Voy a Dormir Four Poems by Alfonsina Storni for Mezzo-soprano and Orchestra
Full Score
Bryce Dessner
CHESTER MUSIC
This work was co-commissioned by Carnegie Hall, Orchestra of St. Luke’s (made possible through the generosity of Linda and Stuart Nelson), and Los Angeles Chamber Orchestra. The World Premiere was given by the Orchestra of St. Luke’s and Kelley O’Connor in Stern Auditorium/Perelman Stage at Carnegie Hall in New York City on February 15, 2018. INSTRUMENTATION 2 Flutes (2nd doubling Piccolo) Oboe Cor Anglais 2 Clarinets in B (2nd doubling Bass Clarinet) 2 Bassoons 2 Horns in F 2 Trumpets in C Timpani Percussion: Crotales Glockenspiel Xylophone 2 Vibraphones Tubular Bells Triangle Woodblocks Snare drum Bass drum Tam-tam
Harp Piano Strings Duration: c. 21 minutes. Full score in C.
for Kelley O'Connor
Voy a Dormir Four Poems by Alfonsina Storni Bryce Dessner
1. Yo en el fondo del mar Flute 1.2 (2 doubling Piccolo)
1
Oboe
4 4
Cor Anglais
4 4
Clarinet 1.2 in Bb (2 doubling Bass Clarinet)
A
q = 100 4 4
q = 106
4 4
Bassoon 1.2
4 4
Horn 1.2 in F
4 4
Trumpet 1.2 in C
4 4
Timpani
4 4 irregular patterns based on these rhythms, like a snare roll but with more variation consider rods and/or towel on snare for muted effect snare should feel textural and electronic, not overhwelming orchestra or voice in volume
Percussion
4 4 pp
Piano (doubling Celesta)
3
pp
4 4 4 4
mp
4 4 Harp
Mezzo-soprano
Violin I
4 4
4 4
q = 100 4 4
Violin II
4 4
Viola
4 4
A
3
3
3
3
3
3
3
3
3
3
3
3
p
4 4 Violoncello
div.
mp
4 4 mp
Contrabass
4 4
div.
mp
Copyright Š 2017 Chester Music Limited
p
q = 106
3
2 6 Perc. 3
3
3
3
3
3
Pno.
Cb.
9 Picc. p
Perc. 3
3
3
3
3
3
Crot. mp
6
p
Pno.
6
6
unis.
Vc. p
Cb. p
12 Picc.
Fl. 1 mp
Ob. mp
Perc. 3
3
3
3
3
3
Crot.
6
6
6
Pno.
Vln. I
div.
p
Vln. II p
Vla. pp
Vc. pp
Cb. mp
3 15 Picc. mf
6
6
Fl. 1
Ob.
Cl. 1 mp
Hn. 1 mp
Perc. 3
3
3
3
3
3
3
3
6
Pno.
p
3
3
Vln. I
p
Vln. II
Vla.
Vc.
Cb.
B
18 Picc. 6
Fl. 1 6
Cl. 1 p
Hn. 1
Perc. 3
Pno.
3
3
3
3
6
3
6
3
6
3
pp
3
p
M-S. En
B Vc. p
Cb.
el
fon
4 21 Cl. 1
Perc. 3
Pno.
3
3
3
3
3
pp
M-S. do
del
mar
hay
u
na
Vc.
Cb.
24 Fl. 1 p
6
6
Cl. 1
Perc. 3
3
3
p
Pno.
3
3
3
6
6
pp
mf
M-S. ca
sa
de
cri
stal.
A
Vla. p
Vc.
div.
p
p
Cb.
p
u
na
a
ve
5 27 Fl. 1 6
6
Cl. 1 p
6
Bsn. 1 mp
Hn. 1 mp
Perc. 3
3
3
3
3
6
6
Pno.
3
6
M-S. ni
da
de
ma
dré
por
as
da.
unis.
Vln. I mp
Vln. II mp
Vla. mp
mp
Vc.
Cb.
30 Cl. 1 6
6
6
Bsn. 1
Hn. 1
Perc. 3
3
3
3
6
Pno.
3
3
6
6
mf
M-S. Un
Vln. I
Vln. II
Vla.
Vc.
Cb.
gran
pez
de
or
o,
a
las
cin
co,
me
6 33 Picc. mp
Fl. 1 p
6
6
6
Ob. mp
C. A. mp
Bsn. 1 mp
Perc. 3
3
3
3
6
pp
Pno.
3
3
6
6
3
M-S. vie
ne
a
sa
lu
dar.
Me
tra
e
unis.
Vc.
Cb.
36 Picc.
Fl. 1 6
6
6
Ob.
C. A.
Bsn. 1
Hn. 1 mp
Perc. 3
3
3
6
Pno.
3
3
3
6
6
M-S. un
ro
jo
ra
mo
de
Vc.
Cb. p
flor
es
de
7
C
39 Fl. 1 6
6
6
Ob. mf
Hn. 1 mp
Perc. 3
3
3
3
3
3 3
3
6
Pno.
mp
3
3
f
M-S. co
ral,
un
gran
pez
C
de
or
o. 6
6
Vln. I mp
sfz
sfz 6
6
Vln. II mp
sfz
sfz
Vla.
Vc. mp
Cb.
42 Fl. 1 6
6
Ob.
C. A. mf
Cl. 1 mf
Hn. 1
Perc. 3
3
3
3
Pno.
