Glass WAITING FOR THE BARBARIANS

Page 1

WAITING FOR THE BARBARIANS An Opera by Philip Glass Libretto by Christopher Hampton Piano/vocal Score

(5/1/2006)

DUNVAGEN MUSIC PUBLISHING


Commissioned by the Erfurt Theater, Erfurt Germany World Premiere, September 10, 2005


WAITING FOR THE BARBARIANS Overture

Christopher Hampton

Philip Glass

 q= 132  Soprano 

Chorus

Alto

 

                           ee ee ee sim. mp

Tenor

    Bass  

  

mp

oh oh oh

  

  

  

  

sim.

                          Piano

 

mp

  

        

  

  

mp mf  T                           oh oh oh sim.

7

   mf

B

 



mp

 

 

  

  

  

                         

mf



mp

  

 

 

        

Copyright © 2005 by Dunvagen Music Publishing 5/1/2006


Act I Overture

2

  T      B  13

 

   

 

 

 

 

  

B

 

 

 



 

 

mf

 

 

  

mf

   

 

mp

 mp

mf

     

    ee

mp

     

     



















ah

ee

ah

ee

ah

ee

ah

ee

ah

  mf











ee

ah

ee

ah

ee

ah

19

T

   T           B  

16

A mf

   

mp

 

 

 

     ee



 

ah

ee

 

  

  

ah

 

 

    


  T   ee 24

B



 



ah

ee

ah

 



  

ah

 29

33

     ee

 



ee

ah

 

ee

f

 







mf



   

ah

ah

ee

ah

ee

ah

mf









 

ah

 

ee

 

ah

ee

 

mf











ee

ah

ee



ah



ee



ah

 

ah

ee

 





ah

  

 T     ee B

   



ee



ee

 

 

f

3

    

  T   ee    B  

f

 

 

ee

Act I Overture



   

 

 

ah

 

ee

 

ah

  

ee

ah

 

 

 

 

 

 

ah

ee

ah

ee

ah

ee

ah

f



 

ee

ah

ee

ah



  ah



  ee



  ah

f







            f

                       


4

                                37

S

Act I Overture

B mf

ee ah ee ah ee ah sim.

mf

 

A

   ee ee

mf

T

B

  mf

      ee

ee



ee

   

ah

sim.

ah

sim.





sim.





   

 

 

 







 



 

    

 

    

 





 







   

 

 



                             

mf f                                  

42

S

ee oh ee oh ee oh ee oh ee oh ee oh ee ah sim.

   

A

T

B

    

      



f

  f

ee

  



 

oh

ee

   

f

 

 



oh

 

oh

ee

oh

 

   

 



f

ee

 



mf

 

  mf



ee

ah

mf





   

ah

ee

mf

 

sim.

   

sim.

sim.







   

 

sim.

                             


                                Act I Overture

47

S

5

ah ee sim.

 

 

 

      







A

T

B

       

  

 

    

  

      

  











 

   



 





 

 

 

  

 

                             

            52

S

  

f

C mf

f

mf

ee ah ee ah ee ah sim.

A

T

B

   

  

  

     





    



    

 



 

 



ee mf

f



  f

              f

ee



ee



sim.

ee

ah

sim.

mf







ee

ah

sim.

   

 

   



  

         


6

                         f       Act I Overture

57

S

ee oh ee oh ee oh

A

T

B

 

 

 

  







 



       

 

    

 

  



  

   



f

  f

ee



   

  



   

  f



 

 



oh



ee

oh

   

 

f

                             

       mf                          62

S

ee oh ee oh ee oh ee ah sim. A

T

B

 

    ee

   

       ee

 oh



oh

 

mf

 

ee

ah

mf

    

  mf

ee

mf

   



 

 







ah

   

 



 





 

 



    



 



    



 

                             


Act I Overture

7

                                      f

67

S

ah ee sim.

   

A

T

B

    

      

73

   

         

   

 





   

  

 

f

      



    

   





   

   

 

f



  f

        f

                                                           ff

 













77

                          











f




8

 f   

 

 

 

 

ee

sim.

ah

   ah f  

ee



f





ee

sim.

81

S

D

ah



f

A

T

B

S

ee



 

 



 









 

 

 





























sim.







                               f                                86 mf                         

A

T

B





ah

sim.

 

 

Act I Overture

      



 



  









 



  

 



ah



ee





mf

ah



ah



mf



ah













ee

sim.

ee

mf

sim.

sim.





ee

sim.





                               



  

mf

                






    91

S

 

A



T

B

    

 

 



 









 

 

Act I Overture

cresc.





cresc.

 



cresc.

 

 

 

 



 



 





 cresc. 





 





 



 

 

9

  



                               

cresc.

                                

    

 

 



f mf



f

96

S

A

T

B

     

f

E

 

mf

ah

  



ah



 

 

 

 

 

ee

sim.



ee



sim.

























ee

sim.











dim.

ah f mf

 

dim.

ah

mf

 

dim.

dim.





ee

sim.







                               



  

f

   


10

101    

mf cresc.

S

  

mf cresc.

A

  

    mf cresc.     

mf cresc.

T

B



 

  

 

  

  



Act I Overture

 

 



 

  

  

 

  

 

 

f



 f

 

 f

 f

 



 

dim.

dim.

  

dim.



dim.

 

                               

mf cresc.

    

 

 

 

 

 























 











 

A

T

B

 

dim.

                                    

106

S

f





 

 

 

 

 

 

 

 





mf

mf

  

mf

  mf

 

  

 

                               

mf

                 


111    

 

  

 

f

S

f

A

f

T

B

   f    

    



 





 

Act I Overture



F mf

ah

 

mf

 

















ee

ah

ee

ah

ee

ah

ee

ah

cresc.

cresc.

  

  

ah



11

ee

mf

cresc.

ah

ee

ah

ah

ee

ee

ah

ah

ee

 ee

   ah

ah

ee

 ee

ah

ah

mf  cresc.  

  

  

ah

ee

ah

ee

ah



ah

ee



ee

ah



                               

S

cresc.

     f 116    mf     f     unis.  ee

ah

ee

ee

T

   ee

ah

ah

oh

ee

oh

ee

f



ee

oh

ee

oh

ee

f









ee

oh

ee

oh

ee

   

A

B

mf

f

   



 f











mf

mf

mf



  

  

  

f

f

f

oh

 

ee

oh

 

ee

 

       







           

ee

 



ah

ee

f

mf

f

                             


12

 f  

 

 

 

 

ee

sim.

ah

   ah f  

ee



f





ee

sim.

121 S

G

ah



f

A

T

B





ah

sim.

ee



sim.

 

 

 



 









 

 

 

 



























Act I Overture









                               f                               

S

126    

  

A

T

B

      

 

 

 

 

 



 



 





  









  



 

 

 

 

ah

ee

sim.



mf





mf



ah



ee





ah

ee

sim.

mf



mf



ah





sim.







ee

sim.





                               



  

mf

                






    131

S

 

A



T

B

    



 

 



 





 

 

Act I Overture

 

cresc.





cresc.

 



cresc.

 

 

 

 



 



 







 cresc. 





 







 

 

13

  



                               

cresc.

                                

    

 

 



f mf



f

mf

f

mf

136

S

A

T

B

     

f

H

 

mf

ah





ah



 

 

 

 

 

ee

sim.



























ee

sim.













ee dim.

ah



 

dim.

ah



 

dim.

dim.

sim.





ee

sim.







                               

f

                   


14

141    

mf cresc.

S

  

mf cresc.

A



mf cresc.

T

B

  

 

  mf cresc.     



 

  

 

  

  



 

Act I Overture

 



 

  

  

 

  

 

 

f



 f

 

 f

 f

 



 

dim.

dim.

  

dim.



dim.

 

                               

mf cresc.

     

A

T

B

 



  

dim.

                                    

146

S

f

  

  











  

  











 

 

mf



  mf

 

 

  

mf



  mf

 

 

 

 

 

 





  

 

                               

mf

                 


151    

 

  

 

f

S

f

A

f

T

B

   f     

    



 





      

Act I Overture



15

















ah

ee

ah

ee

ah

ee

ah

ee

ah

mf

cresc.

I mf

cresc.

  

  

  

ah

ee

ah

cresc.

ee

mf

ah

ee

ah

ee

ah

ee

mf  cresc.  

ee

ah

ee

ah

ah

ee

ah



ee

  

ah

ee

ah

  

ee

ah

ee

ah

ah



ah



                               

S

cresc.

     f 156    mf     f     unis.  ee

A

ee

oh

ee

oh

ee

   

 f







oh

ee

oh

ee

f









oh

ee

oh

ee

ee

T

B

mf

f

   ee

ah

ah

ee

 

ah

ee

   

f  







mf

  

mf

  

mf

  

f

 

f

 



f

 

oh

ee

 

oh

ee

 

       







            

ee

 



ah

ee

f

 

mf

f

                             


Act I Overture

16 161 J

 

                       

sub. p









165

                                     ah 169

T

B

p

     ah

B







mp









ah

ah

ah

ee

ee

ee

ee









ee

ee

ee

ee





ah

ah

p

 

 ah

p

p

 

mp

 







 



 



ah

ah

ah

oh

oh

oh

oh

 







  

ah

ah

 

ah

ah

mp

                         

    ah 173

T

p

p

mp

mp









 

oh

oh

 

oh

oh

mp

p

p

p

                         


    ah p

177

T

B

Act I Overture

p

ah

ah

ah

ah

ah

  

mp









ee

ee

ee

ee

mp









ee

ee

ee

ee

 

 

mp

p

p

p

                          

                            K

1 solo mp



    ah p

p

     ah

 

p

  

185

ah



B

ah



T





181

A



 

S



17

p



ah











ah

ee

ee





ah

ee

 

 ee

 

mp





 





 p



1 solo

ah



sim. mp



 

sim.

mp





 



p





  p

                                


Act I Overture

18

  190

S

 (solo)

 

A

 

T

  



 



B

   

   ah

    mp

mp



 

 





 

 



 









ah

ah

ee

ee









ah

ah

ee

ee

p

p

   p

 





ah

ee

ee

mp

 







ah

ah

ee

ee

    mp

 p

ah





                                

mp

B

 ah

mp

  

T

  

195

S



1 solo mp

 

p

                                 


Act I Overture

 



L

200 (solo)

S



mp



19









ah

T

B

 

p









mp

ah

ah

ee

ee

sim.

p









 

ah

ee

 

ee

ah

 

p

205

1 solo











ah

   p

B

p

     

mp















 

 

sim.

mp

                                

 A  

T



p

 

  



    mp

mp



  mp

  

    

 

p

p

p

                         


Act I Overture

20

   209

S

1 solo











mp









ah

ee

ee

ah

ah

ee

ee







ah

ee

mp







ah

   ah p

T

B

p

 







  

ah

ee

 

ee

ah

  

ah

mp

 

ee

p

                          

  213

S

p

mp

 p

poco rit.



ah

                           


Act I

21

Scene 1

q = 120

                                    

 

mp



 





                                 

4

  

 

 



                            A

7

   10

 



 

 



mp



           

 



 



                               13

  



 

p



 





                                     16

  



              

B

   p         

  mp    


Act I Scene 1

22

18

   

sub. p

   

sub. p

   

  

 

sub. p

 mp

 

mp

dim.

mp

 

 

 

 

 

                        

   

24

 

                       

22

mp

   

                        

20

 

pp

p

 

mp

                       


Act I Scene 1

26

   

sub. p

sub. p

 

   p

 

mp

 

  

 

sub. p

 mp

                        

   

sub. p

mp

sub. p

 mp

                        

  32

 

C

Magistrate



mf

In

   

sub. p

 

mp

30

Mag.

  

                        

   

 

mp

28

23

 

mp

           



  mp

  fact,

   



we nev - er



p

                     


35    Mag.  

24

had

 

    

  

a pris - on

Act I Scene 1

 

in

this town







                                 

   Mag.  38

     







Nev - er need - ed one.

                                               

41

    

    

  



                          p

     

43

mp

    

p

   

 

pp



  

                          mp

 Mag.  45

 

D

mf

 

So

it's

a

stroke

  mp



   of

           

luck

 

   

we have these

 

   pris - on - ers



           


Act I Scene 1

  Mag.  47

 

 

to

show

mp

  

you

 

 



 

49

picked them up

 

 

We

  

  

af - ter

a

cat - tle - raid

 Not

   twen - ty miles

                      

 

mp

    Mag.  51

from here

   

                        

  Mag.  

25

  They



  

say

they had

   noth - ing

 to

                     



53     Mag. 

 



do with it

 



 



                         


 Mag.  55



Act I Scene 1

26

 



 

    

  

Would

you like

me to speak to them?



 

                         57

  59



 



 

                         



 



 



                              Mag.   61

E Meno mosso q = 104 mf

     

Did

you

    





    

    

take part in the raid?

 



  



                                 Mag.  

mp

64

     

p

    mp

p



p

         

        p

p

mp

It's your dark glass - es He's nev - er seen them be - fore

             mp

mp

       




    Mag. 

Act I Scene 1

67

Prob - a - bly

 

 thinks



 mp    Mag. 

Do you see,

 

  

70

        



you're blind.

         

27







p        

    

   

 

 

Fa - ther? These gen - tle - men come from the cap - i - tal.







 









 







                        

73 F   Mag. 

They

 

 

are

from

  

     

the Third Bur - eau

Their

     

job

is to find out

 

the

                                 p

 

 

pp

 

 

 

 


  Mag.  76

truth

 

  Mag.   79

 O.M.  81

G

  

  

85

Old Man mf

   

my

      

 





  

  

 



grand - son



 

     

 



   



  

    

p

    

    On our

 

way here

to the

mp

p

                    

doc - tor the sold - iers stopped us.



  

      

   

p

Più mosso q = 112

p

 O.M. 

  

This is

the truth.

     

they do:

 

Find out

  p 

  

That's all

             

Act I Scene 1

   

28

    

     

He has a sore on his

arm

          

   

     

    

pp


 O.M.  89

Act I Scene 1

We

know

29

  

 

noth - ing

a - bout

     an - y cat -tle raid

                         p

                          

 O.M.  92

  

 



  

           

  

mp

  

mp





Show them your sore.



p

                        

95



H

                            pp mp                                  

  98

Joll

Joll

mf

Un - tie

   

the old man

                                

                        


30

    101

Joll

I'll

Act I Scene 1

    

   

take ov - er

now

if I may.

                                                    104 I                    3      3             p 3 

 Mag. 

  

108

  



   3





3









Mind

if I ask you

3

   

 

3

3

3

             







3

3

3





3





a quest - ion?

     

                           

3

3

3



    

3

3

  

mf

              

  116

   

    

  112

mp

p

    



                                   mp

        

3

3





3

3

3





p



3

3

3





3




       Mag.  120 mf

How on earth do you know

     p

 

   

124

mf

   

         

  

  



  

if

they're

tell - ing

Act I Scene 1

 



  

   

mp

mf

     

31

    

     

  

     

    the

  

 



J

 

mp

       

truth?

 

 

   

pp

 

   





                                  

129

   

       132

Joll

mf

 

  

Train - ing



       Ex

-

 



 

 

per - i - ence

                                            



 

 






32

Act I Scene 1

     135

Joll

     

( mf )

A

man

                  

  

who is tell - ing

the truth



 

 p



                             

  

     137

Joll

    

Has a cer - tain

     p

tone

in his voice.

 

  



p

  





                                      

       Mag.   140

mf

If

  

I were to lie

 p

  

to you



  Would

 

  

   

   

you

al - ways

be ab - le

to

 p

 



                                  142      Mag.     tell?

  

 p



 

 p

 



                                 


Act I Scene 1

     144

Joll

K

 

  mf

That's





p

  148

Joll

 

    

Joll

 

  

dif -'rent

   

         

 

 

I'm

speak - ing of

       

a spe - cif - ic sit - u - a - tion

 

  

           

 

      

    

know if he is ly - ing

 



 

   till



     

sim - ply push him



       

     



      

153         

In there I'll

I

33

he breaks



And if he is

     

p



    



and tells the truth.

      

p



 


Act I Scene 1

34

   Mag.  156

Joll



 

And the

    

p

    159

pain

      Mag.  

M

  

 



  p

  

   

 

      



  





is...?

poco cresc.



    

162



L

Truth.

  

 

 



   

 

 

  

pp

 

  

  

   mp

     p

   

   

   

 

mp

Can you

     

       

  



  

 

l.v.

 



  



  

 



real - ly

 

                              


   Mag.  165

Joll

   

see

         



    mp

Clear - er

167

          



         I

35

with those things?

    

Joll

Act I Scene 1

guar - an - tee

   

    



  



than you

   



   



              

            I

can see

   



clear - er than you.

      



   

    

 

                                          



  

    



  

170

 



                            172

pp

 

                        


Act I

36

Scene 2 (Dreamplay No. 1)

  

 A  

q = 104

S

p

ah

ah

p

ah

                                 p

  

   6

S

 A  

 

 

 

ah

ah

sim.

mp

mp

                   ah

ah

11

S

A



  

p

 

 

p

               

  

       

sim.

                           

  

       ah

                            


Act I Scene 2

   15

S

 A 

37

          

   19

mp

p

mp

p

                   

                          p             A

     p

22

S





ah

sim.

ah

ah

sim.

p



ah

    



p

A

   































 mp



 p





                                        28

                           p              B


Act I Scene 2

38

  p  31

S

ah

    p

A

ah

    p

  





ah

sim.





ah

sim.

 

  

 

  









 

  

 

p

mp

  

                           36

S

A





  



 

p

p

ah



sim.

 

ah

  

  sim.

                         p

                                   

   40

S

 A 

C

  

pochiss. cresc.

pochiss. cresc.

 

 



                                                       


Act I Scene 2

S

A

44    



 

39

 

mp

sub. p

mp

sub. p

 

                

                         

S

A

  48



 

D

  

pochiss. cresc.

pochiss. cresc.

   

                                                        


Act I Scene 2

40

   

 

52

S

A

 

 

mp

 

mp

sub. p

 

sub. p

           

                            56

S

A

 

            

 

 

  ah

ah

                           


Act I Scene 2

    60

S

A



ah

 ah

 

41

E

 

sim.

sim.

 

pp

pp

     pp

pp

                          64

S

A

 

 

 

 

                                                         


42

    68

S

A

 

Act I Scene 2

 

 

                                                       

    72

S

A

 

 

 

 

                                                         

    76

S

A

 

poco rit.

 

                                                    


Act I

q = 112

 

      p

5

     

9

a tempo

13

A

          17

          21

 

         

 

 

      

    

Scene 3

        

43

       

                      



   

   

        

rit.

 

        

    

poco rit.

    

 

    

       



        

 

             

pp


Act I Scene 3

44

a tempo

25

B

  p

pp

                                       

 Mag.  31

      mf

You sent for me.

 

   

 mf  35

Joll

p

  

I

pp mf

    



be

pleased

thought you'd



                  

to hear

  

  

Af - ter

a most

  dis -ap -

                                                       

38

Joll

point - ing

start

  

          

We

have ar - rived

at a

ver - y sat - is - fac - t'ry con-

                          

dim.

