Relient K MMHMM Guitar Tab Songbook

Page 1

from Relient K - MMHMM

The One I’m Waiting For Words and Music by Matthew Thiessen

A5

G5

D5

5fr

Bm

Asus4

1342

112

G5

open

Em7

5fr

134

134

134

1

2

12 4

Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

Intro Moderately q = 115 * D5

D

                   

               

Gtr. 1 (dist.)

f P.M.

5

3

P.M.

5

3

3

3

5

3

P.M.

P.M.

5

3

3

P.M.

5

3

3

P.M.

P.M.

5

2

3

3

3

P.M.

2

3

3

2

3

P.M.

P.M.

2

3

P.M.

2

3

3

P.M.

2

3

3

*Chord symbols reflect implied harmony.

Dsus4 Gtr. 2 (dist.)

 

Gtr. 3 (dist.)

A5

   

  

f

  

  

  

10 10 7

10 10 7

f 10 10 7

                         P.M.  P.M.  P.M.  P.M.  P.M.  P.M.  P.M. P.M. Gtr. 1

3

3

3

3

3

3

3

  

  

  

10 8 7

10 8 7

3

3

3

3

3

3

3

3

0

3

3

3

0

3

10 10 7

0

3

Quadruple-time feel G5 Rhy. Fig. 1

    

  

  

10 8 7

10 8 7

10 8 7

  

  

  

10 8 7

10 8 7

  

       

  

          

  

  

10 8 7

10 10 7

10 10 7

10 8 7

10 8 7

10 10 7

10 10 7

10 8 7

10 8 7

  

  

  

10 8 7

10 8 7

  

        10 8 7

10 8 7

10 7 7

Riff A                                   P.M.  P.M.  P.M.  P.M.  P.M.  P.M.  P.M.  P.M.  P.M. P.M. P.M. P.M.

5

3

3

5

3

3

5

3

5

3

3

5

3

3

5

3

5

3

3

5

3

3

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

5

3

5

3

3

5

3

3

5

3

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D5

A5

 

  

     

  

     

  

     

     

  Gtr. 3

 

    

  

     

  

Gtr. 4 (dist.) divisi

End Rhy. Fig. 1

       

  

  

  

  

10 10 7 7 7 5

10 10 7 7 7 5

f 10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

                  

2

3

P.M.

2

3

3

3

P.M.

2

2

3

P.M.

3

3

P.M.

2

3

3

P.M.

2

10 7 7

10 7 7

10 7 7

10 10 7 7 7 5

10 10 7 7 7 5

        

End Riff A

P.M.

10 7 7

P.M.

0

3

3

3

P.M.

0

3

let ring

0

3

3

Gtr. 1: w/ Riff A Gtr. 4 tacet

G5

 

  

  

  

 

  

  

  

     

     

     

         

   

     

     

         

10 8 7

10 10 7

10 8 7

10 8 7

10 8 7

10 8 7

10 10 7

Gtr. 3

10 8 7

10 8 7

10 8 7

10 10 7

10 8 7

10 8 7

10 8 7

10 8 7

10 8 7

10 8 7

10 8 7

10 8 7

10 7 7

Gtr. 3 tacet

D5

 

  

  

  

A5

(cont. in notation)

 

     

     

     

     

 

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

10 7 7

Hey,

hey,

hey.

 

 

7 7 5

7 7 5

7 7 5

   

*Gtrs. 2 & 4

Harm.

10 7 7

10 7 7 5

5

Pitch: E *Composite arrangement

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  Hey.

        

Harm.

5 E

5

5

5

5

5

 7 7 5


Verse Gmaj7

   

   

1. The way that

 

Riff B

  P.M. 

   

girl

heart,

can

  

3

3

and this

 

       P.M. 5

4

5

your

   

5

is

   P.M.

5

5

 

it’s like

P.M.

  

3

3

  

the

part:

5

4

5

4

5

   

 

  And

  Gtr. 2

  P.M. 

she’s so

 

 

2 3

   con

fi

-

    P.M.

   

 

3

 

-

 

y

5

3

4

5

5

5

4

4

2

she

knows

  it. End Riff B

7 7 5

ev - ’ry

0

Dadd4

-

bod

-

y

wants,

   

 P.M.

2

4 3

   

    P.M. 3

     A5

her to

4

2 5

4 5

3

End quadruple-time feel

wants

2

A5

7 7 5

know

G5

5

4

4

7 7 5

7 7 5

A5

that. Gtrs. 2 & 4

2

5

7 7 5

                            P.M. P.M.  P.M. 5

5

4

what

 

5

P.M.

   

that she’s

3

 

 

 

art,

    



 

of

3

  

2 3

  

4

3

but no - bod

P.M.

2 3



dent

4

3

  

-

  

4

5

   

 

Gtr. 4: w/ Riff B

Gmaj7

3

      P.M.  let ring

5

work

4 3

Dadd4

  

a

    P.M.

5

3

    

5

    4

worst

   



5

3

   



break

4

5

3

   

P.M.

4 3

      

7 7 5

0

5 5 3

   (Gtr. 2, cont. in slashes)

7 7 5

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Pre-Chorus Bm

 

Rhy. Fig. 2 Gtr. 2

  

  

 

So

  

     

back

on

all

fall

Asus4

of

      your

                   P.M.  P.M.  P.M. P.M. P.M. Gtr. 4

7

G5

7

7

5

7

7

7

7

5

7

7

5

7

7

        just

   

   

to

-

7

7

learn

lis

-

-

ni

7

7

P.M.

5

7

7

5

7

P.M.

P.M.

5

7

to

7

7

7

5

7

7

  and

7

7

P.M.

5

7

7

7

P.M.

5

7

7

those

that

have

more

wis - dom

 than

you. End Riff C

5

7

Gtr. 2: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff C

  

Bm

 And

  

 

just

stop

Em7

Live

your

life

for

 

Gtr. 5 (clean)

put - ting

those

that

you

Asus4

 

so

much

 

 

 

w/ chorus let ring

3

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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G5

in

all

of

this

Asus4

 

stuff.

Bm

love.

mf

4

 

stock

Interlude G5

5

7

End Rhy. Fig. 2

P.M.

tions,

                 P.M.

   

Em7

 

ten

7

   

o

-

P.M.

5

open

    

               

Riff C

5

prem

    

 let ring

0 5

7

0 7

 

9

 

0

 

9 7


Chorus

 

G5

Asus4

Bm

 

  

G5

  

I’m

still

And

 

 let ring

let ring

0

5

3

Bm

 

 







0

9

7

0 9 7

G5

  

you

to

be

the

one

I’m

 

 

Asus4

 

0

9

9 7

 let ring

0

5

3

 

wait - ing

for

 let ring



0

7

5

Bm

for.

 let ring

0

7

5

 

0

5

3

wait - ing

let ring

7

 

let ring

0

7

5

  

Asus4



0

9

7

Verse Quadruple-time feel Gtrs. 2 & 4: w/ Rhy. Fig. 1 (2 times) Gtr. 5 tacet

   

G5

2. The

  

D5

way

that

girl

 

 



But

G5

can





don’t

ev

turn

 -



er

And

she’s

got

it

all

 your

-

   



head,



 for

well, she



get,







 



all



is

such





A5

she



  

 





a

threat.





knows

 fig

it.





-

ured

 out,

(Whoa.)

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  

D5

 



and







she

won’t

let



you

Gmaj7

       Gtr. 6  (dist.)

   

  

f

divisi

5 5 3

    

4 X 3

5 5 3

5 5 3

  

  

4 X 3

7 7 5





doubt

A5

Gtrs. 2 & 4

5 5 3









she

knows

it.

Gmaj7

  

A5

    

7 7 5

5 5 3

  

End quadruple-time feel

A5

5 5 3

   

   4 X 3

  

 

5 5 3

5 5 3

 

  

    

4 X 3

7 7 5

(Gtr. 2 & 4, cont. in slashes)

7 7 5

Chorus Gtr. 6 tacet

D5

G5

Rhy. Fig. 3

      Gtrs. 2&4

I’m

   

   

still

wait

      

-

   

ing

for

 

to

          

be

the

    

one I’m wait - ing

Riff D

 

 

 

 

 

 

 

 

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

 

G5

      I’m

    

still

    wait

-

End Rhy. Fig. 3

       ing

   

   

 

for

you

to

             be

the one I’m wait - ing

   

 

 

 

 

 

 

 

 

 

    

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

for. End Riff D

Em7

Sorgdal

you

    Gtr. 1

     

for.


Interlude Gtr. 2 tacet

Em7 Gtr. 4

                  

P.M.

5

3

P.M.

5

3

3

P.M.

5

3

3

P.M.

5

3

P.M.

5

3

3

               

P.M.

5

3

P.M.

2

3

3

P.M.

2

3

3

3

  

P.M.

3

3

3

P.M.

3

3

3

3

3

3

  Gtr. 3

P.M.

P.M.

3

P.M.

3

3

3

2

3

P.M.

2

G5 Gtr. 1

P.M.

3

P.M.

2

3

3

3

2

3

P.M.

2

3

3

P.M.

3

3

3

2

8

7

7

Pre-Chorus Gtr. 2: w/ Rhy. Fig. 2 (2 times) Gtr. 4: w/ Riff C (2 times)

  

Bm

  So

   2

   6

fall

back

on

all

of

Asus4

your prem - o - ni

 -

grad. bend

1/2

 tions,

 

G5

and

just

learn

to

lis

-

ten

  to

2

grad. bend

1/2

6

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


  



Gtrs. 1 & 3 tacet

Em7

those

that



have more

G5





all

of

this

wis - dom



 



 than

 

And

just

stop

Em7

Live

your

life

for

you.

stuff.

 



Bm

put - ting

those

that

you

 

so

much

Asus4



 

 

stock



in



G5

love.

 

Gtrs. 2 & 4

 



  







 

Harm. *

5 5 3

3.1

3.1

Pitch: B *Harmonic located just past 3rd fret.

Chorus Gtr. 1: w/ Riff D (3 1/2 times)

  





I’m

still

wait

D5

       7 7 5

7 7 5

 

   

 

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5



be

the

one

I’m

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

  5 5 3

7 7 5





wait - ing

    5 5 3

5 5 3

 for.

  5 5 3



7 7 5

7 7 5





I’m

still

Bsus4

for

 

   

5 5 3

ing

   



5 5 3

-



G5

 

         

   





you

to

   

 

   

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3



5 5 3

   

Asus2

wait

-

ing

  

   

  

  

   

  

  

   

  

  

   

  

0 0 X 9 9 7

0 0 X 9 9 7

0 0 X 9 9 7

0 0 X 9 9 7

0 0 X 9 9 7

0 0 X 9 9 7

0 0 X 7 7 5

0 0 X 7 7 5

0 0 X 7 7 5

0 0 X 7 7 5

0 0 X 7 7 5

0 0 X 7 7 5


   

G5

for

    

to

be

the

one

I’m

wait

-



ing

for.

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

(Some - thing

 



tells

me

 that

-

na

take

pa

this

is



I’m

still

-

tience.

Some - thing



G5

ing

 

gon - na



G5

for

-

Em7

   

wait

   

you



 

still

Gtr. 1



 

I’m



 



 

   

 

D5

   



 

   

Gtrs. 2&4



 

Gtrs. 2 & 4: w/ Rhy. Fig. 3

 



 

5 5 3

 



for.

make

sense.

Some - thing



 

tells

me

 that

this

  

you

to

be

the

one

I’m

-

 

tells

me

it’s

out

in

the

end.)

wait - ing

gon -

ing  

will

all

work

 

for.

 



   

wait

  

7 X 5

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


from Relient K - MMHMM

Be My Escape Words and Music by Matthew Thiessen D5

A5

E5

5fr

A5 VII

5fr

134

7fr

134

134

Dsus2

E

13

4fr

321

134

F#5/C#

5fr

1341

F#5 9fr

134

A 5fr

B5

7fr

D5/A

9fr

312

5fr

1134

1134

Intro Fast q = 224

F#m

    

Gtr. 1 (dist.)

F#sus2

  

  

  

     

9 10 11 11 9

9 10 11 11 9

9 10 11 11 9

9 10 11 11 9

Rhy. Fig. 1

F#m

             

F#sus2

  

  

  

  

              

9 10 11 11 9

9 10 11 11 9

9 10 11 11 9

9 10 11 11 9

9 10 11 11 9

F#m9

  

  

  

  

  

9 9 9 11 9

9 9 9 11 9

9 9 9 11 9

mf 9 10 11 11 9

D5

   

  

  

  

  

  

  

9 10 11 11 9

9 10 11 11 9

9 10 11 11 9

9 10 11 11 9

9 10 11 11 9

9 9 11 11 9

* Gtrs. 2&3 (dist.)

f

  Gtr. 1

9 9 11 11 9

9 9 11 11 9

     

   9 9 11 11 9

9 9 11 11 9

9 9 11 11 9

9 9 11 11 9

9 9 11 11 9

    

      9 9 11 11 9

9 9 11 11 9

9 9 11 11 9

9 9 11 11 9

   

  

  

  

  

  

  

  

  

  

9 9 11 11 9

9 9 11 11 9

9 9 11 11 9

9 10 11 11 9

9 10 11 11 9

9 10 11 11 9

9 10 11 11 9

9 10 11 11 9

9 9 11 11 9

9 9 11 11 9

9 9 11 11 9

9 9 9 11 9

     

 (cont.in notation)

  

  

  

  

  

  

9 9 11 11 9

9 9 11 11 9

9 9 9 11 9

9 9 9 11 9

9 9 9 11 9

9 9 9 11 9

End Rhy. Fig. 1

*Composite arrangement

Gtr. 1: w/ Rhy. Fig. 1 ** F#m

F#sus2

    

 

       

4 4 2

4 4 2

4 4 2

F#m

F#sus2

F#m9

Gtrs. 2 & 3

4 4 2

4 4 2

4 4 2

      4 4 2

4 4 2

       

 

 

       

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

      4 4 2

4 4 2

      4 4 2

4 4 2

4 4 2

**Chord symbols reflect overall harmony.

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

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Sorgdal


D,7

D,7#11

   

 

       

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

D,7

     

7 7 5

7 7 5

7 7 5

Dmaj7#11

       

 

 

       

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

D,9#11

     

7 7 5

7 7 5

     

7 7 5

7 7 5

7 7 5

7 7 5

Half-time feel Gtrs. 2 & 3 tacet

F#m

 Gtr. 5 (dist.)    

F#sus2

  

Rhy. Fig. 2A

mf

  

 

mf

Gtr. 4 (dist.) divisi

  

 

 

F#m9

        

F#sus2

Dmaj7

  

    

Dmaj7#11

 

  

  

  

 

   

Dmaj9#11 Dmaj7#11

        

End Rhy. Fig. 2A

Rhy. Fig. 2

9 10 11 11

9 10 11 11

  

 

End Rhy. Fig. 2

9 10 11 11

9 10 11 11

9 10 11 11

9 10 11 11

9 9 11 11

9 9 11 11

9 9 11 11

9 9 9 11

9 9 9 11

9 9 11 11

9 10 11 11

9 10 11 11

9 10 11 11

9 10 11 11

9 10 11 11

9 10 11 11

9 9 11 11

9 9 11 11

9 9 11 11

9 9 9 11

9 9 9 11

9 9 11 11

End half-time feel Gtrs. 4 & 5: w/ Rhy. Figs. 2 & 2A

 

A6

A,7add13

Verse A5

A,7

B7sus4

               1. I’ve giv - en

up

on

Riff A

 

*Gtr. 6

 

mf

 

 

giv - ing up

Amaj7add13 F#m7/E

slow

-

Dsus2

    

 

  

I’m blend -ing in

so you

won’t e - ven

ly.

F#m9/E

 

   know

me

w/ fingers let ring throughout

5 0 *Piano arr. for gtr.

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 2

5

5 2

5

2 2

5 2

5

5 2

2

5 0

5 2

5

5 2

2

5

5 2

2

5

5 2

2


F#m7

  

 a

   -

 

part

Esus4

from

this

          5

5

2

4

whole

5

5

2

 

5

2



world

that

shares

5

5

2

2

B7sus4

A/C#

  

my

 

5 2

Dsus2

fate.

    

5

5

2

5

2

5

  

End Riff A

5 5 0

4

Half-time feel Gtr. 6: w/ Riff A

A5

  

This

one

last

B7sus4

  

bul - let

     Gtrs. 2 & 3

you

men

- tion

is

my

  

one

last

shot

  

  

7 7 5

    

Dsus2

 

at

  

re - demp

-

tion

  

7 7 5

9 9 7

End half-time feel

F#m7

      ’cause

I

 

Esus4

 

know

to

  

live

    

     

F#5

  

Rhy. Fig. 3

11 11 9



give

your

life



9 9 7

hous - ing

     

  

11 11 9

Pre-Chorus

you must

B7sus4

all

this

 

D5

doubt

    

 

11 11 9

7 7 5

11 11 9

 

7

  and

 

 

 

7 7 5

7 7 5

 

Dsus2

   a

 -

   4

se - cu

   

     way.

And I’ve been

5

5

E5

-

     

A5

in

A/C#

-

 

    

7 7 5

7 7 5

   

ri - ty.

  9 9 7

And I’ve

 

 been

 

End Rhy. Fig. 3

9 9 7

9 9 7

 

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Gtrs. 2 & 3: w/ Rhy. Fig. 3

       

     

F#5

D5

locked

in - side

that

F#5

   

 

dy - ing

to

Rhy. Fig. 4

     

 

B5

 

 

11 11 9

11 11 9

   

way

house,

all

out,

 

 

7 7 5

  

there’s no

 

of



and

that

might

be

the

 

 

7 7 5

7 7 5

know - in’

   

 

where

to

9 9 7

9 9 7

9 9 7

9 9 7

Riff B

          17

17

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

14

17

17

17

14

17

death

of

7 7 5

7 7 5

 

go,

I

key.

    

    

D5

the

  

me.

And

 

 





prom - ise

I’m

 

  

 

e - ven

though

 

   

9 9 7

9 9 7

X X X

E5

  

 

  

go - in’

be

-

 

 

been

 

9 9 7

   



And I’ve



E5

 

X X X

cause End Rhy. Fig. 4

 

       

(cont. in slashes)

7 7 5

7 7 5

D5

got - ta

8v a

hold

 

  

I

Gtr. 6

A5

E5

  

  

you

 

 

Gtrs. 2&3

while



 

Rhy. Fig. 5

the

  

E5

 

Half-time feel A5

    

    

 Chorus



A5

D5

get

  

Gtrs. 2 & 3

11 11 9

3



   

 



get

out

of

7 7 5

9 9 7

9 9 7

X X X

E5



X X X

X X X

X X X

End Rhy. Fig. 5

(Gtr. 3, cont. in notation)

  

here.

I’m End Riff B

       

   

           

17

17

17

17

16

17

17

17

16

17

15

18

15

15

18

15

17

14

16

14

17

14

16

14


Gtr. 6: w/ Riff B (2 times)

A5 VII Rhy. Fig. 6

   Gtr. 2



stuck

in

-





side

this

    

 

7 7 5

7 7 5

 

that

I

D5

   

      

rut

Rhy. Fig. 6A

Gtr. 3

E5

fell

in

-

E5



  

 

to

by

mis

  -

   

End Rhy. Fig. 6

take.

 

 

 

 

 

 

 

 

9 9 7

9 9 7

7 7 5

7 7 5

9 9 7

9 9 7

X X X

X X X

End Rhy. Fig. 6A

 

 

X X X

X X X

T o Coda 

*End half-time feel Gtrs. 2 & 3: w/ Rhy. Fig. 5

 

A5

  



Esus4

I





D,7







got - ta

get

out

of

here.



E6sus4





And

I’m

*First time only.

     F#5

 

beg - gin’

you,

   

 

11 11 9

11 11 9

Gtrs. 2 & 3



 I’m

        11 11 9

Verse A5

       

µ

2. I’ve giv - en

 

Riffs C & C1

 

P.M.

  

up

11 11 9

11 11 9

E5

 

beg - gin’

you,

 

 

9 9 7

9 9 7

Bm7

on

  P.M. 

5

7 7

7

 

beg - gin’

you

        9 9 7

µ

do - ing this

 I’m

       

7 5



  

B5

a - lone

  

9 9 7

  to

be

now

  P.M.  5

my

es

 -

cape.

9 9 7

µ



  

9 9 7

D5





  

9 9 7

5



E5

  

 

’cause I’ve failed

and I’m

7

D5

   

read - y

  P.M.  5

5

to

µ

  

be shown how.

7

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


    



 

You’ve told

me

the

F#5

  

      

way

and

   

now

I’m

   



E5

Bm

try - in’

A/C#

to

  

Gtr. 2

 

9 9 7



7 10



D

get

Gtr. 3 divisi *

11 11 9



there. End Riff C

   



7 9

9 10

 

End Riff C1

*Gtr. 3 to left of slash in tab.

  





this

life

Gtrs. 2 & 3: w/ Riffs C & C1

A5

  

µ

And

F#5

  



Bm7

    

µ

sen - tence that

      But

the beau - ty

of

   

D5

  

       

grace

 

 

I

ad - mit

that I’m



   

I’m serv - ing

E5

is

that

it

Bm

makes

µ

A/C#

life



not

D5

µ

     

ev - ’ry





D

bit

de - serv - ing.

   

fair.

’Cause I’ve been

Pre-Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 3 (2 times)

       

F#5

  

hous - ing

    Gtr. 7 (dist.)

all

this

     

F#5

locked

    11

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

  

12

D5

  

12

 

and

10

9

that



house,

 9

9

10

9



    

A5

E5

in

-

se - cu



    all

 9

the

-

ri - ty.

  

9

11

9

      in - side

doubt

mf

11

 

D5

 

A5

while



11

9

11

E5

hold

   9

the

   

key.

 9



And I’ve

  

      you

  

And I’ve

 7

been

9

7

  been


Gtrs. 2 & 3: w/ Rhy. Fig. 4

F#5



and

that

might

be



D5

    

     3

dy - ing

to

   

get

  

out,

10 11

12

9

9

A5

       the

death

of

  

me.

   9

11

9



E5

And

  

 

e - ven

though

    

9

9

7

11

9

11

9

Gtr. 7 tacet

 

B5

 

  

  

there’s no

 

way

of

 

know - in’

  

D5

  

 

where

to

 

go,

I

  

  

prom - ise

I’m

E5

    

go - in’

be

  

-

cause





  

  

(Ah.)

   Gtr. 7

9

9

Chorus Half-time feel Gtrs. 2 & 3: w/ Rhy. Fig. 5 Gtr. 6: w/ Riff B (3 times)

  

A5

  



Esus4

I

Gtrs. 2 & 3: w/ Rhy. Figs. 6 & 6A

     

A5

fraid







that

this

com



Esus4

-

A5

   I







got - ta

get

out

of





pla - cen - cy

Gtrs. 2 & 3: w/ Rhy. Fig. 5

  

 3



D,7

Esus4



   

 

Dmaj7

is



got - ta





here.

E6sus4

’Cause I’m

      

some - thing



I



D,7







get

out

of

here.



E6sus4

can’t



shake,

E6sus4

a -

yeah.





And

I’m

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


      F#5

  

beg - gin’

you,

  

E5

  

beg - gin’

you,

 I’m

 I’m

  

D5

  

 

beg - gin’

you

to





my

es



E5

be

Rhy. Fig. 7

    Gtrs. 2 & 3

  

  

  

9 9 7

7 7 5

9 9 7

11 11 9

 -

cape.

End Rhy. Fig. 7

Interlude Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas., 2 times) Gtrs. 2 & 3 tacet

   

F#m

F#sus2

F#m

F#m

F#sus2

    

F#sus2

F#m

F#m9

F#sus2

F#m9

Gtrs. 2 & 3

  

* mf

  

  

f

**

4 4 2 *1/2 vol.

