THOMAS DAUSGAARD, MUSIC DIRECTOR
welcome back to live music We̓ re playing every week and it feels extraordinary ... we̓ re able to make music together again, and I feel very proud to be able to continue to perform.
– Noah Geller ,
David & Amy Fulton Concertmaster
2021/2022 Season Subscribe by July 24, 2021 to ensure in-person seating!
Dear Music Lover, This is it. Our chance to be together again after being apart for so long. To share in the creation of live music. To make a new beginning. I am thrilled to present our 2021/2022 season and the return of live, in-person performances to Benaroya Hall. And I know you will feel the same thrill when taking your seat in person before the magnificent Seattle Symphony. Our plans are bold: the unmissable sound of the full orchestra will be heard from the very first concert. Our programs include music familiar and unknown, revered and brand new. Gathering together means throwing our doors wide open. Mahler said that a symphony must be like the whole world, containing everything — we take this saying literally! What will you hear and feel? The joys and sorrows of our human experience in Mahler, Verdi and Brahms; the glories of nature in Sibelius and Messiaen; the many stories of our diverse history in George Walker, Angélica Negrón, Kishi Bashi and other outstanding composers. On the Benaroya Hall stage, a yearlong reunion of the very finest musicians — your own orchestra reaching new heights with our phenomenal artistic friends from around the world. Only in the concert hall can you feel music unfold before you and be a part of it. That feeling awaits you in our season. We can’t wait to share it. I hope to see you there because — This Is It!
Thomas Dausgaard Harriet Overton Stimson Music Director
seattlesymphony.org | 206.215.4747
3
Opening Night SATURDAY, SEPTEMBER 18
Opening Night Gala Thomas Dausgaard conductor REENA ESMAIL RE | Member (Seattle Symphony Co-commission & World Premiere) R. STRAUSS Don Juan STRAVINSKY The Firebird Suite (1919 version) Raise a glass to the return of live music and the launch of a new season with a unique and elevated opening night experience! Journey through Benaroya Hall with a front row seat to small, specially curated performances, all leading toward the main event on the S. Mark Taper Foundation Auditorium stage. Music Director Thomas Dausgaard leads the orchestra in a dazzling world premiere by Composer in Residence Reena Esmail, paired perfectly with Stravinsky’s dramatic and immensely popular Firebird Suite. This black-tie event celebrates the Seattle Symphony’s commitment to arts and culture in our community, and directly supports the Symphony’s artistic, educational and community programming. Tickets currently available for Gala only.
For more information, or to reserve your Opening Night Gala experience, call 206.215.4728. Thomas Dausgaard’s position is generously underwritten as the Harriet Overton Stimson Music Director. Reena Esmail is presented as part of the Seattle Symphony’s New Music WORKS initiative, supported in part by a grant from the National Endowment for the Arts.
Subscriber Exclusives
Subscribers receive exclusive advanced access to these one-of-a-kind concerts before the general public.
Add to your subscription today!
TUESDAY, JANUARY 18, AT 7:30PM
An Evening with Itzhak Perlman Itzhak Perlman violin Rohan De Silva piano “There is probably no more talented violinist in the world.” – The New York Times Undeniably the reigning virtuoso of the violin, Itzhak Perlman enjoys a superstar status rarely afforded a classical musician. Now go behind the music with him for a special multimedia evening of music and storytelling, with Perlman sharing anecdotes from his life and career and performing with his longtime pianist, Rohan De Silva.
Itzhak Perlman
TUESDAY, MARCH 22, AT 7:30PM
Lang Lang in Recital Lang Lang piano J.S. BACH Goldberg Variations The sensational Lang Lang returns to Benaroya Hall for a one-night-only solo recital performing J.S. Bach's immortal Goldberg Variations. “His playing was so raptly beautiful that one was afraid to breathe for fear of missing anything.” – Chicago Tribune Lang Lang's performance is generously underwritten by the Nakajima Family.
SUNDAY, MARCH 20, AT 4PM
Celebrate Asia Lang Lang
Kahchun Wong conductor Kala Ramnath Indian violin Ko-ichiro Yamamoto trombone TOSHIO HOSOKAWA Meditation TAN DUN Trombone Concerto (Seattle Symphony Co-commission & U.S. Premiere) REENA ESMAIL Violin Concerto (Seattle Symphony Commission & World Premiere) The 15th annual Celebrate Asia shines a spotlight on two intriguing new works. First, Tan Dun’s Trombone Concerto receives its U.S. premiere in the hands of Seattle Symphony Principal Trombone Ko-ichiro Yamamoto. Then, witness the world premiere of Composer in Residence Reena Esmail’s Violin Concerto — a work about the elements being rendered out of balance by humanity’s influence on the planet. Violin virtuoso Kala Ramnath gives the first performance of this thought-provoking work written especially for and with her.
Kala Ramnath
Reena Esmail as Composer in Residence is generously underwritten by Parul and Gary Houlahan and is presented as part of the Seattle Symphony’s New Music WORKS initiative, supported in part by a grant from the National Endowment for the Arts.
seattlesymphony.org | 206.215.4747
5
“The joy I feel about all of us being back together in Benaroya Hall for a new season is indescribable. I can̓ t wait!”
master Works series – Krishna Thiagarajan,
Seattle Symphony President & CEO Leslie Jackson Chihuly Chair
“The start of a season is like the first day of school in its excitement and anticipation.” – Kathleen Boyer,
6
2021 / 2022 season
Assistant Principal Second Violin
Music takes us on unforgettable journeys. Virtuosic soloists and sublime moments. From all-time favorites to contemporary classics, this year’s Masterworks Series will take you on a musical adventure of unforgettable music at Benaroya Hall.