3
3
3
6
6
6
3
pp
3
Hp. p
M-S. Duer
mo
en
u
na
ca
ma
un 6
6
Vln. I sfz
sfz
mf 6
6
Vln. II sfz
Vla.
Vc.
Cb.
sfz
mf
po
co
mรกs
8 45
3
3
3
3
Picc. 3
3
p
3
3
Fl. 1 p
Cl. 1
Perc. 3
3
3
Pno.
3
3
3
3
3
3
3
3
3
pp
Hp.
M-S. a
zul
que
el
mar.
Un
pul
po
Vln. I
Vln. II
Vla. mf
sfz
6
sfz
6
sfz
6
sfz
6
Vc. mf
Cb. mf
48
3
3
3
3
3
3
3
3
Picc.
Fl. 1
Ob. mf
Cl. 1
Hn. 1 p
Hn. 2 p
Perc. 3
Pno.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Hp.
M-S. me
Vc.
Cb.
ha
ce
gui
ños
a
tra
vés
9 51 Fl. 1 mf
Hn. 1
Hn. 2
Perc. 3
Pno.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Hp.
M-S. del
cri
stal.
Vln. I mf
f
Vln. II mf
f
Vla. mf
f
Vc.
Cb.
D 54
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 1 p
Fl. 2 p
Ob. p
Cl. 2 p
Bsn. 1 mf
Hn. 1 mf
Timp. mf
p
Pno.
f
M-S. En
D
3
Vln. I mp
Vln. II mp
Vla. mp
Vc.
div. mp
mp
Cb. mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
el 3
bos 3
que 3
ver 3
de 3
10 57
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 1
Fl. 2 with voice
Ob. mp
Cl. 2
Bsn. 1
Hn. 1 p
Timp.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Pno.
as if fading away, clock like
M-S. que
me
3
cir
3
cun
3
da
3
din
3
3
3
3
3
3
3
3
3
3
3
don
din
dan
din
don
3
Vln. I
Vln. II
Vla.
mf
Vc.
Cb.
60
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 1
Fl. 2 3
Ob.
3
echo
C. A. mp
Bsn. 1 3
mp
Hn. 1 mp
Timp.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6 3
Pno.
3
3
3
3
3
3
3
3
3
3
3
f
3
M-S. din
don
3
din
3
dan
3
don
se
3
3
3
3
ba
lan
3
mf
Cb.
3
mf
an
y
6
3
Vln. I
Vc.
ce
3
11 63 Bsn. 1 pp
mf
Hn. 1 pp
Hn. 2 pp 3
3
3
Pno.
3
M-S. can
tan
las
si
re
nas
short
Vln. I short
mf
6
6
3
3
Vln. II 3
mf
3
short 3
3
Vla. 3
mf
3
mf
Vc.
mf
Cb. mf
66
6
6
6
6
6
Fl. 1 3
3
mf
3
3
3
3
Ob. 3
mf
3
3
3
Cl. 1 3
mf
3
Bsn. 1
Hn. 1
Hn. 2
6
6
Pno.
3
mf
3
3
3 3
3
6
3 3
3
3
6
6
6
Vln. I 3
3
3
3
3 3
3
Vln. II 3
3 3
3
Vla. 3
Vc.
Cb.
3
12
E 69
take time here q = 100
plaintive
with voice
Ob. mp
B. Cl. p
Bsn. 1 p
Hn. 1 p
Hn. 2 p 3
Orch. Bells pp
Pno.
mp
plaintive
M-S. de
E
nĂĄ
car
ver
de
mar.
Y
so
bre
mi
ca
be
za
ar
take time here q = 100
Vln. I pp
Vln. II
div.
pp
pp
Vla.
altre
sola
mp
pp
Vc.
mp
pp
mp
pp
mp
pp
Cb.
77 Ob.
B. Cl. with voice
Bsn. 1 mp
Hn. 1
Hn. 2
M-S. cre
Vln. I
Vln. II
tutte
Vla.
Vc.
Cb.
pĂşs
cu
lo,
las
e
ri
za
das
pun
tas
del
mar.
den,
en
el
13
2. Dulce Tortura 85
F
Piccolo
4 4
Flute 1
4 4
Oboe
4 4
Cor Anglais
4 4
Clarinet 1 in Bb
4 4
Bass Clarinet in Bb
4 4
Bassoon 1
4 4
q = 90 pp
pp
pp
p
pp
pp
pp
pp
pp
pp
4 4 Piano
mp
4 4
F
q = 90
note in violins- except where solo, all violins should play
4 4
Violin I
Violin II
4 4
Viola
4 4
Violoncello
4 4
Contrabass
4 4
pp
ppp
pp
ppp
pp
pp
p
mp
pp
pp
p
mp
p
95 Picc. p
Fl. 1 p
5 4
4 4
5 4
4 4 ppp
5 4
Ob. p
C. A. pp
Cl. 1 p
B. Cl. p
Bsn. 1
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
p
Hn. 1 pp
Hn. 2
pp
Pno.
M-S.
5 4
4 4
5 4
4 4
5 4
4 4
mf
Pol
5 4
Vln. I
4 4
(ppp)
Vln. II
solo
pp
5 4
4 4
5 4
4 4
(ppp)
Vla. pizz.
Vc. pp soft
Cb.