**Vol. swell

Bridge Gtrs. 2 & 3 tacet *** F#5

  

 I

  am

 



a

hos

-

tage

D5

   





to

my

own









hu - man - i

-

ty,

***Chord symbols implied by bass, next 8 meas.

A5

  

F#m

    

  

Gtr. 8 (dist.)

self

de

   -

tained

    

 

And now all I’m

ask

and

B5

  

  

forced

to

live

F#sus2

 

in

D,7

this

mess

  

  

 

in’

is

for

you to

  

do

  

  

  

9 9 11 11

9 10 11 11

9 10 11 11

9 10 11 11

9 10 11 11

-

  

  

     

9 10 11 11

9 10 11 11

9 10 11 11

 

 

 



D,7#11

what

 

  

I’ve

made.

     you can

 

with me,

 

 

mp 9 10 11 11

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

9 9 11 11

9 9 11 11

9 9 11 11

9 9 11 11

9 9 11 11

9 9 11 11

9 9 11 11


Gtrs. 4 & 5: w/ Rhy. Figs. 2 & 2A Gtr. 8 tacet

A6

  

  

 but

A,7add13

I

can’t

  

ask

you

Amaj7 A,7add13 * F#m/B

to

give

  

what

F#m9/B

  

 you

al

  

- read - y

gave.

Pre-Chorus Gtrs. 2, 3 & 8 tacet

B5 Gtrs. 2&3



F#5

  

P.M.

     

’Cause I’ve

             Gtr. 8

9 10 11 11

9 10 11 11

9 10 11 11

    

Gtr. 6

  

been

  

hous - ing

     

Dsus2

Rhy. Fig. 8

all this

doubt

  and

    

Riff D *Gtr. 9

 

mf

9 10 11 11

9 9 11 11

9 9 11 11

9 9 9 11

9 9 9 11

6

7

*Violin arr. for gtr.



A

E

  

 

  

Gtr. 6: w/ Rhy. Fig. 8 Gtr. 9: w/ Riff D

F#5

  

        in

-

se - cu - ri

-

ty.

Dsus2

End Rhy. Fig. 8

And I’ve

been

  

  

locked

in - side

End Riff D

  5

3

that

 

house,

all

the

Gtr. 6: w/ Rhy. Fig. 8 (last 2 meas.) Gtrs. 2 & 3 tacet

4

A

E

        while you hold

 

the key.



F#5/C# Gtrs. 2&3

    And I’ve

 been

D5/A

        

dy - in’

to

 

get out,

A

E

  

     

that might

Gtr. 9

   

be

the death

of

me.

  6

4

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Sorgdal


D.S. al Coda Gtr. 9 tacet

Bm7

           And

e - ven

 

though

   

D5

  

  

            

there’s no

way of know - in’

where to

go,

I

prom - ise

I’m

Esus4

    

  

go - in’

be

- cause

       

Gtrs. 2 & 3



P.M.

   

 

5

5

5

5

7

7

4 7

7

7

 Coda

Gtrs. 2 & 3: w/ Rhy. Fig. 7

      F#5

  

beg - gin’

you,

Interlude Moderately q. = 75 F#m

   



  

Riff E

*Gtr. 10

7

  

E5

  

beg - gin’

you,

 I’m

E



  

7

7

7

  

 I’m

D5

  

 

beg - gin’

you

to

D

 

 

 

11 X 9

9 X 7

7 X 5

*Kybd. arr. for gtr. Gtr. 6

7

 

  

2 2

4

4

2

2

4

   

  6

7

5

be





my

es

X X X

X X X

-

5 6

7

7

 

cape.

   

5

X X X



End Riff E

 

 

7



E5

X X X

6

     

7

4

2

0

4

2

0

Gtr. 10: w/ Riff E

F#m

   

Gtr. 6

E

 

2 4

2

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4

2

 4

2 6

7

 

7

5

5

D

 

0 6

7

 0

4

2

  3

2

  2

4

  2

2


Outro-Verse

F#m

  

you

     

Oh,

4

4

F#m

  

And

all

4

2





we

re

2

4

 

E

-

gret

 

  

G'9

I





4

2



2

1

2 4



  but

 

was

try

-

4

5

5





so

were



0

6 7 9

6 7 7

3

 5



5

D'9

in’

4 5

0

0

to

do

0

0

4

Gtr. 10 tacet



rit.

3

5

you,

 

11

win.

12

10

9

0

0

10

  

  

D



0 1

0

rit.

0

3

2

you







2

  

so

were





Gtr. 6 15 ma

5 2

Pitch: E

 2 2

0

0

 

was

save



3

 3 4

   my

own

  

skin,

0

A

 

you.

   

loco

3 .1

Harm.

rit.

2

let

 



Gtr. 6 divisi

  

a

  



     

should

4

(Oh.) Gtr. 10

do.

2

2

 

   





0

0

D

things we

 

2



0



those

5

3

4

I

 

5

5

   

A/E  

long,

2

2

   

so

 



3

F#m

   

for

D

  

  

  

4

2



 

6 4

G'9

3

how

   

2

 

F#m

4

2

 

fought

 I

 

 

  

*

5 6 7 0

F# *Harmonic located just past 3rd fret.

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from Relient K - MMHMM

High of 75 Words and Music by Matthew Thiessen C5

F5

A5

G5 5fr

134

134

134

134

Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

Intro Moderately fast q = 141 * Csus4

   

C

Csus4

C

Gtr. 1 (acous.)

mp

3 3



      

   





      

   

3 3

3 3

2 3

3 3

3 3

3 3

2 3

3 3

3 3

2 3

2 3

2 3

2 3

2 3

2 3

3 3

3 3

2 3

2 3

2 3

2 3

0 3 3

0 3 3

*Chord symbols reflect implied harmony.

F5

F,7

F5

  

 

             

3 X 1

3 X 1

3 X 1

3 X 1

3 X 1

Amb6

2 X 1

2 X 1

2 X 1

2 X 1

       

 

 

             

       

2 X 1

3 X 1

3 X 1

3 X 1

2 X 1

2 X 1

A5

Gtr. 2 (elec.)

F,7

2 X 1

2 X 1

G7

3 X 1

2 X 1

2 X 1

2 X 1

G6

3 X 1

2 X 1

2 X 1

3 X 1

F

 

mf *w/ dist. & amp tremolo

10 10 *Amp tremolo set for eighth-note regeneration. Gtr. 1

  

 

             

       

 

 

             

       

  

3 0

3 0

3 0

2 0

3 X 3

3 X 3

3 X 3

2 X 3

3 3 1

3 0

3 0

2 0

2 0

2 0

2 0

3 0

3 0

3 X 3

3 X 3

2 X 3

2 X 3

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

2 X 3

2 X 3

X X X

X X X

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Sorgdal


Double-time feel Gtr. 2 tacet

C5

      

   

      

   

 

       

       





    

       

8 6

8 6

8 5

8 8

8 8

8 8

Rhy. Fig. 1 *Gtr. 3 (elec.)

f

w/ dist. Riff B Gtr. 4 (elec.)

 

     

End Riff B

     

mf w/ dist.

8 6

Riff B1 Gtr. 5 (elec.)

  

8 6

8 6

8 5

 

       

10 X 8

10 X 8

 



   

3 3

3 3

3 3

8 5

8 5

     

8 5

8 5

8 5

8 8

8 8

8 5

       

 

 

       

9 X 7

9 X 7

12 X 10

12 X 10

12 X 10

   





   

2 3

3 3

3 3

3 3

8 5

8 5

8 5

8 5

8 5

8 5

End Riff B1

     

       

f w/ dist.

10 X 8

10 X 8

10 X 8

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

12 X 10

12 X 10

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

Riff A

Gtr. 1

3 3

3 3

  

2 3

2 3

2 3

2 3

2 3

2 3

3 3

3 3

  

2 3

2 3

   

2 3

2 3

2 3

2 3

2 3

*Doubled throughout

Gtrs. 4 & 5: w/ Riffs B & B1 (3 times)

F5

      

   

      

   

  

 

             

       

 

 

             

       

3 X 1

3 X 1

3 X 1

2 X 1

3 X 1

3 X 1

3 X 1

Gtr. 1

3 X 1

2 X 1

2 X 1

2 X 1

2 X 1

2 X 1

2 X 1

2 X 1

3 X 1

3 X 1

2 X 1

2 X 1

2 X 1

2 X 1

2 X 1

2 X 1

2 X 1

2 X 1

A5

      

   

G5

      

   

  

 

       

       

 

 

       

       

3 0

3 0

3 0

2 0

3 X 3

3 X 3

3 X 3

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3 X 1

3 0

3 0

2 0

      2 0

2 0

2 0

2 0

2 0

3 X 3

3 X 3

2 X 3

      2 X 3

2 X 3

2 X 3

2 X 3

2 X 3

2 X 3


Verse Gtr. 1: w/ Riff A (1st 6 meas.) Gtr. 3 tacet Gtr. 4: w/ Riff B (3 times)

F5

* Csus4

     

      

   1. We

3 X 1

3 X 1

3 X 1

3 X 1

2 X 1

2 X 1

  

were

     

talk - ing

to - geth - er.

End Riff A

                   3 X 1

C

End Rhy. Fig. 1

                         

2 X 1

2 X 1

2 X 1

2 X 1

2 X 1

2 X 1

3 X 1

3 X 1

3 X 1

3 X 1

3 X 1

2 X 1

2 X 1

2 X 1

2 X 1

2 X 1

2 X 1

said,

       

2 X 1

I

2 X 1

*Chord symbols reflect overall harmony.

Csus4

“What’s up

with

Amb6

C

own

wheth - er

or

not

G7sus4

   

vo - li - tion,

  or

if

 

  

I’m

just

 

how

F5

sad

I

just

got

G6sus4

    miss - ing

the

F,7

was

on

my

C5

Gtr. 3 ** pp

F,7

this weath - er?” Don’t know

Am

  

F5

(cont. in notation)

f

 

sun.

And



  



  

10 10

9 10

10 10

9 10

Gtr. 2

to -

**Vol. swell

 









row,

I

know,

will

be

rain

Gtr. 2 tacet

  

C5

mor

-

Gtr. 3

                P.M.

 

5 5 3

5 5 3

5 3

5 3

5 3

5 3

5 3

5 3

       

-







y

at

best.

 





And

the

                               

P.M.

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


  

F5

fore

-



 













cast,

I

know,

is

that

I’ll

be

de

 -

 



But

I’ll

pressed.

                P.M.

 

       

                              

3 3 1

3 3 1

3 1

3 1

3 1

3 1

3 1

3 1

3 1

 



A5

3 1

wait

out

 -

P.M.



3 1



side

3 1

3 1





hop - ing

that

3 1

3 1

3 1

3 1

3 1

3 1

3 1



 



I’ll

catch

sight

G5

3 1

3 1

3 1



3 1

3 1

3 3 1

3 1







of

the

sun.

  

 

             

       

 

 

             

       

7 7 5

7 7 5

7 7 5

7 7 5

5 5 3

5 5 3

5 5 3

5 5 3

   F

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

F5

 

5 5 3

Be - cause

  

 

2 3 3 1

 

2 3 3 1

 

2 3 3 1

 

2 3 3 1

 

2 3 3 1

 

2 3 3 1

  2 3 3 1

 

 

2 3 3 1

 

2 3 3 1

 

2 3 3 1

 

2 3 3 1

 

2 3 3 1

 

2 3 3 1

 

2 3 3 1

 

2 3 3 1

2 3 3 1

  2 3 3 1

 

 

2 3 3 1

  2 3 3 1

 

  

  

  

  

2 3 3 1

1 X 3 3 1

1 X 3 3 1

1 X 3 3 1

1 X 3 3 1

*

*3rd string muted by 2nd finger.

Pre-Chorus

   F5

µ

on

   1 X 3 3 1

   1 X 3 3 1

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

G

and

off

    4 5 5 3

µ

   4 5 5 3

 

 

C/E

the

clouds

   5 2 3 0

µ

 



F5

End double-time feel µ



have fought

   5 2 3 0

for

  

  

1 1 X 3 3 1

1 1 X 3 3 1



 

con - trol



 



  sky.

G5

o

-

ver

the

 

 

 

 

 

 

 

 

3 1

3 1

3 1

3 1

5 3

5 3

5 3

5 3

P.M.


  

C/E

F5

And

 

 

P.M.

3 0

 

3 0

  

F,7

-

 

3 0







3 0



3 1

3 1

 

 

late

-

ly

  

  

  

1 1 X 3 3 1

3 1







so

have

I.

divisi

 

 

 

G5

 has

 

 

5 5 3

5 5 3

  

 

C/E

the weath - er

1 1 X 3 3 1

been

  

  

5 2 3 0

 

 

 





C5

3 1



bi - po - lar

and

con -

   

  

  

  

  

1 X 3 3 1

1 X 3 3 1

1 X 3 3 1

1 X 3 3 1

1 X 3 3 1

5 3

5 3

5 3

5 3





And

now

I’m

sun - ny

with

a

Riff C *Gtr. 6

     

 

F,7

 

 

 

 

 

 

 

3 0

3 0

3 0

3 0

3 1

3 1

3 1

F5

 

high

of



 

mf w/ fingers let ring throughout

1 3 1

5 2 3 0

5 5 3 1

 

so

   

P.M.

3 1

F5

Gtrs. 2 & 3 tacet

C/E

Gtr. 2

 

µ

Chorus

G6sus4

se - quent - ly

      Gtr. 3 



  

3 1

1

0

1

0

3

0

1

0

1

*Piano arr. for gtr.





Am





sev - en - ty

   1

five

 

1

0



Gsus4

0

     

F5



since you

took

my

1

0

1

1

0

1 1

  

0

 1

0

 0

1

0

Gsus4

life

0

0

1

heart

  1

0



when you’re

         1



F5

1

0

1 3

0

1

 0

   

 

 

and

made

 

 

it

1

0

1

     

Am

you en - joy your

           0



heav - y

0



0

 

fun - ny how you find

3



3

C5

1

C/E

1

0

 

 

Gsus4

light.

 1

0

 

1

0

1

  

F5



  

 

to

a - live.

be



C5

         

  

1

1 0

1

0

1

0

 0

And

it’s

 1

 0

3

Gsus4

hap - py

1 3

0

1

0

  End Riff C

3

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Interlude Gtrs. 4 & 5: w/ Riffs B & B1 (2 times) Gtr. 6 tacet

Csus4

C

Csus4

C

Dm7

Dm9

Fsus2



F,7



2. And Gtr. 3

   

   

  

   

6 5 7 5

5 5 3

the

1 X 3 3 1

Verse Double-time feel Gtr. 1: w/ Riff A Gtr. 3: w/ Rhy. Fig. 1 Gtrs. 4 & 5: w/ Riffs B & B1 (4 times)

           Csus4

tem - p’ra - ture

is freez - ing,

   

Amb6

might

break

Am

Csus4

and

if

C

then af - ter

dark

F5

there’s a

   

cold

        

  

up



       

 

C

G7sus4

I

don’t

G6sus4

wake

up

to

the

  

 

front sweep - ing

in

F,7



F5

    

Fsus2

 

F,7

o - ver my heart.

And we

End double-time feel

F,7

Fsus2

F,7

  

sun.

Be - cause

Pre-Chorus



F,7

µ

on

   

  and



G6sus4

µ

off

the

Gtr. 2

Gtr. 3 divisi

 

Gtr. 2 tacet



C/E

clouds

Gtr. 3



P.M.





P.M.

 

3 1

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 3

5 3



F5

have fought

  





 

for

con

- trol





 



  sky.

G5

o

-

ver

the















3 1

3 1

3 1

5 3

5 3

5 3

5 3

P.M.

5 5 3 1

 

3 0

1 1 X 3 3 1

3 1


  

C/E

F5

And

 

 

P.M.

3 0

3 0

  3 0

 



3 0



3 1

 

3 1



 

late

-

ly

  

  

  

   

1 X 3 3 1

3 1

 









the weath - er

has

  

  

3 X 5 5 3

3 X 5 5 3

G5

1 X 3 3 1

 

C/E

   

been

 

so

   

  

  

5 2 3 0







bi - po - lar

and

F5

5 2 3 0

   

  

  

  

1 1 X 3 3 1

1 1 X 3 3 1

1 1 X 3 3 1

1 1 X 3 3 1

 

Chorus

  













so

have

I.

G5

con - se - quent - ly

Gtr. 3 tacet Gtr. 6: w/ Riff C



C/E

F5





C5

But

now

I’m

sun - ny





with

a

F5

  

high

of



 

(Ah,

















 

 

 

 









3 1

3 1

3 1

3 1

5 3

5 3

5 3

5 3

3 0

3 0

3 0

3 0

3 1

3 1

3 1

3 1

 

C/E







since

took

my

P.M.



Am





sev - en - ty





Gsus4

five

 

you



heav - y



F5

heart

 

 

and

made

 

    it

 

 

Gsus4

light.

 

And

it’s

ah.

       C5

fun - ny

  Ah,

F5

how you find

  you

  

Am

en - joy your

 

      Gsus4

life



when you’re

  

F5



hap - py

 

  

 

to

a - live.

Gsus4

be



C5

 

  

ah.)

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Double-time feel C5





Sun - ny Gtr. 3





with

a

 

      

5 5 3

5 5 3

5 5 3

C/E







took

my

heav

5 5 3

-

      3 3 1

       

3 3 1

3 3 1



F5

y

3 3 1

3 3 1

3 3 1

   

 

       

2 3 0

2 3 0

2 3 0





C5

fun - ny

2 3 0

2 3 0



     

how

you

3 3 1

F5

      

1 2 2 0

1 2 2 0

1 2 2 0

 

        

5 5 3

5 5 3

5 5 3

  

F5

-

5 5 3

5 5 3

3 3 1

it

 

py

to

Sorgdal

 

(Made

it

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

5 5 3

And

it’s

 

 

light.)

3 3 1

5 5 3

3 3 1

 



joy

your

Am

-

        3 3 1

3 3 1

3 3 1

  

5 5 3

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

5 5 3

 

5 5 3

G5



     

  

        

1 2 2 0

1 2 2 0

1 2 2 0

0 2 2 0

5 5 3

Gtr. 3 tacet

C5

 

a

5 5 3

life

  

be

 

5 5 3

  

5 5 3

3 3 1

3 3 1

en

   

5 5 3

3 3 1

you

G5

5 5 3

       

-

live.

   

Gtr. 1

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

 

G5

light.

Gtr. 3

8

5 5 3

       

             

find

3 3 1

you

 



3 3 1

since

 



3 3 1



     

5 5 3

 



       



     



0 2 2 0

   

 

  

hap

 

made



five

 

and

  

- ty



G5

3 3 1



sev - en

 



 

heart



Am

of

3 3 1





 

high

  

5 5 3



F5

 

 

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

X X X

when

you’re

5 5 3

       

5 5 3

5 5 3

 

5 5 3

5 5 3

5 5 3


from Relient K - MMHMM

I So Hate Consequences Words and Music by Matthew Thiessen Bm

Dsus2

G5

A5 5fr

Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Bb-Eb

1342

12

B5 7fr

1113

D5

A5

9fr

1113

type 2

G5

7fr

111

type 2

5fr

111

111

Intro Moderately fast q = 195 * D5 ** Gtrs. 2&3

  

And I’m good, good,

   

Gtr. 4 (dist.)

good

   to

  

    

go.

And I’m good, good,

    

good

to

 

Bm

f

go.

   

mf

11 X 9

     Gtr. 1 (dist.)

 

 

 

 

 

 

 

 

 

 

 

 

 

       

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

mf

14 X 12

*Chord symbols reflect implied harmony.

I

got - ta

get

a

-

    

        

way,

11 X 9

get

a

-

way

              

from all

of

my

mis - takes.

   

 

 

 

 

 

 

 

 

 

 

 

 

 

       

11 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

   

 

       

 

 

       

 

 

       

 

 

       

11

11 X 9

11 X 9

9 X 7

9 X 7

9 X 7

7 X 5

7 X 5

7 X 5

6 X 4

6 X 4

6 X 4

9

11 X 9

11 X 9

9 X 7

9 X 7

9 X 7

7 X 5

  

Dsus2

  

14 X 12

**Composite arrangement



               

14 X 12

7 X 5

7 X 5

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

6 X 4

11 X 9

6 X 4

X X X

6 X 4

14 X 12

14 X 12

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Bm Rhy. Fig. 1

 

  

  

  

And I’m good,

good,

good

to

Riff A *Gtrs. 1 & 4

  

    

And I’m good,

good,

good

to

    

go.

    

go.

   

 

 

 

 

 

 

 

 

 

 

 

 

 

       

14

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

12

14 X 12

14 X 12

11 X 9

*Composite arrangement

I

got - ta

        get

a

-

    

         



      

way,

a

-

way

               

from all

of

 

Gtr. 4

  

get

  

G5

my

mis - takes.

End Riff A

    Gtr. 4

 

 

 

 

 

 

 

 

 

 

 

11 X 9

11 X 9

11 X 9

Gtr. 5 (dist.) divisi

11 9

11 X 9

11 X 9

    

  11 X 9

Gtr. 1

11 9

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

11 X 9

11 X 9

11 X 9

11 X 9

       

 

 

11 X 9

9 X 7

9 X 7

11 X 9

11 X 9

9 X 7

11 X 9

f

11 X 9

11 X 9

11 X 9

       

 

 

       

 

 

    

9 X 7

7 X 5

7 X 5

7 X 5

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

7 X 5

11 X 9

         

  

7 X 5

7 X 5

9 X 7

11 X 9

9 X 7

7 0 5


Gtrs. 1 & 4 tacet

    

A5

  

  

   

B5

       

 

End Rhy. Fig. 1

(cont. in notation)

                                                 Gtr. 5

7 0 5

7 0 5

6 0 4

6 0 4

7 0 5

7 0 5

6 0 4

6 0 4

7 0 5

7 0 5

6 0 4

6 0 4

7 0 5

7 0 5

6 0 4

7 0 5

7 0 5

6 0 4

6 0 4

7 0 5

7 0 5

6 0 4

6 0 4

7 0 5

7 0 5

6 0 4

6 0 4

7 0 5

7 0 5

6 0 4

Verse

           

Gtr. 5 tacet

B5

       1. So here I

D5

      

sit

look -ing at the traf - fic

     

9 9 9

                      P.M. 9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

3 2 0 0 0

(D5)



Gtr. 2

I wan - na run

a

-

that the green ig

 

way,

life...

Gtr. 3

                P.M.

0 0

0 0

0 0

0 0

 

 

-

nites.

                

0 0

0 0

A5 type 2

0 0

0 0

0 0

0 0

0 0

5 5 5

0 0

B5

      

     

P.M.

P.M.

        

         I wan - na ditch my

P.M.

...’cause all

    

hope

           

0 0

D5

          

    

G5

lights. The red ex - tin -guish - es the

Gtrs. 2 & 3

of my mis

         -

takes

         P.M.

keep me

  

 

a - wake at

night.

            

P.M.

(Gtr. 2, cont. in slashes)

5 5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

0 0 0

0 0

0 0

0 0

0 0

0 0

10 9 7 7 7

7 7

7 7

7 7

7 7

7 7

11 9 9 9

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Rhy. Fig. 2

      

            And af - ter all

of my

     

  

  

11 9 9 9

11 9 9 9

11 9 9 9

    no

al - i - bis

  

   

just

  

  

  

     

11 9 9 9

11 9 9 9

11 9 9 9

11 9 9 9

wan - na get

  

11 0 0 0

- de - a where my

     

  

  

7 5 5 5

7 5 5 5

7 5 5 5

           

head

was

  

   7 5 5 5

at,

but

if

my

heart

  

  

  

  

  

7 5 5 5

7 5 5 5

7 5 5 5

7 0 0 0

  

  

11 0 0 0

11 0 0 0

  

  

  

7 0 0 0

7 0 0 0

7 0 0 0

7 0 0 0

9 7 7 7

  

 

I

just

want

for

all

this

to

  

               9 9 9

9 9 9

9 9 9

D5

7 7

7 7

7 7

7 7

7 7

7 7



 

7 7 0 0

I me.

had

  

  

  

  

11 0 0 0

11 0 0 0

7 0 0 0

7 0 0 0

7 5 5 5

type 2

B5

    (cont. in notation)

       leave it

  

end.

                   P.M. 7 7

can we

hurt

  

    

  

A5

              

  

  

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

at

that?