       


     

Act I Scene 3

41

Joll

45

clu - sion.

                                 mp dim.                                   

C

45

Joll

      (dim.)

48     

       

pp

 

   

  



51

pushed him

 

the

               

when I caught him out

Joll

     

I could tell at once

     

Joll

    

  

          

He be - came en - raged

 

  

  

      

    

a - way none too gen - tly

   

 

 

was ly - ing.

But

       



  

 

and at - tacked me.

 

old man

    



 

       

  

I sup - pose

 

I

 

 

     

   

He fell a - gainst the

                 mp dim.                      

 


46

  

      

54

Joll

wall

 



(dim.)

Joll

   

I

sent

  

 

at once

for the

    

mp

 

                   

   

But

     



     

there

was

noth - ing to be done.

      

    

     mp

      

Un -for - tu - nate

    

 

                           mf 60                     But

 

   

    

   I

  

    

has a sil - ver

     

 D  

next ques - tioned the grand - son

He

p

     

    

   

      

eve - ry cloud

lin - ing

And when

          mf

                         

63

Joll

   

p

doc - tor

                

      

and broke his neck

57

Joll

Act I Scene 3

mp

 

       

 

 

      

was most eag - er to co - op - er - ate

         

       

  

                


  66

Joll

And

was

        Mag.

 

  

     

    

Joll

  

  

 

   

mf

  

 

  

 

lot

Of what

   

  

 

mp

 

 

     

      

 

 

 

 

mf

p

         

bar - i - ans of the west

 

 

 

we

had

 

  

 



  

  

to one

mf



of those tribes known to us



The bar -

                  

ad - mit - ted



they late - ly formed al - li - ance

mp

mf

          

                

  



  

  

 

  

He's

sus -

 

mp

 

       

 

 

  

47

was what?

He be - longs



       

 



75        

a

Which

72

Joll

ab - le to con - firm

pect - ed.

  

   



                 

69

Joll

   

Act I Scene 3



 

 

 


Act I Scene 3

48

  

       

78

Joll

With

the bar - bar - i - ans of the north.

    

 

Joll

  

 

bor - der pat - rols



 

mf

Joll

 

per - mit

   mp

       



  on

    

   We can't

  of

                     

  

course

Some - one is sup -



And on trav -'lers on our trade routes



   

  

mf

        

mp

87

This ac - counts for the man y new at - tacks

84

Joll



       

     

    

ply - ing them with weap - ons

And as we feared

  

E

               



     81

     

           f

these ter - ror tac - tics

And may be forced

   

 

To launch

a

                     mf mp      


Joll

90           

  

         

short sharp

  mf

war

  

What



are your plans?



    

  

cov - er

       

mf



96

Then

 



          

  



       

to - mor - row

mp





   

    mp

  



     

 

        from

      

  

 

the gar- ri son

 

 

give the boy a night's rest to re -

 

 

I'll want an es - cort

    

       



     

      

   





mf

 

We'll

      mp    



  

mp

 

Joll

mf



93

49

to safe - guard the peace.

dim.

  Mag. Joll

Act I Scene 3

 

 

  

       


50

 

99

Joll

 Mag.



He'll lead us

back to where his clan

       

  

   

       Mag.  105

  

 

  

More

in - for - ma - tion.





      

       

  



       

   

gath - ered



         mp

 

          

mf

 

With res - pect Colo - nel

    

    

    

      p

                 

   

  

is

    

I think you're plac - ing too much faith

mf



We need more pris - on - ers

 

   

 

   

        

 



 

102

Joll

     

 

     

 

Act I Scene 3

  

 

      

   

On a ter - ri - fied child

   

     

   mp

   

  

Des - p'rate to

  

dim.

     




 Mag.  108

Act I Scene 3



  

say what you most want to

111

 None

    

  

 

    

p



know their way

   

    

      

   

       

   

a - round the

   



And these sol - diers are con - scripts

      

They'll smell you com - ing

   



   

          

113

bar - i - ans

    

            Mag. 



F

hear

   

     (dim.)    

 Mag. 

 

51

  

    



  

   

des - ert



    

As

   

      

    

And melt a - way

   

  

  

for

the bar -

 

    



while

you

   

 

are

   

                       


52 Mag.

       116

Act I Scene 3

bus - y get - ting lost.

   

 

    

   

119 Joll

       

G mf

We

    p

have ex -cel -lent

maps



   

pro - vid - ed

  

p

by you.

       

                        

122

   

mf



 Mag.   125

tales

 

 I

 

  

  



Those maps are guess - work

         

mp

mp

  Mag.  

   

     

                 

   

    



    



   

  

Rough - ly

      

  

com - piled from trav - el - ler's

       

        

would - n't trust my - self to them.

  

 



                                 

p

mf

                        


 Mag. 

Act I Scene 3

128

I



f          



53

for - mal - ly ad- vise you not to go.

                                 

f        

131

Joll

 

mp



    

 





 

your po - si - tion has been not - ed.



        

I have my or - ders, But rest as - sured



p

                                         

mp

mf

        

134

 138

 



    

        

         p

    poco rall.

   

       

        mp

  p

              p

      


54

     

Act I Scene 3

 

  

  

H Meno mosso q = 104

143

mf

    

 

 

 

 

  

                                 

   

  

145

dim.

  

  

 

  

 

  

  

 

                           

  

147

  

  

  



p

                            Mag.   149

I Più mosso q = 132

 f

   

                    

Let

mf

    Mag. 

152

Tell me

    

   



 

mp

what hap - pened.

 

   

 

me in.



 

  

 

     

    




Act I Scene 3

       Dur - ing 154

Tenor mf

Baritone mf

   

Guard

Dur - ing

Baritone mf

      

Dur - ing

    

    

The

pris - on- er be - came en - raged,

      

The

pris - on- er be - came en - raged,

    

The

pris - on- er be - came en - raged,

the ques -tion - ing

    

the ques -tion - ing

    

the ques -tion - ing

55

                    mp                       tacked the Colo - nel 156

 

Guard

tacked

  tacked

          

         

Who

the Colo - nel

Who

the Colo - nel

       

   

 

pushed him

pushed him

 

    

 

Who

          

pushed him

         

he at -

 

  

a - way

   He

a - way

   

  

He

a - way

  

 he at -

    

 he at -

   

  



   

 He

  

         


Act I Scene 3

56

        fell a - gainst the wall 158

   

Guard

 

and

fell a - gainst the wall

   

 

  Mag.  160

 

      

  

   

     

 and

fell a - gainst the wall

 and

     



      



f

broke

his neck. f

broke

his neck.



       f

broke

his neck.

                   mf

                

mf

Is

                           


  Mag. 162

 

that

what

 

  

 Mag. 164

      



     

  

to

Guard

told you

  

they

  

  Guard

 

Act I Scene 3

f

  

I mean

no



I mean

no

f



sir.

mf

I mean

no

sir.





Yes



sir.



Yes



sir.

Yes

sir.



mf



mf

    

 



 

mp

I



                 

  mf



mf

sir.

  



                mf     

mf

   



say?

f

mf

 

 

57

  

 



     



  


 Mag. 

58

166

J

   

   

Act I Scene 3

3

don't un - der - stand.

He ap - pears

  

to have



 

lost

an

                                  168   Mag. 

mp

eye.

    

      

Did that hap - pen

when he fell a - gainst the wall?

                                    

170

p

                         mp

  

   

an - y - thing

 

Have you had

 

mp

    Mag.  172

  



p

 

   to



eat?

  

   

 



                        


Act I Scene 3

   Mag.   174

 

mf

Give him

      

 Mag.  176



  

 

 

   Mag.   178

   

tie them

 



  

a - gain

  



   

 

   

But not so

 

    

           

       



  

           

 







tight.

goes down

   

the

 

 

 

When the swell - ing

 

                   

his hands.

   

Un - tie

 

 

the shroud and re - move

           

corpse.

   

Sew up

  

 

  

some food.

    



 

59



 



 


Act I Scene 3

60

 Mag. 180

 f

    

What have they done to him?

  

Guard





  

Strange lit - tle knife

mf

  

Strange lit - tle knife

mf

  

             

182

   

  

   

 

  

  





  

No



big - ger

  

than this



Nev - er seen

No

big - ger

than this



Nev - er seen

No

big - ger

than this

  

Nev - er seen

  

  

  



          

  

  

                       

    



mf

Strange lit - tle knife

 

Guard

    

   

      

    

 

 

one

  

one

 

one

            

    

  


 K      like it

  



   

  



184

Guard

be - fore

like it

be - fore

   

  

   

like it

be - fore

         

 

 mf   in 186

  mf

Guard

in

mf

 

in

61 ( mp)

In



( mp)

  



  



and twist







           

   

In

( mp)

In

    

( mp)

  

and twist



  

and twist



    



   





and twist.

and twist.

  

and twist.

 



    

            

  

                p

Act I Scene 3

 

                       


62

188

 

     

 

p

  Mag. 

 

  



mp

I

know

             

 

 

    

 

  

    

  

    

  

 

they hurt

you

bad - ly

 

  

 

 

 

    But

 

 

 

p

                                       



must

not

do

194

you

 

      

mp

  Mag. 

 

 

      

 

 

                                      

191

 

Act I Scene 3

  

       

   

  

as they

ask

   

   

   

 

 

mp

  

      



    

      

p

 


Act I Scene 3

  Mag.  196 L





Do

not

lead

them

 

    

  

   

  

    Mag.   198

sol - diers

 

The

 

   

   

   

 

  

will ride out

And

 

mp

   

  

    man - y

of

your

  

  

   

 

  

 

kins - men

will be

 

   

  

   

  

to your peo - ple

  

  

63

  

        

    

  

  

   

    p

   

 


Act I Scene 3

64

200   Mag. 



killed.

 

 

        

  

   

   

   

 

 

    

   

202

pp

  

   

   

   

    

   

    

   

 

 


Act I

65

Scene 4

q = 108

                               p                 6

                        

           

A

                                

10

p

p

                              14

 

         

 

             

 

       

B                                 

20

p

p

                                    24

 



      

 



          

 



    


Act I Scene 4

66 30

                             p        C

33

                     

37

 

    mp

 

p



 

    Mag.  47

Hard - ly work

 



     p

mp

    

You're work - ing late.

 

p





   

    

 

       

              

         A



Cook mp

            Magistrate mp



    

 D   44

Cook



p

let - ter to the Third

            

p

 

Bur - eau

                          


Act I Scene 4

50           Mag.  Com - plain - ing

67

                   

a - bout

the crim- i - nal stu- pid- i - ty

Of that id - i - ot with the

                  

 

p

                             53

Cook

Mag.

  

 

E mp



Is

that



 



    

wise?

3

Prob - a -bly not.

   

 

  

  

 

                              p

57    Mag. 

 

what else can I

   

  

mp

mf

dark glass - es.

do?

  p

 He

 

 

comes back

  

 

But

     

        

with all these hope - less pris - on - ers

  

 

                           

  


Act I Scene 4

68

 Mag.  

   

mp

61

Half of them

 

 

mp

 

  

come from poor

 

                 Mag.  64

 

Where they don't

     mp

  

   

 

   

        Mag.  67

be bar - bar - i - ans

      



  

   

 

    

        

mp

 

   

p

 

          I

 

E -ven the few

 

Are clear - ly harm - less

fish - ing vil - lag - es

     

ev - en speak the lan - guage

 

    

who might

    

      



told him this to his face

  

       

p



   


Act I Scene 4

 F  Mag.   70

   

   

And all

 

he said

69

        

 

was: “Pris - on - ers

p

                    73

Cook

            

are pris - on-ers.”

   

 

   



mp

  

He

       

p

                                          77

Cook

does - n't drink you know

      I

    

al - ways find that creep - y in a man.

           

             

           


Act I Scene 4

70

 Mag.  80

  

   Mag.   83

   



 

  

Since

    

  

 

     

   

    

       Mag. 



f

86

it

is

 



  

 

is







 

         

 



           

near the bar - racks

                         

hear the scream - ing

of



 

my a - part - ment

 

I



mp

           

The worst

 

  

G

    



  

 

mf

  

go - ing on

   

all night

    

                  

       



 



 



   

 

 

 

 

 

 

 

p

 

 

 


   89

Cook

Mag.

H

here.

p









  

I'll bring the Star

 





     

94

 

be

  

mp

mp



   

might

 

 

    Mag.  

 

  

p

I hoped she

  

I



mind.

97





from the kitch - en.





                      Cook

mp

     

    

91





   

71

It crossed my

Mag.

  

mp

You'd best stay

  

Cook

Act I Scene 4



Don't

go

  

a - way.

  



here.

                          p    

    





        





     





     


Act I Scene 4

72

  Star  104

Mag.

   

 

    

mp

Can you real - ly stay?

    

If

                       

      Star   108

you in - sist.

p



  You

know

    how small

  

my bed

is.

                             mp  Mag.  111

Have

 

 

you heard me

   

J

114

   

  

com - plain?

                    

Meno mosso q = 96

                mp



pp



  

attacca


Act I

73

Scene 5

    

q = 120 p



 

8

 mp

 

    A

   

15

 

 



 



 p



 

    



 





mp





 p

  





 

 mp



 

    

 

   



 

 



 p

 

mp

p

 

    

 

mp

p

  

 

 

                               

 

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                               

19

                   

5

11

  sim.      

B

       

   

        

mp

 

p

       

   

    mp

  


Act I Scene 5

74



23

 

p

26

 

mp

 

    

     29

Joll

 

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 

 

 

  



mp

p



p

 





    

mp

   



 

 



We would nev - er





  



But I think

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

   

 

   

 

mp





 

p

 

speak - ing

 

 

   

  

mp



32

Joll

Joll C mf

Nor - mal - ly

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

 

 

  

    

ap-prove

of tor - ture

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

p



 

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       

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   

 



 

 

it's wide - ly un - der - stood That



 

mp

 

this is an em -

  

 

 


      

Act I Scene 5

35

Joll

        

er - gen - cy...

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 p

39

 D

mp

p

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75

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                                 42

   

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 

mf

   

mp sub.

 

 

                                   45

Joll

mf

What are

       



 

 



 

   

 

these?

 

 

  

mf








Act I Scene 5

76

  Mag.  47

E

mf

 

My

        sempre p

            50   Mag. 

   

site

    Mag.  53

 

  

 



  

     

   

      

is

ar - chae - ol - o

    

 





served in the sand

hob - by

a few miles from our

   

     

  

 

   

 

There's a

         

     

walls

 

 

 

These have been well pre -

         

       

 

gy

     

  

  

     

 

          

ar - cha - ic

      

-

 



       Some

sys - tem of com - mu -ni - ca - tion

 

     

              

 

 

 

      

  

       


57   Mag. 

Used

    

  

    

 Mag.

  

 

to us

De - stroyed

               

     

 

   

 

per - haps,

 

  

 

 

 

 

      was

 

 



 

 

   

  

a suc - cess?



 

 

            

 

   





      

  

who

 

  So your

Oh yes

     

  

by the bar - bar - i - ans.

mis - sion



 

     

  

63



knows,

Joll

 





60

 

77

    

in some an - cient time now lost

        Mag. 

Act I Scene 5

   

F

 

 We

     

 

 

  

 

   

 

 

 

have con - firmed a good

 

 

                     

 


Act I Scene 5

78

  66

Joll

         man - y

 

Joll

  

 

    

  





a - long our fron - tiers

     

   

  

    

Gath - ered

 

     

 

com - bined with all the oth - ers

  



  



 

    

 

Will help our Chiefs of

 

  

  

  

  

    

  

      

 

And our re - port

 

              69

     

sus - pi - cions

   

G

  

  



      



   

 

Staff

de- vise

their

  

     

  



      

 




Act I Scene 5

72

Mag.

Joll

     

H

79

mf

So

strat - e - gies.

  

   

          

   

     

 

76       Mag. 

p

  

    

I can re - as - sure

  

our

   

               mp

        

mp

       

   

cit - i - zens?

And we

can

all

sleep

                       

mf

mp

p

                        

79    Mag. 

-

ly

in

our

beds?

 

sound

p

   81

 

 

 

 



mp

 

 

 

 

 

molto rit.

                        p

pp

                        


Act I Scene 5

80

  Mag.  84

 

I A tempo (q = 120)

 

As soon

as they leave

      Mag. 

cort - ed from the town

    

 rit.

 

Be - fore

the dust

has

    

  

 

pp

 

mp

  

e - nough to take them home.

 

Es -

 

    

  

 

I want ev 'ry pris - on - er re - leased

    

    

  

And is - sued with ra - tions

 

93

     

90

   

  

 

          

set - tled from their car - riage

    

   

87



 

    Mag. 



p

  

  

 

 


Act I

81

Scene 6 q = 96

 

          p p mp                      

4

         mp   7

  11

p

 

mp

p

       

             

p

mp

p

 



         mp

      



    

mp

    

 

p

                           14                                   

17

A Curtain

 

mp

 

 

 

                                            


Act I Scene 6

82

21

 

 

 

 

 

 

 

 

p

                                        

  25

Sol.

Door Knock

   

mf

   

mp sost.

  

  

29     Mag. 

  

Take off

  Mag.  32

                 

your cap.

 

 

 



 

 

 

 

beg - ging in the street

  

   

 

 

 

   

 

   

 

 

mf



 

 

          

And sleep - ing rough

   

 

     

 

 

     

p



 

           

   

They tell me you were

 

   

           

Magistrate mf B

We

do not

al - low

an - y

  

   



   


35       Mag. 

Act I Scene 6



beg - gars in this town

  

p

 

 Girl  

Mag.

It's far too cold for

 







  

 

    

 

 





 

       

  

Al - so

  

 

in

 

   

see.

       

 

 

41

win - ter draws



  

   

  Girl 

C

  

sleep - ing out.

as

 

 

   

 

38

Mag.

And

83

     

  

I hear

  

 

 

Girl mf

I can

you are blind.

  

                  

     I am look - ing.

     

This is how I look.

Then look at me.

     p

    

                                         


 Mag. 

Act I Scene 6

84

44

  

 mf

When

    

I re - leased

your peo - ple

                         mp

                        

 Girl  47



  Mag. 

  

Why

did you stay

  p

 

 

  

left with - out



me.

be - hind?

  

They



    

 

          

 

mp

  

 

 

 

 

                                 

49

D

mp

p

   

  Mag.  

53

 



mf



Leave

us.

                



                                mp

p

    



               


  Mag.   57

Act I Scene 6

 

  

Please

sit down.

85





                                      p

    

         

  



    

         

  

61

 

3

mp

 

3

3

3

3

3

3

3

3

3

3

3

                                       mf

cresc.

                                   E Mag.  65

Più mosso q = 120

 Mag. 

p

  

 

  

  

mp

do to you?

   

  

  

 



p

  

                                  

70

  

 

mf

What did they

     

  

   

  

  

   

   

  

  

Are

mf



you

  

dim.

a - lone?

    

   

                                     


Act I Scene 6

86

 Girl  75

    

 

  

(dim.)

