Sa r c eh i tre cet u rne pao r t fYo l ieo
selected works gallery spaces & eye-rest spaces
studio work
video gallery outdoor gallery youth classes/workshops offices storage
outdoors indoors
outdoor classes outdoor gallery foyer
bill viola ocean without shore leisure outdoor
reception desk cafe leisure public events
bruce nauman live-taped corridor gallery
INter[veloping] INfrastructures -- page 1
shifting to outdoors -- page 13
orthagonal vs. diagonal -- page 7
reciprocal house -- page 17
internship work
individual work
revit study project -- page 3
B
6"
CLR
2 ' -5 1 / 4 "
5"
4"
4"
4"
1'-6 1/2"
12" x 8" DUCT
4"
5'-2"
3'-0"
CORRIDOR
GYM
8'-1" A.F.F.
8'-5" A.F.F.
7'-6 1/2"
8'-5" A.F.F.
uncurling unique art -- page 19
7 '- 6 1/2 " A. F . F.
10'-0"
OPENING TO DEN
ZONE FOR PLUMBING, SPRINKLER, ELECT. SERVICE
1'-10 1/2"
18" x 8" DUCT
12" x 8" DUCT
5'-0"
2'-5 1/4"
1'-6 1/2"
7 1/4"
R2 E 2x8 JOISTS
AE3 Partners, Inc. internship work -- page 5
R2 E
CORRIDOR SECTION FOR ENGINEERING COORDINATION
3/4" PLYWOOD W/ P.L.
CONTRACTOR TO
0 1 I N t e r [ v e l o p i n g ] I N f r a s t r u c t u r e s | taipei cultural center Our Taipei Railway Cultural Center aims to address the interactions of cultural and commercial elements in Taipei. It is composed of two spines that intersect on the Northeast part of the site. The North spine contains the commercial programs and the Southwest spine contains the cultural programs. We developed the spine structures based on our site context and analysis – areas of spines of movement and areas of the most dense activity and population. The spine structures then developed the envelope to create specific spaces and moments, such as the grand entrance created by the enveloping of the two spines’ (Northwest) elevated intersection. The elevated commercial spine creates an opening to gather people from the densest spot that we analyzed – the area of the pre-existing Living Mall. The opening also leads people to the central exterior space. Furthermore, it acts as a transition from the interior spaces of the commercial spine to the exterior spaces of the cultural spine. This is a transition of program, as well as a transition of indoor to outdoor spaces. In terms of structure, the spines are created by bent columns that gradually blend to the primary rib structure supporting the envelope. Besides the primary rib structure, the covering is also supported by a secondary rib structure that runs across the whole cover and a tertiary rib structure that braces the primary and secondary rib structures. The cohesive form, program, and structure dramatically take a hold of the historic site by celebrating the old while implementing the new. In Collaboration with Danny Hopkins Far Right Bird’s Eye View Site Rendering Software used: Maya, Rhino, VRay, Photoshop
Right Bottom Abstract Analytical Site Drawing Software used: Illustrator, Photoshop
Right Conceptual Site Diagram Software used: Illustrator, CAD, Maya
Right Far Bottom Site Model Materials/Methods used: Plexiglass Laser-cutting, CAD
Concept Model Materials/Methods used: Vacuum-forming, Styrene sheet, Woodshop, Wood Bottom West Section Software used: Maya, Rhino, VRay, Photoshop
Concept Model Materials/Methods used: Heat Gun, Styrene tubes and sheets, Foamcore
Final Model Materials/Methods used: 3D Powder Printing, Foamcore CNC Milling, Styrene tubes and sheets, Museum Board, Spray Paint, Gesso
Right Column Photos of Final Model, from top to bottom: Plaza/Entrance, Atrium Materials/Methods used: 3D Powder Printing, Foamcore CNC Milling, Styrene tubes and sheets, Museum Board, Spray Paint, Gesso
Far Right Column Renderings, from top to bottom: Plaza/Entrance, Auditorium/Classrooms, Bottom Atrium, Historical Viewing Area/Amphitheater East Section Software used: Maya, Rhino, VRay, Photoshop Software used: Maya, Rhino, VRay, Photoshop
0 2 REVIT & Navisworks s t u d y p r o j e c t | herbert johnson museum
navisworks model clash detection
revit schedules
03
04
0 3 Seaview Facilities Operations Center | ADA & detail drawings internship at AE3 Partners, Inc.
