WAITING FOR THE BARBARIANS An Opera by Philip Glass Libretto by Christopher Hampton Piano/vocal Score
(5/1/2006)
DUNVAGEN MUSIC PUBLISHING
Commissioned by the Erfurt Theater, Erfurt Germany World Premiere, September 10, 2005
WAITING FOR THE BARBARIANS Overture
Christopher Hampton
Philip Glass
q= 132 Soprano
Chorus
Alto
ee ee ee sim. mp
Tenor
Bass
mp
oh oh oh
sim.
Piano
mp
mp mf T oh oh oh sim.
7
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B
mp
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Copyright © 2005 by Dunvagen Music Publishing 5/1/2006
Act I Overture
2
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T ee B
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Act I Overture
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Act I Overture
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Act I Overture
47
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f Act I Overture
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ee oh ee oh ee oh
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Act I Overture
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ah ee sim.
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ee
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D
ah
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ee
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Act I Overture
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Act I Overture
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Act I Overture
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111
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Act I Overture
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11
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cresc.
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121 S
G
ah
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ah
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Act I Overture
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126
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ah
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131
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Act I Overture
cresc.
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13
cresc.
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136
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ah
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14
141
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Act I Overture
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146
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151
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Act I Overture
15
ah
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cresc.
I mf
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cresc.
f 156 mf f unis. ee
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Act I Overture
16 161 J
sub. p
165
ah 169
T
B
p
ah
B
mp
ah
ah
ah
ee
ee
ee
ee
ee
ee
ee
ee
ah
ah
p
ah
p
p
mp
ah
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oh
oh
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oh
ah
ah
ah
ah
mp
ah 173
T
p
p
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oh
oh
oh
oh
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p
p
p
ah p
177
T
B
Act I Overture
p
ah
ah
ah
ah
ah
mp
ee
ee
ee
ee
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ee
ee
ee
ee
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p
p
p
K
1 solo mp
ah p
p
ah
p
185
ah
B
ah
T
181
A
S
17
p
ah
ah
ee
ee
ah
ee
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p
1 solo
ah
sim. mp
sim.
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p
p
Act I Overture
18
190
S
(solo)
A
T
B
ah
mp
mp
ah
ah
ee
ee
ah
ah
ee
ee
p
p
p
ah
ee
ee
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ah
ah
ee
ee
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p
ah
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B
ah
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T
195
S
1 solo mp
p
Act I Overture
L
200 (solo)
S
mp
19
ah
T
B
p
mp
ah
ah
ee
ee
sim.
p
ah
ee
ee
ah
p
205
1 solo
ah
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B
p
mp
sim.
mp
A
T
p
mp
mp
mp
p
p
p
Act I Overture
20
209
S
1 solo
mp
ah
ee
ee
ah
ah
ee
ee
ah
ee
mp
ah
ah p
T
B
p
ah
ee
ee
ah
ah
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ee
p
213
S
p
mp
p
poco rit.
ah
Act I
21
Scene 1
q = 120
mp
4
A
7
10
mp
13
p
16
B
p
mp
Act I Scene 1
22
18
sub. p
sub. p
sub. p
mp
mp
dim.
mp
24
22
mp
20
pp
p
mp
Act I Scene 1
26
sub. p
sub. p
p
mp
sub. p
mp
sub. p
mp
sub. p
mp
32
C
Magistrate
mf
In
sub. p
mp
30
Mag.
mp
28
23
mp
mp
fact,
we nev - er
p
35 Mag.
24
had
a pris - on
Act I Scene 1
in
this town
Mag. 38
Nev - er need - ed one.
41
p
43
mp
p
pp
mp
Mag. 45
D
mf
So
it's
a
stroke
mp
of
luck
we have these
pris - on - ers
Act I Scene 1
Mag. 47
to
show
mp
you
49
picked them up
We
af - ter
a
cat - tle - raid
Not
twen - ty miles
mp
Mag. 51
from here
Mag.
25
They
say
they had
noth - ing
to
53 Mag.
do with it
Mag. 55
Act I Scene 1
26
Would
you like
me to speak to them?
57
59
Mag. 61
E Meno mosso q = 104 mf
Did
you
take part in the raid?
Mag.
mp
64
p
mp
p
p
p
p
mp
It's your dark glass - es He's nev - er seen them be - fore
mp
mp
Mag.
Act I Scene 1
67
Prob - a - bly
thinks
mp Mag.
Do you see,
70
you're blind.
27
p
Fa - ther? These gen - tle - men come from the cap - i - tal.
73 F Mag.
They
are
from
the Third Bur - eau
Their
job
is to find out
the
p
pp
Mag. 76
truth
Mag. 79
O.M. 81
G
85
Old Man mf
my
grand - son
p
On our
way here
to the
mp
p
doc - tor the sold - iers stopped us.
p
Più mosso q = 112
p
O.M.
This is
the truth.
they do:
Find out
p
That's all
Act I Scene 1
28
He has a sore on his
arm
pp
O.M. 89
Act I Scene 1
We
know
29
noth - ing
a - bout
an - y cat -tle raid
p
O.M. 92
mp
mp
Show them your sore.
p
95
H
pp mp
98
Joll
Joll
mf
Un - tie
the old man
30
101
Joll
I'll
Act I Scene 1
take ov - er
now
if I may.
104 I 3 3 p 3
Mag.
108
3
3
Mind
if I ask you
3
3
3
3
3
3
3
3
a quest - ion?
3
3
3
3
3
mf
116
112
mp
p
mp
3
3
3
3
3
p
3
3
3
3
Mag. 120 mf
How on earth do you know
p
124
mf
if
they're
tell - ing
Act I Scene 1
mp
mf
31
the
J
mp
truth?
pp
129
132
Joll
mf
Train - ing
Ex
-
per - i - ence
32
Act I Scene 1
135
Joll
( mf )
A
man
who is tell - ing
the truth
p
137
Joll
Has a cer - tain
p
tone
in his voice.
p
Mag. 140
mf
If
I were to lie
p
to you
Would
you
al - ways
be ab - le
to
p
142 Mag. tell?
p
p
Act I Scene 1
144
Joll
K
mf
That's
p
148
Joll
Joll
dif -'rent
I'm
speak - ing of
a spe - cif - ic sit - u - a - tion
know if he is ly - ing
till
sim - ply push him
153
In there I'll
I
33
he breaks
And if he is
p
and tells the truth.
p
Act I Scene 1
34
Mag. 156
Joll
And the
p
159
pain
Mag.
M
p
is...?
poco cresc.
162
L
Truth.
pp
mp
p
mp
Can you
l.v.
real - ly
Mag. 165
Joll
see
mp
Clear - er
167
I
35
with those things?
Joll
Act I Scene 1
guar - an - tee
than you
I
can see
clear - er than you.
170
172
pp
Act I
36
Scene 2 (Dreamplay No. 1)
A
q = 104
S
p
ah
ah
p
ah
p
6
S
A
ah
ah
sim.
mp
mp
ah
ah
11
S
A
p
p
sim.
ah
Act I Scene 2
15
S
A
37
19
mp
p
mp
p
p A
p
22
S
ah
sim.
ah
ah
sim.
p
ah
p
A
mp
p
28
p B
Act I Scene 2
38
p 31
S
ah
p
A
ah
p
ah
sim.
ah
sim.
p
mp
36
S
A
p
p
ah
sim.
ah
sim.
p
40
S
A
C
pochiss. cresc.
pochiss. cresc.
Act I Scene 2
S
A
44
39
mp
sub. p
mp
sub. p
S
A
48
D
pochiss. cresc.
pochiss. cresc.
Act I Scene 2
40
52
S
A
mp
mp
sub. p
sub. p
56
S
A
ah
ah
Act I Scene 2
60
S
A
ah
ah
41
E
sim.
sim.
pp
pp
pp
pp
64
S
A
42
68
S
A
Act I Scene 2
72
S
A
76
S
A
poco rit.
Act I
q = 112
p
5
9
a tempo
13
A
17
21
Scene 3
43
rit.
poco rit.
pp
Act I Scene 3
44
a tempo
25
B
p
pp
Mag. 31
mf
You sent for me.
mf 35
Joll
p
I
pp mf
be
pleased
thought you'd
to hear
Af - ter
a most
dis -ap -
38
Joll
point - ing
start
We
have ar - rived
at a
ver - y sat - is - fac - t'ry con-
dim.
Act I Scene 3
41
Joll
45
clu - sion.
mp dim.
C
45
Joll
(dim.)
48
pp
51
pushed him
the
when I caught him out
Joll
I could tell at once
Joll
He be - came en - raged
a - way none too gen - tly
was ly - ing.
But
and at - tacked me.
old man
I sup - pose
I
He fell a - gainst the
mp dim.
46
54
Joll
wall
(dim.)
Joll
I
sent
at once
for the
mp
But
there
was
noth - ing to be done.
mp
Un -for - tu - nate
mf 60 But
I
has a sil - ver
D
next ques - tioned the grand - son
He
p
eve - ry cloud
lin - ing
And when
mf
63
Joll
p
doc - tor
and broke his neck
57
Joll
Act I Scene 3
mp
was most eag - er to co - op - er - ate
66
Joll
And
was
Mag.
Joll
mf
lot
Of what
mp
mf
p
bar - i - ans of the west
we
had
to one
mf
of those tribes known to us
The bar -
ad - mit - ted
they late - ly formed al - li - ance
mp
mf
He's
sus -
mp
47
was what?
He be - longs
75
a
Which
72
Joll
ab - le to con - firm
pect - ed.
69
Joll
Act I Scene 3
Act I Scene 3
48
78
Joll
With
the bar - bar - i - ans of the north.
Joll
bor - der pat - rols
mf
Joll
per - mit
mp
on
We can't
of
course
Some - one is sup -
And on trav -'lers on our trade routes
mf
mp
87
This ac - counts for the man y new at - tacks
84
Joll
ply - ing them with weap - ons
And as we feared
E
81
f
these ter - ror tac - tics
And may be forced
To launch
a
mf mp
Joll
90
short sharp
mf
war
What
are your plans?
cov - er
mf
96
Then
to - mor - row
mp
mp
from
the gar- ri son
give the boy a night's rest to re -
I'll want an es - cort
mf
We'll
mp
mp
Joll
mf
93
49
to safe - guard the peace.
dim.
Mag. Joll
Act I Scene 3
50
99
Joll
Mag.
He'll lead us
back to where his clan
Mag. 105
More
in - for - ma - tion.
gath - ered
mp
mf
With res - pect Colo - nel
p
is
I think you're plac - ing too much faith
mf
We need more pris - on - ers
102
Joll
Act I Scene 3
On a ter - ri - fied child
mp
Des - p'rate to
dim.
Mag. 108
Act I Scene 3
say what you most want to
111
None
p
know their way
a - round the
And these sol - diers are con - scripts
They'll smell you com - ing
113
bar - i - ans
Mag.
