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JO IN US! This season I’m thrilled to share with you some of the music that has meant so much to me in my life — including full programs dedicated to the amazing music of Ravel and Stravinsky to open and close the season. I am continually inspired by the music of these great composers, as I am by another composer very close to my heart — Mozart. This season we will be presenting the entire majestic cycle of his last seven symphonies. Since I came to Seattle it has been my dream to collaborate with some of the other great arts organizations in our city. Next season we will honor Speight Jenkins’ inspiring long tenure as General Director of Seattle Opera in performances of Verdi’s masterful Requiem, featuring soloists hand–picked by Speight. And our performances of J.S. Bach’s deeply moving St. Matthew Passion will be presented in collaboration with a relative newcomer on the local early music scene, Pacific MusicWorks, and its Artistic Director, Stephen Stubbs. We will also perform Bartók’s Violin Concerto No. 2 with Seattle Chamber Music Society’s Artistic Director, James Ehnes, collaborate with the University of Washington’s School of Music on our Celebrate Asia performance, and work with many other schools and community organizations on multiple projects. As well as Bach’s masterpiece from the Baroque era, we’ll also be bringing you exciting contemporary voices, including a new violin concerto by French composer Pascal Dusapin, a new piano concerto by Alexander Raskatov, and a piece by Scottish composer James MacMillan. And we’ll further explore Seattle’s music roots at Sonic Evolution with new creations inspired by musical legends Ray Charles, Sir Mix-A-Lot and Bill Frisell! It’s a real highlight for me to share the stage with the amazing talents of our own Symphony musicians. Our Concertmaster, Alexander Velinzon, will perform Brahms’ Violin Concerto, and our Principal Cello, Efe Baltacıgil, will play Dvorˇák’s Cello Concerto. And on our Mozart and Baroque series we will hear solos from Susan Gulkis Assadi, Principal Viola; Jordan Anderson, Principal Bass; Mark Robbins, Associate Principal Horn; Zartouhi DombourianEby, Piccolo; Demarre McGill, Principal Flute; and several wonderful violinists from the Orchestra. I’m especially looking forward to working with Jeff Tyzik, our new Principal Pops Conductor, as we jointly program and conduct our New Year’s Eve concert, which promises to be an exciting affair. I feel so lucky to be here, making music with such a great Orchestra almost daily. Our journey together and with you is a joy to be part of, and I can’t wait to launch into another incredible season. Whether you come for Mozart, Verdi or Raskatov, or if you go with us all the way to New York’s Carnegie Hall on my first tour with the Orchestra, I urge you to
LI STE N B OLD LY ! Ludovic Morlot, Music Director
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SAMPLE OUR SE ASON N OW, FRE E ! Log on to the Naxos Music Library to listen to what the 2013–2014 season has to offer. VISIT: www.naxosmusiclibrary.com USERNAME: SymphonySubs PASSWORD: 20132014 After logging in, choose the Playlists tab, open the Seattle Symphony 2013–2014 season folder and select a series. We’ve created specialized playlists for each of our classical series, as well as a playlist for each concert in the Masterworks Season. Or, simply enter the name of a composer, artist or piece in the Keyword Search to start streaming. QUESTIONS? Visit www.youtube.com/NaxosOnlineLibraries for step-by-step video instructions, or email info@seattlesymphony.org. Free trial access expires March 2, 2013. Access available year-round to Seattle Symphony subscribers.
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SU NDAY, SE P T E M B E R 1 5, AT 4 P M
OP ENI NG NI GH T W I TH LA NG LA NG CON CE RT & GALA Ludovic Morlot, conductor <<< Lang Lang, piano / Seattle Symphony Chorale Don’t miss the excitement of the first concert of the season with star pianist Lang Lang, the Seattle Symphony Chorale and the Seattle Symphony under the direction of Ludovic Morlot. The program includes Borodin’s famous Polovtsian Dances and folk-inspired dances by Brahms, Dvorˇák, and others — plus Prokofiev’s dazzling Third Piano Concerto. To reserve a Gala package, please call 206.215.4756 to be part of the glamour and glitter of private pre-concert receptions and a post-concert Gala dinner! Lang Lang's performance generously underwritten by Judith A. Fong.
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WED NES DAY, OC TOBER 30, AT 7:30PM T H URS DAY, O C TOBER 31, AT 7:30PM
T U E SDAY, DE C E M B E R 1 0, AT 7 :30 P M W E DNE SDAY, DE C E M B E R 1 1 , AT 7 :3 0 P M
HITC H CO CK' S PSYCH O
P I NK MA RTI NI > >>
W I T H T H E SEATTL E SYM PHONY
WIT H T H E S E AT T LE SYMPHO NY
Adam Stern, conductor
See the world-famous, Portland-based ”little orchestra” in concert with the Seattle Symphony! Don’t miss this concert, which features traditional holiday favorites alongside gorgeous, lesser-known discoveries, all imbued with Pink Martini’s signature sound!
See Alfred Hitchcock's suspenseful Psycho on the big screen at Benaroya Hall as the Seattle Symphony plays the spine-tingling soundtrack. Perfect for Halloween!
Sponsored by
TC HAI KFE ST! Stunning melodies,
rich harmonies and an incomparable sense of passion have earned Piotr Ilyich Tchaikovsky a lasting place in the hearts of music lovers the world over. In January 2014, the Seattle Symphony and guest conductor Carlos Miguel Prieto present TchaikFest!; a rare opportunity to fully immerse yourself in the breathtaking music of Tchaikovsky and experience all four instrumental concertos performed over two nights.
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T HU RSDAY, JANUARY 16 , AT 7: 3 0 P M
TCH AIKOVS KY’S P IA NO CON CE RTOS N O S . 1 & 2 <<< Carlos Miguel Prieto, conductor Boris Giltburg, piano (No. 2) Alexander Lubyantsev, piano (No. 1) TCHAIKOVSKY: Piano Concerto No. 1 TCHAIKOVSKY: Piano Concerto No. 2
TH URS DAY, JANUARY 9, AT 7:30PM
BIG NIGHTMARE MUSI C W I T H I G U D ESM AN AND J OO >>> Classical musicians Aleksey Igudesman and Hyung-ki Joo have taken the world by storm with their unique and hilarious theatrical shows, which combine comedy with classical music and popular culture. Don’t miss this one-of-a-kind concert experience.
F RI DAY, M A RCH 21, AT 7:30PM A si a, 20 12
CE L E BRATE ASI A
C el eb ra te
Julia Tai, conductor / Haochen Zhang, piano Nguyen Thanh Thuy, dan tranh / Ngo Tra My, dan bau Stefan Östersjö, ti ba, banjo & guitar
F RIDAY, J U NE 6, AT 8P M
S ONI C EVOLU TI O N Ludovic Morlot, conductor Sir Mix-A-Lot, MC Sonic Evolution celebrates the past, present and future of music with brand-new symphonic compositions inspired by icons Bill Frisell, Ray Charles and Sir Mix-A-Lot, written by composers Luís Tinoco, Du Yun and Gabriel Prokofiev.
