ œ

œ F

‰

P

œ œ œ. Œ P ‰.

‰ . # œœ R f Sm. Triangle œ Œ ‰. R F Crotale bowed r Œ ‰. œ F Œ

Glock.

∑

‰.

Œ

>œ R f

. œ ≈ œJ R F

≤ œ. Œ R f

œ œ.

p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ ∑

∑ ≤r ≥ ≥ ‰ # œr ≈ ≈ # œ. ‰ ≈ # œr ‰ . . F

Œ

# œ. # œ. ≈ # œ. >œ Solo 1° R ‰. ‰ . R ≈ ƒ P arco

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

∑ Œ œ

tutti, pizz.

# >œ ‰ J Œ ƒ n >œ ‰ J Œ ∑ ∑ ≥œ . ≈ J

≥ ≤ # œ. ≈ ≈ œ. Œ

ƒ espr.

F

Œ

∑

∑

Œ

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

F

œ F bœ

F

Œ

ã

solo

∑

≤ # >-œ ‰ J ƒ

F

∑

∑

Af

œœ

œ.

∑

∑

dampen pizz.

∑

∑

>œœ # >œœ ≈ R ‰ R ‰ . f ƒ ∑

∑

dampen pizz.

ã

∑

‰

œ. ‰ . R F œ. ‰ . R F

Œ

2 Triangles (S, L)

∑

∑

dampen pizz.

P

&

# œ. r ‰ . # œR ≈ n # œœ ≈ # œ n œœ ‰ . > P ƒ ∑ ∑

b œ. ‰ . R F

œœ

∑

œ P

Œ

1.

secco unless otherwise marked

l.v.

∑

&

Œ

∑

Œ

f # œœ

∑

∑

Œ

∑

∑

∑

j œ F

Œ

ƒ

∑

∑

∑

Œ

1.

∑

œ œœ œ ‰ œ J 3 F F

Ped.

∑

∑

P

>œ œ œ .

∑

∑

œœ

Œ

œ. f

≈ > ‰ b n œœ

bœ ‰ œ Fƒ > ≈ b b œœœ ‰ & Œ ƒ R -œ bœ ? J œ nœ ‰ œ

œ. . # œ ≈ P

œ

∑ œ P

≈

& Œ

?

∑

∑

∑

Cb.

∑

∑

∑

Vc.

∑

∑

∑

Vn. 1

∑

∑

∑

?

∑

∑

∑

Hrp. 2

∑

∑

Œ

&

&

∑

∑

b œœ ‰ œ > F f œ œ J ã ‰

Hrp. 1

∑

∑

∑

? Œ

∑

∑

?

㠌

∑

∑

∑

Marimba

4

∑

∑

∑

㠜 p

∑

∑

5 Tom Toms

3

∑

∑

∑

&

∑

∑

b œ. . ≈ œ ≈ P

∑

œ

∑

∑

?

ã

∑

∑

‰

Bs. Tbn. Tuba

Œ

∑

3.

1 2

∑

∑

& Œ

&

∑ >œ R ‰. P

∑

∑

Œ

Œ

∑

∑

3 4

3 4

π ∑

Œ

Œ

∑

‰

Tpt.

œ

∑

∑

1.

&

f ∑

œ

# >œ R ƒ >œ ‰. R ƒ ‰.

∑

∑

& Œ

1 2

Œ

# œ. R p # œ. ‰. R p ‰.

∑

1 2 Hn.

Tbn.

∑

# >œ ≈ R ‰ F œ R ‰. F

& Π?

Cbn.

∑

∑

? Œ

Bn.

≈ r ‰ >œ F

&

20 >œ R Œ ƒ > œ bœ Œ & ≈ œ f ƒ ∑ &

142

Fl.

Alto Fl.

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

Bn.

&

∑

&

&

∑

∑

?

∑

∑

∑

‰.

∑

œ. ‰ R ≈ p

1.

∑ ∑

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

# œ. œ. ‰ . R R P ∑ ‰

1.

#œ ‰ . œR œ ‰ p P

∑

œ œ R R ‰. F ∑

‰.

∑

œ P

bœ

‰

œ. b œ. b œ. n œ. ‰ p r ‰. Œ œ F

œ.

œ # œ n >œ .

Œ

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

f b >œ . ≈ J f >œ . ≈ J f

∑ ‰.

∑

2.

∑

∑

‰.

#œ R F

∑

∑

∑

œ Œ

F ∑ ∑

∑

‰.

Œ

f

∑

2.

∑

>œ .

œ R P bœ R F

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

. œ. Œ œ ≈ œ P p 1. st. mute r Œ ‰. #œ π ∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1 2

Bs. Tbn. Tuba

1

2

?

(Bongos)

ã

œ ã ‰ æ P

(Triangles)

3

& ‰.

4

ã

r b >œœ Œ F ∑

(Glock.)

Perc.

5

6

Cel.

Pno.

ã

œ

œ

2 Conga Drums

P

(Vib.) œ

œ & ≈ œ ≈ Œ F secco b >œœ œœ & ‰. R f ? ∑ > œ bœ œœ ≈ œ Œ & F ƒ ? ∑

Hrp. 1

&

∑

Hrp. 2

&

∑

Solo Vn.

&

œ

&

Vn. 2

&

∑

‰

œœœ 3

& ‰.

œ

‰.

œ R ƒ

∑

œœ f

∑

oo r

∑

secco

oo r

‰ b œœ ≈ . F

b ≥œœ œœ R P

>œ

f ƒ ‰

∑

∑

∑

∑

‰

∑

‰.

∑

‰

∑

∑

Ds Fn

‰. Œ

f ƒ arco b >œ ‰ bœ Œ œœ J

ã

‰.

∑

‰ ∑

bœ b œœ F f

j œ

‰. ∑

∑

∑

f

∑

‰.

∑

∑

‰.

∑

∑

Œ

#œ. ≈ J F ∑

∑

∑

∑

∑

∑

∑

œ œ # >œ . R œ. F ƒ ∑

ƒ

arco

unis.

∑ ∑

∑

œ

∑ Œ

Œ

Œ

>. ≈ œJ f

div.

r ‰. œ œ P

div. (pizz.)

0

œœ

P

j œ. F

‰

≈ Œ ∑ ∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰.

∑ r #œ F

∑ ‰

œ.

>œ .

ƒ

bœ œ J

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

dampen pizz.

dampen pizz.

&

œ ≈ ≈ # œ Œ # œ F f

∑

∑

≥œ. > R œ #œ. P ƒ ≥œ. R œ >œ . P ƒ B

œ.

An

∑

r Œ œ F

(pizz.)

∑

∑

pizz.

∑

∑

œœ ≈ œ. b œ. b œ. n œ. ≈ # œ f F ∑ r

‰

∑

∑

‰.

∑

œ ‰ ® œ P œ ‰ . œR ‰ J P p Œ

∑

Œ

Œ

F

∑

‰

‰.

3

œ J

‰

b œ. Œ P ∑

≈ b œ b œ n œ ≈ # œ œ œ f f P ∑

∑

œ

0

ƒ

œ ≈ œ ≈

∑

cantabile

>œ .

∑

Œ bœ R

œ

∑

‰

œ.

∑

∑

∑

œ

Triangles

≈ œJ . p

∑

Œ

Œ

ã

∑

≤ #œ r # œ # œ n œ # œ # œ ≈ # œ. œ. ≈ # œ œ œ F

Œ Œ

Œ

‰.

r œ. P œœ >œ œ ‰ ‰ 3 F f P

Œ

∑

∑

∑ œ

∑

n œ. ≈ # œ # œœ. n œ. b œ. n œ ‰ . P f ∑

∑

‰

&

P . ‰ œ œ ‰. R R

∑

arco

∑

‰.

Bass Tbn.

≈ @œJ . π # œ. œ. ‰ . R R F secco j j ‰ œ œ p P œ. b œ. ‰ . R R F > œ ≈ œJ . J p P

. r ≈ # œœ n œ # œ. # œ ‰ œ #œ P f

Œ

∑

Œ

5 Tom Toms

‰.

œœ ≈ b œœ ‰ # œœr ≈ . b œœ > . P P f ∑

ΠTub. Chimes

> b œœ ≈ Œ R f ∑ ∑

play as artificial harmonics

div. arco

œ.

Marimba

&

Œ ∑

?

‰

œ J f

∑

Vn. 1

?

œ J f

œœ ‰ . . F

∑

&

?

œ. ≈ J F

∑

Œ

3.

œ J

∑

3 4

3 4

Cb.

∑

#œ ‰ r œ œ #œ #œ nœ #œ π F ∑

Œ

&

Tpt.

Vc.

Œ

Œ

2. œ & ≈ b œ ≈ Œ F ƒ

‰.

∑

∑

r ≈ œ ‰ F

∑

1 2 Hn.

Va.

Œ

œ. R ‰. P

∑

?

Cbn.

Tbn.

œ. ‰ . R P

& ‰.

Picc.

‰

21 150

&

Picc.

Fl.

Alto Fl.

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

Bn.

Cbn.

&

& ‰

1.

& œR ‰ . P & œ ? R ‰. F ? &

3 4

&

1 2 Tpt.

3 4 1 2

Bs. Tbn. Tuba

1

>œ J f

&

1 2 Hn.

Tbn.

b œ. >œ & ≈ F f

∑ Œ

∑

∑

∑ Œ

∑

Œ

∑

∑

∑

∑

∑

∑

à2

∑

∑

∑

à2

∑

∑

∑

?

∑ ∑

∑

Œ

∑

3.

Œ Œ

∑

∑

∑

4

&

∑

∑

6

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

∑

ã

∑

> b œ n n œœ ≈ Œ & ≈ F f ?

∑

? & œ &

≈ œœ b œœ ƒ

Œ

bouncy and playful

&

f

∑

∑

Œ

∑

& ‰

Œ

œ

>œ >œ

# œœ # >œœ nœ ≈ œ ≈ ‰ Ff P œ ≈ ≈ œ Œ

Dn Fs

Œ

‰

∑

‰

Vn. 2

& ‰

Œ

∑

Va.

B

≈ œJ f

œ

ƒ >≥œ J ƒ

∑

Vc.

Cb.

?

F

∑ Œ

∑

∑ ∑

Œ

# >œ

# œœ≤

P .

pizz.

Œ

2.

‰

nœ

arco

# ≥œ. R ≈ ƒ

∑

œ

. ≈ # œ p

œ >œ

P

∑

‰ Œ

Œ

∑

Œ

P ∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

≈ Œ

∑

∑

∑

∑

∑

∑

nœ P

3.

#œ

# >œ ≈ R ‰ P

Œ

#œ R ‰. ‰ œR ≈ Œ p P œ ‰. ∑ R P ∑ ∑

∑

Œ

∑

#œ ≈ œ ≈ pP ∑

∑

∑

bœ ‰

œ. ‰ R ≈ Œ F ∑

1.

œ. ≈ b œ. b œ. . ≈ R ‰ F P ∑ 1.

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ >œœ R Fƒ œ œœœ F

3

œ

Œ ‰

‰

∑

ã

∑

ã

œ J P

Œ

Tom Tom

œ F

‰.

Œ

∑

∑

∑

∑

∑ Œ

&

œ R P

∑

f r ≈ Œ œ> ∑

Œ

œ

∑ Œ

∑ ≤ ≥ œ > r œ ≈ b œ b œ ≈ n œJ .

r œ œ ≈ b œ ≈ Œ F P

F ≈ # œJ . F

∑

b œœ R ‰. P

∑

∑

≈ œJ . P

# œœ. ) R Œ F

play Fs if available (

∑ œ œ ..

∑

≈ r ‰ # œœ P ≈ r ‰ b œœ . F

# # >œœ

P

#œ ‰

P

Œ

‰

∑ ∑

∑

∑

≤ ≤ ≥ œ. ≈ b œ. ≈ b >œ ‰ bœ

œ bœ

≈ # œœ .. J P

pizz.

f F

≤ ‰ b œœ J

Œ

f

Œ ∑

P p #œ œ ≈ œ # œ

∑

∑

œ

∑

œ ‰ b œœ # œ ≈ œ b œ ≈ Pp P ∑

∑

# >œ J ƒ ∑

Œ

∑

∑

Œ

r bœ ‰. œ. P ∑

∑

∑

∑

‰.

∑

∑

∑

∑

bœ. fF

Œ

≥ œ n >œ ≈ Œ

Œ

>œœ R Œ P

œ b œ b >œ

∑

bœ J F

4. st. mute

∑

∑

Œ

∑ Œ

Œ

∑

‰ ∑

‰.

Œ

∑

≤ ≥ ≤ œ #œ # œ >œ ≈ ≈ # œ Œ

≈ r ‰ œ P

∑

Œ

∑

≈ b œ ≈ b œ Œ

div. P b n œœ .. . œ. # œ j ‰ ‰ œ ≈ J F P F pizz. œ ≈ œ ∑

∑

∑

∑

0

F ≈ r ‰ œ

b œœ ≈ Œ n # œœ f ƒ ∑

(arco)

unis.

∑

∑

∑

Œ

Marimba

Œ

∑

Ef

&

2 Conga Drums

∑

tutti, pizz. 0

∑

P secco for next 10 measures Glock. b œœ ∑ Œ & P ∑

P

œœœ ‰ œ @J F

> ≈ œR ‰ Œ p

≈ # œ. œ

∑

∑

ƒ r ≈ Œ œ> ∑

ã

≈ œJ . p

Tub. Chimes

Œ

Finger Cym.

œ p

Œ

P

∑

‰.

Œ

≈ r ‰ >œ P

Œ

b >œ

∑

Œ

Œ

Œ

∑

∑

unis.

≥ r ‰. b œ. P ∑

∑

r #œ F

‰.

∑

‰.

Œ

Œ

. ‰ œR ≈ Œ P ∑

j ‰ >œ

Œ

∑

∑

b œ ≈ b œ . R J p P ∑

‰.

∑

∑

2 soli, div.

unis.

?

F œ ≈ ≈ œ

Œ

ƒ sempre, with slight dynamic nuances

Œ

f

?

#œ

≥ ≤ # œ >œ & œ

Vn. 1

∑

∑

2.

∑

‰

#œ # œ . ≈ Œ F ∑

≈ # œ œ ≈ Œ p ∑

Œ

f b œœ b œ ‰

∑

ƒ

∑

j #œ P

∑

Œ

œ ≈ bœ PF

∑

œ

n >œ . J P

∑

3. via sord.

∑

˙

‰

œ ‰. R P r bœ ‰. P

‰.

∑

∑

f

‰

mallet

∑

∑ œ J F

œœ ≈ J ≈ f

≈

j Œ # œœ > F # œœ Œ ‰ J f ∑

∑

∑

?

&

∑

Œ

∑

∑ Œ

‰

Crotale

∑ ∑

(DsCsBlEFGA)

&

&

œ ‰. R F

Glock.

# œœ n n œœ ≈ f

∑ > # œ n n œœ Œ ƒ

ã

œ @J ‰ Œ F Triangles œ œ ‰ J p P

∑

solo

& Œ

œ. R P 2. œ. ≈ ≈ œ. P ∑

Œ

∑

F

‰.

Œ

œ æ π

ã

5

Œ

r œ œ. ≈ b œ b œ ≈ p P ∑

∑

bœ bœ

∑

3 Perc.

∑

œ ‰ R ≈ P

∑

Tub. Chimes

2

1.

∑

&

& œr ‰ . . F secco

∑

œ R ≈ P

∑

‰.

Œ

∑

œ ‰. R P ∑

ã

‰

Œ

∑

∑

?

> ≈ œR ‰ f

∑

r ‰. bœ P ∑

Œ

&

> ‰ # œ ≈ Œ R f >œ ‰ R ≈ Œ f ∑

r # œ ‰. P

Œ

≥

≈ œ b œ ∑

‰ bœ J F

≈ œ b œ ∑

∑

∑

∑

∑

22 # œ œ ‰. œ R p F œ œ œ R ‰. p F ∑

159 Picc.

& ‰

Fl.

& ‰

Alto Fl.

&

Ob.

1 2

Eng. Hn.

r & œ ‰. p

#œ ≈ R ‰ P

& Œ

œ & œ b œ ≈ Œ p P # œ ≈ œ ≈ & Œ p P ? ∑ 1.

Cl.

1 2

Bass Cl.

Bn.

>œ # œ R p ∑

œ J

F F

‰

Œ

‰

Œ

> > ≈ b œ ≈ n œ Œ p P ∑

∑

‰ œ œ b œR ‰ . p P ∑

≈

2.

∑

>œ ≈ b >œ

p P

Œ

∑

Œ

∑

Œ

ã ≈

œœ œ

p

(Tub. Ch.)

2

&

3

& ‰.

4

5

∑

6

n n œœ

& œœ # # œœ P

Pno.

Hrp. 1

Hrp. 2

>œ œ R ‰.

f n # >œœ Œ R P

& ‰. Cel.

∑

(Conga Drums)

(Vib.)

.f P # >œœ œœ n >œœ ≈

? Œ & œ #œ

nœ

?

& œœ # œ F ?

œ

? & œ #œ

Vn. 1

& Œ

& œ #œ

Va.

B

>œœ

‰

P

. ‰ b œœ ≈ Œ R P ∑

œ J p

‰ b >œ œ b œ >œ ‰ F ∑

Œ

œ. ≈ œR ‰ P

∑ ∑

n >œœ > ‰ b œœ œ b œ ‰ P F ∑

≈ ≈ b œœ ≈ œœ

∑

Fn Af

∑

Œ

2.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

>œ ‰ œJ œ P F b œœ. R ‰. ‰. F

œ

p

Œ

œ. b œ b œ œ ‰ . nœ . > R > f P # œ. # >œ n œ. >œ # œ R ‰.

Œ

œ

p

?

∑

∑

ƒ

?

∑

œ J

ƒ

∑

‰.

∑

∑

Œ

∑

Œ

∑

∑

B

‰.

‰

r ‰ b œœœ ≈ . p

r œœ Œ . p #œ œ p œ bœ

p #œ R ‰ œJ p p ∑

# >œ

‰ ∑

œ J P

P

Œ ∑

ƒ

œ.

unis.

ƒ

div. arco

‰. Œ

∑

∑

>o œ

‰

‰

∑ ∑

œ Œ

œ Œ ‰

Œ

bœ nœ œ P ‰

≈ œ œœ Œ

∑

∑

∑

∑

# œœ .. ≈ J F

nœ #œ F œ J P

∑

b œ. b œ ‰. R F r # œ ‰. > P

∑

∑

bœ R f

∑

∑

∑

∑ ∑

r ≈ œœ ‰ > P

∑

∑

Œ

p

≈ j œœ .. P

≈ # œ ‰. œ bœ

∑

div.

P

Œ

∑

∑

œ ≈ ≈ œ

∑

∑

∑

œ ≈ R ‰ p

œœ ≈ # œœ œ œ . ≈ œ # œ p a œœ F sub. F ∑ ‰.

Œ

1.

Œ

≈ œj ≈ > F bœ œ bœ. bœ

. œ # œ œ œ œ ≈ b œ œ. # -œ . P F P ≥ Solo 1° > ≤ œ #œ œ œ ‰. R ‰ Œ ƒ p

?

1.

∑

Œ

Œ

j œ F

Œ

∑

≥ n œ œ ≈ b œ œ # œ . j j ≈ œ # œ œ œ œ. ƒ sempre, with slight dynamic nuances

Œ

≥ b œœ. Œ R f

œ

(DCsBflEfFsGA)

Œ >œo

œ nœ

nœ #œ œ œ F ∑

Œ

Bf Fs An

œ.

Œ

P œ # œ œ b œœ

#œ ≈ œR ‰ P

∑

>œ

œ. œ p P Œ

∑

Œ

œ P

∑

∑

œ ‰ œ Œ PF œ Œ p œ bœ Œ

n œ ≈ ≈ Œ b œœ f F

ƒ Œ

unis.

N œ. œ R P

∑

g # œœ l.v. ≈ gg n œR ‰ Œ f ∑

> ≤ ≥ n -œ ≈ b œœ ≈ n # œœ

∑

∑

r # œœœ Œ . P

∑

> > bœ ≈ # œ ≈ œ

∑

‰ œj f

œ. ≈ œJ . p

Œ

‰.

Œ

‰

2.

4. senza sord.

Œ

∑

Œ

Œ

œ. ≈ œJ . f

Œ

∑

∑

∑

≈ œJ . F

∑

∑

Œ

∑

∑

∑

b œœ ‰ J f

∑

œ bœ ‰ P ∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

nœ

œ #œ #œ Œ p P ∑

∑

∑

. ≈ # œœ ≈ œœ. P

L

‰ # œr ≈ P

≈

∑

∑

F

(2.)

B

∑

∑

n œ .. ≥ ‰ b œœ œ b œ œ

Œ

∑

∑

>œ œ ‰ œJ œ P F P solo . ∑ b œœ ‰ . R f solo r ∑ ≈ g œ ‰ ggg # œœ F ∑ Œ

f

∑

≈ # œ œ œ # œ ≈ ≈ n œ >

∑

4. via sord.

Œ

+

‰ œJ F

∑

≈ œ ‰ R p

∑

∑

∑

≥ n >œ ≈ ≈ n œ≤ ≈ . œ.

f

œ. ≈ R ‰ P . ≈ œR ‰ P

≈ ≈ œ ≈ œ p ∑

div., arco

Vn. 2

4.

∑

&

Solo Vn.

Œ

∑

r Œ n # >œœ f (Mar.) ∑ & ã

1.

∑

(Glock.)

Perc.

Œ

∑

‰

j j ≈ œ # œ œ œ #œ œ. P with slight dynamic nuances ∑

∑

∑

œ J F

Œ

∑

∑

1

œ ≈ ≈ b œ p œ ≈ œ œ b œ . œ

∑

∑

∑

(Bongos)

∑

∑

∑

?

∑

∑

∑

Bs. Tbn. Tuba

∑

∑

∑

?

∑

∑

&

1 2

∑

∑

3 4

&

∑

∑

∑

∑

‰

∑

∑

∑

3 4

1.

œ ≈ R ‰ F ≈ # œR ‰ F

Œ

∑

∑

∑

Tpt.

Œ

∑

Œ

∑

&

Œ

∑

œ ‰. R P

∑

∑

1 2

& œ bœ ‰ p

Œ

∑

∑

∑

2.

nœ ‰. R ƒ

∑

∑

1 2

Cb.

‰.

œ J

∑

Hn.

Vc.

∑

œ p

?

Cbn.

Tbn.

Œ

∑

Œ

1.

∑

r A >œ

#œ

≥ ≤ ≤ ≈ # # œœ a œ ≈ ≈ œ # œ >œ # œœ >

# œ.

∑ ∑ > > ≈ # œ œ # œ œ ≈ ≈ a œ

arco

p

∑ ∑

F

P

23 167

Alto Fl.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

Bn.

Cbn.

Tbn.

∑

& & Œ

∑

∑

≈ œ n œ #œ p Œ

Œ

∑

∑

& œR ‰ . p & œ ≈ # œ ≈ Œ > >

∑

∑

B

1.

∑

œ R p

‰.

Œ

2.

œ R ‰. F

&

∑

∑

∑

?

∑

∑

∑

∑

∑

b œ ≈ b œ ≈ p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

#œ nœ.

Œ

π

F

œ œ #œ ≈ Œ P œ #œ. Œ π F œ . Œ R ‰ P

œ R P

‰.

Œ

>œ R ‰. F

œ

∑

∑ b >œ bœ ‰ J ç ∑

Œ

œ

ƒ

∑ ∑ ∑

1 2

&

3 4

&

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1 2

3 Perc.

4

5

6

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

?

ã

‰.

& &

1.

œ Œ R P

œ œ ..

∑

& b œœ ≈ n # œœ Œ œ F P ∑ ã & Œ

‰

∑

∑ Œ

ã

≈ ∑

œ œ # œ œ b œœ F p

œ ‰. R

œœ # b œœ Œ F ∑

solo

Œ

p

∑

‰

#œ

œ FP

p

∑

œ œ ‰

F

œ œ ..

∑

?

∑

∑

∑

&

∑

F

≈ œ

≈

f

Œ

∑

≈ b œ œ # œ b œ

œ

∑ l.v.

∑

∑

Œ

‰ . n # œœ R F >œ . R ‰ F

∑

∑

∑

∑

∑

∑

∑

≥ ≥ ≤ & b œœ ≈ n # œœ ≈ ≈ œ b n œœ n œ > > > & Œ

≈ œ ∑

Vn. 2

&

Va.

> B # >œ ≈ n œ ≈ Œ p

F

#œ

nœ

≥ œ b œ≤ n œ # œ # œ # -œ nœ > F ≈ b œ œ # œ # œ ∑ Œ

‰

?

∑

∑

?

∑

∑

nœ

∑

œ

‰

# -œ≤ J π

ƒ

‰.

∑ Œ œ

P

œ. #œ . R ‰ F secco

o œ nœ R P F

Œ

∑

∑

∑

∑

∑

∑

‰ g # œœj ggg # œ g ƒ

p

Œ

6

∑

∑

∑

∑

∑

∑

∑

∑

∑

3 Triangles

‰ ggg b bb œœœœ g J f

∑

Œ

Œ

∑

∑

Œ

Œ

∑

‰

∑

Œ

Œ

∑

∑

Œ

Œ

∑

∑

Œ

∑

∑

Œ

Œ *# >œ bœ ƒ ∑

Œ Œ

ggg # n œœ ggg n # œœ ƒJ ggg b bbnœœœœ g J ° # n œœ J ƒ b b n bœœœœ J °

Ped.

‰

Œ

‰

no roll

‰

&

∑

En

∑

-

# n œœ # ≥œ. œ. ‰ ‰ J P F div. b arco ≥ œ œ. b œ. ‰ œ ‰ J F P div. b ≥ œœ Œ J & ‰ p

div.

≥ ‰ b b b œœœ J p

div. a 3

&

∑

∑

#œ #œ # ‰ # œœ J ƒ

∑

Œ

Œ

solo œ œœ œ œ ≈ œ œ œ œ @œ

∑

∑

Œ

>œ R f

Ped.

Œ

∑

sul D

nœ ‰ gg b œJ f

∑

Œ

>≥ . ≤ œ b >œœ œ # œ ≈ # œœ b n œœ . R F ƒ

tutti, unis. pizz.

‰.

∑

F

. ≈ b œœJ . F

Œ

∑

Af

‰.

Œ

∑

∑

?

&

œœœ

Glock.

Œ

&

ƒ

∑

Œ

∑

∑

f

Œ

≈ ≈ n œ. œ n œ . œ P f . bœ œ bœ œ #œ #œ.

& # œ ≈ œ > > ?

aœ

≈

∑

Œ Œ

∑

∑

. b œœ ‰ . R F secco

∑

(Tub. Ch.)

∑

∑

?

F

‰

Œ

&

œ ≈ b œ b œœ # œ Œ

œ

5 Tom Toms

F

Œ

œ

Œ

ƒ bœ

&

2

Cb.

Œ

bœ

∑

3 4

1

Vc.

bœ p

∑

& Œ

Bs. Tbn. Tuba

Vn. 1

‰

œ

r œ ‰. F

Œ

1 2 Hn.

Tpt.

∑

∑

&

Fl.

Ob.

∑

&

Picc.

arco

∑ ∑ ≥ ≤ b œ . b œ ≈ R P ∑ ∑

Œ œ≤ b œ .. R unis. pizz.

Œ

unis. pizz.

Œ

˙˙

œœ

˙˙˙ P

œœœ

P

∑

*

# >œ #œ ƒ ∑

b >œ ƒ

Œ

∑

l.v.

∑ ∑

l.v.

≥ b >˙

∑

ƒp ∑

b >œ ƒ

∑

Œ π

∑

Œ π

∑

∑

∑

f

ã ã

‰.

œœ

ƒ

24 175 b œ

œ

œ

œ

&

Picc.

&

Fl.

Alto Fl.

&

1 2

&

Eng. Hn.

&

Ob.

Cl.

1 2

œ

ƒ

∑

œ

à2

ƒ

œ

‰

∑

‰

1.

#œ

ƒ

#œ

bœ. ƒ. œ ƒ

∑

∑

?

∑

∑

∑

1 2

&

∑

∑

∑

3 4

&

∑

∑

1 2

&

∑

∑

3 4

&

∑

∑

?

∑ ∑

1 2

Bs. Tbn. Tuba

1

2

3 Perc.

4

&

?

(Bongos)

ã

2 Triangles

ã

5 Tom Toms

&

∑

p

∑

(Mar.)

œ J

5

ã

6

&

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

‰

Xylo.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ œ bœ > P

Π?

≈

#œ P

n œ ≈ Œ

‰.

Œ

>œ Œ

#œ #œ

F

f

œ œ bœ Œ . P Œ ≈

Œ

œ P Œ

r ‰. œ œ #œ nœ P F

1.

F ƒ F Œ ‰. ≈

œ

∑

3.

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ƒ

∑

&

∑

∑

&

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

Va.

&

∑

∑

Vc.

&

∑

∑

?

∑

∑

3

∑

Œ

Œ

œ. œœ . œ .. J œ. œ. J

pizz.

B

Œ

Œ

œ œ . p bœ p

f

nœ

≈ œ # œ

Œ

f F

∑

∑

∑

∑

≈

∑

∑

∑

∑

∑

∑

∑

∑

#œ

n œ ≈ œ ∑

Œ

b >œ

‰.

∑ ∑

˙

≈

Π?

≈ ≈ œ . f

#œ f

#œ

œ n œ # œ ≈

∑

∑ Œ

still secco, unless otherwise marked

œ.

∑ ∑

F

œ nœ #œ nœ

œ

bœ ∑

∑

Œ

œ œ

œ

An

∑

œ J

œ.

∑

∑

∑

∑

Œ

∑

r n œ ≈ œ ‰ . ∑

≥r œ œ. > ƒ # œ ‰. Œ R ƒ ∑

#œ

œ œ #œ . F Œ

Œ

∑

≈

∑

∑

‰.

≈ œ # œ

Œ

b œ. P . . ≈ œ. œ # œ n œ. œ ‰ Œ . F ƒ

ƒ >œ R

‰.

bœ ≈ r ‰ n œ > # œœ. n œœ. ƒ F F ∑

∑

œ.

f

Œ

(DsCBflEFsGAf)

∑

unis. arco

Triangle

∑

∑ bœ J

‰

∑

unis.

≈

f ƒ œ # œ ‰. R R

ƒ >œ œ .

∑

∑

∑

œ #œ #œ

&

œ

∑

ã

Œ

b >œ # œ. œ

∑

≈

≈

∑

r œ.

∑

∑

∑

œ. ƒ

∑

œ P

œœ

‰.

œ. R

œ œ.

∑

œ.

arco

œ p

œ J F

‰

œ æ π

∑

n >œ . ∑

P

œ R P

‰.

‰.

∑

F

Œ

‰.

ƒ >œ R Œ f

Œ

œ J p

‰.

