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Saturday 4 September 2021

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Kai Wong

Why he’s still in love with film photography

Passionate about photography since 1884

EISA reveals its pick of the top cameras, lensesand photo accessoriesin 2021

Start a project KELSEYmedia

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How to give your photography a greater sense of purpose

Nadine Ijewere

On breaking down barriers in fashion photography

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This week’s cover image Our cover photo this week is by Ian Pack. Thanks to Park Cameras, who lent us the featured cameras

In this issue

Back in 1982 AP’s then Editor, Roy Green, had the idea for a pan-European body comprising the top photo magazines in each country, which would give awards for the best photo products each year. The organisation that he co-founded, EISA, is still going strong and this week we announce our collective awards for 2021. If you’re in the market for a camera, lens, or accessory, then you won’t go

7days

wrong if you choose any of this year’s winners.

Also this week we look at the benefits of starting a project. Personally I find that working towards a body of work on a theme, and following a common style, gives me a greater sense of purpose than simply creating a collection of unrelated images, and you can of course have several projects on the go at any one time. Finally don’t miss our fascinating interviews this week with Kai Wong and Nadine Ijewere. Nigel Atherton, Editor

If you’d like to see your words or pictures published in Amateur Photographer, here’s how:

SOMETHING TO SAY? Write to us at ap.ed@kelsey.co.uk with your letters, opinion columns (max 500 words) or article suggestions.

PICTURES Send us a link to your website or gallery, or attach a set of low-res sample images (up to a total of 5MB) to ap.ed@kelsey.co.uk.

JOIN US ONLINE Post your pictures into our Flickr, Facebook, Twitter or Instagram communities. facebook.com/ amateur.photographer.magazine

This week in 1931 amateurphotographer.co.uk

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TREASURES FROM THE HULTON ARCHIVE

3 7 days 14 Personal photo projects 20 Inbox 24 Join the club 26 Nadine Ijewere: Deconstructing the stereotype 30 A zeal for film photography 32 Evening class 34 What’s new in DxO’s Nik Collection 4 41 The year’s best products 52 Ask the experts 53 Buying Guide: Best Buys 66 Final analysis

Motorwheel by Fox Photos SUBSCRIBE AND SAVE! See page 38 for details

Swiss engineer M Gerder at Arles, France, on his way to Spain in his ‘Motorwheel’, a motorcycle with a wheel which runs on a rail placed inside a solid rubber tyre. These kind of contraptions were regularly invented and tested in the 1930s, but it

goes without saying that they never truly caught on.

That being said, to this day you can still find plenty of enthusiasts who choose to eschew a second wheel, such as those who belong to the British Monowheel Association.

The Getty Images Hulton Archive is one of the world’s great cultural resources. Tracing its origins to the founding of the London Stereoscopic Company in 1854, today it houses over 80 mil ion images spanning the birth of photography to the digital age. Explore it at www.gettyimages.com.

AP pi c ture of the week

Our favourite photos posted by readers on our social media channels this week

Sleeping Owl by Bettina Hilker Canon EOS R6, Canon 300mm f/2.8 II plus 2x

converter, 1/2500sec at f/5.6, ISO 6400 ‘I am a pure hobby photographer and see photography as a balance to my job. It teaches me mindfulness.

I mainly enjoy wildlife and nature photography but it depends on the situation. I also have enjoyed nature macros with flowers and insects,’ says Bettina, who lives in North Rhine-Westphalia, Germany. ‘I had discovered the sleeping owl during the visit to a falconry near Solingen. Of course, I would have preferred to photograph a free-living one but the light fell favourably on this beauty, who sat in the dark.’

Bettina is on Instagram at www.Instagram.com/ rudi80423. Chosen by Nigel Atherton, Editor, as our #appicoftheweek

#appicoftheweek Win!

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Visit www.permajet.com to learn more.

4

Man with Flowers by Vitaly Lisicins

Sony Alpha 7 III, Sigma 35mm F1.4 DG DN Art, 1/60sec at f/5.6, ISO 200 ‘I took this photograph whilst visiting friends in Glasgow for the weekend. Walking through the busy Glasgow city centre, I noticed a man with a rucksack filled with flowers,’ said Vitaly, a project manager based in Edinburgh. ‘The juxtaposition of the delicate flowers being exhibited against the coarse grainy texture of the rucksack drew me to create this composition.

‘Photography fulfils my craving for creativity and makes me appreciate the natural wonders of Scotland and people who live here – there is something magical about capturing a moment in a place and time that will never be the same again.’ You can find Vitaly on Instagram at Instagram.com/li.sits.in.

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We also liked..

Salford Quays Liſt Bridge

by Coochie Murratt Fujifilm X-T4, 18-55mm at 21mm, 1/13sec at f/11, ISO 400

Coochie is a keen landscape/wildlife photographer based on the edge of the Nottinghamshire and Derbyshire border, who says: ‘Having spent a day in Manchester, I decided to visit the local Salford Quays area in the evening. It’s an area rich in photographic opportunities especially as the light drops, and the quiet footfall gave me the chance to capture this particular bridge.’ You can see more of Coochie’s work on Flickr by going to www.flickr.com/photos/186351660@N06.

Upcoming Storm in Firth of Forthby Donald Stewart Nikon Z 6II, 70-200mm f/2.8, 1/1000sec at

f/4.5, ISO 100 ‘I live in Colchester but my place of birth is East Lothian outside Edinburgh, where my wife and I went to visit my mother in law. It was a lovely day inland so we went to North Berwick which lies on the Firth of Forth.

Looking up the Forth towards Edinburgh there was a storm brewing and sailors were bringing their small boats in. I took various shots at different focal distances and this is the one that I liked the most. It was shot at 7pm and has not been adjusted at all,’ says Donald. He added, ‘I am a member of the Alresford Camera Club in the village I live in and I have been taking photographs for 40 years – when I walk the dog, the camera comes too.’

Want to see your pictures here? Share them with our Flickr, Instagram, Twitter, or Facebook communities using the hashtag #appicoftheweek. Or email your best shot to us at ap.ed@kelsey.co.uk. See page 3 for how to find us. www.amateurphotographer.co.uk

7

One of Tianna Williams’s wonderful images – she will be one of the Nikon speakers

Nikon speakers for The Photography Show

NIKON UK has announced its line-up of speakers for The Photography Show, which takes place from 18 to 21 September at the NEC in Birmingham. The list includes maternity photographer Tianna Williams and portrait photographer Carolyn Mendelsohn, both of whom recently appeared in AP. Also on Nikon’s roster are wildlife photographers Andy Parkinson and Harry Skeggs, and landscape shooter Nigel Danson. AP will also have a stand at the show. Tickets from £14.95 (concessions/ students £11.95). Buy tickets and find out all the details of this year’s TPS at www.photographyshow.com/welcome.

A teenager in the USA is quids in after spotting Leica kit at a garage sale

Leica M4 kit snaffled for £15

IT’S EVERY car booter’s dream. At a garage sale in Detroit, a teenager known as ‘Tyler B’ recently picked up a Leica M4 body, along with a 35mm f/2 Summicron lens, a 50mm f/2 Summicron, a 9cm f/4 Elmar and more for just US$15.

Tyler bartered the clueless seller down from $20 and the lucky haul is believed to be worth more than £5k.

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The Canon EOS 5D Mark III is one of MPB’s Class of 2021

MPB reveals latest Hall of Fame winners USED specialist MPB has announced its Photo and Video Kit Hall of Fame Class of 2021. The shortlisting process involved calling in support from a nominating committee made up of photographers and photography experts from around the world, followed by a public vote across 71 countries, to decide the winners.

The Classic inductee is Canon EOS 5D Mark III. ‘A staple in any photographer’s and videographer’s kit bag,’ said MPB. ‘Its impressive specification is perfect for those who want to make the jump from hobbyist to professional… perfect for anyone looking to get into photography.’

The Iconic inductee is the Hasselblad 501C. ‘The 500 series forms some of the most quintessential cameras in photographic history. A legacy of true craftmanship, the Hasselblad 501C is still one of the most

lusted-after medium formats nearly three decades after its release.’

Meanwhile the Road Tested inductee went to the Nikon D800. ‘This high-resolution DSLR rises to the challenge every single time… a fantastic all-rounder that offers quality and reliability in the most demanding of environments. Road Tested inductees represent the workhorses of kit.’

The Trendsetter inductee is the Sony Alpha 7 III, which was praised for its outstanding image quality and 4K video, packed into a sleek, travel-friendly body.

The DJI Mavic 2 Pro was named the Game Changer inductee. ‘[It] took visual storytelling to new heights, capturing standout quality images from incredible angles, all packed into a compact and portable design.’

See kithalloffame.com for further details about all the inductees.

Photoshop updates for iPad and desktop ADOBE has announced key additions and updates to the desktop and iPad version of Photoshop. More skies have been added to the Sky Replacement feature, via a Get More Skies option located inside the Sky Replacement dialogue box. Meanwhile, a new Discover panel, provides an easier way to find relevant content and offers tutorials.

A new beta of Photoshop is also debuting this month, with Creative Cloud members able to give feedback directly to the Photoshop team. Photoshop for iPad meanwhile gets the Healing tool from the desktop version, for more precise image retouching, and the Magic Wand tool, useful for extracting objects from a flat background

Sky Replacement has new skies to pick from

or selecting an irregularly shaped area. You can see Adobe’s blog for the full details: bit.ly/photoshopchanges. www.amateurphotographer.co.uk

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PA’s staff shoot big sports events like Euro 2020

Books The latest and best books from the world of photography

Major press agency switches to Sony SONY has signed a deal with PA, Britain’s largest press agency, that will see 90 of its staff photographers and video journalists switching over to Sony cameras and lenses.

The staff photographers and video journalists who work for PA (formerly the Press Association) are based in the UK and Ireland. They will be changing over to the full-frame mirrorless Alpha camera series, including the Cinema Line Camera FX3.

These cameras will be paired with Sony’s E-mount lenses including several G Master models – the FE 24-70mm F2.8 GM, FE 70-200mm F2.8 GM OSS, FE 135mm F1.8 GM and the FE 400mm F2.8 GM OSS. The PA team provides images from key events throughout the year including major annual sporting events through to big news stories and

official events and engagements.

‘Sony’s silent shutter, superb lenses and brilliant sensors, along with the relationship that we have built up with them over the past few years, made the switch an easy choice,’ said Martin Keene, group picture editor at PA Media Group. ‘Having both stills and video cameras from the same manufacturer simplifies the workflow and colour balance across both genres. It’s a big investment, but the opportunity to have all of our team using the same brand new, state-of-the-art kit is both rare and really worthwhile.’

This development is the latest in a wider trend whereby more and more press photographers are embracing mirrorless camera technology rather than the DSLR, which was their previous weapon of choice.

RIP photographer Austin Mitchell MP

WE ARE sad to report the death of Austin Mitchell, a former Labour MP and a great champion of the rights of photographers. ‘Austin Mitchell was an enthusiastic and accomplished photographer and a good friend to AP over the years,” said editor Nigel Atherton. ‘He championed photography within Parliament throughout his nearly four decades as an MP and was hugely helpful in our Photographers’ Rights campaign in the early noughties. He was also a thoroughly nice chap – warm, modest and down to earth.’

Austin first came to prominence as a regional TV news anchor, before being elected MP for Great Grimsby, from 1977 to 2015. He served as chair of the Parliamentary All-Party Photography Group and regularly exhibited in its annual photo show. Austin Mitchell is a great loss www.amateurphotographer.co.uk

Nadine Ijewere

£39.99, Prestel, hardback, 192 pages, ISBN: 9783791387765

The first book from well-respected fashion photographer Nadine Ijewere, this is a fantastic addition to your bookshelf if you love fashion and portraiture. A vibrant monograph, each of the pictures exudes fun and joy, showcasing Nadine’s personal work alongside her commercial work shooting for the likes of Vogue, Stella McCartney, Dior, Gap, Hermes and Valentino.

After studying at the London College of Fashion, Nadine has had an extraordinary career so far, in 2018 becoming the first black woman to photograph the cover of Vogue magazine in its 125-year history.

The book also includes an interesting essay by Lynette Nylander, executive editorial director for Dazed, providing some context and background for the work and fashion photography in general.

Turn to page 26 to see more pictures from the book and to read our interview with Nadine.

Old School Photography

by Kai Wong

£14.99, Chronicle Chroma, softback, 192 pages, ISBN: 9781797209449

A how-to manual for taking photographs with 35mm and medium-format film cameras, YouTube sensation Kai Wong brings together 100 tips for those who might be new to the format. The book uses writing, diagrams and photographic examples to give a potted guide to owning and using the best film cameras in the world. Recently there’s been a renewed interest among enthusiasts, with some of them going back to old techniques they might have long since given up, and younger photographers trying techniques for the first time.

Some readers may recognise Kai’s name from his successful YouTube channel, DigitalRev TV, which boasted almost two million subscribers at its peak.

You can read more about Kai’s book on page 30.

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From the archive

Nigel Atherton looks back at past AP issues

Notes for Novices discussed storytelling Portrait of a dog called ‘Dreadnought’

4 September 1916

BIG EXHIBITIONS were an important part of photographic culture during the first half of the 20th century, and September traditionally marked the start of the ‘exhibition season’. Annual shows such as that held by the Royal Photographic Society were a much-anticipated event worthy of extensive coverage in the photo press. Sadly the 1916 RPS exhibition left AP’s correspondent somewhat underwhelmed, and pondering the reason for the absence of ‘what our American cousins would call “bite”’. Fortunately the problem was not irreversible. ‘We do not consider that the days of epoch-making pictorial results has passed,’ he added, optimistically, before setting out a list of qualities that a good exhibition picture required. ‘Photography is a very live art indeed, but progress must be made along the lines of direct appeal to the imagination, boldness of utterance, and simplicity of expression.’ He went on to explain that the most important quality of a good photograph was the creation of a lasting impression in the minds of others, and this required more than being merely a pretty picture. ‘A woman may be beautiful but the recollection of her face may fade away. But if the person has created an impression, they cause a desire for further acquaintance and would be thought of long afterwards.’ Among the qualities required to achieve this desire were originality. ‘When a man tries to model himself on similar lines to someone else he becomes artificial. When he tries to develop and cultivate the better part of himself, whilst he remains true to himself, he becomes a power.’

Advice that still holds true to this day.

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‘Mlle Rambert as “Virgin with flower”’

A colonial mail ship visiting Australia

Using cheap vest-pocket film cameras

Disappointment with the RPS Exhibition www.amateurphotographer.co.uk

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Technique PERSONAL PROJECTS Claire Gillo Claire Gillo is a photographer from the South West of the UK. She specialises in commercial and food photography (shooting mainly pubs and restaurants) whilst making work for her fine art practice on the side. Find out more at www.clairegillo.com or follow on Instagram @clairegillophotography.

Socially distanced orienteers at the foot of Devil’s Dyke, Poynings, W. Sussex

Sony A7 III, 35mm, 1/40sec at f/2.8, ISO 100

Personal

photo projects

Claire Gillo and some of the AP team share their experiences of shooting personal projects and the benefits it can bring to your practice

W

hether you are an amateur or professional in your photography practice, there is always room for a personal photography project. There are many benefits to shooting a personal project – from there being no client restrictions or approval process to getting as creative as you like. A personal project can also greatly help you grow and develop as a photographer as it enables you to refine your style and ideas rather than just snapping away making random images that have no connection.

There are many ways you can approach a personal photography project and for this feature we have gathered 14

together some ideas and top tips so that you can make a start on your own project.

Where to start?

Before you begin any personal photography project, it may sound like an obvious thing to say, but you need to have an idea! You might be the type of person who has endless ideas (with little time to complete them), or you could be the type that has just one small idea and it grows from there. Either way, neither is wrong or right, but having some type of theme or starting point as well as allocated time set aside are vital if you are going to succeed.

But what happens if you are struggling to get going?

We suggest you do some www.amateurphotographer.co.uk

Walkers Nigel Atherton

NIGEL SAYS: ‘Six months into the pandemic, I had barely left my 3x2metre garden office and hadn’t taken any proper photos. Not one to wander aimlessly, looking for pictures to come to me, I needed to set myself a project but it had to be achievable during lockdown, and easy to fit into my routine. I walk my dogs on the South Downs around Brighton at the weekends so I hit upon the idea of photographing fellow walkers. This would take me outside of my comfort zone by forcing me to approach complete strangers, and to add to my discomfort I decided to get to know a camera that I hadn’t used much before – the highly regarded Sony A7 III with its famously impressive Eye AF, along with the 35mm f/1.8 and 85mm f/1.8 prime lenses.

‘The first subject I tentatively approached was a middleaged couple with a labrador. They seemed delighted to be asked, and their friendliness would be repeated by almost everyone I met. Not wishing to inconvenience my subjects, each portrait ‘session’ comprised no more than about five or six quick frames, taken on the spot using available light.

I never shot more than three or four subjects per walk.

Over time I became more selective over who I asked, as I thought about the pictures I already had and sought out subjects that were different. I looked for locations that would offer varied and interesting backgrounds, so I got to discover some new walks. Over a period of three months I took about 80 portraits: singles, couples, families, friends, with and without dogs. Very few people turned down my requests for a picture, and I met some really nice people.

Many of them asked where they could see the pictures so I created an Instagram account for them; and then, deciding this was inadequate, the project became the catalyst for me to finally build my own website: www.nigelatherton.com.’

A couple enjoying the panoramic sea views from Beacon Hill, Rottingdean, Brighton

Sony A7 III, 85mm, 1/3200sec at f/2.8, ISO 100

Green Ridge, Brighton, with Patcham Windmill in the background

Sony A7 III, 85mm, 1/160sec at f/5.6, ISO 50 www.amateurphotographer.co.uk

15

Technique PERSONAL PROJECTS research. Look at the type of work you admire and make a note about what it is you are drawn to. For example, if you like landscape photography explore the great landscape photographers of the past and present – from Ansel Adams to Edward Burtynsky.

Think about how, instead of just photographing random and idyllic landscapes, could you create a project that explores the land and our connection with it? For example, you could look at the relationship between man and nature by photographing abandoned structures in the land, or how climate change is altering the landscape in a chosen location. These are just a couple of starting points to demonstrate that you don’t need anything substantial in order to get going.

When it comes to doing your research remember there is a fine line between plagiarism and taking inspiration but don’t let that put you off looking at others. Understanding your contemporaries as well as having a history of the subject, and where your practice sits in relation to it, is important if you are to grow as a photographer.

Once you have an idea or a seed of an idea, we recommend a good brainstorming session before you pick up your camera.

Make note of where you might like to take the project, what logistics you’ll need to consider and think about the final presentation of the images (we’ll return to this aspect later on in this feature).

The Morgan Arcade – this shot was used for a magazine cover

Canon EOS 60D, 10-20mm, 1/100sec at f/4, ISO 100

Get feedback

Shooting and editing a personal photo project will take you time and it’s important not to rush; it’s important to develop it as you go. We suggest you schedule regular evaluation meetings (for instance, every four weeks) so you can make sure you are progressing. It can be extremely useful to get feedback from your peers, friends and family (the latter could be more biased, but they can still prove valuable). Social media websites and group pages are a good avenue 16

Lucy, owner of Catapult Records, High Street Arcade

Nikon D800, 29mm, 1/40sec at f/2.8, ISO 400

Chris, owner of Folk Farm, Castle Arcade

Canon EOS 60D, 10-20mm, 1/8sec at f/4, ISO 2000

How to present your images

Make a book There are many ways to

craft a photo book and lots of companies out there who do a great job.

When designing a book, think about the order of images and how many you want to include on each page. Some pages may have multiple images, and others might stand alone. Or you may want a more uniform approach through the book. This is for you to decide what works best for your particular project.

Creative framing Frames come in many

Cardiff Arcades Amy Davies AMY SAYS: ‘This year marks the tenth anniversary of the project I’m perhaps most proud of. After experimenting with short-lived and shallow projects, in 2011 I set about undertaking something that would allow me to go more in-depth and that I could really sink my teeth into.

‘Cardiff has a set of Victorian and Edwardian shopping arcades, all located within the city centre. Not only are they fine examples of architecture from the period, but also the shops found there are generally independently owned and often quirky in nature. A project on shopkeepers is a common one to tackle, but given the vast scope of opportunities presented here – plus easy access (I lived quite close by at the time), it seemed like a great choice for me.

‘Once I started to speak to people about the project, and make connections within the arcades, things progressed quite rapidly. Soon, I had set up a website for the project and was organising regular photoshoots. As a journalist as well as a

photographer, a typical session would involve interviewing a subject, taking a portrait, and photographing their shop.

Each shoot would be collated together into an individual website post.

‘I soon discovered a real sense of community, and once I found myself almost within it, my personal and photographic confidence levels soared.

As a result of the project, I was featured in the local press, one of my images was used as a magazine cover and I even secured a weekly column writing about it for The Guardian website. A few months into the project I had the opportunity to be exhibited as part of a group project, and later, my website would go on to win an award, too.

‘After a while the project became a little all-encompassing and I found myself having to wind it down, but I’ll always take away a huge amount of pride from everything that was possible thanks to that piece of work – this year I hope to find time to revisit it for the anniversary.’

shapes, sizes and materials and picking the right one(s) for your work can either make or break a project. Think carefully about what you want your images to say and how you want to display them.

Exhibition Curating and organising

an exhibition is a brilliant way to present a photography project and to get yourself seen. This will require some effort and investment from your side, however the benefits and experience of exhibiting your work are highly rewarding.

Creative virtual viewing If you don’t want to print

your final images, think of a creative virtual way you can present the body of work. For example, a website or a blog can be an excellent way to present your final images.