   

mf



 

Yes

mp

    

mp

    

  

Yes

I

                             

  Girl  79

am.

3

 

3

3

3

3

3

3

3

3

3

3

3

                                      

                                dim.

 Mag.  83

F

We

     

    

mf

  

  

p

can't have you

 

mp

   beg - ging

  

  in the

  

   

                        87               Mag.   cook

   p

cresc.

at the

  

inn

a kind

  

 

wom -an

   

street.

The

  

          

and a friend of mine Can

  

   

  

                                 


Act I Scene 6



91   Mag. 

give

you

  

 

 

a

bed

  

mf

       

   

And in re - turn

    

dim.

87

you can

 

   

do

my laun - dry

 

  





  

                                 Mag.  95

My

    mp   

(dim.)

much

   

ar

    

   

to



pres - ent

      

   Mag.  98

  



be

 

 

dim.

-

range - ments

    

 

mp

leave 3

3

3

        

dim.

    

    



de - sir - ed.

                            3

3

3

3

3

3

3

3

3

                         


Act I Scene 6

88

  Girl    101

     

G Meno mosso q = 104 mp

 

Can I

                

p

 Girl  104

go now?

  

Mag.

    

   

mp

           

mp

   

You don't want me

No you can't.

 

 

                          Girl   107

Mag.

some - one

  

 mf

like me

I

    

   

 am...

      

 

 

     

 

 



 




Act I Scene 6

   Mag.   109

    

89

mp





This

is

not

    

what you think it is.

I

pp

                           

 Mag. 

p



want

to

see

111

113

  

what they did

poco rit.

      



to your feet.

 

 



                  

H Più mosso q = 120

 

3

3

3

3

3

3

3

3

3

3

3

3

                                   

p

                              117

3

3

3

3

3

3

3

3

3

                                    3

3

3

mp

p

                            

121

3

3

3

3

                                        3

3

3

3

3

3

mp

3

3

                            


Act I Scene 6

90 125

3

3

3

3

3

3

3

3

3

                                       3

p

3

3

mp

                              

 Mag.  129



Show

me.

mf

I

 3

 

p

 3

3

3

3

3

3

3

3

3

3

3

                                      

                           

                                    

133

3

3

3

3

3

mp

3

3

3

3

3

3

p

3

                                

                                     

137

3

3

3

3

3

3

3

3

3

3

3

3

                             

                                     

141

mp

3

3

3

3 dim.

3

3

3

3

3

3

3

3

                          


Act I Scene 6

91

                                    

145

3

3

p 3

3

3

3

3

3

3

3

3

3

                            

                                          

149

J

3

mp 3

3

3

3

3

3

3

3

3

3

3

                               

                                           

153

3

3

3

3

3 cresc.

3

3

3

3

3

3

3

                                                                            

157

  Girl 

mf

3

3

3

3

3

3

3

3

3

3

3

3

                                

161

mf

K

      

They broke

my

an - kles.

                                       

3 dim.

3

3

3

3

3

mp

3

3

3

3

3

3

                              


92 Girl

Mag.

  165

mf

Yes.

   Does it

Act I Scene 6

 

Not

an - y

more.

 

hurt?

                                    dim. 3

3

3

3

3

3

p

3

3

3

3

3

3

                                    3 169 3                                       mp

3

3

3

3

p

3

3

3

3 cresc.

3

3

                                   L 173   3 3                                    3

3

3

3

3

3

mf 3

3

3

3

                                 177 3 3 3 3 3 3 3 3                                       (cresc.)

3

3

dim.

3

                               181  3 3                         mp 3

3

3

mp 3

3

cresc.3

3

3

3

dim.

3

3

        3 3           3

p

                                 185 3 3                                    3

3

3

3 mf 3 dim.

3

3

                                 


                                  

189

Act I Scene 6

M

mp 3

3

3

3

3 cresc.

93

3

3

3

3

3

3

3

                               193

   f 3

 3

3 3                                  3

3

3

3

3

3

3

3

                                       N 197 3 3 3 3                                      3

mf

3

3

3 dim.

3

3

3

3

                                

                                    

201

3

3

3

mp 3

3

3

3

3

3

f 3

3

3

                                   O

                                     3

3

205

3

3

3

3

3

3

3

mf

3

3

3

dim.

                                    rit. 209                                     3

3

3

3

3

3

mp

3

3

dim.

3

3

3

3

p

                                  


Act I Scene 6

94

 Mag.  213

P Meno mosso q = 104

I'll

 

pp

  

  

But not

  

  to

 

                             

  Mag. 

  

    



218

night

find some clean band - ag - es

  

 

p

For

     

  Mag.  221

some

 

strange

rea - son

I

feel

ex -

  

     

 

  

     

rit.

haust - ed.

   

   

   

                       

(attacca)


Act I

Scene 7 (Dream Play No. 2)

q = 104

S

A

  

    

95

p

Oh

oh

                                    p

  

5

S

sim.

 

  

                        

8

S

                           

S

A

A

p

 



oh

oh

sim.

 

 

 

11

p

 

      

      

 

               


Act I Scene 7

96

   15

S

A

oh

oh



oh

oh

oh

oh

oh

oh

  

 

 

  

 

                                       19

S

ah

A

 

ah

sim.

ah

sim.



ah

 

                                 

23

            

  

       

   

  

                         


  p  27

S

Act I Scene 7

ah

A

     ah

      

  

 

p

  ah

   

A

ah

ah



ah





ee

ah

ah

ee

ah

 

 

 

 

 



 

 

 

  ee

   

 

ee

ee

  

   

p

 

                  

  









ah

ee



ah



ee



ah

ah

ee

ah

ee

ah

     



ee

36

S



 

ah

A



    

32

S



B

p

97

  

 

 

 

 

 

 



 

 

 



                


98

Act I Scene 7

  

S

C

41

oh

A

   

oh

 

     

 



   

   49

S



 



 

ee

  

  



    

  

 



ah

ee

  



  



   



 

D

oh

 

ah

   

  A  

oh





ah

   

 

ee

 

oh

 

ah

 

oh

A



p

45

S



   

 

 

ee

  

  



 

                                


  

ah

ee

53

S

p

 

p

A

ah

 

 

  



      

 

ee

p

  

      

      

 

      

 

      

 

 



      

          

      

ee

      

  

oh

ee

ee

      

      

ah

ee

ah

65

 

ee

 A  

ah

ah

ee

 E

61

S

ah

ah

oh

  

oh

A

99

                

57

S

Act I Scene 7

oh

             

 

p

      

  

      

poco rit.

                  

 

pp


Act I

100

Scene 8

q = 132

                             p

3

 

                         

5

     p     

  Mag.  7

  

  



   

you

like

liv - ing in

            Girl 

  

   

  

   

  

   

  

 





the town?

  

  

  

  

  

                              

9

         

                       

Magistrate mp

Do

Girl mp

   

  

  

Most

  

     

of the time.

  

   

                              


 

Act I Scene 8

11

Mag.

 A  Mag. 

  

          

  

 

be

things

that you

  

  

  



              

 Girl  15

              

                     



mp

  

  

  

  

-

 

ly

my

  

  

  

 

                    

   Girl   17

sis - ter.

   

  

 

On

          

  

                       

13

miss.

  

There must

          



101

  

   

   

   mp

dim.

 

                          


102

   

19

  

Act I Scene 8

  

  

   

  

  

 

 

                              mp 21           Mag.  How

     p

  

 

  

  

do you find

  

the

 

  

 

  

                          

  Mag.  23

  

work

          

 Girl  25



             27

          

at the inn?

  

 

  

mp

  

  

 

I

like

    

                        

  

  

  

  

 

  

 

the oth - er girls

  

  

  

 

 there.

  

                                 

  

                              


 Mag.  29

Act I Scene 8

   

     

   

      

B mp

Bet - ter

103

  

than beg - ging in the street

   

  

  



I hope.

  

   

  

                                    

 Girl  31

  

    

Yes.



  

 

  

  

  

 

  

  

  

  

     mp

  

  

  

   

  

  

  

                                     33

    

                       

   

35

  

  

  

                              

            

37

C

           

                           mp


Act I Scene 8

104

                                                   

39

                                                       

41

                                                  

43

                                             

45

47

                                 

  

  

       

49

                         dim.          


Act I Scene 8

105

51

                             mp                    D

                            mp              

53

                                mf                    

55

57

                                 

  

  

                           dim. mf              

59

61

                            mp                


Act I Scene 8

106

 Girl  63

E Meno mosso q = 120

mf

  

Why

do you do

that?

                            mp

  

 Girl  65

 

mp

  Mag. 

a tempo

I

  

mp

I

 

 

 

 

poco rit.

  

don't know

 

  

 

 

can - not see?

  

 

 

 

 



  

how

much

you can see.

 

p

  

                        p

                       

  Girl  69

 

 

     

Do you think

 

 

  

67

 

p

  

mp

If

I look

   straight a - head

     there's noth - ing

                   

                   

  Just a...

           


Act I Scene 8

 Girl   71

  Mag. 

 

  

107

   

A

blur,

  

  

that's right

But

Just a blur.

                                                   Girl  73

I



can

see

out

of

      

 

the corn - er of my eye

The

                                                  Girl    75

left

  

     bet - ter than the right.

 

p poco cresc.

 

           

p

            

   

 

 

   

                       


Act I Scene 8

108

  Girl  77

   

   Oth - er - wise

 

how could I do my

 



mp

                

79

F

   

       

work?

 



   

   

p

                                   

     

 

 

       

                                                                           Mag.  82

   



  

  

mf

What is this?

 

 p

               pp

            



 

   





   




 Girl 



84

 

  

 

mf

 

        

    

  Mag. 

  

87

         

Does it hurt?

mp

        

  

 



  

  

             

    

  





G

  

     



p

poco cresc.

     

   

        

     

                         

                               

  

poco cresc.

                                   

97

(cresc.)

dim.

      

  

mp

               



  

              

93

           

What ex - act - ly did they do to you?

  



    

Why don't you want to tell me?

     

         

 

        

      

   

        

  

cresc.

109



It's where they touched me.

     

90   Mag. 

Act I Scene 8

            

         

p

                         mf


 Mag. 

110

100

 

There's

no

need

Act I Scene 8



  

to make

a

                       

p

p

                                 

 Mag.  102

  

  

mys - ter - y

of

it

            

mp 3

3

3



     

Pain

is on - ly pain

H

           

3

p

                               

 Mag.  104

  

   

Noth - ing

is worse

  



than

what

we

    

can i - mag - ine.

                       

p

p

                              

 Mag.  106

             

mp 3

3

3

3



   p

  



I

went

out

  



mp

                                      


     

     

108

Mag.

Act I Scene 8

hunt - ing



this morn - ing

    

  

  

             110      Mag.  some - thing

    

  

111

  

  

  

  

p

 

And



mp

                                   

un - ex - pect - ed

  

 

hap - pened

  

p

  

  

p



mp

                                         112              Mag.  Some - thing

    

  

I

don't

   

en

  

-

tire

  

- ly

  

  

un - der - stand

p



mp

                                     114 I                    Mag.       

  

  

A

p

    

wat - er - buck

mp

    

 

came down

                              

     

   

to

dim.

       


 Mag. 

112

116

 

      

 Mag.  118

drink

          

Act I Scene 8

  

     



       

      

from the lake

So

close

p

I could - n't

mp

 have

   

dim.

                                   

     

missed

(dim.)

   him



      

  mf

     

    

       

And

p

    p

for

mp

some rea -son

I

   

dim.

                                    120             Mag.   

     

     

just could - n't squeeze the trig - ger.

  Girl  122

Mag.

(dim.)

p

mp

    

 

   

dim.

                                   



mp

  You

      (dim.)

     

      

J

     

did - n't want

          p

   

to shoot him?

    

                               

   mp

It

      


Act I Scene 8

124     Mag. 

was - n't that;

 

   

I had



    

126

Mag.

  live

   

    

 

   





 

no

long - er



  

                 

I'm used

I can

  

  

the life

 

  

   

this strange sen - sa - tion

                 Girl 

113

   





mp

 

If you

to.

  

                            


Act I Scene 8

114

 Girl   128

Mag.

want

 

    



to

do

 

some - thing,

130

Mag.

 

     

Why

 

  

 



what you want?

 

               

  

 



Do you do

   

you can do it.

             Girl 



      are you here with

  

 

   mp

There's



me?

 

   mp







                                dim.


Act I Scene 8

  Girl 

 



where

else

132

  no

Mag.

-

  to

115



 

go.

 

mp

And

 

 

 

 p

(dim.)

     Mag.  133

why do I want

 



 mp





   







 rit.





you here?

 









p

                               Girl   135

dim.

K a tempo

       mf

What hap - pened was

                    p               

     

   

   

    this

     

They had a kind of lit - tle

            

     

   


Act I Scene 8

116

 Girl  140

       

fork

A

fork with two teeth

          

    

  

sub.pp

  

and flat ends

      

 

 

L        Girl        

145

 

    Girl   149

  

(dim.)

 

 Girl     153

eyes out.

  

  

 

 

  

 

held

  

    

 

   

 

They told me they would burn my

  

 

  

              

my eye - lids

 

pp

Ex - cept

    

They

 

poco cresc.

        

 



  

    

  

 

in the

dim.

    

nev - er touched me

    

 

    

mp

   

 

  

They put the fork

p

fi - re And when the ends were red they touched me

     (cresc.) 

        

   

  

        

But

 

         

by mis - take



 

o - pen

           

 



  

where the scar is





      

    


  156

Girl

Act I Scene 8

   

All the

same

  

Close

     p      

    Girl   162

af - ter - wards

 

  

(cresc.)

 

   

there was

  mp

 

do some dam - age

  

  

And

     

the blur

dim.

        

 

     

 

  

 

        

to

held it close

  

cresc.

    

  

they

   

e - nough

 

 

  

        

159

         

That's

 

 

  

all.

 

 

 

                                   

166

   





 M Girl   

 

117

(dim.)

 

 



rit.

                       

mp

dim.

p

                                  


Act I Scene 8

118

  

N a tempo p

169 Mag.

What

  

do you feel

 a

-





bout

the

men

who

                       

p

                             Girl  171

      Mag.  





mp

I



don't know

did this to you?

                         

                             Girl   173

Mag.



why you're

so

   in- t'rest - ed.

 

    mp

I feel



 

I

need to

                        p

                          


Act I Scene 8

175     Mag. 

  

un - der - stand

the marks

       

177

     p

if you want

 

  

on

your

  



bod- y.

                  

  

Look

                 

     

 mp Girl 

119



me

  

  

   

  

  



take

 

  

me

  

                                       Girl  179

    

I'm

  

  

tired of talk - ing.



  

  

  

                          181

poco rit.

 pp

                                    


Act I

120

Scene 9

q = 144

      4

 

    

 

  

  

 

    

mf

 

     

 

     

 

    

     

 

     

 

 

 

                               

7

A

p

cresc.

                                11

  15

 

   

 

         

               

mf

 

 

B

 

                p

                cresc.

                       

                     

mf


Act I Scene 9

121

                      

19

Play 3 times

C

           

    

        

    

        

    



                                               

22

                       mf

                      

25

D

        

              

              

          

28

 

                       

   mf

31

 

E

                        p cresc.

                       

 


Act I Scene 9

122

                         mf                        

34

                       Play 3 times

37

F

           

    

        

    

        

    



                                               

40

                       mf

                                         mf                  

43

47

G

                  dim.                          


Act I Scene 9

123

         

                   

51

mp

     

                                   55

Man.

H MANDEL mf

 

It's not

   

   

  

    

  



    

of - fi - cial

 But

               

p

                                     59

Man.

at

bri -gade

head -quar - ters

the

word

is

 We

 

launch

a

                                     mp

mf

                                

   63

Man.

great

  

of - fen - sive

in

the

spring

f

To

                                        mp

mf

sim.

mp

mf

                              


124

   

Man.



 

strate

our



68

dem

-

on

-

Act I Scene 9

  I

strength

    

to

the bar - bar - i - ans

mf



And

                                          mp

mf

sim.

                              

    

Man.



 



them

back

in

cresc.

72

push

-

 f

to

the

mp

mf

 



moun - tains.

                           

      

                    

      

mp cresc.

mp

mf

                               

76

                                  mp

 

80

J Poco meno mosso q = 132

 

  

        

  

p

  

mp



p

  

 


Act I Scene 9

 Mag.  84

 

 

 

mp

 

years

 

 

dim.

mp

It's

 

  

  

since

last

I

vis - it - ed

the cap - i - tal



p

 

p

Be -

 

poco cresc.

 

 

                   

  Mag.  94

fore you were

   

  Mag.  99

 

 

K

 

born

mp



    I re - mem - ber

p

  





   

The

mu -sic



     

I i - mag - ine



    

p



    

in the

  

old



mp

p



   

 



pa - vil - ion

  



                 

p

 

 

89

MAGISTRATE

                   

  Mag. 

125

mp


103     Mag.  

Act I Scene 9

126

     

  

gar - dens

 



The

col - or

        

  



of the chest - nut trees

in

        

   

3

p 3

   

3

3

3



                                 

     Mag.   107

3

 

au - tumn

  



3

The

   3



moon -

   

lit

riv - er

       



3

3

                         3

   Mag.   110

 

     

seen from the

   3

3

3



L

Prin - ces Bridge

       

        

3

                           Mag.  113

3

mp

  

Prob - a - bly

pp

 all

 

dif -'rent now.

                                                  

   


Act I Scene 9

  Mag.  116

As

things here

127

 are

  

not the same

                                                            Mag.  119

Head - quar - ters' views are

    

     

mf

You

 

  

    

can't just “push them back

                

  

                     

122         Mag.   in - to

out of date

   

  

    

 

the moun - tains”

       

        

  

    

    

They won't al - low it.

  

    

 

                                          


128

     125

Man.

Act I Scene 9

mf    

M

  

I thought

that was what

    

war was all a - bout

    Peo - ple made to

                            p

                            

  

129

Man.

do

   

Man.

  

what they don't

 

 

133 dim.     

un - der - stand

mf

For their own good

Though I don't

                        

  

What these

     

136

   

                    

dim.

 Mag. 

want to do

       

   

f

mp



peo - ple want.

                rit.



mp



cresc.

        

    f

They

(cresc.)

      

              

              mf         


    Mag.   139

Act I Scene 9

  

129

    

NPoco meno mosso (q = 120)

want

to roam through their an ces - tral lands

      

142

  

  

An

end

   Mag.  

     

145

In

free - dom

 

 





build-ing on their pas - tures

             

 

    

As to ar - rest



      

to set - tle - ments



sim.

    

 



  

mf

                 

                 

  

mf

  

    Mag.  

 

  

 





   mf

and tor - ture

That

                                      



      Mag. 

 

 

149



 

 

 

 

goes with - out say - ing.

    

   You

                             

 

 

 

mp

 




Act I Scene 9

130 153 O    Mag.  

   

know what I wish?

      Some - times I wish

        

they would u - nite and rise up

And

            

                           

         

               

p

       Mag.  157



    

teach us to re - spect them

Re - mem - ber

  in



their minds

                                 

    

160   Mag. 

    

        

  

             

 

        

we

are in-vad - ers

 

They think they have

 

    

        



the pa - tience to out - last us.

