SHMS Winter Orchestra Concert 2023

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Shaker Heights Middle School presents a

Winter Orchestra Concert

February 7, 2023

Shaker Heights Middle School Auditorium

Nicole Castleberry Clouser, Orchestra Director

Suzanna Adkins, 8th Grade Orchestra co-Teacher

Chuck Tisdale, Lights and Sound

Program

PreConcert Feature, 8th Grade Enrichment/Chamber Orchestra

Allegro from Sonata No. 1……G.B. Teleman, arr. Kirt Mosier

Seventh Grade Orchestra

Aspen Glow ............................................................. Susan H. Day

Chumbara ................ Trad. Canadian, arr. Deborah H. Monday

Cello Ole ................................................................ Richard Meyer

Wood Splitter Fanfare .........................................Brian Balmages

Eighth Grade Orchestra

Spartacus ..............................................................Brian Balmages

Ice Castles .............................................................Brian Balmages

Allegro Presto from Symphony No. 2............... Joseph Bologne, Chevalier de st. Geroges (1745-1799), arr. Deborah H. Monday

Combined Seventh & Eighth Grade Orchestra

Les Contes des Fees ...................... Ignatious Sancho (1729-1780)

The Duchess of Devonshire ............................ Ignatious Sancho

Lift Every Voice and Sing .......lyrics by James Weldon Johnson (1871-1938), music by J. Rosamond Johnson (1873-1954)

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The Importance of Parental Support

Music study & appreciation is one of the great contributions that we can make in our children’s lives. It’s not just the studies that show that music lessons improve academic success and teach discipline & concentration. Developing a true love of music that extends into adulthood can be the gift of a lifetime. There are many ways for parents to support this worthwhile goal:

The Encouraging Parent: Music study takes time, practice & encouragement. Set aside a set time at home for practice and establish a routine that supports daily attention to practice. Listen, offer praise & helpful suggestions for improvement, and help your child to see practice as a benefit meant to improve their skills and hone their talent.

The Appreciative Audience: The best audience at any school concert is an auditorium full of parents. Your child may not admit it, but they want to be able to look out into the crowd and see your face. Music is a family affair. Don’t miss the opportunity to celebrate your child’s talent and achievements.

The Music Lover: Parents are and will always be a child’s first and best teacher. Make the effort to bring music into the home – all kinds of music. Local libraries have large collections of popular, jazz, and classical music. The Cleveland Institute of Music website, www.cim. edu lists an amazing variety of free concerts & student recitals. The Cleveland Orchestra www.clevelandorchestra.com offers reasonably priced family concerts & creative children’s programs. The Cleveland Pops https://www.clevelandpops.com/ offers programs as well.

Music washes away from the soul the dust of everyday life –Red Auerbach

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Seventh Grade Orchestra

Violin 1

Carlos Colon

Saint Anthony

Crawford

James Faieta

Akira Falconer

Ian Fields

David Hill

Navea Jackson

Shawn Jackson

Stormy Johnson

*Charlotte Prokop

Ryan Robinson

Alyssa Wu

Violin 2

Roslyn

Barchanowicz

Ramone Carter

Zain Chowdhry

Kearston Clark

Saije Harris

Zora Kansal

Ava Mason

Nyaira McMichael

*Matthew Moore

Viola

Aliyah Davis-Reese

*Madison Greene

Reshawn Lee

Abby Lipman

McKenna Martin

Dieynaba Sow

Julian Jaquera-Little

Cello

A’King Alexander

*Vibha

Balasubramaniam

Mitchell Bergman

Henry Burkhart

Laura Holbrook

Rachel Klein

Jaryn Marcus

Aidan McCabe

Emmeline Millar

Lillian Paponetti

Jessie Tien

Bass

Reine Hinton

*Marios Kallergis

* Section Leaders

Like us on Facebook:

SHHS ChOrD (Choir & Orchestra Devotees)