∑

∑

div. (pizz.)

œ

‰

∑

∑

ƒ

œ. œ. J

œ

b >œ

≈ œR ƒ >œ >œ >œ .

∑

∑

∑

div. arco

œ

œ æ f

∑

Ds Cn

œ œ. J ƒ ≥œ #œ ‰ J ƒ # # œœ ‰ J ƒ nœ ‰ # œJ ƒ

œ

Pf

l.v.

Œ

?

‰

?

‰ #œ œ Œ

f œ #œ ‰ #œ œ J ƒ gg # œœ ‰ gggg # # œœ J ƒ œ gg # œ ‰ gg J

œœ œ œ R ƒ F œ œ J

œ

œ œ. P

∑

˙

∑

œ

Crotales

∑

&

≈

f œ œ f

&

œ

® œ ‰. F ƒ ‰ œ œœ ‰

Œ

>œ R ƒ

∑

∑

˙

1.

∑

bœ F

∑

bœ ‰ œJ f

∑

bœ R F

≈ œr ‰ . P > . nœ bœ Œ #œ Œ

∑

∑

&

∑

∑

&

˙

∑

# œ. ‰ . R P r œ. ‰ . P ∑

∑

∑

∑

1.

∑

?

∑

∑

∑

&

∑

∑

∑

?

∑

∑

∑

?

∑

∑

∑ Œ

∑

∑

∑

∑

∑

∑

˙

∑

ã

(Triangles)

Cb.

‰

#œ

∑

Hn.

Vn. 2

ƒ

1.

ƒ œ.

j œ

#œ #œ

∑

3

B

Cbn.

Vn. 1

‰

b ˙˙

b ˙˙

œ

‰ ∑

œ

ƒ

œ

#œ

∑

Bn.

Tbn.

b˙

∑ à2

‰ #œ#œ

∑

Bass Cl.

Tpt.

&

˙

∑

∑ #œ.

r‰ n n œœ. P

‰.

r nœ > ƒ

œ.

>œ

∑ ‰.

Πpizz.

≈ œ # œ. . f

œ f

Œ ∑ ∑

r œ > ƒ

unis.

25 183 Picc.

&

Fl.

&

Alto Fl.

Ob.

1 2

Eng. Hn.

Cl.

1 2

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

Œ

& Œ

‰

œ P >œ ‰ . œ b & #œ #œ œ R F ∑ & & Œ

≈ b œ n œ œ œ ‰ . R p ∑

>œ ‰ J f # >œ J ‰ f

#œ p

>œ .

F

Œ ∑

#˙ 1.

Œ

π

∑

∑

Œ P ∑

∑

∑

œ

∑

˙

π

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1 2

&

3 4

&

1 2

Bs. Tbn. Tuba

1

? ? ã

2

ã

3

ã

Perc.

4

5

œ. ≈ J F

œ F

œ œ F

& ‰ ã

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

∑ œ. œ œ. Pp Œ

& Œ

&

Œ

∑

‰ œ œ P

œ

Œ

∑

from here to measure 193, Tub. Ch. is sempre secco

∑ 2 Conga Drums

∑

œ œ. R P

≈ œr ‰ F

solo

Tub. Chimes

Œ

‰

∑

∑

&

‰.

∑

j # # œœ ‰ > F secco

Vib.

6

Œ

F f ? # œœ # œ œ œ Œ

œ œ

P

ã

Œ

‰.

Œ

œ

Finger Cym.

œ œ

F

F

∑

2.

œ. ≈ ≈ Œ # œ. p P ∑

œ

p

ã

Œ

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

Cs Es

∑

∑

&

?

∑

∑

∑

unis. pizz.

& ‰

Vn. 2

& Œ

B #œ ƒ pizz. nœ ? ƒ ?

œ œ Œ FP

# # >œœ f

∑

Œ Œ

∑

Œ

≈ n œr ‰ ≈ # œ ‰ R ƒ F

∑

‰ . # œr ‰ . . F arco

∑

œ≤

≥ œ ≈ >œ ‰ ‰ R F ƒ

Sola 1° arco

∑

∑

pizz.

∑

div.

∑

∑

≤ ≤ ≥ ‰ œ œ ≈ b œ n œ # œr ‰ . œ > f F f bouncy

& Œ

Vn. 1

∑

∑

∑

∑ Œ

∑ ∑

Œ

‰.

tutte (arco)

∑ ∑

‰

#œ # >œœ J f

∑

‰

Œ

?

1.

∑

Œ

∑

‰.

Œ

∑

Œ

œ J F

b >œ . ≈ J f

#œ ‰ J Œ P œ unis. ‰ J Œ P ≤œ. œ. . > œ ≈ # œ Œ R π P

‰

Œ

œ J F

Œ

F ∑

∑

∑ div. pizz.

f

Œ Œ

œ œ P

∑

œ

F

∑

‰

œœ

F

œ

∑ Œ ƒ # >œœ ≈

œ

≈

&

œ.

œ œ

F

nœ nœ

π r ‰. # œ œ .

F. œ # œ ≈

∑

b œœ Œ ∑

Cn As

∑ ∑

∑

≥˙

∑ œ

œ≤

∑

Œ

‰

∑

Œ

‰

ƒ sempre lyrical

ƒ

arco

‰.

∑

∑ œœ J

∑

œ ≈ œ œ Œ Œ

F bœ œœ ‰ . #œ R F secco ˙ #˙ F ˙

∑

# >œ

Œ

∑

3

p # œ ‰

∑

ƒ espr.

Œ

∑

l.v.

≤ # >œ n œ œ ..

P

‰

œ œ ≈ œœ .. J 5 f F

œ ‰. Œ R F p jazzy # bœ œ œ #œ ≈ ≈ œ œ bœ nœ œ œ #œ nœ #œ

Cn

≤ œ . #œ

‰.

∑ P

solo

Œ

≥ ≤r œ œ œ ≈ # œ œr ‰ . F

∑

P 3

∑

Œ

∑

œœœ

bœ ≈ b œ b œ œ R ‰ . F π œ œ

> ≈ # œœj .. # œJ > F f ƒ œ bœ ‰. Œ R

r Œ œ F # >œ ≈ œ. ≈ f P >œ ≈ # œ. ≈ f P bœ Œ R F ∑

∑

œ J p P

∑

r œ nœ.

‰

∑

∑

‰ . # œr ‰ . Bn p ∑

œ ‰ J p

∑

∑

≈ r ‰ ≈ # œ ‰ #œ R F P ∑

‰

Marimba

∑

∑

P

3

Œ

&

j & b œœ # œ œ œ ab œœ ‰ > f ? ∑

∑

∑

∑

œ J P

4.

∑

œ P

‰

‰.

∑

2. st. mute

Triangles

∑

∑

∑

Œ

∑

Œ

∑

œœ œ

≈ Œ

∑

∑

≈

j # œœ P

œ #œ F

3. senza sord.

Œ

‰

# œ ‰. R F

ΠP

≈

∑

∑

Glock.

1.

Œ P ∑

œ

1.

∑

∑

Tpt.

Cb.

2.

F

π

?

Hn.

Vc.

∑

b >œ .

œ

∑

Cbn.

Va.

œ p

˙

∑

?

Bn.

& Œ

œ

‰

∑ œ œ œ œ P F #œ ≈ # œ ≈ r ‰ . . ‰ r œ F p #œ p P ∑ ∑

Bass Cl.

Tbn.

# >œ ≈ Œ R F œ. œ ‰ Œ p .

∑

œ

pizz.

F #œ

#œ F p ‰.

div. arco

Œ

‰.

Œ

≈ n œ nœ p arco

≥ rŒ œ b œ. p Œ

r ∑ œ #œ œ #œ p no octave substitutions

unis., arco

on the D, please

œ0 J P

j #œ P

pizz.

26 191 Picc.

&

∑

#œ ≈ R ‰ f

Fl.

&

∑

Œ

Alto Fl.

Ob.

1 2

Eng. Hn.

Cl.

1 2

∑

&

& Œ

‰

œ

2.

#œ P

‰.

∑

∑

Œ

‰.

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

3 4

&

∑

1 2

&

3 4

&

1

& ‰

? (Bongos)

Œ

ã

2

3 Perc.

4

? ã

6

&

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

œœ

ƒ

& Œ

‰.

∑

∑

∑

b œ ≈ ≈ b œ Œ p F # œ ≈ ≈ Œ œ P f ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

#œ ≈ œœ #œ œ œ > F π F # œ . l.v. ≈ œJ . Œ F œ œ. Œ ƒP œ. œ œ œ œ >œ

∑

∑

∑

œ

œ

p

∑

Triangles

P

ã

Œ

‰

F

p

P

∑ b œœ

P # >œœ œ

∑ ∑

Œ

(DsCBlEsFsGAs)

∑

∑

&

∑

∑

∑

&

∑

arco

&

∑

arco

≥ # >œœœ ≈ R F

3 sole, div. a 3

‰

?

∑

?

∑

œ ‰ # œ# # >œœ PF

B

œ ≤ œ.

œ

f

# ≥œ ≈ R ‰ f ≥œ ≈ R ‰ f tutte, div. b n œ≥œ ≈ R ‰ f ≥œ ≈ R ‰ f

∑

ƒ

ß

œ

∑

5 Tom Toms

œ π

œ

œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

‰.

∑

∑

∑

∑

Df

∑

∑ ∑

˙

∑ ˙

∑

Marimba

?

∑ Œ

‰.

Xylophone

Œ

∑

∑

∑

∑

∑

œ ã

œ

≈ œ # œ ≈ Œ P ∑

r ‰. œ P

r ≈ r ‰ œ #œ F ∑

bœ b œ œ # œœ nœ p F

p ≈ œ # œ

# œ # œ ≈ œ p ∑

œ

œ

‰.

nœ Œ œ Œ

n œ ≈ b œ ‰ R R ∑

∑

∑

∑

œ

p

3

œœ

#œ P

π sub. and sempre

Œ

∑

∑

∑

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

div., pizz.

?

Œ

pizz.

bœ

pizz.

∑

0

44 44 44 4 4 44

œ

œ

œ æ

œœ

œ

œ œ

œ

œ

œ

œ œ œ œ 44

∑

∑

44

∑

∑

≈ ≈

#œ œ

nœ

∑

Œ

∑

Œ

≈ ≈

# œ >œ ƒ

‰.

&

‰.

f

f

&

#œ F

Œ

Œ

∑

An

b œ ≈ ≈ # œ n œ ‰ . œ R ƒ unis.

#œ. p

#œ œ

œ. p

œ #œ F

0

∑ ∑

‰. ∑

44

44 44

b œ>œ R F r œ >

4 4 44

œ #œ > œ b œ ≈ ≈ b œ n œ ≈ ≈ œ ≈ ≈ b œ n œ œ p . œ n œ # >œ œ œ. œ # œ œ # œ. ≈ # œ. # œ. œ . ≈ & ≈ #œ

∑

œ P F

44

œ

4 4 44

#œ R f

44 &

44 44

∑

∑

j ≈ # œ .. #œ F

Œ

44

œ

∑

r r œ ≈ # œ ‰ œ. # œ

4 4

œ

sudden quiet suspense

‰.

œ

44

œ

∑

≥ ≤ ≈ j # œ # œ ≈ œ œ. #œ p

‰

œ

∑

∑

∑

n œ ≈ ≈ # œ Œ ƒ ∑

œœ

∑

∑

œ > ß

∑

Small Triangle

∑

ã

solo

ƒ ∑

# œ ≈ ≈ # œ œJ

4 4

1.

∑

œ

π

Œ

jazzy

∑

∑

∑ ≥œ

>œ

solo

π

∑

∑

;=;

>œ 44 ‰. R f sempre n œ œ b >œ 44 #œ œ R P F 44 ∑ 1. > œ 4 ‰. R 4 F 44 ∑

œ ≈ ≈ # œ œR ‰ . ƒ P ∑ ∑ . b œ œ œ. œ œ # œ . œ . # œ. œ # œ ≈ # œ. # œ R ‰ .

œ ≈ # œ ‰ R R

‰.

∑

∑

b >œ

# œ # œ ≈ œ π ∑

∑

∑

∑ ≥œ ≈ R

B Œ

f

œœ n # œœ ≈ R ‰ nœ f # œœ œ b b œœ ≈ ≈ # œ > p f >œ ≈ # œœœ œ œ ≈ a œ# # œœ > F f ƒ p ∑

?

#œ.

>œ

œ.

1. solotone mute

Œ

2.

∑

∑

r œœ ≈ # œ # œœ ≈ œn œ > f P >

&

∑

∑

& ‰

?

∑

∑

? ‰

&

p

‰

Œ

∑

f >œœ R ≈ ‰

?

bœ œ

∑

∑

(Conga Drums)

5

Œ

œ R P r #œ P

∑

∑

r œœ ≈ # œ œ œ ≈ n >œ F p F (Glock.) #œ œ œ & ‰ J ƒ & ‰

∑

∑

Tub. Chimes

Cb.

Œ

∑

Tbn. 1, 2 Bs. Tbn. Tuba

Vc.

∑

∑

Hn.

Va.

∑

?

Cbn.

Vn. 2

≈ R ‰ P poss.

?

Bn.

Vn. 1

∑

∑

œ œ R ≈ R ‰ P f

1.

∑

œ R ≈ Œ f ∑

Bass Cl.

Tpt.

œ ≈ Œ R f ‰. & Œ & ‰

œ ≈ R ‰ P œ

44

∑ harmonic on G is optional

o

œ œ #œ >œ n œ 44 # œ n œ ≈ ≈ P nœ.

‰.

unis.

#œ œ ƒ

;=;

44

∑

44

≤ œ #œ R p

44

∑ ∑

ƒ

44 4 4

>œ R ‰. Œ ß sub.

#w & 44

199 Picc.

& 44

Fl.

Alto Fl.

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

& 44

˙

ƒ

w

1 2 Hn.

3 4

Ó

P poss.

Tpt.

3 4

Va.

Vc.

Cb.

w

n >œ

w

∑

∑

Ó

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

4 &4 & 44 4 &4

w

4 &4

ã 44

f

œ

>œœ

ƒ

∑

Œ

Ó ∑

4

4 &4

œ

∑ ∑

Crotales

4 &4

&

∑

f œ ƒ œ f

∑

#w & 44 w f 4 &4 w

˙ ˙

#w w

˙ ˙

& 44

& 44

> & 44 œ & 44 ? 44 & 44

& 44

Œ

Ó

? 44 ?4 4

Ó

Ó

Œ

Ó

Ó

Œ

Ó

Ó

∑

Œ

Ó

œ

ƒ #œ F #œ ƒ

Œ Œ Œ

∑

Œ

Vib.

Œ

n b œœ ‰ J Ó F

∑

œ ‰ J Ó f

Ó

bowed

bœ ‰ œJ Ó ƒ resonant ∑ °

Ó

Ó

∑

Ó Ó

∑ Ó

Ó

Dn

Œ

Ó

∑

# >˙

œ

ƒ ∑

# >œ f ∑

Œ

∑

Ó

Ó

*

Ó

Œ

∑ Œ

En

Ó

∑

∑

Ó

Œ

∑

∑

∑ # >œ œ f

° # >œ œ ƒ

Ó

Ó

∑

∑

∑

Ó

∑

∑

∑

∑

∑

Ó

∑

w P

q = 88–92 Solo 1° arco

˙≥

f

˙ ˙

bell-like

w

π

∑

p ∑

∑ ∑

Ó Ó

œ

∑ ∑

Œ

sim.

∑

f

ƒ

singing

2 soli, div. (arco)

b œœ≥ ˙˙ ‰ J ƒ

‰

œ œ # >-œ .

p

Œ Œ

slow roll

Œ

Ó

∑

w

slow roll

Ó

∑

ƒ

ƒ

∑

&

Ped.

∑

#w

w≥ & 44 w ƒ 4 B4

Œ

˙

(DCBflEFsGsA)

div. arco

Ó

˙

ƒ 4 &4 w # >œ nœ

Œ π

∑

Rubato

Vn. 2

>œ

∑

bold

Vn. 1

∑

ƒ

˙.

∑

(Mar.)

Solo Vn.

ƒ

3

nœ

4 &4

? 44

Hrp. 2

Œ

∑

Small Triangle

Hrp. 1

F 3

espr.

œ #œ. J

ƒ

∑

ã 44

Pno.

œ œ #œ œ œ J

w

∑

3

Cel.

∑

˙

# >œ

∑

ã 44

6

ƒ

J

˙.

∑

1

5

œ.

˙

∑

? 44

Perc.

œ # œ . œ . >œ # ˙

n -œ

. ‰ #œ f

∑

∑

& 44

Tbn. 1, 2 Bs. Tbn. Tuba

2

∑

& 44

& 44

p

2. st. mute

1 2

Ó

f w ƒ sempre ∑

? 44

Cbn.

-̇

solo

? 44

Bn.

27

q = 88–92

Rubato

Œ

∑

> ggg # œœ ggg gggg ggg ƒ ggg œ resonant gg œ gg ggg n >œ gg # œ ggg gg gg ggg f resonant gg œ ggg œ

>œ ggg # œ gg Œ gggg ggg gg fœ resonant g Œ ggg n œ

∑ ∑ ∑ ∑

slow roll

&

#œ w ≈ R f

œ

∑ >˙ .

∑

ƒ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

*

28

Suddenly much slower for five measures bœ.

206

& Ó

Picc.

ƒ œ.

& Ó

Fl.

&

Alto Fl.

‰

Ó

ƒ

accel.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ œ w w w π f

Œ

‰

q = 66

(

∑

)

∑

∑

Ó

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

take C Flute

1 2

&

Eng. Hn.

&

∑

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

Cl.

1 2

Bass Cl.

?

Bn.

Cbn.

1 2

&

∑

3 4

&

∑

1 2

&

∑

&

∑

Hn.

Tpt.

3 4 Tbn. 1, 2 Bs. Tbn. Tuba

1

? ã

(Bongos)

ã

3

&Ó

Glock.

4

&

&Ó

6

&

Pno.

&Ó

&Ó &Ó

Hrp. 1

Hrp. 2

&

∑

ggg n bb œœœ gg n œ ƒ ∑

ggg bb œœ ggg gggg ƒ gggg œœ g

slow roll

ƒ

° √ bb œœ

intense

√œ œ

° ∑

Cs Ef Fn

∑

&

Ds

&

œ≤ .

rubato

Solo Vn.

∑

very slow roll l.v. molto

&Ó

&

∑

Œ

&‰

∑ ∑

>≥˙

∑

ã

Ó

Œ

π

p

poss.

‰ œ. π

∑

Œ

Ó

Œ Œ

*

Ó

˙.

ƒ

3

Ó

Ÿ~~~~~~~~~~~~~~~ #œ. œ w (

)

Vn. 2

Va.

Vc.

Cb.

&

∑

Ó

p

ƒ bœ R f

f

# -œ .

P

ƒ ƒ

wp œœœœœ œ œœœœ ˙ ‰ æ 6 3 P ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ƒ ƒ

ã

∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰

earthy

# w≤

π

F

∑

not in foreground blend into orchestra

≥ ≤ j ≈ œ œ œ œ >-

‰

∑

∑

q = 66

*

(DCsBlE bFGA b)

Af

∑ ∑

∑

∑

(DsCBflEFsGsA)

w

(

ƒ

accel.

tutti

)

(

)

P

π

B

∑

∑

∑

Ó

?

∑

∑

∑

‰

‰ b œj Œ f

l.v. molto

Ó

≤ ˙ π

∑

arco sul C

arco

w

?

˙

˙

∑

pizz.

?

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # œ≤ . œ w w≤ œ w

∑

Ó

˙

∑

&

∑

‰ # œJ p

∑

∑

?

Œ

à2

‰

∑

l.v.

Suddenly much slower for five measures Vn. 1

Ó

∑

à2

f

w

-̇

5

)

∑

3 soli unis.

π

π Ó π

˙

‰.

Œ

# w-

Ó

Œ ∑ π solo œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ >œ . œ œ ‰ œ œ ®æ ‰ ® ® ‰. 3 3 F ƒ f ƒ ∑ ∑

° œ. solo g # n œ g œ .. l.v. molto Ó ‰ gggg œ . ggg gg n œ . ? ‰ ggg œ . Ó ggg g (DCsBlEfFGA) ggg b œ . f ƒ ∑

broad and lyrical

Ó

nœ

trill slow to fast

∑

≤ # >œ # œ ≥œ

Œ

f

w

Tbn. 2

p

(

Ó ‰

*

‰

˙ p

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w w ‰ # œJ œ w p ƒ ∑ ∑

Œ

Ó

œ J π Ó

∑

œ ‰ œ Œ PF

∑

Œ

p w p w

Small & Med. Triangles

very slow roll (Crot.) l.v. molto

5

Cel.

Ó

Tbn. 1

∑ ggg n bb œœœ gg n œ ƒ ∑

w

à2

∑

∑

2

Perc.

. ‰ #œ π à2 Ó ‰ œ. π à2 senza sord. œ. Ó ‰ π Ó

Ó

≈ œ

œ#œ

(div.)

≤ ˙ p

sul C

≤ œ. p

≤ w œ. F

sul D

˙

j #œ

sul A

ƒ

˙

ƒ

w

ƒ

w ˙.

œ

Romp

>œ & ≈ R ‰ ƒ >œ 2. Fl. œ & ≈ R ‰ ƒ b >œœ & ≈ R ‰ ƒ

211 Picc.

Fl.

1 2

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

Bn.

Cbn.

b >œ 1. & ≈ R ‰ ƒ & r ‰. >œ ƒ ? r ‰. b >œ ƒ ? Œ

1 2

&

3 4

&

Hn.

1 2 Tpt.

3 4

Tbn.

&

1 2

Bs. Tbn. Tuba

1

b b >œœ & ≈ R ‰ f b >œ 3. & ≈ R ‰ ƒ b >œ ? ≈ b œR ‰ f ? r ‰. bœ > f Tuba

q = 100–110 Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

∑ Œ

Ó

r œ œ. # œ. . f b œ. r œ. ‰. # œ. f r ‰. Ó œ > ç ‰.

ã ‰

œ œ

3

j & ≈ œ . f

ƒ

(Glock.)

Bass Dr.

ã œr ‰ . > ß solo

4

6

∑

Ó

∑

∑

∑

∑

∑

∑

∑

Œ

Ó Œ

œ œ œ œ ƒ

Ó

Œ

r" ã ≈ œ. ‰ Œ ƒ (Vib.) mallets b œœ. & ≈ R ‰ Œ ƒ secco sempre

œ R ‰. ƒ

≈ r ‰ b œ. f

œ ‰

Œ

Ó

œ

œ

œ

œ

œ œ œ œ

Tuba

œ œ

f

p

ƒ

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

?

‰ b >œ b >œ ƒ

Va.

Vc.

Cb.

Ó

>œ ç

#œ > ƒ

≥ œ>œ & ≈ R ‰ ç ≥ œ>œ & ≈ R ‰ ç

Œ

B Ó

? ≥r ‰ . b >œ ƒ ? b >œ ‰ . R ç

‰.

œ œ

‰.

f

∑

Œ œ R Œ ƒ

œ

∑

∑

Ó

∑

∑

∑

j œ ‰ > F

. œ ≈ ≈ ≈ b œ œ # œ œ œ b œ b œ n œ œ b œ ≈ œ b œ r ‰ b œ n œ œ œ f f sempre

Œ

> b œ œ n œR œ ≈ ‰ .

∑

?

>œ

j ‰ >œ f

≤ ≥ ≤r ≈ ‰ . b œ. œ. œ. ƒ gritty ≥ ≤. b œ. œ ≈ œR ‰ . . œ. ƒ gritty b œ. . r œ. œ ≈ Œ #œ > gritty ≈

≈ ≈ # >œ Ó >œ ç ç

≈ ≈ œ ≈ ≈ b œ ≈ œ bœ ƒ sempre f ƒ ƒ >œ . œ. R

‰. ≈ j #œ . ƒ

Œ

Œ

œ >. ƒ

(arco)

‰.

pizz.

Œ

Ó

≈ b œJ . ƒ

. ≈ b œR ‰ .

≥r œ. ‰ . ƒ

œ b >œ

bœ œ

≈ r ‰ . nœ

Œ

> ≈ œ œ # œ

Œ

≈

≤

#œ œ œ f

‰

œ bœ ƒ

Ó

stop pizz. ring

Ó

œ

F

Ó ∑

# >œ

# œ. n œ.

> ≈ œ # œ œ œ ‰

Ó

‰

Ó

Œ

œ. ‰ . R

œ. ‰ . R

Œ

> r ‰. ‰ a œJ # œ. ƒ

Œ

>œ j œ > f

>œ œ b œ > Œ ‰

Ó

>œ

j œ >

∑ Œ

‰

arco

. b œ. œ # œ œ œ. œ b œ. b œ n œ œ b œ ≈ œ b œ r ‰ . . . œ. . . . . . œ. . . ƒ œ ‰ b œJ b œ œ Œ bœ œ ƒ f bœ. bœ œ. arco œ œ bœ Œ ‰ J Œ ≈

≈

∑

≈ j bœ œ .

ƒ sempre Œ

∑

# œ. ‰ . R f

Œ

∑

rŒ œ ƒ > pizz. œ .

pizz.

ƒ b œ. ≈ œ.

bœ Ó

unis., pizz.

Œ

b œ. b œ n œ œ b œ ≈ œ b œ r ‰ . œ . . . . ƒ

b œ œ # œ œ œ n œ b œ b œ. n œ. œ. b œ. ≈ œ b œ œ

∑

≈ œ b >œ ƒ

œ. ‰ R ≈ Œ f Ó

∑

Ó

unis.

œ.

r ‰. # œ. f Tuba

∑

q = 100–110 Œ

œ b >œ F

≈ Œ

Ó

∑

&

p

≈

∑

Ó

≈ ≈

œ œ ‰ P

œ

P

ƒ

Bass Tbn.

∑

Œ & Ó ƒsempre secco ç ? j ‰ j ‰ Ó b >œ >œ ? rÓ j ‰ ‰. # œ. # >œ ƒ secco sempre

Romp

Vn. 2

œ

Piano part is soloistic throughout for measures 211–323. Punchy, jazzy, funky, and almost always secco.

div.

Vn. 1

f

Ó

Ó

1.

∑

Œ

r bœ & ≈ b b œœ ‰ Œ > ƒ secco

r œ ‰. > ƒ

2. via sord.

Bass Tbn.

f

1.

>œ

∑

∑

Œ

>œ >œ œ b œ >

>œ Ó

∑

Note: Much of this section requires secco playing.

Cel.

œ ‰ >

∑

Large Sus. Cym.

5

# œ. n œ. ≈ œ ≈ œ œ # œ œ bœ > bœ œ # >œ ƒ > # œ. n œ. œ. . > . œ. ≈ œ œ. # œ . ≈ # œ œ. #œ œ b >œ ≈

∑

∑

Ó

Œ

∑

∑

Œ

≈

‰.

ƒ

œ ≈ œ œ ≈ œ œ œ œ P ƒ

2

œ. Ó Ó R ‰. ƒ . . œ. . b œ œ. # œ. œ. œ n œ b œ b œ. n œ. œ. b œ. ≈ œ. b œ. b œ. œ. ≈ ≈ ≈ œ R ƒ ∑ ∑

Œ

Œ

∑

Ó

(Sm. Triangle)

Perc.

>œ œ. ≈ R ‰ . ƒ > .œ œ ≈ R ‰ .

≈

∑

Œ

Œ

œ bœ b œ œ # œ œ b œ ≈ œ n œ r ‰ . œ. . œ. # œ. # œ. . œ . . . . . . œ. ƒ ∑ ∑

Ó

(Two Bongos with hands)

ã

29

Œ

ƒ

≤ ≥ ≤ ‰ nœ ‰ . œ œ bœ . ƒ

Ó

≤ ≥ ≤ ‰ œ ‰ . œ œ bœ . ƒ

Ó

≤ ≤ ≥ ≥ ≈ # œ. n œ. ≈ œ ≈ ≈ Ó œ . . ƒ œ≤. . . œ. œ œ œ b œ. r ‰. # œ œ. ‰ # œ. >œ arco

œ F ≥. . # >œ œ œ

ƒ >œ b >œ ≈ ≈ Œ

arco

≥ j #œ > ƒ

#œ

pizz.

f

Œ

Œ

‰

œ J ƒ 0

30 Picc.

215

&

∑

∑

∑ ∑

Fl.

1 2

&

∑

∑

Ob.

1 2

&

∑

∑

Eng. Hn.

&

∑

Ó

∑

Œ

Cl.

1 2

Bass Cl.

& . & # œR ‰ .

Œ

Ó

≈ # œ œ œ œ œ œ œ # œ œ œ # œ. . ƒ (1.) ≈ b œ ≈ ≈ nœ œ œ œ # œ. # œ. bœ œ œ œ nœ œ œ #œ œ. œ ƒ . œ ≈ b œ œ œ ≈ # œ. # œ ≈ œ n œ œ b œ œ œ œ n œ œ œ # œ . ƒ ∑

Œ

Ó r ≈ Œ œ . ƒ . #œ œ . ? Œ R b œ ≈ ≈ ‰. f ƒ

Cbn.

Œ

1 2

& Ó

Œ

2.

3 4

& Ó

Œ

4.

Hn.

1 2

∑

&

∑

œ. # œ. b œ f œ. > œ. # œ. b œ f œ. >

œ nœ bœ # œ œ ≈ b œ b œœ b œ n œœ ≈ # œ. œ œ œn œ œ f œ bœ nœ bœ # œ œœ ≈ b œ œ b œ n œœ ≈ # œ. œ œ œn œ f ∑

Tpt.

3 4

Tbn.

1 2

Bs. Tbn. Tuba

1

2

∑

&

Œ

&

∑

4

ã

∑

5

ã Ó

6

&

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

Vn. 1

Vn. 2

Vc.

Cb.

f

Ó

ƒ

œ. ≈ œ > œ. ≈ >œ

œ œ œ #œ 3

&

‰.

felt mallet

?

r œ P

≈

Marimba

l.v.

œ #œ œ ƒ sempre

≈ b œ # œ n œ

œ bœ œ nœ 3

œ bœ œ nœ

∑

in background

Ó

∑

∑

∑ 3

œ #œ œ nœ

∑

3

∑

∑

∑

‰

œ œ œ œ # œ œ œ # œ # œœ ≈ a # œœ

? Œ

≈

≈

F f . ≈ œ # œR ‰ . . # œ.

Œ

∑

∑

& ≥ & b œr ‰ . . f ≥ & b œr ‰ . . f B bœ f ? Ó ? ‰

Œ

Œ

Ó

Œ

Πpizz.

j œ ≈ b œ ƒ f

œ

#œ f #œ

≤

≈

≥ ≈ œ.