S o n ic E
v o lu ti o
n , 20 12
Sta r An na & the
La ug hin g Do gs ,
20 12
N go Tr a M
y
Celebrate Asia explores the diverse musical traditions of Asia in a spectacular East-meets-West event. The program features music from Takemitsu to Grieg, including a new work by Richard Karpen for Vietnamese and Western instruments. Come at 6:30pm to see pre-concert performances in the Samuel & Althea Stroum Grand Lobby.
F R I DAY, JANUA RY 1 7, AT 8PM
TC H AIKOV S KY ’ S V IO LIN C O N C E RTO Carlos Miguel Prieto, conductor Mayuko Kamio, violin Boris Giltburg, piano TCHAIKOVSKY: Piano Concerto No. 3 TCHAIKOVSKY: Violin Concerto
SAVE THE DATE! Join us in New York! Ludovic Morlot and the Seattle Symphony
will perform at Carnegie Hall on May 6, 2014, as part of the Spring For Music festival. More details will be announced as they become available, including group travel packages.
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B EETH OV EN ’ S TR I P LE C ON C E RTO Thomas Dausgaard, conductor <<< Alina Pogostkina, violin Andreas Brantelid, cello Christian Ihle Hadland, piano BEETHOVEN: Triple Concerto SCHUBERT: Symphony in C major, “The Great“
OCTOBER 24
OR
OCTOB E R 2 6
H AY DN & TC H A I KOV SKY Alastair Willis, conductor Pavel Gomziakov, cello ELGAR: Serenade HAYDN: Cello Concerto in C major MOZART: Symphony No. 37 TCHAIKOVSKY: Serenade for Strings
NOVEMBER 1 4
OR
NOVE MB E R 16
MORLOT CON D U CTS
B EETH OV EN ’ S “ PASTOR A L” Ludovic Morlot, conductor Renaud Capuçon, violin SIBELIUS: Tapiola PASCAL DUSAPIN: Violin Concerto BEETHOVEN: Symphony No. 6, “Pastoral“
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Masterworks: The heart and soul of the Seattle Symphony.
JANUA RY 2 3 OR
JAN UARY 25
AP RIL 1 7
PROKOFI EV, H AYDN & MOZART Marcelo Lehninger, conductor Jean-Efflam Bavouzet, piano
OR
R AC H MA NI NOV ’ S S EC OND SY MP H ONY
J U NE 1 9
DVOŘÁ K’S CE L LO CO NCERTO ˇÁK: Cello Concerto DVOR VARÈSE: Déserts DEBUSSY: La mer
D E N È VE CON D U CTS
JAMES MACMILLAN: The Death of Oscar BEETHOVEN: Piano Concerto No. 3 RACHMANINOV: Symphony No. 2
MAR C H 29
Ludovic Morlot, conductor Efe Baltacıgil, cello
AP RIL 1 9
Stéphane Denève, conductor Paul Lewis, piano
PROKOFIEV: Symphony No. 1, “Classical“ HAYDN: Piano Concerto in D major PROKOFIEV: Piano Concerto No. 4 MOZART: Symphony No. 35, “Haffner“
M ARCH 2 7
OR
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JU NE 21
STR AV I NS KY ’ S TH R EE GR EAT B A LLETS Ludovic Morlot, conductor STRAVINSKY: The Firebird STRAVINSKY: Petrushka STRAVINSKY: The Rite of Spring
STRAVIN SKY ’ S THREE G RE AT B ALLE TS Before he turned 30, Igor Stravinsky embarked on three scores that would change his life — and the classical music world — forever. Not only did The Firebird, Petrushka and The Rite of Spring take Stravinsky from relative obscurity to international notoriety — these three scores also offer us a glimpse into a decisive moment in history: when the musical world turned the corner from the traditions of the 18th and 19th centuries and came face to face with the modern age. The Firebird, with its stunning colorful orchestration, was an overnight hit that thrust Stravinsky onto the world’s stage. One year later, Petrushka’s unexpected harmonies and brash rhythms cemented his status as a leading creative mind. With The Rite of Spring, Stravinsky broke the mold forever. Stunning his audiences with chaotic, primal sounds and complex rhythmic energy, Stravinsky deftly ushered the musical world into the 20th century with music so audacious that it remains shockingly new, even a full century after its 1913 premiere. Hearing all three works on the same program is a rare opportunity to the feel the earth shift under your feet, watch the past fade into the distance, and glimpse the dawn of modernity on the horizon.
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RAVE L’ S COLO R F U L G E N IU S The 2013–2014 Masterworks Season opens with a biopic of one of the great masters of orchestral writing. Maurice Ravel had a singular talent for creating colorful and evocative soundscapes that, like the great impressionist paintings of Monet or Renoir, beg to be described in visual terms. Combining the exotic sounds of Spain with an interest in jazz — yet never neglecting his French sensibility for restraint and clarity — Ravel composed music that is set apart for its exquisite craftsmanship and visceral power. From orchestral showpieces Boléro and Rapsodie espagnole, to the composer’s beloved piano concertos, Ravel continues to amaze with his talent for transforming the simplest musical ideas into dramatic artistic statements, creating some of the most celebrated music of the 20th century.
