ARC HIT E C T URAL PORT FOLIO B A A r c h i t e c t u r e S TAG E 2 S I H Y U N K I M
E N D
O F
Y E A R
R E P O R T PROSPE C T AN D
Looking back on the year, I have spent valuable time in terms of learning. I have learned a great deal from each project and from my tutors, classmates, and other people. Moreover, I have taught some of my year 1 friends, mostly about graphical presentation, but sometimes about design approach. All these experiences have changed my thoughts on architecture and my approach to design methods. I go back to the placed: displaced and reflected on all my thoughts and learning, and evaluate my journey this year.
This project was a new one for this year, and I was bit depressed because I was looking for civic centre since stage 1. The first approach for this project was tricky due to many limitations, such as shape and materiality. However, I was confident because I thought I had developed myself significantly during Christmas break by joining a competition – MH17 memorial island design. Indeed, my working process for this project was much faster than my previous two projects and I created double the amount of material for my final crit compared with previous projects. This was also the first time I completed a façade. Looking back to check my development, after this project, I found that I fell in love with atriums. Basically, all of my design concepts started from atriums. Rather than making buildings solid, I always tried to create void to have vertical connection.
P LACE D : D I S PLAC ED For this project, I set the priority on the character of the client’s family. All the inner space was to reflect their animated and delightful nature, while still offering some space for gathering with their close friends until late in the night. I found that my visualising concept skill had become more coherent to convince the others and transfer my concept to the real space. However, I still struggled designing the façade, partly because I lacked knowledge of materials, so I kept thinking of concrete, timber (not a specific timber), aluminium and so on. After the final crit, I tried to complete my façade and change some of the interior based on feedback, like swapping the bedroom with the toilet, but I realised the living room and kitchen were not comfortable enough for usage and not generous enough for entertaining friends. Thus, I decided to redesign, but under the same concept. Through this redesign process, I learned more about adequate spatial sense for housing.
LI V I N G O N T H E
RE FUG E
C ROSS OVE R This was my first entire group assignment I had during my school life. For the first time, I found it difficult to produce and develop the design because in this case, I could not improve it myself. I needed to negotiate and persuade my group members, if they did not agree with me. In particular, engineering students always said ‘no’ to my design suggestions, so I had to research more detail to convince them. Generally, this was tough because I had to do a lot of research and produce the design in three weeks, but it was good experience to learn how to persuade other people and listen to other people’s thoughts.
EDGE
Honestly, I did not enjoy this project because I felt the site is more suitable for a temporary interactive structure or outdoor relaxing area due to its narrowness and slope. However, I considered it to be a good chance to challenge my skills, and thus I selected site A. During the project, however, I was not taking high risks because I realised it linked with structural coursework and I did not dare to make complicated designs, so I was restricting my design sense. I kept struggling between following my design sense and pursuing simple concepts from coursework. As a result, I produced an incomplete design with non-proper concept. Later, I re-visited this project for redesign as well. The design focused on three main components of the site – slope, lack of light and access for public, not just private. My redesign did not take much process time, because I had clear direction in my mind and it ended up similar to the design in my imagination. However, I found that I was still not confident with playing material.
Overall, my design knowledge and sense have been broadened and my development process has quickened, as I am no longer confused with how to start the design. The most significant improvement is my graphical and modelling skills, which I actually consider to be presentation skills, because I can deal with nice curvilinear shapes. Moreover, by participating in the competition, my interest area has been totally changed from medical architecture to immense scale architecture, such as skyscrapers and urban architecture. To improve my architectural knowledge, I hope to intern this summer, although I do have to write my dissertation. Then when I come back to school, I strongly hope that in my third year, I can have a project to create a huge skyscraper that can be either vertical or horizontal, like the Continuous Monument by Super Studio or different approaches to interacting with the urban context, such as food city by CJ lim.