Be - cause

  

  

      

9 7 7 7

9 7 7 7

9 7 7 7

   

7 7 7

   And

   

type 2

don’t want noth - in’ to

says I’m sor - ry

of

     

4

by,

  

9 9 9

A5

End Rhy. Fig. 2

Gtrs. 2 & 3

Sorgdal

de - sert me... ...I

G5

D5

 i

                  D5

I

9 9 9


Chorus G5

 

so

D5

hate

con - se - quenc

-

es,

 

      

 

           

5 5 5

5 5 5

5 5 5

7 7 5

7 7 5

7 7 5

X X X

D5

 

7 7 5

7 7 5

de - fense

is.

 

           

9 9 9

9 9 9

7 7 7

7 7 7

 

God,

best

G5

           

 

es,

is what my

      

 

B5

9 9 9

9 9 9



don’t make

9 9 9

7 7 7



  

me

face

7 7 7

7 7 7

7 7 7



    

up

to

A5

this.

-

run - nin’ from you

9 9 9

    

Con - se - quenc

 

X X X



A5

and

    

5 5 5

        

B5

      

And

5 5 5

G5

I

(Whoa.)

    

 

      

5 5 5

5 5 5

5 5 5

 

so

5 5 5

5 5 5

0 0

D5

hate

    

 

5 5 5

5 5 5

 

           

7 7 5

7 7 5

7 7 5

7 7 5

X X X

9 9 9

B5

      

con - se - quenc

-

es,

and

      

 

           

7 7 5

7 7 5

7 7 5

5 5 5

X X X

7 7 5

7 7 5

X X X

9 9 9

   

 

 

 

 

             

9 9 9

9 9 9

9 9 9

9 9 9

7 7 7

7 7 7

        

A5

run - nin’ from you

is what my

 best

10 9 7 7 7

de - fense

 

 

  

9 9 9

9 9 9

7 7 7

7 7 7

10 9 7 7 7

9 9 9

7 7 7

5 5 5

G5

            9 9 9

7 7 7

      

 

9 9 9

7 7 7

is.

’Cause

         7 7 7

7 7 7

5 5 5

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


         I know that I

 

  

let you

down,

 

     

(I know that I

 

let you

5 5

5 5

5 5

5 5

5 5

5 5

I don’t wan - na deal with

that.

5 5

5 5

5 5

5 5

5 5

Dsus2

End Voc. Fig. 1

down.)

P.M.

5 5

  



                                 5 5

      

and Voc. Fig. 1

A5

  

5 5

5 5

5 5

                            

  

7 7

0 3 2 0 0 0

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

0 0

0 0

Interlude Gtr. 1: w/ Riff A (1st 4 meas.) Gtrs. 2 & 3: w/ Rhy. Fig. 1 Gtr. 4: w/ Riff A

Dsus2





And I’m good,

good,

good

    

got - ta

 

Gtr. 1

get

a

-

way,



get

 

 

 



And I’m good,

good,

good

   

 

       



go.



  

       

 

  

a

-

 

way

 

from all

       

      to



  



of

11 X 9

9

11 X 9

   

11 X 9

11 X 9

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

7 X 5

Gtr. 1 tacet

               7 5

7 X 5

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

6 X 4

6 X 4

7 X 5

7 X 5

6 X 4

6 X 4

                7 X 5

7 X 5

6 X 4

6 X 4

7 X 5

7 X 5

7 X 5

A5

Gtr. 5

7 X 5

7 X 5

6 X 4

7 X 5

7 X 5

7 X 5

6 X 4

mis - takes.

  

 

          

6 X 4

6 X 4

6 X 4

6 X 4

6 X 4

7 X 5

6 X 4

6 X 4

7 X 5

B5

                7 X 5

G5

my

Gtr. 1 divisi

11

  

Gtr. 5

7 X 5

6 X 4

6 X 4

              6 X 4

6 X 4

Bm

go.



   

I

 

to





        

  



  

  

6 X 4

6 X 4

6 X 4

6 X 4

6 X 4


Verse Gtr. 2: w/ Rhy. Fig. 2 Gtr. 5 tacet

B5

          2. It just now hit me: this is

    

  

  

9 9 9

11 9 9 9

11 9 9 9

Gtr. 3

more than just

  

a

set

  

  

11 9 9 9

 

    D

      -

back. And when you spelled it

  

     

11 9 9 9

11 9 9 9

  

11 0 0 0

And ev - ’ry trace

of mo - men -tum is

  

  

  

  

  

  

  

  

  

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 0 0 0

Bm

And af - ter

all

of my

  

al - i - bis

   

Gtr. 6 (slight dist.)

  

11 0 0 0

11 0 0 0

     guess I

did - n’t get

  

A5 type 2



G5

that.

  

  

  

  

  

  

11 0 0 0

11 0 0 0

11 0 0 0

11 0 0 0

11 0 0 0

7 5 5 5

             

gone,...

    

        

  

(D5)

...and this

Gtrs. 2 & 3 tacet

well, I

Gtr. 2

 

   

 

out,

 

                  D5

      

  

        de - sert me... ...I

just

is - n’t turn - ing out

  

the

way

  

  

  

  

7 0 0 0

7 0 0 0

9 7 7 7

D

      

wan - na get

  

by,

I

want.

  

  

  

   

9 7 7 7

9 7 7 7

9 7 7 7

9 7 7 7

          

I don’t want noth - in’ to

hurt

And I had me.

mf let ring throughout

2

3

4

    

Gmaj7

no

i - de - a where my

     0

   

3

 head

       

2

3

2

   D

     

   A

        

was at,...

Be - cause ...but

if

my

  

heart

2 2

says I’m sor - ry, can we

3

leave it

at

  

2 6

5

that?

0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


 

  

Bm

A

  

  

 

I

just

want

for

all

this

to

end.

    

of

   

    

 

Gtrs. 2 & 3

Gtr. 6 divisi

3

4

Chorus Half-time feel G5

 

so

2

D5

hate

    

 

5 5 5

5 5 5

 

 

7 7 5

7 7 5

G5

Con

 

  

    

I

    

       

B5

es,

and

run - nin’ from

you

is

what my

    



End half-time feel

A5

best

de - fense

is.

 

 

 

 

9 9 9

9 9 9

7 7 7

7 7 7

B5

And

D5

 

 -

se - quenc

 

-

es,

 



 

 

God, (God,

don’t don’t

make make

me me

face face



 

-

3 2 0 0 0

      

con - se - quenc

Gtrs. 2 & 3

0

5

6

Gtr. 6 tacet

D5

(Whoa.)

    

 

5 5 5

5 5 5

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

 

 

 

5 5 5

5 5 5

  0 0

 

 

 

7 7 5

7 7 5

7 7 5

 

 

 

7 7 5

X X X

 

9 9 9

 

 

 

9 9 9

9 9 9

 

9 9 9

 

9 9 9


Half-time feel G5

A5

up up

to to

this. this.

  

  

  

      

And And

I I

so so...)

  

  

10 9 7 7 7





   

run - nin’

from

    

 

10 9 7 7 7



7 7 7



you

 

 

7 7 7

5 5





A5





is

what

my

best

 

 

 

 



hate

 

 

  

5 5

5 5

5 5

P.M.

7 7 7

 







  

5 5 5

 -

se - quen

 

 

 

7 7 5

7 7 5

7 7 5

-

ces,

 

 

 

7 7 5

7 7 5

 

and

 

9 9 9

G5

 

’Cause

I

know

that

I

let

you

 

 

 

 

 

 

 

 

 

5 5

5 5

5 5

5 5

5 5

5 5

5 5

 

is.

  

con

 



de - fense

 

End half-time feel B5

D5

 

 

  down,

P.M.

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

7 7 7

7 7 7

10 9 7 7 7

7 7 7

7 7 7

7 7 7

5 5 5

5 5

Bkgd. Voc.: w/ Voc. Fig. 1

  

     

 

 

 

A5

and

I

 

  don’t

 

    wan - na

deal

  

 

 with





that.

 

 

 

 

P.M.

   (cont. in slashes)

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

X X

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal




Bridge B5 Gtrs. 2&3

 

        And

I

   

spent all



*Gtr. 7

last

 

  

G5

night...

ev - ’ry









3 2

3 2

3 2

3 2

...tear - ing





3 2

3 2

down...

mf

 

     

 

 

type 2

       

stop - light...

 









3 2

3 2

3 2

3 2

3 2

...and stop sign

in



this





w/ fingers let ring throughout

3 2

3 2

2

3 2

3 2

3 2

5

*Piano arr. for gtr.

D5

        

           And now town.

    3 2

I think there

might... ...be

A5

        

 

I’ll get no way to stop

me

         

type 2

 

a - way de - spite...

now.

...the fact I’m so weighed

down.















 















3 2

3 2

3 2

3 2

3 2

3 2

3 2

3 2

3 2

3 2

3 2

3 2

3 2

3 2

3 2

0

0

Half-time feel Gtr. 7 tacet

G5 type 2

A5 type 2

                 Rhy. Fig. 3

All of my es

-

Riff B

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

                Gtr. 4

Riff B1

7 X 5

7 X 5

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 X 5

7 X 5

7 X 5

7 X 5

            

capes

                Gtr. 1

B5

have been ex - haus

-

              

ted.

I thought I

had

a

            

End Rhy. Fig. 3

way

but then I

lost

it.

             

             

     End  Riff B        

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

             

             

             

9 X 7

11 X 9

11 X 9

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

End Riff B1

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9


Gtrs. 1 & 4: w/ Riffs B & B1 Gtrs. 2 & 3: w/ Rhy. Fig. 3

Gmaj7

A5

 

    And

my

 3

re - sis - tance was

 once

much

Bm

   

 

  

now

I

can’t

go

on

like

this

3

3

  

strong - er. And

much

long

- er.



Interlude

G5

D5

  

Slower q. = 76 D5

G5

Gtrs. 2&3

    

 

Gtrs. 2 & 3

              

Gtr. 7

3

 

  

 

P.M.

 

  

(cont. in slashes)

5 5 5 5

 

0 0 0

5 5 5



5 5

 

5

D



3

5 5

5

3

3

2

5 2

3

2

Gtrs. 2 & 3 tacet

 

0

5 2

Bridge

Bm7

  

When I

Gtr. 7

5 5

3

5 2



3

5 2



3

5 2

  

     

   

got tired

of run - ning from you,

I stopped right

Riff C



3

                    5

2

3

0

5 2

3

5 2

4

3

5 2 0

3

5 2 2

3

5 2

      there to catch

my

          3

5 2

4

3

5 2

3

2

0

           

Riff C1

  *Gtr. 8

     

mf

5

9

7

9

9

7

*Cello arr. for gtr.

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Gsus2

   

  

breath.

  

 

There your words,

   

5

5 7

they

7

D/F#

ears.

 

7

7

You

5 7

  

5 7

7

caught my

5 7

said,

“I

miss

you,

come

3

2

 

son,

5

3

2

4

Asus4

5

3

  

2

2

3

End Riff C

 2

0

           5

End Riff C1

5

4

Gtrs. 7 & 8: w/ Riffs C & C1

D

  

home.”

 

Gsus2

And

my

   sins,

  

they

watched me

D/F#

7

Bm7

 

leave,

and

Asus4

the

 

love

you felt

for

me was mine, the love

I’d wished for

in

all

this

  

my

E5

                           lieve

  

 

 

heart

I

  

  

And when

the doors





 

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

be -



Gtrs. 2 & 3

        

  

 2

2

2

2

2

2

2

2

2

2

2

Gtr. 8

  2

12

so

time. (Ah.)

2

were closed

P.M.

 


   

              

B5

A5

I

 

heard

no

I





G5

told you so’s.

I

Gtrs. 2 & 3 tacet

D

Dmaj7

                  

said the words

I knew you knew.



Oh, God, oh, God,

 

              P.M. 2

2

2

2

2

0

0

0

0

0

 

 

2 3

2 3

0

0

you.

Gtr. 7

2

I need -ed

4

5

           

     9

7

5

5

4

Faster q = 152

Bm

 

God,

   

D/A

all

this

time

   I

Gmaj7

need - ed

 

2 3

2 3

2

0

 you.

  

I

3

need - ed

    

you.

   And

I

  

2 3 5

           



9

5

7

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Chorus Gtr. 8 tacet

 

Gsus2

so

D5

Bm7

       

   

-

es,

run - nin’ from

con

    

 

  

 

  

 

  

 

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

0

Gsus2

D5

  

I

these

hate

is

what my

best

2

5

 

you

     



hate

Gtr. 7

- se - quenc

Asus4

con - se - quenc

-

 

es

’cause

      

 

I

down,

know that

   

 

  

 

  

5 3

5 3

5 3

5 3

5 3

0

is.

0

Bm7

    

de - fense

I

let

you

  

 

and

  

2

5

Outro A tempo, half-time feel Gtrs. 1 & 4: w/ Riff B1 Gtr. 7 tacet

 

A

       I

 

don’t wan - na deal with

  

G5



that.

Gtr. 7

Gtrs. 2 & 3 divisi

12

A5

Gtrs. 2 & 3

* Harm.

             

             

5 5 5

7 7 7

7 7

14

0

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

7 7 7

7 7 7

7 7 7

7 7 7

*Vol. swell

B5

                 9 9 9

9 9 9

14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

9 9 9

9 9 9

9 9 9

9 9 9

G5

              9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

   5 5 5

D5

   0 0 0

G5

  5 5 5

D5

           P.M. 3

5 5

5 5

5 5

0 0 0

7 7 7


from Relient K - MMHMM

The Only Thing Worse Than Beating a Dead Horse Is Betting on One Words and Music by Matthew Thiessen

F#5

D5

A5 5fr

134

134

B5

E5

A/C#

5fr 134

E 4fr

134

11

7fr

14

1333

Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

Intro Fast q = 213 *E5 F#5

E5

   

Gtr. 2 (elec.)

F#5

E5

F#m

               

mf w/ dist.

13 X 11

                   Gtr. 1 (elec.)

14

14 X 12

12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

               

               

9 X 7

9 X 7

mf w/ dist.

9 X 7

11

11 X 9

9

11 X 9

11 X 9

11 X 9

11 X 9

9 X 7

11 9

11 X 9

11 X 9

11 X 9

D5

 

11 X 9

11 X 9

9 X 7

11

11 X 9

9

11 X 9

11 X 9

11 X 9

11 X 9

9 X 7

*Chord symbols reflect implied harmony.

Double-time feel

E

F#m

 Gtr. 3  (elec.)

 

  

 

  

F#5

f

 

A5

 

 

B5

  

 

  

  

 

  

 

  

 

 

 

 

 

 

 

13 X 11

14 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

  

 

 

 

 

 

 

 

  

 

  

  

 

  

  

 

  

9 X 7

11

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

9

w/ dist.

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

18 X 16

  14 X 12

E5

  

13 X 11

  9 X 7

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


F#5

 

 

    

 

14 X 12

D5

 

 

  

  

 

14 X 12

14 X 12

14 X 12

    

 

  

11 X 9

11 X 9

11 X 9

A5

 

 

 

  

  

 

  

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

  

 

  

  

 

  

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

B5

E5

F#5

 

F#5

3

  

14 X 12

14 X 12

14 X 12

18 X 16

    

 

  

 

11 X 9

11 X 9

11 X 9

14 X 12

 

 

  

  

 

  

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

  

 

  

  

 

  

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

D5

A5

 

 

 

B5

E5

End Rhy. Fig. 1



 

1. Just

 

 

  

D5

 

Riff A

    

 

Riff A1

 

 

Rhy. Fig. 1

P.M.

 

B5

 

 

A5

 

  

 

  

  

 

  

  

 

  

  

(Yeah!)

13 X 11

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

13 X 11

 

End Riff A

  

 

  

  

 

  

  

 

  

  

 

9 X 7

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

9 X 7

wish - in’

his

po - si - tion

End Riff A1

 

Verse Gtrs. 1 & 2 tacet Gtr. 3: w/ Rhy. Fig. 1 (2 times)

 

F#5

lis - ten

to

the

D5

pol - i

- ti - cian

A5

B5

E5

was - n’t

F#5

miss - in’

D5

ev - ’ry - thing

  his

Gtrs. 1 & 2: w/ Riffs A & A1 (1 1/2 times)

    A5

  

heart would like

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

B5

to

say.

                      

E5

F#5

And a

con - stant

in

the

D5

A5

B5

con - sti - tu - tion is

that there can’t be

one

E5

so - lu

-

tion. It’d be


F#5

D5

A5

B5

E5

  

D5 Gtr. 3

  

so

far

from

the

truth

and

we

would

hate

it

an

- y

 -

    

 

 

way. (Ay.)

 

 

  

 

  

 

14 X 12

14 X 12

14 X 12

14 X 12

  

 

  

 

11 X 9

11 X 9

11 X 9

11 X 9

Gtr. 2

Gtr. 1

  

 

  

  

 

  

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

14 X 12

  

 

  

  

 

  

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

End double-time feel

 

 

   

A/C#

 

 

E

 

 

 

 



  

  O -

    

 

  

  

 

  

  

 

  

 

 

 

 

  

14 X 12

14 X 12

14 X 12

13 X 11

13 X 11

13 X 11

16 X 14

16 X 14

16 X 14

16 X 14

16 X 14

16 X 14

16 X 14

16 X 14

    

 

  

  

 

  

  

 

  

 

 

 

 

  

11 X 9

11 X 9

11 X 9

9 X 7

9 X 7

9 X 7

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Chorus Gtrs. 1, 2 & 3 tacet

D5

   

 

pin - ions

    Gtr. 4 (acous.)

mp 7 7 5

 

 

  

7 7 5

7 7 5

B/D#

   

im

  

8 9 6

are

 

   

  

  

7 7 5

7 7 5

  

8 9 6

8 9 6

-

  

  

 

mu - ni

-

  

 

  

7 7 5

7 7 5

7 7 5

D5



 

Pap - er,

  

  

 

  

8 9 6

8 9 6

7 7 5

7 7 5

7 7 5

 

to

  

 

rock

 

E5

 

ty

  

 

 

  

A5

 

  

 

  

7 7 5

7 7 5

be - ing

told

  

 

  

9 9 7

9 9 7

9 9 7

  

A5

  and

 

  

7 7 5

7 7 5

 



 

 

scis - sors:

 

 

 you’re

  

 

wrong.

 

  

9 9 7

9 9 7

they

  

 

  

7 7 5

7 7 5

7 7 5

  all

  

 

  

7 7 5

7 7 5

Double-time feel

  

 

Gtr. 4 tacet

B5

   



have

     

their

 

  

4 4 2

4 4 2

      

 

4 4 2

A5

will

      7 7 5

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

E5

en

  7 7 5

-

F#5



 



pros

and

 

  

2 2 0

2 2 0

2 2 0

dure

   7 7 5

 

 

   

7 7 5

X X X X X X

cons.

  



D5

  And

   

  

   

2 X 4 4 2

2 X 4 4 2

2 X 4 4 2

   

 

E5

 



 

 

just

like

we

al

-

 

  

 

  

0 0 0

2 2 0

2 2 0

2 2 0

 

  

   

2 X 4 4 2

2 X 4 4 2

 

2 2 0

of

us,

Gtr. 3

  

 

  

7 7 5

7 7 5

7 7 5

 

ways

 

all



B/D#

 

   we

 

 

 

 

7 7 5

7 7 5

7 7 5

have.

 0

 0

  

 

  

8 9 6

8 9 6

8 9 6

  

 

  

8 9 6

8 9 6


D

    

But

you

just

    

 

  

7 7 5

7 7 5

7 7 5

 

 

A

 can’t

  

 

  

7 7 5

7 7 5

 

 

be

too

sure

  

 

  

7 7 5

7 7 5

 

how

long

this

 

  

 

  

4 4 2

4 4 2

4 4 2

  

7 7 5

 

   

7 7 5

X X X X X X

  

  

E5

  



  

2 2 0

will

last.

 

  

2 2 0

2 2 0

Outro

   

F#

End double-time feel

F#5

 ’Cause

     

 

 

P.M.

3 4 4 2

4 2

    cha

  

B5

4 2

  -

 

 

4 2

 

4 2

4 2

  

D5

we

con

 

 

7 7 5

7 7 5

4 2

-

 

 

 

7 7 5

7 7 5

os.

    

  

5 2 2 0

5 2 2 0

  

   

  

  

5 2 2 0

5 2 2 0

      

   

   

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

   

    0 0 1 2 2 0

  

  

  

5 2 2 0

5 2 2 0

  

trol

the

 

 

 

7 7 5

7 7 5







 

In

the

back

of

E

         0 0 0 0 0 0

5 2 2 0

  

  

0 0 1 2 2 0

A5

 

 

   

  

7 7 5

5 2 2 0

0 0 0



 

our

  

0 0 1 2 2 0

minds

  

  

  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0



B/D#

 

  







our

prob

- lems

seem

so

small.

But

they

0

0

 

 

8 9 6

8 9 6

 

 

 

   

 

8 9 6

8 9 6

8 9 6

8 9 6

 

 

 

 

8 9 6

8 9 6

8 9 6

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


   

 

grow

on

     

  

D5

7 7 5







A5

like

  

  

5 2 2 0

7 7 5

But

    

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

     makes

     4 4 2

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

grav

 

  

5 2 2 0

5 2 2 0

5 2 2 0

7 7 5

7 7 5

7 7 5

  

-

i

 

  

 

  

0 0 0

0 0 0

4 4 2

4 4 2

4 4 2

-

  

  

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

  

   

2 2 0

3 4 4 2

F#

A5

 

 

7 7 5

still

 

fall.

ty.

ty

  

us

-

  

  

 





 

  



i

 

 

E5

-

  

 

grav

  

B5

 

  

Double-time feel

   

us

 



D5

End double-time feel

  

 

    

 

  

4 4 2

4 4 2


from Relient K - MMHMM

My Girl’s Ex-Boyfriend Words and Music by Matthew Thiessen F5

C5

134

G5

134

134

Intro Moderately fast q = 154

F5

C5

G5

F5

C5

G5

F5

                                Rhy. Fig. 1

**Gtr. 4 (elec.)

mf

End Rhy. Fig. 1

P.M.

P.M.

w/ dist. Riff A *Gtrs. 1 & 2 (elec.)

                                  mf

w/ dist.

13

13

12 12 10 10 12 12

7

9

9

10

9

9

13

13

12 12 10 10 12 12

7

9

9

13

10 12 12

*Composite arrangement

          

                     

Riff A1

Gtr. 3 (elec.)

mf

w/ dist.

12

12

9

9

12 12

9

4

5

5

7

5

5

12

12

9

9

12 12

9

9

4

5

5

7

9

9

12

**Doubled throughout

        

       

C5

 

G5

F5

G5

     

  

     

 

P.M.

P.M.

(cont. in notation)



End Riff A

fdbk.

13

13

12

12

10

10

12

        12

12

9

9

12

12

9

12

7

9

9

10

9

9

10

10

     

4

5

5

7

5

5

5

10

6

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission



End Riff A1

7

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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 Verse

Gtrs. 1, 2 & 3 tacet 2nd time, Gtr. 4: w/ Rhy. Fig. 2

µ

Gtr. 4

  



1. When 2. So

he then

F5

   

3 3 1

3 3 1

3 3 1

µ

3 3 1

F5

3 3 1

her me,

  you could this

see he un - de

         

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

       P.M.

  

And

 

now

he’s Who

de

-

serv

-

ing

Rhy. Fill 1

  P.M.

  had serv

-

  

 

his ing

-

doubts. mess. 2. (Un -

   

 

       

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

F5

Gtr. 4

-

3 3 1

Rhy. Fig. 2

C5

  

   

3 3 1

G5

µ

    

was see - ing a - long comes

   

3 3 1

 

 

      P.M.

µ

 

 

 

  

 

   

 

miss - ing would be

-

her lieve

be - cause

he my

mess. End Rhy. Fill 1

 

 

 

 

(cont. in slashes)

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

2nd time, Gtr. 3 tacet

 P.M.