# œ. f gritty

≈

≤

ƒ

ƒ

œœ

solo .. ≈ œ .. œ p

ƒ

2. senza sord. solo

b œ .. ≈ œ .. p

ƒ

≈ œ .... œ p

solo

ƒ

ƒ

Ó

≈ b œ. # œ n œ. œ ≈ # œ # œ. ≈ n œ œ œ œ œ œ # œ . . . n œ. . . . . . . . œ. # œ. œ. F ƒ sub. ∑ œ. œ. œ. œ. # œ. F

3

‰

Ó Ó Ó

on dome, with hard mallets

∑

> > ≈ # œœ b œœ n # œœ b œœ .. ƒ F

∑ ∑ Ó Ó

&

∑ ‰

Ó

5

∑

3

≈ # >œ ƒ œ. b œ. n >œ . F f

ƒ ≈ œ œ œ œ œ œ œ œ œ Ó 5 P 3 6

Ó

# œœ ≈ a # œœ œœ . > > bœ œ nœ œ. ≈ >œ b >œ b œ œ n œ

ƒ sempre

œœ œœœœœ œ œ œ œ Ó

3

> > ≈ # œœ b œœ. n # œœ. b œœ .. ƒ F ≈ b >œ œ n œ b œ . . . >

∑ j # b >œœ Œ ƒ >œ J Œ

∑ ∑

∑

∑ œ œ œ #œ

Ó

œ bœ œ nœ

Ó

>≥ ≈ # œ f >≥ ≈ œ

œ. ≈ œ b œ b œ œ nœ > ƒ

Ó

≈

# œ. ≈ # >œ œ. œ. # œ. ƒ

œ ≈ œ. œ. # œ. . a >œ ƒ

sub. ≤ . . b œ b œ . b œ ≈ ≈ # œ ≈ b œ. . b œ œ n œ œ œ œ. œ. . œ b œ. œ. b œ. œ. œ. œ. n œ. œ. œ. # œ. œ n œ. . . . ƒ . F sub. div. >œ > ‰. bœ ∑ Ó & R ƒ >œ Œ ∑

arco

p

≈ bœ œ bœ œ œ œ nœ œ œ #œ œ œ bœ bœ œ nœ f secco sempre œ œ œ œ # œ œ œ # œ. Ó

∑

Œ

≈

∑

≈ b œ # œ n œ œ ≈ # œ # œ. ≈ n œ œ œ œ œ œ # œ œ œ # œ. . n œ. œ #œ œ ( ƒ) . . bœ bœ . . œ ≈ œ # œ ≈ œ. b œ œ b œ œ œ œ n œ œ œ # œ. ? # œ ≈ ≈ ≈ ≈ # œ ≈ œ. ≈ b œ œ. b œ b >œ œ n œ n œ œ ≈ œ œ bœ >œ œ. ? ‰ j Œ Œ ‰ R ≈ ∑ œ ƒ > ƒ ∑ ∑ Ó & ∑

&

œ ..

1. solo

poss.

∑

Œ

Ó

∑

œ nœ œn œ

> > ≈ # œœ b œœ. n # œœ. b œœ .. f ƒ F > ≈ # œœ b œœ n # œœ b œœ .. ƒ sempre > ≈ œ œ œ b œ .

∑

3

∑

≈ ≈ œ #œ #œ nœ nœ œ

Ó Ó

# œ. # >œ # œ œ # œ. ≈ # œ n œœ œœ b œœ œœ œœ œœ n # œœ œ œœ # œ œ ≈ œ œ b œœ œ # œ. œ. ƒ œ ≈ n œ œ œ œ œ œ # œ œ œ œ # œ. # œ œ œ b œ œ œ œ n œ œœ œ # # œœ œ. ≈ a œœ œ bb œœ œ. > . ƒ # œœ. ‰ . Ó Œ R f

∑

∑

(Vib.)

pizz.

Va.

# œ. ≈ # >œ

(1.)

sub.

Œ

Bass Dr.

Cel.

∑

Ó

b œ. . b œ. b >œ œ n œ œ b œ œ b œ œ ≈ œ. # œ. bœ . œ. ≈ >œ b >œ b œ œ n œ B œ ≈ ≈ œ. œ b œ œ œ œ n œ œ œ # œ nœ 3 F ƒ f Tuba > . ≈ œ. b œ . ? Œ # œ ≈ ≈ œ ≈ R ‰ ∑ ∑ b œ. . P f (Bongos) œ œ œ œ œ œ œ. œ œ Œ œœ ‰. Œ Ó Ó ≈ ã ≈ R ƒ f f P (Triangle) Small Sus. Cym. œ œ œ œ œ œ œ œ >œ R ‰. ∑ ∑ ã Œ f ƒ p ƒ ? Ó

3 Perc.

1.

Œ

? ‰

Bn.

Ó

∑

# œœ f ∑

# # >œœ ƒ

3

3

3

Œ

Ó ≈

?

unis. (pizz.)

-œ ..

arco

p

f

≤ ≤ ≥ œ. # œ. >œ .

F ≤ # œ. f F ≥ b >œ œ≤.

≤ ≥ œ. b >œ . ≥ œ≤. # >œ .

f F # >œ œ # œ œ . ≈ Ó

f F

219

& ‰.

Picc.

Fl.

Ob.

1 2

& ‰.

1 2

& n # œœJ

Eng. Hn.

Cl.

1 2

Bass Cl.

Ó

∑

‰

sub.

Œ

Ó

. . > ≈ œ. b œ. œ. œ œ. n œ b œ. n œ. œ œ b œ. ≈ œ. œ. ƒ ∑

‰

Œ

Ó

& ‰. & Ó

>œœ œœ R ƒ p

Œ

3 4

& Ó

Œ

Tpt.

3 4 1 2

Bs. Tbn. Tuba

2. > & # œR ‰ . f r & œœ ‰ . > f B

1

ã

Œ

2

ã

Œ

& ‰.

Perc.

4

5

6

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

Vn. 1

Vn. 2

Va.

Vc.

Cb.

# >œ & n œJ ƒ ã

œ. b œ. f

∑

œ. b œ. œ. œ. # œ. n œ. n œ. # œ. >œ œ . n œ. ≈ œ. œ ≈ ƒ . . . > . . . . . œ ≈ œ. # œ œ œ œ n œ b œ n œ b œ œ œ. # œ. ≈

Ped.

&

l.v.

6

≤. & # œR ‰ . ƒ ≤. & n œJ ‰ ƒ œ≤. B R ‰. ƒ > ? bœ ƒ

> r œ Œ ≈ .

‰.

Ó Œ

‰ #œ nœ ƒ

∑ Œ

Œ

Ó

Œ

Ó

∑

Œ

Ó

∑

Crotales

&

∑ ∑

∑

∑

∑

∑

Ó

Œ

Œ

Œ

Œ

Œ

Œ Œ

≥ ‰ #œ nœ . . ƒ ≥ ‰ œ. b œ. ƒ ≤ arco ≈ œ œ. œ. œ. ƒ div. œ. ≈ œ ‰ R f

∑

≤ . . ≈ œ œ. b œ. œ. œ œ. n œ . ≤ # œ. œ. œ. œ. n œ. b œ. ≈ œ.

∑

Ó

∑

f ƒ >œ ‰ b >œ Ó

‰. Œ >œ ≈ . # œœ J ƒ # >œ œ ≈ . J > # œœœ ≈ . J ƒ > # . ≈ œœ J > #œ ≈ . b œœ œ ƒ J

Ó

∑ ∑

®Œ

#œ Ó œ > > f ƒ Ó

®Œ

Ó

∑

®Œ

Ó

∑

®Œ

Ó

∑

®Œ

Ó

∑

‰

> b œ. n œ. œ œ œ b œ. ≈ .

r ‰. œ>

Œ

. ≤ œ. œ. œ. œ. b œ. b œ œ. b œ. n >œ œ . œ. ≈ # œ. # œ ≈ # œr ‰ . > ∑

Œ

∑

∑

∑

∑

∑ Ó

ã

ã

∑ ∑

≥ ≤ œ Ó œ> > f ƒ Ó

Œ

div., pizz.

Œ

Œ

div., pizz.

Œ

∑

nœ >œ # œ

∑

∑ Œ

‰ œ #œ œ >

≈ ‰

Œ

r Œ b œœ P ‰

ƒ secco N >œ ≈ . # œJ ® Œ

r ‰. >œ

#œ. ≈ œ . J ƒ

Ó

∑

b œ. n œ. b >œ œ . # œ. œ ≈

Œ

Œ

secco

≈ ‰ # œ n œ b œ >

∑

f ƒ

∑

Œ

Ó

Bass Tbn. solo

œœ

b >œ œ b œ

∑

∑

∑

∑

>œ

≈ ‰

(1.)

∑

∑

∑

Œ

>œ

solo

≈ Œ

∑

∑

Œ

Œ

solo

∑

Œ

Œ

Œ

∑

Ó *

Œ

solo

∑

∑

Œ

Ó

∑

> ≈ œ œ b œ œ œ œ n œ b œ n œ œ ≈ œ b œ ≈

Œ

solo

ƒ >r ‰. # œ Ó ‰ # œR ≈ f> > ƒ r solo ‰. # œ Ó ‰ # œR ≈ f> ®Œ Ó

∑

ƒ

5

Œ

# >œ >œ œ Œ ≈ R ‰ ≈ # >œœ 1. # œ >œ n œ ≈ # œ œ œ b œ Œ ≈ ƒ 1. > œ b >œ œ Œ ≈ b b œœ ‰ R ƒ r œ . #œ Œ > #œ #œ œ œ #œ ‰ ‰ > ƒ 2. ƒF ƒ >œœ Œ ≈ R ‰ œ b >œ b œ ƒ bœ >œ Ó > nœ # œ œ œ œ ‰ ‰. R ƒF ƒ ƒ r œ bœ bœ bœ ‰ ‰. œ Ó > œ nœ > ƒ ƒ ƒ F ∑

solo

Œ

∑

Œ

&

ƒ

>r ‰ . œ Œ

∑

∑

∑

∑

∑

Ó

b œœœ bœ Œ R f

b >œ & œJ ‰ ƒ secco ?

? Ó

‰

Ó

Œ

∑

Œ

P r Œ b œœœ f ‰ Œ

b >œœœ ƒ # >Rœ ? ‰. # œ R ° > & n # œœJ ‰ ƒ j & nœ ‰ >

f ? bœ

3.

f

œ. œ. œ. œ. b œ. b œ. œ. b œ. n >œ œ . œ. ≈ # œ. # œ ≈ # œr ‰ . >

œ œ œ œ œ œ ≈ œ œ œœ .. ≈ œ ≈ J 6 5 f ƒ . œ œ œ œ œ œ œ œ œ ≈ ≈ ≈ œJ

& ‰. & ‰.

≈ œ œ œ ç ƒ ≈ œ ‰ R ƒ 1. ‰ # œ. n œ.

. . . > . # œ. œ œ. œ n œ. œ b œ. n œ. b œ œ œ. # œ. œ ≈ ≈

∑

Ó

(Glock.)

3

ƒ

Ó

b >œœ ≈ . J ® Œ ƒ r ‰. Œ œ >

> b œœ J ƒ j ≈ . œ ® Œ œ> ƒ 2. ? ‰ Œ

Œ

?

œ bœ

>œ ≈ . J ® Œ ƒ >œ 1. ≈ . J ® Œ ƒ Ó

∑

‰

Œ

& Ó

1 2

Œ ç

œ

sub.

Œ

2.

∑

Œ

1 2 Hn.

ç

œœ

b >œ œ R ƒ p

? Ó

Cbn.

œœ

sub.

? ‰.

Bn.

Tbn.

& n œJ

b >œ R Œ ç b >œœ œœ R ƒ p

31

∑

b >œœ ƒ b >œœ ƒ

Ó

Œ

Ó

Œ

Ó Ó

pizz.

# >œ ‰ J ƒ

‰ # œj > ƒ n >œ unis. Œ ‰ J ƒ > unis., pizz. n œ Œ ‰ J ƒ unis.

32 ∑

&

Picc.

nœ bœ

Fl.

1 2

&

Ob.

1 2

& nœ #œ

Eng. Hn.

1 2

Bass Cl.

Bn.

Cbn.

bœ œ

Œ

Ó

&

∑

1 2

&

∑

3 4

&

? Ó

2.

?

∑

∑

ã &

(Glock.)

3

4

5

6

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

&

∑

ã

Large Tam Tam

∑

&

?

&

∑

? &

ƒ

3

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

f

f

l.v.

∑

*

j J Œ Œ œ F ƒ #œ l.v. R ‰. Œ #œ F ƒ ∑

(DCsBlEfFGAf)

∑ ∑

&

∑

∑

∑ ≤ # Ȯ

Vn. 1

& &

∑

div., arco

Vn. 2

Va.

B

∑

arco

p

≤ ≥ ≤ ‰ œr ≈ œ ‰ > # œ. . ƒ

arco

‰

arco

r ≈ Œ b >œ ƒ

# œ)

Ó ç

p # ˙≤ ˙ ≤ # # Ȯ

p # ˙≤ p n ˙≤ p

(

# œ)

‰

œ

F

l.v. molto

# œ l.v. R ‰. Œ

Œ

(DsCBflEFsGsA)

? Ó

∑

solo

ƒ Ó °

∑

Cb.

∑

Œ #œ #œ #œ f ƒ Œ œ P gg # œ ggg # # œœ Œ gg œ

?

? Ó

∑

Œ

#˙ f

(

Vc.

∑

5

∑ ∑

∑

œ l.v. ≈ œ œ Œ

∑

&

˙ π r ‰. œ. f

#˙ p

∑

(Crot.)

Ó

j> œ œ. ‰ >œ @J æ ƒ œ œ œ œ œ Ó æ ƒ

∑

with triangle beaters

∑

∑

Œ

∑

ã

∑

ƒ ˙˙

3 Sus. Finger Cym.

Perc.

∑

˙ ƒ ˙

‰ œ Œ > œ f

Small & Very Large Triangles

Ó

ƒ

‰ b œ œ # >œ œ ‰ > f ƒ

2

∑

ƒ ˙

poss.

ã

1

# ˙˙

ƒ sempre ˙ b˙ p

(Bongos)

∑

∑

∑

? Ó

Tuba

‰

∑

3 4

Bs. Tbn.

bœ >œ

& bœ œ bœ œ ‰ ‰ bœ Œ > bœ ƒ nœ œ œ œ bœ > ? #œ œ œ ‰ ‰ #œ #œ Œ ƒ ? ∑ &

1 2

>œ œ ‰

œ œ #œ ‰ Œ ƒ œ ‰ Œ Œ

b ˙˙ ƒ

∑

 g  lis  s . 

Tbn.

&

bœ œ

1 2 Hn.

Tpt.

& ‰

n >œ œ ‰

œ œ bœ bœ ‰ Œ

Ó

 g li s s .

Cl.

#˙ æ ƒ flz. # # ˙˙ æ ƒ

flz.

223

Ó ç Ó ç Ó ç Ó ç

Œ

Ó

Ó

Œ Œ

Œ

Œ ∑

Ó ∑

# >œ ‰ J ƒ

‰

j œ > ƒ

Œ

‰ b œJ Œ #œ

œ

f

ƒ

Ó

∑

∑

∑ œ

∑

œ

≥ ≥ ≥ # >œ œ a >œ -≤ ≥ ≤ # >œ ≤ œ b œ b œ ≈ œ ≤ b ≥œ ≥ ≥ ≤ ≈ J ‰ ≈ n œ ≈ A >œ ≈ ≈ b œ œ œ ≈ œ ≈ œ. > > espr. ƒ ƒ f ƒ ƒ P f dramatic > #œ #œ pizz. Ó ‰ J Œ ‰ b œJ Œ Œ ƒ ƒ f #œ œ unis., pizz. # œ Ó Œ Œ Œ ƒ ƒ bœ pizz. > Ó Œ ‰ œJ ‰ J Œ Ó ƒ f Ó

pizz.

Ó

pizz.

‰ œ. > ƒ >œ . ‰ ƒ

∑ ∑

. . # œ. n œ. œ ≈ # œ. n œ # œ. œ n œ. b œ. n œ. >œ ≈ # >œ f F

bouncy, pitter-patter

∑ ∑ ∑

l.v. molto

∑

∑

l.v. molto

∑

∑

ƒ

f

33 Picc.

228

&

∑

∑

∑

∑

∑

Fl.

1 2

&

∑

∑

∑

∑

∑

Ob.

1 2

&

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

1

ã

∑

∑

∑

∑

∑

2

ã

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

4

ã

∑

∑

∑

∑

∑

5

&

∑

∑

∑

∑

∑

6

ã

∑

∑

∑

∑

∑

Cel.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Pno.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

bœ Nœ œ > ƒ

∑ ∑

Ó

∑ ƒ #œ

bœ

#œ >

∑

Ó

Œ

‰.

∑

Œ

Cl.

Bass Cl.

Bn.

Cbn.

Hn.

Tpt.

Tbn.

1 2

Bs. Tbn.

Tuba

Perc.

Hrp. 1

Hrp. 2

Solo Vn.

?

&

œ & ‰ J Œ f ? & Œ ? &

#˙ espr.

Vn. 1

œ J ‰ & f

Vn. 2

& Œ

Va.

B

Vc.

Cb.

? ?

Ó

∑ > œ #œ bœ

f

ƒ ∑

ƒ

‰

#œ #œ ‰ J ƒ œ Ó f ∑ ∑ ∑

ƒ >œ

∑ Œ

Ó Ó

Œ

∑

∑

Œ

∑ # >œ # œ n äœ

ƒ stately Œ

Œ

n >œ ≈ ≈ # œ. b œ œ ƒ bubbly

>œ ‰ J ‰ ƒ >œ ƒ

œ > ƒ >o œ

ƒ >œ ƒ

>œ J

Œ

Œ

Œ

Œ

Ó

Œ

Ó

Œ

‰

Ó

> nœ # œ ‰. #œ ‰ J œ

ƒ

bœ ƒ

Œ ∑

>œ r . R ≈ # >œ ≈ œ> b œ ≈ œ ≈ # >œ ‰ > Œ

‰.

bœ

Œ

bœ ƒ bœ ƒ

r œ Œ ƒ

nœ ‰ J ∑

ƒ

nœ œ

# >œ . œ . # >œ œ. n œ. > > > ‰ n œ. b œ œ ≈ n œ œ # œ >œ ≈ J J ≈ ≈ Œ . ƒ F P ƒ cantabile ∑

r œ Œ ƒ j b >œ ‰ nœ ‰.

Ó Œ

Fn

Ó

∑

Œ Ó

Œ

#œ

. . œ a œ. # œ. n œ. n œ. b œ. ≈ # œ F animated

Œ

‰.

r œ ƒ

‰.

œ R ƒ

∑

∑

Ó

∑

Œ Œ

œ ƒ

l.v. molto

œ >

r œ

Œ

œ œ # >œ ƒ # >œ ‰ b œj œ n œ

# >œ Œ

l.v. molto

34 Picc.

233

&

∑

∑

45

44

∑

45

∑

44 Ó

Fl.

1 2

&

∑

∑

Ob.

1 2

&

∑

∑

Eng. Hn.

&

∑

∑

1 2

&

∑

∑

&

∑

∑

?

∑

∑

?

∑

∑

45

∑

44

1 2

&

∑

∑

5 4

∑

4 Ó 4

3 4

&

∑

∑

1 2

&

∑

∑

3 4

&

∑

∑

Cl.

Bass Cl.

Bn.

Cbn.

Hn.

Tpt.

∑

45

44 Ó

∑

45

5 4

4 Ó 4

∑

45

?

∑

∑

Bs. Tbn. Tuba

?

∑

∑

45

∑

44

1

ã

∑

∑

5 4

∑

4 4

2

ã

∑

∑

3

&

∑

∑

4

ã

∑

∑

5

&

∑

∑

6

ã

∑

∑

5 4

∑

4 4

&

∑

∑

∑

∑

∑

5 4

4 4

&

∑

∑

45

∑

&

∑

∑ >œ >œ

Perc.

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

Vn. 1

Vn. 2

Va.

Vc.

Cb.

?

&

œ

>œ

?

ƒ

∑

& Ó

‰

?

∑

œ

& Π&

œ

≥ b >œ

ƒ

‰.

>œ

‰

B Ó

‰

?

∑

?

∑

#œ

ƒ

≥> . œ. n œ. b œ -œ # œ≤ œ œ ‰ ≈ & >œ

b >œ .

>œ

Ó

œ J

œ J ƒ

‰

b œ≤

œ #œ J

bœ R Œ

Ó

Œ

Œ >œ

Π&

b >œ ƒ

Œ

Ó ∑

n ≥œ-

# >œ J

>≥œ

‰.

arco

# >œ

∑

∑

44 Ó

44 Ó

45

∑

44 Ó

‰

45

∑

4 4

∑

n >˙

F

spontaneous

œ ƒ

44 #œ œ bœ

6

#œ nœ#œ

>œ ƒ

44

˙ F

45

∑

44 Ó

Ó

45

∑

44 Ó

Ó

45

∑

44 Ó

5 4

∑

4 4

≈ œ. ≈ Œ ?

∑

44 Ó

∑

F

∑ ƒ f . >œ ≈ œ ≈ Œ

44 Ó

b >œ œ n œ

œœ

Œ

∑

5 4

œ

∑

∑

44 Ó

Œ

œ p

4 Ó 4

∑

>≥œ R Ó ç

Œ

∑

45

R ‰. ç

arco

∑

44 Ó

∑

r b œ. F

Œ

2 Conga Drums

ã

‰.

bœ R f bœ R f

>œ ≈ Œ R ç

>œ R ‰. ç

45

45 ≈

ƒ

2.

>œ ƒ Œ

45

n >˙

‰

ƒ lyrical

3

Fs

‰ ∑

4 4

∑

45

Œ

ã

∑

5 4

2.

Snare Dr. – snares off

∑

5 4

2.

44

∑

45

‰.

∑

4 Ó 4

∑

45

∑

b >œ ƒ

Œ

5 4

Œ

Œ

4 4

∑

1 2

Tbn.

‰.

∑

44 Ó

∑

5 4

Œ

44

∑

45

∑

44 Ó

∑

≈ œ. ≈ Œ ƒ

≈ œ. ≈ Œ œ. ƒ f r Œ œ. ‰ . ƒ

1.

44

∑

45

œ. f

44 Ó

∑

45

1.

œ J ƒ

‰.

bœ R

Œ

Œ ∑

r ‰. nœ > ç

Œ

intense

≥ r ‰. œ ƒ

Œ

≥ œ ≈ Œ R ƒ ≤. >≥œ ≈ œ ≈ ‰ . ‰

arco

ƒ œ≤. ≥ arco > œ ≈ ? ≈ ‰ . ƒ ∑

≤r b œ. f b œ≤. R ƒ

35

Fl.

1 2

Ob.

1 2

Eng. Hn.

Cl.

1 2

237

&

∑

&

∑

&

∑

&

∑

& Ó

Bass Cl.

& œ bœ œ #œ

Bn.

? œ bœ œ bœ

ƒ > # œ œ ƒ

∑

1 2

&

∑

3 4

&

∑

1 2

? Œ

Tpt.

Bs. Tbn. Tuba

1

2

3

Œ

1.

ã

∑

ã

∑ œ œ.

F

∑

5

ã Ó

6

ã

∑

&

∑

Hrp. 2

Solo Vn.

? Ó

(Bongos)

Small Sus. Cym.

œ œ ≈ œ œ œ

ã

Hrp. 1

# >œœ R ‰. ß # >œœ R ‰. ß

œ œ

PF

Œ

≈ œR ‰ f

r # œ. ‰ . f secco

Vn. 2

& Œ

Va.

≥ B r ‰. œ.

≥ ? œ bœbœ œ œ. ? R ‰. f arco

r # œ ‰. ƒ ‰. Œ > œ #œ Œ

Œ

Ó

∑

1.

≈

div. >œ # >œœ œ. ‰ . R ≈ F ƒ

≈ ≈ >œ Ó ç Ó

≈

∑

#œ

#œ ‰

f

Œ

Œ

Ó

≈ œ

œ bœ

f

œ œ # œ ≈ # œ œ ≈ ≈ n œ

Œ

Ó

∑

∑

solo

∑

∑

∑

∑

∑

∑

∑

∑

#œ œ œ œ ≈ œ œ œ œR ‰ . ƒ majestic Ó

Œ

Ó ∑

œ @J ‰

‰.

∑

œ F

‰

≈ œ ‰ R ƒ

∑ 5 Tom Toms

œ p

œ

œ

Œ

œ

œ

P

Œ

Œ

œ

œ.

f secco

Ó

Œ

Bn

∑

f f

Œ Ó Ó

≥ ≤ ≤ ≥ œ≤. œ≤. œ. b œ. ≈ œ. b œ b œ. œ. ≈ . b œ ≈ œ. ≈ ≈ b œ. . b œ. ≥ ≤ ≤ ≥ ≤ œ≤. œ. b œ. ≈ œ. b œ. œ. ≈ œ. ≈ ≈ n œ. ≈ b œ. # œ. œ. # œ. ƒ ≤ unis. ≥ œ. ≤. ≤ ≥ n œ. Ó # œ ≈ œ. # œ. ≈ ≈ ƒ ≥. unis. n œ œ≤. ≤ ≈ œ. Œ Ó ƒ ∑

œ

≈ œ ≈ œ

œ bœ > #œ n œ ≈ ≈ n œ œ ≈ ≈ # >œ Ó Ó

œ bœ

Ó œ œ # œ. ≈ n œ ≈ ≈ n œ #œ > > Ó

œ b œ > # œ. œ œ ≈ # >œ n œ ≈ ≈ n œ

r . b œœ. ‰ f

∑ ∑ (DsCBlEFsGsA)

∑

≥ ‰ b œ. ƒ ≥ ‰ b œ.

œ œ ≈ œ

≈ œ ‰ R

∑

∑

f

∑

œ

f

‰

‰ b œ.

Œ

p œœ≤ ....

j œ œ

œ @J

Œ

‰ bœ

∑

b œ≤ ..

œ J f

œœ œ @ f p

Ó

Œ

b œœ œ

≈

bœ œ œ b œ ≈ >œ b œ œ b œ ≈ b œ b œ ≈ b œ b œœ ≈ n œ ≈ n œ ≈ b >œ ? ≈ n œ > bœ ƒ Claves j Ó Œ ‰ œ œ œ œ œ Œ f Xylo. bœ Œ ∑ & ‰. R f r b >œ Œ ‰ œ œ b œ ≈ Œ Œ ‰ œ ≈ ‰ . R œ nœ bœ > ( ƒ) ƒ > bœ œ n œœ œ ≈ b œ ≈ Œ b œ ≈ œ # # œœœ ≈ œ>œœ b œœ ‰ . bœ R nœ >œ b œ œ œ b œ >œ R Œ ‰ bœ ≈ b œ œ ≈ n œœœ ≈ b œœ ≈ œ ≈ ‰ . bœ # # œœœ œœœ ( ƒ) b >œ > ƒ œ b œ ? ≈ ∑ ≈ n œ

∑

œœ

ƒ

Ó

Marimba

Œ

œœ œ

œœ R Œ P

ƒ

∑ ∑

&

p div. # # œœ≤ .... ≈ p

ƒ

∑

∑

∑

rÓ œ ƒ

ƒ œ

≈

Ó

Ó

(DsCBflEFsGsA)

Ó

nœ

Œ

Œ

Ó

Ó

f

# œ ≈ # œ # œ ≈

∑

Œ

j #œ . f

œ

∑

Œ

œœœ

Ó

b >œ bœ R ƒ

‰.

∑

Ó

≈

ƒ

Ó

∑

∑

Ó Ó

f

≈ Ó

f

∑

≈

œ b œ ≈ œ Œ

bœ ƒ

∑

∑

∑

Fƒ œ. # >œœ

œ b œ ≈ œ b œ œ

∑

# œ n œ ≈ œ œ œ ≈ b œ œ ≈ n œ œ ≈ ≈ bœ f ƒ œ # œ ≈ œ Œ Ó

œ π

Œ

œ ‰ bœ f 1. œ ‰ bœ 1.

Ó

œœœœÓ F œ œ p P

∑

& & Œ

Œ

Œ

∑

&

Vn. 1

œœ

on dome, with hard mallets

> > bœ. ‰ . n >œ œ œ. n # œœ # # œœœ n œœ .. R f ƒ >œ ç f ƒ f F ƒ # œ ? œ bœ œ ≈ ≈ >œ Ó ≈ # # œjœ .. bœ &

?

Œ

Ó

& Ó

& Œ

Œ

Œ

bœ. œ. J f. # # œœ . ≈ J f

∑

㠜

Ó

œ

≈

>œ R Ó ç

‰.

4

Pno.

. . # >œ ‰ . # œR ≈ œ P f 3. >œ Œ ‰ J f

1.

?

Perc.

Cel.

P f .r . > ≈ # œ #œ œ œ ‰ >J f

œ

ç ≈ ≈ >œ Ó ç

3 4

Hn.

Cb.

> œ # œ ≈ ≈ >œ Ó

& r ‰. œ. ƒ & Ó

1 2

Vc.

Œ

?

Cbn.

Tbn.

‰.

≈ b >œ . J ƒ 2. > # œ ‰. R ß > ≈ œœ .. J ƒ >œ R ‰. ß > ƒ ≈ n œj . #œ R > ‰. ß

 g lis   s. 

Picc.

∑ ‰.

div.

≥r . œ. ‰ ≥ œ. ‰ # œ. Ó Œ

#œ #œ R

Œ

≥ œ >bœ ƒ >≥ ‰ nœ bœ ‰

ƒ

œ. ≈ R ‰ ƒ

Ó ≤ ‰ œ> œ # œ. ≤ >œ œ # œ. ‰ ‰. Ó

Œ Œ œ. ≤ ≥œ. # œ. ≈ ≈ R ƒ &

36 241

∑ ∑

&

Picc.

Fl.

1 2

&

Ob.

1 2

& Œ

Eng. Hn.

& Œ

Cl.

1 2

Bass Cl.

&

Cbn.

∑

& Œ

1

&

? Œ ? ‰.

ã

œ J p

‰

# œœ ‰ J π œ œ R π #œ œ R π

(Bongos)

2

œ œ œ ã

œ.

3

㠜

œ

Perc.

4

?

5

㠌

6

&

(Claves)

Cel.

Pno.

Hrp. 1

‰

? ‰.

? gliss.

Hrp. 2

Solo Vn.

Vn. 1

Vn. 2

Va.

Vc.

Cb.

?

∑ œœ .. œ.

#œ F

nœ

ƒ

Œ

œ≤ ‰ J p div. œ≤ ‰ # œJ p œ≤ œ R p ≤r #œ œ p

œœ .. œ. œ.

Ó

‰

∑

Œ

∑

∑

Ó

Ó

Ó

2.

