r56ryt

THE INTERNATIONAL DESIGN AUTHORITY SEPTEMBER 2021

the style issue

fashion insiders from New York to Nigeria

BEHATI PRINSLOO & ADAM LEVINE find their groove in Los Angeles

Shop the New Season Now | ChloŽ

FEN D I C A SA .CO M

hunterdouglas.com

©2021 Hunter Douglas Inc.

FEEL LIGHT TRANSFORMED Innovative window treatments with PowerView® Automation transform the natural light in your home to create the perfect mood, whenever the moment.

Silhouette® ClearView® Shadings with PowerView® Automation

CONTENTS september 20 Editor’s Letter 22 Object Lesson

Michel Ducaroy’s Togo Sofa BY HANNAH MARTIN

25 Discoveries

AD visits Eva Chen’s Connecticut getaway ...

Louis Vuitton updates its classic portable desk ... Frank Lloyd Wright’s Taliesin evolves and endures ... Bulgari celebrates Rome ...

The designing sisters behind Rimowa’s new NYC flagship ... Updating Portofino’s Splendido Mare ... Frank Gehry’s design for the Youth Orchestra Los Angeles ... Marcel Breuer’s bohemian rhapsody ... And more!

72 House Music

At their idyllic L.A. home, superstar Adam Levine and model Behati Prinsloo Levine forgo bling in favor of serenity, connoisseurship, and ample natural beauty.

BY MAYER RUS

82 Mood Elevator

Thanks to the avant-garde antics of Job Smeets, Rolf Snoeren’s Amsterdam penthouse puts a smile on his face from morning to night. BY MITCHELL OWENS

92 Cool Operators

Carlos Mota fashions an exuberant Los Angeles residence for model Jessica Hart.

BY CARLY OLSON

72

A COZY KID’S ROOM AND THE INVITING OUTDOOR CONVERSATION PIT (ABOVE) AT ADAM LEVINE AND BEHATI PRINSLOO LEVINE’S L.A. RESIDENCE.

104 Mythic Splendor

For Pierre Hardy and his husband, Vincenzo de Cotiis elegantly blends old and new in a fresco-embellished Paris apartment.

BEHATI PRINSLOO LEVINE (WEARING A DRIES VAN NOTEN SWEATER AND JEWELRY BY BULGARI AND DAVID YURMAN) AND ADAM LEVINE (WEARING A DIOR HOMME SHIRT, LOST DAZE JEANS, DIOR SHOES, AND A ROLEX WATCH) AT HOME IN L.A. “HOUSE MUSIC,” PAGE 72.

PHOTOGRAPHY BY WILLIAM ABRANOWICZ. STYLED BY AMY CHIN. FASHION STYLING BY MATT GOLDMAN (ADAM) AND DANI MICHELLE AT THE ONLY AGENCY (BEHATI).

14

AR CHDI GE ST.COM

WILLIAM ABRANOWICZ (2).

BY HANNAH MARTIN

CONTENTS september

112

INI ARCHIBONG IN FRONT OF HIS PAVILION OF THE AFRICAN DIASPORA IN LONDON.

122

JENNI KAYNE’S LIGHTFILLED LIVING ROOM.

112 New School

With his poetic designs, artist and designer Ini Archibong centers the Black experience.

BY EVAN NICOLE BROWN

116 Best Dressed

Fashion entrepreneur Reni Folawiyo stylishly outfits her penthouse in Lagos, Nigeria.

BY LOLA OGUNNAIKE

122 Peaceable Kingdom

Working with Belgian architect Vincent Van Duysen, L.A. tastemaker Jenni Kayne crafts a tranquil home. BY MAYER RUS

The designers, architects, and products featured this month.

136 One to Watch

Ceramic artist Woody De Othello channels the improvisatory energy of jazz. BY HANNAH MARTIN

FOLLOW @ARCHDIGEST

104

THE PETIT SALON AT PIERRE HARDY’S PARIS HOME.

SUBSCRIPTIONS FOR SUBSCRIPTION INFORMATION GO TO ARCHDIGEST.COM, CALL 800-365-8032, OR EMAIL ARDCUSTSERV@ CDSFULFILLMENT.COM. DIGITAL EDITION DOWNLOAD AT ARCHDIGEST.COM/APP.

NEWSLETTER SIGN UP FOR AD’S DAILY NEWSLETTER, AT ARCHDIGEST.COM/ NEWSLETTER. COMMENTS CONTACT US VIA SOCIAL MEDIA OR EMAIL US AT LETTERS@ ARCHDIGEST.COM.

FROM TOP: STEPHEN KENT JOHNSON; UZO OLEH; FRANÇOIS HALARD.

134 Resources

get clever

FOR MORE SMART IDEAS VISIT @GETCLEVER ON INSTAGRAM OR ARCHDIGEST.COM/CLEVER

WARM IT UP “THE PIZZA SETTING IS MY FAVORITE,” CHEN SAYS OF HER BERTAZZONI RANGE. “WE’LL BRING PIZZA FROM THE CITY, AND IT REHEATS IT PERFECTLY.” US.BERTAZZONI.COM

STAY AUTHENTIC “THE BEADBOARD MADE THE ROOM,” SHE RECALLS OF THE CLASSIC COUNTRY WALL TREATMENT IN BENJAMIN MOORE’S WEDGEWOOD GRAY. BENJAMINMOORE.COM

RENOVATION AND DIY INSPIRATION FROM THE ISSUE

Social Medium

“I’m very much a kitchen person,” says Eva Chen, reflecting on the renovation of her young family’s Connecticut weekend home (page 25). “Chinese culture is centered on food, so the kitchen is the gathering spot. I wanted ours to be cozy.” And cozy it became, thanks to some deft design choices.

We’ve outlined her recipe....

18

AR CHDI GE ST.COM

FINISHING TOUCHES “IT WAS IMPORTANT TO ME THAT WE SUPPORT SMALL BUSINESSES,” SHE REFLECTS. CASE IN POINT: THE RUNNER SHE FOUND ON INSTAGRAM FROM COLLIER WEST, A BROOKLYN SHOP. COLLIERWEST.COM

PRODUCED BY SAM COCHRAN AND MADELINE O’MALLEY

INTERIOR: CHRIS MOTTALINI. ALL OTHERS COURTESY OF THE COMPANIES.

CENTER YOURSELF “I SUPER, SUPER LOVE MY PLAIN ENGLISH WORKSTATION,” CHEN RAVES OF THE SHOWSTOPPER ISLAND. “IT’S COMING WITH US WHEREVER WE LIVE.” PLAINENGLISHDESIGN.CO.UK

editor’s letter

2

1. COVER COUPLE ADAM LEVINE AND BEHATI PRINSLOO LEVINE LOUNGE IN L.A. 2. RENI FOLAWIYO HOLDS COURT IN LAGOS, NIGERIA. 3. SUPER INFLUENCER EVA CHEN TAKES A FAMILY BREAK. 4. MODEL JESSICA HART AND HER DAUGHTER IN HER CHARMING L.A. HOUSE WITH INTERIORS

BY CARLOS MOTA. 5. CALI LIFESTYLE GURU JENNI KAYNE IN HER VINCENT VAN DUYSEN– DESIGNED HOUSE.

1

“We didn’t want a palatial McMansion. That’s just not who we are. In a world where nothing ever seems to be enough, our home feels like a genuine unicorn, our perfect sanctuary.” —Adam Levine

20

ARCHDI GE ST.COM

3 4

AMY ASTLEY Editor in Chief @amyastley

FROM TOP: DANIEL OBASI; WILLIAM ABRANOWICZ; CHRIS MOTTALINI; DOUGLAS FRIEDMAN; STEPHEN KENT JOHNSON.

What makes compiling the annual September Style issue such a creative thrill is that along with scouting out superlative homes, the editors are equally intent upon presenting a cast of fascinating characters. Take our cover duo: Adam Levine is an L.A. legend for his real estate acumen in addition to his music career, and AD100 designer Tommy Clements approvingly describes his client as “an obsessive design junkie.” In the storied, dreamy Pacific Palisades property Levine shares with his supermodel wife, Behati Prinsloo Levine, the couple eschew rock-star trappings, living in understated splendor among their impressive collection of major art and furniture. At the opposite end of the aesthetic spectrum is the utterly original Amsterdam lair of Rolf Snoeren, one half of the surrealistic Dutch fashion house Viktor & Rolf. Conceived by design provocateur Job Smeets of Studio Job, the apartment quite amazingly calls to mind amusement parks, Disney castles, the Flintstones, and Playmobil. In Lagos, Nigeria, we pay a visit to local fashion and social luminary Reni Folawiyo, owner of renowned luxury shop Alára, which was designed by Sir David Adjaye. Folawiyo’s sprawling duplex penthouse has plenty of “wow” factor, and her epic terrace, with its breathtaking views and infinity pool, “has achieved near-mythical status 5 in the megacity,” according to writer Lola Ogunnaike. And that’s not all.

The grand Paris apartment of celebrated fashion designer Pierre Hardy, reimagined by AD100 talent Vincenzo De Cotiis? Yes. A tour of the minimal masterpiece AD100 architect Vincent Van Duysen created from the ground up for California lifestyle guru Jenni Kayne?

Yes! Instagram power player and mega influencer Eva Chen finally off-duty in her family’s weekend getaway? Check!

Supercool model Jessica Hart in her perfectly pretty L.A. house? Yes, yes, yes.

Enjoy our fashionable crew, tastemakers one and all.

object lesson

THE STORY BEHIND AN ICONIC DESIGN

2

1

Togo Party

3

Michel Ducaroy’s slouchy 1973 seating for Ligne Roset is all the rage once more

T

4

examined his aluminum toothpaste tube, which, he said,

One quick sketch later it inspired his most recognizable design—Togo, a cushy, crimped, ground-hugging sofa series.

1. A SUITE OF RETRO TOGOS IN USE. 2. COLLECTOR JONNY RIBEIRO’S BROOKLYN HOME. 3. ACTOR COLMAN DOMINGO AT HOME IN L.A. 4. TOGO SOFA FOR LIGNE ROSET. 5. AN L.A. HOME BY REATH DESIGN.

1. & 4. © LIGNE ROSET. 2. MAX BURKHALTER. 3. JENNA PEFFLEY. 5. LAURE JOLIET.

forgot or didn’t have time to build one.” Still, Togo won the René-Gabriel prize for high quality at a fair price. Its comfort soon swayed the naysayers, becoming an icon of groovy 1970s-era design with a range of modular sizes that could be mixed and matched. Comfy, affordable, and easy to move, Togo has a dedicated fan club: Musician and designer Lenny Kravitz installed a quartet in his Paris town house; more than a decade ago, Kelly Wearstler placed one in her kids’ room in Beverly Hills. But in the last year or two, a new crop of young, Instagram-savvy design lovers has gone gaga for Togo (there’s even been a recent proliferation of Togo memes).

“It’s kind of like sitting on a cloud,” says Ed Be, cofounder of the Brooklyn design destination Lichen, where Togos are a top client request. (Ligne Roset sells new ones from $2,645, but vintage models—particularly in leather—still carry a certain cachet.)

“It relieves the joints and forces you to recline ever so slightly.” Other disciples include actor Colman Domingo, collector-dealer Jonny Ribeiro, and French fashion insider Clara Cornet, who reports that her faux-leather Togo is equal parts stylish and kid-friendly. Plus, she gushes, “It’s the coziest!” ligne-roset.com —HANNAH MARTIN 5 22

ARCHDI GE ST.COM

Putting cleaner water within reach. That’s

©2021 Elkay Manufacturing coMpany

The ezH2O LivTM Built-in Filtered Water Dispenser Unrivaled filtration for lead- and chlorine-reduced water, instantly.