G5

      

      

Gtr. 4: w/ Rhy. Fig. 2 (1 3/4 times)

C5

knows he’s life would be Gtr. 3

 

    miss - ing, so

  ah, blessed, Life

 

5

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

µ F5

µ F5

End Rhy. Fig. 2

 

      ah,

ah,

out.

would

be

so

And now two

7

5

  it’s

  

  

haunt - ing him; years a - go

blessed.

        5

      

5

3

   

  her when he


  

µ



Gtr. 3 tacet

   

C5

mem - ’ry’s left all

like that



a de

µ



µ F5

   

ghost. - bris?

And Left

all

G5

that

de

-



he’s Who

so

bris.)

  

4 5 5

To Coda 1 

  

µ



F5

 

ter - ri would have

 Chorus

-

fied known







He’s

the

guy

2nd time, Gtr. 6 tacet

F5

 







 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1







 



thought

that

he

  

 

5 5 3

5 5 3

 



that

you

 

 

5 5 3

 

F5

want - ed



more.

 

 

    

5 5 3

5 5 3

5 5 3

P.M.

one leave

C5

  

G5



’cause no he would

Gtr. 4

 

µ

3 3 1

 



 

C5

else e ev - ’ry



-

ven thing



 

should feel

 

   

 

comes I

close. need?



 

F5

sor - ry

Gtr. 4: w/ Rhy. Fill 1

 

µ



for.

 

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3













I

owe

it

all

to

the

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

 

 

3 3 1



C5

 

G5

5 5 3

 

 







He had

the

world

but

 

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

 



mis - take

 

  he



C5

he

  5 5 3

 

D5

made back

then.

 

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

7 7 5

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal








I

owe

  7 7 5





to

my

girl’s

ex

  

 

 

3 3 1

3 3 1

3 3 1





it

all

 

  





A5

7 7 5

F5

7 7 5

 Coda 1

  

µ





To Coda 2

C5

-

boy

-

 

D.S. al Coda 1

 

friend.

  

 



5 5 3

Chorus Gtr. 4 tacet

G5

 

F

He’s

 

 

 

 

 

  

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

P.M.

5 5 3



 

the

guy

that

C

 you

Rhy. Fig. 3 *Gtr. 5

 

should feel

sor - ry

for.

End Rhy. Fig. 3

   

   

 

mf

5 5 5 3

2 3 3 1 *Piano arr. for gtr.













I

owe

it

all

to

the

    

P.M.

 

 

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

Gtr. 5: w/ Rhy. Fig. 3

F

 

 He

 had

the

world

but

he

Gtr. 4

C

thought

that

he

 

 

want - ed

F5

more.

  

3 3 1

  

µ

C5

take

 

  he

 

 



made back

µ

then.

 

 

 

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

Dm

I

owe

it







3 5

3 5

3 5

P.M.

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Am

all

to

my









3 5

3 5

3 5

3 5

µ

F5

girl’s

C5

ex

-

boy

 

 

   

3 3 1

3 3 1

3 3 1

5 5 3

 mis -

 -

 

friend.

 


Bridge

F5

  





(If

it

C5









was - n’t

for

him.

 



 

I

   

   

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

5 5 3

F5



A5







was - n’t

for

him.

 



I

would

 

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

7 7 5

-

n’t

know

my

 

 





a - ble

to

see

5 5 3









that

if

it

  

 

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

would

still

be

 







was - n’t

for

him,

 

 

7 7 5

7 7 5

 search

 

5 5 3

   

best



5 5 3



-



ing. If

it

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3





was - n’t

for

him.)



 







friend.

 

He would it

 

 

 

  

 

 

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

F5



F5

P.M.

7 7 5

P.M.

G5

A5



 

If

  



 

G5



G5







he’d

be

as

Gtr. 4







hap - py

as

me.



Gtrs. 1 & 2

 

C5



be

  5 5 3

 

C5

 

F5

  

Gtr. 3 (cont. in slashes) divisi

13 12

3 3 1

Interlude Gtrs. 1 & 2: w/ Riff A Gtr. 3: w/ Riff A1 Gtr. 4: w/ Rhy. Fig. 1 (2 times)

F5

C5

G5

F5

C5

G5

F5

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


C5

                   3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

G5

 

G5

             P.M.

5 5 3

3 3 1

F5

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

                

                P.M.

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

F5

3 3 1

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

3 3 1

Bridge

µ

C/E

G5

When

she

and

I

set - tle

down

you

  

 

 

3 3 1

3 3 1

3 3 1

F5

 

C/E

gon - na

 

have

to

   3 0

G5

 

set - tle

for

F5

 

  

5 5 3

3 3 1

 

 

can

 





He’s

some

bet

 

 

 

5 5 3

5 5 3

3 3 1

µ

that

he

  

 

  is

3 3 1

 



C5



-

one

I

would

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

  

 

 

 

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

P.M.

 

F5

5 5 3

less.

 

 

  

3 0





G5

hate

 



to

be;

 

 

 

 

5 5 3

5 5 3

5 5 3

5 5 3

D.S.S. al Coda 2

A5

  







G5

 

 



F5

 

 

 

 

Fm

I

got

the

girl

and

he’s

left

with

just

the

mem

  

 

 

  

*Gtr. 6 (elec.)

  

 

 

 

 

 

 

 

P.M. Gtr. 4 divisi

7 7 5

7 7 5

7 7 5

7 7 5

5 5 3

5 5 3

5 5 3

5 5 3

3 3 1

3 3 1

3 3 1

3 3 1

*w/ slight dist. & amp tremolo, played

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

mf

1 1 1 3 3 1

Gtr. 4 tacet

 - o

 -

 



ry.



   




 Coda 2



Outro Slower q = 115

Free time

C5

(C5)

  

Gtr. 4

 

If

it









was - n’t

for

him,

  

  

  

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

Gtr. 7 (acous.)

   

mf

(cont. in slashes)

5 5 3



 



I

  

  

  

  

1 1 2 3 3 1

1 1 2 3 3 1

0 1 0 2 3







would still

  







be search - ing.

 If

it

  

  

  

  

  

  

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3







Gtr. 4 tacet

  F







was - n’t

for

him,

   

  

  

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

C

 



a - ble





to

see

  

 

 

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

  

  







I

would

-

  

  

  

  

1 1 2 3 3 1

X X X X X X

0 1 2 2 0









 

 

 

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

that

 

Am

if

it





n’t

know

my

  

  

  

  

  

   

  

0 1 2 2 0

0 1 2 2 0

0 1 2 2 0

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3



 F

G







best friend.





C

was - n’t

for

him,

  

  

 

1 1 2 3 3 1

1 1 2 3 3 1

0 1 0 2 3





 



 F



If

it











was - n’t

for

him,

  

  

  

1 1 2 3 3 1

1 1 2 3 3 1

1 1 2 3 3 1

G





hap - py



as

  

C

he

would

  

  

1 1 2 3 3 1

1 1 2 3 3 1



   

he’d

be

as

me.

 

 

 

  

  

 

0 1 0 2 3

0 1 0 2 3

0 1 0 2 3

3 3 0 0 2 3

3 3 0 0 2 3

0 1 0 2 3

be

 

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


from Relient K - MMHMM

More Than Useless Words and Music by Matthew Thiessen

E5

E5

type 2

C#5

A5

B5

C[#5]

4fr 11

Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

Am 3fr

134

11

134

143

231

Intro Moderately fast q = 152 Gtr. 1: w/ Riff A (4 times) ** E5

C#5

Riff A

End Riff A Rhy. Fig. 1 ***Gtr. 2 (elec.)

                

                            

*Gtr. 1 (elec.)

mf

 

mf

w/ dist.

0 4

0 4

0 4

0 5

0 5

0 5

0 0

0 0

0 0

0 2

0 2

0 2

0 4

0 4

0 4

 

0 4

*Doubled throughout **Chord symbols reflect basic harmony.

A5

   

  2 2 0

 

 

2 2 0

2 2 0

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

***Doubled throughout

E5

 

w/ dist.

2 2 0

 

 

2 2 0

2 2 0

    

2 2 0

 

2 2 0

2 2 0

 

End Rhy. Fig. 1

 

 

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

Gtr. 2: w/ Rhy. Fig. 1

C#5

A5

                               

Gtr. 3 (elec.) Fill 1

E5

End Fill 1

               

11 X 9

13 X 11

mf

             

w/ dist.

11 X 9

11 X 9

13 X 11

13 X 11

11 X 9

11 X 9

14 X 12

 Verse

Gtr. 3 tacet 2nd time, Gtr. 5 tacet

E5

Gtr. 1    

2. So

     

Gtr. 2

9 9 7

     feel say

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

Gtr. 1 tacet

 1. I I

14 X 12

if

C#5

 like I can’t

do

 I some -thing

  

would like sig - nif - i - cant

 

to I’ll

 be opt

 to

 

 

some - where else leave most

op

do - ing - por -

     

     

 

 

 

 

       

     

         

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

6 6 4

6 6 4

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


A5

     

    

some - thing tu - ni -



E5

       

that mat - ters. ties wast - ed.

     

And I’ll ad - mit here, And noth -ing triv - i - al

                     

C#5

  

  

wastes a - way meas -ure up

while I sit here, my mind that life could give me will

 

to

and my what

                                           

P.M.

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

9 9 7

9 9 7

A5

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

Gtr. 2

    



doubts might

P.M.

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

9 9 7

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

E5 type2

  

Rhy. Fig. 2

     

9 9 7

start have



  

to gath - er. re - placed

What’s the Too

it. Riff B

 

 

 

 

 

 

 

 

pur late,

-

   

pose? look,

       It and

     

 

  

feels my

worth date

-

less, book

is

     

(cont. in slashes)

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

0 5

2 2 0

0 5

0 5

0 5

0 5

0 5

0 5

0 5

0 5

0 5

Gtr. 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Riff B

C#5

A5

      so packed

   

full

un - want - ed of days that

    like

I’ve were

     

B5

      lost all emp - ty

          

 

my and

 

val now

-

ue. gone.

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0 5

0 5

0 5

0 5

µ

E5

0 5

5

2

5

 

I

can’t And

End Riff B

let ring

0 5

E5

End Rhy. Fig. 2

2

find I

it. bet


µ

         Not

 

in

E5

the that

C#5

least re -

µ

And to

I’m

just get

scared, me

bit. gret will

prove

C#5

A5

 

 

so scared im - prove

to

To Coda 1 

B5

 

that in

I’ll the

fail long

you. run.

Pre-Chorus

E

    

D#m

  

And some

-

times

            Gtr. 2



  

I

think

       C#m

that I’m

not an - y

 

good

at

A5

all.

Rhy. Fig. 3

End Rhy. Fig. 3

               

       

4 6

2 0

P.M.

6 7

6 7

6 7

6 7

Gtr. 2: w/ Rhy. Fig. 3

       E

And some

6 7

6 7

6 7

   -

6 7

4 6

4 6

  

 

D#m

I

won - der

times

4 6

C[#5]

4 6

 

4 6



4 6

4 6

2 4

2 4

2 4

2 4

I’m

e - ven

2 4



C#m

why

C#5

2 4

   

  

why,

2 4

2 4

2 0

 

here

at

2 0

A5

  

2 0

2 0

       Gtr. 2





But

then

 

you

as

-

E5

  

sure

2 0

all.

  Chorus

B5

  

2 0

 

type 2

             

Rhy. Fig 4

  

2 0

Gtr. 2

me.

Rhy. Fill 1

I’m

a

lit - tle

    more

End Rhy. Fill 1

  

  

  

  

  

  

  

(cont. in slashes)

5 6 3

5 6 3

5 6 3

5 6 3

6 6 4

6 6 4

4 4 2

4 4 2

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


       

than

  use

-



     

less.

And when

        

   

I

I

think

that

Gtrs. 3 & 4: w/ Riffs C & C1 (2 times)

     

can’t

  

 



(cont. in notation)

do

this

Riff C1

   

Gtr. 4 (elec.)

  

A5

mf

4

4

6

6

6

End Riff C1

End Riff C

w/ dist.

   

Gtr. 3

4

2

6

4

Riff C

C#5

   

 you

     

 

6 6 4

6 6 4

Gtr. 2

6

6

7

7

7



 



 

prom - ise

me

that

I’ll

    

 

  

   

6 6 4

6 6 4

6 6 4

6 6 4



6 6 4

 



 

get

through

µ

 

To Coda 2



 

this

and

End Rhy. Fig. 4





A5

do





some - thing right,

 

 

7 7 5

7 7 5

    

 

7 7 5

7 7 5

7 7 5

Interlude

    

Am

do

          5 5 5 7 7 5

 

 

some - thing

 

 

 

right

for

once.

Gtr. 1: w/ Riff A (3 times) Gtr. 2: w/ Rhy. Fig. 1 (1 1/2 times)

 

C#5

 

*Gtr. 5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

 

  

  

 

mf 12 X 13

*Synth. arr. for gtr.

4

A5

16 X 16

14 X 14

12 9

 


 

  

17 X 18

16 X 16

E5

  

 

 

  

14 X 14

 

 

12 X 13

11 X 11

C#5

 

  

12 X 13

16 X 16

 

 

D.S. al Coda 1

  

A5

 

14 X 14

 

12 9

 Coda 1

Pre-Chorus * E5

  

     

Some

      Riff D

-

     

B'4/D#

times

I

    

Gtr. 6 (elec.)

mf

 

  

 

think

    

C#m7

that I’m

not an - y

    

 

 

good

at

all.

12

     

9

    

mf

     

    

Harm.

let ring

8

Gtr. 7 (elec.)



End Riff D

w/ clean tone let ring throughout

9

A'9

8

 

12

8

12

9

8

11

     

    

  

 

12

9

12

12

7

 

   

   

w/ clean tone let ring

0

5

4

5

4

4

Riff D1 Gtr. 8 (elec.)

4

0

4

4

0

2

4

2

4

2

0

0

0

2

End Riff D1

   

 

8

6

6 7

mf

w/ clean tone

9

*Chord symbols reflect overall harmony.

Gtrs. 6 & 8: w/ Riffs D & D1



E5

  

Some

       Gtr. 7

  

-

 

times

 

 

  

B'4/D#

I

 

won - der

 

 

  

why,

 

 



 

C#m7

why

I’m

 

 

4

4







e - ven

here

 

  





at

all.

 

let ring

2

4

5

0

5

4

2

4

4

0

4

2

0

2

4

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


D.S.S. al Coda 2 Gtr. 2: w/ Rhy. Fill 1 Gtr. 7 tacet

A'9

    

    

C[#5]

  

 



0

0



But

then

 



you

as

C#5

  -



 

B5

sure

let ring

2



me Gtr. 2

0

 Coda 2

A5

Am

E5 type 2

                   

Rhy. Fig. 5

  

  

do

7 7 5

7 7 5

   * Voc. Fig. 1

than

7 7 5

 

7 7 5

  

          use

(More

7 7 5

 

use

-

 



for

once.

    

    

             

5 5 5 7 7 5

5 5 5 7 7 5

5 5 5 7 7 5

   

   

some - thing right

C[#5]

  

less than

5 5 5 7 7 5

 

End Rhy. Fill 2

     And

I

a

lit - tle

more

Riff E Gtr. 3

               

(cont. in slashes)

5 5 5 7 7 5

5 5 5 7 7 5

    

I’m

   

End Voc. Fig. 1

nev - er

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

  

    

 

  

    

 

knew

I

End Rhy. Fig. 5

knew

this

was

less.)

      

  

     

    

       

  

    

End Riff E         

9 X 7

9 X 7

11 X 9

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

*Applies to Bkgd. Voc. only.

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 7 5

   

do

             

        

some - thing right,

Rhy. Fill 2

    

  

Gtr. 2

11 X 9

13 X 11

9 X 7

9 X 7

9 X 7

9 X 7

11 X 9

11 X 9

13 X 11


    

C#5

  

       be

the

       9 X 7

9 X 7

  

 

       

day,

gon - na (Gon - na

be be

the the

day that day.)

I

would

A5

    

do

 

 

  





some - thing

right,

       

  

    

        

    

  

    

  

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

11 X 9

11 X 9

13 X 11

9 X 7

9 X 7

Bridge Gtrs. 2 & 3 tacet

Am

   

do

     

gon - na

 

 

E,7

 

 

some - thing right

 

 

for

once.

E5

 

E6

E5

 End Riff F

Riff F

   

Gtr. 9 (acous.)

             

 

 

 

 

           

0 0 X 2

0 0 X 2

0 2 X 2

0 2 X 2

0 0 2 2 4 X X 2 2

mf 0 4 X 2

9 X 7

0 4 X 2

0 4 X 2

0 5 X 2

0 5 X 2

0 5 X 2

0 0 X 2

0 2

X 2

4

0 2

X 2

4

0 2

X 2

4

Gtr. 9: w/ Riff F (5 times)

  

E,7

   

E5

E6

E6

E5

I

know

 

 this,

E5

E,7

C#m9

E5

 

I

no

-

C#m

 

 

 

week

is

a

sym

 ticed

C#m7

-

bol

 

of

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


    

Asus2

A

 

how

I

use

C#m9

A5#11

E,7

  

 my

C#m

E5

time.

C#m7

 Re

-

E6

 

Asus2 A



sent

it.

A5#11

A5

Gtr. 2

     



 

vinc - ing



my - self

the

 

I

spent

it



world’s







do - ing

just

fine.

* Voc. Fig. 2





 

(With - out

Riff G

   Gtr. 3

  con -

 me.)

 

 

 

 

 

 

 

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

Riff G1 Gtr. 9

 

(cont. in notation)



 

E5

End Riff G

 

13 X 11 End Riff G1

               

0 5 X 2

0 5 X 2

0 5 X 2

0 5 X 2

0 5 X 2

0 5 X 2

  

 

  

an - y

con

0 5 X 2

0 5 X 2

*Applies to Bkgd. Voc. only.

Gtrs. 3 & 9: w/ Riffs G & G1 (6 times)

C#5

A5

  For

                   

do - ing

an

   

 

         

2 2 0

2 2 0

2 2 0





    

E5 End Voc. Fig. 2

 

- y - thing

  of

-

se

  -

quence.

Gtr. 2

6 6 4

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

       

       

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0


Bkgd. Voc.: w/ Voc. Fig. 2

A5

   

C#5

E5

Show - ing

                    2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

                6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

an - y

sign

  of

 

 

 

 

       

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

(cont. in slashes)

2 2 0

2 2 0

2 2 0

Gtr. 9 tacet

B5

                    Gtr. 2

ev - er

mak

-

ing

      

sense

   

 

 

 

 

 

 

 

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

11 X 9

Gtr. 3

A5



of

my

 

 

9 X 7

8 X 6

           Gtr. 9

0 4

C#5

0 4

 

   

   

0 4

0 4





and

my

 

 

9 X 7

8 X 6

0 4

 

0 4



0 4

 



 

B5

    

time.

 



It’s

my

 

 

9 X 7

8 X 6

9 X 7



 

 

life

 

9 X 7

0 4

   

B5

    

right

to

use

it

 

  

 

 

9 X 7

9 X 7

11 X 9

9 X 7

A5



 

like

I

should.

   

 

8 X 6

9 X 7

 

 

              Like

he

would,

 

 

 

 

 

 

 

 

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


B5

C#5

       

       

    

 

for

the

        

good

of

                

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

  

ev - ’ry - thing

13 X 11

13 X 11

13 X 11

13 X 11

13 X 11

 

13 X 11

13 X 11

I

B5          

C#5

   

that

               

13 X 11

C[#5]

would

ev

-

        

13 X 11

13 X 11

13 X 11

 

   

er

know.

  

13 X 11



 



11 X 9

Chorus Gtr. 2: w/ Rhy. Fig. 4

E5

       

Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 3 & 4: w/ Riffs C & C1 (3 times)





 

I’m

a

lit - tle

    

µ

can’t

 



  



do

   



some - thing

Bkgd. Voc.: w/ Voc. Fill 1

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

C#5

 

  

 

Am

right,

do



 

 



than

use

-

less.



use

-

less.



 

some - thing

C[#5]

  





And

I

A5

  

 

me

I’ll

that

 

 

right

for

once.



 

nev - er



 



 

when

I

think

that

I

µ

 



 

 



 

get

through

this

and

Gtr. 2: w/ Rhy. Fig. 5 Gtrs. 3 & 4: w/ Riff E

 

 





And

you prom - ise this.)

do

 

 



 

this can’t



than



Gtr. 2: w/ Rhy. Fill 2

A5

µ

more

       do (I

   





 



I’m

a

lit

- tle

 

E5

knew

 



 

I

knew

 

 

more



 

this

was


C#5 Gtr. 2

           

gon - na

be

     Gtrs. 3 & 4

9 X 7

9 X 7

the

day,

 



gon - na (Gon - na

be be

 

            

  

   

       

A5

the the

day that day.)

I

would

do

some - thing right,

       

   

 

   

   

     

 

 

 

 

       

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

  

do

 

 

 

some - thing

right

for

once.

type 2

 

 

 

 

 

 

 

 

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

  

1., 2., 3.

4.

Gtr. 1: w/ Riff A (7 times) Gtrs. 3 & 4 tacet

E5

          

  

0 0 2 2 0

    

    

     

     

0 0 4 2 2 0

E5 Gtr. 1

Gtr. 2

9 X 7

(cont. in notation)

  

Asus2

9 X 7

Outro

E5

9 X 7

    





     

      

 

      0 0 1 2 2 0

0 0 1 2 2 0

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


from Relient K - MMHMM

Which to Bury; Us or the Hatchet? Words and Music by Matthew Thiessen A5

F5

Dm

G5

E5

C5

G#(b5)

5fr

6fr

134

134

DmX

31

G5V 10fr

4

134

11

E/G# 5fr

6fr

13

134

F5 VIII

Am

8fr

14

12

G5

open

10fr

13

3

Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

Verse Moderately q = 131 **A5

  

1. I Rhy. Fig. 1 *Gtrs. 1 & 2

   

think

you

know

what

I’m

get

- ting

at.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

mf P.M.

9 7

*Gtr. 1 (slight dist.); Gtr. 2 (clean) w/ flanger **Chord symbols reflect overall harmony.

F/A

 

  

I

find

it

so

up

-

set

 -

ting

that

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

 

P.M.

10 7

Dm

    

the

mem

 

-

o

-

 

 

 

 

 

 

10 0

10 0

10 0

10 0

10 0

10 0

ries End Rhy. Fig. 1

that

you

se

-

lect,

 

 

 

 

 

 

 

 

 

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

P.M.

10 0

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


G

E

A5

   

  

 

 

Rhy. Fig. 2A Gtr. 4 (dist.)

mf

 

 

you

Gtr. 3 (clean)

 

keep

 

the

bad

  but

 

  

the

good you

 

 

 

just

 

P.M.

 

for - get.

 

And

mf let ring

7

Gtrs. 1 & 2

  

9

7

   

9

 

7

   

* P.M.

7 5

7 5

7 5

7 5

7 5

7

9

7 5

9

   

9

9

   

9

9

9

9

9



I’m

an -



 





 

Rhy. Fig. 2

e - ven though

 

P.M.

9

9 10

9 10

9 10

9 10

9 10

9 10

9 10

9 10

   

 

   

 

 

 

   

 

 

   

9 6

9 6

9 6

9 6

9 7

9 7

9 7

9 7

9 7

9 7

Gtr. 1, w/ dist.

7 5

7 5

9 6

9 6

9 6

9 6

9 7

9 7

*Gradually remove P.M.

        P.M.

F5

       

-

gry

I

can

  

















9 10

9 10

9 10

9 10

9 10

9 10

9 10

9 10

  

 

 

 

 

 

 

9 7

9 7

9 7

9 7

9 7

9 7

9 7

 

still

 

 

I

know































10 10

10 10

10 10

10 10

10 10

10 10

10 10

10 10

10 10

10 10

10 10

10 10

10 10

10 10

10 10

10 10

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

9 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

say,

my

heart

will

 

 

 

 

  

 

       

break

the

day

P.M.

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Dm

       

P.M.

   

 when

  

 

you

     

 

10 0

10 0

10 0

10 0

  

 

 

 

 

peel

out

         

  

 

and

 

drive

 

 

 

 

 a

-

 

 

G5

         

way.