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7C D OR
S EPTEMBER 1 9 OR
7 - CO NCERT PACK AGES T H U RS DAYS AT 7 : 3 0PM or SATURDAYS AT 8PM
SEPTEMBER 21
M ORLOT CON DU CTS RAVEL Ludovic Morlot, conductor <<< Jean-Yves Thibaudet, piano RAVEL: Alborada del gracioso RAVEL: Concerto for Left Hand in D major RAVEL: Rapsodie espagnole RAVEL: Pavane pour une infante défunte RAVEL: Piano Concerto in G major RAVEL: Boléro
N OVEM BER 7 OR
NOVEMBER 9
MAHLER’S SIXTH Ludovic Morlot, conductor PIERRE BOULEZ: Notations MAHLER: Symphony No. 6
JANUA RY 2 OR
JAN UARY 4
BE E T H OVEN’S NI NTH Carlos Kalmar, conductor Nathalie Paulin, soprano Angela Niederloh, mezzo–soprano Brendan Tuohy, tenor Charles Robert Stephens, bass Seattle Symphony Chorale BRAHMS: Variations on a Theme by Haydn BEETHOVEN: Symphony No. 9, “Choral”
F E B RUARY 1 3 O R
F E B RUARY 15
MORLOT CON D U CTS THE
“ FA NTASTI QU E ” Ludovic Morlot, conductor Xavier Phillips, cello SCHUMANN: Cello Concerto BERLIOZ: Symphonie fantastique
M ARC H 1 3 O R
M ARC H 1 5
MOZ A RT’ S “P R AGU E” SY MP H ONY André de Ridder, conductor James Ehnes, violin ˇÁK: The Noonday Witch DVOR BARTÓK: Violin Concerto No. 2 MOZART: Symphony No. 38, “Prague”
AP RIL 3 O R
AP RIL 5
CA R MI NA B U R AN A Rafael Frühbeck de Burgos, conductor Caitlin Lynch, soprano Daniel Shirley, tenor Corey McKern, baritone Northwest Boychoir Seattle Symphony Chorale HAYDN: Symphony No. 100, “Military” ORFF: Carmina burana
J U NE 1 2 O R
JU NE 1 4
B R A H MS ’ S EC O N D Ludovic Morlot, conductor Jonathan Biss, piano J. STRAUSS: Emperor Waltzes SCHOENBERG: Piano Concerto BRAHMS: Symphony No. 2
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20 6 .21 5.4 7 4 7
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O C TO B E R 1 0 OR O C TO B E R 12
MOZ A RT’ S P I A NO C ON C E RTO NO. 2 3 Andrew Manze, conductor <<< Simone Dinnerstein, piano PURCELL: Suite MOZART: Piano Concerto No. 23 in A major VAUGHAN WILLIAMS: Symphony No. 5
NOVE M B E R 21 O R NOV E MB E R 2 3
V ER DI ’ S R EQ U I E M Ludovic Morlot, conductor Twyla Robinson, soprano Tamara Mumford, mezzo–soprano René Barbera, tenor Jordan Bisch, bass Seattle Symphony Chorale VERDI: Requiem Sponsored by the Nesholm Family Foundation
V ERDI’S R E LIG IOU S D RAMA It comes as no surprise that Giuseppe Verdi — an operatic composer with a talent for highly emotional scenes — found inspiration in a traditional Requiem Mass while grieving the loss of a dear friend. The ancient text traverses the full range of human emotion as it grapples with the eternal questions of life and death, and Verdi’s evocative music responds in kind. From terrifying hammerstrokes describing the day of wrath and majestic trumpets heralding the last judgment, to exquisite vocal lines expressing the hope of a joyful afterlife, this passionate score is one of the truly great dramatic works of all time. Yet, despite its religious text, Verdi’s Requiem transcends creed. Through the universal language of music, the Requiem speaks with powerful, unmatched emotion to all who have searched for meaning, coped with loss, or pondered the great unknown.
Tomoko Mukaiyama
M ASTE RWO R KS S EAS O N
7E F OR
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JANUA RY 30 OR FEBR UARY 1
AP RIL 24 O R AP RIL 26
SH OSTAKOVI CH & A DA MS
DVOŘ Á K’ S SY MP H ONY NO. 7
Olari Elts, conductor Alexander Melnikov, piano
Ludovic Morlot, conductor Alexander Velinzon, violin
JOHN ADAMS: The Chairman Dances SHOSTAKOVICH: Piano Concerto No. 2 LISZT / arr. JOHN ADAMS: The Black Gondola SHOSTAKOVICH: Symphony No. 9
˚ : Memorial to Lidice MARTINU BRAHMS: Violin Concerto ˇÁK: Symphony No. 7 DVOR
J U NE 5 OR J U NE 7 M ARCH 6 OR MAR C H 8
SC H WA R Z C ONDUC TS
ST RAUSS
Gerard Schwarz, conductor William Wolfram, piano R. STRAUSS: Don Juan R. STRAUSS: Burleske R. STRAUSS: Divertimento R. STRAUSS: Suite from Der Rosenkavalier
R AV EL’ S DA P H NI S ET C H LO É Ludovic Morlot, conductor Seattle Symphony Chorale DUTILLEUX: Symphony No. 2, “Le double“ RAVEL: Daphnis et Chloé (Complete Ballet)
M ARCH 2 0 OR MAR C H 22
Ludovic Morlot, conductor Tomoko Mukaiyama, piano
Twyla Robinson
RIMSKY-KORSAKOV: Suite from The Snow Maiden ALEXANDER RASKATOV: Piano Concerto TCHAIKOVSKY: Symphony No. 6, “Pathétique“
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TCH A IKOVSKY’S “ PAT H É TI Q UE”
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7 G MATINEES 7 - CO NCERT PACK AGE
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O CTO BER 6
JANUARY 26
BE ETHOVEN’S T RIPLE CONCERTO
P R OKOF I EV, H AY DN & MOZ ART
Thomas Dausgaard, conductor Alina Pogostkina, violin Andreas Brantelid, cello Christian Ihle Hadland, piano
Marcelo Lehninger, conductor Jean-Efflam Bavouzet, piano
BEETHOVEN: Triple Concerto SCHUBERT: Symphony in C major, “The Great“
PROKOFIEV: Symphony No. 1, “Classical“ HAYDN: Piano Concerto in D major PROKOFIEV: Piano Concerto No. 4 for Left Hand MOZART: Symphony No. 35, “Haffner“
O C TO B E R 2 7
M a r c h 23
H AYD N & TCHAI KOVSKY
TC H A I KOV S KY ’ S “ PATH ÉTI QU E”
Alastair Willis, conductor Pavel Gomziakov, cello
Ludovic Morlot, conductor Tomoko Mukaiyama, piano
ELGAR: Serenade HAYDN: Cello Concerto in C major MOZART: Symphony No. 37 TCHAIKOVSKY: Serenade for Strings
RIMSKY-KORSAKOV: Suite from Snow Maiden ALEXANDER RASKATOV: Piano Concerto TCHAIKOVSKY: Symphony No. 6, “Pathétique“
AP RIL 6 NOVEMBER 24
V E RDI ’S REQUI E M Ludovic Morlot, conductor Twyla Robinson, soprano Tamara Mumford, mezzo–soprano René Barbera, tenor Jordan Bisch, bass Seattle Symphony Chorale VERDI: Requiem
CA R MI NA B U R AN A Rafael Frühbeck de Burgos, conductor Caitlin Lynch, soprano Daniel Shirley, tenor Corey McKern, baritone Northwest Boychoir Seattle Symphony Chorale HAYDN: Symphony No. 100, “Military“ ORFF: Carmina burana
Sponsored by the Nesholm Family Foundation
J U NE 1 5
B R A H MS ’ S EC ON D Ludovic Morlot, conductor Jonathan Biss, piano J. STRAUSS: Emperor Waltzes SCHOENBERG: Piano Concerto BRAHMS: Symphony No. 2
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4 A MATINEES 4 - CON CE RT PACK AGE
