Playbill for CABARET

PLAYBILL

WELCOME to our production of Cabaret. We are thrilled to have you here tonight to witness this incredible musical and to be part of this special moment with us. Our cast and crew have been working tirelessly to bring you a performance that will transport you to another time and place. From the stunning choreography, directing and the music, to the dazzling costumes and sets, every detail has been crafted with care to create an unforgettable experience.

At its heart, Cabaret is a story about love, loss, and the pursuit of happiness. But it is also a story that addresses themes of discrimination that were prevalent during the time in which it is set, and sadly continue to persist today. It is our hope that this production will not only entertain you but also inspire you to reflect on the importance of acceptance and understanding in our world. Innately, we all know that every human being deserves to be treated with respect and dignity. In the face of hatred and intolerance, we must stand together and celebrate our diversity as a strength, not a weakness. It is only through empathy and compassion that we can build a better future for ourselves and for generations to come.

As we begin this journey tonight, we invite you to open your hearts and minds, to embrace the messages of love and hope that this production embodies, and to join us in our commitment to creating a more just and equitable world for all. This current show is hopefully our last one in this contraption and make-shift black-box we have fabricated to accommodate our seasons over the previous two years, as we await the completed gift of 3 new theatre spaces. This progress could not have been possible without your support. We thank our students, staff and faculty who have continually been willing to make the necessary compromises without being compromised to deliver optimum quality productions as instruction for students and edutainment for the audience. Please sit back, relax, and enjoy the musical stylings of Cabaret!

‘Niyi Coker, Jr., Director School of Theatre, Television, and Film

Please note:

CABARET contains mature themes and material that can potentially be upsetting. This includes use of profanity, depictions of violence and sexual situations, reference to abortion, alcohol and drug use, mass genocide, antisemitism, Nazi imagery (including the swastika), and the rise of the Nazi party. This production contains theatrical fog/haze and strobe lighting.

Cabaret is presented by arrangement with Concord Theatricals on behalf of Tams-Whitmark L.L.C. www.concordtheatricals.com

Poster/cover design by Stephanie Layton.

CABARET

Book by Joe Masteroff; Based on the play by John Van Druten & Stories by Christopher Isherwood

Music by John Kander; Lyrics by Fred Ebb

Originally Co-directed and Choreographed by Rob Marshall

Originally Directed by Sam Mendes

Director & Choreographer: Stephen Brotebeck

Music Director: Robert Meffe

Scenic Design ....................................................................... Mathys Herbert°^

Costume Design ................................................................... Claire Peterson°^

Lighting Design.................................................................Alexandria Wood°^

Sound Design ................................................................................ Paul Peterson

Technical Director...................................................................Brian J. McVicker

Dramaturg......................................................................................... Aika Tsuda+

Production Stage Manager .........................................................DJ Maloney

CAST

Emcee ......................................................................................... Wilfred Paloma*

Sally .................................................................................................Lindsey Grant*

Cliff................................................................................................. Zakk Mannella*

Herr Schultz ......................................................................................... Justin Brill*

Fraulein Schneider ................................................................ Natalie McClure*

Fraulein Kost ............................................................................... Audrey Deubig

Ernst Ludwig (Schultz Understudy) ............................................... Milo Mee

Bobby ................................................................................................ Van Angelo*

Lulu ................................................................................................ Sarah Salonga*

Max (Ernst Understudy) ........................................................................ JJ Eccles

Rosie ......................................................................................................Sierra Goria

Victor (Cliff Understudy) ..........................................................Danny Holmes

Texas (Sally Understudy)................................................................. Kylie Stucki

Herman (Emcee Understudy) ................................................ Michael Flores

Fritzie ............................................................................ Hannah Martinez-Crow

Hans ....................................................................................................... Ethan Cruz

Frenchie .................................................................................. Jordan Davenport

Helga (Schneider Understudy) ......................................... Charlotte Bridant

Swing (Kost Understudy) ................................................................ Bella Brady

Swing .................................................................................................... Sarah Glick

Swing .............................................................................................. Robert Bednar

Swing ............................................................................................... Vincent Colon

ORCHESTRA

Conductor/Accordion..................................................................Robert Meffe

Piano .................................................................................................... Jack Holden

Reed 1 (Clarinet, Alto Sax) .................................................... Savannah Frost

Reed 2 (Clarinet, Tenor Sax) ............................................ Breanna Haenisch

Trumpet ............................................................................................ Colin Gleaves

........................................................................Alyssa Keene (4/29 & 4/30 only)

Trombone ........................................................................................Colin Taquino

................................................................Devin Burnworth (4/29 & 4/30 only)

Bass .................................................................................................... Sam Macarah

................................................................................PJ Bovee (4/29 & 4/30 only)

Drums ............................................................................................... Amanda Ezell

LIST OF SONGS

ACT ONE

Wilkommen (Emcee & Company)

So What (Fraulein Schneider)

Don’t Tell Mama (Sally & the Kit Kat Dancers)

Mein Herr (Sally & the Kit Kat Dancers)

Perfectly Marvelous (Sally & Cliff)

Two Ladies (Emcee & Two Dancers)

It Couldn’t Please Me More (Schneider, Schultz & Emcee)

Tomorrow Belongs to Me (Ensemble)

Maybe This Time (Sally)

Money (Emcee and Dancers)

Married (Schultz, Solo Singer & Schneider)

Reprise: Tomorrow Belongs to Me (Kost, Ernst & Guests)

ACT TWO

Kick Line Number (Kit Kat Dancers)

Reprise: Married (Schultz)

What Would You Do? (Schneider)

I Don’t Care Much (Emcee)

Cabaret (Sally)

Finale (Cliff & Emcee)

LAND ACKNOWLEDGEMENT

For millennia, the Kumeyaay people have been a part of this land. This land has nourished, healed, protected and embraced them for many generations in a relationship of balance and harmony. As members of the San Diego State community, we acknowledge this legacy. We promote this balance and harmony. We find inspiration from this land; the land of the Kumeyaay.