     

 

 

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

7

 

 

 

 

 

 

 

 

 

 

 

 



  

I

can’t

 

 

 be

-

lieve

let ring

7

9

7

9

7

9

9















7 5

7 5

7 5

7 5

7 5

7 5

7 5

P.M.

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

7 5

Pre-Chorus Gtrs. 2 & 3 tacet

E5

F5

       

       

End Rhy. Fig. 2A

P.M.

  

 

this

hap

  -

 

pened.

And

       







all

this

time

P.M.

   I



nev - er

   

thought

End Rhy. Fig. 2

let ring

9

  

9

 

9

 

9

 

9

 

9

 

9

 

9 6

9 6

9 6

9 6

9 6

9 6

9

  

P.M.

9 6

9 6

Gtr. 1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

P.M.

5 3

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


C5

            P.M.

Gtr. 1

 

            

F5





that

all

we

       















































5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

P.M.

5 5

       

   P.M.

had

 





would

be

C5

           

all

 

 

 

 

 

 

 

5 3

5 3

5 3

5 3

5 3

5 3

5 3

for

 Chorus

2nd time, Gtr. 2 tacet

µ

 

No,

I

F5

don’t hate

Rhy. Fill 3 *Gtrs. 1 & 4

 

















 

 

 

 

 

 

 

9 10

9 10

9 10

9 10

9 10

9 10

9 10

9 10

7 6

7 6

7 6

7 6

7 6

7 6

7 6

µ

A5

Don’t want

2nd time, Gtrs. 1 & 4: w/ Rhy. Fill 1

C5

Dm

to

fight

you.

Know

I’ll

al - ways

 

   

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

  

  

  

6 7 7 5

6 7 7 5

 

 

 

2 2 0

2 2 0

2 2 0

   

 

love

you,

but

right

  

  

  

  

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

P.M.

5 5 3

6 7 7 5

5 5 3

*Composite arrangement

Rhy. Fill 1 Gtrs. 1 & 4

Sorgdal

End Rhy. Fill 3

 

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

(cont. in notation)



you.

 

4

      

not.

P.M.

5 3

G#(b5)

  

 

 

 

 

 

 

 

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

6 7 7 5

 0 0


A5

 

now

  

I

just

don’t

 

 

 

2 2 0

2 2 0

2 2 0

P.M.

2 2 0

C5

like

 

 

5 5 3

5 5 3

5 5 3

T o Coda

Dm

Know I’ll Rhy. Fill 2

   6 7 7 5

   6 7 7 5

al - ways

   6 7 7 5

   6 7 7 5

love

you,

but

right

   6 7 7 5

   6 7 7 5

you.

   

   6 7 7 5

   6 7 7 5

A5

now

I

F5

No,

I

don’t hate

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

C5

  

just don’t like

  3 3 1

Don’t want

 

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

5 5 3

C5

to

fight

you.

 

 

2 2 0

2 2 0

2 2 0



 

F5

you ’cause

   

A5

you.

   

µ

    5 5 3

5 5 3



you

 

took

End Rhy. Fill 2

 

 

P.M.

 

 

 

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

5 5 3

Interlude

  

Gtrs. 1 & 4 tacet

Am

this

too

 

 

 

 

 

 

 

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

3 3 1

P.M.

too

mf

 far.

w/ fingers let ring throughout

1 3 3 1

far, *Gtr. 5

   

2

2

1 2

2

1 2

1 2

2

1 2

2

1 2

*Banjo arr. for gtr.

F

   

 1

3

 2

 

 1

3

D7(no3rd)

  2

1 3

 1

3

 2

 1

3

 2

1 3

  1

0

 2

 1

0

 2

 1

0

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


 

1

1

2

0

2

0

G

1

3

0

3

4

5



3

4

5

E

3

5

3

4

6

3

4

6



6

Verse *Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A Gtr. 5 tacet

Am

 

2. Make your

Gtr. 6 (clean)

 

Riff A

de - ci - sion

 and

 

don’t

 

you

dare

  

F

 

think

twice.

Go

with your

in

-

stincts

a -

mf let ring throughout

7

5

5

5

5

5

7

5

5

5

5

5

5

5

5

5

5

8

6

5

6

5

6

5

*Gtr. 2 w/ slight dist., flanger off.

Dm

  long

 

  

with some bad

ad

8

  5

6

5

 6

5

Gtrs. 1&2

  -

This

5

vice.

Dm X

6

did - n’t

turn

out

the

way

8

6

7

5

6

7

I

thought it

8

6

7

        P.M.        at

5

6

7

would

5

6

7

all.

6

Gtr. 6: w/ Riff A

G5 V

E/G#

Am

                                            P.M.

You blame

me,

but

        

some of this is still your

 

fault.

I tried to

move

 

      

you,

but you just would - n’t

budge.

 End RiffA Gtrs. 1 & 2                    P.M.

7

8

7

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7

8

7 7

8

9

9

7 9

9

7 9

9

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7

9 7


F

    

 

 

 

your

grudge.

 

 

 

 

 

 

 

      **w/ dist.  * P.M. 

10 7

10 7

10 0

10 0

10 0

10 0

10 0

10 0

I

tried

to

 

 

 

 

 

 

 

 

 

 

 

 

 

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

10 7

I

think you

P.M.

10 7

 

hold

but you’d rath - er

 

 

hand,

 

hold your

Dm

know

10 0

10 0

*Gradually remove P.M. **Gradually roll up gain.

D.S. al Coda

Gtr. 3: w/ Rhy. Fig. 2 (last 2 meas.)

what I’m

  

get - ting

at.

G

said good - bye

and

I

just

You

 E

don’t want you

re - gret - ting

that.

  

 

 

 

 

 

 

 

















 

 

 

 

 

 

 

 

10 0

10 0

10 0

10 0

10 0

10 0

10 0

10 0

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

9 6

9 6

9 6

9 6

9 6

9 6

9 6

9 6

 Coda

Bridge Gtr. 4 tacet

A5

C5

F5

VIII

  w/ slight dist. 

Rhy. Fig. 3

Gtr. 1

now

I

just

don’t

like

  

  

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

 

 

you. Rhy. Fig. 3A Gtr. 2

  

 

(Gtr. 1, cont. in slashes)

5 5 3

5 5 3

  

  

 

 

 

  

  

12 10 8

12 10 8

9 10 8

9 10 8

9 10 8

12 10 8

12 10 8

w/ flanger

12 10 8

Am

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

12 10 8

9 10 8

9 10 8

9 10 8

12 10 8

9 10 8

12 10 0

12 10 0

12 10 0

9 10 0

9 10 0

9 10 0

12 10 0

12 10 0

12 10 0

9 10 0

9 10 0

9 10 0

12 10 0

9 10 0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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F5 VIII

       

    

Am

       

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

12 10 8

12 10 8

12 10 8

9 10 8

9 10 8

9 10 8

12 10 8

12 10 8

12 10 8

9 10 8

9 10 8

9 10 8

12 10 8

9 10 8

12 10 0

12 10 0

12 10 0

9 10 0

9 10 0

9 10 0

12 10 0

12 10 0

Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (1 4/9 times)

G5

  

open

F5

End Rhy. Fig. 3

  

  And

   

 

 

 

  

  

    

 

12 10 0

9 10 0

9 10 0

9 10 0

12 10 0

12 10 0

9 10 0

0 12

 

 

   

 

7 7 5

7 7 5

7 7 5

Gtr. 2

Gtr. 4

 

   -



3 3 1

 

  

 

 

3 3 1

3 3 1

3 3 1

3 3 1

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

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es

Gtr. 4

    

 

wis

End Rhy. Fig. 3A

Am

 

these

black

eyes

 

and

 

  

7 7 5

7 7 5

 

dom

al

-

 

 

 

3 3 1

3 3 1

3 3 1

ways

 choos

    

5 5 3

 

-

these

bruis

 

 

7 7 5

7 7 5

-

 

 

 

3 3 1

3 3 1

es

  

 

  

 

 

7 7 5

7 7 5

7 7 5

7 7 5

-


F5

 

 

o - ver the heart

Rhy. Fig. 4

    3 3 1

-

ache

  

 

that

3 3 1

 

they



 

Am

say

 

 

    

3 3 1

3 3 1

3 3 1

com - plete

-

ly

goes

 

  

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

nev - er

    

 

3 3 1

3 3 1

3 3 1

Gtr. 4: w/ Rhy. Fig. 4

   a

-

 



C5add9

way.

F5

 

  And

Screamed: (I

 

just

wis

can’t

 

be

-

 

-

7 7 5

  

 

    

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

 es

   

  pened, this

 

Am

 

  these

 

 



  

 

a - round.

dom

al

-

ways

 

 

  

 choos

-

 

 

this

hap

one

we’ll

day

 

5 5 3

  

 

and

 

 

And

one

these bruis

  

this come

lieve

 

black eyes

 

-

hap day

we’ll

 

 



 

es

   

 

see

  pened.) this

  come

a

-

see

 

End Rhy. Fig. 4

 

  

 

(And

   



- round.)

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F5 Gtr. 1

VIII

o

- ver

the

  

-

ache

that

heart

   

Am

they

say

nev - er

  

Gtr. 2

  

-

ly

goes

com - plete

  

12 10 8

9 10 0

Gtr. 4

   

 

 

3 3 1

3 3 1

7 7 5

Gtr. 2 tacet

  



F5

  w/ dist

* Voc. Fig. 1

- way.

 

µ

(cont. in notation)

No,

I

don’t

   

 



A5

a

  

Chorus

   

  

hate you. Screamed: (You.

C5

Don’t want

to



fight

you. You.)

9 10 0

   

 

7 7 5

 

 

 

3 3 1

3 3 1

3 3 1

 

Gtrs. 1 & 4

3 3 1

 

 

 

2 2 0

2 2 0

2 2 0

  

5 5 3

  5 5 3

*Applies to Bkgd. Voc. only.

Gtrs. 1 & 4: w/ Rhy. Fill 2

Dm

 



Know

I’ll

al - ways



 10

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 1 & 4: w/ Rhy. Fill 3





A5





love

you,

End Voc. Fig. 1





but

right









now

I

just

don’t

C5



like

 you.



µ

F5

No,

I

don’t

hate

you.


µ

 

A5

Gtrs. 1 & 4: w/ Rhy. Fill 2

C5

Don’t want

to

fight

you.

 





Know

I’ll

al - ways

you

took

Gtr. 5

C

     

too

0 1 0 2 3

C

        0 1 0 2 3



What

hap

  

5

 

 

5



love

you,

but

right









C5

now (Now

I I

just just

don’t don’t

like like

 

you ’cause you.)

pened to

3 3 5 5

1 1 2 3 3

0 1 0 2 3

3 3 5 5

6

1 0 2 3

      



heard that

it’s

me

we should blame.

  

What

hap

-

pened

to

us?

 



5

5 6 5

3

5

5

C

 

6

5

5

5

F

2

8 10 10

F

3



0

 

       

      

5

 

   

5

Gm

5

Gm

I

5

5

  

us?

  

3

F

     

5

Gm

  

    

C

 

C

-

   

far.

F

5 3



  



  

this

Gm



Gtrs. 1 & 4 tacet

A5

Outro Slowly q = 58





F5 Gtrs. 1&4

Dm

5 5

5

 

Why

   3 5 5

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Gtr. 5 tacet

Gm

 

did

- n’t

you

F

     



stop

me

 

from

turn - ing





C

 

  

out

this

  way?

    





*Gtr. 7



   

9 10

9 10

mf let ring throughout

0 3 5

3

5

3

8 10

10

10

3 1 0 2 3

10

8 9 10

9 10

10

9

10

*Piano arr. for gtr.

Gm7

F

C

And

  

 

 

 

 

 

 

  

3 3 3 5

6 3 5

6 3 5

6 3 5

1 1 2 3

1 1 2

1 1 2

1 1 2

Gm7



 

you.

And

know

 

 

 

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

that

I

don’t

want

to

 

 

 

 

 

 

 

3 6 3 5

3 6 3 5

3 6 3 5

3 6 3 5

1 1 2 3

1 1 2 3

1 1 2 3

1 1 2 3

 

 

I’ll

al

-

ways

 

Gm7

 

love

you,

but

right

know

C

 

fight

   

  

F

 

now

 

that

 

 

 

3 5 5 5

3 5 5 5

3 5 5 5

3 5 5 5

And

 

 

 

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

I

just

 

 

 

hate

 

C



 

don’t.

 

 

 

  

 

 

 

 

 

 

 

3 5 5 5

3 5 5 5

3 5 5 5

3 5 5 5

3 6 3 5

3 6 3 5

3 6 3 5

3 6 3 5

1 1 2 3

1 1 2 3

1 1 2 3

1 1 2 3

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

don’t

you.

 

  

I

  

12

Sorgdal

F

3

 

  

 

   1 0 2 3

know

 


from Relient K - MMHMM

Let It All Out

Words and Music by Matthew Thiessen Fadd9

Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

T 3214

Verse Slowly q = 55 C

         1. Let

it

Am7

all

(Get

it

 

2314



   

mf

Em

32

4

23

4

Em7

out.

*Gtr. 1

G

 

 

Rip

it

out,

  

re - move

it.

Don’t

be

all out.)

 

 

 

 

1 0 2

1 0 2

1 0 2

0 3 0 2

 

 

 

0 3 0

0 3 0

0 3 0

let ring throughout

1 0 2 3

*Piano arr. for gtr.

Fadd9

 

a - larmed

when

the

wound

C

 

be - gins

 

to



 



bleed.

’Cause we’re

  

 

 

 

  

 

 

 

3 1 2 3

3 1 2

3 1 2

3 1 2

3 1 0 2 3

3 1 0 2

3 1 0 2

3 1 0 2

 

scared

3

 to

 find

  1 0 2 3

 

 

 

Em7

   

lose

it,

3

3

out.

So (What

 this

life’s

all

scared

we’re gon - na

 

so



  and

a - bout.)

  

  

  

 

3 1 0 2

3 1 0 2

3 1 0 2

0 3 0 2

 

 

 

0 3 0

0 3 0

0 3 0

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Fadd9

 

C

know - ing

all

a - long

  

 that’s

 

ex - act - ly

 

what

 



we

need.

  

And

 

 

to -

  (cont. in slashes)

3 1 2 3

3 1 2

3 1 2

3 1 2

3 1 0 2 3

  day

I’ll

   *Gtr. 2

        trust you with the con

-



fi - dence

of

a

G

 man

    who’s nev - er

 

 

 

17 X 14

15 X 12

12 X 9

 

 

 

3 1 0 2

Am7

Rhy. Fig. 1

3 1 0 2

Pre-Chorus Fadd9 *Gtr. 1

3 1 0 2

  

known

 

de - feat.

But

 

 

12 X 9

13 X 10

to -

mf 10 X 7

12 X 9

13 X 10

*Piano arr. for gtr.

Em

Fadd9

Am7

End Rhy. Fig. 1

G

Fadd9

                           mor - row, up - on

  

 

12 X 10

9 X 7

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

hear -ing what I

  10 X 7

did,

I will stare

at

you

in dis

 

 

 

9 X 7

12 X 10

9 X 7

-

  9 X 7

be - lief.

Oh,

 

10 X 8

 in

- con - sis - tent

Riff A

 

10 X 7

13 X 10

 

  12 X 9

 

17 X 14


Am7

G

 

Em

 

     

15 X 12

12 X 9

 

 

12 X 9

13 X 10

 

12 X 10

Rhy. Fill 1

    

   

con - sis - ten - cy.

And

you

 

 

9 X 7

7 X 5

 

said

I

Riff B

          w/ pick & fingers

Gtr. 1

3

10 X 7

9 X 7

(cont. in notation)

End Riff A

 

Gsus4

End Rhy. Fill 1

    

for

 

Gtr. 2 tacet

*C

G

cry - ing out

 

Fadd9

me,

Chorus Moderately slow q. = 68

3

1

0

1

0

3

3 *Chord symbols reflect implied harmony.

Gtr. 1: w/ Riff B (2 times)

Am7

Em

    

know

  3

that

  1

 3

0

0



this will

   

Fadd9

but

 

 

 

Gsus4

   

hurt,

 

C

if

I

Am7

Em

      

 

don’t break your heart

then

End Riff B

 

**T

0

3

1

0

0

3

1

2

3 2

3

1

2

1

2

1 **T = Thumb on 6th string

Fadd9

things

 

     will

  

just

 

get



Am7

    the

Rhy. Fill 2 Gtr. 1

worse.

re - mem - ber,

C



end

  will

    

Am7

 

If

seems

too

Gsus4

the

G

bur - den

   

 

jus - ti - fy

the

Em

pain

Em

   much

to

Fadd9

  

 

G

it

took

to

get

  

  

   

  

  

3 1 2 2 0

3 0 0 0 2 3

3 0 0 2 2 0

3 1 2 3 X 1

3 0 0 0 2 3

w/ pick

T



bear,

  

End Rhy. Fill 2

  

Fadd9

us

  C

there. 2. And

   

  

 

I’ll

 

3 1 0 2 3

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Verse Slowly q = 58 Gtr. 1 tacet

   

C

    

 

let

it

be

Em7



Fadd9

known.

            

      

Signs

of all my weak - ness.

But some - where

in

me

there

is

(Times I have shown.) Riff C Gtr. 3 (clean)

  



mp

  

  

w/ amp tremolo

amp tremolo off

let ring throughout

8 10 Gtr. 4 (clean)

  

mp

0 0 7

8

9 10

10

 

1

1

1

8



 

9 10

10



 

let ring throughout

1

0

0

2

3

0

3

1

2

Gtr. 3: w/Riff C

C

  

strength.



3

       And

you prom - ise

End Riff C

Em7

  

   

in

I

me (That you

   



time

will de - feat

 this,



  ’cause

be - lieve.)





8 9 10

    

1 0 2 3

0

1

0

2

3

 0 3 0

Pre-Chorus

 3               Fadd9

C

some - where

     0 1

1

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

3

in

me

there is strength.

    1 0 2 3

Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff A Gtr. 4 tacet

Fadd9

             

   And to

-

day I’ll

trust

you with the con - fi - dence

of a


Gtr. 1: w/ Rhy. Fill 1

Am7

G

      man who’s nev - er

   

known

de - feat.

Chorus Moderately slow q = 69 C Gsus4

   you

   

Riff D

Gtr. 1

 

said

I

 

Em

And I’ll

 

that

try my

Em

 

know

best

this

will



12

15

is - n’t me.

    And



hurt,

End Riff D

T

15

13

that that man

Fadd9

 

to just for - get

w/ pick and fingers

15

G

                

 

Am7

Fadd9

15

13

15

13

12

15

12

12

12

15 12

12

15

13

13

14

15 14

15

13

13

14

14

13

Gtr. 1: w/ Riff D (2 times)

C

but

if

I

C

If

the

 

Am7

 

    Gtr. 1

Gsus4

don’t

Gsus4

 

bur - den

Am7

break

your

seems

too

 

G

the

end

will

jus

 -

ti

heart,

 

Em

Am7

 

Em

 -

 

Fadd9

 

then

things

will

much

to

fy

Fadd9

   

   

3 1 2 2 0

3 0 0 0 2 3

3 0 0 0 2 3



just

get

worse.





 

 

re - mem

Em

 

pain





 

bear,

the

  

w/ pick

3 1 2 2 0

 

  it

-

Fadd9

 

G

 



took

to

get

us

   

  

   

T

3 0 0 2 2 0

3 1 2 3 X 1

3 0 0 0 2 3

ber,

  

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Gtr. 1: w/ Riff B (3 times)

    C

You there.





break

your

Am7



Am7

seems





 

Am7

said

I

know

Gsus4



Em

that

this



 

things Things

will

 

heart



then

 

Fadd9

will

hurt, (I

Em

Fadd9



    

  



 

 

know

this

will

but if hurt.

 

  



just

get

   

  

 

get

un

-

I



When

the



 

Gsus4



C

worse.

will

 

C

don’t

 



Gsus4

bur - den

true.

Gtr. 1: w/Rhy. Fill 2

    

Fadd9

  

 

too

bear, Seems

too

Em

much

  

to



Em

Fadd9

it

      

much



 

pain

 

re - mem - ber, to,

took

     Gtr. 1

   the

 

end

will

  

     G

jus -

ti - fy

the

oh.)

 

G





 

to

get

us

there.

   

   

3 1 2 3 X 1

3 0 0 0 2 3

T

3 0 0 2 2 0

 

Am7

C

    3 1 0 2 3

Outro Slowly q. = 47

C

 

  

16 15

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

13

 

16

Riff E

13

  

16

13

 

16

Am

13

  

14

13

 

14

13

  

16

13

 

16

C/G

    

13 14

12

13 14

12


F

13 14

16

12

13

15

13

16



13

14

15

C

Reach

out

13

16

 

15

12

13

20

   to

 

me.

 

13

 

13

16

15

End Riff E

16

Gtr. 1: w/ Riff E (till fade)



Make

my

C/G

 

 heart

 

Am

brand





 

  And



C/G

touched

  my

I



 

know

you

   heav - y



new.

you,

C

heart



Ev - ’ry

beat

F





for

you.

 

Am

know

you

touched



 

    and made

it

will



be

for



  my

 

 

life,

F





 

 when

 

you



 

light.

Fade out

Begin fade

C

Am

C/G

 7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


from Relient K - MMHMM

Who I Am Hates Who I’ve Been Words and Music by Matthew Thiessen

Asus2

Bsus4

C#m7

E5

A5

B5

E5

type2

C#5

4fr 12

134

4fr

134

114

11

134

11

134

Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

Intro Moderately fast q = 150 Asus2

Rhy. Fig. 1 Gtrs. 2 & 3 (elec.)

mf

Bsus4

     

C#m7

     

     

w/ dist.

               Riff A

Gtr. 1 (elec.)

       

       

4

4

mf

 

w/ dist.

5

0

9

0

7

0

1.

5

0

0

5

0

7

0

4

0

0

5

0

4

0

5

0

2.

E5

E5 End Rhy. Fig. 1

     

A5

     

                   End Riff A

7

0

9

0

4

0

5

0

 

Fill 1

7

0

9

0

4

0

End Fill 1

0 5



  



  

0 5





B5

0 5

0 4

Verse Gtrs. 1, 2 & 3 tacet

E

   

   1. I

     *Gtr. 4

mf

watched

  

pro - ver - bi - al

sun

  the

   

E/A

- rise

   com - ing

up

  o - ver

  

   

the

Pa - cif - ic.

And

  

w/ fingers

12 13 14 0

13 14 0

*Piano arr. for gtr.

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

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C#m7

   

 

you might think

  

  I’m los

-

      

 

    

ing

my

Badd11

mind,

but

I

   

  

     

 

will shy

a - way from the spe - cif - ics, ’cause

  

  

0 0 8

9 9 9 9

7

Gtr. 4 tacet

Asus2

Bsus4

C#m7

                          

Rhy. Fig. 2A Gtr. 5 (acous.)

mf

     

End Rhy. Fig. 2A

     

I don’t

want

you

to



   

know

        Gtr. 1

 

where I

  

am.

’cause

   

   

0 0 4 4 2

0 0 6 6 4

Bsus4

C#m7

Rhy. Fig. 2

 

   

End Rhy. Fig. 2

w/ slight dist.

0 0 2 2 0

Gtrs. 1 & 5: w/ Rhy. Figs. 2 & 2A

Asus2

     

 

then you’ll

       

  

see

heart

my

 

in

   

this

is

sad

    

       

  

    

-

state

ev

-

dest

it’s

  

 

er

 

been.

And

Gtr. 5 tacet

B5



  

no

place

 

to

try

and

Rhy. Fig. 3

End Rhy. Fig. 3

     

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

4 4 2

Gtrs. 2 & 3

P.M.

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

the

Asus2 Gtr. 5

   


 Pre-Chorus

2nd time, Gtr. 4 tacet

    

µ

E5

 

live

 

my

     



Asus2

        

See

   

Oo,

well,

I



that

line.

 

 

 

9 7 5

4 4 2

Chorus E5

 

4 4 2

 

 

4 4 2

 I'm

 

 

P.M.