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FRI DAYS AT 1 2PM
M ARC H 1 4
MOZ A RT’ S “ P R AGU E” SY MP H ON Y André de Ridder, conductor <<< James Ehnes, violin ˇÁK: The Noonday Witch DVOR BARTÓK: Violin Concerto No. 2 MOZART: Symphony No. 38, “Prague”
AP RIL 1 8
D E N È VE CON D U CTS
RACHMANINOV’S SECOND SYMPHONY Stéphane Denève, conductor Paul Lewis, piano JAMES MACMILLAN: The Death of Oscar BEETHOVEN: Piano Concerto No. 3 RACHMANINOV: Symphony No. 2
O CTO BER 1 8
M OZA RT’S SY M PH ONY NO. 29 Stilian Kirov, conductor Susan Gulkis Assadi, viola Jordan Anderson, double bass Maria Mannisto, soprano MOZART: Divertimento for Strings in D major DITTERSDORF: Sinfonia concertante for Double Bass and Viola MOZART: Exsultate jubilate, K. 65 MOZART: Symphony No. 29
NOV E M BE R 15
M OR LOT C O NDUC TS
BE E T H OVEN’S “ PASTORAL” Ludovic Morlot, conductor Renaud Capuçon, violin SIBELIUS: Tapiola PASCAL DUSAPIN: Violin Concerto BEETHOVEN: Symphony No. 6, “Pastoral”
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13A B OR
NOVE M B E R 7 O R NOVE MB E R 9
MA H LER’ S S I X T H Ludovic Morlot, conductor PIERRE BOULEZ: Notations MAHLER: Symphony No. 6
NOVE M B E R 21 O R NOV E MB E R 2 3
V ER DI ’ S REQUIEM Ludovic Morlot, conductor Twyla Robinson, soprano Tamara Mumford, mezzo–soprano René Barbera, tenor Jordan Bisch, bass Seattle Symphony Chorale
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VERDI: Requiem
S EPTE MBER 19 OR SEPTEMBER 2 1
Sponsored by the Nesholm Family Foundation
M O RLOT CO NDUCTS RAVEL
JANUARY 2 O R
JANUA RY 4
B EETH OV EN ’ S NI NTH
Ludovic Morlot, conductor Jean-Yves Thibaudet, piano RAVEL: Alborada del gracioso RAVEL: Concerto for Left Hand in D major RAVEL: Rapsodie espagnole RAVEL: Pavane pour une infante défunte RAVEL: Piano Concerto in G major RAVEL: Boléro
Carlos Kalmar, conductor Nathalie Paulin, soprano Angela Niederloh, mezzo-soprano Brendan Tuohy, tenor Charles Robert Stephens, bass Seattle Symphony Chorale BRAHMS: Variations on a Theme by Haydn BEETHOVEN: Symphony No. 9, “Choral”
O CTO BER 10 OR OCTOBER 12
M OZART’S PI ANO CO NCERTO NO. 2 3 Andrew Manze, conductor Simone Dinnerstein, piano
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PURCELL: Suite MOZART: Piano Concerto No. 23 in A major VAUGHAN WILLIAMS: Symphony No. 5
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PHOTOS: 1. John Weller, Assistant Concertmaster / 2. Ko-ichiro Yamamoto, Principal Trombone / 3. Zartouhi Dombourian-Eby, Flute and Piccolo and Valerie Muzzolini Gordon, Principal Harp / / 8. Michael A. Werner, Principal Percussion and Michael Clark, Percussionist with Michael Crusoe, Principal Timpanist. All photos on pages 16 & 17 by Larey McDaniel, Clarinet and Bass Clarinet
1 3- C O N C ERT PACK AG E S
JANUA RY 30 OR
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FEBRUARY 1
AP RIL 3 O R
SH OSTAKOVI CH & A DA MS
CA R MI NA B U R A NA Rafael Frühbeck de Burgos, conductor Caitlin Lynch, soprano Daniel Shirley, tenor Corey McKern, baritone Northwest Boychoir Seattle Symphony Chorale
Olari Elts, conductor Alexander Melnikov, piano JOHN ADAMS: The Chairman Dances SHOSTAKOVICH: Piano Concerto No. 2 LISZT / arr. JOHN ADAMS: The Black Gondola SHOSTAKOVICH: Symphony No. 9
F E B RUARY 1 3 OR
AP RIL 5
HAYDN: Symphony No. 100, “Military” ORFF: Carmina burana
FEBR UARY 15
AP RIL 24 O R AP RIL 26
M OR LOT C O NDUC TS THE
DVOŘ Á K’ S SY MP H ONY NO. 7
“ FA N TASTI QUE” Ludovic Morlot, conductor Xavier Phillips, cello
Ludovic Morlot, conductor Alexander Velinzon, violin
SCHUMANN: Cello Concerto BERLIOZ: Symphonie fantastique
˚ : Memorial to Lidice MARTINU BRAHMS: Violin Concerto ˇÁK: Symphony No. 7 DVOR
M ARCH 6 OR MAR C H 8
SC H WA R Z C ONDUC TS
J U NE 5 OR J U NE 7
Gerard Schwarz, conductor William Wolfram, piano
R AV EL’ S DA P H NI S ET C H LOÉ
ST RAUSS
R. STRAUSS: Don Juan R. STRAUSS: Burleske R. STRAUSS: Divertimento R. STRAUSS: Suite from Der Rosenkavalier
Ludovic Morlot, conductor Seattle Symphony Chorale
M arch 2 0 OR March 22
J U NE 1 2 O R
TCH A IKOVSKY’S “ PAT H É TI Q UE”
B R A H MS ’ S EC OND
DUTILLEUX: Symphony No. 2, “Le double” RAVEL: Daphnis et Chloé (Complete Ballet)
Ludovic Morlot, conductor Jonathan Biss, piano
Ludovic Morlot, conductor Tomoko Mukaiyama, piano
J. STRAUSS: Emperor Waltzes SCHOENBERG: Piano Concerto BRAHMS: Symphony No. 2
RIMSKY-KORSAKOV: Suite from The Snow Maiden ALEXANDER RASKATOV: Piano Concerto TCHAIKOVSKY: Symphony No. 6, “Pathétique”
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JU NE 1 4
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4. Walter Gray and David Sabee, Cellos / 5. Michael Crusoe, Principal Timpani / 6. Efe Baltacıgil, Principal Cello and Meeka Quan DiLorenzo, Assistant Principal / 7. Susan Gulkis Assadi, Principal Viola and Laura DeLuca, Clarinet
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{ Series starts at $54 }
BEYOND ® THE SCORE A MULT I MEDI A AN D L I VE CON CE RT EXPERIENCE
SUN
NOV 1 0 2PM
THE TRI STAN EFFECT Ludovic Morlot, conductor WAGNER: Prelude and Liebestod from Tristan und Isolde Few works of art have made such an overwhelming impression on our culture as Wagner’s Tristan und Isolde. Beyond the Score explores this opera from Prelude to Liebestod, in time for Wagner’s 200th birthday.
SUN
MA R 2 2PM
PI CTURES AT AN EXHI BI TI O N Stilian Kirov, conductor MUSSORGSKY: Pictures at an Exhibition
SUN
APR 2 7 2PM
MENDELSSO H N’ S “I TALI AN” SY MP H ONY Stilian Kirov, conductor Mendelssohn: Symphony No. 4, “Italian”
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Beyond the Score® is a 3-concert series that pairs the live concert experience with exciting multimedia presentations. In the first half of the concert, you’ll learn about the history and context of a masterwork when narrator Steve Reeder and local actors join the Orchestra on the stage. After intermission, let your newfound knowledge enhance the performance of the piece in its entirety. Created by the Chicago Symphony Orchestra, Beyond the Score® is designed for both newcomers and seasoned audiences who want to discover — or re-discover — classical music in an engaging way.