DIRECTOR & CHOREOGRAPHER

STEPHEN BROTEBECK is a Professor in the MFA Musical Theatre program at SDSU where he has directed and choreographed numerous productions including Postcard American Town (World Premiere), Steel Pier, Pippin, James and the Giant Peach, The Full Monty and The Drowsy Chaperone (Craig Noel Award Nomination). Mr. Brotebeck was most recently the Artistic Director of the Okoboji Summer Theatre in Okoboji, IA, where he directed and choreographed A Comedy of Tenors, An Inspector Calls, Grease, Clue: On Stage, Gods of Comedy, Mary Poppins, Murder On The Orient Express, and The Spitfire Grill among others. Broadway: Ghost, Peter and the Starcatcher (Movement Associate). As a director Mr. Brotebeck has helmed the Off and Off-Off Broadway productions of The Shark Play, Breaking The Shakespeare Code, St. Francis (NY Fringe – Excellence in Directing Award), The Maltese Walter, Greasemonkey and Scenes from a Balcony. Kennedy Center: Spring Gala (Director), My Fair Lady, Camelot, and Children Of Eden (Associate Director/ Choreographer). Additional credits as a director and/or choreographer include Ghost at the Finger Lakes Musical Theatre Festival; Girlfriend and The Loneliest Girl In The World at Diversionary Theatre; Peter and the Starcatcher, Monty Python’s Spamalot, And The World Goes ‘Round (Oscar Wilde Nomination), and I Love A Piano (Oscar Wilde Nomination) at Farmers Alley Theatre; Looking For Roberto Clemente at Imagination Stage; The Great American Songbook Hall of Fame Induction Ceremony presented by Michael Feinstein. Internationally, Stephen has directed productions for Creativiva Caribbean, and choreographed multiple projects in Indonesia, China, and Guatemala for Passport to Broadway. www.stephenbrotebeck.com

MUSIC DIRECTOR

R OBERT MEFFE is currently the Head of the MFA Musical Theatre Program at San Diego State University. At SDSU, he has music directed Little By Little, Pal Joey, Les Misérables, The Great American Trailer Park Musical, Into the Woods, The Drowsy Chaperone, Jesus Christ Superstar, The Full Monty, Enchanted April, Company, James and the Giant Peach, She Loves Me, Chess,Pippin, Postcard American Town, Pippin, and Spelling Bee.

Broadway: Associate Conductor of Little Women and the last six years of Les Misérables, keyboards for Evita (2012 revival), Newsies, The Phantom of the Opera, Avenue Q, Spelling Bee, Grey Gardens and Bombay Dreams. National Tours: Music Director of Evita, The Phantom of the Opera, Associate Conductor of Les Misérables, Sunday in the Park with George. Off-Broadway: Myths & Hymns, Violet, The Prince and the Pauper, and Gutenberg! The Musical!. TV: Encore! (Disney+), Earth to America (TBS), Renee Fleming-Live at Lincoln Center (PBS).

DRAMATURGS NOTE

Willkommen, Bienvenue, Welcome...

Cabaret’s Setting

Our story is set in the 1920s and 1930s in Berlin, Germany, right after World War I (1914-1918). Germany was governed by The Weimar Republic from 1919 to 1933, in the period after WWI until the rise of Nazi Germany. In WWI, three million people died. Due to the war, Germany incurred a lot of debt, which led to hyperinflation in the 1920s. There is a famous story that people burned their paper bills (German marks) because they were worth more as fuel than as money. In 1929, one-fourth of the German population lost their jobs. In this terrible economy, people could not trust anything and started questioning what they should believe.

Berlin was known as a place full of cultural diversity. Many immigrants and tourists were visiting Berlin. There were immigrants from Russia and Jewish people living throughout Europe. Even before Hitler became Chancellor in 1933, antisemitism existed in daily life. Jews were targets of insults, intimidation, boycotts of Jewish-owned businesses, propaganda, lies, and anti-Jewish demonstrations. In Cabaret, many characters talk about whether other people are Jews or Germans; the classification does matter a lot to them.

Berlin, especially Nollendorfplatz, was also known as a gay-friendly area. In the 1930s, Nollendorfplatz was a center of entertainment and culture, home to artists and writers. At this time, being gay was considered illegal and hundreds of gay men were convicted and sent to prison every year in Germany. Although, there were some gay rights movements happening too. The Institute for Sexual Science was founded in 1919 and was the world’s first institution studying the science of sexuality. Even though there was censorship, there were some gay and lesbian magazines published and some films about gay couples screened.

Ironically, despite the difficult economic times, the culture of the time was very decadent and rich. Expressionism, which is one of the most well-known art styles whose goal is to express interior feelings, started in Germany and was established during this time. There were a lot of “cultural hustlers” who sought to escape from the terrible social situation. Berlin had a thriving nightlife full of bars and cabarets. There were between 65 and 80 gay bars and 50 lesbian bars in the capital alone.

Production History of Cabaret

The musical Cabaret is based on the play I am a Camera (1951) staged by John Van Druten, which was based on the novel, Goodbye to Berlin (1939), a semi-autobiographical novel written by Christopher Isherwood. The novel was written 100 years ago but is still relevant to our society today. Cabaret premiered in 1966 and has had revivals in 1987, 1998, and 2014. There was a famous film adaptation made in 1972, directed by Bob Fosse and starring Liza Minnelli.

Cabaret has been performed again and again because it remains relevant. Every time a revival is on stage, it has different song lists and is revised a lot. Most notably, the original production does not have any suggestion that Cliff may be gay or bisexual. In this revised 1987 version, his bisexuality is implied, and in the 1998 version, he is clearly gay or bisexual.

Even though the musical Cabaret was written several decades ago, the issues faced by characters in Cabaret are still relevant to our society today. In Cabaret, two of our characters react in opposite ways to the changes happening in the society around them. What can you do when you see society is going in the wrong direction? Or what should you do?

Willkomen im cabaret! Bievenue au cabaret! Welcome to the cabaret!

—Aika Tsuda, Dramaturg

DRAMATURG

A IKA TSUDA is a first-year MA Theatre Arts student at SDSU. Aika received her bachelor’s degree in English with an emphasis in Translation at Kobe College in Japan. She studied theatre abroad for one year at Bowling Green State University in Ohio during her time at Kobe College. Her interests are in musical theatre and translation in the theatre field. As she seeks to work as a translator in the musical theatre field in the future, she is interested in exploring the differences between American and Japanese theatre. Last semester, she worked on The Long Christmas Ride Home as a co-dramaturg and this is her second time working on a production at SDSU. She is excited to be a part of this production.

SCENIC DESIGNER

M ATHYS HERBERT‘s scenic design credits include Putnam County Spelling Bee, In the Heights, Catch Me If You Can, Rent, A Christmas Story, Sister Act, Freaky Friday, Young Frankenstein, and Bring It on with San Diego Musical Theatre as well as Cabaret (Associate Designer - Cygnet Theatre) and Million Dollar Quartet (Lamb’s Players). Originally from Dayton Ohio, he holds a BFA in Acting from Wright State University and is currently working on his MFA in Scenic Design at SDSU.