17

Technique PERSONAL PROJECTS although be prepared that not everyone may be constructive in their criticism and feedback, and if you are sharing your images with strangers be mindful that you don’t know their credentials.

Also consider organisations like the Royal Photographic Society and LensCulture that conduct professional portfolio reviews. If you feel ready it can be worth investing in expert feedback. Although it can feel overwhelming and vulnerable putting yourself in a position where you are open to critique, it really can help you progress to the next level when you do it.

This starling is one of the first images shot for the project back in 2019

Nikon D810, 50mm, 1/200sec at f/8, ISO 200

The end point

As well as checking in with your project every so often you will also need to consider how you want your project to finish.

Whilst we advise you to take your time and to let your project grow it is also a good idea to envisage an end goal (this could be six months, a year or two etc. after starting), which in turn will put pressure on you to keep it going.

Sometimes, however good our intentions, we can drop the ball and let things slide or fizzle out.

Think about how you might want to present your body of work. It could, for example, end up as an exhibition, on a website or in a book.

Presenting your images is something that also takes consideration. Think about the implications of using one image or multiple images together.

Could multiple images in a row or a grid address your concept better to the viewer? Or does each image need to stand alone?

You also need to think about the project title, image titles and the use of text. Even if your image is called ‘Untitled’ this says something in itself to the viewer. Does the viewer need additional information to understand your project, or can the image(s) speak alone? Again researching work you admire will help you with this aspect.

Go to other photography shows, read photography books to get inspired to see how you might like to take on your own photography project.

18

www.amateurphotographer.co.uk

Claire’s top tips Ideas

Layla brings in lots of mice. This one still had all its features, unlike many others

To date this has been the only blue tit Layla has caught

Nikon D810, 50mm, 1/200sec at f/10, ISO 100

Layla’s Giſts ClaireGillo CLAIRE SAYS: ‘I’ve always had an obsession with that moment after death. There is this definite line that cannot be crossed from something that is alive and something that is no more. There is a fascinating connection between photography and death that stretches right back to the 1800s where many of the Victorians photographed their beloved after their death, but also photography is a tool that enables us to freeze that moment that can no longer return.

‘For this project, called Layla’s Gifts, I decided to photograph the small animals my cat (called Layla) used to bring to me. It started with a starling who looked so beautiful when I discovered it one morning dead on the floor. Its wings were open, and it almost looked as if it were still alive. I found that moment of not being able to return to its former self fascinating and beautiful, yet so tragic.

‘As a collection I wanted the images to look beautiful. I photographed all sorts of animals in all different states, however the ones that were more bloody didn’t make it to the final edit. I decided to photograph all the animals against a black background because not only is the black space a seductive setting but it also creates a sombre and sad tone for the animals to rest in.

‘Logistically this project was very much led by my cat, and she always seemed to pick the most inappropriate times to deliver her “presents”! I’d either be trying to get the kids ready for school or cooking dinner. When something is dead you only have so long to get it photographed so for two years in the corner of my house I had a small table, background and light set-up so I could instantly capture that moment as soon as I had an animal.

‘Finally, I should point out that I always tried to save every animal from my cat when I could and never encouraged her to go out hunting so I could benefit. She is a well-fed cat! Luckily there are a few that didn’t make it into my project.’ www.amateurphotographer.co.uk

Nikon D810, 50mm, 1/200sec at f/8, ISO 100

Layla left me two perfect wings one morning. The rest of the bird was missing

Nikon D810, 50mm, 1/200sec at f/13, ISO 100

If you are struggling to get going, do some research and then some more. By understanding your subject well, your ideas will grow and blossom into something more substantial.

Get online

Make a social media account for your project. Even if you simply create an Instagram account it can be useful for getting feedback and assessing how your project is developing.

Feedback

Although we may not like the idea of others critiquing our work, you will see improvements in your practice if you are open to critical feedback.

The end game Have a goal set in

mind to keep you going as it can be easy to push a personal project to the side.

Experiment

‘I found that moment of not being able to return to its former self fascinating and beautiful, yet so tragic’

Really try to push yourself to the next level. Don’t settle for shooting mediocre images that have been done before – try to push the boundaries to the next level. You have to fail to succeed, so don’t worry if you don’t get it right the first time.

19

YOUR LETTERS Amateur Photographer Email ap.ed@kelsey.co.uk Editorial Group Editor Nigel Atherton

Deputy Editor Geoff Harris Technical Editor Andy Westlake Features Editor Amy Davies Technique Editor Hollie Latham Hucker Production Editor Jacqueline Porter Art Editor Sarah Foster Photo-Science Consultant Professor Robert Newman Special thanks to The moderators of the AP website: Andrew Robertson, lisadb, Nick Roberts, The Fat Controller

Advertisement sales & production Head of Market Liz Reid

Commercial Manager Paul Landry Paul.landry@kelsey.co.uk Ad Production Andy Welch (Tandem Media)

Inbox

Email the Editor at ap.ed@kelsey.co.uk and include your full postal address. Please don’t send letters in the post as there is no one in the office to receive them. Thanks for your understanding.

LETTER OF THE WEEK

AP’s film issue

Management Chief Executive

Steve Wright Chief Operating Officer Phil Weeden Managing Director Kevin McCormick Subscription Marketing Director Gill Lambert Liz Reid Publisher Steve Brown Retail Director Brand Marketing Manager Rochelle Gyer-Smith Print Production Manager Georgina Harris Print Production Controller Hayley Brown

Subscriptions 51 issues of Amateur Photographer are

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www.kelsey.co.uk 20

Win!

ASA and DIN The value of the ASA and

Simon recalls using his cherished 645J

from nearly four decades ago.

Recently I got it out of the loft and put a film through it. Memories flooded back from when we had been inseparable (before the Mamiya) and my fingers deftly twisted the dials and the manual focus as though I was 20 again. So different from today’s cameras where you have to get a PDF of the instructions on your phone to remember all the modes.

I certainly won’t make the same mistake again. The Olympus OM10, my first real camera, will be in my will, left to my son.

Simon Elson

A Samsung 64GB EVO Plus microSDXC with SD adapter Class 10 UHS-1 Grade U3 memory card supports 4K UHD. Offering R/W speeds of up to 100MB/s /20MB/s and a 10-year limited warranty. www.samsung.com/uk/memory-cards.

Why I prefer MFT I’ve just got round to

reading Andy Westlake’s feature on Micro Four Thirds, and his comments closely match my own findings. I bought into the MFT system, despite having a Canon EOS 5D Mark IV and a number of L lenses, for the better depth of field, and the

built-in focus stacking that Andy didn’t even mention.

I started with the Olympus E-M5 Mark ll and upgraded to the Mark III when it came out, with its 20MP sensor.

I’ve tried several lenses but eventually settled on just three. The 60mm Olympus Macro is superb.

For long-distance work the

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I absolutely loved the ‘Shoot Film’ edition of AP (17 July). It brought back so many memories. The article on 120 roll film camera left me pining, not for the fjords but for my Mamiya 645J that I sold nearly 20 years ago.

A wedding photographer friend had borrowed it on several occasions and made me an unexpected offer which I felt was generous: a lump of cash and a Minolta Dynax 7xi (at the time still a very nice camera). In a moment of weakness I rashly took him up on the offer.

Your feature reminded me of it, and how each photograph was almost an event as the shutter clicked. With only 15 shots each one was meticulously framed in the waist-level finder. A light reading was taken on a meter and the shutter pressed with the aid of a cable release, all done whilst attached to my trusty Benbo Trekker. I do now regret selling it, especially when I sold the Minolta 7xi recently for around 20 quid. I do still have the Benbo though.

I also still own an Olympus OM10, which was a teenage birthday present

Panasonic 100-300mm with its own stabilisation works well with Olympus’s own in-camera version.

The Olympus 12-200mm can focus down to 200mm so makes a great walkabout lens. I have to admit I don’t use any of my expensive Canon gear now, especially as my entire Olympus kit of camera and three lenses weighs less than my 5D Mark IV with just one lens.

Tony Mead DIN ratings on my Zeiss Ikon Contina lla are totally different compared to current 35mm films. For example 400 ASA is 27 DIN but on my camera 27 DIN is 160 ASA. I am not certain what to set.

Dirk Stigter John Wade replies: My Zeiss collector friend David Balfour has the answer: ‘The ASA standard underwent a major revision in 1960 with ASA PH2.5-1960, when the method to determine film speed was refined and previously applied safety factors against underexposure were abandoned, effectively doubling the nominal speed of many b&w negative films. For example, an Ilford HP3 that had been rated at 200 ASA before 1960 was labelled 400 ASA afterwards without any change to the emulsion.

Similar changes were

Dirk has a query about ASA and DIN on his Contina IIa www.amateurphotographer.co.uk

YOUR LETTERS

Paul loves the lens options on his RX10 IV bridge camera

applied to the DIN system with DIN 4512:1961-10 and the BS system with BS 1380:1963 in the following years. Being manufactured in the late 1950s the Contina II is, of course, marked with the pre-1960 values for both ASA and DIN so neither will conform to modern film ratings, especially as these have been revised several times since 1960.

I don’t know of any easy means of conversion, I’m afraid, and in any event it is unlikely that either the meter readings or shutter speeds in such an old camera are entirely accurate, so I think I would suggest an element of trial and error, possibly assisted by a modern meter.’

T&S for Olympus I found your Premium

best option is to use a wideangle lens and if your camera has it, Olympus’s unique Keystone Compensation setting.

This allows you to correct converging verticals in-camera, previewed live in the viewfinder – Andy I’ve just spent a quality 45 Westlake, technical editor minutes in a fabulous one-to-one session with Antonio Pisani from Ricoh I enjoy the variety of Imaging, learning about coverage in AP but is some of the great there a reason for you not functions on the new seeming to cover bridge Pentax K-3 Mark III, which cameras? My main was arranged free through camera is a Fujifilm X-T4 SRS Microsystems. with a variety of lenses. Learning about things is The problem can be the something I enjoy, but now weight. It is fine if I’m and again it helps to be photographing a specific able to talk to an expert, event or subject. I can especially about a product then choose the most that doesn’t enjoy the suitable lens to carry. But mainstream media sometimes, perhaps on a attention like the usual countryside walk or UK suspects. It’s nice that AP coastal holiday, I am not has the occasional Pentax sure which lens to take. product pop up, though So often the wrong lens! I was surprised to see So, I recently bought a Pentax not feature much Sony RX10 IV bridge in the medium format camera. It isn’t small but article. Anyway, kudos to it’s so flexible. It reminded Antonio and SRS for me of the old days, 30+ arranging this and I hope years ago, when I would to see a bit more Pentax take my Canon, two zooms in AP in the future. and a 500mm mirror lens Tim Slaughter to air shows. The Sony seems to cover all options We will be featuring more and the photo quality is medium format cameras excellent. So perhaps you in future issues, including, might wish to cover bridge I’m sure, the Pentax 67.

DSLR devotees

More Pentax please

Take me to the bridge

APOY31064048

Four photographers tell us why they have stuck with DSLRs over mirrorless

Canon EOS R6 field test

Matty Graham on his first 12 months with the full-frame mirrorless EOS R6 E G N A H C OT T C E J B U S E B Y A M E U S S I S ’ K E E W T X EN R O F T N E T N O C

Edition on architectural photography (1 June) extremely interesting and informative, particularly the article on tilt-and-shift lenses, which suggested lenses for cameras made by most big manufacturers.

I’m an Olympus user and there do not appear to be any tilt-and-shift lenses manufactured specifically for the Micro Four Thirds system. What would you suggest as the best practical solution?

YOUR FREE ENTRY CODE Enter the code below via Photocrowd to get one Unfortunately, there’s no free entry to Round Eight – Travel sensible way to use a shift lens for architecture on Micro Four Thirds cameras. Instead, the www.amateurphotographer.co.uk

In next week’s issue

cameras in future issues?

Paul Barry We endeavour to test all cameras designed for the enthusiast (e.g. with features such as a large sensor and raw shooting).

The Sony RX10 IV came out in 2017. We reviewed it at the time and gave it five stars. Sony hasn’t updated it since, and it has very few competitors, which suggests that the demand for bridge cameras such as this is not high. We will however test its successor, and any new rivals, if and when they materialise.

Two decades on

Photographers who shot images of 9/11 share their stories

Nikkor Z MC 105mm f/2.8 Angela Nicholson tests Nikon’s pro-level 105mm f/2.8 macro lens

On sale every Tuesday

21

Read the new

Grays of Westminster Gazette

A seventy-page flippable issue filled with news, reviews and Nikon equipment. www.graysofwestminster.co.uk/legend/gazette.php

40 Churton Street, London SW1V 2LP, England Tel: 020-7828 4925 Mon-Fri 10am - 5:30pm info@graysofwestminster.co.uk Visit our website: www.graysofwestminster.co.uk

Facebook: Grays of Westminster YouTube: Grays of Westminster Twitter: @nikonatgrays Instagram: @nikonatgrays LinkedIn: Grays of Westminster

2 2 Storm Chaser by Heidi Stewart The dramatic sky, the empty pier and the running child all come together perfectly to create a fantastic narrative

3 Bible Reading by Margot Rowlands By including movement in this still-life shot, this has turned into a very dynamic image

3 1 The Three Prisoners by Alan Shepherd An engaging study which tells an intriguing story – lovely eye contact from all three sitters too!

Huts by 6 6GaryBeach Were Beach

huts are a classic choice for photography, and this is a fine example of choosing a great set

Join

Club the

With a low membership fee, this large camera club is welcoming to all

24

7

7 Heron on Weir by Alec Stewart The heron looks deep in thought as it watches the water go past – a first-class animal study When was the club founded?

The club was founded in 1981.

What does your club offer to new members?

A warm Welsh welcome to all, whatever their level of proficiency and areas of interest. We are not a ‘teaching club’, but we all learn from each other and from the speakers and judges we engage. Much of this is done during meetings, but also in the local pub which follows each club session.

Something that’s much missed during current times! A recent new member who joined at the start of the pandemic has commented on the friendliness and encouragement that has been appreciated from the speakers, judges and members during our weekly meetings held on Zoom.

Describe a typical club meeting In normal times, we would generally start to congregate in our Community Hall around 7pm, pay our weekly subscriptions – which covers the cost of that evening’s guest along with the tea and biscuits – then we catch up on the latest news or piece of kit that someone has bought (or would like to buy) and have a general natter. Order is called at 7.30pm by the Chair, when any club announcements are made, and the guest speaker or judge is introduced.

Proceedings usually last until 9:30pm, having had a break for refreshments about halfway through the evening.

Many of us then gather at a local hostelry to socialise, talk about photography, disagree with the judge after a competition and so on.

The speaker or judge often joins us too! www.amateurphotographer.co.uk

YOUR PICTURES IN PRINT

5

4 Stokksnes Beach

by Leigh Woolford A moody and atmospheric shot which perfectly captures the essence of the landscape

8 Enjoying the Storm

by Glenn Porter Taken at just the exact right time, the composition is spot on in this exciting action shot

8

5 Virus Precautions by Dave Owen A comedic and light-hearted take on the current situation, while also being an excellent still-life image

Club essentials

Gwynfa Camera Club

Caerlan Community Hall, Newbridge Road, Llantrisant, South Wales CF72 8EX Meets Thursdays at 7:30pm Membership £20 pa Contact Gary Were, General Secretary, garywere@ffotosolutions.com Website gwynfa.org.uk Do you invite guest speakers?

Yes certainly. Upwards of 20 a year. Our ‘business model’ of low annual membership fee and a weekly subscription (also low, which leads to a large membership) allows us to invite top-level photographers covering a broad range. This means that during the course of a year we can offer something of interest to every member.

Do members compete in regional or national competitions?

Absolutely. We have a broad selection of members who regularly enter competitions at local, national and international level; and not the same people all the time. It is especially encouraging when a new member enters and does well. As a club we are proud of the quality of work produced by our members. We www.amateurphotographer.co.uk

also organise our annual ‘Pixels’ competition which is open to all the clubs in Wales.

How many members do you have?

We currently have 65 members, though that is reduced from prior levels, owing to the pandemic. In recent years we have been at over 100 members and we expect to return to that level when normality resumes. We believe that we are the largest club in Wales.

Are there any residential trips or outings planned?

The club has organised many trips in the past, including to London, southern Ireland, Barcelona, Prague, and Paris. Nothing is planned at the moment, although some suggestions have been made such as the Whitby Goth Weekend, Gloucester Goes

Retro or even a Berlin City trip, all for 2022.

Do you have any funny stories about the club?

Our meeting hall was recently sound insulated to remove persistent echoing. Prior to that, hearing the competition scores was a bit challenging: ‘…and I award this print twenty, wenty, enty, nty’.

Another time, a judge went to the loo with his radio mic still turned on….

And one evening, one of our elderly members fell asleep and slid onto the floor in front of the guest speaker.

What are the club’s goals for the future?

To survive the pandemic and come out fighting and resume normal service as soon as possible.

25

Deconstructing FASHION PHOTOGRAPHY

the stereotype By using stylish models that champion the diversity of models, young British photographer Nadine Ijewere’s new book is a visual record of an already remarkable career. She talks to Amy Davies

D

rawing from her roots in Nigeria and Jamaica, as well as her experience of being a young black woman in south-east London – whose skin colour, hair, and body type were nowhere to be found in the pages of magazines – Nadine Ijewere’s approach to photography has led to some groundbreaking – and stunning – work.

We see dazzling colours, dreamlike backgrounds and the fierce gazes of beautiful women. Her first book showcases Ijewere’s signature hallmarks, and it’s also clear to see her passion for challenging traditional concepts of beauty. She’s keen to embrace diversity both behind and in front of the lens. We asked her for more details.

AP: What are your biggest inspirations?

NI: There is nothing more powerful than the love that resides within close communities. An important journey for me was going to both Nigeria and Jamaica: one similarity I found on my many trips to these places was a strong sense of community, a warm welcoming energy. I embody this positivity and togetherness in my work because it’s beautiful to see this type of love. I admire these people very much. I am who I am because of the people around me.

of colour take up photography and film. For many years, imagery has been used to spread hate and negativity, primarily against people of colour. It’s important for us to tell our own stories the way we want them to be told. Capturing the true beauty of these people is important to me. If I am documenting people outside of my immediate community, it’s important for me to have people from that community involved within the process. When AP: You speak about the pressure to be a representative shooting people of colour, I ensure for your community. How do they are captured at their best. It is you find it impacts your work? fundamental that I work with hair and makeup teams that understand NI: It’s important to be able to how to work with black hair and dictate the narrative. Which is another reason I hope more people skin. There are still so many hair and 26

Above: Moment of Clarity, 2020

Right: The Cowboy Who Fell To Earth, 2018 www.amateurphotographer.co.uk

FASHION PHOTOGRAPHY make-up artists that only know how to work with European features. The lighting has to be right, there is lots to consider. Most importantly of all: the message. My work celebrates my community, and communities that are not often represented. There is definitely pressure. But the end result is worth it.

AP: How can we encourage more women, and more women of colour, to enter the photography industry?

NI: Being a woman of colour in any industry comes with its challenges.

We live in a male-dominated world; it is also a white-dominated world.

Navigating this world as a black woman is not easy. All of that said, my message to women, women of colour in particular: keep pushing.

Even if you have to work five times harder, keep pushing. It is possible, just don’t be discouraged by the disappointments along the way. The more of us that push through, the better. Once we push through the door, one can only hope that it will eventually be held open. It is equally problematic and important in other genres. There are countless examples where women struggle to get the same recognition and reward as their male counterparts. There are countless examples where women of colour struggle to get the same recognition and reward as their white female counterparts. Hopes for the future... an even playing field, as I have said time and time again.

AP: How do you approach personal projects differently?

NI: I try to approach them the same if a client allows me complete freedom to do so. I understand there are specific requirements and deliverables for commercial work and I am more than happy to find a middle ground. My personal projects are all me, complete freedom to do what I want with no set objective other than representing the people I capture properly. Sometimes the project finds itself within the process. I am happiest with my photography when I see the people’s reaction to being seen. There is nothing more powerful than a young black girl seeing herself within my work and feeling happy to be who she is.

AP: It must have felt amazing to get that first www.amateurphotographer.co.uk

27

Vogue cover. How do you match that buzz?

NI: Surreal is the perfect word to describe the experience. It was an honour to be asked to shoot a cover

by Edward Enninful. I didn’t realise the extent of what it would mean at the time. Shooting a Vogue cover is huge within this industry; but being a black woman and making history with my cover was a whole different level. So much more to come from it than just the cover. I hope it encourages more people of colour to pick up a camera, women in particular. Shooting a Vogue cover was definitely a dream of mine; I continue to work with the publication and I love doing it. I don’t seek to match that buzz, but it happens randomly at different moments. It often comes from seeing people grow within the industry. It often comes from seeing a young black girl’s reaction to the picture I took of her. This is what it’s about. I am grateful for all of the opportunities I have and everything that comes as a result of doing them.

AP: How important is it for you to fight for better representation and diversity?

NI: There is nothing more important. It’s important to me to fight for better representation and diversity because for so long there hasn’t been enough representation and diversity within the industry.

When there has been inclusivity it hasn’t always been positive. Growing up I always wanted to see pictures of people that looked like myself and the women I grew up around, within fashion imagery. I have always wanted to see people of colour celebrated. I’m so glad that I have been able to document what I see as beautiful. For so long we have been fed one standard of beauty. It is important that people of colour from all places have a platform to tell their stories. It brings me joy to see more and more people from different backgrounds behind the camera. That said, the industry is still dominated by white men. I believe this will continue to gradually change. At least I hope so.

documenting black stories and the stories of other people of colour.

White men have been capturing and defining the standard of beauty which for so long has mostly only looked one way. Women capturing women is powerful, black women capturing black women is that of another perspective. There is the connection and understanding, there are the small details that come as first nature where if a photographer is non-black, one may not ever pick up on.