All new drawing work marked -
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D E S I G N
P R O J E C T S
C R OS S OV E R
PROSP ECT AN D REFUGE
P. 4 -15
P. 16 - 35
PLAC E D A N D DISPLAC E D
LIVIN G ON THE E DG E P. 36 - 53
P. 54 - 67
All new work. Original work in document A
All new work. Original work in document B
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MH17 ME MO RI A L I SLA N D P. 68 - 73
C H A R ETTE P. 74 - 77
C R O S S O V E R
( G R O U P
W O R K )
Several chares were given to us to create musical interaction space - chare is the local term in Newcastle that means alley. Castle stair was selected by group discussion becasue of two features - existing tunnel by ruin wall and turning landing point between quayside side stair and castle keep side stair. The main structure was stated as timber structure and the idea was that fix the feature of tunnel and timber. Tunnel can transfer the sound wave and soft timber tactile enhance soft vibration. Thus, the design aimed that two tunnel constant extend to centre stage and tunnels expose on this stage, creating delightful open space with live busking music.
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VERTICAL CONNECTION
C O N C E P T U A L S TA G E D E S I G N
SITE STRETEDGY Both journey from quayside and castle keep sides get into centre oepn space. people need to pass the ruin tunnel to get this space from castle area, and they need to turn and get into second stair to go up into centre space from quayside. Then, they meet centre space where is front of ruin wall, and also people who travel from under High Level Bridge, can access to this space. The space treated seems like station, but meantime, it just offer the direction to people, not allowing them to stay on site. Thus, the space was selected as main performance area, so that people can stay, and enjoy delightful music.
S I T E A N A LY S I S
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DIAGRAM OF DESIGN
Main access into centre stage
Different stage spaces & Sound interactive journey
DESIGN PLACEMENT
Proposal of tunnel design and connection
P R O P O S A L O F S TA G E C O N T E X T
SOUND INTERACTION VIA TUNNEL The main journey started from both head and tail of chare, and centre meeting space became the musical festival space where various busking musician can come and play their music. In order to satisfy diverse musician, three different stages were selected, so that musicians can choose the most adaptable stage for them. To enhance acoustical journey of chare, timber arch placed on the journey path with covered roof by soft translucent white colour fabric, so that it transfer the warm and ambigious visual light melody into tunnel. Therefore, whole part of chare interact with centre main stage and provide musical tail to visitors, not just strangely having stage on area without any connection with stairs. Twisted timber rain stick was picked as sound interactive object inside tunnel, and thus, visitor can be performer as well.
Twisted rain stick - people turn those a rain stick, and it will turn the other, like gear, and perform soft music around all the tunnel.
Open music stage, the stages have conncection with tunnel structure.
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Sound interactive timber arch tunnel.
LONG SECTION EAST
D C
B
A
D 8m
2m 4m
C 16m B
A
SETION A -A
SETION B-B
SETION C-C
SETION D-D
1m
4m 2m
8
8m
LONG SECTION WEST
8m
2m 4m
SETIONAL MODEL 1:50 The model shows journey from head and tail of chare, clearly. Both side of journey start with floating mess which can attract the people in visual sense. Then, they entry into chare and head further to get into tunnel which is covered white fabric. As appeared on model, tail tunnel becomes the shelter for audience and head of tunnel get down to stage and becomes canopy for stage. The gap between stage and shelter provides the High Level Bridge, which can indicated on section drawing, view to visitor and meanwhile, it also drain people movement from High Level Bridge.
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16m
RHYTHEM
ACOUSTIC
Constant arch creates the tunnel and it connects on existing tunnel by ruin wall. This sequence provides visual rhythm and people’s movement invlove on this rhythmical melody. Movement and the arch do not produce physical sound track, but it perform visual sound track.
There is another small stage behind main stage space. The space is difficult to be found because it is hidden by ruin wall and by slope, but this space has great natural acoustic surrounding and adequate space for performance and seat. Therefore, the dome is built and it faces to chare direction, and thus the sound will concentrate to chare side. Then the auditoty sense will heavily interact with people on chare.
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STRUCTURAL DIAGRAM - ARCH TUNNEL
S T R U C T U R A L D I A G R A M - S TA G E D O M E
Each arch is built by jointing two half arch. The joint is placed on centre top of hal arch. One has hole and the other one has junction stud, so this stud attach to other hole. The force will hit this centre point and distribute by arch shape. When people remove the arch, they just need to unplug each half arch.
Uniformed timber sticks will deliver to the site with diverse steel plates, such as hexagon and pentagon shape. Each sticks will joint on these steel plate and then junction part of plate will be bended to get curvilinear form. After it, those junction will be bolted to fix the form. When performance is finished, it can be eaily deconstructed by taking off the bolts.