COSTUME DESIGNER

C LAIRE PETERSON is a second year costume design MFA candidate at SDSU. She is thrilled to be designing the costumes for this year’s mainstage musical, Cabaret. Born and raised in Montana, she grew up loving theatre and the arts. This led her to get a BFA in Theatre from the University of Montana in Missoula, where she found her true passion: costume design. Her previous costume designs at SDSU include A Raisin in the Sun, and SDSU’s Opera Theatre production of L’Amant Anonyme. Other credits include: The Sound of Music and A Year with Frog and Toad at Grandstreet Theatre, The Fog at the Montana Repertory Theatre, and Spring Awakening at the University of Montana. She would like to thank her family and friends for supporting her, along with all the technicians and people behind the scenes who helped this design come to life. You can follow her design journey on her instagram: @clairepetersondesign.

LIGHTING DESIGNER

A LLY WOOD is in her third and final year at SDSU where she will receive her MFA in Design and Technology: Emphasis in Lighting and Projections. She graduated from Georgia College & State University in 2018 with a BA in Theatre. Her most recent lighting designs include The Children at the Moxie, Everyday Dances, Horizons, and Everyday Dances II at the Malashock Dance Company in San Diego; as well as Free Play Project and She Kills Monsters at SDSU. She also designed projections for Bloodletting at SDSU. Ally would like to dedicate her work on this project to her newborn niece, Veronica Shannon Roddy.

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SOUND DESIGNER

P AUL PETERSON - San Diego State MFA Musical Theatre Program: The 25th Annual Putnam County Spelling Bee, Postcard American Town. The Old Globe: over 100 shows, including The Taming Of The Shrew, Dr. Seuss’ How The Grinch Stole Christmas, The Brothers Size, Nobody Loves You, Kingdom, Hold Please, Restoration Comedy, Pig Farm, Moonlight and Magnolias, Lucky Duck, The Intelligent Design of Jenny Chow, Blue/Orange, Time Flies, Pentecost, Compleat Female Stage Beauty and many more.. Regional: Milwaukee Repertory Theater, San Jose Repertory Theatre, Center Stage, La Jolla Playhouse, Sledgehammer Theatre (Associate Artist), San Diego Repertory Theatre. Radio Plays: Hamlet: On the Radio. Podcasts: Gather Round, Cocktails with the Canon. Film: Krapp’s Last Tape. Education: B.A. in Drama with an emphasis in Technical Design.

TECHNICAL DIRECTOR

J OSH MUDEN - This production serves as Josh’s capstone at SDSU before receiving his MFA this May. Previous credits include Romance of the Western Chamber (Technical Director), Love’s Labor’s Lost (Head of Automation), The Wolves (Technical Director) and Steel Pier (Technical Director). Josh would like to thank Lydia Przybylski, Brenda Munden, David Munden, Kyle Munden for being his biggest supporters. Congratulations to the Cast & Crew of Cabaret on a fantastic production. Josh would like to dedicate his work on this production to his mentor Paul Ben Lindsey.

PRODUCTION STAGE MANAGER

D J MALONEY is a fourth year Theatre Arts major with an emphasis on Stage Management. He is a transfer student at SDSU. This will be DJ’s seventh year stage managing and his 24th show called professionally and academically. This will also be DJ’s final show called here at SDSU before he graduates this coming May. Prior credits include stage management for Acey Deucey Club with Fever Productions, Henry V, Into the Woods, Working: the Musical, Importance of Being Earnest at Mira Costa College, and A Raisin in the Sun, Postcard American Town, Love’s Labor’s Lost at SDSU. DJ will be attending UC Irvine this coming fall and will be working towards his MFA in Stage Management on a full ride offer! DJ would like to thank Stephen, Rob, Jay, and ’Niyi for their trust in him and allowing him to call this fabulous production. He’d also like to thank his family and friends for all of their support during this production! Welcome to the Cabaret!

CAST: WHO’S WHO

Wilfred Paloma (Emcee)

Wilfred is an Actors’ Equity Association member with an M.A. in Theatre Arts from San Diego State University and a B.A. in Theatre Performance; graduate of the MCIT Acting Studio. Acting credits: Light Years Away (La Jolla Playhouse), Eightysixed (Diversionary Theatre), O Wondrous Night (SeaWorld) and A Semicolon is a Double (Scripps Ranch Theatre). Directing credits include: Kasama (Southwestern College), Potion (Moxie Theatre), and School of Rock (Junior Theatre). Choreographer highlights: Hunchback of Notre Dame (Junior Theatre), Lion King Jr. (Young Actors’ Theatre), Shrek & Newsies (Academy of Our Lady of Peace), and Hall Pass (Blindspot Collective). Wilfred is an Adjunct Professor at Grossmont College & Southwestern College. Wilfred directs & facilitates applied theatre projects centering LGBTQIA+ issues, racial justice, & youth advocacy. Listen to Wilfred on Spotify featured in the original cast recording of The Things We Never Say written by Thomas Hodges. wilfredpaloma.com

Lindsey Grant (Sally)

Lindsey was born and raised in San Diego. She received her BFA from NYU Tisch School Of The Arts and is currently an MFA Candidate in Musical Theatre at San Diego State University. Lindsey has performed in numerous productions both on the East and West Coasts, including the roles of The Drowsy Chaperone in The Drowsy Chaperone and Eve in Children Of Eden. Other credits include: Netflix Stranger Things Experience, Jerry’s Girls (Dolly Levi), Spelling Bee (Logainne Schwartzy). Lindsey has also directed main stage productions for youth theatres in San Diego and has enjoyed teaching acting courses for both youth and undergraduate students. Lindsey is thrilled to be playing the part of Sally Bowles – truly a dream role!