Distinguished
A RTISTS The world's top artists in recital.
F RIDAY, O C TO B E R 1 1, AT 8 P M
A NDR ÁS SCHIFF András Schiff, piano J.S. BACH: “Goldberg” Variations The New York Observer called Schiff “the foremost proponent of Bach’s keyboard music on the modern piano since Glenn Gould.”
W E DNE SDAY, F E B RUARY 5, AT 7 :30 P M
J OS H UA B ELL <<< Joshua Bell, violin Violin icon Joshua Bell, called “one of the finest musicians of his generation” by The Washington Post, performs in recital.
W E DNE SDAY, AP RIL 3 0, AT 7: 3 0 P M
J OH N LI LL John Lill, piano Pianist John Lill returns to Benaroya Hall for a one-night-only recital featuring pieces by Mozart, Schumann, Brahms and Prokofiev, plus Beethoven’s “Appassionata” Sonata.
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MOST POPULAR PACKAGE ONLY $149 FOR 5 CONCERTS INCLUDES MEMBERSHIP DUES. CALL WOLFGANG AT 206.215.4784 FOR OTHER OPTIONS.
Members get all the benefits! SUN
SEPT 1 5 4 PM
OPENI NG NI GHT WITH LANG LAN G Ludovic Morlot, conductor Lang Lang, piano / Seattle Symphony Chorale
From concert receptions to w ine intermis s io n s a n d meet-and-greets w ith Seattle Symphony m u s ic ia n s , WolfGang offers its members great food, g r e a t fu n and, of course, great music.
Don’t miss the excitement of the first concert of the season with star pianist Lang Lang, the Seattle Symphony Chorale and the Seattle Symphony under the direction of Ludovic Morlot. This program includes Borodin’s famous Polovtsian Dances and other folk-inspired dances by Brahms and others — plus Prokofiev’s dazzling Third Piano Concerto. Lang Lang's performance generously underwritten by Judith A. Fong.
THU
O CT 2 4 7:3 0 PM
H AYD N & TCHAI KOVSKY Alastair Willis, conductor / Pavel Gomziakov, cello ELGAR: Serenade HAYDN: Cello Concerto in C major MOZART: Symphony No. 37 TCHAIKOVSKY: Serenade for Strings
THU
M AR 2 7 7:3 0 PM
DVOŘÁK’S CE LLO CO NCERTO Ludovic Morlot, conductor / Efe Baltacıgil, cello ˇÁK: Cello Concerto DVOR VARÈSE: Déserts DEBUSSY: La mer
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THU
AP R 24 7 :30P M
DVOŘ Á K’ S SY MP H ONY NO. 7 Ludovic Morlot, conductor / Alexander Velinzon, violin ˚ : Memorial to Lidice MARTINU BRAHMS: Violin Concerto ˇÁK: Symphony No. 7 DVOR
FRI
JUN 6 8PM
S ONI C EVOLU TI O N Ludovic Morlot, conductor Sir Mix-A-Lot, MC Sonic Evolution celebrates the past, present and future of music with brand new symphonic compositions inspired by icons Bill Frisell, Ray Charles and Sir Mix-A-Lot, written by composers Luís Tinoco, Du Yun and Gabriel Prokofiev.
FRI
SEPT 2 0 7PM
RAVEL Ludovic Morlot, conductor RAVEL: Alborada del gracioso RAVEL: Rapsodie espagnole RAVEL: Pavane pour une infante défunte RAVEL: Boléro
FRI
D EC 1 3 7PM
V I VALD I Emma McGrath, violin and leader Vivaldi: The Four Seasons
SYM P H O N Y U N T U X ED FR I DAYS AT 7PM Shorter con
re! Come as you a . sy lifestyle u b r u o y r fo ts cer
S ym p h o n y co m p o se rs , st te a re g ’s . Come o rl d u r w e e ke n d fi ve o f th e w yo f o in s g e iu b n e to g th e te ri n g . ss w a y S h o w ca si n g n g P u ck C a le , lo w -s tr e a b g a lf o rd W o ff y a b n la te s se n ts a a n d sm a ll p U n tu xe d p re a lt y d ri n k s ci e sp r fo a t 5 :3 0 p m
FRI
JAN 3 7P M
B EETH OV EN <<< Carlos Kalmar, conductor / Nathalie Paulin, soprano Angela Niederloh, mezzo-soprano / Brendan Tuohy, tenor Charles Robert Stephens, bass / Seattle Symphony Chorale BEETHOVEN: Symphony No. 9, “Choral”
FRI
JAN 31 7P M
S H OSTA KOV I C H Olari Elts, conductor / Alexander Melnikov, piano SHOSTAKOVICH: Piano Concerto No. 2 SHOSTAKOVICH: Symphony No. 9
FRI
JUN 20 7P M
STR AV I NS KY Ludovic Morlot, conductor STRAVINSKY: The Firebird
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5 - C O N C E RT SE R I E S | STARTS AT J U ST $8 5
N EW PRI N CI PAL P OP S CON D U CTO R I'm thrilled to have the opportunity to make great music with the Seattle Symphony! I have admired this orchestra for many years and have thoroughly enjoyed every time we have performed together during the past decade. I love Seattle and I look forward to creating wonderful programs that will not only excite Seattle Symphony concertgoers, but will also interest new audiences to come and experience this great Orchestra. I'm also excited about the opportunity to work with Ludovic Morlot. His ideas of how to connect the Symphony and the community are extraordinary and I'm glad to be a part of that initiative. The Seattle Symphony has such a bright future and I'm glad to be able to contribute my energy to this great institution.
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THU
AP R 1 0 7 :30P M FRI
AP R 1 1 8PM SAT
AP R 1 2 2 & 8PM
Brian Stokes Mitchell
SUN
AP R 1 3 2P M
THU
M AY 29 7 :30P M
S EPT 2 6 7:3 0 PM FRI
S EPT 2 7 8PM SAT
S EPT 2 8 2 & 8PM SUN
S EPT 2 9 2PM
THU
D EC 5 7:3 0 PM FRI
D EC 6 8PM SAT
D EC 7 2 & 8PM SUN
GERSHWI N’S PORGY AND BESS
7:3 0 PM FRI
F EB 7 8PM SAT
F EB 8 2 & 8PM SUN
F EB 9 2PM
SAT
M AY 31 2 & 8PM SUN
JU N 1
Jeff Tyzik kicks off the 2013–2014 Seattle Pops series with music from Gershwin's beloved Porgy and Bess. Program features legendary songs such as “Summertime,” “It Ain’t Necessarily So” and “I Got Plenty of Nothing.”
The world famous Glenn Miller Orchestra — the most popular and sought–after big band in the world today — returns to Benaroya Hall. Experience the unique swinging sound of this legendary band. Performance does not include the Seattle Symphony.
