Richard Danielpour
VOICES OF REMEMBRANCE (1998) A Concerto for String Quartet and Orchestra
from the G. Schirmer Rental Library date of printing___________
Associated Music Publishers, Inc. New York, NY
Richard Danielpour
VOICES OF REMEMBRANCE (1998) A Concerto for String Quartet and Orchestra
Commissioned by the National Symphony of Washington, DC, Leonard Slatkin, Music Director, through a grant from the John and June Hechinger Commissioning Fund.
Associated Music Publishers, Inc. New York, NY
Instrumentation rd
3 Flutes (3 doubling Piccolo) 2 Oboes English Horn rd 3 Clarinets in B= (3 doubling Bass Clarinet) rd 3 Bassoons (3 doubling Contrabassoon) 4 Horns in F 2 Offstage Horns (last movement only, Assistant Principal may be used as one of the offstage Horns) 3 Trumpets in C 2 Trombones 1 or 2 Offstage Trombones (last movement only) Bass Trombone Tuba Timpani (1 player) Percussion (6 players, 3 used offstage in last movement) Piano, 9 foot grand (doubling Celesta) Harp Solo String Quartet (on a raised platform) Offstage String Quartet (last movement only) Strings (no less than 16/14/12/10/8) Duration ca. 24’
Program Note Voices of Remembrance was written as a reliquary for three great American leaders, John F. Kennedy, Robert F. Kennedy and Martin Luther King. All three men were assassinated between 1963 and 1968, a period of great social crisis. The official explanations for these murders have never been congruent with the many unanswered and/or unresolved questions that remain today. The feeling that we have never been told the truth about these events in our history was a great motivating force for the composition of this work, and helped to define the inherent quality and tenor of the piece. For many Americans the period framed by those assassinations was a time of hope shattered, of a major turning point in how Americans felt about their government. With the passage of time the power and vision of these three great individuals have proven in many ways stronger than death; much of the way Americans live today has been shaped by their ideas, and their dreams. The string quartet, the solo voices in the work, function as wordless witnesses, remembering the events of the aforementioned period. Richard Danielpour November 22, 1999
to the memory of John F. Kennedy, Robert F. Kennedy, and Martin Luther King
VOICES OF REMEMBRANCE Flute 1,2
Richard Danielpour
Adagio cantabile q = ca. 63
(1998)
Flute 3 (Piccolo)
Oboe 1,2
English Horn in F
Clarinet 1, 2 in Bb
Clarinet 3 in Bb (Bass Clarinet)
Bassoon 1,2
Bassoon 3 (Contrabassoon) Horn 1, 2 in F
Horn 3,4 in F
Trumpet 1,2 in C
Trumpet 3 in C
Trombone 1,2
Bass Trombone
Tuba
Timpani
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
Percussion 6
Piano
Harp
*
Solo Violin I
Solo Violin II
Solo Viola
Solo Violoncello
(in one unbroken arc)
p sempre legato
Violin I
Violoncello
Bass
p sempre legato
Adagio cantabile q = ca. 63
p
*: The solo quartet should be placed on risers.
1/01 version
p
Viola
Violin II
Copyright © 2000 by Associated Music Publishers Inc. (BMI), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
2
10
Fl. 1,2
p
Cl. 1, 2
Bs. Cl.
Bn. 1,2
p
p
pp
p
p
p
p espr. Bn. 3
Hn. 1,2
con sord. p
Hn. 3,4
con sord.
p
2., con sord.
Tbn. 1,2
ppp
Tuba
Timp.
Perc. 5
Pno.
Hp.
Vn. I
Vn. II
Va.
ppp
(ppp)
Bass Drum
ppp
pp
espr.
con sord. 1.,
via sord.
via sord.
espr.
espr.
p
Cb.
pp
ppp
div.
ppp
div.
ppp
p
ppp
pppp poss.
ppp
pppp poss.
espr.
espr.
pp
p
pp
p
p
pp
pp
div.
Contrabassoon
div. a3
1/01 version
div.
Vc.
pp
espr.
(ppp)
pp
p dolce
con sord.
ppp
1. solo
ppp
con sord.
B. Tbn.
p
p
div. a2
p
3
Cl. 1, 2
Hn. 1,2
B. Tbn.
Perc. 1
Hp.
p
senza sord.
π
senza sord.
pp
ppp
Sus. Cym. Hard yarn mallets
pp
pp
Tamtam
pp
p
pp
pp
ppp poss. Bass Drum
ppp poss.
ppp lontano
ppp lontano
unis.
Vc.
ppp lontano
unis.
ppp lontano
ppp lontano
espr.
mp espr.
5
ten.
ten.
mp espr.
ten.
Con rubato (l’istesso tempo)
unis.
p unis.
pp
pp
pp
p unis.
p
pp
p
p
div.
mp
q = 72, slightly faster (poco più mosso)
unis.
p floating
p floating
ppp
senza sord.
pp
p
pp
p floating
1/01 version
Va.
Solo Vc.
Cb.
Vn. II
via sord.
Vn. I
Solo Va.
Solo Vn. II
Solo Vn. I
via sord.
π
π
π
Perc. 5
ppp
Con rubato (l’istesso tempo)
Tbn. 1,2
Timp.
Hn. 3,4
Tuba
(1.)
Bs. Cl.
Bn. 1,2
q = 72, slightly faster (poco più mosso)
18
pp
4
30
Cl. 1, 2
p
Bs. Cl. p Bn. 1,2
Hn. 1,2
p
p
Tpt. 3
Tbn. 1,2
p
Solo Vn. II
Solo Va. Vn. I
Vn. II
Va.
Vc.
Cb. 39
Fl. 1,2
Fl. 3 Bs. Cl.
Tbn. 1,2
B. Tbn.
Tuba
Hp.
Solo Vn. I
Solo Va.
Vn. I
mf
mf
mf
pp
ppp
pp
mf
p
pp
mf
ppp
ppp
ppp
pp
rit. a tempo
ppp
p
mf
ppp
pp
p
pp
pp
p
mf
5
mp dolce cant.
p
mf
mp dolce cant.
pp
1.
mf
p
5
più espr.
mp
n
n
n
n
Flute
mf
p espr.
mf
mf
p espr.
p espr.
f espr.
p espr.
p espr.
p espr.
p espr.
5
mf
mf
mf
[
p
pp
pp
pp
p
pp
pp
pp
mf
3
3
3
pp div.
rit. a tempo
pp
3
3
3
3 3 p pp
p
p
p
p
mf
p espr.
5 più espr.
n
5
Vc.
Va.
1/01 version
Vn. II
Cb.
Solo Vn. II
Solo Vc.
Solo Vn. I
mf
p
p
mf
mf a2, senza sord.
Tpt. 1,2
pizz., vib. sempre
mf div., pizz., vib. sempre
mf pizz., vib. sempre
mf
5
Fl. 1,2
49
Fl. 3
Ob. 1,2
Cl. 1, 2
Hn. 1,2
Timp.
Hp.
Cb.
1/01 version
3
3 3
1.
p a2
3
dim.
3
3
3
p
p
f
3
p
f
3
f
f
6
6
f
f
soli
p
mf cresc.
3
3
3
arco
ppp cresc.
f
p
f
p
f
3
f
f
(f )
6
C#
G#
B§
6
p
6
p
mf
p
mf
p
mf
p
p
f
mf
p
mf
p
mf
p 6
f
6
G§
C§
6
6
C#
G#
C§
fp
fp
fp
fp
6
f
6
arco
6
6 f
[
p
p
f
6
p
f arco
6
div. a2
6
6
p
6
a2 6 2.
1. con sord.
div.
3
dim.
3
f
ff
p
6
ff
f
f
3
mf
3.
ff
p
ppp cresc.
p
ff
ppp cresc.
p
ff
unis.
ff
A# C§
unis.
(don’t drag) div.
ff
f
f
mf cresc.
6
a2 senza sord.
mf cresc.
p
ff
6
1.
f
p soli
a2
soli
3
dim.
a2
f
ff
f
mf cresc.
2.
p
3
f
3
Vc.
p
dim.
6 6
Va.
3
Vn. II
f
Vn. I
p
B. Tbn.
Tbn. 1,2
Tpt. 3
Tpt. 1,2
Tuba
Hn. 3,4
1.
Bn. 1,2
(don’t drag)
Bs. Cl.
Bn. 3
mf
mf
6
p
p
6
6 Fl. 1,2
55
3
p
3
p
f
3
dim.
3
f
3
dim.
3
Fl. 3
Ob. 1,2
E.H.
Cl. 1, 2
Hn. 1,2
p
6
6
6
6
(1.) mf
Tpt. 1,2
Timp.
Hp.
f
2.
(f )
p
mf
G§
6
6
G#
C#
C§
Solo Vc.
Vn. I
fp
fp
6
Va.
f
Vc.
Cb.
1/01 version
(f )
mf
mf
6
p
p
6
to Bassoon
p
p
pp
pp
ppp
pp
ppp
pp 6
6
6
f
G#
6
C#
C§
G§
6
6
G#
C#
6 6 6 6
on the string 6 f on the string 6
6
f
6 on the string 6
6
6
f
6
6 6
6
f
6 6
6
f
6 6 6 6 6 on the string 6
f
p
p
mf
mf 1. via sord.
6
pp
p
G§
6
6
f
Vn. II
6
mf
f Solo Va.
p
f
6
f
f
hard yarn mallets
a2
6
6
pp
6
6
2.
p
6
6
6
f
a2
6
6
p
Solo Vn. I
Solo Vn. II
6
Perc. 1
mf
p
mf
p
mf
p
B. Tbn.
Tuba
mf (1.)
to Piccolo
(3.)
Hn. 3,4
p
mf
f
p
mf
f
(f )
Bn. 3
p
a2
6
6
Bn. 1,2
2.
f
Bs. Cl.
p
p
p
pp
pp div.
pp
mf
p
pp
mf
p
pp
mf
p
7 59
Cl. 1, 2
2.
6
Bs. Cl.
Hn. 3,4
Hp.
Solo Vn. I
f
C§
G#
3
6
3
f espr.
6
6
6
rit.
p dolce
mp
6
4 stands
3 stands
p
q = 63 (tempo I) p
(p )
6
(p )
f
(p )
Vc.
Cb.
q = 63 (tempo I)
6
G§
Solo Va.
Va.
rit.
Solo Vn. II
Solo Vc.
6
6
(f )
Bn. 1,2
1/2 section, pizz. p
sim.
64
Bn. 1,2
Bn. 3 Bn. 3
Hn. 1,2
f cant.
Solo Va.
Solo Vc.
Vn. I
pp
p unis.
div.
p sub.
Vc.
p sub.
Cb.
1/01 version
5 f espr.
meno f
6 f espr.
p
f
mf
mf unis.
p
p
mf
p
mf
mf
p
p
div.
1. solo (with solo cello)
p
3
unis.
div.
unis.
p
f dolce
cresc.
unis.
cresc.
div.
cresc.
f
f dolce
cresc.
f
dolce
p
mf
6
p
p
p
p Bassoon
p sub.
5 f dolce
p
p 5 stands, unis.
Va.
p
3 f dolce
5 stands, unis.