Elkay.com/ezH2O-liv

DISCOVERIES

THE BEST IN SHOPPING, DESIGN, AND STYLE

EDITED BY SAM COCHRAN

AD VISITS

If the Shoe Fits

Updating a Connecticut home for her growing family, sartorial sensation Eva Chen finds she’s a country girl after all PHOTOGRAPHY BY CHRIS MOTTALINI. STYLED BY DORCIA KELLY. PRODUCED BY JANE KELTNER DE VALLE.

IN THE DINING ROOM, ANTOINETTE POISSON WALLPAPER, APPARATUS CEILING LIGHT, AND TABLE AND CHAIRS BY O&G STUDIO.

ARCHDIGEST. COM

25

ADVERTISEMENT

Presented By

The Iconic Home Returns With the Spotlight Shining on an All New Set of Designers This year’s creatives will showcase their imaginative designs throughout the virtual showhouse, offering invaluable insights on how to live both stylishly and sustainably.

archdigest.com/iconichome

FEATURING

RENDERED BY

DISCOVERIES

T

he algorithm doesn’t lie. Slowly but surely, the Explore grid on Eva Chen’s Instagram feed morphed from shoes, bags, and beauty serums into ceramics, mirrors, and house tours.

Meanwhile, words like patina and names like Paul McCobb began to pepper her conversations and thoughts. All signs pointed to her latest project: the reno­ vation of a Connecticut country home for her young family.

For Chen, a born­and­raised New Yorker and sartorial superstar who now works as Instagram’s Director of Fashion and Shopping Partnerships, these newfound fixations marked an even larger shift. “I grew up a first­generation American in Greenwich Village and didn’t know a landscape beyond Manhattan,” she reflects. “To me, nature was Washington Square Park.” A weekend at Troutbeck hotel with her husband, Tom Bannister, an advertising creative director, introduced her to the low­key delights of that sylvan stretch where upstate New York meets Litchfield County. Suddenly the consummate city girl had her sights set on the simple life.

“We fell in love with the quietness and with the landscape, which was wild and not groomed to perfection,” she says, adding that, with two young kids, Ren and Tao, “we needed a break from the weekend birthday­party, playground, park­ sprinkler grind.” (The couple recently welcomed their third, River.) After a search that Chen, also a celebrated children’s­ book author, likens to the story of Goldilocks, they fell in love with a contemporary Cape Cod house on nearly 10 untamed acres of land. “Some homes were too big, some were too small, but this one felt immediately right,” she recalls of its 2,800 square feet. “The bones were good. The energy was good. I could tell another family had been happy here.”

1

1. CHEN WITH REN, TAO, AND RIVER (ON THE WAY).

2. IN THE LIVING ROOM, CB2 SIDE TABLES, A VINTAGE PAUL MCCOBB COCKTAIL TABLE FROM CHAIRISH, A LAWSONFENNING SOFA, STONE AND SAWYER TABLE LAMPS, VITSOE SHELVES, AND A WORKSTEAD GLOBE LIGHT.

2

28

MISTY COPELAND Principal Dancer American Ballet Theatre

THE ART OF WINE THE TECHNOLOGY OF PRESERVATION The LG SIGNATURE Wine Cellar marries form and function, bringing together Optimal Preservation Technology™ with Multi-Temperature Control to keep Cabernet Sauvignon pleasantly cool while Champagne is delightfully cold, all wrapped in a sleek Textured Steel™ cabinet.

Welcome to the bold new world of LG SIGNATURE.

THE ART OF ESSENCE Find yours at www.LGSIGNATURE.com

WINE CELLAR

ADVERTISEMENT

With Love, Emeline Tucked inside a 19th-century heritage building in Charleston’s cobblestoned historic district, boutique hotel Emeline is the ultimate crash pad for the soulful sojourner. The 212-key property from developer Rockbridge and visionary operator Makeready brims with Lowcountry charm—and it all comes to life through the eyes of its namesake: a consummate Southern hostess called Emeline. As the personification of true hospitality, the fictional character served as a spirited muse for the design team at Dallas-based SWOON the Studio, who effortlessly evoke the modern South with their warm, thoughtfully appointed interiors.

2

Emeline’s whimsical design narrative is rooted in authenticity and timeless elegance, deftly presented without a hint of pretentiousness. Reading more like a living room than a lobby, the hotel’s foyer is flush with greenery and humble materials like walnut, concrete, and glass. Adding to the lived-in sense of place are decorative works from local creatives, including a fiber installation by artist Suzanne Le Méhauté, a vitrine stocked with Lowcountry curiosities (think taxidermy birds and turtle

1

3

shells) by Sisal Creative, and a mural behind the check-in desk from painter Whitney Stoddard. More art resides in The Foxhole, a hallway mini-gallery that links the main building with the garden courtyard. Don’t sleep on retail nook Keep Shop, where an exquisite curation of home goods and accessories awaits.

With bespoke embroidered Matouk linens, Red Flower amenities, and a Crosley turntable to tune into the hotel’s robust vinyl collection, guest rooms and suites were designed to spoil their occupants. Drapery and upholstered furniture bask in hues like emerald, sky blue, and ochre that recall the Low Country’s ecological bounty. Walls are also adorned with works from

Emeline’s art program, like custom-shot still life photography of significant objects and framed vintage posters from Charleston’s Spoleto Festival, an annual extravaganza that celebrates the performing arts.

With Emeline’s opening, Charleston added two fabulous dining destinations to its already impressive roster. Start off the day with locally roasted Second State coffee and country ham at cafe Clerks Coffee Company. Then for dinner, snag a courtyard table at signature restaurant Frannie & The Fox, where chef Tim Morton’s wood-fired pizzas and seafood dishes steal the show each night. Soon enough, Emeline will start to feel like home.

Want to earn unlimited double miles wherever you shop? Get the Capital One Venture card for unlimited double miles everywhere — not just some places.

See capitalone.com for details. Credit approval required.

Offered by Capital One Bank (USA), N.A. (C) 2021 Capital One.

1 Rooms feature custom furnishings, old-school record players, and a nature-inspired color palette. 2 Emeline has several cozy living rooms instead of a single traditional lobby.

3 Clerks Coffee Company offers takeaway drinks and bites for breakfast on the go.

Unlimited double miles.

Unlimited destinations.

With the Capital One Venture card, you can earn unlimited double miles wherever you shop and redeem them on any travel purchase.

Redeem rewards for any recent purchase we identify as travel based on information provided by merchants. Credit approval required. Offered by Capital One Bank (USA), N.A. © 2021 Capital One.

DISCOVERIES

2

1

1. ABOVE THE COUPLE’S LAWSON-FENNING BED IS AN ESTATE-SALE FIND. 2. THE KITCHEN’S PLAIN ENGLISH ISLAND, BERTAZZONI RANGE, AND WORKSTEAD PENDANTS; PAINT BY BENJAMIN MOORE. 3. A B&B ITALIA CAMALEONDA SECTIONAL AND FAYCE TEXTILES WALLPAPER IN THE ATTIC PLAY AREA. 4. NELSON THIN EDGE BED FROM DESIGN WITHIN REACH.

3 4

At the recommendation of their real­estate agent and friends, the couple enlisted the Connecticut­based design firm Hendricks Churchill to update the home. “I introduced myself over DM, my primary form of communication,” Chen jokes.

“Heide [Hendricks] and Rafe [Churchill] really understood how to unlock the potential of the house, to make it warm and elegant and not too precious.”

Down came a wall, opening up the living room to allow for several seating areas, with ample space for Ren and Tao to build forts while mom and dad, both avid readers, bury their noses in books. In the kitchen, the removal of partitions yielded an equally multipurpose space, with a dining area, fireplace, window seat, and new beadboard walls that satisfied Chen’s call for coziness. And the conversion of the attached garage into a bedroom anticipated visits from her parents, now regular guests. Throughout the home, meanwhile, Hendricks Churchill updated windows, details, and finishes for optimal light and visual cohesion.

“Our goal was not to reinvent the house but to make it work better,” notes Churchill. Adds Hendricks: “It all just sort of flows.” She also worked hand in hand with the couple to furnish the rooms, pulling together sturdy, stylish pieces that could withstand the rhythms of their rowdy brood. Some come from showrooms Chen has long admired, places like Plain English, ABC Carpet & Home, and Apparatus. Others were sourced at estate sales or Reservoir, Hendricks Churchill’s own trove of antique treasures. And many were online discoveries, from art­ works seen on Tappan Collective to vintage finds on Etsy and 1stDibs. “I’ve always loved the thrill of the hunt,” Chen notes.

Since the family moved into the home in the summer of 2020, the slog of urban parenting has given way to long, happy country days, as Ren and Tao splash around the pond and sur­ vey the grounds, looking for newts, dragonflies, geese, turtles, and bunnies. “Losing structure has been the greatest gift,” says Chen. “I never thought I’d be that person in gardening clogs.”

—SAM COCHRAN

32

ARCHDI GE ST.COM

GIVE YOUR WALLS OUR BEST INTRODUCING BEHR DYNASTYT

Our most stain repellent, scuff resistant, fast-drying, one-coat coverage paint. Now all in one can.

DISCOVERIES

DETAIL ORIENTED

Out-of-Office Reply

Digging into its archives, Louis Vuitton reinvents an iconic 1929 bureau for today’s remote-work era 34

ARCHDI GE ST.COM

I

n July 1929—when the Roaring Twenties were still roaring— celebrated British orchestra conductor Leopold Stokowski commissioned Louis Vuitton to design and produce a portable secretary. By then, the Paris luggage company, founded by French master trunk maker Louis Vuitton in 1854, had produced an impressive, if curious, array of specialty designs. The Bed Trunk, which contained a folding cot, was favored by 19th-century explorer Pierre Savorgnan de Brazza; the Library Trunk was commanded by Encyclopædia Britannica to deliver its 29-volume 11th edition to customers; and the Shoes Trunk was requested by American opera diva Lily Pons for her ample collection of pumps.

Upon receiving Stokowski’s order, the design team—led by Louis’s son Georges at the company’s original workshop in the Paris suburb of Asnières-sur-Seine— set about reconfiguring the traditional malle, or travel trunk, to meet Stokowski’s needs. When opened, a desk swung up and perched on foldable legs. There were bookshelves, a typewriter compartment, and drawers large enough to hold sheet music. (There was no need for a baton; Stokowski famously started the trend of conducting with his hands.) While the exterior was enveloped with the luxury house’s traditional Monogram canvas, an ecru–and–burnt sienna jacquard with geometric and floral motifs and the founder’s initials, the interior was lined with soothing gray swallow Vuittonite, a waterproof material introduced by Louis in 1854 and later popularized for automobile luggage.

For many years, the Stokowski, as it became known, was one-of-a-kind.

But it was such a smart and enviable design that the company eventually made it available for special orders, adding a compartment for a folding stool. It has remained in production ever since.

Versions now reside in the company’s archives and in La Galerie Louis Vuitton, located at the Asnières-surSeine compound.

COURTESY OF LOUIS VUITTON.

LOUIS VUITTON’S SECRÉTAIRE BUREAU 2.0 (FOREGROUND) WITH ITS VINTAGE PREDECESSOR.