5 4 5 4
arco p
4 4 4 4
pp
pp
vo
de
o
ro
14 103
5 4
4 4
5 4
4 4
5 4
4 4
Cl. 1
5 4
4 4
B. Cl.
5 4
4 4
5 4
4 4
Fl. 1 p
Ob. mp
C. A. p
mp
Bsn. 1 mp
mp
mp
5 4
Hn. 1 mp
4 4 mp
3
5 4
4 4
5 4
4 4
5 4
4 4
mp
Pno.
sf
M-S. en
tus
ma
nos
fue
mi
me
lan
co
lĂ
a
so
tutti
bre
tus
Vln. I
5 4
4 4
Vln. II
5 4
4 4
5 4
4 4
5 4
4 4
ma
nos
lar
gas
pp
Vla. pp
Vc. mp
5 4
Cb.
mp
4 4
mp
pp
pp
110
G
5 4
Fl. 1 mp
4 4
5 4
4 4
5 4
4 4
Cl. 1
5 4
4 4
B. Cl.
5 4
4 4
5 4
4 4
Ob. mp
C. A. mp
mp
Bsn. 1 mp
p
mp
5 4
Hn. 1 mp
4 4 mp
3
3
5 4
4 4
5 4
4 4
5 4
4 4
mp
Pno.
pp poco espress.
sf
M-S. des par
ra
mĂŠ
mi
vi
da;
mis
dul
zur
as
que
da
ron
a
mp
Vln. II
ma
G 4 4
5 4
Vln. I
tus
5 4
4 4
5 4
4 4
5 4
4 4
mp
Vla. mp
Vc. mp
Cb. mp
5 4
mp
4 4
light, air like pp
nos
pren di
das;
15 116
5 4
4 4
Fl. 1
5 4
4 4
Ob.
5 4
4 4
C. A.
5 4
4 4
Cl. 1
5 4
4 4
B. Cl.
5 4
4 4
Bsn. 1
5 4
4 4
Hn. 1
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
Picc. p
p
pp
Pno.
M-S. a
hor
a
soy
un
án
fo
ra
de per fum
5 4
Vln. I
es
va cí a.
4 4 ppp
Vln. II
5 4
4 4
Vla.
5 4
Vc.
5 4
4 4
Cb.
5 4
4 4
ppp
123
pizz.
arco
4 4
ppp
H
Picc.
5 4
4 4
Fl. 1
5 4
4 4
Ob.
5 4
4 4
C. A.
5 4
4 4
Cl. 1
5 4
4 4
B. Cl.
5 4
4 4
Bsn. 1
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
3
pp
Hn. 1 p
Pno.
M-S.
3
pp poco espress.
Cuán
H Vln. I
5 4
4 4
solo
5 4
4 4
solo
(ppp)
Vln. II (ppp) pizz.
5 4
Vla.
arco
4 4
sola
pp pizz.
Vc.
arco
5 4
4 4
pp
Cb.
solo
pp
5 4
4 4
ta
dul
ce
tor
tu
ra
quie
ta
men
te
su
16 130
I
Fl. 1
6 4
Ob.
6 4
C. A.
6 4
4 4
6 4
4 4
mp
Cl. 1 3
4 4
mp
4 4
mp
6 4
Bsn. 1
4 4 mp
6 4
Hn. 1
4 4 p
6 4
4 4
6 4
4 4
6 4
4 4
3
mp
Pno.
3
sf mp
M-S. fri
da
cuan
do,
pi
ca
da
el
al
ma
de
tri
tutti
6 4
tutti
6 4
Vln. I
ste
za
som
brí
a,
sa
be
do
ra
de
en
ga
ños,
I
4 4
mp
Vln. II
4 4 mp
tutte
6 4
Vla.
4 4 mp
tutti
6 4
Vc. p
6 4
Cb.
4 4 mp
4 4
pp
pp
mp
136
6 4
Fl. 1 mp poco espress.
4 4 mp
Ob.
6 4
C. A.
6 4
4 4
6 4
4 4
mp
Cl. 1
4 4 pp
mp
mp poco espress.
B. Cl.
6 4
4 4
Bsn. 1
6 4
4 4
mp poco espress.
mp
Hn. 1
6 4
4 4
6 4
4 4
6 4
4 4
mp poco espress.
mp
Pno.
3
sf
6 4
M-S. pa
sa
da
los
dí
as
!
me
be
san
do
las
dos
ma
nos
mp
que
6 4
Vln. I mp
Vln. II
4 4 me
a
ja
ban
la
4 4 mp
4 4
6 4 mp
6 4
Vla.
mp
mp
6 4
Vc. mp
Cb.
4 4
6 4
4 4 mp
4 4
pp
pp
vi
17 142 Fl. 1 ppp
Ob.
Cl. 1 p l.v.
pppp as if an after thought
Pno.
3
M-S. da!
la
vi
da!
solo
Vln. I ppp
Vc.
Cb.
3. Faro en la Noche J 148 Piccolo
4 4
Oboe
4 4
q = 86
non vib. p
Cor Anglais
mf
4 4
p
Clarinet 1 in Bb
p
mf
p
mf
p
non vib.
4 4
p
Bassoon 1
mf
non vib.
4 4 p
Horn 1 in F
4 4 p
Horn 2 in F
4 4 p
Trumpet 1 in C
4 4 p
J Violin I
4 4
q = 86
tutti bow on top of bridge no pitch, air sound
ppp
4 4 Violin II
div.
4 4
bow on top of bridge no pitch, air sound
ppp bow on top of bridge no pitch, air sound
ppp
Viola
4 4
bow on top of bridge no pitch, air sound
ppp
Violoncello A
bow on top of bridge no pitch, air sound
4 4 ppp
Contrabass
mf
non vib.