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I
11:07 am He walked on the quayside, like normal day with holding coffee and magazine. he got into the chare to get up to town, as normally he did, but once he steped stair, he realise that it had been changed. Further landing part had new timber arch was placed and many triangle timber objects stick on handrail. He touched them, and it made sound and it hit the others and finally, the sound spreaded all the chare. He felt delight with this change and walk on to next step with curious.
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II
11:23 am He went up to next stair part and found new timber tunnel was placed on stair. He looked up the tunnel, it was unclearer view but he felt the warm and soft light tactile and it made me relaxed. He could still hear the soft sound from lower stair part, like sand or rain sound, perhaps, somebody turn the those objects again.
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III
11:45 am He came out from tunnel and faced some people stood on space and hear some music. There was musicians playing pop music and some people stayed on the site and listening their music. there was seating with covered roof and it seems exposed from the tunnel shape. He sat down on the seat and enjoy their performance. By passing time, more people come to the place and sat down or stood to listen musicians performance. He thought that he had never seen this place surrounded by this much people.
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IV
01:17 pm He felt little bit hungry and he moved up to castle side. Once he passed the existing ruin tunnel, he heared another music. He looked at left, and there was another small stage which was proctected by ruin wall. He wanted to listen this music as well, but he felt quite starving now. He approached to last stiar and suddenly he felt that something is above my head and he looked up, and found mess of trinagle shape of timber. He noticed that when wind blow those triangles, they hit each other and creating rainfall sound. He stayed and looked up this beautiful sound object and it made him to forget his starving for a while.
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P R O S P E C T
A N D
R E FU G E
The building purpose was educational research and public community, such lecture room and observation space. However, this project limited on timber structure and 15.6 X 15.6 X 15.6 (m) cube design. Therefore, to organise lots of contexts into restricted volume was the difficult part on this project. For the design approach, it started with analysing wider site contexts to narrow site contexts and those components of site were tranlated into building.
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A cube is placed as mediator between history and nature . Thus, the cube have affected to each other and also have absorbed each other.
Coquet island has recorded broad nature history which is relate with amble harbour. Besides, Puffin which is island bird, has closer relationship with local society
Cube is the place where manmade legacy and natural creture face each other.
Warkworth castle is the most important historical legacy in amble.
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Bridge connection
Pedestrian circulation
Nature
Ferry circulation
Community Bird cube
Corbel craft is the major businees at Amble local society
Create the space which can afford community and nature
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Strong flooding is frquently happened on harbour
CO N CEPT OF ATRIUM
CO N CEPT OF
MATERIALITY
External wall
Atrium: Creating space by erosion
Inner wall
Amble has strong floording on harbour side, and many stones are eroded by it. Erosion is normally, considered as destory activity, but it also createzz the space, for instant, eroded face of the object shows its inner appearance.
Materiality: Refuge and Prospect Plinth external wall is covered with timber clad to give open and friendly sense to vistors, prospect. In contrast, upper cube is covered with stone clad to provide more protection and close, refuge. However, those texture swaped inside and thus, from interior, cube is becoming more warm and friendly and plinth gives more security sense. As result of it, prospect and refuge keep changing by people’s journey inside building with different materiality.
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N AT U R E
C O M M U N I T Y
Concrete core is placed as first.
Program is placed around atrium
Natural viewing spot and community space are organised by plinth shape
Circulation under atrium which is connecting sky and sea.
Minimise glaszing size for daylight to avoid extensive glare and overheat from South
Green wall covers concrete core and provides visually friendly texture to community
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Multi purpose seating and outdoor theatre area provide new community area on harbor.
Once flows of nature and community meet at main cube, they becomes static, stone clad represent it. As a result, it creates new space with language from both flows.
Birds stay on small cube and people pass those cubes to get to main cube building. Both human and nature society interact with each other.
Custom house for student’s accommodation.
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Flight puffins are coming to harbor from Coquet island.
Ferry is the most important transportation to link harbor and Coquet island.
visual light connection between cube and lighthouse.