                  

            


Act I Scene 9

    163

Man.

P

 

f

mp

Yes

   

  

and

mp

167

mf

mp

Man.

not

      

   

  

mf

                  

that's where they're wrong

   

  

mf

131

    

in the bus -'ness of re - treat

The soon - er

mf

  

We are

   

  

mp



mf

       

    

they get that

   

the bet - ter

   for

     mp                                  170

Man.

them.

 

   

Thanks for a

most



         

  

il - lu - min - at - ing eve - ning



                                


Act I Scene 9

132

   

 

Q

173

Mag.

 



Why can't I ev er learn to

                p

                 

  176

Cook

Mag.

 

 

 

COOK

    mp

Nev - er mind.

keep my mouth shut?

 



  

  

 

 

178

Cook

       

p



 

 

   

Your Star

 

is

  

shin - ing

 

  

 

       She waits for you up stairs.

pp


Act I

133

Scene 10 q = 88

 

                           mp

7

              12

  17

 

   

 

   

      

            

A Più mosso q = 96

                       

p

 

poco cresc.

                        

20

(cresc.)

 

mp

mf

dim.

                        

23

(dim.)

 

mp

dim.


Act I Scene 10

134

 Girl 

B

26

 



(dim.)

 Girl 



MAGISTRATE

Cold.

 

     

   I'm cold.

32

loco

right.

 

      

Would you like me to mas sage

        mp

 

Yes; but that's all

      





 



    

Sor - ry, did I wake you?

                

 Girl   Mag.

        

mp

a good eve - ning?

poch. cresc.

 

    

            p

29

Mag.

  

Did you have

 

GIRL mp

 

  

 

 

mf

Is there

your feet?

                 










Act I Scene 10

        Girl  

35

135

3

an - y - thing else you'd like to do?

Mag.

 

p

      



38

I know you vis - it oth er girls

 

             

 Girl           

  p

An - oth - er time per - haps.

Mag.



p

      

        

I hear a - bout it

at the inn.

   It's

      

 

    

 

    

 

                           


Act I Scene 10

136

   41

Girl

Mag.

  mp

Is

   

   

 

  p

44

  Girl   47

    

mf

 

all

I just don't want to

 

   

I don't

 

   

       

   

 

mp

   

take ad - van - tage of you.

 

mf



                

       

                   

Not at

    

cresc.

 

mf

     

   

as a crip - ple?

be - cause you see me

   

  mf Girl       Mag.

is it

             

 

      

      

this how you treat them? Or

not the same.

    

C

accel.

be - lieve you.


 Girl  51

Act I Scene 10

D Più mosso q = 120

137

55

Those things they

 

  

did to me

   

     

And

oth - er things I have - n't

                 mf dim.          

  Girl      58

  



  

 

   

   

He would have told them

  

Which

   

(cresc.)

E

f

   

dim.

On - ly

   

   

an - y - thing he knew

made my fath - er watch.

       

    

They

  

 

                    mp poco cresc.                

Girl

told you

 

  



left no out - ward mark:

61

f





                 poco cresc.              

 Girl 

mf

   mf

dim.


     Girl      

Act I Scene 10

138

mf

64

he knew noth- ing

   

 Girl 

 p

3

 73

 

  

they

and killed him.

               

   

                         That's

3

3

3

3

3

     

 

F

To

close to him.

be

  

why

I stayed be -

3

3

3

      

                         3

3

3

        

3

3

p

3

3

3

        

     

76

3

3

3

3

3

3

        

                    mf

     

     

  

  

got bored

mp

hind

in the end

  Girl  70

67

And



 

  

3

      mp

     

dim.

                    

rit.

(dim.)

p


Act I Scene 10

      

79



   



G Meno mosso (q = 96)

p

139

    

    



mp

 p

    



                                              Mag.  84

     

 

    

 

mp

     

 

 

    

mp

Be - fore

p

  

 

the snows

 

    melt



Be -

                                     89         Mag. 

       

      

fore your peo - ple leave on their

mp

 

  p

H

 

   

year - ly

  

      

mig - ra - tion

    

 

p

                             


Act I

140

Scene 10

  Mag.  94

 

  

I'll

take you out

       

97   Mag. 

des

    

 -

  

p

     And hand you

                      Mag.  100

rit.

    

-

   

  

east

a - cross the

    

mp

                 

 

  

north

    

p

ert







   

  

back to them.

  

  

         Sleep

  

 now.

pp

       

               


Act I

Scene 11 (Dream Play No. 3)

  

q = 104

Chorus

S

141

      

p

3

3

3

3

ah ee ah ee ah ee sim.

                         A   p

ah ee

 

ah ee ah ee sim.

p

      

3

3

3

3

                              

      4

S

3

A

3

3

3

3

3

3

3

3

3

3

3

                            

    3

3

3

3

3

3

3

3

3

3

3

3

                           

  7

S

A

   3

3

3

3

3

3

3

3

3

3

3

3

                           

   3

3

3

3

3

3

3

3

3

3

3

3

                          

    sf

 

 


Act I Scene 11

142

                                       10

S

3

A

3

3

3

3

3

3

3

3

3

3

3

                                                                 3

3

3

3

3

3

3

3

3

3

3

3

                              

 

 

 A   13

S

A

  

   16

S

A

  

  p

oh

        



 

p

    

 

 

  

 

  

ee

p

  

oh

ee

oh

oh

        

    

  

  

      

       

       

       

       


   18

S

Act I Scene 11

B

143

                 p

ee ah ee ah sim.

 A   

    

 

  

 

                 p

ee ah ee ah sim.



  p                   p

       22

S

A

                                  

                        

       26

S

A

C

         

    

      

    

    

    

   


Act I

144

       Scene 11

31

S

A

    

 

                           

       36

S

A

D

       

    

p

     

    

    

    

    

         41

S

A

                                 

      

       

  





  




Act I

145

                                    Scene 11

46 E

                            

            51

S

ah ee ah ee sim.

A

                                     ah ee ah ee sim.

                   56

S

A

F

       

 

                                                                 

      60

S

A

                 

                                        

 


Act I

146

Scene 12

q = 144

    

                       

p

3

                              

                                       

5

A pp

 







                                     

7



  

                                       

9

B

 

                                     

11

    


Act I Scene 12

 Girl   13

C

GIRL mp

  

What

Mag.

147

is it?



  

MAGISTRATE mp

                                      I don't know

                                   

  Mag.  15

 I



thought

the

 

  

wind might be drop - ping.

                            

17

mp

You should sleep.

             

        

                

 Girl   Mag.

    

 

 

 

mp

         





                             Un - less

we

find

                 


     Mag. 

148

  

19

graz - ing

     

two

days

The hors - es

Act I Scene 12

in the next

  won't sur -

                                              

                       

 D  Mag.  21



are

still

            

               

And the moun - tains

 Girl   23

 

 

  

     mp

There's noth - ing we

 

              



                                vive

Mag.

  

      

can do a - bout it

                                                   three

days'

march

a - way.

  

     

                       


   25

Girl

Mag.

Just

 keep

   go - ing

Act I Scene 12

    



So get your rest.



149

  

mp

 

                                                Al - so

I

was re -

                       

    Mag.  27

mem - ber - ing

  

Our

re - cent talk

         a - bout my mo - ti - vat - ion

                                                

                              mp 29             E       Mag. 

       

                                                    Was it

your

in - ju - ries

that de - terred me

            

Or were they what first

               


   Mag.  

Act I Scene 12

150

31

  

  

mf







   

                                              drew me

to you

33

we put

   in - to words

             

What

few

i - de - as

  

  

 

      We nev - er clear - ly

 

 

   ex - press

    

And what we



                         

                       

35      Mag. 

  

                  can - not clear - ly

of - ten thought

                                  

    Mag. 

I've

   

   

                  



   

ex - press, we

are con - demned

to live through.

                 

             


  Girl  37

41

F

  

43

mf

you





just

stop



    





 

 

               3

   







   

3

3

3



 

   



3

 

tor - tur - ing your - self?



 

    

3

sim.

 

    mf

 

 

                     3



   

 

3

3





3

  

3



                                     

   

3

3

  

3

  

3

3

  

3

3

  

3

  

3

     3

3

  

3

                       



                                       

     

don't

 

3

      

Why



 

      

151

                   

 39



  

mf

Act I Scene 12

3

3

f



  



3

 

3

3

  

    

3

  

3

3

  

3

   

3

3

  

3

             


Act I Scene 12

152

45



    

    

               3

3





  

 

3

3

3





   

     

47

 

G

3

           

sub. p

                                                            

50

 

                                    pp

                       



53

 

                        

(attacca)


Act I

153

Scene 13

 

q = 120

                       

pp

                           

5

 

                                                     p

 A p  T   ah 9

B

p

   

ah

















ah

ah

ah







mp

ee

ee

ee

ee

ah

ah













ah

ah

ah

ee

ee

ee

ee

ah

ah

mp

p

p

                             

14



p

                             

  T   ah B

mp



 



 



 







ah

ee

ee

ee

ee

ah

ah

ah

ah

p

mp

p

 



mp

















ah

ah

ee

ee

ee

ee

ah

ah

ah

ah

 

                              mp

p

                             


Act I

154 mp   T   ee

19

B







ah

ah

ah

ee

ah





ee

ee

ee



p









ee

ah

ah

ah

ah

mp

                       

 

ee



ah



ee

ah

ee

ah

p





 

 



ah



ee



ah



ee

ee

ah

ee

ah

ee

mp

mp



p

p

                         

p

mp

                       

 T    ah 27

  ah

mp

p



mp

                        



 

B



ee

23



ee

p  T     ah

B



p

mp

  

Scene 13







ah

ee

ee



ah



ee



ee

                       

p

pp

                           


    ah   







ah



ee



ee



ah

ee

ee

31

T

B

ah

35

p

B

  pp  T   ah B

  pp

ah

pp

T

B





 

  

Can you

see them?

mp





ee

ah

ee

sim.









ee

ah

ee

sim.

I

think

so.

















 

                             

       

mp

                             

  Girl  40

pp

                           

Mag.

155

                       

  Girl 

Act I Scene 13

  

     

You'dbet - ter





         









ah



ah

ah

ah

let me speak to them a - lone.







                                               


Act I Scene 13

156

  Girl  44

Mag.

T

B

What shall I

ah

T

B

   



  

we are here











ah



ee



ee



ee



ee



ah



ah

ah

ee

ee

ee

ee

ah

ah

C

  

         

       mp

 



 

 







ah

ah













ah

ah

ah



         

You real - ly want me to?

 



Tell them the truth.

Tell them why

    ah 

 

mp

             

48

             

 Girl  Mag.

tell them?

    ah    



  

    mp

Why not?

 

                                             


          52

Mag.

       





ah



What else is there to tell?

T

B

  

    



  









Act I Scene 13

Or tell them what you like.

ah

       

   

               

 T    B  56



ah















     

  

mf

D

             p

  

 

ah ee ah ee ah ee

                                  

SOLDIER       Sol.    What is p              mp  T   ah ee ah ee ah ee ah ee ah ee ah ee wa wa

    

B

ah

61

157

p

 

 

ah ee ah ee ah ee



mp

  wa

mp





wa

 

the truth?







wa

wa

wa

wa









wa

  wa

wa

 

wa

                       


Act I Scene 13

158

   65

Sol.

Mag.

 

 

 

mf

 p    T   ah ee ah ee B

What

What

are

we

         

  

 

ah ee ah ee

p

   

ah ee ah ee ah ee

 

 

 

p



wa

wa

mp



 

wa



   

We're

on a dip - lo -



wa



  wa





wa

wa



wa



 

wa

                   

 

ee

   

  

Re - turn - ing this young wom - an

         

wa

ah ee

p

ah

wa

wa

 p      T   ah ee ah ee ah ee

ee



ah ee ah ee ah ee

mat - ic mis - sion

ah



ah ee

69

mp

mp         

    

do - ing here?

  Sol.          Mag.  

B

  

do you mean?

p

ah

ee

     

  mf

     to her peo - ple.

  

 







ah

ah

ee

ah

ya

ya

ya

  

 







 

ah

ee

ee

ah

  

 

ee

ah

ee

ee

You're

mp

mp

  ya

mp

ya

 

ya

       


Act I Scene 13

      tell - ing me

 

72

Sol.

Mag.

 

   ya

 76

job

B

    ee 

 

   ee

all this way As

es - cort

   

to a bar - bar - i - an?

  

Your





            



 

ya

ya

sim.

ah

ah ee

ah ah



p

            

 

 

ya

sim.

 ya

 

p

 

 

p

 

 

 

ah

 is to do

 sim.

what you're told and keep si - lent. mp

mp





 

 

sim.

 

   

  

      

 

E

 

p

      

p

 

    ah ee ah ee ah ee

    ah ee ah ee ah ee

 

p

 

ah ah

I should bear that in mind if

mp

 

ah ee

p

                  

  Mag. 

T

we've come

     

  T   ya B

159

    

 

   


Act I Scene 13

160

80     Mag. 

I were you.

    T   ah ee ah ee ah ee B

ah ee

  Mag. 

 

pp

sim.

 

 

 

 

 

 

 

 

mp

     

Will they take you?

 T  

   

ah ee ah ee

 

 

         

85

sim.

      

B

pp

 

 

 

p

            

mp

 

ah ee ah ee ah ee ah ee ah ee ah ee p

ya

            mp

ya ya

ah ee ah ee ah ee ah ee ah ee ah ee

ya

ya ya

   

  

            

p

              

  

  

  

mp

   


     90

Girl

mp

  

    T   ya ya ya Yes

B

ya

      

They say

mp

ya

ya

ya

             

ya



ya

ah ee ah ee ah ee

ya

ah ee ah ee ah ee

p

ya

ya

  



ya

98

B

ee ah ee ah ee

  

ah

ee ah ee ah ee

  



mp

ya

   



  

mp

  

mp

            

mf

ah ee ah ee ah ee

ya

ya

ya

ah ee ah ee ah ee

            mf

mp

                   

ya

ya

      

 T    ya

ah

            p

Tell him I have gifts.

B

in mid - sum - mer.

161



             94 F         Mag. 

 

    

           

   

 T    ya

 

we will see my kins - men

p

    ya

Act I Scene 13

  

ah ee ah ee ah ee

ah ee ah ee ah ee

mp

  

      mp            

ya

ya

sim. mp

ya

ya

ya

        mf     

ah ah ee ah ah ee ah ah ee

mf

   

 

 

                    

ya

ya

ya

sim.

mf

                          

  

   mp

 

 

 

  

f

  

ah ah ee ah ah ee ah ah ee

  

  

  

  

  


Act I Scene 13

162

 Mag. 

mf

103

mf mp  mp          T   ah ah ee ah ah ee ah ah ee

B

  

Come back with me

          mp

mf

  

ah ah ee

mf

  

 

ah ah

f

  

    Mag.  107

care - ful - ly

mp

 

 

ee

ah ah ee

  

  

   

Think a - bout this

           

mf

p

  

  

  

  

      

        

I want you to be clear a - bout

what I am ask - ing

                                         

111    Mag. 

  

   

  

  

      

  

G      

Come back and live with me in town.

   

I want you to

  

   

And I want it

 

to

                             

  

  

  

  

  

  

  


  115

Girl

Mag.

     

     

 Girl  119



  

p

      

   

 

      Girl   123

  

   

mf



      

 Girl 

127 H

Mag.

 



   

   

    

    

  

  

mp

  

  

 

  

        

    

  

 

  

  

  I

        

  

               

mp

163

I don't want to

  



                    

  

   

  

 

   

No

nev - er want to go back to that place.

 



 

Why?

  

  

  

mp

be your own free choice.

 

Act I Scene 13

  

  

  

  

p

 

 

Good - bye.

 

          

Good - bye then.

p

  

  

  

  


Act I Scene 13

164

  131

S

   ah p

T

B

A



cresc.

ah



ah

ah

 



ah



ah



f





ah

ah

ah









ah

ah

ah

ah

ah



ah

 

mp

     136

S

yi

 

A

yi

T

B

 

 

  yi

yi



yi

yi

yi



ah





f

   

   

f



ya

ya

yi

ya

ya

ya

yi



yi





yi



yi



yi



yi



yi



ya

ya

ya

ya

ya

yi

yi



yi

mf



yi

ya

ya

ya

ya

ya

ya

yi

yi

yi

yi

ya

ya

ya

mf





ya

yi

yi

ah

 

yi



 

ya



f

 

ya



 



yi

 

ya

yi

ah





mf









yi

ah

 



yi

yi

yi

cresc.

 

 

ah

                 

 

ah

p

 



ah

ah





I f

ah

mp

 



mp



ya mf



                            mf             



 

                





      

                 


S

141 f    

ya

f

 

A

ya f

T

B

   ya 

ya

ya

 



ya

yi



yi

yi



yi

yi



yi

yi

yi

 









yi

yi

yi

yi

ya



ya

 

ya

  ya

ya

f

 

 



ya

ya

ya

ya

yi

ya

f

     

 

ya

ya

 

ya

ya

B

 

 

ya

146

T

ya

 

 

ya

   

A

ya



                  

S

 

Act I Scene 13

   ya



ya

ya



    yi



ya

ya

 

ya

ya

ya

ya

    



cresc.

yi



yi



      

yi

mf



ya



mf



yi

 

ya

ya

 

ya

ya

ya

mf



 

ya

ya

mf

 

ya

ya

ya

ya

                           mf



cresc.

ya

ya

ya

165

                  

 

 

 

yi

yi

yi

ya ya ya ya ya ya







mp

mp

     

     

yi

yi

yi







 

yi

yi

yi



mp      

yi

yi

yi

yi

ya ya ya ya ya ya



cresc.

yi

cresc.





ya ya ya ya ya ya mp

     

ya ya ya ya ya ya

                                                mp 

cresc.

      

  

  

         


166

        150

S

ya

ya

ya

ya

ya

ya

mf

Act I Scene 13

mp

     

     

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

mf

ya

T

mp

ya

ya

ya

ya

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

mf

     

yi

yi

yi

yi

mp

     

                   ya

ya

ya

ya

ya

ya

mf

yi

mp

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

yi

                  

153

mf

      

J



  

mp

  

mp

     

  

  

dim. (through repeat) al pp

  

        

  

  

                        157        

A

T

B

ya

        ya ya ya ya ya ya

S

yi

                  

A

B

yi



oh







 

oh

    

oh

oh

 

  





    

                        attacca


  

Act I

  

q = 132

  

Scene 14

                    

4

  8

Man.

A

MANDEL mf

       

 

 Mag. 11

Man.

 

 

  

 

   to des - ert

gave you

     

your post?

p

     

14

of this town

    If

I



see

fit

  mf

I'm





    

per - mis - sion

    

p

            the mag - is - trate

pp

               

     Mag.    

who

MAGISTRATE

  



          pp                   And

    

p

               

167

       

  

 

to leave

pp

         

on a jour - ney It's no -

p

                        


17    Mag.

168

Man.

bod - y's

Act I Scene 14

  

  

con - cern

but my own

 

 

   

p

20

war And con - sort - ing with the

  

  

     

cern

  

f

It's trea - son.



even - ing

are

now

at

  

mere - ly

    

a sub - ject of con -







Nor

have

I

      

for - got - ten what you said



  

that

                        

      

We

 

p

26

Man.