DISCOVERIES

TRUNK SHOW

An abbreviated history of Louis Vuitton’s Monogram canvas 1854

LOUIS VUITTON PIONEERS WATERPROOF CANVAS, ORIGINALLY OFFERED IN TRIANON GRAY AND ENCIRCLED WITH IRON SLATS (1879 VERSION SHOWN).

2

1

1. AN ARCHIVAL SKETCH OF THE 1929 SECRÉTAIRE BUREAU, COMMISSIONED

BY CONDUCTOR LEOPOLD STOKOWSKI. 2–3. ORIGINAL VERSIONS OF THE STOKOWSKI.

1889

GEORGES VUITTON PRESENTS THE DAMIER CHECKERBOARD DESIGN, DEVELOPED

BY HIS FATHER, AT THE WORLD’S FAIR.

1896

GEORGES CREATES THE ICONIC LV MONOGRAM, A TRIBUTE TO DAD MADE UP OF THREE BOTANICAL/ GEOMETRIC MOTIFS AND HIS INITIALS.

3

36

ARCHDI GE ST.COM

MARC JACOBS TAPS STEPHEN SPROUSE FOR THEIR GRAFFITIED (AND NOW ICONIC) TAKE ON THE LOUIS VUITTON LOGO, AN INNOVATION THAT WOULD LEAD TO COLLABORATIONS WITH TAKASHI MURAKAMI

2021

LOUIS VUITTON MEN’S ARTISTIC DIRECTOR VIRGIL ABLOH DEBUTS HIS OWN WATERCOLOR VARIATION ON THE MONOGRAM, SEEN HERE ON A SKATEBOARD TRUNK.

COURTESY OF LOUIS VUITTON.

Coinciding with the 200th anniversary of company founder Louis Vuitton’s birth, the brand has introduced the Secrétaire Bureau 2.0, an update of the Stokowski with modern needs in mind. The desk is larger, to accommodate laptops, as are compartments for storage. There is a cable passage for efficient wire management, a “smart top” that keeps the trunk organized when closed, and a lid lining that can serve as a bulletin board. As with all Vuitton trunks, carpenters craft a structure made of three types of wood: poplar for framework; okoume, a light, resistant African wood, for the body and lid; and beech for decorative and reinforcing laths. The interior is available finished with varnished beechwood or straw marquetry. And like all specialty Vuitton trunks, it is made to order, price upon request. Delivery time: one year. At a time when remote working is increasingly the norm, this luxurious take is anything but ordinary. louisvuitton.com —DANA THOMAS

PETER FASANO x REED SMYTHE ASPERGES LINEN TABLECLOTH; $375. REEDSMYTHE.COM

CHARLES EDWARDS HANGING ASHBEE LANTERN; TO THE TRADE. CHARLESEDWARDS.COM

CRATE AND BARREL SPOOL GARDEN STOOL; $179. CRATEAND BARREL.COM

CECE BARFIELD HOME x MILY À PARIS VERANDA DINNER PLATE; $215. CECEBARFIELDHOME.COM CASA BRANCA PAPAVERO CRYSTAL TUMBLER; $250 EACH. CASABRANCA.COM

FRÉDÉRIC SOFIA FOR FERMOB AIRLOOP ARMCHAIR; $364. FERMOB USA.COM

CREEL AND GOW DAR ZERO COCKTAIL TABLE; $2,400. CREELANDGOW.COM

IRWIN & LANE OTSEGO OBELISK; $3,000.

INSTAGRAM.COM/ MATTHEWZWISSLER

OUTDOOR ENTERTAINING

The Garden Path

Verdant finds and assorted treasures for repasts en plein air PRODUCE D BY MAD ELINE O ’MALL EY

COURTESY OF THE COMPANIES.

HERMÈS PARK BOTTLE, BASKET, AND GLASSES; $7,550. HERMES.COM

DISCOVERIES DESIGN

Sister Act

Tapped by the likes of Rimowa, Sanam, Laylee, and Safura Salek make bold ideas a family affair

T

40

ARCHDI GE ST.COM

1 2

1. FROM LEFT, SISTERS SANAM AND LAYLEE SALEK OF MA-MA (MA-MA.COM) AND SAFURA SALEK OF MASS STUDIO (MASS-STUDIO.NET) IN MANHATTAN’S NEW RIMOWA FLAGSHIP, THEIR LATEST COLLABORATION. 2. THE SOHO SPACE FEATURES CONCRETEAND-CORIAN-CLAD TABLES AND A MIRRORED-ALUMINUM PHOTO BOOTH (RIMOWA.COM).

1. SEAN PRESSLEY 2. RAFAEL GAMO.

he material details, the narrative, the experience—we each bring something different to a project,” says Sanam Salek, reflecting on collaborations with her older and younger sisters, Safura and Laylee, all three designers. In New York City, this trio of rising stars has carried that threepronged approach into the new Rimowa flagship, a SoHo showcase for the German brand’s coveted luggage and accessories.

“It was important to create a really flexible floor plan and fixtures that allowed for different customer experiences,” Laylee says of the 550-square-foot shop, as slick as a Rimowa suitcase with adjustable, wall-mounted aluminum-and-polycarbonate shelves and concrete-and-Corian-clad tables. At the back, a cylindrical capsule of mirrored aluminum contains a passport-photo booth, lending a futuristic feel to an often irksome process. “You can retake as many times as you want,” notes Sanam.

Raised in Los Angeles in a creative household, the siblings first began collaborating in 2012, when they teamed up to renovate their family’s 1960s home in Brentwood. By that time, Safura, who has a degree in architecture, had founded Mass Studio, where her younger sisters lent a hand. In 2018, Sanam and Laylee—by then alums of BIG–Bjarke Ingels Group and OMA, respectively—launched their own multidisciplinary design firm, Ma-Ma, attracting clients like Nike, Hypebeast, and Houseplant, Seth Rogen’s cannabis company. But even as two separate studios (Ma-Ma is based in New York, Mass Studio is bicoastal) they’ve always worked together. And nowadays they are extending their reach to all sorts of projects, including California residences in Mount Washington (in Los Angeles) and Santa Ynez.

As the world opens back up, they’re hoping to land more retail jobs and launch a long-simmering collection of furniture. Some prototypes they’ve been experimenting with include a laminated-plywood unit combining two chairs and a table, and a sculptural bench made from PVC pipe and lacquered MDF. “It’s a chair but not obviously a chair,” says Sanam of the latter. “We like when people can have different perceptions of our work.” —HANNAH MARTIN

PROUD SPONSOR OF THE KIPS BAY DECORATOR SHOW HOUSE PALM BEACH Design by Mikel Welch

C U S TO M S H A D E S , B L I N D S & D R A P E R Y H A N D C R A F T E D I N T H E U S A S I N C E 1 9 4 6 . N AT I O N W I D E M E A S U R E & I N S TA L L S E R V I C E S .

A L L P R O D U C T S S H I P I N 1 0 DAY S O R L E S S .

SHOWROOMS NATIONWIDE

THESHADESTORE.COM

800.754.1455

GET ALMOST 100 HOURS MORE PROVEN QUALITY SLEEP PER YEAR* Quality sleep is proven to help boost energy, recovery and improve wellbeing.

That’s why we created the Sleep Number 360 ® smart bed for the best sleep in the world.

Designed to help you fall asleep faster and make a life-changing difference to your health and wellness.

SleepIQ Score ®

Adjustable comfort on each side

Automatically senses and responds to you

Personalized insights for even better sleep

15-Year Limited Warranty †

100-Night Trial‡

SCAN TO TAKE OUR BED QUIZ

*100 hours more proven quality sleep based on internal analysis of sleep sessions assessing sleepers who use multiple features of Sleep Number® products. Claim based on sleepers achieving over 15 more minutes of restful sleep per sleep session.†Limited warranty available at sleepnumber.com. ‡Restrictions and exclusions apply. Does not apply to adjustable bases, upholstered furniture, closeout/clearance or demo/floor model purchases or mattresses already exchanged under another In-Home Trial period. You pay return shipping. Refunds will be made to the original method of payment less original shipping/delivery fees. Visit sleepnumber.com for complete details. SLEEP NUMBER, SLEEPIQ, SLEEP NUMBER 360, the Double Arrow Design, and SELECT COMFORT are registered trademarks of Sleep Number Corporation. ©2021 Sleep Number Corporation

Q U E S T R O YA L F I N E A RT, L LC Important American Paintings

DISCOVERIES 2

3

1 4

INSPIRATION

Loyalty Oath

1. THE LARGO DI TORRE ARGENTINA, NOW BEING RESTORED

BY BULGARI. 2, 3. SAPPHIRE PETAL EARRINGS AND NECKLACE FROM BULGARI’S NEW MAGNIFICA HIGH JEWELRY COLLECTION. 4. A CIRCA A.D. 200 BAS RELIEF. 5. THE SPANISH STEPS. 6. A CIRCA 50–40 B.C. BUST. 7. THE TORLONIA MARBLES AT THE MUSEI CAPITOLINI.

M

agnifica is an apt description for Bulgari’s new high jewelry collection of precious bracelets, necklaces, earrings, and more, festooned with diamonds, sapphires, emeralds, rubies, even an Ancient Roman coin or two. Conjured by Lucia Silvestri, the Italian luxury brand’s jewelry creative director, the glittering range digs as deeply into its archives for inspiration as the company enthusiastically preserves history itself.

In a time when old-fashioned civic patronage can seem, well, old-fashioned, Bulgari relishes the responsibility. From refreshing mosaics in the Baths of Caracalla (which inspired the firm’s 2016 Divas’ Dream collection) to the biannual MAXXI Bulgari Prize for young artists, the firm has become a leading savior of the city it has called home since 1884.

Besmirched by grime and damaged by tourism,

5 7

newly aglow, too, thanks to a strategic LED lighting system— and, yes, it’s magnificent. bulgari.com —MITCHELL OWENS 6 44

ARCHDI GE ST.COM

1. MATS SILVAN. 2, 3 & 5. COURTESY OF BULGARI. 4 & 6. LORENZO DE MASI/FONDAZIONETORLONIA. 7. OLIVER ASTROLOGO.

With generosity and aplomb, Bulgari dedicates itself to Rome

©2021 The Container Store Inc. 50909 Photography by Emily Minton Redfield.

Schedule your free design consultation today (or try our new Virtual In-Home Design Service) at containerstore.com/custom-closets.

DISCOVERIES

FRANK LLOYD WRIGHT’S BEDROOM AT TALIESIN, HIS WISCONSIN HOME AND CAMPUS, WHICH APPEARED IN AD’S MAY 2004 ISSUE (INSET).

FOR ACCESS TO ALL 101 YEARS OF THE AD ARCHIVE, JOIN AD PRO, THE MEMBERS-ONLY COMMUNITY FOR DESIGN PROFESSIONALS, AT ARCHDIGESTPRO.COM.

THEN AND NOW

Wright This Way

S

tudy nature, love nature, stay close to nature; it will never fail you.” So mused the world’s first starchitect, Frank Lloyd Wright. It’s a walk he walked and a talk he talked at Taliesin, as AD noted in a 2004 visit to his beloved home and school, set among the rock outcroppings and mature trees of rural Wisconsin. Until his death in 1959, the estate (begun in 1911 and rebuilt after fires in 1914 and 1925) continued to evolve, offering a laboratory for his designs.