4 4
p
Clarinet 2 in Bb
mf
non vib.
bow on top of bridge no pitch, air sound
4 4 ppp
18
K
156
q = 80
Ob. p
p
C. A. p
p
Cl. 1 p
p
Cl. 2 p
Bsn. 1 p
Hn. 1 p
pp
Hn. 2 p
pp
Tpt. 1 p
Glock. 3 pp extremely quiet- distant echo with vibraphone
soft mallets lightly defined
Vib. p
p
Pno.
slowly sound pitch with light sul. pont.
K
q = 80
Vln. I ppp
slowly sound pitch with light sul. pont.
ppp
Vln. II slowly sound pitch with light sul. pont.
ppp
slowly sound pitch with light sul. pont.
Vla. ppp
slowly sound pitch with light sul. pont.
Vc. ppp slowly sound pitch with light sul. pont.
Cb. ppp
pp
3
19 165 Hn. 1 mp
p
mf
mp
p
mf
Hn. 2
sim.
Glock. 3
3
3
3
3
3
sim.
Vib.
sim.
Pno.
mp
M-S. Es
fer
a
ne
gra
el
cie
lo
y
dis
co
ne
gro
Vln. I
Vln. II p
thin light sul pont.
Vla. ppp thin light sul pont.
Vc. ppp thin light sul pont.
Cb. ppp
171 Hn. 1 mp
Glock. 3
3
3
3
3
Vib.
Pno.
M-S. el
mar.
Ab
re
en
la
co
sta,
el
fa
ro,
su
adding slight accent with tremolo create surface texture
Vln. I sfp
adding slight accent with tremolo create surface texture
Vln. II sfp
sfp
Vla. sfp
sfp
Vc. mp
Cb. mp
a
20 176 Ob. p 5
5
5
5
5
5
5
Cl. 1 mp staccato
Hn. 1 mp
Glock.
Vib.
5
p
Pno.
5
5
5
5
5
5
5
5
5
5
mf
M-S. ba
ni
co
so
lar.
A quién
bus
ca
en la no
che
que
gi
ra
sin
ce
sar?
Vln. I
Vln. II
Vla. p
5
5
5
5
5
5
5
5
5
5
5
5
Vc.
Cb.
L
182 Picc.
mp 5
Ob. 5
5
p
5
Cl. 1
5
5
Hn. 1 p 5
5
5
5
Pno.
5
5
5
5
5
5
5
5
5
5
5
mf
5 5
5
5
5
5
5
5
Hp. p mf
M-S. Si
en
el
pe
cho
me
bus
L
ca
el
cor
a
zón
mor
Mi
5
5
5
tal.
5
re
5
Vln. I mp
5
5
5
5
Vln. II mp
5
Vla. 5
5
p
5
5
5
5
5
5
5
div.
Vc. mp
5
mf
5
5
Cb. mp
5
mf
5
5
5
21 187 Picc.
5
Ob. 5
Cl. 1 mp articulate
5
5
Hn. 1
Tpt. 1 mp
articulate, points
Xyl. p
articulate, points
Vib. p
5
5
5
5
5
5
5
Pno.
5
5
5
5
5
5
5
5
5
Hp.
M-S. la
ro
ca
ne
gra
don
5
5
de
cla
va
do
5
5
es
tรก.
5
Un
cuer
5
vo
pi
5
Vln. I mp
5
5
5
5
5
5
Vln. II mp
5
5
5
Vla. 5
5
5
5
5
5
5
Vc. 5
5
Cb. 5
5
5
ca
22 191 Picc.
Ob. mp
Cl. 1
Bsn. 1 mf
3
3
3
3
Hn. 1 mf
Tpt. 1
Xyl. p
Vib. p
5
5
5
5
5
5
5
5
Hp.
this rhythm can float across
f
M-S. si
em
5
pre,
pe
ro
no
san
gra
5
5
ya.
5
Vln. I 5
mp
5
5
5
Vln. II 5
mp
5
Vla. 5
5
5
5
5
5
unis.
Vc. f
3
3
3
3
3
3
3
3
3
3
3
3
Cb. f
5
5
23 195 Picc. mp
Ob.
Bsn. 1 3
3
3
3
Hn. 1 mp
Hn. 2 mp
Xyl.
Vib.
5
5
5
5
5
5
5
p
Pno.
5
mf
5
5
5
5
5
Hp. p
M-S.
p
mp
p
div. a 3
Vln. I p
mp
p
p
mp
Vln. II
p
mp div.
p
p
mp
Vla.
p
div.
5
5
5
5
5
5
p
5
Vc. 3
mf
5
Cb. 3
3
p
p
5
div.
3
p
mf
5
p
24 199 Bsn. 1 mf
5
Hn. 1 mp
mf
5
Hn. 2 mf
5
Tpt. 1 mf
5
5
5
5
5
5
Pno.
5
5
5
5
5
5
5
mf
5
5
5
5
5
5
Hp. mp
p
mp
mf
Vln. I p
mp
p
mf
mp
p
mf
mp
mf
Vln. II
p
mp
p
mf
mp
mf
Vla.
p
mp
mf
Vc. mf
5
f
5
Cb. mf
5
f
5
25 203
5
5
5
5
5
5
Ob.
Hn. 1
Hn. 2
5
5
5
5
5
5
5
5
Pno.
5
5
5
5
5
5
5
5
5
Hp. 5
mp
Vln. I mp
mp
mp
Vln. II
mp
mp
Vla.
mp
Vc. 5
5
5
5
Cb.