Vn. II
pp
Solo Vn. I Solo Vn. II
cresc.
8 a2
72
Fl. 1,2
ff sub. molto espr.
Cl. 1, 2
ff sub. molto espr.
Piccolo
ff
5
f marc.
f marc.
a2 (1. senza sord.)
3
f
f
f
p sub.
p sub.
Bass Drum
p sub.
f
mf
p sub.
3
f marc.
f marc.
5
5
f marc.
ff
Solo Vn. II
ff
Solo Va.
ff
ff
tutti
ff sub. molto espr.
tutti, div.
Vn. II
ff sub. molto espr.
Va.
tutti
5
5
5
5
5
tutti, non div.
ff ben marc.
ff ben marc.
5
tutti
ff sub. molto espr.
Vc.
1/01 version
B. Tbn.
Cb.
f marc.
Vn. I
Tbn. 1,2
Solo Vc.
Tpt. 3
Solo Vn. I
5
Tpt. 1,2
Perc. 5
Hn. 3,4
Timp.
f marc.
Tuba
ff ben marc.
Hn. 1,2
Bn. 1,2
Bn. 3 Bn. 3
5
Ob. 1,2
5
ff sub. molto espr.
Fl. 3
9 ten.
ten.
ten.
ten.
(a2)
(with solo violins)
76
Fl. 1,2
ff
Picc. Fl. 3
Ob. 1,2
Cl. 1, 2
Bs. Cl.
Bn. 1,2
ff a2 ff a2
ff
Bn. 3 Bn. 3
f
p accomp.
mf
(sotto voce)
to Cbsn.
3
p dolce
3
mf
(p )
p
p
p
mf
mf
(p )
p
Ossia: Hns. 1-2, tacet
ten.
p accomp. (sotto voce)
p sotto voce
p (sotto voce)
mf sub.
Hn. 3,4
f
mf
Hn. 1,2
2.
mf
p
p accomp. (sotto voce)
mf sub.
mp
ppp
mp
ppp
ten.
Tuba
f
f
mf
f
mf
f
ten.
Solo Vn. II
Solo Va.
Solo Vc.
Vn. I
Vn. II
mf
ff
ten.
Vc. non div. Cb. div. a2
1/01 version
3
f espr.
mf
p
p
p accomp.
mf p accomp. 1/2 section, pizz.
p accomp.
f 3
f
espr.
f
3 mf dolce
p
3 mf dolce pizz.
p
p
mf
p
mf
p
mf
p
unis.
mf
p
mf
p
3
pizz. vib., div.
mp pizz.
mp
mf
mf
pizz. vib.
unis.
3
pizz. vib.
pizz. vib.
5 stands, unis. p
p
p
5 stands
3 stands, (div.)
mf
5
5
f espr.
ten. 4 stands, div. ff
ff
Va.
Solo Vn. I
Perc. 5
f
mf
Timp.
mf
B. Tbn.
Tbn. 1,2
ff
Tpt. 3
ff ten.
f
Tpt. 1,2
mf
mf vib.
mf
10
Picc. Fl. 3
Ob. 1,2
Cl. 1, 2
p
f
f
f
p
div. f
div.
div., (pizz.)
f
pp
p
p
p
(don’t drag)
q = 63+
f
p
mf
p unis., arco
p
espr.
f
pp
f
p
pp
f
Vc.
p
pp
move forward
p
Va.
Vn. II
1/01 version
Solo Va.
Cb.
q = 63+
Solo Vn. II
Vn. I
Solo Vn. I
Solo Vc.
f
Hn. 3,4
1, solo
Hn. 1,2
p
Bn. 1,2
pp
(don’t drag)
Bs. Cl.
Fl. 1,2
84
arco
(p) arco
(p) arco (p)
f
( mf )
mp
move forward
f
espr.
11
Fl. 1,2
Picc. Fl. 3
Ob. 1,2
Cl. 1, 2
Bn. 3
Hn. 1,2
cresc.
p
a2
p
p Contrabassoon
p
p
Tpt. 3
Pno.
Solo Vc.
a2
f
pp
f
pp
pp cresc.
a2
pp cresc.
f
6
6
mf
mf
6
6
mf
6
6
p unis., arco
p
f
6
6
f
6
6
cresc.
cresc.
cresc.
cresc.
cresc.
ff
cresc.
ff
6
6
ff
ff
6
6
ff
6
6
ff
6
ff
6
6
6
6
6
6
ff
ff
ff
f
f
ff
6 6
6
f
f div.
f
f
ff
ff
mf
ff
don’t drag (q = 72+)
p
6
6
6
f
f
pp cresc.
f
6
f
pp cresc.
ff
mf
f
p
1/01 version
pp
1.
ff
6
f
6
pp
pp cresc.
p
Cb.
cresc.
to Clarinet in Bb
ff
Vc.
cresc.
Va.
Vn. II
Poco più mosso q = 72
Vn. I
ff
Solo Vn. I
Solo Va.
Solo Vn. II
mf cresc.
B. Tbn.
Tbn. 1,2
Tuba
cresc.
Tpt. 1,2
ff
mf cresc.
Hn. 3,4
mf cresc.
Bn. 1,2
mf cresc.
p
Bs. Cl.
don’t drag (q = 72+)
Poco più mosso q = 72
89
ff
ff
12
93
Fl. 1,2
a2
f
Tpt. 1,2
(a2)
Tbn. 1,2
f
Timp.
f
sf
Va. div. a2
Vc. div. a2
Cb.
sf
f
f
f
mf
ff
ff
f
f
f
ff
ff
2. 1.
mf
f
mf
f
cresc.
1. f cresc.
sff
sff
mf
Tamtam mf
move forward (poco accel.)
mf
ff tutti
tutti
a2
ff div. tutti ff div. tutti ff tutti ff tutti ff tutti mf f mf f ff tutti ff tutti
1/01 version
cresc.
Vn. II div. a2
f
Vn. I div. a2
mf
f 3.
B. Tbn.
1.
Hn. 3,4
sf
f
Hn. 1,2
a2
ff marc.
f
ff marc.
a2
a2
cresc.
a2
Cl. 1, 2
Ob. 1,2
ff marc.
Picc. Fl. 3
Bn. 1,2
a2
move forward (poco accel.)
mf
f
f
mf
mf
f
f
attacca
*Molto agitato q = 144
ff
Picc. Fl. 3
ff
ff
Ob. 1,2 E.H.
ff
Cl. 1, 2
ff Clarinet in Bb
Bs. Cl.Cl. 3
ff
a2 Bn. 1,2 ff Bn. 3 Cbn. ff
Hn. 1,2
Tuba
Timp.
Perc. 1
ff
ff
Tenor Drum
ff Muffled Tom-tom
ff Tamtam
fff
ff π
ff
π
ff
sff
sff
sff
sff
sff
sff
sff
sff
sff
π
f
f
f
sff
π
sff
sff
sff
sff
f
sff
sff
sff
sff
unis.
ff
* In the repeated figure, the dotted eighths should be held for full value.
1/01 version
div.
fff
fff
fff
Cb.
div.
ff
*Molto agitato q = 144
div.
f
ff Bass Drum
sff
sff
ff
Vc.
Va.
Vn. II
Vn. I
Pno.
ff Metal Plate, w/ metal hammer
Perc. 5
Perc. 3
Perc. 2
sff
ff
B. Tbn.
sff
ff
Tbn. 1,2
sff
ff
Tpt. 3
sff
ff
Tpt. 1,2
ff
Hn. 3,4
13
97
Fl. 1,2
II.
sff
sff
sff
14
Tpt. 1,2
Tpt. 3
102
Fl. 1,2
Picc. Fl. 3
Ob. 1,2
E.H.
Cl. 1, 2
Bs. Cl.Cl. 3
Bn. 1,2
Bn. 3 Cbn.
Hn. 1,2
Hn. 3,4
Tbn. 1,2
B. Tbn.
Tuba Timp.
Perc. 5
Pno.
f
f
f
f
f
a2
f
ff
a2
f
ff
f
ff
ff
ff
ff
a2 ff
ff
ff
ff
f
f
f f
ff
ff
ff ff
ff ff
ff
f
sff
Solo Vc.
f
Solo Va.
f
f
Vn. II
Va.
Vc.
1/01 version
f
Solo Vn. II
Cb.
Solo Vn. I
Vn. I
a2
sff
sff
sff
sff
sff
sff
sff
sff
mf pizz. mf pizz. mf
sff
sff
sff
unis., pizz.
Bass Drum
f
ff
ff
div., arco
ff arco
ff
arco ff
15
Fl. 1,2
107
Picc. Fl. 3
Ob. 1,2
E.H.
Cl. 1, 2
Bs. Cl.Cl. 3
Bn. 1,2
Bn. 3 Cbn.
Hn. 1,2
Perc. 3
(a2)
Vn. I
Cb.
1/01 version
sff
sff
gliss.
sff gliss. sff
sff
sff
sff
sff
sff
sff
sff
sff
sff
sff
sff
gliss.
sff
gliss.
sff
gliss.
gliss.
gliss.
sff gliss.
sff gliss.
sff gliss.
sff
sff
sff
sff
sff
sff
sff
sff gliss.
sff
sff
sff
sff
sff
sff
gliss.
sff
sff
sff
sff
sff
sff
sff
sff
sff
sff
sff
a2
sff
sff
gliss.
sff
sff
sff
sff
sff
sff
sff
sff
sff sff sff sff sff
sff
sff
(Bs. Dr.)
ff Brake Drum, w/metal hammer ff Tom-toms
ff Lg. Cowbell
ff
ff
unis.
gl. sff
sff
sff
sff
sff
gl.
div.
unis.
sff
gl.
sff
sff
sff
sff
sff
Vc.
sff
sff
sff
sff
Sus.Cymb.
Va.
sff
Vn. II
Pno.
sff
Perc. 2
Perc. 5
B. Tbn.
Perc. 1
Tbn. 1,2
Timp.
Tpt. 3
Tuba
Tpt. 1,2
Hn. 3,4
sff
sff
sff
sff
sff
sff
sff
sff
sff
sff
sff
sff sff sff sff sff sff gl.
gl. sff sff sff sff sff sff
16 113
Fl. 1,2
Ob. 1,2
fff
fff
fff
fff
Cl. 1, 2
Bs. Cl.Cl. 3
fff
fff
Bn. 1,2
Bn. 3 Cbn.
Hn. 1,2
Hn. 3,4
f
fff
f
Timp.
f
(ff)
dim.
dim.
dim.
p
al sord.
p
al sord.
al sord.
p
p
al sord.
p
fff unis.
fff div.a2
fff Cb.
Vc.
fff
1/01 version
f
f
unis.
f
f
f
sf
f
p
p
p
sf
sf
sf
sf
sf
div., pizz.
p
sf
f
sf
non div.
Va.
f
sf
unis.
sf
fff
Vn. II
f
div.
Vn. I
Solo Vc.
Solo Va.
Solo Vn. I
Solo Vn. II
f
p
f
dim. al sord.
(ff)
dim.
f
(ff)
f
(ff)
B. Tbn.
dim.