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GROUND FLOOR
FIRST FLOOR
1. Waiting space for lecture theatre 2. Reception 3. Lecture theatre
9. External exhibition 10. Exhibition and shop window 11. Reception 12. Cafe 13. Outdoor stage & theatre
4. Storage 5. Administor office 6. Aquarium 7. Toilet 8. Boiler room
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12 7
2.4m sunken
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6 3 4
10 5
2 9
1
13
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SECOND FLOOR
THIRD FLOOR
TOP FLOOR
14. Flexible teaching room 15. Storage 16. Seminar room 1 17. Seminar room 2 18. Storage
19. Shared study room 20. Storage 21. Toilet
22. Private study room 23. Storage 24. Costal observation space
18 21 16
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15
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1m
4m 2m
25
22
8m
ATRIUM - MOBILITY AND STILLNESS Atrium bring light till to aquarium and create visual connection between sky and sea. To emphasise the movement at atrium, the staircase is designed diagonal flow so that people are forced to move by this stiar. However, because the view of sky and sea, extends eternally, the flow somehow creates stable and static atmosphere. Therefore, under the atrium, both mobility and stillness exist at same time.
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1m
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Costal observation space
Flexible teaching room
Exhibition and shop window
Waiting room for lecture theatre
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Skylight spreads to whole building via atrium. As a result of it all the spaces experience similart light quality.
By control opening space to atrium, the spaces are determined as more private or more public, but do not provide specfic language of private and public.
Lecture theatre is placed lower level than ground floor. It guide people to go down to sea level from ground level.
Consequently, prospect space and refuge space are merged through the atrium. Thus, all the spaces interact with the others as one huge space.
Therefore, one window provide aquarium view and the other is showing harbour view and people go down to seat with those views.
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S T RUC TUR A L
D IA GR A M
Concrete core
Timber column joint with primary timber beam Timber structure
Two glulam joint (Lecture theatre) Block work for plinth
Timber column joint on ground Timber structure stair and seating
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Glazing for block work
S U S TA I N A B I L I T Y
C YC LE
D IA GR A M
Air fan enhance ventilation between green wall and concrete core to provide fresh air on plants. Solar panel gain solar energy and transfer into building. The other energy encourage the photosynthesis of plants on green wall.
Flowerness and dry plants are choosen for green wall to stand on strong wind and less sunshine condition.
Rainwater harvest provide grey water to toilet inside building and to plants on green wall. By breathing of plants, it reproduce water to rainwater tank. Additionally, it also store the water from rain and transfer to tank. Thus, grey water cycle has encouraged.
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E N T R A N C E
F R O M
P I E R
People from ferry or lighthouse, cannot see proper activity of community area on South. However, they can see more open side rather than South face and clam outdoor cafe. It provides more relaxing atomosphere unlike energitic South side.
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I N T E R A C T
W I T H
N A T U R E
The stair link plinth to cube follow the language of pier. Pier rise up slightly to reach lighthouse and it offer seating to pedestrian to relax and enjoy the nature. When its sunny, people sit on seating area and merely enjoy the beautiful weather with nature view.
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C E N T R A L
S TA I R
S P A T I A L
Vertical movement is concentrated on centre and also this flow transfers the skylight into every floor. Based on the staircase, left area provide primary activity like teaching space and right area include service stuffs, such as toilet. Therefore, more void space arragne on left side rather than right side.
S E N S E
This model showed the each program on each floor and general space arrangement and circulation. The surface where attatch on central stair is fully glazed to absorb skylight into room. Besides, Some of the walls showed that they are not fully solid in order to transferring light and the other sense among the space.
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N I G H T
C I N E M A
Amble is small and quiet town normally, but they have some festival, like Puffin festival and Christmas parade. This outdoor screen can be used for those festival as visual media activity or advertisement. Morevoer, normal day, it can be used as cinema, this is not usual experience for daily life, so that it will enhance cultural activity on Amble.
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L I V I N G
O N
T H E
E D G E
The project was asking to build the boat workshop for disadvantage youth which is including accommodation and community spaces. The relationship with site contexts was the majority part of design, because the site was placed on steep slope. To follow the cultural regeneration flow on Ouesburn, the design aim to bring public into building and creating their cultural or social story at building, although the most of building’s contexts were private. Thus, consideration of interaction between public and private spaces was the next step for design.