2 2 0

2 2 0

 

9 9 7

 

it’s

the

     

 

9 6

 

9 6

9 6

 



 

sor

-

ry

for

0 0 4 2 2 0

   0 0 4 2 2 0

   0 0 4 2 2 0

  

   0 0 4 2 2 0

   0 0 4 2 2 0

   0 0 4 2 2 0

 

9 9 7

9 9 7

 

ver - y

   P.M. 4

 

6 6 4

E/G#

X X



 

4

4 4 2

ex

Rhy. Fig. 4

0 0 4 2 2 0

   0 0 4 2 2 0

   0 0 4 2 2 0

  

A5

0 0 4 2 2 0

I

lost

it.

 

 

 

4 4 2

9 6







Stop

 

I

5

ry

0 0 4 2 2 0

E5

P.M.

2 2 0

2 2 0

   0 0 4 2 2 0

 

wish that

 

per for.

   0 0 4 2 2 0

 

9 6

9 6

9 9 7

  -

   0 0 4 2 2 0

0

Oo,

well

I

 

 

9 9 7

9 9 7

9 9 7

I

B5

  4 4 2

could take

back.

 

   

   

   

9 9 7

9 9 7

9 9 7

9 9 7

P.M.

7



 

 

 

right there.)

 

 

B5



  

4 4 2

 

4 4 2

the -

 

- ly

it.

   

where

act

5

    P.M.

7

4 4 2

4 4 2



  

-

 

mo - ment that

2. (Sor

       

should have crossed

6 6 4

6 6 4

X X X

that,

 

 

B/D#

B5

nev - er

  

nev - er should have said

       

there.

 

 

9 7 5

B/D#

right

C#5

X X X

7 4

(Stop

Well, that’s

4 4 2

  



life.

E/G#

B5

9 9 7



 

son

I

   0 0 4 2 2 0

   0 0 4 2 2 0

     0 0 4 2 2 0

9 9 7



7

 

be

-

came.

  

  

  

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

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Sorgdal


     





B5

C#m7

 

I’m

        0 0 4 2 2 0

    

  

    

 

 

 

0 0 4 2 2 0

0 0 4 2 2 0

4 X 2

4 X 2

6 X 4

4 X 2



 

 

so

long

             0 0 6 X 4

0 0 6 X 4

0 0 6 X 4

             0 0 4 2 2 0

  

 

for

me

6 4

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Sorgdal

 

sor - ry



6 X 4

0 0 6 X 4

0 0 6 X 4

0 0 6 X 4

0 0 6 X 4



 

to

0 0 6 X 4

0 0 6 X 4

0 0 6 X 4



 

B5

0 0 4 2 2 0

-

be y

sure

I to.)

nev - er

0 0 6 X 4



0 0 6 X 4

  

4 X 2

 

 



be - come

that

  

 

way

0 0 6 X 4

0 0 6 X 4



 

read - y

to

  

  

  

  

  

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0



 

0 0 6 X 4

 

I’m

4 X 2

0 0 6 X 4



0 0 6 X 4

change.

4 X 2



0 0 6 X 4



E5

0 0 6 X 4



took that.

       

0 0 6 X 4



it ry

     

  



-

       

 

0 0 6 X 4

Sor





 

 

0 0 6 X 4

 

 

0 0 6 X 4

that

         

 

a

-

 



B5

C#m7

gain,

  

  

  

  

  

  

  

  

  

  

  

  

  

    

 

 

 

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

4 X 2

4 X 2

4 X 2

6 X 4

 



 

Who

I

am

 

 

’cause who

   



       

 Read



 

 



 

I

am

 



 

hates

 

who



 

A5

I’ve

 

       

 

 

       

6 X 4

0 0 6 X 4

0 0 6 X 4

0 0 6 X 4

0 0 6 X 4

0 0 6 X 4

0 0 6 X 4

0 0 6 X 4

0 0 6 X 4

been.

 

0 0 6 X 4



0 0 6 X 4

2 2 0

 

 

 

 

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0


T o Coda

      

     

B5

hates

who

Interlude *Gtr. 1: w/ Riff A (1 3/4 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)

 

I’ve

 

Asus2

 

                    4 4 2

4 4 2

4 4 2

4 4 2

C#m7

E5

been. End Rhy. Fig. 4

4 4 2

Bsus4

4 4 2

4 4 2

4 4 2 *w/ dist.

Asus2

     Gtr. 6 (elec.) Riff B

Bsus4

       

0

7

Gtr. 1: w/ Fill 1

C#m7

E5

       

    

End Riff B

mf w/ dist.

9

0

12

0

10

0

9

0

9

0

10

0

7

0

7

0

9

0

7

0

9

0

10

0

12

0

7

0

0 9

Verse Gtr. 6 tacet

E5

E5 type2

      P.M.     

Rhy. Fig. 5 Gtrs. 2&3

   

A5

2. I

talked

Gtr. 1

to

ab



-

9

9

9

9

9 9

9 9

    

   

P.M.

  

             



so - lute - ly

no

one.







9

9

9

9

9 9

9 9

X X

10

10

Could - n’t

keep

to

my -

10

10

10

10

10

10

w/ flanger P.M.

9

self

             



    

e - nough.







And

the

things

C#5

        





bot - tled



10

10

10 9

9

9

9

9

9

9

X





in - side

 

have

9

9

9

9

9

         

 







fi - nal - ly

be

-

to

 

cre -

gun

9

9

9

9

9

X

 

 

P.M.

10

11

11

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Gtrs. 2 & 3: w/ Rhy. Fig. 5

B5

                 P.M.

ate

so

much pres - sure

    

that

I’d

E5

                   

End Rhy. Fig. 5

soon

   

blow

up.

And

     

 





I

heard

  the

re -

 

       

8

9

9



P.M.

7

   

8

8

8

8









ver - ber - at - ing

   

foot

-

9

9

10



 

was

pos





 

and

I

7 8

8

8







synch - ing

up

to

the

9

7





A5

steps

7

9

9

9

9

9

9

9

9



7 9

10

10

10









-

i - tive

that

11

11

9

9

10

10





9

9







beat - ing

of

my

10

10

10









9

9

9



9

heart,



10 9

10 9

9

9

9











to - geth - er,

I

would

8

8

8

9

9

P.M.

9

C#5

 

   

9

9

9

9

10

10

 

un - less

9

9

B5

I

9

9

got

my - self

7

7

P.M.

9

9

9

9

B5

A5

Gtr. 1 tacet

        (cont. in notation)             Gtrs. 2&3

* P.M.

watch

   Gtr. 1

me

fall

a - part.

And



7

7

7

7

7 8

8

P.M.

7

*Gradually remove P.M.

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

I

B5



 

can’t

let

Gtrs. 2 & 3

7

 



 

that

hap

 

 

 

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

4 4 2



 -

 







pen

a

- gain,

 

          

4 4 2

0 4 4 2

0 4 4 2

0 4 4 2

X X X


     

C#sus2

 

 

 

 

 

 

 

 

 

 

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

B5

             0 4 4 2

0 4 4 2

0 4 4 2

   

in

the

sad



 

C#sus2

-

 

dest



 

’cause

then

you’ll

see

 

 

 

 

 

 

4

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0



 

 



it’s

ev

-

er

 

state

 

 

 

 my

   

heart



been.

          

  

  

  

  

  

  

  

  

  

  

  

  

  

  

0 4 4 2

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4

8 6 4



0 4 4 2

 

Gtrs. 2 & 3: w/ Rhy. Fig. 3

A5



 

     

   

A5

This

0 4 4 2

X X X



 

 

is

no

place

 

 

B5





to

try

and

4

Pre-Chorus Gtr. 1 tacet

     

 

live

my

      Gtr. 1

* pp

0 4 X 2

 

E5

 

life.

   

mf

    

Gtrs. 2 & 3

Stop

right

there,

that’s

ex

-

act

- ly

where

I

lost

it.

    

0 0 4 2 2 0

*Vol. swell

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Gtrs. 2 & 3 tacet





 

See

that

line,

E/A

   

 





I

nev

- er

      



 should





have crossed

C#m7

it.

   

Gtr. 4



 

Stop

right

there,

I

   

9 9 9 0

9 9 9 9

D.S. al Coda

Badd11

   

nev - er

  

should have

said

that,

it’s

the

   

ver - y

  

mo - ment

that

 

I

rit.

wish

that

I

 

 

could take

back.

   

  

rit.

0 0 8

9 9 9 9

7

 Coda

Bridge

     

E/G#

Who

A5

 

   I

  

am

hates

                  

E+/B#

    

7 4

7 4

sec - ond chance you

    





 

2 3

2 3

2 3

2 3

P.M.

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

7 4

 gave (Oh.)

7 4

7 4

  

7 4

7 7 5

7 4

C#5

  

 

who

been,

I’ve

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

 

  

me.

Who

I

7 7 5

 

 

 

 

 

 

 

 

6 3

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

6 6 4

and who

I

am

will take

the

               

7 7 5

2 2 0

2 2 0

2 2 0

  

A5

am

 

     

 

               

P.M.

7 4

E5

    

hates

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

    

 

who

been,

I’ve

 

 

 

 

 

 

 

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0

2 2 0


  



E5

B5

     

  

’cause who I’ve been

on - ly

ev - er



 made

Chorus

  

E5

  

   

2 2 0

2 2 0

 

2 2 0

2 2 0

    2 2 0

Gtrs. 2 & 3: w/ Rhy. Fig. 4

       

 



sor

-

ry





(So

2 2 0



  So

 



   to

 

  

  

4 X 2

4 X 2

4 X 2

4 X 2

0 0 4 2 2 0

 

  

-

son

per

 

sor - ry

B5

     

 

4 X 2

4 X 2

 

  



 

I

 

be

  

-

 



Sor

-

ry

it



E5





 

that



 

change.

nev

   

-





 



I’m

er

be

-

come

 hates

  who

 

 

 

 that

 I’ve

-

ry

for

sor

  

  

  

  

  

  

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0

0 0 4 2 2 0



 



B5

C#m7

came.



  

 

took that.



 

read - y

to

 

 

 

so

  

 

long

 

 

 



way

 

A5

been.



 a

  -

 

B5



C#m7

 



 

Who

I

am

 

B5

 hates

 

for

me

be y

-

sure

   I to.)

 

 



 

’cause

who

I

am

gain,



 

Read

    

 

for.



 

     



 the

 

 

4 X 2



me. So

    

 

  who

 



 

I’ve

been.

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Outro

E5

type2

  P.M.       

Gtrs. 2&3

   Gtr. 6

C#5

P.M.

 

 

P.M.

9

0

  

Gtr. 1

12

0

10

0

9

0

7

0

9

0

 

4

0

0

10

0

0

9

0

7

0

5

0

Gtr. 1: w/ Riff A (last meas.)

E5

A5

                  

 

Gtr. 6

0

12

7

0

0

4

0

0

7

0

9

0

C#5

       

9

           

0

12

0

10

0

E5 type2

      

9

0

A5



*Gtr. 7 (elec.)

          Gtr. 6

7

0

9

0

 

9

0

7

0

7

0

 

 

4

0

0

0

5

7

0

9

0

          

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

5

0

9

 5

 0

 0

  

 

B5

                7

0

9

0

        

B5

16 9

14 7

  

Gtr. 6 divisi

10

0

12

0

7

0

0 9

16 9

*w/ dist., played mf Gtr. 1

4

4

Gtr. 1: w/ Riff A (1st 2 meas.)

type2

10

5

7

P.M.

5

     

4

0

5

0

 7

 0

 9

    0

4

0

0 5

 0 5

   0 5

 0 4

10

0

    

 

7

0


from Relient K - MMHMM

Maintain Consciousness Words and Music by Matthew Thiessen

C5

D

F

G

5fr 134

Gtype2

4312

4312

4312

E/G#

Am

G5

7fr

Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

431

Intro Moderately fast q = 171 µ C5

 

4fr 14

type2

5fr

134

134

A5

134

F

           

F

431 open

D/F#

A5

143

1144

5fr

1341

D

F5

6fr

5fr

Rhy. Fig. 1 *Gtr. 1 (elec.)

(Drums)

D5

7fr

134

C5

G

C5

C5

D

F

       

                   

f

G End Rhy. Fig. 1

w/ dist. & slight chorus

5 3

5 3

4 5

4 5

4 5

7 8

7 8

10 10 9 9 10 10 10 10 10 10

5 3

5 3

4 5

4 5

4 5

7 8

7 8

9 9 10 10

*Doubled throughout

Gtr. 1: w/ Rhy. Fig. 1

C5

D

F

                 Rhy. Fig. 2 Gtr. 2 (elec.)

C

G

C

         

mf

C5

D

F

            

G End Rhy. Fig. 2

   

   

w/ dist.

5 5 3

5 5 3

7 7 5

7 7 5

7 7 5

5 3 3

5 3 3

9 10

9 10

7 9

7 9

9 10

5 5 3

5 5 3

7 7 5

7 7 5

7 7 5

5 7 8

5 7 8

7 9 10

7 9 10

   =   

Verse

3

Gtr. 2 tacet

C5 **Gtr. 3 (elec.)

mf

 

w/ clean tone

1. Our

 

con

-

cen - tra

Gtr. 4 (acous.)

D

   -

tion,

   it

con

-

 

tains

             

             

5 5 3

7 7 5

mf

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

7 7 5

7 7 5

7 7 5

7 7 5

F

7 7 5

 

   

a dead

-

ly

       

10 10 8

10 10 8

10 10 8

flaw.

      10 10 8

C5

10 10 8

10 10 8

              5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

Gtr. 5 (elec.)

 

mf

 



 

4 5

3

5 3

w/ dist., flanger & compression

5 3 **Doubled throughout

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


 

 

Our

 

con

-

D

    

  ver - sa

-

5 5 3

5 5 3

5 5 3

5 5 3

5 5 3

tions

7 7 5

  

change

F

 

7 7 5

7 7 5

7 7 5

7 7 5





We

took

Gtrs. 3, 4 & 5 tacet

 

  





  

pre - scrip - tion

 

drugs,

   

7 7 5

to “Blah,

G

blah,

 

blah.”

             

             

10 10 8

12 12 10

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

 

 

5 3

7 5

4 5

µ

from words

 

5 3

             

               5 5 3

 

 

 

but

look how

 

      much

good

12 12 10

    

that

 

12 12 10

12 12 10

12 12 10

12 12 10

did.

 

(Ah.)

C5

      Gtr. 3

Well, I

 



I

had

a

think

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 5 3

5 5 3

 

         5 5 3

   

Gtr. 4

5 5 3

D

5 5 3

5 5 3

  

F

                       

point,

but

I

just

got

dis

-

tract

   -

     

       

             

  

7 7 5

7 7 5

10 10 8

12 12 10

7 7 5

7 7 5

7 7 5

7 7 5

10 10 8

10 10 8

10 10 8

10 10 8

10 10 8

(iq = iq)

G

ed.

  2. ’Cause


Verse Gtrs. 3 & 4 tacet

 

C5

late

-

Gtr. 1

   10 10 8

ly

just

        X X X

3 3 1

3 3 1

  

in

-

   10 10 8

to

to

  

 

     

 

X X X

10 10 8

X X X

X X X

10 10 8

 

C5

our

  

 

X X X

X X X

10 10 8

3 3 1

3 3 1

10 10 8

Verse C5

  flanger off      

sev - en - teen,

     

  

eight - een,

Gtr. 2

12 X 10

5 5 3

-

got

the

12 X 10

   

12 X 10

  

F5

let - ters

  

A.

D.

X X X

X X X

9 10 7

9 10 7

9 10 7

3 3 1

i - ty. We simp - ly

can’t

fo

-

cus

on

   

 

X X X

X X X

9 10 7

9 10 7

A5

teen,

X X X

10 10 8

10 10 8

 

-

 

14 14 12

     

3. Be - cause it’s

 

14 14 12

14 14 12

here

12 12 10

12 12 10

     

 

at twen - ty three

it’s

same

old

   

    

10 X 8

9 X 7

 

me.

And the

D5

       

F5

the mo -ment that we

all hap - pen to like will on - ly

ver - y

               

              

              

            

5 X 3

5 X 3

5 X 3

one thing in

mf

10 X 8

End Rhy. Fig. 3

         Gtr. 6 (elec.)

10 X 8

the

11 X 9

C5

10 X 8

 

    

11 X 9

12 12 10

C5

      

    11 X 9

thing.

(cont. in slashes)

X X X

 

10 10 8

12 X 10

Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2 tacet

11 X 9

X X X

w/ flanger

rou - tine, and

    

5 5 3

     

an - y

   

     

5 5 3

G5

  

F5

-

   

10 10 8

     

nine

brand - ed

10 10 8

F5

     

D.

     

 

 

3 3 1

C5

   

G5

       

C/E

5 5 3

 

     

5 5 3

C/E

 

D5

Rhy. Fig. 3 Gtr. 1

5 5 3



C5

like we’ve

G5

men - tal

       

me







G5

seems

  

F5

  

 

  

C5

it

 

  

F5

9 X 7

C5

      

       

tem - po - rar - i - ly

kind a break the cy - cle

of

the

w/ dist.

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

5 X 3

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Pre-Chorus Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times)

   C5

D

dou - ble edged

C5

 

F

C

G

sword

of

D



C

   

F

C

be - ing

G

    

C5

la

-

 

D

zy

C

and

C5



be - ing

  

    

 

 

more

and more

and

more,

 



’til

it’s

F type2

D5

all

          Gtr. 1

5 3

5 3

4 5

4 5

4 5

7 8

7 8

10 10

10 10

9 10

9 10

we can

5 3

5 3

4 5

Gtype2

End Rhy. Fig. 4A

af - ford.

4 5

To

   

  

           

10 10

just want

             

Rhy. Fig. 4

       

  

 

We

   Gtr. 2                

Rhy. Fig. 1

G

bored.

Rhy. Fig. 4A

F

End Rhy. Fig. 4

(cont. in slashes)

4 5

7 8

7 8

9 10

9 10

Chorus Gtr. 2 tacet

C5

F5

C5

E/G#

Rhy. Fig. 5

                                                      

Gtr. 1

keep our

eyes

o - pen for just

one

more

day,

to

keep

on

hop - ing that we’ll

stum - ble

on

a

way.

To

Riff A 8v a

*Gtr. 7

 

End Riff A

17

17

  



16

16

mp 17

17

15

17

15

17

17

*Synth arr. for gtr.

Am

C5

G5

F5

                        keep our minds 8v a

o - pen for just

one more

 

Gtr. 7 tacet

F5

(cont. in notation)

  

     

day, ’cause it’s com - plete - ly

1/2

G5

End Rhy. Fig. 5

up

to

  

us

to

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

17

main - tain

con



- scious - ness.

Gtr. 1

       

           

   

3 1

5 3

5 3

P.M.

16

         

15 16 3 1

3 1

3 1

3 1

3 1

3 1

3 1

5 3

5 3

5 3

5 3

5 3

5 3


Interlude C5

D

F

           5 3

5 3

4 5

4 5

C5

G

C5

D

7 8

7 8

10 10

10 10

9 10

9 10

10 10

5 3

5 3

4 5

4 5

A5

     

           

       

4 5

F

4 5

7 8

    

7 8

7 7 5

Faster q = 260

     Gtr. 1

  

  

* D/F#

  

7 7 5

 

Gtr. 8 (elec.)

 

mf

3

5

5

7

3

5

5

7



w/ dist.

0

0

0

0

2

*Chord symbols reflect implied harmony.

   

F5

  

  

C5

  

7 7 5

 

2

2

  

3

5

5

7

 

2

2

  

3

5

5

7

Gtr. 1 tacet Gtr. 1  Gtr. 8

 

  

Gtr. 8

4

3

5

5

5

 

1

1

  

A5

            Gtr. 9 (elec.)

  

3

5

5

7

 

1

1

   

3

5

5

7

Gtr. 8 tacet

  

   

  

  

3

 

D/F#

Gtr. 9

  

mf

divisi 1/2

3





w/ dist.

4

2

4

2

0

2

0

0

3

5

5

7

0

0

3

5

5

7

2

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


   

 

2

2

  

3

5

5

7

 

2

2

    

F5

  

3

5

5



 

1

1

7

  

3

5

5

7

 

1

1

 

C5

   

3

5

5

7

3

Bridge Gtr. 9 tacet

  

   

 Gtr. 9 P.H.

A5 open

 

Gtr. 2 divisi

5

3

5

5

 

 

  

Well, no

one

can

pos

  

0

2

-

        si

-

bly

Gtr. 2

    1

0

2

5

0

0

3

0

3

2

Pitch: D *Applies to P.H. only

  

  lis

-

 

2

2

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

     ten

3

to

 

F5

   

0

2



2

3

0

2

C5

     

 

 

 

 

More

than

four

reps

is

just

 

0

2

0

2

this.



1/2

grad. bend

3

  

  

       

D/F#



 

1

1

3

1

3

      mo

-

3


        not

-

 

o - nous.



 

We’re

los

  

-

A5

        ing

in

      

1/2

4

4

3

5

3

5

      -

5

 

  

t’rest,



2

2

we’re

3

0

2

2

4

 

los

-

2

2

-

 

  

0

0

ing

in

0

2

           

  

we’re

3

0

2

los

 0

-

ing

3

in

0

2

-

 2

A tempo

-



D/F#

t’rest,

     

3

2

0

    

F5



open

 

t’rest.

 

 4. ’Cause

 

 

1

Verse Gtrs. 1 & 2 tacet

C

       sev - en - teen,

eight

 - een,

nine

   - teen,

rou

  - tine, and

Fmaj7

    

 

here at twen - ty three

it’s the

  

Fadd9

same old

me.

 

         And you know the

Rhy. Fig. 6 Gtr. 10 (acous.)

    

mp 1 0 2 3

 

       

    let ring

1 0 2 3

1 0 2 3

1 0 2 3

1 0 2 3

0 0 3

2

         



1

1 2 3

1 0 2 3

1 0 2 3

1 0 2 3



           

  

End Rhy. Fig. 6

let ring

1 2 3

0 1 2 3

0 1 2 3

0 1 2 3

0 1 0 3

2

3 1

Gtr. 10: w/ Rhy. Fig. 5

C

         one thing in

the mo -ment that we

        all hap - pen to like will on - ly

Fmaj7

       

ver - y

tem - po - rar - i - ly

kind

Fadd9

        a break the cy - cle

of the

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Pre-Chorus Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times) Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times)

   C5

D

  

F

C

G

   

dou - ble edged sword

  



C5

 

and more

and

more

be - ing

3



   

la - zy

and

be - ing

C5

D



F

G

   

bored.

We

just want

Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A

 

more

of



D

  

C

F

C

G

C

  

un - til

it’s

all

 

C5

D

 we

can

af

 -

F

G

ford.

  To

Chorus Gtr. 1: w/ Rhy. Fig. 5 Gtr. 7: w/ Riff A

C5

F5

o - pen for just

one

       

keep our  

eyes

Voc. Fig. 1

   more

day,

C5

to

keep

  

E/G#

           on

hop - ing that we’ll

stum - ble

on

a

  

way.

To

(Whoa.

Am

C5

G5

F5

F5

G5

                                 Gtr. 1

  

keep our

minds

    

o - pen for just

one

  

     more

day, ’cause it’s com - plete - ly

up

to

us

to

main - tain

8v a

1/2

16

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

17

15 16

- scious - ness.

End Voc. Fig. 1

Whoa.) Gtr. 7

con

18

15


Bkgd. Voc: w/ Voc. Fig. 1 Gtr. 1: w/ Rhy. Fig. 5 Gtr. 7: w/ Riff A

C5

F5

o - pen for just

one

         Keep our

eyes

Am

minds

C5

o - pen for just

 

more

day.

more



 

(One

more

G5

E/G#

 Keep



     

    

on

stum - ble

hop - ing that we’ll

on



a

way.

day.

     

F5

    

one

C5



         keep our

  

  

day, ’cause it’s com - plete - ly

up

to



Find

a

G5

to

main - tain

con



          

 

us

   To

 

- scious

-

ness.

way.)

Gtr. 7

Gtr. 7

Gtr. 1 divisi P.M.