B
6"
CLR
ZONE FOR PLUMBING, SPRINKLER, ELECT. SERVICE
5"
5'-0"
4"
4"
1'-6 1/2"
12" x 8" DUCT
4"
5'-2"
OPENING TO DEN
3'-0"
CORRIDOR
GYM
8'-1" A.F.F.
8'-5" A.F.F.
7'-6 1/2"
8'-5" A.F.F.
7 '- 6 1/2 " A. F . F.
10'-0"
software: Revit
4"
1'-10 1/2"
18" x 8" DUCT
12" x 8" DUCT 2 ' -5 1 / 4 "
worked under the supervision of Stephanie Jaeger
2'-5 1/4"
1'-6 1/2"
7 1/4"
R2 LEVEL 05 EL: 134'-7" 2x8 JOISTS
R2 LEVEL 04 EL: 124'-7"
CORRIDOR SECTION FOR ENGINEERING COORDINATION
3/4" PLYWOOD W/ P.L.
0' - 2"
1' - 1 3/4"
SHELF STANDARD (TYP.)
CONTRACTOR TO PROVIDE CONT. 2 X 6 WOOD BLOCKING IN WALLS AT TOP AND BOTTOM OF OVERHEAD CABINETS
6" MAX. #10 SMS @ EA. 20 GA MIN. CFMF WALL STUD (24" O.C. MAX.)
1/2" MIN.
P-LAM FIN. DOOR PANEL
1 X 4 CONT. HARDWOOD CLEAT TOP AND BOT. 1/4 " PLYWOOD LINI
FURRING CHANNEL #10 SMS @ EA. MAIN RUNNER
NG W/ P-LAM FIN.
2' - 7"
5/8" GYPSUM BOARD
7' - 0"
C
D
ATTACHED JOINT
FREE JOINT 6" MAX.
MAX.
0' - 6 1/2"
6" MAX. 4 7/8" 2"
6 7/8" 0' - 4"
2' - 0"
1/2" MIN.
1 X 2 WOOD FRAMING
1" MIN.
1" MIN. MAIN RUNNER
1 X 8 CONT.
0' - 8"
FURRING CHANNEL
SINK
1" CLR MIN.
HANGER WIRES SADDLE TIES
0' - 5 31/32"
1/2" MIN.
KNEE CLEARANCE AREA
#10 SMS @ EA. FURRING CHANNEL 1" x 2"x 24 GA CONT. ANGLE, TYP.
3/4" PLYWOOD W/ P-LAM FIN.
MAX.
ACCESSIBLE CASEWORK WITH SINK SECTION
NO CONNECTION BETW. ANGLE AND FURRING CHANNEL @ FREE SIDE
#10 SMS @ EA. 20 GA MIN. CFMF WALL STUD (24" O.C. MAX.)
MIN.
0' - 9"
27" TO 29" MIN.
36" MAX.
MIN
NOTE: SINK AND INSTALLATION TO CONFORM TO 1117B.9
05
NO CONNECTION BETW. ANGLE AND FURRING CHANNEL @ FREE SIDE
1" x 2"x 24 GA CONT. ANGLE, TYP.
3/4" PLYWOOD W/ P-LAM FIN.
RUBBER BASE
1" CLR MIN.
1/2" MIN.
1' - 7"
P.L. FACE FRAME
P-LAM FIN. REMOVABLE APRON PANELS
4" MAX.
SADDLE TIES
HANGER WIRES
HARDWARE: TEMPO 08002BPN-P BY E.B BRADLEY CO.
P-LAM FIN. COUNTERTOP
6" MAX.
1 X P.T. WOOD FRAMING
A
ATTACHED JOINT
CEILING PERIMETER CONNECTION DETAILS
B
FREE JOINT
1" MIN. TO 6" MAX TYP. @ MAIN RUNNER
4' - 0" MAX.
8' - 0" MAX.
2
C. ATTACHED JOINT Sim
A101
4' - 0" MAX.
ATTACHED JOINT UNDERSIDE OF STRUCTURE
6' - 0" MAX.
FIRE SEALANT
HEAD
12' - 0" MAX.
B. FREE JOINT 2
STC 60+
2 HOUR FIRE-RATED
2 LAYERS OF 5/8" GWB TYPE "X" EA. SIDE.
7/8" FURRING CHANNEL
ACOUSTICAL INSULATION
MAIN RUNNERS
96 SQ. FT. MAX.
UL U493
SLOTTED HEAD TRACK. SSD.
COMPRESSION STRUT TO BE PROVIDED EVERY 96 SQ. FT. MAX. IN ROOMS OVER 96 SQ. FT.
1" CLR
PLUMBING PIPING. SPD.