AP: Your images are so joyful, vibrant and fun. What’s it like to be photographed by you?

NI: I would like to believe it’s fun.

AP: Do you think being a Finding different ways to capture a woman, and being a woman of person’s beauty appeals to me very colour, brings a different much. I’m not massively into dynamic to shooting? straight ups, I like to approach my NI: 100%. For as long as I can subjects from different angles the remember, white men have been whole time, paying attention to how 28

Above: Cuba Project, 2018 Top right: Haut, 2019 Above right: Family Values, 2020

they look from these numerous perspectives. It is a search for many different beautiful moments. I work handheld and I like a lot of movement, especially within my group shots. Group shots are my favourite because I find them to be more dynamic, a sense of movement can be captured in group imagery.

AP: Do commercial clients give you the freedom to photograph however you want to?

NI: Most of the time clients are inclined to work with a particular artist because they love that individual’s creativity and style. All of that said, they might have particular deliverables that can restrict your creative freedom. With that, you find yourself negotiating to offer up something that can meet in the middle. It’s a mix – sometimes I have complete freedom, sometimes it can be quite rigid, and the rest of www.amateurphotographer.co.uk

FASHION PHOTOGRAPHY to having ten frames per roll so I really take my time with my composition on each shot.

AP: What’s your typical kit?

NI: I primarily shoot on a Mamiya RZ67 Pro II. I have shot on other medium format cameras before but this is my go-to. It’s big, heavy and clunky but I love it. I mostly shoot with the waist-level viewfinder – it’s bright and amazing for composition, if you can get over the inverse. I occasionally use the prism but not that often. I have a range of lenses but the 50mm is the one I use most often, and second-most is the 65mm. I love the 50mm because of its wide angle, it’s great for playing with perspective.

AP: Lots of photographers aren’t formally trained as such.

[Nadine has a BA in Fashion Photography from the London College of Fashion]. Why was it important for you?

NI: It wasn’t necessarily important for me to train formally. It was definitely beneficial to have access to equipment and labs. But I think anyone can learn the craft, you don’t need to go to university to study it. I wanted to go to fashion school to learn more about the industry.

the time it’s a collaborative effort with me always pushing for my take on things. I push for my take not only to retain my signature within the work but to also ensure my client is getting the best possible end product. It’s important to understand people have restrictions, and it’s equally as important to make sure you don’t dilute yourself in the process. After all, they have chosen to work with you for a reason. From the start to the finish of the project I always aim to be involved in all areas; typically clients give me the freedom to choose my teams and be heavily involved in casting etc.

AP: How did the idea for the book come about?

NI: I was contacted by the publisher.

I wasn’t actually thinking of doing a book at the time. I’ve always wanted to do one but I thought it would be way into the future, perhaps a www.amateurphotographer.co.uk

AP: What are you proudest of from your career? What are you still hoping to achieve?

NI: In 2019 I shot a campaign for Nina Ricci. I went to the Dominican Republic, somewhere I’ve never been retrospective or something. Initially, before. On arrival and throughout I thought I couldn’t do it because I the trip, although being so far away didn’t feel like I’d had enough of a from home, I felt like I was at home career yet, but I was also excited. I the entire time. That familiar feeling wanted to include projects I have of love within the communities was loved working on and projects that so powerful. I shot a mixture of for me celebrated beauty and models and street casted people all identity and displayed the from DR. I had so much creative underlying themes of my best work. freedom with this shoot, I just Nadine Ijewere’s first immersed myself within it and AP: It’s unusual for someone of monograph wil be your age to have started with published by Prestel on found my references along the way.

I wanted to translate the love and film. How do you think this early approach shaped you as a 5 October 2021. Visit energy within the community while www.nadineijewere. also focusing on the fashion. The photographer?

NI: I think it’s important to learn the co.uk to see more of end result felt almost like a documentary-style editorial rather foundations and where it all came her work. than an ad campaign. I absolutely from. Film is magical, the whole loved and adored all the people I process of developing and printing is met. Everyone should go to the so special, I think everyone should Dominican Republic. Right now try to experience it. I love the I’m not hoping to achieve anything colours and softness that you get in particular – I just want to with it, hence why film is always my continue shooting and first option. It has also impacted the enjoying what I’m doing. way I also shoot on digital. I’m used 29

Photo Stories

A zeal for film photography

Photographer, writer and YouTube sensation Kai Wong explains the ethos behind his brand new book, celebrating all things analogue

30

The learning process

My photography teacher never bothered turning up to his own lessons; there were no online tutorials at that time and a lot of books that taught photography were so dry.

Two things I did enjoy were reading photography magazines – like Amateur Photographer – and buying photo books.

Learning and improving photography is about being inspired to create, which can be done by looking at some amazing photos. Of course, it does require some kind of knowledge of how to use a camera, but knowing how to twiddle a few knobs and understanding what depth of field is doesn’t guarantee great images.

What I always wished I could buy when I was learning film photography, was a book about how to take photos that kept all the dry, geeky stuff to a minimum and just spoke in a language that didn’t make it feel like you’re learning a completely new language.

Old School Photography is the book that I wanted: it’s a collection of quick tips combined with cool photos from the film photography community for inspiration. It’s a book made for a new generation of photographers who are curious about film and for all those who are curious about dabbling with film again.

M O C . S E W E R D N A N EB / S E W E R D N A N EB ©

Old School Photography: 100 Things You Must Know to Take Fantastic Film Photos

by Kai Wong is out now

jokes) treat. Unless you’re taking photos with instant film, the results aren’t instantly viewable, and it’s always a fantastic surprise to check them out for the first time. But, also, I felt like I was more driven to try to improve my photography when I was shooting film – it wasn’t cheap to develop film back then, either, and I certainly didn’t want to keep wasting money on wasted frames.

M O C . R E H C T A H T - N H OJ / R E H C T A H T NH O J ©

I

became obsessed with film photography when I was in university, although the feelings for the funkysmelling stuff go back way longer than that, having grown up seeing my parents take all the family photos with film cameras.

My choice to learn with a film camera was more of a pragmatic choice than one born out of passion, because, at that time, digital was still kinda new and kinda expensive for a poor student.

The process of film photography is still something that I love as much now as I did back then. Finding a decent lab might not be as easy a task as it once was, but it’s just a simple pleasure to load up a roll of your favourite emulsion and concentrate on the shooting process, without worrying about white balance or automatically chimping at the LCD screen after every photo you’ve taken. There’s little in the way of tech coming in between you and the scene, so you therefore feel more connected to whatever you’re photographing – you’re not having to fumble your way around a rather incomprehensibly laid-out menu system.

The joy of film photography doesn’t end there – every time you’ve got your film back from the lab, it feels like a little Christmas (without the drunken uncles making obscene

Just some of the photos from the helpful and fun Old School Photography book, a great way to get started with analogue photography if you’re new to it – or to pick up some extra tips if you aren’t www.amateurphotographer.co.uk

MOC. A KO A R E T N A I A KO A R E T N A I / GI A K O A R E T N AI ©

G N O W IA K ©

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Evening Class

Photoshop guru Martin Evening sorts out your photo-editing and post-processing problems

Chester Cathedral cloisters

Pictured here are the cloisters of Chester Cathedral. Mark writes, ‘I was drawn to the contrast between the light flooding through the cloisters and shadows, highlighting the texture and weathering of the stone; and how the repeating and receding pattern of the lighting added depth to the image.’ I thought this photograph showed a dramatic view of the cathedral. With architectural subjects I generally feel it is important to optimise the optical geometry and perspective.

Unless I have the camera on a tripod and check the angles with a spirit level, I struggle to capture the subject perfectly. Fortunately, advanced raw processing software programs, including Capture One and DxO, now provide the tools to make your lenses appear optically correct and also allow you to define the vertical and horizontal edges manually.

AFTER

Guided Upright adjustments

When working in Camera Raw and Lightroom you can use the Upright button controls in the Geometry/Transform panel to correct the perspective. For example, you can simply click on the Auto or Full Upright option to apply an instant correction. Or, as I’ve shown here, you can apply a more precise perspective correction. Select the Guided Upright tool and click and drag to define the vertical and horizontal edges you wish to have appear straight. You will need to apply two guides to correct the verticals and a minimum of one extra guide to correct the horizontals.

BEFORE

Mark Burstow Mark is a specialist

railway engineer working for Network Rail who started taking photographs as a teenager, learning basic black & white darkroom techniques. See Mark Burstow | Flickr

Submit your images

Submit your images to see your photo here and for a chance to win Martin’s new book. See page 3 for more details 32

Nikon D7000, 17–70mm, 1/50sec at f/4.5, ISO 400 www.amateurphotographer.co.uk

Get the book

Martin Evening is the author of the bestselling series Adobe Photoshop for Photographers.

The latest edition is packed with practical examples of how to enhance your photos. Order now for the 20% discount price of £45.59, via bit.ly/ Routledge_Photoshop.

STEP BY STEP – OPTICAL CORRECTIONS

1 Lighten the image

The original image was underexposed. Therefore, I needed to fix this problem first. I went to the Edit Basic panel and dragged the Exposure slider to the right to lighten the image. I also adjusted the remaining tone sliders to optimise the tone and contrast.

3 Apply a Lens Profile Correction With an architectural subject, such as this photograph, you want the capture image to be as optically correct as possible. In the Optics panel I clicked to enable Remove chromatic aberrations. I also checked Use profile corrections, so as to apply a profiled lens correction.

5 Add a Graduated Filter Adjustment After lightening the image, the cloister floor paving slabs also appeared lighter. Now, to my mind I quite liked the tonal contrast here. But I chose here to add a Linear Gradient (G) adjustment to darken the floor, to see how this compared.

2 Add Saturation and Texture

In the Basic panel Presence section, I increased the Texture to add more sharpness and detail to the stonework.

I also increased the Clarity slightly and added Vibrance to increase the colour saturation.

4 Apply a Guided Upright Adjustment

Now that the photo was optically correct, I went to the Geometry panel in Camera Raw and selected the Guided Upright option. Here, I added two vertical guides to correct the vertical edges. I then added a single horizontal guide to straighten the horizon.

6 Add a Brush Adjustment

The window arch column in the foreground appeared more shaded than the others. To selectively lighten this area I chose the Adjustment brush tool (K). I then clicked on the column and brushed over it, adding an Exposure lightening adjustment.

Martin Evening has a background in advertising and landscape photography. He is also well known for his knowledge of Photoshop and Lightroom, plus books on digital imaging. See www.martinevening.com. www.amateurphotographer.co.uk

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Technique NIK COLLECTION 4

What’s newin DxO’s Nik Collection 4 The Nik Collection by DxO has seen some welcome improvements in recent years, but does the latest version offer enough new features to be a worthy upgrade? James Abbott checks out what’s on offer

T

he Nik Collection 4 by DxO is the latest version of the unwaveringly popular plug-in suite for Photoshop and Lightroom Classic. This is one of the most comprehensive plug-in suites ever created, and with frequent updates, it’s easy to see why the Nik Collection is once again growing in functionality and indeed popularity.

Nik Collection 4 includes eight individual plug-ins covering a range of popular editing tasks and provides easy-to-achieve effects: Define 2 is used for noise reduction; Viveza 3 is for adjusting colour and tonality; Perspective Efex can be used to adjust lens and perspective distortion; HDR Efex Pro 2 allows you to create HDR images from bracketed and single shots; Analog Efex Pro 2 offers classic film and camera effects; Color Efex Pro 4 provides colour filters and other creative effects; Silver Efex Pro 3 offers powerful control over black & white conversions; while Sharpener Pro 3 is for sharpening images.

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Photographer-designed Viveza 3 presets

Viveza features ten new native presets designed by professional photographers and are mostly one-click corrective or quick fix effects, although there are presets for sharpening eyes and softening skin in portraits. When you consider the number of presets that are available in other plug-ins within the collection, ten is an extremely small number so it would be most welcome to see more presets added in future updates.

The presets can be used as a starting point for adjusting effects manually or you can begin with the default Neutral preset that leaves the image untouched for full manual editing. You can also create your own custom presets and import presets made by other people, so there’s plenty of room to customise Viveza to your requirements. www.amateurphotographer.co.uk

New user interface for Silver Efex and Viveza The user interfaces of Viveza and Silver Efex have been

completely redesigned with a new look that’s more in keeping with other DxO software and provides a much clearer and more modern interface to work with.

Surprisingly though, all the other plug-ins within the collection still use the old Nik Collection interface which is looking quite dated these days, except for Perspective Efex that looks nothing like either, so there’s a real lack of consistency when moving from one plug-in to the next. It’s likely that the rest of the Nik Collection will be redesigned over time, but it’s a shame that all the plug-ins weren’t updated at the same time for a seamless look and inclusive feel rather than creating the feeling you’re using unrelated plug-ins.

An improved workflow

The workflow between Nik Collection and Lightroom Classic has been improved with the Last Edit function in Photoshop now also available in Lightroom. Then there’s the new Smart Copy & Paste feature that’s been incorporated into Lightroom’s Export dialogue so you can apply Nik Collection effects to other images.

If working with a TIFF file you can enjoy non-destructive editing with this feature, although it’s always best to edit a copy of the original TIFF because the Nik Collection will flatten any Layers you have in place already. It would be better if the effect was added to a new merged Layer at the top of the stack like in Photoshop when a plug-in effect is applied, but it’s understandable why this isn’t possible in Lightroom. The whole process could be made to be more intuitive, but with time you do get used to how it works.

ClearView technology available in Silver Efex

Another new feature in Silver Efex is ClearView technology from DxO PhotoLab. This control removes haze and accentuates edges, details and transitions to improve clarity in images, and it certainly works well within Silver Efex.

In the image to the left, the left section is the Neutral black & white preset with no adjustments made and the right side of the image shows how ClearView set to 75 out of 100 affects the image. This shot was taken on a misty morning so there’s a distinct lack of clarity that has been effectively fixed with natural-looking results. This, of course, means that you can only use ClearView with black & white images, so it’s curious that the control wasn’t also included in Viveza for use with colour images.

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Technique NIK COLLECTION 4

39 new and film-style grains in Silver Efex

Meta-presets for instant results

Meta-presets are a new type of filter that combines the effects from different plug-ins to achieve a one-click result. Meta-presets are accessed via the Nik Selective Tool that integrates almost seamlessly with the Photoshop interface when set to the default dark grey.

There are ten presets in total, which isn’t many, and whether or not they’re to your taste is another matter. What would perhaps be a great option on DxO’s part would be to create more Meta-presets that users can download and install directly from the DxO website so they can choose the effects they’re most likely to use. One major drawback is that there’s no visual preview of effects, just a crude description when you hover the mouse pointer over the question mark next to Meta-preset names, so you have to run the Meta-presets to see what they are, and they’re quite slow to be applied.

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As you’ll have noticed as you’ve read through the new features listed here, it’s Silver Efex that has seen the most improvements in this version of the Nik Collection. This is not surprising considering that it’s arguably the most popular plug-in in the collection.

Within Silver Efex, there are now 39 realistic film-style grains that mimic the grain patterns of popular black & white films for an authentic analogue look.

These, like most other presets, can be used exclusively or used as a starting point for further manual editing. The results are much better than applying grain in Lightroom or Adobe Camera Raw, and even the higher ISO film simulations help to give black & white images a sense of depth you generally don’t get with digital images. The image used here was Ilford Delta 3200 and the grain is much more subtle than you’d get with real film so increasing grain size would be necessary for an even more authentic result. www.amateurphotographer.co.uk

Improvements to U Point technology

Localised adjustments have long been a part of the Nik Collection, and the mask-free U Point technology that powers these easy-to-use Control Points for localised adjustments have seen a welcome upgrade in Nik Collection 4.

The Control Points now feature fewer controls within the point itself, with controls for adjustments now housed on the main control panel on the right. Plus, the name of Control Points can be changed to make selecting the correct point easier. Other new features within this area include a Colour Tolerance setting that provides saturation control over specific tonal ranges so you can select colours to work with as well as the tolerance to allow similar hues to be included in adjustments. More control is always a good thing and these upgrades to Control Points certainly achieve that end.

Verdict

Nik Collection 4 by DxO remains the best Photoshop and Lightroom plug-in suite available by a long shot, but while there have been many welcome improvements in this and previous versions of the software, there’s now a serious lack of consistency in terms of functionality and the user interface used in the individual plug-ins – five of the plug-ins are in serious need of being updated.

That said, if you intend to purchase Nik Collection 4 then you certainly won’t be disappointed if it’s a first-time purchase.

However, for those running Nik Collection 3 there may not be quite enough new features to make the upgrade worthwhile so it could well be worth waiting for the next update to see what’s included.

Nik Collection 4 costs £133 for the full version or £69 to upgrade so it’s well priced considering what’s included in the collection.

The plug-in suite is also available with a fully functional 30-day free trial period, so whether you’re buying for the first time or considering an upgrade, you can test out the latest version before committing.

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best products The year’s

We reveal which cameras, lenses and innovations emerged as winners of the prestigious EISA Awards 2021-22

Welcome to the Expert Imaging and Sound Association (EISA) awards for 2021-22, revealing the year’s best cameras, lenses, printers, software and smartphones. EISA is a group of 60 special-interest magazines and websites from 29 countries around the world, covering six subjects: Hi-Fi, photography, mobile devices, in-car electronics, home theatre display & video, and home theatre audio. Each member is renowned for its expertise within its subject area, and for the rigour and integrity of its testing.

As one of the organisation’s founding members, AP is an integral part of EISA’s Photography Panel. We work closely alongside 16 other magazines from Europe, India and the USA, all of which are among the most respected in their home countries. To make sure that the winners are truly worthy of your hard-earned money, all of them must have been tested in depth by multiple panel members. The only exceptions are the awards for innovation, which recognise products that provide new means for photographers to express their creativity.

As with last year, the ongoing impact of the pandemic means that this year’s process for selecting the winners was conducted by videoconferencing. While each country has its own tastes and preferences, there is often a strong consensus as to which cameras and lenses should be rewarded. In some categories the competition is more fierce and the discussion more lively, but in the end we always reach a friendly consensus. Read on to discover this year’s best buys!

Nigel Atherton, Editor www.amateurphotographer.co.uk

Testbench EISA photo panel members

EISA AWARDS

Amateur Photographer UK

FotoVideo Czech Republic

Focus Netherlands

FotoVideo Magazin Hungary

Editor-in-chief Nigel Atherton Editor-in-chief Roos Schouw

Editor-in-chief Renaud Labracherie

Foto-Kurier Poland Fotografi Norway

The Expert Imaging and Sound Association is a collection of photographic, audio and video magazines in which members pool their skills and knowledge to award the best products in a wide range of categories each year. The awards are intended as a guide for specialist consumers. Amateur Photographer, a founding member of the association, represents the UK for the photographic section of the awards.

Learn more about EISA at www.eisa.eu/awards

Editor-in-chief Sándor Benko

Focus Numérique Kamera-lehti France Finland

Editor-in-chief Krzysztof Patrycy

What is EISA?

Editor-in-chief Rudolf Stáhlich

Editor-in-chief Pål Otnes

Fotomag Norway

Editor-in-chief Toralf Sandåker

FotoMagazin Germany Editor-in-chief Manfred Zollner

FOTOobjektiv Austria Editor-in-chief Klaus Lorbeer

Fotosidan Magasin Sweden

Editor-in-chief Kristiina Haaga

PhotoNet Greece

Editor-in-chief Konstantinos Floros

Shutterbug USA Editor-in-chief Dan Havlik

Smart Photography India

Editor-in-chief Hoshang S Billimoria

Super Foto Digital Spain Editor-in-chief Jorge Coma

Tutti Fotografi Italy Editor-in-chief Paolo Namias

Editor-in-chief David Elmfeldt 41

Testbench

EISA AWARDS

EISA Lens of the Year 2021-2022 Tamron 17-70mm F/2.8 Di III-A VC RXD

For enthusiast photographers who use Sony cameras with APS-C sensors and are in search of a high-quality zoom, this might be the perfect choice. It offers a uniquely useful combination of a large maximum aperture and a broad 26-105mm full-frame equivalent focal length range, without compromising on optical quality. The lens is weather-sealed to match the higher-end Alpha 6000-series models, while its effective optical stabilisation allows handheld shooting at slow shutter speeds without blurring due to camera shake. In addition, the autofocus is quiet and accurate while being fully compatible with features such as Eye AF. Overall, it’s a great choice for everyday shooting.

EISA Camera of the Year 2021-2022 Sony Alpha 1

With the Sony Alpha 1, photographers no longer face a choice between high resolution or high speed. Instead, it delivers 50-millionpixel images at up to 30fps with an uninterrupted blackout-free view in its electronic viewfinder, thanks to its unique full-frame stacked Exmor RS CMOS sensor with integrated memory and a powerful BIONZ XR processor. The fast sensor readout enables accurate focus and exposure tracking during burst shooting, while the dual-driven shutter system allows flash sync up to 1/400sec and electronic shutter flash sync at up to 1/200sec. For videographers, the Alpha 1 offers up to 8K (7680x4320) 30p movie recording. This really is the one camera that does it all.

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EISA Best Buy Camera (APS-C) 2021-2022 Fujifilm X-S10

The Fujifilm X-S10 is a lightweight and compact mirrorless camera with easy handling and lots of creative settings. Its image sensor delivers 26-million-pixel images, 4K video at 30fps, and a sensitivity range from ISO 160 to 12,800. The fast and sensitive autofocus system is reliable and accurate even in low light. The X-S10 includes in-body image stabilisation (IBIS) to ensure sharp images by counteracting camera shake across five axes. In addition, the camera’s internal stabiliser can synchronise with optically stabilised X-mount lenses for even better results. All in all, the Fujifilm X-S10 is an excellent camera at an affordable price.