Shaker Heights Orchestras: Middle School & Woodbury

Middle School Orchestra Website: https://sites.google.com/shaker.org/shakermiddleschoolorchestra/home

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Eighth Grade Orchestra

Violin 1

Cydney Burell

SIenna Cadiz

Zoie Durham

Lucy Hopkins

Anya Jones

Anna Maier

Jaylon Jamal

Nevaeh Parker

Aubrey Ross

David Wang

Emanuel Zarders

James Zeng

*Mason Zhang

Violin 2

Zoeya Chowdhry

Logan Coleman

Charles Collins

Lanell Curlee

Ruth Foreman

Avion Ghee

Miliani Herbin

Alexander Macks

Zoe Middleton

Gabriel Moulthrop

*Areeb Rizvi

Nataleigh Rupprecht

Shaun Walls

Viola

Elliot Botnick

Peyton Horsley

Devanair Mcginnis

Finnegan Moody

*Maja Tadic

Kenneth Wadkins

Cello

Rory Carson

Erefagha Doibo

Sophia Federici

Madeline Holmes

*Wesley Lewis

Hendrik Meyer

Daria Mirodon

Alexander Padilla

Isaiah Patton

Jacob Pope

Maya Shrestha

Bass

Dace Collins

*Declan Gray

* Section Leaders

Upcoming Concerts & Events:

Spring Middle School Orchestra Concert

May 11, 2023, 7 p.m.

Middle School Auditorium

Music in the Parks, adjudicated contest

8th Grade Orchestra, All-Day Event

(7th Grade students by invitation)

Saturday, May 20, 2023

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Eighth Grade Enrichment Orchestra

Violin 1

*Mason Zhang

Jaylon Jamal

James Zeng

David Wang

Violin 2

*Zoie Durham

Alexander Macks

Gabriel Moulthrop

Areeb Rizvi

Viola

Elliot Botnick

Zoeya Chowdhry

Ruthie Forman

*Maja Tadic

Cello

*Wesley Lewis

Sophia Federici

Alexander Padilla

Madeline Holmes

Daria Mirodon

Bass

*Declan Gray

* Section Leaders

Acknowledgments

Middle School administration, faculty & staff, including: Mrs. Michelle Hughes, Principal

Mr. Jalon Brown & Mr. Thomas Flood, Assistant Principals

Mr. Chuck Tisdale, Auditorium Manager

ChOrD Volunteers, for their enthusiastic and generous support

Shaker Schools Foundation for their generous support each year

Shaker Schools Foundation

During the 2022-2023 school year, the Shaker Schools Foundation’s focus is: “Excellence is inclusive - providing opportunities for all Shaker students.” The support of alumni, families and community members helps the Foundation provide programs and resources for all Shaker students, including mentoring and career pathways, handson learning, travel and opportunity assistance, and more.

By including the Shaker Schools Foundation in your philanthropic support, you make it possible for the Foundation to support Shaker students, teachers and programs in all school buildings and at all grade levels throughout the District. For more information about the Shaker Schools Foundation or to support our work, please visit shakerschoolsfoundation.org.

How to Donate

• Send a check made payable to the Shaker Schools Foundation, 15600 Parkland Drive, Shaker Heights, Ohio 44120.

• Make a donation by visiting shakerschoolsfoundation.org/donationform or scan the QR code.

Follow Shaker Schools Foundation on Social Media

Start a Shaker Student Travel Savings Fund Today!

At the high school level, a great number of travel opportunities exist for students–whether touring in Europe with fellow students from the band, choir or orchestra, engaging in a language immersion program to Chile or Germany, or participating in a service project in Southeast Asia.

While all student travel experiences have fundraising opportunities to support the trips, we know these costs are great. The time to start saving is NOW! Our partnership with Huntington will allow you to start a Student Travel Savings Fund now.

Your savings today will give your student the experience of a lifetime in high school! To start your student’s travel fund, contact Brandon Tufts at Huntington’s Fairmount Circle branch at 216-515-0285.