Sim
2
A. Sim ATTACHED JOINT
PLAN TERMINATE / CUT TRACK AS REQUIRED FOR COORDINATION W/ ADJACENT TRADES
A101
A101
1" CLR
6' - 0" MAX.
2 LAYERS OF 5/8" GWB TYPE "X" EA. SIDE
2
FREE JOINT
2 SEPARATE ROWS OF BASE RUNNER TRACK FIRE SEALANT FLOOR FIN. AND BASE PER SCHEDULE
Sim
D. FREE JOINT
SILL
2-HOUR RATED ASSEMBLY
A101
PARTITION TYPE C4
GYPSUM BOARD TYPICAL CEILING FRAMING DETAIL
SADDLE-TIE FURRING CHANNEL TO MAIN RUNNERS W/ (2) STRANDS OF 18 GA WIRE OR (1) STRAND OF 16GA WIRE. 9 GA. VERT. HANGER WIRES @ 4'-0" O.C. EA. WAY AT MAIN RUNNER W/ MIN. (3) TIGHT TURNS IN 3" AT BOTH ENDS
6 MIN.
2'-0" TYP.
1
STRUT. SEE 3/S-205 FOR ATTACHMENT. 8" MAX.
12 GA. BRACING WIRE W/ MIN. 4 TIGHT TURNS IN 1-1/2" AT BOTH ENDS OF WIRE, TYP. (4) TOTAL EA. STRUT.
OR 1/4 LENGTH OF TEE WHICHEVER IS LESS, TYP. TYP. HANGER WIRE @ 4'-0"O.C.
10 - 45 DEGREES FROM HOR., TYP.
TYP. THROUGH CONNECTOR SPLICE @ CROSS RUNNERS
RUNNERS/TEES ATTACHED TO WALL ANGLE W/ POP RIVETS @ 2 ADJACENT FIXED SIDES ONLY
MAIN RUNNER 150U050-54 @ 4'-0" O.C. MAX. FURRING CHANNEL 087F125-18 @ 24" O.C. MAX. 1/2" GWB PERP. TO FURRING. ATTACH GWB W/ ASTM C1002 GALV. TYPE S SCREWS @ 12" O.C. MAX. SUSPENDED CEILING
A
FIXED WALL DETAIL
8" MAX.
3/4"
2 ADJACENT SLIP SIDES ONE SIDE FIXED AND THE OTHER SIDE FLEXIBLE 7/8" WALL ANGLE
TYP. 7/8" WALL ANGLE
VARIES.
TYP. HANGER WIRE @ 4'-0" O.C. W/ (1) PAIR OF BRACING WIRES AND COMPRESSION STRUT PARALLEL TO WALL @ 12'-0"O.C. & 4'-0" MAX. FROM EA. END
B
RUNNER SPLICE
C
SLIP WALL DETAIL
SEE PLAN.
SUSPENDED CEILING SECTION
06
0 4o r t h a g o n a l vs d i a g o n a l | kunsthalle museum
Separated but Unified Located in Syracuse downtown, in the diagonal path and in front of City Hall, the kunsthalle connects the existing districts and historical landmarks with its programs. This is based on how the diagonal path connects the historical public open spaces of downtown and unifies these separate spaces. Because the project is in this diagonal path of open spaces, it itself is an exterior space following the idea of separation and unity. The programs are scattered in separate buildings on an orthagonal grid, but are connected together by the main diagonal exterior space. Secondarily, the diagonal circulation also contrasts the orthagonal grid. The orthagonal grid is based on the surrounding landmarks and also organizes the strutural systems -- wide concrete arches and slender white plaster columns. The main diagonal exterior space is characterized with its steel pergolas that bring natural lighting and vegetation to the public space. Steel pergolas also act as the skin enclosing the main diagonal exterior space and all of the scattered spaces to provide a transition into the museum. Above: Rendering of main diagonal exterior space Software used: Rhino, Photoshop
07
Erie Canal service commercial plazas
commercial service
business
Clinton Square
Clinton Square
Power District
Hanover Square
site
site
Fayette Park
Eastside District Fayette Park
Armory Square
plaza Columbus Circle
plaza Heart of Downtown
Presidential District
Convention District retail urban renaissance restuarants
retail residential restuarants
rich architecture recreation
medical residential
Columbus Circle
Diagrams explaining the diagonal path of historical open spaces and the surrounding districts Software used: Illustrator
Conceptual Sketches investigating orthagonal and diagonal properties
08
Top Left: Perspective Sketch Software used: Photoshop Left: Site Model, Final Model Site Model created in collaboration with Dex C., Taylor J., Cher Y., Matthew B., Matthew H., Hasan H., and Megan M. Site Model materials: MDF board, basswood, chipboard, and copper wire Final Model materials: museum board, acetate, foamcore Top: Perspective Sketches Right: Ground Floor Plan and photo collages Software used: CAD, Illustrator, Photoshop