A MER I CA N S W I NG Jeff Tyzik, conductor It’s time to don your red, white and blue! Jeff Tyzik celebrates the spirit of American music throughout the ages — from John Philip Sousa’s Liberty Bell March to Yankee Doodle to Aaron Copland’s Variations on a Shaker Melody — in swinging style.
2P M
HOME F OR THE HOLI DAYS Jeff Tyzik, conductor Perfect for the whole family! Jeff Tyzik leads the Seattle Symphony and special guests in a festive collection of seasonal favorites, served up with plenty of wit and warmth for all ages.
2PM
THU
8PM
Jeff Tyzik, conductor
D EC 8
F EB 6
FRI
M AY 30
Nick Hilscher, director
Nick Hilscher
THU
GLENN MI L L E R OR C H ESTRA
BRI AN STO KE S MI TCHELL W I TH THE SEATTL E SY M PHON Y Bob Bernhardt, conductor Brian Stokes Mitchell, vocals Broadway sensation Brian Stokes Mitchell returns to Benaroya Hall for a weekend of romantic music. Don’t miss your chance to hear this living legend perform some the most beloved ballads of all time.
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W i n e t a s t i n gs start at 6: 30pm i n th e S amuel & Althea Stroum Gr a n d Lo b b y — j u st $1 0 fo r fo u r po u rs.
N OVEM BER 1 OR NOVEMBER 2
H A NDE L & VI VALD I Tania Miller, conductor / Zartouhi Dombourian-Eby, piccolo HANDEL: Entrance of the Queen of Sheba GEMINIANI: Concerto grosso in D minor No. 5, “La folia” C.P.E. BACH: Symphony in G major, W 182/1 VIVALDI: Piccolo Concerto in C major, RV 443 CORELLI: Concerto grosso No. 1 in D major HANDEL: Water Music Suite No. 1
JANUA RY 1 0 OR JANUARY 11
BAC H ’S CO F F EEHOU S E Jeannette Sorrell, conductor & harpsichord / Mark Robbins, French horn Demarre McGill, flute / Elisa Barston, violin / Cordula Merks, violin J.S. BACH: Orchestral Suite No. 2 TELEMANN: Horn Concerto in D major VIVALDI: Concerto for Two Violins in A minor, Op. 3, No. 8 J.S. BACH: “Brandenburg” Concerto No. 5 VIVALDI / arr. SORRELL: La folia, “Madness” Zimmermann's Coffeehouse in Leipzig was the scene of lively performances by J.S. Bach and his student orchestra. Bach performed not only his own pieces, but also those of his admired colleagues, Telemann and Vivaldi.
F E B RUARY 2 1 O R FEBR UARY 22
ST. M ATTHEW PASSI O N Ludovic Morlot, conductor / Julian Prégardien, tenor (Evangelist) / Dorothee Mields, soprano Shannon Mercer, soprano / Terry Wey, countertenor / Laura Pudwell, mezzo–soprano Aaron Sheehan, tenor / Charles Daniels, tenor / Tyler Duncan, baritone Matthew Brook, bass-baritone / Northwest Boychoir / Seattle Symphony Chorale J.S. BACH: St. Matthew Passion The wine tasting will not be held prior to this program. Regular bar service will be available.
J.S. B AC H ’S ST. MATT H E W PASSIO N “There is nothing like it in all music,” Leonard Bernstein famously said of J. S. Bach’s St. Matthew Passion. Written in 1729 to celebrate Good Friday, Bach’s beloved masterwork remains a pillar of sacred music nearly 300 years after its first performance. Since the 13th century, Christian churches have observed Holy Week by using music to retell one of the most famous stories in Western culture: the final days leading to the crucifixion of Christ. From this simple tradition Bach created one of the richest and most complex works in the history of music. From the Last Supper to the trial, death and burial of Jesus, Bach weaves the account of the Gospel of Matthew into a musical tapestry that is both deeply personal and truly transfiguring.
Bach’s St. Matthew Passion is presented in partnership with Pacific MusicWorks, who will also present Bach’s intensely dramatic St. John Passion. Led by Pacific MusicWorks Music Director Stephen Stubbs and drawing on the same soloists as the St. Matthew Passion performances, this concert is presented in the intimate Illsley Ball Nordstrom Recital Hall.
MARCH 1 & 2 | J.S. Bach: St. John Passion Tickets for this special production go on sale in February 2013 and start at just $20. For more information on Pacific MusicWorks’ presentation of J.S. Bach: St. John Passion please visit pacificmusicworks.org.
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M OZA RT’S MOZ A RT’ S SYMPHONY NO. 29 SYM P H ONI ES Stilian Kirov, conductor NOS . 39 –41 Susan Gulkis Assadi, viola Jordan Anderson, double bass Maria Mannisto, soprano MOZART: Divertimento for Strings in D major DITTERSDORF: Sinfonia concertante for Double Bass and Viola MOZART: Exsultate jubilate, K. 65 MOZART: Symphony No. 29
Series starts at $54
Frank Braley
Stilian Kirov
Gerard Schwarz
3 CONCERTS ON THURSDAYS AT 7:30PM OR SATURDAYS AT 8PM
MOR LOT C ONDU C TS MOZ A RT
Gerard Schwarz, conductor
Ludovic Morlot, conductor Frank Braley, piano
MOZART: Symphony No. 39 MOZART: Symphony No. 40 MOZART: Symphony No. 41
HAYDN: Symphony No. 70 MOZART: Piano Concerto No. 9 MOZART: Symphony No. 36, “Linz”
MOZA RT’S FI N AL SY MP HON IE S In the summer of 1788, only three years before his own untimely death, Wolfgang Amadeus Mozart penned his final three symphonies in a flurry of creative inspiration. Considered his greatest achievements in the genre, these masterworks testify to the composer's incomparable genius, synthesizing the legacy of Bach and Haydn with Mozart's own unique voice, and pushing the art form to new heights. The late symphonies also speak to Mozart's incredible ability to run the gamut of expression in his works, from the courtly charm of Symphony No. 39, to the tragic romanticism of Symphony No. 40 and the dazzling power and glory of Symphony No. 41. Mozart’s final symphonies are among the most expressive and brilliant orchestral scores yet written, and they remain as captivating and inventive today as they did more than two centuries ago. Symphonies Nos. 35 – 41 will be performed by the Seattle Symphony during the 2013–2014 season.
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H e a r t h e t a l e n ted m u si ci an s o f t he S e a t t l e Symph o n y u p cl o se a s t h e y p e r f o r m ch am b er wo rks in t h e i n t i ma t e Il l sl ey Bal l No r d s t r o m Re c i tal Hal l . Th i s y ea r, p r o gr a ms featu re m u si c by V i l l a - Lo b o s , Dvo řák, Brah m s, Sh o s t a ko vi c h an d m o re.