26
4. Voy a Dormir M
207 Piccolo
4 4
q = 86 mp
Oboe
4 4 p
Clarinet 1 in Bb
4 4 pp
Horn 1 in F
4 4 p
Timpani
4 4 p
medium hard mallets for bell like clarity
Vibraphone 1
4 4 pp
Vibraphone 2
4 4
medium hard mallets for bell like clarity
pp
Celesta
5
4 4
5
5
5
5
5
5
mf
soft
Harp
4 4
7
7
7
7
7
7
7
mp
M
q = 86
div.
4 4 pp
Violin 1
div. a 2
4 4 pp
4 4 Violin II
p
p
p
p
p
p
div.
4 4
4 4 Viola
p
pp
p
pp
div.
4 4
Violoncello
4 4 p
Contrabass
4 4
27 214 Picc. p
Ob. mp
C. A. mp
Cl. 1 mp
B. Cl. p
f
p
f
mf
Bsn. 1 mp
Bsn. 2 mp
Hn. 1 p
f
p
f
p
f
p
f
p
f
p
f
p
f
p
f
Hn. 2
Tpt. 1
Tpt. 2
5
5
5
5
Glock. mp
Orch. Bells p
Vib. 1 p
Vib. 2 p 5
Cel. mf
p
Pno.
7
7
7
Hp.
mf
M-S. Dien
short
Vln. I
p
p short
p (div.) short
unis.
Vln. II p
p div.
Vla.
Vc. mp
Cb. p
tes
de
flo
28 221 Ob. p
C. A. p
Cl. 2 p
5
5
Vib. 1 mp
Vib. 2
mp
Pno.
7
7
7
7
Hp. p
mp
M-S. res,
co
fi
a
de
ro
cí
o,
ma
nos
de
Vln. I
hier bas,
tutti
sul pont.
mp
mf
mp
mf
mp
mf
mp
mf
pp
p
sul. pont
Vln. II mp unis.
pizz.
p
sf
mf
Vla. sf
sf
sf
sf
pizz.
Vc. p
sf
Cb. p
N
229 Ob.
p
Cl. 1 p
3
3
p
Bsn. 1 p
Hn. 1 p
pp
p
pp
pp
pp
Hn. 2
Tpt. 1
B. D.
p
mp
Pno.
sf
mp 7
7
7
7
7
Hp. 3
3
3
M-S. tú,
no dri za fi
N p
Vln. I
p
Vln. II pp div.
mp
arco
Vla. p arco
p
p
mp
Vc.
Cb.
na,
29 236 Picc. p
Ob. mp
p
5
Cl. 1 mp
p
B. Cl. p
Bsn. 1 p
p
Bsn. 2 p
Hn. 1 p
mp
Hn. 2 p
B. D. p
mf
Pno.
5
3
M-S. ten
me
pre
stas
las
sรก
ba
nas
ter
ro
sas
solo
mp
p
espress.
Vln. I mp
Vln. II
mp
p
div.
p
mp
Vla. mp
Vc. mp
3
3
Cb. mp
3
3
3
3
3
30 244 Picc. mp
Ob. mp
C. A. mp
Cl. 1 p
B. Cl. mp
sf
mp
sf
mp
sf
mp
sf
mp
sf
Bsn. 1 mp
Bsn. 2 mp
Hn. 1
Hn. 2
Pno.
M-S. y
el
e
dre
dรณn
de
mus
gos
es
car
da
dos.
tutti div. a 2
Vln. I
pp altri
pp
p
Vln. II
mp
pp
p
Vla.
sul pont.
stop on extreme pont. molto sul pont.
Vc. pp
p
Cb. pp
sfz
mp
f
31 252 Cl. 1
distant fog horn
Hn. 1 p
mf
Tpt. 1 mp
sfz
Timp. mf
p
T.-t. p
distant
3
Orch. Bells mp
Vib. 1 mp
3
mf
3
3
3
M-S. Voy
a
dor
voy
mir,
a
dor
solo
mir,
voy
a
dor
mir,
tutti
pp
sf
mp
sf
Vln. I half
p
sf
unis.
Vln. II p
sf
mp
sf
molto sul pont.
Vla. mp
f
3
p
molto sul pont.
(molto sul pont.)
mp
sf
3
Vc. f
molto sul pont.
mp
sf
molto sul pont.
Cb. mp
f
sf
sf
mf
f
3
3
32 261 Picc. mp
Ob. mp
C. A. mp
Cl. 1 mp
B. Cl. mf
Bsn. 1 mp
mf
Bsn. 2 mp
3
Hn. 1 mp
mf
Hn. 2 mp
shimmering arp. as desired sim.
Vib. 1 mp
mp
Pno.
underneath the voice, distant can place 'voy a dormir improvised over these pitches 3
3
3
3
3
3
3
3
M-S. voy
a
dor
mir,
short`
div.
pp short
Vln. I pp short
pp
short
Vln. II pp
Vla. pp
ord.
Vc. mf
Cb. mf
33 cresc. until cut off
266 Picc.
7 8
Ob.
7 8 3
C. A.
7 8
Cl. 1
7 8
Bsn. 1
7 8 p
7 8
Hn. 1 mp
7 8
Hn. 2 3
p
3
7 8
Tpt. 1 p
3
3
7 8
Timp. p
B. D.
7 8
p l.v.
7 8
Vib. 1
7 8 Pno.
7 8 3
3
3
3
3
3
7 8
M-S.
7 8 7 8
Vln. I
7 8 (div.)