1. bookstore 2. restrooms/ coat check 3. cafe outdoor dining 4. cafe 5. cafe outdoor dining 6. cafe 7. outdoor space 8. offices/ administration 9. multimedia exhibition room 10. exhibition room 11. restrooms/ coat check 12. loading dock 13. video gallery 14. loading dock 15. stairs/ elevator 16. auditorium foyer 17. auditorium 18. courtyard 19. courtyard 20. ticket booth 21. central courtyard 22. courtyard 23. loading dock 24. video gallery 25. exhibition room 26. video gallery 27. exhibition room 28. stairs/ elevator
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business
government
dining
medical
art
landmark
religious
types of buildings
Top Left: Section Perspective Plan Hybrid Software used: Rhino, CAD, Photoshop, Illustrator Bottom Left: Diagrams analyzing the traffic and types of buildings surrounding the site Software used: Illustrator Right: Perspective sketches of initial ideas Bottom: Rendering Software used: Rhino, Photoshop
0 5s h i f t i n g t o o u t d o o r s | everson musuem annex outdoors indoors
outdoor classes outdoor gallery foyer
gallery spaces & eye-rest spaces
bruce nauman live-taped corridor
bill viola ocean without shore leisure outdoor gallery
video gallery outdoor gallery youth classes/workshops offices storage
reception desk cafe leisure public events
outdoors indoors
outdoor classes outdoor gallery foyer
bill viola ocean without shore leisure outdoor
reception desk cafe leisure public events
bruce nauman live-taped corridor gallery
scale 1/16” = 1’-0”
2
population
year
public events
V
MA
R
APR
gallery spaces & eye-rest spaces
shift
JUL
JUN
AU G
Y
open spaces
MA
The enclosed, dark, concrete gallery spaces are contrasted Sby the open, bright, outdoor EP spaces made of glass and pergolas.
Previous Page Top Left: Diagram of the plan and programs Software used: CAD, Illustrator
field trips
In the annex, the circulation is of alternating indoor and outdoor spaces in parallel shifts to encourage occupants to experience both indoor and outdoor spaces and revive the appreciation of outdoor spaces in downtown Syracuse. OCT
entertainment
FEB
C DE
outdoor classes/workshops outdoor gallery performances
NO
political
Previous Page Top: Section Plan Hybrid Software used: CAD, Illustrator, Photoshop
light work/movies/projections
leisure tours
receptions competitions
performances exhibits/lectures
Previous Page Bottom: Conceptual Models Materials: Plywood, basswood, foamcore, and styrofoam youth classes/workshops
a
n
n
e
x
annex
university
JAN
As the annex of the Everson Museum in downtown Syracuse, the addition continues the museum’s concept of the circulation of alternating gallery spaces and eye-resting spaces.
Below: Diagrams explaining the alternating indoor and outdoor spaces parallel shifts outdoor activities Far Below: Sketches of experimentation with pergola and glass skin
indoor activities
activities
indoor spaces outdoor spaces
circulation
site
parallel organization
pergola pattern used in the outdoor spaces to bring in natural lighting and vegetation
14
OC
1850
22,271
y
JAN F EB
C DE
light work/movies/projections outdoor classes/workshops outdoor gallery performances public events
V
field trips
MA
R
NO
leisure tours receptions competitions
shifting to outdoors
performances
exhibits/lectures youth classes/workshops
APR Y
MA
JUN
JUL
indoor activities
outdoor activities
activities
gallery spaces & eye-rest spaces
indoor spaces outdoor spaces
shift
circulation
2000
1970
1950
1930
entertainment
2000
1970
outdoor activities
a
n
n
e
x
annex
N JU
AU G
site
indoor spaces outdoor spaces
JUL
1950
JUN
1930 JUL
MA
R
APR
MA Y
SEP
AU G
JUN
JUL
1850 R
performances
entertainment
MA
leisure
AU G
1850
field trips
Y
public events
V
MA
outdoor gallery performances
APR
#people
R
outdoor classes/workshops
indoor activities
p o pa uc lt ai vt ii ot ine s
RECEPTIONS COMPETITIONS
circulation
a
n
PERFORMANCES EXHIBITS/LECTURES YOUTH CLASSES/WORKSHOPS
n
e
x
annex MA Y
MA
FEB
N JU
LEISURE
APR
S
EP
university
JAN
JUL
PUBLIC EVENTS FIELD TRIPS
indoor spaces outdoor spaces
shift
youth classes/workshops
political
light work/movies/projections