1/2

16

15

17

                

                

16

10 3 1

12 3 1

3 1

3 1

3 1

3 1

3 1

3 1

5 3

5 3

5 3

5 3

5 3

5 3

5 3

5 3

Outro Gtr. 7 tacet

Ab6

 

C5

                                   P.M.

D

F

           

Gtr. 1

C5

G

C5

D



                   

 

16 13 8 4

8 4

8 4

8 4

8 4

8 4

8 4

8 4

8 4

8 4

8 4

8 4

8 4

8 4

8 4

8 4

5 3

5 3

4 5

4 5

4 5

7 8

7 10 10 9 9 10 8 10 10 10 10 10

5 3

5 3

4 5

4 5

4 5

Segue to “This Week the Trend”

  

F

 

7 8

A5



7 8

   7 7 5

    7 7 5

*Gtr. 11 **

    

Gtr. 1 divisi

    

    

10 9 7 *Reverse piano and reverse gtr. arr. for str. **Vol. swell

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


from Relient K - MMHMM

This Week the Trend Words and Music by Matthew Thiessen

Dsus2/A

A5

13

Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb

F#5

114

B5

134

134

Intro Moderately fast q = 180 µ

     *Gtr. 2 (dist.)

E5

A5

11

11

A5

        

5

*Doubled throughout

  

f

Harm.

5

  

  

  

  

  

  

          Dsus2

  

(cont. in slashes)

5 2 2 0

2 2 0

5

type2

5 2 2 0

5 2 2 0

5 2 2 0

5 2 2 0

5 2 2 0

5 2 2 0

5 2 2 0

0 3 2 0 0

5 2 2 0

Pitch: E

Riff A

End Riff A

                                      Gtr. 1 (dist.)

f

w/ slight flanger

0

(Dsus2/A) Gtr. 2



11 11

0

9

9

4

4

5

5

7

         

         

6

7

6

7

0

    

Gtr. 1

0

0

11

11

  

9

4

4

       

5

5

7

7

6

6

         

Rhy. Fig. 1

 

9

7

11 11

0

 

0

0

9

9

4

5

5

7

6

7

6

         

   

11

4

11

    

9

9

0

0

0

 

A5

 

       

4

5

4

5

7

7

6

6

         

Riff A

 

7

7

0

Dsus2/A

 

End Riff A

   

11

11

9

9

 

       

4

5

4

5

7

7

6

6

7

0

  0

0

   

11

11

9

9

 

       

4

5

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

4

5

7

7

6

6

7

0

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


               

    

Riff B

   

  0

0

11

11

9

 

       

4

5

9

4

5

7

6

7

6

7

          

     

 

0

End Rhy. Fig. 1

0

11

11

9

9

11

11

      

End Riff B

9

9

11

11

9

9

11

Verse Gtrs. 1 & 2 tacet

      A5

1. And this

    

Rhy. Fig. 2

*Gtr. 3

 

week



the

Dsus2

 

trend

was

to

not

wake

up

till

three

     

   P.

M.

I picked the







 















5 5

5 5

5 5

5 5 7

5 5

5 5

5 5

5 5

5 5

5 5

5 5

mp w/ fingers let ring throughout

5 5

5 5

5

5

7 *Piano arr. for gtr.

F#m7

 

 

few

 

con - scious hours

that

I

 

chose

to

spend,

  and

Bm7add4

  

slept

a

   -

way

  the

  

rest

of

them.

    











 







 







5 5

5 5

5 5

5

5 5

5 5

5

5 5

5 5 4

5 5

5 5

5 5

5 5

5 5

5 5

5 5

4

Gtr. 3: w/ Rhy. Fig. 2 *A5

  

  

And 3. And

    

this this

 

week week

the the

 

trend trend

was was

to to

7 7 5

           

               

7 5

7 5

P.M.

7 5

7 5

*Chord symbols reflect overall harmony.

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

7 5

7 5

7 5

7 5

7 5

7 5

7 5

   

 

Dsus2

7 5

End Rhy. Fig. 2

2

Gtr. 2

Sorgdal

Esus4

7 5

7 5

crash bor - row

and all





burn, and the strength

  then that

re you

       

 

 

   

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5


      

 

turn

a could



- gain. lend

      

 

 to

keep

   

 

7 5

7 5

To my

P.M.

7 5

7 5

7 5

Bm7add4

   

   

7 5

D5

    

4 2

0

 

me

through

the

week

I

I’d

nev - er

go

a

- gain.











4 2

4 2

4 2

4 2

4 2

4 2

4 2







me

a

so - lu - tion

 

 

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

D5

 

gave

6 7 4

-

So

I

say

2 0

2 0

2 0

2 0

2 0

2 0

2 0



 



 

me

run



watch

 

 

7 7 5

7 7 5

 

 

 



E5

 

  

   

7 7 5

0 0 X 7 7 5

0 0 4 2 2 0

0 0 1 2 2 0





me

a

so - lu - tion.

A5



 

 

 

 

 

6 7 4

6 7 4

6 7 4

6 7 4

6 7 4





 

 

it.

    0 0

4 2

give

E

with

4 2

(Yeah.)

6 7 4

0

4 2



 



 

 

say

 

4 2

A/C#

I

 

4 2

 

end. So

 

7 7 5



    

 

 

4 2

 

and

 

4 2

 

4 2

 

A5

 

    

4 2

get



4 2

to





4 2

- nough



pro back

4 2

4 2



 

tend scend

4 2



said

-

  

0



where

pre de

  



e

I not

  

           





that and

  

               

 

A/C#

life wa - ter





 



    

     



prac - tice the head a - bove the

P.M.

4 2

3

Esus4



vides to

7 5



F#m7

 What

And then



you

gave,

   

   

0 0 1 2 2 0

0 0 1 2 2 0

 



 

I

done

have

   

   

0 0 1 2 2 0

0 0 1 2 2 0

(Gave.)

 

 

 

 

 

 

 

 

 

 

 

6 7 4

6 7 4

6 7 4

6 7 4

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

  7 7 5

  7 7 5

  7 7 5

 

   

7 7 5

0 0 X 7 7 5

0 0

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Sorgdal


   

E5





with

it?

       0 0 4 2 2 0

E







’Cause

I

was

  

  

  

0 0 1 2 2 0

0 0 1 2 2 0

0 0 1 2 2 0

D5

   



way

back



F#5







ab - so - lute - ly













G5





sure

I

had

it

all

fig - ured



out















 

 

 

 

 

 

 



4 2

4 2

4 2

4 2

4 2

4 2

4 2

5 3

5 3

5 3

5 3

5 3

5 3

5 3

0 0

P.M.

4 2

 

T o Coda



E5

D5

    

 But

And

then.

          

   

  

now it’s this

min - ute, this

hour,

 

this

               

                        

9 7

7 5



P.M.

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

9 7

9 7

9 7

9 7

9 7

9 7

9 7

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

Verse

D5

   

A5

day. 2. And this

    Gtr. 3

  

week

the

 











5 5

5 5

5 5

5 5

5 5

5 5

 

trend

was to

     



















5 5

5 5 7

5 5

5 5

5 5

5 5

5 5

5 5

5 5

                       

P.M.

 

7 5

7 5

7 7 5

7 5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   

ev - ’ry sin - gle

 

4

          



back - stab

7 Gtr. 2



Dsus2

one of my friends

and leave a

           

  

7 5

7 5

P.M.

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

0


   

       



Gtr. 3: w/ Rhy. Fig. 2 (last 4 meas.)

F#m7

voice - mail

 

mes - sage try - in’ to make a

      

 

4 2

4 2

4 2

4 2

Gtr. 1

4 2

-



4 2

4 2

4 2

4 2

4 2

    

all

   

4 2

4 2

4 2

4 2



Bm7add4

mends,

    

P.M.

4 2

 

0

the

while







4 2

4 2

4 2

4 2

Esus4

A5

hop - ing things work out in the end.

     4 2

     

4 2

4 2

                    4 2

2 0

2 0

2 0

2 0

2 0

2 0

2 0

5 2 2 0

   0

Interlude

 

Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 1

Dsus2

D.S. al Coda

 

Gtr. 1: w/ Riff B

 Coda

     

  

D5

af - ter

this

day

 

*Gtrs. 1 & 4

it’s

this





   

week

all

o - ver

a - gain.

A5

 

Interlude



 

0 *Gtr. 4 (dist.) w/ flanger, played f. Composite arrangement Gtr. 2

           P.M.

7 5

7 5

7 5

7 5

7 5

7 5

7 5

7 5

                 7 5

7 5

7 5

7 5

7 5

7 5

7 5

5 2 2 0

0

  

   

11

11

9

9

  

  

5 2 2 0

5 2 2 0

  4

4

  

  

  

5 2 2 0

5 2 2 0

5 2 2 0

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Sorgdal


 

D5/A

6

6

7

0

  

  

  

  

5 2 2 0

5 2 2 0

5 2 2 0

5

5

7

7

    

  

  

5 2 2 0

5 2 2 0

5 2 2 0

 

0

11

11

9

9

 

 

 

3 2 0 0

3 2 0 0

3 2 0 0

6

6

7

 

 

 

3 2 0 0

3 2 0 0

3 2 0 0

4

4

5

5

7

7

 

 

 

 

 

 

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

3 2 0 0

 

   

F#5

9

  

(cont. in slashes)

(F#5)

  

Gtr. 2

  

9

9

Gtrs. 1 & 4

E5

 

3 2 0 0

   

     

 

6

9

6

6

9

9

6

6

7

7

6

6

B5

 

9

9

4 4 2

   

9

6

6

 

9

9

6

6

A5 type2

 

     And

   Gtrs. 1 & 4





P.H.

9

9

6

9

6

7 Pitch: E

   *Gtr. 5



mp

 

16

16

w/ slight dist. & flanger

7 *Bass arr. for gtr.

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

17

7


Bridge Gtrs. 1, 2, 4 & 5 tacet * D5

     

I

just

A5

  

wan - na

get

mugged

at

 

point,

to

 

knife

E5

3

get

cut

e

wan - na

die

 

 - nough

to

*Chord symbols implied by bass, next 8 meas.

B5

  

  

wake

me

D5

 

’Cause

I

know

up.

 

Gtr. 6 (dist.)

that

I

 

don’t

A5

  

mf

** fdbk.

7

  Gtr. 3



 

10

9

Pitch: E **Vol. swell

9

   

E5

sit

   

-





tin’

a

 -

round



 watch

-





in’

my

   



 

life

go

by.

Gtr. 3 tacet

B5









And

what

we

 

7

  

Gtr. 7 (dist.)

 ***

mf

9 7 ***Vol. swell

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


   



Dmaj7

take

 

Gtr. 3

from





this



 

10

9

  is

 

A



 

what we’ll

 

get,



 

10

9

   

Gtr. 6





and

we

have - n’t

9





Em7





quite



fig - ured



 

10

9





it

out

9

9

































6

6

6

6

6 7

6 7

6 7

6 7

6 7

6 7

6 7

6 7

7 9

7 9

7 9

7 9

7 9

7 9

7 9

7 9

5

5

5

5

5

5

5

5

7

7

7

7

7

7

7

7

Dmaj7

 



 

 

 



 



all

of

us

too

stuck,

Gtr. 7 divisi

7 7

  

Gtr. 2

5

5

5

5

5

5

5

5

   





 





yet.

Be - cause

P.M.

Bsus4

just

 



  

10

9



 

10

9

are

A

all

9



 

10

9

9

9

   





 

































 



9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 11

9 11

9 11

9 11

9 11

9 11

9 11

9 11

9 11

9 11

9 11

9 11

9 11

9 11

9 11

9 11

 

P.M.

 

7

7

7

7

7

7

7

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

 

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal





7

5


   

 

E

strapped

 

to



a

 

10

 

 

chair watch - in’

our





lives

blow

Bsus4



9





up.

 

10

9

9

    13 14

  

9

Stuck

watch

10

12

 

  





 



   

   

   

   

13 14

13 14

13 14

13 14

13 14

13 14

13 14

13 14

13 14

14 12

14 12

14 12

14 12

  

 

7

7

7

7

13 14

13 14

13 14

13 14

  

 

 

7

7

7

7

7

13 14

13 14

7

7

7

7

0

 

 

 

5

5

5

5

5

5

5

8v a

10

12

17

16

   

       



 

 

 



   

   

   

17 13

17 13

17 13



D

lives

14



14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

14

16

16

16

16

16

16

16

16

17 13

17 13

 

   

 

 

 

 

  

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

A5

P.M.

5

14 12

 

up.

5

14 12

blow

our

   

14 12

Dsus4

ing

   

7

14 12





Dsus2

5

-

 

     



  

P.M.

7



D5

5

5

17 13

    7 7 5

7 7 5

   7 7 5

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Outro Gtrs. 3, 6 & 7 tacet

    

 

 

 

 

 

 

 

 

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

Gtr. 2

    

 

 

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

    

  

 

7 7 5

  

 

7 7 5

 

 

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

  

 

 

 

 

 

 

 

 

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

 

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

   

7 7 5

Rhy. Fig. 3

 

 

 

 

 

 

 

 

 

 

 

 

 

Harm.

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 5

7 5

Pitch: E

    

 

 

 

 

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

 

Harm.

7 5

7 5

End Rhy. Fig. 3

 

 

 

 

 

 

 

 

 

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

7 7 5

Gtr. 2: w/ Rhy. Fig. 3

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   


from Relient K - MMHMM

Life After Death and Taxes (Failure II) Words and Music by Matthew Thiessen Bm

D/A

G5

D5

F#5

5fr 13421

3121

4fr

333

333

Drop D tuning, down 1/2 step: (low to high) Db–Ab–Db–Gb–Bb–Eb

Intro Moderately q = 95

µ

Bm

Bsus2

B5

Bm

Bsus2

B5

D5

*Gtrs. 1 & 2 (elec.)

  (Sound effects, 11 sec.)                                                               f P.M.  w/ dist. 

12 12 12 12 9 9 9 9 9 9 9 9

11 11 11 9 9 9 9 9 9

11 9 9

11 9 9 9 9 9

9 9 9

9 9 9

12 12 12 12 9 9 9 9 9 9 9 9

11 11 11 9 9 9 9 9 9

9 9 9

9 9 9

0 0

0 0

0 0 0

*Composite arrangement

 

G5

           0 0 0

7 5 5 5

7 5 5 5

7 5 5 5

                          

  

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

A5

          9 7 7 7

9 7 7 7

9 7 7 7

**C#5

B5

D5 E5

          9 7 7 7

9 7 7 7

11

  0 0

9

2 2

**Chord symbols reflect implied harmony.

Bm

Bsus2

B5

Bm

                               Rhy. Fig. 1

12 9 9

12 9 9

12 9 9

12 9 9

11 9 9

11 9 9

11 9 9

11 9 9

11 9 9

9 9 9

9 9 9

Bsus2

B5

                            P.M. 

9 9 9

12 9 9

G5

12 9 9

12 9 9

12 9 9

11 9 9

11 9 9

11 9 9

A5

   

  

  

  

                          

  

0 0 0

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

D5

9 9 9

C#5 B5

          9 7 7 7

9 9 9

9 7 7 7

9 7 7 7

          9 7 7 7

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

9 7 7 7

11

9

0 0

0 0

D5 E5

0 0 0

B5

End Rhy. Fig. 1

  0 0

2 2

  9 9 9

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Verse Double-time feel

µ

 1. Hey

tax

-

 

i,

G5

take me straight

to

the

heart

of

 

it,

9 9 9

  

 

Harm.

9 9 9

B5

the

nu -

loco

                       

         9 9 9

  

  

8v a

Rhy. Fig. 2

Gtrs. 1 & 2

9 9 9

  

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

5 5 5

 

  

5 5 5

5 5 5

 

       

  5 5 5

5 5 5

5 5 5

9 9 9

Pitch: C#

    -

A5

  

  

cle - us

of

pol

-

G5

  

i

- tics

where

some

    

 

         

 

       

9 9 9

9 9 9

9 9 9

7 7 7

7 7 7

’Cause they

9 9 9

µ

taxed

me

7 7 7

 

7 7 7

7 7 7

with

a

9 9 9

9 9 9

9 9 9

  

5 5 5

5 5 5

scal

-

piece

 

 

-

ed

it.

   

       

5 5 5

5 5 5

5 5 5

by

start

 

5 5 5

5 5 5

9 9 9

B5

 

piece.

They

cut

loco

Harm.

9 9 9

 

pel

B5

      

some - bod - y

 

                       

 

bod - y,

  

G5

8v a

      

-

5 5 5

 

   

9 9 9

  

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

9 9 9

  

5 5 5

 

  

5 5 5

5 5 5

  

 

   

5 5 5

5 5 5

9 9 9

Pitch: C#

    me

A5

  

    

deep

bled

dry

and

G5

me

’til

there

    

 

         

 

       

9 9 9

9 9 9

9 9 9

7 7 7

7 7 7

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

9 9 9

9 9 9

7 7 7

7 7 7

7 7 7

5 5 5

  was

   noth

-

ing

  

left

bleed.

to

     

     

     

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

D5

  And

End Rhy. Fig. 2

        5 5 5

5 5 5

0 0 0

0 0 0


    Chorus D5

this

 

is

  



how

choose

Rhy. Fig. 3

 

  

0 0 0

3 2 0 0 0

I

  

    D5

know - ing

  

  

3 2 0 0 0

3 2 0 0 0

 

save

  

  

  

0 0 0

3 2 0 0 0

3 2 0 0 0

3 2 0 0 0

3 2 0 0 0

3 2 0 0 0

   



all

the

things

 

 

  

0 0 0

3 2 0 0 0

stu

-

pid

  

  

  

3 2 0 0 0

3 2 0 0 0

al - read - y

   

  

0 0 0

3 2 0 0 0

  

for

-

  

  

3 2 0 0 0

3 2 0 0 0

5 5 5

5 5 5

0 0 0

  

know -ing

  

  

  

    

3 2 0 0 0

3 2 0 0 0

3 2 0 0 0

3 2 0 0 0

 

 

I

  

gave

0 0 0

  

did,

there’s

  

  

   

3 2 0 0 0

3 2 0 0 0

X X X X X

5 5 5

 

me,

  

0 0 0

yeah, you

  

  

    

3 2 0 0 0

3 2 0 0 0

3 2 0 0 0

0 0 0

0 0 0

5 5 5

5 5 5

that

 

 

7 7 7

7 7 7

 

G5

noth - in’

a

5 5 5

   

 

A5

me,

       

    D5

5 5 5

0 0 0

you’ll

cliff

5 5 5

3 2 0 0 0

in’

off

       

3 2 0 0 0

-

             

3 2 0 0 0

jump

  

 

   

I’m

  

 

  

that

  

if

  

  

 

G5

as

  

  

  

live,

      

D5

to

  

    

  

 

5 5 5

5 5 5

  

B5

you’ll

save

0 X 5 5 5

5 5 5

      

G5

me.

And af - ter

   

                    7 7 7

7 7 7

9 9 9

9 9 9

  

  

left

to

there

for

0 0 0

9 9 9

5 5 5

0 X 5 5 5

5 5 5

0 0 0

     -

give

be - cause you End Rhy. Fig. 3

      5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

      

 

A5

       

             



B5

al - read - y

for

-

5 5 5

gave

5 5 5

5 5 5

0 X 5 5 5

0 0 0

End double-time feel

G5

me.

 

 

                        

7 7 7

7 7 7

7 7 7

7 7 7

7 7 7

9 9 9

9 9 9

0 X 9 9 9

5 5 5

5 5 5

5 5 5

5 5 5

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Interlude Gtr. 1: w/ Rhy. Fig. 1

Bm

Bsus2

B5

Bm

                               Gtr. 2

Bsus2

B5

D5

                          P.M.

12 9 9

12 9 9

12 9 9

12 9 9

11 9 9

11 9 9

11 9 9

11 9 9

11 9 9

9 9 9

9 9 9

9 9 9

12 9 9

12 9 9

G5

 

12 9 9

12 9 9

11 9 9

11 9 9

11 9 9

A5

Gtr. 3 (elec.)

9 9 9

* C#m

9 9 9

Bm

 

0 0

0 0

  0 0 0 0

D5 Em

B5

 

mf

w/ dist.

2

                                

         

Gtr. 2

0 0 0 0

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

9 7 7 7

5 5 5

9 7 7 7

9 7 7 7

2

0

          9 7 7 7

9 7 7 7

11

0

   0 0

9

2 2

4

    9 9 9

*Chord symbols reflect overall harmony.

Verse Double-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 2



     2. Just keep Shouted: (Just keep

  Gtr. 3

   4

4

   Gtr. 4 (elec.)

µ

 



         



driv - ing, driv - ing.)

and leave this



G5

  

                          

mf

w/ dist. P.S

X X X

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  

de - feat

7 X 5

4

Gtr. 4 tacet

           XXX              

  



mi

-

   les

be

Bm

  

-

 

  

7 X 5

7 X 5

hind

me

 

 



so

 

       

7 X 5

7 X 5

7 X 5

7 X 5

7 X 5


   

    

far

back

       

Gtr. 3

7 5

7 X 5

7 X 5

I Shouted: (I

   Gtr. 4

I’d

pack

to

my

mind

7 X 5

9 X 7

7 X 5

7 X 5







have

9 X 7



9 X 7

9 X 7



pick my



9 X 7

 



  

7 X 5

- self

  

to



G5

       to

try - ing try - ing.)



9 X 7

 



G5

       

keep keep

    

             

µ

      

  

A5

just

re

-

 

  

7 X 5

7 X 5

mind

me.

 

B5

           7 X 5

7 X 5

7 X 5

7 X 5

11 X 9

Bm

  

         

up

then

back

  

and

move

on,

and



Harm. *

7 7

7 7

       

7 7

  

*Vol. swells

Gtr. 3

11 9

11 X 9

think a





11 X 9

     

7 7

  

7 X 5

     - bout

  

      

life

have

A5

the

I’ll

G5

when this

 

  

7 X 5

7 X 5



 

   

 

Gtr. 4 tacet

fra - gile

one

is

 

       

7 X 5

7 X 5

7 X 5

    

7 X 5

7 X 5

D5

 

gone.

And

7 7

        7 5

7 X 5

7 X 5

             

       

7 X 5

9 X 7

7 X 5

7 X 5

9 X 7

9 X 7

9 X 7

9 X 7

9 X 7

7 X 5

     7 X 5

   7 X 5

 

  7 X 5

        X X X

X X X

X X X

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3 Gtr. 3 tacet

    D5

this

 

is

  



how

choose

I

 

 

to

 

 

live,

  

G5

as

if

I’m

jump

-

in’

  

  

off

cliff

a

 

  (Ah.

  

D5





know - ing

 

that



you’ll





save



me,



know - ing

   



that





B5

you’ll

   



the

things

stu

-

pid

 

 

I

 

did,

there’s



save



D5

all



A5

 

    

   



G5



me.





And

af - ter

 

G5

noth - in’

  

  

left

to

there

   

for

- give



’cause you

 

  Ah.

      

    D5

al - read - y

 

-

gave

me.

You



  

0 0 0

3 2 0 0 0

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.



     Gtrs. 1 & 2

Sorgdal

for

 



  

  

  

3 2 0 0 0

3 2 0 0 0

  

 

A5

  

al - read - y

Shouted: You

al - read - y

 

 

7 7 7

7 7 7

  

  

    

3 2 0 0 0

3 2 0 0 0

3 2 0 0 0

0 0 0

0 0 0

B5

for

   -

gave

End double-time feel G5

 

me.

for

-

gave

  

  

  

    

9 7 7 7

9 7 7 7

9 7 7 7

9 7 7 7



 

 

me.)

P.M.

9 9

3

           9 9

3

9 9

5 5

5 5

5 5

 


Chorus (q = q.) Gtrs. 1 & 2 tacet

Bm

D/A

                              Rhy. Fig. 4

Gtr. 5 (acous.)

mf

Nev

    

Gtr. 6 (elec.)