“He saw the built environment as a way to connect people and lives,” notes Stuart Graff, president and CEO of the Frank Lloyd Wright Foundation. Today the organization is looking to the past and future, endeavoring to, as Graff explains, “present Wright in ways that encourage people to take his ideas and act on them.” A comprehensive conservation plan for Taliesin is under way, with stabilization work to Wright’s bedroom, erected upon ashes, on the horizon. Among other ongoing projects is the restoration of the Hillside Theatre, in anticipation of live performances for the public. As Graff reflects, “The goal is not just to preserve the structures but preserve the values and ideas that underpin them, and the life that existed within them.” After its much-publicized parting with the

46

ARCHDI GE ST.COM

new ways to welcome people on-site at Taliesin and at its sister Arizona campus, Taliesin West, partnering with universities on immersion programs and welcoming contemporary-art installations. (The school, since renamed, recently moved to Cosanti and Arcosanti, Paolo Soleri’s experimental home and community.) All the while, new brand partnerships are reimagining Wright’s interest in licensing projects, which date to the 1950s, when he collaborated with Schumacher on fabrics and Henredon on furniture. Earlier this summer, the foundation and Brizo announced a new collection of bath fixtures in the tradition of Wright that will be available this fall. And there’s more on the way. “Moving forward, the focus will be how to use Wright’s work to inspire a new generation of designers,” says Graff of the collaboration, which bears the spirit if not the signature of the architect himself. “Wright’s legacy is all about connection.” —SAM COCHRAN

JON MILLER.

At Taliesin, the spirit of Frank Lloyd Wright both endures and evolves

H I S V I S I O N CONTINUES

IN PA R T N ER S HIP WIT H T H E F R A N K LL OY D W RIG H T F O U N D ATIO N

® 2021, Frank Lloyd Wright Foundation. All rights reserved.

|

B R I Z O .C O M

MASTERCOOL

P R E S E R V I N G T H E TA S T E O F N AT U R E REDEFINE PERFECTION

Discover more at mieleusa.com/mastercool #LifeBeyondOrdinary

COOKING STARTS WITH COOLING. LEARN MORE HERE. NO APP REQUIRED.

ADVERTISEMENT

Cooking Up Style with Oliver M. Furth The AD 100 designer on navigating the balance between function and fashion Oliver M. Furth doesn’t want to talk about trends. “I tend to ignore them,” says the Los Angeles-based interior designer, “and even more so in the kitchen.” Unlike a living room, say, where Furth might encourage clients to push the envelope, a kitchen can—and should—last anywhere from 7 to 30 years.

“In a living room, pieces can come and go,” he says. “But in a kitchen, it’s twice as important to be classic, timeless, and to choose pieces that can stand the test of time.’”

Even before asking how they’d like it to look, the first question Furth poses to kitchen design clients is, “How do you want it to function?” “A kitchen often serves double or even triple duty,” he says, especially these days, when people have grown accustomed to spending more time cooking at home than ever. “It’s a space that people are in every day, multiple times a day. But there’s a lot of information in a kitchen. So you have to pick your lane. What do you want to see when you walk in? It can’t be everything.”

The good news, says Furth, is that it’s easier than ever to balance function and fashion. Appliances on the market now are really attractive, he says, citing Miele in particular, as the brand’s emphasis on harmonious design and commitment to creating products that work well together make for easy integration into most any concept. They’re easy to vouch for functionality-wise, too. “Miele works—and it’s very good looking,” he says, “with lots of options to satisfy both different client needs and different design needs.” For the avid home chef, a kitchen with a statement cooktop and big hood may appeal; for less-is-more types, Miele offers appliances that can be tucked away behind cabinetry and multi-use options like the 3-in-1 steam oven. Some trends do apply: “I’ve been using a lot of gas-alternatives lately,” says Furth. “We’re doing energy-efficient induction cooktops and clients love them.” He also favors side-by-side refrigerators for aesthetics and ease of use. “They tend to be sleek and work well in most spaces,” he says.

In dream cases, though, he doesn’t have to choose, citing a current project designing a kosher kitchen, where “there’s three of everything,” he says. “That’s its own situation, of course, but I do find it incredibly handy to have more than one dishwasher, more than one refrigerator…and, if possible, more than one kitchen!” His latest obsession is creating mess kitchens, which allow homeowners to entertain guests in the kitchen but stash the evidence of actual cooking off to the side. The result, of course, is quite the opposite of a mess: it’s fashion and function all at once.

3

1

1. Mid-century modern kitchen with Miele appliances in Los Angeles. 2. Expansive windows bring natural light into the open-floor concept.

3. Miele 24” Convection Oven

Visit mieleusa.com to learn more about Miele’s kitchen suite.

2

DISCOVERIES

2 3

1. FESTEN’S CHARLOTTE DE TONNAC AND HUGO SAUZAY AT THE NEWLY REIMAGINED SPLENDIDO MARE, A BELMOND HOTEL. 2. CUSTOM TERRA-COTTA TILES SWIRL ACROSS THE LOBBY FLOOR. 3. A GUEST TERRACE OVERLOOKING THE HARBOR. 4. DAV MARE RESTAURANT.

1

HOTELS

Port of Call

4

The Eye Has to Travel

Souvenirs take many forms—a postcard, a key chain, even the enduring impressions of a color. Benjamin Moore’s extensive paint offerings take inspiration from far-flung destinations, translating local hues into palettes of global appeal. Caribbean Blue Water 2055-30, for example, evokes tropical surf, while Great Barrington Green HC-122 calls to mind the earthy tones of the scenic Berkshire Mountains—in other words, armchair travel at its best.

Shop paint samples now at store.benjaminmoore.com

PRODUCED FOR

50

ARCHDI GE ST.COM

1. MATTIA AQUILA. ALL OTHERS COURTESY OF THE COMPANIES.

“It’s like a postcard,” says Hugo Sauzay, one half of the Parisian design duo Festen, describing Splendido Mare, the beloved Belmond hotel in Portofino. “You’re on a pier in Italy, you close your eyes, people are shouting, waves are crashing.” That was a feeling he and Charlotte de Tonnac, his partner in business and life, embraced when updating the iconic property, situated in a 1930s building with just 14 guest rooms. Traditional marquetry in a rope motif, swirling terra-cotta floor tiles, and vintage Italian heirlooms by Gio Ponti and Paolo Buffa quietly blend, creating interiors that nod to the 1950s dolce vita and the port’s humble origins as a fishing village. Conjuring a mood is a specialty for the couple, who met at Paris’s École Camondo and landed their first residential project before graduating. “With every project, we try to create an atmosphere,” says de Tonnac, alluding to past hospitality hits like Le Pigalle in Paris and Les Roches Rouges on the Côte d’Azur, both of which exude a casual, been-there-forever cool. (Upcoming projects include a five-star hotel in a 16th-century Nice convent and private residences in London and New York.) “The biggest compliment we can receive is ‘It looks like it’s been there for 20 years.’ ” belmond.com —HANNAH MARTIN

Quality gets noticed.

See the Love

Awarded best in customer satisfaction among interior paints.

Wall — Hodley Red HC-65, AURA®, Eggshell Color accuracy is ensured only when tinted in quality Benjamin Moore® paints. Color representations may differ slightly from actual paint. ©2021 Benjamin Moore & Co. Aura, Benjamin Moore, and the triangle “M” symbol are registered trademarks licensed to Benjamin Moore & Co. 3/21

DISCOVERIES

GOOD WORKS

Music in the Air

Updated by starchitect Frank Gehry, an Inglewood building welcomes the Youth Orchestra Los Angeles

his childhood in Venezuela.) With a gift from Judith and Thomas L. Beckmen, the L.A. Phil was able to acquire and transform a former bank building in Inglewood, a small city near LAX. Enter Gehry, determined to create the best possible education-and-performance center on a tight $14.5 million budget. Gehry knows that, for optimal o understand Frank Gehry’s latest project, it helps to know a few things about the 92-year-old, reverberation, live music has to be able to travel 45 feet up before being reflected downward; he persuaded YOLA to cut a Los Angeles–based architect. First, he is happy to do buildings that don’t bear his signature flour- hole in the floor and cut a hole in the ceiling to get that height.

As a result, Gehry says, “the YOLA students are getting the ishes. (His ongoing update to the Philadelphia same stage dimensions and acoustics as the L.A. Philharmonic.

Museum of Art has won raves, and there isn’t a As an architect, this is what I can do to show these kids that crumpled metal wall in sight.) Second, in his 10th decade, he is devoting a big chunk of his time to pro bono work. (And this they are intrinsically worthy of the best our society can offer.”

When the resulting concert hall isn’t being used for live at a time when he can have his pick of lucrative commissions.) performances, it can be divided into a pair of rehearsal spaces.

Third, he is a classical-music nut, whose work on the Walt The architecture is spare, almost utilitarian, but there’s beauty Disney Concert Hall—home of the L.A. Philharmonic, headed everywhere you look. Gehry calls the building “one of the most by conductor Gustavo Dudamel—was a labor of love. important things I have done in my life.” laphil.com That explains his devotion to the Youth Orchestra Los Angeles (YOLA), which provides free instruments, intensive —FRED A. BERNSTEIN music training, and academic support to more than 1,300 stuDESIGNED PRO BONO BY FRANK GEHRY, THE NEW JUDITH dents from disadvantaged neighborhoods. (Dudamel has based AND THOMAS L. BECKMEN YOLA CENTER AT INGLEWOOD PROVIDES YOLA on a program that nurtured his own musicianship during MUSIC EDUCATION TO MORE THAN 1,300 STUDENTS.

52

ARCHDI GE ST.COM

JWPICTURES/ © L.A. PHIL

T

DISCOVERIES ARCHITECTURE

Bohemian Rhapsody

A new documentary explores the free spirit of Marcel Breuer

1

3

4

CHECKING IN....

Armchair travel doesn’t disappoint, but for Breuer buffs ready to really make the journey, the new Hotel Marcel beckons. Opening in January, the project revives the architect’s 1970 Pirelli Tire Building (a vacant Brutalist tower in New Haven, Connecticut) as boutique lodgings, with 165 guest rooms carved from the office floors and a showstopper lobby. (Think terrazzo and travertine galore.) And thanks to the expert interventions of architect/developer Becker + Becker and Dutch East Design, Hotel Marcel was conceived to be net-zero and meet Passive House standards.

Sleep soundly. hotelmarcel.com —SAM COCHRAN

54

ARCHDI GE ST.COM

1 & 2. EZRA STOLLER/ESTO. 3. JOACHIM WICHMANN. 4. PEDRO E. GUERRERO ARCHIVE. ALL OTHERS COURTESY OF HOTEL MARCEL.

J

ames Crump, the intrepid director, writer, and art historian, has done the impossible, crafting a smart, serious architecture documentary that isn’t hopelessly dry and boring. His latest film, Breuer’s Bohemia, takes an incisive look into the roiling cultural milieu in which Marcel Breuer crafted some of his most groundbreaking residential projects. It’s a tale of inspiration and decadence, rife with heavy drinking and free love, all set against a backdrop of leftist politics and social iconoclasm incubated in the seemingly staid suburban outposts of Connecticut and Massachusetts.

“It’s a real-life version of Frank Perry’s The Swimmer meets Ang Lee’s The Ice Storm.

The wild stories of Breuer and his circle of friends and advocates have all the necessary dramatic tension required for a film,” says Crump, who, in 2017, acquired the architect’s landmark Stillman House II in Litchfield, Connecticut, with his wife, Ronnie Sassoon, the documentary’s producer. “I wanted to explore the complex ways that Breuer’s architecture collided with the private lives of his patrons, how these houses both embodied and rejected the utopian ambitions of modernism,” the director continues, describing the triumph of Breuer’s residential 2 masterpieces as well as their underbelly of heartache and dysfunction.

