Sa r c eh i tre cet u rne pao r t fYo l ieo
internship work
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individual work
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7/8" FURRING CHANNEL
ACOUSTICAL INSULATION
MAIN RUNNERS
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COMPRESSION STRUT TO BE PROVIDED EVERY 96 SQ. FT. MAX. IN ROOMS OVER 96 SQ. FT.
1" CLR
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“Work on Work” exhibition -- page 1 2
FREE JOINT
1" CLR
SAP2000 project -- page 25
2 SEPARATE ROWS OF BASE RUNNER TRACK FIRE SEALANT FLOOR FIN. AND BASE PER SCHEDULE
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2-HOUR RATED ASSEMBLY
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9 GA. VERT. HANGER WIRES @ 4'-0" O.C. EA. WAY AT MAIN RUNNER W/ MIN. (3) TIGHT TURNS IN 3" AT BOTH ENDS
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Revit study project -- page 19
OR 1/4 LENGTH OF TEE WHICHEVER IS LESS, TYP. TYP. HANGER WIRE @ 4'-0"O.C.
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Pop-up Upgrade -- page 7
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Seaview Facilities Operations Center -- page 23 FURRING CHANNEL 087F125-18 @ 24" O.C. MAX.
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SEE PLAN.
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FIXED WALL DETAIL
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TYP. 7/8" WALL ANGLE
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RUNNER SPLICE
C SLIP WALL uncurling unique art -- page 41 DETAIL
studio work gallery spaces & eye-rest spaces
video gallery outdoor gallery youth classes/workshops offices storage
outdoors indoors
outdoor classes outdoor gallery foyer
bill viola ocean without shore leisure outdoor
reception desk cafe leisure public events
bruce nauman live-taped corridor gallery
INter[veloping] INfrastructures -- page 13
shifting to outdoors -- page 35
orthagonal vs. diagonal -- page 32
reciprocal house -- page 39
“Work on Work” Exhibition an exhibition by citylab-UCLA and Gensler Los Angeles
An exhibition presenting the culmination of a three-year research and design collaboration between cityLAB-UCLA and Gensler Los Angeles on the projective histories of Los Angeles as workplace. Produced for Gensler In Collaboration with Li Wen, Shawn Gehle, Dana Cuff, Aaron Cayer, Aaron Gensler, Muhi Bahri, Julian Ma, and Michael Frederick Photo credit: My Linh Truong
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Renderings Software used: Rhino, VRay, Photoshop
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Photo credit: My Linh Truong
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Photo credit: My Linh Truong
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Pop-up Upgrade
Gensler Los Angeles intern research project in partnership with LADOT
This research project focused on activating public spaces, bolstering economic revitalization, increasing public safety, and enhancing local culture in downtown Los Angeles with the design of a parklet structure that utilizes durable, flexible, low-cost, beautiful, protective, and temporary materials in a kit-of-parts strategy. Produced for Gensler In Collaboration with Julian Anderson, Katie Ehrlich, Lauren Leutheuser, Lee Lynch Rendering Software used: Rhino, Vray, Photoshop
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Rendering Software used: Rhino, VRay, Photoshop
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extruded aluminum frame
reclaimed wood slats planter to planter connection
canopy pole support concrete paver wood pallet base
concrete base
flexible fabric panel hollow metal tube section wheel hook stamped LADOT logo
retractable metal loop for locking
cable and pulley connection to seat/ bike rack
cable connection to canopy
extruded aluminum seat hook connection to canopy pole
reclaimed wood
reclaimed wood surface
cable connection to canopy
metal endcap
hollow plastic base (filled with sand) Diagrams Software used: Rhino, Illustrator
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Plan Diagram Software used: Rhino, CAD, Illustrator
Section Diagram Software used: Rhino, CAD, Illustrator
Sections Software used: Rhino, CAD, Illustrator, Photoshop
In order to account for the change in street elevation, small concrete blocks can be placed under the wooden pallets.