EISA Best Buy Camera (Full Frame) 2021-2022 Nikon Z 5

The Nikon Z 5 is a compact and lightweight camera equipped with a 24.3-million-pixel full-frame sensor mounted on a mechanical stabilisation system. It’s very pleasant to use thanks to a large grip, a joystick to change options quickly, a touchscreen and a sharp 3.6-million-dot electronic viewfinder. With a maximum sensitivity of ISO 51,200, the Nikon Z 5 can keep shooting in difficult light. Its 273-point autofocus system is very effective and will automatically identify human eyes and faces, as well as those of some pets. The camera can also shoot 4K video, although with a 1.7x crop. Overall, it’s the best-value full-frame camera on the market.

EISA Advanced Camera 2021-2022 Nikon Z 6II

The Nikon Z 6II is a versatile camera with a 24.5-million-pixel BSI-CMOS full-frame sensor which can record video up to 4K Ultra HD at 60fps. Its next-generation autofocus system can work in light levels as low as -4.5EV, while two EXPEED 6 processing engines provide faster image processing and a larger buffer capacity for continuous shooting compared to its predecessor. The Z 6II also gains dual card slots, one for CFexpress/XQD and one for standard SD. It can be powered via its USB-C interface and is fully compatible with a vertical battery grip. It’s one of the most accomplished cameras available for serious enthusiast photographers.

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EISA Premium Camera 2021-2022 Canon EOS R5

Canon’s highly-specified mirrorless all-rounder is feature-filled and built to last. It produces extremely sharp, high-resolution 45-millionpixel images, while being capable of recording both 8K and 4K video.

It also boasts a high-speed, high-precision Dual Pixel CMOS AF II autofocus system, up to 8 stops of in-body image stabilisation, and high-speed continuous shooting at up to 20fps. The AI-based subject-recognition system is capable of detecting and tracking human eyes, faces, and bodies, as well as those of some animals.

Combine these features with its robust build and superb handling, and there is probably no assignment that the R5 cannot take care of.

EISA Professional Camera 2021-2022 Fujifilm GFX 100S

With the GFX 100S, Fujifilm has packed the groundbreaking features of the GFX 100 into a much more compact and affordable camera. Like its bigger sibling, it employs a 102-million-pixel BSI-CMOS sensor that measures 44x33mm, and which includes phase detection pixels for fast, accurate hybrid autofocus. Its updated sensor-shift in-body image stabilisation can now compensate for camera shake by up to 6 stops, which together with the low-vibration shutter, helps photographers get the sharpest possible images when shooting handheld. In Pixel Shift Multi-Shot mode the camera can even generate 400-million-pixel images for the ultimate quality when shooting still life.

EISA Photo/Video Camera 2021-2022 Sony Alpha 7S III

The Sony Alpha 7S III delivers 4K video without any compromise. At its heart is a new 12-million-pixel back-illuminated full-frame Exmor R CMOS image sensor that provides outstanding performance at high ISO sensitivities with minimal rolling shutter effects. Its full-pixel readout enables ultra-sharp and clean video without a crop. In 4K/60p mode the camera can record for more than an hour without overheating, while for slow motion, 4K/120p and Full HD/240p are also available. Internally, the camera records 10-bit footage with 4:2:2 colour subsampling; it can also output 16-bit RAW data over HDMI. Other highlights include an extremely large, high-resolution 9.44-million-dot viewfinder and a fully articulated touchscreen monitor. www.amateurphotographer.co.uk

EISA AWARDS

Testbench

EISA Wideangle Lens 2021-2022

Sony FE 14mm F1.8 GM

This extremely compact wide-aperture ultra-wideangle prime lens combines Sony’s latest optical design achievements and manufacturing techniques into a rectilinear 14mm f/1.8 lens that is as easy to carry in the field as it is to use in studio. The compact size and weight, however, do not compromise high image quality or weather-resistant build quality. Sporting careful optical correction, the Sony FE 14mm F1.8 GM performs impressively well for landscapes, nightscapes, and architecture. The 9-blade aperture and XA lens elements contribute to attractive bokeh, while the linear AF motors provide fast and accurate autofocus.

EISA Wideangle Zoom Lens (APS-C) 2021-2022 Tamron 11-20mm F/2.8 Di III-A RXD

Designed for use with Sony E-mount cameras, this is the world’s first ultra-wideangle zoom lens for APS-C mirrorless to boast a fast maximum aperture of f/2.8. It is both compact and lightweight yet gives top-quality results. Its closest focusing distance is only 15cm at the shortest focal length, making it ideal for close-up shooting. The RXD autofocus motor is completely silent and focuses precisely and quickly on any subject, which is especially important for video recording. As a result, it’s the perfect choice for shooting with extraordinary viewing angles and striking perspectives.

EISA Wideangle Zoom Lens (Full Frame) 2021-2022 Sony FE 12-24mm F2.8 GM

Sony’s large-aperture ultra-wideangle zoom is a truly amazing lens, with remarkable optical performance that’s on a par with high-end primes. The sharpness is very impressive from edge to edge, even at maximum aperture. The lens is also astonishingly compact considering its 122° angle of view and bright maximum aperture of f/2.8. The high build quality includes weather-sealing and a water- and oil-repellent fluorine coating on the front element. Quick and accurate autofocus makes this lens a useful tool for both landscape photographers and photojournalists. w

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EISA Standard Lens 2021-2022

Sony FE 50mm F1.2 GM

This unique standard lens combines outstanding image quality and a very bright aperture with a remarkably compact and lightweight design. Its 11-blade circular diaphragm and XA lens elements together provide pleasing bokeh. In addition, the lens is equipped with an aperture ring that can be switched between clicked and clickless operation, a dust- and moistureresistant design and four XD linear autofocus motors that deliver fast and precise autofocus and tracking. This lens offers Sony shooters a brilliantly performing tool for portraits, night scenes and general photography.

EISA Telephoto Zoom Lens 2021-2022

Tamron 150-500mm F/5-6.7 Di III VC VXD

Tamron’s ultra-telephoto zoom for Sony E-mount provides a focal length range that is ideal for wildlife, sports and action photography in an impressively compact design. It also offers a minimum focus distance of 60cm at the 150mm position, providing a maximum magnification of 1:3.1 for close-up work. The Broad-Band Anti-Reflection coating suppresses ghosting and flare, while the optics are protected by the moisture-resistant construction along with a fluorine coating on the front element. This is the first Tamron lens for full-frame mirrorless cameras to feature optical image stabilisation, enabling sharp handheld ultra-telephoto shooting.

EISA Professional Telephoto Zoom Lens 2021-2022 Nikon NIKKOR Z 70-200mm f/2.8 VR S

As to be expected of a lens that’s made for high-end, professional use, this fast telephoto zoom is as advanced as it gets. Optically it’s superb, combining high levels of sharpness with effective suppression of aberrations. Other desirable features include weather-resistant construction, autofocus that’s fast, silent and accurate, and effective optical stabilisation. A customisable control ring, two programmable buttons and a top-plate display panel provide an unmatched level of control. The result is a fantastic lens that’s ideal for a wide variety of uses, ranging from wildlife and sports to portrait and wedding photography. www.amateurphotographer.co.uk

EISA AWARDS

Testbench

EISA Portrait Lens 2021-2022

Sigma 85mm F1.4 DG DN | Art

Sigma has created a lens that redefines portrait photography by combining an ideal focal length with technology that ensures top-quality results. Designed specifically for full-frame mirrorless cameras, its lightweight and compact body is distinguished by its excellent quality of construction, including dust and splash resistance. Users will enjoy sharp pictures thanks to the use of five SLD elements and one aspherical element, as well as the latest high-refractive index glass. Thanks to its f/1.4 maximum aperture, it produces beautiful artistic bokeh that will satisfy both professional and advanced amateur photographers.

EISA Manual Lens 2021-2022

Laowa Argus 33mm f/0.95 CF APO

The Laowa Argus 33mm f/0.95 CF APO is an exceptionally bright standard lens for mirrorless cameras with APS-C sensors. This ultra-large-aperture lens is perfect for both low-light photography and for obtaining extremely shallow depth of field – especially when combined with its 35cm closest focusing distance. Thanks to its apochromatic design, the colour fringing usually associated with fast apertures is unusually well controlled. The long focus throw, low focus breathing and stepless aperture ring also make it ideal for video use.

It’s available in Canon RF, Fujifilm X, Nikon Z and Sony E mounts.

EISA MacroLens 2021-2022

Nikon NIKKOR Z MC 50mm f/2.8

This affordable, compact and lightweight standard macro lens for Nikon Z cameras provides 1:1 reproduction at its minimum focus distance of 16cm. The optical design uses both aspherical and extra-low dispersion glass elements to minimise chromatic aberration.

A fluorine coating protects the front lens element, and the barrel is sealed against dust, dirt and moisture, allowing it to be used in challenging conditions. It features a silent control ring with which you can set the aperture or ISO sensitivity. When used with a DX-format Z-series camera, the lens has an angle of view equivalent to 75mm, making it a great choice for both macro and portraits.

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EISA Special Purpose Lens 2021-2022

Laowa 15mm f/4.5 Zero-D Shiſt

Currently the widest-angle shift lens on the market, this is characterised by its durable steel construction and excellent workmanship. Designed for use with full-frame cameras, both mirrorless and DSLRs, it provides ±11mm shift, which makes it ideal for correcting perspective in architectural and interior photography.

Despite its very demanding optical design, it’s much more affordable than other ultra-wideangle shift lenses. All aspects of operation are manual, including focusing and aperture setting, with the shift mechanism using a unique rotary dial that’s both precise and easy to use. Thanks to its compact size, low weight and smooth, reliable operation, the lens is a fine choice for photographing architecture.

EISA Lens Innovation 2021-2022

Canon RF 100mm F2.8L Macro IS USM

While most manufacturers have built up their full-frame mirrorless lens ranges by replicating their most popular SLR designs, Canon has consistently been more imaginative. Its new RF-mount 100mm f/2.8 offers the highest magnification ratio of any autofocus macro lens, at 1.4x, allowing users of its EOS R-system cameras to fill the frame with a subject measuring just 26x17mm. It also gains a new spherical aberration control ring that adjusts the smoothness of blur in either the foreground or background. Together, these two innovations promise to open new avenues of creative expression for close-up photography.

EISA Photo Printer 2021-2022

Epson SureColor SCP700

This A3+ printer allows professional and ambitious amateur photographers to make long-lasting prints of their most-cherished images. Thanks to its UltraChrome Pro 10 ink set, the SC-P700 delivers outstanding print quality in both colour and black & white. It handles sheets of photo or fine art paper effortlessly, boasts an integrated roll paper unit, and doesn’t require any ink change when switching between matt and glossy media. With its compact footprint and wide range of interfaces (USB 3.0, Wi-Fi and Ethernet), the SC-P700 can fit into any workspace or studio while providing an easy-to-use, customisable user interface via its 4.3in touchscreen. www.amateurphotographer.co.uk

EISA AWARDS

Testbench

EISA Photo Software2021-2022 Zoner Photo Studio X

This innovative photo software offers a wide range of userfriendly features. Along with being a fully featured raw converter, it provides easy photo editing with layers and masks, while the retouching brush and faces tool are perfect for enhancing portraits. Zoner Photo Studio X also manages your photo catalogue, allowing you to browse by date, shot location, keywords, or folders. The continuous updates and use of artificial intelligence are also very advantageous for users.

Zoner Photo Studio X combines features that usually require several programs from other vendors at a very competitive price.

EISA Advanced Photo Software 2021-2022 DxO PureRAW

PureRAW by DxO is a truly unique piece of software. You use it to pre-treat your images before importing them into Adobe Lightroom, Photoshop or any other photo software that supports the Linear DNG raw format. This allows you to benefit from DxO’s superior demosaicing algorithms, lens corrections, noise reduction and image sharpening, all without sliders or complex adjustments and without any need to master a new interface. You just get better images without changing much of your existing workflow.

EISA Photo Service 2021-2022 CEWE Photoworld

Nowadays, most pictures are taken with smartphones. With the CEWE Photoworld app for iOS and Android, it’s easy to turn these into beautiful photobooks. With the help of artificial intelligence, the user just has to select which pictures on their phone or tablet should go into the photobook and the app does the rest automatically, including the order, image corrections and which picture details are shown. This is tremendously helpful and speeds up the process enormously, while users can still change everything according to their own taste. The quality of the printed result is just as high as with regular CEWE photobooks.

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Testbench

EISA AWARDS

EISA Advanced Smartphone 2021-2022 OPPO Find X3 Pro

Raising the technological bar to new heights, the OPPO Find X3 Pro impresses with its comprehensive feature set and modern, highly distinctive design. Powered by a Qualcomm 5nm Snapdragon 888 processor, with 8GB of RAM, the Find X3 sports a 6.7in 120Hz LPTO AMOLED display and durable 4500mAh battery with 65W fast charging support. Moreover, OPPO’s flagship offers arguably the best smartphone camera setup this season, packing four lenses on its back – a 50-megapixel primary and ultra wide-angle, a 13-megapixel telephoto and, uniquely, a 3-megapixel microscope snapper, working between 1-3mm distances to deliver 60x magnification. This multi-camera setup delivers on every promise, making OPPO’s Find X3 the most advanced smartphone on the market.

EISA Multimedia Smartphone 2021-2022 Sony Xperia 1 III

Sony’s Xperia 1 III introduces the first ever 120Hz 4K screen on a smartphone, plus a variable focal-length periscope telephoto camera, making this a genuine multimedia hero ideal for anyone who uses their mobile device mostly to create or to consume high-quality video and photo content. These capabilities are supported by Qualcomm’s latest 5nm Snapdragon 888 chipset and 12GB of RAM, another ‘first ever’ smartphone combination, and the result is a device that also excels at mobile gaming and app multitasking. A high-end handset for demanding users, the Xperia 1 III wraps its pleasing functionality in a fresh design with an impeccable glass finish and IP65/IP68 water/dust-proofing.

HI-FI EXPERT GROUP

EISA FLOORSTANDING LOUDSPEAKERS 2021-2022 Monitor Audio Silver 500 7G EISA STANDMOUNT LOUDSPEAKERS 2021-2022 KEF LS50 Meta EISA WIRELESS FLOORSTANDING LOUDSPEAKERS 2021-2022 System Audio Legend 40.2 Silverback EISA WIRELESS STANDMOUNT LOUDSPEAKERS 2021-2022 KEF LS50 Wireless II EISA HIGH-END LOUDSPEAKERS 2021-2022 Wilson Audio SabrinaX EISA HI-FI SUBWOOFER 2021-2022 KEF KC62 EISA STREAMING AMPLIFIER 2021-2022 Cambridge Audio EVO 150 EISA INTEGRATED AMPLIFIER 2021-2022 Rotel Michi X3 EISA POWER AMPLIFIER 2021-2022 NAD C 298 EISA PHONO STAGE 2021-2022 Hegel V10 EISA DIGITAL MUSIC PLAYER 2021-2022 Bluesound NODE EISA HIGH-END MUSIC PLAYER 2021-2022 HiFi Rose RS150 EISA DAC 2021-2022 Cambridge Audio DacMagic 200M EISA BEST VALUE TURNTABLE 2021-2022 Pro-Ject Debut PRO

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EISA HIGH-END TURNTABLE 2021-2022 Thorens TD 124 DD EISA PHONO CARTRIDGE 2021-2022 Ortofon 2M Black LVB 250 EISA STEREO SYSTEM 2021-2022 Marantz Model 30/SACD 30n EISA HEADPHONE SOLUTION 2021-2022 Naim Uniti Atom Headphone Edition EISA HEADPHONES 2021-2022 Focal Clear Mg EISA HIGH-END HEADPHONES 2021-2022 T+A Solitaire P-SE EISA BEST VALUE HEADPHONES 2021-2022 Sennheiser HD 560 S EISA HI-FI ACCESSORY 2021-2022 Ferrum Hypsos

EISA SOUNDBAR INNOVATION 2021-2022 LG Éclair QP5 (DQP5, DQP5W, QP5W) EISA COMPACT SOUNDBAR 2021-2022 JBL Bar 5.0 Multibeam EISA BEST BUY SOUNDBAR 2021-2022 TCL TS8132 EISA HOME THEATRE SOUNDBAR 2021-2022 Philips Fidelio B97 EISA BEST BUY HOME THEATRE SUBWOOFER 2021-2022 SVS SB-1000 Pro EISA COMPACT SUBWOOFER 2021-2022 SVS 3000 Micro EISA HOME THEATRE SPEAKER SYSTEM 2021-2022 Polk Audio Reserve EISA HOME THEATRE RECEIVER 2021-2022 Yamaha RX-V6A

EISA FAMILY TV 2021-2022 Hisense 65U8GQ EISA BEST BUY LCD TV 2021-2022 TCL 55C728 (55C727 & 55C729) EISA PREMIUM LCD TV 2021-2022 TCL 65C825 (65C821 & 65C822) EISA BEST HOME THEATRE TV 2021-2022 Philips 65OLED936 EISA BEST BUY OLED TV 2021-2022 Philips 55OLED806 EISA PREMIUM UST PROJECTOR 2021-2022 Samsung The Premiere LSP9T EISA HOME THEATRE PROJECTOR 2021-2022 Sony VPL-VW590ES EISA BEST BUY PROJECTOR 2021-2022 XGIMI Horizon Pro EISA LASER TV PROJECTION SYSTEM 2021-2022 BenQ V7000i/V7050i & ALRS01

COMBINED AWARD WITH HOME THEATRE COMBINED AWARD WITH HOME THEATRE AUDIO EXPERT GROUP VIDEO EXPERT GROUP EISA COMPACT SUBWOOFER 2021-2022 MOBILE DEVICES EXPERT GROUP EISA UHD PLAYER 2021-2022 SVS 3000 Micro

UBR-X200 COMBINED AWARD WITH MOBILE DEVICES Reavon HOME THEATRE VIDEO & DISPLAY EXPERT EXPERT GROUP GROUP EISA WIRELESS HEADPHONES 2021-2022 Philips Fidelio L3 EISA IN-EAR HEADPHONES 2021-2022 LG TONE Free FP8

HOME THEATRE AUDIO EXPERT GROUP EISA SMART SOUNDBAR 2021-2022 Denon Home Sound Bar 550

EISA 8K TV 2021-2022 LG 75QNED99 EISA BEST PREMIUM OLED TV 2021-2022 LG OLED65G1 EISA BEST GAMING TV 2021-2022 LG OLED48C1

EISA MULTIMEDIA SMARTPHONE 2021-2022 Sony Xperia 1 III EISA ADVANCED SMARTPHONE 2021-2022 OPPO Find X3 Pro EISA BEST SMARTPHONE 2021-2022 Apple iPhone 12 Pro Max EISA FOLDABLE SMARTPHONE 2021-2022 Huawei Mate X2 EISA BEST BUY SMARTPHONE 2021-2022 TCL 20 Pro 5G

EISA WIRELESS HEADPHONES 2021-2022 Philips Fidelio L3 EISA IN-EAR HEADPHONES 2021-2022 LG TONE Free FP8 EISA MOBILE SPEAKER 2021-2022 Loewe We. HEAR 2 EISA SMARTWATCH 2021-2022 Huawei Watch 3 Pro

IN-CAR ELECTRONICS EXPERT GROUP

EISA IN-CAR HEAD UNIT 2021-2022 Kenwood DMX8020DABS EISA IN-CAR INNOVATION 2021-2022 Audiotec Fischer Conductor EISA IN-CAR SPEAKER SERIES 2021-2022 Ground Zero Uranium SQ series EISA IN-CAR SOUND PROCESSOR 2021-2022 ESX D68SP EISA IN-CAR SPEAKER SYSTEM 2021-2022 Eton ONYX 16, ONYX 80, ONYX 28 EISA IN-CAR DSP AMPLIFIER 2021-2022 Match UP 10DSP EISA IN-CAR CAMPER VAN COMPONENT 2021-2022 Alpine Adventure Audio EISA IN-CAR COMPACT SUBWOOFER 2021-2022 Pioneer TS-WX010A EISA IN-CAR INTEGRATION 2021-2022 Zenec Z-E2055 EISA IN-CAR OEM PREMIUM AUDIO SYSTEM 2021-2022 Maserati MC20 with Sonus faber

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Ask the Experts Tech Talk

Looking for a new camera or accessory and need some advice? We’re here to help. Contact us at ap.ed@kelsey.co.ukor on Twitter at@AP_Magazine and #AskAP

What’s the best way to protect equipment from the raiI’ven? really got into wildlife

Q

photography recently, but on more than one occasion I’ve found myself in the midst of a rain shower and had to run back to my car while trying to protect my camera. I know a lot of equipment is weatherresistant, but I’ve also heard stories of lenses malfunctioning after being soaked. Are there any cheap and lightweight protection options I could keep tucked in a coat pocket for these situations?

Katie Matthews You’re right to be concerned, Katie, as while many camera bodies and lenses feature some weatherproofing, very few set-ups can withstand the sheer amount of water a sustained downpour can dump on your equipment in a short period of time. With Britain’s weather being notoriously unpredictable, some additional weather protection is often a sensible investment if you spend a lot of time outside. One of the cheapest options is the OpTech Rainsleeve (£8 for two).

Place your camera and lens into this lightweight plastic sleeve, tighten the drawstring around the end of your lens and it will act as a rain coat keeping the worst of the water off of your camera, while still allowing you to keep shooting if you want.

Best action camera for summer sports

Q

I’m an amateur photographer and passionate extreme sports enthusiast.