1. MARCEL AND CONNIE BREUER AT HOME IN LINCOLN, MASSACHUSETTS, Through archival footage and interviews AND NEW CANAAN, CONNECTICUT (4). with historians, cultural icons (Alexander 2. BREUER’S 1949 EXHIBITION HOUSE AT THE MUSEUM OF MODERN ART Calder, Arthur Miller, William Styron, et al.), IN MANHATTAN. 3. STILLMAN HOUSE II, and family members who actually grew up in LITCHFIELD, CONNECTICUT. these radical houses, Crump’s documentary paints a nuanced, multivalent portrait of a subject typically examined through the limited lens of architectural bravado and sublime design. The release of a companion book, Breuer’s Bohemia (The Monacelli Press), written by the director, is set to coincide with the film launch on September 14 on Vimeo. breuersbohemia.com. —MAYER RUS

Form and function converge in Vincent Van Duysen’s Franck Modular Seating and performance fabrics, pillows and rugs for Sutherland and Perennials. I perennialsfabrics.com I sutherlandfurniture.com

READY TO SLEEP ORGANIC? Avocado organic certified mattresses are handmade in sunny Los Angeles using the finest natural latex, wool and cotton from our own farms. With trusted organic, non-toxic, ethical and ecological certifications, our products are as good for the planet as they are for you. Now offering a personalized video retail experience!

Start your 1-year organic mattress trial* at AvocadoGreenMattress.com.

CU 861640

CU 861640

* Restrictions apply.

AD AVO-1368

®

E X C L U S I V E

C A R P E T S

A N D

R U G S

PAPER & STONE Collection 2021 – Love Letter www.deirdredyson.com Deirdre Dyson is a registered trade mark of Deirdre Dyson

Bayfront condos and villas available from $1.6MM Schedule your appointment today

Welcome to an oasis of sophistication TheResidencesTampa.com (813) 261-3864

The Ritz-Carlton Residences, Tampa are not owned, developed or sold by The Ritz-Carlton Hotel Company, L.L.C. Tampa Bay Oaks Condo, LLC uses The Ritz-Carlton marks under license from The Ritz-Carlton Hotel Company, L.L.C. ORAL REPRESENTATIONS CANNOT BE RELIED UPON AS CORRECTLY STATING REPRESENTATIONS OF THE DEVELOPER. FOR CORRECT REPRESENTATIONS, MAKE REFERENCE TO THIS BROCHURE AND THE DOCUMENTS REQUIRED

BY SECTION 718.503, FLORIDA STATUTES, TO BE FURNISHED BY A DEVELOPER TO A BUYER OR LESSEE. This Condominium is developed by TAMPA BAY OAKS CONDO, LLC ("Developer") and this offering is made only by the Developer’s Prospectus for the Condominium. This offering is not directed to any resident of a jurisdiction in which this offering is prohibited by law. Developer, pursuant to license or marketing agreements with each, has a right to use the trade names, marks, and logos of: The Related Group and of Marriott International, Inc., both of which are Licensors only and neither of which is the Developer. Consult the Prospectus for all terms, conditions, and unit specifications and to learn what is included with purchase. This condominium is not oceanfront; the sight line of the tower depicted is conceptual and situated with frontage along Bayshore Boulevard in Tampa. This ad is summary in nature generally depicting The Ritz-Carlton Residences, Tampa and Developer’s contemplated features and amenities, all of which is subject to change or modification by Developer. The Ritz-Carlton® is the registered trademark of Marriott International, Inc. 2021© Tampa Bay Oaks, Condo, LLC with all rights reserved. The Ritz-Carlton Residences, Tampa are not owned, developed or sold by The Ritz-Carlton Hotel Company, L.L.C. or its affiliates (“Ritz-Carlton”). Tampa Bay Oaks Condo, LLC uses The Ritz-Carlton marks under a license from Marriott International, Inc. which has not confirmed the accuracy of any of the statements or representations made herein.

DISCOVER ADAC 9.21  9.23

351 Peachtree Hills Ave, Atlanta Monday – Friday | Open to the Trade & Public

@adacatlanta | #discoveradac More info at adacatlanta.com

YEARS

savoirbeds.com

E L I Z A B E T H H A R R O D & S T E V E N M C R A E , S O L O I S T & P R I N C I PA L , T H E R OYA L B A L L E T

Access 350+ of the best brands in design to find your client’s modern style.

Lumens is modern like you.

Trade professionals can join or sign in at Lumens.com/trade to unlock exclusive pricing and benefits, including specialized product lines with the new Lumens Trade Access Program. Visit Lumens.com or call (844) 978-3475 for more information.

AUSTEN CHANDELIER by Hudson Valley Lighting • NOGUCHI® TABLE by Isamu Noguchi for Herman Miller®

The frameless insulated sliding doors by Swiss manufacturer Sky-Frame blend naturally into their surroundings, creating a seamless continuity between indoors and outdoors and blurring the line between where the living space ends and the view begins. SKY-FRAME.COM

S PEC IAL ADVERTIS I N G S EC TI O N

DESIGN STOR IES 1

2

3

4

LIVEX LIGHTING LIGHT YOUR LIFE 1. BAINBRIDGE FABRIC SHADE DRUM PENDANT IN A BLACK FINISH WITH WHITE COLOR FABRIC INSIDE 45668-04 2. LAWRENCEVILLE SINGLE SCONCE IN A POLISHED CHROME FINISH WITH HAND BLOWN CLEAR SEEDED GLASS 10511-05 3. STAFFORD CHANDELIER IN A SATIN BRASS FINISH 45584-12 4. ACRA CHANDELIER IN A BRUSHED NICKEL FINISH WITH A SHINY WHITE FINISH INSIDE 45915-91 5. BECKETT SINGLE PENDANT IN A SATIN BRASS & BRONZE FINISH WITH CLEAR GLASS 51160-12 6. HILLCREST HAND CRAFTED STAINLESS STEEL OUTDOOR WALL LANTERN IN A TEXTURED BLACK FINISH WITH CLEAR GLASS 20724-14

5

For more than 25 years, Livex Lighting has been creating extraordinary decorative lighting, focusing on detail and craftsmanship. Each design is infused with an unparalleled passion for the craft as well as an undeniable creativity.

With more than 4,000 fashionable styles from which to choose—custom options are also available—Livex Lighting provides solutions for any space. Each piece features meticulously hand-applied finishes and is developed with the most current design trends and technology. Available in many sizes suitable for various applications, Livex Lighting complements design aesthetics that range from chic and contemporary to timeless and transitional.

Livex Lighting continues to innovate and interpret premium decorative lighting with a unique personality. Please visit livexlighting.com to view and experience any Livex Lighting products and for a complete listing of all retailers.

6

interiorsbysteveng.com

A MOVEMENT IN TIME Design that expresses form and style with refined simplicty. A series of luxury furnished interiors available at Turnberry Ocean Club .

IBSG Headquarters: 2818 Center Port Circle Pompano Beach, FL 33064 P 954.735.8223 FL State License IB13000407 LEED accredited. Established 1984

COURTESY OF MILES REDD

Distributed in the United States and Canada through Interior design by Redd Kaihoi, featuring Italian Panoramic wallpaper panels.

Created by the editors of

ARCHITECTURAL DIGEST, AD PRO is the members-only resource for design industry professionals

P O D C A S T N E W E P I S O D E S A D D E D W E E K LY

MEMBERSHIP INCLUDES

.Exclusive, must-read industry and market news .Trend reports and the best new product sources .Effective tools and events to grow your business .Searchable AD archive spanning 100 years of magazine issues .More essential resources that only AD has access to 1.800.761.9183 parishconservatories.com

Join now and save 20% off your annual membership

ARCHDIGEST.COM / JOINNOW

PHOTO BY PAUL RAESIDE

LISTEN ON SPOTIFY / APPLE PODCASTS

Cha Jong Rye and Tarik Currimbhoy at Long-Sharp Gallery

On wall /thumbnails: Expose Exposed 200109 © Cha Jong Rye Engineered Wood 36 x 28.5 x 10.25 inches (92 x 72 x 26 cm)

On table: Eclipse © Tarik Currimbhoy Stainless Steel and Bronze (kinetic) Editions of 11 12.25 x 2 inches (31.1 x 5 cm) and 14.5 x 2.5 inches (36.8 x 6.3 cm)

Photography © Ed Stewart

LONGSHARPGALLERY.COM 866.370.1601

Join us this fall, when The New Yorker Festival returns with both live and virtual events—an eclectic mix of conversations, performances, and experiences, featuring the biggest names in politics, literature, film, music, art, and pop culture.

newyorker.com/festival @ NewYorkerFest #NewYorkerFest

A CARBON NEUTRAL SERIES

Mediterranean Color Shades

by Silestone¨

Faro White

Cala Blue

Posidonia Green

Arcilla Red

Cincel Grey

WITH

355 Alhambra Cir Suite 1000, Coral Gables, FL 33134 (786) 686-5060 / 6 cosentinoUSA HybriQ+® and HybriQ Technology® are Cosentino trademark brands. The Sunlit Days Series includes protected technologies and designs.

HOUSE MUSIC

At their idyllic L.A. home, superstar Adam Levine and model Behati Prinsloo Levine forgo bling in favor of serenity, connoisseurship, and ample natural beauty TEXT BY

MAYER RUS

PHOTOGRAPHY BY

WILLIAM ABRANOWICZ

STYLED BY

BONES AND CHARLIE CHILL IN THE LIVING ROOM. A RASHID JOHNSON PAINTING AND AN ANDREA BRANZI STANDING LIGHT FLANK THE ENTRY TO THE BEDROOM WING. SOFA, DAYBED, AND COCKTAIL TABLES BY CLEMENTS DESIGN; JEAN PROUVÉ CHAIRS FROM MAXFIELD; PAINT BY BENJAMIN MOORE. FOR DETAILS SEE RESOURCES.

AMY CHIN

RASHID JOHNSON. BEHATI: HAIR BY MICHAEL SILVA USING ORIBE AT THE WALL GROUP; MAKEUP BY NIKKI DEROEST USING ALLIES OF SKIN AT THE WALL GROUP. ADAM: HAIR BY SHAUL ARBIV; GROOMING BY DARCY GILMORE.

ADAM LEVINE (WEARING A MAISON MARGIELA SWEATER, RICK OWENS PANTS, AND UNION x JORDAN NIKE SNEAKERS) AND BEHATI PRINSLOO LEVINE (IN A KHAITE TOP, HELMUT LANG TROUSERS, BOTTEGA VENETA SHOES, AND BULGARI JEWELRY) IN THE DINING ROOM. (ADAM’S FASHION STYLING BY MATT GOLDMAN; BEHATI’S BY DANI MICHELLE AT THE ONLY AGENCY.)

RICHARD PRINCE. © 2021 ALBERT OEHLEN / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK/DACS, LONDON. HENRY TAYLOR.

CUSTOM CHAIRS OF TUBULAR STEEL AND OAK SURROUND A CLEMENTS DINING TABLE OF CHARRED WALNUT. AN ALBERT OEHLEN DRAWING HANGS ABOVE THE ORIGINAL FIREPLACE. THE PAINTING ON THE FAR WALL IS BY RICHARD PRINCE.