Tbn. 1,2
f
(ff)
to Bassoon
Tpt. 3
fff
(ff)
Tuba
a2
(ff) f
Tpt. 1,2
E.H.
Picc. Fl. 3
sf
sf
f
pizz.
f div., pizz.
mf
pizz. mf sub.
pizz. mf sub.
17
(3+2) 118
Fl. 1,2
Ob. 1,2
Cl. 1, 2
Bs. Cl.Cl. 3
Hn. 3,4
Tpt. 1,2
Bn. 1,2
Hn. 1,2
Tpt. 3
Perc. 1
Perc. 3
Perc. 5
Solo Vn. I
Solo Vn. II
Solo Va.
Solo Vc.
Vn. I
Vn. II
Va.
Vc.
Cb.
1/01 version
p
p
f
p
con sord. f
dim.
con sord. f con sord.
dim.
dim.
f
B. Tbn.
f
f
(3+2)
f
ff
sf
sf
sf
sf
f
via sord.
via sord.
via sord.
via sord.
via sord.
p
p
ff
sf
ff
sf
ff
sf
ff
sf
sf
sf
sf
sf
sf
f
div., pizz.
f
p
dim.
p
dim.
f
f
p
sf
unis., arco
sf
div., pizz.
f
sf
unis., arco
dim.
dim.
f
div. (pizz.) div. (pizz.)
p
sf
sf
sf
p
f
con sord.
ff Slapstick
sf
ff Slapstick
p
ff Vibraslap
Vibraslap
dim. con sord.
f f a2 p
Tbn. 1,2
Tuba
f
dim.
dim.
dim.
p
p
f
f
unis. (pizz.)
18 Ben misurato (l'istesso tempo, q = 144)
Ob. 1,2
Cl. 1, 2
Bs. Cl.Cl. 3
124
Fl. 1,2
Hn. 3,4
Tpt. 1,2
Hn. 1,2
Tpt. 3
p sub.
f f
f
f
f Vibes, motor off, vibes mallets
Ped. f 3 Crotales
3
3
f 3
3
3
3
3
3
π
π
3
π
mf
pizz.
pizz.
ff
pizz.
marc.
ff marc.
pizz.
ff
ff
sim.
sim.
sim.
sim.
p sub.
arco
f cant. ed espr.
arco
arco
marc.
mf
p
mf
p
arco
f cant. ed espr.
marc.
Ben misurato (l'istesso tempo, q = 144) div. sim.
div.
pp sub. mf
f
marc.
marc.
Glock., metal mallets 3 3
p sub.
div.
div.
1/01 version
mf
f
mf
sf
Cb.
Solo Vc.
Vc.
sf
Va.
sf
Vn. II
sf
Vn. I
mf staccatiss.
Solo Vn. I
Solo Va.
senza sord.
Solo Vn. II
senza sord.
Perc. 3
Hp.
mf staccatiss.
Perc. 1
Perc. 2
(a2)
Bn. 1,2
Bn. 3
f
f
marc.
marc.
sim.
sim.
sim.
ff
(pizz.)
f
unis., arco
4 stands
unis., arco
pp sub.
mf
3 stands
unis., arco
mf
pp sub.
Ob. 1,2
E.H.
130
Fl. 1,2
Picc. Fl. 3
Bn. 1,2
Tpt. 1,2
Tpt. 3
Tuba
Hn. 3,4
senza sord.
B. Tbn.
ff
ff
senza sord.
Timp.
19 to Flute
ff
Vn. I
Vn. II
Cb.
1/01 version
pp
pp
p
ff
ff
ff
ff
ff
ff
ff
ff
tutti tutti
ff sub.
arco
ff
3
π
π
p
f
p
f
p
p sotto voce f
4 stands p sotto voce
f
f cant. ed espr.
unis., arco
3
f cant. ed espr.
ff
π
3
f 3
mf
f 3
Ped. f 3 (Crotales)
ff sub.
Vc.
ff sub.
Va.
Floor Tom, muffled, ff wood stick
Lg. Brake Drum
0
ff
Solo Vc.
Solo Va.
Solo Vn. II
Solo Vn. I
(Vibes)
0
Hp.
(Glock.)
Perc. 5
to Contrabassoon
f
Perc. 3
f
Perc. 1 Perc. 2
ff
ff
senza sord.
Tbn. 1,2
ff
Bs. Cl.Cl. 3
Hn. 1,2
Cl. 1, 2
Bn. 3
3stands f
pizz.
ff
p sotto voce
1/2 section, div., (pizz.)
p
20
136
Fl. 1,2
Fl. 3
Ob. 1,2
E.H.
Cl. 1, 2
Hn. 1,2
Hn. 3,4
Tpt. 1,2
cresc.
f
mf
pp
3
pp
3
3
dim.
mf
mf
p
3
3
dim.
3
Flute
cresc.
Bn. 1,2
Come sopra, q = 144
Poco meno mosso, q = 96
Tbn. 1,2 B. Tbn.
p
mf
Solo Vn. I
pp
pp
(lontano)
cresc.
mf
dim.
mf
dim.
Vibes, med. soft mallets
(pp)
p
π
π
3
3
mf
mf
p
p
dim.
mf
p
dim.
mf
dim.
p
div. a3
pp
Come sopra, q = 144
Poco meno mosso, q = 96 Vn. I
(pp)
pp 3 Ped.
pp Ped.
Vibes, med. soft mallets
cresc.
Solo Vc.
cresc.
Solo Va.
(lontano)
Solo Vn. II
2.
mf
Hp.
f f
Perc. 1
Perc. 2
mf
Tpt. 3
div. a3
Vn. II
Va.
mf
cresc.
mf
cresc.
1/01 version
p
dim.
Vc.
Cb.
cresc.
f
p
dim.
dim.
p
pp 3
3
3
tutti mf
tutti
mf
tutti mf
141
Fl. 1,2
Fl. 3
E.H.
Cl. 1, 2
Cl.Cl. 3 Bs.
Bn. 3 Cbn. Hn. 1,2
Hn. 3,4
pp
Tpt. 3
(2.)
Tuba
Timp.
3
3
3
3
3
pp 3sempre
ppp
3
3
3
f
3
3
3
3
3
pp
3
3
2., into stand *
ppp
into stand *
ppp
pp
π
3
3
3
mf
3
3
π
3
poss.
pp Ped. Vibes 2
Vibes 1
pp 3 Ped.
3
3
3
3
3
ppp
Hp.
ppp
Perc. 1
Perc. 2
f meno
f meno
B. Tbn.
pp 3sempre
Tpt. 1,2
Tbn. 1,2
Bn. 1,2
pp
Ob. 1,2
21
Poco meno mosso, q = 96
3
Solo Vn. II
Solo Va.
Solo Vn. I
Solo Vc.
Vn. I
Vn. II
div. a3
Vc.
div., arco ppp
pp 3
3
3
3
3
* Ossia: Cloth bag over bell instead of playing into stand.
1/01 version
f dolce
pp div. a3
Va.
Cb.
Poco meno mosso, q = 96
div., pizz.
3
mf unis., (pizz.) mf
3
3
div.
pp
Fl. 3
Cl. 1, 2
3
Tbn. 1,2
3
Vn. I
Vn. II
Vc.
2. into stand
1/01 version
3 3 pp sotto voce
ppp
ppp
3
f dolce
div. a3
pp
(div.)
f dolce
3 pp poss. Ped.
f dolce
p sub.
f dolce
p sub.
p
p
pp
div. a3
pp
3
3
3
3
pp
pp
3
3
3
mf
F# C#
p
3
pp poss. Ped.
div. a2
f dolce
f dolce
ppp
ppp
3
div., (pizz.)
ppp
ppp
div. a3
p sub.
3
pp
3
f dolce
f dolce
into stand
p sub.
3
3
3
mf
3
3
3
3
3
p
π
p
to Piccolo
pp poss. Ped.
π
(2.) into stand
ppp
3 pp poss. Ped.
(Vibes 2)
3
3
3 3 pp sotto voce
ppp
(Vibes 1)
3
pp
Cb.
pp
Va.
f dolce
Solo Vc.
pp sotto voce
into stand
Solo Vn. I
Solo Va.
Solo Vn. II
Perc. 1
Hp.
pp sotto voce
Perc. 2
Timp.
B. Tbn.
Tuba
3
3
3
pp sotto voce
Bs. Cl.Cl. 3
Bn. 1,2
Fl. 1,2
147
22
p
23 Picc. Fl. 3
154
Ob. 1,2
Cl. 1, 2
Cl.Cl. 3 Bs.
Bn. 3 Cbn.
Hn. 1,2
pp
Perc. 1
pp
(Ped.) (Vibes 2)
Perc. 2
3 (Ped.)
Solo Vn. I
3
3
3
3
pp cresc.
mf
3
mf
into stand
into stand
pp cresc.
pp cresc.
mf
mf
pp cresc.
pp cresc.
pp cresc.
π
π
mf
mf
mf
ppp
Tamtam
Bass Drum
Solo Vn. II
Solo Va.
mf dolce
p
(p)
ppp
ppp
p
mf
p
mf dolce
3
p
mf
mf Contrabassoon
3
open
3
mf
3
open
3
3
cresc.
cresc. 3
ppp
Hp.
3
Perc. 5
3
dim. al niente
(Vibes 1)
3
dim. al niente
Timp.
cresc.
dim. al niente
pp
pp
Tuba
dim. al niente
(2.)
B. Tbn.
p
Tbn. 1,2
pp
Hn. 3,4
pp
Bn. 1,2
Piccolo
(p)
Solo Vc.
Vn. I
Vn. II
Va.
Vc.
Cb. 1/01 version
3
3
3
p
3
3
3
pp
3
div.
3
div. a2
div. a2
p
p
p
p
3
3
3 cresc.
p
cresc. 3
3
3
mf
mf
pizz., (div)
3
mf
pp
mf
3
unis., (pizz)
mf
24
Fl. 1,2
160
Picc. Fl. 3
ff
ff
Ob. 1,2
dim. 3
Cl. 1, 2
dim.
Bs. Cl.Cl. 3
Bn. 1,2
Bn. 3 Cbn.
Hn. 1,2
3
3
3
pp
p sub.
3
3
3
pp
pp
pp
pp
pp
pp
pp
pp
p sub.
p sub.
pp
mf
p sub.
pp
Solo Vn. II
pp
pp
p sub.
p
Tam-tam
ppp Bass Drum
ppp
ff
Solo Va.
ff
p sub.
mf
dim.
mf
pp
dim.
pp
p sub.
p
pp
p sub.
ff marcatiss.
mf
p
3
3
p sub.
mf
pp
p
mf
3
pp
ff
ff
ff
ff Solo Vc.
Vn. I
Va.
dim.
Vc.
3
3
3
3
3
p
p
dim.
p
dim.
Vn. II
3
1/01 version
3
3
arco
ff
marcatiss.
pp 3
pp
unis., arco
pp
ff
ff marcatiss.
Cb.
ff
ff
dim.
pp
3
to Flute
mf
mf
dim. 3
pp
p sub.
dim.
3
mf
mf
3
pp
ff
3
3
pp
p sub.
ff
B. Tbn.
pp
p sub.