Music can take us to deep places inside, beyond the many words and numbers we hear … its resonance within us can be healing. – Thomas Dausgaard, Harriet Overton Stimson Music Director
Masterworks PACKAGES KEY On the following pages you’ll find listings of our Masterworks Series offerings — in packages of 21, 13, 8 or 7 concerts. The key below indicates which package each concert is a part of. 21A
13A
7A
7C
7E
THURSDAYS AT 7:30PM
21B
13B
7B
7D
7F
SATURDAYS AT 8PM
8G SUNDAYS AT 2PM
seattlesymphony.org | 206.215.4747
7
Few things make me happier than listening to a Seattle Symphony concert at Benaroya Hall. – Christine,
Patricia Kopatchinskaja
lifelong music lover
SEPTEMBER 23, 25 & 26
OCTOBER 14 & 16
R. Schumann Symphony No. 3
Dausgaard Conducts Stravinsky
21A/B
7A/B
8G
David Robertson conductor NATALIE DIETTERICH aeolian dust IVES Three Places in New England (Original Version) R. SCHUMANN Symphony No. 3, "Rhenish" In an intriguing triptych of composers exploring space and place, Natalie Dietterich's aeolian dust hovers in the atmosphere, coalesces and then dissipates. Three places dear to Charles Ives are captured in music at turns haunting, rousing and heartfelt. And Robert Schumann lays out a truly majestic portrayal of life on the Rhine in his Third Symphony. OCTOBER 7 & 9
Rachmaninov Symphonic Dances 21A/B
13A/B
7E/F
Thomas Dausgaard conductor Patricia Kopatchinskaja violin ROSSINI Semiramide Overture FRANCISCO COLL Violin Concerto (Seattle Symphony Co-commission & U.S. Premiere) RACHMANINOV Symphonic Dances Music Director Thomas Dausgaard and the Seattle Symphony shine in Rachmaninov’s Symphonic Dances, evoking church bells and Russian Orthodox chants — the composer reminiscing about his homeland. Francisco Coll composed his Violin Concerto as a portrait of its charismatic soloist, the fabulous Patricia Kopatchinskaja. Thomas Dausgaard’s position is generously underwritten as the Harriet Overton Stimson Music Director. Francisco Coll's Violin Concerto is presented as part of the Seattle Symphony’s New Music WORKS initiative, supported in part by a grant from the National Endowment for the Arts.
21A/B
13A/B
7C/D
Thomas Dausgaard conductor Adeliia Faizullina soprano RAVEL Le tombeau de Couperin BRETT DEAN Carlo ADELIIA FAIZULLINA Tatar Folk Songs STRAVINSKY Pulcinella Suite Composers often look over their shoulders. To memorialize friends who had died in World War I, Ravel took refuge in the airy, graceful forms of the French Baroque. In Pulcinella, Stravinsky melded Classical poise with modern rhythms and harmonies. And in Carlo, Brett Dean elaborates on music of love, death and guilt by the notorious madrigalist (and murderer!), Carlo Gesualdo. NOVEMBER 4, 6 & 7
Ray Chen Plays Tchaikovsky Violin Concerto 21A/B
7A/B
8G
Michael Sanderling conductor Ray Chen violin TCHAIKOVSKY Violin Concerto SHOSTAKOVICH Symphony No. 11, “The Year 1905” Ray Chen makes his Seattle Symphony debut with Tchaikovsky’s enchanting Violin Concerto, one of the most beloved works for the violin. The concerto dazzles from its gorgeous opening to its pyrotechnic finale. Shostakovich’s 11th Symphony marks the events of the brutally crushed 1905 Russian Revolution — protest and defiance against oppression rendered in thrilling music. Michael Sanderling's performances are generously underwritten by Robert and Sue Collett.
8
2021 / 2022 season
Ray Chen
Hannah Lash
NOVEMBER 11 & 13
DECEMBER 2 & 4
Dausgaard Conducts Brahms
Barber Symphony No. 1
21A/B
13A/B
7C/D
Thomas Dausgaard conductor Nicolas Hodges piano SIMON STEEN-ANDERSEN Piano Concerto (U.S. Premiere) BRAHMS Symphony No. 1 Brahms’ First Symphony was decades in the making. His loyal public waited years to hear it and were rewarded with a towering masterpiece of emotion — noble, tender and heroic, clothed in orchestral garments. Simon Steen-Andersen’s intriguing Piano Concerto with film explores the inexorable force of gravity in music.
21A/B
13A/B
7C/D
Peter Oundjian conductor Hélène Grimaud piano Stephen Newby narrator PRICE/arr. Oundjian Andante cantabile from String Quartet No. 2 RAVEL Piano Concerto in G JOEL THOMPSON New Work (Seattle Symphony Co-commission) BARBER Symphony No. 1 Uniquely pioneering sound worlds of Florence Price and Samuel Barber frame a brand new work by Joel Thompson. Ravel looked to the fresh rhythms of jazz to create his Piano Concerto, a joyful showcase for stunning pianist Hélène Grimaud.
Thomas Dausgaard’s position is generously underwritten as the Harriet Overton Stimson Music Director. Simon Steen-Andersen's Piano Concerto is presented as part of the Seattle Symphony’s New Music WORKS initiative, supported in part by a grant from the National Endowment for the Arts.
Joel Thompson's New Work was commissioned by the Seattle Symphony with the support of Betty Graham, and is presented as part of the Seattle Symphony’s New Music WORKS initiative, supported in part by a grant from the National Endowment for the Arts.
NOVEMBER 18 & 20
JANUARY 6 & 8
Beach Gaelic Symphony 21A/B
13A/B
7E/F
The Music of John Adams 21A/B
13A/B
7E/F
Thomas Dausgaard conductor Hannah Lash harp Valerie Muzzolini harp
John Adams conductor Jeremy Denk piano Timothy McAllister saxophone
HANNAH LASH The Peril of Dreams (Seattle Symphony Commission & World Premiere) BEACH “Gaelic” Symphony
JOHN ADAMS Short Ride in a Fast Machine JOHN ADAMS Must the Devil Have All the Good Tunes? JOHN ADAMS City Noir
Bursting with vitality and character, Amy Beach’s “Gaelic” Symphony is among the great American symphonies, full of lush harmonies and sweeping melodies. Music Director Thomas Dausgaard conducts this powerhouse program including a rare double harp concerto by American composer Hannah Lash. Hannah Lash's performances are generously underwritten by an anonymous donor. Hannah Lash's The Peril of Dreams was commissioned by the Seattle Symphony with the support of Elizabeth and Justus Schlichting, and is presented as part of the Seattle Symphony’s New Music WORKS initiative, supported in part by a grant from the National Endowment for the Arts.