Zakk Mannella (Cliff)

Zakk is proud to be a part of the MFA in Musical Theatre Class of 2024. Originally from Pittsburgh, he is a performer, educator, choreographer, and director that has worked professionally across the east coast. He is currently a teaching associate at SDSU where he teaches Musical Theatre Dance. Recent credits include: The 25th Annual Putnam County Spelling Bee (SDSU - Mitch), Legally Blonde (Choreographer), Newsies (Albert), West Side Story (Riff), Side Show (Buddy), Into the Woods (Director), Peter and the Starcatcher (Ted), and American Idiot (Choreographer). He is an Equity Membership Candidate, and received his BA in Theatre Arts/Musical Theatre from Marymount Manhattan College in New York City. He is thrilled that he has been awarded the opportunity to further his education at SDSU, and wanted to take the time to thank the generous scholarship donors that made his education possible. Endless thanks to his family for always supporting his dreams. IG: @zakkmannella zakkmannella.com

CAST: WHO’S WHO

Justin Brill (Herr Schultz)

Justin is a current MFA Musical Theatre student. In the fall you may have seen him with a “magic foot” as Barfée in Spelling Bee for SDSU. Prior to coming to SDSU, he spent a decade in Chicago performing, directing, and teaching at the college level. Professional performing credits: Broadway (All Shook Up, Rent, High Fidelity), National Tours (Wicked, Beauty and the Beast), Las Vegas sit downs (Mamma Mia, Spamalot), The Metropolitan Opera, Pittsburgh Opera, Madison Square Garden’s A Christmas Carol, regional theatre (Milwaukee Rep, Indiana Rep, Florida Stage, Alabama Shakespeare Festival), and summer stock (Pittsburgh CLO, Music Theatre of Wichita). Justin is a certified yoga instructor and infuses all of his classes with mindfulness practice. He is passionate about moving musical theatre education forward toward a more holistic experience that develops the artist’s awareness of the creative practice as skills are honed and developed. Use your power and privilege to advocate for those whose voices are excluded from the conversation. We cannot allow history to repeat itself. For Scrappy.

Natalie McClure (Fraulein Schneider)

Natalie McClure is an MFA in Musical Theatre candidate and is thoroughly excited to be performing and collaborating with all of the amazing talent at SDSU. She recently performed as Rona Lisa Peretti in SDSU’s production of Spelling Bee in the fall. Natalie holds a BFA in Musical Theatre Performance from Western Michigan University. She has performed in the Broadway sit-down of Mamma Mia! in Las Vegas; multiple roles in regional theaters across the US; in tv/films; and in national commercials for Labatts, 1-800 Contacts, Nike, Bissell and more. One of her favorite projects was starting an all female production team in New York where she created, produced, and starred in an award winning web series called Kid Friendly*. Thank you to everyone involved in Cabaret and her scholarship donors for making this possible! Special thanks to Scott and Declan for their love and support.

MISSION The School of Theatre, Television, and Film provides a high quality education for undergraduate and graduate students that emphasizes excellence in the arts and technology, grounded in conceptual and historical foundations.

CAST: WHO’S WHO

Audrey Deubig (Fraulein Kost)

Audrey is excited to be performing at SDSU and sharing the stage with this amazing cast! Regional credit: Matilda (Ensemble) [Moonlight Stage Productions]. Memorable credits: Postcard American Town (Betty Treemount), Steel Pier (Hannah) [SDSU], Something Rotten (Portia), Matilda (Miss Honey) [Ovation Theatre], Freaky Friday (Torrey) [San Diego Musical Theatre], Little Women (Amy March), Spelling Bee (Logainne) [Moonlight Youth Theatre]. Audrey was named San Diego’s 2020 Artist of the Year [NYA] and performed as Host of the 2021 Rising Stars Cabaret [CCAE]. Special thanks to Audrey’s teachers, mentors, family & friends who faithfully support her in the audience & in life. Enjoy the show!

Milo Mee (Ernst Ludwig /Schultz Understudy)

Milo Mee is a second year at SDSU majoring in Theater Performance. Some of his most recent roles have been Vice Principal Panch in The 25th Annual Putnam County Spelling Bee (SDSU), Dom in Steel Pier (SDSU), Cole in The Free Play Project (SDSU), Mr. Lindner in A Raisin In the Sun (SDSU), Amos Hart in Chicago (CMTSJ), Patrick Star in The Spongebob Musical (CMTSJ), and the Minister, Grandmother, Grandfather, and Dancer in The Long Christmas Ride Home (SDSU). Milo was awarded Best Actor in the 2021 California High School Rita Moreno Awards, where he went on to represent the Bay Area at the Broadway League’s annual Jimmy Awards. He is so excited to perform alongside such a talented cast and hopes you enjoy the show.

Van Angelo (Bobby)

Van Angelo (they/them) is a proud graduate of Westminster Choir College and a current MFA in Musical Theatre candidate here at SDSU. Van currently serves as the Director of Education for San Diego Musical Theatre, and as a Teaching Artist for Moonlight Youth Theatre and New Village Arts. Recently Van was Leaf Coneybear in last semester’s production of Spelling Bee. Favorite regional credits include Wes in The View UpStairs (Desert Rose Playhouse), Seaweed in Hairspray (Performance Riverside), Benny in In the Heights (Temecula Valley Players), and Wickersham #1 in Seussical (Candlelight Pavilion). Van has served as a Music Director for works at San Diego Musical Theatre, New Village Arts, Moonlight Youth Theatre, San Diego State University, and Val Verde Unified. In their spare time Van likes Legos, Power Rangers, Bowling, Anime, and Video Games. Their favorite day of the week is Saturday. For more personal information write to their mother.

CAST: WHO’S WHO

Sarah Salonga (Lulu)

Sarah Jane (she/her) is thrilled to be part of the Kit Kat Klub! She is currently pursuing an MFA in Musical Theatre here at SDSU and has a BA in Education and BSc in Biochemistry. Sarah is a credentialed elementary school teacher and has taught voice, ukulele, dance, and theater to students of all ages. In addition, Sarah is a Registered Dental Hygienist and loves to apply her knowledge in dentistry to vocal pedagogy and singing. Some of her favorite credits include: Olive Ostrovsky in The 25th Annual Putnam County Spelling Bee, Melanie in lit: a new musical, Pocahontas in Disenchanted! and Anna in High Fidelity (Canadian Premiere). Lots of love to her family and friends for their endless love and support!

JJ Eccles (Max /Ernst Understudy)

JJ is a third-year double major in Theater - Performance and Television, Film, and New Media - Production here at San Diego State University and is excited to once again take the stage and put on a great show. His recent credits include Sir Nathaniel in last semester’s performance of Love’s Labor’s Lost and Cinesias in Lysistrata. He would like to thank his mother for always being there for him and encouraging him to chase his dreams at every turn. He is thrilled to join his incredibly talented cast and crew in telling this impactful story and hopes the audience will not only enjoy it, but will take something away from it as well.

