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SHADE SHPETIM ADEMAJ GRAPHIC DESIGN 2022
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01. WHO IS SHADE ? 02. LOGOFOLIO 03. BRANDING 04. PERSONAL
05. PHOTOGRAPHY
PROJECTS
WHO IS
E D U C AT IO N BAC H E LO R I N G RA P HI C D ES I GN / 202 1 FA CU LT Y O F A RT S, U N IVERSIT Y O F PRIS H TIN A PRI STINA, K O S OV O EX P ERIENC E NEOFILMS / March 2022 - Still Senior Graphic Designer Art Director Web Designer & Visual E ects TAP E TA / 201 7-201 8 Senior Graphic Designer M O DIUM / 2019-202 0 Graphic Designer Postproduction FOCUS FILMS / 2010Videographer, Photographer Content Creator & Graphic Designer SWISSTEK / Feb 2021 - Aug 2021 Senior Graphic Designer Brand Manager INFINITY AD / April 2022 - Still Lead Team Manager Videographer & Photographer S K I L L S Branding / Logo Design / Web Design / Visual E ects Photography / Videography / Retouch & Edit Sketch / Drawing / Painting KE Y S T R E N G T H S Creative / Detail-Oriented / Organized Dedicated / Communicative / Flexible SOF T W A R E A D O B E IL LU S TR AT OR P H OT OSHO P P RE M IERE P RO INDE S IGN A F TER E FF E CT S L A N G UA G E S ITALIAN ENGLISH ALBANIAN Native GERMAN
02. logofolio
2020-2022
SPORTV
2020-2022
l l o w i ng p r o jec t c om e s i n f ul l p r es e nta t ion
03. branding Fo
B r anding d o n e f o r an A r c hi t e c t u r e St udio base d in Peja, Kos o v o
Visual Identity done for an Architecture Studio based in Pristina, Kosovo.
Visual
Identity done for an Albanian barber based in New York City
Branding of a young talented fashion designer, Lendita Muzliaj.
PA R K E TT UK A J M A S T E RB E T RIE B
PA R K E TT U K A J
A S TER B ET RI E B UKAJ PARQUET TREE LEAF
M
04. Personal projects
P O S T ER DE S I G N
THE ATR E SH O W “G R U A ” N ATI O NA L THE ATR E O F K O S OV O .
L i ke all w ome n w ho a re n ot equal i n a ny w ay , these t w o abando n ed w ome n tr y to fi n d a pla c e, a refuge i n a p atria rchal soci et y.
The stor y of these w ome n l i ke ma ny others is pai n ful a n d un fair, th e y a re aba n do n ed a n d th ro w n i nto the st re ets fo r the sole reaso n th at the i r w ombs n o longe r bea r ch i ld re n . PHOTOGRAPHER AND VISUAL DESIGNER.
2021
Typography in food
Book cover design
THE DA VINCI CODE B Y D AN BR O W N
TYPOGRAPHY DESIGN BOO K M A R K D ESIGN IN 4 VE R SION S M ain title rep rese nts “the my ster y ” t h at auth o r talks about. Ba c kg ro und p at te r n co nta ins a l ot of s y mb o ls th at in neg ati v e sp ac e is s h o wn a p y ra mid sh a pe. Ones wh o red t h e b oo k o r w atch ed t he m o v ie b a sed i n this b oo k, kn o ws ex ac tl y w h at it me a ns
Old alphabet typography
Garo, also referred to as A · chikku, is a Sino-Tibetan language spoken in India in the neighborhoodsGarg Hills of Meghalaya, parts of Assam and insmall pockets in Tripura. It is also spoken in areas of certain neighboring Bangladesh. According to the census of the year2001, has about 889,000 Garo speakers in India alone; 130,000 others are located in Bangadesh.
Garo, i referuar gjithashtu me endonimin e tij A · chikku, është një gjuhë Sino-Tibetane që flitet në Indi në lagjet Garo Hills të Meghalaya, disa pjesë të Assam dhe në lagjet e vegjla në Tripura. Flitet gjithashtu në zona të caktuara të Bangladeshit fqinj. Sipas regjistrimit të vitit 2001, ka rreth 889,000 folës Garo vetëm në Indi; 130,000 të tjerë gjenden në Bangladesh.
Fakulteti i Arteve të Bukura, Dizajn Grafik, viti i IV-të, lënda; Tipografi / Profesor; Taula Fakulteti i Arteve të Bukura, Dizajn Grafik, viti i IV-të, lënda; Tipografi / Profesor; Taula
t Qerkini 14 05 2021
AL F A B ETI G A R O D
B A A B E N aulant Qerkini
D E N
Photography
Ph o t og r ap h y is a rt be cause i ts be au t y i s su bje c t i v e .
05.
PH OT OGRA PH Y I N M O TION
ARCHITE C T U RE PH OT OGRA P H Y