Solo Vn. I
Tbn. 1,2
Pno.
p sub.
Perc. 5
Hn. 3,4
Timp.
p sub.
Tuba
3
3
3
mf
mf
3
mf
p
p
dim. 3
3
dim.
3
div., pizz.
3
dim.
3
3
3
3
p
mf
pizz.
mf
3
3
3
ff
ff
25
166
Fl. 1,2
Ob. 1,2
pp
3
3
Cl. 1, 2
pp
3
3
Bs. Cl.Cl. 3
pp
Bn. 1,2
p
Hn. 1,2
3
a2
p
pp
p
pp
mp
dim.
mp
dim.
p
p
pp
pp
(pp )
p
p
pp
p
fff marcatiss.
(pp )
(pp )
Tbn. 1,2
Hn. 3,4
sotto voce
fff marcatiss.
Bn. 3 Cbn.
3 3 3
sotto voce
p
pp
Solo Vn. II
Solo Va.
Hp.
Solo Vn. I
Solo Vc.
Vn. I
pp
Vn. II
pp
Va.
3
pp 3
Vc.
3
3
3
3
3
3
unis., arco
ord.
3 f espr.
pp
Cb.
1/01 version
fff marcatiss.
p
p
p
pp
p
div., pizz.
3
pp
pp
3 f espr.
div.
p
unis. p
fff marcatiss.
arco
p
pp
p
ord.
p
pp
arco p
pp
p pizz.
p
f espr.
unis., Sul A pp (div.)
pp
pp
unis.
26 174
Fl. 1,2
a2
f
al niente
Fl. 3
Ob. 1,2
E.H.
Cl. 1, 2
Flute
p
Bn. 1,2
p
pp
p
p
pp
p
1.
a2 ff molto espr.
f
p
cresc.
ff molto espr. to Piccolo
ff a2
p sotto voce
al niente
Bs. Cl.Cl. 3
pp
p sotto voce
pp
ff molto espr.
p
(f )
cresc.
ff
Tbn. 1,2
B. Tbn.
Tuba
Hn. 1,2
Hn. 3,4
Tpt. 1,2
Timp.
Solo Vn. I
Vn. I
1/01 version
p
p
ff
ff 1. solo p
f
f
p
mf
3
3
f
espr.
p
mf
accomp. sotto voce
p accomp.
sotto voce
p
pp
f secco
pizz., (div)
3
pp
div.
p
p
Cb.
div.
p
Vc.
3 5 f cantando ed espr.
Va.
Vn. II
p
Solo Vc.
pp
Solo Va.
p sotto voce
f
Solo Vn. II
p sotto voce
Hp.
p
p
pp
pp
ff molto espr.
unis.
ff molto espr.
cresc.
p
f
f
p
unis.
p
ff molto espr. (div.)
cresc.
ff
unis., arco
ff
molto rit.
move forward
181
Fl. 1,2
Ob. 1,2
E.H.
Cl. 1, 2
Bs. Cl.Cl. 3
Bn. 1,2
Hn. 1,2
(ff espr.)
(a2)
(ff espr.)
Tpt. 3
Tbn. 1,2
(1.)
Solo Vn. I
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
sf
ff
sf
3
3
sf
3
f espr.
sf
ff
ff
ff
ff
ff
ff
sf
sf
sf
sf
sf
sf sf
sf
sf
sf
sf
sf
sf
sf
sf
sf sf
f
Cowbell, hard yarn mallet f Brake Drum
sf
f
sf
f
ff
sf
Solo Va.
Vn. I
Vn. II
Va.
Vc.
Cb.
1/01 version
div.
3
3
3
3
3
unis.
3
3
sf div.
div.
unis.
sf
unis.
sf
sf div.
sf
sf
sf
sf
sf unis., non div.
sf unis. div.
sf
3
3
Very fast (presto), q = 160
molto rit.
sf
move forward
sf
sf
sf
Solo Vn. II
Solo Vc.
sf
Tom-tom
sf
Muffled Floor Tom
sf
sf
Ratchet, without a break in sound
ff
sf
ff
sf
3
ff
sf
27
sf
sf
3
3
3
Perc. 3
Pno.
3
Perc. 2
Perc. 5
Piccolo
3
Timp. Perc. 1
3
Tuba
3
3
B. Tbn.
Tpt. 1,2
(a2)
Hn. 3,4
Picc. Fl. 3
Bn. 3 Cbn.
(a2)
Very fast (presto), q = 160
sf div.
unis.
div.
sf
sf
sf
sf
28
bells normal
Cl. 1, 2 Bs. Cl.
Bn. 1,2
Hn. 3,4
Tpt. 1,2
Tpt. 3
Tbn. 1,2
a2
ff
ff ff
ff
ff
mf
mf
sff
mf
sff
mf
ff
mf
sff
Timp.
Perc. 3
Perc. 5
Pno.
π π
ff
ff
ff
dim.
ff
dim.
ff
mf
sff
ff
ff
mf
ff
ff
p
dim.
ff
ff
Vn. I
Vn. II
f ben artic.
cresc.
sf
unis., pizz.
pizz.
f ben artic.
cresc.
Vc.
Cb.
1/01 version
f ben artic. pizz.
cresc.
f ben artic.
cresc.
ff div., arco
div.
unis.
ff div.
ff
ff
ff
ff
unis.
unis.
unis.
ff
arco ff
sf
sf
arco
div., arco
sf
unis., pizz.
ff
Va.
cresc.
sf
pizz.
f ben artic.
ff bold (con forza)
p
dim.
Solo Vc.
ff bold (con forza)
mf
mf
Solo Va.
espr.
p
ff bold (con forza)
p
p
Solo Vn. II
1. solo
bells normal
Solo Vn. I ff bold (con forza)
mf
π
Perc. 2
Tuba
B. Tbn.
ff bellsup
ff
bells up
mf
ff
mf
ff
ff
Perc. 1
E.H.
Hn. 1,2
Ob. 1,2
Bn. 3 Cbn.
186
Fl. 1,2
arco ff
ff
Bn. 3 Cbn.
a2
Bn. 1,2
194
Fl. 1,2
Picc. Fl. 3
Ob. 1,2
E.H.
Cl. 1, 2
Bs. Cl.Cl. 3
Hn. 1,2
(1.)
ff
ff
ff
ff
ff
ff
ff
Tbn. 1,2
B. Tbn.
Tuba
Tpt. 1,2 Tpt. 3
Timp.
Perc. 1
Perc. 2
ff
sff
sff
sff
sff
sff sff sff
sff
sff
sff
ff
sff
ff
2 drums, 2 sticks
ff sff ff
Perc. 3
ff
ff
Hn. 3,4
ff
sff
29
L'istesso tempo, h = 80 (q = 160)
(ff) (ff) mf 2.
mf mf mf
Glock., brass mallets
fff
fff Vibes, hard mallets
Crotales, brass mallets
fff
ff ff Pno. Solo Vn. I Perc. 5
Solo Vn. II
Solo Va.
Solo Vc.
Vn. I
1/01 version
p
dim.
Vc.
p
dim.
Va.
dim. p dim. p
Vn. II
Cb.
Bs. Dr.
sff
sff
ff
ff
ff
sff
L'istesso tempo, h = 80 (q = 160)
sff
sff (ff) sff (ff) sff (ff)
ff
ff
div.
unis.
div. a3, pizz.
sff
sff
sff
30
200
Fl. 1,2
Picc. Fl. 3
ff
ff
Ob. 1,2
ff
E.H.
ff
1.
Cl. 1, 2
ff
Bs. Cl.Cl. 3
Bn. 3 Cbn.
ff
f marc.
Bn. 1,2
2.
f marc.
ff
Hn. 1,2
fff
Tpt. 1,2
ff
Tpt. 3
ff
B. Tbn.
ff
ff
ff
Vn. I
div. (ff)
Vn. II
div. a2 (ff)
Va.
div. (ff)
div.
Vc.
(ff)
1/01 version
ff
al sord.
pp
cresc.
pp
cresc.
pp
unis.
f molto
unis.
f molto
cresc.
unis.
f molto
unis.
f molto
(ff)
unis., arco Cb.
ff
a2
ff
Timp.
Tbn. 1,2
Tuba
al sord.
fff
Hn. 3,4
pizz.
fff
31
Picc. Fl. 3
Ob. 1,2
E.H.
Cl. 1, 2
Bs. Cl.Cl. 3
Bn. 1,2
Hn. 3,4
Tpt. 1,2
mf
205
Fl. 1,2
Bn. 3 Cbn.
Hn. 1,2
(2.)
(cresc.)
Tpt. 3
mf
(cresc.)
Tbn. 1,2
Vn. I
a2
Va.
Vc.
Cb.
1/01 version
p p
p
(f)
Vn. II
B. Tbn.
Timp.
mf
(cresc.)
Tuba
(f)
32
210 (2.)
Cl. 1, 2
Bs. Cl.Cl. 3
Bn. 1,2
a2 ff
Bn. 3 Cbn.
Hn. 1,2
ff
Hn. 3,4
Perc. 1
to Bassoon
con sord.
con sord.
pp
ppp
dim. al
Solo Vn. I
p
p
Solo Va.
Solo Vc.
Vn. I
Va.
Cb.
pp
E (F#) G Ab Bb (C#) D#
f sonore, molto espr.
f sonore, molto espr.
f sonore, molto espr.
f sonore, molto espr.
ff
* Do not overshadow solo quartet.
1/01 version
pp
*
Vc.
*
Vn. II
*
f
Solo Vn. II
pp non marc., secco
pp non marc., secco
Hp.
pp non marc., secco
Perc. 3
ppp
Perc. 2
pp
ppp
dim. al
Tbn. 1,2
mf
dim. al Tpt. 3
mf
Tpt. 1,2
f
217
Fl. 1,2
Picc. Fl. 3
Ob. 1,2
a2
Cl. 1, 2
mf
Bs. Cl.Cl. 3
Bn. 1,2
Bn. 3
Hn. 1,2
ff
cresc.
ff
Cb.
1/01 version
a2
ff
via sord.
via sord.
senza sord.
pp senza sord.
(f)
(f)
ff
(f)
pp
mf
cresc.
mf
cresc.
ff
ff
ff
ff div.
f sonore
ff
f sonore
ff
f sonore
pp
33
(f)
mf
(f)
ff
ff
(a2)
ff
mf
Bassoon
pp
Solo Vn. I
Vc.
Va.
ff
f
Vn. II
f
Vn. I
(Mar. II)
Solo Vc.
f
Solo Va.
ff
(Vibes)
Solo Vn. II
(Mar. I)
Hp.
Perc. 1
Perc. 3
p
Perc. 2
p
Hn. 3,4
a2
ff
ff
arco
ff
ff
unis.
34
Fl. 1,2
224 (a2)
a2
Picc. Fl. 3
Ob. 1,2
Cl. 1, 2
Bs. Cl.Cl. 3
Bn. 1,2
Hn. 1,2
(a2)
(a2) sff
Tpt. 1,2
B. Tbn.
Perc. 2
f
f
(Mar. I)
(Vibes)
(Mar. II)
Perc. 3
2.
p
a2
sff
p
(f)
(f)
mf
p
mf
sff
mf
ff
p
p
p
1.