Sierra Goria (Rosie)

Sierra is in her third-year here at SDSU pursuing her BA in Theatre Arts Performance. She currently works at Legoland California as a Singer and Dancer. Sierra was a nominee and participant in the 2019 Broadway San Diego Awards. Some of her favorite credits include Heathers (Heather Duke), Spring Awakening (Wendla), Chicago (Velma Kelly), The Little Mermaid (Ursula), and The Wizard of Oz (Scarecrow). This is her third Main Stage Production with San Diego State, most recently seen in the Filipino play Bloodletting (LeeLee). She is overjoyed about being able to perform in Cabaret with such a beautiful and talented cast, crew, and creative team. Sierra would love to thank her family and friends for their constant love and support. She hopes you enjoy the show as much as she’s enjoyed the process. Welcome to Berlin! IG: @sierraaag

CAST: WHO’S WHO

Danny Holmes (Victor/Cliff Understudy)

Danny Holmes (he/him) is a second year Theater-Performance major at SDSU and is thrilled to be a part of one of his favorite shows. Cabaret has always been a dream show of his and he has been SO excited to start ever since the audition call was announced. Danny has performed in such shows as Chicago (Billy Flynn), Little Shop of Horrors (Seymour), Steel Pier (ensemble), Heathers (Kurt), and The Last Five Years (Jamie). Being a part of this incredible ensemble of people was so rewarding and remember “We’re alive! And what good is it alone?”

Kylie Stucki (Texas/Sally Understudy)

Kylie Stucki is a sophomore here at SDSU, and she is excited to be part of such a historic musical! You may recognize them from the fall’s The 25th Annual Putnam County Spelling Bee, or the previous fall’s Steel Pier. After 16 years of dance training, 12 years of competitive studio dance, and a year of teaching beginner hip hop and junior contemporary, she took to the choreographers chair. While a part of Tesoro High School’s Titanium, she was awarded “Best Choreography” two years in a row at the ICHSAs. Kylie guest choreographed for the current Titanium team, who recently won ICHSA Semifinals and is off to Finals in New York! When she’s not dancing, which is rare, she is singing along to her favorite swing/jazz music. She trained with a choir directed by Grammy Award winning Keith Hancock. Through that program she was able to perform with Jason Mraz, for Quentin Tarantino, and in front of hundreds of Clippers fans singing the National Anthem. She hopes you enjoy the show, welcome to Berlin!

Michael Flores (Herman/Emcee Understudy)

Michael Christopher Flores is a Theatre Arts (Performance) major and is currently in his last semester at San Diego State University. Michael most recently served as the Assistant Director for the first musical reading of Ziggy Stardust & Me under the direction of Dani Bedau, and last semester was the Assistant Choreographer for the mainstage production of The 25th Annual Putnam County Spelling Bee. While at SDSU, Michael directed and choreographed for SDSU’s Musical Theatre Club; including productions of Heathers The Musical, and an abridged musical staging of 35MM: A Musical Exhibition as part of MTC’s Senior Exhibitions. As a performer, Michael spent last summer with Teatro San Diego as part of their dance company. Michael was last seen on the mainstage in SDSU’s production of Steel Pier. In the fall, Michael will begin attending the University of Iowa, pursuing his MFA in Directing. www.michaelcflores.com

CAST: WHO’S WHO

Hannah Martinez-Crow (Fritzie)

Hannah Martinez-Crow (she/her) is a fourth year musical theatre student at San Diego State University. Credits include: The 25th Annual Putnum County Spelling Bee (Marcy), Legally Blonde (Elle), The Addams Family (Wednesday), Steel Pier, Heathers. Thanks to Rob and Stephen for their endless support. Much love to Mom, Dad, Emma, Christina, Maggie, Molly, Sydney, and Manase. www.hannahmartinez-crow.com, IG:

@hannahmartinezcrow

Ethan Cruz (Hans)

Ethan Cruz is in his second year and beyond excited to be performing on the SDSU Mainstage once again. Theatre has always been in his corner and has provided a specific understanding allowing him to thrive socially and professionally. Past performances include Marathon Dancer in Steel Pier (SDSU Mainstage), Bitter Geek in Heathers (SDSU MTC), and Idle Boy in 35MM (SDSU MTC). When he isn’t slaying for the audience, he can be found cheffing it up in the kitchen, drinking boba, and, more often than not, getting some much-needed rest. He is so grateful for the opportunity to be part of this wonderful piece of art, especially in our current social climate. He wants everyone to remember: lead with love, compassion, and understanding that we’re all here to serve each other and help communities thrive and grow. Let’s ALL enjoy life and the many fruits it has to offer.

Jordan Davenport (Frenchie)

Jordan is a first year at SDSU and is very excited to be in her first ever main stage musical! She didn’t know she’d get this far, but she’s appreciative nonetheless. Jordan is a nerd who loves anime, video games, and all kinds of music. She wants to thank her parents, her brothers, her best friends, and everyone else who has supported and aided her in her dreams of performing. She’s fully enjoyed working on this kind of production, so she hopes you enjoy watching it! <3

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CAST: WHO’S WHO

Charlotte Bridant (Helga/Schneider Understudy)

Charlotte Bridant is a first-year Youth Theatre major who is thrilled to be working with this amazing cast in her first mainstage production at SDSU! She gained her love for theater at 5 years old after seeing a production of Seussical the Musical and has been doing theater ever since. She has been a part of many shows (mostly musicals) with Roustabout Theater in Santa Rosa, CA. Some of her credits include Gypsy (Mama Rose), White Christmas (Martha), Mamma Mia (Rosie), Spongebob (Sandy), and The Addams Family (Pugsely). She was also a part of the professional ensemble productions of the west coast premiere of Mary Page Marlowe (Connie) and Apologia (ASM). You may recognize her from the reading of the new musical Ziggy, Stardust, and Me (Ms. Dulick) that happened earlier this year here at SDSU! Special thanks to her family and friends for always supporting her! Enjoy the show!

Bella Brady (Swing/Kost Understudy)

Bella Brady is a sophomore working towards her BA in Theatre Arts, Performance (MT). Recent theatre credits include Cinderella in Into the Woods (Grossmont College Theatre), Lilli/ Kate in Kiss Me, Kate (Westview Theatre Company), Norma in Perfect Arrangement (Skull and Dagger Dramatic Society), and Ensemble/Rona Lisa Peretti u/s in The 25th Annual Putnam County Spelling Bee (SDSU). In addition to theatre, Bella has recently been stepping her toes into film, performing in multiple student-led short films here at SDSU and hopes to explore more in this field. Next up, Bella is pleased to announce she will be abroad for the fall semester, attending British American Drama Academy’s London Theatre Program!