All new work
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H i s t o r i c a l m i l l f a c t ory an d gl assh o use bri dge
S I T E
A N A L Y S I S
A N D
R E S P O N S E
Ouseburn riverside was the crucial industrial area at byker with many mil factories and boat warehouse. In modern era, industrial age is ended and Ouseburn is changing to adapt in new flow of generation. many old factories transfer to cultural space, for example Cluny warehouse becomes art studio and Toffee factory is now home to creative business, architecture. Although given site is located centre of this cultural movement, it is still left as brown space. Therefore, design aims to create community space to link both cultural flow, rather than just providing boat workshop space.
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A T R I U M Through the light analysis, site has disadvantage to get daylight apart from morning. To solve the lack of light, atrium is selected as main design strategy. three main atriums, for workshop, circulation and tutor’s flat, place on site and expose higher than lime streeet level. Then, they can be unrestrained from shaded area and be able to bring more sky light to brighten the site.
9: 45 am
13: 05 pm
P U B L I C
S P A C E
People are invited to climb up to roof area with looking down to building via atrium. Besides, the general seats are created around atrium, and thus people sit and relax with ouseburn river view, but as they place atrium behind their view, so the privacy inside will be kept somehow.
P R I V A T E
S P A C E
Around atrium inner spaces are created and it is covered with concrete wall. To reduce cold atmosphere by concrete and to make more secure, timber clad place on concrete. It provides more warm and friendly atmosphere to surrounding and at the same time, it increse secure sense of building.
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GLAZING
VOID CONNECTION
T U TO R ’ S F L AT
ENTRANCE
1
1
2
2
3
1. Atrium exposed vertically and peple can look down workshop via it. 2. Similar size of windows rhythm came from window arrangement of ship. 3. Opening area is getting larger on workshop from planning area.
Skylight get into workshop and each floor has void for looking down workshop. Thus, the skylight spread to every floor and physically each floor is connected.
1. Bedroom is covered with partitial wall and face to North, where no street is existed, for privacy. 2. Community space, like living room, dropped down from street level for providing larger spatial quality and vertical rare view to river side.
Entrance from lime street pushed in to building slightly, in order to increase privacy and safety from car road.
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Living Activity
Core and main inner circulation
Curtain wall for workshop and planning room
Private area is placed following circulation. For acoustic purpose, living area place on top floor
Community area on roof area. Viewing and outdoor cafe
Atrium for workshop, circulation and tutor’s flat
Timber clad cover on private area (protective shelter). vertical ending is exposed to public area ( constant connection)
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GROUND FLOOR
FIRST FLOOR
1. Workshop 2. Material storage 3. Planning room 4. Toilet 5. Boiler room
6. Laundry 7. Storage 8. Study room 9. Kitchen and living room
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5
4
8 3
7
2
6
1
under the street level
6m door for boat with mast
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SECOND FLOOR
SECOND FLOOR
10. Student’s flat 11. Bicycle storage 12. Tutor’s living room and kitchen 13. Toilet 14. Single bed room 15. Double bed room
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16. Outdoor cafe
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10
16
Lime street level
1m
4m 2m
8m
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Viewing and relaxing outdoor cafe for public
Outside boat exhibition for public
Timber stirp create vertical frame on concrete surface. It looks like skelton structure frame for boat
Delivery truck accessible route
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8m
2m 4m
16m
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1m
4m
2m
8m
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WORKSHOP ENTERANCE
WORKSHOP ATRIUM
Workshop has 6m height door for move out boat with mast and side of door has full size glazing and it allow rich daylight from South East. Above workshop, public can look down workshop via atrium.
Large atrium bring whealth daylight during a day into workshop to enhance working condition. Moreover, all the inner corridor has visual connection to workshop, and thus every floor can look down workshop process.
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1m
4m 2m
STUDENT’S FLAT AND COMMON ROOM
TUTOR’S FLAT
Community spaces, like common kitchen, living room, laundry and so on, is placed on first floor, and thus during break of workshop, students or tutor can easily access to this floor. Due to comfortable access from street, Student’s flats are located on second floor. Moreover, it is vertically detacted more than 6m from workshop, so that keeps better acoustic.
It has same placement with student’s flat, like upper is bedroom and lower is common room stuffs, like living room. Common space has vertically whealth spatial quality with sky light through atrium. Besides, vertically long strip window produces abnormal view to outside.