‰

‰

∑ Ó

‰

∑ ∑

>œ R ≈ Œ ß b >œ ≈ Œ œ R ß

∑ ∑ ∑

>œœ R ≈ Œ ß

∑

∑

∑

∑

∑ œ

œ ‰ œ œ œ œ œ œ œ ≈ ≈ œ œ œ F P

œ >œ f ƒ

>œ ƒ œ Œ

œ P

œ

‰

>œ

‰

‰

œ J f

œ J F

œœ

œ

œ æ π

F

≈ œ œ œ Œ ƒ

‰

‰

œœ

∑

œ. b b œœ œ. bœ f > Ó

Œ

Ó

Ó

j #œ Œ f secco sempre

œ œ

Œ

‰

œ. ‰

‰

∑

Ó

Œ

Ó ƒ ∑

Œ

Bf

∑

Ó ∑

‰ ‰ ‰

j #œ f

pizz.

&

œ0 J

Ó

Ó

‰

œ0 J ƒ

Ó

Œ

arco

Œ

unis.

≈ j Œ œ. f ≥ r >œ ≈ # œ. ≈ ≈ n >œ ‰ ƒ f unis., pizz.

>≥œ . œ.

&

ƒ

Ó

∑

f

‰

Ó Ó

p ≤ œ p

∑

Œ

∑

Œ

∑

Œ

∑

r ‰ # b œœœ ≈ Œ œ ƒ

∑

‰

∑

∑ ≥ # >œ

‰

b œ≤

∑

∑

div., arco

arco

div.

ç b b >œœœ ≈ R n >œœ n n œœ ≈ ç r b b œœœ ≈ ß> >œœ œ R ≈ ß

∑

‰

∑

l.v.

Œ

‰

&

∑

j œ Œ f >œ œœ R ≈ Œ f

‰

‰

>œ ‰

∑

Ó

∑

ƒ

Ó

unis., pizz.

‰

∑

&

∑

ƒ

œ œ œ œ >œ ≈ Œ

Crotale

Ó

∑

∑

‰ ∑

F

∑

œœ R ≈ Œ f

Œ

œ.

Œ

‰

œ. > œ >. # œ ≈ ≈ n œ # œ n œ

ƒ secco

‰

‰

>œ . œ # œ ≈ ≈ n œ # œ n œ .

>œ ‰ . R ç

‰

ß

>œ R ≈ Œ ç

‰

Ó ƒ œ >

ß

∑

∑

&

ß

∑

∑

œ

ß

‰

∑

∑

∑

œ.

∑

∑

‰

œ

‰

‰ . # œr # œ > f œ. # œœ # -œ . # b œœ f >

>œ œ ‰ R ≈ Œ ç œ ‰ Œ J ƒ œœ # >œœ ≈ Œ ç

∑

∑

∑

& ‰.

œ œœ

Ó

Ó

∑

∑

5

œ. œœ .. œ. œ.

l.v.

‰

∑

∑

‰

∑

&

? ‰.

F

∑

∑

B Œ

F

œ.

&

& Œ

F

∑

&

& Œ

f

∑ ƒ œ ‰ # œœ J f œ œ #œ œ R

f

œ. # œ. œ . r # œ. ≈ ≈ n œ. F p f sempre ∑

‰

œ œ œ ≈ œ œ Œ ƒ

&

& Œ

‰

# >œ . R ‰ ƒ

Œ

∑

(Xylo.)

?

3.

∑

(Mar.)

ƒ

≈ œ ‰ R f

œ.

Œ

f

∑

œœ œ œ œœœœœ œœœ

(Snare Dr.)

1.

‰

# œ # œ ≈ ≈ n œ # œ # œ Ó > ƒ œ ∑

6

(Toms Toms)

ƒ -œ .

(1.)

∑

poss.

? ‰.

Tuba

1.

Ó

-œ .

1.

Ó

∑

1 2

Bs. Tbn.

‰

?

&

1 2

œ.

>œ ≈ # œ ≈ Œ ƒ f

∑

3 4

3 4

‰

∑

&

Tpt.

œ. œ.

&

1 2 Hn.

2.

∑

?

Bn.

Tbn.

>œ ‰ œ J ƒ > ‰ # œJ ƒ

∑

>œ ‰ R ≈ Œ ç

œ J œ J ‰

div.

‰

>≥œœ R ≈ Œ ß ƒ ƒ

>≥ ≈ œ ≈ b >œ ≈ ‰ # œ >œ n -œj > ß ß ƒ >

punchy

∑

‰

Œ

∑

‰

Œ

∑

>≥œœ R ≈ Œ ß >≥œ ≈ Œ R ß

∑ ∑

≈

>œ b œ a >œ f

37 Picc.

245

&

∑

∑

∑

∑

∑

Fl.

1 2

&

∑

∑

∑

∑

∑

Ob.

1 2

&

∑

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

1

ã

∑

∑

∑

∑

∑

2

ã

∑

∑

∑

∑

∑

3

ã

∑

∑

∑

∑

∑

4

&

∑

∑

∑

∑

∑

5

&

∑

∑

∑

∑

∑

6

&

∑

∑

∑

∑

∑

Cel.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Pno.

&

∑

∑

∑

∑

&

∑

∑

Hrp. 1

&

∑

∑

∑

∑

&

∑

∑

∑

∑

Cl.

Bass Cl.

Bn.

Cbn.

Hn.

Tpt.

Tbn.

1 2

Bs. Tbn.

Tuba

Perc.

Hrp. 2

Solo Vn.

?

?

? & œ ƒ

∑

∑

∑

∑ ≤ ≥ n -œ≤ . ≈ œ. # œ n œ ≈ J f ƒ p

∑

∑

∑ œ

≥ ‰. r œ >œ ƒ ƒ

∑

playful

Œ

∑ j œ . ≈ ƒ

# >œ

# >œ

# >œ

ƒ f ƒ

≈ ≈ a n œœ.

F

bright

# >œ

œ # œ. # œ. # œJ a œ œ

∑

∑

∑

Vn. 2

&

∑

∑

∑

Va.

&

∑

∑

∑

Vc.

&

∑

∑

∑

∑

Cb.

&

∑

∑

∑

∑

unis., pizz.

ƒ

Œ

Œ

pizz.

f

#œ

F

ƒ

vibrant

&

Vn. 1

ƒ

∑

∑

≤ ≥ b œ . œ ≈ n œ ‰ œ # œ ≈ n œ. # œ œ. ≈ œ n œ # >œ œ > . > > F f ƒ f

b >œ

Œ

∑

‰

ƒ

œ

ƒ

Œ

pizz.

Œ #œ P

∑

Ó œ

œ

∑

≥ # >œ ≈ n >≥œ >œ r ≈ n œ # œ ‰ ‰ n œ. ≈ ß ß n >œ b >œ F playful ƒ # >œ

Œ

∑

# >œ ƒ

Œ

#œ

#œ

F Œ

P Œ

Ó ∑ ∑

Œ

œ f

38 Picc.

250

&

∑

∑

∑

∑

Fl.

1 2

&

∑

∑

∑

∑

Ob.

1 2

&

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

&

∑

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

?

∑

∑

∑

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?

∑

∑

∑

∑

?

∑

∑

∑

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1

ã

∑

∑

∑

∑

2

ã

∑

∑

∑

∑

3

ã

∑

∑

∑

∑

4

&

∑

∑

∑

∑

5

&

∑

∑

∑

∑

6

&

∑

∑

∑

∑

Cel.

&

∑

∑

∑

∑

∑

∑

∑

∑

Pno.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Cl.

Bass Cl.

Bn.

Cbn.

Hn.

Tpt.

Tbn.

1 2

Bs. Tbn.

Tuba

Perc.

Hrp. 1

Hrp. 2

Solo Vn.

?

& &

?

Nœ f

& Π?

Œ

Vn. 1

&

Vn. 2

& Œ

f

∑

>œœ

Ó

ƒ

r & b œ. ≈ n œ . > nœ

Ó

∑

ƒ Œ

>œ ƒ

>œ . >bœ > r œ nœ ® nœ bœ bœ bœ nœ nœ œ n œ # œ b œ œ n œ ≈ n # >œœ ≈ # œœ ≈ œ # œ œ # œ œ n œ ≈ b œ n œ a œ ≈ œ b œ . > f ƒ f ƒ f ƒ f ƒ

‰.

Ó

∑

Ó

∑ ∑

∑

&

∑

∑

&

∑

∑

Va.

&

Vc.

Cb.

>œ

ƒ

Œ

>œ

ƒ

Œ œ

#œ

F Œ

P Œ

Ó

Œ œ

f

≈ >œ

ƒ

n >œ # œ n œ ƒ

. . ≈ # œ œ # œ. f

Œ

≈ # #>œœ n œ ≈ n œ ≈ b œ b A œœ œ > P ƒ intense

# œ. Ó ∑ ∑

B

∑

∑

?

∑

∑

?

39 254

∑

∑ ∑

&

Picc.

48

∑

8 4 Ó

Œ

48 Ó

Œ

48 Ó

Œ

# >œœ ˙˙ .. J ƒ sempre # >œœ ˙˙ .. ‰ J ƒ sempre ∑ # >œ ˙ . ‰ J ƒ sempre ∑

∑

44

∑

44

∑

4 4

Fl.

1 2

&

∑

Ob.

1 2

&

∑

∑

Eng. Hn.

&

∑

∑

1 2

&

∑

∑

&

∑

∑

?

∑

∑

48

∑

?

∑

∑

48

∑

ƒ 44 Œ

1 2

&

∑

∑

∑

&

∑

4 ‰. 4

3 4

∑

8 4

1 2

&

∑

∑

3 4

&

∑

∑

?

∑

∑

∑

∑

∑

∑

Cl.

Bass Cl.

Bn.

Cbn.

Hn.

Tpt.

Tbn.

1 2

Bs. Tbn.

?

?

Tuba

48 8 4

48

b >œœ >œœ >œœ >œœ 48 ‰ 3 ƒ sempre 8 Ó 4 8 4 8 4 48

solo

‰

44

1.

Œ Œ

44

Œ

Œ

> ‰ b b œœJ ˙˙ .. ƒ sempre ∑

solo

∑

solo 4 ≈ ≈ # œ Œ 4 œ ƒ œ solo 44 œ ≈ Œ œ

‰. >œ Œ R f

1.

44

∑

œœ œœ œ>œ ˙˙ .. J ‰ ≈

∑

44

Œ

∑

∑

4 4

∑

44

∑

Ó

∑

4 4

∑

r œ. Ó ƒ

solo

∑ œ œ

≈

Œ

Ó

1

ã

∑

∑

48

∑

44 Œ

2

ã

∑

∑

48

∑

3

ã

∑

∑

4

&

∑

∑

48

44 œ P 44

∑

?

5

&

∑

∑

48

∑

ã

6

&

∑

∑

48

∑

44

∑

&

∑

∑

∑

∑

4 4

∑

∑

8 4

&

∑

∑

∑

&

∑

44

∑

∑

48

Hrp. 1

&

∑

∑

∑

∑

Hrp. 2

&

∑

∑

∑

∑

Perc.

Cel.

Pno.

?

?

?

Solo Vn.

& Œ

Vn. 1

& Ó

Vn. 2

Va.

Vc.

Cb.

≈ b œj . >ƒ

≈

n œ. F

b œ œ ≈ A n œœ-

≈ j Œ >œ . ƒ Œ ‰ ‰ bœ Œ & j J œ ƒ bœ B ‰ j Œ œ ≈ œ #œ nœ ƒ ? ?

unis. pizz. l.v. molto

b >œ ƒ

48

48

∑ ∑

48

∑

∑

π

(Toms Toms)

44 œ ƒ

(Mar.)

44 Ó

?

Œ

œ

2 Conga Drums

‰. Œ

ƒ sempreœ 44 œ ≈ ‰. œ 4 4

f secco 44 œ > œ. 44 ‰ .

r œ. Œ f secco

4 4

∑

∑

48

∑

44

∑

∑

48

∑

44

∑

∑

Ó

∑

48

∑

Œ

Ó

∑

8 4

∑

œ J p

‰

(pizz.)

44 œ. f

(pizz.)

44 œ ƒ 4 Œ 4

œ

Œ

œ Œ ƒ

Œ

Œ

‰.

‰.

r œ Œ f

(pizz.)

r bœ

Ó

∑

∑

J

r bœ f bœ

∑ ƒ rÓ œ.

8 4

48

44 Ó

‰.

r ‰. œ.

(DsCBflEFsGsA)

>-œ ˙ . œœ ® b œœ œœ ≈ b b œœ ≈ ≈ A œ ˙ f ƒ majestic ƒ

j œ œ

∑

48

∑

œœœ ‰

∑

44

∑

8 4 48

(Bongos)

∑

Œ

pizz. l.v. molto

>œ ƒ

48

r b œ œ ≈ œ bœ f

∑

4 4

Œ

‰.

r #œ f

‰.

Œ

r bœ

bœ

œ ≈ œ

‰.

f œ. R

≈ œ f

œ

bœ bœ

40 258

∑

&

Picc.

Fl.

1 2

Ob.

1 2

& b œr ‰ . . ƒ &

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

2.

Ó

Eng. Hn.

&

∑

∑

1 2

&

∑

∑

≈

≈ Ó

Œ

Cl.

Bass Cl.

œ œ #œ nœ œ b œ ≈ œ

œ #œ

‰.

œ œ ƒ

‰.

r r ‰. œ. œ. F ƒ œ. b œ. ‰ . R R f ƒ ∑

&

∑

3 4

&

∑

∑

∑

1 2

&

∑

∑

∑

3 4

&

∑

∑

1 2

1

2

3 Perc.

?

∑

Ó

Œ

ã

(Bongos)

Œ

‰.

œ R ‰.

œ œ œ.

œ

≈

œ œœ ‰.

ã

∑

∑

Ó

œ #œ.

f

Œ

‰

œ. F >œ . ≈ J Œ

œ œ.

ƒ

Ó

‰ bœ Œ J P

Tub. Chimes

bœ œ . ‰

∑

Ped.

œ bœ R ƒ

ƒ

Œ ∑

Ó b œœ F

≈ b œœ

Œ

ƒ

∑

Ped.

Œ

∑

∑

∑

∑

∑

∑

?

bœ œ œ bœ œ b œ ≈ œ

Hrp. 1

&

∑

Hrp. 2

&

œ #œ ‰

≈ # œ # œ ≈

œ ‰.

Ó ∑ Ó

Œ

. ≈ ≈ b œ ≈ œ b œ ≈ n œr ‰ f r ≈ # œ. ‰

ƒ r‰ œ. f

Œ

(pizz.)

Ó ∑

ƒ j œ.

bœ œ.

‰.

Œ

‰

F . œ. # œ ‰

Œ

œ. ‰ .

œ. b œ. ‰ . R R

∑ ƒ œ. b œ R ∑

Œ

ƒ #œ

Œ

∑ ∑

Œ

Œ

∑

Cs

∑ ∑

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

œ Œ ƒ

œ #œ. F f

∑

∑

j # œ.

∑

r ‰. bœ

≈ b œ f œ ≈ # œ n œ f

Ó ‰. nœ f

Œ r ≈ bœ œ bœ Œ

nœ ƒ Œ

‰ . # rœ œ f div.

Œ

bœ f

Œ œ f œ

f

‰. bœ œ ‰. Œ

r œ bœ F ƒ

unis.

œ bœ R ƒ Ó

1.

œ b œ œ >œ

F

3

∑

∑

Pno.

?

Ó

Ó

à2

n # œœ œœ œœ # œ > f

∑

∑

&

Œ & bœ œ œ œ ƒ poss. r B ‰. œ bœ bœ f œ œ bœ ? ‰ f ƒ

∑

ƒ

ƒ

F sub.

3

Œ

∑

Cel.

(pizz.)

‰ # œœ .. F

Ó

œ P

bœ. > ƒ cantabile

‰

∑

∑

∑

& bœ œ œ ƒ poss.

Œ

2.

1. solo

F r ‰. . > b œœ b œ b œ n œ # œœ ≈ # œœ

∑

&

&

∑

∑

∑

# œ. ? R ‰.

‰.

∑

∑

∑

Π&

nœ ƒ œ Ó R ƒ ∑

Œ

∑

&

ƒ b œ. # œ. ‰

œ ≈ œJ . R P F

r ≈ bœ œ bœ

∑

∑

6

? ‰

P ‰.

‰.

Ó

∑

ã

ƒ. œ œ. Œ

≈ # œ n œ

Œ

Œ

∑

(Conga Drums)

?

‰.

# œ. R F œ. R F

3

∑

P

‰.

>œœ . ‰ R ƒ

∑

œ ≈ œ œ œ œ Œ R

∑

œ œ bœ

2.

∑

ã

? ‰

r bœ ‰. ƒ

Ó

Œ

∑

b œ œ. ‰ . œ. P f

Œ

∑

Ó

5

Solo Vn.

ƒ

≈ r ‰ . r ≈ bœ œ bœ nœ f ƒ . Œ Œ r‰ œ f

∑

(Mar.)

4

œ #œ ‰

?

?

Tuba

Cb.

≈ # œ # œ ≈

≈

1 2

Bs. Tbn.

Vc.

Œ

∑

Tpt.

Va.

≈

nœ ƒ

?

Hn.

Vn. 2

≈ b œ

Ó

bœ œ œ bœ œ b œ ≈ œ

Cbn.

Vn. 1

‰

b œ. œ P f

Œ

?

Bn.

Tbn.

&

1.

Œ

∑

Œ

∑ ∑

œ œ œ. ≈ F f n # œœ f

Ped.

>œ

p

&

262

Fl.

Ob.

1 2

& ‰

1 2

& ‰

Eng. Hn.

& ‰

1 2

& ‰

Cl.

Bass Cl.

? ‰

Cbn.

1 2

& Ó

3 4

&

1 2

& ‰

3 4

& ‰

Hn.

Tpt.

Tbn.

& ‰ ?

Bn.

1 2

Bs. Tbn. Tuba

1

2

‰.

∑

&

Picc.

# œœ ..

b >œ œ #œ. ≈ œ # œœ œ b œ . ƒ sempre Ó

ƒ # œœ .. ƒ #œ.

? ‰

‰. ‰.

Ó

ƒ #œ. œ.

≈

1.

ƒ #œ.

Ó

ƒ

# >œ

œ #œ œ.

‰.

ƒ sempre

‰.

∑

œ.

ƒ

#œ. n œ.

∑

œœ

œœ

œœ

œ

œ

œœ

œœ

œ

œ

Ó

Œ

# b œœ

bœ œ

‰

1.

‰ Œ

#œ

œ œ œ œ b œ # œ œ # œ n >œ

‰

1.

‰

1.

4.

∑

œ

> œ œ # œ ≈ n œ œ # œ n œ # œ œ b œ n œ n œ ƒ sempre ∑

œ

≈ œ bœ

œ b œ ≈

œ

b œ œ ≈

œ œ # œ ≈ n œ b œ n œ b œ n œ œ b œ n œ b >œ ƒ sempre ∑

œ

≈ œ bœ

f sempre

b œ n œ b œ n œ œ b œ b œ n œ b >œ

œ

> b œ œ ≈ œ œ # œ n œ # œ œ œ b œ n œ n œ f sempre

œ

œ n œ ≈ b œ f sempre

∑ ∑ ∑

∑

∑

∑

∑

ƒ

≈

œ œ œ œ b œ b œN œ b œ b >œ

≈ # œ

œ œ œ ≈ œ œ œ œ œ ≈ œ Œ 5

6

#œ nœ

∑

∑ Œ

œ

œ œ # œ ≈ n œ b œ n œ b œ n œ œ b œ n œ b >œ ƒ sempre

≈ r ‰ œ. f

‰

≈ . J ® Œ ƒ # # -œœj ≈ . - ® Œ J ≈ . ƒ ® Œ # -œ # . ≈ œJ ® Œ ƒ # . ≈ -œJ ® Œ ƒ œ-œ ≈ . J ® Œ ƒ

∑

‰

œœ

≈

ƒ sempre

Œ

œ œ

-œ

∑

∑

n >œ œ b œœ .. b œ œ ƒ œ>œ œœ . nœ n œ. ƒ

œœ # n œœ # œœ ..

Œ

∑

≈ œ # œ œ b œ . F f

ƒ # œ .. Ó œ ƒ œœ œ œ œ œ œ œ œ œ œ Ó ã 5 6 ƒ j œ Œ Ó & ‰ œ ƒ ? ‰

œœ

Œ

F ≈ œœ # œ œ b œ . œ œ b œ. F Ó

ƒ # œœ ..

œ

Ó

≈

ƒ œ.

œ

Ó 2.

optional tacet on Cs

3.

‰.

# >œ R ƒ # >œœ R ƒ >œœ R ƒ >œ R ƒ # >œœ R ƒ >œ R ƒ

41 Ó Ó Ó Ó Ó Ó ∑ ∑ ∑ ∑ ∑

A œ œ ≈

Ó

b >œ œ b œ ≈ R ß # >œœ R ß r œ b >œ ß

Œ ‰.

Œ

Ó

‰.

Œ

Œ

‰.

Œ

Ó

œ bœ œ bœ œ bœ œ œ ƒ

solo

#œ nœ # œ #œ #œ n œ œ œ ƒ solo

∑ ∑

Ped.

& ‰

j # œœ f

Glock.

Perc.

3

4

5

6

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

?

Œ

Ó ∑

Ó

∑

ã &

∑

Ó

Œ

&

∑

Ó

Œ

∑

Ó

Œ

? &

∑

?

∑

&

∑

?

&

∑

&

∑

?

div. arco

Vn. 2

& ‰

div. arco

Va.

B ‰

div. arco

Vc.

? ‰ ? ‰

arco

Cb.

# œœ≤ .. p ≤ . # œœ . p œ≤ . #œ. p œ≤ .

b ≥œ

p

≤ œ≤. œ. # ≥œ .

ƒ P b œ œ≤. œ≤. # ≥œ . unis. ≥ ≈ f ƒ P

f f

>œ œ R Œ ƒ

Vib.

≈

Ó Ó Ó

≥ # >œ œ≤ . œ

ƒ

>≥œœ

div.

Ó Ó

#œ > ƒ sempre

≈ n œ

œ œ ≈ b œ

>œ ƒ sempre

ƒ sempre ≈ >œ

Œ

≈

Œ

Œ

ƒ

b >œ

œ œ

bœ œ

≈

≈

bœ #œ

‰

b œ n œ b œ n œ œ b œ b œ n œ b >œ ≈ A œ œ ≈ b œr ‰ . ƒ

‰

ƒ bœ ‰. R

‰

≈ b œ n œ b œ n œ œ b œ b œ n œ b œ ≈ > Aœ œ ∑

œ œ œ œ b œ # œ œ # œ n >œ

p

> b œ œ ≈ œ œ # œ n œ # œ œ œ b œ n œ n œ ∑

∑ Œ

∑

Œ

Œ Œ Œ Œ

œ

#œ nœ

≈ b œR ‰ . ƒ œ b œ ≈ r ‰. œ œ

œ

f

œ f

‰ bœ f ‰

Cn

œ

œ

œ

Ó

#œ Ó Œ

Ó

∑

Œ

Ó

Œ ∑

œ

#œ nœ

œ

A œ œ ≈ b œr ‰ . ƒ

œ œ œ

≈ b œR ‰ . ƒ

œ # œ ≈ œ #œ

r œ ‰. ƒ

r ≈ n œ ‰ . ƒ

b œ œ ≈ b œr ‰ . ƒ

≥ ‰ bœ f ‰ ‰ ‰ Œ

f

Ó

∑

∑

œ œ œ œ b œ # œ œ # œ n >œ ≤ b œ œ # œ ≈ >œ ≈ P ƒ ≤ unis. b œ n œ b œ n œ œ b œ b œ n œ b >œ ≈ œ œ ≈ b œ ƒ >œ P ≤ œ # œ n œ # œ œ œ b œ n œ n >œ unis. ≈ # œ n œ ≈ œ #œ P ƒ >≤ b œ n œ b œ n œ œ œ b œ n œ b >œ unis. ≈ œ # œ ≈ n œ #œ P ƒ> ≤ œ œ œ œ b œ b œN œ b œ b >œ ≈ ( œ ) œ œ ≈ # œ >œ P ƒ

Ó

œ

∑

Ó

∑ unis.

œ

Œ

∑ f œ œ Ó

∑

Œ

Œ

Large Triangle

Ó

#œ r ≈ œ ≈ n œ ‰ . ƒ

∑

secco

≈ >œ

Œ

>≥ b œœ ‰. R Œ ƒ

œ #œ

Œ

div.

ƒ œ≤ .

≈ ‰

∑ ≈

f

≈ Œ

√> # # œœœ ‰. R Œ ƒ

∑

& Ó

b >œœœ ... œ. J ƒ Ó ‰.

∑

&

(Mar.)

∑

arco

Vn. 1

Œ

b œ n œ b œ n œ œ œ b œ n œ b >œ

ã

œ≤

Ó

≥ œ≤ Ó œ f ≥ # œ≤ Ó œ

f ≤ ≥ œ œ Ó

f

Ó

œœ > ƒ >œ

ƒ # >œ

42 #œ b œ a >œ œ R Œ ≈ ‰ ≈ Œ ∑ & ƒ # œ 1. b œ # >œ n œ 1. nœ œ œ bœ œ bœ bœ œ >œ œ œ b œ solo œ ≈ ≈ ≈ ‰ bœ ‰ &Œ ƒ ƒ solo œ œ ≈ R ‰ Ó ∑ &Œ ƒ solo ≈ œ ≈ b >œ Ó ∑ &Œ ƒ 1. b œ a >œ œ solo # œ œ ≈ R ‰ ≈ ‰ n œ œ œ b œ œ b œ b œ œ ‰ &Œ bœ ƒ ƒ solo >œ . Œ ‰ ∑ R Ó & ƒ >œ b >œ b œ A œ œ b œ œ # œ solo ?Ó B bœ œ œ #œ ‰ ≈ ‰ ƒ ƒ solo > œ œ œ œ œ œ ?Œ œ . ‰ Œ ‰ #œ bœ œ ‰ R ƒ ƒ

266 Picc.

Fl.

1 2

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

Bn.

Cbn.

&

∑

3 4

&

∑

∑

1 2

&

∑

∑

3 4

&

1 2 Hn.

Tpt.

Tbn.

solo

1 2

Bs. Tbn.

Tuba

1

2

3 Perc.

4

5

6

Cel.

Pno.

?

∑

Ó

‰

?

∑

Ó

‰

r ≈ Œ œ ƒ

Œ

®Œ

‰. Œ

®Œ

Œ

®Œ

‰.

®Œ

Œ

®Œ

‰.

®Œ

‰.

®Œ

‰.

#œ ‰ > ƒ #œ 2. solo #œ ‰ >#œ ƒ ∑

Ó

2. solo

Ó

solo

Ó

solo

>œ

(Tub. Ch.)

Ó

‰.

Ó

Glock.

‰.

Ó

(Mar.)

‰.

Ó

Crotales

Œ

Ó

‰.

ã

∑

?

∑

∑

ã

∑

∑

&

∑

∑

&

∑

∑

∑

&

∑

∑

∑

∑

& ≥ &œ ƒ ≥ &œ ƒ ≥ B œ ƒ ≥ ?œ ?

ƒ

?

‰ œj > ƒ

œ

r œ ƒ

Ó

∑

Ó

Œ

Œ

∑

Ó

Œ

∑

Ó

# œœ ƒ r œ ≈ œ # œ #œ ƒ

1.

f

œ >œ ƒ b œ >œ

≈

œ >œ # œ f

Ó

∑ Ó

Œ

Ó

Ó

Œ

∑

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

Ó

Œ

∑

∑

Ó

Œ

∑

∑

Ó

Œ

∑

∑

∑

b >œ bœ ƒ

>œ œ

ƒ √> #œ b œ & #œ ƒ

Ó

Œ

Œ

ƒ

bright and brittle

∑

∑

Ó

Œ

div.

‰ Œ

Ó

∑

∑

∑

Ó

Œ

div.

‰ Œ

Ó

Ó

∑

∑

Ó

Œ

œ ‰ Œ

Ó

Ó

∑

∑

Ó

Œ

∑

Ó

∑

∑

Ó

Œ

œ

≈ b >œ ≈ >œ f punchy

≈ ƒ b >œ >œ ? œ ≈ œ ≈ ƒ punchy ? ≈ ≈ # # >œœ >œœ > > # œœœ ≈ œœœ ≈ ƒ punchy √> > œ œ # œ ≈ œ ≈

∑

≥ ‰ b œr ≈ Œ b >œ ç ≥ ‰ œr ≈ Œ >œ ç ≥ ‰ œr ≈ Œ > ç

≈

ƒ p >œ >œ # œ ≈ œ

∑

div.

>œ

≈

# œ>œœ ≈ œ>œœ ≈ œ œ ƒ sempre >œ ≈ >œ ≈ P > > n n # œb œœœ ≈ œœœœ ≈

Ó

œ

>œ

≈

&

‰ Œ

œ

>œ

≈

f punchy Œ œœ ≈ œœ ≈ > > f punchy >œ # œ ‰ b œœ ≈ œœ ≈ > > f punchy ƒ

∑

∑

>œ œ ≈

∑ ∑

Œ

≈

# >œœ ‰ . R ƒr œ ‰. >œ ƒ # œ>œ ≈ œ>œ ≈

≈ œ ‰ > œ ƒ ƒ solo œ b >œ ≈ ‰ ≈ œ >œ œ œ> >œ # œ ƒ f ƒ ƒ

#œ > ƒ

∑

∑

∑

≈

solo

∑

Ó

> # >œ ≈ œ # œ # œ solo

ƒ

turn motor on to slow

Ó

≈

∑

Œ

r œ ≈ b œ œ œ f secco œ l.v. r b œ ≈ b œ œ Ó f œ r b œ ≈ # œ # œ ƒ

>œœ

ƒ >œ ≈ >œ

Œ

Œ

≈ # œ œ

>œ >œ ≈

ƒ ƒ ƒ b > œ#œ n >œœ 1. ≈ > ≈ # œ œ ‰ œ ≈ b >œ n œ œ > ƒ ƒ f ƒ ƒ > # # œœ ≈ Ó Œ

Ó

bœ

secco

> ≈ # œ œ ‰

∑

∑

‰

œ # >œ

∑

Œ

b >œ

∑

Œ

Ó

œ ≈ b œ n œ œ > f> ƒ

ƒ >œ œ 1. 2. ≈ b œ œ # œœ .. œ # œ > ≈ ≈ ‰ # œ J ≈ ≈ # >œ œ bœ œ bœ nœ œ ƒ >œ > ƒ ƒ ƒ f >œ ≈ f ƒ ∑ Ó Œ ƒ b >œ ≈ ∑ Ó Œ ƒ

∑

&

&Ó

‰.

‰

Œ

∑

∑

‰.

‰

bœ ‰ > œ ƒ

ƒ

Ó

Xylo.

‰.

‰

∑

∑

&

‰.

‰. ‰.