F
hear
(dim.)
Mag.
51
des - ert
As
And melt a - way
for
the bar -
while
you
are
52 Mag.
116
Act I Scene 3
bus - y get - ting lost.
119 Joll
G mf
We
p
have ex -cel -lent
maps
pro - vid - ed
p
by you.
122
mf
Mag. 125
tales
I
Those maps are guess - work
mp
mp
Mag.
Rough - ly
com - piled from trav - el - ler's
would - n't trust my - self to them.
p
mf
Mag.
Act I Scene 3
128
I
f
53
for - mal - ly ad- vise you not to go.
f
131
Joll
mp
your po - si - tion has been not - ed.
I have my or - ders, But rest as - sured
p
mp
mf
134
138
p
poco rall.
mp
p
p
54
Act I Scene 3
H Meno mosso q = 104
143
mf
145
dim.
147
p
Mag. 149
I Più mosso q = 132
f
Let
mf
Mag.
152
Tell me
mp
what hap - pened.
me in.
Act I Scene 3
Dur - ing 154
Tenor mf
Baritone mf
Guard
Dur - ing
Baritone mf
Dur - ing
The
pris - on- er be - came en - raged,
The
pris - on- er be - came en - raged,
The
pris - on- er be - came en - raged,
the ques -tion - ing
the ques -tion - ing
the ques -tion - ing
55
mp tacked the Colo - nel 156
Guard
tacked
tacked
Who
the Colo - nel
Who
the Colo - nel
pushed him
pushed him
Who
pushed him
he at -
a - way
He
a - way
He
a - way
he at -
he at -
He
Act I Scene 3
56
fell a - gainst the wall 158
Guard
and
fell a - gainst the wall
Mag. 160
and
fell a - gainst the wall
and
f
broke
his neck. f
broke
his neck.
f
broke
his neck.
mf
mf
Is
Mag. 162
that
what
Mag. 164
to
Guard
told you
they
Guard
Act I Scene 3
f
I mean
no
I mean
no
f
sir.
mf
I mean
no
sir.
Yes
sir.
Yes
sir.
Yes
sir.
mf
mf
mp
I
mf
mf
sir.
mf
mf
say?
f
mf
57
Mag.
58
166
J
Act I Scene 3
3
don't un - der - stand.
He ap - pears
to have
lost
an
168 Mag.
mp
eye.
Did that hap - pen
when he fell a - gainst the wall?
170
p
mp
an - y - thing
Have you had
mp
Mag. 172
p
to
eat?
Act I Scene 3
Mag. 174
mf
Give him
Mag. 176
Mag. 178
tie them
a - gain
But not so
tight.
goes down
the
When the swell - ing
his hands.
Un - tie
the shroud and re - move
corpse.
Sew up
some food.
59
Act I Scene 3
60
Mag. 180
f
What have they done to him?
Guard
Strange lit - tle knife
mf
Strange lit - tle knife
mf
182
No
big - ger
than this
Nev - er seen
No
big - ger
than this
Nev - er seen
No
big - ger
than this
Nev - er seen
mf
Strange lit - tle knife
Guard
one
one
one
K like it
184
Guard
be - fore
like it
be - fore
like it
be - fore
mf in 186
mf
Guard
in
mf
in
61 ( mp)
In
( mp)
and twist
In
( mp)
In
( mp)
and twist
and twist
and twist.
and twist.
and twist.
p
Act I Scene 3
62
188
p
Mag.
mp
I
know
they hurt
you
bad - ly
But
p
must
not
do
194
you
mp
Mag.
191
Act I Scene 3
as they
ask
mp
p
Act I Scene 3
Mag. 196 L
Do
not
lead
them
Mag. 198
sol - diers
The
will ride out
And
mp
man - y
of
your
kins - men
will be
to your peo - ple
63
p
Act I Scene 3
64
200 Mag.
killed.
202
pp
Act I
65
Scene 4
q = 108
p 6
A
10
p
p
14
B
20
p
p
24
Act I Scene 4
66 30
p C
33
37
mp
p
Mag. 47
Hard - ly work
p
mp
You're work - ing late.
p
A
Cook mp
Magistrate mp
D 44
Cook
p
let - ter to the Third
p
Bur - eau
Act I Scene 4
50 Mag. Com - plain - ing
67
a - bout
the crim- i - nal stu- pid- i - ty
Of that id - i - ot with the
p
53
Cook
Mag.
E mp
Is
that
wise?
3
Prob - a -bly not.
p
57 Mag.
what else can I
mp
mf
dark glass - es.
do?
p
He
comes back
But
with all these hope - less pris - on - ers
Act I Scene 4
68
Mag.
mp
61
Half of them
mp
come from poor
Mag. 64
Where they don't
mp
Mag. 67
be bar - bar - i - ans
mp
p
I
E -ven the few
Are clear - ly harm - less
fish - ing vil - lag - es
ev - en speak the lan - guage
who might
told him this to his face
p
Act I Scene 4
F Mag. 70
And all
he said
69
was: “Pris - on - ers
p
73
Cook
are pris - on-ers.”
mp
He
p
77
Cook
does - n't drink you know
I
al - ways find that creep - y in a man.
Act I Scene 4
70
Mag. 80
Mag. 83
Since
Mag.
f
86
it
is
is
near the bar - racks
hear the scream - ing
of
my a - part - ment
I
mp
The worst
G
mf
go - ing on
all night
p
89
Cook
Mag.
H
here.
p
I'll bring the Star
94
be
mp
mp
might
Mag.
p
I hoped she
I
mind.
97
from the kitch - en.
Cook
mp
91
71
It crossed my
Mag.
mp
You'd best stay
Cook
Act I Scene 4
Don't
go
a - way.
here.
p
Act I Scene 4
72
Star 104
Mag.
mp
Can you real - ly stay?
If
Star 108
you in - sist.
p
You
know
how small
my bed
is.
mp Mag. 111
Have
you heard me
J
114
com - plain?
Meno mosso q = 96
mp
pp
attacca
Act I
73
Scene 5
q = 120 p
8
mp
A
15
p
mp
p
mp
p
mp
p
mp
p
19
5
11
sim.
B
mp
p
mp
Act I Scene 5
74
23
p
26
mp
29
Joll
mp
p
p
mp
We would nev - er
But I think
mp
p
speak - ing
mp
32
Joll
Joll C mf
Nor - mal - ly
ap-prove
of tor - ture
p
it's wide - ly un - der - stood That
mp
this is an em -
Act I Scene 5
35
Joll
er - gen - cy...
p
39
D
mp
p
mp
mp
75
42
mf
mp sub.
45
Joll
mf
What are
these?
mf
Act I Scene 5
76
Mag. 47
E
mf
My
sempre p
50 Mag.
site
Mag. 53
is
ar - chae - ol - o
served in the sand
hob - by
a few miles from our
There's a
walls
These have been well pre -
gy
ar - cha - ic
-
Some
sys - tem of com - mu -ni - ca - tion
57 Mag.
Used
Mag.
to us
De - stroyed
per - haps,
was
a suc - cess?
who
So your
Oh yes
by the bar - bar - i - ans.
mis - sion
63
knows,
Joll
60
77
in some an - cient time now lost
Mag.
Act I Scene 5
F
We
have con - firmed a good
Act I Scene 5
78
66
Joll
man - y
Joll
a - long our fron - tiers
Gath - ered
com - bined with all the oth - ers
Will help our Chiefs of
And our re - port
69
sus - pi - cions
G
Staff
de- vise
their
Act I Scene 5
72
Mag.
Joll
H
79
mf
So
strat - e - gies.
76 Mag.
p
I can re - as - sure
our
mp
mp
cit - i - zens?
And we
can
all
sleep
mf
mp
p
79 Mag.
-
ly
in
our
beds?
sound
p
81
mp
molto rit.
p
pp
Act I Scene 5
80
Mag. 84
I A tempo (q = 120)
As soon
as they leave
Mag.
cort - ed from the town
rit.
Be - fore
the dust
has
pp
mp
e - nough to take them home.
Es -
I want ev 'ry pris - on - er re - leased
And is - sued with ra - tions
93
90
set - tled from their car - riage
87
Mag.
p
Act I
81
Scene 6 q = 96
p p mp
4
mp 7
11
p
mp
p
p
mp
p
mp
mp
p
14
17
A Curtain
mp
Act I Scene 6
82
21
p
25
Sol.
Door Knock
mf
mp sost.
29 Mag.
Take off
Mag. 32
your cap.
beg - ging in the street
mf
And sleep - ing rough
p
They tell me you were
Magistrate mf B
We
do not
al - low
an - y
35 Mag.
Act I Scene 6
beg - gars in this town
p
Girl
Mag.
It's far too cold for
Al - so
in
see.
41
win - ter draws
Girl
C
sleep - ing out.
as
38
Mag.
And
83
I hear
Girl mf
I can
you are blind.
I am look - ing.
This is how I look.
Then look at me.
p
Mag.
Act I Scene 6
84
44
mf
When
I re - leased
your peo - ple
mp
Girl 47
Mag.
Why
did you stay
p
left with - out
me.
be - hind?
They
mp
49
D
mp
p
Mag.
53
mf
Leave
us.
mp
p
Mag. 57
Act I Scene 6
Please
sit down.
85
p
61
3
mp
3
3
3
3
3
3
3
3
3
3
3
mf
cresc.
E Mag. 65
Più mosso q = 120
Mag.
p
mp
do to you?
p
70
mf
What did they
Are
mf
you
dim.
a - lone?
Act I Scene 6
86
Girl 75
(dim.)
mf
Yes
mp
mp
Yes
I
Girl 79
am.
3
3
3
3
3
3
3
3
3
3
3
3
dim.
Mag. 83
F
We
mf
p
can't have you
mp
beg - ging
in the
87 Mag. cook
p
cresc.
at the
inn
a kind
wom -an
street.
The
and a friend of mine Can
Act I Scene 6
91 Mag.
give
you
a
bed
mf
And in re - turn
dim.
87
you can
do
my laun - dry
Mag. 95
My
mp
(dim.)
much
ar
to
pres - ent
Mag. 98
be
dim.
-
range - ments
mp
leave 3
3
3
dim.
de - sir - ed.
3
3
3
3
3
3
3
3
3
Act I Scene 6
88
Girl 101
G Meno mosso q = 104 mp
Can I
p
Girl 104
go now?
Mag.
mp
mp
You don't want me
No you can't.
Girl 107
Mag.
some - one
mf
like me
I
am...
Act I Scene 6
Mag. 109
89
mp
This
is
not
what you think it is.
I
pp
Mag.
p
want
to
see
111
113
what they did
poco rit.
to your feet.