8m
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Warm and delightful tactile plywood has heavy contrast with concrete surface wall. Therefore, people can recongnise that the space allow them to stay.
Light colour tone and less reflective surface keeps workshop atomospher brighter and reduce the glare by sky light.
Timber floor used for residential spaces. Bit darker colour was selected to make less contrast with corridor concrete floor atmosphere.
Concrete foundation surface for building up
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C O M M U N I T Y Roof space is purely open to public. people come up to roof and enjoy the view of riverside or have tea break with their friends. Besides, through the atrium they can look down into building. This encourges interaction between all the inner and outer spaces of building.
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A T R I U M
O F
W O R K S H O P
Workshop has rich skylight by the biggest atrium and due to high ceiling, it provides wide and fresh working condition. all of the spaces are open to the workshop, and thus the workshop light spreads to all the building and also, natural ventilation is worked storngly around whole building.
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A T R I U M
O F
C I R C U L A T I O N
Student’s living area get its own atrium above staircase. It emphasise s connection between flats floor and activity floor, such as kitchen and study room. However, this atrium also be exposed visually by public, but they can only see staircase. Thus the actual activity spaces keep own privacy from public space.
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PL ACE D AND DI SPL ACE D The project was that building terrace house for small family, composed with marrige couple with a daughter. They asked some specific function of spaces based on their life routine, for example, husband needed working space for his own home internet business. They required living room can afford to invite their friends and gathered till late. Additionally, they also wanted to exhibit their collected historical potteries on the house. Thus, the design was began to organise space by behaviour of client and then, it moved to exhibition and gathering spaces
All new work
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2 1
4 3 5
1. Waldo street, entracne for house 2. Two split car roads front of waldo street 3. Car road under the bridge, below than site 4. Looking down to river Tyne from site 5. Historical wall on site
East and West window opening is restircted because of attached other terraced house. Therefore, to maxiumise South light into building during daytime is important task. However, meantime, avoiding glare is becoming another issue.
Due to it is surrounded by other terraced house, strong wind from sea side is not picked as serious problem.
Dinamic movement surrounded on the site induce infinity flow and the site is placed on the centre of this movements. It is unusal surroundding for housing, so that it can transfer unique spatial sense to the design.
Viewing down to hill and reaching till sea side deliver the clam and relaxing sense to people in contrast with busy and complex surroundding.
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PLAN DIAGRAM
SITE RESPONSE Site is surrounded with full of movement by pedestrian and vehicles. This site feature transfer dinamical rhythm and complex sense. It seems harmonised with clients character that lively and enthusiastic. Thus, this energytic flow reflect on the inner circulation and spaces arrangement is determined by this flow.
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House as memory storage
Clients - marrige couple with a daughter As all people’s personality is different, all house has different character because the house is completed with the dweller’s habit and order. In order to house is defined storage of dwell’s memory and thus, the house design reflect dwell’s character.
Husband home business - provide resting garden near by working area.
Late night shower for wife, come back from night shift - not awaking husban by sound
Attic room for daughter - acoustic, private curious space
Socialising and exhibition of collecting pottery Private bedroom and living room
INITIAL SKETCH OF SPACES
Exhibition shelves
Vertical spatial quality for living room
Attic room for daughter
Connection between bedroom and working room
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GALLERY UNDER SKYLIGHT
COLOUR PSYCHOLOGY
Diagonal shape of staircase is absorb sky light and it get into building via glass handrail. Constantly, this light spread to interior via white shelves. Thus, soft light gets into whole house and delighten the pottery collections on shelves. Moreover, in order to highlights the light and stuffs on shelves, the white colour is selected as shelves colour.
Mysterical and creativity for daughter room
Energy and health for kitchen/ dining room
Cheerful and happy for living room
Security and reliability for parent’s room
friendly and outdoor for garden
Stair under skylight with glass handrail
Exhibition and storage shelves
Private area (parent’s and daugter room)
Public area (dining/kitchen and living room)
Garden for both private areas.