Sarah Glick (Swing)

Sarah Glick is thrilled to be taking part in her final show at SDSU. Sarah is a senior from Orange County and is majoring in Graphic Design. Previous SDSU credits include Steel Pier (Mick’s Pick/Couple #8) and Musical Theatre Club’s production of Heathers (New Wave Girl). Some of her other favorite roles include Olive (Spelling Bee), Rumpleteaser (Cats), Gingy (Shrek), and most recently, Timmy Turner in the original parody musical, Slightly Strange Parents. She has also worked as a choreographer for numerous productions including Cats, Guys and Dolls, and Bye, Bye Birdie. Sarah would like to thank her parents and her cats for their endless love and support. Shoutout to all the swings out there! #swingnation

CAST: WHO’S WHO

Robert Bednar (Swing)

This is Robert’s first show at SDSU. Previously he’s been in Lightning Thief, Hamlet, and Little Shop of horrors. He enjoys climbing, board games, and his dog. His mom also says he’s handsome.

We Are

Vincent Colon (Swing)

Vincent Colon has been involved in musical theatre projects for 7 years now. He has been involved in several projects at the Dance Center in Carmel, participated in the Trentino Music Festival in Italy, and was involved with James and the Giant Peach at Southwestern College. He has also been in several high school music productions before attending SDSU.

PRODUCTION STAFF

MANAGEMENT & DIRECTION

Assistant Director .........................................................................Lindsey Grant

Assistant Choreographer ........................................................ Zakk Mannella

Assistant Music Director ................................................................ Van Angelo

British Dialect Coach .................................................................. Peter Larlham

German Dialect Coaches ................................................. Christine Guzman, ............... Annabelle Woelbert Grice, Benjamin Bernard Morris, Jeremy

Longworth, Hannah Stuebing, Kristin Rebien (German Club Advisor)

Assistant Stage Manager ............... Anya Veach, Jon Alexander Hewitt

Intimacy Choreographer ..................................................... Jesca Prudencio

Production Manager .................................................................... Sarah Mosby

Stage Management Advisor ...................................................... Jay Sheehan

Dramaturgy Advisor ......................................................................... Shelley Orr

Cultural Consultants.......................................................Dr. Lawrence Baron, ......................................................Dr. Annika Freiburg, Dr. Susanne Hillman

SCENIC

Scenic Design Advisor ............................................................ Ralph Funicello

Assistant Scenic Designer ........................................................... Ali Roustaei°

Technical Direction Advisor................................................Brian J. McVicker

Associate Technical Director................................................Josh Munden°^

Assistant Technical Director........................................Cynthia Bloodgood°

Scene Shop Supervisors................................Andrew Young, Noah Lange

Prop Master and Charge Scenic Artist.............................Kristen E. Flores

Scenic and Properties Artisans .................... Isabel Simoes deCarvalho°, ............................. McKenna Perry°, Heather Larsen°, Atria Pirouzmand°, .......................................................................... Ali Roustaei° and Minerva Josif

Properties Run Crew ........................................Melanie Weed, Jaiden Silva

Scenic Construction ................................... Matthew Talley, Minerva Josif, ..........Kaelyn Campbell, Randy Jean Francois, JD Jones, Mia Nuciforo, ......................................................................................................... Zane Alexander

Scenic Run Crew ................................................................................. Thanh Van

PROJECTION & INTEGRATED MEDIA

Projection/Integrated Media Design Advisor ................... Daniel Hobbs

Lighting, Projection, & Audio Shop Supervisor .......... Kat Makarushka

+MA in Theatre Arts

*MFA in Musical Theatre

°MFA in Design and Technology for Theatre, Television, and Film

^Qualifying or Thesis Production

PRODUCTION STAFF

COSTUME

Costume Design Advisors ................ Denitsa Bliznakova, Brooke Kesler

Costume Shop Manager ............................................................... Teri Tavares

Costume/Wig Technician ......................................................... Peter Herman

Assistant Costume Designers .............................. Linda Litchy-Cervantes, .............................................. Joana Dirilo, Costume Assistant - Kelan Yang

Wig Stylist ............................................................................... Monique Hanson

Drapers .................................................. Peter Herman, Courtney Ohnstad°, ................................................................................ Heather Nunn°, Teri Tavares

1st Hands ........................................... Katie Paulson°, Laura “Lars” Sladich°

Stitchers .......................... Sabrina Soto, Mayté Martínez°, Abril Olivares, ............................................Asabi Awe, Camila Saettone, Reira Yamamoto, .............................................................................. Sarah Jepsen, Skyler Harding

Costume Crafts ........................................................................ Miranda Sieber°

Costume Maintenance/Laundry ........ Brittany Carillo, Catelyn Thomas

Costume Run Crew .................................. Amanda Moynihan, Asabi Awe, .................................. Camelina Cedillo, Cheyenne Parker, Lizzie Izyumin, ................................................................................... Sabrina Soto, Stella Borelli

LIGHTING & SOUND

Lighting Design Advisor........................................................Anne E. McMills

Lighting, Projection, & Audio Shop Supervisor .......... Kat Makarushka

Assistant Lighting Designer(s)........... Joshua Heming°, Reid Semmens

Production Electrician .........................................................Sammy Webster°

Assistant Production Electrician(s) ................ Elias Malli, Jade Sheridan, .............................................................................................................. Wenchang Li

Programmer ................................................................................ Sierra Shreves°

Light Board Operator ..................................................................Mia Nuciforo

Spot Operators ............................................................ Lorenzo Jan Mestidio, ................................................................ April Olivares Cisneros, Tiffany Arita

Sound Mixer ........................................................................ Stephanie Celustka

Sound Board Operator ................................................................. Leif Pearson

A2 ..................................................................................................... Ruth Gonzalez

Deck Electrician .......................................................................... Kate Crissinger

MARKETING & FRONT OF HOUSE

Box Office & Social Media Coordinator .............................. Bryan Martin

House Managers ................................. Cat Schubert & Angie Garcia Cruz

Box Office Staff .............. Emerson Clarke, Kristie Arenas, Logan Parker

SDSU SCHOOL OF THEATRE, TELEVISION, AND FILM DONORS

We are pleased to thank our generous supporters, as all that we accomplish would not be possible without the generous support of alumni and community members, who make significant contributions to support our students and programs at SDSU. Thank you!