receptions competitions
AU G
R
o p e n s p a c e sy e a r
OCT
shift
exhibits/lectures
SEP
22,271
Right: Diagrams analyzing the population changes in Syracuse and the types of buildings surrounding the site. Software used: Illustrator
gallery spaces & eye-rest spaces
leisure
performances
OCT
gallery spaces & eye-rest spaces
tours
Bottom Right: Diagram of views in the site open spaces Software used: Rhino, Illustrator, and Photoshop
field trips
receptions competitions
Final Model Materials: Basswood, plexi sheets, string, wire, thread NO
public events
OCT
V
tours
147,306 100,000
C DE
P
SE
population
MA
200,000
NO
YOUTH CLASSES/WORKSHOPS
Site Model created in collaboration with Nikki S., Dex C., Joel G., Malika J., Taylor K., Tanvi S., and Jessica O. Materials: MDF board, basswood, chipboard, and copper wire
OUTDOOR CLASSES/WORKSHOPS OUTDOOR GALLERY PERFORMANCES
political
outdoor classes/workshops outdoor gallery performances
220,583 209,326 197,208
Left: Site Model and Final Model
CT
LIGHTWORK/MOVIES/PROJECTIONS
university
forcing occupants through outdoor spaces t o i n c r e a s e a w a r e n e s s o f o u t d o o r s p a c e s PERFORMANCES in Syracuse with the Everson Museum EXHIBITS/LECTURES
year
light work/movies/projections
FEB
RECEPTIONS COMPETITIONS
FE B
C
JAN
Software used: Illustrator
outdoor activities
TOURS
DEC
TOURS
indoor activities
activities
JAN
DE
FE B
C
LEISURE
AU G
open spaces
JAN
DE
FIELD TRIPS
Y
147,306 100,000
MA
#people
SEP
NO V
PERFORMANCES
NO V
APR
209,326 200,000 197,208
22,271
Top: Diagrams analyzing the districts, landmarks, art spaces, museums, and open spaces of Syracuse, respectively. LIGHTWORK/MOVIES/PROJECTIONS OUTDOOR CLASSES/WORKSHOPS Software used: Illustrator OUTDOOR GALLERY PUBLIC EVENTS
youth classes/workshops
220,583
forcing occupants through outdoor spaces to increase awareness of outdoor spaces in Syracuse with the Everson Museum
shifting t o activities existing in the Top Right: Diagram of indoor and outdoor Everson Museum outdoors
exhibits/lectures
OCT
circulat
site
parallel organization
parallel organization
16
0 6r e p r o c i p a l h o u s e | house for twins Designed for twins of different personalities (introvert and extrovert) but of the same interest (marionettes), this house revolves around the central pond, which acts as a enclosed storage for the introvert’s marionettes. Extending from the pond to the surrounding landscape are accessible shelves that hold the extrovert’s marionettes. While the introvert’s apparatus for storage remains in the central pond, the extrovert’s apparatus acts as a transition from indoor to outdoor spaces. The spaces in the house follows this rule, spaces closer to the center are more indoor and spaces farther away have outdoor qualities. Bottom: Section Next Page Left: Ground floor plan Next Page Right: First floor plan Next Page Bottom: Longitudinal section Materials: Mylar and rapidograph ink
17
18
0 7u n c u r l i n g u n i q u e a r t | center of san francisco film art
The sustainable Center of San Francisco Film Art, located in San Francisco’s SOMA district celebrates the rich film history of the San Francisco Bay Area and educates the public on the art, history, and process of film and digital media. Inspired by Wright’s Guggenheim Museum, the center was designed to resemble a film roll with the ramp leading to different rooms like a film roll uncurling different pictures. In a film roll, each picture is unique and different from the other pictures. Similarly, the rooms that the ramp leads to are unique and have different functions and spatial qualities. The building also has green roofs and solar panels for energy and water conservation.
19
Top: 3D View Software Used: Autodesk Revit Architecture
Top: Rendering Bottom: Elevation Software used: Autodesk Revit Architecture
Top Left: First Floor Plan Top Right: Second Floor Plan Bottom: Section Software used: Autodesk Revit Architecture
S e r e n a Y e
415.425.5797 syye@syr.edu