H Più mosso q = 120
3
3
3
3
3
3
3
3
3
3
3
3
p
117
3
3
3
3
3
3
3
3
3
3
3
3
mp
p
121
3
3
3
3
3
3
3
3
3
3
mp
3
3
Act I Scene 6
90 125
3
3
3
3
3
3
3
3
3
3
p
3
3
mp
Mag. 129
Show
me.
mf
I
3
p
3
3
3
3
3
3
3
3
3
3
3
133
3
3
3
3
3
mp
3
3
3
3
3
3
p
3
137
3
3
3
3
3
3
3
3
3
3
3
3
141
mp
3
3
3
3 dim.
3
3
3
3
3
3
3
3
Act I Scene 6
91
145
3
3
p 3
3
3
3
3
3
3
3
3
3
149
J
3
mp 3
3
3
3
3
3
3
3
3
3
3
153
3
3
3
3
3 cresc.
3
3
3
3
3
3
3
157
Girl
mf
3
3
3
3
3
3
3
3
3
3
3
3
161
mf
K
They broke
my
an - kles.
3 dim.
3
3
3
3
3
mp
3
3
3
3
3
3
92 Girl
Mag.
165
mf
Yes.
Does it
Act I Scene 6
Not
an - y
more.
hurt?
dim. 3
3
3
3
3
3
p
3
3
3
3
3
3
3 169 3 mp
3
3
3
3
p
3
3
3
3 cresc.
3
3
L 173 3 3 3
3
3
3
3
3
mf 3
3
3
3
177 3 3 3 3 3 3 3 3 (cresc.)
3
3
dim.
3
181 3 3 mp 3
3
3
mp 3
3
cresc.3
3
3
3
dim.
3
3
3 3 3
p
185 3 3 3
3
3
3 mf 3 dim.
3
3
189
Act I Scene 6
M
mp 3
3
3
3
3 cresc.
93
3
3
3
3
3
3
3
193
f 3
3
3 3 3
3
3
3
3
3
3
3
N 197 3 3 3 3 3
mf
3
3
3 dim.
3
3
3
3
201
3
3
3
mp 3
3
3
3
3
3
f 3
3
3
O
3
3
205
3
3
3
3
3
3
3
mf
3
3
3
dim.
rit. 209 3
3
3
3
3
3
mp
3
3
dim.
3
3
3
3
p
Act I Scene 6
94
Mag. 213
P Meno mosso q = 104
I'll
pp
But not
to
Mag.
218
night
find some clean band - ag - es
p
For
Mag. 221
some
strange
rea - son
I
feel
ex -
rit.
haust - ed.
(attacca)
Act I
Scene 7 (Dream Play No. 2)
q = 104
S
A
95
p
Oh
oh
p
5
S
sim.
8
S
S
A
A
p
oh
oh
sim.
11
p
Act I Scene 7
96
15
S
A
oh
oh
oh
oh
oh
oh
oh
oh
19
S
ah
A
ah
sim.
ah
sim.
ah
23
p 27
S
Act I Scene 7
ah
A
ah
p
ah
A
ah
ah
ah
ee
ah
ah
ee
ah
ee
ee
ee
p
ah
ee
ah
ee
ah
ah
ee
ah
ee
ah
ee
36
S
ah
A
32
S
B
p
97
98
Act I Scene 7
S
C
41
oh
A
oh
49
S
ee
ah
ee
D
oh
ah
A
oh
ah
ee
oh
ah
oh
A
p
45
S
ee
ah
ee
53
S
p
p
A
ah
ee
p
ee
oh
ee
ee
ah
ee
ah
65
ee
A
ah
ah
ee
E
61
S
ah
ah
oh
oh
A
99
57
S
Act I Scene 7
oh
p
poco rit.
pp
Act I
100
Scene 8
q = 132
p
3
5
p
Mag. 7
you
like
liv - ing in
Girl
the town?
9
Magistrate mp
Do
Girl mp
Most
of the time.
Act I Scene 8
11
Mag.
A Mag.
be
things
that you
Girl 15
mp
-
ly
my
Girl 17
sis - ter.
On
13
miss.
There must
101
mp
dim.
102
19
Act I Scene 8
mp 21 Mag. How
p
do you find
the
Mag. 23
work
Girl 25
27
at the inn?
mp
I
like
the oth - er girls
there.
Mag. 29
Act I Scene 8
B mp
Bet - ter
103
than beg - ging in the street
I hope.
Girl 31
Yes.
mp
33
35
37
C
mp
Act I Scene 8
104
39
41
43
45
47
49
dim.
Act I Scene 8
105
51
mp D
mp
53
mf
55
57
dim. mf
59
61
mp
Act I Scene 8
106
Girl 63
E Meno mosso q = 120
mf
Why
do you do
that?
mp
Girl 65
mp
Mag.
a tempo
I
mp
I
poco rit.
don't know
can - not see?
how
much
you can see.
p
p
Girl 69
Do you think
67
p
mp
If
I look
straight a - head
there's noth - ing
Just a...
Act I Scene 8
Girl 71
Mag.
107
A
blur,
that's right
But
Just a blur.
Girl 73
I
can
see
out
of
the corn - er of my eye
The
Girl 75
left
bet - ter than the right.
p poco cresc.
p
Act I Scene 8
108
Girl 77
Oth - er - wise
how could I do my
mp
79
F
work?
p
Mag. 82
mf
What is this?
p
pp
Girl
84
mf
Mag.
87
Does it hurt?
mp
G
p
poco cresc.
poco cresc.
97
(cresc.)
dim.
mp
93
What ex - act - ly did they do to you?
Why don't you want to tell me?
cresc.
109
It's where they touched me.
90 Mag.
Act I Scene 8
p
mf
Mag.
110
100
There's
no
need
Act I Scene 8
to make
a
p
p
Mag. 102
mys - ter - y
of
it
mp 3
3
3
Pain
is on - ly pain
H
3
p
Mag. 104
Noth - ing
is worse
than
what
we
can i - mag - ine.
p
p
Mag. 106
mp 3
3
3
3
p
I
went
out
mp
108
Mag.
Act I Scene 8
hunt - ing
this morn - ing
110 Mag. some - thing
111
p
And
mp
un - ex - pect - ed
hap - pened
p
p
mp
112 Mag. Some - thing
I
don't
en
-
tire
- ly
un - der - stand
p
mp
114 I Mag.
A
p
wat - er - buck
mp
came down
to
dim.
Mag.
112
116
Mag. 118
drink
Act I Scene 8
from the lake
So
close
p
I could - n't
mp
have
dim.
missed
(dim.)
him
mf
And
p
p
for
mp
some rea -son
I
dim.
120 Mag.
just could - n't squeeze the trig - ger.
Girl 122
Mag.
(dim.)
p
mp
dim.
mp
You
(dim.)
J
did - n't want
p
to shoot him?
mp
It
Act I Scene 8
124 Mag.
was - n't that;
I had
126
Mag.
live
no
long - er
I'm used
I can
the life
this strange sen - sa - tion
Girl
113
mp
If you
to.
Act I Scene 8
114
Girl 128
Mag.
want
to
do
some - thing,
130
Mag.
Why
what you want?
Do you do
you can do it.
Girl
are you here with
mp
There's
me?
mp
dim.
Act I Scene 8
Girl
where
else
132
no
Mag.
-
to
115
go.
mp
And
p
(dim.)
Mag. 133
why do I want
mp
rit.
you here?
p
Girl 135
dim.
K a tempo
mf
What hap - pened was
p
this
They had a kind of lit - tle
Act I Scene 8
116
Girl 140
fork
A
fork with two teeth
sub.pp
and flat ends
L Girl
145
Girl 149
(dim.)
Girl 153
eyes out.
held
They told me they would burn my
my eye - lids
pp
Ex - cept
They
poco cresc.
in the
dim.
nev - er touched me
mp
They put the fork
p
fi - re And when the ends were red they touched me
(cresc.)
But
by mis - take
o - pen
where the scar is
156
Girl
Act I Scene 8
All the
same
Close
p
Girl 162
af - ter - wards
(cresc.)
there was
mp
do some dam - age
And
the blur
dim.
to
held it close
cresc.
they
e - nough
159
That's
all.
166
M Girl
117
(dim.)
rit.
mp
dim.
p
Act I Scene 8
118
N a tempo p
169 Mag.
What
do you feel
a
-
bout
the
men
who
p
Girl 171
Mag.
mp
I
don't know
did this to you?
Girl 173
Mag.
why you're
so
in- t'rest - ed.
mp
I feel
I
need to
p
Act I Scene 8
175 Mag.
un - der - stand
the marks
177
p
if you want
on
your
bod- y.
Look
mp Girl
119
me
take
me
Girl 179
I'm
tired of talk - ing.
181
poco rit.
pp
Act I
120
Scene 9
q = 144
4
mf
7
A
p
cresc.
11
15
mf
B
p
cresc.
mf
Act I Scene 9
121
19
Play 3 times
C
22
mf
25
D
28
mf
31
E
p cresc.
Act I Scene 9
122
mf
34
Play 3 times
37
F
40
mf
mf
43
47
G
dim.
Act I Scene 9
123
51
mp
55
Man.
H MANDEL mf
It's not
of - fi - cial
But
p
59
Man.
at
bri -gade
head -quar - ters
the
word
is
We
launch
a
mp
mf
63
Man.
great
of - fen - sive
in
the
spring
f
To
mp
mf
sim.
mp
mf
124
Man.
strate
our
68
dem
-
on
-
Act I Scene 9
I
strength
to
the bar - bar - i - ans
mf
And
mp
mf
sim.
Man.
them
back
in
cresc.
72
push
-
f
to
the
mp
mf
moun - tains.
mp cresc.
mp
mf
76
mp
80
J Poco meno mosso q = 132
p
mp
p
Act I Scene 9
Mag. 84
mp
years
dim.
mp
It's
since
last
I
vis - it - ed
the cap - i - tal
p
p
Be -
poco cresc.
Mag. 94
fore you were
Mag. 99
K
born
mp
I re - mem - ber
p
The
mu -sic
I i - mag - ine
p
in the
old
mp
p
pa - vil - ion
p
89
MAGISTRATE
Mag.
125
mp
103 Mag.
Act I Scene 9
126
gar - dens
The
col - or
of the chest - nut trees
in
3
p 3
3
3
3
Mag. 107
3
au - tumn
3
The
3
moon -
lit
riv - er
3
3
3
Mag. 110
seen from the
3
3
3
L
Prin - ces Bridge
3
Mag. 113
3
mp
Prob - a - bly
pp
all
dif -'rent now.
Act I Scene 9
Mag. 116
As
things here
127
are
not the same
Mag. 119
Head - quar - ters' views are
mf
You
can't just “push them back
122 Mag. in - to
out of date
the moun - tains”
They won't al - low it.
128
125
Man.
Act I Scene 9
mf
M
I thought
that was what
war was all a - bout
Peo - ple made to
p
129
Man.
do
Man.
what they don't
133 dim.
un - der - stand
mf
For their own good
Though I don't
What these
136
dim.