 

        

Is not



                          

23

Man.



en - e - my

mf

p

pp

               

 

                 Man.

B

    

You said



 

     

   

you wished the bar - bar - i - ans would u - nite

 

                 

  a-

  


Man.

29 C      gainst us

   



  

Well now

your wish

 

is grant - ed

169

    

    

And you must take

 

the

                                  

33

     

  Mag. Man.

Act I Scene 14

    mf

I

         

am

   

  

in

no way

guil - ty



    

of trea - son

 

Al -

con - se - quen - ces.

 36

   

though

p

mp

dim.

p

D



   

it

is

a re - lief

  

  

To have

           

the lib - er - ty to crit - i - cize This

   

                         

   Mag. 

crass

 

                       

  Mag. 

39

   

    

    

   

         

de - ci - sion

to

a war

For mot - ives ei -ther sin - is - ter or

un - leash

                          


170 Mag.

Man.

Man.

     42

fool - ish.

 

 

     Make the most of it

                           45                  It's the last

Man.

Act I Scene 14

lib - er - ty

you will en - joy

         p                    48  E              e - ven that you will soon find is frag - ile.       p                       51                 

     55         

59



  

  

And

      

    

      

   

   



      

        

End of Act I


171

WAITING FOR THE BARBARIANS Act II–Scene 1

Christopher Hampton

   

Philip Glass

q = 104

Piano

  

                       

p

 

 

pp

5



                                                                 

9

A











                                 

13

mp

 







p

                     p

17

mp

 

pochiss. cresc.

                

Copyright © 2005 by Dunvagen Music Publishing

5/1/2006


Act II

172

Scene 1

21



B

 mp



 p

                              25

mp



 p

dim.

 cresc.

                            29









mp

(cresc.)

                                33



C

 p

 

 

                             37





 

 

                             


Act II

173

Scene 1

 

        

41

                     





45

 

 

 







                                     50

 



                                              

    Mag.   54

 



In

the

dark

I

D MAGISTRATE mp

Here

 

p

       

think con - tin - u - al - ly

 

    a-



                                   Mag.   57

bout

 



those

who

   suf - fered





in

this

 

room



                          


Act II

174

Scene 1

 Mag. 

60





      The



 

                            

  

    Mag.  



63

cries

  



mf

 



of

the

girl

and her

mp

   fa - ther



 

Must

 

                                      Mag.  

66

still

   

have their faint ech - o

  

       

68    Mag. 



     Be - fore

      they dimmed

    her

                 



eyes

  

  

           

                     mp

cresc.


Act II

175

Scene 1

  Mag. 



70

  



E



mf

cresc.

She

 

watched

                  mp

  



              her

fa - ther's

cresc.

mf

                              (cresc.)

  Mag.  73

deep



f    

   hu - mil - i

-

a - tion

sub. mf

   

And knew he saw her

watch - ing

And

                                

                      77            Mag.  mf

knew



he

saw

the things they

sub. p

 

  

did to her

And

                         p                           

80   Mag. 

sensed the shame he

 

mp

 

mp

 felt

 

When he

could - n't

  

 

p

   

pro - tect her

  


Act II

176

Scene 1

  Mag.  82

  

As the fork glowed red

    

in the



fi - re

                          mp poco cresc. mf                (4+3+2)

                                      

85

F

      f

       

    

dim.

                                 mp                

    

88

  Mag.   91

 

       

   p

mp

  

    

Af - ter such

in - ex - cus - a - ble

 

   fail - ure

                


  Mag.  94

What could he do

but

long

       

 



mp

     Mag.  98



for

death

p



mp

177

Which

 

                                mf

they gave him?



 

  

  

soon e - nough

G  

    mf

Act II Scene 1

I

 





mp

 

al - so want - ed to pro -

mf

                           

102    Mag. 

 

mp

 

tect her

She

mp



   

sensed

my

feel - ings were



p

 

    

e - quiv - o - cal

 

                              

 Mag.  106

  mp

 She

     smelled on me



  

the

o - dour

 

  

mf

 

of col - lu - sion



mf

                           


Act II

178

Scene 1

  Mag.  

mp

110

 



But

 



p

 

                   

114

move - ment of the heart

      

 

Some sym - pa - thy

some

some - thing must have died in her

mp

  Mag. 

   

           

                             I

un - der - stand that

now

Af - ter

                        

                                    

 Mag.  118



two months

 



    

H

of

 

sol - i - tar - y

 



 

  

  

con - fine - ment

 



  

Star - ing

 

 

all day



 

                                              122                     Mag.   at these four emp - ty

           

walls

I

know now

Man

was not born to

                      

  

                                


Act II Scene 1

    Mag.  126

179

be a - lone.

         mp              p   

 Mag.  130

          Mag.  134

mp



If

I

    



 

 

  

    

  

  

  

    

  

   

  



were left

long e - nough

in this

Per -

room

                                                  

   

haps

I

would suc - cumb

    

to her dis - ease

   And find

 

cresc.

I

can be -

                            cresc.                                

 Mag.   138

lieve

 

in

noth - ing.

mf

                          mf

dim.

mp

                                   


Act II

180

Scene 1

 Mag.  143



    

Thank you

I'm starv - ing

 

I

mp

    

How is your

                                 dim.

            

 Girl  147

Mag.

   moth - er

                          

Well, sir,

  

 

mp



thank you.

     mp

to - day?

Did you find your dog?

                                      p poco cresc. mp

                             Girl  151

Mag.

 

No, sir.

 

         They get

rest - less in

the spring

                           mp

 






Act II Scene 1

 Girl  154

Mag.

      

  

   Yes, sir.

 

 

He'll come back I'm sure of it.

De -

                      

    

181

   Mag.  

poco cresc.



           

                

      

  Girl  161

   Mag. 

    

                 p

I

  

al- ways liked her soup.

     

   

Tell your moth - er



      



mp

mf



 

li - cious

 

J

158

(cresc.)

    

Yes, sir.



           pp

 

p

       

 


Act II

182

Scene 2 (Dream Play No. 4)

q = 112

                       

 

mf                            

4

 





        

        

                          mp                          

6

    9

S

A

  

p

ah

   p

A

    

  12

S



ee

ah

mp

ah

p

mp

  



    

 

ee

mp

   

 

 A       

   

ah

   



p

p

   

     

 

mp

ah

ee

 p

mp

  

  ah



ee

    

p

p



  

p



mp

                    p

p

p

  

 

p

ah p

   ah

p

 

mp

  ee

mp

  

ee

mp

 

 

ah

 

 

  

ah

            



   

p

    p

   

   

  

     p


Act II Scene 2

183

                                 mp                                   

15

B

  

    

mp

19

S

A

ah

mp

   

      S

A

 

 

p

p

ah

mp

  

ah

                

     

                        mp

mf



  

 

  

mp

p

mp

p

 

ah

      

ah



26

p



  

mp

ah

    

23

    

 

 

p

C

                          

  

         

                                                

mf


Act II

184

Scene 2

 

29

 

mp

 





 







                          mp                          

31

    34

S

D

p

ah

  



   

    

 

mp

ah

  37

A

ee

   p

S



  

ah

A

mp

p



 

ee

mp



       

   

   

 p

 

     



   p

ah p

  p

   ah

 p



p



  p

mp

  

ah

   

ah

p

p

ee

 p

mp

  

ah

   

mp

ee

  

  ee

ah

  

mp

p

    



mp



 

ah

 

mp

 

 p

ee

 

           

p

    p



   

    

   

   

   

     p


Act II

185

Scene 2

                                mp                                  

40

E

   44

S

A

      



  

p

 

p

mp

ah mp

  

ah

   

   

        

                            47

S

mp

mf

  

p

A

    ah

    

 

mp

 

ah

ah

mp



mp

p

  

  ah

   

  

     

   

                         mp


Act II

186

Scene 2

   50

S

p

p

A

 

F





               F

mf

      mp

                                         

             

54

           

                

p

        

mf

            


Act II

187

Scene 3

q = 132

                          mp p                          

5

 

9

 

                        p                         A

                       

mp

p

                       

13

 

                        p                        

                         

17

B

 

mp

p

                       

                                                                

21


Act II

188

Scene 3

                                          p                               

25

C

                                             mp p                               

30

D

                                                                           

35

 T    B  40

E

  p

bar

            E

p

 

p

ba ba bar

bar

 

  

  



  bar



 

bar

ba

ba bar



 



 

                             


Act II Scene 3

 T    ba

 

45

B

      ba

 49

   p

   bar

F

   Bar

   

bar



 

bar

ba

bar

bar

ba

 

ba

 

 

 

mp

p

p

           

              

  ba

ba ba bar bar ba ba

bar bar ba ba bar bar

mp

p

p

    

   ba ba Bar



 

ba

ba Bar



 

bar

  



 

Bar

Bar





 

ba

Bar

 

 

    ba

  ba

                             

54

ba

 

p

 T    ba B

 

 

bar

 

189

                       

 F T   B



mp

 

 

 



 

Bar

ba

Bar

Bar

ba

  ba

 

mp

mp

p

            ba ba Bar Bar ba ba

 



 

ba

 

ba

ba

p G mp

Bar Bar ba ba Bar Bar

mp

G                    mp

p

ba

  

mp

                       


Act II

190

Scene 3

 T    Bar

 

  

 

Bar

Bar

58

B

p

Bar p

     

p

mp

p

                  ba ba Bar Bar ba ba mp

B

Bar Bar ba ba Bar Bar ba ba Bar Bar ba ba p

mp

     

           

ba ba Bar Bar ba ba

Bar Bar ba ba Bar Bar ba ba Bar Bar ba ba

                      mp

p

mp

                       

 T           Bar Bar ba ba Bar Bar ba 62

mp

p

mp

p





 

ba

Bar

Bar

mp

     



 

 



Bar Bar ba ba Bar Bar

ba

ba

Bar

Bar

        

 

 

  

p

p

mp

mp

p

p

H

 

 

ba

ba

mp

mp

mp



 

ba

ba

  

  

mp

                 

H

mp

     


Act II

191

Scene 3

 T    Bar

 

  

 

Bar

Bar

66

B

p

Bar p

     

B

p

mp

                  ba ba Bar Bar ba ba mp

Bar Bar ba ba Bar Bar ba ba Bar Bar ba ba p

mp

     

           

ba ba Bar Bar ba ba

Bar Bar ba ba Bar Bar ba ba Bar Bar ba ba

                      mp

p

mp

                       

           Bar Bar ba ba Bar Bar ba 70

T

p

mp

p

mp

p





 

ba

Bar

Bar

mp

     



 

 



Bar Bar ba ba Bar Bar

ba

ba

Bar

Bar

        

 

 

  

p

p

mp

mp

p

p

I mf

   ba ba

  

mp

mp

mf

ba ba I

    

 Bar

-

 Bar

-

 

mf

                       


Act II

192

Scene 3

 dim. T       bar-i - an 74

  

ba ba

bar - i - an

ba ba

        

Bar



  

bar - i - an

ba ba

     mp

-

    

mf

dim.

  

mf

dim.

bar - i - an

ba ba

     

    

mp



Bar

-

 Bar

 

mf dim.

    

bar - i - an

     -

bar - i - an

     

                             

79

   

ba ba

   

-

dim.

 T     ba ba B

Bar

    

      dim.

B



mp

 

(dim.)

 Bar

   -

  Bar

 

-

bar - i

   bar - i

  

-



mp

an

Bar - i

  -

an

 

            Bar - i Bar - i

ba ba ba ba ba ba

           

mp

Bar - i

Bar - i Bar - i

ba ba ba ba ba ba

              mp

                       


Act II

193

Scene 3

 T         Bar - i Bar - i Bar - i 83

B

        Bar - i

Bar - i

Bar - i

       

      ba

ba

ba

ba

ba

ba

      ba

ba

ba

ba

ba

ba

     

       ba

ba

ba

ba

ba

ba

         

Bar - i

Bar - i

Bar - i

     

cresc.

Bar - i

Bar - i

Bar - i

     

                 

86

     

cresc.

 T               ba ba ba ba ba ba Bar - i Bar - i Bar - i B

cresc.

(cresc.)

      Bar - i

Bar - i

Bar - i

     

mf

      ba

ba

ba

ba

ba

ba

      mf

ba

ba

ba

ba

ba

ba

      mf

                 


Act II Scene 3

194

      89

S

CHORUS: TOWNSPEOPLE J f

    

bar - i - ans



Bar

f

A

bar - i - ans

      bar - i - ans bar - i - ans

Bar

f

T

          

Bar

S

  

  

    

    

 

  

    

    

 

    

    

 

     

     

  

bar - i - ans

bar - i - ans

bar - i - ans

  



Bar

-

  

bar - i - ans

mf

   mf

Bar

  

bar - i - ans

Bar

     mf

B

-

mf

bar - i - ans

T

  

Bar - bar - i - ans

Bar - bar - i - ans

Bar - bar - i - ans

Bar - bar - i - ans

Bar - bar - i - ans

Bar -

Bar - bar - i - ans

Bar -

Bar - bar - i - ans

Bar -

Bar - bar - i - ans

Bar -

                       

bar - i - ans

A

     

  



mf

     93

-



J

 

-

f

B

-

Bar

bar - i - ans

     

  

bar - i - ans

   mp   



-



bar - i - ans

   -

 Bar

  

bar - i - ans

   -

bar - i - ans

      

       

Bar - bar - i - ans

     

Bar - bar - i - ans

    

Bar - bar - i - ans

        

Bar - bar - i - ans

     

Bar - bar - i - ans

 

 

Bar - bar - i - ans

     

     

        

        

Bar - bar - i - ans

         

Bar - bar - i - ans

f



Bar f

Bar f

Bar f



Bar -

 

f

           

     


Act II Scene 3

     f

97

S

bar - i - ans

A

 

B

Bar

-

  



bar - i - ans

Bar

  

bar - i - ans

Bar

  

bar - i - ans

Bar

  



bar - i - ans

Bar

  

 

-

  



bar - i - ans

Bar

  

-



  



 

bar - i - ans

f

  

bar - i - ans

T



195

f

Bar

  

bar - i - ans

Bar

f

    

bar - i - ans

-

-

 Bar

-

         mf       

-

-

bar - i - ans

Bar

  

bar - i - ans

Bar

   -

bar - i - ans

     

-

 Bar

 

bar - i - ans

 -

  

bar - i - ans

 -

  

bar - i - ans

  

    

                 

                            101

S

lu lu lu lu lu lu

                        

A

T

B

sim.

lu lu lu lu lu lu

sim.

lu lu lu lu lu lu

sim.

                          lu lu lu lu lu lu sim.                               

                                                       


Act II Scene 3

196

 K f        105

S

    

bar - i - ans f

A

  

    

    

 

  

    

    

 

        

        

  

     

     

  

bar - i - ans

bar - i - ans

Bar

-

bar - i - ans

          109

mf

  

bar - i - ans

     

mf

   mf

  

bar - i- ans

 

-

Bar - bar - i - ans

Bar - bar - i - ans

Bar - bar - i - ans

Bar - bar - i - ans

Bar - bar - i - ans

Bar -

Bar - bar - i - ans

Bar -

Bar - bar - i - ans

Bar -

Bar - bar - i - ans

Bar -

                       

bar - i- ans

B

-

bar - i - ans

    

T

Bar

-

K

A

  

Bar

f

S

     

      bar - i - ans f

B

     

  

Bar

bar - i - ans

T



mf

Bar

Bar

  

bar - i- ans

Bar

     mf

bar - i- ans

    mp     





Bar



-

-

  

bar - i - ans

  

bar - i - ans

   -

-

bar - i - ans

  

bar - i - ans

      

         Bar - bar - i - ans

     

Bar - bar - i - ans

    

Bar - bar - i - ans

  

  

Bar - bar - i - ans

        

         

Bar - bar - i - ans

     

Bar - bar - i - ans

 

 

Bar - bar - i - ans

     

Bar - bar - i - ans

        

f



Bar f

Bar f

 Bar -

 f

Bar -

 

f

           

     


Act II

197

Scene 3

     f

113

S

bar - i - ans



Bar

-

  



bar - i - ans

Bar

  

bar - i - ans

Bar

  

bar - i - ans

Bar

  



bar - i - ans

Bar

  

 

-

  



bar - i - ans

Bar

  

-



  



 

bar - i - ans

f

A

   

bar - i - ans

T

B

 

f

Bar

  

bar - i - ans

Bar

f

    

bar - i - ans

-

-

 Bar

-

         f       

-

-

bar - i - ans

Bar

  

bar - i - ans

Bar

   -

bar - i - ans

     

-

 Bar

 

bar - i - ans

 -

  

bar - i - ans

 -

  

bar - i - ans

  

    

                 

                             117

S

lu lu lu lu lu lu A

                                                  

lu lu lu lu lu lu T

B

sim.

sim.

                              lu lu lu lu lu lu

                

sim.

                                                               


Act II

198

Scene 3

  mf     en - e 121

T.

Sol.

B.

L

CHORUS: SOLDIERS

-

      

  

my

en - e

  

mf

en - e

-

  

-

  

my

en - e

-

  

  

my

en - e

  

  

my

en - e

-

-

  

  

my

my

L

   

            mf                                    en - e

  

124

Sol.

-

    en - e

  

-

  

M

  

my

en - e

  

  

my

  

en - e

M

  

-

   my

   -

my

  

   

   

en - e - my

en - e - my

   

  

en - e - my

en - e - my

   

   

f

f

f

                           


Act II

 mf     en - e 127

Sol.

   

-

mf

en - e

199

Scene 3

-

  

my

  

   en - e

my

  

-

my

   en - e

   -

  

en - e

my

  

en - e

-

-

  

  

my

my

                 mf                                    en - e- my

   

mf

    

en - e - my

en - e

  

mf

en - e - my

en - e - my

en - e

130

Sol.

f

 S

f

 

  

-

  

   my

   -

my

   en - e

-

   en - e

-

  

  

my

my

CHORUS: TOWNSPEOPLE

f

Bar -

A

f



Bar -

T

B

 

f

Bar -

    

   

 f

Bar -

             mf f                            


Act II

200

Scene 3

        en - e 133

Sol.

N

      en - e

S

  mf     bar

    bar

-

    bar

-

mf

T

B

-

       N

    mf

f

 

i - ans

i - ans

i - ans

 

-

bar

-



     

  bar

-

f

 -

bar

-

  f

 Bar

-

 Bar

 

 

 

e - my

en

 



e - my

en

 

i - ans

f

Bar

-

f

 Bar

-

  en

i - ans

  -

en

my

 

mf

bar

   -

 

my

 

mf

A

-

  

f

-

bar



-

 

i - ans

 

e - my

  -

e - my

 

i - ans

Bar -

  ah

Bar -

  ah

Bar -

 

ah

i - ans

 

-

ah

 

 

 

Bar -

  

     


Act II

201

Scene 3

  



135

Sol.