IN t e r [ v e l o p i n g ] IN f r a s t r u c t u r e s taipei cultural center
Our Taipei Railway Cultural Center aims to address the interactions of cultural and commercial elements in Taipei. It is composed of two spines that intersect on the Northeast part of the site. The North spine contains the commercial programs and the Southwest spine contains the cultural programs. We developed the spine structures based on our site context and analysis – areas of spines of movement and areas of the most dense activity and population. The spine structures then developed the envelope to create specific spaces and moments, such as thegrand entrance created by the enveloping of the two spines’ (Northwest) elevated intersection. The elevated commercial spine creates an opening to gather people from the densest spot that we analyzed – the area of the pre-existing Living Mall. The opening also leads people to the central exterior space. Furthermore, it acts as a transition from the interior spaces of the commercial spine to the exterior spaces of the cultural spine. This is a transition of program, as well as a transition of indoor to outdoor spaces. In terms of structure, the spines are created by bent columns that gradually blend to the primary rib structure supporting the envelope. Besides the primary rib structure, the covering is also supported by a secondary rib structure that runs across the whole cover and a tertiary rib structure that braces the primary and secondary rib structures. The cohesive form, program, and structure dramatically take a hold of the historic site by celebrating the old while implementing the new. In Collaboration with Danny Hopkins
West Section Software used: Maya, Rhino, VRay, Photoshop
East Section Software used: Maya, Rhino, VRay, Photoshop
Concept Model Materials/Methods used: Vacuum-forming, Styrene sheet, Woodshop, Wood
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Concept Model Materials/Methods used: Heat Gun, Styrene tubes and sheets, Foamcore
ral
merc
com
cultu
ial
8 12 9 10 11 13 13
1. 2. 3. 4. 5.
Abstract Analytical Site Drawing Software used: Illustrator, Photoshop
plaza restuarant food court courtyard marketplace
1 2 14 3 4 7 6 5 1
6. lounge 7. historic viewing 8. ampitheater 9. classrooms 10. auditorium
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11. roof garden 12. cafe 13. exhibition 14. atrium
Conceptual Site Diagram Software used: Illustrator, CAD, Maya
Bird’s Eye View Site Renderings Software used: Maya, Rhino, VRay, Photoshop
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Final Model Materials/Methods used: 3D Powder Printing, Foamcore CNC Milling, Styrene tubes and sheets, Museum Board, Spray Paint, Gesso
Site Model Materials/Methods used: Plexiglass, Laser-cutting, CAD
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Left Column: Renderings, from top to bottom: Plaza/Entrance, Auditorium/Classrooms, Atrium, Historical Viewing Area/Amphitheater Software used: Maya, Rhino, VRay, Photoshop Right Column: Photos of Final Model, from top to bottom: Plaza/Entrance, Atrium Materials/Methods used: 3D Powder Printing, Foamcore CNC Milling, Styrene tubes and sheets, Museum Board, Spray Paint, Gesso
Revit & Navisworks study project herbert johnson museum
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navisworks model clash detection
revit schedules
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A
12' - 8'-5" 0"
7 '- 6 1/2 " A. F . F.
B. FREE JOINT 2
Sim
6' - 0" MAX.
A101
CORRIDOR SECTION FOR ENGINEERI
3/4" PLYWOOD W/ P.L.
internship at AE Partners
SHELF STANDARD (TYP.)
FREE JOINT
GYPSUM BOARD TYPICAL CEILI
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S e a v i e w F a c i l i t i e s O p e r a t i o n s C e3 n t e r
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CONTRACTOR TO PROVIDE CONT. 2 X 6 WOOD BLOCKING IN WALLS AT TOP AND BOTTOM OF OVERHEAD CABINETS
HARDWARE: TEMPO 08002BPN-P BY E.B BRADLEY CO.
P.L. FACE FRAME
1 X 4 CONT. HARDWOOD CLEAT TOP AND BOT.
Revit ADA and detail drawings
1/4 " PLYWOOD LINI
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Produced for AE3 Partners
6 MIN.
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COMPRESSION STRUT TO BE PROVIDED EVERY 96 SQ. FT. MAX. IN ROOMS OVER 96 SQ. FT.