7 8
Vln. II short
7 8
Vla. short
Vc.
7 8
Cb.
7 8
271
O
delicate like mist rising *each section together but larger polyrhythm can be blurred/approx.
Hn. 1
7 8
5 8
7 8
Hn. 2
7 8
5 8
7 8
O Vln. I
7 8
unis.
delicate like mist rising *each section together but larger polyrhythm can be blurred/approx. norm.
mp espress.
5 8
7 8 pp
pp
Vln. II
7 8
unis.
norm.
5 8
7 8 pp
pp
Vla.
7 8
norm.
5 8
7 8
5 8
7 8
pp
Vc.
7 8
norm.
pp
mp espress.
34 277 Bsn. 1 mp espress.
Bsn. 2 mp espress.
Hn. 1
Hn. 2
Vln. I
Vln. II
Vla.
Vc.
282 Bsn. 1
4 4
Bsn. 2
4 4
Hn. 1
4 4 p
Vln. I
4 4
Vln. II
4 4
Vla.
4 4
Vc.
4 4
Cb.
4 4 mp
287 B. Cl.
4 4
Bsn. 1
4 4
Glock.
sf
sf
sf
sf
sf
4 4 p
Vib. 1
sf
3
3
3
3
3
4 4 p
4 4 Pno.
Hp.
sub. p
mp
4 4 4 4 mp
Vln. I
4 4
Vln. II
4 4
Vla.
4 4
Vc.
4 4
sfz
sub. p
p
p
mp
mp
sub. p
sfz
sub. p
35
P
292
q = 80
Picc. p
Ob. p
B. Cl. sf
Bsn. 1 sf
Glock. 3
3
Vib. 1
Pno.
Hp. sfz mp espress.
M-S. Voy
P
a
dor
mir,
no
dri
za
mi
a
q = 80
Vln. I sub. p
Vln. II sub. p
pp sola
Vla. p espress.
Vc. sfz
pp
298 Picc. mp
C. A. p
Cl. 1 p
Bsn. 1 mp
M-S. a
cué
sta
me.
Pon solo
me
u
3
3
Vln. I p
Vln. II p tutte
Vla.
Vc.
na
lám
pa
ra 3
a
la
ca 3
be
ce
ra;
u
na
36 305 Picc. mp
Cl. 1 mp
3
3
3
3
3
3
Cel. p
M-S. con
ste
la
ciรณn;
la
que
te
gu
ste;
to
das
son
bue
(solo)
nas;
(solo)
Vln. I mp
Vln. II
Vla.
Vc. 3
3
3
3
Cb. mp
Q
311
q = 100
7 8
Picc.
7 8
Ob. mf
7 8
C. A. mp
3
3
3
3
7 8
Cl. 1 p soft 3
5
7 8
6
Tpt. 1 sfp
7 8
Vib. 1 sf 3
3
3
3
3
7 8
3
Cel.
short marcato
7 8
Hp. mf
7 8
M-S. bรก
ja
la
un
po
qui
to.
Q
q = 100
tutti
6
6
sim.
6
7 8
6
6
sim.
6
7 8
Vln. I sfp
Vln. II sfp
7 8
Vla. sfp 3
5
6
Vc. sfp
Cb.
7
3
7 8 7 8
37 316 Picc.
7 8
4 4 mp
Ob.
7 8
4 4
Cl. 1
7 8
4 4 mf
7 8
Bsn. 1
4 4 mf
7 8
Tpt. 1
7
4 4
3
5
3
3
7 8
4 4
Hp.
7 8
4 4
Vln. I
7 8
5
3
3
4 4
6
3
6
3
sfp
Vib. 1
5
3
3
7
5
6
6
5
6
6
3
6
sfp
7 8
Vln. II
5
4 4
6
3
3
3
7
3
6
sfp
7 8
Vla.
7
3
7 8
Vc.
6
3
3
sfp
4 4
3
3
sfp
7 8
Cb.
3
4 4 5
3
3
3
7
3
3
5
6
4 4 sfp
7
p
3
3
3
319 Picc.
7 8
Cl. 1
7 8
Bsn. 1
7 8 6
3
5
3
sfp
7 8
3
Tpt. 1
7
3
sfp 3
3
7 8
3
3
3
7 8
3
Vib. 1
Hp.
mf
7 8
M-S. ah
3
Vln. I sfp
3
3
3
Vln. II sfp
3
3 7
7
3 6
3
5
sfp
3
3
7
3
3
7
7 8
3
sfp 3
Cb. 3
6
sfp
3
Vc. 3
7 8 7 8
Vla. sfp
7
5
3
3
3
5
3
3
7 8
7 8
3
3
6
3
3
38 322
7
3
6
3
Cl. 1 6
sfp 3
6
6
3
Hn. 1 5
sfp
3
7
3
6
3
Tpt. 1 sfp 3
5
6
Tpt. 2
3
Vib. 1 sfp
6
3 3
Hp. sfp
3
f
M-S. ah
6
7
3
3
6
3
6
Vln. I sfp 6
7
3
6
6
6
6
Vln. II sfp 5
5
3
7
3
Vla. 6
sfp
3
3
5
6
Vc. 5
3
5
3
6
sfp
3
5
3
7
3
Cb. 3
325
4 4
Cl. 1 5
sfp
6
5
6
sfp
Hn. 1
4 4
Tpt. 1
4 4 sfp
7
3
3
7
mf
3
mf
3
5
f
sfp
5
3
3
3
3
3
4 4
Hp.