‰

b -œ . ≈ œ # œ J ≈ f ƒ n œ b -œœ . . œ #œ œ œ b œ J ≈ ≈ f ƒ -œ . # ≈ # œ J ≈ œ œ ƒ f Ó nœ

Œ

ƒ ‰.

Vibraphone

‰.

‰.

-

œ # œJ R ƒ r œ -Œ œ œJ R ƒ b œ œJ R ƒ # œ # œJ R ƒ

œ‰

∑

&

f r # œ. Œ œ. fR . 1. b œ R f .œ Œ R f b œ. œ R f rŒ b œ. f n œ. R Œ f b œ. Œ R f

∑

∑

&

œ. R ‰. f

à2 solo

Ó

r ≈ Œ œ ƒ

®Œ

ã

Hrp. 2

Cb.

Ó

‰ œr ≈ Œ bœ ƒ r ‰ b œœ ≈ Œ ƒ

Ó

∑

Vc.

r ‰ œ ≈ Œ bœ ƒ

Ó

&

Va.

?

Ó

œ ? œ œœ ‰ Œ

Hrp. 1

Vn. 2

Ó

Ó

∑

Vn. 1

Ó

∑

&

Solo Vn.

Ó

Ó

œ ≈ . J ƒ œœ . ≈ J ƒ bœ ≈ . b œ J ƒ ≈ . b œj ƒ b n œœ ≈ . J ƒ bœ ≈ . J ƒ #œ ≈ . J ƒ . ≈ œJ ƒ

(div.)

div.

>≥o œ #œ

≈

>≥o œ œ

≈ ƒ punchy >≥œœ >≥œœ ≈ ≈ ƒ punchy ≥ ≥ b œ ≈ œ ≈ >œ >œ ƒ punchy ≥ ≥ œ œ b œ ≈ œ ≈ > > ƒ punchy ≥ ≥ # œ ≈ œ ≈ > > ƒ punchy

271 >œ ≈ >œ

&

Picc.

Fl.

1 2

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

Bn.

>œœ

≈

> > # # œœ ≈ œœ ≈ & >œ ≈ >œ ≈ & >œ >œ ≈ ≈ & >œ ≈ >œ ≈ & > > b œ ≈ œ ? ≈

& Œ

3 4

& Œ

1 2 3 4 1 2

Bs. Tbn.

Tuba

&

&

2

&

3

&

Perc.

4

5

6

Cel.

Pno.

≈

>œœ

# >œ R ‰. > n n œœ

>œ

≈

>œ

# œ>œ ≈ œ>œ

∑

∑

Œ

Ó

∑

∑

1.

Œ

Ó

∑

∑

1.

Œ

Ó

∑

∑

Œ

Ó

∑

∑

Œ

Ó

∑

∑

Œ

Ó

∑

∑

Œ

Ó

∑

∑

∑

∑

∑

2 4

∑

4 4

∑

∑

∑

42

∑

44

Œ

Ó

∑

∑

Œ

Ó

∑

∑

Œ

Ó

∑

∑

Œ

Ó

∑

∑

Œ

Ó

∑

∑

∑

∑

∑

∑

∑

Œ

Ó

∑

∑

œ 42 f 24

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

2 4

Œ

Ó

∑

∑

42

∑

Œ

Ó

∑

∑

Œ

Ó

∑

∑

2 4 œ > ƒ 24 Œ

Œ

Ó

∑

∑

Œ

Ó

∑

∑

∑

∑

∑

∑

∑

∑

>œ 42 ƒ 24

∑

∑

∑

∑

∑

∑

42 Π2 4

œ. nœ. f secco ∑

44

∑

. >≥ >≥ >≥ >≥ >≥ >≥ >≥ ‰ # œœ ≈ œœ ≈ œœ ≈ # œœ ≈ œœ ≈ œœ ≈ œœ ≈ œœ ‰ . R R f ƒ sempre

42

∑

44

≈

≈ ≈

>œ ≈ >œ ≈ >œ ≈ >œ ≈

≈

>œœ

R ‰. > b n œœ R ‰.

≈ Œ

>œ ≈ >œ >œ

≈

>œ

>œ R ‰. > b œœ R ‰. ƒ ( ) r ‰. œ > >œ R ‰.

≈ Œ ≈ Œ

>œ ≈ >œ ≈ Œ >œ ≈ >œ ≈ Œ

r ‰. œ > ƒ

# >œœ ≈ >œœ ≈ >œœ ≈ Œ R P F f r œ ≈ œ ≈ œ ≈ Œ ‰ >œ F>œ >œ P f >œ >œ >œ >œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ Œ ƒ ≈ œœ ≈ œœ ≈ œœ ≈ œœ ≈ Œ > > > > ƒ œ œ œ ≈ œ ≈ œ ≈ œ ≈ œœ ≈ Œ > > > > ƒ ≈ ≈ ≈ ≈ ≈ Œ >œ >œ >œ >œ ƒ ∑

# # œ>œ R ‰.

1.

∑

# œ>œ œ>œ œ>œ œ>œ œ>œ œ>œ & œœ ≈ œœ ≈ œœ ≈ œœ ≈ œœ ≈ œœ ≈ Œ

>œ ≈ >œ >œ ≈ >œ >œ ≈ >œ ≈ ≈ ≈ Œ f b >œœ >œœ >œœ >œœ >œœ >œœ & # œœ ≈ œœ ≈ œœ ≈ œœ ≈ œœ ≈ œœ ≈ Œ f >œ >œ >œ >œ >œ >œ # œ ≈ œ œ ≈ œ œ ≈ œ ≈ ≈ ≈ Œ & &

b >œ >œ >œ >œ >œ >œ ? œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ Œ ?

Hrp. 1

≈ # œ ≈ œ œ ≈ # >œ >œ >œ > > > # œœœ ≈ œœœ œœœ ≈ ≈ &

Hrp. 2

(√)> > > > > > œ œ œ œ œ œ # œ ≈ œ œ ≈ œ œ ≈ œ ≈ ≈ ≈ &

œ >œ > œœœ

?

≈

≈ Œ œ ≈ œ œ> >œ > > œœœ ≈ œœœ ≈ ≈ Œ

>œ R ‰.

r ‰. œ > ƒ

∑

∑

# >œœ ‰ . R r œ ‰. >

∑

?

& &

b œ. n œœœ ‰ . R ƒ secco # >œ œ ‰. R # œ. R ‰. ƒ secco b >œ œ R ‰. ƒ b >œ œ R ‰. ƒ >œ bœ ‰. R

r œ ‰. ƒ >œ r ‰. >œ

∑

?

Œ

Vn. 1

Vn. 2

Va.

Vc.

Cb.

& & &

≥ >œo #œ

≈

≥ >œo œ

>≥œœ >≥œœ ≈

≈ ≈

≥ >œo œ

≈

≥ >œo œ

>≥œœ >≥œœ ≈

≈ ≈

≥ >œo œ

≈

≥ >œo œ

>≥œœ >≥œœ ≈

Ó ≈ Œ ≈ Œ

≥ ≥ ≥ ≥ ≥ ≥ B b œœ ≈ œœ ≈ œœ ≈ œœ ≈ œœ ≈ œœ ≈ Œ > > > > > > ≥ ≥ ≥ ≥ ≥ ≥ ? œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ Œ bœ œ œ œ œ œ > > > > > > ≥ ≥ ≥ ≥ ≥ ≥ ? # œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ Œ > > > > > >

≥ # >œ # œ ‰. R

≥> œ ‰. R >≥œ œ ‰. R unis. ≥r œ ‰. > ≥ r ‰. nœ >

unis.

Œ

Ó

∑

Œ

Ó

∑

Œ

Ó

∑

Œ

Ó

∑

Œ

Ó

∑

. 2 œ ≈ 4 ƒ . 24 œ ≈ 42

>œ ƒ

Bongos

ã ã

>œ

ƒ

>œ

pizz.

Œ

ƒ

42

∑

42

∑

>œ 42 ƒ 42 Œ

42 2 4

44 44

4 4

4.

r 4 b œ. 4 F 44 44 44

∑

œ

œ

# œ 44 44

‰.

r 44 # œ. f 44

∑

44

4 4

Œ

44

œ ƒ œ. œ0 .

44

œ

0

œ J f

4 4

Œ ∑

>œ

44

44

œ

‰

44

44

Π?

44

4 4

∑

unis. pizz.

Ó

4 4

œ œœ ≈ R ‰ p P Œ

42 ‰ .

42 ‰

∑

44

44

∑

unis. pizz.

Ó

∑

∑

>œ 42 J ƒ 24

Ó

pizz.

42

4 # œ. 4 P 44

∑

42

∑ Œ

42

œ. ‰ œ f . ∑

2.

42

∑

pizz.

r œ. ≈ œ. ‰ . f F ∑

f >r . 2 nœ ‰ . 4 ‰ œR ≈ Œ F 24 Œ ‰.

(DsCBflEFsGsA)

Œ

œ. ≈ œ. œ

42

∑

Œ

ƒ

∑

2 4 Œ

Small Triangle

percussive

Solo Vn.

44

Ó

>œ >œ >œ >œ œ ≈ œ ≈ œ ≈ œ ≈ Œ >œ ≈ >œ

42

Œ

>œœ

≈ Œ

‰

F & œœ ≈ œœ F> > ? œ ≈ œ bœ œ > > F ? b œ ≈ œ F> > ?

1

>œœ

≈

>œ >œ ≈

∑

1 2 Hn.

Tbn.

≈

?

Cbn.

Tpt.

&

b >œœ

≈

>œ >œ ≈

43

∑ ∑

b œ 44 44 4 4

44 276

& 44

Picc.

Fl.

1 2

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

& 44 Ó

∑

& 44 Ó & 44

& 44 Œ

≈

. . ≈ # œ œ. n œ ≈ b œ. œ b œ. Œ . ƒ f ∑

4 &4

∑

Œ

3 4

4 &4

∑

Œ

Tpt.

3 4 1 2

Bs. Tbn.

& 44 4 &4 ? 44

∑ r ‰. Œ b œ.

Ó

? 44 ? 44

Tuba

(Bongos)

1

2

3 Perc.

4

5

6

œ. 4 ã 4 ≈ F 4 ã 4 & 44 & 44 & 44 & 44

Cel.

4 &4

Pno.

& 44

Hrp. 1

œ . ≈ Ó p

? 44 #œ

Hrp. 2

& 44 Ó ƒ ? 44 b œ

Solo Vn.

4 &4

Vn. 1

& 44 Œ

B 44 b œ ƒ

Vc.

? 44 Œ

Cb.

?4 4

Œ

‰ # œœ J p

‰

∑

œ œ

f

w

∑

∑

∑

∑

œ b œ œ. œ ˙ . . ‰ . œR œ # œ œ ≈ # œ ‰ œ œ ≈ œ ≈ b œ ƒ sempre

˙˙

à2 solo

˙˙

à2 solo

‰ . œr b œ n œ . œ ≈ # œ ‰ œ œ ≈ b œ œ b œ ≈ œ. b œ œ ˙ . ƒ sempre ∑ ∑

∑

∑

w w w>

solo 1.

f sempre, lyrical

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ œœ œ œ œ ‰ œ œ æ œ œ œ œ œ œ æœ 3 f 3 P

∑

∑

œ ≈ œ Œ @ f

sub.

Œ

‰

∑

‰ œ œ œJ œ . æ π

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ # # œœjœ Ó >

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

≈ # œjœ . >. ƒ

Œ

arco

Œ

arco

Œ

≤ ≈ # œj . π

j ‰ bœ Ó œ > ƒ ∑

≤ ≈ œj . π

˙.

ç

sul G

# œ>œ .. ≈ J ƒ

div.

˙. ∑ ∑ ∑

∑

∑

sul G

≈ b œ œ # œ Œ f ƒ

∑

Snare Dr. – snares on

∑

Œ

Œ

∑

F

œ œ œ œ œ œ œ œ œ œ œ œ. œ ® ® @ ‰ æ ƒ f ƒ

Ó

∑

ã

Ó

œ œ >œ œ . J æ P p

∑

∑

œ. œ. Ó

#œ nœ ≈ œ Œ ƒ

‰ # œœ J p

Œ

≈ œœ œ b œœ Œ Ó œ f . œ ˙ Œ ≈ œ b œ f

∑

∑

& 44 Ó

Ó

w

∑

Œ

#œ œ nœ ƒ

∑

œ. œ ˙ ≈ b œ f

∑

∑

≈ b œ ≈ Œ . œ.

≈

∑

p

∑

Œ

w-

∑

∑ ƒ

‰

∑

1.

∑

∑

? 44 Ó

∑

∑

∑

∑

& 44

∑

‰ #œ œ f r . ‰ bœ Œ >œ f 1.

∑

∑

∑ ƒ F ≈ # œ n œ n œ ≈ b œ Œ œ #œ

?4 4

∑

∑

∑ Œ

Ó

∑

1 2

1 2

∑

Œ

b œ. œ b œ. . f ƒ ∑

∑ Ó

ww

∑

Hn.

Va.

≈ # jœ . -œ . ƒ sempre

? 44

Cbn.

Vn. 2

∑

Œ

& 44

? 44

Bn.

Tbn.

∑

ç

Œ

P

Ó

Ó ∑

∑

∑

Œ

>œ

ƒ

>˙ æ ƒ

unis.

∑

∑

Ó Ó

≤. ≥. œ≤. ‰ . # œR ‰ œ F f ≤ ≤ ≥ unis., arco œ. œ. œ. ‰. R ‰ F f arco

∑

∑

≤ ˙. ˙. π

Œ

‰.

Œ

‰. ∑

œ≤ ˙ R p œ≤ ˙ R p

ƒ ƒ

ã ã

∑ Œ

Ó ∑

œ

non trem.

espr.

Œ

œ æ P F

∑ ∑ ∑

P ƒ

Œ Œ

45 281 # >œ

Picc.

Fl.

1 2

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

?

Cbn.

1 2

&

3 4

&

Hn.

1 2 Tpt.

3 4 1 2

Bs. Tbn.

1

ã

Hrp. 1

Hrp. 2

Solo Vn.

Vn. 2

Va.

Cb.

∑

∑

Œ

Ó

∑

∑

∑

∑

∑

∑

∑

∑

‰

# œ n >œ . # >œ ≈ œ. . R ‰ ƒ sempre

∑

r ≈ ≈ # œ. œ. a >œ

œ

. > ‰ n œ. ≈ œ ≈ # œ R

œ J

‰.

≈ # œ

∑

∑

∑

∑

∑

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

‰

r ≈ ≈ n œ. œ. a >œ

œ

∑

Ó

2 Conga Drums

œ œ œ

r ≈ r ‰ Œ Ó ‰. # œ. n œ. œ. # œ œ b œ. . ƒ sempre . ≈ # œ ≈ ≈ ≈ # œ ≈ œ ≈ Ó . n œ. œ. # œ. œ. # œ. œ # œ. # œ œ. # œ. œ. œ. # œ. . .

Ó

‰ Œ

Ó

≈

œ œ œ.

# >œ >œ ƒ jazzy # >œ

‰

Œ

Ó ∑

&

∑

&

∑

ƒ poss., secco ? ≈ # œ Œ œ. . # >œ

#œ œ

ƒ div., pizz. # œœ & ƒ pizz. œ B ƒ

? nœ ƒ ≥ ≥ ≤ ? #œ # >œ ≈ œ. . ƒ sempre gritty

r ≈ ≈ n œ. œ. a >œ

∑

∑

∑

∑

∑

œ

œœ

f

Ó

Marimba

œ.

œ

?

œ

œ

Œ

∑

∑

Œ

œ.

p

sub.

œ

P

œ

F

∑

‰.

∑ j ‰ œ

nœ r #œ #œ ® #œ # œ œ # œ œ # >œ n >œ ‰ # œ nœ œ f f ƒ

≈ ≈ ≈ ≈ ≈ # œ . n œ œ # œ œ # >œ œ # œ # œ # œ œ # œ œ œ # œ >œ > f > .

Ó f ƒ ‰ r ≈ ‰ j aœ œ. >

‰.

f rŒ œ.

Ó

f r . œ. ‰ Œ

∑

#œ #œ ®#œ œ #œ ƒ

nœ

∑

Ó

Ó

‰

Ó

‰

‰

∑ f r > œ. ≈ # œJ ‰

Œ

∑

∑

∑

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

Ó

‰.

. > ‰ n œ. ≈ œ ≈ # œ R

œ J

arco

‰

≤r ≥ r # œ. n œ. œ. # œ œ ≈ b œ. ‰ ƒ sempre . . Œ

‰.

Œ r . #œ #œ œ ≈ # œ > ƒ

≥ #œ. œ. # œ. œ ≈ œ # œ. œ. ≈ > . . ƒ Ó

‰.

5

> # œ n œ œ # œ œ # >œ n >œ œ ≈ # œ

Œ

≈ b œJ . f ≥> nœ ‰. R

ƒ

œ œ œ ≈ œ

f

Œ

≥j #œ . > ƒ

œ

∑

∑

arco

# >œ J

œœ

Œ

∑

Ó

œ

∑

∑

∑

≈ # œ

2.

∑

œ

P

r # œ # œ ≈ œ. # œ. . . ƒ f

> # œ n œ œ ≈ # œ œ. œ. # œ. œ. . > ƒ ∑

à2

∑

∑

bœ ‰ #œ nœ >

& R ‰. ƒ secco ?

&

œ œ ‰ f

‰

∑

∑

∑

&

?

∑

Ó

∑

& # œœœ >œ f

Œ

∑

‰.

‰

j b >œ œ r .f ‰. ® œKr œ ‰ Œ n œ œ # œ œ œ. # œ. # œ. > n œ . . ƒ œ nœ n œ œ ≈ # >œ ® # œ # œ # œ # œ n œ. œ. # œ. œ. . > œ. # œ. # œ. . ƒ f . # œ. # œ. n œ. # œ ≈ ∑ R ƒ f

r #œ. r # œ. n œ. œ. # œ œ ≈ b œ. ‰ Œ œ. # œ. œ ≈ œ # œ. œ. ≈ > . . ƒ sempre . . ƒ # œ r . ‰ Œ ‰. ‰. œ ≈ # œ # œ Ó >

Small Sus. Cym. – felt mallet

solo œœ‰ ã ≈ ƒ

Ó

1.

∑

∑

Bass Dr.

Ó

nœ œ #œ #œ

Ó

Œ

≈ # œ n œ b œ. ‰ œ. . . # œ. ƒ sempre

pizz.

Vc.

∑

r œ ‰ #œ nœ > ƒ sempre

div., pizz.

Vn. 1

Ó

Ó

(Xylo.)

Pno.

Œ

Œ

ã

Cel.

∑

" ã œr ‰ . ç

3

6

∑

Œ

ã

5

∑

œ. "‰ . R f

2

4

Ó

Œ

# œœ & R ‰. f œ & œR ‰ . f 1. ? œR ‰ . f ? ?

Tuba

Perc.

# >œ & # œR ‰ . ƒ & ‰.

Œ

∑

&

?

Bn.

Tbn.

& R ‰. ƒ # >œ œ & R ‰. ƒ # >œœ ‰ . & R ƒ

≥ œ ‰ Œ #œ f nœ # œ. ® # œ # œ n œ œ # œ œ # œ. n >œ # œ # œ . œ. . . . . . f ƒ . >œ . # œ. # œ. . n œ. # œ. œ. # œ . # œ n œ nœ ≈ ‰ R ƒ f f ƒ ≈ Œ

œ

f b >œ J Œ j œ ƒ # >œ

≤j œ #œ > P œ œ ≈ # >œ ‰

œ R ‰.

Œ

46 285

&

∑

∑

Ó

Œ

1 2

&

∑

∑

‰ Œ

1 2

& Ó

Œ

œ. . >œ f # >œ .

Eng. Hn.

& Œ

Picc.

Fl.

Ob.

Cl.

1 2

Bass Cl.

& ?

Bn.

f

˙

1 2

& Œ

3 4

& Œ

1 2

&

3 4

& Ó

Hn.

Tpt.

1 2

Bs. Tbn. Tuba

1

?

œ #œ ƒ j œ ‰ p

œ J ‰ p ∑ # œœ

Perc.

3

4

P # œœ P

œ

Œ

∑

Œ

∑

Œ

‰ œœr ≈ . F

Cb.

∑

>œ .

‰ Œ

f

Ó

Œ ∑

1.

b˙

F

F

f

p

f

Ó

1.

b˙ ƒ cantabile Ó

˙. ˙.

(no decresc.)

(no decresc.)

˙.

∑

Œ

∑

3

&

∑

.

∑

∑

(no decresc.)

(no decresc.)

(no decresc.)

.

Œ

∑

Œ

∑

. .

∑

Ó

∑

∑

‰ Ó

∑

∑

‰ Œ

bœ ‰ J f

2.

˙.

.

p

espr.

‰ bœ ˙. J f espr. œ œ ˙˙ . œ . œ bœ œ œ f sub. espr. j ˙. Œ ‰ bœ bœ ˙. f espr. ∑ Œ

.

3.

p p p

∑

.

Œ

∑

Œ

∑

Œ

∑

Œ

∑

. . . .

∑

3

3

p

.

∑

.

∑

.

∑

.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

P

œ

Œ

ƒ

∑

∑

Ó

Œ

∑

∑

Ó

Œ

Ó

∑

Ó

Œ

‰ œj ‰ œr ≈ ‰ # œ Œ J > œ ƒ F ƒ # œœ

j j ‰ œ ‰ œr ≈ ‰ œ Œ > ƒ F

b œœ ƒ

Ó

#œ # œœœ

Ó

ƒ

&

∑

∑

&

∑

∑

& Ó B œ

?

.

Œ

∑

?

?

.

œœœœœœœœœœœœ œœœœ

&

?

3

3

.

∑

(no decresc.)

˙.

Œ

∑

˙.

w

.

Optional 30" cadenza for solo violin

∑

ƒ

œœ .. p # œœ ..

Œ

∑

(Conga Drums)

& Œ

Vc.

Œ

˙.

œ œ œ. œ œ ã œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ ® ‰ œ œ œ ≈ œ œ œ œ œ ‰ Œ ≈ œ œ Œ œ œ œ ˙æ > π P f F f 5 p f Very Large Tam Tam l.v. molto ∑ ∑ Ó Œ ‰ j ∑ ã œ P in background ? ∑ ∑ ∑ ∑

Hrp. 2

Va.

œœ

ã

& Ó

Vn. 2

‰ # œœ .. p

∑

5 Tom Toms

Ó

∑ Œ

Ó

Œ

f

∑

∑

Hrp. 1

Vn. 1

Œ

‰ Œ

f b >˙

∑

∑

6

Solo Vn.

f sempre

f

Œ

Œ

∑

ã

Pno.

œœ

?

5

Cel.

> ‰ # œœ ..

Œ

∑

œœ # œœ f œœ # œœ f ∑

solo

2

œœ

∑

?

Cbn.

Tbn.

& ˙

#œ

‰ œœr ≈ ‰ # œœ .. . π f Œ

1.

œ ‰ J ƒ œ bœ ‰ J ƒ b >œ ‰ bœ J ß ‰ œJ ƒ > ßœ ‰ œ J ƒ ‰ œj ƒ œ ‰ J ƒ

œ

≥ ≤ ≤ ‰ œj ‰ œr ≈ ‰ # œ . f F p unis. ≤ ≥ ≤ œ œœ œ ‰ œœ ≈ ‰ œ . R p F f

unis., arco

# œ≥œ

div.

p

Œ

Ó

∑

œ

unis., arco

∑

Œ

Œ

# ≥œ . ƒ

ƒ ∑

Œ

∑

ƒ

œ

Œ

Œ Œ

≥œ . ƒ

≥œ . œ. ƒ b ≥˙

div.

ƒ cantabile Ó

*Optional: Cadenza can start in the final two beats of measure 288.

j bœ b >œ j œœ Ó > ° >j b œ ˙ ‰ bœ ˙ J > ƒ resonant j l.v. ‰ bœ Ó b >œ ƒ resonant # >œ l.v. ‰b œ Ó J ƒ resonant ‰ ƒ ‰

?

≥œ

‰ J ƒ espr. div. ≥ œ bœ ‰ Œ ‰ J ƒ espr. b ≥œ ‰ Œ ‰ œ J ƒ espr. œ div. ≥ œ œ≤ œ b œ œ b œ ‰ Œ

Œ

espr.

˙. ˙. ˙. ˙. ˙. ˙. ˙.

‰ b œj ˙ . ƒ espr.

*

. . .

Ó

∑

Ó

∑

. .

Œ

Œ

∑

&

Œ

Œ

∑

.

?

Optional cadenza*: You may choose to improvise an approximately 33 second (14 bar) cadenza here. It should be in the style and language of the composition and should remain loud, fast, aggressive, percussive, using double-stops, pizzicati, and athletic, punchy materials.

.

∑

∑

p p p p p

.

Œ

∑

Œ

∑

Œ

∑

Œ

∑

Œ

∑

. . . .

290 Picc.

Fl.

1 2

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

Bn.

Cbn.

1 2 Hn.

3 4

Tpt.

1 2 3 4

Tbn.

1 2

Bs. Tbn. Tuba

b >œ

Œ & R ‰. ƒ >œ œ Œ & R ‰. ƒ # >œ Œ & # œ ‰. R ƒ r Œ & œ ‰. > ƒ Œ & r ‰. œœ > ƒ r Œ & œ ‰. > ƒ ? b >œ ‰ . Œ R ƒ r ? ≈ ≈ ‰ b œ ≈ > bœ œ > ƒ r œ Œ & œ ‰. > ƒ r Œ & œ ‰. b >œ ƒ 1. b > œ Œ & R ‰. f r Œ & b œœ ‰ . > f ? Ó ?

1

ã

2

ã

3

ã

Perc.

47

r ‰. b >œ f

Tuba

Œ

(Bongos)

5

6

Cel.

Pno.

&

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

Ó

Ó

Ó

≈ >œ ‰ . œ b œ >œ R ƒ

Ó

bœ œ ƒ

Œ

r Œ & bœ ‰. b >œ ç ? œr ‰ . Œ œ > √> bœ œ Œ & R ‰. ç ƒ jazzy ? (loco) ≈ ≈ ‰ r ≈ b >œ bb œœ Aœ > >

‰

∑

‰.

∑

≈

∑

Œ

≈

‰.

>r b œ b œ b œ ≈ œ > b >œ f ƒ œ.

Œ ∑

œ œ

p sub.

f

b œ. œ. n >œ

F

ƒ

œ œ.

œ

œ

œ

∑

> r bœ œ b œ b œ b œ > ≈ f œ Œ

œ

∑

Œ

b œ œ n >œ

F œœ ƒ

‰.

‰

œ ƒ sempre œ œ ‰ Œ f

Œ

∑

∑

Ó

∑

∑

Ó

∑

∑

Œ

r ≈ Œ b >œ f secco

f ƒ >-œ ≈ ≈ b œ b œ b œ b >œ ≈ b >œ > >œ J f

r r ‰. # œ. b œ. F

‰.

Œ

unis.

∑ Œ

Ó

Œ

Œ

Ó

unis., pizz. 0

‰ Œ

Œ

> . b œ. b œ. b œ b œ ≈ A œ. ≈ ≈ Œ

Ó

1/2 arco 1/2 pizz.

f

ƒ

# œ. ≈ >œ f

‰

Ó

Ó

f

≈ Œ

œ

Œ

F b œ. œ. n >œ

∑

≥ r ‰. Œ œ. f ≤ Œ œ p ƒ

Œ

Tub. Chimes

&

œ œ œ œ Ó p f bœ bœ >œ b œ ≈ R ‰ ≈ >œ b œ n œ œ œ

Ó

Ó

œ

3 Triangles

Œ Œ

f

bœ bœ œ. . b œ. n œ. œ. . œ. ∑ ƒ gritty ≈

Tuba

∑ ‰.

Ó

Bass Tbn.

≥

‰ œ. œ. ƒ ≥ # œ. n œ. œ ≈ . ƒ gritty

(arco) (pizz.)

ƒ bœ

œ

> b œ. ≈ œR ‰ ?

œ. ƒ

œ. ≈ R ‰ ƒ

# œ. Œ

œ œ ‰. ƒ

b >œ œ # >œ

ƒ ≈ r Œ #œ > ƒ Œ

∑

n >œ

Œ

Ó ∑

# œ œ # œ # œ ≈ n œ b œ n œ œ

Œ

nœ

‰

b >œ œ # >œ œ

P

F

∑ ∑ Ó

. # œ. ≈ œ ≈ Œ f

n >œ

f

Œ

b >œ œ # >œ

∑

# œ œ # œ # >œ ≈ n œ b œ n œ

nœ

ƒ b >œ

œ. ‰ ƒ œ.

Ó

œ. . œ. b œ. . #œ # œ ≈ œ. œ. Œ ƒ

Ó ∑

≥ b œ. b œ n œ œ b œ. œ . . . ƒ sempre, gritty .

œ. œ.

‰

# œ. œ. # œ.

n œ.

r # œ. œ. # œ. # œ. ≈ n œ. b œ. n œ. ‰ .

> # œ. œ. # œ

∑

n œ. . œ. # œ. . n œ. b œ. #œ # œ ≈ n œ. Ó

Œ

Ó

n œ.

n œ. b œ.

> > ≈ b œ œ # œ

f

∑

≤ ≥ ≥r bœ bœ ≈ ‰ ≈ r œ œ. . b œ. n œ. œ. . # œ. > ƒ sempre, gritty f arco ≥ >≥œ ≤. b œ. b œ. n œ. œ. b œ. œ b œ ‰ . ≈ R ‰ ≈ œ. ƒ sempre, gritty . . ƒ bœ ‰ nœ Œ Ó ≈ # œ . J ƒ ‰.

j œ ‰ f secco

F

F b œ. . . b œ. > b œ n œ œ. œ. ≈ œ

∑

‰

ƒ . n œ. # œ. œ. # œ. # œ ≈ n œ. b œ. n œ ‰ b œ œ # œ . . > > Ó ≈ n œ ‰ Œ R. f œ œ œœœ œ ≈ R ‰ Œ

œ

∑

‰

n œ.

‰. n œ b œ n œr

∑

2.

unis.

≈ ≈ Œ b b >œœ b >œ ƒ

#œ œ #œ #œ >

∑

Œ

∑

unis.

n >œ

∑

&

div.

‰

∑

∑

?

Ó

∑

∑

≥ >0 B œ ‰. R ƒ ≥ ? b >œœ ‰ . R ƒ

≈ # œr ‰ ≈ b œ n œ # œ b œ œ œ œ > ƒ sempre > ∑

# œ œ # œ # >œ ≈ n œ. b œ. n œ .

Ó

&

Vn. 2

Ó

n >œ

∑

∑

Vn. 1

1.