S UNDAY, NOVEMBER 3, AT 2PM
S U N DAY, MAR CH 9, AT 2PM
SU NDAY, M AY 1 8, AT 2P M
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VILLA-LOBOS: Quintette instrumental BEETHOVEN: String Quartet Op. 18, No. 3 SCHULHOFF: Concerto
with William Wolfram, piano
with Frank Braley, piano
BRITTEN: Phantasy Quartet for Oboe and Strings ˇÁK: String Quintet No. 2 in G major DVOR SHOSTAKOVICH: String Quartet No. 13 POULENC: Sextet for Wind Quintet and Piano
MOZART: String Quintet No. 3 in C major CARTER: Sonata for Flute, Oboe, Cello and Harpsichord BRAHMS: Piano Quintet in F minor
Additional works by Pierre Boulez, Villa-Lobos and Piazzolla for multiple cellos.
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O C TO BE R 18
CAT O’NI NE TA IL S TONY DILORENZO: Street Music Quintet LIOR NAVOK: Veiled Echoes JOHN ZORN: Cat o' Nine Tails Presented in partnership with Earshot Jazz Festival.
JA NUA RY 31
BL ACK ANGELS FELDMAN: The Viola in My Life, Part 3 KALEVI AHO: Clarinet Trio for Clarinet, Viola and Piano R. MURRAY SCHAFER: Theseus GEORGE CRUMB: Black Angels for Electric String Quartet
M AY 16
No stage. No preconceptions. Late night. Vibrant. Surprising.
[ U NT I T L ED ] FR I DAYS AT 10PM
IN ORI Ludovic Morlot, conductor
Subscriptions ONLY $51
STOCKHAUSEN: Inori Don’t miss the rare chance to witness Stockhausen’s Inori! A pair of mimes perform with the Orchestra during this incredible, 70-minute-long piece that explores the act of musical prayer — drawing from religions and cultures throughout the ages.
After a critically acclaimed debut, our late-night [untit le d ] s e r ie s is b ack and better than ever. Explore new and contempor a r y wo r ks — from famous groundbreaking music by Stockhause n a n d C r u m b to w orld premieres by local artists — in the informal a t m o s p h e r e of the Samuel & Althea Stroum G r a n d Lo b b y.
M ON DAY, OCTOBER 28, AT 7:3 0 P M
F RIDAY, AP RIL 25, AT 7 :30 P M
STEPHEN CLEOBURY
CA MER ON CA R P ENT E R
Renowned British organist and Director of the world–famous King’s College Choir performs works by Bach, Mendelssohn, Vierne and more.
“Carpenter is already the most gifted organist in many a generation. And he’s only just begun.” — The Los Angeles Times
M ON DAY, F E B RUARY 3 , AT 7:30 P M
JOSEPH ADAM Seattle Symphony Resident Organist Joseph Adam performs works by Saint–Saëns, Bach and more.
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HOL IDAYS
G a ry T h
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C ome on e, co m e a l l ! Bund l e up t i ght and ri ng i n the seaso n wi t h the Se a t tl e Sym phony’s s peci al holiday c o nce r t s .
SAT
DEC 14 8PM
VI VALDI ’ S FO UR S EAS ONS Emma McGrath, violin and leader Vivaldi: The Four Seasons
FRI
DEC 20 8PM SAT
DEC 21 1 & 8PM S UN
DEC 22
HAND EL’ S MES S I A H Gary Thor Wedow, conductor / Amanda Forsythe, soprano <<< Magdalena Wór, mezzo-soprano / Andrew Stenson, tenor Kevin Burdette, bass / Seattle Symphony Chorale
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Don't miss the exquisite choral writing and the exultant “Hallelujah” chorus in Handel’s Messiah — featuring the Seattle Symphony, Chorale and soloists.
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2PM MO N
DE C 23 7 :30P M
A F ESTI VA L OF LES S ONS & CA R OLS Joseph Crnko, conductor / Northwest Boychoir Vocalpoint! Seattle / Members of the Northwest Sinfonia Experience the story of the Nativity told through readings, choral settings and audience carols. Performance does not include the Seattle Symphony.
SAT
DE C 28 8PM SUN
DE C 29 2P M
B EETH OV EN’ S NI NTH SY MP H ONY Carlos Kalmar / Nathalie Paulin, soprano / Angela Niederloh, mezzo–soprano Brendan Tuohy, tenor / Charles Robert Stephens, bass Seattle Symphony Chorale BRAHMS: Variations on a Theme by Haydn BEETHOVEN: Symphony No. 9, “Choral”
TUE
DEC 31 9PM
NEW YEA R’ S EV E CONCERT, COUNTDOWN & CELEBRATION Ludovic Morlot, conductor / Jon Kimura Parker, piano Jeff Tyzik, conductor & trumpet GERSHWIN: Rhapsody in Blue Ring in the New Year with the Seattle Symphony! Ludovic Morlot and Jeff Tyzik join forces for a festive program featuring classical and jazzy excerpts of Tchaikovsky’s beloved Nutcracker, Gershwin’s famous Rhapsody in Blue with pianist Jon Kimura Parker, music from Star Wars and much more. Then, countdown to midnight at a post-concert party in Benaroya Hall’s beautiful Grand Lobby. Concert Tickets include post-concert party!
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5 SATURDAYS AT 1 1 AM
SERIES Subscriptions: adults $90 and child/senior $65 Perfect fo r families w ith children ages 6 to 11, pl u s pre- concert activities at 10am in th e S am u el & Althea Stroum Grand Lobby. O C TO B ER 1 9
M AY 1 0
L E MON Y S N I CK E T ’S
OU R EA RT H
THE COMPOSER IS DEAD Stilian Kirov, conductor There's dreadful news from the concert hall — the composer is dead! In this wacky murder mystery, everyone seems to have a motive, everyone has an alibi, and nearly everyone is a musical instrument. Discover the instruments of the orchestra as the Inspector interrogates all of the usual suspects. Wear your costumes to this symphonic whodunit!
D E C E MBER 1 4
T HE SNOW MAN Stilian Kirov, conductor Raymond Briggs’ children’s book The Snowman comes to life on the big screen! The Seattle Symphony performs Howard Blake’s stunning soundtrack while the animated classic plays above the Orchestra. A holiday favorite!
Stilian Kirov, conductor
FEBR UARY 22
CAR NE G IE H ALL’S
THE ORCHESTRA SI NGS Stilian Kirov, conductor This concert from Carnegie Hall is all about participation! Learn to sing and play melodies such as Beethoven’s “Ode to Joy” and Copland’s “I Bought Me a Cat” on recorder, then bring your recorder to the concert to play along with the Orchestra! Visit seattlesymphony.org/linkup for recorder parts and “how–to” videos.
How does music create nature's landscapes through sound? Youth from the Puget Sound Region will perform local works including a new piece from Seattle Opera's Our Earth project, composed by Eric Banks with libretti by Irene Keliher. When salmon fail to return to the sea one spring, Orca, Raven, Coyote and a greedy fisherman head upriver on a journey of a lifetime.