2
8" MAX.
2
VARIES. SEE PLAN. FREE JOINT
A
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2 HOUR FIRE-RATED
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1" CL
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PARTITION TYPE C4
GYPSUM BOARD TYPICAL CEILINGGYPSUM FRAMING BOARD DETAIL TYPICAL CEILING CEILING SECTION FRAMING DETAIL SUSPENDED
UL U493
HEAD
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RUNNERS/TEES ATTACHED TO WALL ANGLE W/ POP RIVETS @ 2 ADJACENT FIXED SIDES ONLY
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ATTACHED JOINT
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COMPRESSION STRUT TO BE PROVIDED EVERY 96 SQ. FT. MAX. IN ROOMS OVER 96TYP. SQ. HANGER FT.
TYP. HANGER WIRE @ 4'-0"O.C.
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9 GA. VERT. HANGER WIRES @ 4'-0" O.C. EA. WAY AT MAIN RUNNER W/ MIN. (3) TIGHT TURNS IN 3" AT BOTH ENDS
STRUT. SEE 3/S-205 FOR ATTACHMENT.
STRUT. SEE 3/S-205 FOR ATTACHMENT.
8" MAX. 12 GA. BRACING WIRE W/ MIN. 4 TIGHT 12 GA. BRACING WIRE W/ MIN. 4 TIGHT TURNS IN 1-1/2" AT BOTH ENDS OF WIRE,TURNS IN 1-1/2" AT BOTH ENDS OF WIRE,OR 1/4 LENGTH TYP. (4) TOTAL EA. STRUT. TYP. (4) TOTAL EA. STRUT. OF TEE WHICHEVER IS LESS, TYP.
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RUNNERS/TEES ATTACHED TO
RUNNERS/TEES ATTACHED TO 2 ADJACENT SLIP SIDES
TYP 8" MAX.WIR W/ (1 BRA COM PAR @3/4 12 MAX
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SAP2000 project structural design studies
This project utilizes the structural anaylsis software, SAP2000, to study truss structure for a complicated atrium design. The goal was to develop a truss design that kept the atrium light, transparent, and efficient in transfering the dead loads from the point of connection (between the building and the atrium) to the ground.
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developed the column and beam systems of the floors without the atrium
added rotated shape of atrium
developed a truss system to support atrium structure
light truss structure that tapers to the ground level in a pin connection
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bending moment diagrams
axial force diagrams
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diagram showing reaction forces
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3D bending moment diagram from the front
3D axial force diagram from the front
3D bending moment diagram from the back
3D axial force diagram from the back
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o r t h a g o n a l vs d i a g o n a l kunsthalle museum
Separated but Unified Located in Syracuse downtown, in the diagonal path and in front of City Hall, the kunsthalle connects the existing districts and historical landmarks with its programs. This is based on how the diagonal path connects the historical public open spaces of downtown and unifies these separate spaces. Because the project is in this diagonal path of open spaces, it itself is an exterior space following the idea of separation and unity. The programs are scattered in separate buildings on an orthagonal grid, but are connected together by the main diagonal exterior space. Secondarily, the diagonal circulation also contrasts the orthagonal grid. The orthagonal grid is based on the surrounding landmarks and also organizes the strutural systems -- wide concrete arches and slender white plaster columns. The main diagonal exterior space is characterized with its steel pergolas that bring natural lighting and vegetation to the public space. Steel pergolas also act as the skin enclosing the main diagonal exterior space and all of the scattered spaces to provide a transition into the museum. Rendering of main diagonal exterior space Software used: Rhino, Photoshop
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Section Perspective Plan Hybrid Software used: Rhino, CAD, Photoshop, Illustrator
Floor Plan and photo collage Software used: CAD, Photoshop, Illustrator
1. bookstore 2. restrooms/ coat check 3. cafe outdoor dining 4. cafe 5. cafe outdoor dining 6. cafe 7. outdoor space 8. offices/ administration 9. multimedia exhibition room 10. exhibition room 11. restrooms/ coat check 12. loading dock 13. video gallery 14. loading dock 15. stairs/ elevator 16. auditorium foyer 17. auditorium 18. courtyard 19. courtyard 20. ticket booth 21. central courtyard 22. courtyard 23. loading dock 24. video gallery 25. exhibition room 26. video gallery 27. exhibition room 28. stairs/ elevator