S

mf

en

-



mf

en

-

mf     

bar

  

-

mf

A

bar

T

 

mf

-



bar

   

-

mf

B

bar

 

 



e - my

en

 



e - my

en

 

  

-

-

e - my

  en

 

 

e - my

en

-

-

 



e - my

en

 



e - my

en

i - ans

 

i - ans

i - ans

e - my

e - my







  -



   

  

 

-

-

 

  

 Bar

-

 Bar

i - ans

  

-

Bar



 

Bar

 

  -

 

-

     

 


Act II

202

Scene 3

        en - e 137

Sol.

O

    

en - e

S

  mf     bar

    bar

-

    bar

-

mf

T

     

-

bar

   O

   mf

  f

 Bar

i - ans

-

-

i - ans

 

-

 

-

  

 

 

 ah

 

 ah

    

ah

bar - i - ans



  ah

bar - i - ans

 

 

en - e - my

bar - i - ans

f

 

 



Bar

 



bar - i - ans

f

Bar

  

 

f

Bar

i - ans

  

  f

 

en - e - my

en - e - my

i - ans

 

 

 

en - e - my

  -

my

 

mf

B

  -

f

my

 

mf

A

-

 

 

 

 

 Bar -

Bar -

 Bar -

 Bar -

 

 

 


Act II

203

Scene 3

   139

Sol.



mf



 

en - e - my

en - e - my

mf





 

en - e - my

    mf

S

 

 

 

 

 



en - e - my

en - e - my

 

 

 



en - e - my

en - e - my

en - e - my

bar - i - ans

   mf

A

 

bar - i - ans

T

B

 

mf



bar - i - ans

   mf

 

  

    

   

    

-



-



-



 Bar



 Bar

bar - i - ans

 



Bar



 Bar

 



 

-

     

 


Act II

204

Scene 3

          P

141 S

f

en - e - my

en - e - my

en - e - my

en - e - my

en - e - my

  

  

  

  

  

  

en - e - my

en - e - my

en - e - my

en - e - my

en - e - my

en - e - my

       

   

en - e - my

    

en - e - my

   

    

en - e - my

en - e - my

en - e - my

        f

 

T

B

       

en - e - my

f

A

       

      

en - e - my

       

en - e - my

en - e - my f

en - e - my

P

 

  

      

   

   

en - e - my

    

en - e - my

      

en - e - my

 

                          f

          144

S

A

T

B

   

   

   

   

en - e - my

en - e - my

en - e - my

en - e - my

en - e - my

en - e - my

   

  

  

  

  

  

en - e - my

en - e - my

en - e - my

en - e - my

en - e - my

   

    

 

      

       

en - e - my

   

en - e - my

   

en - e - my

    

en - e - my

   

en - e - my

                                                    en - e - my

en - e - my

en - e - my

en - e - my

          

en - e - my

en - e - my

en - e - my

en - e - my

                     


          147

S

A

T

B

  

en - e - my

en - e - my

en - e - my

en - e - my

en - e - my

  

  

  

  

  

  

en - e - my

en - e - my

en - e - my

en - e - my

en - e - my

en - e - my

   

    

            

en - e - my

                        en - e - my

en - e - my

   

en - e - my

en - e - my

en - e - my

  

en - e - my

en - e - my

en - e - my

   

T

B

en - e - my

     

A

 

       

         

                   en - e - my

153

       

       

en - e - my

150

S

Act II Scene 3

      

en - e - my

   

en - e - my

            

en - e - my

   

en - e - my

                                   en - e - my

en - e - my

        en - e - my

  

    

en - e - my

en - e - my

en - e - my

   

en - e - my

en - e - my

en - e - my

en - e - my

   

  

en - e - my

en - e - my

    

en - e - my

en - e - my

en - e - my

en - e - my

  

        en - e - my

en - e - my

   

en - e - my

                   

en - e - my

205

  

  

         

   

                  en - e - my

                                                 sub. p               Q


Act II Scene 3

206

 Mag.  158



mf

MAGISTRATE

    

What

is go - ing

on?

                                                                   

  162

Man.



MANDEL

 mf

  

See

for your - self

                                       

  

  

165

Man.

 

What - ev - er

        

it is

Or - ders are

  







it.

 

you're to wit - ness

                                

168

Man.

      



   

    



   

      


Act II Scene 3

  170

S

CHORUS: TOWNSPEOPLE p mp mp p R

  

  

ah

ah

     mp

A

207

ah

      R

 

       

 

          

 

p

mp

    p

ah

                                     mp

p

mp

p

p

 S     mp

173

S

ah

 A    

         p

p

ah



S

mp

p

ah

mp

    

mp

mp

 ah

mp

mp



 



 

 

ah

p

   

mp

p

ah

            mp p

p

p

 p

                                    


208

         mp

176

S

  

p



T

ah

     mp

A

T

       ah

      mp

B

      

 

mp

p



  

p



   



mp

  

 

  ah

  



   



  

p

ah



  



 



  

ah



mp

ah

p

   p

ah

ah

ah

T

mp

 



ah

mp

p

Act II Scene 3

ah

p



 

ah

ah

p

mp

mp

ah

mp

p

 



p



 

ah



   

 

  

mp

ah

p

  

   

                            mp

       178

S

mp



ah

mp

A

    ah

     ah mp

T

     mp

B

    

ah

mp

p

p

 

     

mp

p

 



p

p

 

 

 

 

 

 

p

 

p

 

                        mp

p


  U      p

180

S

     

ah

   mp

 

ah

p

A



ah

       ah p

T

     

     



ah

  

ah



  

 

   

mp

ah

U

 

mp

mp



p

B

Act II Scene 3

  

ah

   p

ah

 

 



p

ah

   p

ah

   p

mp

mp

 

mp

mp

209

 



 



 



 



ah

 

    

 

 



                              p

182

 

mf

p

mp

 

                         

 V mp      184

S

 

A

T

B

  

yi



mp

   yi

mp



yi



mp

V       

 

yi

mp

 

cresc.

yi



cresc.



yi cresc.

yi



cresc.

  yi

cresc.



 

  



yi







 







 

yi

 



yi



yi





yi

yi

yi

yi



yi



yi



  yi

            

yi



     yi



  yi



 

yi



  yi

            


210

  

 

    

 

186

S

 

A

T

B

 



 



yi

yi





yi

yi

yi

yi

yi

 

 



  







yi

 

yi





yi

yi

yi

yi

yi

yi

 

 



  

yi

yi

f cresc.

            f cresc.

ya ya ya ya ya ya ya ya ya ya ya ya

           

f cresc.

B

 





                               yi

ya ya ya ya ya ya ya ya ya ya ya ya

T







 

yi



             

A

 

 



yi

yi

yi

188

S

Act II Scene 3

  

ya ya ya ya ya ya ya ya ya ya ya ya

             f cresc.

  







ya ya ya ya ya ya ya ya ya ya ya ya

  190

            f cresc.



yi

yi

ff         

ya ya ya ya ya ya ya ya ya



        



ff         

ff

ya ya ya ya ya ya ya ya ya

ya ya ya ya ya ya ya ya ya

ff          



  







ya ya ya ya ya ya ya ya ya

ff             

                                                                    percussion


Act II Scene 3

211

W Meno mosso q = 100

   192

Mag.

Joll

MAGISTRATE f

  

No!

 

 

No no no no

no

 

main

p

    

       

     

Re - spon - si - ble

 for

                       

200

    



jus - tice in this town

This

is not jus - tice!

                       

  Mag.   

re -

the mag -is - trate

      Mag. 

203

    

  

I

f

197

 

mf

Si - lence!

  Mag.   



 JOLL

W Meno mosso q = 100

   

    

  

Man is the great mir - a - cle

 

      of cre - a - tion

 

 And

                       


 Mag. 

Act II Scene 3

212

206 X mf

 

    

   

f

you dare to de - grade him in this way?

    

   

p

mp

sffz

  

   Mag.  217

Not

 p

   

  





 

This

p

p



on a beast!



 

 

  



p

mp

                   

is the black flow -er

of civ - i

  

  

     mf

mp



mp

       

 

    Z 

  

- li -



Cru - el - ty cor - rupts

     f

  

p

mp

za - tion!

   



mp

  



Y

 

214

You

                       

   

 Mag. 

ham - mer!

would not use a ham - mer on a beast

212

A

                  

209            Mag. 

 

    

 mp

     f

               

 mp

  


Act II Scene 3

        220

Mag.

You

 

all

 



mp

  

who

wit - ness

  

231

 

 

   

You

bring shame

mf

 

  



AA

a - troc - i - ties

    

      p mp

 

  



   

    

mf

f

on

f

    

these

 

 p

mp

sffz

  

  

 p

mp

   

 

Take him a - way.

p

                                   

229



these peo - ple

               

   

 

226

Joll

    

                   

223

   

f

  Mag.  

are de - prav - ing



213



p

mp

   rit.

dim.

  

   mp



p

  

        



p

mp

  

 

        

                   


Act II

214

Scene 4–Prologue

    

q = 104

  

p

  

 

mp

  

 

p

                                 p

p

6

    p

 

  

 

   p

mp

 

                               11

A

    p

  

  

 

 

 

  

 

 

  

 

mp

p

                               16

    p

       

21

B

p





   



  

   

p

mp

   mp

  



    p

      



      



 

                              


Act II Scene 4

    

26

p

       

31

C

p

   

 

   

     

   

   

   

  

 

p

mp

  

215

  



    

   

mp

p

   

   

 

 

    



 



                                   

36

p

  

    

mp

 

p

                                             





              





41

D

                                       p

46

mf

p

                                       


Act II Scene 4

216

              

51

E

p

mf





                                               

56

mf

p





                                           

61

  

F

mp

 



   

  

66

mp

      

71

G

mp







  

   

      

  

mf

 

mp

  

  

                          

  

mf

  

  

mf

    

mp



    

mp

  



    





                              


Act II Scene 4

   

  

76

mp

  



   

81

H

 

  









 

   

   

 

   

mp

  

mf

  

    

   

86

   

  

 

    

mf

mp

   

 

 

 

217

mp



  

    

 

    





 

 

 

                      

mf

mp

                               91

I

mp

mf

mp

                                  

96

mp

 

   

    mf

 

 

mp

                              


Act II Scene 4

218

                 p                                



              



101

J

106

mf



p



                                                       p                                     



              



111

K

116

mf



p



                                      121

   

G.P.



pp

           

125

     

G.P.

 



     

  






Act II

219

Scene 4 129

L Stesso tempo

 

p



mp

p

                             134



mf

 





mf dim.                              

  139

Joll



        mp                 

 

      143

Joll

M

haps you would be

        p    

  Mag.  146

so kind

 

as

to

     

 mp



I

thought

 p

the

 

    

 

     I

al - read - y

   





  

mp

Per -

 p



       

          

ex - plain

     

MAGISTRATE

 

     

   

JOLL

mean - ing of these ob - jects.

 

  

 



  mp

 

had

 

   



   They are

 






Act II

220

Scene 4

149    Mag.  

rem - nants of some lost

 

  

    

 



    

That was your

ex- pla -na - tion yes

But

I

 

 





 





p

  







157 N              



mp

    mf

 

  

   

     

 

pp

         

      

Pass -ing

be -tween your -

                                          p





My

in -stinct is that these are cod - ed mes - sag - es

  



dis - posed

to lend it cre -dence

 

us.

  

am not

 

  

 

mf       





In light of e -vents



 



154                  

  



poco cresc.

    

 

a lan - guage un - known to

  

     

Joll

In

mp

    p

Joll

151

3

civ - i - li - za - tion

 

mp

   

Joll

          

   

   


Joll

Act II Scene 4

159           

221

self and oth - er par - ties.

                                         mp poco cresc.             

 Mag.  162



       

 

mf



In

                                                           

mf

 

      Mag.  

165

this one

167    Mag. 

to

      

 







  

daugh - ter

He

        

dim.

  

the lamb - ing sea - son

        



  

his

     

hopes

  

he sends greet - ings

        mp     

p

  



has been good

  He

           







 


169 O         Mag.  

222

Act II Scene 4

     

hopes to see her soon

and sends her love.

                                      

171    Mag.  

Here



  

he

tells her

his

173        Mag.    Tak - en

by

      176

Mag.



poco cresc.

 

      

found him in

      

a

bar - racks

           



sol - diers



        



                    

Wrapped

   

 

He

searched

for days

and

 

         

 



     f

in

   

a wind - ing - sheet

                 



 

mp



          

                 

 

mf



son has been ar - rest - ed

    

a - way

           pp     

      

                                   



His

            


Act II Scene 4

 Mag.  178

   

    

an -kles

bro -ken

  Mag.  181

his

eyes

         

mf

      

mp

torn out.

This one is in - t'rest -ing

            

  

       A

  



dim.

 

sym - bol



       183



 

word for “war”

But

f

if you hold it

on

 

 

 





     



The bar - bar - i - an

 



                   



  

      

  

sin - gle

       

            (dim.)

Mag.



  

              

mf

223



  

its side it means“jus - tice”

                                                                   

 

 

 



pp




224

Joll

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   

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A

T

B

     

   

You

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Act II Scene 4

    

are

mp

      

a

gen - u - ine - ly ti - re- some

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  

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The sin - gle un - co -

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op-'ra - tive of - fi -cial

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T

B

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In

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all

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our

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posts a-long this fron -tier

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  

  mp

ah

  

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                        


Joll

191          

       pose

S

    

      ah      

ah

T

B

 

ah

 

Joll





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194    

       

B

             ah      

  

 

ah

  

  

ah

ah

  

they

  

ah

   

ah

   

ah

   

ah



  

in the

  

             



hold you

in

   

contempt

   

    

   

   

     ah

    

mf

ah

mf

ah

mf

mp

ah

mp

mp

ah

ah

  

   

    

   

    

    

ah

mf

ah

ah

 

 

Let me tell you

ah

T



  f    

ah

A

  

ah

  

town

S

        

225

mf

you think you can't be brought to trial Be - cause you are so pop - u - lar

ah

A

Act II Scene 4

  mf

 

ah

mp

ah

 

 

ah

ah

  mp

 

           


226 Joll

198     

   

  

  

 

  

    

  

La - zy

S

A

T

B

 

Joll

and ve - nal

ah

201      

    ah

 

A

    ah   ah

T

B

ah

 

 

    ee

ah

   ee

ah

    ee

ah

   ee

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

ah

  

 

ah

   

  mf

ee



mf

  ee

mf

ee



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ah

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  

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 

  

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ee



mp

mp

 

ee

mp

you are

mp

 ee

mp

ee



mp

       the One Just Man

  

   

   

   

ah

mp

mf

ee

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mp

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  

ah

ee

      mf

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ah

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    ah

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    ah

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ah

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You think

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vic - es

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ee

Q ah

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ah

ah



  mf

 

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For riff - raff who will pan - der to your



ee



  

  

ah

ah

               

 

ah



search - ing eve - ry gut - ter

ah

 

Q

Act II Scene 4

ah

ah

ah

They

    ah

ah

ah

ah

ah

ah

           

               ah

ah

ah

ah

        


Act II Scene 4

            205

Joll

           

227

see you as a half - wit and a clown

S

    

A

T

B

       

Joll

ah

   mf

ah

mf

   ah

  

 

ah

ah

  

ah

ah

  

ah

ah

  

  

ah

  

ah

mp

ah

mp

ah

ah

ah

ah

ah

  

ah

 

mf

mp

mp

mf

              208                          

  

 

   ah

ah

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  

A

T

B

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mp

    ah ah ah ah ah ah                        

street

S

mf

They smell you com - ing half - way down the

 

You

ah

ah

   ah

see your - self

ah

ah

ah

as an her - o - ic

  

  

 

mar - tyr

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ah

ah

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mf

ah

mf

ah

mf

    mf

ah

ah

ah

ah

               

But to

ah

ah

ah

ah

    ah

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ah

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228

  

211 Joll

S

Joll

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  

mp

mp

ah

   ah      mp

 R

mp

B

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ah

ah

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ah

ah

ah

mf

ah

ah

  

mf

ah

ah

ah

mf

 

And stand - ing

ah

up

pub - lic

for

the

ah

ah

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mp

 

ah

ah

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mp

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in

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our

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ah

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         ah ah ah ah ah                    

  

 

ah

ah

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ah

 

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ah

  

  

T

ah

      214      

A

      

Who's try - ing to de - ny

ah

mp

bor - der trou - bles

S

ah

   

them you're a trou - ble- some old fool

T

       

R

 

A

B

Act II Scene 4

 

 mp

  

 

ah

ah

 ah

 

ah

 

 


Act II Scene 4

      216

Joll

  

en - e - my.

S

  

ah

ah

ah ah ah ee ee ee ah ah

ah

B

  

  

T

ah

 

   ah

 Mag.  219

               

ah

ah ah ah ee ee ee ah ah

               

ee ee ee ah ah ah ee ee

ah

ah ah ah ee ee ee ah ah

               

ah

ah ah ah ee ee ee ah ah

f

ee ee ee ah ah ah ee ee f

   

loco

Più mosso q = 112



f

    sost. 

ee ee ee ah ah ah ee ee f

      



S

f

ee ee ee ah ah ah ee ee

                                         

               

  

 

A

229

    

You

mf

  are the

 

           

        

en - e - my!

     

   

 

      

Be - fore

 

          

f     

     

you came

   there

 

           


Act II Scene 4

230 222          Mag. 



were no bor - der trou - bles

   

   

For

               some rea - son you think you need a war

 

 

    

 

    

     

                                     mf 225                       Mag.   You

    mp

in - vent

  

i - mag - i - nar - y threats



    

  

mf

Which you pro - ceed

    

 



mp

to



                               228                       Mag.     put down with state ter - ror

    

    231

     

    

 

 

His - to -ry

will not

    



for - give you!

    

 



                             

 

   

    

rit.

 

  p



 pp

                           


Act II Scene 4

T Poco meno mosso q = 104

234       

  

mf

Joll

There is

   



no

mp



      239

Joll

 

 Mag. 243

Joll

  



 

is a clear

of



      



 

   

state - ment

    



 

on the dust - y fringe

All I need from you

here

 

                      

 

out

    

Em - pire.

Not



 

      

   

his - to - ry here



231

de - tail - ing



 

mf

 

 

  

I've ex - plained

My

all your con - tacts with the en - e - my.

 





   

  





                


Act II Scene 4

      

232

247      Mag.

    

mis -sion

was for pure - ly

Joll

rea- sons.

 



    f

251            

 

is

U

           

Our in - ter- view





             

mf

o - ver.

   

You know the drill









  

                    

      255

Joll

You're ly-ing

Joll

per - son - al

U

   

I leave him in your hands. their ossia: you

  260

 



(if soldiers are not on stage)



   









                           

rit.