J U NE 1 4
P ETR U S H K A Ludovic Morlot, conductor Russian dance comes to the Symphony. The Olympic Ballet Theatre puts a modern spin on the classic Russian children’s story about a puppet that comes to life — set to Stravinsky’s famous Petrushka.
Get more out of your concert experience. Ad d –o n Preview Classes, at 11am O R 12:30pm Sunday before a p e r fo r m a n c e. $25 for 5 classes. O rder w ith your subscription TODAY !
F O R CHILDREN 0 TO 5: Lo o k for the complete lineup of family concerts in March.
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COM M U N I T Y E N GAG E ME N T Through our ongoing series of free Community Concerts and programs like Family Connections and Community Connections, which provide free tickets to children and underserved communities, the Seattle Symphony strives to allow everyone to experience the joy of live symphonic music. The costs of keeping our tickets within the reach of the community are covered by contributions to our Annual Fund by individuals like you. Your support is vital to maintaining a world-class orchestra in our community and ensuring that everyone has the opportunity to enjoy it.
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PHOTOS: 1. Photo of Ludovic Morlot conducting at the Seattle Center Next 50 Closing Concert, by Jonathan P. Beck / 2. Mockingbird Youth Network Representatives with Star Anna, by Ben VanHouten / 3. DJ Madhatter performs in the Grand Lobby, by Ben VanHouten
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Baroque & Wine ..................... Mainly Mozart
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ADD THESE CONCERTS TO YOUR SUBSCRIPTION ORDER! PRICES SHOWN REFLECT 15% SUBSCRIBER DISCOUNT. Opening Night with Lang Lang SEE PAGE
Orchestra F
Big Nightmare Music Psycho
Pink Martini
Handel's Messiah
A Festival of Lessons & Carols
Beethoven's Ninth
New Year's Eve
Celebrate Asia
Tchaikovsky Festival
Sonic Evolution
Vivaldi's The Four Seasons
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p. 6
Founders Tier / Founders Tier Box
THU & FRI
SAT & SUN
p. 22–123
p. 22–23
Orchestra F
$85
$85
3rd Tier Box
$130
$145
3rd Tier
$165
$170
$225
$240
Orchestra E 3rd Tier Box
$48
$27
$74/$57
$30
$28
$37
$57
$27
$27
$17
Orchestra D
$57
$35
$74
$23
$21
$48
$70
$32
$35
$17
Orchestra C 2nd Tier 2nd Tier Box 3rd Tier
$70
$44
$74/$66
$30
$28
$58
$82
$37
$44
$17
Orchestra C Orchestra E 2nd Tier 2nd Tier Box
Founders Tier Orchestra B
$87
$67
$83
$42
$38
$76
$100
$55
$67
$25
Founders Tier Orchestra B Orchestra D
$290
$305
Orchestra A
$99
$74
$91
$64
$59
$86
$108
$60
$74
$25
Orchestra A
$330
$350
Founders Tier Box
$125
$96
$122
$75
$69
$109
$130
$65
$96
$25
Founders Tier Box
$375
$395
$12
PARKING Benaroya Hall
$60
$60
PARKING Benaroya Hall
$12
$12
$12
$12
$12
$12
$12
$12
$12
All prices subject to change after March 2, 2013.
BENAROYA HALL The S. Mark Taper Foundation Auditorium is the main auditorium for most Seattle Symphony performances and has a capacity of 2,500 seats.
FIVE EASY WAYS TO SUBSCRIBE: B rochure and order form can also be fo u n d o n lin e.
THIRD TIER
seattlesymphony.org (click Buy Tickets, then Series Tickets) 206.215.4747 or 1.866.833.4747 (toll-free) FAX: 206.215.4748 MAIL: Seattle Symphony Tickets, P.O. Box 2108, Seattle, WA, 98111-2108 IN PERSON: Visit us at the corner of Third Avenue & Union Street (Mon–Fri, 10am to 6pm; Sat, 1 to 6pm) GROUPS: 206.215.4784 ONLINE:
SECOND TIER
PHONE:
FOUNDERS TIER
ORCHESTRA
C
E
THIRD TIER BOX SECOND TIER BOX FOUNDERS TIER BOX
PONCHO TIER
SAFECO FOUNDERS TIER
C
E
B A
A
STAGE + Partial View: A limited portion of the stage may not be visible. Indicates wheelchair–accessible seating.
THIRD TIER BOX SECOND TIER BOX PONCHO FOUNDERS TIER TIER BOX SAFECO FOUNDERS TIER
If you wish to sit with another patron, please inform the ticket office when ordering or include the information in the notes field for online orders.
* Ticket prices shown above reflect last year’s prices plus a $2 facility fee per ticket for the preservation of Benaroya Hall. Facility fee waived for children’s concerts. All prices are in U.S. dollars. All orders and seating subject to availability. All payments are processed upon receipt of order; this is not a guarantee of seating, but of your placement in the queue for the seats you’ve requested. You will be contacted by phone with any seating questions. No refunds will be made after your series has begun. All programs, artists and prices subject to change without notice. Group subscriptions are available by calling 206.215.4784. Children 5 years of age and older are welcome at all performances with a purchased ticket.
PHOTOS: Photo of Ludovic Morlot on page 2 by Sussie Ahlburg; additional images of Ludovic Morlot and the Seattle Symphony on pages 4, 5, 9 & 18 by Larey McDaniel; on pages 10, 11, 12, 13, 15, 21, 24, 27 & 28 by Ben VanHouten. Sonic Evolution images on page 7 by Ben VanHouten. Beyond the Score images on page 18 by Ben VanHouten. WolfGang images on page 20 by Jerome Tso. Discover Music images on page 29 by Robert Wade.
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P.O. Box 2108 Seattle, WA 98111–2108
SUBSCRIBE BY MARCH 2, 2013 The Seattle Symphony at your fingertips. iPhone® and Android™ apps now available.
BE ENTERED TO WIN A Luxurious 7-Day Cruise for Two on Holland America Line!
Y! DO WN LO AD TO DA
Subscribe by March 2, 2013 When you step aboard one of the five-star ships of Holland America Line, you will experience a voyage unlike any other. You can choose any cruise for two (same stateroom) up to seven days in length (based on minimum ocean view stateroom) to Alaska, the Caribbean, Mexico or Canada/ New England. Your journey will include extraordinary dining, spacious staterooms, elegant surroundings, and days filled with new discoveries and gracious pampering by an award-winning crew.
CONNECT WITH US:
H OW TO OR D E R : seattlesymphony.org PHONE: 206.215.4747 or 1.866.833.4747 (toll-free) FAX: 206.215.4748 MAIL: Seattle Symphony Tickets, P.O. Box 2108, Seattle, WA, 98111–2108 IN PERSON: Visit us at the corner of Third Avenue & Union Street (Mon–Fri: 10am to 6pm, Sat: 1 to 6pm) GROUPS: 206.215.4784 ONLINE:
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