I wondered if you could point me in the direction of some of the best action cameras under about £400 that are waterproof and can be easily positioned for capturing content on surfboards, bikes, harnesses etc. I know GoPros used to be ubiquitous, but is that still the case? I’d like decent video and stills capture, and if it does some crazy slow-motion shooting – even better! Toby Eachus

Our experts suggest

A

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A

When they first hit the market, action cameras revolutionised the kind of high-octane footage and stills that the average shooter could produce. Rugged, compact, and easy to use, they could go where no camera had gone before. GoPro spearheaded this charge, but there are now some other serious contenders vying for your attention.

While most of these devices are optimised for video, enhanced resolutions and sensor tech has made them much more adept at stills, too.

Insta360ONE R DJINot content Osmo Acti o n with dominating Twin Edition the drone market, DJI has set With its unique design, this

GoPro HERO9 Boasting stunning 5K and up to

£329 ● 4K/60fps, 1080p/240fps

£359 ● 5K/30fps, 4K/60fps, 1080p/240fps

its eyes on the action camera sector with this little beauty. It offers 4K/60fps HDR video at 100Mbps, slow motion recording at up to 240fps, and 12MP stills. Waterproof to 11m and resistant to temperatures as low as -10˚, it’s comfortable being used in sun, snow or surf. Clean and clear front and rear displays make composition a breeze, while other benefits include voice control, effective RockSteady stabilisation and a wide range of creative shooting modes.

gives a choice between wideangle 4K footage, or dual lens 360° footage, simply by switching out its screen/control module. Thanks to FlowState stabilisation, footage remains smooth in the most challenging situations and can be recorded in 200fps super-slow-motion.

Its 1/2.3-inch sensor will also capture pleasing 12.3MP stills in a 2:1 ratio. There’s support for an external mic and headphones, Apple Watch and voice control, and the device is fully waterproof down to 5m.

8x slow-motion video capture as well as fantastic 20MP stills, the HERO9 can brawl with the best of them when it comes to output quality. With front and rear displays, the ability to add an external mic, light or third display as well as to affix an ultra-wide 155˚ field-of-view lens, it’s a surprisingly versatile piece of kit that could be ideal for a wide range of shoots.

Waterproof down to 10m and with an huge number of mounting options, it’s a camera that can go almost anywhere.

● Waterproof to 11m ● Dual LCD display

● 4K/60fps, 1080p/200fps ● Waterproof to 5m ● Wideangle / 360° lens interchangeable modular design

● Waterproof to 10m ● Dual LCD display

£399

www.amateurphotographer.co.uk

Best Buys A round-up of the AP testing team’s favourite and most highly rated kit, including both cameras and all kinds of accessories, across a wide range of price points

Olympus Tough TG-6 ● £370 ● www.olympus.co.uk

Olympus’s Tough compacts have habitually won our underwater camera group tests, and this latest model is still the best of its type. It’s waterproof to 15m, shockproof against a 2.4m drop, crushproof and freezeproof. The 25-100mm equivalent lens is paired with a 12MP sensor, and viewing is via a 3in LCD. This is also one of the few rugged cameras that can record raw files.

Canon PowerShot G1 X Mark III Fujifilm X100V ● £1,119 ● www.canon.co.uk This unique zoom compact offers excellent image quality by employing the same 24.2MP APS-C sensor as several of Canon’s DSLRs and mirrorless cameras, along with a 24-72mm equivalent lens. A central viewfinder, fully articulated touchscreen and comprehensive external controls round off a superb little camera for enthusiast photographers.

● £1,300 ● www.fujifilm.eu/uk

★★★★★

Fujifilm’s charismatic rangefinder-styled compact employs a fixed 23mm f/2 lens, APS-C sensor, traditional analogue controls and a unique hybrid optical / electronic viewfinder. In this latest version the lens has been redesigned for improved sharpness, and the back is now adorned with a tilting screen. It’s a truly gorgeous little camera. ★★★★★ Reviewed 25 Apr 2020

Panasonic LX100 II

Sony RX100 VII

Sony RX10IV

A high-end compact for creative photography, the LX100 II is based around a 24-75mm equivalent f/1.7-2.8 lens and a 17MP Four Thirds sensor that features a true multi aspect-ratio design. It also boasts a full range of traditional analogue control dials, and the corner-mounted viewfinder is complemented by touchscreen LCD. ★★★★ Reviewed 1 Sep 2018

Sony has somehow crammed a 24-200mm equivalent zoom, pop-up electronic viewfinder, tilting screen, 20 fps shooting and 4K video recording into a body that you can slip into a jacket pocket. With the firm’s latest AF technology also on board, it’s without doubt the most accomplished pocket camera on the market. ★★★★ Reviewed 5 Oct 2019

This sets a new standard for superzoom cameras, with a 24-600mm equivalent lens, 20MP 1in sensor, and 24 fps continuous shooting. Its SLR-shaped body hosts a large electronic viewfinder and a decent set of physical controls. It’s the best all-in-one camera for wildlife or travel photography that you can buy right now. ★★★★★ Reviewed 2 Dec 2017

Reviewed 3 Feb 2018

● £729 ● www.panasonic.com/uk

www.amateurphotographer.co.uk

● £1,199 ● www.sony.co.uk

● £1,699 ● www.sony.co.uk

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BEST BUYS REVISITING GREAT KIT FROM OUR TEST ARCHIVES Nikon D3500

Canon EOS M50

Nikon’s entry-level DSLR hits a sweet spot of capability versus affordability. It sports a 24MP APS-C sensor with a sensitivity range up to ISO 25,600, and can shoot at 5 frames per second. Its Guide Mode makes the camera easy to use for beginners, while full manual control is also available. ★★★★★ Reviewed 9 Feb 2019

This likeable little camera is simple and approachable for novices, while offering plenty of manual control for enthusiasts. Its central electronic viewfinder is joined by a fully articulated touchscreen, autofocus is fast and accurate, and it’s capable of producing consistently fine images. The updated Mark II version adds a few minor extra features.

● £400 with 18-55mm VR ● www.nikon.co.uk

● £649 with 15-45mm lens ● www.canon.co.uk

★★★★

Reviewed 14 Apr 2018

Olympus OM-D E-M10 Mark IV Fujifilm X-T30

● £799 with 14-42mm lens ● www.olympus.co.uk

With a charismatic retro design, fine handling, highly effective in-body stabilisation and attractive JPEG output, Olympus has made a camera that’s more pleasant to use than its entry-level competitors. Its 20MP sensor delivers good results up to ISO 3200 at least, and its tilting screen can be set to face forwards beneath the camera.

The 16MP Mark III is also still a great buy. ★★★★ Reviewed 26 Sep 2020

Canon EOS 250D

● £599 with 18-55mm IS lens ● www.canon.co.uk

One of the smallest DSLRs around, the EOS 250D strikes a great balance between portability and usability. It’s equipped with a novice-friendly Guided Mode, while Canon’s Dual Pixel CMOS sensor provides excellent autofocus in live view. Image quality is very good, delivering vibrant colours and plenty of fine detail. ★★★★★ Reviewed 7 Sep 2019

● £899 with 15-45mm lens ● www.fujifilm.eu/uk

This lovely little camera provides excellent performance, while preserving the charm and charisma of the X-series. It’s a great all-rounder, and handles exceptionally well thanks to an intuitive interface based around traditional analogue dials. Image quality is superb in both raw and JPEG, aided by Fujifilm’s peerless Film Simulation modes. ★★★★★ Reviewed 18 May 2019

Panasonic Lumix G9 ● £999 ● www.panasonic.com/uk

Easily the finest stills camera Panasonic has ever produced, the G9 backs up its sturdy construction with a winning combination of high-speed shooting, fast focusing and effective in-body stabilisation.

Boasting a control layout as complete as most pro-level DSLRs, it’s an extremely versatile camera that’s capable of dealing with any subject. ★★★★ Reviewed 27 Jan 2018

Fujifilm X-S10

● £949 ● www.fujifilm.eu/uk Fujifilm’s latest model brings a distinct change in design. It looks much like a conventional DSLR, with electronic dials for changing exposure settings. But you still get Fujifilm’s signature fine image quality, along with in-body image stabilisation. The result is a camera that’s perfect for APS-C DSLR users looking to upgrade to mirrorless. ★★★★★ Reviewed 23 Jan 2021

Olympus OM-D E-M5 Mark III ● £1,049 ● www.olympus.co.uk This small, fully featured and weathersealed mirrorless camera is both a pleasure to use, and capable of great results. Its petite body finds space for an extensive complement of controls, along with class-leading 5-axis in-body image stabilisation, yet weighs in at just 414g. On-chip phase detection enables fast, decisive autofocus. ★★★★★ Reviewed 11 Jan 2020

Fujifilm X-T4

● £1,549 ● www.fujifilm.eu/uk Fujifilm has built on its outstanding X-T3 by adding in-body image stabilisation and a vari-angle screen. With high speed, impressive resolution and sophisticated autofocus, the X-T4 is the finest APS-C mirrorless camera yet, and a great choice for both demanding professionals and keen enthusiasts who would like to build a smaller, lighter system. ★★★★★ Reviewed 11 Jul 2020

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Nikon Z 6II

Nikon Z 7II

Sony Alpha 7R IV

This upgraded full-frame mirrorless all-rounder boasts a 24.5MP sensor, 273-point autofocus and rapid 14fps burst shooting. It also gains an SD card slot, alongside XQD/CFexpress. Its excellent viewfinder is complemented by a tilting screen, and both image quality and handling are superb. The older Z 6 remains a good buy for £500 less. ★★★★ Reviewed 9 Jan 2021

Nikon has delivered a sensible update to its flagship high-res model, with an additional SD card slot and slightly faster shooting. As before, its 45.7MP sensor gives stunning image quality, backed up by 5-axis in-body image stabilisation and fast, accurate autofocus. The viewfinder is superb, and F-mount SLR lenses can be used via the FTZ adapter. ★★★★ Reviewed 6 Feb 2021

With its 61MP sensor, the A7R IV takes full-frame image quality to new heights, without compromising on speed or dynamic range. It’s as accomplished when shooting sports or wildlife as it is for landscapes or portraits. With an excellent viewfinder and effective in-body stabilisation, it’s the most capable all-rounder you can currently buy. ★★★★★ Reviewed 12 Oct 2019

● £1,999 ● www.nikon.co.uk

● £2,999 ● www.nikon.co.uk

● £3,499 ● www.sony.co.uk

Sony Alpha 7 III

Nikon D850

Leica M10 Monochrom

Sony’s enthusiast-focused full-frame mirrorless model is a remarkable allrounder that’s packed full of high-end features. Its 24MP sensor is supported by fast, responsive autofocus, 5-axis in-body image stabilisation, 10 frames per second shooting and 4K video recording. Handling and battery life are notably improved over its predecessor, too. ★★★★★ Reviewed 5 May 2018

This brilliant professional all-rounder provides a winning combination of high resolution and speed. Its 45.7MP sensor produces fine results at high ISOs, and the autofocus is incredibly responsive and accurate. Build quality and handling should satisfy the most demanding of users. It’s an absolutely sensational camera capable of tackling any type of subject. ★★★★★ Reviewed 21 Oct 2017

Within its own specialist niche, this monochrome-only manual-focus rangefinder is almost perfect. Its build quality is stunning, and the pared-back design allows you to immerse yourself completely in the process of taking pictures. Most importantly, the 40.9MP sensor produces fantastic results, reaching a new pinnacle in black & white image quality. ★★★★★ Reviewed 22 Feb 2020

● £1,749 ● www.sony.co.uk

Nikon D780

● £2,199 ● www.nikon.co.uk The long-awaited successor to the D750 shows that there’s life in the DSLR yet. It’s superbly built with extensive weather sealing, handles brilliantly, and gives excellent results in any conditions. It’ll provide top-level service to photographers who want to keep using their F-mount lenses and still prefer an optical viewfinder. ★★★★★ Reviewed 4 Apr 2020

● £2,499 ● www.nikon.co.uk

● £7,400 ● uk.leica-camera.com

Canon EOS R6

Fujifilm GFX100S

With this powerhouse all-rounder, Canon has finally got full-frame mirrorless absolutely right for stills photographers. It handles brilliantly, its subject-tracking autofocus is incredible, image quality is superb in both raw and JPEG, and the addition of in-body IS is transformative. It also works brilliantly with adapted EF-mount DSLR lenses. ★★★★★ Reviewed 10 Oct 2020

Fujifilm’s second-generation super-high resolution camera places a 102MP mediumformat sensor in a body the size of a fullframe DSLR. On-chip phase detection provides rapid autofocus; in-body image stabilisation allows the camera to be used handheld with confidence. It’s perfect if you need to shoot in the field without compromising on image quality. ★★★★★ Reviewed May 2021

● £2,499 ● www.canon.co.uk

● £5,499 ● www.fujifilm.eu/uk

Stay inspired all year, never miss an issue and get AP delivered straight to your door every week. See page 38 for details of our latest offer www.amateurphotographer.co.uk

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BEST BUYS REVISITING GREAT KIT FROM OUR TEST ARCHIVES Billingham Hadley Pro 2020

Essential Film Holder Kit

The latest model in this iconic line of British-made satchel-style bags includes some well-considered updates, such as a detachable shoulder strap. It’s impeccably constructed from premium materials to keep your kit protected, including Billingham’s signature triple-layer canvas that’s impermeable to water. It’s pricey, but will last for decades. ★★★★★Reviewed 5 Oct 2019

Many photographers either still enjoy shooting film, or have old negatives and slides that they’d like to digitise. Probably the best way to do this is to copy them using a DSLR or mirrorless camera. This easy-to-use device holds film flat over a lightbox for copying. It gives excellent results and is much quicker than using a scanner. ★★★★★ Reviewed 29 Aug 2020

● £239 ● www.manfrotto.com/uk-en With 4-section carbon fibre legs that can each be set to four angles, this sturdy, versatile tripod achieves a maximum height of 147cm while folding down to 45cm, and weighs 1.35kg. But its party trick is a centre column that can be set horizontally for overhead or low-level shooting. ★★★★★ Reviewed 1 Jun 2019

Cullmann Rondo 460M RB8.5

Benro GD3WH

● £260 ● www.billingham.co.uk

● £90 ● www.clifforth.co.uk

Manfrotto 190 Go! MT190GOC4

● £71 ● www.transcontinenta.co.uk/cullmann

● £159 ● www.benroeu.com This relatively lightweight and portable geared head employs an Arca Swiss type quick release. Three large control knobs, one for each axis of movement, drive the camera directly in the corresponding direction, allowing highly accurate setting of composition. With its sturdy magnesium alloy construction, it’s rated to support a 6kg load. ★★★★★Reviewed 26 May 2018

Gitzo Adventury 30L

Novo Mantis T3 Mini Travel Tripod

Vanguard VEO 2S AM-264TR

This sizeable backpack will hold a pro-spec DSLR with a 70-200mm lens attached and a second body plus up to 4 lenses. An expandable roll top provides plenty of space for personal items, and the bag also boasts tablet and laptop compartments.

It’s comfortable to carry fully loaded and offers first-class protection. ★★★★★ Reviewed 8 Sep 2018

This neat 27cm-tall mini tripod has two-section carbon-fibre legs that can be set to three different angles, and chunky rubber feet that unscrew to reveal ground spikes. The matched MBH-25 ball head (£60) provides impressive strength, and an optional centre column is available for £30. ★★★★★ Reviewed 6 Feb 2021

Vanguard Veo Select 49 ● £119 ● www.vanguardworld.co.uk

This cleverly designed bag comes with both a backpack harness and a shoulder strap, and can be switched between the two carrying modes quickly and easily. There’s space for one or two cameras and 3-5 extra lenses, along with a separate compartment for a 15in laptop and a tablet. ★★★★★Reviewed 6 Jul 2019 ● £209 ● www.gitzo.com/uk-en

If you want a fully featured tripod kit on a budget, this is a great choice.

Four-section aluminium legs provide a maximum height of 160cm, while packing down to 43.5cm. It’s rated to support a 4kg load, weighs 1.46kg, and one leg can be combined with the centre column to form a monopod. ★★★★ Reviewed 21 Mar 2020

● £70 ● www.ukdigital.co.uk

● £90 ● www.vanguardworld.co.uk This unusual monopod boasts an extended height of 1630mm, a folded height of 565mm and a maximum load capacity of 6kg. Three foldable legs at the base provide a tri-stand platform, and are linked to the four-section carbon fibre leg via a ball joint that allows smooth panning and tilting motions. ★★★★★ Reviewed 30 May 2015

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Nissin i40

● £159 ● www.kenro.co.uk

A compact flashgun that’s designed for mirrorless cameras, the i40 stands out for its high specification, compact size and ease of use. Its auto-zoom head covers lenses from 24-105mm equivalent. With a powerful output that belies its size, and a built-in LED video light, it’s available for most brands of camera. ★★★★★ Reviewed 3 May 2014

RØDE VideoMicro ● £55 ● en.rode.com

RØDE has a strong reputation for its high-end microphones. Its VideoMicro is a directional unit that primarily picks up sounds from in front of the camera, and is designed to match small mirrorless cameras. It uses ‘plug-in power’ that’s supplied by many cameras, and as there’s no battery it’s short and light. It comes complete with a Rycote shock mount and a large furry windshield. ★★★★★ Reviewed 21 May 2016

Formatt Hitech Onyx 85mm Seascape Kit

Epson Expression Photo XP970

This 85mm filter kit is ideal for APS-C or Micro Four Thirds users. It includes a polariser, 6-stop neutral density, and 3-stop soft-edge and hard-edge ND grads. It’ll fit filter threads up to 77mm, with step rings for 72mm, 67mm and 58mm supplied in the box. ★★★★ Reviewed 6 Feb 2021

An update to the XP960, which won our coveted gold award, this impressive multifunctional unit provides A3 printing ability while retaining a compact footprint.

Along with a conventional USB connection, it can print over Wi-Fi, or directly from an SD card or USB stick, controlled using the excellent colour LCD touchscreen. Other useful features include an A4 scanner and double-sided document printing.

● £350 ● www.formatt-hitech.com

★★★★★

Calibrite ColorCheckerStudio

● £522 ● www.colourconfidence.com

Previously known as X-Rite i1 Studio, this kit enables users to adopt a completely colour-managed workflow, from capture through display to print. It allows profiling of cameras, scanners, monitors, projectors and printers, and works with both Mac and Windows computers. It’s a great tool for any photographer who likes to print at home. ★★★★★Reviewed 19 Jan 2019

Hahnel ProCube2

Kase Wolverine Magnetic Circular Filter Entry Kit

This dual battery charger boasts a sturdy metal shell and interchangeable plates that each accept a pair of batteries. An LCD display shows progress, and a 2.4A USB output allows phones or tablets to be charged once the camera batteries are full.

Versions are available for all the main camera brands. ★★★★★ Reviewed 24 Feb 2018

These clever kits include circular polarising, 3-stop and 6-stop neutral density filters that snap magnetically onto adapters that screw into your lens. This considerably speeds up the process of using filters and encourages you to use them creatively. Kits are available in 77mm and 82mm sizes, with adapter rings in all sizes from 49mm up. ★★★★★ Reviewed 8 Aug 2020

● £70 ● www.hahnel.ie

● £229 ● www.epson.co.uk

● £220-£235 ● www.kasefilters.com

WD My Passport Wireless SSD

● £220-£760 ● shop.westerndigital.com

This handy device lets you back up your pictures from your camera to its internal solid-state drive without the need for a computer. It has a built-in SD card reader, and a USB 2.0 port that allows backup of other card types using plug-in readers. Its rechargeable battery will last for hours. ★★★★ Reviewed 30 Jun 2018

Fujifilm Instax Mini Link ● £110 ● www.instax.co.uk

Powered by a built-in rechargeable battery, this smart little printer connects to your smartphone via Bluetooth and is controlled using an attractively designed and intuitive app. It’s small enough to slip into a coat pocket or bag, and most importantly, delivers gorgeous little prints with fine detail and vivid colour. ★★★★★Reviewed 2 Nov 2019

Stay inspired all year, never miss an issue and get AP delivered straight to your door every week. See page 38 for details of our latest offer www.amateurphotographer.co.uk

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Est. 1954.

Mifsuds Photographic Ltd Family Run Pro Dealership With Friendly, Knowledgeable Staff.

27-29, Bolton Street, Brixham. Devon. TQ5 9BZ. 01803 852400 info@mifsuds.com www.mifsuds.com For shop and phone line opening times: - SEE WEBSITE. New Stock

CANON EOS R5

Body only

£4299

New Stock

CANON EOS 1DX Mark III

Body only

£6999

MIRRORLESS R SERIES CAMERAS EOS R6 body...............................................................£2599 EOS R6 plus 24-105mm F4-7.1 IS STM.............£2929 MIRRORLESS R SERIES LENSES RF 14-35mm F4 L IS USM ......................................£1749 RF 15-35mm F2.8 L IS USM...................................£2389 RF 24-105mm F4 L IS USM....................................£1149 RF 24-105mm F4-7.1 IS STM....................................£479 RF 24-240mm F4-6.3 IS USM...................................£959 RF 24-70mm F2.8 L IS USM...................................£2389 RF 28-70mm F2 L USM ..........................................£3099 RF 35mm F18 IS STM Macro..................................£529 RF 50mm F1.2 L USM..............................................£2389 RF 50mm F1.8 STM.....................................................£219 RF 70-200mm F2.8 L IS USM.................................£2729

RF 70-200mm F4 L IS USM....................................£1699 RF 85mm F1.2 I USM DS ........................................£3299 RF 85mm F1.2 L USM..............................................£2869 RF 85mm F2 IS Macro................................................£669 RF 100mm F2.8L IS USM Macro ..........................£1479 RF 100-500mm F4.5-7.1 L IS USM.......................£2979 RF 400mm F2.8 L IS USM.....................................£12449 RF 600mm F4 L IS USM ........................................£13409 RF 600mm F11 IS STM...............................................£769 RF 800mm F11 IS STM...............................................£999 RF 1.4 Extender............................................................£579 RF 2x Extender..............................................................£719 BG-R10 grip ...................................................................£419 LP-E6NH battery .....................................................£119.99 Mount adapter EF-EOS R.....................................£119.99

FULL FRAME CAMERAS EOS 5D MKIV body......................................... £2869 EOS 6D MKII body.......................................... £1429 EOS 6D plus 24-105mm F3.5/5.6 IS STM................................................ £1819 NON FULL FRAME CAMERAS EOS 90D body.................................................. £1249 EOS 90D plus 18-55mm............................... £1349 EOS 90D plus 18-135mm............................. £1629 EOS 80D body.....................................................£799

EOS 850D body..................................................£859 EOS 250D body..................................................£569 EOS 250D plus 18-55mm................................£629 OTHER CANON CAMERAS Powershot G5X MarkII.....................................£849 Powershot G7X MarkIII................................. £699 Powershot SX70HS ...........................................£579 M50 Mark II plus 15-45mm............................£699

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QUALITY USED EQUIPMENT. 3 Month warranty on most secondhand. See website for full list and details etc.