Mag.
want to do
f
mp
peo - ple want.
rit.
mp
cresc.
f
They
(cresc.)
mf
Mag. 139
Act I Scene 9
129
NPoco meno mosso (q = 120)
want
to roam through their an ces - tral lands
142
An
end
Mag.
145
In
free - dom
build-ing on their pas - tures
As to ar - rest
to set - tle - ments
sim.
mf
mf
Mag.
mf
and tor - ture
That
Mag.
149
goes with - out say - ing.
You
mp
Act I Scene 9
130 153 O Mag.
know what I wish?
Some - times I wish
they would u - nite and rise up
And
p
Mag. 157
teach us to re - spect them
Re - mem - ber
in
their minds
160 Mag.
we
are in-vad - ers
They think they have
the pa - tience to out - last us.
Act I Scene 9
163
Man.
P
f
mp
Yes
and
mp
167
mf
mp
Man.
not
mf
that's where they're wrong
mf
131
in the bus -'ness of re - treat
The soon - er
mf
We are
mp
mf
they get that
the bet - ter
for
mp 170
Man.
them.
Thanks for a
most
il - lu - min - at - ing eve - ning
Act I Scene 9
132
Q
173
Mag.
Why can't I ev er learn to
p
176
Cook
Mag.
COOK
mp
Nev - er mind.
keep my mouth shut?
178
Cook
p
Your Star
is
shin - ing
She waits for you up stairs.
pp
Act I
133
Scene 10 q = 88
mp
7
12
17
A Più mosso q = 96
p
poco cresc.
20
(cresc.)
mp
mf
dim.
23
(dim.)
mp
dim.
Act I Scene 10
134
Girl
B
26
(dim.)
Girl
MAGISTRATE
Cold.
I'm cold.
32
loco
right.
Would you like me to mas sage
mp
Yes; but that's all
Sor - ry, did I wake you?
Girl Mag.
mp
a good eve - ning?
poch. cresc.
p
29
Mag.
Did you have
GIRL mp
mf
Is there
your feet?
Act I Scene 10
Girl
35
135
3
an - y - thing else you'd like to do?
Mag.
p
38
I know you vis - it oth er girls
Girl
p
An - oth - er time per - haps.
Mag.
p
I hear a - bout it
at the inn.
It's
Act I Scene 10
136
41
Girl
Mag.
mp
Is
p
44
Girl 47
mf
all
I just don't want to
I don't
mp
take ad - van - tage of you.
mf
Not at
cresc.
mf
as a crip - ple?
be - cause you see me
mf Girl Mag.
is it
this how you treat them? Or
not the same.
C
accel.
be - lieve you.
Girl 51
Act I Scene 10
D Più mosso q = 120
137
55
Those things they
did to me
And
oth - er things I have - n't
mf dim.
Girl 58
He would have told them
Which
(cresc.)
E
f
dim.
On - ly
an - y - thing he knew
made my fath - er watch.
They
mp poco cresc.
Girl
told you
left no out - ward mark:
61
f
poco cresc.
Girl
mf
mf
dim.
Girl
Act I Scene 10
138
mf
64
he knew noth- ing
Girl
p
3
73
they
and killed him.
That's
3
3
3
3
3
F
To
close to him.
be
why
I stayed be -
3
3
3
3
3
3
3
3
p
3
3
3
76
3
3
3
3
3
3
mf
got bored
mp
hind
in the end
Girl 70
67
And
3
mp
dim.
rit.
(dim.)
p
Act I Scene 10
79
G Meno mosso (q = 96)
p
139
mp
p
Mag. 84
mp
mp
Be - fore
p
the snows
melt
Be -
89 Mag.
fore your peo - ple leave on their
mp
p
H
year - ly
mig - ra - tion
p
Act I
140
Scene 10
Mag. 94
I'll
take you out
97 Mag.
des
-
p
And hand you
Mag. 100
rit.
-
east
a - cross the
mp
north
p
ert
back to them.
Sleep
now.
pp
Act I
Scene 11 (Dream Play No. 3)
q = 104
Chorus
S
141
p
3
3
3
3
ah ee ah ee ah ee sim.
A p
ah ee
ah ee ah ee sim.
p
3
3
3
3
4
S
3
A
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
7
S
A
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
sf
Act I Scene 11
142
10
S
3
A
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
A 13
S
A
16
S
A
p
oh
p
ee
p
oh
ee
oh
oh
18
S
Act I Scene 11
B
143
p
ee ah ee ah sim.
A
p
ee ah ee ah sim.
p p
22
S
A
26
S
A
C
Act I
144
Scene 11
31
S
A
36
S
A
D
p
41
S
A
Act I
145
Scene 11
46 E
51
S
ah ee ah ee sim.
A
ah ee ah ee sim.
56
S
A
F
60
S
A
Act I
146
Scene 12
q = 144
p
3
5
A pp
7
9
B
11
Act I Scene 12
Girl 13
C
GIRL mp
What
Mag.
147
is it?
MAGISTRATE mp
I don't know
Mag. 15
I
thought
the
wind might be drop - ping.
17
mp
You should sleep.
Girl Mag.
mp
Un - less
we
find
Mag.
148
19
graz - ing
two
days
The hors - es
Act I Scene 12
in the next
won't sur -
D Mag. 21
are
still
And the moun - tains
Girl 23
mp
There's noth - ing we
vive
Mag.
can do a - bout it
three
days'
march
a - way.
25
Girl
Mag.
Just
keep
go - ing
Act I Scene 12
So get your rest.
149
mp
Al - so
I
was re -
Mag. 27
mem - ber - ing
Our
re - cent talk
a - bout my mo - ti - vat - ion
mp 29 E Mag.
Was it
your
in - ju - ries
that de - terred me
Or were they what first
Mag.
Act I Scene 12
150
31
mf
drew me
to you
33
we put
in - to words
What
few
i - de - as
We nev - er clear - ly
ex - press
And what we
35 Mag.
can - not clear - ly
of - ten thought
Mag.
I've
ex - press, we
are con - demned
to live through.
Girl 37
41
F
43
mf
you
just
stop
3
3
3
3
3
tor - tur - ing your - self?
3
sim.
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
don't
3
Why
151
39
mf
Act I Scene 12
3
3
f
3
3
3
3
3
3
3
3
3
3
Act I Scene 12
152
45
3
3
3
3
3
47
G
3
sub. p
50
pp
53
(attacca)
Act I
153
Scene 13
q = 120
pp
5
p
A p T ah 9
B
p
ah
ah
ah
ah
mp
ee
ee
ee
ee
ah
ah
ah
ah
ah
ee
ee
ee
ee
ah
ah
mp
p
p
14
p
T ah B
mp
ah
ee
ee
ee
ee
ah
ah
ah
ah
p
mp
p
mp
ah
ah
ee
ee
ee
ee
ah
ah
ah
ah
mp
p
Act I
154 mp T ee
19
B
ah
ah
ah
ee
ah
ee
ee
ee
p
ee
ah
ah
ah
ah
mp
ee
ah
ee
ah
ee
ah
p
ah
ee
ah
ee
ee
ah
ee
ah
ee
mp
mp
p
p
p
mp
T ah 27
ah
mp
p
mp
B
ee
23
ee
p T ah
B
p
mp
Scene 13
ah
ee
ee
ah
ee
ee
p
pp
ah
ah
ee
ee
ah
ee
ee
31
T
B
ah
35
p
B
pp T ah B
pp
ah
pp
T
B
Can you
see them?
mp
ee
ah
ee
sim.
ee
ah
ee
sim.
I
think
so.
mp
Girl 40
pp
Mag.
155
Girl
Act I Scene 13
You'dbet - ter
ah
ah
ah
ah
let me speak to them a - lone.
Act I Scene 13
156
Girl 44
Mag.
T
B
What shall I
ah
T
B
we are here
ah
ee
ee
ee
ee
ah
ah
ah
ee
ee
ee
ee
ah
ah
C
mp
ah
ah
ah
ah
ah
You real - ly want me to?
Tell them the truth.
Tell them why
ah
mp
48
Girl Mag.
tell them?
ah
mp
Why not?
52
Mag.
ah
What else is there to tell?
T
B
Act I Scene 13
Or tell them what you like.
ah
T B 56
ah
mf
D
p
ah ee ah ee ah ee
SOLDIER Sol. What is p mp T ah ee ah ee ah ee ah ee ah ee ah ee wa wa
B
ah
61
157
p
ah ee ah ee ah ee
mp
wa
mp
wa
the truth?
wa
wa
wa
wa
wa
wa
wa
wa
Act I Scene 13
158
65
Sol.
Mag.
mf
p T ah ee ah ee B
What
What
are
we
ah ee ah ee
p
ah ee ah ee ah ee
p
wa
wa
mp
wa
We're
on a dip - lo -
wa
wa
wa
wa
wa
wa
ee
Re - turn - ing this young wom - an
wa
ah ee
p
ah
wa
wa
p T ah ee ah ee ah ee
ee
ah ee ah ee ah ee
mat - ic mis - sion
ah
ah ee
69
mp
mp
do - ing here?
Sol. Mag.
B
do you mean?
p
ah
ee
mf
to her peo - ple.
ah
ah
ee
ah
ya
ya
ya
ah
ee
ee
ah
ee
ah
ee
ee
You're
mp
mp
ya
mp
ya
ya
Act I Scene 13
tell - ing me
72
Sol.
Mag.
ya
76
job
B
ee
ee
all this way As
es - cort
to a bar - bar - i - an?
Your
ya
ya
sim.
ah
ah ee
ah ah
p
ya
sim.
ya
p
p
ah
is to do
sim.
what you're told and keep si - lent. mp
mp
sim.
E
p
p
ah ee ah ee ah ee
ah ee ah ee ah ee
p
ah ah
I should bear that in mind if
mp
ah ee
p
Mag.
T
we've come
T ya B
159
Act I Scene 13
160
80 Mag.
I were you.
T ah ee ah ee ah ee B
ah ee
Mag.
pp
sim.
mp
Will they take you?
T
ah ee ah ee
85
sim.
B
pp
p
mp
ah ee ah ee ah ee ah ee ah ee ah ee p
ya
mp
ya ya
ah ee ah ee ah ee ah ee ah ee ah ee
ya
ya ya
p
mp
90
Girl
mp
T ya ya ya Yes
B
ya
They say
mp
ya
ya
ya
ya
ya
ah ee ah ee ah ee
ya
ah ee ah ee ah ee
p
ya
ya
ya
98
B
ee ah ee ah ee
ah
ee ah ee ah ee
mp
ya
mp
mp
mf
ah ee ah ee ah ee
ya
ya
ya
ah ee ah ee ah ee
mf
mp
ya
ya
T ya
ah
p
Tell him I have gifts.
B
in mid - sum - mer.