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gallery spaces & eye-rest spaces
shifting to outdoors video gallery outdoor gallery
everson museum annex
youth classes/workshops offices storage
As the annex of the Everson Museum in downtown Syracuse, the addition continues the museum’s concept of the circulation of alternating gallery spaces and eye-resting spaces. In the annex, the circulation is of alternating indoor and outdoor spaces in parallel shifts to encourage occupants to bruce nauman u t d o oand r c outdoor l a s s e sspaces and revive the experience bothoindoor bill viola outdoor gallery live-taped ocean without outdoorsappreciation of outdoor spaces in downtown Syracuse. indoors
foyer
shore
leisure
corridor
outdoor gallery c e p t spaces i o n d eare s k contrasted cafe The enclosed, dark, concreter egallery by the open, bright, outdoor leisure spaces made of glass and pergolas. public events
gallery spaces & eye-rest spaces
gallery spaces & eye-rest spaces
video gallery outdoor gallery youth classes/workshops offices storage
outdoors indoors
shift
indoor spaces outdoor spaces
circulation
parallel organization
outdoor classes outdoor gallery foyer
bill viola ocean without shore leisure outdoor
reception desk cafe leisure public events
bruce nauman live-taped corridor gallery
Diagrams Software used: CAD, Illustrator
Section Plan Hybrid Software used: CAD, Illustrator, Photoshop
Conceptual Models Materials: Plywood, basswood, foamcore, and styrofoam
OCT
1850
22,271
ye
JAN F EB
C DE
p
light work/movies/projections outdoor classes/workshops outdoor gallery performances public events
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field trips
MA
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leisure tours receptions competitions performances exhibits/lectures
OCT
APR SEP
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JUL
JUN
AU G
MA
open spaces
youth classes/workshops
indoor activities
outdoor activities
activities Diagrams Software used: Illustrator
JAN FE B
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C
OUTDOOR CLASSES/WORKSHOPS OUTDOOR GALLERY PERFORMANCES PUBLIC EVENTS FIELD TRIPS
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LEISURE
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TOURS RECEPTIONS COMPETITIONS
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gallery spaces & eye-rest spaces
shift
indoor spaces outdoor spaces
circulatio
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JUL
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Model and Site Model Materials: Basswood, Plexi sheets, Chipboard, string, wire, thread Site Model created in collaboration with Nikki S., Dex C., Joel G., Malika J., Taylor K., Tanvi S., and Jessica O.
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reciprocal house house for twins
Designed for twins of different personalities (introvert and extrovert) but of the same interest (marionettes), this house revolves around the central pond, which acts as a enclosed storage for the introvert’s marionettes. Extending from the pond to the surrounding landscape are accessible shelves that hold the extrovert’s marionettes. While the introvert’s apparatus for storage remains in the central pond, the extrovert’s apparatus acts as a transition from indoor to outdoor spaces. The spaces in the house follows this rule, spaces closer to the center are more indoor and spaces farther away have outdoor qualities. Materials: Mylar and rapidograph ink
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uncurling unique art
AFSF high school design competition 3rd place in best design
The sustainable Center of San Francisco Film Art, located in San Francisco’s SOMA district celebrates the rich film history of the San Francisco Bay Area and educates the public on the art, history, and process of film and digital media. Inspired by Wright’s Guggenheim Museum, the center was designed to resemble a film roll with the ramp leading to different rooms like a film roll uncurling different pictures. In a film roll, each picture is unique and different from the other pictures. Similarly, the rooms that the ramp leads to are unique and have different functions and spatial qualities. The building also has green roofs and solar panels for energy and water conservation. Software Used: Autodesk Revit Architecture
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S e r e n a Y e
415.425.5797 syye@syr.edu