Perc. 1
sff
Hn. 3,4
Tuba
E.H.
Bn. 3
mf
fff
fff
Solo Vn. I
Solo Vn. II
Solo Va.
Solo Vc.
unis.
unis.
Vn. II
Va.
Vc.
Vn. I
div.
Cb.
1/01 version
sff
sff
div.
sff
sff
div.
(ff)
Picc. Fl. 3
(ff)
accel.
230
Fl. 1,2
L'istesso tempo (h = 80, q = q)
E.H.
(ff) Cl. 1, 2
Bs. Cl.Cl. 3
Hn. 1,2
Bn. 1,2
Bn. 3
(ff) ff
ff
Tbn. 1,2
ff
f
f
f
f
(f)
f
(f)
f
(f)
div.
(ff)
mf
ff
ff
ff
ff
ff
ff
ff
ff
ff
mf
Bass Drum
Tamtam
molto allargando
3
3
3
3
3
3
3
3
3
3
3
3
3 3 f cresc.
3
3 3 f cresc.
3
3 3 f cresc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f cresc.
f cresc.
(ff)
accel.
(ff)
ff
ff
ff
f
f
ff
f
ff
(ff)
1/01 version
(ff)
Cb.
L'istesso tempo (h = 80, q = q)
Vc.
Va.
Vn. II
unis.
Vn. I
f
Perc. 5
Tuba Timp.
f
f
B. Tbn.
f
f
f
f
f
Tpt. 3
ff
Tpt. 1,2
f
(ff)
Hn. 3,4
(ff)
Ob. 1,2
35 molto allargando
f cresc.
36 h=q
Maestoso q = 72
ff
235
Fl. 1,2
Picc. Fl. 3
Ob. 1,2
E.H.
Cl. 1, 2
Bs. Cl.Cl. 3
ffp
ffp
ffp
ff
ffp
ffp
ff
ffp
ff
ff
ffp
ff
ff pesante
B. Tbn. ff pesante Tuba ff pesante Timp. ff pesante Perc. 1
ff Tom-toms
Perc. 3
ff
Perc. 5
Pno.
Vn. I
ff
ff
Va.
ff
sf
sf
sf
fff
Cb.
ff pesante
ff pesante
ff
ffp
ff
ff
p
ff
f
3
mf
cresc.
cresc.
mf cresc.
p
3
unis.
3
mf cresc. to Celesta
f
Sus. Cym., hard yarn mallets
f
mf cresc.
mf mf
f
p
ffp
mf cresc cresc.
ffp
f
3
mf cresc.
3
3
f
f
3
f
ff
3
f
ffp
ffp
ff
a2
3
ff
3
ffp a2
ffp
ff
ffp
fff
div.
p
(div.)
1/01 version
ff bold (sonore)
ff bold (sonore)
fff
Vc.
a2 soli
Maestoso q= 72 ff div.
Vn. II
ff pesante e ben marcato
h=q
ff (Bs. Dr.)
(Tamtam)
a2 soli
Metal Plate metal hammer
Perc. 2
ff
ffp
Tbn. 1,2
ffp
Tpt. 3
ff
Bn. 1,2 ff pesante Bn. 3 ff pesante Hn. 1,2
Tpt. 1,2
ff
ffp
Hn. 3,4
ff
a2
3
mf cresc.
mf cresc.
242 (a2)
Fl. 1,2
Picc. Fl. 3
Ob. 1,2
E.H.
Cl. 1, 2
3
cresc.
cresc.
3
3
Hn. 1,2
Tpt. 1,2
ff
ff
Tpt. 3
Tbn. 1,2
B. Tbn.
ff molto (a2)
ffp
ffp
ff
ffp
ffp
ff
ffp
ffp
ff
ff
fp
ff
sff
ff
p
p
p
p
p
sff
sff
pp
pp
pp
pp
pp
p
dim.
p
ppp
ppp
ppp
sff
p
f
Eb F§ (G) (A) (Bb) C§ D§
non arp.
Solo Vc.
Vn. II
Va.
Cb.
Vc.
1/01 version
3
3
3
ff ff
div.
poco
poco
Vn. I
Solo Va.
Solo Vn. II
Solo Vn. I
poco
dim.
p
p Tpt. 1 to Tpt. in D
p
pp
p
ff
ff
f
ff
f
Perc. 5
sf
f
ff
ffp
ff
mf
ff
ffp
ff
ff
ff
ff
Hp.
ffp
Perc. 3
ff
ff
Perc. 2
Perc. 1
ffp
ff
ff
Tuba Timp.
ff
3 cresc.
ffp
(a2) ff molto
Hn. 3,4
ff
ffp
(a2)
3 cresc.
Bn. 1,2 Bn. 3
ffp
ffp
a2
a2
3 cresc.
cresc.
Bs. Cl.Cl. 3
37
ffp
ff
ffp
ff
ffp
ffp
ffp
unis.
ff
ff
ff
ffp
ff
ff
ff
sul A
p
p
div., pizz.
sff
pp
p
p
p
pp
pp
pp
4 stands, (div.)
1 solo, pizz.
p molto espr.
p molto espr.
5 stands, div.
pp
p molto espr.
5 stands (sul A)
div. a2
p molto espr.
unis.
sul D
poco
poco
sim.
poco
poco
38
249
Solo Va.
p
p
Va.
Vc.
p
mp
p
p
p
p
p
p
mp
pp
p molto espr.
p molto espr.
p
p molto espr.
p molto espr.
mf
f dolce
p
p
f dolce
p
pp
pp
(p)
pp
pp
mp
mp
p
unis. p
p
f dolce
mp
p
pp
p
f dolce
mp
n
pp
n
p
3 stands, unis. p
p non arp.
pp
p
div. a2, half pizz., gli altri arco
1/01 version
f dolce
mp
Cb.
f dolce
mp
p
f dolce
mp
pp
pp
n
p
mf
n
pp
p
2.
pp
pp
Solo Vc.
Vn. II
f dolce
Vn. I
Solo Vn. I
Solo Vn. II
Hp.
pp
Hn. 3,4
mp dolce
Hn. 1,2
1. solo
p
Bn. 3
p
Bn. 1,2
Bs. Cl.Cl. 3
Cl. 1, 2
Fl. 1,2
p
p
p
39
256
Fl. 1,2
mp
solo p
pp sub.
1., solo
Ob. 1,2
p
Cl. 1, 2
Bs. Cl.Cl. 3
Solo Vn. I
pp
pp
pp
pp
(p)
(half pizz.)
pp
(half arco)
pizz.
mp
mp
div., pizz.
mp
mf
p
mp
mf
mp
mf espr.
mf
mf
mf
mf
mf sub., espr.
arco
p
arco
p
(pp)
tutti pizz.
pp
pizz.
mf
p
p
pp
mf espr.
mf espr.
Vc.
pp
Va.
1/01 version
Vn. II
Cb.
pp
Solo Va.
Vn. I
Solo Vn. II
Solo Vc.
Hp.
to Flute
Hn. 3,4
pp sub.
Hn. 1,2
1., solo mp
Bn. 3
Bn. 1,2
Picc. Fl. 3
1., solo
p arco
p
p
40
264
Fl. 1,2
Ob. 1,2
pp
pp
Hn. 1,2
Hn. 3,4
Tbn. 1,2
Timp.
Hp.
pp
p sub.
a2
mf
p sub.
mf
mf
p sub.
p
mf
mf
p
mf
p
pp
pp
p
p
a2
p
Eb F§ (G) Ab Bb C§ Db
3
mf
3
3
ff
3
3
3
solo
3
mf cresc.
ff
ff
ff
f
(pizz.)
pp sub.
p
mf
mf
div.
f
f
f
cresc.
cresc.
div.
Cb.
3
p ethereal, poco flaut., col vib.
3
cresc.
1/01 version
mf
cresc.
Vc.
mf
mf
cresc.
Va.
p sub.
mf cresc.
Vn. II
mf cresc.
Vn. I
mf
mf cresc.
Solo Vc.
Solo Vn. I
Solo Va.
mf
Solo Vn. II
p
p
B. Tbn.
Tuba
mf
Bs. Cl.Cl. 3
pp
mf
Cl. 1, 2
Bn. 1,2
f
pp sub.
pp sub.
pp sub.
pp sub.
mf
mf
div.
mf
unis.
p
p
p
p
pp
pp
unis.
pp
pp
41
273
Fl. 1,2
Fl. 3
p
p
Cl. 1, 2
Bs. Cl.Cl. 3
p
Hn. 1,2
Hn. 3,4
Hp.
Solo Vn. I
pp
2.
p
pp
p
pp
1., solo
p
(pp)
pp cresc.
pp
cresc.
cresc.
cresc.
3
3
3
Vc.
p
3
3
3
p
unis.
p
3
3
mf dolce, espr.
Va.
1/01 version
Vn. II
Cb.
Solo Va.
Vn. I
Solo Vn. II
Solo Vc.
pp
mf Bn. 3
Bn. 1,2
pp
Flute
1., solo
Ob. 1,2
f dolce
f dolce
p
pp cresc.
f dolce
pizz., vibr.
pp cresc.
f dolce
f dolce
pp
unis.
p
pp
p
pp
p
pp
(pizz.)
p
cresc.
div.
cresc.
cresc. div.
cresc.
arco
cresc.
42
281
Fl. 1,2
Fl. 3
Ob. 1,2
E.H.
mf
f
f
(cresc.) Bs. Cl.Cl. 3
Bn. 1,2
Hn. 1,2
(cresc.)
f
p
f
p
mf
p
mf
p
Tbn. 1,2
B. Tbn.
mf
pp
1. solo
(cresc.)
Hp.
2.
p
pp
pp
1. solo
p
dolce
p
dim.
p
a2
p
p
p
pp
3
mf
pp
p
f espr.
Hn. 3,4
Timp.
p
(cresc.)
Tuba
(cresc.)
p
p
(cresc.)
Bn. 3
p
Cl. 1, 2
1. solo
3
3
3
3
3
3
3
3
Solo Vn. II
Solo Va.
Solo Vc.
Solo Vn. I
Vn. I
(cresc.)
(cresc.)
Va.
(cresc.)
Vc.
(cresc.)
1/01 version
p
Vn. II
Cb.
f
(cresc.)
f
p
pp
p
p
pp
pp
f
p
unis. (non div.)
f
p
p
unis.
pp
pp pizz.
pp
43
Agitato subito, (l'istesso tempo) e = 160 (q = q) Come sopra, q = 72 290
Ob. 1,2 E.H.
Cl. 1, 2 Bs. Cl.Cl. 3
ff
ff
ff
ff
Bn. 1,2
p p
p
pp
2.
1. solo
mf
offstage
offstage
ff
(Tpt. in C) bell in air bell in air
bell in air
ff Cowbell, wood stick
Perc. 3
ff Large Tom-tom, hd. yn.
sff
ff Brake Drum, metal hammer
sff
Perc. 5
ff
pp
pp
sff
go to
sff
ff Muffled Floor Tom
go to offstage
go to
sff
Solo Vn. I
Solo Va.
Solo Vc.
pp
ff
Solo Vn. II
p
ff
Hp.