161
94 F Mag.
T ya
we will see my kins - men
p
ya
Act I Scene 13
ah ee ah ee ah ee
ah ee ah ee ah ee
mp
mp
ya
ya
sim. mp
ya
ya
ya
mf
ah ah ee ah ah ee ah ah ee
mf
ya
ya
ya
sim.
mf
mp
f
ah ah ee ah ah ee ah ah ee
Act I Scene 13
162
Mag.
mf
103
mf mp mp T ah ah ee ah ah ee ah ah ee
B
Come back with me
mp
mf
ah ah ee
mf
ah ah
f
Mag. 107
care - ful - ly
mp
ee
ah ah ee
Think a - bout this
mf
p
I want you to be clear a - bout
what I am ask - ing
111 Mag.
G
Come back and live with me in town.
I want you to
And I want it
to
115
Girl
Mag.
Girl 119
p
Girl 123
mf
Girl
127 H
Mag.
mp
I
mp
163
I don't want to
No
nev - er want to go back to that place.
Why?
mp
be your own free choice.
Act I Scene 13
p
Good - bye.
Good - bye then.
p
Act I Scene 13
164
131
S
ah p
T
B
A
cresc.
ah
ah
ah
ah
ah
f
ah
ah
ah
ah
ah
ah
ah
ah
ah
mp
136
S
yi
A
yi
T
B
yi
yi
yi
yi
yi
ah
f
f
ya
ya
yi
ya
ya
ya
yi
yi
yi
yi
yi
yi
yi
ya
ya
ya
ya
ya
yi
yi
yi
mf
yi
ya
ya
ya
ya
ya
ya
yi
yi
yi
yi
ya
ya
ya
mf
ya
yi
yi
ah
yi
ya
f
ya
yi
ya
yi
ah
mf
yi
ah
yi
yi
yi
cresc.
ah
ah
p
ah
ah
I f
ah
mp
mp
ya mf
mf
S
141 f
ya
f
A
ya f
T
B
ya
ya
ya
ya
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
ya
ya
ya
ya
ya
f
ya
ya
ya
ya
yi
ya
f
ya
ya
ya
ya
B
ya
146
T
ya
ya
A
ya
S
Act I Scene 13
ya
ya
ya
yi
ya
ya
ya
ya
ya
ya
cresc.
yi
yi
yi
mf
ya
mf
yi
ya
ya
ya
ya
ya
mf
ya
ya
mf
ya
ya
ya
ya
mf
cresc.
ya
ya
ya
165
yi
yi
yi
ya ya ya ya ya ya
mp
mp
yi
yi
yi
yi
yi
yi
mp
yi
yi
yi
yi
ya ya ya ya ya ya
cresc.
yi
cresc.
ya ya ya ya ya ya mp
ya ya ya ya ya ya
mp
cresc.
166
150
S
ya
ya
ya
ya
ya
ya
mf
Act I Scene 13
mp
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
mf
ya
T
mp
ya
ya
ya
ya
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
mf
yi
yi
yi
yi
mp
ya
ya
ya
ya
ya
ya
mf
yi
mp
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
yi
153
mf
J
mp
mp
dim. (through repeat) al pp
157
A
T
B
ya
ya ya ya ya ya ya
S
yi
A
B
yi
oh
oh
oh
oh
attacca
Act I
q = 132
Scene 14
4
8
Man.
A
MANDEL mf
Mag. 11
Man.
to des - ert
gave you
your post?
p
14
of this town
If
I
see
fit
mf
I'm
per - mis - sion
p
the mag - is - trate
pp
Mag.
who
MAGISTRATE
pp And
p
167
to leave
pp
on a jour - ney It's no -
p
17 Mag.
168
Man.
bod - y's
Act I Scene 14
con - cern
but my own
p
20
war And con - sort - ing with the
cern
f
It's trea - son.
even - ing
are
now
at
mere - ly
a sub - ject of con -
Nor
have
I
for - got - ten what you said
that
We
p
26
Man.
Is not
23
Man.
en - e - my
mf
p
pp
Man.
B
You said
you wished the bar - bar - i - ans would u - nite
a-
Man.
29 C gainst us
Well now
your wish
is grant - ed
169
And you must take
the
33
Mag. Man.
Act I Scene 14
mf
I
am
in
no way
guil - ty
of trea - son
Al -
con - se - quen - ces.
36
though
p
mp
dim.
p
D
it
is
a re - lief
To have
the lib - er - ty to crit - i - cize This
Mag.
crass
Mag.
39
de - ci - sion
to
a war
For mot - ives ei -ther sin - is - ter or
un - leash
170 Mag.
Man.
Man.
42
fool - ish.
Make the most of it
45 It's the last
Man.
Act I Scene 14
lib - er - ty
you will en - joy
p 48 E e - ven that you will soon find is frag - ile. p 51
55
59
And
End of Act I
171
WAITING FOR THE BARBARIANS Act II–Scene 1
Christopher Hampton
Philip Glass
q = 104
Piano
p
pp
5
9
A
13
mp
p
p
17
mp
pochiss. cresc.
Copyright © 2005 by Dunvagen Music Publishing
5/1/2006
Act II
172
Scene 1
21
B
mp
p
25
mp
p
dim.
cresc.
29
mp
(cresc.)
33
C
p
37
Act II
173
Scene 1
41
45
50
Mag. 54
In
the
dark
I
D MAGISTRATE mp
Here
p
think con - tin - u - al - ly
a-
Mag. 57
bout
those
who
suf - fered
in
this
room
Act II
174
Scene 1
Mag.
60
The
Mag.
63
cries
mf
of
the
girl
and her
mp
fa - ther
Must
Mag.
66
still
have their faint ech - o
68 Mag.
Be - fore
they dimmed
her
eyes
mp
cresc.
Act II
175
Scene 1
Mag.
70
E
mf
cresc.
She
watched
mp
her
fa - ther's
cresc.
mf
(cresc.)
Mag. 73
deep
f
hu - mil - i
-
a - tion
sub. mf
And knew he saw her
watch - ing
And
77 Mag. mf
knew
he
saw
the things they
sub. p
did to her
And
p
80 Mag.
sensed the shame he
mp
mp
felt
When he
could - n't
p
pro - tect her
Act II
176
Scene 1
Mag. 82
As the fork glowed red
in the
fi - re
mp poco cresc. mf (4+3+2)
85
F
f
dim.
mp
88
Mag. 91
p
mp
Af - ter such
in - ex - cus - a - ble
fail - ure
Mag. 94
What could he do
but
long
mp
Mag. 98
for
death
p
mp
177
Which
mf
they gave him?
soon e - nough
G
mf
Act II Scene 1
I
mp
al - so want - ed to pro -
mf
102 Mag.
mp
tect her
She
mp
sensed
my
feel - ings were
p
e - quiv - o - cal
Mag. 106
mp
She
smelled on me
the
o - dour
mf
of col - lu - sion
mf
Act II
178
Scene 1
Mag.
mp
110
But
p
114
move - ment of the heart
Some sym - pa - thy
some
some - thing must have died in her
mp
Mag.
I
un - der - stand that
now
Af - ter
Mag. 118
two months
H
of
sol - i - tar - y
con - fine - ment
Star - ing
all day
122 Mag. at these four emp - ty
walls
I
know now
Man
was not born to
Act II Scene 1
Mag. 126
179
be a - lone.
mp p
Mag. 130
Mag. 134
mp
If
I
were left
long e - nough
in this
Per -
room
haps
I
would suc - cumb
to her dis - ease
And find
cresc.
I
can be -
cresc.
Mag. 138
lieve
in
noth - ing.
mf
mf
dim.
mp
Act II
180
Scene 1
Mag. 143
Thank you
I'm starv - ing
I
mp
How is your
dim.
Girl 147
Mag.
moth - er
Well, sir,
mp
thank you.
mp
to - day?
Did you find your dog?
p poco cresc. mp
Girl 151
Mag.
No, sir.
They get
rest - less in
the spring
mp
Act II Scene 1
Girl 154
Mag.
Yes, sir.
He'll come back I'm sure of it.
De -
181
Mag.
poco cresc.
Girl 161
Mag.
p
I
al- ways liked her soup.
Tell your moth - er
mp
mf
li - cious
J
158
(cresc.)
Yes, sir.
pp
p
Act II
182
Scene 2 (Dream Play No. 4)
q = 112
mf
4
mp
6
9
S
A
p
ah
p
A
12
S
ee
ah
mp
ah
p
mp
ee
mp
A
ah
p
p
mp
ah
ee
p
mp
ah
ee
p
p
p
mp
p
p
p
p
ah p
ah
p
mp
ee
mp
ee
mp
ah
ah
p
p
p
Act II Scene 2
183
mp
15
B
mp
19
S
A
ah
mp
S
A
p
p
ah
mp
ah
mp
mf
mp
p
mp
p
ah
ah
26
p
mp
ah
23
p
C
mf
Act II
184
Scene 2
29
mp
mp
31
34
S
D
p
ah
mp
ah
37
A
ee
p
S
ah
A
mp
p
ee
mp
p
p
ah p
p
ah
p
p
p
mp
ah
ah
p
p
ee
p
mp
ah
mp
ee
ee
ah
mp
p
mp
ah
mp
p
ee
p
p
p
Act II
185
Scene 2
mp
40
E
44
S
A
p
p
mp
ah mp
ah
47
S
mp
mf
p
A
ah
mp
ah
ah
mp
mp
p
ah
mp
Act II
186
Scene 2
50
S
p
p
A
F
F
mf
mp
54
p
mf
Act II
187
Scene 3
q = 132
mp p
5
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p A
mp
p
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p
17
B
mp
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Act II
188
Scene 3
p
25
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mp p
30
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35
T B 40
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p
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Act II Scene 3
T ba
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B
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Act II
190
Scene 3
T Bar
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58
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p
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Act II
191
Scene 3
T Bar
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66
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p
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Act II
192
Scene 3
dim. T bar-i - an 74
ba ba
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Act II
193
Scene 3
T Bar - i Bar - i Bar - i 83
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Act II Scene 3
194
89
S
CHORUS: TOWNSPEOPLE J f
bar - i - ans
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bar - i - ans
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bar - i - ans
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Bar f
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Act II Scene 3
f
97
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bar - i - ans
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Act II Scene 3
196
K f 105
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mf
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Act II
197
Scene 3
f
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lu lu lu lu lu lu A
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Act II
198
Scene 3
mf en - e 121
T.
Sol.
B.
L
CHORUS: SOLDIERS
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Act II
mf en - e 127
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CHORUS: TOWNSPEOPLE
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Act II
200
Scene 3
en - e 133
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Act II
201
Scene 3
135
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Act II
202
Scene 3
en - e 137
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Act II
203
Scene 3
139
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Act II
204
Scene 3
P
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147
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153
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150
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Act II Scene 3
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205
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sub. p Q
Act II Scene 3
206
Mag. 158
mf
MAGISTRATE
What
is go - ing
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162
Man.
MANDEL
mf
See
for your - self
165
Man.
What - ev - er
it is
Or - ders are
it.
you're to wit - ness
168
Man.