With the composer conducting, pianist Jeremy Denk tangles with John Adams’ Must the Devil Have All the Good Tunes?, a funky and diabolically tricky piano concerto. Partly inspired by films produced in Hollywood during the late forties, Adams’ City Noir moves between restless pockets of energy and surging, cinematic melodies. John Adams' performances are generously underwritten by Benjamin and Kelly Martz. Jeremy Denk's performances are generously underwritten by Tom McQuaid.
seattlesymphony.org | 206.215.4747
9
Avi Avital
No matter how busy life gets — and my life gets crazy busy — I always make time for beautiful performances of amazing music with the Symphony. – Arlene, donor JANUARY 13, 15 & 16
Avi Avital The Four Seasons 21A/B
7A/B
8G
Avi Avital conductor & mandolin Nuria Rial soprano
Isabelle Faust
VIVALDI The Four Seasons TRADITIONAL Venetian Gondolier Songs Avi Avital is leading a revival of the mandolin in classical music, fueled by his “deep musicality” and “eye-watering virtuosity” (The New York Times). Through a program celebrating the mandolin’s heyday in the 18th century, Avital takes us down the canals of Venice with traditional gondolier songs and into the court with a fresh interpretation of Vivaldi’s The Four Seasons. Avi Avital's performances and The Four Seasons concerts are generously underwritten by John R. Weiss.
JANUARY 27 & 29
EO9066 Russell Thomas
21A/B
13A/B
7C/D
Thomas Dausgaard conductor Kishi Bashi violin & vocals Program to include: KAORU ISHIBASHI Improvisations on EO9066 We mark the 80th anniversary of Executive Order 9066, which saw the incarceration of thousands of innocent Japanese Americans during the Second World War, indelibly changing their lives and our region — the effects of which are still felt today. Thomas Dausgaard is joined by Seattle-born composer/multi-instrumentalist Kishi Bashi in a heartrending exploration of their story.
Francesco Piemontesi
10
2021 / 2022 season
Thomas Dausgaard’s position is generously underwritten as the Harriet Overton Stimson Music Director. Kishi Bashi's performances are generously underwritten by Marco Argenti.
m
master works FEBRUARY 3 & 5
MARCH 3 & 5
Dausgaard Sibelius Symphony No. 1
Rimsky-Korsakov Scheherazade
21A/B
7A/B
21A/B
7E/F
Thomas Dausgaard conductor Garrick Ohlsson piano
Dalia Stasevska conductor Pierre-Laurent Aimard piano
ELLEN REID New Work (Seattle Symphony Commission & World Premiere) STENHAMMAR Piano Concerto No. 2 SIBELIUS Symphony No. 1
ADOLPHUS HAILSTORK Epitaph for a Man Who Dreamed BARTÓK Piano Concerto No. 2 RIMSKY-KORSAKOV Scheherazade
Thomas Dausgaard begins a two-year Sibelius Cycle with the composer’s First Symphony. Sibelius wrote surely the greatest ‘First’ ever — packed with transcendent soundscapes. A new work by Pulitzer Prize-winning composer Ellen Reid responds to Sibelius, and Garrick Ohlsson performs a seldom-heard and delightful romantic concerto.
Finnish conductor Dalia Stasevska makes her debut with the Seattle Symphony in a riveting program featuring Bartók’s Second Piano Concerto and Rimsky-Korsakov’s Scheherazade. The concert begins with Adolphus Hailstork’s piece Epitaph for a Man Who Dreamed, which commemorates the life of Dr. Martin Luther King, Jr.
Thomas Dausgaard’s position is generously underwritten as the Harriet Overton Stimson Music Director. Garrick Ohlsson's performances are generously underwritten by Paul Leach and Susan Winokur. Ellen Reid's New Work is presented as part of the Seattle Symphony’s New Music WORKS initiative, supported in part by a grant from the National Endowment for the Arts.
Dalia Stasevska's performances are generously underwritten by Margaret and Eric Rothchild.
FEBRUARY 10, 12 & 13
Songs of the Earth 21A/B
13A/B
7C/D
8G
Thomas Dausgaard conductor Kelley O’Connor mezzo-soprano Russell Thomas tenor WALKER Lyric for Strings WALKER Folksongs for Orchestra MAHLER Das Lied von der Erde Thomas Dausgaard conducts music reflecting on the end of life. Mahler was inspired by Chinese poetry for his valedictory masterwork, Das Lied von der Erde. George Walker offers introverted and deeply personal reflections on four spiritual melodies in Folksongs for Orchestra. His Lyric for Strings, a touching tribute to the memory of his grandmother, is one of his bestloved works.