Endowed Funds

Established with a commitment of $50,000 or more

Ages of Drama - Live! Endowment • Allison Rossett Endowed Scholarship in Musical Theatre • Bellinghiere Endowed Scholarship • Bolles Family Musical Theater Endowed Scholarship • Brita C. Davis and Richard R. Davis Musical Theatre Endowed Scholarship • Carol Vassiliadis Endowed Scholarship in Musical Theatre • Chad Shelton Memorial Endowed Scholarship for Theatre Design and Technology • Chuck and Robin Luby Endowment for Musical Theatre •

Clarence and Catherine Stephenson Musical Theatre Endowed Scholarship •

Clayton Brace Awards Endowment • Darlene and Donald Shiley Endowment for Student Excellence in Musical Theatre • Deborah M. Dexter Endowed Scholarship in Musical Theatre • Denis Sanders Memorial Endowment • Denise Madruga

Endowed Scholarship in Theatre

• Don Powell Interface Program Endowment

• Drama Circle Endowment • Gordon J. Lusk Endowment • Hayes Anderson

Student Excellence Endowment

• Henry Edward and Gail Johnson McAdams

Memorial Endowed Scholarship

• Henry Stanton Endowment • Hunton D. Sellman Endowment • James Chris Nichols Memorial Endowment • Judith and Jack White Musical Theatre Endowed Scholarship

• Julia R. Brown Musical Theatre

Endowed Scholarship • Maggi McKerrow Endowed Scholarship for Theatre • Maggi McKerrow Endowed Scholarship for Study Abroad • Mangan/Christensen

Endowed Scholarship for Musical Theatre

• Marion Ross Endowed Scholarship

• Musical Theatre Endowed Scholarship • Nella Feldman Gross Endowment

• MFA Musical Theatre Endowed Professorship

• Paulette Wilson Endowment for Musical Theatre

• Powell/SCE Design Endowed Chair

• Robert Shields Memorial Endowment • Ron and Sue Heller Musical Theatre Endowed Scholarship •

• Ruth Anna, Louis F., Dorothy Cable Endowed Scholarship

Roscoe-Tiffany MFA Musical Theatre Endowed Scholarship

• Sybil E. Jones Endowment • The McCabe Family Endowed Scholarship • Theatre Endowment

Annual Funds & Scholarships

Up to $50,000

Aztecs to Hollywood • Bellinghiere Scholarship • Clayton Brace Awards

Scholarship Fund • Drama Circle • Nella Feldman Gross Scholarship Endowment •

Michael and Anne-Charlotte “A.C.” Harvey Scholarship • Ron and Sue Heller Fund for Musical Theatre • Gale Anne Hurd TFM Program Love Letters Production Fund

• Los Lobos Documentaries Film Fund • Denise Madruga Scholarship • John J. Martin and Katherine Fitzhugh • MFA Musical Theatre Scholarship • Gail Johnson

McAdams Memorial Scholarship • Musical Theatre Musical Theatre Archive

Operations • Musical Theatre Production Fund • Dan Prentice Memorial Musical Theatre Fund • Dennis Sanders Scholarship • San Diego Theatre Arts Research

Lab • Michele Schlecht MFA Musical Theatre Scholarship • Hunton Sellman

Scholarship • Chad Shelton Memorial Scholarship • R P Shields Scholarship

Student Success Fund Theatre, Television and Film • Judy White Scholarship

SDSU SCHOOL OF THEATRE, TELEVISION, AND FILM DONORS

Generous Supporters

$500+ in the Last 5 Years thru August, 2022

Hayes L. and Marilyn J. Anderson

Emmet G. Barton

Vince Bertoni and Damon Hein

Louis and Elisa Betancourt-Ruvalcaba

Thomas Bollard and Holly Martin-Bollard

Ron K. and Reina Bolles

James S. and Marilyn C. Brown

Julia R. Brown

Stephanie Brownyard

Dorothy Ann Cable

Stephen and Robin L. Ching

Ben and Nikki Clay

Sarah Coombs

Jeff Cotta and Pamela Cotta

Michael J. and Judith M. Darweesh

Adela de la Torre, Ph.D. and Stephen Bartlett

Karen H. DeLaurier

Alice and Doug Diamond

Gregory C. Durbin

David and Marilyn Eisenman

John Ellison

Roselyn E. and Chukuka S. Enwemeka, Ph.D.

Daniel and Phyllis Epstein

Esther Fischer

Sylvia J. Fitch

Katherine L. Fitzhugh and John Martin

Joyce M. Gattas, Ph.D.

Sherman George

David Arthur Glass

Michael S. Gregory

Justin Samuel Halpern

Hal Lawrence and Sheila Harrison

Michael and Anne-Charlotte “A.C.” Harvey

Ronald and Susan Heller MFA Fund

Bruce A. and Jane W. Hopkins

Margaret A. Howard

Osborn and Dea Hurston

Blair G. Irwin

Jay W. Jeffcoat

Paul H. Jozwicki

Paula Kalustian

Koji C. K and Susan F. Kasuyama

Georgette M. Katz

Dennis G. Keith

Brett Karl Kelly and Chad Stewart Birmingham

Gary A. and Maxine A. Kreitzer

Michelle Anne LaGrandeur

Dr. William and Evelyn M. Lamden

Jeremy Lane

Kathleen M. Lemieux

Charles S. Luby and Robin B. Luby

Denise Madruga and Michael Lesniak

Mort Marcus and Deborah Klein

Jim A. and Deborah D. Marshall

John Andrew Mateja

Stewart Scott Mc Donald

Timothy Mccalister

McCulloch Family Charitable Fund

Oliver R. McElroy

Paul S. Mcintyre and Cynthia McIntyre

Colin Mckearnan

Randi and Thomas L. McKenzie, Ph.D.

Margaret McKerrow, Ph.D.

Martin McKerrow

Toni B. McKerrow

Kevin J. O’Connor and Katherine D. O’Connor

Terry Lee O’Donnell

Mike and Chris Pack

Adam Parrocha

Michael James Perkins

Paula Perry

James P. and Gale S. Petrie

Richard Sellers and Ellen Porter

Marshall A. Lewis and Judy M. Price-Lewis

Linda J. Rankin and Rodney T. Whitlow

Jon Carl Ringbom

Dr. Patti Roscoe and James Tiffany

Allison Rossett, Ed.D.

Michele Schlecht and Richard Alan Covey

The Shelton Family

John A. Shelton

Mike Shelton

Karen and Christopher (Kit) Sickels

Fred and Sonia Silverstein

Jeffrey H. and Malka Silverstein

Emily Norine Smith

Jane K. Smith

Nancy A. and Alan Richard Spector, M.D., Ph.D.