Tuba
Perc. 2
ff
Timp.
mf
ff bell in air
B. Tbn.
pp
pp
ff
Tbn. 1,2
in D, bell in air Tpt. to Tpt. in C
Tpt. 3
ff
Tpt. 1,2
ff
Hn. 3,4
1. solo
ff
Hn. 1,2
ff
Bn. 3
mf
3
3
mp dolce, poco flaut., col vib.
3
3
3
3
3
ord.
molto espr.
f
Agitato subito, (l'istesso tempo) e = 160 (q = q) Come sopra, q = 72
f
5 stands, unis.
tutti, div.
Vn. I
f tutti, div.
Vn. II
Va.
tutti, div. f tutti
Cb.
Vc.
f arco f
1/01 version
5 stands, unis. p
p 4 stands, unis. p 3 stands, div. p
1/2 section, pizz. p
div.
unis.
mp unis. mp
mp
mp
mp
44
297
Fl. 1,2
(1.)
Ob. 1,2
p
p
mf
p p
mf
1. solo
Cl. 1, 2
mf
p
p
Bs. Cl.Cl. 3
p
Bn. 1,2
Hn. 1,2
Hn. 3,4
(1.)
mf
p
(1.)
pp
pp
Solo Vn. I
p
Timp.
Hp.
pp
with Contrabass
pp da lontano
pp
Solo Va.
Solo Vc.
Vn. I
,
p
mp echo
f
,
p
mp
p
p
Va.
p
p
Vc.
1/01 version
pp
Vn. II
Cb.
al sord.
pp
Solo Vn. II
arco
2. al sord.
p
p
mp
mp
p
mp
p
mp
mp
45
Fl. 1,2
white tone
304
ppp
Bs. Cl.Cl. 3
Vn. I
,
p transparent sound
p transparent sound
to Contrabassoon
pp
Vc.
p sul tasto
p sul tasto
p sul tasto
Vc.
pp
poco espr.
p
p
p
n
n
n
pp
p
p
pp
n
tutti, div.
p
p
rall.
poco espr.
Come sopra q = 63
Va.
poco espr.
p
poco espr.
pp arco
Come sopra q = 63
sul tasto
Solo Vc.
p transparent sound
*N.B.: Ossia tremolos between Eb/Bb and Gb/Db.
1/01 version
* ossia trem.
to Bass Clarinet
Cb.
Vn. II
Vn. I
rall.
p transparent sound
div.
Va.
Solo Va.
Solo Vn. II
Solo Vn. I
312
ppp
pp
Cb.
,
Vn. II
,
ppp Ped.
Solo Vn. I
Solo Vc.
,
pp
Solo Va.
,
pp
Perc. 2
Solo Vn. II
Vibes, soft sticks, motor on
Hp.
pp
Bn. 1,2
Bn. 3
pp
ppp
ppp Cl. 1, 2
,
ppp
ppp
white tone Fl. 3
,
n
ppp lontano
tutti, div. div. a3
ppp lontano tutti, div.
unis.
ppp lontano tutti, div.
ppp lontano tutti ppp lontano
attacca
III.
46
Misterioso, q = ca. 63
320
Fl. 1,2
Fl. 3
Bs. Cl.
Hn. 1,2
Perc. 1
Perc. 2
Cel. Pno.
Hp.
pp
1. al sord.
pp poss.
ppp ppp
pp
ppp
ppp
pp
ppp
pp
1. (senza sord.)
p
mf
pp ppp (play with viola)
div.
pp
p
Bass Drum ppp
p l.v.
pp
unis.
Tamtam
( pp )
pp
p
π
ppp
al sord.
ppp
π
π
al sord.
p
p
unis.
div.
p
div.
pp
q = 60 - 63
Solo Vn. I
ord.
331
espr. f molto p
ord.
f
mf
ppp
Solo Vn. II
pp
div. pp
p l.v.
Vc.
Misterioso, q = ca. 63
div. a2
Va.
Vn. II
Va.
f
3
5
molto espr.
5 meno f
p
p
p
p
al sord.
meno f
5
q = 60 - 63
p
ord. f
fp
f
5
7
meno f
cant. e dolce
pp
al sord.
al sord.
pp
pp
1/01 version
ppp
pp
Cb.
ppp
ppp poss.
Vc.
Solo Va.
pp poss.
ppp poss.
Vn. I
Cb.
ppp
pp
pp
Cl. 1, 2
dim. al niente
dim. al niente
dim. al niente
47 Solo Vn. I
338
Solo Vn. II
Solo Va.
p
3 Solo Vc.
ord.
f molto espr.
Va.
p
mf
mf
p
ff
p
f
3 p dolce cantando
mf
3
p
p
3 p dolce cant.
pp
Cb.
pp
unis., con sord.
p
mf
con sord.
mf
pp
Vc.
mf
3
pp
unis., con sord.
pp
pp
347
Hp.
Solo Vn. I
π
Solo Va.
(p)
Solo Vc. f
mf
3
dim. al niente
p
f
p
p
3
f mf
a tempo
dim. al niente
f
p
p
p
rit.
Vn. I Vn. II
dim. al niente
(p)
p
(p)
Solo Vn. II
rit.
a tempo
div., con sord.
con sord.
pp
pp
(con sord.) Va.
Vc.
Cb.
1/01 version
pp
pp
dim. al niente
dim. al niente
pp
48
358
Fl. 1,2
Perc. 2
Cel. Pno.
Hp.
Solo Vn. I
Vn. II
Va.
Vc.
3
3
pp
3 cresc.
pp
ppp Ped. Celesta
pp
6
6
6 cresc.
pp bisbigliando
pp
6
6
6
p
p
f
p
f
p
pp
6
pp
cresc.
div.
3
3
unis.
3
3
cresc.
cresc.
Vibes, med. soft yarn mallets, motor off
div.
Don't drag
Vn. I
1/01 version
Solo Va.
Cb.
Solo Vn. II
Solo Vc.
Don't drag
p
f
p
p
f
p
unis.
pizz., div.
p
49
365
Fl. 1,2
Perc. 2
Pno. Cel.
Hp.
Solo Vn. I
p
3
3
p
( )
6
6
6
6
3
3
3
3
p
6
6 dim. al niente
6
6
6
6
6
dim. al niente
dim. al niente
dim. al niente
dim.
dim.
dim.
ppp
via sord.
via sord. dim. al niente
ppp
p
ppp
ppp
dim.
dim. al niente
Vn. I
dim. al niente
dim. al niente
Vc.
to Piano
Va.
3 dim. al niente
3
Vn. II
dim. al niente
p (Ped.)
p
3
3
3
Solo Va.
Cb.
Solo Vn. II
Solo Vc.
via sord.
dim. al niente
dim. al niente
via sord.
via sord.
dim. al niente
Come prima (q = 63)
Solo Vn. I
368
Solo Vn. II
Solo Va.
1/01 version
p
Solo Vc.
p espr.
p espr.
più espr.
più espr.
50
Subito più mosso, q = 84 * (Tempo II)
377
Cl. 1, 2
Hn. 1,2
Hn. 3,4
Timp.
Perc. 2
pp
p
con sord.
p
p
p
p
p
p
p
6
pp
p
p
Vibes, med. soft sticks 6
p
p
pp
p
p
p
p
p
p
p
p
p
p con sord.
p
Bn. 1,2
Bs. Cl.
Cbn.
pp
p
6
6
pp
pp
pp
dim. al niente
dim. al niente
pp
dim. al niente
pp
dim. al niente
pp
dim. al niente
pp
dim. al niente
6
pp
l.v.
Ped. sempre
Perc. 6
Pno.
Piano
Solo Vc.
Bass Drum
Va.
p
sempre
ppp
mf
Cb.
mf
mf
mf
mf
mf
pp
pp
p
pp
p
mf
pp
Subito più mosso, q = 84 * (Tempo II)
senza sord., div. a3
senza sord., div. a3
pp
pp
pp
pp
pp
pp arco senza sord., div.**
pp
pp
pp
pp
pp
pp
pp
pp
* The tempo here (q = 84) must be arrived at precisely, so that the offstage chorale that follows in dotted quarternote values will sound at the original tempo, q = 63. ** No more than ½ of the bass section should play the lower Eb.
1/01 version
p
mf
p
mf
mf
mf
mf
mf
mf
p
mf
p
pp
Vc.
mf
p
mp espr.
Solo Va.
ppp poss.
Solo Vn. I Solo Vn. II
51
385 (q = 84)
Fl. 1,2
Fl. 3
Cl. 1, 2
Bs. Cl.
Bn. 1,2
pp
p
p
p
pp
(con sord.)
(con sord.) p
p
pp
(Vib.)
π
( )
(Ped.)
π
mf cantabile
(q = 84)
non vib. Va.
ppp
non vib.
ppp
non vib.
ppp
ppp possibile
mf cantabile
pp sempre
p
p
p
dim. al niente
dim. al niente
via sord.
p dim. al niente via sord.
p dim. al niente
dim. al niente
p
p
p
Bass Drum
p
mf cantabile
mf cantabile
to Piccolo
col vib.
pp
col vib. pp
col vib.
pp
* The offstage quartet should be in the wings with a television monitor so that they can see the conductor. The sound should be distant but not so remote that it sounds too removed from the listener’s attention. 1/01 version
Cb.
Vc.
Solo Vc.
Solo Va.
Solo Vn. II
Solo Vn. I
pp
Offstage Solo Vc.
Perc. 6
Offstage Solo Va.
Offstage Solo Vn. II
* Offstage Solo Vn. I
Pno.
Perc. 2
pp
pp
Timp.
Hn. 3,4
pp
Cbn.
Hn. 1,2
52
396
Bn. 1,2
Cbn.
Tbn. 1,2
Timp.
Perc. 1
Perc. 2
Perc. 3
Offstage Hn. 1,2 in F
Offstage Tbn. 1,2
Perc. 4
Perc. 5
Offstage Solo Vn. II
mf cantabile
mf cantabile
Offstage Solo Va.
mf cantabile
p
pp
ossia: 1 tbn.
*
*
mf
mf
mf
mf
p
p
cresc. poco a poco
p
p
p
f
p
cresc. poco a poco
p
Bass Drum
(mf )
f
(mf )
(mf )
(mf )
(mf )
( mp )
mp
cresc. poco a poco
mp
div. a2
p
unis. p
p
cresc. poco a poco
Funeral march, l’istesso tempo
cresc. poco a poco
mp
p
( mp )
mp
ppp
mf
a2
a2
cresc. poco a poco
Cb.
2 Lg. Tom-toms (muffled) Hd. yarn mallets
ppp
p
OFFSTAGE* Field Drum
Va. Vc.
OFFSTAGE* Bass Drum
mf cantabile
ppp
pp
OFFSTAGE* Tenor Drum ossia: Large Tom-tom with hd. yn. mallets
pp
p
Offstage Solo Vn. I
Offstage Solo Vc.
p
p
Tuba
B. Tbn.
Funeral march, l’istesso tempo
p
mf
mf
* The brass players should be placed in the side pe-terre blconies, at the same distance from the stage, with one horn and one trombone paired up on each side. The percussion ensemble should be at the back of the hall in a balcony facing the stage. 1/01 version
405
Fl. 1,2
Fl. 3 Picc.