MARCH 17 & 19
Tchaikovsky Symphony No. 5 21A/B
7A/B
Joshua Weilerstein conductor James Ehnes violin STILL Poem for Orchestra KORNGOLD Violin Concerto TCHAIKOVSKY Symphony No. 5 Tchaikovsky’s Fifth Symphony triumphs over fate, a journey through troubles into joy and ecstasy — and some of the greatest melodies ever given to us. Korngold’s lush Violin Concerto prefigures the Hollywood sound with high romance and gorgeous melodies — played for us by the masterful James Ehnes. And to begin the program, William Grant Still’s Poem takes us from darkness into light. James Ehnes' performances are generously underwritten by Patricia Tall-Takacs and Gary Takacs. Joshua Weilerstein's performances are generously underwritten by Dana and Ned Laird.
seattlesymphony.org | 206.215.4747
11
master works The Seattle Symphony … has enthusiastically embraced its role as a catalyst for change. – Vanguard Seattle
MARCH 31, APRIL 2 & 3
APRIL 21, 23 & 24
Mahler Sixth Symphony
The Miraculous Mandarin
21A/B
13A/B
7E/F
8G
21A/B
13A/B
7E/F
8G
Thomas Dausgaard conductor Francesco Piemontesi piano
Roderick Cox conductor Noah Geller violin
R. STRAUSS Burleske MAHLER Symphony No. 6
DAWSON Negro Folk Symphony GLAZUNOV Violin Concerto BARTÓK The Miraculous Mandarin Suite
Music Director Thomas Dausgaard conducts Mahler’s tragic Sixth Symphony. Driven, bitter and sweet by turns, the music is haunted by echoes of a military march stalking through the symphony. Brief moments of nostalgia suggest hope might win — but in the end, Mahler revealed, the mighty hammer-blows of fate fell the hero “like the stroke of an ax.” Thomas Dausgaard’s position is generously underwritten as the Harriet Overton Stimson Music Director.
APRIL 7 & 9
Dausgaard Sibelius Symphony No. 2 21A/B
13A/B
7C/D
Thomas Dausgaard conductor Isabelle Faust violin ANGÉLICA NEGRÓN New Work (Seattle Symphony Commission & World Premiere) SIBELIUS Violin Concerto (Original Version) SIBELIUS Symphony No. 2
Roderick Cox, a conductor who is “paving the way” (NBC News), returns to the Benaroya Hall stage. Cox opens the program championing William Dawson’s seldom heard Negro Folk Symphony (1934). He’s then joined onstage by Concertmaster Noah Geller for Glazunov’s Violin Concerto and Bartók’s lurid Miraculous Mandarin. Noah Geller’s position is generously underwritten as the David & Amy Fulton Concertmaster. Noah Geller's performances are generously underwritten by Grant and Dorrit Saviers.
APRIL 28 & 30
Stravinsky & Brahms 21A/B
13A/B
7C/D
Nathalie Stutzmann conductor Julia Bullock soprano Seattle Symphony Chorale STRAVINSKY Funeral Song BRAHMS German Requiem
From its icy, desolate opening to its robust, jubilant finale, Sibelius’ Violin Concerto glows. Isabelle Faust performs the seldom-heard original version of the piece – full of unexpected twists and turns. Thomas Dausgaard expertly shapes the arching melodies and majestic lines of Sibelius’ Second Symphony.
Nathalie Stutzmann conducts the Seattle Symphony and Chorale in Brahms’ German Requiem, one of the great Romantic choral works of the 19th century. Instead of setting the traditional mass for the dead, Brahms' selected texts from the Lutheran Bible create a unique and beautiful offering of hope and comfort.
Isabelle Faust's performances are generously underwritten by Mel and Leena Sturman. Angélica Negrón's New Work was commissioned by the Seattle Symphony with the support of Richard Meyer and Susan Harmon, and is presented as part of the Seattle Symphony’s New Music WORKS initiative, supported in part by a grant from the National Endowment for the Arts.
Julia Bullock's performances are generously underwritten by Leslie and Dale Chihuly. Nathalie Stutzmann's performances are generously underwritten by John Delo and Elizabeth Stokes.
12
2021 / 2022 season
Subscribe by July 24, 2021 to ensure in-person seating!
s
JUNE 2 & 4
Morlot Conducts Messiaen 21A/B
7A/B
Ludovic Morlot conductor Steven Osborne piano Deborah O’Grady video artist MESSIAEN Des canyons aux étoiles… (“From the Canyons to the Stars…”) Messiaen’s Des canyons aux étoilles… (“From the Canyons to the Stars...”) takes inspiration from the rock spires, birdsong and night sky of Utah’s national parks. Experience Messiaen’s starry-eyed journey through nature and the divine with luminous videography designed by artist Deborah O’Grady, creating a spectacular and interactive landscape across the concert stage.
Roderick Cox
Ludovic Morlot’s position is generously underwritten as the Judith Fong Conductor Emeritus. Morlot Conducts Messiaen is generously underwritten by Susan Detweiler, MD, in memory of Alexander W. Clowes, MD.
JUNE 9, 11 & 12
Wayne Marshall Plays & Conducts Gershwin 21A/B
13A/B
7E/F
8G
Wayne Marshall conductor & piano GERSHWIN Concerto in F GERSHWIN Second Rhapsody GERSHWIN An American in Paris
Deborah O'Grady videography
Nothing encapsulates the high-class fashions and devil-may-care attitudes of the Jazz Age like Gershwin’s music. Conducting these showpieces from the piano, Wayne Marshall leads the orchestra through Gershwin’s jazz-filled 1920s Paris. JUNE 16, 18 & 19
Verdi Requiem 21A/B
7A/B
8G
Thomas Dausgaard conductor Dinara Alieva soprano Ruxandra Donose mezzo-soprano Bruce Sledge tenor Dashon Burton bass-baritone Seattle Symphony Chorale
Wayne Marshall
BERIO Requies PUCCINI I crisantemi ("Chrysanthemums") VERDI Requiem Alternating between sublime lyricism and dramatic power, Giuseppe Verdi’s Requiem offers the thrill and drama of a grand opera, from muted sorrow in the opening movement to the sheer terror of the work’s infamous Dies irae. Music Director Thomas Dausgaard has gathered an extraordinary cast of soloists to join the Seattle Symphony and Chorale for this monumental work. Thomas Dausgaard’s position is generously underwritten as the Harriet Overton Stimson Music Director. Verdi Requiem is generously underwritten by the Nesholm Family Foundation.
Nathalie Stutzmann seattlesymphony.org | 206.215.4747
13
Seattle Symphony embarks on an exciting two-year Sibelius Cycle that highlights this Nordic composer.