. . > b œ b œ. n œ. œ. b œ œ. ≈ œ

∑

∑

∑

&

#œ f

> b œ. ≈ œR ‰ R ƒ n œ ≈ Œ

∑

≈ Ó #œ œ #œ #œ nœ bœ > ƒ ∑

∑

(DsCBflEFsGsA)

Solo Vn.

b œ. œ. # œ > f ƒ

n >œ

Ó

∑

? Œ

∑

1.

b œ. œ # œ œ b œ. œ . . . . >œ f

∑

∑

(Xylo.)

≈

Ó

Œ

(Conga Drums)

Hrp. 2

Cb.

Œ

≈ b œr ‰ > f

Œ

Ó

Ó

∑

&

Vc.

r b >œ f

∑

Hrp. 1

Va.

‰.

Œ

r ≈ Ó b >œ ƒ œ œ œ œœ .. œ œ œ œ œ ≈ f ƒ F

? Ó ã

∑

‰

(Mar.)

4

Ó

‰

n œ.

Œ ‰

b >œ œ # >œ ƒ

r ≈ Œ #œ > ƒ

unis., arco

48 294 Picc.

&

∑

Œ

∑

Œ

Fl.

1 2

&

Ob.

1 2

& Ó

2.

Eng. Hn.

&

∑

1 2

&

∑

Cl.

Bass Cl.

Bn.

Cbn.

&

∑

3 4

&

∑

1 2

&

∑

3 4

&

∑

Tpt.

Tbn.

& ≈ b œ œ ≈ œ # œ œ ‰ > œ > ƒ ? r ‰. Œ Ó œ f ? ∑

1 2 Hn.

1 2

Bs. Tbn.

? r ‰. n œ.

Œ

œ

œ

1

ã

2

& Ó

3

ã

f

4

?

5

ã

6

&

Cel.

Pno.

Hrp. 1

(Mar.)

nœ

Vn. 2

∑

j œ F

f

Œ

>œ

&

>œ œ # œ

nœ

nœ

Œ

Glock.

≈ œœ .. J f

Ó ∑

&

‰

‰

‰

œ. # œ. Ó ƒ

>œ

>œ œ # œ

œ. ƒ >œ

nœ

nœ

≈ œr ‰ ≈ > ‰.

rŒ b >œ

≈ œr ‰ . f

Œ

‰.

& Ó ≤ ≥ ≥ ≈ r ‰ . œ. b œ. œ . ƒ

B

Vc.

? œ. b œ. ≈ >œ # œ b >œ ‰ œ n œ. ? œ. ‰ . R f

Œ

(1.)

œ

#œ #œ nœ

œœ

œ

‰.

œ. Œ R f secco

œ

œ œ.

∑

Œ

>œ

>œ œ # œ . ‰

n œ.

n œ.

r œ ≈ > f

Ó

‰.

r bœ Œ > ƒ

nœ

∑

# œ ≈

Œ

≈ r ‰ œ #œ #œ nœ #œ ƒ

j ‰ >œ f

Œ

ƒ

∑

Ó

&

Œ

Crotales

‰

œ Œ R

‰

œ Œ

#œ F ƒ

‰ # œœœ

>œ

j ≈ œ . œ. F

Œ r ‰. œ. f œ œ ≈ œ ‰ F ƒ

Ó

œ. f

# œ. ≈ Œ

Ó

j # œœœ > f

Œ

‰.

œ œ ≈ R ‰

œo ≥œ. ≥ ‰. Œ ‰ #œ R ƒ ƒ sul D ≥ div. ≥ œ. Œ ‰. ‰ œrœ ≈ R . ƒ ƒ ≥ # œ. . . Œ n œ. # œ n œ b œ. # œ. œ. b œ. ƒ # ≥œ. # œ. ≈ Œ Œ œ. ƒ Ó Ó

‰.

r aœ f

aœ R

f

Œ

Ó

œ l.v. œ œ œ Œ f

3 Sus. Finger Cym.

‰

œ b œœ ‰ .

r bœ ‰

Ó

‰

Ó

Œ

œ

œ b n >œœ

‰.

>œ ≈ R ‰ ƒ

‰. Œ

a œ. R f

Œ ‰

. œ. # œœ

ƒ

‰. ‰.

∑

bœ ‰ R

bœ f

> œ œ b œR ‰ . ƒ f

> œœ œ b œR ‰ . bœ ƒ sempre œ ‰ œ bœ œœ b œœ b >œ ≈ œœ b œ

b œ. ‰ R ƒ

> œœ. b œœ. # œ

# œ. Ó R f ∑

Œ

Ó

Œ

Œ

Œ

∑

≈ œR ‰ f

∑ Œ

&

œœ

Ó

∑ ‰

Ó

∑

∑

‰

∑

ã

Œ

œ #œ

∑

Œ

œ bœ Ó F

∑

∑

∑

œ

f

Œ

Ó

f ≈ n œ. ≈ # œ. ≈ Œ

œœ

∑

≈ ‰ .

≈

≤. ≈ œR ‰ Œ f

œ œ # œ # œ ≈

b œ # œ œ b œ Œ œ. Œ > œ œ. b œ. Œ ≈ ≈ J f 2. Ó ≈ j ≈ Œ #œ > f ∑

œœ œ bœ Ó ƒ ∑

rŒ b œ. ƒ

≤ r Ó n œ.

∑

œ œ

∑

Ó

Ó

Ó

Œ

∑

ƒ

à2 œœ b œœ b >œ ≈ b œœ b œ

∑

∑

∑ ≥ ‰. rŒ œ. f ≥r ‰ œ ≈ ‰ . .

à2

Ó

Œ

∑

bœ ‰ R

∑

Ó

œœ œ bœ

‰.

∑

Ó

œ ≈ R ‰ Œ

Œ

#œ ≈ R ‰ ƒ

œ b n >œœ

∑

∑

∑

Ó

#œ œ R ƒ sempre

∑

∑

∑

Ó

à2

b >œ ‰ . R f

Œ

∑

∑

Va.

Cb.

œ

Œ

Ó

‰.

Œ

Ó

Œ

rŒ b œ. f œ

Œ

Ó

2.

∑

∑

? Ó

r œ Œ ‰ # œœ ≈ Œ R f f 2. r ‰. Œ Ó bœ f Œ ≈ # œ # œ n œ n œ # œ œ Œ #œ ƒ f 1. r ≈ Œ œ Œ ‰. ‰ œ R f f

≈ ‰ .

∑

∑

ƒ sempre ? œ b œ ≈ >œ # œ b >œ ‰ œ nœ

& ≈

r bœ Œ > f

Ó

>œ œ . R ‰

Ped.

> > ≈ œ # œ œ b œ ‰

&

&

>œ

f

>œ ≈ R ‰ ƒ

≈ œ ƒ #œ #œ nœ #œ #œ nœ bœ #œ œ bœ ≈ ≈ n œ œ b œ ≈ #œ œ ƒ sempre Ó ∑

Ó ‰.

œ #œ

n >œ ‰ R ƒ

‰.

∑

‰.

ƒ

ƒ ? ≈ œ b œ ≈ ‰ œ bœ

Solo Vn.

Ó

≈ œr ‰ Œ . f

‰

&

Hrp. 2

ƒ

Ó

>œ >œ œ ≈ # œ #œ

œœ

(Xylo.)

? Œ

Vn. 1

œ bœ

ƒ >œ œ

Ó

(Tub. Ch.)

Perc.

≈

Ó

∑

(Bongos)

1.

b œ ≈ Ó

1.

1. ? ≈ œ b œ ≈ >œ # œ b >œ ‰ œ f gritty

?

Tuba

‰ œr ≈ Œ f

≈

>œ

Ó

≤ ≥ ≤ ≈ n œ. œ. b œ ‰ . . ƒ

Œ

‰.

‰. ‰.

unis.

# œ≤ R p

n œ≤ œ n ≥œ # œ≤ ≈ œ œ R

div.

œ ≈ # œJ ≈ Œ ƒ

div.

œ

>≥œ R Œ f œ # >≥œ Œ

unis.

Πunis. pizz.

œ f

f

b >œ

pizz.

Œ ‰

b œ≤ R Œ f

>≥œ n œ

ƒ

≥ ≈ r ‰ œ. # œ. # œ. n œ. # œ > ƒ Œ ≈ b œ . J ƒ

ƒ

Œ ‰ Œ Œ

≥œ. . #œ

ƒ

49 298

1

&

∑

2

&

∑

1 2

& œ ≈ b œœ ≈ ‰ >

Fl.

Ob.

Eng. Hn.

Cl.

1 2

Bass Cl.

à2

b œ n >œœ

&

∑

&

∑

& ‰ ?

bœ œ œ bœ ƒ

‰

˙˙ .. >˙ .

Œ

2. 1.

˙.

ƒ

ƒ sempre b >w Ó

∑

Œ

f

Ó

Œ

Œ

Œ

Œ

Œ

œ ≈ # œ ≈ ‰ . > > ƒ > à2 œ ˙ R ‰. f

Œ

˙˙ ..

# >œ

Œ

p

∑

F

‰

Œ

Ó

1.

‰ ∑

∑

∑

∑

&

∑

∑

∑

&

∑

∑

∑

1 2

&

∑

3 4

&

∑

Tpt.

1 2

Bs. Tbn. Tuba

1

2

3 Perc.

4

5

6

Cel.

Pno.

Hrp. 1

?

Ó

st. mute

∑

Œ

1.

f b w> Œ

˙. > f

? ‰

œ ‰ Ó bœ œ #œ f ƒ œ œ œ œ œ œ œ ≈ R ‰ ‰ f F ƒ

Bass Tbn.

ã

& œ # œœ f secco

Œ

Ó

&

∑

ã

∑

‰

> ? œ ≈ # œœ ≈ Œ

& œ ≈ # œœ ≈ ‰ > ? & œ ƒ

Hrp. 2

& ‰

Solo Vn.

&

Vn. 1

& Ó

#œ > j œ > f

‰

°

Ó ‰

# >œ

‰

. >œ B n œ ≈ ≈ Œ

≤ b ≥œ. œ. f

≥ ‰ bœ œ #œ œ ƒ

>œœ

l.v.

Œ

‰. Ó

>œœ≤ œœ R p

>≥ ‰ b œR ≈ Œ f Ó ∑

∑

∑

∑

∑

∑

Œ ∑

#œ

Ó

f

bœ

Vib.

œ

F

bœ >

>˙

b >œ

>˙ f

f

b >œ

l.v.

ƒ # >œ ƒ

Ó

ƒ

# >œ

Ó

Ó

˙˙ ..

# >œ

p

≥ # >œ

Œ

sul D

p

ƒ espr.

∑ ∑

ã

*

Œ

˙.

Claves

Œ

ƒ

Œ

∑

Ó

œ

b >œ >œ b œ bœ ‰ Œ f # >œ n >œ œ #œ ‰ Œ f ∑

œ æ

œ @J

‰

Œ

Ó

œ J F

Œ

Ó

œ bœ œ ‰

Œ

Ó

œ œ ‰

Œ

œ œ œ œ Œ ƒ

‰

F

∑

Ped.

r œ aœ œ f

œ

ƒ

∑

∑

∑

œœ. R Œ P secco

‰.

∑ ‰

‰

>œ œ J F

‰

>œ œ J F

‰

>œ œ J f

Œ

>œ œ J f

Œ

œ

cantabile

œ Œ

‰. ‰. œ

pizz. 0

Ó

f

#œ

≥œ œ R J ‰ ƒ sempre ≥œ œ R J ‰ ƒ sempre

B

∑

Œ ∑

ƒ

> >œ œœ œ ‰ > >œ œœ œ ‰

ƒ

∑ ‰

œ≤ R ≈

‰

‰

œ≤ ≈ R

‰

. ≤. # œ. œ. œ œ ≈ ‰. R ƒ . ≥ . bœ ‰ b œ. œ. n œ. œ ≈ ƒ arco

Œ ∑

∑ # œ≤ ≥œ œ œ

>œ œœ .. œ

‰ Œ

∑

œœ. R Œ P secco ∑

‰.

œ #œ Œ

∑

-œ

‰ Ó

∑

Œ

∑

ƒ ∑

œ œ bœ œ

‰ œ œ œ œ ƒ

œ

Œ

cantabile

∑

#œ #œ

∑ Œ

*

œ f

Œ

# œ≤ ≥œ œ œ

˙.

∑

∑

∑

‰.

œ #œ F

∑

ƒ espr. ≥ # >œ ˙.

>˙≤ .

&

∑ unis.

≤ # >˙ .

Marimba

∑

∑

˙. nœ œ œ bœ œ J ‰ Œ

œ œ bœ œ

œ. œ ≈ R

Ó

∑

Ó

∑

Œ

Œ

>œ b œ œ ≈ Œ w

∑

∑

Ó Œ

Œ

œ

œ # >œ b œ #b œœ œ n œ œ œ #œ œ ƒ sempre

œ œœ R p P

‰.

Œ

Œ

l.v.

ƒ

∑

>œ

Œ

Œ

l.v.

w

∑

∑

# >œ #œ >

∑

Œ

Œ

∑

Œ

f

Ped.

F

œ

∑

ƒ sempre

ƒ œ ≈ # œ ≈ ‰ . œr a œ ‰ œ œ# œ ƒ ƒ œ ≈ # œ ≈ ‰ . œr a œ ‰ œ œ# œ œœ œœ ƒ ‰. ‰ R J ‰

∑

∑

div., arco

0

?

∑

bœ J

˙. ˙.

optional tacet, and no octave substitution

Œ Ó

# >œ œ œ œ

∑

∑

∑

& Œ

? ‰

r œœ Œ f

n >œœ œœ b œ œœ ‰ > ‰ b >œ Œ ° n >œœ œœ b œ >œœ ‰ > bœ

Œ

ƒ sempre cantabile

Œ Ó

˙.

∑

∑

&

œ F

Œ

Ped.

‰.

& Ó

& Œ

Œ

# >œ

solo

r œ œ œ

>œ J ƒ

∑

∑

?

3 4

Cb.

˙.

∑

∑

Hn.

Vc.

˙.

ƒ ww

n >œœ œœ

Ó

# >œ

Œ

∑

1 2

Va.

b >œ J ‰ >œ ‰ Œ J ƒ b >w

˙.

∑

Cbn.

Vn. 2

‰ b >œ à2

w

∑

Bn.

Tbn.

>œ œ R ƒ

‰.

& Ó

Picc.

≥œ

‰ Œ

≥œ

‰ Œ

Ó

. œ. b œ ‰

‰ Œ

‰ ∑

>≥œ œ . ≥

œ. œ > ≥ >œ # >œ n >œ R ‰ . ƒ ≥ >œ . >œ # >œ R ‰ ƒ

50 303

& Ó

Picc.

1 Fl.

2

& Œ

‰

& Œ

‰

1 2

&

Eng. Hn.

&

Ob.

Cl.

1 2

&

œ.

œ J p bœ J p

œ œ

‰

Ó ∑

œ.

(1.)

‰

Œ

p

1 2

&

∑

j ‰ œ f

3 4

&

∑

1 2

&

>œ bœ J

œ œ

&

∑

1 2

?

∑

?

∑

2

& Œ

(Tub. Ch.)

(Ped.)

3

&

4

&

5

Perc.

6

Cel.

Pno.

Hrp. 1

‰

bœ J F

Ped.

≈ b œ b œ b œ

≈ j bœ . ƒ

Œ

∑ Ó

∑

∑

∑

&

∑

&

∑

‰.

∑ ∑

& Ó

Hrp. 2

& Œ

Solo Vn.

&

Œ ‰

œ #œ J f

Œ

#œ

Ó

F œ

Œ

F

. # >œ # >œ # œ œ ƒ

. & œ

œ≤ J

‰ ∑

œ . # >œ ƒ secco

∑ œ.

∑

‰ Œ

# ≥œ

œ

n ≥œ

˙

B

∑

?

∑

Œ

# >œœ

(pizz.)

œ f

Œ

bœ f

≈ j bœ . ƒ

Œ

Œ

Œ

2.

# >œœ ƒ

Œ

> # # œœœ

≈

œ œ œ œ

Œ

f

bœ ƒ

œ œ

Ó

œ

Œ

‰

‰.

Ó

‰

Ó

Œ

Ó

‰ F bœ ≈ œ n œ ≈ R ‰ .

Œ

r œ ƒ œ œ œ ≈ ‰.

œ œ œ

f

b >œ ƒ

‰.

œ bœ

b >œ

f

Ó

Œ

ƒ

Œ

b >œ œ

œ ƒ

l.v.

ƒ

∑

˙˙ .. æ

ƒ

trem. slow to fast

œ f

r œ ƒ >

ƒ >œ

b œ. ≈ œ. # œ.

Ó

Ó

œœ œ

˙˙ .. æ

pizz.

1.

œ œ ≈ œ

trem. slow to fast

≤ ≥ ≈ ≈ Œ œ b >œ f

>r œœ R >

2.

ã

∑

&

p

Œ

‰.

f gritty œœ f p sub. r F b œ. r ‰ . ‰. b œ. >œ Œ ‰ R ≈ f Bass Tbn. Œ ‰ œr ≈ > f

Ó

œ œ œ œ

# ww≤

Œ

∑

∑

∑

≤ ≈ # ww p ≤ ≈ b œ b œ

r ≈ n >œ f r ‰ œ ≈ > f

sempre

∑

div.

arco

‰

Ó

Ó . b œ. œ . ≈ œ Œ f Tuba Œ r ‰. b œ. f œ œ œœ œ ‰ ‰.

∑

Œ

‰

r # n œœ > ƒ

‰.

≈ œ. œ. ≈ Œ f

Ó

œ œ œ ‰. R p

ƒ

∑

div.

∑ ?

Œ

∑

œ ..

Ó

Œ

∑

‰.

ƒ >œ

>œ

#œ ≈ œ # œ ≈ R ‰ . ƒ

j bœ ƒ

>b œ œ ≈ n œ

∑

# >œ œ. ≈ R F ƒ b >œ

pizz.

Œ

∑ > #œ # œœ > n œ #œ ≈ œ n œ œ œ ≈ # œ œ ≈ b >œ b œ œ

# # >œœ œ. ≈ R ‰ . R

espr.

∑

‰

Ó

Ó r ‰. œ œ. f œ œ œ ‰. ‰. R p

Œ

2 Conga Drums

espr.

B

≈ œ. b œ. ≈ Œ

f

2.

r ‰. œ#œ nœ bœ ƒ r œ # œ # œ # œ ‰. ƒ Œ

‰

∑

œ ..

˙

Œ

Œ

∑ œ

b œ≤ J

Ó

p

> # n œœ

f

bœ

Œ

˙˙ ..

f

œ #œ ‰ #œ #œ . r ≈ # # œœ ‰ . R œ F ƒ F f

œ

# >œ œ

Ó

∑

œ

∑

∑

?

&

‰.

˙. æ

∑

# ww

Œ

‰

flz.

Œ œ f j œ ‰ œ bœ nœ f œ 1. #œ œ ≈ # œ œ œ ≈ ƒ ∑

œ

∑

Ped.

ã

&

b œ. b œ. . bœ f

∑

∑

?

≈

œ œ R

‰.

Œ

f

Xylo.

Œ Œ

(st. mute)

b œ. ‰ . R F

1.

≈ œR ‰ f

nœ

≈ b œ ≈ Œ œ ƒ >

Œ

∑

Œ

# >œ ‰ R ≈ Œ ƒ

∑

∑

(Mar.)

ƒ

∑

w w

∑

(Bongos)

ã

# >œ nœ

Œ

espr.

3 4

1

f

∑

Œ

Ó

˙. ˙.

1.

∑

Bs. Tbn. Tuba

Cb.

w

Ó

ƒ

∑

?

Tpt.

Vc.

#œ

˙. æ

ƒ #w w

∑

Ó

œ. œ.

# >œ ‰ R ≈ Œ ƒ w

∑

∑

Hn.

Va.

2.

Œ

?

Cbn.

Vn. 2

f

‰.

Œ

w ƒ

. # œ # œ œJ ≈ Ó ƒ f

∑

Bn.

Vn. 1

f

w

&

Bass Cl.

Tbn.

#œ p

Œ

b >œ æ ƒ b >œ

flz.

flz.

Ó

≈

Œ

‰

bœ f

bœ nœ Œ ƒ

arco

≤

Œ œ. œ b œ. . ƒ ≤ r Œ œ # œ # œ # œ ‰. ƒ Œ b >œ ƒ

‰. Œ Ó

≥r œ > ƒ

unis.

‰.

ƒ ≤ b œ ≥j R bœ ƒ ‰

≥r œ> ƒ

unis.

‰.

‰

≥r œ>œ ≈ ƒ

div.

51 307

&

Picc.

1

&

2

&

Fl.

Ob.

1 2

Eng. Hn.

Cl.

1 2

&

w

Ó

‰

˙

ƒ œ b >œ .

˙

J

˙

( ƒ)

w

w

w w

w w

˙ ˙

w

w

˙

. . # œ. # œ. ≈ ≈ œ b œ. œ. b œ. n œœ n œ ≈ # œ. œ. . . n œ. œ œ # œ œ œ # œ. œ. œ. n œ. œ. # >œ . # œ n œ # œ #œ nœ n œ œ bœ œ œ œ n œ œ œ #œ œ œ. & œœ œ # œ # œ œ œbœ . . .

‰. ‰.

˙

solo

Ó

solo

Ó

Ó

1. solo

b >œ œ R > œ œ

œ J œ J

≈ Œ

‰

Œ

‰

Œ

f P whimsical, playful

#œ nœ > œ œ . Œ f P whimsical, Ó

#œ nœ Œ > œ œ . f P whimsical,

∑

∑

∑

?

∑

∑

∑

∑

1 2

&

∑

3 4

&

&

3 4

. . . œ #œ & œœ œ≈ ≈œ ## œœ œ # œ . . . . . w & w

1 2

?

Bs. Tbn. Tuba

œ

∑

. . . . œ ‰ # œ b œ œ # œœ nn œœ œ ≈ . . . . .

?

b œ œ œ œ n œ. œ. œ. # œ. œ. >œ . ƒ sempre ∑

1.

∑

∑

∑ œ

œ

œ

œ

˙˙

ƒ

Ó

œ

œ

≈ œJ .

ã

2

&

3

㠌

4

œ b œ œ ≈ œ n œ bœ b œ œ œ œ n œ œ œ # œ œ >œ ‰ b œ b œ n œ œ & ≈ œ œ # œ œ # œ œ œ bœ

œ œ #œ œ nœ #œ.

ã

Crotales

5

6

&

œ œ œœ ‰

Snare Dr. – snares on

Perc.

Cel.

œ

F œœ

f

∑ Ó

œ

Œ

œ

∑

œ. ≈ . . œ ≈ ≈ # œ œ # œ. # œ. n œ. #œ nœ n œ. . . œ. b œ. . œ ? ∑ &

œ

œœœœ ‰

œ

f

ã

Ó

f

Ó

∑

œ œ œ œ # œ. œ œ. # œ œ. # >œ . . . ∑

Large Triangle

‰.

Ó

‰.

&

∑

∑

&

∑

∑

∑

&

∑

∑

∑

& œ œ . ≤ B ≈ œ. ƒ ? ?

œ œ œ œ # œ. œ. œ. # œ. œ. # >œ .

. œ. œ . # œ. œ. b œ ≈ œ. n œ. b œ . b œ œ œ œ n œ. œ œ # œ œ. . œ. b œ. . . . . . œ œ . # œ. œ. b œ b œ œ œ œ n œ. œ. ≈ œ. n œ œ. b œ. b œ. œ. # œ. œ.

∑ ‰.

Ó

œ bœ nœ œ

œ œ œ œ œ R f

solo

. > œ. # œ. œ œ . b œ b œ n œ œ b >œ œ . œ. # œ. œ >œ . b œ b œ n œ œ b œ œ n œ. œ. b œ. n œ . b >œ .

∑

∑

∑

∑

Ó

&

∑

‰.

(div.)

≥r œ œ # >œ œ ƒ

Ó

ƒ

Ó Ó ∑

Ó

Ó ∑

œœ J

.  iss   g l  

> >œ . b œ œ

Œ

œ >œ ‰ Œ ƒ œ >œ ‰ Œ

œ

ƒ

‰

Œ

∑

Ó

∑ l.v.

Œ

Œ

Ó ∑

Ó

œ b œ b œ. œ. n œ œ . n >œ . œ œ # œ. œ. n œ # œ .

‰

∑

solo

>œ œ

Ó

∑

œœ R Œ ƒ

r  #œ > F

Œ

∑

œ J

∑

Hrp. 1

. . ≤. ≥œ. # œ. # œ. n œ. œ ≈ # œ. n œ. . . n œ. œ # œ œ bœ & œ ≈ ≈

# >œ œ R ƒ

Ó

∑

‰

∑

r ‰ . b œœ Œ > F (Xylo.) # >œ Œ œ b œ b œ œ n œ œ . n >œ . f ƒ b >œœ œœ œ b œ b œ. œ. n œ. œ . n >œ . œ bœ nœ œ &

playful

∑

œ œ J

œ œ œ œ œ R f> >œ . b œ Œ

∑

Solo Vn.

1.

Ó

&

Hrp. 2

‰.

‰.

Pno.

(DCsBlEfFGAf)

Ó

∑ œ. ≈ œJ .

≈ Œ

> ‰ . ## œœ œœ R >j ƒ≈ œœ b œœ # b œœ. œœ. n n œœ # œœ .. n œœ . . a œ Œ > >

1

∑

>œ . J

Ó

. . . ≈ n œ œ n œ œ œ œ # œ. œ. œ. # œ. œ. # >œ . œ b œ n œ œ bœ b œ b œ œ œ œ n œ œ œ # œ œ œ . b œ b œ n œ n œœ œ bœ . . . . ƒ ww

∑

œœ

œ bœ nœ b œ œ n œ. œ. b œ. n œ . œ

playful

(1.) solo

∑

Tpt.

Cb.

Œ

?

1 2

Vc.

‰

# >œ ‰ . Œ R f # >œ n œ. œ œ Œ f P whimsical, playful # >œ n œ. Œ œ œ

∑

Hn.

Va.

œ J

Œ

∑

Cbn.

Vn. 2

>œ œ R

‰

∑

Bn.

Vn. 1

œ J

Ó

‰. > . . . œ œ # œœ # b œœ # œ œœ n n œœ # œ .. œœ .. J >

œ œ œ œ bœ nœ #œ œ

>œ œ R

∑

Bass Cl.

Tbn.

&

∑

b >œ .

œ J œ J œ J j œ œ

(arco)

# >œ

œ œ

n œ.

Πf P whimsical, playful

‰

Œ

Ó

‰

Œ

Ó

‰

Œ

Ó

‰

Œ

Ó ∑

52 >œ # œ œ n œ R > . Œ ‰ Œ & œ ç ƒ b œ. ≈ œ. ≈ Œ Ó & P p

311 Picc.

1 Fl.

2

Ob.

1 2

Eng. Hn.

œ. ≈ œ. Œ & ≈ P p

Ó

& ≈ b œ. ≈ œ. Œ P p

Œ Œ

Œ

≈ ∑

&

Ó

bœ œ œ bœ bœ ƒ

>œ . & ≈ b œ ≈ ‰ R Ó . œ. ß P p >œ œ œ #œ #œ œ ‰ . R # >œ &Œ ≈ œ # œ ç ƒ ? ∑ 2.

Cl.

1 2

Bass Cl.

Bn.

?

∑

1 2

&

∑

3 4

&

∑

1 2

&Ó

3 4

&Œ

Cbn.

Hn.

Tpt.

Tbn.

> ≈ œ ≈ Œ f ƒ > b >œ œ ≈ R ‰. ƒ > œ œ ≈ Œ

≈ Œ

≈ >œ ≈ f

ƒ r œ ≈ ≈ ‰

3. & 4. via sord.

Œ

ƒ

Œ

# œ >œ n œ >œ

‰ ‰

≈ ‰ œ # œ ‰ ƒ >œ b œ b >œ œ ≈ ‰1. ‰ œ œ ƒ

f

b >œ œ b œ œ b >œ œ b œ œ >œ # œ œ bœ

n >œ b œ # œ n œ . b œ œ ≈ ≈ œ J >œ b œ # œ œ. œ œ ≈ ≈ œ J œ

ƒ

>œ # œ œ bœ

ƒ

≈ œr ‰ ƒ œ b ≈ œR ‰ ƒ

b œ ≈ b >œ ≈ œ

Ó

∑ à2

∑

à2

∑

∑

∑

∑

∑

1

ã

∑

∑

∑

∑

2

ã

∑

∑

3

ã

∑

∑

4

&Œ

5

&

‰.

(Mar.)

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

‰.

&Œ

(Xylo.)

&

œ œ œ bœ R #œ ≈ b œ œ b œ b œ b œ n œ œ # œr ‰ . œ > ƒ ∑

œ #œ œ nœ R ≈ b œ œ œ b œ b œ # œ # œr ‰ . œ nœ #œ > ƒ

?Œ

ƒ bœ ‰. R

&Œ

‰.

& & ≈

œ n œ ≈ œr ‰ . # œ. . >

∑

En Fs

b œ.

. ≈ œ

P p

Œ ‰.

&Œ

‰.

Va.

B Œ

‰.

Vc.

&Œ

‰.

unis.

B

r ‰. nœ >

Ó œ≤

≥ R œ ƒ œ≤ ≥ R #œ ƒ # œ≤ R # ≥œ ƒ b œ≤ ≥ R œ ƒ

# œ≤ ≥œ n œ≤ ≥ œ≤ œ b œ≤ # œ≤ # ≥œ n œ≤ œ≤ b ≥œ # œ≤ ∑

≥ ≤ ≥ r œ. # œ ‰ . œ. > ≥ ≤ ≥ # œ. n >œ ‰ . # œ. R ≥ ≤ ≥ r n œ. œ ‰. œ. >

Ó

Œ

Glock.

f

∑ Ó

∑

Ó

‰ #œ #œ f

Ó

Œ

ƒ

‰

œ >œ ‰ Fƒ

# œ >œ ƒ # œ >œœ œ ƒ

≈

Œ

Œ

‰

∑

ã

‰

∑

Ó

∑

∑

∑

Ó

‰

∑

> ≈ œ ≈ f Ó

Ó

Ó

Ó

Ó

Ó

Ó

Ó

> b >œ œ

≈

>œ ƒ

ƒ

∑

‰

Œ ƒ secco

‰

∑

ƒ

# ≥œ # >œ

‰

n >œ ≥œ # ≥ ‰ #œ #œ ‰ ƒ ≥œ # œ n ≥œ >œ ‰ ‰ ƒ ≥œ œ div. ‰ œ #œ Œ ƒ ∑

∑ ∑

≈ Ó # ≥œ # œ

≈

ã

∑

> # >œ œ

n b œœ b b œœ .. J

∑

∑

Œ

ƒ

# œœ

∑

Ó

Ó

œœ

Ó

∑

√ > # >œ n œ

n œ b œj . ≈

∑

Ó

∑

∑

œ œ œ >œ

∑

∑

b ≥œ œ œ b œ b œ ≤. # ≥œ. ≤ # >≥œ n œ # œ. ≈ R ‰. ≤ ≥ ≈ b œ œ b œ b œ b œ n œ . ≤ ≥ œ b œ œ ≈ n œ œ n œ. ≤ ≥ ≈ œ # œ œ œ œ # œ.