                        mp

               







p

   


Act II

233

Scene 5

q = 132

     mf                                     5                                                                                       9 A   p as a loud whisper        S             

En - e - my

   

p as a loud whisper

A

En - e - my

p as a loud whisper

T

B

      En - e- my p as a loud whisper      En - e - my

Bar - bar - i - an

       Bar - bar - i - an

      Bar - bar - i - an

      Bar - bar - i - an

lov - er

en - e - my

  

  

lov - er

en - e - my

lov - er

  

lov - er

        

en - e - my

en - e - my

A

                                                      

   12

S

 

A

T

B

    

      Bar - bar - i - an       Bar - bar - i - an      Bar - bar - i - an      Bar - bar - i - an

                

     

  

en - e - my

  

 

  

lov - er

lov - er

lov - er

en - e - my

lov - er

en - e - my

     

                   

en - e - my

  

                   


Act II Scene 5

234

   15

S

mp

     Bar - bar - i - an

 

A

     

     

lov - er

  

Bar - bar - i - an

    

lov - er

B

  

Bar - bar - i - an

lov - er

mp

mp

lov - er

mp

Bar - bar - i - an

T

     

  

 

                                                        

p     

18

S

en - e - my

    p

A

T

B

     en - e- my p    

  

mp

    

    

    

lov - er

  

     

lov - er

    

lov - er

Bar - bar - i - an

lov - er

    

    

mp

Bar - bar - i - an

  

Bar - bar - i - an

en - e - my

     Bar - bar - i - an

en - e - my p

mp

   

mp

                   

    

  

      


Act II Scene 5

  21

S

T

B

  

p

En - e - my p

  

 

En - e - my

A

  

B p

p   

En - e - my

235

     

  

Bar - bar - i - an

lov - er

Bar - bar - i - an

lov - er

Bar - bar - i - an

     

lov - er

Bar - bar - i - an

lov - er

     

  

     

 

En - e - my

     

B

                                                       

   24

S

en - e - my

 

A

  

   en - e - my

T

B

  

  

  

en - e - my

 

en - e - my

 

   



     



     

       Bar - bar - i - an

      

   lov - er

 

Bar - bar - i - an

lov - er

Bar - bar - i - an

lov - er

Bar - bar - i - an

lov - er

                

      

    

          

 

         


Act II Scene 5

236

     27

S

   

en - e - my

T

B

     Bar - bar - i - an

en - e - my

A

mp

     en - e - my    

     

mp

en - e - my

  

     

lov - er

Bar - bar - i - an

    

lov - er

Bar - bar - i - an

lov - er

mp

lov - er

Bar - bar - i - an mp

  

    

                                                           

  30

S

   p

B

p

  

 

  

p

     

     

     

    

mp

  

mp

Bar -

en - e - my

  

mp

Bar -

en - e - my

  

Bar -

en - e - my T

mp

Bar -

en - e - my

A

   p

     

    

 

      


Act II Scene 5

          33

Man.

S

bar - i - an

   bar - i - an   T   bar-i - an    B 

 

lov - er

Your

    



  

time

has come,

     

   39

Man.

best

 

  

    

    

C

     p

    

 

 

Try

your

                                          

    



Mag - is - trate

   

                      

36

Man.

C

237

lov - er

     

   lov - er   

bar - i - an

MANDEL

lov - er

A

mf

    

       to take it like a

    

man.

     

   

    

        

    

 

                        


238

Act II Scene 5

  42

Mag.

     

 Mag. 45

Man.

  

     

  

     

    

 

         51       Do you

    

     

        

  

       

mp

mf   

Where is Colo - nel

 

 

  

  

  

 

                

Left

to join

        

   



our vic - tor - i - ous

    



arm - ies

 

                               an - y bus’ ness

  

    

of yours.

     





 

                                       

have some - thing

   

  

that it’s

 

  

mf

     

Not



   

 

               48             

Man.

Joll?

Man.

 

MAGISTRATE D



to

say?

      

    

 

 

     

 

   

We

  

                        


Act II Scene 5

Man.

54   

do

 grant

    



 

   

you

the

op - por - tun - i - ty

       

       

                 57

     

239

  

  

  

Say

what you like.

E

     

  Mag.  61

 

    

p

    

  

    

    

I have noth - ing

to say to them

mf

      

 





 

                       

                      p                                             

mp





          

mp

           

 

But for

      

 



 

                                    64                Mag.   you I have a ques - tion

    





      p

I

 

 

       

                            

mp

would like

 

to

 

  

           


67     Mag. 



240

un - der - stand

     

Man.

      

  

 

   

 



 

    



    

      76

up!

            

                  

this?

When

  

      

    

I was young - er

       

 

 

of a pump - kin.

 

 

  

  

       

Now

  

      

                   

    

One mo - ment!

           

 

                                   

through the shell

    

    

you choose to do this work?

                                         73                 I could drive this

Man.



       

 

  

it is

  

You see

Man.

  

Why

                 70 F f            

Act II Scene 5

    

 

mf

      

 

      

Do you have some - thing else

to

  

    

                

 

 

  

       


Act II Scene 5

 Mag. 79

Man.

 

 

went

 



   to re - turn

  

I might want to

   



  

    

the girl

  

Some - thing

             

82   Mag.

say?

     

Man.

 

241



mf

 

Just

that I

hear?

     





 

  

    

 

And that no one

de -

p

 

                        

to her fam - i - ly.

  

Is that all?

     

mp





      

 

                   

85    Mag. 

serves

     p      

     to die like this.

 

 



    





 

 

  

                    

        mp



 

      p

 

                                    


Act II

242

Scene 5

   88

Man.

        S   omit if cut is taken

G Meno mosso q = 112 mf

    

Wrong

an- swer I’m a - fraid

Now up the lad - der.

                mp

 

dim.





        

 (optional cut to H)

 

rit.

91

S

VI— a tempo

p

 

Climb

A



 

Climb

VI— a tempo

                      rit.

p



 

climb

up

p

(dim.)



pp

mp

mp

climb

    poco cresc.

 

 

 

   

 

up

            

T


Act II

243

Scene 5

   95

S

p

up

climb

p

 

A

up T

B

climb

  mp

 



up

    

up mp

 



  

   

 

                T   up 100

B

mp



mp

(cresc.)

 

Up

climb

p

Up

climb

 

    p

cresc.

            

mf

climb

climb

up

mf

climb

climb

up

   

p

   

  

mp

up

   

mp

p

 

   

 

 mp

rit.

 

rit.

 p

                               


Act II

244

Scene 5

—DE 105 H Meno mosso q = 96 S

 

     

mf

 

The Bar - bar -i - an

  

T

B

A

there he

mf

      The Bar - bar -i - an

  

mf

  

    

        

There he goes

  

there he

the Bar - bar - i - an

    mf

There he goes —DE H Meno mosso q = 96

the Bar - bar - i - an

                                      3 3 3 3 3 3 3 3 mp                    

   109

S

goes

 

A

goes

T

B

    

 



watch him go



 

watch him go

 

  

        3

 

3

 

  

  the Bar -

 

the Bar -

   

There he goes

     

3

  

watch him go

watch him go

 

3

 

There he goes

                  

3

3

3

 

  

3

 


Act II Scene 5

      113

S

bar - i - an

bar - i - an T

B

  

 

  

    

        

the Bar - bar-i - an

there he goes

S

watch him

 

watch him go

 

 

watch him go

                           3 3 3 3 3 3                

117



watch him

   

the Bar - bar-i - an

  



there he goes

   

A

245

      3

  

3

  

go

A

 

go

                      

p

                                 dim.


Act II

246

Scene 5

           122

Man.

MANDEL mf

That’s one kind of fly - ing

 

p

       Here’s

an - oth - er.



     

f      





Up - sy dais - y!



     



Più mosso q = 108

          I

126

          mf

129

                    

           

 

132

  

      

mf



         

  

mp

 

   

     

   

                             

 

      

  

    

 

  

       


Act II Scene 5

   f

134

S

See f

 

A

See

T

B

      

see

     

he can fly



     



      

B

    



     

See

he can fly

mf

 

     

f

See f

 



     

See

f

     

       he can fly

      he can fly

watch him fly f

                 

watch him fly

       

mp

    

      

watch him fly mf

watch him fly

      

   

mf

he can fly

f

       

  

137

T

he can fly

f

See

 

A

he can fly

see

  

S

unis.

he can fly

 

247

  

   

     

  

     



      

unis.

see

see

he can fly

he can fly

    

See



     

See

he can fly

he can fly

                         


Act II

248

Scene 5

 Mag.  140

   

watch him

mf

          J

fly

fly

  

 

  

      

That's

the bar - bar-i - an

            



     



   

lan - guage!

fly

f

watch him

      

f

      f

watch him

      

          mf



mf

watch him

 

Man.

mf

142



gliss.

Ai!

 T   B



fff (scream)

 

fly

  

         



 



     He's

call - ing

                                                   


Act II

249

Scene 5

  145

Man.

          

148

 

                  

  

mf

 q = 96

150

his bar - bar - i - an friends!

         

        

                                     

mp

 

           

 

Percussion

 

 

  

  

 

 

  

 

 

 

  

         

  

 

 

  

 

 

 

   attacca


Act II

250

Scene 6 q = 96

                             mp

                                                                                       

4

A

                                                              

7

                              mf

10

   14

  (dim.)

     

   



   

  dim.

   

                                                        B

mp                      

     

   


Act II

251

Scene 6

                                                  

18

  

  

 

  

 

  

                                         mf                            

21

25

 

dim.

     

   



    

C

mp

                                             29   33

                                 

 

  

36





mf



 

mp







 





 

 

     

 

  

mp

 



 



  

         


Act II

252

Scene 6

39

     



 

 



mf



mp

 Mag. 48

Man.

mf

 D





     













  









          



    

 

Mandel: mf

 

Più mosso q = 104

  

mp sost.

    

cresc.

       

         





                  



mp



 

So we’re still

 

 



Più mosso q = 104

 D





               

          

      

45

42

    

        

       

 

    

 

   mf

Magistrate:

E-

feed - ing you well?

    

       

 

    

       


Act II

 Mag. 51

Man.

 nough

  Mag.

mf

    

  

 

mp

    

can’t

af - ford

 

will stop now

    

We

 

  

cresc.

  

                     



    

mf

This

   

    

     Ac - cord - ing

    

to eve - ry

to waste good food on you.

         

to keep me a - live.

     

54

Man.

       

     

253

Scene 6

   mf

   

mp

      

 

mf

                            

57         Mag.  

     

rec - og - nized con - ven - tion

      

Pris - on - ers must be



        

      



fed.

  

  

      


Act II

254

Scene 6

  

mf    E          

59

Man.

When the

 



 

                         62                                f

   65

 

 

  

it - self

 

comes un - der threat

     

       

We

no

long - er feel the need to

       

      

mf (dim.)                           

fol - low

   

(dim.)

dim.

   

  

con - ven - tions.

    

  

  

    p 

    

 

                             

   68

Man.

     

      

Em - pire

Man.

These cir - cum - stan - ces are ex - cep - tion - al

    

Man.

f

  

      In

an - y case

          



you’re no long - er a pris - on - er The door

         

 

   

    

        pp

 

   

 

is o - pen You’re



           


Act II

255

Scene 6

 Mag. 71

Man.

    

 

  Mag. 74



  

  

       

       

mp

      

       

dim.

    in - to

my

a

-

 



part - ment?

 

  

mf

Re - gret- ta - bly

    

       



p (dim.)



      

       

             76

Man.

Can I

                            

move back

 

free to go.

      

Man.

mp

it’s been req - ui - si - tioned for the use

 

       pp

 

    

 

 

  

     

               F

of a sen - ior of - fi - cer

      

mp

Name - ly me.

      

 

          


Act II

256

Scene 6

     Mag. 79

Man.

  Mag. 82

      

 

Where am I sup - posed to live?

We don’t allow

poco rit.

    

 

rough sleep - ing in this town.

poco rit.

  In

Man.

mp

   

a tempo

       

            

 

       your case we are pleased

  

to make

    

     mp

Have you a

an ex - cep - tion.

a tempo

    p  

 Mag.  85

  

    

    

mo - ment? I know your time is





pre - cious

          

Now the bar - bar - i-an

  

   



                     

   

 



        

  

is at the gate

  

        


Act II Scene 6

 Mag.  88

I

  

  



   Mag.   91

93   Mag. 

How





is

to

The

 



             mp

 

G mf

    

p

eat?

   

 

  

 

Af - ter you’ve been work - ing

        

    

this

is it pos - si - ble

for you.

 

    

ques - tion

  

 

ques - tion

   

have a

  

  

    

257

   



      

Do you have some pri - vate rit - u - al?



 

          



  I

       


Act II

258

Scene 6

  Mag. 

          

             

96

don’t mean to in - sult you or ac - cuse you You must know I’m ter - ri - fied

    

  

99       Mag. 







 

    





  Mag. 

mp



102 H

 

 zone











I’m try - ing











  

I’m try - ing

 

   

   

to i mag - ine how you





 

to un - der - stand the

      

  

breathe

Or sit

          

        

 



      

   

 

        

you live in

p cresc.



    

             

I

 

  

gen u- ine - ly want to know the ans - wer

  

of you





     


Act II

259

Scene 6

  Mag. 

    

105

down

with your fam - ily

        

But

   Mag.



   

107

I



 

I

    

 

(cresc.)

f     







    

were you my hands would feel so

dirt - y...

just can’t

Man.

If

mp



  

  

Shut your mouth! You fuck - ing

 

 (cresc.)

 mf

 

 

 



 

      

accel.

lun - a - tic!

 

      109

Man.

 



ff

 

 

 

 

 



Crawl a - way and die!

 



cresc.



 

 

 

                

 

f



          


Act II

260

Scene 6

I

Più mosso q = 132

              f                   

112

                        

         

117

                                         

  

mf

  

  



 



 

122

                                     mp mf                                                           

127

J

  

   

  

   

   

   mp

  

 

  

132

                                

136

 

rit.

  

    

   

 

   

  

  

p

     p

                                   


Act II

261

Scene 6

K Meno mosso q = 112

                                                                        

140

145

       



    

                          

      

148



                                   

  

152

      

L

 

  

  

  

 



                             pp


Act II

262

       

   

q = 108

 

mp

mp    

S

  

ah

    ah mp      ah

mp

T

B

   ah

 



T

B

ah

 

  

A



 

   

ah

   

ee

 ah



ee

ee

ee

ah

ah

ee

ah

 

ee

 

ee

 

ah

 

ah

 

ee

 

ah





ah

 





ah

  

    ah     

   



 A    ah

   



ah

A

ee



13

S

   

ee

mp

A

   

9

Scene 7



ee

 

ah

  

ee



ee





ah

ee

ee

ah

ah

ee

ah

ah

ee

ee

ah

ah

ee

ah

   

  

  

ah





   

   

ee

  

   

           




Act II

 

 

 

 

 

 

ah

ee

ah

ee

ah

ee

ah

 

 

 

 

 

 

 

ah

ee

ah

ee

ah

ee

ah

A

T

B

263

   17

S

Scene 7

B

 

 

 

 

  

 

 

  

ee

ee

  

ah

ah

 

ee

ah

 

ah

ah

 

ee

ee

  

ah

ah

ah

ah

ee

ee

ah

ah

ee

ah

ah

ah

ee

ee

ah

ah

  

      24

ee

    ee   ee

B

ee

  

   

C

 

 ah







 

ah

 

T

 

ah

                      

A

ah

B

S



 

  

ee

ee



 

     

 

  

ah

 ah

 

 

 

 

ee



ee



 

ah

ah

ah

ee

ee

ah

ah

ee

ah

ah

ah

ah

ee

ee

ah

ah

ee

ah

C     



 

  

 

 

 

   

 

    


Act II

264

Scene 7

   29

S

ah

ah T

B

ee

 

A





ah





 

ah



ee

ee

ah

ah

ee

 



    

ah

 ee

ee

 ah

D









ah



ah



ee



ah

ee

ah

ah

   

   

ah

ee

 ah









ah



ah

ee

ah

ah

ah

   

 

D



   

                         34

S

ee

 

A

ee T

B

 

ah

 ah



ee

ah

ah

ah

ee

ah

ah

ee

ee

ah

ah

ee

ah

ah

    

   





      

ee





ah

ee





ee

 





 

 



ee

ee





ah

ee

ee

ah

ee

ee



   





   

              


Act II

  

Scene 7

39

S

ah

 

A

   ah   ah

T

B

ee



ee





ah

ee

ah



ah



ah

ee

   

 

  

 

 F mp         

ah ah

mp

A

      ah ah mp      ah ah

mp

T

B

ah

 

E

            



  





ee ee

  



ah ah

  



ee ee

  

ee

ah ah

  

ah

ee ee

ee

ah ah

ah

  

  

ah ah

ee ee

ah



  



  

  





ee ee



ee ee



ee ee

  

ee

ee ee

ee



     



                                              ah ah

 

                    

49

S

E



             43

265

F

ah

     


Act II

266

Scene 7

     53

S

ah ah

A

   

ah ah

T

B

     ah ah     ah ah

 

        

ah ah

T

B

     ah ah     ah ah

 

 

ee ee

  





ee ee

  

 

   ah ah

  

 

ah ah

  

 

  

ee ee

  

 

ee ee



  



ah

ee ee

  

ee

ah ah

  

ah

ee ee

  

ee

ah

ee ee

ee

ah ah

ah

ee ee

ee

                       

ah ah

A



  

                       

57

S



 

   ee ee

  



ee ee

  

ah

ah







   ah ah

  



ah ah

  

ee ee

  

ee

ee ee

ee



 

  

ee ee

  

 



ee ee



ah ah

  

ah

ee ee

  

ee

ah ah

ah

ee ee

ee



  



                                               


Act II Scene 7

     61

S

G

ah ah

A

   

ah ah

T

B

     ah ah     ah ah

   

   ee ee

  





ee ee

  

 

267

   ah ah

  

 

ah ah

  

 

  

ee ee

  

 

ee ee



  



ah

ee ee

  

ee

ah ah

  

ah

ee ee

  

ee

ah

ee ee

ee

ah ah

ah

ee ee

ee

G

 

                                               

     65

S

ah ah

A

   

ah ah

T

B

     ah ah     ah ah

 

 

   ee ee

  



ee ee

  

ah

ah







   ah ah

  



ah ah

  

ee ee

  

ee

ee ee

ee



 

  

ee ee

  

 



ee ee



ah ah

  

ah

ee ee

  

ee

ah ah

ah

ee ee

ee



  



                                               


Act II

268

     69

S

   

ah ah

A

ah ah

T

B

     ah ah     ah ah

             73

S

   

ah ah

A

     ah ah    ah ah

T

B

ah ah

       

Scene 7



  



ee ee

  



ee ee



  

ah





     

ah ah



ah ah

  

ee ee



  

ee

ah

ee ee

   

 

     

ee ee

 



ee ee

ah ah

  





ah

ee ee

  

ee

ee

ah ah

ah

ee ee

ee

  

  

  

  

  

  

  



  



  



  



                   

 

ee ee

  



  



ah ah

  

ee ee





ee ee



ah ah

ee ee

ee

ah ah

  





ah





  

  

ee ee



  

ah

ee ee

  

ee

ah

ee ee

ee

ah ah

ah

ee ee

ee

  

   

 

  

 

  

   

  

                   


Act II

269

Scene 7

77

H

                         

  

  

  

  

  

81

                      

                       

       

 

        

  

85

89

93

 

I

 

  

 

   

  

  

 

   

  

  

 

    

  

                   

  

   

   

  

   

                       


Act II Scene 7

270

     

 



J



p

     

100

 

 

                       

      

103

                       

3xs

97

3xs

K

           

  

                        

106

 

                         3xs    109 L              

  

112

 

dim.