Thomas Dausgaard
14
2021 / 2022 season
Untuxed FRIDAYS AT 7PM 3-concert series Music Director Thomas Dausgaard brings his Nordic roots and unique insights to the music of the great Finnish composer Jean Sibelius. This two-year Sibelius Cycle will explore all seven of Sibelius’ symphonies over two seasons, plus the rarely performed, original version of his Violin Concerto; each symphony will be paired with exciting Seattle Symphony commissions and world premieres by contemporary composers.
Come as you are and enjoy the best of classical music, with engaging insights from Music Director Thomas Dausgaard. These short, no-intermission concerts are the perfect kick-off to your weekend.
NOVEMBER 12
Brahms Untuxed Thomas Dausgaard conductor
Sibelius drew his inspiration from Finland’s enchanting natural wonders that mirror our own Pacific Northwest: glacial lakes, evergreen forests, sea breezes, migrating birds, long summer days and dark, sunstarved winters. This deep love of nature, with its ethereal beauty and creative inspiration, translates to the stage through Dausgaard’s own passion and reverence for the natural world that surrounds us. Take a journey through Dausgaard’s Sibelius Cycle.
See pages 11, 12 & 15 for all Sibelius Cycle concerts.
BRAHMS Symphony No. 1 Brahms’ First Symphony was decades in the making. His loyal public waited years to hear it and were rewarded with a towering masterpiece of emotion. FEBRUARY 4
Sibelius One Untuxed Thomas Dausgaard conductor ELLEN REID New Work (Seattle Symphony Commission & World Premiere) SIBELIUS Symphony No. 1 Thomas Dausgaard begins a two-year Sibelius Cycle with the composer’s First Symphony. Sibelius wrote surely the greatest ‘First’ ever — packed with transcendent soundscapes, towering inspiration and Nordic vigor. APRIL 8
Sibelius Two Untuxed Thomas Dausgaard conductor ANGÉLICA NEGRÓN New Work (Seattle Symphony Commission & World Premiere) SIBELIUS Symphony No. 2 Music Director Thomas Dausgaard expertly shapes the Second Symphony’s arching melodies and majestic lines alongside a bold work by composer Angélica Negrón. Thomas Dausgaard’s position is generously underwritten as the Harriet Overton Stimson Music Director. Angélica Negrón's New Work was commissioned by the Seattle Symphony with the support of Richard Meyer and Susan Harmon, and is presented as part of the Seattle Symphony’s New Music WORKS initiative, supported in part by a grant from the National Endowment for the Arts..
seattlesymphony.org | 206.215.4747
15
Pops Series FRIDAYS OR SATURDAYS AT 8PM OR SUNDAYS AT 2PM 6-concert series perfect for the whole family From classic rock’s greatest hits and a pulse-racing tribute to the Queen of Soul, Aretha Franklin, to holiday hits and the big-band sounds of the Count Basie Orchestra, the John & Ginny Meisenbach Foundation Pops Series delivers all the musical nostalgia you crave.
DECEMBER 10, 11 & 12
FEBRUARY 18, 19 & 20
Holiday Pops
España!
Stuart Chafetz conductor N’Kenge vocals
Jack Everly conductor Troupe Vertigo
There’s no place like Benaroya Hall for the holidays! Join conductor Stuart Chafetz and Broadway star N’Kenge for this dazzling program full of holiday favorites, traditional carols and plenty of yuletide cheer. All of the heartwarming sounds of the season await you at this lighthearted and joyful concert.
Incorporating artistic components from across different creative disciplines, Troupe Vertigo shows create stories woven together using highly stylized choreography, lighting and music to create scenes with imaginative visual landscapes. Don’t miss this concert featuring music by Bizet, Ponce and Albéniz as reimagined by the fantastical cirque performers Troupe Vertigo and the Seattle Symphony.
JANUARY 21, 22 & 23
Aretha: A Tribute Lucas Waldin conductor Capathia Jenkins vocals Ryan Shaw vocals Nichol Eskridge vocals Grace D. Ferrell vocals Phillip L. Ferrell II vocals Witness Mass Choir
APRIL 15 & 16
Count Basie Orchestra Scotty Barnhart director Carmen Bradford vocals Count Basie Orchestra
POPS Series A tribute to the Queen of Soul, this program features Symphony favorite Capathia Jenkins and three-time Grammy Award nominee Ryan Shaw performing such iconic hits as “Respect,” “Think,” “A Natural Woman,” “Chain of Fools,” “Amazing Grace” and many others.
The Count Basie Orchestra, today directed by Scotty Barnhart, has won every respected jazz poll in the world at least once, along with 18 Grammy Awards. They have performed for kings, queens and other royalty, appeared in several movies and television shows, and have played major concert halls across the globe. Now, they bring their considerable jazz chops to the Benaroya Hall stage. Please note that the Sunday matinee for this concert will take place on Saturday at 2pm.
16
2021 / 2022 season
I have spent so many wonderful, magical hours in Benaroya Hall listening to the music. I cannot imagine life without this part of it. – Art, subscriber
N’Kenge
MAY 6, 7 & 8
The Vinyl Years: A Classic Rock Songbook Michael Krajewski conductor Shem von Schroeck vocals & guitar Micah Wilshire vocals & guitar Lori Zabka vocals & guitar Classic rock’s biggest hits come alive in this symphonic tribute featuring popular anthems by The Doobie Brothers, Fleetwood Mac, Styx, Billy Joel and more. The distinct voices of Lori Zabka, Shem von Schroeck and Micah Wilshire shine in these full symphonic takes on many of your classic rock favorites.
Count Basie Orchestra
JUNE 24 & 25
Pride Pops Lee Mills conductor Thorgy Thor host & violin Alexa Jarvis vocals Seattle Men’s Chorus The vibrant voices of the Seattle Men’s Chorus join the Seattle Symphony for this special Pride weekend concert event with conductor Lee Mills at the podium. Plus, sensational NYC-based drag performance artist Thorgy Thor (RuPaul’s Drag Race, Dragnificent) leads the celebration as our fabulous host. Pride outfits encouraged!