Ob. 1,2
Hn. 1,2
Tbn. 1,2 B. Tbn.
3 3 3 3 f cresc. bells in air, senza sord.
p
ff
p
ff
( mf )
Perc. 5
Offstage Hn. 1,2 in F Offstage Tbn. 1,2
f
Vc.
Cb. 1/01 version
f
3
3
( mf )
f
ff
ffp
ff
ff
ff
ff
f
f
3
ff
3
p
3
3
p
3
3
3
3
3
3
3
3
ff
ff
ff
fff
fff
fff
p
p
unis.
ff
ff
3
( ff )
3
( ff )
3
molto espressivo ed appassionato
molto espressivo ed appassionato
ff
cresc.
3
ff
ff
sff unis.
cresc.
3
ffp
sff ff senzasord., div.
a2
ff
3
3
ff
ff
ff
a2
molto espressivo ed appassionato
3
sff
3
3
f
3
f
senza sord., div.
Va.
f
ff
3
f
3
3
ff
(a2)
3
(a2)
Vn. I Vn. II
3
f
( mf ) (offstage)
3
ff
ff
( mf )
ff
mf
( mf )
3
3
ff
f
(offstage)
Perc. 4
3
3 3 f cresc.
ff
(offstage)
Perc. 3
molto espressivo ed appassionato
ff
bells in air, senza sord.
ff
53
f
f
Perc. 2
ff
Piccolo
ff
Tpt. 3
Perc. 1
a2
Tpt. 1,2
Timp.
Hn. 3,4
Tuba
Bn. 1,2
ff
Bs. Cl.
Cbn.
Cl. 1, 2
unis.
div.
ff
molto espressivo ed appassionato
ff
ff
molto espressivo ed appassionato
molto espressivo ed appassionato
54 (a2)
409
Fl. 1,2
Fl. 3 Picc.
Ob. 1,2
(a2)
(a2)
Cl. 1, 2
Bn. 1,2
Hn. 1,2
a2
Perc. 4
( ff )
( ff )
( ff )
( ff )
f
( ff )
( ff )
3 p cresc.
3
3
3
3
meno f
cresc. poco a poco
meno f
cresc. poco a poco
meno f
cresc. poco a poco
div.
3
3
3
3
3
3
Vc.
Va.
3 p cresc.
bells norm.
(offstage)
bells norm.
f
Vn. I Vn. II
f (offstage)
ff
(offstage)
1/01 version
( ff )
Perc. 3
Cb.
Perc. 2
Perc. 5
B. Tbn.
Perc. 1
Tbn. 1,2
Timp.
Hn. 3,4
Tuba
Bs. Cl.
Cbn.
(a2) 414
Fl. 1,2
Fl. 3 Picc.
Ob. 1,2
Cl. 1, 2
Bs. Cl.
( ff )
( ff )
( ff ) (a2)
cresc.
cresc.
Hn. 1,2
Timp.
3
3
3
solo
3
3
3
( ff )
( ff )
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Offstage Hn. 1,2 in F
Offstage Tbn. 1,2
Vn. I
Vn. II
Va.
Vc.
1/01 version
3
3
cresc.
3 (f)
3
3
3 (f)
3
3
( ff )
a2
a2
ff
ff
ff
ff
cresc.
cresc.
fff marc.
fff marc.
ff
fff
3
3
3
fff
ff
f
fff marc.
ff
cresc.
( ff )
f
( ff )
mf
3
ff
meno f
ffp
(f)
( ff )
fff
ffp
3
3
fff
ffp
3
mf
meno f
(offstage)
(f)
3
(offstage)
3
ff
ff
mf
(offstage)
3
ff
( ff )
Cb.
mf
( ff )
( ff )
Perc. 1
mf
3
3
3
mf
3
3
3
3
fff
3
mf
( ff )
B. Tbn.
Tuba
fff
ff
Tbn. 1,2
fff
cresc.
Tpt. 3
Hn. 3,4
fff
( ff )
( ff )
Cbn.
( ff )
Bn. 1,2
a2
cresc.
fff
3
3
mf
mf
ff unis. ff
55
56 Fl. 1,2
418
a2
Fl. 3 Picc.
Ob. 1,2
Cl. 1, 2
Bs. Cl.
(a2)
f
Bn. 1,2
Cbn.
Hn. 1,2
Hn. 3,4
Tpt. 1,2
f
f
Timp.
Perc. 1
Vn. I
1/01 version
mf
ff
ff
mf
al sord.
mf
a2
fff
3
3
3
3
fff
3
3
3
3
3 3
p
a2
p
p
p
3
p
f
f
f
f
f (offstage)
fff (offstage)
fff (offstage)
fff
mf
mf
mf
mf
mf
mf
p
p
p
pp
pp
pp
pp
fff
3
3
3
3
3
3
dim. al niente
p
dim. al niente
3
p
3
3
3
3
mp
mp
f
f
mf
mf
p
p
3
mp
3
f
pp
p
f
pp
p
p
p
p
p
p
(a2)
mf
(a2)
mf
3
3 3 3
f
Cb.
mf
3
3
Vc.
3
Va.
3
Vn. II
Offstage Tbn. 1,2
3
Perc. 4
Offstage Hn. 1,2 in F
3
Perc. 3
Pno.
fff
Perc. 2
Perc. 5
ff
f
Tuba
B. Tbn.
( ff )
Tbn. 1,2
Tpt. 3
3
423
Fl. 1,2
Fl. 3 Picc.
Ob. 1,2
Cbn.
Hn. 1,2
ff 3
Tpt. 3
(a2)
Perc. 4
(offstage)
(offstage)
(offstage)
Offstage Tbn. 1,2
Vn. I
(a2)
p
pp
pp
pp
( pp )
3
p
mp
3
3
3
p
3
3
3
mp 3
p
3
p
pp
3
pp
3
3
p
3
2. al sord.
1. solo
p
,
1. al sord.
ppp
al sord.
via sord.
return to stage
return to stage
return to stage
Meno mosso, q = 72
div. pizz.
f marc.
arco (div.)
pp non vib.
arco (div.)
pp
pp
(p)
(p)
pp
3
p
div. pizz.
3
f marc.
3
mf 3
Vc.
Va.
1/01 version
Vn. II
Cb.
Perc. 3
Offstage Hn. 1,2 in F
Perc. 2
Perc. 5
3
B. Tbn.
Perc. 1
3
Tbn. 1,2
Timp.
(p)
mf
3
3
3 3 3 3 3 3 3 3 3
Tpt. 1,2
Tuba
3
3
mf
3 p 3
pp con sord.
3
p
(p)
mf
Hn. 3,4
3
3
3
pp
3
3
3
3
Bn. 1,2
f 3 3 3 3
p
f
Bs. Cl.
Cl. 1, 2
57
Meno mosso, q = 72
58
Fl. 1,2
Cl. 1, 2
429
Timp.
Solo Vn. I
3
3
3
3
3
3
p
3
3
3
3
con sord.
con sord.
con sord.
3
,
,
Vn. II
p
3
p
,
,
,
pp
Cb. div. a2
1/01 version
3
3
non vib. (white tone)
,
p pizz.
p
p
arco
pp
,
dolce, espr.
63
unis., col vib.
p
col vib.
unis., col vib.
dolce, espr.
p
dolce, espr.
dolce, espr.
pp
pizz.
non vib. Tempo I, q = (white tone) unis., col vib.
p
,
,
(pp )
non vib. (white tone)
Vc.
p
non vib. (white tone)
Va.
,
3
l.v.
con sord.
, ,
3
,
via sord.
,
,
via sord.
div.
3
,
3
pppp possibile
p
3
Vn. I
3
Solo Va.
3
(Bass Drum)
Solo Vn. II
Solo Vc.
p
Hp.
3
3
pp
Perc. 2
ppp
p con sord. 3
Hn. 3,4
ppp
con sord.
Hn. 1,2
Tempo I, q = 63
p
p
p
435
Fl. 1,2
Ob. 1,2
Cl. 1, 2
Bn. 1,2
Hn. 1,2
Tpt. 3
Tbn. 1,2
ff
ff
senza sord.
senza sord.
ff
Tuba
Perc. 2
Perc. 6
Offstage Solo Vn. II
Offstage Solo Va.
Offstage Solo Vc.
Solo Vn. I
Vn. I
Vn. II
f dolce espr.
ff
mp molto espr.
mp molto espr.
pp
Vc.
pizz.
pp
p
p
p
p
sf
sf
ff
sff
ff
sff
ff
sf ff Brake Drum and Cowbell (mounted) ff
sff
unis., pizz.
sff
pp
sff
sf
unis.
sff
sff
pp
pp
sff
pp
mf espr.
mf espr.
mf espr.
mf espr.
sff
al sord.
pp
sf
pp
mp molto espr.
al sord.
sff
sf
f
mf
pp
mp molto espr.
sff
sf
f
mf
f
mf
f
mf
sff
sf
Floor Tom-tom, muffled
f dolce espr.
pp
1/01 version
2 Tom-toms, muffled, hard yarn sticks
f dolce espr.
Va.
Cb. div. a2
f dolce espr.
Solo Va.
Solo Vc.
Solo Vn. II
ff
Offstage Solo Vn. I
ff
Perc. 1
sff
sf
B. Tbn.
Timp.
ff
ff
ff
senza sord.
Tpt. 1,2
ff
Hn. 3,4
ff
59
pp
pp unis.
pp
più cantabile
pp
pp
pp
60
Fl. 1,2
Ob. 1,2
E.H.
Cl. 1, 2
Bs. Cl.
Bn. 1,2
Hn. 1,2
Hn. 3,4
Solo Vn. I
Vc.
1/01 version
f
f
mf con sord.
unis., pizz.
( pp )
( pp )
( pp )
via sord.
via sord.
p
mp cantando
mp cantando
mp cantando
non vib. ppp non vib.
ppp
unis., col vib.
pp
pp
mp cantando
ppp
non vib.
div.
e=e
( pp )
p
p
p
e=e
con sord.
Va.
mf
Vn. II
f
ff soli
f
ff
Vn. I
Cb.
Solo Va.
Solo Vc.
Solo Vn. II
soli
444
Subito agitato (più mosso), q = 84
450 *
Fl. 1,2
Fl. 3 Picc.
Ob. 1,2
E.H.
3 ff marc.
3 ff marc.
3 ff marc.
3 ff marc.
Cl. 1, 2
Bn. 1,2
ff
ff senza sord.
Hn. 1,2
3
3
3
Tpt. 1,2
Tpt. 3
3 ff marc. 3
B. Tbn.
ff marc. 3
Tuba Timp.
Perc. 1
3
f
3
3
Perc. 4
Perc. 5
ONSTAGE
ONSTAGE
Solo Vc.
Solo Va.
3 ff marc.
3 ff marc.
3 ff marc. 3
arco 3
ff marc.