CANON AUTOFOCUS CAMERAS, LENSES, FLASH, ACCESSORIES ETC USED 7D MKII CAF150-600mm F5/6.3 100-400mm 300mm F2.8 500mm F4 IS 50-500mm F4.5/6.3 150-500mm 1DX MKII 5D MKIV body box HSM OS Sport F4.5/5.6 LII box IS USM LII USM LII box F5/6.3 APO body box body box DG OS

Used Canon

£2499 £1999/2397 £1097

Used Sigma £799

Used Canon

£599 £1197 £1899 £4499

£6999

CANON R DIGITAL AF USED RF 15-35 F2.8 L IS USM box ......£1997 RF 70-200 F2.8 L IS USM box...£2399 RF 85 F1.2 L USM M- box ...........£2399 CANON DIGITAL AF USED 1DX MKII body box ......................£2499 7D MKII body box.........................£1097 6D body box..................................... £499 5D MKIV body box ........... £1999/2397 5D MKIII body box........................£1197 90D body Mint box......................£1049 80D body Mint box........................ £699 20D body box .....................................£69 700D body ........................................ £299 600D body ........................................ £249 550D body ........................................ £129 450D body ...........................................£99 400D body ...........................................£99 350D body ...........................................£69 1300D body ...................................... £199

1200D body ...................................... £199 1100D body ...................................... £149 1000D body ...................................... £149 BG-E20 grip box .............................. £249 BG-E16 grip. ...................................... £199 BG-E13 grip....................................... £149 BG-E11 grip....................................... £149 BG-E9 grip box....................................£89 BG-E6 grip........£89 BG-E2 grip .....£39 CANON M USED M5 body + 15-45 ............................ £369 M body + 18-55............................... £199 CANON AF LENSES USED 10-18 F4.5/5.6 IS STM.................... £219 10-22 F3.5/4.5 USM EFS ............... £349 14 F2.8 USM LII ..............................£1299 15 F2.8 fisheye ................................. £449 15-85 F3.5/5.6 AFS ......................... £299 16-35 F2.8 USM LIII ......................£1399 16-35 F4 USM IS L........................... £799

17-40 F4 L USM ............................... £399 17-85 F3.5/4.5 EFS serviced ........ £199 18-135 F3.5/5.6 IS nano USM ..... £349 18-200 F3.5/5.6 EFS ....................... £299 24 F2.8 STM ...................................... £129 24-70 F2.8 LII USM........................£1099 24-70 F4 IS USM L........................... £699 24-105 F4 IS USM LII M- box....... £799 24-105 F4 IS USM L ........................ £549 28-135 F3.5/5.6 USM ..................... £219 35 F1.4 L USM MKII Mint box ...£1299 35 F2 IS USM .................................... £399 50 F1.2 L USM box.......................... £997 50 F1.4 USM...................................... £299 50 F1.8 STM box.................................£99 55-250 F4/5.6 IS EFS ...................... £199 60 F2.8 EFS macro .......................... £299 65 F2.8 MPE macro ........................ £849 70-200 F2.8 IS USM LIII ...............£1799 70-200 F2.8 IS USM LII ................£1197

70-200 F4 IS USM box ................... £699 70-200 F4 L USM ............................. £449 70-300 F4.5/5.6 U L IS box........... £699 70-300 F4/5.6 IS USM II................. £449 70-300 F4.5/5.6 USM ..................... £299 100 F2.8 IS USM L macro ............. £849 100 F2.8 USM macro ..................... £399 100-400 F4.5/5.6 LII box.............£1899 135 F2 USM L box........................... £649 180 F3.5 L USM..............................£1097 200 F2.8 USM LII ............................. £549 300 F2.8 IS USM LII .......................£4499 300 F4 IS USM L............................... £749 400 F5.6 USM L................................ £799 500 F4 IS USM LII box..................£6999 1.4x ext MKIII .................................... £399 2x extender MKIII............................ £369 SIGMA CAF USED 8 F3.5 EX DG fisheye...................... £499 8-16 F4.5/5.6 HSM DC box .......... £399

10-20 F3.5 EX DC HSM.................. £279 12-24 F4.5/5.6 II HSM .................... £599 14-24 F2.8 DG Art M-box ............. £849 17-50 F2.8 EX DC HS OSM ........... £269 17-70 F2.8/4 DC OS HSM ............. £249 18-250 F3.5/6.3 DC OS HSM ....... £199 50-500 F4.5/6.3 HSM OS .............. £799 50-500 F4.5/6.3 HSM ..................... £599 70-200 F2.8 EX DG OS HSM ........ £599 105 F2.8 EX DG HSM OS box ...... £329 120-300 F2.8 DG OS Sport box £2199 150 F2.8 EX DG OS HSM box ...... £699 150-500 F5/6.3 APO DG OS ........ £599 150-600 F5/6.3 sport ...................£1197 150-600 F5/6.3 contemporary... £749 TC1401 extender ...............................£19 1.4x EX DG converter .................... £149 2x EX DG converter........................ £149 OTHER CAF USED TAM 10-24 F3.5/4.5 Di II ............... £199

TAM 16-300 F3.5/6.3 II VC............ £399 TAM 17-50 F2.8 XR Di VC box..... £279 TAM 28-300 F3.5/6.3 VC PZD box.............................................. £499 TAM 70-200 F2.8 VC USD GII box ................................................ £799 TAM 100-400 F4.5/6.3 Di VC USD ............................................... £599 TAM 180 F3.5 Di macro ................ £399 TOK 12-24 F4 ATX Pro II DX box £349 TOK 12-24 F4 ATX Pro box .......... £299 Kenko ext tubes box ........................£99 FLASH/ACCESSORIES USED 430EX RT MKIII................................. £239 430EX II............................................... £139 580EX MKII. ....................................... £169 600EX RT ............................................ £299 ST-E3 transmitter box ................... £249 ST-E2 transmitter ...............................£99 Angle finder C.................................. £149

NIKON DIGITAL AF USED D5 body box...................................£2999 D3X body box .................................. £899 D3 body box..................................... £699 D850 body box.................. £1899/2299 D810 body box..............................£1199 D780 body Mint box ...................£1599 D750 body box................................ £997 D700 body ........................................ £499 D500 body Mint box ...................£1197 D300 body box................................ £299 D7500 body Mint box................... £749 D7200 body box ............................. £649 D5000 body ...................................... £179 D3200 body ...................................... £199 D3000 body .........................................£99 D200 body ........................................ £149 D90 / D80 body each .................... £149 MBD-15 (D7100/7200) ................. £129 MBD-12 grip (D810)....................... £249 MBD-10 grip ........................................£89 MBD-200 grip (D200) .......................£69

NIKON Z DIGITAL AF USED Z7 body box ...................................£1499 Z6 body box ...................................£1199 16-50 F3.5/6.3 DX ........................... £249 24-70 F4 S Mint box....................... £599 FTZ adapter ...................................... £249 NIKON AF LENSES USED 8-15 F3.5/4.5 AFS Mint box......... £997 10-24 F3.5/4.5 AFS ......................... £499 12-24 F4 DX AFS ............................. £499 14-24 F2.8 AFS Mint- box ..........£1197 16 F2.8 AFD fisheye box............... £549 16-35 F4 AFS VR box ..................... £799 16-80 F2.8/4 VR DX ........................ £499 16-85 F3.5/5.6 AFS DX VR ............ £249 18-35 F3.5/4.5 AFS M- box .......... £599 18-55 F3.5/5.6 AF VR ........................£99 18-105 F3.5/5.6 VR DX AFS.......... £199 18-140 F3.5/5.6 VR ......................... £199 18-200 F3.5/5.6 VRII ....................... £349 18-200 F3.5/5.6 VR ......................... £199 18-300 F3.5/5.6 VR DX box.......... £699

20 F1.8 AFS box............................... £579 24 F1.4 G AFS Mint......................... £997 24 F2.8 AFD....................................... £349 24-70 F2.8 AFS VR M- box .........£1349 24-70 F2.8 AFS box ........................ £897 24-85 F3.5/4.5 AFS ED................... £199 24-120 F4 AFS M- box................... £499 28-105 F3.5/4.5 AFD ...................... £169 28-300 F3.5/5.6 VR box................. £649 35 F1.8 AFS DX ................................ £169 35-105 F3.5/4.5 AFD one touch £169 50 F1.4 AFS G ................................... £299 50 F1.8 AFS box............................... £169 50 F1.4 F.......£129 50 F1.8 AFD .. £129 60 F2.8 AFS ....................................... £449 60 F2.8 AFD....................................... £349 70-200 F2.8 E FL Mint box .........£1599 70-200 F2.8 AFS VRII M- box...... £997 70-200 F4 VR box............................ £849 70-300 F4.5/5.6 AF-P ED VR ........ £479 70-300 F4.5/5.6 AFS VR................. £349 70-300 F4.5/6.3 DX AF-P VR ........ £249

70-300 F4.5/5.6 G ..............................£99 80-400 F4.5/5.6 AFS VR box ......£1499 80-400 F4.5/5.6 AFS VR box ......£1299 80-400 F4.5/5.6 AFD box ............. £799 85 F1.4 AFS box............................... £997 85 F1.4 AFD Mint box ................... £997 105 F2.8 AFS VR............................... £599 105 F2.8 AFD .................................... £299 200 F2.8 AFD macro ....................£1499 200-400 F4 AFS VR II box ...........£4499 200-500 F5.6 VR AFS....................£1099 300 F2.8 AFS VRII ..........................£3997 300 F4 E PF VR box.......................£1399 500 F4 AFS VR serviced ..............£4499 500 F5.6 E PF VR AFS ...................£3199 800 F5.6 E FL VR AFS .................£13997 TC14-EII box...................................... £329 TC17-EII box...................................... £299 TC20-EIII ............................................. £349 TC-20EII .............................................. £199 SIGMA NAF USED 8-16 F4.5/5.6 HSM DC box .......... £399

10-20 F3.5 DC box .......................... £269 10-20 F4.5/5.6 DC ........................... £199 10-24 F3.5/4.5 Di II VC HLD ......... £449 12-24 F4.5/5.6 II HSM .................... £599 18-250 F3.5/6.3 DC OS.................. £199 50 F1.4 DG box ................................ £549 50-500 F4.5/6.3 HSM OS .............. £997 70-200 F2.8 EX DG OS HSM ........ £599 105 F2.8 EX DG HSM OS............... £329 120-300 F2.8 DG OS Sport box £2199 150 F2.8 EX DG OS HSM box ...... £699 150-500 F5/6.3 DG OS HSM ........ £599 150-600 F5/6.3 sport ...................£1197 150-600 F5/6.3 contemporary... £749 TC-1401 extender ........................... £179 1.4x EX DG conv box ..................... £149 OTHER NAF USED TAM 10-24 F3.5/4.5 Di II VC HLD £449 TAM 16-300 F3.5/6.3 II VC............ £399 TAM 24-70 F2.8 Di VC USD .......... £499 TAM 28-300 F3.5/6.3 Di VC PZD £499 TAM 60 F2 SP DiII macro .............. £299

TAM 70-300 F4.5/5.6.........................£99 TAM 90 F2.8 SP ................................ £199 TAM 100-400 F4.5/6.3 Di VC USD ............................................... £599 TOK 11-16 F2.8 ATX ProII ............. £349 TOK 11-16 F2.8 ATX Pro................ £299 TOK 12-24 F4 ATX Pro II................ £299 TOK 12-24 F4 ATX Pro ................... £249 Kenko ext tubes box ........................£99 FLASH / ACCESSORIES USED SB-600....................................................£99 SB-700 box ........................................ £219 SB-800................................................. £149 SB-900................................................. £249 SB-910................................................. £299 Nissin i40 ..............................................£99 DR-6 angle finder ........................... £169 DR-5 angle finder ........................... £169 MC-36A remote..................................£89 MC-30A remote..................................£39 SC-17/SC-19/SC-28 cable each.....£49 www.mifsuds.com

FUJI DIGITAL USED X-T4 body black Mint- box.......£1299 X-T3 body black............................... £799 X-T10 body........................................ £199 X-F10 black body ............................ £799 10-24 F4 XF R OIS box................... £599 14 F2.8 R box.................................... £529 16-80 F4 XF WR ............................... £549 18 F2 box ........................................... £349 18-55 F2.8/4 XF Mint- ................... £299 18-135 F3.5/5.6 XF ......................... £499 23 F1.4 XF M- box........................... £649 50-140 F2.8 XR...............................£1149 60 F2.4 XF box ................................. £479 90 F2 R LM WR XF box .................. £699 2x extender XF WR box ................ £339 X100 Limited Edition kit box...... £599 XT-3 vertical grip G-XT3 box....... £149

XT-2 grip box...£149 XT-1 grip .....£79 Nissin i60 flash box ........................ £179 Nissin Air 10S box..............................£49 SONY NEX AF USED A6000 body ...................................... £369 E 18-200 F3.5/6.3 box ................... £429 E 55-210 F4.5/6.3 ............................ £219 E 16-50 F3.5/5.6 PZ OSS ............... £169 MINOLTA/SONY DIGITAL USED Sony RX10 MKIV Mint box.........£1299 Sony RX100 MKIII............................ £299 Sony A9 body M- box .................£2299 Sony A100 body.................................£79 Sony VG-C70AM.................................£99 FE 24-70 F4 ZA OSS box............... £499 FE 24-105 F4 G OSS box............... £799 FE 35 F1.4 ZA OSS cox .................. £899 FE 100 F2.8 GM macro .................. £897

A 16-80 F2.8 SSM DT ..................... £399 A 17-40 F4/5.6 G SM silver .......... £699 A 18-70 F3.5/5.6 .................................£89 MINOLTA (SONY A MOUNT) AF USED 28 F2.8 ...................................................£79 28-75 F2.8 AFD ................................ £199 28-80 F3.5/5.6 .....................................£49 28-85 F3.5/4.5 .....................................£99 35-105 F3.5/4.5...................................£99 50 F1.8 SAM DT ..................................£99 55-200 F4 SAM box...........................£99 75-300 F4.5/5.6...................................£79 100-300 F4.5/5.6 ................................£99 3600HSD flash ....................................£49 OTHER MIN/SONY AF USED SIG 18-300 F3.5/6.3 ........................ £299 SIG 50-500 F4.5/6.3 HSM OS ...... £899 SIG 150-500 F5/6.3 box ................ £599

SIG 1.4x EX converter .......................£99 TAM 90 F2.8 SP ................................ £199 Teleplus 1.4x conv .............................£69 Teleplus 2x conv ................................£79 Kenko 1.4x Pro 300DG .................. £149 OLYMPUS 4/3 USED 14-42 F3.5-5.6 .....................................£69 14-45 F3.5-5.6 .....................................£69 35 F3.5 ...................................................£99 40-150 F3.5/4.5...................................£99 40-150 F4-5.6 ......................................£69 EX 25 extension tube .......................£99 FL-600R flash .................................... £149 OLYMPUS MICRO 4/3 USED OMD-EM1 MKIII body Mint- box .........................................£1399 OMD-EM5 MKIII body blk Mint- box ........................................... £799

OMD-EM1 MKII body .................... £599 OMD-EM1 body black................... £399 OMD-EM5 body box...................... £299 12-40 F2.8 Pro .................................. £499 12-50 F3.5/6.3 .................................. £149 14-150 F4.5/5.6 MKII...................... £429 25 F1.2 Pro M- box ......................... £997 40-150 F2.8 Pro ............................... £929 75 F1.8 box ....................................... £499 75-300 F4.8/6.7 ED MSC MKII box ............................................. £369 SAMYANG 12 F2 Mint box MF ... £199 PANASONIC DIGITAL USED G7 body Silver Mint box .............. £299 7-14 F4................................................ £599 14-42 F3.5/5.6 .....................................£99 20 F1.7 ................................................ £179 25 F1.4 box ....................................... £379

45-200 F4/5.6 ................................... £199 200 F2.8 box ...................................£1299 1.4x converter .................................. £299 PENTAX DIGITAL USED K5 body .............................................. £299 16-45 F4 ED DA box....................... £199 18-55 F3.5/5.6 AL...............................£69 18-250 F3.5/6.3 DA ........................ £249 28-80 F3.5/5.6 silver FA ...................£69 35 F2.4 DA AL......................................£99 35-80 F4/5.6.........................................£49 50 F1.8 DA ......................................... £119 55-300 F4/5.8 ED WR..................... £299 DG-4 grip for K5 .................................£79 OTHER PENTAX AF USED SIG 17-50 F2.8 DC HSM box........ £199 SIG 50-500 F4.5/6.3 HSM OS ...... £899 www.mifsuds.com

BRONICA 645 USED ETRS + AEII prism + 75 PE + speed grip ..................................... £699 ETRSi body box ............................... £299 150 F3.5 E .......................................... £149 200 F4.5 PE........................................ £299 ETRSi 120 back RWC late ............. £119 ETRS 120 back early..........................£99 Polaroid back box..............................£29 Plain prism E box ............................ £169 AEII prism .......................................... £169 Motor winder ................................... £169 EI winder ...............................................£99

Speed grip E ........................................£99 Lenshoods various ............................£40 BRONICA 6x6 USED SQAi + 80 + WLF + 120 back.......................................£1097 SQB body........................................... £299 110 F4.5 PS macro.......................... £399 150 F4 PS ........................................... £299 2x converter S .................................. £119 SQAi 120 back late ......................... £219 SQA 120 back early ........................ £149 Polaroid back ......................................£29 SQAi WLF ........................................... £199

Lenshoods various .....................£20/50 HASSELBLAD 6x6 USED 500CM + 80 F2.8 + A12 ..............£1997 150 F4 CF box .................................. £699 150 F4 Blk T* box ............................ £499 PME5 prism....................................... £499 WLF chrome late............................. £299 Pola+ back box...................................£79 Lenshood various ..............................£49 RCP80 projector + 150 F2.8 ......£1499 MAMIYA 645 MF USED Teleplus 2x converter.......................£39 120 insert..............................................£29

Ext tube each ......................................£29 MAMIYA 7 RF USED 43 F4.5 L + V/F box ........................ £997 50 F4.5 + VF ...................................... £799 Viewfinder for 150 F4.5 ................ £199 Polarizing filter ZE702................... £149 MAMIYA RZ USED Pro 120 RFH ...................................... £129 100-200 F5.2 W................................ £299 180 F4.5 W......................................... £299 PENTAX 645 AF USED 45 F2.8 FA .......................................... £499 55-110 F5.6 FA ................................. £599

80-160 F4.5 FA ................................. £399 150-300 F5.6 FA............................... £599 200 F4 FA ........................................... £399 300 F4 FA ........................................... £799 400 F5.6 FA........................................ £799 PENTAX 645 MF USED 45 F2.8 ................................................ £349 80-160 F4.5 ....................................... £499 120 F4 macro ................................... £399 135 F4 leaf......................................... £399 200 F4 ................................................. £199 REF converter angle finder ......... £129 120 insert..............................................£99

PENTAX 6x7 USED 45 F4 late ........................................... £599 55 F4 late ........................................... £499 55-100 F4.5 ....................................... £699 75 F4.5 ................................................ £399 90-180 F5.6 ....................................... £499 100 F4 + macro adapter............... £699 120 F3.5 soft focus ......................... £399 200 F4 late......................................... £399 300 F4 latest ..................................... £349 2x rear converter grey .................. £299 Wooden grip .................................... £199 www.mifsuds.com

CANON AF FILM BODIES USED EOS 5 body ..........................................£89 EOS 600 / 650 body each ...............£39 EOS 3000 / 300 body each .............£39 EOS 50E / 500N body each ............£39 EOS 1000/1000fn body each.........£39 CANON FD USED A1 body.............................................. £169 AE1P black body ............................. £169 AE1P silver body ............................. £169 T90 body............................................ £199 T70 body...............................................£99 A1 World Cup 1982 body box.... £249 AV-1 body.............................................£99 50 F1.8 ...................................................£69 50 F2.......................................................£69 135 F3.5.................................................£69 2x extender B ......................................£49 FD bellows ........................................ £149

CONTAX USED CZ 180 F2.8 AE................................. £399 CZ 300 F4 AE .................................... £399 LEICA USED IIIg body box ..................................£1199 LIGHTMETERS USED Minolta Flashmeter IVF ................ £199 Sekonic L358 box ........................... £329 Sekonic Digilite F ............................ £149 MINOLTA AF USED 7Xi body................................................£69 Dynax 3 body......................................£29 7000i/500Si/300Si body each .......£29 505Si Super body ..............................£29 MINOLTA MD USED X700 body ......................................... £169 X300s body black ..............................£99 X300 body blk/chrome ...................£99 35-70 F3.5.............................................£69