Thorgy Thor
Please note that the Sunday matinee for this concert will take place on Saturday at 2pm. Lee Mills’ position is generously underwritten as the Douglas F. King Associate Conductor.
Subscribe by July 24, 2021 to ensure in-person seating!
Troupe Vertigo seattlesymphony.org | 206.215.4747
17
Baroque & Wine Series FRIDAYS OR SATURDAYS AT 8PM 3-concert series The most compelling interpreters of Baroque music take the Benaroya Hall stage to play and conduct! Before the concert*, raise a glass in the Grand Lobby with wine tastings featuring some of the Northwest’s best vintners. Just $10 for 4 pours.
OCTOBER 22 & 23
MARCH 11 & 12
From Bach to Rameau
From Vivaldi to Corelli
Jory Vinikour conductor & harpsichord Eduardo Rios violin Jeffrey Barker flute
Elisa Citterio conductor & violin Susan Gulkis Assadi viola
HANDEL Selections from Rodrigo RAMEAU Selections from Hippolyte et Aricie J.S. BACH Keyboard Concerto No. 1 J.S. BACH Brandenburg Concerto No. 5 Acclaimed harpsichordist Jory Vinikour explores the masters of the Baroque era, beginning with selections from two masterpieces for the operatic stage. Then it’s on to J.S. Bach with two showy works for harpsichord and solo instruments — his first Keyboard Concerto and the irrepressible Fifth Brandenburg Concerto.
SAMMARTINI Concerto in A major J.S. BACH Viola Concerto VIVALDI Concerto in D minor, “Madrigalesco” J.S. BACH Concerto for Three Violins LOCATELLI Sinfonia funebre CORELLI Concerto grosso, Op. 6, No. 4 The string section takes the lead as Seattle Symphony PONCHO Principal Viola Susan Gulkis Assadi steps into the spotlight alongside returning guest violinist and conductor Elisa Citterio. Hear the virtuosic players of the Symphony in unmatched clarity and detail.
Baroque & wi 18
2021 / 2022 season
… one of the most essential symphony orchestras in the country. – WQXR, New York
MAY 20 & 21
From Purcell to Bach Anthony Romaniuk conductor, harpsichord & organ MUFFAT Sonata No. 1, Armonico tributo PURCELL/arr. ROMANIUK An Imaginary Suite HANDEL Organ Concerto in F major J.S. BACH Sinfonia from Cantata No. 106 J.S. BACH Harpsichord Concerto No. 6 Handel’s inventive concerto unites the liturgical sounds of the organ with the elegance of a string orchestra. Muffat’s harmonic tribute to Italy blends German precision and French elegance to establish a new tradition of ensemble writing. Bach rearranges one of his famed Brandenburg Concertos for the harpsichord. It's a tour de force for keyboard instruments all in the capable hands of Anthony Romaniuk.
e ine
Jory Vinikour
*Pre-concert wine tastings will be held at the March 11 & 12 and May 20 & 21 performances.
Subscribe by July 24, 2021 to ensure in-person seating!
Elisa Citterio
Anthony Romaniuk
In Recital Series VARIOUS DAYS & TIMES 3-concert series Get up close and personal with the world’s most acclaimed musicians. It’s your chance to hear the best of the best on stage at Benaroya Hall.
TUESDAY, JANUARY 25, AT 7:30PM
Jan Lisiecki in Recital Jan Lisiecki piano CHOPIN Études, Op. 10 CHOPIN Nocturnes "Perhaps the most 'complete' pianist of his age." – BBC Music Magazine
Jan Lisiecki
FRIDAY, APRIL 1, AT 8PM
Yuja Wang in Recital Yuja Wang piano "Yuja Wang was the brilliant pianist, projecting the solo part to a nicety and getting every note to glitter." – Financial Times TUESDAY, APRIL 12, AT 7:30PM
Nobuyuki Tsujii in Recital Nobuyuki Tsujii piano “It was one of those rare performances where player and music seem one — a definition of virtuosity.” – The Observer
Yuja Wang
Nobuyuki Tsujii's performance is generously underwritten by The Nakajima Family.
Subscribe by July 24, 2021 to ensure in-person seating! Nobuyuki Tsujii
20
2021 / 2022 season
Chamber Series TUESDAYS AT 7:30PM 3-concert series Hear the talented musicians of the Seattle Symphony take center stage to perform an exquisite assortment of chamber works in the intimate Illsley Ball Nordstrom Recital Hall.
TUESDAY, NOVEMBER 2, AT 7:30PM
TUESDAY, MAY 3, AT 7:30PM
Complete Beethoven Cello Sonatas
Wynton Marsalis: A Fiddler's Tale Suite
Seattle Symphony musicians
Seattle Symphony musicians
BEETHOVEN Cello Sonatas Nos. 1–5
ARENSKY String Quartet No. 2 KENJI BUNCH String Circle WYNTON MARSALIS A Fiddler's Tale Suite
Cellists of the Seattle Symphony perform the complete Beethoven cello sonata cycle — a delightful odyssey through his composing life. The Classical influence of Mozart and Haydn reverberates through the early sonatas. The third sonata marks a turning point, as cello and piano achieve musical equality and dialogue. The late sonatas defy tradition and launch us toward new horizons. Please note that this concert will take place in the S. Mark Taper Foundation Auditorium. Efe Baltacıgil's performance is generously underwritten by Patricia and Jon Rosen.
Musicians of the Seattle Symphony perform the music of Wynton Marsalis' A Fiddler's Tale, a jazz-infused take on the dangers of making a deal with the devil. Paying homage to the Russian and American inspirations of A Fiddler's Tale, the program begins with Anton Arensky’s lush string quartet and an upbeat medley of American music styles from bluegrass to funk by Portland-based composer Kenji Bunch.