7
5
4 4
M-S. ah
sfp
4 4
6
3 5
3
3
7
6
5
sfp
6
3
6
3
div. a 3 3
6
3
6
4 4
Vln. I sfp
sfp
5
mf
4 4
5
mf
4 4
6
3
Vln. II sfp
5
sfp
3
sfp
sfp
Cb.
7
4 4
Vla.
div.
3
6
5
sfp
3
Vc.
3
6
3
3
3
3
3
3
5
4 4 3
6
3
3
sfp
7
3
3
3
3
sfp
3
5
3
3
3
3
4 4 mf
4 4
sfp
7
3
39
R
328 Picc.
f
Cl. 1 sfp
3
3
6
6
B. Cl. ff
Bsn. 1 ff
Hn. 1 ff
Hn. 2 ff 7
3
Tpt. 1
3
6
3
Tpt. 2
Timp. f dark toms with felt mallets
Toms f
dark, resonant
T.-t.
l.v.
f
Pno.
f
ff
Hp. 3
3
ff defiant
M-S. Dé
R 3
3
3
3
3
f
3
Vln. I f
f
3
Vln. II
3
3
3
3
3
div.
mp
f
7
3
Vla. 6
3
3
3
3
3
Vc.
f
f
f
Cb. 3
3
3
ff
ja
me
so
la:
3
3
40 333 B. Cl. ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
Bsn. 1
Hn. 1
Hn. 2
Tpt. 1
solo
Timp. f
ff
f
Toms f
3
3
B. D.
l.v.
T.-t. f
Vib. 1 3
mf
Pno.
ff
ff
M-S. o
yes
rom
per
los
bro
tes . . .
te
f
Vln. I f
unis.
Vln. II f
Vla. f unis.
Vc. f
Cb. ff
f
a
cu
na
41 339
5 4
Picc. f
f
5 4
Ob. mf
5 4
B. Cl. ff
ff
5 4
Bsn. 1 ff
ff
5 4
Bsn. 2 ff
ff
5 4
Hn. 1 ff
ff
5 4
Hn. 2 ff
ff
5 4
Tpt. 1 f
5 4
Timp. ff
5 4
B. D. sfz
l.v.
T.-t.
5 4
l.v. mf
mf
5
5
5 4
Vib. 1 3
3 3
3
5 4 Pno.
f
f
5 4
3
f
5 4
M-S. un
pie
cel
este
des
de
ar
ri
ba
y
un
pรก
ja
ro
5 4 div. a 2
Vln. I
f
mf
5 4 f
mf
5 4
Vln. II f
mf
5 4
Vla. f sul pont.
ord.
sul pont.
Vc. 3
5 4 5 4
Cb. f
ff
42 346 Picc.
5 4 f
5 4
Ob.
6
4 4 4 4 mf
5 4
Hn. 1
3
4 4
3
mf espress.
Pno.
M-S.
5 4
4 4
5 4
4 4
5 4
4 4
mp
mf
te
5 4
4 4
5 4
4 4
Vln. II
5 4
4 4
Vla.
5 4
4 4
Vln. I
3
f
tra
za
3
u
nos
com pa
ses
sub. mp
sub. mp
sub. mp
sub. mp
5 4
Vc.
4 4 sub. mp
5 4
Cb.
3
3
3
3
3
3
pizz.
4 4 sub. mp
mp
Tempo primo
S
353 Picc.
4 4
C. A.
4 4
q = 86 p
mf
4 4
Cl. 2
pp
Hn. 1
4 4
Hn. 2
4 4
p
mf p
4 4
Tpt. 1 p
4 4
Vib. 1
p
Pno.
4 4
7
7
4 4 mp soft
p 5
4 4
Hp.
5
mp
4 4
M-S. ah
Tempo primo
S
q = 86
4 4 div. a 3
Vln. I
4 4
pp
pp
espress.
4 4 4 4 Vln. II
div. mf
mf
Vla. mf
Vc. f arco
Cb. f
4 4 4 4 4 4 4 4
pp
pp
pp
pp
43 360 Picc. p
Ob. p
C. A. p
Cl. 1 p
Cl. 2
Hn. 1 mp
p
mp
mp
p
mp
Hn. 2
Tpt. 1 p
Timp. p
Orch. Bells p
Vib. 1
7
7
7
7
7
Pno.
5
5
5
5
5
Hp.
always small accent at front of harmonic mp
Vln. I mp
mp
Vln. II
Vla. mp div.
Vc. p
mp short
Cb. p
mp
44 365 Picc.
Cl. 1 mp
Cl. 2 mp
Bsn. 1 mp
sfp
Bsn. 2 mp
sfp
Hn. 1 p
f
p
f
p
f
p
f
p
f
p
f
p
f
p
f
Hn. 2
Tpt. 1
Tpt. 2
low rumble throughout
Timp. p
f
B. D. p
Orch. Bells
Vib. 1 p
Vib. 2 p
7
7
7
7
p
Pno.
5
5
5
5
Hp.
mf
M-S. pa
unis.
Vln. I mp
always small accent at front of harmonic unis.
Vln. II mp
Vla. mp
Vc. mp
Cb. mp
p
ra
que
ol
vi
45 371 Ob. p
Cl. 1 p
p
Vib. 1 sfz
Vib. 2 sfz
M-S. des . . .
Vln. I
Gra ci
as.
Ah,
un
en
car
go:
si
div.
mp
Vln. II
sul. pont
norm.