74

AR CHDI GE ST.COM

“Adam and Behati like to live with beautiful things, but in a super-casual way, where the kids have the run of the house, and friends and family are always welcome,” designer Kathleen Clements notes.

A PAIR OF JACQUES ADNET CHAIRS SITS IN THE DEN, WHERE THE COLOR PALETTE TURNS A BIT MOODIER. THE VASE ON THE BAR IS BY CHRIS BROCK POTTERY, AND THE PAINTING IS

BY HENRY TAYLOR. THE LEVINES WORK WITH ART ADVISER MEREDITH DARROW.

at the home of Adam and Behati Prinsloo Levine doesn’t seem very, well, rock-and-roll-y. Or supermodel-y, for that matter.

The rooms aren’t cavernous, there’s no crazy waterfall or lagoon, and instead of zebra stripes and patent leather, all the furniture is covered in lovely linens and bouclés. Nothing feels even vaguely louche. To be fair, Adam does own a king’s ransom in groovy, blue-chip sneakers, but the closet where he keeps them has a Rick Owens daybed smack in the middle of it. That’s something you don’t see on your average episode of Cribs.

“We didn’t want a palatial McMansion. That’s just not who we are,” insists the Maroon 5 frontman, who is currently

76

AR CHDI GE ST.COM

touring in support of the band’s latest album, Jordi. “We were attracted to this place because it felt homey. You could tell that kids had lived here before,” adds Behati, describing the allure of the couple’s Pacific Palisades property as a refuge for themselves and their two daughters, Dusty and Gio. The couple sold their previous home, completely furnished, when the paint had barely dried after an extensive renovation by the mother-and-son design duo Kathleen and Tommy Clements. “Beverly Hills just started to feel hectic. It’s strangely central, so we felt surrounded by the city. We wanted to live somewhere quieter, where you don’t hear the traffic and feel the stress,” explains Adam, who grew up in Los Angeles and

SAGE VAUGHN.

life

ABOVE THE KITCHEN HAS A LA CORNUE RANGE, WOLF HOOD, SUB-ZERO INTEGRATED REFRIGERATOR, AND MIELE WALL OVENS AND DISHWASHERS. THE STOOLS ARE BY THOMAS HAYES STUDIO, AND THE BRUNO MUNARI PENDANTS ARE FROM OBSOLETE.

went to high school just minutes from their current abode. “The only things we brought were the art and the bonsai trees, which are my other little kids,” Behati says.

The home they acquired has an architectural pedigree— ranch-style maestro Cliff May designed the house in the late 1930s—although the original May design had been all but erased in decades of renovations and additions by the time Adam and Behati arrived. Previous owners of the property, which is nestled far off the street and opens out to spectacular views stretching to the ocean, included Gregory Peck, producer Brian Grazer, and Ben Affleck and Jennifer Garner.

BELOW VINTAGE LUDVIG PONTOPPIDAN CHAIRS FROM LIEF SURROUND AN AXEL VERVOORDT TABLE BENEATH A SAGE VAUGHN PAINTING IN THE BREAKFAST AREA. OPPOSITE TEAK CHAISE LONGUES BY GLOSTER, GUARDED

BY OLIVE TREES, LINE THE POOL. LANDSCAPE DESIGN BY RIOS.

ADAM AND BEHATI once again tapped Clements Design—

the AD100 firm’s first monograph, Eight Homes (Rizzoli), launches this month—to conjure their vision of a high-design, low-pretension family oasis. “We basically stripped it all down.

We simplified the materials and color palette and exposed the bones of the house to create a beautiful, neutral backdrop for their collections of art and design,” Tommy Clements notes. “Adam is an obsessive design junkie. He and Behati like to live with beautiful things, but in a super-casual way, where the kids have the run of the house, and friends and family are always welcome,” Kathleen adds.

The voluminous living room, commanded by a striking Rashid Johnson canvas, best exemplifies the home’s pervasive vibe of hushed chic and lounge-y luxury with its deliberately low-slung custom seating, classic Jean Prouvé Visiteur chairs, and minimalist basalt slab cocktail tables that hover inches off the floor. “The low daybed isn’t for every client,” Kathleen muses. “I’d need a crane to lift me off, but I think Adam and Behati are fit enough to handle it.”

78

AR CHDI GE ST.COM

Behati underscores the characterization of her husband as a real estate and design freak. “Adam usually takes the driver’s seat in making design decisions. He stays up all night looking at furniture and houses. He should be an interior designer himself,” the Namibian model says. Evidence of the singer’s cultivated tastes can be discerned in every room, from the Jacques Adnet chairs in the den to the Charlotte Perriand desk in the home office and the massive Raymond Pettibon painting that looms above the couple’s bed. “It’s not exactly earthquake-friendly, but we’re willing to die for that piece of art,” Adam jokes.

In addition to the Pettibon and Johnson, the couple’s intriguing art collection includes a mix of boldface names— Henry Taylor, Richard Prince, Mary Corse, Mary Weatherford, Albert Oehlen, and others—along with dramatic works by friends Sage Vaughn and Andrew Zuckerman. Commissioned

by Behati as a gift for her husband, Vaughn’s trippy painting of a shark floating above a field of flowers provided the cover art for the Jordi album. “When things are chaotic culturally,

RAYMOND PETTIBON. MARY CORSE.

A RAYMOND PETTIBON PAINTING SURMOUNTS A CLEMENTS DESIGN BED UPHOLSTERED IN A PIERRE FREY BOUCLÉ.

“We wanted to live somewhere quieter, where you don’t hear the traffic and feel the stress,” explains Adam Levine.

CLOCKWISE FROM ABOVE AN ARTWORK BY MARY CORSE GRACES THE LIVING-ROOM FIREPLACE. LOUNGE CHAIRS BY WALDO’S DESIGNS. BEHATI’S DRESSING ROOM HAS A CUSTOM CLEMENTS DESIGN DAYBED, WHILE A RICK OWENS DAYBED FROM CARPENTERS WORKSHOP GALLERY ANCHORS ADAM’S. CLOSET ORGANIZATION BY A DETAILED LIFE.

ANDREW ZUCKERMAN.

ABOVE THE HOME OFFICE IS OUTFITTED WITH AN ANDREW ZUCKERMAN ARTWORK, A CHARLOTTE PERRIAND DESK, MATS THESELIUS CHAIRS, AND A VINTAGE TABRIZ RUG FROM WOVEN. RIGHT MARK RIOS DESIGNED THE SUNKEN CONVERSATION PIT OUTSIDE THE DEN AS A COUNTERPOINT TO THE ELEVATED SEATING PAD AT THE EDGE OF THE BACKYARD.

as they have been for the last half decade, it tends to foster great art. Behati and I have an emotional attachment to everything we collect,” Adam says.

LANDSCAPE ARCHITECT Mark Rios ensured that the house’s

alfresco spaces were just as conducive to easy repose as the interiors. “We created a series of discrete destinations—outdoor rooms that are truly meant for living—to add variety to the experience of the garden,” Rios notes. Those destinations include a raised platform for enjoying the sublime views, a sunken conversation pit off the den for nighttime frolics, and a pool area designed for hanging out as much as swimming.

A bevy of mature olive trees ties the backyard to the front of the house, where Rios transformed a banal circular motor court into an Arcadian idyll with lush plantings and irregular stone pathways.

“The COVID lockdown made us especially grateful to have this place. In a world where nothing ever seems to be enough, our home feels like a genuine unicorn, our perfect sanctuary,” Adam concludes. Behati puts a finer point on the sentiment: “It’s really all that we need or want.”

80

ARCHDI GE ST.COM

A PLAYMOBIL-STYLE DOOR MARKS THE ENTRANCE TO THE AMSTERDAM HOME OF VIKTOR & ROLF’S ROLF SNOEREN AND HIS HUSBAND, BRANDON O’DELL; THE RESIDENCE WAS DESIGNED

BY STUDIO JOB. OPPOSITE THE ROOF TERRACE. FOR DETAILS SEE RESOURCES.

mood elevator Thanks to the avant-garde antics of his friend designer Job Smeets, the Amsterdam penthouse of Viktor & Rolf’s Rolf Snoeren puts a smile on his face from morning to night TEXT BY

MITCHELL OWENS

PHOTOGRAPHY BY

KASIA GATKOWSKA

STYLED BY

BARBARA BERENDS

“What they do in fashion,” Job Smeets says of Viktor & Rolf, “I do in design.”

A BRONZE FIREPLACE ANCHORS THE LIVING AREA, JOINED BY OTHER STUDIO JOB DESIGNS, SUCH AS THE COCKTAIL TABLE AND BRONZE CHAIR. PIET PARRA’S CUSTOM-MADE FABRIC FOR STUDIO JOB DRESSES THE CASSINA CHAISE LONGUE.

DAVID HOCKNEY.

“It may not be the most functional kitchen,” Smeets says, “but for people who don’t cook, it’s a beautiful kitchen.”

LEFT SNOEREN AND O’DELL. OPPOSITE THE KITCHEN. ARTWORK (AT LEFT) BY DAVID HOCKNEY.

his and creative partner Viktor Horsting’s fantastical ensembles. “What they do in fashion,” Smeets responds, “I do in design.” The couturier’s American husband, Brandon O’Dell, the director of the Amsterdam Dinner Foundation, an NGO focused on the global fight against AIDS, calls the designers “cosmic brothers.” Born on the same day and in the same year, Snoeren and Smeets grew up only about 12 miles apart and likely crossed paths at Efteling, though they didn’t meet until they were in their 20s and working as interns at the same company in Paris. Snoeren also happens to be the godfather of Elvis, Smeets’s toddler son with art and design consultant Rebecca Sharkey. So when he and O’Dell purchased a penthouse in an 1890s former bank building on Keizersgracht, or Emperor’s Canal, Smeets was the only name on their short list, even though he’s conjured only a handful of interiors. “It’s not really something Job does,” Snoeren observes of the designer.

“He makes things. But when we were talking about the apartment, he said, ‘I can do this.’ ” The results? Call it a temple to tomfoolery. After an 18-month renovation that was challenged by nightmarish permit mishaps and discussions largely conducted via WhatsApp, Snoeren and O’Dell settled into a gleeful Gesamtkunstwerk where nearly every element—from checkerboard-pattern glass panels to the button-tufted daybed where the couple like to gaze across rooftops in the company of their miniature dachshund, Little Rose—was conceived by Smeets. “It’s a celebration of our friendship,” Snoeren says, noting that the apartment was finished in March 2020, days before Amsterdam went into lockdown. “We moved in, and then we couldn’t leave.”