Act II Scene 3
170
S
CHORUS: TOWNSPEOPLE p mp mp p R
ah
ah
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A
207
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p
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mp
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Act II Scene 3
ah
p
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178
S
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180
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Act II Scene 3
ah
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209
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182
mf
p
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A
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210
186
S
A
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f cresc.
f cresc.
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T
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188
S
Act II Scene 3
ya ya ya ya ya ya ya ya ya ya ya ya
f cresc.
ya ya ya ya ya ya ya ya ya ya ya ya
190
f cresc.
yi
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ff
ya ya ya ya ya ya ya ya ya
ff
ff
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ff
ya ya ya ya ya ya ya ya ya
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percussion
Act II Scene 3
211
W Meno mosso q = 100
192
Mag.
Joll
MAGISTRATE f
No!
No no no no
no
main
p
Re - spon - si - ble
for
200
jus - tice in this town
This
is not jus - tice!
Mag.
re -
the mag -is - trate
Mag.
203
I
f
197
mf
Si - lence!
Mag.
JOLL
W Meno mosso q = 100
Man is the great mir - a - cle
of cre - a - tion
And
Mag.
Act II Scene 3
212
206 X mf
f
you dare to de - grade him in this way?
p
mp
sffz
Mag. 217
Not
p
This
p
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on a beast!
p
mp
is the black flow -er
of civ - i
mf
mp
mp
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f
p
mp
za - tion!
mp
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214
You
Mag.
ham - mer!
would not use a ham - mer on a beast
212
A
209 Mag.
mp
f
mp
Act II Scene 3
220
Mag.
You
all
mp
who
wit - ness
231
You
bring shame
mf
AA
a - troc - i - ties
p mp
mf
f
on
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p
mp
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p
229
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226
Joll
223
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213
p
mp
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dim.
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p
p
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Act II
214
Scene 4–Prologue
q = 104
p
mp
p
p
p
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p
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p
mp
p
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p
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B
p
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Act II Scene 4
26
p
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C
p
p
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p
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mf
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Act II Scene 4
216
51
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p
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mf
p
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F
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mp
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Act II Scene 4
76
mp
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H
mp
mf
86
mf
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217
mp
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91
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96
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Act II Scene 4
218
p
101
J
106
mf
p
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mf
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G.P.
pp
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G.P.
Act II
219
Scene 4 129
L Stesso tempo
p
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134
mf
mf dim.
139
Joll
mp
143
Joll
M
haps you would be
p
Mag. 146
so kind
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mp
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p
the
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mp
Per -
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ex - plain
MAGISTRATE
JOLL
mean - ing of these ob - jects.
mp
had
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Act II
220
Scene 4
149 Mag.
rem - nants of some lost
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p
157 N
mp
mf
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154
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Joll
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151
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Joll
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Act II Scene 4
159
221
self and oth - er par - ties.
mp poco cresc.
Mag. 162
mf
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165
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167 Mag.
to
daugh - ter
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dim.
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mp
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169 O Mag.
222
Act II Scene 4
hopes to see her soon
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171 Mag.
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173 Mag. Tak - en
by
176
Mag.
poco cresc.
found him in
a
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mp
mf
son has been ar - rest - ed
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pp
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Act II Scene 4
Mag. 178
an -kles
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Mag. 181
his
eyes
mf
mp
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183
word for “war”
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mf
223
its side it means“jus - tice”
pp
224
Joll
mf 185 P
A
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Act II Scene 4
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191
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225
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Act II Scene 4
mf
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mp
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226 Joll
198
La - zy
S
A
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Joll
and ve - nal
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201
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ah
Q
Act II Scene 4
ah
ah
ah
They
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
Act II Scene 4
205
Joll
227
see you as a half - wit and a clown
S
A
T
B
Joll
ah
mf
ah
mf
ah
ah
ah
ah
ah
ah
ah
ah
ah
mp
ah
mp
ah
ah
ah
ah
ah
ah
mf
mp
mp
mf
208
ah
ah
A
T
B
mp
ah ah ah ah ah ah
street
S
mf
They smell you com - ing half - way down the
You
ah
ah
ah
see your - self
ah
ah
ah
as an her - o - ic
mar - tyr
ah
ah
mf
ah
mf
ah
mf
mf
ah
ah
ah
ah
But to
ah
ah
ah
ah
ah
ah
ah
ah
mf
228
211 Joll
S
Joll
mp
mp
ah
ah mp
R
mp
B
ah
ah
ah
ah
ah
ah
mf
ah
ah
mf
ah
ah
ah
mf
And stand - ing
ah
up
pub - lic
for
the
ah
ah
mp
ah
ah
mp
mp
ah
ah
in
mp
ah
ah
ah
mf
our
mf
ah
ah ah ah ah ah
ah
ah
ah
ah
T
ah
214
A
Who's try - ing to de - ny
ah
mp
bor - der trou - bles
S
ah
them you're a trou - ble- some old fool
T
R
A
B
Act II Scene 4
mp
ah
ah
ah
ah
Act II Scene 4
216
Joll
en - e - my.
S
ah
ah
ah ah ah ee ee ee ah ah
ah
B
T
ah
ah
Mag. 219
ah
ah ah ah ee ee ee ah ah
ee ee ee ah ah ah ee ee
ah
ah ah ah ee ee ee ah ah
ah
ah ah ah ee ee ee ah ah
f
ee ee ee ah ah ah ee ee f
loco
Più mosso q = 112
f
sost.
ee ee ee ah ah ah ee ee f
S
f
ee ee ee ah ah ah ee ee
A
229
You
mf
are the
en - e - my!
Be - fore
f
you came
there
Act II Scene 4
230 222 Mag.
were no bor - der trou - bles
For
some rea - son you think you need a war
mf 225 Mag. You
mp
in - vent
i - mag - i - nar - y threats
mf
Which you pro - ceed
mp
to
228 Mag. put down with state ter - ror
231
His - to -ry
will not
for - give you!
rit.
p
pp
Act II Scene 4
T Poco meno mosso q = 104
234
mf
Joll
There is
no
mp
239
Joll
Mag. 243
Joll
is a clear
of
state - ment
on the dust - y fringe
All I need from you
here
out
Em - pire.
Not
his - to - ry here
231
de - tail - ing
mf
I've ex - plained
My
all your con - tacts with the en - e - my.
Act II Scene 4
232
247 Mag.
mis -sion
was for pure - ly
Joll
rea- sons.
f
251
is
U
Our in - ter- view
mf
o - ver.
You know the drill
255
Joll
You're ly-ing
Joll
per - son - al
U
I leave him in your hands. their ossia: you
260
(if soldiers are not on stage)
rit.
mp
p
Act II
233
Scene 5
q = 132
mf 5 9 A p as a loud whisper S
En - e - my
p as a loud whisper
A
En - e - my
p as a loud whisper
T
B
En - e- my p as a loud whisper En - e - my
Bar - bar - i - an
Bar - bar - i - an
Bar - bar - i - an
Bar - bar - i - an
lov - er
en - e - my
lov - er
en - e - my
lov - er
lov - er
en - e - my
en - e - my
A
12
S
A
T
B
Bar - bar - i - an Bar - bar - i - an Bar - bar - i - an Bar - bar - i - an
en - e - my
lov - er
lov - er
lov - er
en - e - my
lov - er
en - e - my
en - e - my
Act II Scene 5
234
15
S
mp
Bar - bar - i - an
A
lov - er
Bar - bar - i - an
lov - er
B
Bar - bar - i - an
lov - er
mp
mp
lov - er
mp
Bar - bar - i - an
T
p
18
S
en - e - my
p
A
T
B
en - e- my p
mp
lov - er
lov - er
lov - er
Bar - bar - i - an
lov - er
mp
Bar - bar - i - an
Bar - bar - i - an
en - e - my
Bar - bar - i - an
en - e - my p
mp
mp
Act II Scene 5
21
S
T
B
p
En - e - my p
En - e - my
A
B p
p
En - e - my
235
Bar - bar - i - an
lov - er
Bar - bar - i - an
lov - er
Bar - bar - i - an
lov - er
Bar - bar - i - an
lov - er
En - e - my
B
24
S
en - e - my
A
en - e - my
T
B
en - e - my
en - e - my
Bar - bar - i - an
lov - er
Bar - bar - i - an
lov - er
Bar - bar - i - an
lov - er
Bar - bar - i - an
lov - er
Act II Scene 5
236
27
S
en - e - my
T
B
Bar - bar - i - an
en - e - my
A
mp
en - e - my
mp
en - e - my
lov - er
Bar - bar - i - an
lov - er
Bar - bar - i - an
lov - er
mp
lov - er
Bar - bar - i - an mp
30
S
p
B
p
p
mp
mp
Bar -
en - e - my
mp
Bar -
en - e - my
Bar -
en - e - my T
mp
Bar -
en - e - my
A
p
Act II Scene 5
33
Man.
S
bar - i - an
bar - i - an T bar-i - an B
lov - er
Your
time
has come,
39
Man.
best
C
p
Try
your
Mag - is - trate
36
Man.
C
237
lov - er
lov - er
bar - i - an
MANDEL
lov - er
A
mf
to take it like a
man.
238
Act II Scene 5
42
Mag.
Mag. 45
Man.
51 Do you
mp
mf
Where is Colo - nel
Left
to join
our vic - tor - i - ous
arm - ies
an - y bus’ ness
of yours.
have some - thing
that it’s
mf
Not
48
Man.
Joll?
Man.
MAGISTRATE D
to
say?
We
Act II Scene 5
Man.
54
do
grant
you
the
op - por - tun - i - ty
57
239
Say
what you like.
E
Mag. 61
p
I have noth - ing
to say to them
mf
p
mp
mp
But for
64 Mag. you I have a ques - tion
p
I
mp
would like
to
67 Mag.
240
un - der - stand
Man.
76
up!
this?
When
I was young - er
of a pump - kin.
Now
One mo - ment!
through the shell
you choose to do this work?
73 I could drive this
Man.
it is
You see
Man.
Why
70 F f
Act II Scene 5
mf
Do you have some - thing else
to
Act II Scene 5
Mag. 79
Man.
went
to re - turn
I might want to
the girl
Some - thing
82 Mag.
say?
Man.
241
mf
Just
that I
hear?
And that no one
de -
p
to her fam - i - ly.
Is that all?
mp
85 Mag.
serves
p
to die like this.
mp
p
Act II
242
Scene 5
88
Man.
S omit if cut is taken
G Meno mosso q = 112 mf
Wrong
an- swer I’m a - fraid
Now up the lad - der.
mp
dim.
(optional cut to H)
rit.
91
S
VI— a tempo
p
Climb
A
Climb
VI— a tempo
rit.
p
climb
up
p
(dim.)
pp
mp
mp
climb
poco cresc.
up
T
Act II
243
Scene 5
95
S
p
up
climb
p
A
up T
B
climb
mp
up
up mp
T up 100
B
mp
mp
(cresc.)