TUESDAY, APRIL 19, AT 7:30PM
Beethoven & Shostakovich Seattle Symphony musicians BEETHOVEN String Quartet No. 11, “Serioso” MARTINŮ La revue de cuisine Suite BEETHOVEN Horn Sextet SHOSTAKOVICH String Quartet No. 9 While composing his Ninth String Quartet, Shostakovich discarded a whimsical early version based on childhood themes and opted for a more assertive musical narrative. Beethoven’s String Quartet No. 11, subtitled “Serioso,” foreshadows some of Shostakovich’s trademarks, including dramatic, unexpected harmonic shifts and experimental structures.
Seattle Symphony musicians
seattlesymphony.org | 206.215.4747
21
New Series!
VARIOUS DAYS & TIMES 5-concert series Our new Octave 9 series stretches the boundaries of creative possibility, immersing you in new worlds through the fusion of music and technology.
FRIDAY, JANUARY 28, AT 8PM
FRIDAY, MARCH 18, AT 8PM
Tied Together
Ragamala: A Journey into Hindustani Music
Hub New Music string quartet Kojiro Umezaki shakuhachi Boston-based group Hub New Music collaborates with renowned Silkroad Ensemble shakuhachi artist Kojiro Umezaki in a program of new music by composers from the Asia/America New Music Institute. Hailed as "contemporary music trailblazers” (Boston Globe), Hub New Music champions adventurous and relevant programming — building dialogue between eastern and western musical traditions. Tied Together is generously underwritten by The Cricket Foundation.
FRIDAY, FEBRUARY 25, AT 8PM
#What2022SoundsLike HOCKET piano duo Seattle Symphony musicians Cutting edge piano duo HOCKET spent 2020 commissioning composers nationwide to write music about the pandemic experience. The result was the astounding #What2020SoundsLike. Now a celebratory 2-part program sees seven emerging composers imagining #What2022SoundsLike — dedicated to a hopeful future emerging from the pandemic. This first concert takes place in Benaroya Hall’s newest and most innovative space, Octave 9: Raisbeck Music Center. The program continues on the other side of the building with a special add-on concert, [untitled] 2022 (see opposite page).
22
2021 / 2022 season
Kala Ramnath Indian violin Seattle Symphony musicians Seattle Symphony's Composer in Residence Reena Esmail curates an unmissable evening with virtuoso Indian violinist Kala Ramnath. Ragamala means ‘garland of raags’, where melody and modes are strung together in intriguing combinations. Inspired improvisation blends with new composition, as featured artists are joined by members of the Seattle Symphony in the Octave 9 surrounds. SUNDAY, APRIL 10, AT 6PM
Evolution of Voices Eric Jacobs clarinet Seattle Symphony musicians For Seattle Symphony Clarinet Eric Jacobs, this past year has made him think about how musicians use their voices, about our space in our communities, and about how these things will evolve. The intersection between singing and clarinet is a perfect way to explore this evolution. Together with the Seattle Symphony, Jacobs has commissioned Angélica Negrón and Peter Shin to compose for singing clarinetist and electronics in order to explore our stories and how they are told. These new pieces will come together in a seamless program conceived for the theatrical surrounds of Octave 9.
WEDNESDAY, MAY 18, AT 8PM
‘Bells’: Piano & Electronics Anthony Romaniuk piano Scott Worthington electronics In 2020, Anthony Romaniuk’s album, Bells, was released to universal acclaim — a showcase of contrasting musical genres which few performing artists could achieve. Romaniuk brings repertoire from Bells to the creative possibilities of Octave 9, while LA-based composer Scott Worthington adds electronic soundscapes to repertoire by Purcell, Glass, Ligeti, Be ethoven and more. Octave 9: Emerging Artists is supported by the Paul G. Allen Family Foundation.
HOCKET
Special Add-On FRIDAY, FEBRUARY 25, AT 10PM
[untitled] 2022 Samuel & Althea Stroum Grand Lobby
Subscribe by July 24, 2021 to ensure in-person seating!
HOCKET piano duo Seattle Symphony musicians Seattle Symphony musicians join cutting edge piano duo HOCKET in Benaroya Hall’s Samuel & Althea Stroum Grand Lobby for the second concert in this two-part program dedicated to a hopeful future emerging from the pandemic. [untitled] 2022 features hints of jazz with new works by "powerfully inventive" (LA Times) composer Hitomi Oba and Jazz- and pop-influenced composer Jonathan Richards. HOCKET soloists Sarah Gibson and Thomas Kotcheff add another unique twist with two original compositions inspired by #What2022SoundsLike.
seattlesymphony.org | 206.215.4747
23
KEEP THE MUSIC PLAYING
“Everything that̓ s happening is really putting life in perspective. I want to support the things I truly love.” – Neil,
first-time donor
Support Your Symphony
When the coronavirus pandemic shut our doors, support from music lovers like you sustained the orchestra and allowed us to continue sharing concerts online, reaching hundreds of thousands of viewers. Now, with a bright outlook for the future, we are thrilled to plan for the return of live performances. Please help the orchestra continue to share inspiration, joy, and the connection that music creates by including a donation with your subscription. As we prepare for your safe return to Benaroya Hall, your support right now is so important. Even in the best of times, ticket sales cover only half the costs to put on a full season of inspiring concerts. The orchestra can’t wait to welcome you back to experience the music in person. We need your help to ensure the music plays on in the new season — and for many years to come! When you join as a Seattle Symphony donor, you’ll be eligible for insider access that brings you closer to the music.
24
2021 / 2022 season
Exclusive perks and unique experiences begin with your gift of $120 or just $10 per month. You’ll enjoy season-long access to streaming performances online via Seattle Symphony Live from the comfort of home. At the concert hall, you can join the orchestra for Open Rehearsals and savor complimentary coffee and tea during intermission plus so much more! Visit us online at seattlesymphony.org/friends to explore the many benefits we offer to enhance your Symphony experience — at home and at Benaroya Hall.