Clarence E. and Catherine Ann Stephenson

Charles J. and Nancy M. Stewart

James J. Tarbox

Ronald T. Thornton

Seth and Cynthia L. Trostler

C. Anne Turhollow

Kenneth G. and Joyce Ulrich

Edward Law Underwood

Carol Vassiliadis

Richard and Patricia Wagner

Carey Gail Wall

Debra Wanger

Judith and Jack White

Rodney T. Whitlow

Carole Wilson

Joshua A. Young

The Conrad Prebys Foundation

SDSU SCHOOL OF THEATRE, TELEVISION, AND FILM FACULTY & STAFF

ADMINISTRATION

‘Niyi Coker Jr., Professor & TTF Director

Melanie Dumont, Financial Coordinator

Bryan Martin, Box Office & Social Media Coordinator

TELEVISION, FILM, AND NEW MEDIA FACULTY/STAFF

Abraham Amkpa, Lecturer

Jose De Matos, Tech Engineer

Krystal Dawkins, Lecturer

Jeff Deverett, Lecturer

Greg Durbin, Professor

Alex Farnsley, Lecturer

Lizzette Flores, Equipment Supervisor

Mark Freeman, Professor

Ángel Granados, Lecturer

Glenn Heath, Lecturer/Undergraduate Adviser

Brian Hu, Associate Professor

Brie Iatarola, Lecturer

Martha M. Lauzen, Professor, Executive DirectorCenter for the Study of Women in Television/Film

Stephanie Lee, TFM Shop Foreman

Jessica McGaugh, Assistant Professor

David Morong, Professor, Graduate Advisor

Vernon Mortensen, Lecturer

Greg Penetrante, TV/Film Studio Engineer

Mary Posatko, Assistant Professor

Timothy A. Powell, Professor, Area Head

Sam Shpigelman, Lecturer, Area Head of New Media Production

David Steinberg, Lecturer

Rich Underwood, Lecturer

Stuart Voytilla, Lecturer, Undergrad Advisor

THEATRE FACULTY/STAFF

Adrian Alita, Associate Professor, Head of Acting

Dani Bedau, Associate Professor

Denitsa Bliznakova, Professor, Head of Costume Design & Technology

Stephen Brotebeck, Professor

Benjamin Clark, Assistant Professor

Peter Cirino, Associate Professor

Ronald Councell, Staff Accompanist/Vocal Coach

Kristen Flores, Scenic Charge Artist/Prop Master

Ralph Funicello, Don Powell Chair, Scene Design

Peter Herman, Wig Making, Make-up Costume Construction

D.J. Hopkins, Professor

Brooke Kesler, Lecturer

Noah Lange, Scene Shop Foreman

Kat Makarushka, Theatrical Lighting, Projection, & Sound Lead

Anne McMills, Associate Professor, Design/Technology MFA Graduate Advisor

Brian McVicker, Technical Director

Robert Meffe, Professor, Graduate Advisor, Head of Musical Theatre

Charles Murdock Lucas, Associate Professor, Head of Scenic Design & Integrated Media

Laurinda Nikkel, Lecturer

Shelley Orr, Associate Professor, Graduate Advisor for MA Theatre Arts

Jesca Prudencio, Associate Professor

Randy Reinholz, Professor

Chad Reyes, Academic Advisor

Jill Rovatsos, Lecturer

Jay Sheehan, Faculty Production Manager, Stage Management Advisor

Teri McConnell Tavares, Costume Shop Manager

Katie (Laura) Turner, Lecturer, Undergraduate Advisor

Alison Urban, Lecturer/Internship Adviser

Christopher Warren, Associate Professor

Andrew Young, Scene Shop Foreman

EMERITUS FACULTY

Hayes Anderson, Professor Emeritus, Telecommunications and Film

Carroll Blue, Professor Emerita, Telecommunications and Film

Anne-Charlotte Harvey, Professor Emerita of Theatre

Michael Harvey, Professor Emeritus of Theatre

Elizabeth Heighten, Professor Emerita, Telecommunications and Film

Kaye Jameson, Professor Emeritus, Telecommunications and Film

Paula Kalustian, Professor Emerita, Head of MFA Musical Theatre Program

Margaret Larlham, Professor Emerita

Peter Larlham, Professor Emeritus

Robert E. Lee, Professor Emeritus, Telecommunications and Film

Roy Madsen, Professor Emeritus, Telecommunications and Film

Donald R. Martin, Ph.D., Professor Emeritus

Margaret McKerrow, Professor Emerita of Theatre

Tom Meador, Professor Emeritus, Telecommunications and Film

Jack Ofield, Emeritus Professor of Film

Michael Real, Professor Emeritus, Telecommunications and Film

Beeb Salzer, Professor Emeritus of Theatre

Loren Schreiber, Emeritus Professor, Director of Technology

Rick Simas, Lecturer Emeritus, Musical Theatre

Carolyn “C.J.” Keith, Lecturer Emerita

John Witherspoon, Professor Emeritus, Telecommunications and Film

Craig Wolf, Professor Emeritus

GENERAL INFORMATION

CELL PHONES

As a courtesy to those around you, please turn off or silence cell phones while in the theatre.

CAMERAS & RECORDING DEVICES

The use of any cameras and/or recording devices is strictly prohibited without advance written permission from The School of Theatre, Television, and Film.

LATE ARRIVALS & NO-SHOWS

Please arrive on-time and do not be a no-show.

Latecomers may be asked until an intermission to be seated; and, seats not claimed will be re-sold

BOX OFFICE

Hours of Operation: One-hour before Curtain

The Box Office is closed for all school holidays as well as during the summer vacation period.

Purchase Tickets Online: ttf.sdsu.edu

General Admission Tickets: $10 (Prices may vary for special events/productions)

Email: ttf.boxoffice@mail.sdsu.edu Phone: 619-594-6884

Administrative Office Phone: 619-594-5091

Theatre productions, film events, and TV programming are made possible by the generous support of our donors.

To make a contribution to our outstanding programs, please call 619.594.4548 or visit psfa.sdsu.edu

Take a Seat!

SDSU performing arts invites you to take part in an exciting opportunity to support its new Performing Arts District in a meaningful way by participating in the Take A Seat campaign.

You have the opportunity to Take A Seat in the spotlight and enjoy having your name, a sentiment, anniversary date, or the name of another person you wish to honor laser-engraved on an elegant nameplate placed on one of the theater seats. Your sponsorship will support performances, students, faculty, and the greatest needs of the SDSU performing arts program.

The engraving you select promises that you or your loved one will be a visible part of this dynamic Performing Arts District for years to come.

Interested in reserving a seat?

Scan the QR Code above for more information, or visit psfa.sdsu.edu/takeaseat