Up
climb
p
Up
climb
p
cresc.
mf
climb
climb
up
mf
climb
climb
up
p
mp
up
mp
p
mp
rit.
rit.
p
Act II
244
Scene 5
—DE 105 H Meno mosso q = 96 S
mf
The Bar - bar -i - an
T
B
A
there he
mf
The Bar - bar -i - an
mf
There he goes
there he
the Bar - bar - i - an
mf
There he goes —DE H Meno mosso q = 96
the Bar - bar - i - an
3 3 3 3 3 3 3 3 mp
109
S
goes
A
goes
T
B
watch him go
watch him go
3
3
the Bar -
the Bar -
There he goes
3
watch him go
watch him go
3
There he goes
3
3
3
3
Act II Scene 5
113
S
bar - i - an
bar - i - an T
B
the Bar - bar-i - an
there he goes
S
watch him
watch him go
watch him go
3 3 3 3 3 3
117
watch him
the Bar - bar-i - an
there he goes
A
245
3
3
go
A
go
p
dim.
Act II
246
Scene 5
122
Man.
MANDEL mf
That’s one kind of fly - ing
p
Here’s
an - oth - er.
f
Up - sy dais - y!
Più mosso q = 108
I
126
mf
129
132
mf
mp
Act II Scene 5
f
134
S
See f
A
See
T
B
see
he can fly
B
See
he can fly
mf
f
See f
See
f
he can fly
he can fly
watch him fly f
watch him fly
mp
watch him fly mf
watch him fly
mf
he can fly
f
137
T
he can fly
f
See
A
he can fly
see
S
unis.
he can fly
247
unis.
see
see
he can fly
he can fly
See
See
he can fly
he can fly
Act II
248
Scene 5
Mag. 140
watch him
mf
J
fly
fly
That's
the bar - bar-i - an
lan - guage!
fly
f
watch him
f
f
watch him
mf
mf
watch him
Man.
mf
142
gliss.
Ai!
T B
fff (scream)
fly
He's
call - ing
Act II
249
Scene 5
145
Man.
148
mf
q = 96
150
his bar - bar - i - an friends!
mp
Percussion
attacca
Act II
250
Scene 6 q = 96
mp
4
A
7
mf
10
14
(dim.)
dim.
B
mp
Act II
251
Scene 6
18
mf
21
25
dim.
C
mp
29 33
36
mf
mp
mp
Act II
252
Scene 6
39
mf
mp
Mag. 48
Man.
mf
D
Mandel: mf
Più mosso q = 104
mp sost.
cresc.
mp
So we’re still
Più mosso q = 104
D
45
42
mf
Magistrate:
E-
feed - ing you well?
Act II
Mag. 51
Man.
nough
Mag.
mf
mp
can’t
af - ford
will stop now
We
cresc.
mf
This
Ac - cord - ing
to eve - ry
to waste good food on you.
to keep me a - live.
54
Man.
253
Scene 6
mf
mp
mf
57 Mag.
rec - og - nized con - ven - tion
Pris - on - ers must be
fed.
Act II
254
Scene 6
mf E
59
Man.
When the
62 f
65
it - self
comes un - der threat
We
no
long - er feel the need to
mf (dim.)
fol - low
(dim.)
dim.
con - ven - tions.
p
68
Man.
Em - pire
Man.
These cir - cum - stan - ces are ex - cep - tion - al
Man.
f
In
an - y case
you’re no long - er a pris - on - er The door
pp
is o - pen You’re
Act II
255
Scene 6
Mag. 71
Man.
Mag. 74
mp
dim.
in - to
my
a
-
part - ment?
mf
Re - gret- ta - bly
p (dim.)
76
Man.
Can I
move back
free to go.
Man.
mp
it’s been req - ui - si - tioned for the use
pp
F
of a sen - ior of - fi - cer
mp
Name - ly me.
Act II
256
Scene 6
Mag. 79
Man.
Mag. 82
Where am I sup - posed to live?
We don’t allow
poco rit.
rough sleep - ing in this town.
poco rit.
In
Man.
mp
a tempo
your case we are pleased
to make
mp
Have you a
an ex - cep - tion.
a tempo
p
Mag. 85
mo - ment? I know your time is
pre - cious
Now the bar - bar - i-an
is at the gate
Act II Scene 6
Mag. 88
I
Mag. 91
93 Mag.
How
is
to
The
mp
G mf
p
eat?
Af - ter you’ve been work - ing
this
is it pos - si - ble
for you.
ques - tion
ques - tion
have a
257
Do you have some pri - vate rit - u - al?
I
Act II
258
Scene 6
Mag.
96
don’t mean to in - sult you or ac - cuse you You must know I’m ter - ri - fied
99 Mag.
Mag.
mp
102 H
zone
I’m try - ing
I’m try - ing
to i mag - ine how you
to un - der - stand the
breathe
Or sit
you live in
p cresc.
I
gen u- ine - ly want to know the ans - wer
of you
Act II
259
Scene 6
Mag.
105
down
with your fam - ily
But
Mag.
107
I
I
(cresc.)
f
were you my hands would feel so
dirt - y...
just can’t
Man.
If
mp
Shut your mouth! You fuck - ing
(cresc.)
mf
accel.
lun - a - tic!
109
Man.
ff
Crawl a - way and die!
cresc.
f
Act II
260
Scene 6
I
Più mosso q = 132
f
112
117
mf
122
mp mf
127
J
mp
132
136
rit.
p
p
Act II
261
Scene 6
K Meno mosso q = 112
140
145
148
152
L
pp
Act II
262
q = 108
mp
mp
S
ah
ah mp ah
mp
T
B
ah
T
B
ah
A
ah
ee
ah
ee
ee
ee
ah
ah
ee
ah
ee
ee
ah
ah
ee
ah
ah
ah
ah
A ah
ah
A
ee
13
S
ee
mp
A
9
Scene 7
ee
ah
ee
ee
ah
ee
ee
ah
ah
ee
ah
ah
ee
ee
ah
ah
ee
ah
ah
ee
Act II
ah
ee
ah
ee
ah
ee
ah
ah
ee
ah
ee
ah
ee
ah
A
T
B
263
17
S
Scene 7
B
ee
ee
ah
ah
ee
ah
ah
ah
ee
ee
ah
ah
ah
ah
ee
ee
ah
ah
ee
ah
ah
ah
ee
ee
ah
ah
24
ee
ee ee
B
ee
C
ah
ah
T
ah
A
ah
B
S
ee
ee
ah
ah
ee
ee
ah
ah
ah
ee
ee
ah
ah
ee
ah
ah
ah
ah
ee
ee
ah
ah
ee
ah
C
Act II
264
Scene 7
29
S
ah
ah T
B
ee
A
ah
ah
ee
ee
ah
ah
ee
ah
ee
ee
ah
D
ah
ah
ee
ah
ee
ah
ah
ah
ee
ah
ah
ah
ee
ah
ah
ah
D
34
S
ee
A
ee T
B
ah
ah
ee
ah
ah
ah
ee
ah
ah
ee
ee
ah
ah
ee
ah
ah
ee
ah
ee
ee
ee
ee
ah
ee
ee
ah
ee
ee
Act II
Scene 7
39
S
ah
A
ah ah
T
B
ee
ee
ah
ee
ah
ah
ah
ee
F mp
ah ah
mp
A
ah ah mp ah ah
mp
T
B
ah
E
ee ee
ah ah
ee ee
ee
ah ah
ah
ee ee
ee
ah ah
ah
ah ah
ee ee
ah
ee ee
ee ee
ee ee
ee
ee ee
ee
ah ah
49
S
E
43
265
F
ah
Act II
266
Scene 7
53
S
ah ah
A
ah ah
T
B
ah ah ah ah
ah ah
T
B
ah ah ah ah
ee ee
ee ee
ah ah
ah ah
ee ee
ee ee
ah
ee ee
ee
ah ah
ah
ee ee
ee
ah
ee ee
ee
ah ah
ah
ee ee
ee
ah ah
A
57
S
ee ee
ee ee
ah
ah
ah ah
ah ah
ee ee
ee
ee ee
ee
ee ee
ee ee
ah ah
ah
ee ee
ee
ah ah
ah
ee ee
ee
Act II Scene 7
61
S
G
ah ah
A
ah ah
T
B
ah ah ah ah
ee ee
ee ee
267
ah ah
ah ah
ee ee
ee ee
ah
ee ee
ee
ah ah
ah
ee ee
ee
ah
ee ee
ee
ah ah
ah
ee ee
ee
G
65
S
ah ah
A
ah ah
T
B
ah ah ah ah
ee ee
ee ee
ah
ah
ah ah
ah ah
ee ee
ee
ee ee
ee
ee ee
ee ee
ah ah
ah
ee ee
ee
ah ah
ah
ee ee
ee
Act II
268
69
S
ah ah
A
ah ah
T
B
ah ah ah ah
73
S
ah ah
A
ah ah ah ah
T
B
ah ah
Scene 7
ee ee
ee ee
ah
ah ah
ah ah
ee ee
ee
ah
ee ee
ee ee
ee ee
ah ah
ah
ee ee
ee
ee
ah ah
ah
ee ee
ee
ee ee
ah ah
ee ee
ee ee
ah ah
ee ee
ee
ah ah
ah
ee ee
ah
ee ee
ee
ah
ee ee
ee
ah ah
ah
ee ee
ee
Act II
269
Scene 7
77
H
81
85
89
93
I
Act II Scene 7
270
J
p
100
103
3xs
97
3xs
K
106
3xs 109 L
112
dim.
pp
Act II
q = 132
mf
271
Scene 8
mf A
5
3xs
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
mf
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
ya
T
mf
B
3xs
mf
f 7
S
ah ee ah ee ah ee ah ee ah ee ah ee f
A
ah
T
B
ah ee ah ee ah ee ah ee ah ee ah ee
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
f
ah
ee
ah
ee
ah
ee
ah
ee
ah
ee
ah
ee
f
ah
ah
mf
dim.
ah
ah
ah
ah
mp
Act II
272
Scene 8
9
A
mf
Mag. 12
MAGISTRATE
f
Tell me
What has hap - pened?
p
15
Sol.
3 SOLDIERS
Mag.
You must tell
me!
f
What?
f
What do you
What?
What do you
Act II
want to know? 17
Sol.
Mag.
273
Scene 8
want to know?
Where
is
eve - ry - one?
Lost; de - sert - ed; 19
Sol.
1 SOLDIER
gone
de - sert - ed;
2 SOLDIERS
Lost;
we don’t
gone
we don’t
know where.
know where.
Mag. 21
Do you mean...
the Bar - bar - i - ans
have con - quered?
Act II
274
Scene 8
B How do we know? We hard - ly ev - er saw them They would- n’t stand and mf mf
24
Sol.
How do we know?