Please include a donation with your subscription — your generosity sustains the music you love! Questions? Contact Donor Relations —
we’d love to hear from you!
friends@seattlesymphony.org 206.215.4832 seattlesymphony.org/friends
A Safe Return to Live Music at Benaroya Hall We’re excited to be together once again at Benaroya Hall this fall. Comprehensive safety measures are being put into place to ensure your safety. Our top priority remains the health and safety of our patrons, staff and musicians.
Low- to no-touch concert experience Rigorous & Routine Cleaning Facial Coverings Required
Mara Gearman, Assistant Principal Viola
Savings on the Best Seats • Save over single ticket prices. • Save on merchandise and recordings at Symphonica, The Symphony Store.
Priority Status • Priority presale opportunities for added concerts and special events. • Access to the best remaining seats for you and your friends during Subscriber Advantage Week. • FREE one-time seating upgrade coupon.
Ultimate Ticket Flexibility • FREE and easy ticket exchanges. (Upgrade costs may apply.) • FREE lost ticket replacement. • One Missed Concert Voucher.
Social Distancing & Screening Controlled Air Filtration Visit our website for the most up-to-date information on our reopening & safety plans: seattlesymphony.org/planyourvisit
Subscriber Rewards seattlesymphony.org | 206.215.4747
25
SUBSCRIBE Untuxed 3-concert Series
Baroque & Wine 3-concert Series
In Recital 3-concert Series
Itzhak Perlman Add-on Concert
Lang Lang Add-on Concert
Celebrate Asia Add-on Concert
SEE PAGE
p. 15
p. 18–19
p. 20
p. 5
p. 5
p. 5
Orchestra F
$48
$69
$81
$50
$142
$46
Orchestra E
$63
$96
$126
$65
$82
$29
Third Tier Box Orchestra D
$63
$96
$126
$65
$82 $142
$29 $37
Orchestra C
$75
$126
$180
$80
$97
$46
Third Tier
$75
$126
$180
$80
$82
$29
Second Tier Second Tier Box
$87
$126
$180
$80
$117
$46
Founders Tier Orchestra B
$105
$189
$264
$117
$127 $137
$59
Orchestra A
$150
$204
$294
$135
$142
$77
Founders Tier Box
$171
$222
$345
$145
$167
$90
PARKING Benaroya Hall
$51
$51
$51
$17
$17
$17
R UNDERS TIE
SAFECO FOUN
SAFECO FO
DERS TIER
Classics, Subscriber Exclusives
SAFECO FOUNDERS TIER
PONCHO TIER
Masterworks, Classics, Exclusives 26
2021 / 2022 season
Online seattlesymphony.org/subscribe Phone 206.215.4747 or 1.866.933.4747 (toll-free) Mail Seattle Symphony Tickets, PO Box 2108, Seattle, WA 98111-2108
Masterworks Masterworks Masterworks 21 A or B 13 A or B 8G Package Package Package
Masterworks SEE PAGE
Masterworks 7 A or B, C or D, E or F Package
p. 8–13
p. 8–13
p. 8–13
p. 8–13
Orchestra F
$504
$312
$192
$168
Orchestra E
$714
$455
$280
$245
Third Tier Box Orchestra D
$672
$429
$264
$231
Orchestra C
$1,092
$689
$432
$378
Third Tier
$1,029
$650
$408
$357
Second Tier Second Tier Box
$1,092
$702
$440
$385
Founders Tier Orchestra B
$1,365
$871
$544
$476
Orchestra A
$1,911
$1,222
$760
$665
Founders Tier Box
$2,415
$1,560
$968
$847
$357
$221
$136
$119
PARKING Benaroya Hall
Chamber 3-concerts Series
Octave 9 5-concerts Series
Add-on Concert
Pops SEE PAGE
p. 16–17
Orchestra D
$192
Third Tier Box
$198
Orchestra C
$234
Third Tier
$228
Second Tier Second Tier Box
$312
Orchestra B
$294
Founders Tier
$414
Orchestra A
$384
Founders Tier Box
$492
PARKING Benaroya Hall
$102
[untitled]
p. 21
p.22–23
p. 23
Series/ Add-on
$84
$60
$16
Parking
$51
$85
$17
Venue
Illsley Ball Nordstrom Recital Hall
Octave 9: Raisbeck Music Center
Samuel & Althea Stroum Grand Lobby
SEE PAGE
Three Easy Ways to Subscribe
Pops All performances will take place in the S. Mark Taper Foundation Auditorium unless otherwise noted. The Seattle Symphony is a registered 501(c)(3) nonprofit organization. Tax ID# 91-0667412. The Symphony is registered with Washington State’s Charities Program as required by law. Additional information is available by calling 800.332.4483 or visiting www.sos.wa.gov/charities. * Ticket prices include a $5 facility fee per ticket for the preservation of Benaroya Hall. Facility fee waived for children’s concerts. All programs, artists and prices are subject to change without notice. All prices are in U.S. dollars. All orders and seating subject to availability. All payments are processed upon receipt of order; this is not a guarantee of seating, but of your placement in the queue for the seats you’ve requested. You will be contacted by phone with any seating questions. No refunds will be made after your series has begun. Group subscriptions are available by calling 206.215.4747. Children 5 years of age and older are welcome at all performances with a purchased ticket. Photo Credits: Pages 2 & 15 — Karya Schanilec; Pages 4, 21–23 & 25 — James Holt; Page 19 — Brandon Patoc
seattlesymphony.org | 206.215.4747
27
seattlesymphony.org PO Box 21906 Seattle, WA 98111-3906
... the music is waiting for you,
“[Seattle Symphony̓ s performance] felt symbolic: a declaration that connection and solidarity and collective beauty would continue ...”
music awaits
– The New York Times Magazine
Subscribe by July 24, 2021 to ensure in-person seating!