50 F1.7 ...................................................£79 50 F3.5 macro .................................. £149 70-210 F4..............................................£99 Kenko Teleplus macro conv ...........£69 Auto bellows III................................ £149 Bellows IV box.................................. £149 Macro ext tube ...................................£49 Auto ext tube set...............................£89 NIKON AF FILM BODIES USED F5 body box...................................... £599 F4s body ............................................ £499 F801 / F801s each .............................£99 NIKON MF USED Nikon F Photomic FTn Apollo chrome body.................................... £699 F3HP body......................................... £599 F3 body .............................................. £499 CF22 case for F3 .................................£39 CF20 case for F3 .................................£39

F2a body black ................................ £599 F2 Photomic + DP-1 chrome...... £599 FM2n body Blk or Chrome each £599 DW-4 finder for F3.............................£89 F301 body ............................................£69 28 F2.8 AI ........................................... £249 28 F3.5 AI ........................................... £169 28 F4 shift.......................................... £499 28-85 F3.5/4.5 AIS........................... £299 35-70 F3.5 AIS .....................................£99 35-105 F3.5/4.5 AIS ........................ £149 50 F1.2 AI ........................................... £399 50 F1.4 AIS box ................................ £299 50 F1.4 AI ........................................... £249 50 F1.8 AIS......................................... £149 50 F2 AI .................................................£99 55 F2.8 AIS micro ............................ £199 80-200 F4 AIS ................................... £249 85 F1.4 AIS......................................... £497

85 F2 AI box...................................... £349 85 F2 AIS box ................................... £299 135 F2.8 AI ........................................ £199 200 F4 AIS macro............................ £399 200 F4 AIS.......................................... £249 200 F4 AI ............................................ £199 TC14B conv ..........................................£99 TC300 conv ....................................... £149 SAMYANG 85 F1.4 Mint box MF £249 DG-2 Eyepiece magnifier................£59 DR-4 Angle finder box .................. £129 PB-6D spacer for PB-6 ......................£99 SB-8A flash ...........................................£69 OLYMPUS OM USED OM-2N body chrome .................... £299 OM-2 body chrome box............... £299 OM-1N body chrome .................... £299 OM-1N body black ......................... £299 OM-10 chrome body........................£79

28-48 F4 ............................................. £129 35-70 F4 ................................................£99 50 F1.8 ...................................................£99 135 F3.5.................................................£99 200 F4 ................................................. £129 7/14/25 ext tube each .....................£20 14/25 auto ext tube each ...............£29 Converter 2x A....................................£99 PENTAX AF USED MXZ50 body........................................£39 SFXN body ...........................................£39 PENTAX MF USED 17 F4 PK ............................................. £399 50 F1.4 PK .......................................... £149 50 F1.7 PK .............................................£69 50 F2 PK ................................................£49 80-200 F4.5 PK ....................................£69 400 F5.6 PK ....................................... £499 Bellows M + slide copier .............. £199

NIKON AUTOFOCUS CAMERAS, LENSES, FLASH, ACCESSORIES ETC USED

FUJI, MINOLTA/SONY, OLYMPUS, PANASONIC ETC. DIGITAL USED

BRONICA, FUJI, HASSELBLAD, MAMIYA, PENTAX ETC. MEDIUM FORMAT USED

35mm AUTO/MANUAL FOCUS CAMERAS & ACCESSORIES, CANON, MINOLTA, NIKON, OLYMPUS, PENTAX, ETC. USED

ITEM YOU REQUIRE NOT LISTED? EMAIL DETAILS OF WHAT YOU ARE LOOKING FOR AND WE WILL EMAIL YOU WHEN WE CAN HELP. CORRECT 18/08/2021.

Mail order used items sold on 10 day approval. Return in ‘as received’ condition for refund if not satisfied (postage not included - mail order only). E&OE.

York Road, BURGESS HILL, West Sussex RH15 9TT

Whatever you shoot, and however you shoot it, the EOS R6 raises the bar for your creativity. Whether it’s stills or video, people or places, action or travel, still life or wildlife – the EOS R6’s mixture of speed, image quality and flexibility make it the ultimate content creation tool.

EN 20.9

MEGA PIXELS

11 fps

4K

3.0”

The Z fc is where classic Nikon camera design meets innovative Z series technology for superb image quality and pure, unadulterated style. Wherever you shoot, whatever you shoot - from stills to movies to vlogs. Propel your creativity into the future with the lightweight DX-format mirrorless camera that puts iconic in your hands.

Body only £2,599.00 + 24-105mm £2,929.00

Z fc + 28-70mm £1,039.00 Z fc + 28mm f/2.8 SE £1,129.00 HALF PRICE FTZ MOUNT ADAPTER when ordering the Z fc. Ends 31.08.21

Canon EOS RP

Canon EOS R

Canon EOS R5

Nikon Z50

Nikon Z7 II

26.2 MEGA

30.3 MEGA

45 MEGA

20.9 MEGA

45.7 MEGA

f/2.8 L Macro IS USM

£1,699.00 £1,999.00

£4,299

RF 14-35mm

RF 70-200mm

Save 5% off all Canon RF lenses with the EOS R. See web

Our Price

See website for latest availability.

Visit our website to watch our first look video!

102

MEGA PIXELS

2.9 fps

3.2”

FREE GIFTS WORTH £300!

See website. Ends 30.08.21

f/4L IS USM

NEW!

£1,479.00

Spread the cost our finance .00 withoptions!

Our Price

Our Price

£1,749.00

£1,719.00

EXPECTED LATE AUGUST! See website to learn more

See website for latest availability.

Spread the cost with our finance options. See website

24

9 fps

37.4

MEGA PIXELS

4.3”

The ZEISS ZX1 is the camera for everyone who knows that creative photography isn‘t just about capturing the perfect moment, but also about a smooth workflow.

4K

3.2”

7 fps

Body Only £2,499.00 Spread the cost with our finance options. See web.

£180 trade-in bonus available! See web to learn more.

11 fps

3.0”

4K

IS

Designed for creative vloggers who aspire to an artistic look, the ZV-E10 takes care of the nuts and bolts of video production.

Create a stunning vlog by taking advantage of interchangeable lenses, the large APS-C sensor, the built-in Directional 3-Capsule Mic and special features designed for vlogging.

3.2”

IS

4K

Following the footsteps of the Leica SL2, the new, fast Leica SL2-S enables photographers and videographers to achieve the legendary Leica look without compromise.

Receive a FREE LEICA M-ADAPTOR L worth £370 when purchasing the LEICA SL2-S. Offer ends 30.09.21

Stay in your flow

£649.00

NOW IN STOCK See website to learn more

The D850 puts staggering image quality and impressive performance within reach of working photographers everywhere.

24.2

MEGA PIXELS

Our Price

See website for latest availability.

Add the Nikon MB-D11 battery grip for only £359

45.7

MEGA PIXELS

We are currently receiving regular deliveries.  YEAR WARRANTY AVAILABLE! See website for latest info.

See website to learn more.

ZEISS ZX1

£2,959.00

ZV-E10

4K

LEICA SL2-S Two worlds. One choice.

£809.00 £849.00

MEGA PIXELS

Surpassing the boundaries of what is possible in making large format images, GFX100S builds on the groundbreaking ideas from the GFX100, with a philosophy of mobility and portability, to create a camera that is positioned to provide you with an opportunity to take large format image-making to places it has never been before.

Body only £5,499.00

Body only

Spread the cost with our finance options. See website

f/4L IS USM NEW!

NEW!

PIXELS 10 FPS

Body only +16-50mm

!W

RF 100mm

PIXELS 11 FPS

Body only

E

Add a Canon LP-E17 spare battery for only £44.99

PIXELS

Body only +24-105mm

EN

£1,049.00 £1,329.00

PIXELS 8 FPS

f/2.8

px

Body only +24-105mm

8K

Nikon Z MC 50mm

. .n

FREE SANDISK GB EXTREME PRO SDHC CARD + SANDISK SD READER WORTH £. Offer ends 30.08.21

PIXELS 5 FPS

!W

4K

IS

e etc sd o o

3.0”

20 fps

!K

20.1

MEGA PIXELS

N TS O C

I

53-54 Rathbone Place, LONDON, W1T 1JR Experts in photography Unbeatable stock availability Competitive low pricing UK stock

4K

Body only £679.00 + 16-50mm £769.00 + 10-18mm £1,158.00 SAVE £ ON THE SONY SHOOTING GRIP OR WIRELESS MIC. WITH THE ZV-E

Sony a7 III

Sony a7R IVA

24.2 MEGA

61.0 MEGA

PIXELS 10 FPS

Body only + 28-70mm

In stock from £3,975.00 INTEGRATED ADOBE PHOTOSHOP LIGHTROOM™

In stock at £5,399.00

See website to learn more

£1,699.00 £1,899.00 Add a Sony NP-FZ100 battery for only £65.00

Sony FE 14mm f/1.8 GM

PIXELS 10 FPS

Body only

£3,199.00

Our Price

24 months 0% finance available!

£1,399.00

Add the Sony VG-C4EM battery grip for £399.00

Hasselblad 907X 50C Our legacy, your future

50

MEGA PIXELS

2 fps

NOW IN STOCK! See website to learn more

3.2”

With the CFV II 50C digital back and the 907X camera body, Hasselblad’s photographic history is connected in one system. Bridge the past and the present with the modernized CFV II 50C attached to a classic Hasselblad V System camera.

All prices include VAT @ 20%.

All products are UK stock. E&OE. Please mention “Amateur Photographer” when ordering items from this advert.

Prices correct at time of going to press; Prices subject to change; check website for latest prices.

Keep up-to-date with all the latest new products and news with Park Cameras!

2.7K

In stock at £5,990.00

Visit our website - updated daily

Call one of our knowledgeable sales advisors 7 days a week

parkcameras.com or e-mail us for sales advice using

Scan here to learn more!

01444 23 70 60

sales@parkcameras.com

For quick top tips on a variety of genres, check out our quick guides at

www.instagram.com/parkcameras/guides

UK’s largest independent photo store Award winning customer service Family owned & Run

Tamron 150-500mm

L

NEW!

f/5-6.7 Di III VC VXD

This lens enables users to enjoy casual shooting with steady performance and high image quality in the ultratelephoto realm where conventional wisdom once dictated a tripod.

Sony E-Mount £1,379.00 NOW IN STOCK!

61

MEGA PIXELS

4K

3.1”

10 fps

The new SIGMA fp L is equipped with a full-frame Bayer sensor with approximately 61 megapixels, making it one of the highest resolution full-frame bodies ever built.

Body Only £1,999.00

NOW IN STOCK! See website to learn more.

Tamron 28-200mm Tamron 70-180mm Sigma 150-600mm f/2.8-5.6 DI III RXD

f/2.8 DI III VXD

Sony E-Mount £799.00

Sony E-Mount £1,249.00

Claim a FREE pair of Bushnell H2O 8x42 binoculars worth £129. Ends 31.08.21

Tamron 17-28mm f/2.8 Di III RXD In stock!

£849.00

Available in Sony FE Mount

Add a Hoya 67mm NX-10 UV filter for only £28.95

Claim a FREE Tamron 35mm F/2.8 lens worth £239. Ends 31.08.21

Tamron 28-75mm f/2.8 Di III RXD In stock!

£699.00

Available in Sony FE Mount

Add a Hoya 67mm NX-10 UV filter for only £28.95

Tamron 100-400mm f/4.5-6.3 Di VC USD In stock!

£699.00

Available in Canon or Nikon fits.

Add a Hoya 67mm UV(C) Digital HMC filter for £19.95

Manfrotto Element MII

Manfrotto Befree GT XPro

Manfrotto Advanced2 Gear M

MKELMII4BK-BH

MKBFRC4GTXP-BH

MBMA2-BP-GM

Aluminium Tripod Our Price

£97.00

See website for even more Aluminium tripods!

Gitzo Systematic Kit - Series 3 3-section Carbon Fibre Tripod GK3533LS-83LR

Carbon Fibre Tripod

Our Price

£299.00

See website for even more Carbon Fibre tripods!

Gitzo GH4383LR Series 4 Ball Head (Lever version)

Backpack

Our Price

£96.00

See in store or online for even more backpacks!

Gitzo Series 4 Long 5-section Carbon Fibre Monopod

Our Price

Our Price

Our Price

Kit includes GH4383LR Center Ball Head Series 4

NEW and now in stock!

See website to learn more

For more Gitzo monopods, see website or visit in store!

£1,219.00

£459.00

£349.00

Powerful ultra-telephoto zoom Sports line lens for mirrorless systems. This portable and practical optic revolutionises the way mirrorless users capture wildlife, motorsport and other fast action subjects.

Samyang AF 12mm f/2 - Sony E Mount Our Price

£360.00

f/2.8 Mk II - Sony E Mount Our Price

Spread the cost with finance options.

£399.00

See website to learn more about this lens.

Lowepro Fastpack BP 250 AW III Backpack from

£109.00

Available in Grey or Black designs

Travel photo backpack with All Weather AW Cover™

Tamrac T Stratus 10 Shoulder Bag Our Price

£109.99

See website for more Tamrac bags!

Ideal for a compact DSLR + extra lenses & accessories

Lowepro FreeLine 350 AW Backpack

Our Price

£174.00

Tamrac T1510 Nagano 16 V2.0 Our Price

£160.00

Available from

£1,629.00

USED

Available from

£1,669.00

Fujifilm X-T4 Body

USED

Available from

£1,219.00

Sony a6000 Body

USED

f/1.4 Mk II

From

£359.00

Spread the cost with finance options.

Available in Canon EF, Nikon F & Sony E mount

Lowepro Pro Trekker BP 350 AW II Backpack

Our Price

£152.00

Backpack with All Weather AW Cover™

Carry-on ready: meets standard requirements

Backpack

See website for more Tamrac bags!

Sleek and understated, but holds more than you’d expect!

Our Price

£184.99

See website for more Tamrac bags!

Ideal for multiple cameras with lenses & accessories

Wacom Cintiq 16 Creative Pen Display

Creative Pen Display BACK IN STOCK! at £679.00

Samyang 85mm

Tamrac T0230 Anvil Slim 15

Backpack

Find out more at parkcameras.com Nikon Z7 Body

Available in Grey or Black designs

Dual side access panels offer quick access to gear

Feels like pen and paper. Works like magic. You can draw, edit photos and videos, or brainstorm in a way that’s so familiar, you’ll forget you’re doing it digitally.

USED

Spread the cost with finance options.

See website to learn more about this lens.

Wacom One

Canon EOS 5D Mark IV Body

Coming Soon! £1,199.00

Available for L Mount or Sony E Mount!!

Samyang 14mm

Epson SureColor SC-P700 This professional-level, compact A3+ printer produces sharper detail and smoother gradations using the deepest blacks and superb blue tones.

NEW!

f/5-6.3 DG DN OS | Sport

In stock at only £339.00

Our Price

£509.00

See website for even more Wacom tablets!

USED

Leica M Monochrom Body

Available from

£309.00

All our used cameras are thoroughly checked and processed through our Quality Assurance procedures to ensure they are in the absolute best condition and come with a full  MONTHS UK WARRANTY.

Available from

£3,129.00

TRADE-IN OR SELL YOUR KIT WITH PARK CAMERAS FAIR HONEST QUOTES: provided within 24 hours FREE COLLECTION SERVICE: See website to learn more TRADE-IN BONUSES: available on a wide range of products

FREE HOME COLLECTION AVAILABLE* *For equipment valued over £300

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01954 252352 Digital Photography

CANON EOS 7D BODY COMPLETE LOW ACC 1875.. . . . . . . . . . . . . . .MINT BOXED £375.00 CANON EOS 40D COMPLETE WITH ALL ACCESSORIES.. . . . . . . . . . . MINT-BOXED £125.00 FUJI X-A2 WITH FUJI 16-50 OIS MK 2 LENS COMPLETE.. . . . . . . . . .MINT BOXED £295.00 FUJI TCL-X100 TELECONVERTER FOR X100/100S etc.. . . . . . . . . . . .MINT BOXED £195.00 NIKON D7500 BODY KIT ONLY 297 ACTUATTIONS.. . . . . . . . . . . . . . .MINT BOXED £699.00 NIKON MB-D18 BATTERY GRIP for D850 + BL5 COVER.. . . . . . . . . . MINT BOXED £295.00 NIKON D4S BODY WITH BATT AND CHARGER.. . . . . . . . . . . . . . . . . . . . . MINT-- £1,495.00 NIKON D3000 WITH BATT AND CHARGER.. . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £125.00 NIKON D200 BODY WITH BATTERY,CHARGER+MB-D200.. . . . . . . . . . . . . . .MINT- £225.00 NIKON SB900 SPEEDLITE.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT-BOXED £145.00 NIKON SC28 TTL REMOTE CORD.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT BOXED £65.00 NIKON ML-3 REMOTE CONTROL SET.. . . . . . . . . . . . . . . . . . . . . . . .MINT-- BOXED £145.00 NEEWER SPEEDLITE 750 MK II FOR NIKON.. . . . . . . . . . . . . . . . . . . . . MINT BOXED £55.00 OLYMPUS 45mm f1.8 M ZUIKO DIGITAL M 4/3rds + HOOD.. . . . . . . MINT BOXED £225.00 PANASONIC GF2 BODY COMPLETE WITH ALL ACCESS.. . . . . . . . . . . MINT BOXED £145.00 SIGMA 30mm F2.8 DN MICRO 4/3RDS.. . . . . . . . . . . . . . . . . . . . . . . .MINT BOXED £115.00 METZ 44A/F1 FLASH UNIT FOR SONY DLSR.. . . . . . . . . . . . . . . . . . . . .MINT BOXED £75.00

Canon Autofocus, Digital Lenses, Canon FD

CANON 50mm f1.8 MK II. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £65.00 CANON 85mm f1.2 USM “L” MK II LATEST MODEL.. . . . . . . . . . . . MINT BOXED £1,045.00 CANON 100mm f2.8 MACRO USM IMAGE STABILIZER.. . . . . . . . . . . MINT BOXED £699.00 CANON 300mm f4 USM IMAGE STABILIZER LENS.. . . . . . . . . . . . . . .MINT BOXED £695.00 CANON EF-S 10 - 22mm f3.5/4.5 USM.. . . . . . . . . . . . . . . . . . . . . . . .MINT CASED £245.00 CANON 24 - 105mm f4 “L” USM IMAGE STABILIZER.. . . . . . . . . . . . MINT CASED £395.00 CANON 70 - 200mm f4 USM “L” IMAGE STABILIZER.. . . . . . . . . . . . MINT CASED £599.00 CANON 70 - 200mm f4 USM “L” IMAGE STABILIZER.. . . . . . . . . . . . MINT BOXED £645.00 CANON 10 - 22mm f3.5/4.5 USM.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £295.00 CANON 17 - 55mm f2.8 EFS IS USM WITH HOOD.. . . . . . . . . . . . . . . . . . . . . MINT £445.00 CANON 18 - 55mm f3.3/5.6 STM VIBRATION REDUCTION.. . . . . . . . . . . . . . . MINT £149.00 CANON 28 - 135mm f3.5/5.6 USM IMAGE STAB.. . . . . . . . . . . . . . . MINT + HOOD £165.00 CANON 70 - 300mm f4.5/5.6 USM IMAGE STABILIZER.. . . . . . . . . . . . . . . . . MINT £269.00 KENCO DG CANON FIT TUBE SET 12,20,36MM.. . . . . . . . . . . . . . . . . . .MINT BOXED £99.00 CANON 580EX MK II SPEEDLITE.. . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT-CASED £169.00 CANON 580 EX SPEEDLITE.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++CASED £99.00 CANON 580 EX SPEEDLITE.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT-CASED £149.00 CANON 550 EX SPEEDLITE.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT-BOXED £89.00 CANON 550 EX SPEEDLITE.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++CASED £65.00 KENCO DG CANON FIT TUBE SET 12,20,36MM.. . . . . . . . . . . . . . . . . . . . . . . . MINT- £99.00 KENCO TELEPLUS PRO 300 DGX 1.4 TELECONVERTER.. . . . . . . . . . . . MINT CASED £99.00 CANON EF 1.4x EXTENDER.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT BOXED £215.00 SIGMA EX 1.4 TELECONVERTER.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £75.00 SIGMA 14mm f2.8 EX HSM ASPHERIC.. . . . . . . . . . . . . . . . . . . . . . . .MINT CASED £365.00 TAMRON 70 - 300mm f4/5.6 SP Di VC ULTRASONIC.. . . . . . . . . . . . . MINT+HOOD £225.00 TOKINA 12 - 24mm F4 IF DX ASPH AT-X PRO + HOOD.. . . . . . . . . . .MINT BOXED £299.00

Contax ‘G’ Compacts & SLR & Ricoh

CONTAX TLA 140 FLASH FOR G1/G2.. . . . . . . . . . . . . . . . . . . . . . . . . . MINT CASED £65.00 YASHICA ML CONTAX FIT 28mm f2.8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £99.00 CONTAX 50mm f1.4 PLANAR MM SUPERB SHARP LENS.. . . . . . . . . MINT BOXED £275.00 CONTAX 50mm f1.4 PLANAR MM SUPERB SHARP LENS.. . . . . . . . . . . . . . . MINT £255.00 CONTAX 50mm f1.7 AE LENS.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £95.00 CONTAX 135mm f2.8 SONNAR WITH FILTER.. . . . . . . . . . . . . . . . . . . . . . . . . MINT £175.00 YASHICA 135mm f2.8 CONTAX FIT.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £95.00 YASHICA 200mm f4 CONTAX FIT.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £90.00 CONTAX MAGNIFIER F2.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT BOXED £49.00 CONTAX TLA 30 WITH DIFFUSSER.. . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT CASED £69.00 CONTAX TLA 280 FLASH.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £59.00 CONTAX TLA 280 FLASH UNIT.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT BOXED £75.00 CONTAX TLA 360 FLASH.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT-CASED £65.00 CONTAX GD1 DATABACK FOR CONTAX T3.. . . . . . . . . . . . . . . . . . . . . MINT-BOXED £69.00