‰

Ó

r # œ ‰. >

∑

&Œ

?

œ b œ # œ ≈ œ #œ œ œ œ

œ œ œ bœ R #œ ≈ b œ œ b œ b œ b œ n œ œ. . œ. ƒ ‰ . # œR # œ # œ n œ ≈ n œ œ œ b œ œ #œ n œ. # œ. # œ.

&Π&

∑

&

Ó

Ó

Small Triangle

bœ

>œ œ œ œ ≈ # œ Ó bœ œ > ƒ >œ # œ ≈ œ Ó œ bœ œ #œ > ƒ ∑

∑ ∑

≈

∑ ∑

∑

≈ b œR ‰ ƒ

œ

Ó

∑

≈

∑ 1.

∑

b œ ≈ >œ ≈ œ n œ b œ . bœ J

≈

∑

Ó

b >œ >œ ≈ ≈ Œ f ƒ >œ ≈ b >œ ≈ Œ

≈ Œ

3. senza sord.

‰ #œ #œ ƒ

# œ >œ

∑

Œ

à2

≈ ‰ # œ # œ ƒ

>œ

≈ Œ

Œ

Ó

b >œ

ƒ

>œ

?

6

Cb.

Œ

≈

∑

Perc.

Vn. 2

Ó

>œ

∑

1 2

Bs. Tbn. Tuba

Vn. 1

solo

≈ b œœ œœ b œœ bn œœ # œœ œ œ ≈ Œ n œ. # œ. ƒ

4.

?

œ bœ r >œ # œ f ƒ solo >r œœ œ œ # # œœ Œ ‰. œ œ R > f ƒ > œ n œ # >œ ≈ ≈ b œ œ ‰ . R # œ. . œ . f œ solo r #œ Œ ‰. bœ œ > f ƒ ∑ ‰.

Œ

b >œ R ƒ b >œ

‰.

∑

Œ > ‰ . # œR Ó ß

œ Œ ≈ R ‰ ƒ œ solo œ >œ œ R ‰ ‰. ≈ ≈ R œ ƒ f ƒ # œ #œ solo >œ ‰. ≈ Œ œ R f ƒ n œ. # œ. # œ. # >œ ‰ . Ó R

∑ ∑ ∑ ∑ ∑

315

& œ ≈ # œ œ b œ >

Picc.

Fl.

1 2

Ob.

1 2

Eng. Hn.

Cl.

1 2

Bass Cl.

1 2 Hn.

3 4 1 2 Tpt.

3 4

1 2

Bs. Tbn. Tuba

1

≈

& bœ nœ #œ #œ > & Ó

∑ Œ

& Ó

>œ # œ œ bb œœ & b œ ≈ n œ œ R ‰ . ƒ f ƒ (senza sord.) r & b œœ ≈ n # œœ œœ # œœ ‰ . > ƒ f ƒ b œ n >œ 1. ? >œ ≈ # œ œ œ

? ã

ƒ

f

Bass Tbn.

# >œ ƒ

≈

œ #œ œ f

ƒ œ b >œ ƒ

Œ Œ Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ b œrœ ≈ Œ > > > n œ œœ œ ≈ ≈ Œ > > Œ

∑

∑

∑

∑

∑

∑

‰

∑

∑

∑

b >œœ ≈ >œœ >œœ ≈ >œœ >œœ ≈ >œœ ≈ ≈ ≈ Œ Ó

‰

>œ R ≈ Œ >œ

≈ Œ

# >œ ≈ >œ ≈ # >œ ≈ >œ ≈ >œ ≈ >œ ≈ >œ ≈ >œ ≈ Œ ƒ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ b n œœ ≈ Œ # >œ >œ # >œ >œ >œ >œ >œ > ƒ # >œ >œ # >œ >œ >œ >œ >œ >œ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ Œ ƒ

œœ ≈ œœ ≈ œœ ≈ > > > >œ >œ >œ œ ≈ # œ ≈ œ ≈

œœ ≈ > >œ œ ≈

œœ ≈ > >œ œ ≈

∑

Ó

ã

6

ã

>œ " R ‰. ƒ >œ ≈ >œ ≈

Œ

∑

˙. ‰. œ œ æ ƒ

& Ó

>œ ≈ >œ >œ ≈ >œ >œ ≈ # >œ ≈ ≈ ≈ Œ P ƒ #œ œ #œ œ œ œ œ œ Œ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ Œ # >œ >œ # >œ >œ >œ >œ >œ >œ ƒ Œ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ Œ > > > > > > > > ƒ " Œ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ. ≈ Œ p ƒ >œ >œ >œ >œ >œ >œ >œ # >œœ ≈ ≈ ≈ ≈ Œ ≈ ≈ ≈ ≈ Œ ƒ >œ ≈ >œ >œ ≈ >œ >œ ≈ >œ >œ Œ ≈ ≈ ≈ R ‰ . Œ √ >œ >œ >œ >œ >œ >œ >œ # >œœ ≈ ≈ ≈ ≈ Œ ≈ ≈ ≈ ≈ Œ ƒ >œ >œœ b >œœ >œœ >œœ >œœ >œœ (loco) b œ ≈ ≈ ≈ ≈ ≈ ≈ R ‰ . Œ Œ

& Ó

Œ

& Ó

Œ

Ó

Claves

Ó

Large Tam Tam

& Ó ? Ó & Ó

? Ó & Ó & Ó

Vn. 2

& Ó

Va.

B Ó B Ó ? Ó

Œ Œ

>œ >œ >œ >œ >œ >œ >œ # >œ b œ ≈ œ ≈ b œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ ≈ Œ ƒ >œ ≈ >œ

>œ ≈ >œ >œ ≈ ≈ >œ >œ >œ ƒ >œ >œ # œ ≈ œ ≈ # œ ≈ œ ≈ œ ≈ >≥œ >≥œ ≈

≈

≈

>≥œ

ƒ energetic >≥œ >≥œ >≥œ ≈ Œ ≈ ƒ energetic >≥œ ≈ >≥œ >≥œ Œ ≈ ƒ energetic ≥ ≥ ≥ # >œ >œ # >œ Œ & ≈ ≈ ƒ energetic ≥ ≥ ≥ Œ œœ & œœ ≈ œœ ≈ > > > ƒ energetic arco ≥ ≥ ≥ Œ & # œ ≈ œ ≈ # œ > > > ƒ energetic

≈ ≈

>≥œ >≥œ ≈

>≥œ >≥œ ≈

≈ ≈

>œ >œ ≈ R ‰ . Œ >œ >œ # >œ œ ≈ œ ≈ ≈ Œ >≥œ >≥œ ≈

>≥œ >≥œ ≈

≈ ≈

>≥œ >≥œ

*

œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ7œ œ œ œ œ œ œ ‰. œ ‰ . œ ≈ R ‰ œ œ œ œ @ œ ≈ œ ‰ 5 3 P p P p ƒ p ∑ ∑ ∑ rubato

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

*

∑

∑

∑

*

∑

∑

∑

turn Vib. motor on to slow

*

*

Dn Fn

∑

∑

∑

*

∑

∑

∑

≈ Œ

*

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

≥ ≥ ≥ ≥ ≥ ≈ >œ ≈ >œ ≈ >œ ≈ >œ ≈ >œ ≈ Œ ≥ ≥ ≥ ≥ œœ ≈ œœ ≈ œœ ≈ b œœ ≈ Œ > > > > ≥ ≥ ≥r Œ œ> ≈ >œ ≈ >œ ‰ .

*Note: Measures 317-321 should not be conducted.

solo

≈ Œ

≥ ≥ ≥ ≥ ≥ ≈ >œ >œ ≈ >œ >œ ≈ >œ ≈ ≈ ≈ Œ

≥ ≈ œœ ≈ > ≥ ≈ œ ≈ >

*

# >œ R ≈ Œ ƒ

(Bongos)

5

Solo Vn.

∑

à2

& Ó

Hrp. 2

≈

∑

Ó

4

Hrp. 1

>œœ

∑

≈ œ ‰ Œ >nœ

Œ

Pno.

(à2)

œœ ≈ > ƒ >œ > ≈ b œ œ ‰ # œ ≈

& Ó

ã

Small Sus. Cym.

>œ œ ≈

*

∑

b œ ≈ œ ≈ b œ ≈ œ ≈ œ ≈ œ ≈ ‰ > > > > > > ƒ >œ ≈ >œ >œ ≈ >œ >œ ≈ >œ >œ ≈ ≈ ≈ ≈ ƒ ∑

Œ

& Ó

≈

>œ >œ >œ >œ >œ # >œ ≈ ≈ ≈ ≈ ≈ ≈ Œ >œ >œ >œ >œ >œ >œ b œ ≈ œ œ ≈ œ ≈ œ ≈ œ ≈ ≈ Œ

>œ ≈ Œ R ƒ A >œ >œ b >œ >œ >œ >œ >œ >œ ‰ b œ ≈ œ ≈ b œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ ≈ Œ

Œ

3

Cel.

Cb.

≈ œ >nœ

Œ

Perc.

Vc.

œ b >œ

Ó

2

>œ >œ ≈

>œ > ≈ n œ # œ ‰ œ ≈ ƒ >œœ b b œœ n n >œœ b ≈ b œ œ ≈ ≈ ‰ nœ œ & b œœ n # œœ œœ b œ # œ > > ƒ ∑ & bœ > & b œ ≈ n œ œ 1.

?

Cbn.

Vn. 1

b œ n >œ

≈ n >œ ‰ #œ

? Ó

Bn.

Tbn.

b œ n >œ

53

54 Picc.

320

&

∑

∑

Ó

Œ

&

∑

∑

Ó

Œ

∑

∑

Ó

Œ

Fl.

1 2

Ob.

1 2

&

Eng. Hn.

&

∑

∑

Ó

Œ

1 2

&

∑

∑

Ó

Œ

&

∑

∑

Ó

Œ

?

∑

∑

Ó

Œ

∑

∑

Ó

Œ

Cl.

Bass Cl.

Bn.

?

Cbn.

1 2

&

∑

∑

Ó

Œ

3 4

&

∑

∑

Ó

Œ

1 2

&

∑

∑

Ó

Œ

3 4

&

∑

∑

Ó

Œ

1 2

?

∑

∑

Ó

Œ

?

∑

∑

Ó

Œ

Ó

Œ

Ó

Œ

(Glock.)

Ó

Œ

Bass Dr.

Ó

Œ

Crotale

Ó

Œ

Xylo.

Ó

Œ

Hn.

Tpt.

Tbn.

Bs. Tbn. Tuba

œ œ œœ œ œœ œœœœ œ œ ã ‰ @J @ æ 3 3 (Bongos)

1

Œ

ƒ poss.

2

ã

3

&

∑

∑

4

&

∑

∑

ã

5

ã

∑

∑

&

6

ã

∑

∑

&

&

∑

∑

Ó

Œ

&

∑

∑

Ó

Œ

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

Vn. 2

œ æ F ∑

&

∑

?

∑

& & & &

∑ ∑ ∑ ∑

&

∑

Œ

∑

Ó

Œ

∑

Ó

Œ

∑

Ó

∑

* (b œ ) ‰ >

Tub. Chimes

Ó

(DCsBlEFsGAf)

≈ R ‰ ç >œ œ ≈ R ‰ ç > ≈ # œœ ‰ R ç > ≈ # œ ‰ R ç > b œœ ≈ R ‰ ç

Œ

∑

Perc.

Vn. 1

˙ æ ƒ

Ó

b >œ

Œ

b >œ ç ç > ≈ # œR ‰ ç r ‰. #œ > ç r ≈ # œ ‰ # >œ ßr ≈ # œ ‰ # >œ ß >œ ≈ œR ‰ ßr # ≈ # œœ ‰ > ß > # # œœ B ≈ R ‰ ß ß ≈ # œr ‰ > > # œ ‰. R ç >œ >œ ‰ ƒ > ≈ # œœ ‰ R ƒ Ped. r ≈ œœ ‰ > ƒ " r ‰. >œ ç ≈ b >œ ‰ R ƒ b >œ œ ≈ R ‰ ƒ >œ ≈ b œœ ‰ R ç ° √> bœ œ ≈ R ‰ çç ? r ‰. # >œ

r ‰. #œ > ç secco √> nœ ≈ n œR ‰ ç œ. ≈ J ƒ

≥ b œ>œ Ó Œ ≈ R ‰ ç >≥r œ div. Ó Œ ≈ # œœ ‰ R > ç div. >≥ Ó Œ ≈ ## œœ ‰ R ç ≥ (div.) ç r ≈ # œ ‰ Ó Œ > >. ç # œR ‰ ≥ ≥r Ó Œ ( # œ) ‰. œ (the lower Cs # > is preferred) ç div.

∑

Va.

&

∑

∑

B

Vc.

&

∑

∑

?

Cb.

&

∑

∑

?

Spacious U Œ Œ Ó

q = 60–66

U Œ

Œ Ó > 1. solo ˙ . U Œ ƒ U espr. Œ Œ Ó U Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

2. take A. Fl.

w

∑

π

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

U Œ

Œ

Ó

∑

∑

∑

U Œ

Œ

Ó

∑

∑

∑

U Œ

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

U Œ

Œ

Ó

∑

∑

∑

U Œ

Œ

Ó

∑

∑

∑

U Œ

Œ

Ó

∑

∑

∑

U Œ

Œ

Ó

∑

∑

∑

Œ

Ó

∑

∑

∑

U Œ U Œ U Œ U Œ U Œ U Œ U Œ

U Œ U Œ U Œ U Œ

U Œ

U Œ

Uœ

Œ

Ó

Ds Bn Ef Gf Af

Spacious U Œ Œ Ó U Œ

∑

Cn Ef Fn Gf

˙.

*

∑

w F

q = 60–66˙ . Œ

unis.

f

˙.

espr.

Œ

Ó

U Œ

Œ

Ó

U Œ

Œ

U Œ

Œ

Œ

unis.

f

espr.

‰

>>

#œ œ

>œ .

∑

˙

P

w

-œ

˙.

π ˙

˙

non vibrato

p

˙.

floating

π

Œ

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

*Bass Cl.: Play low E b if your instrument has that note; if not, play the B b a sixteenth note later. Do NOT play both notes.

∑

55 327 Picc.

&

∑

∑

∑

∑

Fl.

&

∑

∑

∑

∑

Alto Fl.

&

∑

∑

∑

&Ó

Œ

&

∑

&

∑

&

Ob.

π

P

π

∑

Alto Flute

∑

b w-

π

n ˙.

P

w

p

w

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

∑

B

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

1

ã

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

∑

4

ã

∑

∑

∑

∑

∑

∑

∑

5

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1 2

Bn.

Cbn.

Hn.

Tpt.

1 2

Bs. Tbn. Tuba

Perc.

1.

œ

bowed motor on – slow speed

Vibraphone

π

∑

∑

∑

∑

π

∑

Bass Cl.

Tbn.

w

œ

∑

1 2

Eng. Hn.

Cl.

-œ

#w

∑

Ó

1.

b -˙

w

π

p

∑

∑

∑

∑

∑

∑

∑

π

∑

& Ó

Œ

Cel.

&

∑

Pno.

&

∑

∑

∑

∑

∑

∑

∑

Hrp. 1

&

∑

∑

∑

∑

∑

∑

∑

Hrp. 2

&

∑

∑

∑

∑

∑

∑

∑

6

Solo Vn.

Vn. 1

?

Ped.

P

∑

?

∑

∑

?

& ≈

π

3

w

p

-̇

œ b >œ

w

˙ ˙

π

F warm ‰

&

∑

∑

∑

Va.

B

∑

∑

∑

?

∑

∑

∑

?

∑

∑

∑

Cb.

w

˙.

vibrato norm.

Vn. 2

Vc.

b >œ .

w

P espr.

unis.

b w-≤

π

∑

div.

≤ #˙ π w

π

Œ

∑

∑

∑

≥˙ .

∑ ˙.

∑ œw

p Ó

Œ

P espr.

Œ

w

∑

∑

∑

π

˙˙

∑

∑

∑

w

∑

∑

∑

∑

b ->˙

∑

∑

∑

∑ bœ

∑

∑

∑

∑

œ . # œ. œ œ

∑

∑

∑

∑ œ ..

∑

∑

∑

?

&

p

π

n ˙.

œœ J ‰ Œ π w

P

unis.

&

∑

≤ b˙ p

∑

Ó π

w ∑

56 334

w

∑

∑

Fl.

&

∑

∑

∑

∑

Alto Fl.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1 2

&

Eng. Hn.

&

Cl.

1 2

Bass Cl.

b wp

w

P espr.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ Ó

∑

p

∑

π

∑

∑

bœ ˙ ‰ J π ∑

∑

∑

∑

∑

∑

Ó

Œ

1.

w

p

œ.

∑

π

∑

w p

wπ

∑

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

∑

3 4

&

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

œ ‰ J Ó P

Tpt.

1 2

Bs. Tbn. Tuba

B

∑

∑

Ped.

∑

∑

∑

Ó

∑

∑

∑ ∑

∑

∑

&

(Tub. Ch.)

2

&

(Glock.)

3

4

ã &

(Crotales)

5

∑

∑

&

(Vib.)

∑

∑

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

∑

&

?

∑

?

(DCBlEfFGfAf)

∑

∑

&

∑

∑

(DsCBlEfFGfAf)

∑

?

&

∑

b œ≤ ‰ J P

b ≥˙ .

F espr.

&

Ó

bœ Œ p P

°

Œ

P dolce ∑

o

bœ Œ F dolce ∑

bœ

o

bœ

Œ

Œ

‰

bœ ∑

Marimba

?

o

∑

nœ F

3

Œ

bœ

‰ œJ Œ P

Œ

∑

w

F ‰ œJ Œ ° ‰ n œJ Œ

An

o

‰ nœ Ó J f ∑

En

w

˙

∑ ∑

Va.

B

∑

∑ ˙. ∑

Ó

con sord.

unis. con sord.

Ó

b ˙≤ p b ˙≤ ∑

Œ π

p

b˙

b˙

b ww

div.

Ó

con sord.

Œ

b ˙≤ p

œ P

œ.

œœ ˙˙ J

∑

∑

∑

∑

∑

∑

∑

œ F ∑

Œ

Ó

∑

∑

P œ

∑

Œ

∑

∑

f

œ

ƒ œ

Œ

Ó

∑

F

Œ

o

∑ ‰

w≥ P

sul D

Œ

∑ Ó

∑ Œ

En

Ó ∑

ƒ

nœ n >œ

ƒ

n >œ ˙

ww

ww

˙˙ ..

w

w

div.

ww

ww

w

w

w

div.

∑

∑

∑

∑

∑

?

Ó

˙ ˙ p

( p)

*

∑

∑ nœ

Ó ∑

ww

∑

Œ

∑

œ f œ.

∑

Œ

˙˙

≤ . ‰ œ p

Ó ∑

ww

con sord.

Œ

∑

ww

div.

Ó

∑

espr. 3

Ó π ∑

j ‰ Œ œ F

∑

pizz. (inside piano)

œ ‰ J Ó ∑

∑

Ó

∑

˙

w

∑

∑

Œ

˙ p

softest mallets

‰ j Œ nœ p P

∑

∑

bœ

‰ j Œ œ

∑

∑

∑

mallet

∑

Œ

w p

œ

. >˙ f

Bass Tbn.

∑

3

∑ F bœ

Ó

∑

‰ œ p P

˙ P ∑

π

∑

∑

ΠP

3.

∑

3

Œ

‰ œ. p

∑

‰ œ P

bowed

Ó

w

&

?

p

floating

∑

Œ

∑

Ó

Œ

bœ P

Ped.

Ó

∑

w

Vn. 2

& w P espr.

bœ

∑

Ó

Œ

∑

Ped.

∑ ∑

Ó

(still bowed)

∑

∑

&

Ó

∑

∑

?

&

motor on – slow speed

∑

∑

&

bœ Œ p P

∑

∑

ã

6

Vibraphone

bowed

1

Perc.

Cb.

P

∑

∑

Hn.

Vc.

œ J ‰ Œ π

π 3

?

Cbn.

Vn. 1

& ?

Bn.

Tbn.

&

Œ

w

∑

Ob.

Ó

‰ œ

&

Picc.

w ˙. > f

earthy

∑ Œ

Ó ∑

Œ

Ó

π

Ó œœ J ‰ Œ π π

Œ

œ F

57 342 Picc.

&

∑

∑

∑

Fl.

&

∑

∑

∑

Alto Fl.

&

∑

∑

∑

∑

1 2

&

∑

∑

∑

∑

Eng. Hn.

&

∑

∑

∑

1 2

&

∑

∑ ∑

Ob.

Cl.

Bass Cl.

&

w P

?

p

w p ? w

Bn.

Cbn.

w

π

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

π

∑

&

3 4

&

∑

∑

∑

1 2

&

∑

∑

3 4

&

∑

B

Hn.

Ó

∑

∑

1 2

∑

∑

Œ

˙.

∑

∑

2.

w P

-̇

π

Œ

‰ # œJ π

∑

w

∑

˙

p

j œ ‰ Œ π

w

π

Œ

‰ # œj

1. solo

œ

œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

1

&

∑

∑

∑

∑

∑

∑

∑

2

&

∑

∑

∑

∑

∑

∑

∑

3

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

5

&

∑

∑

∑

∑

∑

∑

∑

6

&

∑

∑

∑

∑

∑

∑

∑

Cel.

&

∑

∑

∑

∑

∑

∑

∑

Pno.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Tpt.

Tbn.

1 2

Bs. Tbn. Tuba

Perc.

4

?

∑

? (

∑

°)

∑

∑

∑

?

Gn Af

∑

∑

&

∑

∑

∑

∑

Hrp. 2

∑

∑

Bf Gn

?

∑

& Œ

‰

∑

∑

≤

j œ ˙ P

w

F

Va.

Vc.

# ≥˙

∑

∑

&

∑

∑

∑

B

w

F

∑

˙

? ˙. ? w

π

Ó

unis.

Ó π

≤

sul C

-̇

π

echo

Œ

∑

w p

w P

w

unis.

# w-≤

p

w

∑

Ó w

F

∑

π

Œ

# ≥œ ..

>j œ œ

dolce

œ. 3

a œ≤ ˙ ≈ R

Œ

∑

œ # -≥œ J ‰

w p

w

œ.

w ˙

w

p

‰ π

Ó

Œ

via sord.

∑

Ó

‰.

unis.

π

Ó ∑

≥ r >œ F

espr.

w ˙

π

r œ f

∑

∑ ˙

‰.

∑

espr.

w

w

Ó

∑

∑

≥ #œ w P espr.

∑

∑

∑

œ œ ≈ œ J 3 P

∑

∑

∑

≈

sul A

∑

*

∑

espr.

∑

∑

∑

sul A

&

unis.

Cb.

Ó

∑

∑

∑

earthy

Vn. 2

∑

∑

&

Vn. 1

∑

∑

Hrp. 1

Solo Vn.

∑

∑

P

œ œ. > F

via sord.

58 349 Picc.

&

∑

∑

Fl.

&

∑

∑

Alto Fl.

& Ó

Œ

1 2

&

∑

Eng. Hn.

&

∑

Ob.

Cl.

1 2

Bass Cl.

Bn.

Cbn.

# -˙ .

π

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

poss.

∑

∑

∑

∑

∑

∑

1. st. mute

∑

∑

∑

∑

∑

∑

∑

∑

∑

# ˙. f

espr.

π

œ œ œ

solo

P

˙.

3 cantabile

œ

∑

∑

Πp

Ó

via sord.

B

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

& œ Œ p P

(Vib., bowed)

Ó

∑

∑

∑

∑

∑

∑

Ped.

?

∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

& œ P

Œ

&

Ped.

? &

(Crotales)

?

œ

Small Triangle

∑

&

ã

Ó

Œ

P

& œ ƒ ?

Œ

‰.

Œ ∑

œ R F

∑

&

#œ œ œ. ‰ J P

n >œ œ œ f

3

∑ ˙

& ˙.

Va.

B w

∑

Ó

∑

π

Œ

‰

F

via sord.

˙

∑ ∑

w

˙

p

π

∑

∑

∑

Ó

∑

∑

∑

?

∑

∑

∑

P

∑

π

œ

Œ

π

œ

#œ

wo

π

p

∑

∑

∑ œ J

n ≥œ .

wo

∑ ˙

P

cantabile

≤ œo

echo

#˙

∑

∑

∑

Œ

∑

∑

∑

sul E

senza sord.

via sord.

?

p

∑

>-̇

w

œ

(bowed)

∑

∑ n˙

Œ

∑

∑

Œ

œ.

Ó

∑

∑

&

?

Ó

∑

∑

&

Cb.

∑

∑

Vn. 2

Vc.

∑

Ó

∑

∑

Pno.

Vn. 1

∑

echo

∑

&

Solo Vn.

∑

∑

p

∑

Cel.

Hrp. 2

∑

π

∑

&

Hrp. 1

Ó π

1.

pass note to the flute

P

∑

?

(Tub. Ch.)

6

œ J ‰ Œ π

˙

∑

∑

∑

5

w

# -˙ .

‰

∑

&

4

∑

Œ

∑

π

∑

3 4

Perc.

w

∑

∑

œ.

∑

&

3

∑

π ∑

∑

˙

∑

∑

2

∑

Ó

˙

p

w

∑

1 2

1

œ ˙

w

∑

∑

&

Bs. Tbn. Tuba

œ.

-

‰ # œJ π

∑

?

3 4

1 2

3

Œ

∑

∑

&

Tpt.

œ œ œ

>œ R ƒ

Ó

∑

∑

&

1 2 Hn.

Tbn.

& Œ

1.

‰.

solo

∑

∑

œ. œ. bœ ˙ ‰. R p F

wo

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

59 356 Picc.

&

∑

Fl.

& Ó

Œ

&

∑

Alto Fl.

‰

-œ

J π

w

∑

w

∑

1 2

&

∑

∑

Œ

Eng. Hn.

&

∑

∑

Ó

&

∑

Ob.

Cl.

1 2

Bass Cl.

Tuba

& Ó

˙

w

w

∑

∑

b˙ π poss.

b w> ƒ sempre

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ ‰ J P F

bowed

Ped.

∑

∑

∑

∑

∑

∑

b w-

π Ó

Œ ∑

ã

˙. æ π

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ œj F ° pizz. (inside piano) œ Œ ‰ J & Ó F ? ∑ ° Œ

œ J P

& Ó

Œ

‰

& Ó

Œ

‰ n œj f

∑

o

œ ‰ ≈ b >œ œ J ∑

senza sord.

∑

?

∑

?

∑

senza sord.

∑

∑

∑

∑

Ó

*

Œ ˙≤

π ∑ ∑

bœ ° ∑ ∑ P

Ó

#œ

ww

div.

œ≤

˙˙

div.

π

Œ

Œ

l.v.

ã

Œ ∑

Œ

w pæ

ã

bœ > f °

Ó

Ó

b >œ

ã

˙æ π ∑

∑ div. b œ>œ

˙˙

ww

˙˙

bw w

w w

w

w

div.

no octave substitutions, please

ƒ

b >œ

ƒ

ƒ ƒ

Ó Ó

unis.

&

unis.

w

∑

p

∑

≈ .

Ó

∑

&

∑

∑

ã

∑

∑

&

∑

∑

∑

∑ Ó

∑

Œ

Ó

∑

≈ . ≈ .

b w>

∑

∑

∑

∑

Ó

∑

∑ >œ b >œ ˙

ƒ >œ b >œ ˙

ƒ >œ b >œ ˙ . ƒ

ƒ sempre

b w> ƒ sempre

&

∑

Œ

Œ

# >œ

unis.

p

œ ˙ J

P w

Œ

œ F

b >œ f

unis.

œ.

Very Large Tamtam

(ord.)

Ó

b -œ

Œ

∑

Ó *

∑

∑

∑

f

∑

∑

∑

Ds Bf Ef Gf

∑

∑

∑

l.v.

∑

∑

ƒ

l.v.

∑

ƒ

ww

b˙ π

∑

∑

∑

>œ b >œ ˙ .

b w> ƒ

f

π

à2

f

∑

w

w

f f

∑

˙˙

Ó

1.

∑

ww

∑

b w>

Large Sus. Cym.

ww

≤ b ˙. π

≈ .

∑

˙.

Œ

∑

Small Sus. Cym.

w

∑

senza sord.

bw p

∑ Ó

Ó

w

F

∑

∑

∑

w ∑

Ó

∑

π

w-≤

∑ F

Ó

ord. (on keyboard)

∑

w

π

Ó

∑

*

bœ p

Large Sizzle Cym.

Œ

∑

w

∑

B

∑

∑

∑

Va.

Ó

∑ 2.

à2

∑

∑

b -œ

Œ

Ó

∑

∑

π

Ó

∑

∑

Œ

Ó

∑

∑

&

∑

à2 st. mute

∑

Vn. 2

∑

1. senza sord.

∑

œo

Ó

∑

∑

&

∑

∑

∑

˙

∑

∑

∑

&

ƒ

p

Ó

∑

∑

Solo Vn.

ƒ

b -œ

Œ ∑

∑

∑

?

ƒ

‰ œJ ˙ p œ ˙ œ. J Œ

Ó

∑

∑

Hrp. 2

ƒ

Ó

∑

∑

Hrp. 1

ƒ

Ó

∑

∑

Pno.

ƒ

∑

∑

∑

& Ó

ƒ

Ó

∑

∑

&

ƒ

∑

∑

Cel.

Cb.

w

b ˙. π

&

6

˙

˙

3

&

p

w

∑

5

˙

w

sneak a breath if needed

∑

Œ

?

p bœ

˙

&

4

Vc.

w

2

Perc.

Vn. 1

Œ

˙

w

∑

Vibraphone

1

Ó

bœ

w

∑

&

?

Œ

˙

Ó

∑

Bs. Tbn.

∑

Ó

˙

w

∑

&

?

Ó

sneak a breath if needed

w

π

F

bœ

˙. p

w

∑

1 2

B

π

w

π ˙

˙

∑

&

1 2

π

∑

w

Œ

3 4

3 4

˙

˙.

∑

∑

&

Tpt.

à2

˙

∑

1 2 Hn.

Ó

∑

?

Cbn.

Tbn.

∑

&

?

Bn.

Ó

à2

∑

∑ bœ

œ.

bœ

w

sub.

w

p

sub.

p

P w w

œ ˙ J

Dreamy and floating q = 64–72 Molto rubato sempre

60 364

& ˙.

Picc.

ƒ

˙.

Fl.

&

Alto Fl.

&

∑

1 2

&

∑

Eng. Hn.

&

Ob.

Cl.

1 2

Bass Cl.

1 2

&

3 4

&

1 2

&

3 4

&

Hn.