Cb. pp
mp
light accents on each note
378 Picc.
p
light accents on each note
Ob. p light accents on each note
C. A. p
light accents on each note
Cl. 1 p
Bsn. 1 mf
Bsn. 2 mf
Hn. 1 mf
Hn. 2 mf
Timp. p
Pno.
ff
mp
3
5
3
3
M-S. lla
ma
nu
e
va
men
te
por
el
te
lé
fo
no
le
mf
Vln. I
mf
Vln. II mf
Vla.
div.
mf
mf
mf
mf
mf
Vc.
Cb. mf
ff
di
ces
él
46 385 Picc.
Ob.
C. A.
Cl. 1
Bsn. 1 p
mp
Hn. 1 mf
Orch. Bells mp
p
Vib. 1
Pno.
mp
mf
mp
mf
5
3
M-S. que
no
in
si
sta,
que
he
sa
li
do . . .
quiet trem.
p
sf
Vln. I
sf
p
Vln. II p
slight accents
unis.
Vla. mp
mp
Vc. p
3
3
3
3
3
Cb. mp
47 392 Picc. p
Ob. p
B. Cl. p
p
f
p
p
f
p
p
f
p
f
p
f
Bsn. 1
Bsn. 2
Hn. 1 p
Hn. 2 p
Timp. sfz
B. D. f
p
bowed crotale
Crot. mp
Orch. Bells
Vib. 1
Pno.
l.v.
div.
sf
Vln. I
sf
mp
mp
sf
Vln. II
div.
sf
sf
sf
sf
mp
mp
Vla. p
Vc. 3
3
mp
Cb. mf
mp
f
48 399 Picc. p
mp
Ob. p
mp
C. A. p
p 3
3
3
Cl. 1 p
B. Cl. p
Bsn. 1 p
mp
Hn. 1 p
Vln. I
p
mp
unis.
mp
p
Vln. II p
mp
mp div.
unis. plain non vib.
Vla. mp
Vc. p
mp
Cb. p
T
405 Picc.
improvise these pitches breathe as needed
Ob. mp 3
3
3
3
3
C. A.
3
3
Cl. 1
B. Cl. 3
3
3
3
Bsn. 1
l.v.
Vib. 1 sf figure can be improvised with these pitches and rhythm trill-like
pp
Pno.
3
M-S. voy
T Vln. I
a
dor
mir,
pp
Vln. II
Vla. molto pont.
Vc. p
Cb.
f
p
3
6
49 410 Ob.
improvise these pitches breathe as needed 3
C. A. mp
improvise these pitches breathe as needed
3
5
5
5
5
Cl. 1 mp
5
improvise these pitches breathe as needed
Cl. 2 mp
5
improvise these pitches breathe as needed
Bsn. 1 mp improvise these pitches breathe as needed
Bsn. 2 mp
Hn. 1 mp
Hn. 2 mp
Timp. p
p
p
p
B. D.
l.v.
T. Bells mp
sim.
Pno.
3
3
M-S. voy
a
dor
mir,
voy
a
Vln. I
Vln. II
Vla. mp
Vc. 3
Cb.
3
3
dor
50
U
413 Ob.
C. A.
Cl. 1
Cl. 2
Bsn. 1 mf
Bsn. 2 mf
3
6
Hn. 1 ff 3
Hn. 2 ff 3
Tpt. 1 f
Tpt. 2 mf
Timp.
B. D.
lv.
T.-t. f
mp
T. Bells f
Vib. 1 f
f
Pno.
M-S. mir . . .
U Vln. I
Vln. II
Vla.
Vc. 3
3
Cb. f
51 416 Picc. pp
Ob. pp
C. A. pp
3
5
3
5
Cl. 1 f
Bsn. 1
Bsn. 2
7
3
3
3
3
5
3
5
3
6
Hn. 1
7
3
5
6
3
6
3
Hn. 2 3
5
7
Tpt. 1 3
5
3
5
Tpt. 2
T. Bells
Vib. 1
sim.
Pno.
pp
Vln. I
pp
Vln. II
div.
pp
pp
Vla.
div.
pp
pp
Vc. pp
Cb. pp
52 420 Picc.
Ob.
C. A.
Bsn. 1
Bsn. 2
7
3
3
3
5
3
5
Hn. 1
7
3
5
3
5
3
5
Hn. 2
7
3
3
3
5
3
5
Tpt. 1
7
3
5
Tpt. 2
T. Bells
l.v.
Vib. 1
l.v.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
53
V
423 Picc.
p
Hn. 1 pp
players can add 2 beats of light tremolo sul pont. uncoordinated gradually across this section, begin at the back moving forwards should feel random, responsive
V ppp div. a 3
Vln. I ppp
ppp
ppp
Vln. II riccochet
riccochet
sf
sf
unis.
Vla. p poco espress.
mp
Vc. p poco espress.
mp
430 Picc.
Pno.
ppp
Vln. I
Vln. II ricochet
sf
div.
Vla.
p
pp
p
pp
Vc. p
Cb. p
54 432 Picc.
Hn. 1 pp
T.-t. ppp very soft
Pno.
Vln. I riccochet
sf
p
Vln. II
ricochet
ricochet
unis.
sf
Vla. sf
Vc. mf
Cb. mf
434
l.v.
T.-t. l.v.
Pno.
Vln. I ricochet
sf
p
Vln. II
Vla.
Vc.
Cb.
436
l.v.
T.-t. continue pattern ad lib.
Pno.
Vln. I
Vln. II
Vla.
Vc.
Cb.
l.v.