1/01 version
3
3
3
sff
sff
3
3
3
3
3
3
3
3
3
f
3
sff
sff
ff
Brake Drum, metal hammer
ff
Metal Plate (metal hammer)
sff
Tamtam, sff scrape with triangle stick on back rim
3
f
3
f
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
sff
sff
sff
ff
3
3
3
3
sff
* The second note of the triplet should always be held for its full value.
f
3
f
3
f
3 3
f
3
3
3
3
3
3
3
3
3
3 3
f
3
f
sff
ff
ff
ff
3
f
ff
ff
3
f
sff
3
f
3
sff
3
f
f
ff
f 3
f
f
ff
3
f
ff
ff
ff
ff
f
3
f 3
f
f
61
3
3
ff
ff
f
ff
sff
ff
ff
3
ff
3
3
3
3
3
ff
3
3 3
3
3
sff
ff
3
3
3
3
f
3
3
3
sff
sff
3
ff
f
f
sff
Tom-toms, heavy wood mallet
3
3
f 3
f
sff
f
f
f
3
Bass Drum
ff
f
3
3
3
f
sff
sff
3
3
3
sff
3
3
3
3
f
3
sff
3
3
f
f
sff
sff
3
Subito agitato (più mosso), q = 84
ff marc.
Cb.
3
3
Vc.
Solo Vn. I
3
3
Va.
3
Perc. 3
Vn. II
3
3
ONSTAGE
3
Vn. I
3
3
*
3
Perc. 2
Solo Vn. II
ff marc.
3
3
3
3
ff marc.
Tbn. 1,2
ff marc. 3 ff marc. 3
3
3 3 ff marc. senza sord. 3 3
Hn. 3,4
3
Cbn.
3
3
3 ff marc.
Bs. Cl.
f
3
f
f
3
3 3
f
f
3
62 453
Fl. 1,2
Fl. 3 Picc.
3
3
ff
ff
Ob. 1,2
3
ff
E.H.
3
ff
Cl. 1, 2
3
Bn. 1,2
ff
Cbn.
3
ff
f
3
Tpt. 3
ff
f
3
B. Tbn.
Tuba
Timp.
Vn. II
sff
a2
pp
ff molto espr.
fff sub.
f cantabile, cresc.
3
f cantabile, cresc.
f cantabile, cresc.
f cantabile, cresc.
ff
f
p
p
f
pp
pp
ff molto espr.
div.
pp
f
ff molto espr.
Vc.
ff
Tom-tom (yarn mallets)
Cb.
ff
p
pp
3
p
ff
Va.
sff
p
ff
pp cresc. poco a poco
p
p
p
Sus. Cymb. (hard mallets)
p
p
sff
3
ff
f
ff
pp cresc.
p
sff
ff
p
3
p
3
ff
ff
3
ff
ff
3
f cantabile, cresc.
p
ffp
ff
sff
3
ff
3
3
1/01 version
Vn. I
(Bass Drum)
Perc. 5
ff
(Metal Plate)
Perc. 4
(Tamtam)
p
fff sub.
ff
Perc. 3
ff
(Brake Drum)
Perc. 2
fff sub.
f
ff
f
ff
(Tom-tom)
fff sub.
3
Perc. 1
fff sub.
f
3
Tbn. 1,2
ff molto espr.
sff
ff
3
pp
ff
sff
f ff
Tpt. 1,2
sff
3
Hn. 3,4
a2
sff
ff
sff
ff
Bs. Cl.
Hn. 1,2
pp
ff molto espr.
unis.
div. a2 ff
p
p
p
div.
ff
ff
p
p
63
458
Fl. 1,2
mf 3
3
3
ritard.
Tempo primo, q = 63 3
mf 3
3
3
3
3
Bs. Cl.
mf
3
3
to Clarinet
p
3
ppp
3 3 with Cbs.
3
f
3
3
3
3
3
3
3
3 p
dim.
p
Solo Vn. II
Solo Va.
Vn. I
mf espr.
ritard.
pp
Vn. II
non vib.
pp
3
mf
Vc.
Cb.
1/01 version
unis.
non vib.
pp pizz.
p
p
dim.
3
3
3
pp arco
3
3
3
solo with clar.
Tempo primo, q = 63
3 3 3 3 3
Va.
mf espr.
mf espr.
non vib.
p dolce
Solo Vc.
3
Solo Vn. I
p dolce
B. Tbn.
Hp.
3
Hn. 3,4
Timp.
solo with harp
1.
Tuba
Hn. 1,2
3
3
Bn. 1,2
3 dim.
3
Cl. 1, 2
Cbn.
3
pp
div. a3
pp
64
Ob. 1,2
464
Cl. 1, 2
Perc. 1
p
pp
p
Perc. 5
Hp.
Offstage Hn. 1,2 in F
Offstage Tbn. 1,2
p
Large Tom-tom (muffled)
p
Vn. I
p
mf
p
mf
p
p cresc.
a2
p
mf
mf
p cresc.
p cresc.
1.
f
p
p
p
p
p unis.
p
p
p
mf
f
mf
cresc.
mf
mf
p
mf
Vc.
pp (from a distance)
p
p (from a distance) Bass Drum
mf
p
Va.
1/01 version
Vn. II
Cb.
Solo Va.
Solo Vc.
Solo Vn. I
pp (from a distance)
pp (from a distance)
Solo Vn. II
Sus. Cymbal (brushes) Perc. 4
Clarinet
p
Bn. 1,2
Timp.
Cl. Cl. 3 Bs.
Cbn.
mf
p
mf
p
mf
p
mf
p
mf
p
mf
mf
mf
mf
mf
65 Subito molto agitato, e = 168 (q = 84) in 6
470
Fl. 1,2
Fl. 3 Picc.
Hn. 1,2
3 fff sub.
3 fff sub.
3 ff sub. bells in air
3 ff sub. bells in air
Tpt. 1,2
3 ff sub. bell in air
Tpt. 3
Tbn. 1,2
B. Tbn.
Timp.
3 ff sub.
mf
(Tom-tom) Perc. 1 mf
Brake Drum and Cowbell, metal hammers
Perc. 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
bells in air 3 ff sub. bell in air
3
3
3
3
3
3 ff sub.
3
3
bells in air
Hn. 3,4
3
Perc. 3
ff
Perc. 4
mf
3 ff sub.
Pno.
3
3
3
3
Cb.
1/01 version
to Flute
fff
fff
ff
Tamtam
3
3
3
3
ff secco (do not let ring!)
ff
fff
3
fff
ff
fff
f
fff
Subito molto agitato, e = 168 (q = 84) in 6
Vc.
3
3
f
f
f
Perc. 5
mf
ff
Lg. Tom-tom, muffled
in 4
fff
fff
fff
fff
fff
fff
in 4
66
L’istesso tempo (e = 168)
473
Fl. 1,2
mf
Ob. 1,2
mf
3
3
3
3
Cl. 1, 2
3
3
p
3
p
3
p
p
3
3
3
3
3 pp
3
3 3 3 3 3 3 3 3 3 3 3 3 3
3
mf
Timp.
Perc. 4
Perc. 5
Hp.
Solo Vn. I
3 mf
3
3
3
3
3
3
3
3
3
3
(Tamtam)
(B.D.)
3
3
pp
ppp
ppp
ppp
ppp
ppp
mp
sim.
Solo Va.
pp
3
p
3
3
mp
Solo Vn. II
Solo Vc.
pp to Bass Clarinet
mp
Bs. Cl. Cl. 3
Bn. 1,2
pp
pp
mf molto espr.
mf molto espr.
div.
L’istesso tempo (e = 168)
Va.
3 mf div.
3
3
3
3
3
3
3
3
3
3
3
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3 pp
Solo Vn. I
Solo Vn. II Solo Va. Solo Vc.
3
477 Tempo I, q = 63 (q. = q)
Fl. 1,2
3
p
p
3
Vc.
Cb.
3
f dolce, espr.
ppp
p
mf
f dolce, espr.
ppp
p 3
6
6
ppp
pp
solo
,
6
mf dolce
6
,
mf
Tempo I, q = 63 (q. = q)
Vn. I
pizz.
mf ben marc. pizz.
Vn. II
mf ben marc. unis. (arco)
Va.
pp pizz.
Vc.
mf ben marc.
Cb.
1/01 version
sim.
sim.
sim.
pizz. mf ben marc.
(pizz.) div. a2 mf pp arco
67
don’t drag, (ben misurato, q = 63) Perc. 2
Pno.
Solo Va. Solo Vc.
Ped.
pp
mf
p
mf
p
mf
mf
p
p
p
mf
Solo Vn. I
pp
Solo Vn. II
Hp.
Vibes, motor on
483
mf
mf
mf
f
p
pp
mf
pp
f
p
π
p
mf dolce espr.
mf
gradually raise ped. π
p
(2+3)
mf molto espr.
mf
mf
don’t drag, (ben misurato, q = 63) Vn. I
Va.
Vc.
1/01 version
arco
Vn. II
Cb.
()
arco
arco
(pizz.)
p
mf
(div.)
p
p
ppp sotto voce
ppp sotto voce
ppp sotto voce
pp
pp
pp
ppp sotto voce arco ppp sotto voce
unis., arco
ppp sotto voce
pp
pp
pp
p
p
p
p
p
p
pp
pp
p
p
p
p
p
p
(2+3)
pp
n
n
n
68
490
Fl. 1,2
Fl. 3
Cl. 1, 2
Bass Clarinet
Bs. Cl.
Hn. 1,2
Timp.
Pno.
Hp.
Offstage Solo Va.
p
p
Vn. I Vn. II
Va.
1/01 version
mf
f dolce, legato
f dolce, legato
f dolce, legato
pp
p
p
p
p
p
pp
pp
pp
pp
π
pp
pp non div.
pp
pp
pp
mf espr.
mf
mf dolce, espr.
mf
mf
mf dolce, legato
p
p
p
mf dolce, legato
mf dolce, legato
p
mf
mf dolce, legato
pp
pp
pp
p
1. solo
f dolce, legato
pp
div.
Cb.
Vc.
mf
p
Solo Vc.
pp
p
Solo Va.
pp
p
Solo Vn. I
pp
Offstage Solo Vc.
Solo Vn. II
Flute
pp
pp
Offstage Solo Vn. I Offstage Solo Vn. II
pp
pp
pp
pp
poco rall. 496
Fl. 1,2
Fl. 3
Ob. 1,2
Cl. 1, 2
Bs. Cl.
pp
pp
pp
pp
1.
pp
pp
pp
pp
pp
mp espr.
pp
pp
mp espr.
Timp.
Pno.
Hp.
Offstage Solo Vn. I
Offstage Solo Vn. II Offstage Solo Va. Offstage Solo Vc.
Solo Vn. I Solo Vn. II Solo Va. Solo Vc.
p
p
pp
p
mf
mf
pp
p
p
p
( pp )
pp
pp
ppp
pp
ppp
p
pp
p
p
p
p
p
al fine
p p
pp
pp pp
pp
pp
pp
ppp possibile
p
pp
ppp possibile
ppp possibile
pp
lunga
a tempo
pp
p
p
ppp
poco rall.
pp
p
lunga
ppp
pp
1/01 version
p
pp
Cb.
ppp
Vc.
(1.)
pp sempre
Va.
Vn. I Vn. II
pp
Hn. 1,2
69
a tempo
p
p