Given the wonderland that Smeets wrought, they were delighted to stay put. The front door is made of shiny brown musement parks are for the young. resin textured with a hearty three-dimensional wood grain, as At least that’s the conventional if taken off the hinges of a Playmobil fort. The living area’s gas wisdom. Job Smeets, however, has fireplace is fronted by a gaping bronze mouth, flames flickernever put away childish things. ing behind bared teeth. A built-in cabinet resembles a grinning For the founder of Studio Job, the robot face, and, à la Studio Job’s punching bag, the kitchen provocative product-design firm, appears to be made of cartoon brick. Says Smeets: “It may not youthful recollections of Efteling— be the most functional kitchen, but for people who don’t cook, the largest theme park in the it’s a beautiful kitchen.” Walls are papered with a flagstone Netherlands—form the DNA of his pattern that Wilma Flintstone would have adored, and a fabric defiantly kitsch creations. Imagine bearing a Dutch artist’s scribbles of pneumatic nudes dresses an armchair in the form of a hamCharlotte Perriand’s iconic chaise longue. The curved stairburger, a punching bag that appears to be made of red brick, case adjacent to the dining area leads to a fire-engine-red roof and a table lamp that mimics a half-peeled banana. “If I can visualize those memories, I can explore new shapes and forms,” terrace shaped like a heart. It’s invisible from the street, due to UNESCO restrictions for Amsterdam’s canal area; Snoeren explains Smeets, who launched Studio Job, headquartered wonders if it can be seen by planes passing overhead. in the Dutch city of Tilburg, in 1998; it also has an outpost in The wackiness is a purposeful rejection of the five-story Milan and is now represented by New York City gallery canal house, just down the street, that Snoeren called home R & Company. “Not everybody needs to live in a modernist for a decade. “It felt like I was living in a status symbol,” white box.” the couturier recalls. The largely open-plan apartment, on the That would include Rolf Snoeren, one half of Viktor & Rolf, other hand, stretches across one floor (“I didn’t want any the Amsterdam fashion house famed for surrealistic haute more stairs,” Snoeren says), is peppered with skylights, and couture that would not look out of place in Efteling’s mock offers city views that take in the late-19th-century church castle. “We try not to lose the inner child,” he explains of

a

ARCHDIGEST. COM

87

DAVID ALTMEJD. RITA ACKERMANN.

ABOVE A DAVID ALTMEJD MIRROR SCULPTURE REFLECTS THE DINING AREA. JOSEF HOFFMANN CHAIRS, STUDIO JOB WALLPAPER, TABLE, AND CARPET. THE CUSTOM-MADE STAIRCASE ACCESSES THE ROOF TERRACE. OPPOSITE SNOEREN AND O’DELL’S FAVORITE PERCH IS A STUDIO JOB VELVET DAYBED THAT OVERLOOKS AMSTERDAM. DAVID ALTMEJD SCULPTURE; STUDIO JOB BRONZE TABLE WITH INTEGRATED EIFFEL TOWER LAMP.

where the couple, who met at a yoga class, were married three years ago. Guests included human-rights crusader Princess Mabel of Orange-Nassau, who, at her own wedding to the Dutch king’s brother, wore a Viktor & Rolf dress bedecked with more than 200 crepe-georgette bows.

“I TOLD JOB we would give him carte blanche,” Snoeren

continues, though he admits to having had second thoughts.

The two designers can be equally stubborn, “so maybe it might not have been a good idea,” he gingerly allows. “Creating crazy and stunning is easy for him, but creating warmth, which Brandon wanted, is a bit more of a challenge.” The process went much more smoothly than he expected. O’Dell got the comfort and softness he desired—“The lines are graceful; the forms are rounded”—but he remembers that as the project progressed, “there were a few moments of ‘Oh, my,’ to be very honest.” One was Smeets’s suggestion, swiftly rejected, that he design penis-shaped light fixtures. Another surprise was a powder room tiled entirely in yellow—the color of urine, Smeets informed them. The primary bath, on the other hand, is a seemingly message-free shade of salmon.

Smeets’s cheeky inspiration for the powder room’s color scheme “never crossed my mind at all,” says Snoeren, still sounding a bit astonished. “All I could say is, ‘Oh, Job, thank you.’ It does make me laugh. I’m not the happiest person in the world, generally, so when a house can bring you happiness, that’s really something.”

ARCHDIGEST. COM

89

ABOVE A KARA WALKER WORK SURVEYS THE BEDROOM LOUNGE; STUDIO JOB WALL COVERING AND CABINET, MARZIO CECCHI LOUNGE CHAIR AND OTTOMAN, CLAUDY JONGSTRA CARPET. BELOW RIGHT A STUDIO JOB MIRROR FOR GHIDINI 1961 HANGS IN THE POWDER ROOM; STUDIO JOB PORCELAIN AXE IN NICHE. BELOW LEFT A CUSTOM-MADE CEILING LIGHT RINGED WITH CARNIVAL LIGHTS HOVERS ABOVE VINTAGE SINKS.

THE CUSTOM-MADE TRECA DE PARIS BED IS SET ON STUDIO JOB TURTLE FEET.

HAIR AND MAKEUP BY CASEY GORE USING CHARLOTTE TILBURY AND LUMA BEAUTY AT THE WALL GROUP.

COOL OPERATORS

Australian model Jessica Hart calls on longtime friend Carlos Mota to fashion an exuberant Los Angeles residence for her growing family TEXT BY

CARLY OLSON

PHOTOGRAPHY BY DOUGLAS

FRIEDMAN

MODEL JESSICA HART (WEARING A VINTAGE T-SHIRT AND DENIM SKIRT) AND ENTREPRENEUR JAMES KIRKHAM (WEARING AN AMIRI SHIRT AND SHORTS AND GOOD ART HLYWD JEWELRY), A FORMER RACE-CAR DRIVER, IN THEIR GARAGE WITH A FERRARI 348 AND A MERCEDES-BENZ AMG GT R. FASHION STYLING BY MARY INACIO. FOR DETAILS SEE RESOURCES.

A VINTAGE GLASS GATE OPENS OFF ONE END OF THE KITCHEN, WHICH IS PAINTED A FARROW & BALL YELLOW. VINTAGE SPANISH CEILING LIGHTS; WOLF RANGE.

A MEXICAN RAFFIA LAMP FROM JF CHEN HANGS IN THE BREAKFAST NOOK, AND MOROCCAN BASKETS FROM CREEL AND GOW ADORN THE WALLS. THE VINTAGE WICKER CHAIRS ARE CUSHIONED WITH A CLARENCE HOUSE VELVET.

FLOYD, THE FAMILY’S YORKSHIRE TERRIER, PERCHES ON A VINTAGE DINING CHAIR. THE WALLS ARE SWATHED IN A WALLPAPER DESIGNED

BY CARLOS MOTA FOR PIERRE FREY, AND FARROW & BALL’S CALKE GREEN COLORS THE CEILING. CABANA PLATES AND TABLECLOTH; NATURAL WOVEN MAURITANIAN RUG.

RICHARD PRINCE.

o

HART, WEARING A TORY BURCH DRESS, TURTLENECK, AND SNEAKERS, AND KIRKHAM (WITH BABY), IN A RHUDE SHIRT AND GALLERY DEPT. PANTS, IN THE LIVING ROOM. ARTWORK BY RICHARD PRINCE FEATURING HART AT LEFT; LEOPARD-PRINT CARPET BY PATTERSON FLYNN MARTIN. FLOWERS HERE AND THROUGHOUT BY ERIC BUTERBAUGH.

ften, friends make the best collaborators. So for Australian model and Luma Beauty founder Jessica Hart and seasoned interiors editor, stylist, and designer Carlos Mota, a decorating partnership was a long time coming.

“I’ve just always really admired Carlos’s taste and love for all things colorful and amazing,” says Hart.

The pair rolled with the same social circles for years in New York City and even traveled to India. But it wasn’t until Hart geared up for a cross-country move that their stars aligned for a project together. When Mota caught wind that she was giving up her glamorous Gramercy Park apartment (AD, September 2017) for a Spanish-style house in the Hollywood Hills, he immediately offered up his services. “I said, ‘When you move to L.A., I would love to help,’ ” Mota recalls.

Things quickly fell into place. Hart decamped from New York to create a home with now-fiancé James Kirkham, a creative entrepreneur and former race-car driver, and his young daughter Wren, who lives with the couple part-time. She and

Mota set up meetings to discuss the vision for the layered, bohemian home. The pair pored over sample fabrics. Custom tiles were put into production.

But when COVID hit, around the same time the renovation started, everything came to a standstill. Hart found out she was expecting her first child, and Mota was hunkered down on the opposite coast indefinitely. “I mean, it was a scary time,” Hart says. “I just found out I was pregnant. And my main priority was getting this house to where it needed to be.”

It turned out that Mota had no choice but to design the home entirely from afar. (He didn’t even set foot on the property until days before the AD shoot.) Instead of in-person visits, the friends exchanged countless photos and videos.

It helped that Hart and Kirkham were more hands-on than Mota’s average clients. Hart would text Mota photos of furniture she found online, and he’d weigh in. When it wasn’t yet safe for contractors to come back to work, Kirkham built the closet cabinetry, painted rooms, and rewired lights.

He even learned to weld, thanks to the equipment at his body shop and instructional YouTube videos, building an iron gate that’s seven feet tall for their yard. “I felt like he did just as much as the contractors eventually did,” says Hart. “It all kept coming together one step at a time.”

ARCHDIGEST. COM

97

SWATHED IN A MUSTARD YELLOW and accented with a stainedglass gate that Hart found leading to the laundry room, the kitchen, too, boasts no shortage of decorative elements. “I like to create kitchens that feel more like rooms,” Mota says, eschewing the typical gadgets and slick surfaces of modern kitchens to maintain the artistic spirit of the home.

The adjacent breakfast room is a case study in coziness.

Hart considers the “basket room,” wrapped in a cane wall covering, one of her favorite spaces in the house. “L.A. is so bright, you have really great weather all year round, so I wanted to make that room kind of moody,” Mota explains.

98

ARCHDI GE ST.COM

For the primary bath, Hart wanted something pink and girly but still in line with the ornate decorative themes of the common spaces. Mota dug through his treasure trove of samples for the wall covering he envisioned—a Scalamandré pattern based on an Iznik-tiled mural at the Topkapi Palace in Istanbul. “Any decorator will tell you they have a library, you know,” he says. To offset the high-ticket panels, Mota dressed only one wall with the print and advised that the others get the painted-stripe treatment.

To furnish the eclectic home, Hart and Mota gravitated toward vintage pieces, which they mostly hit upon by combing through online auctions and boutiques. Some of Hart’s favorite finds from her New York apartment even made their way into the mix, like a suite of wicker armchairs and a black Herman Miller bench. Other pieces are less recognizable. Curtains of a green Clarence House velvet—which formerly adorned the 14-foot windows of her Gramercy Park bachelorette pad—now upholster the wicker armchairs. And fabric from her old closet covers a bench in the breakfast room.

Today, with daughter Baby born—and a new baby on the way—the arduous process is finally becoming history. “I had no initial expectation; I just knew it would be great with Carlos,” Hart says. “I just trusted him and took his lead.”

RICHARD PRINCE.

Slowly, the vision began to reveal itself. A combination of Moroccan, Turkish, and Italian design influences, the global mélange is held together by stripes and botanical patterns throughout.

Mota devised a combination of patterned wall coverings and graphic stripes to replace the home’s white walls. “I love stripes, and I’ve always loved them on ceilings,” he declares, a nod to Gio Ponti homes of the 1950s. Even the floors of the living and dining rooms got the punched-up treatment with a painted-on diamond pattern overlaid with Mauritanian flat-weave rugs.

(Javier Sánchez created the house’s vibrant, painted effects.)

OPPOSITE THE PRIMARY BEDROOM’S WALLS ARE CLAD IN A CUSTOM CASAMOTA FABRIC FROM INDIA. VINTAGE BAMBOO BED; CUSTOM LAMPS

BY CASA ALFARERA SANTO DOMINGO; ARMCHAIRS FROM NICKEY KEHOE; VINTAGE CHINESE TABLE. THE CEILING LIGHT IS FROM CIRCA LIGHTING, AND THE RUG WAS FOUND IN HYDRA, GREECE.

