Volume XVIII - Issue 10

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24 April, 2015

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Philosopher Derek Parfit visits scripps By Lucy Altman-Newell ‘17 Editor-in-Chief

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n Thursday, April 16 and Friday, April 17, world-famous philosopher Derek Parfit came to Scripps College to give the annual Merlan Lecture, established in 1969, and to contribute to the Humanity Institute’s second conference of the semester, “Humans and Selves.” Parfit — Global Distinguished Professor of Philosophy at New York University; Emeritus Senior Research Fellow at All Souls College, Oxford University; and Visiting Professor of Philosophy at Harvard University — is widely considered the most important and original moral philosopher of the 20th and early 21st centuries. Both of his books, “Reasons and Persons,” published in 1984, and “On What Matters,” published in 2011, are considered the most important books to be written in moral philosophy since Henry Sidgwick’s 1874 work, “The Method of Ethics.” The Merlan Lecture was given on Thursday, April 16 from 4:15 p.m. to 5:45 p.m. in Balch Auditorium — which was packed to full capacity with students, faculty and community members — on the Scripps College campus and was followed by a reception just outside of Balch. Before he began speaking, Parfit had handouts distributed to help his audience members follow his complex talk. Also to assist the audience members, Parfit took breaks throughout the talk in which to answer questions for clarification

World-famous philosopher Derek Parfit gave two important talks at Scripps College this April. Photo courtesy of Meeka Meng ‘18

and to dig deeper into the substance of his presentation, entitled “Can We Avoid the Repugnant Conclusion?” The so-called “Repugnant Conclusion” is one of the most troubling problems in ethics — specifically a branch known as population ethics. (This branch is especially significant in philosophy in that it can contribute to realworld decisions on issues such as climate change policy, health care

prioritization, global catastrophic risks, energy consumption, and population control.) The Repugnant Conclusion was described by Derek Parfit during his talk as follows: “Compared with the existence of many people who would all have some very high quality of life, there is some much larger number of people whose existence would be better, even though these people would have lives that were barely worth

living.” What is repugnant about this conclusion is not, Parfit clarified, that there could be a world in which there would be an enormous number of people whose lives were hardly worth living—for, after all, these lives are still worth living. Rather, he says, “what’s repugnant is the quite different claim that compared with these billions of people with lives as good as human lives can be, it would

Senior Dances send off seniors and faculty

Professor Suchi Branfman and the dancers as a parting gift to Professor Gail Abrams, who is retiring after 29 years of service to the Scripps College Dance Department at the end of this academic year. “Only last week, when interviews from alumnae [reflecting on her impact on their lives] were added to the sound score and the dancers appeared all dressed in Gail’s old dance costumes, was the plot revealed,” the program read. Four dancers emulated the recognizable movements of their professor in their nontraditional dance, and the voiceovers featuring the alumnae played throughout the performance. The next dance was student-

choreographed Re Bina, which featured a stage set as a lively club or restaurant with warm, neon lighting. The scene began with dancers dressed in fancy clothing acting as patrons and transitioned into an upbeat dance to a strong, percussive beat, then ended in a way similar to the beginning. This piece was choreographed by Pitzer junior Stella Hoft. The next dance, This is home., was part of a senior thesis. The sound featured interviews in different languages of immigrants to the U.S. According to Scripps senior Michelle Nagler’s project statement, “This is home. is an exploratory

By Jocelyn Gardner ‘17 Mental Health Columnist & Webmaster

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n April 17 and 18, 2015, families, friends, students and faculty gathered in Garrison Auditorium to see the hard work of students and faculty from Scripps, Pitzer, Pomona and Harvey Mudd in this year’s dance show. According to the event’s page, “Scripps Dances is the Scripps College Dance Department’s annual spring concert of original danceworks choreographed by students and faculty.” The program

Inside This Issue:

featured students in all roles of production: choreography and concept, dance, sound, music, stage management, props and more. At the last show, which took place on April 18 from 8 p.m. to 10 p.m., excitement built as the auditorium lights dimmed and the full audience applauded. The curtain rose to reveal a glowing, blue background and a stage set with cups, and the first dance began. This is How She... was this opening dance, and an insert in the program revealed that the dance was secretly choreographed by

Page 2 - Sarah Kay

Scripps announced the Class of 2015’s Commencement speaker

Page 4 - Energy Challenge

The city is participating in a nationwide competition to save energy

1030 Columbia Avenue | Claremont, CA 91711 | Box 839 email: scrippsvoice@gmail.com | Volume XVIII | Issue Ten

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Meet fellow student Abigail Daum ‘17.


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