Tbn.

˙.

1 2

Bs. Tbn. Tuba

Œ

∑ w>

ƒ

ƒ

b w> ƒ

Ó

œ ∑

˙

f

w

ƒ

w

b >˙

Œ π

w

π

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

π ∑

π

Ó

Ó

˙

Ó

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ƒ

˙.

?

∑

œ

∑

Œ

ΠP

b >˙ .

w

∑

˙.

B œ

w

b ˙. > ƒ

π ∑

∑

˙.

Œ

∑

à2

Œ

Œ

∑

à2

∑

&

?

Cbn.

∑

∑

?

Bn.

Tpt.

&

ƒ

Œ

Ó

ƒ

Œ

∑

Œ

∑

∑

b >œœ

Œ

b -˙˙ ..

π

˙˙ ..

F

∑

π

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

b >œœ

mallets

1

2

3 Perc.

4

∑

&

Vib.

ã

Small Triangle

&

Glock.

ã

∑

∑

Crotales

&

∑

&

∑

&

∑

Hrp. 2

Solo Vn.

? Ó (°)

f

∑

6

Hrp. 1

b >œœ f >œœ

Large & Med. Triangles

&

Pno.

f

∑

5

Cel.

f œ

Ped.

*

&

∑

&

∑

?

∑

&

∑

bowed

œ f ƒ

> b œœ ƒ ° b >œœ f

Ó

Œ Œ

f

o œ

&

ƒo

bœ

Ó

∑

Ó

∑

Large Triangle

Œ

Ó

∑

Œ

Ó

∑

Œ

Ó

∑

∑

∑

ã

Sm. & Med. Triangles œ

Ó

Xylo.

Ó

Œ

Ó

∑

Ó

Œ

Ó

∑

Ó

∑

Ó

∑

&

f >œ

Ped.

P

Œ

Ó

Œ

Ó

Œ

Ó

∑ Ó

Œ

‰

Ó

bœ J Ó p P

bowed

∑

Ped.

œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

b œœ f *°

Œ

∑

Ó

∑

∑

Œ

Œ

Ó

∑

∑

b œœ F

∑

b >œœ ƒ

o

bœ ƒ

o

œ

*

Glock.

&

∑

∑

∑

∑

∑

Ó

Ó

Ó

Œ

Ó

Œ

Œ

œ ƒ

Tub. Chimes

∑ ∑

Ef

∑

∑

Ó

∑

Ó

Ó

Œ f soft mallets Marimba b œ œ Œ Ó & F

Œ

° b >œœ

Ó

b œœ Œ > ƒ (°) b >œœ Œ F

∑ ∑

Œ

Cf

Œ

° b >œœ

∑

ƒ

o

∑

(DsCBflEfFGAf)

Œ

∑

∑

b >œ F

∑

bœ ƒ

o

œ

∑

∑ reminder: grace notes BEFORE the beat

Œ

Ó

Œ

Ó

∑

Œ

Ó

∑

b ˙≤

Ó

π

∑

(DsCfBflEfFGfAf)

œ

≥˙ .

P espr.

∑ solo (a long cantabile phrase)

Œ

>j bœ ‰œ J Ó f ƒ Fs

∑ ∑

œ.

˙

almost as if casting a spell

Vn. 1

Vn. 2

Va.

Vc.

Cb.

& & &

? ?

˙. ˙. ˙. ˙. ˙.

ƒ ƒ ƒ

Œ Œ

div.

Œ

div.

Œ Œ

≥ b ww>

∑

ww

ƒ ≥ b ww> ƒ

Œ

div.

≥ b >˙˙ ..

ww

ƒ

ww ∑

∑

∑

∑

π

ww

cantabile

π

Dreamy and floating q = 64–72 Molto rubato sempre

ww ˙.

(p)

ww

∑

ẇ

p π

Œ

Ó π

*

w

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ π

*

61 372 Picc.

&

∑

∑

∑

∑

∑

∑

∑

Fl.

&

∑

∑

∑

∑

∑

∑

∑

Alto Fl.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

1 2

&

Eng. Hn.

&

1 2

&

Ob.

Cl.

Bass Cl.

?

Bn.

Cbn.

1 2

&

3 4

&

1 2

&

3 4

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Hn.

Tpt.

Tbn.

1 2

Bs. Tbn. Tuba

1

2

3 Perc.

4

5

6

Cel.

Pno.

Hrp. 1

Hrp. 2

Solo Vn.

B

&

Œ

& Ó

∑

&

∑

p

‰. œ R π

# œ # œ .. F

Œ

3 Œ # œ œj Ó p P

‰

Œ #œ ‰ Ó P 3

Ped.

∑

Œ

&

bœ

Ped.

∑

∑

&

Ó

P

#œ J Œ

œ ‰ J Œ P

∑

ã

∑

blend into harp solo

Ó

∑

∑

Small Triangle

∑

∑

j œ

Ó

∑

& ã

Œ

∑ r bœ ‰. Œ f secco

∑

?

∑ ∑

&

?

?

& Ó &

w

#œ

Œ

p

°

bœ b œ b œ .. œ ≈ œ b œ ‰ . b œ Œ Œ R F f Bn Fs An P f ƒ ∑ ∑ l.v. sempre

j bœ f ∑

o

‰ Œ

bœ f

≤ ≤ b >œ œ >-œ≥ . œ # œ ˙ & p P

∑

Œ bœ P

∑

o

p

œ. π

Œ

j ‰ ‰œ Ó p P 3

Ped.

Ó

∑

& Ó

Vib.

Œ

Œ

°

j Œ #œ œ Ó p P ∑

#œ ‰ œj J Œ F

Œ # œ n œj Ó F ∑

>j b >œ ‰ bœ J Œ f

3

Af

Sm. & Med. Triangles

Œ

∑

Œ

∑

Œ

‰

‰

Ó

∑

∑

j Ó œ@ F œ gg œJ Ó F

∑

j œ Ó F f œ J Ó ‰ P F

Ó

Ó ∑

* Ó

∑

*

Gn An

Œ

Œ ∑

∑

∑ Ó

∑

∑

>œ nœ b œ .. n œ ® # œ ® Ó

Ó

f

Dn Cn Gs

∑

∑

∑

π

Œ

œ P

Œ

≥

Œ

˙ > P

>≤j

r n œ .. œ p distant

œ

œ

P œ

, , , , , ,

œ ‰ œJ p

œ

° >j n œ

œ œ. 3

œ J

≥

>j #œ

≤ -≥ œ # ->œ . œ

Œ #œ f ƒ

, ‰ œJ P,

Ó

œ

F

,

œ ‰ J P,

∑

o, ‰ n œJ F,

Œ ∑

˙

˙.

p

F espr.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

, ,

Œ

no longer distant

*Note to conductor: Slight pause between measures 378 and 379. Percussion, harps, piano and celesta ring over into measure 379.

°

∑ Œ

,

,

∑

F

,

,

Œ

∑

&

,

Ó p P

∑

Va.

,

∑

∑

&

,

Ó

∑

Vn. 2

,

Œ

∑

∑

,

∑

like fading bells

∑ œ

Ó

Ó

Œ

∑

>j #œ

,

Sm. & Med. Triangles

mallet

pizz. (inside piano)

∑

˙

&

Ó

∑

∑

,

Ped.

∑

f P

,

∑

ã

Œ

∑

˙≤

f

Ped.

∑

,

∑

Ped.

∑

(bowed)

Ó

,

Marimba

∑

( )

œ

Œ

∑

Dn An

∑

F espr.

‰ ‰ jÓ œ ∑ 3

Ó

≥ # >œ ˙ J

j ‰ bœ Œ P

3

‰

Glock.

bowed

&

&

Cb.

Ó

∑

&

Vn. 1

Vc.

(Ped.)

∑

mallets

*,

Œ

,

, , , , ,

62 379

∑

&

Picc.

&

∑

Alto Fl.

&

∑

Tbn.

Ów

π ∑

∑

ww

&

∑

∑

&

∑

∑

∑ Œ

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

2.

∑ f > 1. ≈ # œ .. ∑

π

∑

w

˙

∑

p

Ó

∑

∑ π ∑

&

3 4

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

≈ œ œœ Œ bœ F ƒ ∑

∑

∑

≈ œ œœ Œ bœ PF b œœ .. ≈ J Œ f

∑

∑

∑

∑

B

&

Ó

Ó

(Vib.) (Ped.)

2

&

∑

3

ã

∑

4

&

∑ (Crotales)

5

&

6

& ‰.

Cel.

Pno.

&

? &

?

Hrp. 2

Solo Vn.

Ó °)

# œ n œœ R PF

& ‰. ?

oo œœ

Œ

&

F

& &

>≥j n œ

#œ

F majestic

&

Œ

&

Œ

&

? ?

Œ

unis. pizz.

unis. pizz.

unis. pizz.

‰.

∑

Ó

Œ

Œ Ó

Ó

Π*

‰ b œJ f

(pizz.)

≈

Ó

Ó Ó

P

#œ R Œ P

Ó

Ó

Œ

3 Triangles

œœ

œ

° bœ

f ƒ

Cs

Œ

Œ

∑

P

Œ

Ds Cs

∑

∑

ƒ

*

Œ n # œœ P

Œ

Es

∑

# # >œœ # œ ≈ PF

π

∑

# ≥œœ f

espr.

Ó

∑

Œ π

Ó

∑

*

∑

Bf Cn En Fs Gf

∑ ∑ ∑

(DCBflEfFsGA)

f

œ.

Ó

œ

Œ

Marimba

Œ ∑

*

∑

≥> œ n œ .. R

Ó

Ó

∑

∑

˙

&

∑

∑

Cn

w

∑

œ ≈ b œœ œ Œ ƒ ∑ °> œœ ord. (on keyboard) J Œ Ó ‰ ƒ ∑ ° >œ # # œœ n œ Ó ≈ Œ f ƒ Fn ∑

∑

Œ # œœ P ˙˙ ..

œ ≈ œ Œ f ƒ

Ped.

Ó

∑

div.

Œ

Glock.

Ó

P espr.

2 soli, div. arco

Ó

∑

∑

oo

≥ œ≤ # œ n œ b œ . ˙

&

Ó

∑

# œœ

Ó

∑

# œœ P secco ∑

Œ n # œœ ƒ

∑ Ó

PF

Ó

Ó

Œ

# # œœ ≈ # œ PF ≈ œ œ

∑

∑

π sub.

P œ

Œ

∑

∑ Œ *

Ó

∑

œ . ≤ # œ >≤ ≥ # œ n œ œ n œ œ # -œ . n œ≤ b œj œ≥ . œo

F

ã

Œ

(DCBlEfFsGsA)

∑

∑

# œœ

Ped.

Sm. & Med. Triangles

Ó

∑

∑

∑ Œ

œœ F

Ó (°)

ã

Œ

∑

mallets

Œ

(

Hrp. 1

# œ œœ R p P

Ó

>œ R ‰. f

1.

∑

1 2

1 2

Ó

Œ

&

(Ped.)

Cb.

#œ. ≈ >J F

ƒ

∑

(Vib.)

Vc.

ww

˙

3 4

Perc.

Va.

Œ

w

Ó π

&

1

Vn. 2

Ó

# # >œœ J ‰ f

˙

1 2

Bs. Tbn. Tuba

Vn. 1

∑

ƒ >œ .

w

∑

?

Hn.

Tpt.

Ó

>œ .

∑

1 2

Cbn.

∑

espr.

∑

> ≈ œR f b >œ ≈ R f ∑

&

Eng. Hn.

Bn.

π

Ó

∑

&

Bass Cl.

˙

∑

∑

1 2

Cl.

>œ ≈ R b œ . f solo

Fl.

Ob.

∑

P

œ

F secco

∑ ∑ Ó

Ó

∑

∑

Œ

Œ

nœ f

o

nœ ƒ

b œ≤ œ # œ œ . œ n œ b œ ≥œ . p

œ≤ J

F

Almost as if your spell-casting started over. A new beginning to the spell in a slightly different color.

∑

∑

∑

∑

∑

∑

∑

∑

Ó

Œ

Solo 1°

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ

pizz.

f

385 Picc.

Fl.

∑

Œ

‰

&

∑

Œ

‰

&

Alto Fl.

Ob.

&

1 2

& Œ

Eng. Hn.

&

1 2

&

Cl.

Bass Cl.

Cbn.

œ

#œ #œ œ ˙

œ

#œ f f

3

Ó ∑ ∑

&

∑

?

Œ

‰

#œ œ J f

Œ π

Œ

U Œ

Œ

Œ

U Œ

π

∑

Ó

∑

Ó

Œ

∑

Ó œ œ

Œ

˙ ˙

U Œ

Œ

Œ π

U Œ U Œ U Œ

Œ

∑

Ó

∑

∑

Ó

Œ

∑

∑

Ó

Œ

∑

∑

Ó

Œ

∑

∑

Ó

Œ

∑

∑

Ó

Œ

U Œ

Œ

U Œ U Œ U Œ

1 2

&

3 4

&

1 2

&

3 4

&

∑

∑

Ó

Œ

?

∑

∑

Ó

Œ

∑

∑

Ó

Œ

U Œ

Œ

U Œ

Œ

U Œ

Hn.

Tbn.

# >œ ‰ . R F

?

Bn.

Tpt.

1.

∑

œ#œ#œ ˙

1 2

Bs. Tbn. Tuba

B

gg # œœ ‰ ggg # œJ ƒ

&

∑

Œ

∑

Ped.

2

ã

Tub. Ch.

&

∑

Œ

Ped.

3

4

& Œ

1

Perc.

5

&

6

&

Cel.

Pno.

& Π?

#œ F

Ó

#œ P

Hrp. 1

Hrp. 2

& Œ

?

&

Œ Œ

∑

‰. Ó

Œ

‰.

∑

?

∑ #œ

Ó ∑

o

bœ F

Œ

∑

∑

&

& Œ

&

∑

Cs

Ó

‰.

‰ # œJ f

Ó

‰ #œ œ ƒ #œ #œ œ #œ ‰ ƒ 3 bowed ‰ # œj ƒ # >œœ Œ R f secco j #œ ‰ gggg # n œœ gg # œ ƒ ∑ ° g # # œœœ # >œœ ‰ gggg # œ R g J f secco ƒ ∑ ° g n b œœ # œœ gggg # # œœ R ‰ gg J f ƒ ∑

Œ

Cs

#œ gg # œ ‰ ggg b œJ ƒ

3

bœ

Ó

Ó

Ó

Œ

Ó

Ó

Œ

Ó

Ó

Œ

Ó

Ó

Œ

Ó

Œ

Ó

Ó

U Œ U Œ U Œ U Œ

P secco

Ó

U Œ U Œ U Œ

Ó Ó Œ

Cn

Ó Ó

bœ

F

*

ã

Ó

ã

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ æ p

nœ U ‰. R Œ f elegant U Œ Œ

Ó

Dn Fn Af

U Œ

∑

Ped.

Ó

∑

∑

&

∑

∑

&

Œ

(Crot.)

Ó

mallet

œ p

Œ

Œ

∑

(DCsBflEfFsGA)

∑

∑

Œ

Œ

Œ

∑

b œœ

F

∑

° b œœ

∑

oo

b œœ f

∑

b œœ f

°

Ó *

Ó

F

∑

∑

∑

Œ b œœ p secco

∑

U Œ

f

Œ Œ

bœ nœ P

b œœ

∑

∑

solo

Œ

Œ

∑

U Œ

Œ

∑

Med. Triangle

U Œ

Œ

∑

∑

U Œ

Œ

∑

∑

U Œ

Œ

∑

œœ Ó p Sm. and Med. j Triangles œ œ Ó p

ã

63

accel.

Small & Large Triangles

U Œ

bœ Œ P secco Œ Œ Œ *

Ó

Ó

∑

Œ

A tempo (q = 72)

Ef

Œ

Ó

b œœ f

∑

Ó *

∑ ∑ Ó ∑ ∑

Cn

∑

slightly faster tempo for these four measures, driving forward to the high F harmonic

Solo Vn.

œ #œ J p

≥ . & #œ

≤. ≈ n œJ ≈

>≥œ # œ .

F

œ

œ #œ. J

-≤ȯ

˙.

p

U Œ

sul E

Vn. 1

& Œ

Vn. 2

&

Va.

&

Vc.

Cb.

Solo 1° (pizz.)

#œ f

Ó ∑

tutti, unis. arco

p

∑

F

Ó

Ó

Œ

Ó

Œ

∑

∑

Ó

Œ

?

∑

∑

Ó

Œ

?

∑

∑

Ó

Œ

U Œ U Œ U Œ U Œ U Œ

>≥ œ

bœ

F

nœ.

b œ≤ œ b œ -≥ nœ

A tempo (q = 72)

œ≤. œ n œ # œ # œ .. J 3 3 f P sub.

≥œ -œ œ f

œ≤ # œ J 3 P

sub.

-œ .. F

œ≤. ≥ R #˙ earthy

accel. ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

64

>œ J ‰ Œ ç ∑

391 Picc.

& Ó

Fl.

&

Alto Fl.

&

1 2

&

Eng. Hn.

&

1 2

&

Ob.

Cl.

Bass Cl.

Cbn.

Tpt.

Tbn.

?

∑

3 4

&

1 2

&

3 4

&

∑

?

∑

B

2

ã

3

& Ó

Œ

Pno.

Hrp. 1

Hrp. 2

U Ó. U Ó. U Ó.

>œ

ƒ

&Π?

&Œ

‰ b œJ f ç secco ∑ ° n >œ nœ b œ ‰ J f ƒ ∑

&

. & œ

‰

>≥ȯ

P f

Vn. 1

&

∑

Vn. 2

&

∑

Va.

&

∑

?

∑

?

∑

Vc.

Cb.

U Ó. Œ

bœ & Œ ‰ J Ó ƒ (Crot.) bowed œ Œ & Ó p F œ Xylo. Ó Œ & ƒ >œ Œ & Œ ‰ b œj Fƒ secco ? ∑ ° >œ

ping!

Solo Vn.

U Ó.

∑

Mar.

Cel.

U Ó.

Ó

Glock.

6

U Ó.

∑

& Œ

5

U Ó.

∑

1

4

U Ó.

∑

(Vib.)

Perc.

U Ó.

∑

&

Bs. Tbn. Tuba

U Ó.

∑

1 2

1 2

U Ó.

∑ ∑

U Ó. U Ó.

∑

&

U Ó. U Ó.

∑

?

Bn.

Hn.

∑

U Ó.

Œ

Œ

U Ó. U Ó. U Ó.

U Œ

∑

U Œ U Œ U Œ U Œ

U Œ U Œ U Œ U Œ U Œ U Œ U Œ

UU ‰ ‰ Œ

∑

UU ‰ ‰ Œ

U Ó.

∑

U Œ

∑

Small Triangle

U Œ

∑

U Π*

U Ó. U Ó. U Ó.

U Œ U Œ

Bn

∑ ∑

≤ ≥ b ≥œ œ n œ . # œ . œ

π

A tempo (q = 72) ∑ ∑ ∑ ∑ ∑

‰

Ó

∑

∑

Ó

Ó

∑

∑

#œ ‰ Œ J f œ J ‰ Œ f ∑

Ó

∑

∑

∑

∑

∑

∑

œ. œ . ‰ R Œ F

U ‰ Œ

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

Ó

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑ ‰ . b œR Œ F

Tub. Chimes

&

Œ

UU ‰ ‰ Œ

Ó

∑

Ó

∑

Ó

∑

Ó

∑

Warning: Soloist is asked to play “molto rubato” here.

U ‰ Œ

Ó

UU ‰ ‰ Œ

Ó

ƒ

UU ‰ ‰ Œ UU ‰ ‰ Œ UU ‰ ‰ Œ

solo œ . ‰ b œR Œ P

oo r

Œ

3

and sempre

≥ œ b >œ

œ

≈ ≈

P p

Œ

œ nœ. Ó f

Ó

Ó

Ped.

œ œœ F

Œ g œœ ggg œ f °

∑

Œ

Ó

Ó

g nœ Œ ggg n œœ F

Ó

Œ

3

-œ≤ .

o

nœ f

#œ œ P

∑

∑

Ó ∑

*

#œ ‰ œj œ œ œ P secco ∑ Ó

Œ

∑ ∑

∑

*

œ p

∑

∑

nœ

∑

Ó

(not rolled)

&

Ó

Ó

Marimba

n œ≤. ≥œ œ # œ #˙

3 playful

‰ œœJ Œ F

∑

Ó

Ped.

En Fs

‰ . b n œœ Œ F

≥ b œ b œ œ b œ≤ b -œ œ

A tempo U U (q = 72) UU ‰ ‰ Œ

Œ

molto rubato (as I know the leaps are awkward)

f p subito

‰ ‰ Œ

g œ Œ ggg œœ F

∑

Ped.

∑

J U‰

Ó

∑

Ó

# >œ≤

f

∑

U ‰ Œ

U >≥o œ

#œ

∑

∑

U ‰ Œ

1.

Ó

Ó

U ‰ Œ

Œ

∑

∑

U ‰ Œ

∑

∑

Ó

U ‰ Œ

Ó

Ó

J F U ‰ ° U >œ œ J ƒ

∑

Bn Gs An

ã

U >œ J f U >œ J f U >œ J f U œ J ƒ

Ó

Ó

UU ‰ ‰ Œ U >œ

∑

U Π*

U Œ

mallet

∑

U Œ

U Œ

UU ‰ ‰ Œ

∑

U Œ

U Œ

UU ‰ ‰ Œ

∑

∑

U Ó.

UU ‰ ‰ Œ

∑

U Œ

F

UU ‰ ‰ Œ

∑

U Œ

U Œ ç

UU ‰ ‰ Œ

∑

U Ó.

U ȯ . ≤

UU ‰ ‰ Œ

∑

U Œ

U Œ

UU ‰ ‰ Œ

∑

∑

Ó

UU ‰ ‰ Œ

∑

∑

Ó

UU ‰ ‰ Œ

∑

Ó

Ó

UU ‰ ‰ Œ

∑

U Œ

U Ó.

UU ‰ ‰ Œ

∑

U Œ

U Œ

UU ‰ ‰ Œ

∑

U Œ

U Ó.

UU ‰ ‰ Œ

∑

∑

U Ó.

UU ‰ ‰ Œ

∑

U Œ

U Ó.

‰ ‰ Œ

∑

U Ó.

U Ó.

A tempo U U (q = 72)

A tempo (q = 72)

Œ

#œ œ

Œ P secco ∑

Ó

#œ œ nœ œ œ ‰ J F f ƒ

Œ

Ó

Ó

Œ

>≥ œ œ . ‰ œœ

o

# œo œ ƒ

>≥ >≤ ≥ b œ -œ

˙≤ .

bœ

f

P majestic 3

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

∑

398 # œ

Fl.

Alto Fl.

Ob.

∑

∑

∑

Ó

U Œ

∑

∑

∑

Ó

U Œ

∑

∑

∑

∑

∑

∑

ƒ Ó

∑

∑

∑

Ó

∑

∑

∑

∑

&

∑

∑

∑

∑

ƒ Ó

?

∑

∑

∑

∑

Ó

∑

∑

∑

∑

Ó

∑

∑

∑

∑

Ó

∑

∑

∑

∑

Ó

∑

∑

∑

∑

Ó

& ‰ J Œ f #œ & ‰ J Œ f

Picc.

1 2

&

& Ó

Eng. Hn.

&

1 2

&

Cl.

Bass Cl.

Cbn.

Tbn.

Œ ∑ # # œœ ..

ƒ

‰

1.

U Œ p U Œ

# >˙

U Œ U Œ U Œ

3 4

&

1 2

&

3 4

&

∑

∑

∑

∑

Ó

?

∑

∑

∑

∑

Ó

∑

∑

∑

∑

Ó

U Œ

∑

∑

∑

# œœ

U Œ

∑

∑

1 2

1

2

3 Perc.

B

secco

&

∑

j & ‰# # œœ Œ # # œœ F ƒ & Ó

Œ

5

& Ó

Œ

6

&

Pno.

Hrp. 1

n >œ J f

#œ. #œ J ‰ Œ & P F

4

Cel.

∑

#œ # œ .. & ‰ # œJ Œ # œ ?

∑

#œ # # œœ .. # œ J Œ & ‰ f F ? ∑ &

Cs

Œ

>œ ‰ J ƒ j ‰ œœ > f n >œ nœ J ƒ

‰

Ó

Œ #œ œ P 3

∑

∑ Œ ∑ Ó

Œ ∑

∑

Ó

Œ

&

∑

∑

&

∑

∑

f

#œ ƒ

∑

Ó

# >œ

# >œ

#˙ 3

f

#œ

œ

F 3

#œ f

3

œ

ƒ Ó ° # >œ ƒ Ó ° # >œ ƒ

Œ

∑

(Tub. Ch.)

Ó

∑

∑ Œ

Ó ∑

Œ

Œ

*

# >œœ

∑

Ó

∑

Ó *

∑

Œ

ƒ

Ó

ƒ

œ > ƒ Ó °

# >œ

ƒ Ó °

# >œœ

∑

∑

∑

Solo Vn.

&

œ≤ .

˙

‰

√> œ Œ ‰ J f >œ tutti, unis. arco Œ ‰ J f

‰

n -≥œ # œ œ

˙≤

F

ƒ

o

?

# >œ ƒ >o œ

U Œ

U Œ

U Œ

U Œ

Œ

U Œ

Œ

U Œ

Œ

U Œ U Œ U Œ

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

Œ

U Œ

Œ

∑

∑

∑

‰

≤ n >œ . ƒ

>≥ . ‰ # œœ . ƒ

˙˙

˙˙≤

U ≥œœ

majestic, as if the final measures of this concerto

∑

∑

∑

Ó

U Œ

∑

∑

∑

∑

Ó

?

∑

∑

∑

∑

Ó

?

∑

∑

∑

∑

Ó

&

∑

Œ

Ó

Va.

Œ

U Œ

∑

& Ó

∑

Œ

∑

Vn. 2

∑

U Œ

∑

& Ó

*

∑

Œ

U Œ

Vn. 1

*

Œ

q = 60–66

Like a coda or afterthought

≥ # ->˙ ƒ

3

Œ

P.D.L.T.

∑

∑

# >œœ Ped.

∑

Ó

U Œ

Œ F ƒ Ped. >œ Œ f

∑

∑ Œ

U Œ

Ó

∑

Œ

U Œ

Ped.

Vib. (mallets)

Ó

U Œ

bowed

Hrp. 2

Cb.

U Œ

&

Bs. Tbn. Tuba

Vc.

U Œ p U Œ

>˙

1 2 Hn.

Tpt.

Œ

F ∑

?

Bn.

>œ ‰ J ç >œ ‰ J ç

65

U Œ U Œ U Œ

Œ p Œ

n ˙≤ π

≥ ‰ œ. F π

q = 60–66

# œ≤

œ . œ # ≥˙

˙.

Œ π

p

poetic

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

Œ

∑

∑

∑

66 406

&

∑

∑

∑

∑

∑

*

Fl.

&

∑

∑

∑

∑

∑

Œ

Alto Fl.

&

∑

∑

∑

∑

∑

1 2

&

Eng. Hn.

&

∑

∑

∑

∑

1 2

&

∑

∑

∑

&

∑

∑

?

∑

Picc.

Ob.

Cl.

Bass Cl.

Cbn.

Tbn.

∑

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

1 2

&

3 4

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Bs. Tbn. Tuba

1

2

3

& &

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

5

6

Cel.

Pno.

Sm. & Med. Triangles

&

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

&

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

Hrp. 2

&

∑

∑

∑

∑

∑

Solo Vn.

&

œ≤ p

œ

≈

b ≥œ œ # œ n -œ œ œ≤ œ F

5

3

one last dramatic sweep upward

>œ≥ ≤ ≥. ≥ -̇≤ œ. > ® bœ œ bœ œnœ 3

# -œ

œ

>≤j ≥> ≥œ b œ œ # œ œ -œ

˙≤

˙

≤ œo . œo .

sul A

‰

F

&

∑

∑

∑

∑

∑

Vn. 2

&

∑

∑

∑

∑

∑

Va.

&

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

Cb.

U ∑ U ∑

U ∑

U ∑

U ∑

U ∑

U ∑

(mallets)

π U w π U w

π U w π

U ∑

U ∑

U ∑ l.v. molto

U w

ƒ

l.v. molto

ƒ

U w

l.v. molto

U w

l.v. molto

U w

l.v. molto

ƒ

U ∑

ƒ

ƒ

U ∑

U ∑ U ∑ U ∑ U ∑ U ∑ U ∑ U ∑

U ∑

U ∑

U ∑

U ∑

U ∑

arco

**(>≥o ) œ * >≥œ J ‰ ‰ J ‰ ç ƒ sul E

ȯ

( )

U ∑

U ∑

U ∑

U ∑

U ∑

≥> full, very fast œ downbow Œ ‰ J Ó ç ≥ full, very fast > œ downbow Œ ‰ J Ó ç ≥ full, very fast > Oœ downbow B Œ ‰ J Ó ç

≤ȯ

.

( )

P

athletic and freely

Vn. 1

Vc.

U ∑

Jab and bounce off A, up to B. It is optional to play the final note as a harmonic (composer slightly prefers a non-harmonic note).

ƒ

3

Œ

U ∑

U ∑

‰ >œ Ó J ƒ poss. >œœ ‰ J Ó ƒ poss.

Œ

U ∑

U ∑

‰ œ Ó J ƒ poss. œ Xylo. Œ ‰ J Ó ƒ poss. >œ Œ ‰ J Ó ç ∑ ° >œ pizz. (inside piano) Œ ‰ J Ó ƒ poss. ∑ ° >œ ord. Œ ‰ J Ó ç >œ Œ ‰ J Ó ç

(Crot.)

∑

Hrp. 1

rubato

ã

∑

Œ Œ

(Glock.)

Perc.

4

ã

U ∑

U ∑

U ∑

>œ ‰ J Ó ƒ poss.

U ∑

U ∑

U ∑

** U w ã æ π U w

U ∑

U ∑

U ∑

∑

∑

ƒ

U ∑

Small Triangle

Small & Large Triangles

ƒ

U ∑

∑

3 4

B

U Ó

U̇

∑

∑

&

1 2

p

∑

1 2 Hn.

Tpt.

Œ

U w-

f U ∑

∑

?

Bn.

>œ ‰ J Ó ß >œ ‰ J Ó ç

∑

∑ ∑

U Œ ç

bright

U ∑

U ∑

U ∑

U ∑

U ∑

U ∑

U ∑

U ∑

U ∑

*Note: It is optional for the entire orchestra to TACET the final three measures, leaving the solo violin to end the concerto as a solo. **Note: In measure 412 the duration of the high B should be “in” and “with” the bow speed, and should not be “counted”. All should tremolo slow to fast in measure 412. The fermata in measure 413 should be long, allowing the reverberation to hang in the air.

U ∑

U ∑

*

*

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