 

  

  

     

 

  

   

  

 

  

  

  

pp

  

 


Act II

q = 132

     mf     

   

 

   

271

Scene 8

 

   

 

   

 

   

 

   

 

   

 

mf  A   

5

3xs

ya

    ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

mf

   

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

ya

T

mf

B

    3xs



   

 





mf



 

 



 

 







 

 f                            7

S

ah ee ah ee ah ee ah ee ah ee ah ee f

 

A

ah

T

B

 

ah ee ah ee ah ee ah ee ah ee ah ee

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

f

ah

ee

ah

ee

ah

ee

ah

ee

ah

ee

ah

ee

  f

 

ah

ah

mf

dim.

 

ah

 

ah

 

ah

 

   

 

ah

                               

mp

 


Act II

272

Scene 8

9

A

                                                                          mf

 Mag.  12

MAGISTRATE

  

f   

Tell me

What has hap - pened?

                                           

p

                 

   15

Sol.

 3 SOLDIERS

Mag.

 

  

You must tell

me!

   

 

f

   

What?



 

f

 

What do you



What?

 

What do you

                               

   


Act II

       want to know?      17

Sol.

Mag.

273

Scene 8





want to know?

  

Where

is

eve - ry - one?



                           



            Lost; de - sert - ed; 19

Sol.

1 SOLDIER



gone

           

de - sert - ed;

   

2 SOLDIERS

Lost;

we don’t

     

 gone

we don’t





  know where.

 



know where.

                                             Mag.   21

 

  

Do you mean...

   

     

     the Bar - bar - i - ans

 

  

    

have con - quered?

                                            

 

 

  

     


Act II

274

Scene 8

 B                     How do we know? We hard - ly ev - er saw them They would- n’t stand and mf                            mf

24

Sol.

How do we know?

We hard - ly

ev - er saw them

They would- n’t stand and

B

                                                       

    fight    27

Sol.

fight

     

        

       

          

They

They

lured us

lured us

a - cross an emp - ty

a - cross an emp - ty

des - ert

   They

des - ert

    They

                                                                          

           cut our hors - es loose at night           30

Sol.

cut our hors - es loose at

 

night

  

      

              They picked us

off

one by

They picked us

off

one by

                                                        


Act II Scene 8

Sol.

33       one       one

 

And then they

 





And then they

275

  

 



van - ished

 

 



in - to

van - ished

in - to

the moun - tains







the moun - tains

                                             

    35

Sol.

 

 

                

                

Where our men

Where our men

froze

froze

or lost their foot - ing

or lost their foot - ing

                                                                 

Sol.

38         Why were we not told             Why were we not told

          





it would be like that?

it would be like that?

                                                                


Act II Scene 8

276

                     

41

C

mp

      

45

  

  

mp

  Mag. 49

Joll

                                                f

53

  

p

sempre p

   D     

         

come back

to

   

   

  

                  

 

        

  

    

  

             

       

    

Have you

  

in - no - cent blood?

 D

         mf     

stink - ing up the place?

  

spill more

    

So you’re still here

  Mag.  

 

f

JOLL mf

  

  

                    

  

Joll

mp

        

 

   

  

   

  

 mf

You

                        


Act II

277

Scene 8

     

  

  

  

   

57

Joll

    

like to think you’re my

 

   61

Joll

   

 

selves

    

But

let

me

   

  

just as - sure you:

  

  

                                

     



You

are

             

         the

la - zy lie we tell our -

              

                                            

65

Joll

op - po - site

you are not

   

 

         

    

     

        

           

When times are eas - y

   

     

pros - per - ous and fat

    f

But

I

            

                                


Act II

278

Joll

Scene 8

69    I

  

   am the truth

the Em - pire

                  

 

speaks

When harsh winds blow.

             

   

        

                             

        

         73

Joll

E

Now step a - side.

       

    

 

        

      

cresc.

             

I

have

f

77

Joll

 

mf

 

 

an an - nounce- ment

     

sub. p

     



    

 



to

make

               

cresc.

     


Act II

279

Scene 8

  81

Joll

f

             (cresc.)

      

     

             

F Meno mosso q = 120

name

of the

  

  

     p

Im - pe - ri - al

 

 

   

 

   

 

com - mand

  

Our Ar - my

         

 

   

     

96          rea - sons

      

I’m sure

 

   

is with - draw - ing

  

 you

  

 

     

      

  

    

to the cap - i - tal

 

  

    un - der - stand

tem - po - rar - y

       

      Mil - i - tar - y



              

     

For

      

         

             

     

       

  

      

                 meas -ure

      

As a pure - ly

91

Joll

                            

       86

Joll

f

In the

Joll

 

           

 

 

op - er -

 

   


Act II Scene 8

280

    

G    

101

Joll

a - tions

    

at the front

  

  





                105

Joll

Joll

  



 

        

 

    

p

 

gin

 

dim.

      

  

 

 

 

 

 

   

 



To

crush

   

     

win - ter

       

 

  

 

  

      

   

 

  

 

 

     



 

in the spring When we

will

be -

       



 

 



 

 

 

  

 

 

                

 



  

for the

to be back

       

a new of - fen - sive

        

       

     

110          

 

Will cease

I ex - pect

     

   

      the

      

     

 

mf dim.

 

en - e - my

    

 

 once

    

 

 

and for

      

    

               


  115

Joll

Act II Scene 8



all.

      

   119

Joll

 

In the

  

 

    

 

     

mean - time

p

 

  

mp





   

     





       

for the un - for - get - ta - ble



 



must thank you



         

 

  

  



  



hos - pi - tal - i - ty...

   

 

my men and I

  

mp

             124

        

mf

281

  

       

      



         

H Più mosso q = 132

                                                  

                          f

127

                                                                      

130

 

                                                                           


Act II Scene 8

282 133

                                                  dim.                                                              

136

           mf dim.

 Mag.  139

I

mf

The

dim. sf

      

mp

        

    

crime

that is

la - tent



  

in

us

It is our

         

sf

sf p

sf

       

144    Mag. 

  

du - ty

to in - flict

  

   

On our - selves

not on oth - ers.

                         

                       

  Mag.  148

f

    

Did you hear me?

J

The

crime

mf

  that is

                         

                       


Act II Scene 8

152    Mag. 

la - tent

283



      

  

in

us

It is our du - ty

to in - flict

 

On our-

                         

                       

  Mag. 156

Joll

selves

   

 

not on oth - ers.

 

 

f

Go!



 

  



Hur - ry!

                                                     160

   

164

                          

K Meno mosso q = 104

p

 

 

 

                               

   

 

 

 

L

                                    

168

  

 

 

 


Act II Scene 8

284

172



                                 

   

 Mag. 

176



  

mf

 

     

          





They have de - sert - ed us!



  



    179

Mag.

 



 





                    

mf                

Not



be - fore em - pty - ing our





gran - ar - ies

 

     

                             

  Mag.   182

  

mf

Steal - ing

     

 

mp

            mp  







  

 

 

   our crops

  

and slaugh - ter - ing our an - i - mals And

 

        

      

  




Act II Scene 8

185     Mag. 

 

now

   Mag. 

285

     

     f

they leave us un - de - fend - ed

  

But

Has the

  

      



  

  Mag.  







trial?

                      

193



What

   



    

    

                    

Loot- ed raped and tor - tured with - out

 

 

f



say this:

ter - ror - ized this town?

              mf            

    

                   

ar - my not

191      Mag.  

I

             

188 M

  



  

 

   





 

   

worse con - di - tions could bar -

     

           

  


Act II Scene 8

286

 

   

195

Mag.



bar - i - ans

  

 

N

a tempo

mf

An - y - way

                                             

            Mag.  198

bring?

   

  

poco rit.

the bar - bar - i - ans



   mp

 

     Mag.  lies

   

don’t want this town



 



mp

    

 

  

 

 



  

mf

 Their

 



     

mp

in move - ment.

     

   

202

mp

mf

  

free - dom

 

 Now

 

mp



   

  

 

p

   


Act II Scene 8

206      Mag. 



we must turn our minds

 

287

        

209    Mag. 

      

Plant - ing your gar - dens with root veg’- ta - bles

 

  

   

Dry - ing and salt - ing fish

  

That will with - stand the frosts

                 

212         Mag. 

         

   

To find - ing ways of liv - ing through the win - ter

    

   

  

    O            and har - vest - ing What lit - tle they have left us

                         p


Act II Scene 8

288 215            Mag. 

Let us help each oth - er to sur - vive

  

S

 



   p

      p

   p

 

  

   

   mp

jus - tice

mp

 

yes

 yes

Jus - tice



p

Jus - tice

 

jus - tice.

  

re- mem - ber

Jus - tice

B

let us

  

Meno mosso q = 104

T

And



Jus - tice

A

  

                        

    Mag.  218

 yes

  

  

jus - tice

  

mp

jus - tice

    mp

jus - tice

    

                                  


Act II

289

Scene 8

  222

S

  

mp

jus - tice

A

  

jus - tice

B

   

 

T

mp

 

  

  

  

  

jus - tice

mp

mp

  

mp

  

mp

mf

jus - tice mf

yes

jus - tice

 

 

 

                                

poco rit.

226

   mf

yes

jus - tice

 

jus - tice

yes

jus - tice mp

yes

mp

  

mf



  

 

  

mp



dim.

   p

                                  


Act II

290

Scene 9 A q = 88

   p

 



  

7

 

poco cresc.

    14

 

     20

 



  

 

B

 

     

  

mp

  



 

 

  

  

 



  



  mp

 



p

  

  



           





  

mp

 

    

 





  



  

 





 

 

 mp

poco cresc.

 

                         p


Act II

291

Scene 9

26

 

 

 

    

  33

Cook

Mag.

C a tempo



 





mp

  

p

  

   



 

mp





 

         



    

p

 p

COOK mp

       

You’re wel - come



 



C a tempo

 



mp

 

rit.

  

You don’t have to go



MAGISTRATE mp

  



  

   

  

 

 

30

I

to stay the night.

            


Act II Scene 9

292

  

Cook

don’t

      

  

36

like to leave

  

the child - ren on their own.

I know

                         

   39

Cook

I

  

  

inn

 

 

 

don’t make you ver - y

 



hap - py

41

Cook

When you came

 

 

to

the

  

        you were look - ing for the Star

  

not me.

   She left

   

 

with the first wave of

                        


Act II Scene 9

     44

Cook

 

ref - u - gees

Mag.





     

    

mp

     

  

p

   

             

hear it.

 

I’m glad to

D

  

  



found a young man.

47

Mag.

She

   

Well good for her

Cook

D

293

   mp

        

 But

this time it was you I had in

 

You don’t need to

mind.

                                            50

Cook

say that

   

  And

I

        

   do

  

feel when you’re with me

    

 



 

you’re

  


Act II Scene 9

294

     52

Cook

al - ways some - where else.

     

 

        54

Cook

your bar - bar - i-an girl

Mag.

  

were

 

al- ways some - where else. p

 

I

  

  

you were so

  pp

          

          

did - n’t know E

   



say,

       

            

 E  

That you

   

57

Mag.

  

what she used to

  



Cook

That’s

      

    

     p

I liked her

in - ti - mate with her.

 

           

 

 

 

             


Act II Scene 9

  60

Cook

We



all

did

  

 

She had

  a

 

    

  

 

 

 

 

  

62

  

     But she

   

sense of

hum - or

    

She did what she was asked with - out com - plain - ing

64

Cook

mp

 

Cook

 

295

 

 

 

 

   

did - n’t

un - der - stand

 

  

 

  

 





 

 

What it

 

  

was you want - ed from her.

 

 




Act II Scene 9

296

   66

Cook

  

mf      

        

She cried and cried You’ve no i - de - a how un - hap - py

 

 

  

 

  

mp

you made her.

 

                        Mag.  69

F

 

Mag.

   

 

  

f



ride in

She will



poco cresc.



              

   

             

  

  

mp

72

Cook

mf

Per - haps when the bar - bar - i - ans

    

  

Don’t say that

  You

         

          ter - ri - fy me

When I

come rid - ing with them.

   

 

        

     mf

   

              

 

     


Act II Scene 9

       75

Cook

  

think a - bout all that

  

I’m

 

77

Cook

mp

  

what will hap - pen

Mag.

to

 

 

         par - a - lyzed

 

               

297 mp

with fear

 

Tell me

  

mp

         



the child - ren?

 

mp

They won’t harm the child - ren

     

mp

dim.

  

 

  Mag. 

 

    

79

They won’t harm

 



 

 

  

         

 

G

 

 

an - y - one They’ll nev - er e -ven come.



(dim.)



  

  

      

pp

  

 

         


Act II

298

Scene 9

  82

Cook

Mag.

    

p

p



I can’t sleep in this big bare room

   

85   

much

           



bet - ter

off

in

the

I’m

 

 

     

  

87

bring you

up some break - fast

in

the

    

kitch - en

 

I’ll

             

Cook

     

Stay with me.

Cook

  

 



  

  



morn - ing.

 

       

 


Act II

299

Scene 9

    

89

  

  

mp

cresc.

93

    

97

 

100

 

 

H Più mosso q = 112

mf cresc.

 

   

   

   

   

     

   

  

                              f

3

3

3

        

3

3

3

        

3

3

3

        

                              3

3

3

        

3

3

3

        

3

3

3

        


Act II Scene 9

300

103

 

106

 

109

 

112

 

  

 

3

      

 

      

 

        

3

3

3

   

   

   

                              3

3

3

3

3

        

3

3

        

3

3

        

                         3

3

3

            

3

3 mf dim.

              

  

mp

3

3

dim.

          

  

p

                             


Act II

301

Scene 10

  

q = 104

    5

A

A

p

pp



















ah

ah

ah

ah

ah

ah

ah

ah

p















ah



 

p

   

pp

pp

    ah

ah

ah

ah





ah





ah





ah

ah



ah

ah

ah

ah

ah

ah

p

 

ah

ah

ah

ah

ah

p

B

    

ah

T

           



                       

9

S

p

      13

 



ah



ah

           

B

p

pp





pp

ah







           

pp

 

 

                       

 


Act II

302

    















ah

ah

ah

ah

ah

ah

ah

ah

    ah p     

ah

ah

ah

ah





ah





ah





ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

p

17

S

Scene 10

   



p

A

ah

p

T

B

 











pp

 



pp



 



pp

 

 



 



           









 



ah

ah

ah

ah

ah

ah

ah

ah

  



 



 



 



p

A

    ah p    ah p

T



ah





ah





ah





ah





ah







ah

ah





ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

   

   

  

C

p

   





p



pp

 C   21

B



ah

 

S



pp

  

   

                 

   



    

 


Act II

    





 









ah

ah

ah

ah

ah

ah

ah

ah

    ah p     

ah

ah

ah

ah





ah





ah





ah

ah

ah

ah

ah

ah

ah

ah









ah

ah

ah

ah

   

   

   

   

p

25

S

Scene 10

   



p

A

ah p

T

B



ah

ah

p

  

    

pp



pp

ah

     

pp









 



ah

ah

ah

ah

ah

ah

ah

ah

  



 



 



 



T



p

 

 



ah



ah







ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

ah

   

   

  



ah

ah

  





ah

ah

   





ah

ah

D





ah

p

ah





ah



           



ah







A







p

p

B



pp

 D   29

S





ah

      



pp

303

   

                 





   



    

 




Act II Scene 10

304

  Mag.   33

S

    

   









ah

ah

ah

ah

ah

ah

ah

ah



ah

    ah

ah

ah

ah

ah

     

ah

   



   

 

   37

long

 















ah

ah

ah

ah

ah

ah

ah











ah

ah

ah

ah



ah

   



cold

pp

   

ah

pp



  

is

beau - ti - ful





   

   

pp

   



   

                 

   

E-ven on

    

 

the first cold day

of a



                

      

41    Mag. 





E

p





ah

town

 



pp

Our

ah

   

pp

ah

p





ah

Mag.

 

p

B



p

T



p

p

A

MAGISTRATE

win - ter

           

            pp

 p




Act II Scene 10

46

 

      

  Mag.  49

F mp

I

 

p



have been

     

pp

  

   

think - ing

Per - haps

  

with

gate

 p

I might

be - gin

           

57

 p

           

 

the bar - bar - i - ans

  

     

at the

                  

53

     

  Mag. 

305



 

     to tell the

truth.

            pp

             pp


Act II Scene 10

306

 G   Mag.  mp

  

But

for now

61

I

look

back

       at the tur - moil of the

65     Mag. 

un - der - stand

    p

69   Mag. 

 

year

    73 H   Mag. 

And

p

it

no more than

  

  

is here

a

   

   

 

ba -by

  

  

  

  

              

     

star - ing me in the face

              

        

   

       

Some - thing

   



 

       

   

Some - thing

                       

              

  

I

can - not see

  

  

   

  

   

  

                      


Act II Scene 10

 Mag.  77

   p

S

ah

   p

A



ah

T

B

 

p

  ah p

  Mag. 







ah

ah

ah

sim.



S

    

A

T

B



ah

ah





ah

ah

ah

lead

 



   ah



sim.



ah

 

   

ah



down a road







Which



p







p











 p



  

   

  

   

   

   

sim.

p

          

























pp



ah

   ah  

sim.

pp

ah

sim.



pp

             pp            





p



sim.

no - where

pp





ah

  

sim.

sim.



            

ah



 

  

trav- el - ling

 



  



am a man

 



82

may



I

         p        ah

  

mp

307



















  

  

  

  

  

             


  Mag. 

Act II Scene 10

308

87

S

I

 p   ah

   p

A

    ah p   ah

   mp

A man



B

 

ah

ah

sim.

   

   

  

p



 



    

   

               

 

  

  



   

But still

 









pp





pp

in a



pp



pp



   



  

pp

cruel



 



 

 

   

      





  

  

  

 p





   

   

p



 p



p





  

  

p

       













    

and stu- pid dream



I keep walk - ing.



     

mp

                 

92

B

 



sim.

  Mag. 

T



sim.

ah

A

 

ah

I

S

sim.



lost



ah

p

T



mf

    

    

           


Act II Scene 10

  96

Mag.

S

  

T

    









  



















  

   

 

                              

 J  101

S

 

    

309

walk - ing

 

A

B

   p

p

ah

A

 

p

ah

T

B

  

 

 

  * on the beat

ah

   J

p

 *

       



 

p

       


Act II Scene 10

310

  105

S

A

T

B

 

ah

ah

 *

 



       

109

 

A

ah

 

S

       

rit.

pp

B

  

pp

ah

T

ah

pp

ah

 

pp

rit.

               

* on the beat

End of the Opera


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