Riff A

mf

er



-

for

-

get







w/ clean tone let ring throughout

3

3

4

2

4

0

G5

D5

F#5 End Rhy. Fig. 4

                                  

there’s

life

af





-

ter

death

and

4 5

5

Gtr. 5: w/ Rhy. Fig. 4 Gtr. 6: w/ Riff A

Bm

  

  And

  for

     rest

 



-

D

 

    give

-

D/A

 

ness

F#

pass - es



all

A5



     





Death

and

de

-

Gtrs. 1 & 2

                       

P.M.

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5



End Riff A



4

Gtr. 5 tacet

a - way.

5 5

es.

   

G

and



-

3

comes

            is what

 4

 

G5 Gtr. 5



4

0

0

tax

5 5

5 5

 

 

of

the

F#5

    

   

cay

can’t

    

touch



us

                           7 7

7 7

7 7

7 7

7 7

7 7

4 4

4 4

4 4

4 4

4 4

4 4

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Interlude (q. = q)

    

Bm

Bsus2

B5

Bm

Bsus2

B5

D5

G5

now.

                                                                                         P.M.  12 12 12 12 9 9 9 9 9 9 9 9

11 11 11 9 9 9 9 9 9

A5

             9 7 7 7

9 7 7 7

11 9 9 9 9 9 9 9 9 9 9 9

      

9 7 7 7

Bm

11 9 9

9 7 7 7

C#5

B5

3

4

2

9 7 7 7

Bsus2

B5

D5

3                                P.M. 

12 12 12 12 9 9 9 9 9 9 9 9

11 11 11 9 9 9 9 9 9

9 9 9

9 9 9

0 0

12 12 12 12 9 9 9 9 9 9 9 9

D5

E5

 

3

 

 

2

0 0

2 2

2 2

G5

  

  

  

9 9 9

7 5 5 5

9 0 9 0 0 0 9 0 0 0

Bm

     

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

Bsus2

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

B5

                            12 9 9

12 9 9

12 9 9

       

12 9 9

11 9 9

A5

        

11 9 9

  

  

11 9 9

11 9 9

11 9 9

9 9 9

9 9 9

9 9 9

F#5

       P.M.

7 7 7 0 5 5 5 0 5 5 5 0 5 5 5

0 0

11 11 11 9 9 9 9 9 9

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

7 5 5 5

9 7 7 7

9 7 7 7

9 7 7 7

9 7 7 7

9 7 7 7

4 4 4 4 4 4 4 4 4 4 4 4 4 4

Bridge

G5

    

 

Ev -’ry

breath

  

  that

I

in

 -

A5



 

hale

is

  

fol - lowed

by

ex

   -

hal



 

-

ing.

(Oo,

                 

       

    

          

5 5

7 7

7 7

P.M.

5 5

5 5

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7

7 7


B5

   

   Sure as

the one

C5

 

    who

nev

-

er

   

 

 

fails

I know who will nev - er

     

G5

 

 

fail

me.

 

 







 

oo.)

                                                   P.M. 9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9

9 9 9 9

9 9

10 10 10 10 10 10 10 10

10 10 10 10 10 10

10 10

10 10

10 10 10 10 10 10



 

D

ter

death

 

5 5 5

10 10 10 10 10 10 10 10

Chorus (q = q.) Gtrs. 1 & 2 tacet Gtr. 5: w/ Rhy. Fig. 4 (4 times) Gtr. 6: w/ Riff A (4 times)

      

Bm

     

Just

Bm

  

 

nev

  

And

 

-





er

for

  

for

-

give



D/A

-



get

there’s life

D/A

 -

ness



rest,

 

just

pass

 it



D/A

 

get

 

  if

I’m

 

give

-

ness

-

es

 

 







And

this

is

how

a

 -

way.

Nev

G





 

there’s



jump - in’





 

off

a

cliff

 

 



know - ing

tax - es.



 

of

the

 



comes.

 

 

  

-

all

  

and

 



Bm



    



F#

   

  

G

and

 

F#



-

 

comes,

(For

D

af





    

   

G

 

 

-

er

for

 







I

choose

to

live

  





that

you’ll

af

 save

 

as

 

life

-

  -

 

ter



me,

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


D

    

 

death

 

 



F#





know - ing

that



and

tax



 

  -

D/A

 

es.

 

 

you’ll save

    

Bm

And

for







 

(Af - ter

all

the



  





noth - ing

 

left

D

    

G





 

al

-





there

to

for - give

is

what

pass









-

y

for - gave

read

 

Gtrs. 1 & 2



-

  



-



give



-

ness



 



things

I

did



-



 

 

all

of

the







-

y

for - gave

read

 



Death

and

 

-

stu - pid



 

there’s



 

me,

you

     

 

way. de

-

 

me.)

  

cay

can’t

touch

F#5

     









      

7 7

7 7

7 7

7 7

7 7

7 7

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

al

G5

  a

 





10



 

’cause you

es

      

P.M.

 

A5

Sorgdal

 

 

 

rest

 



F#

 

  

me.)

comes

 

 

4 4 4

 us

 

P.M.

 

 

 

 

 

 

 

 

 

 

 

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5

5 5



B5





 



now.

    4 4 2

    

 


from Relient K - MMHMM

When I Go Down Words and Music by Matthew Thiessen

G

Aadd4

E

G

D5/A

Bm7

G5

Asus4

Aadd11

Gtrs. 1 & 3 chords: 3

11

23

type 2

1 23 type 2

Aadd4

2

D/F#

3

D

5fr 231

1

3

1

3

2

3

1

A 4fr

Gtrs. 1 & 3 tuning: (low to high) E-A-D-G-B-D

111

Bm

10fr

C#m7 Gtr. 2 chords:

113

Bm[add4]

3

1

3

7fr 2

3

E 5fr

1 324

7fr

4fr

32

312

Intro Slowly q = 68 * C#m7

    

Asus2

Riff A

End Riff A

Gtr. 1 (acous.)

 

 

mf

 

 

 

  

 

 

 

 

let ring throughout

4

4

2

4

2

4

2

4

4

2

4

4 4

4

2

4

4

2

0

4

2

0

4

2

0

4

2

0

4

2

0

0

*Chord symbols reflect implied harmony.

C#m7

  

E5

               

4

2

4

2

4

4 4

2

4 4

4

2

4

4

2

  4

2

4

0

 

2

 

4

4

2

0

  4

2

0

0

 

2

4

0

0

Verse Gtr. 1: w/ Riff A (3 times)

C#m7

 

 

Asus2

1. I’ll

C#m7

   

 tell





you

flat

out,



Asus2

   

so from my

thoughts

  I

  



it

hurts

so



 

much

to

think

of

this,

C#m7

   

will ex - clude.

© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission

The

  ver

  -

y

 

thing

 that

1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


  

Asus2

I

hate

more

    



      than

 

C#m7

the way I’m Gtr. 1

               



pow - er - less

  

4

2

0

  0

  0

2

2

4 0

 4

2

0 2

2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

0

 0

4

3

3

a - way if

2

0 2

   

2

0 2

0 3

4

0

  0

-

0

-

 

4

0 3

2 0

2 0

1 2

 

0

2

3

pray

4

0

3

3

        way

 0

3

the

 my

4

0

 0

3

 

0 2

4

0

just

But that’s not

     

 so

4

  

I

nored.

3

 

2

way

0

2

G

2

2

    ig

a

2

0

And

E

0 3

  

4

 

End Riff B

3

they’re

2

more.

4

0

      

thrown

2

0

D/F#

much

   

 

2

been

4

2

4

G

4

2

4

Riff B

2

4

2

4

  



4

2

0

D/F#

4

2

4

I’ve

G

prob - lems go

Sorgdal

2

D/F#

2

   

moods.

that could have

2

2

 

my

         

  

to dic - tate

G

man - y things

 

0

D/F#

 

   

4

2

0



   

own

4

2

4

Asus2

   

ev - ’ry - thing is

     



 

it

works,

               (cont. in slashes)

2 0

2 0

2 0

2 0

2 0

0

0


G Gtr. 1

    

no

that’s

       *Gtr. 2

Aadd4

   

not

the

way

it

works.



    

mf w/ fingers let ring throughout

3 0

2 2 0

3

*Elec. piano arr. for gtr.

Chorus D5/A

Bm7

Rhy. Fig. 1

                                                          When I Riff C

go

down

 

    

I

0

                                and I

3 3

4

2

G5

   

hard,

2

3

2

down

 

 

2

3

go

 

take

ev

-

’ry

-

thing

I’ve

Asus4

Aadd11

                   

learned

and teach my

 

2

  0

0

2

       -

self

some dis

-

re

 -

gard.

 

2

0

3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


D5/A

Bm7

                                                         When I

    

go

down

 

it

0

hit

the

bot

-

tom,

2

3

2

to

 

 

2

3

hurts

4

2

                      (cont. in notation)                                      G5

Asus4

End Rhy. Fig. 1

and of the things that

got

 

   

me

there

I think, if

on - ly

 

them. End Riff C



(cont. in slashes)

0

2

2 0

Interlude

C#m7

 

had fought

0

3

Gtr. 1

I

 

2

3

Gtr. 2

Aadd11

A

               

mf

 

 

 

 

 

let ring throughout

4

4

2

4

2

4 4

2

4

2

4

4 4

4

2

4

0

4

2

0

2

  4

4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

0

C#m7

  

4

E

 2

4 4

 2

4 4

 2

4 4

 2

4 4

 2

 4

  

2

2 2 0

2

4 0

2

4 0

2

4 0


Verse Gtrs. 1 & 2 tacet

C#m7

  

Asus2

 

 



and

when

2. If

                 *Gtr. 3 (elec.) Rhy. Fig. 2

I

can

 

   

  

clear my - self

            

              

f

 

 

of

this cloud - ed

mind

              

w/ dist.

4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

4 2 0

4 2 0

4 2 0

4 2 0

4 2 0

4 2 0

4 2 0

4 2 0

4 2 0

4 2 0

4 2 0

4 2 0

*Doubled throughout

   

C#m7

   



I’ll

           4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

Asus2

watch

my

   

    in

   

C#m7

  

-

set - tle

4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

4 2 4

4 2 0

Asus2

-

to



a

place



 



that

self

4 2 0

I’m

4 2 0

 

where



4 2 0

down

              

End Rhy. Fig. 2

2 0 4 2 0

4 2 0

  

peace



            

              

Gtr. 3: w/ Rhy. Fig. 2

C#m7

 

can

4 2 0

4 2 0

4 2 0

search





Asus2



 







so

read

-

y

to

be

found.

4 2 0

4 2 0

   



4 2 0

me

out

and

 

find



Pre-Chorus Gtr. 1: w/ Riff B (4 times)

D/F#

  

 

I’ve

  Gtr. 2

 

thrown

Riff D

 

5 4

7

    

 

G

   

a

-

5 4

7

the

4

5

7

 

7 5

7

hope

I

 

5 5

7

4

 

G

    

way

7 7

D/F#

7

had

in

5 4

7

    friend - ships.

7 4

7

5

7

End Riff D

7 5

7

5

7

5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Gtr. 2: w/ Riff D (3 times)

D/F#

 

I’ve

D/F#

   

thrown

D/F#



a

-

  

    

 thrown

a

-

And

 

 

I

pray

 



that could

se - cret

 

my

  

things



the

way

it

0

3

*Composite arrangement

been



 



to

find

an

end

to







if

they’re





prob - lems

go

a - way

G

type 2

Aadd4



much



more.



this.

 

 

ig

  -

nored,

type 2

         

     3 0

have







no, that’s

9 9 6





 

works,

Gtr. 2



G

D/F#

           



G

       

but that’s not

      





G

   

D/F#

the

E

*Gtrs. 1&3

man - y



way

      just







D/F#

so



G

   



way

G

I’ve

 

      G

   

not

the

way

it

(Gtr. 3, cont. in notation)

 

works.

   2 2 0

Chorus Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff C

** D

 

 

When I

 

  

 

go

            0 3 2 0 0

0 3 2 0 0

         0 3 2 0 0

0 3 2 0 0

**Chord symbols reflect overall harmony.

6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

   0 3 2 0 0

  I

Gtr. 3

Bm7

down

0 3 2 0 0

 

  

go

 

 

(When I

go

down,

     

  

  

     

0 3 2 0 0

0 3 2 0 0

0 3 2 0 2

0 3 2 0 2

     

  

0 3 2 0 0

0 3 2 0 0

0 3 2 0 0

  

0 3 2 0 0

 



down

0 3 2 0 2

      0 3 2 0 2

 

hard,



 



  

  

  

0 3 2 0 2

0 3 2 0 2

  

I

go

     

  

0 3 2 0 2

0 3 2 0 2

0 3 2 0 2

 



down

  

hard.

     

  

0 3 2 0 2

0 3 0 0 0

0 3 2 0 2


      

 

Gmaj7

 

and I

take



ev

-

            0 3 0 0 X 3

0 3 0 0 X 3

0 3 0 0 X 3

     

0 3 0 0 X 3

0 3 2 0 0

Gmaj7

       and of the

      0 3 0 0 X 3

0 3 0 0 X 3

0 3 2 0 0

0 3 2 0 0

0 3 2 0 0



 

things

that got

            0 3 0 0 X 3

I’ve

  

learned

 

 

and teach my

0 3 0 0 X 3

0 3 0 0 X 3

            0 3 0 0 X 3

0 3 0 0 X 3

0 3 0 0 X 3

  

     

0 3 2 2 0

0 3 2 2 0

Bm7

 

down

           

0 3 2 0 0

thing



0 3 0 0 X 3

0 3 0 0 X 3

   

Aadd11

-

self

some dis

-

re

 -

gard.

 

 

When I

go

            0 3 2 0 0

0 3 2 0 0

0 3 2 0 0

      me

there,

            0 3 0 0 X 3

0 3 0 0 X 3

0 3 0 0 X 3

  

  

       

0 3 2 2 0

0 3 2 2 0

 

 



to

hit

it

0 3 2 0 0

 

           

 

go

           

0 3 0 0 X 3

-

0 3 0 0 X 3

     

’ry

0 3 0 0 X 3

 

When I



Asus4

           

0 3 0 0 X 3

D

 

 



hurts

0 3 2 2 0

0 2 2 2 0

0 2 2 2 0



0 2 2 2 0

           

0 2 2 2 0

0 2 2 2 0

    the

bot

0 2 2 2 0

0 0 0 0 0

   -

tom,

down.)

        

  

     

0 3 2 0 0

0 3 2 0 2

0 3 2 0 2

0 3 2 0 0

0 3 2 0 0

0 3 2 0 2

            0 3 2 0 2

0 3 2 0 2

Asus4

    I think if

            0 3 0 0 X 3

           

0 3 0 0 X 3

0 3 0 0 X 3

   3

on - ly

0 3 2 0 2

0 3 2 0 2

0 3 2 0 2

          

0 3 2 0 2

0 3 2 0 2

0 3 2 0 2

0 3 0 0 0

Aadd11

 

I

had

  

     

       

0 3 2 2 0

0 3 2 2 0

0 3 2 2 0

           

0 3 2 2 0

fought

0 0 0 0 0

  

 

them.

  

0 2 2 2 0

7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Bridge Gtr. 3 tacet

Bm7

Asus4

    Gtr. 1

 2

An - y

thought

con - trol

0 3 2 2

0 3 2 0 2

0 3 2 0 2

0 0 0 0 0

Aadd11

    while my

ev

            0 3 2 2

2 0

I

0 3 2 0

hands

 

  

  

                    

Asus4

 

G5

0 3 2 2 0

Em7

0 3 2 2 0

    

I

 -

pres

 

 

 

 

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

      2 3 2 0 0

8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

  2 3 2 0 0

con

 

 

 

 

 

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

 

 

 

 

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

  

 

5 3 0 0

5 3 0 0

5 3 0 0

0 3 0 0

     

   

 

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

0 3 0 0

0 3 0 0 X 3

0 3 0 0 X 3

0 3 0 0

0 3 0 0 X 3

Aadd11

   

shakes

   

      

0 X 3

its head

and rep - ri - mands

con

 2

 

Then and

 

         

0 3 2 2

0 3 2

 -

   0 3 2 0

3

me.

 

0 3 2 0

0 X 2

   

 

science

  

D/F#

 

my

 

3

 

  

-

 

 

Asus4



 

 

I Rhy. Fig. 3

  

through

ent

0 X 3

5 3 0 0 X 3

0

Dsus2



  

  

-

 

   

    just slips right

0 0 0 0

 

0 3 0 2

2 0

0 3 2 2 0

rep - ri - mands

  



G5

er

had

0 3 2 2 0

-

me,

         

 

0 2 2 2 0

  

0

 

D/F#

0 3 2 2 0

0 3 2 2 0

 

0 2 2 2 0

G5

  

 

 

 

0 2 2 2 0

0 2 2 2 0

0 2 2 2 0

 

there

 

 

  

0 2 2 2 0

0 2 2 2 0

0 0 0 0 0

fess,

 

 

  

  

  

2 3 2 0 0

2 3 2 0 0

0 3 2 0 0

0 3 0 0 X 3

0 3 0 0 X 3

  

  

  

  

0 3 0 0 X 3

0 3 0 0 X 3

0 3 0 0 X 3

  

  

  

  

0 3 0 0 X 3

0 3 0 0 X 3

0 3 0 0 X 3

  

End Rhy. Fig. 3

  

  

 

0 3 0 0 X 3

0 3 0 0 X 3

2 3 0 0


Gtr. 1: w/ Rhy. Fig. 3 (2 times)

Dsus2

  

3

I’ll

blame

    



Dsus2

all

this

on

 

Dsus2

I’ll

stand up

      Gtr. 1

2 3 2 0 0

  2 3 2 0 0

a - gain,

 

 

 

 

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

 

self - ish



 





and

that

con

- sumes

me.



 

 

and do

so

 

 

 

2 3 2 0 0

2 3 2 0 0

2 3 2 0 0

 



Yet

you

- ness.



  



G5

3



me

my

       

3

G5

 

G5

 

 love

 



And

will - ing - ly.

 

 

  

  

  

2 3 2 0 0

2 3 2 0 0

0 3 2 0 0

0 3 0 0 X 3

0 3 0 0 X 3

  

  

  

  

0 3 0 0 X 3

0 3 0 0 X 3

0 3 0 0 X 3

  

  

  

  

0 3 0 0 X 3

0 3 0 0 X 3

0 3 0 0 X 3

  

  

  

0 3 0 0 X 3

0 3 0 0 X 3

(cont. in slashes)

Interlude

G Gtr. 1

type 2





Riff E Gtr. 4 (acous.)

 

D/F#

   

 

 

 

    

G

type 2





D

   

 

 

    



mf Harm.

7

5

7

Pitch: G

G

   

7

5

7

7

G

type 2

Bm[add4]



   



 

  

 

    

G

type 2

D

 

   



 

Harm.

5

Pitch: G

12

7

7

7

5

7

              

You

give

me

hope

End Riff E

7

G

9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Bridge Gtr. 4: w/ Riff E (3 times)

G

type 2

D/F#



   

  

Rhy. Fig. 4

 

 Riff F

      

and

 

   Gtr. 2

G

 

type 2



   

  

 

hope

D

it

 

gives

me

 



      

life.

You

Harm.

7

12

G

7

type 2

Bm



   

  

   

touch

my heav - y

 

  

heart,

7

12

7

  

   

 

G

type 2

D



  

  

and when you

do

7

        you make it

light.

 



7

7

7

12

7

    

End Riff F

Harm.

12

     

End Rhy. Fig. 4

7

Gtr. 1: w/ Rhy. Fig. 4 (1 1/2 times) Gtr. 2: w/ Riff F (2 times)

G

D/F#

G

D

 

  

*Voc. Fig. 1

 

  

 

        

As I

    

ex - hale,

I

hear

G

 

  

     

your

voice.

Bm

And I

(Ah.

  

     

  

an - swer you, Ah.)

though I

*Refers to Bkgd. Voc. only.

Bkgd. Voc.: w/ Voc. Fig. 1

G

D

              hard - ly make a

10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal

noise.

G End Voc. Fig. 1



 

And from

my

D/F#

   lips

G

  



D

     the words

I

choose

    to

say

   seem

  pa -


 

G

Bm

 

thet - ic,

G

  

   but it’s a

     4 0 X 3

D

  

  

fall - en

man’s

G

praise.

   ’Cause I

D/F#

     



love

you,

                        

  

                            

    

4 0 X 3

4 0 X 3

4 0 X 3

2 0 X 2

4 0 X 3

7 0 X 7

7 0 X 7

7 0 X 7

7 0 X 7

7 0 X 7

7 0 X 7

7 0 X 7

7 0 X 7

4 0 X 3

11 0 X 10

11 0 X 10

11 0 X 10

11 0 X 10

11 0 X 10

11 0 X 10

11 0 X 10

11 0 X 10

4 0 X 3

Gtr. 4 tacet

G

D

  

G

 

oh,

   Gtr. 4

   God,

Bm

   



I

love

   

G



 

 

you.

 

D

Harm.

7 7 7

     

4 0 X 3



  

  

   

4 0

11 0 X 10

11 0





Gtr. 1

3

10

  

  

4 0 X 3

4 0 3

  

 

  7 0 X 7

7 0 7

  

  

4 0 X 3

4 0 3

  

    11 0 X 10

11 0 10

Interlude Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 1 w/ Rhy. Fig. 4 Gtr: w/ Riff F Gtr. 4: w/ Riff E

G

 

D/F#

G

D

G

* Voc. Fig. 2

         

(Bah,

bah,

bah.

 Bah,

   bah,

 

bah,

  

bah, bah.

Bm

G

D End Voc. Fig. 2

     Bah,

bah,

     

bah.



Bah,

   bah,

bah,

 

  



 

And

bah, bah.)

*Refers to Bkgd. Voc. only.

11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


Bridge Bkgd. Vocs.: w/ Voc. Figs. 1 & 2 Gtr. 1: w/ Rhy. Fig. 4 Gtr. 2: w/ Riff F Gtr. 4: w/ Riff E

G

     life

D/F#

G



       is

now

worth liv - ing

G

Bm

          say

that

I

am

D

 

      

if

on - ly

be - cause

of

you.

D

  

      

it

fur

dead and gone,

won’t be

-

ther

from

   And when they

G

the



 

truth.

Interlude

D Gtr. 1

   

     

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

Gtr. 3

D

 

Bm

 

 

 

 

 

 

 

  

5 5 3

5 5 3

7 7 5

7 7 5

7 7 5

7 7 5

9 9 7

9 9 7

G type 2

     

 

 

 

7 7 5

7 7 5

7 7 5

7 7 5

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Aadd4 type 2

D/F#

        

12

Sorgdal

G type 2

  5 5 3

Aadd4 type 2

Bm

   

 

 

4 5 2

4 5 2

5 5 3

 

 

 

  

7 7 5

9 9 7

9 9 7

 

 

 

 

5 5 3

7 7 5

7 7 5

7 7 5

G type 2

D/F#



   



G type 2

   

 

  

4 5 2

4 5 2

5 5 3


Outro Gtrs. 1 & 3 tacet

D

 

When

I

go

down,

Bm7



  

I

lift

my



eyes

to

you.

    

 

 

 

  

  

  

  

3 2 4 5

3 2 4 5

3 2 4 5

3 2 4 5

3 2 4 2

3 2 4 2

3 2 4 2

3 2 4 2

*Gtr. 5

mf



*Piano arr. for gtr.

Gsus2

 

  I

 

won’t

  

look

ver

-

 

 

 

y

Asus4

far,

A

  

’cause you’ll be



there

     with

     

  

  

  

  

3 2 0 X 3

3 2 0 X 3

3 2 0 X 3

3 2 0 X 3

3 2 2 0

2

o - pen



arms



Gtr. 1: w/ Riff A (2 times) Gtr. 5 tacet

C#m7

    

  

 

Gtr. 4

4

     

Asus2

  4

Asus2

 

4

6





  

4

4

   

to

up

me

  

to

up

lift me



C#m7





 

4

5

4

a - gain,

a



D/F#

G

  -

 4

6

    lift

   

 

gain.

         Gtr. 1    divisi Gtr. 4

7 2

0

2

0 2

2

0 2

     

4 0 X 3

13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

Sorgdal


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