LEICA “M” , “R” , & SCREW & RANGEFINDER

LEICA M2 CHROME BODY (REALLY NICE).. . . . . . . . . . . . . . . . . . . . . . . . . MINT- £1,175.00 LEICA MR METER.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT-BOXED £175.00

LEICA 50mm f2 SUMMICRON RIGID SER No 15933XX.. . . . . . . . . . . . . . . . .MINT- £975.00 LEICA 90mm f2.8 TELE ELMAR + HOOD.. . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £395.00 LEICA 5cm f3.5 COLLAPSIBLE ELMAR.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £225.00 LEICA 90mm f2 SUMMICRON PRE ASP SER No35234XX.. . . . . . . . . . . . . . .MINT- £945.00 LEICA 90mm f4 ELMAR C FOR CLE / CL LEICA M.. . . . . . . . . . . . . . . . . . . . .MINT- £275.00 LEICA 90mm f4 ELMAR M MOUNT.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £165.00 LEICA 135mm f2.8 ELMARIT M 11829 WITH CASE.. . . . . . . . . . . . . . MINT BOXED £375.00 LEICA 135mm f4.5 HEKTOR.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC+ £75.00 LEICA 90mm FINDER.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £99.00 VOIGTLANDER BESSA T WINDER.. . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT BOXED £149.00 LEICA 5cm f2 SUMMAR SCREW.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £175.00 LEICA 90mm f4 ELMAR BLACK SCREW.. . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £145.00 LEICA 135mm f2.8 ELMARIT M WITH SPECS.. . . . . . . . . . . . . . . . . . . . . . ECX+++ £299.00 LEICA 135mm f4.5 HEKTOR + HOOD M MOUNT.. . . . . . . . . . . . . . . . . . . . . . EXC++ £99.00 LEICA 135mmf4.5 HEKTOR IN KEEPER.. . . . . . . . . . . . . . . . . . . . . . . . . . . EXC+++ £199.00 LEICA 135mm f4.5 HEKTOR + HOOD SCREW.. . . . . . . . . . . . . . . . . . . . . . . . EXC++ £99.00 LEICA SF20 FLASH FOR M6 etc.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT BOXED £89.00 LEICA 14472 GRIP FOR M8/M9 etc.. . . . . . . . . . . . . . . . . . . . . . . . . . MINT BOXED £125.00 LEICA FONOR BLACK RANGEFINDER.. . . . . . . . . . . . . . . . . . . . . . . . . MINT-CASED £175.00 LEICA R7 CHROME BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £365.00 LEICAFLEX BODY CHROME.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £195.00 LEICA CURTAGON 35mm f4.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT-BOXED £395.00 LEICA 28 - 70mm f3.5/4.5 VARIO ELMAR R ROM.. . . . . . . . . . . . . . . . . . . . .MINT- £475.00 LEICA 50mm f2 SUMMICRON 2 CAM.. . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC+++ £299.00 LEICA 90mm f2.8 ELMARIT 2 CAM.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £299.00 LEICA 560mm f6.8 TELYT LENS WITH CASE AND.. . . . . . . . . . . . . . . . . . .EXC+++ £399.00

Binoculars

SWAROVSKI 10x40 SL HABICHT+STRAP AND COVERS.. . . . . . . . . . . . . . . . MINT- £465.00

Medium & Large Format

BRONICA ETRSi COMPLETE, BODY,75mm LENS, WLF.. . . . . . . . . . . .MINT BOXED £425.00 HASSELBLA X PAN LEATHER EVER READY CASE.. . . . . . . . . . . . . . . . . . . . .MINT- £195.00 HASSELBLAD 28mm f4 HC FOR H SYSTEM.. . . . . . . . . . . . . . . . . . .MINT BOXED £1,075.00 HASSELBLAD 120mm f4 MACRO HC FOR H SYSTEM.. . . . . . . . . . . . . . . EXC++ £1,095.00 HASSELBLAD 150mm f4 SONNAR T* BLACK.. . . . . . . . . . . . . . . . . . . . . . . EXC++ £195.00 HASSELBLAD 150mm f4 SONNAR CF.. . . . . . . . . . . . . . . . . . . . . . . . MINT-BOXED £395.00 HASSELBLAD 150mm f4 SONNAR SILVER.. . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £175.00 HASSELBLAD 250mm f5.6 SONNAR SILVER.. . . . . . . . . . . . . . . . . . . . . . . . . EXC+ £179.00 HASSELBLAD HTS 1.5X TILT AND SHIFT ADAPTOR.. . . . . . . . . . . . MINT BOXED £1,995.00 HASSELBLAD GIL GPS UNIT FOR H SYSTEM.. . . . . . . . . . . . . . . . . . . MINT BOXED £399.00 HASSELBLAD PM90 PRISM FINDER.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £275.00 HASSELBLAD PME3 METERED PRISM FINDER.. . . . . . . . . . . . . . . . . . . . . . .MINT- £275.00 HASSELBLAD VFC-6 METERED PRISM.. . . . . . . . . . . . . . . . . . . . . . . .MINT BOXED £175.00 HASSELBLAD A12 BACK CHROME.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £129.00 BRONICA ETRS PRISM,FDR,BACK & 75mm EII LENS.. . . . . . . . . . . . . . . . . EXC++ £325.00 BRONICA ETRS WL/FINDER, BACK & 75mm EII LENS.. . . . . . . . . . . . . . . . EXC++ £295.00 BRONICA AUTO EXTENTION TUBE E-14.. . . . . . . . . . . . . . . . . . . . . . . . MINT BOXED £45.00 BRONICA POLAROID BACK FOR ETRSI, ETRS ETC.. . . . . . . . . . . . . . . .MINT BOXED £59.00 BRONICA PLAIN PRISM FOR ETRS/ETRSI. . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £75.00 BRONICA PLAIN PRISM FOR ETRS/ETRSI. . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £59.00 BRONICA ROTARY PRISM FINDER FOR ETRS, ETRSI ETC.. . . . . . . . . . . . . . . .MINT- £75.00 BRONICA MOTOR WINDER E.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC+++ £89.00 BRONICA 40mm f4 MC LENS FOR ETRS/ETRSi.. . . . . . . . . . . . . . . . . . . . . . . MINT £179.00 BRONICA 50mm f2.8 PE FOR ETRS/ETRSi. . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £199.00 BRONICA SPEED GRIP FOR ETRSW/ETRSi. . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £49.00 BRONICA 150mm F3.5 ZENZANON S.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £165.00 BRONICA PLAIN PRISM FOR SQAi/SQA.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £99.00 BRONICA 65mm F4 ZENZANON PS FOR SQ.. . . . . . . . . . . . . . . . . . . . MINT-CASED £145.00 BRONICA 110mm F4 PS ZENZANON MACRO FOR SQ.. . . . . . . . . . . . MINT-CASED £365.00 BRONICA 150mm F4 PS ZENZANON FOR SQ.. . . . . . . . . . . . . . . . . . . MINT-CASED £145.00 BRONICA 180mm f4.5 PS LENS & CASE.. . . . . . . . . . . . . . . . . . . . . . MINT-BOXED £199.00 BRONICA SPEED GRIP FOR SQA/SQAI.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £69.00 BRONICA FILMBACK SQ-i220 FOR SQA/SQAi. . . . . . . . . . . . . . . . . . . . MINT BOXED £79.00 METZ 45 CL4 FLASH WITH SCA 386 FOR BRONICA.. . . . . . . . . . . . . .MINT BOXED £150.00 MAMIYA 645 SUPER WITH AE PRISM 80mm COMPLETE.. . . . . . . . . . . . . . . MINT £365.00 MAMIYA M645J COMPLETE WITH 80mm f2.8 . . . . . . . . . . . . . . . . . . . . . . . .MINT- £299.00

MAMIYA 50mm f4 SHIFT LENS FOR 645 ETC.. . . . . . . . . . . . . . . . . . .MINT-CASED £365.00 MAMIYA 80mm f1.9 SEKOR C FOR 645 etc.. . . . . . . . . . . . . . . . . . . . . . . . . . MINT £299.00 MAMIYA 150mm f3.5 SEKOR C FOR 645 SUPER etc.. . . . . . . . . . . . . . . . . . . MINT £145.00 MAMIYA 150mm F4.5 “G” WITH HOOD FOR MAMIYA 6.. . . . . . . . . . . . . . . . MINT £295.00 MAMIYA 180mm F4.5 SEKOR Z W FOR RZ.. . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £199.00 MAMIYA 250mm F4.5 LENS FOR RZ.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £195.00 MAMIYA 210mm F4 SEKOR C FOR 645.. . . . . . . . . . . . . . . . . . . . . . . MINT CASED £195.00 MAMIYA 180mm F4.5 SEKOR FOR RB.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £169.00 MAMIYA 220 BACK FOR RZ 67.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £95.00 PENTAX 200mm F4 FOR PENTAX 67 + FILTER AND HOOD.. . . . . . . . . . . . . MINT- £199.00 PENTAX 55mm F4 SMC FOR 6X7.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £175.00 PENTAX 55mm F2.8 FOR PENTAX 645.. . . . . . . . . . . . . . . . . . . . . . . .MINT BOXED £199.00 ROLLEIFLEX SCHNEIDER 150MM F4.6 MAKRO FOR 6008.. . . . . . . . . . . . . . .MINT- £575.00 YASHICA 124G TELEPHOTO AUX LENS SET.. . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £69.00

Nikon Auto-Focus & Digital, Lenses Accessories NIKON F5 BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £465.00 NIKON F100 PRO BODY WITH MB15 GRIP.. . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £275.00 NIKON 10.5 f2.8 “G” IF-ED AF DX FISHEYE.. . . . . . . . . . . . . . . . . . . . MINT BOXED £325.00 NIKON 28mm f2.8 A/F “D” MINT BOXED £225.00 NIKON 35mm f2 A/F “D”.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT BOXED £245.00 NIKON 50mm f1.4 A/F “D”.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT BOXED £195.00 NIKON 50mm f1.4 “G” AFS.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT BOXED £265.00 NIKON 50mm f1.4 “G” AFS.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT BOXED £215.00 NIKON 50mm f1.8 A/F “D”.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £89.00 Nikon 60MM F2.8 a/f D macro lens.. . . . . . . . . . . . . . . . . . . . . . . . . . . mint boxed £295.00 NIKON 85mm f1.8 A/F D.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £215.00 NIKON 300mm f4E PF ED VR AF-S LENS LATEST.. . . . . . . . . . . . . .MINT BOXED £1,195.00 NIKON 10 - 24 mm f3.5/4.5 “G” ED DX AF-S.. . . . . . . . . . . . . . . . . . . . . . . . MINT- £399.00 NIKON 12 - 24mm f4 “G” DX IF-ED AF-S.. . . . . . . . . . . . . . . . . . . . . .MINT BOXED £395.00 NIKON 12 - 24mm f4 “G” DX IF-ED AF-S.. . . . . . . . . . . . . . . . . . . . . .MINT-CASED £365.00 NIKON 16 - 35mm f4 “G” AF-S ED VR LATEST VERSION.. . . . . . . . . MINT BOXED £675.00 NIKON 24 - 85mm f2.8/4 A/F “D” WITH HOOD.. . . . . . . . . . . . . . . . . . . . . . . MINT £225.00 NIKON 16 - 80mm f2.8-4EAF-S VR ED DX + HOOD.. . . . . . . . . . . . . . MINT CASED £545.00 NIKON 16 - 85mm f3.5/5.6 G ED AF-S VR.. . . . . . . . . . . . . . . . . . . . . MINT-BOXED £199.00 NIKON 24 - 120mm f4 “G” ED AF-S VR LATEST MODEL.. . . . . . . . . . MINT CASED £499.00 NIKON 24 - 120mm f4 “G” ED AF-S VR LATEST MODEL.. . . . . . . . . .MINT BOXED £595.00 NIKON 35 - 70mm f3.3/4.5 A/F LENS.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £49.00 NIKON 70-200mm f2.8E AF-S FL ED VR LATEST.. . . . . . . . . . . . . . MINT BOXED £1,399.00 NIKON AF-S TELECONVERTER TC-14E III.. . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £395.00 SIGMA 1.4x TC-1401 TELECONVERTER.. . . . . . . . . . . . . . . . . . . . . . . MINT CASED £189.00 NIKON DR-6 RIGHT ANGLED FINDER.. . . . . . . . . . . . . . . . . . . . . . . . . MINT BOXED £145.00 NIKON TC-17E II TELECONVERTER.. . . . . . . . . . . . . . . . . . . . . . . . . . .MINT BOXED £175.00 NIKON TC20E II 2X AF-S TELECONVERTER.. . . . . . . . . . . . . . . . . . . . MINT-BOXED £175.00 NIKON DR4 RIGHT ANGLE FINDER.. . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT BOXED £89.00 KENKO PRO 300 2X TELEPLUS CONVERTER N/AFS.. . . . . . . . . . . . . . . . . . . . MINT- £75.00 SIGMA 300 - 800mm f5.6 EX APO HSM.. . . . . . . . . . . . . . . . . . . . EXC++CASED £2,499.00 SIGMA 300 - 800mm f5.6 EX DG APO HSM.. . . . . . . . . . . . . . . . . . MINT-CASED £2,999.00 TOKINA 11 - 16mm f 2.8 AT-X PRO DX WITH HOOD.. . . . . . . . . . . . . MINT--HOOD £245.00 TOKINA 35mm f2.8 ATX PRO DX MACRO 1:1 LATEST.. . . . . . . . . . . .MINT BOXED £245.00

Nikon Manual Focus

NIKON F3 BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .EXC+ £245.00 NIKON FM BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £165.00 NIKON FM2n BLACK BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £325.00 NIKON FM2n CHROME BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .EXC+++ £245.00 NIKON FM2 CHROME BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £199.00 NIKON FE CHROME BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £125.00 NIKON FE CHROME BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT- £145.00 NIKON FM BLACK WITH MF-16 BACK.. . . . . . . . . . . . . . . . . . . . . . . . . . . .EXC+++ £169.00 NIKON FM BLACK.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £145.00 NIKON FE2 BLACK BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ BOXED £225.00 NIKON F2 A BLACK BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC+++ £245.00 NIKON F2 A BODY FULLY WORKING.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .EXC+ £199.00 NIKON F2 BODY FULLY WORKING.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .EXC+ £169.00 NIKON F2 PHOTOMIC BODY CHROME.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £275.00 NIKON F2 PHOTOMIC BODY CHROME.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .EXC+ £199.00 NIKON F PHOTOMIC T WITH 50mm f2 NIKON LENS.. . . . . . . . . . . . . . . . . . EXC++ £250.00 NIKKORMAT FT CHROME WITH 35mm f2.8 S LENS.. . . . . . . . . . . . EXC++ CASED £145.00 NIKKORMAT FT CHROME.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .EXC+++ £75.00 NIKKORMAT FT2 BLACK WITH 50mm f2 LENS.. . . . . . . . . . . . . . . . EXC++ CASED £165.00 NIKON 24mm F2.8 AIS SUPERB SHARP LENS.. . . . . . . . . . . . . . . . . . . . . . . MINT-- £199.00 NIKON 28mm f2.8 AI.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £165.00 NIKON 45mm F2.8 GN NIKKOR.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £199.00 NIKON 50mm f1.2 AIS.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £395.00 NIKON 50mm f1.4 Ai.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £195.00 NIKON 50mm f1.8 AIS SHARP LENS.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £89.00 NIKON 50mm f1.8 AI LENS.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £85.00 NIKON 135mm f2.8 AI LENS SHORT TELEPHOTO.. . . . . . . . . . . . . . . . . . . . . MINT- £175.00 NIKON 500mm f8 MIRROR LENS UNMARLED SUPERB.. . . . . . . . . . . . . . . . . MINT £295.00 NIKON 35 - 70mm F3.3/4.5 ZOOM NIKKOR MACRO AIS.. . . . . . . . . . . . . . . .MINT- £169.00 NIKON 35 - 105mm F3.5/4.5 AIS ZOOM MACRO.. . . . . . . . . . . . . . . . . . . . . EXC++ £119.00 NIKON MD4 MOTOR DRIVE FOR F3/F3HP.. . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £145.00 NIKON MD4 MOTOR DRIVE FOR F3/F3HP.. . . . . . . . . . . . . . . . . . . . . .MINT BOXED £165.00 NIKON MD4 MOTOR DRIVE FOR F3/F3HP.. . . . . . . . . . . . . . . . . . . . . . . . . . EXC+++ £99.00 NIKON MD12 MOTOR DRIVE FOR FM2n/FE2/FE/FM/FM3.. . . . . . . . . . . . . . . MINT £145.00 NIKON SB 16 FLASH FOR F3/FM2/FM3/FE/FE2.. . . . . . . . . . . . . . . . . MINT-CASED £115.00 NIKON SB 16 FLASH FOR F3.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £65.00

Olympus Manual OLYMPUS OM4 BLACK BODY.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £225.00 OLYMPUS OM2 SP.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EXC++ £129.00 OLYMPUS 28mm f2.8 ZUIKO.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £75.00 OLYMPUS 38mm f2.8 ZUIKO MACRO LENS.. . . . . . . . . . . . . . . . . . . . MINT-CASED £299.00 OLYMPUS 50mm f1.8 ZUIKO LENS.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT- £55.00 OLYMPUS 50mm f1.8 ZUIKO LENS.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £65.00 OLYMPUS 80mm f4 ZUIKO MACRO LENS.. . . . . . . . . . . . . . . . . . . . . .MINT-CASED £175.00 OLYMPUS 135mm f3.5 ZUIKO LENS.. . . . . . . . . . . . . . . . . . . . . . . . . . .MINT-CASED £69.00 OLYMPUS 200mm f4 ZUIKO LENS.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MINT £75.00 OLYMPUS 2x TELECONVERTER.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT-CASED £35.00 OLYMPUS 65 - 116 TELESCOPIC AUTO TUBE.. . . . . . . . . . . . . . . . . . . . . . . . . . MINT £95.00 OLYMPUS VARI-MAGNIFINDER.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT CASED £49.00 OLYMPUS T32 FLASH UNIT.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MINT CASED £35.00 LOTS OF OLYMPUS ACCESSORIES TOO MANY TO LIST FOR MACRO, FLASH PHONE PLEASE RING FOR DETAILS AND PRICES ALL IN MINT OR CLOSE CONDITION PHONE

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Photo Critique

Peter Dench considers...

‘Polo Groupies’, Windsor, Berkshire, 1980s, by Homer Sykes

I

’ve just returned home after spending a joyous afternoon at a wine bar in the company of Homer Sykes’ book, Colour Works: The 1980s and 1990s published by Dewi Lewis (2021). It’s the third volume from his seemingly inexhaustible My British Archive and does what Sykes does best, re-visiting the 20,000 (give or take) images and curating them for publication.

It’s a new book of old photographs with many of them new to me. I startled the bar staff with a yelp when I discovered unseen Sykes and this photograph was the yelpiest of them all. The 1980s were my teenage years, years of growth, love, lust, ecstasy, violence and a string of fashion faux pas, the biggest of which was arguably purchasing a pair of high-top Travel Fox trainers. I should have stayed with my trusted Adidas Sambas and Gazelles or bought a pair of British Knights.

I didn’t have the confidence to pull on a pair of BKs. The woman in this picture

does. The casual arrogance with which she sartorially combines a bold patterned top, what look like piano-themed short shorts, leather gloves with matching handbag and a pair of British Knights, is gloriously outrageous. It brilliantly captures an element of Thatcher’s Britain and a part of Britain I wasn’t familiar with growing up.

The group are of a time, as Brat Pack cool as the cast of The Outsiders. It has exquisite detail – the eye encouraged to rove from the barefooted man with his near-empty pint to the woman sitting in her white dress reaching for her champagne flute with one hand, delicately holding a cigarette with the other.

Around 2010, I made the odyssey to Sykes’ house in south London, 25 stops on the Northern Line. There was something I wanted to ask him and something I wanted to buy. The buying bit was easy, an original copy of his 1977 book, Once a Year: Some Traditional British Customs. The asking something wasn’t so rewarding: ‘Is there

anyone currently documenting the English in a way that interests or inspires you?’ ‘No.’ I’ve learnt a lot from Sykes and his photography since that trip and continue to study his process. This image is classic Homer Sykes. The composition isn’t forced, there’s no intrusion of style, the mechanics of photography are subtle. He recognises the relationship between each person or object against the other and the space between them. He gives the scene room to breathe in the frame and respectfully invites the viewer in.

It’s no surprise to learn that he has had a keen interest in painting since childhood and just like James Bradley, his art master at Sidcot School, Somerset, Sykes has taught a generation to see rather than just look and to use colour in an imaginative way – it’s colour and it works.

A selection from Homer Sykes’ Colour Works will be on display at the Bermondsey Project Space, London SE1 from 6-11 September.

Peter Dench is a photographer, writer, curator and presenter based in London. He is one of the co-curators of Photo North in Harrogate and has been exhibited dozens of times. He has published a number of books including The Dench Dozen: Great Britons of Photography Vol 1; Dench Does Dallas; The British Abroad; A&E: Alcohol & England and England Uncensored. Visit peterdench.com

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