Warm timber clad on external wall
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Under street level
GROUND FLOOR
FIRST FLOOR
1. Garden 2. Parent’s bedroom 3. Toilet 4. Working space
5. Living room 6. Bicycle storage
3 4
6
Neighbour flat indication by grid
2
5
1
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SECOND FLOOR
TOP FLOOR
7. Dining room 8. Toilet 9. Kitchen
10. Roof garden 11. Daughter room
8 9 11
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10
1m
4m
2m
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8m
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1m
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1m
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E L E VAT I O N S O U T H *Same scale with Elevation North
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E L E VAT I O N N O R T H 1m
SOUTH FACADE
NORTH FACADE
To refelect dynamic movement of house, facade glazing shape follows the plan circulation. Besides, solid timber clad part is placed with consideration of keeping inside privacy, like bed room. Opening area is where the circulation and living activity happened, such as living room.
North facade attach with the other house enterance and face another terrace house. Thus, it provides solid concrete wall. However, meanwhile to enhance welcoming entrance atmosphere, timber clad covers on concrete.
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1. ROOF GARDEN AND SKY LIGHT
1 2. LIVING ROOM
4
2
3. PARENT’S BED ROOM
3
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4. HOUSE AS GALLERY
When clients get into the house, the whole house is captured at their eyes via shelves. Moreover, those shelves provide different shape of light around whole building with their pottery collection.
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MH17 MEMORIAL ISLAND The island-shaped design is based on the ferry circulation and the surrounding components. Much green space encloses it to create a visible bridge between the local housing area and the industry area. A memorial monument stands centrally on the island, surrounded by the lake. The inspiration for the monument was the gravestone of the airplane, making the lake perform as a transition between the park and the monument. The lighting quality focuses on the skylight to provide tranquil feelings. Moreover, the main spaces divide into three parts: oppression, repentance and recovery. In terms of the park components, the steel sculptures arrange around the island as fragments of the airplane. They also interact with people by providing sitting space.
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1
2
SITE ANALYSIS
1
2
1. Island route and other facility is palced around central memorial monument. 2. Island is directly connect with central station by ferry, and there is another local ferry line, which is connecting industrial area and housing area.
MONUMENT CONCEPT 1. Fragment of crushed plane were split into everywhere of the site. Those fragments are combined as one mass and create the grave of palne. 2. By the crushed hole, the tranquil sky light gets into monument and encourage sacred atmosphere inside.
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MEMORIAL MONUMENT The grave is float on the central lake at island. People walk above the lake and see the solid concrete grave with fragment of plane - corroded steel sculpture. Grave does not transfer loneness or sadness to people, but it also does not delivery brightness. It merely stands on the lake and waiting their approach.
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Island with corroded steel, which represent the fragment of flight.
Transition space
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Main exhibition 1
Entrance to monument
SILENCE REFLECTION The main sculpture stood above broken aeroplane and create visually hazard image. However, this is surrounded with tranquil elements, skylight and water. Then, The space strangly, became clam and quiet. People start to think deeper about the tragedy and value of humanity with this silence.
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C H A R E T T E A topic was that un-wasting opportunity for this year charette. The project was about re-usage and consdieration of wasting material to reborn as facility for town. My group took some of used timber material to build either chiar or shelter, and then we looked the curvilinear stair nearby Laing Art gallery. Looking up from this curvilinear stair shape provides protective sense, like shelter, and thus group decided to build chair by recycled timber and set under this staircase. The experience that people sat under stair and looking up the sky through this constant curvilinear staircase, is transfer the sense of shelter, although they are in outside without any covered wall.
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DEVELOPMENT
PUBLICITY
The chair was designed in simple way and to maintain the simplicity we joint the support merely on side, so that chair has simple structural fram form. Thus, it can keep the light weight, so that can be transport and remove easiler.
This poster transfer the protective shelter sense of curvilinear staircase on the site. The chair will place on centre of staircase which is marked by black pen, and this space display the contrast with people’ movement, on right side.
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ATRIUM SHELTER
CONTRAST FLOW
People sit on the chair and looking up to sky through the circle frame of staircase. This experience transfer the spatial quaility of looking up to atrium. The copper staircase become the wall for the space and it encourage atmosphere of inside.
Looking down from top of the stair, two different movements are captured, mobility and stability. Moreover, the mobility area has more open space compared with stability area. Becuase of it, seating area are captured as more inner space relatively.
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