We hard - ly
ev - er saw them
They would- n’t stand and
B
fight 27
Sol.
fight
They
They
lured us
lured us
a - cross an emp - ty
a - cross an emp - ty
des - ert
They
des - ert
They
cut our hors - es loose at night 30
Sol.
cut our hors - es loose at
night
They picked us
off
one by
They picked us
off
one by
Act II Scene 8
Sol.
33 one one
And then they
And then they
275
van - ished
in - to
van - ished
in - to
the moun - tains
the moun - tains
35
Sol.
Where our men
Where our men
froze
froze
or lost their foot - ing
or lost their foot - ing
Sol.
38 Why were we not told Why were we not told
it would be like that?
it would be like that?
Act II Scene 8
276
41
C
mp
45
mp
Mag. 49
Joll
f
53
p
sempre p
D
come back
to
Have you
in - no - cent blood?
D
mf
stink - ing up the place?
spill more
So you’re still here
Mag.
f
JOLL mf
Joll
mp
mf
You
Act II
277
Scene 8
57
Joll
like to think you’re my
61
Joll
selves
But
let
me
just as - sure you:
You
are
the
la - zy lie we tell our -
65
Joll
op - po - site
you are not
When times are eas - y
pros - per - ous and fat
f
But
I
Act II
278
Joll
Scene 8
69 I
am the truth
the Em - pire
speaks
When harsh winds blow.
73
Joll
E
Now step a - side.
cresc.
I
have
f
77
Joll
mf
an an - nounce- ment
sub. p
to
make
cresc.
Act II
279
Scene 8
81
Joll
f
(cresc.)
F Meno mosso q = 120
name
of the
p
Im - pe - ri - al
com - mand
Our Ar - my
96 rea - sons
I’m sure
is with - draw - ing
you
to the cap - i - tal
un - der - stand
tem - po - rar - y
Mil - i - tar - y
For
meas -ure
As a pure - ly
91
Joll
86
Joll
f
In the
Joll
op - er -
Act II Scene 8
280
G
101
Joll
a - tions
at the front
105
Joll
Joll
p
gin
dim.
To
crush
win - ter
in the spring When we
will
be -
for the
to be back
a new of - fen - sive
110
Will cease
I ex - pect
the
mf dim.
en - e - my
once
and for
115
Joll
Act II Scene 8
all.
119
Joll
In the
mean - time
p
mp
for the un - for - get - ta - ble
must thank you
hos - pi - tal - i - ty...
my men and I
mp
124
mf
281
H Più mosso q = 132
f
127
130
Act II Scene 8
282 133
dim.
136
mf dim.
Mag. 139
I
mf
The
dim. sf
mp
crime
that is
la - tent
in
us
It is our
sf
sf p
sf
144 Mag.
du - ty
to in - flict
On our - selves
not on oth - ers.
Mag. 148
f
Did you hear me?
J
The
crime
mf
that is
Act II Scene 8
152 Mag.
la - tent
283
in
us
It is our du - ty
to in - flict
On our-
Mag. 156
Joll
selves
not on oth - ers.
f
Go!
Hur - ry!
160
164
K Meno mosso q = 104
p
L
168
Act II Scene 8
284
172
Mag.
176
mf
They have de - sert - ed us!
179
Mag.
mf
Not
be - fore em - pty - ing our
gran - ar - ies
Mag. 182
mf
Steal - ing
mp
mp
our crops
and slaugh - ter - ing our an - i - mals And
Act II Scene 8
185 Mag.
now
Mag.
285
f
they leave us un - de - fend - ed
But
Has the
Mag.
trial?
193
What
Loot- ed raped and tor - tured with - out
f
say this:
ter - ror - ized this town?
mf
ar - my not
191 Mag.
I
188 M
worse con - di - tions could bar -
Act II Scene 8
286
195
Mag.
bar - i - ans
N
a tempo
mf
An - y - way
Mag. 198
bring?
poco rit.
the bar - bar - i - ans
mp
Mag. lies
don’t want this town
mp
mf
Their
mp
in move - ment.
202
mp
mf
free - dom
Now
mp
p
Act II Scene 8
206 Mag.
we must turn our minds
287
209 Mag.
Plant - ing your gar - dens with root veg’- ta - bles
Dry - ing and salt - ing fish
That will with - stand the frosts
212 Mag.
To find - ing ways of liv - ing through the win - ter
O and har - vest - ing What lit - tle they have left us
p
Act II Scene 8
288 215 Mag.
Let us help each oth - er to sur - vive
S
p
p
p
mp
jus - tice
mp
yes
yes
Jus - tice
p
Jus - tice
jus - tice.
re- mem - ber
Jus - tice
B
let us
Meno mosso q = 104
T
And
Jus - tice
A
Mag. 218
yes
jus - tice
mp
jus - tice
mp
jus - tice
Act II
289
Scene 8
222
S
mp
jus - tice
A
jus - tice
B
T
mp
jus - tice
mp
mp
mp
mp
mf
jus - tice mf
yes
jus - tice
poco rit.
226
mf
yes
jus - tice
jus - tice
yes
jus - tice mp
yes
mp
mf
mp
dim.
p
Act II
290
Scene 9 A q = 88
p
7
poco cresc.
14
20
B
mp
mp
p
mp
mp
poco cresc.
p
Act II
291
Scene 9
26
33
Cook
Mag.
C a tempo
mp
p
mp
p
p
COOK mp
You’re wel - come
C a tempo
mp
rit.
You don’t have to go
MAGISTRATE mp
30
I
to stay the night.
Act II Scene 9
292
Cook
don’t
36
like to leave
the child - ren on their own.
I know
39
Cook
I
inn
don’t make you ver - y
hap - py
41
Cook
When you came
to
the
you were look - ing for the Star
not me.
She left
with the first wave of
Act II Scene 9
44
Cook
ref - u - gees
Mag.
mp
p
hear it.
I’m glad to
D
found a young man.
47
Mag.
She
Well good for her
Cook
D
293
mp
But
this time it was you I had in
You don’t need to
mind.
50
Cook
say that
And
I
do
feel when you’re with me
you’re
Act II Scene 9
294
52
Cook
al - ways some - where else.
54
Cook
your bar - bar - i-an girl
Mag.
were
al- ways some - where else. p
I
you were so
pp
did - n’t know E
say,
E
That you
57
Mag.
what she used to
Cook
That’s
p
I liked her
in - ti - mate with her.
Act II Scene 9
60
Cook
We
all
did
She had
a
62
But she
sense of
hum - or
She did what she was asked with - out com - plain - ing
64
Cook
mp
Cook
295
did - n’t
un - der - stand
What it
was you want - ed from her.
Act II Scene 9
296
66
Cook
mf
She cried and cried You’ve no i - de - a how un - hap - py
mp
you made her.
Mag. 69
F
Mag.
f
ride in
She will
poco cresc.
mp
72
Cook
mf
Per - haps when the bar - bar - i - ans
Don’t say that
You
ter - ri - fy me
When I
come rid - ing with them.
mf
Act II Scene 9
75
Cook
think a - bout all that
I’m
77
Cook
mp
what will hap - pen
Mag.
to
par - a - lyzed
297 mp
with fear
Tell me
mp
the child - ren?
mp
They won’t harm the child - ren
mp
dim.
Mag.
79
They won’t harm
G
an - y - one They’ll nev - er e -ven come.
(dim.)
pp
Act II
298
Scene 9
82
Cook
Mag.
p
p
I can’t sleep in this big bare room
85
much
bet - ter
off
in
the
I’m
87
bring you
up some break - fast
in
the
kitch - en
I’ll
Cook
Stay with me.
Cook
morn - ing.
Act II
299
Scene 9
89
mp
cresc.
93
97
100
H Più mosso q = 112
mf cresc.
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Act II Scene 9
300
103
106
109
112
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 mf dim.
mp
3
3
dim.
p
Act II
301
Scene 10
q = 104
5
A
A
p
pp
ah
ah
ah
ah
ah
ah
ah
ah
p
ah
p
pp
pp
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
p
ah
ah
ah
ah
ah
p
B
ah
T
9
S
p
13
ah
ah
B
p
pp
pp
ah
pp
Act II
302
ah
ah
ah
ah
ah
ah
ah
ah
ah p
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
p
17
S
Scene 10
p
A
ah
p
T
B
pp
pp
pp
ah
ah
ah
ah
ah
ah
ah
ah
p
A
ah p ah p
T
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
C
p
p
pp
C 21
B
ah
S
pp
Act II
ah
ah
ah
ah
ah
ah
ah
ah
ah p
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
p
25
S
Scene 10
p
A
ah p
T
B
ah
ah
p
pp
pp
ah
pp
ah
ah
ah
ah
ah
ah
ah
ah
T
p
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
D
ah
p
ah
ah
ah
A
p
p
B
pp
D 29
S
ah
pp
303
Act II Scene 10
304
Mag. 33
S
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
37
long
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
cold
pp
ah
pp
is
beau - ti - ful
pp
E-ven on
the first cold day
of a
41 Mag.
E
p
ah
town
pp
Our
ah
pp
ah
p
ah
Mag.
p
B
p
T
p
p
A
MAGISTRATE
win - ter
pp
p
Act II Scene 10
46
Mag. 49
F mp
I
p
have been
pp
think - ing
Per - haps
with
gate
p
I might
be - gin
57
p
the bar - bar - i - ans
at the
53
Mag.
305
to tell the
truth.
pp
pp
Act II Scene 10
306
G Mag. mp
But
for now
61
I
look
back
at the tur - moil of the
65 Mag.
un - der - stand
p
69 Mag.
year
73 H Mag.
And
p
it
no more than
is here
a
ba -by
star - ing me in the face
Some - thing
Some - thing
I
can - not see
Act II Scene 10
Mag. 77
p
S
ah
p
A
ah
T
B
p
ah p
Mag.
ah
ah
ah
sim.
S
A
T
B
ah
ah
ah
ah
ah
lead
ah
sim.
ah
ah
down a road
Which
p
p
p
sim.
p
pp
ah
ah
sim.
pp
ah
sim.
pp
pp
p
sim.
no - where
pp
ah
sim.
sim.
ah
trav- el - ling
am a man
82
may
I
p ah
mp
307
Mag.
Act II Scene 10
308
87
S
I
p ah
p
A
ah p ah
mp
A man
B
ah
ah
sim.
p
But still
pp
pp
in a
pp
pp
pp
cruel
p
p
p
p
p
and stu- pid dream
I keep walk - ing.
mp
92
B
sim.
Mag.
T
sim.
ah
A
ah
I
S
sim.
lost
ah
p
T
mf
Act II Scene 10
96
Mag.
S
T
J 101
S
309
walk - ing
A
B
p
p
ah
A
p
ah
T
B
* on the beat
ah
J
p
*
p
Act II Scene 10
310
105
S
A
T
B
ah
ah
*
109
A
ah
S
rit.
pp
B
pp
ah
T
ah
pp
ah
pp
rit.
* on the beat
End of the Opera