Black History Month Composer Highlight

Joseph Bologne, Chevalier de Saint-Georges, was the first Western classical composer of African heritage and one of the most remarkable characters in music History. Joseph’s father, George de Bologne de Saint-Georges, was the owner of a large plantation in the French Directory (government) of Guadeloupe, a Caribbean island to the southeast of Puerto Rico. Joseph’s mother, known as Anne or Nanon, was a woman enslaved by George and a Guadeloupean of Sengelese descent.

In 1747, Joseph’s father accidentally killed a man during a duel. To escape being charged for murder, George Saint-George fled Guadeloupe, leaving authorities to seize his possessions. Two years later, George’s title of nobility allowed him to obtain a pardon and return to the Caribbean, where he gave his son his first instruction in music and fencing. In 1753, Joseph moved to Bordeaux, France where he started school, after the arrival of George and Nanon, they all moved to Paris, where George worked as an aide to Louis XV. 12 months later, Joseph entered a boarding school where he studied humanities, fencing, and horsemanship. Joseph was given the title of Ecuyer in the position of Controller Ordinary of Wars, which led to a distinguished and impressive military career.

Joseph became an elite fencer, but his athletic skills spanned from skating to dancing and swimming, an activity he was said to do with one arm. Although he had broad talents and interests, his greatest love was muci. Joseph studied composition with Francois-Joseph Gossec, and studied violin with Jean-Marie Leclair. In addition to composition, he performed as a violin soloist, was accomplished at harpsichord, and conducted two orchestras, notably the first-rate Concert des Amateurs ensemble. After Concert suffered several financial blows, Joseph’s status as a Black Mason led the Masons to revive the orchestra and rebrand it as Le Concert Olympique, the ensemble that commissioned Haydn’s Paris Symphonies in 1787. 10 years later, Joseph became the director of Le Cercle de L’Harmonie, and eventually, music director for the Marquise de Montesson. Joseph was still serving as a member of the image military while he led weekly concerts. One avid concert-goer and admirer of Saint-Georges, was none other than Marie Antoinette, a fine singer herself who studied piano with Gluck, and occasionally performed with Joseph soloing on violin.

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Although Joseph had talent, prestigious titles, and influence, he was still subject to racial discrimination. The French government regulated the immigration of Africans and aided slave owners by perpetuating discrimination against Africans. Louis XV issued a “Code Noir” that required BIPOC to register as such with the Admiralty, and Voltaire stated publicly that his belief was Africans were inferior to Europeans. Despite Joseph’s accomplishments, due to his half-African heritage, he was ineligible for nobility and its titles under this new French law. Joseph’s career arc may have taken him to lead the Paris Opera, but three of the Paris Opera’s leading female opera singers sent an appeal to the queen stating that their delicate conscience and honor could never allow them to submit to the orders of a person of color, leading Joseph to withdraw his name from consideration. Joseph died in 1799 at the home of his friend and colleague, Nicolas Duhamel.

Saint-Georges’s output includes six operas, though he turned more to instrumental music in 1776. Joseph composed in a wide variety of musical styles and genres, but what he is most famous for is his large ensemble work which you’ll hear tonight.His music is Classical in style, vocal in characterization, elegant, refined, and leans more to Haydn than Mozart. It includes attractive melodies, French coloring with touches of the Mannheim School, as well as complex and soloistic solo parts and first violin quartet parts. Much of that describes his two symphonies, written around 1775 (the second is essentially the overture to his opera, L'Amant Anonyme). The light, playful melodies are scored for two oboes, two horns and strings. The first movement is fast and lively, and the melody appears almost exclusively in the first violin (something to be expected, from a composer who was also a virtuoso violinist). The second movement is flowing and seamless, written for strings only, and easily could be confused for a second movement of an early classical string quartet. The melody, mostly appearing in the first violins once more, is punctuated with fanfare-like figures to close phrases and/or sections of the movement. The third movement finale is remarkably similar in style to a finale in a Haydn symphony.

Program notes

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