RIGHT A WALL COVERED IN A SCALAMANDRÉ PAPER DEFINES THE PRIMARY BATH. TUB BY MTI BATHS; RICHARD PRINCE PORTRAIT. BELOW BABY’S ROOM FEATURES A PINK-PAINTED BED BY CRATE AND KIDS IN D. PORTHAULT LINENS. WINDOWS DRESSED WITH COVERINGS FROM THE SHADE STORE. 1960s BRASS ARMCHAIR; MUSHROOM LAMP BY ATELIER MVM.

Mota devised a combination of patterned wall coverings and graphic stripes to replace the home’s white walls.

“I love stripes,” the designer declares.

“I’ve just always really admired Carlos’s taste and love for all things colorful and amazing,” says Jessica Hart.

IN THE LIVING ROOM, VINTAGE WICKER SEATING CLUSTERS AROUND THE COCKTAIL TABLE. A CUSTOM MUSTARD CERAMIC LAMP FROM THE DOMINICAN REPUBLIC STANDS IN THE CORNER. OPPOSITE MOTA DESIGNED THE BESPOKE TILES THAT SURROUND THE LIVING-ROOM FIREPLACE. VINTAGE JANSEN DAYBED; CUSTOM PAINTED FLOOR

BY JAVIER SÁNCHEZ.

design notes

THE DETAILS THAT MAKE THE LOOK THE PRIMARY BATH FEATURES A VANITY CONVERTED FROM A VINTAGE DRESSER. LINDEN TABLE LAMP BY KELLY WEARSTLER FOR VISUAL COMFORT; $949.

CIRCALIGHTING.COM

TOPKAPI GARDEN WALLPAPER BY NICOLETTE MAYER; TO THE TRADE. SCALAMANDRE.COM

We tried to be conscious and sustainable and reuse as much as we could and not buy anything too new.”

—Jessica Hart CANAIMA PANORAMIC WALL COVERING

BY CARLOS MOTA FOR PIERRE FREY; TO THE TRADE. PIERREFREY.COM SHROOM LAMP

BY ATELIER MVM; $3,500.

NICKEY KEHOE.COM

JAIPUR MIRROR

BY RILEY SHEEHEY FOR FLEUR HOME; $2,100. FLEUR HOME.COM

MAURITANIAN TUAREG MAT; $9,800.

BAZARDUSUD.COM

102

ARCHDIGE S T.COM

PRODUCE D BY MA DELINE O’MAL LEY

INTERIORS: DOUGLAS FRIEDMAN. ALL OTHERS COURTESY OF THE COMPANIES.

EMERALD-AND-PEARLWHITE YORUBA GLASSBEAD CHAIR; $2,644.

DAR-LEONE.COM

A JAPANESE LACQUERED TABLE FROM JF CHEN ANCHORS THE LIVING ROOM.

BASKETS; FROM $50.

KAZIGOODS.COM

This is truly like a global house— without ever leaving L.A.” —Carlos Mota

BAMBOO BED; $9,350.

BUNNYWILLIAMSHOME.COM

THE DINING TABLE IS ADORNED WITH TORY BURCH GLASSES, JULISKA FLATWARE, PLATES AND A TABLECLOTH FROM CABANA, AND VINTAGE MONKEYS FROM THAILAND.

MOROCCAN POM-POM BEDSPREAD; FROM $400.

CREELANDGOW.COM

PRESSED-GLASS WATER GLASS; $148 FOR A SET OF FOUR. TORYBURCH.COM BAMBOO FLATWARE; $145 FOR A FIVE-PIECE PLACE SETTING. HUDSONGRACESF.COM

BLOSSOM DESSERT PLATE BY CABANA MAGAZINE; $89. MODAOPERANDI.COM

IN PIERRE HARDY AND CHRISTOPHER TURNIER’S 17TH-CENTURY PARIS APARTMENT, VINCENZO DE COTIIS MIXES HIS OWN SLEEK FURNITURE DESIGNS WITH ANTIQUES AND MINIMALIST ART. FOR DETAILS SEE RESOURCES.

TEXT BY

HANNAH MARTIN

PHOTOGRAPHY BY

FRANÇOIS HALARD

For designer Pierre Hardy and his husband, Christopher Turnier, Vincenzo De Cotiis elegantly blends old and new in a fresco-embellished Paris apartment on the Seine

MYTHIC SPLENDOR

DANIEL ARSHAM.

© 2021 ROBERT LONGO / ARTIST RIGHTS SOCIETY (ARS), NEW YORK.

“There was a lot to do,” recalls Pierre Hardy, of the untouched space. the couple turned to De Cotiis for his ability to strip interiors down to their essence, keeping the past intact.

THE BLACK FIBERGLASS KITCHEN FEATURES MARBLE FLOORS AND STAINLESS-STEEL CEILINGS. OPPOSITE A DANIEL ARSHAM PAINTING GAZES INTO AN ANTIQUE MIRROR ABOVE THE MANTEL, WHICH HOLDS LAMPS BY TOBIA SCARPA AND PHOTOGRAPHS BY CINDY SHERMAN.

a

s soon as we walked in, we knew this was the one,” says the French fashion designer Pierre Hardy, wistfully recalling the moment he and husband Christopher Turnier (CEO of Hardy’s eponymous brand) set foot inside the Seine-gazing 17th-century hôtel particulier on Île Saint-Louis, a small island smack in the middle of Paris that they now call home.

They didn’t expect to fall for a place so quickly—after all, Hardy was exacting. There were just a few streets in all of Paris he wanted to live on. But even totally empty and, by all accounts, a bit of a mess, the approximately 2,000-squarefoot apartment was bursting with life—elaborate mythological frescoes covered almost every inch of its soaring, nearly 15-foot ceilings. Apollo, robed in crimson, harp in hand, looked down upon the entrance hall. In the living room, Juno, wife of Jupiter, and Aeolus, Greek god of wind, lounged in the clouds, while Aurora, Roman goddess of dawn—resplendent amid a magnificent medley of cherubs and horses—presided over another room. The masterworks, attributed to the artist Bon Boullogne, best known for his easel paintings found at Versailles and the Louvre, were a serious selling point.

Hardy, a creative director at Hermès who also designed shoes for Dior and Balenciaga before founding his own brand of high-concept kicks (think Ettore Sottsass–inspired pumps, squiggly-soled sneakers), had always decorated his own homes.

But for this place, so steeped in history, the couple called on the Milan-based AD100 talent Vincenzo De Cotiis—whose work they had long admired—to usher the interiors into the 21st century.

Hardy laughs as he recalls De Cotiis’s casual response to the untouched place: “He was looking around and said, ‘Okay, perfect. Nothing we have to do here.’ ” Of course, Hardy admits, “there was a lot to do.” But that light touch was what had attracted the couple to De Cotiis— his instinct to subtract, rather than add; his ability to strip interiors down to their essence, keeping the past intact.

“The space had very strong characteristics—so French and so classic—and we wanted to respect that history,” recalls De Cotiis, surprised to see ornate, frescoed ceilings in Paris.

“I tried to join Pierre and Christopher’s contemporary style with the classical atmosphere. The paintings are the protagonists of the house. So the interior needed to be much more minimal.”

Architecturally, there was what Turnier calls “a big cleaning.” They removed additions from the apartment’s most recent update in the 1970s and restored it to something closer

LEFT TO RIGHT IN THE PETIT SALON, BRASS SCONCES BY DE COTIIS ADORN THE GILDED WALLS, AND 18TH-CENTURY ARMCHAIRS PULL UP TO A CUSTOM BRASS-AND-FIBERGLASS TABLE. THE UPHOLSTERY FOR THIS SOFA BY DE COTIIS WAS PAINTED TO MATCH THE SEINE. HARDY (LEFT) AND TURNIER PERCHED ON A SILVERED BRASS SOFA BY DE COTIIS.

to its original. (The property itself was built around 1645 by architect Louis Le Vau for Antoine Lefèbvre de la Barre, an adviser to Parliament.) Original parquet floors (lifted, disassembled, and restored in Italy), elaborate bas-reliefs, and carved moldings were refurbished. But De Cotiis balanced that 17th-century classicism with distinctly modern touches: coating walls in plaster, cladding the petite galley kitchen in matte black fiberglass, lining floors in travertine. Perhaps most significant, a silvered brass wainscoting was added to many of the rooms, which, along with a slew of mirrors, new and old, could reflect natural light as well as the surrounding architectural wonders. “We face full south, so during the day the light plays throughout the entire home,” explains Turnier.

DE COTIIS TOOK PAINS to create a home that would mesh

with Hardy and Turnier’s lifestyle. “The kitchen is quite tiny because we’re not having a dinner for 12 every night,” explains Hardy, who also confesses, “I hate dining rooms—they’re boring and always empty!” The couple preferred spaces that could transform, day to day, so De Cotiis carved out a series of salons—large, transitional areas for working, relaxing, eating, and entertaining—where they spend the most time.

The couple’s personal things lean rather minimalist, making them excellent foils to a handful of 18th-century antiques and slick custom furniture pieces designed by De Cotiis. In the bedroom, a cherub hovers in the clouds above prints by Sol LeWitt and a monumental custom bed De Cotiis made of hand-painted fiberglass. In the grand salon, custom brass-andfiberglass tables mix with 18th-century armchairs, a silvered brass sofa, and marble 1960s lamps by Tobia Scarpa. The Daniel Arsham painting—a classical bust with cubes for eyes—that gazes out from above the sofa feels like an apt metaphor for the whole place: history, refracted through a modern lens.

Hardy and Turnier—excited by a reprieve from the fastpaced world of fashion—found their creative match in De Cotiis.

He was happy to spend long hours discussing the precise shade of black leather for the living-room sofa and recommended hand-painting a window-side sofa’s upholstery fabric to perfectly reflect the color of the Seine. The Parisian waterway has become almost an extension of the apartment—an ever present shimmer out the window; a protective barrier between their home and the outside world. Hardy, whose mother’s family hails from Corsica, loves the paradox of this city isle. “It’s in the middle of Paris, but, at the same time, it’s secluded.”

ARCHDIGEST. COM

109

“The paintings are the protagonists of the house,” Vincenzo De Cotiis notes. “The interior needed to be much more minimal.”

OPPOSITE IN THE DRESSING ROOM, THE WARDROBE DOORS ARE COVERED IN PLASTERED FABRIC AND BRASS, THE FLOORS AND TABLE ARE MADE OF TRAVERTINE, AND THE WOOD SCULPTURE IS BY NORMAN DILWORTH.

NORMAN DILWORTH. © 2021 THE LEWITT ESTATE / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK. DUANE MICHALS.

RIGHT IN THE BEDROOM, A PAINTEDFIBERGLASS BED BY DE COTIIS SITS WITH ARTWORKS BY SOL LEWITT AND DUANE MICHALS, STOOLS BY MIES VAN DER ROHE, AND TWO PERFORATEDSTEEL CHAIRS BY ARTIST ROBERT WILSON. BELOW A TRAVERTINE TUB AND ANTIQUED MIRRORS.

ARCHDIGEST. COM

111

NEW SCHOOL

With his poetic furniture designs and architectural structures, Switzerland-based artist and designer Ini Archibong is building an aesthetic world that centers the Black experience TEXT BY

EVAN NICOLE BROWN

PHOTOGRAPHY BY

UZO OLEH

NIGERIAN-AMERICAN ARTIST AND DESIGNER INI ARCHIBONG WITH HIS PAVILION OF THE AFRICAN DIASPORA, AN ARCHITECTURAL FOLLY AND GATHERING SPACE AT THE LONDON DESIGN BIENNALE.

ARCHDIGEST. COM

113